The Unseen Library

It is that amazing time of the year when I finally get my hands on the brand-new volume of the long-running Usagi Yojimbo comic series, written and drawn by the legendary Stan Sakai. Fans of this blog will be well aware of my all-consuming love for this amazing series that follows a roaming rabbit ronin, Miyamoto Usagi, as he traverses an intriguing alternate version of feudal Japan inhabited by anthropomorphic animals. Not only is this one of my favourite all-time comic book series but I have been steadily reviewing some of the older volumes as part of my Throwback Thursday series (see my recent reviews for Volume 12: Grasscutter, Volume 13: Grey Shadows and Volume 14: Demon Mask). Unfortunately, Sakai only releases one volume of this epic series a year, so it is a very big deal when I finally get my hands on the latest volume (this latest volume has been one of my most anticipated releases for 2022 for a while now).

This latest volume is Tengu War!, an intriguing and powerful comic that contains some awesome and clever new tales. Tengu War! is the 36^th overall volume in this series as well as the third volume printed by the publisher IDW (other IDW Usagi Yojimbo releases include Volume 34: Bunraku and Other Stories and Volume 35: Homecoming). I have been rather enjoying these more recent Usagi Yojimbo volumes from IDW as not only do they contain Stan Sakai’s usual impressive storylines, characters and artistic work but they are also packaged into a fantastic new format of booklet, which is slim and more aesthetically pleasing. In addition, the IDW volumes are also released in colour, which is an interesting change of pace from the previous volumes, which were initially released in black and white.

Tengu War! ended up being another great volume that makes use of Sakai’s skill and art to tell several complex and entertaining tales. Set immediately after the final comic of the previous volume and continuing several overarching storylines and themes, Tengu War! contains four unique new stories which were set out in issues #15-21 of the IDW run on the Usagi Yojimbo series. All four stories are fun and compelling new additions to the series that each present the reader with something different and distinctive.

The first entry is the volume’s main multi-issue story that sees Usagi return to visit an old teacher only to find himself embroiled in a deadly supernatural war. Made up of the first four issues of the volume, this entry actually consists of two stories, Sojobo and Tengu War!, which act together to tell one entire story, with Sojobo containing flashbacks to Usagi’s past, and Tengu War! featuring the current issue he and his friend are facing. Due to how closely linked these two stories are, with Sojobo providing the background to the longer Tengu War! story, I decided to talk about them as a single entity in this article.

These stories are set right after the events of the last volume, and swiftly tell the story of Usagi and his mostly hidden second sword master, the tengu warrior Sojobo. Years after his first meeting with Sojobo (see Volume 18: Travels with Jotaro) but before the events that would see him become a wandering ronin, a young Usagi returned to the tengu and convinced him to take him on as a pupil, enhancing his knowledge of the sword with Sojobo’s unique teachings. Now, years later, Usagi returns to Sojobo’s clearing to pay his respects, only to discover his former master in grave danger. A horde of guhin (lesser-tengu) are ravaging the mountainside, determined to claim the territory for themselves, and they have Sojobo and Usagi in their sights. To survive, Sojobo is forced to return to from his self-exile and reclaim leadership of his clan. But even with a tengu army at their back, can Sojobo and Usagi survive the onslaught of the guhin?

These two stories were an excellent start to this volume, especially as they contain all the best elements of a great Usagi Yojimbo story, with great new characters, compelling Japanese supernatural elements, and another intriguing glance at Usagi’s complex past. The first story, Sojobo, serves as a great introduction to the entire volume, perfectly continuing from the previous Sojobo story, and redefining the relationship between the two characters, showing their mentor-mentee bond. This sets up the rest of the Tengu War! story extremely well, as you have a good basis for Sojobo’s and Usagi’s stakes in the narrative. From there the story evolves into a classic Usagi Yojimbo tale, with Usagi getting involved in someone else’s fight, this time involving some unique and compelling supernatural foes. This extended story continues some brilliant character moments as Sojobo becomes reacquainted with his wife and clan, while also showing off the intractability and intense honour of the tengu. You also get to see the evolution of the bond between Sojobo and Usagi, and there are some great discussions as the wiser and battle-hardened Usagi discusses some recent changes in his life, such as the discovery of his son. It was also quite fascinating to see the apparent impacts that Sojobo’s training had on Usagi’s skill as a warrior, and I found it fascinating that Usagi’s fighting style is described as a combination of mortal and tengu techniques. The subsequent fights are pretty awesome and you get some fantastic and intense battle sequences that really highlight Sakai’s artistic skill. This all leads up to the big conclusion which contains a great mixture of action, satisfaction, camaraderie and tragedy, as victory is achieved at great cost, and the reader is left extremely satisfied with how this story turned out.

I have said many times before that some of the best Usagi Yojimbo stories are those where Sakai makes brilliant use of monsters, creatures or spirits from Japanese culture or mythology, and Tengu War! is a great example of this. This cool story provides one of the best looks at the tengu, a fantastic and unique Japanese yokai (supernatural entity), in the entire Usagi Yojimbo series, and I really enjoyed the cool dive into the mythology surrounding them. This story contains multiple different types of tengu who act as either allies or enemies, depending on their caste. This includes the main supporting characters, Sojobo and his wife, Nozomi, who are dai-tengu, with the classic long-nosed, red-faced, humanoid-appearance that most people would associate with tengu, and who act as master warriors and wise sages. These tengu are supported by their followers, the ko-tengu, bird-like creatures who act as samurai retainers in this comic, and I loved the cool combination of corvid features and samurai garb and mannerisms. The final group of tengu featured within this comic are the guhin, a lesser form of tengu who act as mysterious spirits of the hills and lesser peaks. Sakai depicts the guhin in this story in the more recent style of giant dogs (they are traditionally unseen spirits, but many modern depictions give them a canine physical form), and they come across as werewolf-like creatures, determined to take their rightful place at the top of the mountain. These different form of tengu are explored in compelling detail, and I loved seeing the awesome scenes featuring all of them, especially as it results in some excellent fight scenes between classic tengu goblins, sentient samurai crows, and giant werewolves. I loved this brilliant exploration of this unique part of Japanese culture (especially with the author’s comprehensive summary at the end), and it helps to enhance the outstanding overall story.

We next have the dark and captivating tale, The Master of Hebishima, which provides a chilling look at the evils of revenge, obsession and fear. In The Master of Hebishima, the wandering Usagi chances across a couple of peasants who specialise in trapping and removing the local pests, the tokage lizards. Upon meeting them, Usagi is intrigued to discover that the trappers sell most of their catch to a mysterious hermit on the island known as Hebishima (snake island), who lives amongst the local snakes. When one of the trappers is injured, Usagi volunteers to transport the captured tokages to Hebishima for them. However, what he finds there will shock and haunt him, as the hermit has a surprising history with Usagi, one that lies all the way back in the infamous battle of Adachi Plain. Faced with this surprising threat from his past, Usagi is unprepared for just how dangerous his opponent is, or what they are truly capable of.

The Master of Hebishima is a tight and powerful one-issue comic that may be the best entry in the entirety of the Tengu War! volume. Perfectly set up and executed, this tale is deeply interesting and powerful, especially with its unique and intense focus. Sakai has come up with an excellent story for this entry that not only ties into one of the key moments of Usagi’s life but which also shows the full impact of someone’s obsession and desire for revenge. The introduction of a mysterious stranger who has a connection to Usagi and the battle of Adachi Plain (which has been such a cool part of several volumes, including Volume 2: Samurai, Volume 11: Seasons and Volume 34: Bunraku and Other Stories), is handled perfectly, and I loved his unique backstory and the fact that you never actually find out his name. This villain’s entire history is tied to Usagi’s, and I liked the interesting symmetry in their loyalty, sense of honour and desire to serve their respective lords. The horror elements around this mysterious hermit are just great, especially with that snake reveal, and he proves to be an excellent opponent for Usagi, who could potentially come back in some future comics (I’d be keen for that). I was slightly disappointed that this story had nothing to do with distinctive Usagi Yojimbo villain Lord Hebi, a giant snake who serves as the principal lackey to the series’ main antagonist, but Sakai more than made up for this with all the other inclusions. This was an extremely well-paced story, and Sakai manages to do a lot with a single issue, producing one of his more memorable stories in recent years.

One of the most notable things about The Master of Hebishima is its exquisite art, some of which bears a slight difference to Sakai’s usual work. Parts of this issue are drawn sharper and in a slightly different style to the rest of the Tengu War! volume. This is particularly clear in the earlier panels of this issue, with some noticeable and intriguing stylistic changes to the characters and landscapes, which I thought looked like a well-enhanced version of Sakai’s usual drawings. I assume that this is because of the influence of artist Randy Clute, who is credited as giving “art assist” for this issue. Whatever the reason, I quite liked how this comic looked very early on, and it was interesting to see it change back to Sakai’s more typical style as the comic continued. The rest of the art in the comic also really needs to be highlighted though, as there are some extremely memorable and shocking moments drawn within. Not only do you get a notably spooky island of snakes for the main story but The Master of Hebishima also features a detailed flashback sequence that looks awesome, especially some of the battle sequences. I particularly liked how the antagonist’s face was constantly obscured by shadow during these flashbacks, as it helped to make them seem more sinister and mysterious while also ramping up anticipation for the final reveal, the best part of this story. This extended panel reveal is pretty damn freaky as the artists present a gruesome visage, accompanied by a Medusa-esque twist. This shot of the face is particularly well drawn in impressive detail and ends up being one of the most haunting panels I have ever seen in a Usagi Yojimbo comic. All this beautiful, if somewhat creepy, art really works to enhance this brilliant story, and it ensures that The Master of Hebishima really sticks in the mind and is well worth checking out.

The final story in the volume is the two-issue long story, Yukichi, another excellent character-driven narrative that introduces a fantastic new supporting character for the series. In this story Usagi encounters a fellow rabbit samurai, Yukichi Yamamoto, on the road. It is quickly revealed that, years ago, Yukichi was a disrespectful student at a prestigious sword school who insulted Usagi when the ronin attempted to meet his master. Now a more mature warrior, Yukichi is delivering the sword of his dead master to the school’s successor and, after he apologises to Usagi, the two decide to travel together. However, a rival school is determined to stop them delivering the sword by any means necessary, and they will use Usagi’s recent misadventures to justify their actions.

Yukichi is an amazing and fantastic story that serves as a great ending to the Tengu War! volume, especially as it combines an excellent Usagi Yojimbo story with some cool new character introductions. This story is another one with an excellent pace to it, smartly bringing in Yukichi, revealing the history between him and Usagi, before revealing the story’s villains, the members of a dishonourable sword school. From there the story intensifies as, after an initial confrontation, the students and instructors from the rival school attempt to kill Usagi and Yukichi, while also trying to claim a bounty on Usagi (a consequence of the main story in the previous volume, Homecoming). This results in a brilliant climatic scene where the two protagonists take on a horde of underlings before Yukichi engages their leader in an intense duel. This duel comes across as pretty awesome in the artwork, and you get the sense it is a real battle between master swordsmen. The conclusion of the fight, which highlights Yukichi’s naivety compared to the more jaded Usagi, is very cool, and I liked the conclusion of the story, where Yukichi is forced to make a big decision and eventually decides to travel with Usagi.

While the action, artwork, and story are great, the real highlight of this comic is the introduction of new character Yukichi, who Sakai is obviously setting up to be a big supporting figure in the overall series. Yukichi gets an excellent and comprehensive introduction here, and you swiftly get a grasp on his personality, history and relationship with Usagi. I mostly liked this character and his design, especially as he is a good foil to Usagi, given their divergent training history and life experiences, and his fighting style is awesome as well. His strong sense of honour, especially when faced with the poor successor to his master, was a great inclusion, and it does bring in some similarities with Usagi. I did think that the sudden realisation that they were cousins was a tad too coincidental, and wasn’t particularly necessary, but it does bring in a certain connection between the two which will bond them for the rest of the series. I wasn’t the biggest fan of Yukichi’s facial design either, especially those overly large and expressive eyes. It kind of made him look cartoonish and somewhat undercut the seriousness of some scenes. Still, this was my only real complaint about this new character and I am very curious to see what happens with him in the future Usagi Yojimbo volumes. I am predicting similarities to Usagi’s previous travels with Jotaro in volumes 18 and 19, and it will be interesting to see Yukichi interact with the other supporting cast members like Gen or Kitsune. An overall excellent and impressive end to this amazing volume that wraps everything up nicely.

As always, I really need to highlight the fantastic and awesome artwork featured with this incredible volume as Sakai continues to enhance his excellent stories with some gripping and powerful scenes. I have already discussed some of the best bits of art of each respective story, especially the amazing art of The Master of Hebishima, but every panel in this comic is drawn in exquisite detail. Not only does Sakai present some great character designs, especially around the new supernatural creatures in the Tengu War! story, but you have his always impressive setting shots that perfectly highlight the beautiful Japanese natural landscape or the historical buildings. You also must love the excellent battle sequences scattered throughout the stories. Sakai has always excelled at conveying movement and combat with his minimalistic style, and this is brilliantly highlighted in the various comics of Tengu War!, including in elaborate group fights or one-on-one duels. I am also really enjoying seeing these stories in colour from the get-go as part of the IDW release. While I will always be extremely fond of Sakai’s usual black and white style, having these adventures appear in colour is also amazing, and I feel that the colour enhances some of the art, especially in The Master of Hebishima, which came up beautifully. All this art brilliantly combines Japanese influences with western art styles and is such a joy to behold, especially as it always makes everything about the Usagi Yojimbo comics just a little bit better.

Another year, another exceptional Usagi Yojimbo volume as Stan Sakai once again produces a masterful and impressive new comic. Tengu War! is another awesome volume that presents the reader with three excellent stories that combine brilliant character work with unique narratives and outstanding artwork. I had so much fun reading this excellent comic, and it gets another easy five-star rating from me and comes very highly recommended.

Sierra Six by Mark Greaney

On March 22, 2022February 2, 2023 By The Unseen LibraryIn Audiobook, Five-Star Books, Thriller22 Comments

Publisher: Sphere/Audible Audio (Audiobook – 15 February 2022)

Series: Gray Man – Book 11

Length: 15 hours and 58 minutes

My Rating: 5 out of 5 stars

Epic thriller author Mark Greaney returns with the latest entry in his incredible Gray Man series with Sierra Six, an intense and captivating spy thriller that will grab your attention and refuse to let go until the final explosion.

Over the last few years, I have been absolutely hooked on the incredible thrillers of Mark Greaney, who is easily one of the best authors of spy fiction in the world today. Not only did he cowrite a very cool military thriller, Red Metal (one of my favourite books and audiobooks of 2019), but he has continued his exceptional Gray Man series. The Gray Man books follow Court Gentry, the titular Gray Man, an elite assassin and undercover operator who has worked both for and against the CIA. This series has been so very cool, from the first novel The Gray Man (set to become a Netflix movie later this year), to the last three awesome entries, Mission Critical, One Minute Out (one of my favourite books and audiobooks of 2020) and Relentless (one of my favourite books and audiobooks of 2021). Due to how impressive this series has been, I have been really excited to read the next book, Sierra Six, and it was one of my most anticipated releases of 2022, especially as it had a very cool plot to it.

Court Gentry, the Gray Man, is once again the world’s most wanted spy, hunted by his former employers, the CIA, and every other intelligence agency on the planet. Looking for work, Gentry accepts an easy infiltration mission in Algeria to spy on a delegation from Pakistan. However, the mission goes sideways when Gentry recognises one of the Pakistanis and his rookie technical officer is captured. Chasing after the kidnappers, Gentry follows their trail to India and must relive one of the darkest moments from his past.

12 years ago, long before he became the Gray Man, Court Gentry was a talented young agent for the CIA. Specialising in solo operations, Gentry is suddenly reassigned to Ground Branch and must work as the junior member of veteran CIA action team, Golf Sierra. Given a new designation, Sierra Six, Gentry is forced to adapt to a new way of fighting as he and his team attempt to hunt down a dangerous terrorist leader in Pakistan. However, their mission resulted in a high body count and a great personal loss that has haunted Gentry ever since.

Now, as Gentry works his way through Mumbai, he must face the realisation that the target of his original Sierra Six mission is still alive and active after all these years. Determined to finish the job once and for all, Gentry works with a small team of rogue operators to find his target. However, his old foe has initiated a bold new plan that could have devastating consequences for all of India. Can Gentry get his revenge before it is too late, or will the ghosts of his past finally finish him off?

Greaney is in fine form with Sierra Six as he has written another excellent and intense spy thriller that I deeply enjoyed. Containing an action-packed and multilayered narrative loaded with major set pieces, exciting spy elements and some complex characters, this was another awesome Gray Man novel from Greaney.

Sierra Six was an absolutely thrilling read and I had an outstanding time getting through the impressive and addictive narrative. Greaney does something a little different for this book and features an excellent and intricate split timeline narrative, with the book divided between the events of the past when Gentry was part of Golf Sierra, and the current events in Mumbai which see Gentry again contending with the target of this original mission. The narrative switches between the two timelines every chapter or two and you get a great sense of what is happening in both well-established storylines. These two plot lines advance at a great pace throughout the entire novel and feature their own range of distinctive and fun supporting characters, some of whom appear in both the contemporary and past storylines. I had a lot of fun with the two separate periods, and I loved how they both made excellent use of interesting characters, fantastic developments and a ton of high-octane action sequences.

The timelines support each other extremely well, with certain hints about the events of the past contained in the contemporary storyline increasing anticipation for the historical storyline, while revealed details about the villain and the young Court Gentry from 12 years ago enhance the protagonist’s current adventure. In both cases, Gentry and his allies embark on a methodical hunt for their quarry, with a high body count accumulating as they follow various leads and respond to their opponent’s counter plays. While primarily told from Gentry’s perspective, both timelines utilise distinctive side characters to great effect, and you see intriguing supporting perspectives, including from the antagonist, that help to widen the picture and enhance the richness of the story. Both timelines eventually lead up to an awesome final sequence, comprised of two near-suicidal missions that the protagonist is engaged in. This final section of the novel is extremely fast paced, especially as Greaney shortens the chapters and introduces more frequent jumps between the timelines to make everything seem even more frenetic. Both timelines end with some incredible and awesome major set pieces, and I loved how Greaney used the end of the past storyline to set up the antagonist’s eventual return. The novel ends on a great note, with the two separate storylines coming together perfectly, and the reader is left very satisfied, if a little moved, at the tragic ending of the events from 12 years ago. I was extremely impressed with how this fantastic story came together, and this ended up being an addictive read with so many awesome moments in it.

Sierra Six was a particularly good entry in this already awesome series, and I loved how Greaney was able to create a book that both stands on its own as a thriller, while also serving as an amazing entry in the wider series. This novel is structured to be very accessible to new readers, and anyone can easily pick up this book and start reading it without any knowledge of the prior entries in the series, especially as certain key elements are carefully explained when necessary. There is also a lot for established Gray Man fans to enjoy here, as Greaney provides a bit of an origin story for his long-running protagonist. Not only do we get to see Court Gentry do some of his earliest work for the CIA, but you also get to see his first interactions with key supporting characters, including Matthew Hanley and Zack Hightower. I also loved a couple of fun little cameo appearances and throwaway lines that reference some of the earlier books, including the quick but enjoyable inclusion of the antagonist from the original novel. While there is are no major continuations of some of the established storylines this is still a key and intriguing Gray Man novel, and it is one that people familiar with this series will deeply enjoy.

I was very impressed with some of the unique elements of this book, particularly those involving tradecraft, espionage work and covert combat teams. There is a real focus on tradecraft throughout Sierra Six, and the author ensures that everything feels exceedingly realistic and gritty as the characters play their spy games. Not only do you get to see some of the usual undercover work that Gentry excels in but you also get a great look at paramilitary combat, as the protagonist learns from scratch the rules of fighting as part of a combat team. All this tradecraft really adds to the authenticity of the story, although it did make parts of the book a little clunky in places, especially when the narrator or the characters explain certain espionage or military elements multiple times in overly descriptive ways.

I also rather enjoyed the exciting settings of the various timelines, as Greaney takes the reader to wartime Afghanistan, Pakistan and modern-day India. This is an interesting change of pace from most of the Gray Man novels I have read, which have been primarily set in Europe, and I liked seeing the various descriptive landscapes and unique people. Mumbai proved to be a great setting for most of the contemporary storyline, and it was very fun to see Gentry manoeuvre his way through the crowded districts and locals. I also really enjoyed the focus on Pakistani intelligence and the Indian underworld, which proved to be very fascinating. For example, the fiction criminal group B-Company are clearly based on the infamous real-life D-Company, and it was quite intriguing to see them worked into the story, while also examining their origin and goals of their leadership. All these cool tradecraft elements and intriguing settings deeply enhanced the overall story, and it made for quite a fascinating and distinctive read.

There was some rather interesting character work going on in Sierra Six as Greaney takes his fantastic protagonist to some very dark places at various points in his timeline. I really appreciated the dive back into the period before Court Gentry became the Gray Man, and Greaney paints a compelling figure of a habitual loner with no personal attachments only at the beginning of his espionage career. Watching Gentry join a team and try to play nice with others was a captivating part of the book, and it was fascinating to see the rookie Gentry get rattled by stuff he’ll become much more used to in the future. Greaney also enhances Gentry’s development by including a curious, but touching, relationship in the earlier timeline, which helped to humanise Gentry a lot. However, certain tragic elements from this help mould him into the killer we all know and love, and Greaney subtly introduced the ripples from this into the contemporary storyline. The reader leaves Sierra Six with a much better understanding of this cool character, and I had a great time seeing more of the Gray Man’s past.

Both timelines are filled with an excellent and comprehensive cast of side characters, each of whom add a great deal to the narrative and Gentry’s development in their own way. While there are a few recurring characters from the previous Gray Man novels, most of the focus are on newer figures, who Greaney provides with compelling and interesting backstories. I liked how the past and modern-day storylines both featured great female side characters who helped move the story along in their own distinctive ways. This includes the socially awkward intelligence officer Julie Marquez, from the original Golf Sierra mission, and Indian tech guru Priyanka Bandari, who Gentry is forced to work with after saving her from kidnappers. Both female characters add to the plot a great deal, and it is fascinating to see events unfold from their eyes, especially as they have diverse life experiences and are also seeing very different versions of the protagonist. The storylines around both women are written extremely well, and I really appreciated where both went, especially as they both included tragedy, regret and definitive action. I also must really highlight the use of long-running supporting character Zack Hightower, who was an excellent inclusion in the historical storyline. Zack is always a great foil to Gentry, and I really enjoyed seeing him interact with the younger, cockier version here, especially as it shows some of the earlier dynamics between them. Watching Gentry meet his mentor and friend for the first time was great, and I really enjoyed the cool storyline that developed between them and the other members of the Golf Sierra kill team. All these characters were extremely impressive and I had a brilliant time getting to know them throughout the course of Sierra Six.

While I did receive a paperback version of Sierra Six, I went out of my way to also get this novel on audiobook as I have had some awesome experiences with the Gray Man books in this format before. This proved to be an excellent decision as the Sierra Six audiobook was amazing, perfectly telling the cool story while enhancing the intriguing tradecraft and action elements. The Sierra Six audiobook has a run time just short of 16 hours and so requires a bit of a time investment to get through it, although I think this was more than worth it and dedicated listeners should be able to get through rather quickly. I was also very happy to see that this audiobook once again featured the vocal talents of Jay Snyder, who is one of my favourite audiobook narrators at the moment. Snyder has a gruff and distinctive voice that fits the harder spy thriller feel of this novel perfectly and drags the listener into the intense tale. Snyder does a brilliant voice with all the characters featured within, and you get a good sense of their various emotions and feelings, especially during some of the more action-packed sequences. I had an outstanding time listening to this audiobook and it is an excellent format for anyone interested in trying out this latest Gray Man novel.

The always impressive Mark Greaney has done it again, producing an incredible and exciting new Gray Man novel. Sierra Six, features a bold and captivating story that cleverly utilises two distinctive timelines to tell its intense and moving tale. Loaded with fun character, brutal action sequences, and some intriguing espionage moments, this was another outstanding book I had a brilliant time reading. Sierra Six comes highly recommended from me and I cannot wait to get my hands on the next Greaney book.

Throwback Thursday: Usagi Yojimbo: Volume 13: Grey Shadows by Stan Sakai

On March 3, 2022August 23, 2022 By The Unseen LibraryIn Comics/Manga, Five-Star Books, Throwback Thursday3 Comments

Publisher: Dark Horse Comics (Paperback – March 2000)

Series: Usagi Yojimbo – Book 13

Length: 200 pages

My Rating: 5 out 5 stars

Welcome back to my Throwback Thursday series, where I republish old reviews, review books I have read before or review older books I have only just had a chance to read. For this week’s Throwback Thursday I check out another epic entry in the amazing Usagi Yojimbo series by Stan Sakai with the 13^th volume, Grey Shadows.

I had a lot of fun reviewing the 12^th volume, Grasscutter, last week and it set me down a bit of a reread journey which saw me revisit several other Usagi Yojimbo volumes. As such I thought I would take the time to do another review of one of Stan Sakai’s comics, and luckily the next one on my list, Grey Shadows, is a particularly good one.

Grey Shadows takes place immediately after the massive events of Grasscutter and details several adventures that rabbit ronin protagonist Miyamoto Usagi goes on during this period. Made up of issues #23-30 of the Dark Horse Comics run on the Usagi Yojimbo series, Grey Shadows returns to the series norm of featuring several shorter stories, each of which pit Usagi against a new threat or opponent. Grey Shadows have several excellent stories, including some that focus on fantastic murder mystery elements while simultaneously introducing interesting new characters.

The first story in this volume is the intriguing and touching entry, My Father’s Swords. This single-issue story first sees Usagi at the temple of his friend priest Sanshobo recovering from his deadly duel with the demonic spearman Jei at the end of Grasscutter. Still troubled by the disappearance of Jei’s body and the sudden burden of being responsible for the legendary Grasscutter sword, Usagi journeys out from the temple to scout the surrounding area and determine if it is safe to move the divine blade. His journeys eventually lead him to meet young wandering samurai, Donbori Chiaki, whose father was an old friend of Usagi’s who served with him under Usagi’s former lord. While travelling with Chiaki, a chance encounter reveals secrets that will rock Usagi’s soul as a samurai.

This was an interesting first story for Grey Shadows and it is one that I really appreciated. I liked the excellent start that revisited key events of the previous volume and examined the burden that Usagi, Sanshobo and Gen now bear. Not only does Sakai use this opportunity to inform the protagonists about some of the other events of Grasscutter that they were unaware of, but it also helps set up the future 15^th volume, Grasscutter II, which will end this overall storyline. Sakai also takes a little time to showcase Usagi dealing with the dark details of the defeat of his adversary Jei, especially after Jei’s body disappeared upon his defeat. There is a great scene where a clearly shaken Usagi destroys Jei’s fallen black spear to convince himself that his foe is truly dead, although you can tell he doesn’t believe it. I am rather impressed that Sakai manages to do such a comprehensive wrap up of the events of the previous volume in such a short amount of time, while also leaving room for another interesting story.

The main story of My Father’s Swords is pretty moving, as Usagi is immediately brought back to another trauma, his service to Lord Mifune and the Battle of Adachi Plain (see Volume 2: Samurai and Volume 11: Seasons). Travelling with the son of an old comrade lets Usagi briefly relive his glory days, before the past is once again thrust upon him when it is revealed that his friend, Donbori Matsuo, is still alive, following his son anonymously as a cripple. The reasons for Matsuo hiding his existence from his son and the burden he then places on Usagi to keep this secret for him is a little heartbreaking, and it provides more context about the samurai way of life Usagi is bound to. The entirety of this storyline is handled perfectly, from the great introduction to Chiaki, the fun remembrances of Usagi’s past, to the final revelation about Matsuo that ends the story on a poignant note that will leave you very thoughtful and moved. I enjoyed some of the clever artistic tricks in this story, such as the dark shade around Usagi when he deals with Jei’s spear, and the fun way in which Sakai slips in the beggar Matsuo into the background of several scenes, revealing his subtle surveillance of his son. An excellent entry that not only references the events of Grasscutter but also features a powerful story of its own, My Father’s Swords proves to be a great start to this entire volume.

Sakai follows up the moving first story of Grey Shadows with the dark second entry, The Demon’s Flute, a clever and memorable horror story. The Demon’s Flute sees Usagi traversing some remote hills only to be drawn to a small town by the haunting melodies of a flute. Once there, he discovers that the village is under attack by a mystical menace which kills villagers in utter darkness while the sound of a flute plays. Believing it to be a ghostly figure of a flutist who wanders around with a white tokage (the dinosaur lizards that serve as this world’s main animals), the villagers implore Usagi to help save them. However, the true evil attacking them proves to be more complicated and sinister than anyone of them believed.

The Demon’s Flute is a great story that shows just how haunting a Usagi Yojimbo story can be, especially when Sakai utilises some of the creepiest elements of Japanese mythology. While some of the elements of the story are slightly predictable (Usagi has rocked up to save a lot of random villages over the years), the story has a great pace to it that sees Usagi attacked by dark forces he cannot overcome. The various scenes where Usagi runs around the village chasing the darkness and the sound of a playing flute are extremely tense, and the sudden reveal of the story’s monster proves to be very thrilling. I loved the great art that surrounded this part of the story, especially as Sakai makes great use of pure blackness to enhance the tension and threat of a scene, with Usagi often only illuminated by a small hand torch. The final reveal of the monster and the reason for the haunting flute is pretty cool, and I liked the dark sense of honour and duty that drives even the evil and dead of this realm. While parts of the story are wrapped up a little too neatly, this was still a brilliant entry which reaffirms my love for Sakai’s horror stories.

The next entry in Grey Shadows is the wholesome and enjoyable Momo-Usagi-Taro, which sees Usagi arrive at a large town. However, he is almost immediately accosted by a group of orphan children who wrangle him into accompanying them to their orphanage, where he tells them an epic tale to keep them entertained. This is a genuinely nice entry in this volume, which helps to break up the tension and serves as a gentle buffer between the darker stories in the volume. While Sakai does take the time to do a little set up for the upcoming stories, most of Momo-Usagi-Taro is dedicated to Usagi’s story to the children, which is a retelling of the classic Momotarō folk story. I always love it when Sakai tells traditional Japanese stories in his comic, especially as you get to see his artistic take on the legend (which usually results in the protagonist being altered to resemble Usagi), and it was great to see this classic tale brought to life in a new way. Readers are in for a nice story here, and I loved the fun revelation at the end that the orphanage is the same one shown in Daisho, which is supported by the bounty hunter Stray Dog.

Now we are getting to some of the main stories of Grey Shadows with The Hairpin Murders. Set across two issues, The Hairpin Murders sees Usagi get involved in a murder mystery case in town when several prominent merchants are killed using a woman’s hairpin. Teaming up with the brilliant detective, Inspector Ishida, Usagi helps with the investigation and is soon thrust into a long-hidden conspiracy that bind the victims together. However, the closer they get to the truth the more resistance they encounter from Ishida’s superiors, forcing them to decide just how far they want to go to get justice.

This was an excellent and intriguing story that serves as one of the more impressive entries in this entire volume. While still maintaining its comic style and focus, The Hairpin Murders reads just like a classic murder mystery story and sees the protagonist involved in a constricted investigation to find the truth. Sakai sets up this mystery perfectly, and you are soon racing along to find out who is responsible and why. There are a couple of great twists here, as well as some interesting connections to kabuki theatre, with the eventual reveal of the murderer and their motivations is handled really well. The story ends on a pretty satisfying note, and it proves to be quite an intense and intriguing story.

One of the best things about The Hairpin Murders is the introduction of new character Inspector Ishida, who serves as a supporting figure in the rest of Grey Shadow’s stories. Based on real-life policeman Chang Apana (the inspiration for fictional detective Charlie Chan), Ishida is a hard-boiled police inspector who is tasked with investigating various crimes around his town, mostly murders. Despite being restricted by feudal Japanese practices (he can’t do a proper investigation of a body), and the interference of his corrupt superiors, Ishida is a brilliant detective, able to solve complex crimes with the most basic of clues. Ishida gets a great introduction in The Hairpin Murders, as not only do you see him investigating a tough case but you also learn more about his personality, dedication to justice and elements of his tragic past. It is so fun to see him in action in this story, especially as he has that great fight scene that shows of his unconventional fighting style (which is surprising considering his small, hunched stature), as well as his excellent use of the cool jutte weapon (I love the jutte so much). However, the real hint at just how complex and fascinating a character Ishida is occurs at the end of The Hairpin Murders when Ishida is presented with a massive dilemma of justice. It is strongly implied that Ishida, who spends most of the story sticking to the rules, takes justice into his own hands, and I think it fits perfectly into his character arc, while also leaving some ambiguity about how far he went. This really was one of the best character introductions of the entire Usagi Yojimbo series and it was so successful that Ishida would become a major recurring character in future volumes (such as Volume 32: Mysteries and Volume 33: The Hidden).

The other two-issue long story in Grey Shadows is the compelling and moving tale, The Courtesan. In The Courtesan, Usagi runs into the scared young woman he has noticed multiple times in the last few stories and saves her from a group of masked attackers. His actions lead to him gaining the attention of the town’s leading courtesan, the alluring Lady Maple, who begs Usagi to help save the life of her young son, who is the legitimate heir to the local lord. However, dangerous forces within the lord’s court see Lady Maple kidnapped and her son in danger, with only Usagi able to help.

This was another powerful story that really helps to make this volume stand out in terms of story building and character work. The Courtesan is a particularly well-paced story that ties in well with the other entries of the Grey Shadow’s volume. Sakai has come up with a pretty compelling narrative here, and the secret battle for control of the lord’s inheritance is played out with some awesome elements, such as a dive into the world of Japanese courtesans and including several great fight sequences. The character of Lady Maple is particularly strong, as not only does Sakai make a lot of effort to highlight her elaborate beauty with his artwork, but he also shows the mother hidden underneath the fancy makeup and costume, one who is concerned solely for the welfare of her child. This leads up to an epic and tense conclusion, as Usagi faces down all the conspirators, only for his victory to be marred by tragedy. I loved the powerful ending this story contained, which, while sad, also ensures that several worthy characters get what they most wanted in life. Easily one of the strongest tales in the entire volume, I always enjoy reading this impressive story.

The final entry in Grey Shadows is the fast-paced and action-packed single-issue story, Tameshigiri, which serves as an excellent conclusion to the entire volume. Tameshigiri is another mystery story that sees Usagi assist Inspector Ishida to investigate some murders around town. This time the two friends are looking into a series of random killings by mysterious masked samurai. The attacks seem extremely random and lacking in motivation, but the two are soon drawn towards the acolytes of a failing sword testing school who may have a dark reason for dropping bodies around town.

This was a pretty fun and cool final story for the volume, and it leaves an exciting end note for the reader. Sakai pulls together a fantastic and compelling shorter story here that once again combines murder mystery elements with the traditional comic book action. While the culprits of the murder are quite clear from the outset, it is pretty fun to see their plan unfold and the protagonist’s subsequent investigation into it. The reasons behind the antagonists’ actions are pretty fascinating, and the author paints an outstanding picture of desperation and duty that drives them to kill. I also quite liked the intriguing investigation into traditional sword testing, which ties into the story extremely well and proves to be a fascinating addition to Tameshigiri’s plot. The entire story leads up to a massive action sequence that sees multiple participants on both sides engage in a deadly battle to the death. Not only doe we get to see more of Inspector Ishida’s unique fighting style, but Usagi also shines in an awesome duel. Throw in the amusing jokes about the events of the preceding story, where Ishida clearly knows Usagi is behind some of the mayhem, and you have a very entertaining entry that not only wraps up the Ishida-based storylines extremely well, but also ensures that the reader has some fun on the way out.

I must once again highlight Sakai’s brilliant artistic work in this cool volume, as Grey Shadows contains impressive examples of Sakai’s amazing style. There are so many beautiful and intricately detailed drawings throughout this awesome volume, and I love how perfectly it enhances the already great storylines. I particularly love the amount of detail that he throws into the various panel backgrounds, ensuring that the reader sees both the full breadth of Japan’s majestic natural landscape and the traditional feudal style buildings in the towns and villages Usagi visits. Sakai also does incredible justice to the many battle sequences scattered throughout Grey Shadows, perfectly portraying the intricate deadly movements that make up the character’s sword play. You always get an impressive sense of how the characters moved as they battled, and I deeply appreciated all the brilliant and brutal fight scenes. This incredible artwork always pairs so perfectly with the written story, ensuring that this 13^th volume was very spectacular and awesome to look at.

As you can see, I had a lot of fun with Grey Shadows, and it proved to be another excellent entry in Stan Sakai’s Usagi Yojimbo series. This 13^th volume features several outstanding stories, which really dive into their unique protagonists and antagonists and show the full majesty of this version of feudal Japan. Serving as a key entry in the overall series thanks to the introduction of a cool new character, Grey Shadows is a must read for all Usagi Yojimbo fans and it gets another five-star rating from me.

City of the Dead by Jonathan Kellerman

On February 23, 2022February 27, 2023 By The Unseen LibraryIn Murder Mystery16 Comments

City of the Dead Cover 2

Publisher: Century (Trade Paperback – 15 February 2022)

Series: Alex Delaware – Book 37

Length: 319 pages

My Rating: 4.5 out of 5 stars

Prepare to dive back into the excellent world of Jonathan Kellerman’s Alex Delaware series with the latest fantastic entry, City of the Dead.

There are some awesome crime fiction authors out there now who have some brilliant long-running series, but one I have been particularly drawn to is bestselling author Jonathan Kellerman. Kellerman, who debuted in 1985, is an impressive murder mystery author who is best known for his Alex Delaware books. This fantastic series follows titular protagonist psychologist Alex Delaware as he helps his police detective best friend solve some of the strangest or disturbing murders throughout Los Angeles. I started reading this book a few years ago and have had an excellent time with the last three entries, The Wedding Guest, The Museum of Desire and Serpentine, all of which had an impressive and clever murder mystery narratives. As such, I made a real effort to grab City of the Dead when it came out as I knew I was going to have a great time with it. City of the Dead is the 37^th Alex Delaware book and features another twisty and powerful mystery.

On a dark LA early morning, a moving truck runs over a naked body on the street. As the police investigate this tragic accident, they discover a blood trail, which leads them to a nearby house, where the body of a murdered female is found. Finding many of the details of this case to be unusual, LAPD homicide lieutenant Milo Sturgis once again brings in his friend, psychologist Dr Alex Delaware, to consult. While the identity of the naked male out on the street is unknown, Alex is shocked to discover that he knows the female victim from one of his custody cases.

The victim, Cordelia “Cordi” Gannett, was a fraudulent mental health practitioner who specialised in manipulating the vulnerable for her own advantage. Concerned that her deceptive practices may have led to her death, Alex and Milo examine her past to try and discover who killed her. But as they dig into her intriguing life, Alex and Milo quickly discover that their victim had a troubled past, filled with mistakes, betrayals and bad influences. But the more they uncover, the more they begin to question everything they think they knew about this terrible murder. Was Cordi the dangerous manipulator everyone believes, or was she something far more vulnerable? And what role, if any, did the dead man on the street play in her death? A dangerous and disturbed murderer lies behind this crime, and their reasons for killing will shock even the hardened team of Alex and Milo.

Kellerman has done it again, producing an excellent and compelling murder investigation that will quickly hook you and take you to some dark places. I loved the brilliant narrative of City of the Dead, which combines a complex mystery with interesting characters and the author’s unique style and perspective. The author sets the start the story perfectly, with a couple of bodies discovered in unique positions that immediately grabs the reader’s attention. This interest is intensified once the connection between Delaware and the victim are established, which also reveals the victim’s scandalous past. From there the story continues at a slower pace, with Alex and Milo carefully building their case and their profile of the victim through intriguing interactions with various people with connections to the victim and her past. This helps to set the scene for the rest of the novel, and the reader gets to see how all the details of this case are collected and pulled together. The plot picks up a notch about halfway through when certain interesting developments to key suspects occur, producing extra complexity to the case, although I question the use of a couple of outrageous figures around this point. From there the story reaches its zenith, as the protagonists get closer to their answers and a big reveal comes to light. I really liked the twist towards the end, although it did kind of come out of nowhere and relied a little too much on coincidence. However, I was very impressed by how Kellerman set up the big reveal from the very beginning of the book, especially as it helped to soften the randomness factor of the sudden reveal. The entire motivation behind the killings was pretty bonkers (in a good way), and I loved how dark the story got, as well as the intriguing connections to the protagonist’s psychology background. While I did think the story ended a tad too abruptly after this reveal, this was still a great story and I honestly could not put this down once I started.

Kellerman has a great writing style which I think complemented this fantastic narrative perfectly. There is a really unique feel to each of his novels, especially as the characters have a distinctive way of interacting and talking, which I feel is a little more natural, even if they sometimes go off on some odd tangents. I definitely liked Kellerman’s sense of pacing, and he strings this story our extremely well, with the slower, investigative side of the narrative perfectly balanced with the more intense and powerful moments. The author hits all the right notes when it came to timing and fun reveals, with every great scene or unique character receiving a great introduction that brings the reader in. Like all of Kellerman’s Alex Delaware novels, I found City of the Dead to be extremely inclusive to new readers, and the reader does an excellent job of re-introducing the recurring characters, plot threads and dynamics. City of the Dead can easily be read as a standalone novel, and people with no pre-knowledge of the series can jump in here without any problems. I had a great time getting through this impressive story and I ended up powering through the last 200 pages in less than a day, especially after I got really invested in the outstanding mystery.

One of the main things that I love about the Alex Delaware novels is the grounded and realistic approach that Kellerman takes to investigating a murder. The characters investigate each case, including the one in City of the Dead, with a very methodical style, assessing the facts and slowly building up the case one fact at a time. There is a particular focus on interviews and research, with the characters talking to multiple people who might know something to gain insight into the victims or potential suspects, while also diving into their past anyway they can. This, combined with other real-life details such as delayed lab results or overworked cops and technicians, makes for a much more accurate portrayal of a murder investigation. I personally love this style of mystery solving, and it helps to give City of the Dead a much more unique feel than some other murder mysteries out there. I will say that some of the jumps were a bit over-the-top in places, and certain key revelations are only gained due to coincidental interactions outside of the main investigation. Still, this is a great crime fiction story and I have a lot of fun with how a typical Kellerman investigation unfolds.

The final thing I need to discuss are the great characters of City of Dead, especially the two protagonists, Alex Delaware and Milo Sturgis. By this point at the series, Kellerman has established an excellent dynamic between these two characters, and the brilliant psychologist and the seasoned police detective play off each other perfectly. You can really sense the close friendship they have, and their excellent and distinctive back-and-forth banter is very entertaining. Pretty much any story involving this partnership really works, and I have a lot of fun with this great team. I also was quite impressed with the unique character of Cordi, the main victim of the story. While we never see the character when she’s alive, Kellerman does a deep dive into her past and personality throughout the course of the novel as the two protagonists attempt to find out everything about her. While you initially form a negative opinion of Cordi (even though she’s a murder victim), Kellerman successfully builds some nuance around her as the investigation continues. The resultant picture, of a neglected and damaged person who is determined to never be poor or mistreated again, is very moving, especially as it speaks to some of her notable character choices and mistakes. This makes for a very striking and compelling figure, and it is fascinating how much you become invested in finding her killer. The killer was also an interesting choice from Kellerman, and while I won’t reveal too much here, I liked how they connected into the narrative, and I had a lot of fun when their motivations were revealed. An excellent group of characters who enhance a compelling and exciting narrative.

With this latest amazing novel, City of the Dead, Jonathan Kellerman continues to shine as one of the more interesting crime fiction authors currently writing. This fantastic novel brilliantly continues the long-running Alex Delaware series and presents the reader with an entertaining and thought-provoking murder mystery narrative. Filled with a great story, some excellent investigation elements and a fantastic cast, City of the Dead was an impressive and addictive read that comes highly recommended, especially to fans of the iconic Jonathan Kellerman.

Throwback Thursday – Beastslayer by William King

On January 14, 2022March 10, 2023 By The Unseen LibraryIn Extended Universe, Fantasy, Throwback Thursday, Tie-in Novel, Warhammer13 Comments

Beastslayer Cover

Publisher: Black Library (Paperback – February 2001)

Series: Gotrek and Felix – Book 5

Length: 275 pages

My Rating: 4.5 out of 5 stars

Welcome back to my Throwback Thursday series, where I republish old reviews, review books I have read before or review older books I have only just had a chance to read. For my latest Throwback Thursday I continue to examine the awesome and exciting Gotrek and Felix series from the Warhammer Fantasy range with the fifth book, Beastslayer by William King.

Readers of my blog will have no doubt noticed my increased consumption of Warhammer novels in the last year as I have really started to get hooked on this cool franchise again. One of my absolute favourite series has been the epic Gotrek and Felix books, the earlier entries of which are written by talented William King. This excellent series is set in the Warhammer Fantasy world and follows two compelling protagonists, doomed dwarf Slayer Gotrek Gurnisson and his human companion Felix Jaeger, as they face the monsters, daemons and evil forces of the world in an attempt to find Gotrek a mighty death. I have had a lot of fun with this series in 2021 and ended up reading the first four Gotrek and Felix books, Trollslayer, Skavenslayer, Daemonslayer and Dragonslayer. This fifth book was another great entry in the franchise and pits this legendary team against an entire army of evil.

After their harrowing journey to the Chaos Wastes and their epic quest to slay a monstrous dragon, Slayer Gotrek Gurnisson and his chronicler Felix Jaeger continue their adventures throughout the Old Realm. Once again determined to journey to the most dangerous place possible, Gotrek and Felix find themselves within the Kislev city of Prague, the great fortress city that serves as a bulwark between the Chaos Wastes and the civilised realms of man. However, this mighty city is in mortal danger as a massive horde of Chaos descends upon it, led by the fearsome Arek Daemonclaw.

Arek, a ferocious and cunning war leader and sorcerer is determined to destroy Prague and lead his forces throughout Kislev and down into the Empire. To carry out his goals, Arek has amassed one of the greatest armies of Chaos ever seen, filled with Northern marauders, elite warriors blessed by the dark gods of Chaos, beastmen, mutants, monsters, daemons and two sorcerers of unimaginable power. Their victory over the people of Kislev seems certain, but Gotrek and Felix are used to fighting such impossible odds.

Accompanied by several powerful friends and allies, Gotrek and Felix are resolute in their determination to save Prague and kill as many followers of Chaos as possible. However, their opponents are well aware of the threat these two companions represent and are doing everything in their power to destroy them. Forced to confront both the massive army outside the walls and treacherous cultists from within who are led by a powerful member of the Prague court, can even Gotrek and Felix survive this latest attack from hell?

This was another thrilling and fun entry in the Gotrek and Felix series that I had a fantastic time reading. Beastslayer has another great, action-packed story, and it was awesome to see the series’ two protagonists embark on another epic adventure. This fifth novel takes place shortly after the events of Dragonslayer and sees the heroes arriving in the city of Prague just before the invading Chaos army arrives. The story quickly devolves into a bloody siege novel, with the entire city under threat from the massive army outside. I have a lot of love for siege stories, and this proved to a pretty good one, especially as some of the battles get quite brutal and over-the-top. While the focus is naturally on the siege itself, King also mixes things up by installing a cool arc about a traitor within the city who is given the task of eliminating Gotrek and Felix. This amps up the stakes for the heroes and ensures that they are facing threats from all sides. While I did think that the identity of the mysterious traitor was a bit obvious (I had them pegged before I even knew there was a traitor), this intriguing arc worked out really well and I had a lot of fun with it. The real highlight however is the final battle between the protagonists and the invading army. King produces a truly amazing final battle sequence that sees Gotrek, Felix and their friends in one massive extended battle that really stretches them to their limit. Although the eventual arrival of various allies seemed a tad predictable, it still ended up being an intense final third of the novel and I could not put the book down the entire time the battle was raging. Throw in some interesting character development and an entertaining, if slightly disconnected, storyline around recurring antagonist Grey Seer Thanquol, and you have a great Gotrek and Felix novel that is really worth checking out.

I really liked the way that King wrote Beastslayer and I honestly think that it was one of the more consistent and compelling entries in the series so far. King has moved away from having novels with partially separated storylines (such as the first parts of Daemonslayer and Dragonslayer), and instead presented a strong and very self-contained narrative. Like most of the entries in this series, readers can easily dive into Beastslayer without having any prior knowledge of the series. King makes sure to revisit and examine most of the key storylines and character moments from the previous novels, ensuring that new readers can easily follow what is happening here without too many problems. From a series standpoint this is a key entry, wrapping up storylines from the previous novel in a fun and exciting way. I loved seeing where some of the long-term story elements went, and by concluding a few of them, King sets up the next novel as a bit of a clean slate for new things. This ended up being a pretty solid action-adventure novel, and I loved all the brilliant fight sequences that King loaded into the story. These various action sequences are pretty gritty and brutal, and you get a real sense of the destruction and death being dealt around. I had an outstanding time reading this novel and I think it was one of King’s stronger books.

One of the things that I liked about the Gotrek and Felix series is the slightly limited degree to which the plot relies on the overarching universe. While this is clearly set within the Warhammer Fantasy world and features several iconic factions, locations and foes, enjoyment of this book is not dependent on known anything about them. Any fantasy fan can easily dive into Beastslayer without being familiar with Warhammer lore and still have fun, and indeed this is a great introductory series for people interested in checking out the franchise. There is of course a lot that will appeal to people more familiar with Warhammer and it was great to see some of the iconic locations, such as Prague and Hell Pit, especially as King does a wonderful job fleshing them out (especially Hell Pit, which is filled with some crazy Clan Moulder mutations). There are also some great references to key parts of Warhammer history, such as the previous siege of Prague, and I enjoyed the continued focus on the lands of Kislev, which are often overlooked in Warhammer Fantasy fiction. This ended up being a fantastic tie-in to the wider universe, especially as King went all out bringing in various monsters and Chaos foes, and I cannot wait to see where this series goes next.

At this point in the series, the central characters have been well established, and not only are the readers very familiar with the two main protagonists, Gotrek and Felix, but also with some of the main supporting characters, such as Max Schreiber, Ulrika Magdova and Snorri Nosebiter. As such, there isn’t a great deal of character development in Beastslayer as King was mostly concerned with keeping the status quo. As such, Gotrek and Felix are pretty much portrayed in the same entertaining way they have been throughout the entire series, with Gotrek being a grim, taciturn badass and Felix being a more sensible but dangerous ally. There are a few interesting developments surrounding them, such as some fascinating peeks into Gotrek’s past which partially reveal the reason he became a Slayer, and Felix’s continued transformation into a hardened warrior and leader. Max and Ulrika end up with a bit more development than Gotrek or Felix, with Max becoming more a sympathetic figure whose knowledge of magic becomes an important part of the novel. Ulrika also goes through a few changes in this book, and it was great to see that annoying relationship with Felix mostly come to an end. King still struggles a bit when it comes to writing female characters, especially since Ulrika is the only female character of note in the entire novel. Several other fun recurring characters pop up throughout Beastslayer, although readers shouldn’t get too attached to some of them, especially during some of the climatic and deadly war scenes.

Aside from this great group of protagonists King has also included some interesting antagonists in this novel. The most prominent of these is Arek Daemonclaw, the leader of the Chaos army attacking Prague and a follower of the dark god Tzeentch. King does a lot with Arek in a very short amount of time, and he is soon built up to be a dangerous enemy and a real threat to Gotrek and Felix. Aside from Arek there are a couple of other interesting villains, including some sorcerer twins who have their own agenda, and a mysterious cultist hidden within the city with some complex motivations. King also makes sure to include the entertaining skaven character Grey Seer Thanquol, who has his own storyline throughout Beastslayer. Thanquol once again serves as an excellent comic relief for most of the book, and it was entertaining to see all the fun intrigue and betrayal of the skaven. I did think that Thanquol’s storylines were bit disconnected from the rest of the plot, especially as this is one of the last time we see Thanquol before he gets his own novel, but I still had a fantastic time following him.

Overall, William King’s fifth entry in the epic Gotrek and Felix series of Warhammer Fantasy books, Beastslayer, was a fun and exciting fantasy tie-in novel that I deeply enjoyed. Featuring a ton of intense violence, a compelling siege-based storyline and some amazing Warhammer Fantasy elements, Beastslayer continued the cool storylines and character arcs established in the previous novels and made sure the reader was constantly entertained throughout. I had an excellent time reading this awesome novel and I plan to grab the next few books in this series as soon as possible.

Beastslayer 2

Throwback Thursday – Warhammer: Dragonslayer by William King

On December 30, 2021March 10, 2023 By The Unseen LibraryIn Extended Universe, Fantasy, Throwback Thursday, Tie-in Novel, Warhammer14 Comments

Dragonslayer Cover Combined

Publisher: Black Library (Paperback – November 2020)

Series: Gotrek and Felix – Book Four

Length: 271 pages

My Rating: 4.5 out of 5 stars

For this week’s Throwback Thursday I check out another volume in the incredibly entertaining Gotrek and Felix Warhammer Fantasy series, Dragonslayer, by William King.

I have been having fun over the last year checking out several cool Warhammer 40,000 and Warhammer Fantasy tie-in novels, especially as all of them place great stories inside their respective elaborate extended universes. Some of the most exciting and compelling of these Warhammer books have been part of the Gotrek and Felix series, which follows a doomed dwarven Slayer and his human companion as they face all manner of monsters and evils across the Warhammer Fantasy landscape. I have so far had a lot of fun reading the first three books in this series, Trollslayer, Skavenslayer and Daemonslayer, all of which were some of the best pre-2021 releases I read this year. I recently grabbed a couple more Gotrek and Felix novels second-hand, and I had a great time quickly reading the next entry in the series over the Christmas break, Dragonslayer, another fun and enjoyable read that has an action-packed narrative to it.

After their daring exploits in the Chaos Wastes, dwarf Slayer Gotrek Gurnisson and his rememberer, Felix Jaeger, return to the lands of Kislev in triumph, having rescued the survivors of a lost dwarven stronghold. However, their victory is short lived, as danger begins to assail them the moment they return in the form of the skaven forces of their arch-enemy Grey Seer Thanquol. Worse, their voyage has revealed a giant horde of Chaos warriors advancing towards the lands of Kislev, determined to bring destruction and death to all before them.

To warn the people of Kislev, Gotrek, Felix, and their companions travel by dwarf airship towards the capital. However, their voyage is disrupted by an unnatural storm and an attack from a legendary dragon determined to rip them asunder. Barely escaping with their lives, the adventurers find themselves stuck in the World’s Edge Mountains and forced to pull into the Slayer Keep of Karak Kadrin. There they discover that the dragon that attacked them, Skjalandir, has been terrifying the mountains for months. Determined to finally meet his mighty doom, Gotrek and his fellow Slayers head out to destroy the beast, accompanied by a reluctant Felix and their Kislev allies. Beset on all sides by ravening orcs, desperate bandits, and a massive dragon of immense destructive potential, can even the legendary team of Gotrek and Felix survive, or will Gotrek finally find his longed-for death at the hands of the mightiest beast in the realm?

This was another very fun and intense novel from King, who once again provides the reader with an exciting and compelling dive into the Warhammer Fantasy universe. Dragonslayer was a very good entry in the long-running Gotrek and Felix series, and I deeply enjoyed its cool and fast-paced narrative that sees the protagonists fight all manner of foes and dangers. Filled with impressive monsters, a hilarious sense of humour and all manner of action, Dragonslayer was a fantastic read that I powered through in a few short days.

Just like all previous Gotrek and Felix novels, Dragonslayer starts off fast and never really slows down, as the various characters are thrust into one dangerous situation after another all the way up to the last page. The first quarter of the book is firmly focussed on continuing the antagonist-centric storyline from Daemonslayer, with Grey Seer Thanquol’s planned attack from the last book finally coming to fruition. This opening scene is pretty fun, even if it does feel a little disconnected from the following narrative, and I loved seeing more of enjoyable antagonist Thanquol. Following this enjoyable first encounter, the protagonists head off on a new quest which is quickly detoured by an encounter with a dragon. The dragon’s first big appearance is pretty devastating, and I loved how much of a threat this monster is made out to be, especially as the protagonists don’t come out unscathed. The next section of the book is mostly devoted to character development and world building, as the protagonists prepare for their next adventure and gain some interesting new companions. At the same time, Thanquol engages in another mostly unconnected storyline that sees him encounter and set up the dangerous Chaos horde that will be the major threat of the next novel. The final third of the novel is primarily dedicated to the protagonist’s quest towards the dragon’s lair, where they encounter not only the beast but various other foes as well. This leads up to some amazing battle sequences, the highlights of which include the deadly confrontation with the wounded and mutated dragon, and a fun full-on war scene between two forces determined to kill each other and the protagonists. The book had an entertaining and exciting conclusion with a fun lead-in to the next novel, and I had a fantastic time getting through this brilliant and excellent read.

King has a great easy-to-read style that I really connect with in the Gotrek and Felix novels, which ensures that all fantasy fans can easily enjoy it, especially with the fast-paced narrative and crazy action scenes. I like the author’s use of multiple character perspectives to tell a rich and impressive adventure story, and you get some fun alternate viewpoints and storylines as a result. This is particularly apparent in the action sequences, as you see the various participants of the battle as they encounter the same foes or other narrators, and results in a much fuller and bloodier picture. The action scenes themselves are great, filled with compelling fights that really get the blood pumping as the protagonists face off against a variety of foes. While a couple of fights were a little shorter than I would have liked, King more than makes up for it with some of the big encounters, especially against the dragon. I loved the two major dragon scenes, and King crafts some excellent and hard-hitting fight sequences against it, loaded with character deaths and intense brutality. I also loved one fun final battle sequence that read like a pitched battle from the Warhammer Fantasy universe, Goblin Fanatics and Doom Diver catapults included.

Like most of the previous Gotrek and Felix books, Dragonslayer is pretty accessible to new readers, and there is no major requirement to check out any of the previous novels first, especially as King’s books tend to repeat certain elements from the preceding entries. As such, unfamiliar readers can easily jump in here, although the Thanquol attack at the start of the books does come a little out of nowhere if you haven’t read Daemonslayer. I would say that Dragonslayer did feel like a bit of a bridging novel in places, especially as it continued several plot points from Daemonslayer while also taking the time to set up a potentially bigger evil in the next book, but I still had a lot of fun with it. I still really believe that the Gotrek and Felix novels are an excellent place for new Warhammer fans to start out, especially as they mostly read like classic fantasy novels rather than intense tie-in reads. The readers get some great details about the extended Warhammer Fantasy universe here, and King expertly introduces several key locations while also featuring some of the more recognisable factions. I really appreciate how King makes sure to reintroduce all these races in each of his novels, and it ensures that new readers can appreciate what is going on and why certain factions are acting the way they do. This ended up being a particularly strong Gotrek and Felix entry, and I cannot wait to see what happens in this universe next.

Dragonslayer has a rather interesting cast headlined by the two central characters, Gotrek and Felix, who have another great adventure here. Gotrek is his usual gruff self in this novel, and you don’t get a lot of development surrounding him in Dragonslayer, especially as King never shows his perspective, no doubt to highlight his secret past and the aura of unbreakable strength and confidence he gives off. Felix, on the other hand, gets most of the plot’s attention, and it was fun to see him continue to grow as a character. While he still has certain understandable apprehensions about the quests he follows Gotrek on, Felix has grown into quite a capable adventurer over the last few books, and it was fun to see him accompany his friend into near-certain death once again. I enjoyed the intriguing storyline around his magical sword which was quietly introduced in the first book and which reaches its full potential here as a dragon-slaying item. I also enjoyed the compelling examinations of Felix’s personality and resolve, especially when it comes to the oath he swore to Gotrex, as he is forced to make some big decisions here when faced with an alternate future.

Dragonslayer also features a fun supporting cast, including several intriguing characters from Daemonslayer who get an extended role here. This includes Felix’s love interest (and the only significant female character), the Kislev noblewoman Ulrika, who ends up accompanying the main protagonists on their latest adventure. Ulrika is an interesting character who I have mixed feelings about during the book. While I did like how King featured a strong and complex female character (something lacking from some of his previous novels), I honestly could not stand the terrible romance that she has with Felix. The two of them continuously bounce from being madly in love to hating each other over petty things, and it ends up getting annoyingly repetitive. This terrible relationship made me hate Ulrika a little as the book progressed, and I kind of wanted her to get eaten by the dragon (in my defence, it would have made for a good dramatic moment).

Another character who got an expanded role in this book was the human wizard Max Schreiber, who becomes quite an intriguing addition to the plot. Max becomes a key part of the team in this book, and his insight into magic and the wider events of the Warhammer Fantasy universe are great additions to the plot, helping to expand the reader’s knowledge. At the same time, Max also comes across as a bit of a creeper due to his unrequited love of Ulrika, which causes him to do some stupid things. You honestly start to worry that Max is going to do something sinister as the story continues, and I have no doubt that will become a major plot point in the future.

I also must quickly mention the mad dwarf engineer Malakai, who goes on a fun mission of vengeance here in this book to fight the dragon who crashed his beloved airship. Malakai, who speaks with a Scottish brogue just to make him seem even wilder, is a deeply entertaining figure in this book, combining a Slayer’s death wish with a love of advanced weaponry. It was so much fun to see this insane character advancing on his foes with explosives and giant guns, and I am still laughing about his cart-loaded gatling gun.

While there is a great focus on recurring characters, King also spend some time introducing several interesting new characters. The best of these are the four new dwarf Slayer characters, Steg, Bjorni Bjornisson, Ulli Ullisson and Grimme, who accompany the protagonists on their quest to slay the dragon. All four Slayers have diverse personalities, backgrounds and fun quirks that make them interesting in their own way. King ends up doing a lot with these four characters in the 100 or so pages that they end up being featured, and there are some great story arcs drawn around them. I quite enjoyed the compelling narrative around Ulli, a young dwarf forced to become a Slayer for his cowardice, especially as it had a good resolution. I also must highlight Bjorni’s constant lewd stories and declarations, which add so many laughs to the book, especially as he makes some outrageous claims about his romantic conquests. I did think he could have done a little more with the intriguing and incredibly taciturn Grimme, but overall these four characters were great additions to the plot and I look forward to seeing some of them again in the future.

The final characters I need to point out are the extremely amusing antagonist team of Grey Seer Thanquol and his minion Lurk Snitchtongue, two skaven characters who serve as secondary antagonists for Dragonslayer. Thanquol and Lurk are really amusing characters who perfectly encapsulate the snivelling and duplicitous skaven race, with their constant talk of betrayal, self-gain and incompetence. It is always so much fun seeing the two of them at it, and every one of their scenes is chock full of hilarious statements and continuous thoughts of treachery. King adds in a very fun change to the dynamic between these two characters in Dragonslayer, with the previously small and deferential Lurk having been mutated into a massive beast, which gives him increased confidence. This makes him strongly consider killing Thanquol several times throughout the book, and the two are constantly eyeing each other off. This proves to be a hilarious addition to the plot, and I loved seeing Thanquol on the back foot with his minion after two books of pushing him around. While they are not the most dangerous of villains at this point, they do make for an intriguing alternate viewpoint, especially as their storylines are mostly separate from that of the protagonists. While they are a tad detached from the main narrative, their encounters and experiences add to the general tapestry of the series and help to set up the villains of the next Gotrek and Felix book.

With Dragonslayer by William King, the Gotrek and Felix books continue to impress me as one of the all-time best and most enjoyable Warhammer tie-in series. I had an amazing time getting through this cool book, especially as it features all the best aspects of the series, including tons of fun action, great characters, and major Warhammer Fantasy settings. Readers are guaranteed to have a blast with this book, and I loved every single second of danger, combat and dragon fighting Dragonslayer contained. A fun and fantastic read, I look forward to checking out the rest of the books in this series, especially the fifth entry, Beastslayer.

Enemy at the Gates by Kyle Mills (based on the series by Vince Flynn)

On November 15, 2021March 29, 2023 By The Unseen LibraryIn Audiobook, Thriller10 Comments

Enemy at the Gates Cover

Publisher: Simon & Schuster Audio (Audiobook – 14 September 2021)

Series: Mitch Rapp – Book 20

Length: 8 hours and 36 minutes

My Rating: 4.5 out of 5 stars

Ready for another down-and-dirty spy thriller with America’s most violent secret agent, then make sure to grab a copy of the 20^th book in the bestselling Mitch Rapp series, Enemy at the Gates, by the series’ current author Kyle Mills.

One of the most consistently entertaining thriller series of the last few years has been the long-running Mitch Rapp series. The Mitch Rapp series is an iconic collection of thriller novels originally written by author Vince Flynn, and more recently by Kyle Mills, who took over the series after Flynn’s death. Mills has been doing an outstanding job with this series, and I have had an incredible time with some of his recent books, including Red War, Lethal Agent and Total Power. Now, 22 years after Mitch Rapp’s first appearance in Transfer of Power, the 20^th book in the series, Enemy at the Gates, has been released, and it was another dark and compelling novel with an awesome story.

Following the resolution of a coordinated terrorist attack aimed at taking down America’s entire power infrastructure, the lights are finally back on across America, and the country seems ready to return to its usual problems. A new president, Anthony Cook, has been installed in the White House, and many believe that he has the potential to turn the country around. However, the old guard of American intelligence, CIA Director Irene Kennedy and legendary agent Mitch Rapp, believe that there are dangerous ulterior motives behind many of Cook’s actions.

In Uganda, a high-tech research facility belonging to the world’s first trillionaire, Nick Ward, is attacked by a dangerous and deranged warlord, aiming to capture and ransom the lab’s brilliant head scientist. Ward, the richest man on the planet, claims to want to make the world a better place, and the research being undertaken by his Ugandan team is rumoured to have the potential to save billions of lives. Determined to save his people and against the wishes of President Cook, Ward hires Rapp and his friend Scott Coleman to recover his scientist before it is too late. However, their desperate battle in the jungle soon turns out to be the least of their problems.

As Rapp and Coleman brave the skilled militia in the jungle, a mysterious mole has managed to infiltrate the CIA’s secure computer network, stealing data on Nick Ward and his current security arrangements. To keep Ward safe and to flush out the source of the leak, Kennedy instructs Rapp to stay close to Ward, just in case. However, following a vicious and coordinated attack, it soon becomes clear that some very powerful people are determined to kill Ward at any cost. With all intelligence and communications with their usual sources in the CIA potentially compromised by the mole, Rapp and his team embark on an elaborate scheme to flush the true architects of the attacks out. But what happens when their plan puts them right in the cross of the ambitious new president who is determined to shape the chaotic world no matter the cost?

This was a high-intensity, action-packed thriller from Mills, who has produced another awesome and fun read. Enemy at the Gates contains a great narrative that sees its aging but deadly protagonist caught between the very powerful forces of the world’s richest man and the President of the United States. This is a very fast-paced story, with Mills quickly introducing the new characters, mainly Nick Ward and President Chisholm, as well as some of their key allies, and showcases the first stages of the president’s proxy war against Ward. From there, Mitch Rapp and his team are drawn into the conflict on Ward’s side, thanks to CIA director Irene Kennedy, resulting in a fun dust-up in the jungle. The story quickly moves on from there, forcing Rapp to face off against a crazed Ugandan warlord while also trying to uncover the mole in the CIA. This is an extremely fun story, with the story moving at a very quick and entertaining pace. Mills writes a great espionage story, and I loved the usage of tradecraft, over-the-top action and general dislike of politicians throughout the story. The author introduces a couple of great twists, especially around the identity of the mole, and it was excellent to see Rapp and his allies forced to deal with a crooked United States President. There is a ton of intensely violent scenes throughout this novel, and readers should be prepared for a couple of torture sequences and somewhat disturbing methods of killing (let us just say there is a strategically placed explosive). Just like all the previous Mitch Rapp novels, Enemy at the Gates is an easy book to enjoy, even for readers unfamiliar with the series.

One of the things I have enjoyed about Mills’s Mitch Rapp novels is the unique insights that the characters have about the world and the United States, and Enemy at the Gates is no exception. Most of the characters in this novel have been engaged in the political or espionage game for a long time, and all of them share a similar, cynical view about the state of America and its potential future. While you would mostly expect an ultra-positive American outlook from this sort of thriller novel, Mills apparently has a pretty grim view of the future, which is reiterated multiple times throughout the book. Making references to a lot of recent events and political schisms, the characters in this novel envision a future filled with increased factionalism, chaos, and political uncertainty, with many of these characters subsequently wondering how they will fit into such a potentially destructive future. This grim and surprisingly honest viewpoint from Mills sets the stage for the major conflict of this novel, with the president attempting to kill the richest man on the planet, who may be the best chance of saving America. It was certainly very fascinating to see the author’s views on the role of the uber-rich and corporations will have on the power structure in the future, and the introduction of a trillionaire philanthropist, certainly changed the scales around. All this political introspection gives Enemy at the Gates an extremely dark and brooding feeling to it, especially as most of the characters full accept this reality and are just waiting for the other shoe to drop. I personally found Mills’s views to be extremely fascinating and particularly realistic, and I think that he did a great job working them into the narrative and highlighting the impact these opinions could have on modern espionage and world events.

This was another interesting book for protagonist Mitch Rapp, the legendary spy feared throughout the world, especially by all rival intelligence operatives. Rapp continues to show off his credentials as a genuine badass in this novel, and I liked the fun storylines around the spy getting older and being forced to reconsider his methods and techniques. It was interesting to see Rapp more on the outs with the American intelligence community in this novel; with the new president in power, he is forced to use some alternative means to complete his missions. The author also introduces a few interesting storylines in Enemy at the Gates that examine Rapp strongly considering retiring. This allows the author to include a few emotionally rich scenes of Rapp attempting to settle into the quiet life with his family. However, despite his best efforts, he is eventually dragged back into the game by a new employer and some old friends. I liked these inclusions of the character’s personal life, and it was great to see him as a more conflicted figure. Despite all that, nothing can really disguise the fact that Rapp is a raging psychopath, even for a spy thriller protagonist, whose complete disregard for human life results in some major violence and natural fear and hatred from his enemies. While this does result in some entertaining moments, it is a bit hard to root for Rapp at times, which does slightly lessen the impact of some of the storylines. Still, Rapp is a fun character to follow, and it will be intriguing to see what happens to him and his family in the future.

Just like I have with the last few Mitch Rapp novels, I chose to grab a copy of Enemy of the Gates in its audiobook format. I must admit that the Mitch Rapp audiobooks, which are narrated by George Guidall, are not my absolute favourite audiobooks out there, but with a run time of just eight hours and 36 minutes, it was a quick way to enjoy Enemy at the Gates, which I managed to do in only a couple of days. Guidall, who has narrated hundreds of audiobooks throughout his career, has his own unique voice for these novels, with a lot of gravitas and cynicism, which helps translate the story extremely well, although he does sound a bit tired as he narrates, and he really does not try to vary his voice too much to distinguish between the various characters featured in the book. While I was never uncertain who was talking thanks to Mills’s writing, I do think that Guidall could make a little effort to make his narration a little more passionate and his voices a little more distinctive. Still, this is a fine way to enjoy this novel, and I did have fun getting through Enemy at the Gates. Despite some of my concerns about Guidall’s performance, I will probably enjoy the audiobook version of the next Mitch Rapp novel in 2022.

After 20 intense books, the Mitch Rapp continues to reign supreme as one of the most entertaining and captivating spy thriller series currently in print. This latest novel, Enemy at the Gates by Kyle Mills, is a fantastic addition to the series which sets the violent, titular protagonist on another action-packed adventure, this time diving deep into the political and social spectrum of America. I had an absolute blast listening to this awesome novel and Enemy at the Gates is a great book to check out if you are in the mood for a fun and exciting read. An overall very fun story that does a great job of continuing this long running series, while also leaving behind a few interesting storylines for later books.

The Dark Hours by Michael Connelly

On November 15, 2021April 19, 2023 By The Unseen LibraryIn Five-Star Books, Murder Mystery19 Comments

Publisher: Allen & Unwin (Trade Paperback – 9 November 2021)

Series: Ballard & Bosch – Book Three

Length: 391 pages

My Rating: 5 out of 5 stars

The master of crime fiction, bestselling author Michael Connelly, returns with another outstanding Ballard and Bosch novel, The Dark Hours, which sets his iconic protagonists on another intense and captivating case.

Connelly is one of those authors who needs very little introduction, having written an amazing number of crime fiction novels throughout his exceptional career. I have really been getting into Connelly’s work lately, especially after reading his 2020 releases, Fair Warning and The Law of Everything. However, my favourite Connelly novels have probably been the Ballard and Bosch sub-series, which follows the team of two of Connelly’s great protagonists. This includes Renée Ballard, who debuted as the lead character of The Late Show, and Harry Bosch, Connelly’s long-running protagonist who has appeared in nearly every one of Connelly’s books since The Black Echo. These two protagonists first teamed up in Dark Sacred Night in 2018, and then again in The Night Fire, one of the best books and audiobooks of 2019. I have deeply enjoyed these two characters, and I was very excited when I saw that Connelly was featuring them again in his latest novel, The Dark Hours, which was one of my most anticipated releases for 2021. The Dark Hours is the 36^th overall novel in Connelly’s overarching crime fiction universe and proved to be another exciting and clever read.

As the clock ticks down the last seconds of 2020, the citizens of Los Angeles celebrate New Year’s Eve in their typical chaotic way, with hundreds of celebrators firing guns up into the air, with a rain of bullets coming down shortly after. Sheltering under a bridge, LAPD detective Renée Ballard is staking out the nearby neighbourhood in hopes of catching a team of rapists terrorising women during the holidays. However, she instead finds herself called to the scene of a party where an auto shop owner has been fatally hit in the head with a bullet.

Initially assuming that the death was an accident brought on by the lateral bullets fired in celebration, Ballard soon discovers that the shooting occurred at point-blank range, indicating that someone used the revels to disguise their up-close murder. Starting her investigation, Ballard soon discovers that the same gun was used in an unsolved murder case which had been investigated by her friend and mentor, retired LAPD detective Harry Bosch.

Working with Bosch, Ballard soon finds herself on the trail of a dangerous killer who may have killed many times before and is at the centre of a deadly conspiracy. Determined to catch this killer before the case is taken away from her, Ballard is willing to break any rule to catch her suspect, no matter the danger to herself or her career. At the same time, Ballard becomes obsessed with catching the team of rapists destroying lives in her city, but finds herself fighting against a demoralised and uncaring police department, more concerned with maintaining their image than police work. Can Ballard and Bosch solve these latest crimes before it is too late, or will the predators they stalk land another fatal strike?

This was another incredible book from Connelly that contains a clever and captivating murder mystery that I deeply enjoyed. The Dark Hours has a fantastic story to it, that not only takes the reader on an intense and particularly dark couple of cases but which also explores the state of policing in 2021. A brilliant and powerful read, this was an excellent Connelly novel that gets a full five-star rating from me.

Connelly came up with an exceptional crime fiction narrative for The Dark Hours, which I powered through in a few days. This latest story, told exclusively from the perspective of Ballard, follows the character as she investigates several horrific crimes. There are two central cases in this book; the first involves a murder of a mechanic, which sees Ballard connect with her old friend Harry Bosch, who previously worked a connected cold case; and the other is a series of rapes throughout LA, made distinctive by the presences of a two-man team. These two cases are both pretty compelling and unique in their own way, with Ballard getting quite obsessed with both of them. The murder case has several outlying threads that see Ballard and Bosch chase down gang connections, dirty cops, and a wide-ranging conspiracy of dentists, all of which results in a tight and powerful investigation story with some substantial dangers to Ballard. The rape case is a dark and disturbing counterpart to this murder, and Connelly ensures that the full horror of this particular type of crime is on full display. Both of these cases come together extremely well as the story progresses, and I really appreciated how some of the emotions and consequences stirred up in one case led to the characters doing some rash and dangerous things in the other. Throw in some major professional drama around Ballard, and you have an intense and powerful narrative that really sticks in the mind. I loved some of the cool and dark twists associated with these intriguing storylines, and Connelly certainly has the ability to create some major and memorable moments. The Dark Hours also does a good job of continuing some of the storylines from the previous novels, particularly around Ballard’s many issues as a member of the LAPD, and it sets up some future plot points that will no doubt make for an awesome novel or two in the years to come.

One of the most interesting things about The Dark Hours is Connelly’s compelling and in-depth examination of the LAPD in early 2021, following COVID and the protests of 2020. Connelly paints a detailed and intriguing picture of the LAPD as a dispirited and defunded organisation which has withdrawn from proactive police work and is instead more concerned with avoiding bad publicity and controversy. The police characters featured within this novel are notably unmotivated and aggrieved, with many more concerned with their own lives than protecting people. This is a rather grim but seemingly realistic view of the LAPD, and I really appreciated the fact that Connelly attempted to explore what life as a police officer is like in these controversial times. The author makes sure to try and show both sides of the debate around policing, made easier by his protagonist’s status as LAPD outsiders, and it was fascinating and moving to see the police perspective. The apathy of the LAPD comes into play in the story in multiple ways, and it was an exceptional and memorable inclusion to The Dark Hours. In addition, Connelly spends a lot of time exploring early 2021 Los Angeles, with multiple references to masks, vaccines, unemployment and all the other aspects of COVID-19 that we have come to know and love. While most people are probably quite sick (ha!) about seeing all the COVID stuff wherever you go, even into book-land, those authors wishing to display modern life need to include it, and I felt that Connelly did a great job showing it from an LA perspective. Throw in some commentary on other key events of early 2021, and The Dark Hours turns into quite a contemporary novel with some extremely intriguing opinions and insights.

Another aspect of The Dark Hours that I enjoyed was the fantastic use of characters featured within it. In particular, it was rather interesting to see which protagonists got the most focus throughout the novel. When I first started reading this novel, I assumed that, like the previous Ballard and Bosch books, the story would be a split perspective narrative featuring the two main characters. Instead, the entire story ended up being told exclusively from Ballard’s point-of-view, with Bosch featured as a supporting character. While some long-term Bosch fans might feel a little let down, I personally did not mind this as Ballard has been a really fascinating and relatable protagonist in her last few novels. Ballard has always been an outcast in the LAPD, following her attempt to report her previous supervisor for sexual harassment, and this sense of being an outsider has only intensified throughout her more recent novels. This all comes to a boil in The Dark Hours, as Ballard is continually stymied by the new attitude of the LAPD, and is constantly undermined by ineffective, dispirited and politically minded colleagues and superiors. This eventually forces her to adopt a more Bosch-like mentality and she goes outside the lines multiple times to try and bring her culprits to justice. I rather liked this more reckless side of Ballard, and it ends up resulting in some major changes to her personality and potential law enforcement future. It was also very fascinating to see Ballard’s opinions on the recent issues affecting policing, and even she finds herself quite angry with some of the accusations levelled against her and the LAPD, despite harbouring her own negative opinions. Throw in an interesting new relationship and a fun new puppy friend, and this ended up being a particularly good Ballard story. I look forward to seeing more of Ballard in the future, and I really think that Connelly is setting her up as his primary police character for the future.

While most of the focus is on Ballard, Bosch still has a significant role in The Dark Hours, serving as the main supporting character and Ballard’s unofficial partner. While it was a little odd not to see Bosch’s perspective on the two main investigations, he was a great wingman to the protagonist and I liked how Connelly was able to work Bosch’s veteran mindset into Ballard’s way of thinking. It was fun to see him serve the joint role of being Ballard’s voice of reason while also subtly encouraging her to do some more rebellious moves. I really enjoyed seeing more of Bosch in the book, and it will be interesting to see what Connelly does with him in the future. Considering that Bosch is currently a much older, out-of-work detective currently battling leukaemia, you have to imagine that Connelly is planning to retire him permanently some point soon, and I am curious to see how or when that happens, no doubt occurring in heartbreaking fashion.

Overall, The Dark Hours is another exceptional novel from Michael Connelly, who continues to showcase why he is one of the best and most consistent authors of crime fiction in the world today. This latest novel serves as an excellent continuation of the Ballard and Bosch subseries, and it is always so much fun to travel back into Connelly’s expanded and intriguing crime fiction universe. The Dark Hours has an outstanding and compelling narrative that follows the authors dogged protagonist as she investigates several major and disturbing crimes. I was pretty much hooked the moment I picked this book up and it is a must-read for all crime fiction fans.

The Honour of Rome by Simon Scarrow

On November 10, 2021June 19, 2023 By The Unseen LibraryIn Historical Fiction16 Comments

The Honour of Rome Cover

Publisher: Headline (Trade Paperback – 9 November 2021)

Series: Eagles of the Empire – Book 20

Length: 431 pages

My Rating: 4.5 out of 5 stars

One of the best authors of Roman historical fiction, Simon Scarrow, returns with another exceptional adventure back in time with The Honour of Rome.

2021 has been a particularly good year for Simon Scarrow readers, as this acclaimed historical fiction author has released two fantastic novels. The first of these, Blackout, was a clever historical murder mystery novel set in pre-war Nazi Germany, which contained a fantastic and impressive story. While I deeply enjoyed Blackout, I was a little more excited for the next awesome entry in Scarrow’s long-running Eagles of the Empire series. The Eagles of the Empire books follow two officers in the Roman army, Centurion Marco and Prefect Cato, as they fight in multiple battle fields across the Roman Empire. I have been a major fan of this series for years and have had the pleasure of reading every prior entry in it, while also reviewing some of the latest entries, including The Blood of Rome, Traitors of Rome and The Emperor’s Exile. As such, I was very excited when I received the latest entry in this series, The Honour of Rome, a couple of days ago, and instantly started reading it. The Honour of Rome is the 20^th novel in this series and takes its great protagonists on another intense adventure.

Britannia, 59 AD. After retiring from the Roman Legions, former Centurion Marco has travelled back to Britannia 15 years after he helped conquer it. Now a married man, Marco is hoping for a quiet life, enjoying the fruits of the successful inn in Londinium that he half-owns with his mother. However, not everything is as calm as he hoped. There are rumours about the tribes being restless once again, and the streets of Londinium are alive with criminal gangs.

Upon arriving at his mother’s inn, Marco discovers that she is being extorted for protection money by a ruthless gang. Determined to stop this, Marco attempts to resist the gangsters, only to find himself outmatched and a potential pawn into the middle of a vicious gang war. At the same time, Marco finds himself drawn into the defence of the colony, especially when one of the local tribes refuses to pay any more taxes.

After a bloody punitive raid with a group of veteran reserve soldiers, Marco returns to Londinium, only to face the consequences for his defiance. Beaten and bloodied, Marco is unsure how to fight back until his old friend Cato appears. Cato, who has left Rome without leave to hide Nero’s exiled mistress, is always willing to back Marco up in any sort of fight, and he has an ambitious plan to end the gang problem once and for all. Will the team of Marco, Cato, and their veteran allies be enough to overcome the city’s vicious gangs, or have these proud war heroes finally met their match?

This was another awesome novel from Scarrow, who has once again produced an exciting and fast-paced historical fiction read that perfectly envisions the landscape of Roman-occupied England. The Honour of Rome is a great read, and I loved the cool combination of historical and crime fiction elements throughout it. I ended up reading this book in only a few short days and loved every second of it.

Scarrow has come up with another amazing and entertaining story for this compelling book, which takes his long-running protagonists on another intense and bloody adventure. One of the things that I have always enjoyed about the Eagles of the Empire series is the range of different subgenres that can be blended with its historical fiction elements. The Honour of Rome is a great example of this as Scarrow utilises a crime fiction based storyline that blends with the overarching historical elements extremely well. The protagonist is swiftly drawn into a vicious confrontation with two warring gangs of criminals upon his arrival in Londinium, which proves to be an outstanding basis for the main storyline. At the same time, he once again becomes involved in the Roman garrison’s ongoing conflicts with the local Britons. This combination of crime and military elements is very effective throughout the novel, and I liked seeing the conflicts with both gangsters and rebellious natives. This also allows Scarrow to bring in several solider characters into the main crime-fiction storyline as backup as the story progresses, and it was pretty fun to see a bunch of retired soldiers taking on the antagonists. The author really sets up everything extremely well in this book, and there isn’t a moment of calm or quiet throughout the entire novel, as the protagonist gets involved in several intense and well-written fights and battle sequences. I found the last third of the novel to be particularly exciting, especially as the protagonists attempt an ambitious and risky strategy. This results in the predictable satisfying, if bloody, conclusion, and Scarrow has made sure to set up some cool new storylines that will no doubt be the basis for the next few books. An enjoyable and action-packed thrill-ride from start to finish, I had a fantastic time reading this latest historical adventure.

One of the more interesting things about The Honour of Rome was the noticeable change in character focus that helped set it apart from the other Eagles of the Empire books, namely that it spent most of the narrative focusing on only one of the series’ protagonists. This is not too surprising, especially as the previous book in the series, The Emperor’s Exile, focused on Cato to such a degree that I kind of assumed that Scarrow was planning to permanently retire Marco. However, I’m pleased to say I was wrong about this, as two-thirds of this latest book is exclusively told from Marco’s perspective. I had a great time following Marco in this novel, and it is always a lot of fun to see the gruff and hard-headed Centurion in action. There are some great moments surrounding Marco in this novel, from being out of his depth when it comes to combating criminals rather than enemy soldiers, to his great camaraderie with the fellow veterans in the colony. You also have to love the fun interactions that occur around him as he finds himself stuck between his strong-willed wife and his equally strong-willed mother. This ended up being a really good Marco novel, and I deeply enjoyed it. Of course, Cato does show up towards the end of the book, and the novel is soon back to its typical dynamic, with Cato taking tactical lead. There are also some interesting long-term storylines surrounding Cato, especially as he has fled from Rome with the Emperor’s exiled mistress. It was great to see this team in action once again, especially as they enact another madcap scheme, and I had another fun time following them.

I also rather enjoyed the cool historical setting featured within this great novel, as the protagonists once again return to Britannia. Historical Britannia is a well-utilised setting in the Eagles of the Empire books, having been the location of several of the earlier novels, including the first five entries in the series. It made me a little nostalgic to see this damp and gloomy setting once again, especially as it proves to be just as chaotic and violent as ever. This book makes full use of its clever move from the more traditional battlefields of Britannia to the city of Londinium, and I loved the inclusion of a crime-ridden, early London, especially as Scarrow tries his best to show it in all its dark and rapidly expanding glory. I also enjoyed the inclusion of the veterans’ colony that was a major secondary setting for much of the book. It proved to be fascinating to follow these characters who have chosen to settle in this harsh country and spending time conquering it, and I liked their inclusion in the novel. It was pretty cool to see these retired soldiers in reserve taking on enemies, both on a proper battlefield and against the criminal element, and I thought it was a fun and compelling inclusion to the story. I also appreciated that, after several books, we finally get a continuation of the Boudica storylines that were set up in some of the earlier novels. Scarrow is also clearly setting up Boudica’s rebellion for later in the series, and I cannot wait to see how our protagonists, with their established history with Boudica and her people, will fit into it.

With this awesome 20^th entry in his amazing Eagles of the Empire series, Simon Scarrow continues to highlight why he is one of the absolute best authors of historical fiction in the world today. The Honour of Rome has a brilliant and compelling story that perfectly blends historical and crime fiction elements together into one thrilling tale. I had a wonderful time reading this great book, and I deeply appreciated the way in which Scarrow continues the adventures of his compelling characters by once again returning them to the familiar setting of occupied Britannia. The Honour of Rome is another highly recommended historical read, and I cannot wait to see what happens next in this series.