Publisher: Hachette Australia (Trade Paperback – 28 April 2021)
Series: Standalone/sequel to The Things We Cannot Say
Length: 416 pages
My Rating: 5 out of 5 stars
Prepare to have your heart broken again and again as Australian author Kelly Rimmer presents a captivating, powerful and dark historical drama, The Warsaw Orphan.
Warsaw, 1942. The Nazis have a firm control over all of Poland and have moved the entire Jewish population into the infamous Warsaw Ghetto. Vastly overcrowded and with limited supplies, life is extremely hard in the Ghetto, and many have given up all hope. For Jewish teen Roman Gorka, all he can do is try to survive and earn enough to keep his family alive. However, when rumours spread through the Ghetto about the Nazi plans to transport them to “work camps” out in the forest, Roman knows that it is time to act. Knowing that the lives of himself and his parents are already forfeit, Roman attempts to find a way to save his younger siblings.
At the same time, a young woman, Elzbieta Rabinek, has just arrived in the city and appears to be a typical Polish girl living with her family. However, Elzbieta is hiding a dangerous secret: her real name is Emilia, and she is the younger sister of an executed Jewish sympathiser. Fleeing her village with her new family, Emilia is kept hidden from any potential pursuers. But when Emilia discovers the truth about the Ghetto, she becomes determined to help and joins an underground group of women working to smuggle Jewish children to safety.
As Emilia becomes more involved with the secret work of her organisation, she soon encounters Roman. Working together to save Roman’s younger sister, the two grow close and soon their fates are inevitably tied together. But when a terrible tragedy strikes, both Roman and Emilia will be thrown into disarray. As Warsaw becomes overwhelmed with fire and despair, can these two young people survive with hope, or will they be washed away in a flood of righteous anger?
Wow, just wow. This was an incredibly touching historical drama that has really impressed me thanks to its moving story and striking portrayals of life in World War II Warsaw. The Warsaw Orphan is the latest novel from Australian author Kelly Rimmer, who has previously produced moving novels such as Truths I Never Told You and Before I Let You Go. The Warsaw Orphan is actually a sequel to Rimmer’s previous book, The Things We Cannot Say, with some of the supporting characters from the previous novel appearing in more prominence in this latest novel.
I was lucky enough to receive a copy of The Warsaw Orphan a few weeks ago and thought it sounded like an intriguing novel, especially as it was from a new-to-me Australian author. Based on the synopsis for the book, I knew going in that this would be a dark and emotionally rich novel, but I was very surprised with how compelling and poignant the narrative it contained would be. Using the perspectives of the two narrators, Roman and Emilia, Rimmer paints a grim and powerful picture of the situation in Warsaw which the two protagonists find themselves in at the start of the book. Both story arcs progress on their own separate way for a while, and it is intriguing to see the different experiences of two people living only a few streets away from each other in Warsaw. It does not take long for the protagonists to encounter each other, combining the narrative together. While the initial joining of their character arcs brings some hope to the story, Rimmer makes sure to quickly crush that with despair and heartbreak as both protagonists experiences tragedy after tragedy, as a series of different historical catastrophes engulf Warsaw and its people. Every time the two central characters appear to be close to some sort of happiness, some new danger or disaster seems to befall them, and the reader is forced to sit back and watch as they endure their latest hardship. While this novel is emotionally tough to read at times, Rimmer’s excellent storytelling ensures that you keep moving forward, especially as you become really invested in the lives of her two protagonists and the struggles of the various peoples of Warsaw. While you may be left emotionally ragged and drained by the end of this book, readers will come away from this story extremely satisfied and with a little bit of hope.
I must really highlight the author’s outstanding and powerful depiction of historical events and places throughout The Warsaw Orphan. Rimmer has clearly done her research on the subject and utilises a lot of fascinating and horrifying historical elements to great effect throughout the narrative. For example, much of the story surrounding Emilia and the organisation she joins that helped to smuggle Jewish children out of the Ghetto is based on real life Polish hero Irena Sendler, with various features of Sendler’s work and personality imparted on some supporting characters. The portrayal of occupied Warsaw is also extremely impressive, and you get a real sense of life in the city. This is especially true of the Ghetto, as the author spends a significant amount of time exploring what happened within. Rimmer pulls no punches when it comes to the horrors of the Ghetto and the brutalities the Nazi regime imparted on the Jewish population. The various descriptions of the Ghetto are extremely harrowing, but through them the reader gets a sense of what the people within would have experienced. I particularly appreciated the way in which she tried to capture the uncertainty that many of the characters, both Jewish and non-Jewish, had about the Nazis’ plans and you get a real sense of the fear and confusion in the lead up to the deportations. Rimmer ends up covering all the key events that occurred in Warsaw between 1942 and 1947, and readers get some powerful and detailed views of the forced deportations to the camps, the Warsaw Ghetto Uprising, the Warsaw Uprising, the German retreat and the subsequent Soviet occupation. The author shows every dark aspect of these historical events as her point-of-view characters find themselves involved in them, often to their great detriment. All these powerful and remarkable historical events and locations serve as a great backdrop to this dramatic tale, and I found it fascinating to learn more about some of these events.
Rimmer has come up with an incredible pair of young point-of-view characters for this book, Roman and Emilia. Roman is a Jewish teen living in the Warsaw Ghetto with his family. Through his eyes you get to see many of the horrors of the Ghetto, starvation, Nazi oppression and the constant fear and death. Rimmer does an impressive job of capturing the inner thoughts and feelings of someone caught up in these terrible events, and I really appreciated the strong sense of survival and desperation you get from him. This quickly morphs in anger, righteousness and revenge when Roman experiences one tragedy too many, and he becomes in a number of dangerous fights against his oppressors. Not only does this result in a number of brutal war sequences, but Rimmer paints a picture of a rebellious soul whose anger and moral outrage overwhelm his senses and force him to do darker and more dangerous deeds. This depiction of anger and rage is quite powerful, and definitely fits an individual who loses everything and does not know what to do.
Emilia, on the other hand, is a somewhat more innocent figure, who, despite not being Jewish, has her own experiences with oppression after witnessing her brother dying in The Things We Cannot Say. Due to the events of this previous book, she has fled to Warsaw with her adoptive parents, hiding under an assumed name. Despite the troubles she is running from, Emilia chafes under the rules her guardians put in place, especially once she learns what is happening in the Ghetto. Despite her fear, uncertainty and loyalty to her guardians’ wishes, Emilia soon becomes involved in the smuggling of children. I really liked how Rimmer decided to utilise her previous character in this novel, and the author does a great job of revisiting parts of her story so that new readers can appreciate what has happened in her past. Emilia proves to be a really interesting character throughout the book, and I loved the contrast in views between her views of Warsaw and Roman’s darker experiences. Watching a non-Jewish citizen experience the horrors of the Ghetto for the first time is pretty moving, and the reader feels a certain kinship to her as they are also witnesses to the various tragedies. I loved the storyline surrounding Emilia joining the movement to save Jewish children, and the author utilises her to tell this group’s very unique tale extremely well.
Both Roman and Emilia have some fantastic storylines in The Warsaw Orphan, and I really liked the way their two separate character arcs come together. These two characters experience an immense amount of grief, regret, violence and despair throughout the book, and their connection is one of the few things to keep them going. Rimmer sets up both characters extremely well throughout The Warsaw Orphan and readers will quickly become obsessed with their unique tales and harrowing experiences. I think both character storylines worked extremely well on their own, but together they tell an even more tragic story, as these two fall in love amongst the worst moments of human history. Seeing the various tragedies and poor decisions that impact their relationship is pretty heartbreaking, and the reader is left in hope that they both survive in the end. I think that Rimmer did an exceptional job creating and developing these two characters, and it is a mark of her writing ability that I ended up caring so much for them both.
The Warsaw Orphan by Australian author Kelly Rimmer is an exceptional and incredible historical drama that comes highly recommended. Rimmer has produced a first-rate story that perfectly utilises two tragic protagonists, an extremely dark and atrocious historical period and an addictive, if tragic, story of love, loss and survival. The Warsaw Orphan is a powerful and compelling book that will stick in your mind long after you finish its final harrowing page.
The Unseen Library 