Tag: Hodder & Stoughton

The Exchange by John Grisham

On By The Unseen LibraryIn Thriller6 Comments

The Exchange Cover 2

Publisher: Hodder & Stoughton (Trade Paperback – 17/10/23)

Series: The Firm – Book Two

Length: 338 pages

My Rating: 3.75 out of 5 stars

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John Grisham presents an intriguing sequel to one of his best-known books with his latest release, The Exchange.

Grisham is a talented and well-respected author who needs very little introduction after wowing audiences for years with books (and their movie adaptations) such as The Pelican Brief, The Rainmaker, The Runaway Jury and A Time to Kill.  I personally came into Grisham’s novels a bit later than I probably should have, but I have had fun reading some of his latest releases such as The Judge’s List, The Boys from Biloxi and Sparring Partners.  I had a wonderful time with each of those books and I now make sure to grab the latest Grisham novel whenever they come out.  As such, I made sure to get a copy of Grisham’s new release, The Exchange, a fantastic legal thriller that serves as a sequel to one of his best-known novels, The Firm.

15 years ago, Mitch and Abby McDeere exposed the crimes of a corrupt Memphis law firm and its mobster clients, fleeing the country with a stash of the firm’s crooked money.  After spending years abroad in Europe fearing potential retribution, the McDeeres finally returned to America, taking up residence in New York, far away from their troubled past in Memphis.

Now, Mitch works as a partner in one of the biggest law firms in the world, sent to troubleshoot some of its most difficult cases.  A request from an old friend sees Mitch travel to Libya, where a Turkish construction company is suing the tyrannical Libyan government over failure to pay an extensive bill.  This is far from a routine case, and Mitch soon finds out just how dangerous that part of the world is when one of the firm’s young associates is kidnapped in a bloody attack.

Determined to save his associate before she is killed, Mitch desperately utilises all his contacts and legal knowhow to raise the ransom money needed and encourage governments to intervene.  However, the organisation that kidnapped the young woman is far more dangerous than anyone expected, and they soon launch a series of attacks against Mitch’s new firm while demanding an extravagant amount of money.  With his own family caught in the crossfire, Mitch must unwind the turbulent politics surrounding this event if he is to save everyone he cares about.

I must admit that I had some mixed feelings when it came to The Exchange, and it honestly wasn’t my favourite Grisham novel.  Let us start with what I liked about The Exchange, which for the most part was a pretty fun and exciting read.

Grisham wrote an intriguing and fast-paced narrative for The Exchange that is really easy to get into and proves very hard to put down in places.  There is a great set-up surrounding the Libyan deal, and it was fascinating to have a book set in Libya in 2005 during the Gaddafi regime.  Grisham ratchets up the tension early, as you know something bad is going to happen, and when it does, Grisham does not hold back with the brutality and violence.  The second half of the book, which primarily follows the protagonist as he uses all his contacts to try and negotiate for his colleague’s release, is also quite fascinating, and you can feel the fear and desperation of the characters, especially when Mitch’s family is brought into the situation.  Add into this the complex characters and the compelling, detailed and highly cynical examination of life in one of the world’s biggest law firms (in this case, a fictional law firm which has appeared in prior Grisham novels), and The Exchange has a lot going for it.

While I found it exiting and captivating to read, and I enjoyed a lot of how this story came together, most of my dissatisfaction came from the conclusion.  I won’t go into a lot of detail here to avoid spoilers, but frankly I found the end of the book to be rather underwhelming and a little lazy.  Despite setting up some intriguing storylines at the start that could have resulted in a great and engaging conclusion, Grisham instead chose to just resolve the storyline in a predictable manner and leave a lot of stuff hanging.  There are so many unanswered questions left over as a result, especially when it comes to the means and motive of the antagonists, and I was honestly surprised that Grisham did not tie it into the plot of The Firm somehow.  Frankly, this lacklustre conclusion put a damper on my enjoyment of The Exchange as a whole and I was a little disappointed about not getting a satisfying ending.

Another major element of the book that I am not sure hit home completely for me was its connections to Grisham’s previous novel The Firm.  I must admit upfront that I haven’t read The Firm, but I honestly don’t think The Exchange’s story really benefited from being a sequel.  While I am sure that some Grisham fans really appreciated getting a continuation of the McDeeres’s story, it didn’t do a lot for me.  For example, the first 50 or so pages are dedicated to Mitch returning to Memphis for the first time since the events of The Firm, which does serve as a good bridging element for new readers.  However, this opening scene had no connections to the main plot of the book, and it was just so unnecessary in hindsight.  I also never really connected to Mitch and his family throughout the course of The Exchange’s story, and it might have been better if Grisham had introduced an original protagonist instead.  Still, the author did do a good job of recapping the key events of The Firm to new readers, and I am sure dedicated Grisham fans will appreciate this interesting continuation after all these years.

While I did have a bunch of issues with The Exchange, I think overall it was a good book by Grisham and I did have a fun time reading it.  Much of the plot is very exciting and well set out, and there are some truly fascinating elements to it.  Probably best read by those fans of Grisham’s style and prior novels (especially The Firm), The Exchange is well worth a read, but I just wish it had a better ending.

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Holly by Stephen King

On By The Unseen LibraryIn Audiobook, Five-Star Books, Horror, Thriller17 Comments

Holly Cover

Publisher: Hodder & Stoughton/Scribner (Audiobook – 5 September 2023)

Series: Holly Gibney

Length: 15 hours and 24 minutes

My Rating: 5 out of 5 stars

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The master of thrills and chills, Stephen King, returns with his latest exceptional read, the powerful and gruesome thriller Holly, an outstanding and utterly gripping read that brings back an amazing original protagonist.

Fans of this blog will be aware that I have been in a bit of a Stephen King mood recently, especially being quite a latecomer to his books.  I have had a wonderful time reading some of his latest works, including Later, Billy Summers and Fairy Tale, each of which has been great in its own way.  I have also been keeping a firm eye out for any upcoming books from King, and I was highly intrigued when I saw that he was releasing Holly in the second half of 2023.

Holly, which was one of my most anticipated books of the year, serves as a continuation of the adventures of protagonist Holly Gibney.  Holly Gibney, who first appeared in Mr Mercedes, is a unique and damaged figure who ended serving a vital supporting role in all three Bill Hodges books, as well as the horror-filled thriller, The Outsider (both of which have been adapted into awesome television series).  Holly is the first full novel where this quirky figure will be the main protagonist (although there was the novella, If It Bleeds), and I was very intrigued to see how that turned out.  I even went back and read Mr Mercedes for the first time so I would have a better idea of the character and their fascinating story.

It is the height of the 2021 COVID pandemic, and Holly Gibney is reeling from the sudden death of her domineering and stubborn mother.  Initially planning to take some time off, Holly finds herself drawn to a new case when distraught mother Penny Dahl calls the Finders Keepers detective agency hoping to get help in finding her missing daughter, Bonnie.  With her partner, Pete, out of commission with COVID, Holly decides to take on the case by herself, especially when Penny’s desperation breaks through to her.

Diving into the case to distract herself from her deep personal concerns, Holly begins to uncover all the details surrounding Bonnie’s sudden disappearance.  But the further she digs, the more sinister the case becomes, especially when it becomes apparent that more than one person has disappeared in the same residential area.  To uncover the truth, Holly will need to find out more about these other disappearances.

However, Holly is unaware of a deadly threat watching her from the suburban shadows.  Professors Rodney and Emily Harris are octogenarians living an easy life as semi-retired academics.  But this old married couple is keeping a dark and unimaginable secret in their basement, one that will shake Holly to her very core.  Can Holly find out what really happened to Bonnie and the other missing persons before the clever and patient professors make their move?

Wow, just wow!  This was such an exceptional and powerful read, and it is one of the best books I have ever read from Stephen King.  Featuring an exciting, emotionally charged and highly gruesome story that will leave you breathless and horrified, Holly had me hooked from the second I started it and it refused to let me go even after I finished it.  Intense, clever, and oh so beautifully disturbing, Holly gets an easy five-star review from me for so many delicious reasons.

Holly has an epic and addictive narrative that grabs the reader’s attention right off the bat, especially as you are immediately introduced to the horrifying schemes of the antagonists.  This great introduction perfectly leads into the main story, which focuses on the protagonist’s investigation into the disappearance of a missing girl.  This is very much a character driven plot, as the protagonist simultaneously deals with her troubled history and roiling emotions following the death of her mother.  King features a range of intriguing character perspectives throughout the course of Holly, showcasing different angles to the case and introducing several additional personal stories.  Thanks to these intriguing perspectives, especially those surrounding Holly herself, the investigative storyline rolls along at a fast and exciting pace, and Holly quickly begins to realise something nefarious did happen to her client’s daughter, as well as other people in the same area.  King backs up these revelations with great flashback chapters that showcase the actual sinister deeds of the antagonists, while also giving you some fascinating insights into who they are and what drives them to commit these insanities.

The resulting story continues at a fast and compelling clip, as you get further drawn into both Holly’s case and the intriguing history of the Harrises and the people whose lives they impact.  King writes a very tight and captivating investigative storyline around the protagonist, and I liked how Holly methodically finds connections and identifies new victims through a series of fun character interviews.  Thanks to the flashback sequences, the reader already knows what the Harrises have done and what Holly is going to find as her investigation continues, which gave the protagonist’s scenes more of an edge as you wait for her to uncover the full horrors awaiting her.  As this unfolds, you are also gifted to several compelling and emotionally charged scenes around Holly, as well as several other great supporting figures, as they go about their damaged and complex lives.  This includes a large sub-story thread around returning character Barbara Robinson, whose foray into the literary world proves quite powerful and personal, while also revealing several major clues in the case.  These multiple character-driven storylines are pretty fascinating and captivating in their own way, and they pull together perfectly into one cohesive and bloody narrative that you can’t prove away from.

While the first two thirds of Holly are extremely cool and addictive, the third act is where everything comes together, and boy is it glorious.  King came up with an excellent and very impressive conclusion that keeps you irresistibility hooked up to the end.  Several lingering questions, such as the fates of characters, are cleverly and gruesomely answered in the leadup to Holly pulling the clues together.  At the same time, the author also revolves several key character arcs and storylines, which set up these various figures for the big confrontations, for better or for worse.  I love how King maneuverers all the characters around through chance, tragedy and mistakes so that there is the maximum risk for his protagonists, and you are seriously left wondering who is going to survive and how the entire story will unfold.  The climatic scenes are pretty damn memorable, as King brings everything together in a brutal way that only he could envision.  The shock, the emotional damage and the horrors that are revealed are extremely powerful and cool, and you will come away from Holly disturbed and satisfied in equal measure.

While I already had a great deal of respect for King’s writing ability before reading this book, I have to say that I was even more deeply impressed with how he pulled Holly together.  This fantastic book was the perfect blend of mystery, suspense and character-driven narrative, and there was frankly not a single second that I did not enjoy.  The way that the author told his complex narrative is outstanding, and I loved how the perspective switches between the various intriguing characters, as well as featuring flashback chapters that range from heartfelt to highly sinister.  The constant changes in focus helped to create a very compelling and elaborate read, and showcasing all the key characters ensures that the reader gets a much more complete and powerful narrative, especially during the main investigative storyline.  While I liked the protagonist’s narrative, some of the best scenes were those that focused on the antagonists and their sinister secrets in the basement.  The Harrises’ scenes are pure and exquisite horror that had me shuddering and shivering the entire way through, especially when you find out exactly what they are doing and why.  I cannot fully express how gruesome King made this part of the book, and I could not stop reacting at his horrifying descriptions at times; it was that damn dreadful.  Combine that with the highly personal and relatable character arcs, and this ended up being an exceptional read that you will have a hard time putting down.

While Holly is part of a larger series of books and stories that feature the main character of Holly Gibney in some way, King makes sure to cover all the relevant details from these previous works where needed, and this can be read as a standalone novel.  Both I and my wife (who hasn’t read any of the books, but did watch the Mr Mercedes television series), were able to follow every point of this book without any issue, although established King readers will probably have fun seeing the story continue from these previous reads.  As such, Holly is an easy and compelling read to check out, even if you are unfamiliar with King’s work, and you are guaranteed to have fun with it.

I cannot talk about Holly without discussing the outstanding and beautifully written characters that help to turn this amazing novel into such a classic and exceptional read.  King has always excelled at wrapping his elaborate narratives around powerful and distinctive protagonists and villains, and Holly is a brilliant example of this.  The heart of the tale lies in the motivations and actions of Holly’s excellent cast, and the simultaneous examination of their lives and the case is so very addictive.

The most prominent of these characters is titular protagonist Holly Gibney, who returns this time as the main character of her own book.  Holly is such a fascinating and complex figure to focus a story around, and while much of her development occurred in previous novels, King still has a lot to work with here.  Already somewhat emotionally damaged and immature, especially after a lifetime of anxiety and manipulation, Holly has only come out of her shell in recent years thanks to the help of her friends and her new career as a private investigator.  However, the death of her mother brings up a whole new bag of issues, especially as it uncovers additional layers of manipulation that Holly had previously been unaware of.  Most of Holly’s scenes see her try to deal with continual feelings of guilt, betrayal and regret that results from these revelations, while the words of her mother continue to play in her head, influencing her decisions.  While this pain and uncertainty is a big part of Holly’s personality, King expertly balances this with some more positive character aspects, including her expert investigation skills, the emotional strength she draws from her friends, and her unyielding determination to find the truth.  King really did a great job of reintroducing and utilising Holly here, and I felt that she served as an excellent central protagonist of her own novel.  I did think that King really didn’t write Holly as a woman in her mid-50s, as she felt a lot younger than she should have, but a lot of this is due to how emotionally immature the character is due to her hard life.  Honestly, her unique insights, thoughts and relationships are extremely refreshing and so much fun, and I would read so many more novels that have Holly Gibney as the main protagonist.

While Holly is a great protagonist, this book would be nothing without the fantastic figures of Rodney and Emily Harris, who might be some of the best villains that King has ever written (which is saying something).  The Harrises are quickly shown to be anything but the harmless retired academics they present to the world, especially when readers are treated to a view of their basement.  I don’t want to give too much away here, because you really need to read King’s excellent buildup to fully experience the horror around them, but they are gloriously and exceptionally sinister.  Part of this is because their age belies how dangerous and malicious they truly are, with other characters constantly underestimating them, and watching these frail figures commit acts of utter evil is very shocking.  Other elements of their sinister nature are derived from the initial secrecy surrounding their motivations as well as the uncertainty around whether their actions are normal human evil or something more unnatural.  King does such a good job of diving into the mind of these characters throughout the course of Holly, and you really get some powerful and captivating insights into who they are and why they are committing their crimes.  The author works in a complex layer of fear, regret, love and insanity underneath their actions, you can kind of empathise with their desires and understand why they are doing what they are doing.  However, these brief flashes of empathy only ensure that the reader is even more repulsed by their actions, especially when you also get the points of view from their victims.  Honestly, I could go on, but I think I will just leave it here and say that Rodney and Emily Harris are exceptional villains, and you won’t be the same after visiting their basement.

Aside from the complex protagonist and the amazing villains, Holly is also loaded with a great cast of supporting characters, each of whom have their own moments to shine.  Many of these are returning figures from the previous Bill Hodges books, such as Jerome and Barbara Robinson, Holly’s friends and emotional support.  Both Jerome and Barbara have had a lot of growth in the previous novels, and it was great to see their stories continue in Holly.  Barbara in particular has a fascinating and moving character arc in this novel, as her horrifying experiences from the previous books inspire her to write haunting poetry.  This proves to be an intriguing and moving side storyline for part of the book, which, while it does have certain implications for the main investigation, also expands on Barbara’s creativity and highlights the joy that writing and creativity in all forms can bring to a person.  Barbara’s mentor, elderly poet Oliva Kingsbury, also proves to be a wonderful additional to the cast, and her canny insights and elaborate experiences add some great depth to parts of the novel.  I also need to highlight the poor unfortunates who serve as the victims of this story.  While many of them are only briefly featured throughout Holly, King ensures that each of them is effectively and emotionally highlighted.  While each of them is primarily shown at their very worst, you really get a sense of who they are, and the inherent tragedy of their lives and what is being done to them, will stick with you.  All these characters and more are so perfectly written by King, and their unique journeys and powerful emotions, help to drive Holly’s narrative in some outstanding directions.

King also injects an interesting level of social commentary into Holly by strongly featuring some of the key events of the last couple of years into this story.  Holly is King’s first novel set during COVID times, and he really tries to showcase how life was changed during this period.  The characters are constantly talking about masks, vaccines, and the impact of the pandemic on their lives.  While this is somewhat repetitive and traumatic for people trying to put that behind them, I felt that it was a perfect reenactment of how life was a few years ago.  The characters encounter all manner of different mindsets and opinions about the pandemic and other key events during this time, which will be instantly recognisable to readers, and I liked seeing the protagonists react to it, especially when it plays into their own personal experiences.  While King mostly speaks through his protagonists, there is a certain level of social commentary, and you can feel that King has some strong opinions about recent events.  While this commentary might not be for everyone, I really appreciated it and I felt that it gave the story some more realism, especially when the author sticks his narrative right in the middle of recent major events.

While I did get a physical copy of Holly, I decided to check out the audiobook version instead, because I had a road trip that this was the perfect accompaniment for, and also because they got the perfect narrator in Justine Lupe, who plays the character of Holly Gibney in the Mr Mercedes television series.  I love it when audiobooks get fun and appropriate narrators with connections to related media, and Justine Lupe was easily one of the best examples of this.  Not only does she perfectly capture Holly’s spirit, emotions and personality due to her experiences with Mr Mercedes, but she also does an amazing job narrating the rest of the story and bringing the other characters to life.  Lupe really dives into all the members of this brilliant cast in a great way, and I love how each of them is gifted a distinctive and fitting voice, such as how she made the Harrises sound both innocent and sinister at the same time.  I was really impressed with Holly’s perfect choice in casting, and I loved the continuation on from the existing portrayal of the titular protagonist.  Coming in at around 15 and a half hours, the Holly audiobook has a decent length to it, but once you start listening to it, you really can’t stop.  As such, I would strongly recommend this audiobook to anyone interested in checking out Holly in all its gory glory, especially if you also enjoyed the Mr Mercedes television series.

I could go on about Holly, but the point is that this latest Stephen King novel is pretty damn exceptional.  Perfectly blending established characters and an elaborate new narrative with some gruesome and intense elements, Holly had me hooked from the first scene thanks to its brilliant storytelling.  Dark, shocking and deeply personal, there is so much to love about Holly, and it was one of the strongest King stories that I have had the pleasure of reading.  I honestly cannot recommend this book enough, both to new readers and established King fans, and Holly is easily one of the best books of 2023.

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Throwback Thursday – Mr Mercedes by Stephen King

On By The Unseen LibraryIn Five-Star Books, Thriller, Throwback Thursday15 Comments

Mr Mercedes Cover 1

Publisher: Hodder & Stoughton (Paperback – 3 June 2014)

Series: Bill Hodges – Book One

Length: 407 pages

My Rating: 5 out of 5 stars

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Welcome back to my Throwback Thursday series, where I republish old reviews, review books I have read before or review older books I have only just had a chance to read. Is this week’s Throwback Thursday, I am going back to some of the older works of the legendary Stephen King lately, starting with his compelling and intense psychological thriller, Mr Mercedes, an excellent and captivating read that I had an outstanding time reading.

I have to admit that I don’t have a lot of experience with Stephen King’s books, having only read some of his more recent releases, such as Later, Billy Summers (one of my favourite novels of 2021), and Fairy Tale.  However, I have been keeping an eye out for King’s upcoming novels, including his next book, Holly, which is out very soon.  In preparation for Holly’s release, I decided to go back and read an earlier King novel, Mr Mercedes, especially as it serves as the introduction of the titular character from the upcoming book, and boy was I glad to try this fantastic novel out.

On a dark and cold morning in a depressed mid-western city, a desperate crowd gathers outside a jobs fair, hoping to turn their lives around.  However, many never got the chance, as a lone driver in a stolen Mercedes drives into the crowd, killing eight people and wounding more, before managing to escape.  This gruesome crime has haunted the community, and especially detective Bill Hodges, who was unable to catch the “Mercedes Killer” before he retired.

Years later, Hodges is living the solitary and depressed life of a former police officer who has seen too much.  Barely managing to get through each day, Hodges is suddenly revitalised when he receives a disturbing letter from someone claiming to be the Mercedes Killer.  Now more determined than ever to hunt down this killer and bring him to justice, Hodges jump-starts an unofficial investigation, hoping that his prey’s decision to contact him will be his biggest mistake.

Hodges’s new search leads him back to the owner of the Mercedes, who committed suicide from the guilt of her car being used in such a horrendous attack.  Teaming up with the dead woman’s sister and a band of unlikely helpers, Hodges begins to finally unravel the case.  However, the Mercedes Killer is a far more dangerous prey than Hodges ever realised.  Not only is he obsessed with killing Hodges, but he also has a nefarious plan that will rock the city to its core.  Can Hodges finally defeat his nemesis before it is too late, or will the Mercedes Killer once again get away with an outrageous act of violence?

This was a very impressive novel from King, who masterfully explores the psychological thriller genre the way only he can.  Featuring some powerful and complex characters, an elaborate cat-and-mouse plot, and King’s intense and addictive writing style, Mr Mercedes is a masterful novel that proves near impossible to put down.

I loved the powerful and captivating story that King pulled together for Mr Mercedes, as the author really dives into this dark story in a big way.  Starting with the gruesome and over-the-top Mercedes killing, which definitely sets the scene for much of the book, the main plot begins years later, with the retired Bill Hodges receiving a letter from the Mercedes Killer, who is attempting to persuade Hodges to kill himself.  However, Hodges instead enters into an off-the-books investigation, attempting to goad the Mercedes Killer into making a mistake while also connecting with the sister of the case’s key witness.  Half the book also focuses on the character of Brady Hartfield, the Mercedes Killer, who has become obsessed with ending Hodges, while also launching a new attack.  Disturbed, and determined to win, Brady’s perspective adds a great narrative edge to Mr Mercedes, and you are soon swept up in his complex emotional journey, especially once he realises that Hodges is on his tail.

The plot develops at a pretty fast and compelling pace, and you swiftly get drawn into each perspective character’s unique view on life and the grizzly events unfolding around them.  King really focuses on the dark and damaged minds of each of his characters, and the ongoing narrative is littered with compelling and fascinating dives into each of their pasts and the events that led them to where they are now.  The author also introduces several great supporting characters, each of whom adds their own unique elements to the book, whether it’s by helping Hodges with his investigation or by adding to the emotional fire that burns within both main characters.  Most of the story is devoted to the cat-and-mouse chase between Hodges and Brady, especially as they come closer and closer to confronting each other and digging at each other’s psyche.  King really moves the story along in the second half, thanks to a massive moment that really shatters the somewhat comfortable narrative that had been building at that point.  Everything leads up to the big and inevitable conclusion, as Brady attempts to unleash his master plan and Hodges and his allies close in on him.  This big confrontation is pretty damn interesting and intense, especially as a surprising third party takes the lead, but it leaves a fantastic and satisfying conclusion that readers will deeply appreciate and will leave you wanting more of the great characters and King’s unique style.

This awesome story was well backed up by King’s uncanny and wonderful writing style, and he really had me hooked the entire way through.  While early parts of the book where a tad slow in places, especially as King was building up the main two characters, once the full psychological dance between Hodges and the Mercedes Killer truly begins, you really cannot pull away from this great novel.  The mounting tension as these characters make their respective plays is so damn effective, and you get drawn into the dark mental battle between them.  King’s use of multiple perspectives really helps to enhance the brilliant story, and the captivating look into all the key characters’ minds is such an essential part of the book that it proves hard to turn away from these tragic and damaged figures.  I honestly could not put this book down in places, especially the last third, as the tension, emotional power and tragedy that King had built up by then was extremely palpable.  This was probably one of the better King novels I have read so far, especially as it had an excellent conclusion that fit the earlier themes of the book, and I deeply appreciated how well he explored the darker areas of the mind.

As I mentioned above, one of the main highlights of Mr Mercedes were the complex and highly damaged characters that were such a vital part of the plot.  King always excels at effectively utilising impressive and highly realistic character driven narratives in his books, and Mr Mercedes was no exception to this.  The major figures featured in this book were also highly unique and complex in their own way, often with some distinctive and understandable psychological damage that defines them and which they spend much of the book trying to overcome.  These highly personal and compelling character elements were really well woven into Mr Mercedes’ plot, and you really get drawn into each character’s own damaged journeys, as well as the intriguing relationships that they form.

The main character of Mr Mercedes is retired police detective Bill Hodges, who serves as a dogged and solid protagonist.  A rugged and tired figure who has seen too much, Hodges was an awesome retired cop character, and King did an outstanding job of capturing his loneliness and regret, especially in the early stages of the book.  However, this burns away when the killer contacts him, and he once again has a purpose.  I felt that this change in character focus was very well done and you easily understand why he dives back in the case, desperate to solve that one lingering case.  While initially driven by obsession, Hodges soon develops more reasons to live, as he connects with several of the other characters in the book and each connection makes him want to live that little bit more.  It was also interesting to see him revisit and reflect on his previous actions as a police officer, especially when he connects with the family of the witness he falsely accused of negligence, and the insights and empathy he develops now he is no longer a cop is quite touching.  You really grow to appreciate Hodges as a character as the book continues, especially as you see him once again enjoying life, and King’s portrayal of a man who suddenly rediscovers his purpose is very well done.  Of course, this opens him up to even greater tragedy, and watching him suffer cuts you to the core.  Thanks to the television adaptation of the book, I could only envision Hodges as Brendon Gleeson, which I think fit the depictions shown in the book, and I really enjoyed seeing this gruff, no-nonsense figure in action.

I also really need to highlight the excellent work that King puts into creating the antagonist of Mr Mercedes, Brady Hartfield, the titular Mercedes Killer.  I have read many good villains of the years, but frankly, the Mercedes Killer was one of the best, mainly because of how quickly and effectively King makes you despise him.  King does such a good job of introducing and utilising the character of Hartfield throughout Mr Mercedes, and his dual life and obsession with Hodges become a key part of his chapters.  The character’s sheer arrogance, distain and disregard for human life are so well written, and you understand just how deranged and damaged Hartfield is in just a few pages of his introduction.  King does take the time to build up Hartfield as a character, showcasing his traumatic past, formulative family events and unsettling relationship with his mother, all of which helps the reader understand how he become the monster he currently is and why he does the things he does.  However, even with that, it proves very hard to find any sympathy for the character, especially as every scene of his features an arrogant and hateful internal diatribe about the people he encounters and the world around him.  I deeply appreciated how King was able to capture Hartfield’s sociopathic superiority complex and inherent sense of greater intelligence with his writing, and it was such a key part of Hartfield’s character.  This ensures that when things do not go his way or when he is outsmarted by Hodges, a man he views as his inferior, he takes it badly, and watching Hodges manipulate Hartfield this way was a fantastic part of the book.  This is honestly one of the better King villains I have so far had the pleasure of reading and his obsession with Hodges and being the smartest man in the room, was so damn well written.

Aside from the main perspective characters of Hodges and Hartfield, King also features several other intriguing figures in Mr Mercedes who also add a great deal to the plot in a supporting role.  I personally really enjoyed the character of Janelle Patterson, who serves as Hodges’ main love interest.  Janelle was a feisty and highly likeable figure in the book, and I actually really enjoyed the heartfelt connection she formed with Hodges, especially as they filled an emotional hole in each other’s lives.  Janelle’s self-involved sister, Olivia Trelawney, also proves to be a great inclusion, despite being dead by the time the main plot starts.  King builds her into a complex and tragic figure, and it was intriguing to see her sense of reality combat with guilt and despair in several flashback scenes.  Jerome, the wisecracking teenager who serves as Hodges’s assistant and tech support added some great humour to the story, and his loyalty to Hodges ensured the reader grew quite attached to him, while also getting worried as Hartfield circled around.  However, probably the most unique supporting character was Holly Gibney, who, as I mentioned above, is getting her own spin-off story soon.  Initially shown as emotionally damaged and barely able to function, Holly doesn’t strike you as having protagonist potential.  However, thanks to her bond with Hodges and certain shocking events breaking her out of her trauma shell, Holly ends up becoming a key supporting figure, able to assist in the case due to her unique insights and life experiences.  Despite only being in the book for a relatively short amount of time, Holly really shines through as a complex and exciting figure who the reader quickly gravitates to.  As such, by the end of the book you very much understand why Holly goes on to become her own protagonist, and I look forward to seeing how much she further developed when I grab King’s next novel.

Overall, Mr Mercedes was just as good as I had been led to believe, if not better.  Stephen King did a masterful job with this powerful and captivating dark psychological thriller, and I got so wrapped up in the awesome battle of damaged minds that emerged.  Featuring an excellent story, some exceptionally complex protagonists, and King’s infallible character-focused writing style, Mr Mercedes was a joy to read from start to finish, and I have to give it a full five-star rating as a result.  I cannot wait to dive into King’s next book, Holly, when I get my hands on it in the next week, and I have no doubt that will also blow me away.

Mr Mercedes Book Two

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Quick Review – Fatal Legacy by Lindsey Davis

On By The Unseen LibraryIn Historical Fiction, Murder Mystery, Quick Review3 Comments

Fatal Legacy Cover

Publisher: Hodder & Stoughton (Trade Paperback – 11 April 2023)

Series: Flavia Albia – Book 11

Length: 397 pages

My Rating: 4.5 out of 5 stars

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Return to one of my favourite historical fiction series with another clever crime fiction read set in ancient Rome with Fatal Legacy by Lindsey Davis.

While I have had the pleasure of reading many great historical fiction series and books over the years, few have been as enjoyable to me as the Flavia Albia books by legendary author Lindsey Davis.  The follow-up to her iconic and long-running Falco novels, the series follow the titular Flavia Albia, a private investigator in Rome who finds herself involved with a series of unusual or gruesome crimes, often resulting in a series of over-the-top events.  I have had a great deal of fun with the Flavia Albia books over the years, including The Third Nero, Pandora’s Boy, A Capitol Death, The Grove of the Caesars (one of my favourite books of 2020), A Comedy of Terrors and Desperate Undertakings (one of my favourite books of 2022), and I am always excited to check out the latest novel in the series, especially when it has an intriguing plot behind it.

Plot Synopsis:

An unpaid bar bill leads Flavia Albia to her most bitter and complex case yet.

Decades earlier Appius Tranquillus Surus wrote his will: it freed his slaves and bequeathed his businesses to them. He left an orchard to the Prisci, a family he was friendly with, on the condition that his freedmen could still take its harvest.

The convoluted arrangement has led to a feud between the two families, each of which has its own internal strife. Endless claims and counterclaims lead to violence and even death. Lawyers have given up in exasperation as the case limps on. The original will has disappeared, along with a falsified codicil – and might there be another one?

But is there a solution? Two youngsters from each side of the divide, Gaius Venuleius and Cosca Sabatina, have fallen in love, which could unite the feuding families. There is only one problem: were Sabatina’s grandmother and father really liberated in the Surus will? If not, the stigma of slavery will stop the marriage and the dispute will rage on forever.

Reconciliation seems impossible, but Albia will try. Her investigation must cut through decades of secrets, arguments, lies and violence to reach a startling truth.


Fatal Legacy was another compelling and fun entry in the series which once again brings together Davis’ fantastic take on Roman historical fiction with a unique mystery and several entertaining characters.  Fatal Legacy was the 11th book in the Flavia Albia series, and it proved to be quite an exciting and addictive read.

I had a lot of fun with Fatal Legacy’s great story, especially as it requires the protagonist to dive into an elaborate family feud.  Starting off by chance as Flavia attempts to appease one of her many eccentric relatives by investigating an unpaid bar bill, Flavia soon finds a family even more disastrous than her own when she encounters an infamous Roman clan embroiled in a variety of issues, including a feud with another family over a profitable orchard, as well as various internal conflicts and problems.  Hired to find proof that one member of the family was legally freed by their previous master, Flavia is forced to examine the labyrinthine relationships, family history and feuds that define this conflict, all while trying to deal with her own personal concerns.  This swiftly descends into a complex mess of many, many secrets, and readers will be left completely enthralled by how the story unfolds.

This was one of the more unique mysteries that Davis has come up with in her series, which really helped to set this book apart.  I personally enjoyed how Davis changed the focus of the book onto a family’s internal and external history and drama rather than the typical murder investigation, especially as it made for quite entertaining reading.  There are layers upon layers of secrets, betrayals, and hidden family connections that the reader needs to travel through to get to the truth, and you really get caught up in the new characters as a result.  The slow trawl through this history results in several great twists and turns, and it was fun watching the protagonist slowly unwind the many threads of the case, while also trying to avoid as much as their bitter conflict as possible.  I appreciated have Davis tried to break up this family focused investigation in places by adding in a few entertaining scenes, such as a farcical brawl at the protagonist’s house, as well as several over-the-top encounters amongst the family that Flavia is trying to investigate/help.  Despite that, the story does get rather dry and slow in places, especially towards the centre of the book as the reader gets a bit weary of finding out even more layers to the slow-paced mystery that emerges.  It also doesn’t help that this case has low stakes, especially compared to some of Davis’s other books that feature murder and serial killers, and this occasionally dulls the reader’s excitement.  Despite that, Davis manages to bring together quite an excellent read, and I loved the elaborate and fun reveal sequence at the end, which in some ways acts as a parody to classic whodunnits.

In addition to the clever and elaborate mystery, Fatal Legacy also features a great combination of entertaining characters and the typical fun ancient Rome setting.  I always love Davis’ vision of ancient Rome that are featured in the Flavia Albia books, especially as she tries to bring together classic Roman elements with characters and attitudes that are more recognisable in a modern setting.  Having the ancient characters speak with modern dialogue and act in ways we would associate more with contemporary people rather than figures in classic times gives the story a relatable and humorous edge at times, and it is always fun to see this version of ancient Rome.  This combines well with the cast of Fatal Legacy, especially as Davis introduces an eclectic group of new characters whose complex personal problems result in the book’s intriguing mystery.  The fun interactions between Flavia and these figures are very entertaining, and you have to love the protagonist’s cynical and sarcastic observations about the people she is forced to deal with.  The chaotic family she is forced to investigate contrasts comedically with Flavia’s own dysfunctional household, which got a good amount of focus in Fatal Legacy.  I think that Davis featured Flavia’s own family just the right amount in this latest book (sometimes they can be a bit overwhelming and distracting), and it was fun to see them interact, and at one point get into a massive punch up, with some of the case-specific character of the main plot.  All this helps to turn Fatal Legacy into a great read with an excellent blend of mystery, comedy and big personalities.

Overall, I felt that Fatal Legacy was a pretty awesome entry in one of my favourite historical fiction series.  Lindsey Davis wrote an outstanding and distinctive story for Fatal Legacy, and readers will enjoy the complex and character-focussed mystery that emerges as a result.  While aspects of Fatal Legacy’s narrative might not be as sharp as some of the other books in the Flavia Albia series, this was still an excellent read and one that fans of Davis will have a great time reading.

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Quick Review – Fairy Tale by Stephen King

On By The Unseen LibraryIn Fantasy, Quick Review34 Comments

Fairy Tale Cover

Publisher: Hodder & Stoughton (Trade  Paperback – 6 September 2022)

Series: Standalone

Length: 579 pages

My Rating: 4.25 out of 5 stars

Amazon

The master of horror and thriller fiction, Stephen King, dives into the world of fantasy in a big way with his compelling 2022 novel, Fairy Tale.

I have finally started to get into some of the more recent books of legendary author Stephen King, which has usually worked out pretty well for me.  His two 2021 novels, Later and Billy Summers were both excellent reads, with the later proving to be one of my favourite novels of 2021.  We also have another new Stephen King novel, Holly, coming in a couple of months, but before we get to that I thought I would quickly review King’s 2022 release, Fairy Tale, which I read last year.  While I had fun with Fairy Tale, I failed to write a review for it, which is something I am hoping to rectify now, especially after all the recent interest people have shown in his next book.  Fairy Tale was a great dark fantasy read from King that took his typical teenager protagonist on a harrowing and compelling journey into a unique and hidden realm.

Plot Synopsis:

Legendary storyteller Stephen King goes deep into the well of his imagination in this spellbinding novel about a seventeen-year-old boy who inherits the keys to a parallel world where good and evil are at war, and the stakes could not be higher—for their world or ours.

Charlie Reade looks like a regular high school kid, great at baseball and football, a decent student. But he carries a heavy load. His mom was killed in a hit-and-run accident when he was ten, and grief drove his dad to drink. Charlie learned how to take care of himself—and his dad. Then, when Charlie is seventeen, he meets Howard Bowditch, a recluse with a big dog in a big house at the top of a big hill. In the backyard is a locked shed from which strange sounds emerge, as if some creature is trying to escape. When Mr. Bowditch dies, he leaves Charlie the house, a massive amount of gold, a cassette tape telling a story that is impossible to believe, and a responsibility far too massive for a boy to shoulder.

Because within the shed is a portal to another world—one whose denizens are in peril and whose monstrous leaders may destroy their own world, and ours. In this parallel universe, where two moons race across the sky, and the grand towers of a sprawling palace pierce the clouds, there are exiled princesses and princes who suffer horrific punishments; there are dungeons; there are games in which men and women must fight each other to the death for the amusement of the “Fair One.” And there is a magic sundial that can turn back time.

A story as old as myth, and as startling and iconic as the rest of King’s work, Fairy Tale is about an ordinary guy forced into the hero’s role by circumstance, and it is both spectacularly suspenseful and satisfying.


Fairy Tale was a pretty awesome book, although I have to admit that it wasn’t my absolute favourite Stephen King novel so far.  While it was a great story loaded with King’s usual coming-of-age themes and great characters, it did have a few issues regarding pacing and a somewhat disconnected story.

The main issue that I had with the book was that Fairy Tale honestly felt like it was two separate novels combined into one massive read.  The first half of Fairy Tale is probably my favourite, mainly because it contains the classic King coming-of-age story as the author introduces the reader to the protagonist of Charlie Reade and his complicated life.  King really hits the reader strong from the beginning, describing the tragic events of Charlie’s young life, including the death of his mother, the alcoholic crumbling of his father, and the eventual resumption of a normal life once his father recovers from grief and drink.  These events are covered perfectly, and they form a great basis for Charlie’s story, especially as they drive him to be a better person, which leads him to try and help his elderly neighbour, Howard Bowditch.

Mr Bowditch is a fantastic character, mainly because King gets his cranky persona and loner attitude down perfectly.  The growing friendship between Charlie and Mr Bowditch, as well as Charlie’s bonding with Mr Bowditch’s old dog, Radar, forms a solid emotional centre for Fairy Tale’s narrative, which really hangs around to the end.  I had a great time with the part of the book that followed Charlie helping Mr Bowditch and Radar, and I honestly think King could have written a great story purely around that.  The combination of brilliant character work, a fun generational divide, true friendship, and even some mystery elements, really produced an excellent first part to the story.  Even the hints of the fantasy elements to come are very well done, and King did a good job of only featuring a few subtle moments meant to tease the imagination.  However, this doesn’t last nearly as long as I would have liked, as you are soon drawn into the next part of the story once Mr Bowditch dies.  This sad but expected death serves as the catalyst for the second half the story, and the reader gets a full story about the hidden realm which can be accessed via a portal in the toolshed.

Now, I was initially very onboard for this second part of the book, especially as the protagonist’s main reason to visit the fantasy realm was to find a way to save Radar.  Frankly anyone who has ever owned a dog should be pretty drawn into this part of the story, and the sheer desperation that the protagonist experiences as he journeys towards the potential restorative device made this story very relatable to me.  This desperate quest with a tangible and heartbreaking time constraint melded well with the unique new land that the protagonist found himself in, and I loved seeing King’s imagination as he crafted a dying world of mysterious and damaged figures.  The story at this point had an intriguing old-school quest vibe to it, very much like a classic fable, and I was so damn invested in seeing what happened to Radar.  However, once that part of the story was resolved, there was so much left of the book left to go, and that’s where I had a little less fun with Fairy Tale.

Don’t get me wrong, King still brought together a lot of great elements that cleverly carried on from the front of the book.  The dark fantasy realm had some great fairy tale inspirations which made for an excellent background, and the deranged figures who ruled over it were excellent villains.  King also works in a very dark storyline where Charlie experiences some major adversity that he must literally battle to overcome, all while meeting a cohort of desperate new supporting characters.  However, this part of the book just didn’t grab me as much as the first half, and there is somewhat of a disconnect between this story and the earlier awesome chapters of the book.  Still, it was pretty fun to continue, and the story morphed into a classic hero narrative, with Charlie leading a mystical revolution.  I ended up quickly getting through this chunky novel, and it was great to see Charlie grow into Mr Bowditch’s shadow as he encounters some of the events that made him.  King ends everything a pretty happy and final note, and the reader comes away from Fairly Tale fairly satisfied with how everything turned out.  I felt that the second half, while not as enticing as the first, combined well with the rest of the story and together you have a great, character-driven story, that you can really sink your teeth into.

Overall, I rather enjoyed Fairy Tale, even though it took me a little while to review it.  Stephen King showed off his unsurpassed ability to create compelling stories focused on intriguing protagonists, and I love his amazing imagination and awesome ability to make me care about these fiction figures.  While I did have some issues with the second half of Fairy Tale, this was still and excellent novel, and it is really worth checking out, especially if you are an established fan of King and his complex stories.

Fairy Tale Cover 2

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Her Sweet Revenge by Sarah Bonner

On By The Unseen LibraryIn Thriller6 Comments

Her Sweet Revenge Cover

Publisher: Hodder & Stoughton (Trade Paperback – 6 April 2023)

Series: Standalone

Length: 408 pages

My Rating: 4.75 out of 5 stars

Amazon

Last year I was lucky enough to receive a copy of the fun and twisty thriller novel, Her Perfect Twin by Sarah Bonner, an outstanding read that got a full five-star rating from me and which ended up being one my top debuts of 2022.  I have a lot of love for Her Perfect Twin thanks to its murderous plot and brilliant surprises, and I have been eager to see how Bonner was going to follow up her first book.  As such, I was pretty excited to see that she had a second cool thriller, Her Sweet Revenge, coming out this year, and I just finished it off.  Her Sweet Revenge was another outstanding read that blends complex characters with a fantastic and complex revenge plot to create an outstanding story.

Helena is a successful fashion blogger living in Exeter and married to a seemingly perfect man.  While her controlling in-laws seem to be her biggest problem, Helena is hiding a dark secret, one that could twist her entire life around and turn everyone against her.  When a series of notes begin to arrive, threatening to expose her, Helena desperately tries to keep her secrets hidden from her husband and evil mother-in-law.  But her attempts to stop the truth leaking out have lethal consequences.

Several years later, Thea is still mourning the loss of her best friend, Helena, and is convinced that her death was no accident.  Digging into the mysterious circumstances surrounding Helena’s demise, Thea is contacted by someone who claims to have known Helena and is also convinced that her death was deliberate.  Determined to get revenge for her friend’s murder, Thea dives even further down the rabbit hole and soon begins to create a lethal plot against those she thinks is responsible.  But not everything is as it seems, and the secrets surrounding Helena’s death are far more complex and dark than anyone realises.  As she gets closer to her target, Thea will need to determine just how far she is willing to go for revenge, and who truly deserves her wrath.

This was another exceptional novel from Bonner, who really looks set to make a name for herself in the thriller genre.  Her Sweet Revenge was another brilliant standalone novel which takes the reader on a wild and dark journey through death, bad relationships and revenge, and which proves near impossible to put down.

Bonner came up with quite the intricate and complex narrative for Her Sweet Revenge, and it really worked to tell a unique and powerful story.  Told in a similar style to her first book, Her Sweet Revenge is broken up into several parts and employs a series of time jumps and different character perspectives to tell a particularly intense story.  The first part of the book, which is one of the more substantial sections of Her Sweet Revenge, is told from the point of view of Helena in 2018 and Thea in 2022, with the story jumping between them chapter to chapter.  Both character-focused storylines set the scene extremely well, with the Helena chapters showing her turbulent life and the events that led up to her death, with the Thea chapters show the characters initial investigations into her friend’s death.

These two disparate timelines complement each other extremely well, and the reader is soon drawn into each character’s distinctive emotionally charged narratives.  Both storylines are pretty powerful in different ways, with Helena’s story focusing on her abuse by her in-laws and the trauma of being blackmailed for her secrets.  Watching Helena’s slow dive into instability is both shocking and moving, and you can’t help but feel for the injustices that the character is experiencing.  These feelings are further expanded on in the Thea chapters, as you feel the pain the character is experiencing at the loss of her friend, as well as the guilt that drives her to investigate Helena’s death and find the truth.  Bonner makes great use of this first part of the book to primarily set the scene for the rest of the plot, as well as introduce the key characters to the reader, and as such there are limited big reveals or twists at this point in the plot.  However, Bonner does do a good job of whetting the reader’s anticipation for what is to come by leaving several plot points unfinished and really showcasing just how bad all the people involved are.  The jump between 2018 and 2022 works really well, and it was interesting to see events from Helena’s chapters play into Thea’s storyline, especially when you know that there are still secrets being kept from both characters.

The second act of Her Sweet Revenge is where the plot really starts to fire up.  This section of the book is primarily focused on revenge, as Thea finds out some truths about Helena’s death and starts to plot about how to get her justice.  This section is solely shown from Thea’s perspective, and Bonner uses this to full effect to really dive down into the character and show how she got so vengeful and clever.  There are a lot of great moments here, especially when it comes to the plotting for revenge, and I loved the great character focuses that emerged.  There still aren’t a lot of twists at this part of the book, as Bonner is mostly building on what was revealed in the first half of the novel, but the author does do some good set-up here that works perfectly for the rest of the story.

The final third of the book is broken up into several separate parts, each of which is told from a different perspective character.  I won’t go into too much detail, but it works really well in the context of the story, and it is very interesting to see who gets focused on and why.  Bonner really starts to layer in her trademark twists and turns here, as everything you thought you knew about several characters turns out to be false, as motivations change, people are revealed to be something completely different, and the author includes some great dives into the past to show what really happened to Helena.  All the accompanying revelations have been masterfully set up in the earlier chapters, and I loved how the twists and turns seemed to build on top of one and other, with one betrayal or lie for a character followed by a bigger lie from another.  You honestly don’t know where the story is going at times, and I was extremely hooked for the last 150 pages as I waited to see who was going to come out on top and just who was getting revenge on whom.  While there are a lot of twists and reveals, Bonner keeps the story pretty tidy, and at no point did things get too convoluted or unbelievable.  I loved fully untangling the clever web that Bonner came up with, and the final result is pretty amazing and highly satisfying, especially as the very last reveals are some of the best, with everyone who should be punished getting what they deserve.  This was such a well-written and impressively crafted thriller narrative, and I guarantee that you won’t be able to stop yourself from reading more and more, just to see how everything ends.

In addition to the meticulously crafted narrative, I really need to highlight the outstanding characters featured throughout Her Sweet Revenge, each of whom is driven to edge in various different ways.  Bonner does an excellent job of introducing and building up several great characters throughout the course of her plot, and each of them was distinctive in their own way.  A good chunk of the plot’s focus is on the initial point-of-view characters, Helena and Thea, old friends who go through quite a lot during the novel.  Bonner introduces some excellent development to both in different ways, with Helena given a crash course in personal destruction, while Thea is slowly built up as a caring friend with a scary vengeful streak.  You get very invested in both of their respective storylines, one because of how sudden and emotionally crushing it is, and the other because of the reader’s natural sense of justice and loyalty, and I felt they were great focuses for so much of the book.  The rest of the cast is interesting and distinctive as well, mainly because so many of them are just naturally bad or dislikeable characters, with Helena’s mother-in-law, Geraldine, being an extremely good example.  Everything about Geraldine is designed to aggravate the reader and make them feel extreme sympathy for Helena, and Bonner made excellent use of her throughout the plot as a compelling side character.  These complex figures and more added a ton to the impact of the narrative, and I deeply appreciated Bonner’s ability to create intriguing characters with such fantastic nasty streaks behind.

Her Sweet Revenge was another outstanding thriller from Sarah Bonner, who produces a brilliant and captivating narrative, loaded with fantastic twists and surprising turns.  The revenge focused story is deeply addictive, and you find yourself quickly getting dragged into the intense and clever book.  I had a wonderful time reading Her Sweet Revenge, and it comes very highly recommended to anyone who wants a slick and memorable thriller read.

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Battle Song by Ian Ross

On By The Unseen LibraryIn Historical Fiction18 Comments

Battle Song Cover

Publisher: Hodder & Stoughton (Trade Paperback – 28 March 2023)

Series: Standalone/Book One

Length: 405 pages

My Rating: 4.75 out of 5 stars

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Impressive historical fiction author Ian Ross journeys away from his typical Roman history novels and instead dives into the chaos and glory of medieval England with the outstanding and highly addictive read, Battle Song.

England, 1262. Adam de Norton is a lowly squire with very few prospects to his name.  Unable to claim his family’s rightful estates, Adam’s only hope is to be knighted by his lord, which will allow him to win the glory and respect his chivalrous heart believes in.  However, his chances of even being noticed by his lord seem slim, and Adam looks set for a life of disappointment until a hunting accident leads him to his new master, the rogue knight Sir Robert de Dunstanville.

Robert de Dunstanville is a man infamous throughout England as a murderous heretic, and his anger, resentment and apparent lack of knightly virtue seem to match his devilish reputation.  A keen member of the tournament scene, Robert leads Adam to Europe, where his underhanded strategies and desire for victory over honour, prove to be highly effective.  While Adam chafes under the dishonour of his new master and the circumstances that lead them together, he soon discovers that Robert seems to have a far better idea of the realities of his world than he does.

Two years later, Robert leads Adam back to England, determined to take advantage of the chaotic political situation that emerges.  The Earl of Leicester, Simon de Montfort, has declared war against his brother-in-law, King Henry III, and now leads the barons of the realm in a rebellion, aimed at bringing reform and redressing the balance of power in the country.  As the country plunges into civil war, Robert and Adam must choose which side will give them the greatest advantage and keep them alive.  Soon caught in the middle of a desperate battle for the fate of the kingdom, will this duo get everything they think they deserve, or wind up in a bloody grave?

Ian Ross has written an exceptional and captivating historical adventure in Battle Song that I had an absolutely wonderful time reading.  Blending some great characters with an exciting story and intriguing historical detail, Battle Song is one the most thrilling and intense historical novels I have read in a while, and which is worth checking out.

Battle Song has an intense and captivating story that perfectly follows a young knight in training as he finds his destiny and gets embroiled in war.  Blending emotional personal growth with an exciting narrative from a great part of history, Ross’s narrative for this book is really addictive, and I had a ton of fun powering through it in a few days.  The story starts off great with a very strong introduction to protagonist Adam de Norton, a minor squire overlooked in life who still believes in the knightly virtues.  After a violent brawl shows his true raging potential, Adam is drafted into the service of Robert de Dunstanville, a bastard knight with a severe grudge against the king, who drags Adam to Europe for a run at the knightly tournaments.  The initial part of the book is really good as it sets up the story and the key politics of England, while also serving as an invaluable introduction to main characters.  I loved the early friction between Adam and Robert, which really helps to showcase the differences between their world views and ensures that there is some intriguing personal conflict between them throughout the book.

Ross dedicates a good chunk of the plot to following Adam, Robert and their companions, on an extended romp through the European tournaments, which are so damn fun.  The various scenes depicting the harshness of the tournaments, including the infamous melee, are some of my favourites in the book, and the author’s depiction of the chaotic violence and sheer unpredictability really appealed to me.  At the same time, this book serves as a good learning experience for the protagonist as Adam learns the realities of being a knight as he experiences love, betrayal and begins a deadly rivalry.  Ross also uses this part of the story to further dive into the start of the conflict between Simon de Montfort, as Robert meets and plots with the exiled Earl while in Europe and begins to weigh his options.

The second half of Battle Song is set back in England as Adam and Robert return home, determined to take part in the civil war to come, even if they don’t know which side to choose.  This half of the novel is pretty damn intense as Ross really dives into the intriguing and dark history of the period in some great ways.  The narrative drags the protagonists into some of the key events of the period, including riots, a dangerous siege, and several minor conflicts, as they watch the King and Simon de Montfort fight for control of the country.  This part of the book is also well layered with the personal concerns of Adam and Robert, as Adam faces a hopeless romance while witnessing some of the most vicious elements of war, while Robert continues to battle his conscience, inner-hate and survival instincts to come out on top.  There are some pretty epic scenes here and I deeply enjoyed how Ross balanced out the historical detail with the deeper part of his story.  The characters all go through setbacks, growth, and dark moments as the plot proceeds, and the reader gets caught up in their personal tales.  The battles themselves are really impressive, as Ross captures the sheer chaos of war and Adam learns what it is to kill.  I really appreciated Ross’s use of Adam as the main point-of-view character for this second half of the battle, not only because his position allows a great view of all the key historical moments, but because you see a more impassioned take on events which gives the entire narrative some great heart.  Everything leads up to the big final battle, which Ross covers perfectly, showcasing it as a metal meatgrinder of knight-on-knight combat.  There are some outstanding moments in these final pages, especially as several character arcs and storylines are cleverly finished, and I was deeply intrigued to see how the entire conflict came together.  Ross leaves everything on a satisfying conclusion and Battle Song ends up serving a particularly epic and brilliantly self-contained standalone read, which does have some potential to be continued in the future.  I deeply enjoyed this exceptional story and it was so damn addictive in places.

One of the best highlights of Battle Song is the way that Ross expertly portrays the historical period in which the book is set.  I loved the depictions of England and Europe in the 13th century featured throughout Battle Song, and Ross has a lot of fun showcasing the people, culture and politics of the people at the time.  There is a particular focus on the lives and experiences of the knightly classes as the book as shown through the eyes of a lowly squire experiencing them for the first time.  As such, you get a great idea of what it is to be both a knight and a squire as Adam grows into both roles while watching his master and peers in action.  There are some great discussions about the how knights act in life, and I loved how Ross examined how the realities of this compared to the romanticized notions of chivalry and honour that Adam had been fed growing up.  Naturally some of the best parts of the historical elements of Battle Song fall amongst the tournaments and battles that were such an amazing feature of the story.  Ross really dives into the nitty gritty detail of the tournaments, and I loved seeing the tactics and practicalities of big events like the joust and the melee.  It was also very interesting to see how these skills then translated across to the battlefield and the similarities and differences between the two proved to be deeply fascinating.  Ross really went out of his way to highlight the gritty and brutal nature of both the tournament melee and the battlefield throughout Battle Song, and I loved the high-intensity action scenes that emerged as a result.  Battle Song honestly some of the best historical battle sequences that I had seen for a while, and I found myself getting even further dragged into the story thanks to that.

In addition, I really enjoyed the compelling and impressive examination of the events of Simon de Montfort’s rebellion in 1264, one of England’s lesser-known civil wars.  The entirety of Battle Song is set around this war, and Ross really good job of showcasing the politics and the events leading up to the rebellion as Adam and Robert witness his plotting during their tournament days.  The second half of the book then examines the resulting war in high detail as the protagonists find themselves dragged into several key battles and incidents of this war, including the siege of Rochester and the decisive battle of Lewes.  The author does an outstanding job showcasing these battles as he looks at how they came about, what happened during them, and the resulting impacts it had on the war.  At the same time, Ross also tries to examine some of the key historical figures involved in this conflict, and it was very interesting to see the protagonists interact with them.  Ross initially paints this war as a battle for rights against the king, with de Montfort trying to rally the nobles behind his leadership.  However, rather than showing this as a purely noble affair, Ross also highlights some of the darker aspects of de Montfort’s campaign, including the infamous purge against the Jewish population of London at the start of the rebellion, which honestly was some of the darkest and most intense moments in the entire book.  I deeply appreciated this complex examination of the history, especially the prejudice against the Jews, and it painted both sides in morally ambiguous tones that fit the two protagonists.  Ross clearly has a real talent for portraying fascinating moments from history, and I had an outstanding time learning more about this unique and captivating period.

I was also quite impressed by the characters featured within Battle Song as Ross introduces the reader to an outstanding cast of both original characters and notable figures out of history.  The main protagonists are the duo of Adam de Norton, a poor squire who serves as the book’s point of view character, and Robert de Dunstanville, a blackhearted knight with a low opinion of the world around him.  Both characters are intriguing as they represent very different ends of the knightly spectrum.  Adam starts the book as a naïve squire who believes in honour and duty, even after years of being overlooked by his lord.  Robert, on the other hand, is a far more devious and jaded being.  A bastard with no lands of his own, Robert is upset about royal rulings made against him and takes out his anger in the tournaments, where his cunning tactics allow him to achieve many victories.  These two characters are polar opposites to begin with, however, they both start to influence the other in different ways.  Adam starts to become a little more cynical, wiser, and learns how to survive in this harsh world, eventually becoming a competent and dangerous warrior.  Robert on the other hand starts to soften as they grow closer, and the protagonist finds out that there is far more to Robert than he lets the rest of the world see.  These two play off each other, and the rest of the extended cast, extremely well, and I loved the complex mentor-mentee relationship that emerged.  These two are definitely the heart of the story, and I deeply enjoyed their compelling storylines, especially as they both experience hopeless romances, loss, disappointment, intense rivalries, betrayal and moments of glory as they journey towards the conclusion of the book.  The rest of the cast supports the story nicely, and I loved some of the interactions that emerged, as well as the clever mixture of real people from history and original characters invented for the narrative.  These great characters and their unique stories deeply enhance the quality of Battle Song and its powerful story and I was very impressed by how well Ross set them out.

With its outstanding blend of historical detail, amazing protagonists, and an intense and powerful narrative, Battle Song is a brilliant and epic read that I had such an incredible time reading.  Ian Ross produced such a great read here and this was one of the more exciting and entertaining historical fiction novels I have read all year.  Battle Song is a highly recommended historical fiction novel that is really worth checking out.

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The Boys from Biloxi by John Grisham

On By The Unseen LibraryIn Historical Fiction, Thriller6 Comments

The Boys from Biloxi Cover

Publisher: Hodder & Stoughton (Trade Paperback – 18 October 2022)

Series: Standalone

Length: 454 pages

My Rating: 4.5 out of 5 stars

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Legendary crime fiction author John Grisham returns with another impressive read, this time combining a complex, multi-generation character narrative with some excellent legal thriller elements to create the amazing novel, The Boys from Biloxi.

As I have mentioned a few times on this blog, last year I finally got the chance to read something from renowned author John Grisham.  The author of multiple iconic legal thrillers, Grisham was a major author whose work I had only consumed by way of film adaptations.  Luckily, I was able to fix that by checking out his 2021 release, The Judge’s List, which followed a complex investigation into a dangerous serial killer who was also a successful judge.  I had an outstanding time reading The Judge’s List, and it made me determined to check out some more of Grisham’s books, especially his new releases.  This included the fantastic short-story collection he released earlier this year, Sparring Partners, and his latest book, The Boys from Biloxi.  The Boys from Biloxi is an intriguing standalone novel that proved to be quite excellent, and I am very glad I got my hands on it.

In the heartlands of Mississippi, the city of Biloxi is notorious for its vice, lawlessness and general lack of morals.  A successful fishing and tourism spot on the coast, over time Biloxi became known as a place where all manner of gambling, drinking, drugs, girls and every other vice could be found.  However, the battle for the soul of Biloxi is about to begin as two families go to war.

Jesse Rudy and Lance Malco are both second-generation Americans.  The sons of hardworking immigrants, Jesse and Lance grew up on the streets of Biloxi, learning the value of the American way and hoping to make something for themselves by choosing very different paths in life.  While Jesse chose to become a lawyer, working himself tirelessly to get his degree, Lance used his father’s money to invest in the seedy clubs of Biloxi.  Both are happy in their respective lives, but, despite the close friendship of their sons, Keith Rudy and Hugh Malco, the two families are about to go to war.

After years of watching the corruption of Biloxi reach new heights, Jesse Rudy embarks on a mission to clean up the coast and works to become the city’s district attorney.  His first target is Lance Malco, whose has become Biloxi’s biggest crime lord, controlling multiple illegal night clubs and bringing a brutal gang war to the city.  As the two men go head to head, their sons soon follow in their footsteps, with Keith going to school to become a crusading lawyer, while Hugh becomes a thug for his father.  Before long it becomes clear that only one family can remain in Biloxi, and the loser will not survive their defeat.

Grisham continues to showcase why he is so highly regarded with another awesome and captivating read in The Boys from Biloxi.  Making great use of historical Biloxi, this fascinating crime fiction novel told a wonderful tale of crime and legal shenanigans that turned two families against each other over the course of decades.

I got pretty hooked on this novel right away, especially as Grisham started everything off by painting a cool picture of Biloxi, which promised to be quite a unique setting.  The author swiftly compounded my interest by quickly and effectively introducing the reader to the Rudy and Malco families and showcasing their history.  The early chapters of the book seek to build up the four main characters of the story, Jesse Rudy and Lance Malco, and their sons, Keith and Hugh.  Grisham paints a multi-generational tale around them, simultaneously diving into how each character grew into their destined roles, as well as the friendship that Keith and Hugh had as children.  These key characters are built up extremely quickly at the start of the novel, and before long you are really invested in their narratives, especially as there are some interesting contrasts between the adults, with Lance becoming a vicious criminal, while Jesse works hard to find his calling as a lawyer.

After all this substantial but necessary character and setting development, Grisham starts diving into the meat of the story, the conflict between the two families, and the wider fate of Biloxi, all of which is shown from the perspective of an intriguing range of characters.  This starts when Jesse Rudy decides to run for district attorney, promising to clean up Biloxi and shut down the illegal clubs owned by Lance Malco, leading to a protracted battle over many years.  The two sides engage in all manner of endeavours, including political runs, criminal investigations, turf wars and more, all while the younger characters grow up and start getting interested in their respective father’s worlds.  There are some great scenes spread out through this elaborate narrative, including several entertaining trials, where the lawyer characters battle it out in the courtroom.  Grisham clearly has some fun with these courtroom scenes, not only because the legal thriller elements are his bread and butter, but because it gives him the opportunity to come up with some ridiculous and fun legal manoeuvres that the characters utilise to win their cases.

The battle between the two families soon becomes the primary focus of the book, eclipsing some of the other storylines and character arcs going on simultaneously.  There are some key and memorable scenes chucked into the centre of the book that really change the nature of the story, and it helps to focus the plot onto the younger generation of the respective families as Keith and Hugh continue their father’s war.  The pace really picks up in the second half, and Grisham does an amazing job of bringing all the various plot points together, with some key moments cleverly set up much earlier in the book.  Everything wraps up extremely well towards the end, and the characters all end up in some interesting and emotionally heavy positions.  While the conclusion is mostly satisfying, Grisham does end everything on a rather sorrowful note that will stick in the reader’s mind.  An overall exceptional read, and you will find it extremely hard not to get swept into this powerful and captivating narrative.

One of the things that I felt really enhanced this already cool story was the great setting of Biloxi, Mississippi.  Now, I must admit that I thought Biloxi was a fictional city while I was reading this book (I had honestly never heard of it before), especially as Grisham really built it as the vice capital of the south.  However, I was pleasantly surprised to find that it was real, and I was really impressed with the way that Grisham utilised it as a background setting in this book.  Grisham spends a substantial amount of time exploring and examining Biloxi throughout the book, and the early chapters of The Boys from Biloxi, contain a very in-depth and fascinating look at Biloxi’s history, culture, and the people who lived there.  While the characters of this story are fictional, some of the key plot events are real, and I loved how Grisham was able to work historical events, such as hurricanes, the influence of the Dixie Mafia, and Biloxi’s changing society into his compelling narrative.  The author really shows all sides of Biloxi throughout this book, including its position as a hub for immigration early in the 20th century, its role during World War II, as well as how it became known for its clubs, casinos, and other areas of vice throughout its history.  Due to how the story is structured, Grisham spends quite a lot of time examining various parts of Biloxi’s culture and position in Mississippi, and you really get to understand its heart and soul, even with some of the over-the-top story elements.  I also appreciated seeing the characters interacting with the city throughout the lengthy course of the book’s plot, and it was great to see some of the characters grow from children to adults, all while living in Biloxi.  This was an amazing setting for this very clever book, and I really appreciated the outstanding story that Grisham was able to wrap around Biloxi.  I will certainly not be forgetting that Biloxi is a real city for a very long time, and it sounds like a very interesting place to visit.

Finally, I must highlight the many great characters featured throughout The Boys from Biloxi.  Grisham writes a compelling cast for this impressive story, and I enjoyed getting to know the various fictional inhabitants of Biloxi, especially as the author decided to make most of them very big personalities.  Most of the focus is on the key members of the Rudy and Malco families, particularly the family patriarchs and their eldest sons, around whom this war is fought.  As such, Grisham spends quite a lot of time building these four characters up and showing the key events that turned them into the men who would fight over the soul of Biloxi.  These characters proved to be very compelling to follow, and Grisham writes a compelling and heartfelt tale around them, filled with love, regrets and the powerful influences that change people.  I did feel that, at times, Grisham did make the four main characters a little too perfect, as all of them tend to succeed and excel at everything they put their mind to, and frankly it did get a little tiring to see them be the very best at every sport, job and academic pursuit they tried out.  However, you do really get close to these characters, especially once their war gets even more personal and dangerous.  Throw in a massive group of distinctive and memorable supporting characters, most of whom have personalities and personas to match the outrageous city of Biloxi, and The Boys from Biloxi has an excellent cast who help to enhance this very entertaining read in so many fun ways.

John Grisham presents another exceptional and highly entertaining crime fiction read with the brilliant new book, The Boys from Biloxi.  One-part historical fiction read, one-part character-driven tale, and one-part legal crime thriller, The Boys from Biloxi was an amazing read that follows a feud between two families that lasted generations.  Deeply compelling and filled with some exciting and fun scenes, The Boys from Biloxi is a highly recommended novel that I had a wonderful time reading.

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Seventeen: Last Man Standing by John Brownlow

On By The Unseen LibraryIn Thriller4 Comments

Seventeen Cover

Publisher: Hodder & Stoughton (Trade Paperback – 26 July 2022)

Series: Standalone/Book One

Length: 409 pages

My Rating: 4.5. out of 5 stars

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Acclaimed screenwriter John Brownlow presents one of the most entertaining and awesome debuts of 2022 with the compelling action thriller, Seventeen: Last Man Standing.

In the shadowy world of contract killers, assassins, and rogue operatives, the man at the top of the totem pole is simply known by a number.  For over 100 years, these elite assassins have kept the world in order by committing kills for every government, no questions asked.  Sixteen individuals have previously held the title as world’s greatest assassin during this time, and the current holder of the title is Seventeen.  Feared by every killer around the world, Seventeen knows that his career can end at any moment, as it only takes one mistake for an ambitious assassin to take his place and become Eighteen.

After completing a mysterious job in Berlin, Seventeen finds himself at a crossroads, concerned about his future and considering his past.  However, everything is put on hold when his handler gives him startling clues that hint that his predecessor, Sixteen, who had vanished without a trace, is still alive.  The only way for Seventeen to keep his position in the assassination hierarchy is to kill the man who held the title before him, and if he refuses every assassin in the world will be on his back. Tracking Sixteen to a location in the middle of nowhere, South Dakota, Seventeen finds his target hidden in a fortress, and must try to find a way to kill the only assassin the world who might be better than him.

As he plans for what might be his greatest kill, Seventeen finds himself caught between all manner of complications.  Not only is his target near perfectly protected, but he soon finds himself falling for a girl in the local town.  Worse, it appears that his latest job may have been a setup, and now Seventeen finds himself one of the most wanted men in the world.  Caught between his deadly predecessor and every assassin and government agency on the planet, can Seventeen once again prove that he’s the best in the world, or is someone about to take his title and become Eighteen?

Brownlow presents an exciting and captivating read with his debut novel, Seventeen (also titled Seventeen: Last Man Standing), which I had an amazing time reading.  Featuring an action-packed and incredibly fast-paced story, I ended up powering through Seventeen in a bit over a day, and I had a fantastic time doing so.

I absolutely loved Seventeen’s outstanding narrative, which pits rival assassins against each other in an entertaining and impressive fight for survival.  The story is primarily told from the perspective of Seventeen, who is recounting his adventures to the reader.  Starting off with a brutal mass assassination, you quickly get a handle on the protagonist, his skills and his quirky style, as he commits several murders, before getting involved in another job.  From there, he finds himself coerced into finally hunting down and killing his missing predecessor, Sixteen, to secure his reputation.  Forced to find a way around Sixteen’s elaborate security, Seventeen starts to grow close to a woman in the local town, while also considering his future and the potential fallout from his last mission.  At the same time, there are a ton of flashbacks to Seventeen’s tragic past, which show how he became a killer and his road to becoming the world’s top assassin.  Seventeen’s eventual attempt on Sixteen leads to a massive confrontation, where nothing goes the way you think it will.  There are some great confrontations in the second half of the book, and the fights between Sixteen and Seventeen are pretty damn epic.  Throw in some dangerous outside interference and a massive conspiracy, and you are left with an excellent and powerful narrative that you really struggle to put down, even if it is very, very late at night.

Brownlow did a wonderful job setting his story out, and it was designed to keep your constant attention.  I have already talked about how much I enjoyed the fast pace of this book, and there are literally no slow spots during this read as the protagonist is constantly recounting action, spycraft, fun interactions, character development or flashbacks to his tragic past, all of which proves to be extremely entertaining.  The author makes excellent use of a substantial number of shorter chapters, which really helps with the pacing, as you are more likely to decide to keep reading for another chapter when it is only a few pages away.  This, combined with the exceptionally written and highly detailed fight sequences, really keeps your eyes attached to the page.  There are a ton of highly cinematic action scenes in this book, including shootouts, car chases, hand-to-hand fights, and even a bad encounter with a bear, which were very fun to read.  I also loved the fantastic depictions of assassination tradecraft contained within this book, and Brownlow provides an intriguing look at the protagonist’s preparations, as well as the unique methods he uses to find his target.  There are some very fun moments featuring the protagonist’s attempts to get close to Sixteen, and Brownlow writes a very entertaining story around death and assassination.  All this action and quick-paced writing melds well with the author’s excellent sense of humour, and there a ton of great jokes, entertaining observations and unusual situations that add a good comedic edge to much of the book.  These elements, as well as an outstanding central protagonist, really increased my enjoyment of the narrative, and I cannot emphasise enough how quickly I was able to fly through this book.

Finally, I rather enjoyed the fantastic characters contained within this book, as Brownlow writes an excellent story around them.  Naturally, the attention is primarily on the titular Seventeen, who tells most of the story.  Seventeen is a very enjoyable character to follow and I grew attached to him very quickly.  As smooth and talented as any movie assassin or action hero you are likely to find, Brownlow adds in some interesting personality traits that worked really well.  Not only does he have a brilliant sense of humour, which really comes across in the first-person writing style, but there is also a notable bit of weariness at the assassination lifestyle deep within him, which starts to drag at him as the book continues.  Despite a successful life as a killer, he is starting to regret some of his more recent actions, and this change of mindset becomes a key part of his character arc, especially when other dangerous individuals start to sense it.  Brownlow also comes up with a suitably tragic and compelling backstory for Seventeen, which is slowly revealed to the reader as the novel continues.  This backstory was pretty deep and traumatic, and it helps you to bond even more with Seventeen, once you see all the terrible things that drove him into his current career, and these elements really help cement him as an amazing and flawed central protagonist.  Additional characters I need to highlight include Sixteen, who serves as a fantastic foil to Seventeen, especially as he has the veteran instincts and a much more defined sense of cynicism, while also being haunted by the ghosts of his past.  I also deeply enjoyed the female leads of Kat and Barb, who serve an interesting role in the book.  While they are primarily used as damsels in distress for most of the book, Brownlow does add in some fantastic backstory and gives them each their own defining moments, which I enjoyed.  Plus, both are the biggest critics of the two main assassins in this book, and their fun takes on their deadly rivalry are pretty entertaining.  These characters, and more, add a great deal to the plot, and I enjoyed getting to know them here.

Overall, Seventeen was a pretty awesome novel that I had an epic time reading.  John Brownlow’s outstanding debut had all the action, adventure and fun characters you could ask for, and I found Seventeen to be quite an addictive read.  I look forward to seeing what this intriguing new author presents in the future, and I have a feeling that Brownlow is going to be an exciting voice in thriller fiction for years to come.

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Sparring Partners by John Grisham

On By The Unseen LibraryIn Short Stories, Thriller8 Comments

Sparring Partners Cover

Publisher: Hodder & Stoughton (Trade Paperback – 31 May 2022)

Series: Standalone/Short Story

Length: 306 pages

My Rating: 4 out of 5 stars

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In the mood for more legal thriller awesomeness from the mind of legendary author John Grisham?  Then make sure to grab a copy of his new short story collection, Sparring Partners.

John Grisham is an author who needs very little introduction, especially after dominating the thriller field for over 30 years.  However, I must admit that I only recently checked out his work with the 2021 book, The Judge’s List.  The Judge’s List was an extremely captivating novel that saw a determined investigator dive into allegations that a sitting judge was also a devious serial killer.  I really enjoyed this fantastic book and it definitely convinced me that I needed to read more of Grisham’s books.  Well, I recently got the opportunity to do so when I picked up a copy of Grisham’s latest release, the short story collection Sparring Partners.

Sparring Partners is an intriguing book that contains three of Grisham’s compelling short stories.  Made up of Homecoming, Strawberry Moon and the story Sparring Partners, this collection was an awesome and fun read that will really appeal to established Grisham fans.  I personally had a great time with it, and I ended up getting through it in three short intervals, knocking off one story at a time.  All three stories are quite entertaining in their own right, and together they prove to be an excellent and awesome exploration of Grisham’s style and love of the legal thriller.

The first of these stories is Homecoming, which takes the reader back to Ford County, which has served as the fictional setting of many of Grisham’s novels.  This story follows a small group of lawyers who find themselves in a unique situation when a disgraced former colleague returns to the fold.  Homecoming starts when small-time lawyer Jake Brigance suddenly receives a letter from long-lost friend and fellow lawyer Mack Stafford.  Years ago, Mack suddenly and unexpectantly fell off the grid, taking a stack of money from his clients and vanishing to parts unknown.  Considered a legend by the local legal community, Mack left behind a wife and two kids, and no one has ever understood the reasons for his disappearance.  Now, Mack is determined to return to Ford County and wants Jake and his friend Harry Rex Vonner to help navigate the waiting legal difficulties.  But as Jake and Harry work to secure Mack’s return, some members of Ford County are less than eager to see him come back and will ensure that retribution is waiting for him if he does.

Now I must admit that the first entry in this book is probably the weakest, as Homecoming does not have the most gripping narrative of the three short stories in Sparring Partners, mainly due to its low stakes.  However, it still proves to be a very compelling and interesting narrative that sees a disgraced fugitive lawyer who went through a major mid-life crisis attempt to return to the scene of the crime.  Loaded with characters with big personalities, this proves to be a very entertaining entry, and I enjoyed the unique and character-driven narrative that it contained.  Grisham provides some intriguing insights into small-town lawyering, while also taking the time to dive into some of the more significant characters.  There is a great focus on the character of Mack, especially around why he did what he did, and I really enjoyed the moving moments that looked at the impact his actions had on his family.  However, I did think that the story, while fast paced and interesting, was a bit bland and it never really went anywhere.  Still, this was a great introduction to the sort of stories you can expect in Sparring Partners and I had a wonderful time reading it.

The next entry in Sparring Partners is the powerful and intimate story, Strawberry Moon.  Set inside a death row of a prison, Strawberry Moon follows Cody Wallace, a young inmate with only three hours left until his execution.  Waiting for his final moments while his lawyer tries and fails to save him, Cody reminisces on his life and the poor choices, tragedies, and an unfair system that led him there.  But as the last minutes of his life tick away before him, Cody has just one request to the guards around him, one that will make all the difference in the world to him.

Strawberry Moon was the most powerful and heartbreaking of all the three stories contained within Sparring Partners and it serves as the emotional heart of the entire volume.  Grisham paints a grim and realistic picture of a young man who is about to be executed, by examining this remarkable figure’s remaining three hours.  Grisham has produced a deeply compelling and concise narrative that reader will swiftly get drawn into.  The story of Cody Wallace is beyond tragic, and the slow reveal of what he did and why he is about to die really gets to you, especially as it is interposed with scenes from his current existence and mentality, which has resulted in spending half his life in death row.  Watching Cody take pleasure in some of the little things he has as he waits to die is extremely moving, as are his final interactions with some of the more important people in his life, even if they are only passing acquaintances.  This story also serves as a rather blistering indictment of the death penalty system, and Grisham really got his point across extremely well, showing a mostly innocent person get killed for reasons outside of his control.  Easily the best of the three stories contained within Sparring Partners, I had an incredible time with Strawberry Moon, and you will get hit hard in the feels when you read this one.

The final story is the amusing and fast-paced story Sparring Partners, which shares the name of the volume.  Sparring Partners follows the unusual firm of Malloy & Malloy, a storied, family-operated law firm that is going through its greatest challenge.  With the Malloy family patriarch currently in prison for murder, the two remaining Malloy lawyers, brothers Kirk and Rusty, attempt to manage the firm in his stead.  However, the two brothers are polar opposites of each other and have very different ideas about how the firm should be run.  With their feud reaching an all-time high, the firm is in dire straits, and only their neutral colleague, Diantha Bradshaw, seems capable of saving it from ruin.  But Diantha has very different plans, and the firm of Malloy & Malloy may be in some real trouble.

This final story is a great entry as well, and it is definitely the most entertaining piece in the entire book.  Following a law firm in crisis, this was a fantastic and fun blend of legal thriller and family drama, as the entire lawyer family goes at each other trying to win.  Grisham sets the entire scenario up extremely well and shows the multiple conflicts, manipulations and twists in an awesome way.  None of the characters in this story are likeable, and it proves quite enjoyable to watch them fight and bicker throughout Sparring Partners, especially as many of them get what they deserve at the end.  While this entry did feature an extremely convoluted murder and investigation, which was a bit silly, there were a lot of good elements in Sparring Partners, and I had an awesome time getting through it.  A fantastic concluding story for this excellent book!

Overall, Sparring Partners was an interesting read to get through, and I quite enjoyed the various snapshots into Grisham’s imagination and writing style.  All three stories have some excellent merits, and while they aren’t the author’s best work they were very entertaining and compelling.  I loved the mixture of legal scenarios and interesting characters featured within this book, and Grisham’s ability to craft together a concise story even in shortform was on full display.  While Sparring Partners is very accessible to readers unfamiliar to Grisham’s previous works, this is probably best enjoyed by those fans of the author who are hankering for more of his unique stories in between books.  I had a great time reading it and it gave me some more insights into an author I am still not amazingly familiar with.

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