Hit-Girl, Vol 4: In Hollywood by Kevin Smith and Pernille Ørum

Hit-Girl in Hollywood Volume 4

Publisher: Image Comics (Paperback – 19 June 2019)

Series: Hit-Girl – Volume 4

Writer: Kevin Smith

Artist: Pernille Ørum

Colourist: Sunny Gho

Letterer: Clem Robins

Lenght: 112 pages

My Rating: 3.5 out of 5 stars

Lights, camera, bloodshed and mayhem! The world’s most dangerous pre-teen assassin, Hit-Girl, travels to Hollywood in the fourth instalment of the brilliant and exciting Hit-Girl series.

Hit Girl S2 #1

This current Hit-Girl series has been a lot of fun, as it follows Hit-Girl on her world tour of destruction and vigilante justice, with a new creative team at the helm of each volume (which are each made up of four issues). I have been really getting into this series, and I loved the first three volumes, having previously reviewed the first and third volumes, Hit-Girl in Columbia and Hit-Girl in Rome. This fourth volume, Hit-Girl in Hollywood, is another interesting addition to the series, featuring the intriguing creative team of Hollywood screenwriter Kevin Smith and artist Pernille Ørum, and contains Season 2, Issues #1-4 of the Hit-Girl series.

I have to say that I was rather looking forward to this fourth volume. Not only does it have a cool-sounding premise but it also features the writing talents of Kevin Smith, who has written and directed some rather entertaining and distinctive comedy movies (my favourite is Dogma). Smith has also written several comics over the years, which have ranged from the good to the controversial. I am a massive fan of several of his comics, including the incredible Daredevil: Guardian Devil, and his run on Green Arrow back in the early 2000s, which brought back the titular character and set up one of my favourite comic book series of all time. Some of his other work has been a little less well received, such as Batman: The Widening Gyre (which featured the infamous “bladder” spasm incident), but Smith has always been able to create an entertaining story. As a result, I was rather intrigued to see his take on the character of Hit-Girl, and the result was a rather unique and memorable tale.

Hit Girl S2 #2

Mindy McCready, the pre-teen vigilante known as Hit-Girl, is living her best life, killing bad guys and distributing her lethal brand of justice across the world. However, during her most recent mission she becomes aware of something truly terrible: someone is making a big Hollywood movie of her life and it is going to feature a dramatic re-enactment of her father’s death. Determined to stop the movie from being made, Mindy travels to Hollywood to crack some heads and put the fear of Hit-Girl into the movie makers. Deciding to strike at the very top, Mindy breaks into the set to have a “talk” with the studio boss, however, she instead comes across a rather disturbing scene that she was not expecting.

It turns out that there is another vigilante running around Hollywood, and she has in her sights the most evil and vicious predators there are: Hollywood executives who prey on young women. Her latest vicious attack on the studio boss behind the Hit-Girl movie has garnered a large amount of attention, and Hit-Girl is now the main suspect. Hit-Girl needs to find this new vigilante and get out of town fast. But with both the FBI and the remnants of the Genovese mob family gunning for her, can Hit-Girl survive, and what happens when she meets up with a vigilante who has even more issues than she does?

Hit GIrl S2 #2b

Wow, now that was something! I have to admit that I did have a suspicion that Hit-Girl in Hollywood was going to be a rather weird entry in the series, but I was not expecting just how crazy Smith and the artistic team ended up making it. I honestly think the best way to describe this comic is with the phrase “over-the-top”, as this comic features some rather extreme examples of violence and vengeance that a lot of people are going to find rather uncomfortable. I personally found the comic to be quite entertaining, and I liked seeing the crazy character of Hit-Girl in a whole new setting, especially one that makes fun of the Hollywood elite and dramatic method actors who fall deep for their beloved craft. However, even I had to admit that this comic had some issues which made it just a little too insane to completely enjoy.

Hit GIrl S2 #3

The comic actually starts by displaying a graphic and somewhat unexplained school shooting, which is probably going to turn away a bunch of potential readers right off the bat. Hit-Girl brutally intervenes to stop the shooting (graphically killing the two teen killers), but becomes more concerned when she discovers she has an unauthorised biography which is being adapted into a movie, and she travels to Hollywood to put an end to it. Once there she discovers that another teen girl is running around town in a Hit-Girl inspired costume, castrating predatorial Hollywood executives as “Dick-Taker”, whose introduction made me crack up and stop taking this comic seriously. While I could maybe overlook the portrayal of a school shooting at the start of the comic, Dick-Taker officially made this story way too over-the-top for me, especially as Dick-Taker wears a very disturbing and artistic cape that appears to made up of the stitched together skins of the male extremities she has removed (I kid you not!).

Hit Girl S2 #3b

All of this is way too crazy, and it does not help that Hit-Girl in Hollywood’s story is a bit weak in places. The big shoot-out in the fourth issue is cool, but it all happens rather suddenly, and all the key players are in the same place at the same time, prompting Hit-Girl and Dick-Taker to team up, which happened just a little too easily for my taste. I wasn’t a big fan of seeing Hit-Girl fighting the FBI either, as she has a “no killing cops” mindset which was a big part of the end of Kick-Ass 2: Balls to the Wall. I also thought that it was a bit of a waste to use the remnants of the Genovese mob in this story, and the manner in which the final member of the family that has been the main antagonists of Hit-Girl and Kick-Ass was taken down is a tad odd.

Hit Girl S2 #4

Now, despite the flaws and over-the-top extreme nature of much of the comic, I did like parts of Hit-Girl in Hollywood, which made it a mostly fun read. This comic is chock full of gratuitous violence, expertly brought to life by the artistic team, which, let us be honest, is one of the main reasons that you would buy a Hit-Girl comic. I also really liked how the entire first issue was told completely without any dialogue, except for in the final scene. This first issue turns out to be rather cool, as watching Hit-Girl’s outrage grow as she finds out that not only did someone write a book about her but it’s being turned into a movie is pretty entertaining, and showing her sitting on the Hollywood sign saying “I see dead people” in the very last panel is a great way to foreshadow the death and destruction that is bound to follow. I also liked Smith’s take on the crazy, fake town of Hollywood, and it definitely made for an interesting setting, filled with several entertaining characters, quotes from popular movies and a relevant storyline about sexual predators in Hollywood getting what’s coming to them. The whole storyline around the origin story of Dick-Taker is also a rather intriguing version of extreme method actors, and I thought it was interesting to see how inspiring someone like Hit-Girl could potentially be to other disenfranchised young women. My favourite part of this comic had to be the emotional scenes where Hit-Girl visits the set of the Hit-Girl movie and sees them recreate the moment her father died. The combination of anger, fear, regret and sadness that is shown on Hit-Girl’s face and in her thoughts is pretty intense, and it makes for a rather great scene.

Hit Girl S2 #4b

Overall, I’d say that Hit-Girl in Hollywood is an interesting addition to the series that dials up the action and excitement but which is probably not going to be everyone’s cup of tea. I personally liked most of it, but I have to admit that parts of it were off-putting and the whole comic is a bit too crazy for its own good. Still, people looking for an extreme and explosive comic with some memorable moments to it could do a lot worse than Hit-Girl in Hollywood, and you are guaranteed to have a few laughs with this one. I am giving it 3.5 out of 5 stars, although I can imagine that a lot of other people will not be as generous with their ratings as I am. I am looking forward to seeing where the next volumes of this series go, and I cannot wait to get my next Hit-Girl fix.

House of Earth and Blood by Sarah J. Maas

House of Earth and Blood Cover

Publisher: Bloomsbury/Audible Studios (Audiobook – 3 March 2020)

Series: Crescent City – Book One

Lenght: 27 hours and 50 minutes

My Rating: 5 out of 5 stars

Prepare to meet your new obsession! One of the world’s top young adult fantasy fiction authors, Sarah J. Maas, breaks into the adult fantasy fiction genre in a big way with the first book in her brand-new Crescent City series.

Sarah J. Maas is an author that needs very little introduction. She is one of the most highly regarded young adult fantasy authors in the world today, having written two major bestselling series and a couple of standalone young adult novels. Maas debuted in 2012 with Throne of Glass, the first novel in her acclaimed seven-book long Throne of Glass series, and she has since gone on to write a second major series, A Court of Thorns and Roses. I have been meaning to check out some of Maas’s main series for a while now, especially Throne of Glass, as I have heard some very good things about them. Unfortunately, the only book of Maas’s that I have so far read was her DC Comics tie-in novel, Catwoman: Soulstealer, which I really enjoyed, especially as Maas had an amazing understanding of some iconic comic characters. As a result, I was interested when I heard about her new book, House of Earth and Blood, and I was curious to see how her first adult fiction novel would turn out. This is the first book in the Crescent City series, which presumably will be the author’s main body of work for the next few years. I received a physical copy of this book to review, although I eventually decided to listen to the audiobook format to fit it into my reading schedule, and I have to say I was rather impressed.

Welcome to Crescent City, a bustling metropolis where magic and technology meet in a world ruled over by all-powerful godlike creatures. Bryce Quinlan is a half-Fae, half-human, party girl at the low end of her world’s magical hierarchy, content to live her days clubbing and celebrating with her best friend, the powerful werewolf Alpha Danika Fendyr. All that changes the night Danika and her entire wolf pack are brutally slaughtered while Bryce is out partying. Bryce arrives home just in time to encounter the demon that committed the act, chasing it out into the streets before it escapes, never to be seen again.

Two years later, Bryce is a shell of her former self. Still reeling from the death of the closest person in her life, Bryce finds herself without direction or purpose. However, the revelation that a fresh wave of killings that mirror the bloody way Danika and her pack were taken out quickly changes that. Due to her experiences with the unknown species of demon and her intimate knowledge of Danika’s movements and history, Bryce is tasked by the governor of Crescent City to find who or what is summoning the destructive demons and unleashing them upon seemingly random members of the populace. However, Bryce will not be working on this case alone, as she finds herself teamed up with the governor’s personal assassin, the brooding, dangerous and surprisingly attractive fallen angel, Hunt Athalar.

Begrudgingly agreeing to work together, Bryce and Hunt start to scour the dark underbelly of their city, attempting to find any leads to who summoned the demon. However, they soon run afoul of many of Crescent City’s inhabitants, some of whom do not want the pair to uncover the truth. As they dig further, they begin to uncover a terrible conspiracy with terrible connections to Bryce’s traumatic past and which threatens all of Crescent City. However, the closer they come to the truth, the more pain and torment the two damaged souls uncover, especially as both of them try to fight the intense feelings blooming between them. With the fate of Crescent City hanging in the balance, can Bryce and Hunt get to the bottom of these killings, or will they be overwhelmed by all the hurt that is about to come their way?

Well damn, that turned out to be one hell of a book. I do have to admit that I’m not usually a fan of major romantic subplots in the novels I read (I know, typical male, Bryce would probably be calling me an Alphahole), and I was a little apprehensive that the romantic angles described in the book’s synopsis would overwhelm the fantasy story. However, any doubts I had about whether I was going to enjoy House of Earth and Blood were quickly blown away in the early stages of the story, especially once I hit the major plot development about 70 pages in. From there I was absolutely hooked on the story, as Maas kept piling on revelations, shocking moments, character development and an impressive murder mystery. I ended up really loving this amazing novel, and I ended up giving it a five-star rating.

I really enjoyed the way that Maas told this story, and this book contained an expansive and deeply addictive narrative that proved hard to put down at times. House of Earth and Blood is told from several character perspectives, most notably Bryce and Hunt, although quite a bit of the story is shown from the perspective of Bryce’s half-brother, Ruhn Danaan. Having these three main point-of-view characters results in a much more expansive story, as each of them has their own contributions to the plot, although there is a huge amount of crossover between each of their storylines. While Mass tends to focus most of her character development and storylines around Bryce, Hunt and Ruhn, there are a number of additional supporting characters, some of whom have some rather interesting roles throughout the book. Maas also includes a huge amount of foreshadowing throughout the book, hinting at several things that are to come further along in the narrative. While it is obvious where some of this foreshadowing is going, some of it was only noticeable in hindsight, and some of these more subtle inclusions made me really appreciate the author’s clever writing style.

One of the best things about this book was the incredible and intriguing new fantasy world. The Crescent City series is set on a version of Earth called Midgard, which was invaded thousands of years ago by vast armies of various magical creatures, ending humankind’s dominance of the planet. The modern world of Midgard is a chaotic and fascinating place, filled will all manner of magic and creatures who live in a hierarchal system, with all-powerful beings at the top and humans at the very bottom. There are so many cool elements to this world, from the unique magical systems, the different factions and organisations, and a vast multitude of different magical creatures with their own traits and characteristics. Maas dedicates a substantial amount of time exploring all these different elements of her new world, and the result is an impressive and vast setting which serves as a fantastic backdrop to this exciting story. I also liked the rather fun similarities between this fantasy world and the modern world, and it was interesting to see fantasy creatures running around with modern technology such as phones and guns. I also had a rather good laugh at some of the television shows that the author featured in the book, including a rather trashy-sounding True Blood inspired television show, which was made fun of relentlessly for its sexual content (which is kind of ironic considering how much sex was in this novel). Maas is clearly a master of universe building, and she has come up with a really great fantasy world that holds a lot of potential for future novels in the series, as well as opening up the possibilities of spin-off stories around some of the fantastic side characters introduced. I personally would love to see a novel based around the character of Fury Axtar, the mysterious assassin friend of Bryce, who has a minor role in the book.

In addition, Maas has also come up with a rather clever murder mystery storyline that I had an outstanding time unwrapping. The vast majority of House of Earth and Blood’s plot revolves around the murder of Danika Fendyr and her pack, as well as the similar murders that are occurring in the modern day. The subsequent investigation by Bryce and Hunt turned into a rather captivating storyline, as they explored the underbelly of their fascinating city, trying to find leads and uncover who had a motive to kill Danika. This whole mystery storyline goes to some very interesting places, and Maas comes up with a number of red herrings, alternate suspects, potential leads and side mysteries (a missing magical horn and a new street drug), all of which come together into a pretty incredible and clever narrative. I was actually rather surprised about who the culprit turned out to be, although Maas does set up the reveal rather well, and there are some rather clever hints in hindsight. That being said, while I didn’t know who the culprit was in advance, I totally knew where the final showdown with them was going to take place, and how the whole confrontation was bound to go down (there was a literal Chekov’s gun there). Still, it turned into quite a good confrontation scene, and I had a good laugh at the over-the-top way that the villain was taken down for good. This was a rather impressive element of the story, and I hope that Maas includes some more clever mysteries in her future books.

While I really loved the fantastic story, incredible world building and captivating mystery, the true centre of this book are the two compelling and exceedingly damaged main characters who Maas sets the story around, Bryce Quinlan and Hunt Athalar. Maas does some outstanding work setting these characters up, exploring their pasts and developing their personalities and emotions throughout the book. Bryce starts House of Earth and Blood as a seemingly carefree party girl with major daddy issues. However, the loss of Danika in the book’s first act severely changes her, as she has to deal with an extreme amount of guilt, isolation and social hatred in the following two years. This really alters her as a character and turns her into an extremely vulnerable person with a real emotional investment in the case, who hides all her true feelings behind a sassy and angry façade. Hunt, on the other hand, is a powerful fallen angel who lost his freedom and the love of his life in a failed rebellion against the ruling gods of the planet, and has spent the last several decades being tortured and used by the victorious archangels, and is now the personal assassin of the governor of Crescent City. Now known throughout the city as the Umbra Mortis, the Shadow of Death, Hunt is a simmering pot of anger who is resentful of how he has been treated all his life, and who is determined to be set free. Like Bryce, he is deeply invested in solving the case, as its resolution will allow him to take a serious step towards freedom, and on the surface he is the more serious of the duo. However, also like Bryce, Hunt has some major vulnerabilities and he is hurting deep inside. Both Bryce and Hunt are incredibly interesting protagonists, and I am really impressed with the layers that Maas was able bring to their characters, which added a significant amount to the story.

While Bryce and Hunt are amazing characters in their own right, the real magic comes when they are paired together. It is obvious from the start that these two are going to hook up at some point, but the journey to get there was written extremely well. The combination of these two exceedingly vulnerable and complex characters in the story is great, and it makes for some incredible and dramatic story moments, as Bryce and Hunt slowly work out all their issues and history. The way they slowly go from dislike to mutual respect to lust/romance is accompanied with a slow exchange of secrets, facts and personality reveals, and I had an amazing time seeing them come together as a couple. This turned into quite a good romantic subplot, although the two of them have some major bumps and betrayals along the way. Still, there are some rather nice moments in their relationship, from the way that they take care of each other after traumatic events, to funny reveals and mutual moments of protecting one and other. Bryce and Hunt make for a great pair, and I am really impressed with the way that Maas portrayed them and the complex story she wove around them. It looks like there are more secrets and backgrounds about both coming up in the future books, and I am looking forward to seeing where Maas takes them in the future.

While this book had some amazing elements, I did find this novel to be a tad trashy at times. As I mentioned above, this is Maas’s first foray into non-young adult fiction, and she certainly did not shy away from adding all manner of adult content into her book. While I can certainly appreciate Maas wanting to differentiate this book from some of her young-adult fiction work, I honestly think she overcompensated. This book is filled with a huge amount of adult language and sexual content, as pretty much every character in this book is crude, rude, oversexed and incredibly thirsty. While some of this served a purpose, such as showing what sort of party-girl character Bryce was before the traumatic incident, the sheer amount of stuff that Maas included was a bit over the top, and I found it to be somewhat distracting at times. This book also introduced me to the brand-new term, Alphahole. In the context of this book, an Alphahole is the term that Bryce gives to any magical male who thinks that their abilities and power give them the right to control women and run their lives, especially those women with less magical power than them (i.e. humans and half-humans like Bryce). Unfortunately, in this book pretty much every male that Bryce encounters is an Alphahole in her opinion; even the more redeemable characters like Hunt or Ruhn are deemed Alphaholes at the start of the novel, especially once they venture an opinion about her behaviour or actions. While I appreciate that this dislike for domineering men is part of Bryce’s character due to her father, and controlling guys really aren’t that cool in either fiction or real life, I do think that Maas kind of overdid their inclusion just a bit and I was honestly getting sick of hearing Alphahole as a descriptive term by the end of the book (although it became less apparent as the story progressed).

As I mentioned above, I ended up listening to the audiobook version of House of Earth and Blood. This audiobook has a runtime of 27 hours and 50 minutes and is narrated by Elizabeth Evans. I am rather glad that I decided to check out this format of the book. While I probably would have finished it off faster if I had read a physical copy (it took me a few weeks to get through the audiobook), I always feel that I absorb more of the novel when I listen to it, especially with longer books. This proved to be really useful when listening to House of Earth and Blood, as Maas packed so much plot and world building into this immense novel, and I think I ended up getting more out of this book by utilising this format. I have to say that I was also immensely impressed with Elizabeth Evans’s narration. Evans did an incredible job bringing the story to life, and her steady and emotional dictation of the story really helped me get to the end. I really loved the cool voices that Evans was able to come up with for all the characters, and I think that each of them matched the distinctive personalities of each character. Evans produced a huge range of different voices for these characters, and I really liked how she was able to alter them to reflect the ethereal or magical nature of some of the characters featured in the book, as well as hint at how powerful some of these creatures were by modulating her tone and adding a commanding quality to it. This was an impressive and deeply enjoyable audiobook adaptation, and I would strongly recommend it to anyone interested in enjoying House of Earth and Blood. That being said, be careful where you listen to this book, as it can be a little awkward to hear some of the steamy sex scenes when you are out in public. I somehow managed to be out shopping during two separate and particularly graphic scenes, and it proved very hard to keep a straight face while I was trying to grab groceries.

House of Earth and Blood is an incredible adult fiction debut from Sarah J. Maas, who has produced another outstanding and captivating read. There are so many excellent and enjoyable story elements in this book, and I absolutely loved every second I spend listening to it, even though some parts were a little over the top at times. This was an awesome start to Maas’s new Crescent City series, and I cannot wait to see what impressive and addictive story the author comes up with next. This novel comes highly recommended, and it gets a full five-star rating from me.

Firefly: The Magnificent Nine by James Lovegrove

Firefly The Magnificent Nine Cover

Publisher: Titan Books (Hardcover Format – 19 March 2019)

Series: Firefly – Book 2

Length: 331 pages

My Rating: 4.5 out of 5 stars

Fresh off writing the fantastic first book in this new series of Firefly tie-in novels, author James Lovegrove has crafted another amazing Firefly book that focuses on one of the more entertaining members of the Serenity crew, the hero of Canton, the man they call Jayne.

As I mentioned when I reviewed the first book in this new series of Firefly novels, Big Damn Hero, and in one of my subsequent Waiting on Wednesday entries, I am a massive fan of the Firefly franchise and was particularly eager to read the second book in this new series, The Magnificent Nine, which sounded liked it had an amazing plot.  As a result, I made sure to order this copy online well in advance and was extremely happy when it came last week so close to the worldwide release date.  I managed to read through it in about a day, and once again had the amazing feeling of being transported back into Firefly universe.

Out in the darkness of the verse, the crew of the Firefly class ship Serenity is up to its old tricks, searching for smuggling jobs that will keep them flying, while at the same time staying off the Alliance’s radar.  While Captain Malcolm Reynolds is used to anticipating the needs and wants of the inhabitants of his ship, he is completely thrown when a request for an unpaid mercy mission comes from one of the most unlikely members of his crew.  Serenity’s resident disgruntled mercenary, Jayne Cobb, suddenly asks that the ship be diverted to the backwater world of Thetis.  An old flame of Jayne’s, Temperance McCloud, has reached out requesting aid.  A vicious bandit, Elias Vandal, is threatening her small town of Coogan’s Bluff with a horde of trigger-happy thieves and murderers.  Mal initially does not take the request seriously, but then Jayne does the unthinkable and offers up his most prized possession, his beloved gun, Vera, as payment for the crew’s help.

Arriving at Thetis, the crew find that not only are the inhabitants of Coogan’s Bluff reluctant to get involved in any sort of fight, but a well-armed force of killers is waiting for them and spoiling for a fight.  However, the most shocking discovery is the fact that Temperance is raising a teenage daughter, born less than a year after Temperance and Jayne parted ways and named Jane McCloud.

This was a pretty epic read and one I had a lot of fun with.  Lovegrove once again hits it out of the park with this amazing novel that featured a great story, excellent coverage of the Firefly crew and some new interesting characters and events.  The Magnificent Nine is set between the events of the television series and the film Serenity, before Inara and Shepherd Book leave the ship.  Once again, I liked how this new entry into the Firefly book series felt exactly like a new episode of the television show, although it uses some of the show’s existing episodes, like Jaynestown or Heart of Gold, as inspiration.  I also quite liked how the story emulated some classic westerns such as The Magnificent Seven, which obviously inspired this book’s name, while also utilising science fiction elements.  I actually enjoyed this book a bit more than the preceding Firefly novel, Big Damn Heroes.  I felt that the story was more fast paced, significantly more action packed, and less widely spread out that the first book.  I also quite enjoyed the author’s use of the existing characters from the show as well as the intriguing new side characters that are introduced in this book.  The main story contains some interesting twists and turns, some of which are easy to see coming, but one or two of which come out of nowhere and are quite surprising.  The end result is a thrilling and character driven story which is enhanced by its association with the Firefly television show.

One of my favourite things about this book is the focus on the character of Jayne, especially as we get to see his underutilised noble side come out once again.  Throughout the run of the television show and most of the follow-up movie, Jayne is a selfish mercenary more concerned with his own self-interest and personal gain than the lives of his fellow crewmembers.  Jayne is not above sacrificing or betraying members of his own crew, namely the Tam siblings, if it will benefit him in some way.  His joining the crew of Serenity even involved him betraying and shooting his former captain when Mal offered him a better paying job and his own room on the ship.  That being said, there are a few instances where Jayne will do the right thing and act the hero, resulting in some memorable moments for the character.  The most notable of these occurred in the episode Jaynestown, where Jayne’s core beliefs are rocked by an entire community who venerate them as a great hero of the masses.  In The Magnificent Nine, Jayne’s noble side once again comes out when he receives a request for help from his former lover and her daughter.  As a result, he makes a series of impulsive and foolish actions throughout the book in order to try to do what he sees as the right thing, and these often result in some excellent sequences throughout the book.

Seeing this more noble version of Jayne emerge once again is fantastic and will be greatly appreciated by a huge number of Firefly fans.  Jayne is always a widely entertaining character in the Firefly franchise, and I felt that Lovegrove did a great job of portraying the character in this story.  I really enjoyed seeing another Jayne-centric storyline, and I liked how the author makes sure to utilise a number of classic Jayne elements throughout The Magnificent Nine, including the return of his iconic bobble hat and his favourite gun, Vera.  However, there are some interesting new Jayne moments as well, as Lovegrove goes back and explores some elements from his past, including how he met Temperance, and how she helped turn him into the man he is today.  This is an outstanding novel for those fans who love the character of Jayne, and I had a lot of fun watching him get another personal adventure.

As The Magnificent Nine mostly focuses on Jayne, the rest of the crew do take a bit of a backseat in this book.  That being said, all of them get one or two scenes focused on them, in one way or another.  Lovegrove once again does a great job of capturing the characters from the show, and rehashing their various quirks, relationships and the other minutiae of their personalities, even with these limited scenes.  While some of the characters do not get too much action in this book, I thought that Mal and River in particular were showcased well.  In this book, Mal plays the long-suffering captain who finds himself dragged into all manner of trouble by his crew, which forces him to act as the ship’s annoyed father figure.  River, the psychotic psychic, also gets a pretty good run in this book.  While Lovegrove does not explore her mind to any great degree, she gets some fun scenes, including one where she takes out intruders in Serenity, and another where she steals Vera and uses it in a firefight.

The side characters introduced in this book are pretty memorable, and the storylines revolving around them were very interesting.  Jayne’s former love interest, Temperance McCloud, is a pretty badass woman, and it’s fun to see the sort of woman Jayne would fall in love with.  There are also a number of secrets from Temperance’s past that come into play and add some emotional depth to hers and Jayne’s story.  The villain of this story, Elias Vandal, is a fairly dark antagonist, acting as a sort of Charles Manson-like character, forming a cult of personality that draws in the planets outcasts and loners while also claiming to be a former Reaver.  I quite liked Vandal as the story’s villain.  I thought he was well written out, and the various layers to his past and the way he controls his gang are quite intriguing.  Young Jane McCloud is another great side character, and I liked her interactions with River and Jayne.  She forms a great friendship with River, and the two get up to all sorts of fun antics.  I also liked the unconventional father-daughter relationship that occurred between Jayne and Jane, especially when they were forced to work together.

As mentioned above, The Magnificent Nine contains a large amount of action, with a huge number of firefights and other battles throughout the book.  I liked the way that many of the battles had a western theme, with the skilled gunfighting heroes fighting large swathes of bandits and goons.  However, the utilisation of science fiction elements really helped enhance them and, in some cases, increase the humour value.  I liked the Mad Max-like chase scene that featured not only horses but also dune buggies, motorbikes and Firefly’s mule.  There is also a spaceship assisted lassoing that was quite fun, and I liked seeing a classic trope like a lasso assisted by science fiction elements.

I absolutely loved Firefly: The Magnificent Nine, which turned out to be another ultra-fun romp back into one of my favourite television shows.  Lovegrove has a real skill for bringing these characters to life, and I really enjoyed the thrilling story he wrote for The Magnificent Nine.  The author’s portrayal of Jayne Cobb really shines through in this book, and it was great to see another story based around this awesome and funny character.  This book is best appreciated by fans of the franchise, although I feel there is a lot in this book for new fans to enjoy.  While this book was an amazing amount of fun to read, I now have to wait another six months for my next taste of the Firefly verse; how will I survive?

Throwback Thursday – Promise of Blood by Brian McClellan

Promise of Blood Cover.jpg

Publishers: Orbit

                        Hachette Audio

Publication Date – 16 April 2013

 

Reviewed as part of my Throwback Thursday series, where I republish old reviews, review books I have read before or review older books I have only just had a chance to read.

One of the saddest realities of being a bibliophile is that no matter how hard you try or how much spare time you have, no one can read every great book that comes out every year.  I am no exception to this rule, as for years I was mainly focused on the historical fiction genre.  While this is a fantastic genre to focus on, it did mean that I missed out on many of the biggest science fiction and fantasy releases for the last several years.  Ever since I expanded my attention to a range of other genres, I have been seeking out and reading a number of different fantasy or science fiction books and series, many of which I have or will review on my blog and on Goodreads.  One of the series that I have heard constantly praised by friends, fantasy fans and other book reviewers is The Powder Mage trilogy by Brian McClellan.  Nearly every fantasy reviewer and their dog has read and said good things about these books and, as a result, The Powder Mage trilogy has long been at the top of my to-read list.  So when I was recently able to fit the first book in the trilogy, Promise of Blood, into my reading schedule, I thought I would try it out and see if it lived up to everyone’s hype.

The Powder Mage trilogy are the debut novels of fantasy author Brian McClellan, and are a flintlock fantasy series, which is a modern fantasy sub-genre that features pre-industrialisation civilisations who utilise flintlock firearms with fantasy elements.  The Powder Mage trilogy started in 2013 with Promise of Blood, which the author followed up with a new book in 2014 and 2015.  Following the success of his initial trilogy, McClellan introduced a second trilogy, the Gods of Blood and Powder trilogy, which is set 10 years after the events of The Powder Mage trilogy.  This second trilogy is still ongoing, with the third and final book set to be released in November of this year.  In addition to these two main trilogies, McClellan has also written a number of novellas and short stories set in the same universe as his main books, which expand on his fantasy world.

McClellan has created a new and captivating fantasy world in order to contain the stories in his two main trilogies.  The Powder Mage trilogy is primarily set in the nation of Adro, one of nine nations that were founded thousands of years ago by the god Kresimir, which are together known as The Nine.  By the start of the first novel, Promise of Blood, the nations of The Nine have reached a level of technology equivalent to Europe’s pre-industrial revolution period, with flintlock firearms in heavy use.  Magic is also common in this world, with the nations of The Nine containing three separate levels of magical ability.  These include the privileged, extremely powerful sorcerers who can wield a range of devastating elemental abilities; the marked, lesser mages with more specific gifts; and the knacked, who have one specific magical talent, like a perfect memory or not needing to sleep.  The privileged of The Nine are generally organised into sorcery cabals, with the most powerful organised into a Royal Cabal loyal to the King of their nation.

Promise of Blood starts with Field Marshal Tamas, the highest-ranked military officer of Adro, leading a bloody coup against his country’s corrupt king and nobility.  During the coup, Tamas and his powder mages, marked whose abilities are powered by gunpowder, assassinate every member of Adro’s Royal Cabal.  However, every member of the Royal Cabal said one thing before they died, “You can’t break Kresimir’s Promise”.  In order to find out the meaning of these mysterious words, Tamas hires former police inspector Adamat to investigate.  While Adamat sets out to uncover meaning behind these mysterious final words, Tamas begins the difficult process bringing order to his country.  However, it soon becomes apparent that staging the coup was the easiest part of his endeavour.

Tamas’s coup provokes a war with the Kez, one of Adro’s rival nations in The Nine, whose previous attempts to control Adro’s king, led to Tamas overthrowing him.  As Tamas deals with assassins, Royalists, deposed nobles and Kez magicians, it soon becomes apparent that someone on Tama’s council has betrayed him.  Brought in by Tamas to investigate who betrayed him, Adamat finds his loyalties tested when mysterious figures target him and his family.  At the same time, Tama’s estranged son, Taniel Two-Shot, embarks on a hunt for a surprisingly powerful member of the Royal Cabal who escaped Tamas’s powder mages.

Both Adamat and Taniel’s missions reveal dark secrets about the formation of their country.  With dark omens in the sky and ancient legends come to life, can Tamas and his forces stop the destruction of Adro, or will the mysterious forces arrayed against them succeed in their mission to summon forth an ancient power?

To be honest, even before I heard about this trilogy from other book lovers and reviewers, I thought the synopsis was pretty cool and the idea of gunpowder-wielding mages was an interesting concept.  I listened to the audiobook format of Promise of Blood, narrated by Christian Rodska, which goes for a lengthy 19 hours.  Now the question is; did this book live up to the hype?  The answer is yes.  I loved this book, I thought it was massively creative, filled with incredible action, had some complex, if mostly male, characters and made use of some excellent fantasy elements.

I really enjoyed the story within this book and I thought it was an amazing combination of intrigue, action and fantasy storytelling.  I liked the idea of starting the book just as a successful coup had taken place and the focus on the immediate aftermath of such a significant event.  The story is essentially broken into three main parts.  About a third of the book is told from Adamat’s point of view and really focuses on the intrigue elements of the story.  Adamat at first investigates “Kresimir’s Promise”, which is a fairly interesting part of the book, as it dives into the history of the country, and quickly reveals that shadowy forces are at play behind the scenes.  This initial investigation only lasts for a short part of the book, before Adamat is drawn into the larger investigation about the traitor in Tamas’s council.  This is a very well done investigation part of the book as the reader is presented with five suspects, each of whom is hiding several secrets and many of which have suspicious employees.  In addition, Adamat has to deal with a mysterious figure who is blackmailing him, and who keeps the identity of his employer secret.  These multiple layers of intrigue and lies ensures that the reader is looking in several different directions and have a much harder time guessing who these antagonists are.

Another third of the book is told from Taniel’s point of view, and follows him as he first hunts down a powerful privileged, and then finds himself stuck in the middle of a large battle for the survival of Adro.  While there are quite a lot of reveals about some of the book’s underlying fantasy elements in this part of the book, the main focus is on the action, as Taniel and his allies fight a number of opponents, and Taniel reveals while he is known as Two-Shot.  There is some interesting character work in this section as Taniel works through his feelings for his father, finds himself having to choose between obeying orders and the life of his best friend, and him coming to terms with his weird relationship with the powerful female character, Ka-poel.

The final main part of the book is told from the point-of-view of Tamas himself, and deals with the fallout from his coup and the multitude of issues he has to deal with in the aftermath.  The parts of the book focusing on Tamas are the most important chapters within Promise of Blood, as they bridge the other two sections of the book due to Taniel and Adamat not really interacting too much during the book.  The Tamas chapters have the best balance of Promise of Bloods’ excellent combination of fantasy elements, intrigue and action.  Throughout these chapters, Tamas is constantly forced to deal with the political infighting and betrayals occurring all around him, while also being targeted by assassination or capture by his various enemies.  Tamas also encounters a number of hints about the true nature of the fantasy events impacting Adro, including from a bizarre chef, and I loved the layers of intrigue that surrounded something most of the characters believed was a myth.  I really liked Tamas as a character, and I found him to be an intriguing combination of a calm, tactical genius and an absolute rage monster.  Despite alienating most of the people around him, especially Taniel, deep down Tamas is a good man who has been forced to make the hard decisions no-one else will.  However, when enraged he is an absolute terror to behold, especially to someone who has crossed his friends or family, and during these scenes of anger he gives several of the best lines, such as the one that appears on the cover:  “The age of kings is dead, and I have killed it”.  He is an absolutely great character and a fantastic focus for this trilogy.

In addition to these three main characters, a small portion of the book is narrated by female character Nila.  Nila’s character really is not explored too much in Promise of Blood, although she is given a good introduction, and I understand she will become a much bigger character in the next books in the trilogy.  On top of the main characters, there are several excellent side characters who really make this book extra awesome.  This includes Tamas’s bodyguard, Olem, a sarcastic and funny man who acts as Tamas’s moral compass for much of the book, and who also has certain ideas about people shooting his dog.  There is also Sousmith, Adamat’s bodyguard, a former boxer who acts as a fun foil to Adamat’s detective character.  While several characters at the Mountain Watch are also enjoyable, you have to love Ka-poel, the mute, witch who serves as Taniel’s spotter.  She has some crazy magic to her, and I have a vague feeling (without knowing anything about the plot of the future books) that she is some sort of young god or something.  I liked the way that Ka-poel was able to express everything, despite being a completely non-verbal character, although the implied romance between her and Taniel was a tad weird, especially as it started the moment he realised she was older than she looked.

The world building in this book is extremely impressive and it serves as an outstanding introduction to the key elements of the series’s universe.  While the other magical and fantasy elements of this book are pretty awesome, I especially loved the powder mages, and their magic is easily the best part of the book.  The powder mages have a unique blend of abilities, all of which are powered by eating or snorting gunpowder.  Consuming the powder gives them focus, enhanced perception, great strength and stamina.  In addition, they have control over gunpowder, igniting at will, and using their abilities to manipulate bullets in flight.  Each of the characters have different abilities on top of that.  Tamas can ricochet bullets around a room; Taniel can fire bullets further than anyone else, as well as firing two bullets at once; while another powder mage, Vlora, can ignite powder from a distance.  These characters in battle are absolutely fantastic, and I love it when these characters, especially Tamas, fully unleash their abilities.  The fight scenes between the powder mages and the privileged were exceptionally amazing, and I loved the contrast between the more traditional fantasy magic of the privileged and McClellan’s more unique powder magic.  That being said, when the privileged unleash their abilities they can be much more destructive, and some of their fights are pretty impressive.

I had a wonderful time listening to the audiobook format of Promise of Blood, and I thought that it was a spectacular way to enjoy this amazing story.  The action sequences, especially when the magic and bullets are flying, really come to life when narrated, and audiobooks always help me absorb complex new fantasy worlds such as the one in this series.  Rodska’s narration is really well done, and I found that he really captured the essence of the characters.  I especially thought he got the gruff and powerful voice of Tamas down perfectly, and it was an extremely realistic personification of the character’s voice.  I really hope that Rodska does the narration for the other books in McClellan’s series, and I would easily recommend the audiobook format of Promise of Blood to anyone interested in this series.

Overall, I really loved Promise of Blood and I found that it lived up to its substantial hype.  It’s easily a five-star novel in my eyes.  I loved this book so much that I am planning to listen to the remaining books in The Powder Mage trilogy as soon as I can, and I will probably also try and listen to the first two books in the Gods of Blood and Powder before the final book comes out in November.  McClellan is a fantasy genius, and anybody who loves action and explosions should invest the time to read this book.

My Rating:

Five Stars

An Easy Death by Charlaine Harris

An Easy Death Cover.jpg

Publisher: Piatkus

Publication Date – 2 October 2018

 

Gunslingers versus wizards in a dystopian alternate timeline of America, what more could you possibly want in a fun and captivating action novel?

Down in Texoma, one of the small countries forged out of the remnants of a fractured United States, Lizabeth Rose makes a living as a gunnie, a gunslinger for hire.  Despite being one of the best shots in Texoma, Lizabeth finds herself short of employment after her team is killed getting a group of refugees up to New America.

In need of a new gig, Gunnie Rose is less than cautious about accepting work from two grigori, wizards from the Holy Russian Empire.  The two grigori need Lizabeth’s help to find a fugitive member of their order, there is just one problem: the fugitive mage was killed some weeks prior, and Lizabeth was the person who pulled the trigger.  Undeterred, the grigori require a member of his lineage, so Lizabeth agrees to help them find the dead man’s brother, while keeping her role in his death secret.

Setting off on a journey through the barren and hostile landscape of an alternate history America, Lizabeth and the two wizards encounter all sort of dangers as they attempt to find the missing man.  From bandits to religious fanatics, their journey through the small towns is eventful and very bloody, especially when it becomes apparent that a faction of grigori are tracking them, determined to stop the trio completing their mission.  Can Lizabeth keep her clients safe, and what will happen when they find out who she really is?

An Easy Death is the latest book from bestselling author Charlaine Harris, who has written over 40 books in her career, staring with her 1981 debut, Sweet and Deadly.  Harris is possibly best known for her Sookie Stackhouse series, alternatively known as The Southern Vampire Mysteries, which was adapted into the incredibly popular True Blood television show.  In addition to this, she has also written the long-running Aurora Teagarden Mystery crime series and the Midnight Texas series, both of which have also had some form of television adaption in recent years.  An Easy Death is the first book in Harris’s new Gunnie Rose series, which presents the reader with a fast-paced adventure is an intriguing new setting.

I have to admit that I typically don’t read Harris’s books and she isn’t an author I have really gotten into before, although I did enjoy the first season of True Blood a few years ago.  However, after reading this book’s cool synopsis I decided to check this out, and I’m quite glad I did, after powering through it in about a day and thoroughly enjoying the fun story and the electrifying action.

I was impressed by the unique version of America that Harris has created for her new series.  Within the Gunnie Rose universe, the United States of America broke apart years before when FDR was killed before his inauguration as president.  In the following years, Canada and Mexico expanded into America, while smaller countries were formed from the remnants of various states.  A large amount of the book is set in Texoma, a collation of Texas, Oklahoma, New Mexico and part of Colorado.  Texoma is your typical old-west locale, with desserts and dry scenery, long roads and several small towns and cities, all of which are fantastic locations for this sort of high-octane modern western.  I quite enjoyed this alternate history version of America, and it was fascinating to see Harris’s vision of how historical America could have broken up, and the crazy world it might have turned into.  While this first story was primarily set within the location of Texoma, as well parts of New America and Mexico, I’m sure that Harris will take Gunnie Rose through the rest of these new countries and locations in future books.

Harris also explores another intriguing nation that was formed in the aftermath of the breakup of America, the Holy Russian Empire.  Within the context of this universe, Tsar Nicholas and his family managed to escape the Russian revolution and fled to California, where they and their armada were given sanctuary.  Following the breakup of America, the Tsar and his armies turned California and Oregon into The Holy Russian Empire.  The country is now ruled by the sickly Tsar Alexei, who has been kept alive by the magic of Grigori Rasputin.  While the characters don’t physically visit this nation, quite a lot of time is spent examining the internal politics of the Holy Russian Empire, and the reader is given a detailed explanation of how such a country came into existence and why their mission is so important.  Those readers who are familiar with the history around the Russian revolution will appreciate Harris’s explanation for this new country, as well as the suggested consequences of the Russian royal family surviving their infamous execution.

Another interesting part of An Easy Death is the use of magic throughout the story, as well as the author’s explanation of how it came to be an open power within the Holy Russian Empire.  The main reason magic is a thing in this universe is Grigori Rasputin, who, like the Russian royal family, managed to survive the events of the Russian Revolution.  Once the Russians were safe in America, Rasputin revealed the full power of his wizards, known as grigori by the rest of America, while international magic users, especially those hidden in Britain, journeyed to the Holy Russian Empire to gain sanctuary.  This is an intriguing idea from Harris, which coincidently allows her to feature a number of powerful magic users throughout this story.  As a result, this book is filled with some crazy magical fight scenes, graphic attack spells, as well as a number of scary magical creations that hunt the book’s protagonists throughout the story.  All of this is a great feature of the book, and one that works surprisingly very well in an alternate history western adventure.

A book that follows a gunslinger travelling across a dystopian America with two wizards was always going to be about the action.  Harris creates a fast-paced adventure that is filled with exciting action sequences as our protagonist goes toe-to-toe with bandits, fellow gunslingers and even a full complement of rogue grigori.  There are a number of great battle sequences throughout this story as a result, as the main character engages in some intense shootouts with her opponents.  The whole idea of an old-west gunslinger versus a wizard in combat is a very amusing idea, and Harris uses it to great advantage, having Lizabeth engage in fire fights with several different magical characters.  These scenes are pretty crazy, and it is fun watching the bullets and the spells fly in both directions.  Overall, this is a very action based novel, and the reader can simply sit back and enjoy all the carnage, complete with some very extreme and graphic sequences that stick in the mind.

Charlaine Harris’s new book is an outrageous and exhilarating action extravaganza that provides the reader with a healthy dose of fun and fire fights.  Thanks to a creative setting of an alternate timeline America, this book is filled with all sorts of crazy elements, including wizards and professional old-west-style gunslingers, who spend the entire book duking it out in fast-paced scenes.  An Easy Death is a thrilling read that is easy to enjoy and hard to put down, and an excellent start to a bold new series from Harris.

My Rating:

Four stars