Throwback Thursday: Usagi Yojimbo: Volume 13: Grey Shadows by Stan Sakai

Usagi Yojimbo - Grey Shadows Cover

Publisher: Dark Horse Comics (Paperback – March 2000)

Series: Usagi Yojimbo – Book 13

Length: 200 pages

My Rating: 5 out 5 stars

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Welcome back to my Throwback Thursday series, where I republish old reviews, review books I have read before or review older books I have only just had a chance to read.  For this week’s Throwback Thursday I check out another epic entry in the amazing Usagi Yojimbo series by Stan Sakai with the 13th volume, Grey Shadows.

Usagi #23

I had a lot of fun reviewing the 12th volume, Grasscutter, last week and it set me down a bit of a reread journey which saw me revisit several other Usagi Yojimbo volumes.  As such I thought I would take the time to do another review of one of Stan Sakai’s comics, and luckily the next one on my list, Grey Shadows, is a particularly good one.

Grey Shadows takes place immediately after the massive events of Grasscutter and details several adventures that rabbit ronin protagonist Miyamoto Usagi goes on during this period.  Made up of issues #23-30 of the Dark Horse Comics run on the Usagi Yojimbo series, Grey Shadows returns to the series norm of featuring several shorter stories, each of which pit Usagi against a new threat or opponent.  Grey Shadows have several excellent stories, including some that focus on fantastic murder mystery elements while simultaneously introducing interesting new characters.

The first story in this volume is the intriguing and touching entry, My Father’s Swords.  This single-issue story first sees Usagi at the temple of his friend priest Sanshobo recovering from his deadly duel with the demonic spearman Jei at the end of Grasscutter.  Still troubled by the disappearance of Jei’s body and the sudden burden of being responsible for the legendary Grasscutter sword, Usagi journeys out from the temple to scout the surrounding area and determine if it is safe to move the divine blade.  His journeys eventually lead him to meet young wandering samurai, Donbori Chiaki, whose father was an old friend of Usagi’s who served with him under Usagi’s former lord.  While travelling with Chiaki, a chance encounter reveals secrets that will rock Usagi’s soul as a samurai.

Usagi #24

This was an interesting first story for Grey Shadows and it is one that I really appreciated.  I liked the excellent start that revisited key events of the previous volume and examined the burden that Usagi, Sanshobo and Gen now bear.  Not only does Sakai use this opportunity to inform the protagonists about some of the other events of Grasscutter that they were unaware of, but it also helps set up the future 15th volume, Grasscutter II, which will end this overall storyline.  Sakai also takes a little time to showcase Usagi dealing with the dark details of the defeat of his adversary Jei, especially after Jei’s body disappeared upon his defeat.  There is a great scene where a clearly shaken Usagi destroys Jei’s fallen black spear to convince himself that his foe is truly dead, although you can tell he doesn’t believe it.  I am rather impressed that Sakai manages to do such a comprehensive wrap up of the events of the previous volume in such a short amount of time, while also leaving room for another interesting story.

The main story of My Father’s Swords is pretty moving, as Usagi is immediately brought back to another trauma, his service to Lord Mifune and the Battle of Adachi Plain (see Volume 2: Samurai and Volume 11: Seasons).  Travelling with the son of an old comrade lets Usagi briefly relive his glory days, before the past is once again thrust upon him when it is revealed that his friend, Donbori Matsuo, is still alive, following his son anonymously as a cripple.  The reasons for Matsuo hiding his existence from his son and the burden he then places on Usagi to keep this secret for him is a little heartbreaking, and it provides more context about the samurai way of life Usagi is bound to.  The entirety of this storyline is handled perfectly, from the great introduction to Chiaki, the fun remembrances of Usagi’s past, to the final revelation about Matsuo that ends the story on a poignant note that will leave you very thoughtful and moved.  I enjoyed some of the clever artistic tricks in this story, such as the dark shade around Usagi when he deals with Jei’s spear, and the fun way in which Sakai slips in the beggar Matsuo into the background of several scenes, revealing his subtle surveillance of his son.  An excellent entry that not only references the events of Grasscutter but also features a powerful story of its own, My Father’s Swords proves to be a great start to this entire volume.

Usagi #25

Sakai follows up the moving first story of Grey Shadows with the dark second entry, The Demon’s Flute, a clever and memorable horror story.  The Demon’s Flute sees Usagi traversing some remote hills only to be drawn to a small town by the haunting melodies of a flute.  Once there, he discovers that the village is under attack by a mystical menace which kills villagers in utter darkness while the sound of a flute plays.  Believing it to be a ghostly figure of a flutist who wanders around with a white tokage (the dinosaur lizards that serve as this world’s main animals), the villagers implore Usagi to help save them.  However, the true evil attacking them proves to be more complicated and sinister than anyone of them believed.

The Demon’s Flute is a great story that shows just how haunting a Usagi Yojimbo story can be, especially when Sakai utilises some of the creepiest elements of Japanese mythology.  While some of the elements of the story are slightly predictable (Usagi has rocked up to save a lot of random villages over the years), the story has a great pace to it that sees Usagi attacked by dark forces he cannot overcome.  The various scenes where Usagi runs around the village chasing the darkness and the sound of a playing flute are extremely tense, and the sudden reveal of the story’s monster proves to be very thrilling.  I loved the great art that surrounded this part of the story, especially as Sakai makes great use of pure blackness to enhance the tension and threat of a scene, with Usagi often only illuminated by a small hand torch.  The final reveal of the monster and the reason for the haunting flute is pretty cool, and I liked the dark sense of honour and duty that drives even the evil and dead of this realm.  While parts of the story are wrapped up a little too neatly, this was still a brilliant entry which reaffirms my love for Sakai’s horror stories.

The next entry in Grey Shadows is the wholesome and enjoyable Momo-Usagi-Taro, which sees Usagi arrive at a large town.  However, he is almost immediately accosted by a group of orphan children who wrangle him into accompanying them to their orphanage, where he tells them an epic tale to keep them entertained.  This is a genuinely nice entry in this volume, which helps to break up the tension and serves as a gentle buffer between the darker stories in the volume.  While Sakai does take the time to do a little set up for the upcoming stories, most of Momo-Usagi-Taro is dedicated to Usagi’s story to the children, which is a retelling of the classic Momotarō folk story.  I always love it when Sakai tells traditional Japanese stories in his comic, especially as you get to see his artistic take on the legend (which usually results in the protagonist being altered to resemble Usagi), and it was great to see this classic tale brought to life in a new way.  Readers are in for a nice story here, and I loved the fun revelation at the end that the orphanage is the same one shown in Daisho, which is supported by the bounty hunter Stray Dog.

Usagi #26

Now we are getting to some of the main stories of Grey Shadows with The Hairpin Murders.  Set across two issues, The Hairpin Murders sees Usagi get involved in a murder mystery case in town when several prominent merchants are killed using a woman’s hairpin.  Teaming up with the brilliant detective, Inspector Ishida, Usagi helps with the investigation and is soon thrust into a long-hidden conspiracy that bind the victims together.  However, the closer they get to the truth the more resistance they encounter from Ishida’s superiors, forcing them to decide just how far they want to go to get justice.

This was an excellent and intriguing story that serves as one of the more impressive entries in this entire volume.  While still maintaining its comic style and focus, The Hairpin Murders reads just like a classic murder mystery story and sees the protagonist involved in a constricted investigation to find the truth.  Sakai sets up this mystery perfectly, and you are soon racing along to find out who is responsible and why.  There are a couple of great twists here, as well as some interesting connections to kabuki theatre, with the eventual reveal of the murderer and their motivations is handled really well.  The story ends on a pretty satisfying note, and it proves to be quite an intense and intriguing story.

Usagi #27

One of the best things about The Hairpin Murders is the introduction of new character Inspector Ishida, who serves as a supporting figure in the rest of Grey Shadow’s stories.  Based on real-life policeman Chang Apana (the inspiration for fictional detective Charlie Chan), Ishida is a hard-boiled police inspector who is tasked with investigating various crimes around his town, mostly murders.  Despite being restricted by feudal Japanese practices (he can’t do a proper investigation of a body), and the interference of his corrupt superiors, Ishida is a brilliant detective, able to solve complex crimes with the most basic of clues.  Ishida gets a great introduction in The Hairpin Murders, as not only do you see him investigating a tough case but you also learn more about his personality, dedication to justice and elements of his tragic past.  It is so fun to see him in action in this story, especially as he has that great fight scene that shows of his unconventional fighting style (which is surprising considering his small, hunched stature), as well as his excellent use of the cool jutte weapon (I love the jutte so much).  However, the real hint at just how complex and fascinating a character Ishida is occurs at the end of The Hairpin Murders when Ishida is presented with a massive dilemma of justice.  It is strongly implied that Ishida, who spends most of the story sticking to the rules, takes justice into his own hands, and I think it fits perfectly into his character arc, while also leaving some ambiguity about how far he went.  This really was one of the best character introductions of the entire Usagi Yojimbo series and it was so successful that Ishida would become a major recurring character in future volumes (such as Volume 32: Mysteries and Volume 33: The Hidden).

The other two-issue long story in Grey Shadows is the compelling and moving tale, The Courtesan.  In The Courtesan, Usagi runs into the scared young woman he has noticed multiple times in the last few stories and saves her from a group of masked attackers.  His actions lead to him gaining the attention of the town’s leading courtesan, the alluring Lady Maple, who begs Usagi to help save the life of her young son, who is the legitimate heir to the local lord.  However, dangerous forces within the lord’s court see Lady Maple kidnapped and her son in danger, with only Usagi able to help.

Usagi #28

This was another powerful story that really helps to make this volume stand out in terms of story building and character work.  The Courtesan is a particularly well-paced story that ties in well with the other entries of the Grey Shadow’s volume.  Sakai has come up with a pretty compelling narrative here, and the secret battle for control of the lord’s inheritance is played out with some awesome elements, such as a dive into the world of Japanese courtesans and including several great fight sequences.  The character of Lady Maple is particularly strong, as not only does Sakai make a lot of effort to highlight her elaborate beauty with his artwork, but he also shows the mother hidden underneath the fancy makeup and costume, one who is concerned solely for the welfare of her child.  This leads up to an epic and tense conclusion, as Usagi faces down all the conspirators, only for his victory to be marred by tragedy.  I loved the powerful ending this story contained, which, while sad, also ensures that several worthy characters get what they most wanted in life.  Easily one of the strongest tales in the entire volume, I always enjoy reading this impressive story.

The final entry in Grey Shadows is the fast-paced and action-packed single-issue story, Tameshigiri, which serves as an excellent conclusion to the entire volume.  Tameshigiri is another mystery story that sees Usagi assist Inspector Ishida to investigate some murders around town.  This time the two friends are looking into a series of random killings by mysterious masked samurai.  The attacks seem extremely random and lacking in motivation, but the two are soon drawn towards the acolytes of a failing sword testing school who may have a dark reason for dropping bodies around town.

Usagi #29

This was a pretty fun and cool final story for the volume, and it leaves an exciting end note for the reader.  Sakai pulls together a fantastic and compelling shorter story here that once again combines murder mystery elements with the traditional comic book action.  While the culprits of the murder are quite clear from the outset, it is pretty fun to see their plan unfold and the protagonist’s subsequent investigation into it.  The reasons behind the antagonists’ actions are pretty fascinating, and the author paints an outstanding picture of desperation and duty that drives them to kill.  I also quite liked the intriguing investigation into traditional sword testing, which ties into the story extremely well and proves to be a fascinating addition to Tameshigiri’s plot.  The entire story leads up to a massive action sequence that sees multiple participants on both sides engage in a deadly battle to the death.  Not only doe we get to see more of Inspector Ishida’s unique fighting style, but Usagi also shines in an awesome duel.  Throw in the amusing jokes about the events of the preceding story, where Ishida clearly knows Usagi is behind some of the mayhem, and you have a very entertaining entry that not only wraps up the Ishida-based storylines extremely well, but also ensures that the reader has some fun on the way out.

I must once again highlight Sakai’s brilliant artistic work in this cool volume, as Grey Shadows contains impressive examples of Sakai’s amazing style.  There are so many beautiful and intricately detailed drawings throughout this awesome volume, and I love how perfectly it enhances the already great storylines.  I particularly love the amount of detail that he throws into the various panel backgrounds, ensuring that the reader sees both the full breadth of Japan’s majestic natural landscape and the traditional feudal style buildings in the towns and villages Usagi visits.  Sakai also does incredible justice to the many battle sequences scattered throughout Grey Shadows, perfectly portraying the intricate deadly movements that make up the character’s sword play.  You always get an impressive sense of how the characters moved as they battled, and I deeply appreciated all the brilliant and brutal fight scenes.  This incredible artwork always pairs so perfectly with the written story, ensuring that this 13th volume was very spectacular and awesome to look at.

Usagi #30

As you can see, I had a lot of fun with Grey Shadows, and it proved to be another excellent entry in Stan Sakai’s Usagi Yojimbo series.  This 13th volume features several outstanding stories, which really dive into their unique protagonists and antagonists and show the full majesty of this version of feudal Japan.  Serving as a key entry in the overall series thanks to the introduction of a cool new character, Grey Shadows is a must read for all Usagi Yojimbo fans and it gets another five-star rating from me.

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Quick Review – The Dying Squad by Adam Simcox

The Dying Squad Cover

Publisher: Gollancz (Trade Paperback – 27 July 2021)

Series: The Dying Squad – Book One

Length: 360 pages

My Rating: 4 out of 5 stars

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Intriguing new author, Adam Simcox, presents his compelling debut novel, the fun and fascinating supernatural crime fiction read, The Dying Squad, which proves that just because you are dead, it doesn’t mean that you can’t get justice.

The Dying Squad was a fantastic and intriguing first novel from Simcox that contained a fascinating premise about a man forced to solve his own murder as a ghost.  I loved the sound of this book when I first heard about it, and I was very glad when I received a copy a while ago.

Synopsis:

WHO BETTER TO SOLVE A MURDER THAN A DEAD DETECTIVE?

When Detective Inspector Joe Lazarus storms a Lincolnshire farmhouse, he expects to bring down a notorious drug gang; instead, he discovers his own body and a spirit guide called Daisy-May.

She’s there to enlist him to The Dying Squad, a spectral police force who solve crimes their flesh and blood counterparts cannot.

Lazarus reluctantly accepts and returns to the Lincolnshire Badlands, where he faces dangers from both the living and the dead in his quest to discover the identity of his killer – before they kill again.

This was an awesome and intriguing read and I ended up really getting into this fantastic supernatural novel.  Set initially in the apparently crime-ridden wilds of Lincolnshire, the novel quickly establishes itself by killing off the protagonist, Joe Lazarus, and introducing him to his co-lead the bombastic and entertaining Daisy-May, a member of the ghost-run investigative unit, known as the Dying Squad, there to recruit Lazarus.  The book then jumps to the Pen (purgatory), where Lazarus is given the chance to save his soul by solving his own murder.  Returning with Daisy to the real world, Lazarus must investigate his death while facing several limitations, including the fact that the real world is affecting his memories, and he must work to uncover his own past to discover who killed him.  At the same time, dangerous events are occurring in the Pen as a mysterious being leads an uprising of the seemingly mindless souls imprisoned there, while back in the real world, a dangerous creature stalks Lazarus and Daisy-May, seeking to drag them down below.

I really enjoyed the cool story featured within The Dying Squad, and Simcox has come up with something particularly unique and compelling here.  The author does a great job of quickly introducing all the relevant story elements, and the reader is soon expertly enthralled in the book’s compelling mystery.  I loved the unique investigation that takes place throughout the novel, especially as the protagonists must deal with a range of different problems, including the sinister Xylophone Man (he’s a lot more threatening than the name implies), the deceit of living humans, fading memories, and the protagonist’s desire to interfere in events, even when they’re not supposed to.  At the same time, the protagonist’s boss back in the Pen is forced to deal with a universe-ending revolt, as desperate lost souls attempt to tear down the walls of reality.  While Daisy May and some of the other characters are dragged between these two plot threads, Lazarus continues to follow the trial towards his death by investigating several potential suspects and slowly regaining his own memories.  This eventually leads to several startling revelations, including a very clever reveal about who was behind his death and their reasons why.  This investigation eventually leads back to the wider universe story about the rebelling souls, and there are some great moments, especially when the protagonists are forced to make some hard and afterlife-altering choices.  I really enjoyed this unique blend of storylines, as well as some of the cool characters featured throughout the book, and The Dying Squad ended up being quite a fun and interesting read.

I definitely need to highlight the unique world building featured throughout The Dying Squad.  Simcox has come up with a detailed and fascinating scenario, involving supernatural ghosts going back to Earth to investigate unsolved murders.  This results in several memorable and compelling settings, including the dark and dreary Pen, a version of Purgatory, where lost and forgotten souls congregate in confusion and apathy (unless roused by a dangerous soul with ulterior motives).  At the same time, you also have the setting of Earth, which ends up being an unnatural location for departed souls, even the protagonists.  As such, the characters who venture there to investigate encounter all manner of obstacles, from rogue spirits to the very air itself, which drains dead souls of their memories unless precautions are taken.  These various elements, especially the memory loss and the typical incorporeal nature of ghosts, are worked into the investigation aspect of the story extremely well, and it added a layer of complexity and uncertainty that really enhanced the mystery.  At the same time, Simcox really went for broke exploring the wider universe and the focus on the events in the Pen soon become a major part of the plot.  While I deeply enjoyed the potential universe ending event, I cannot help thinking that maybe more of the story could have been spent on beefing up the investigation angle of the book, especially as some of the culprits and twists ended up being a little easy to spot.  That being said, it was a fascinating part of the story that ended up being explored extremely well, and it really enhanced the stakes of the plot.  It will be interesting to see what the focus of the next novel will be, but I am sure that I will enjoy it.

Overall, this ended up being quite a clever read, and I think that Simcox did a great job of combining a complex murder investigation with complex and fascinating supernatural elements.  I had a lot of fun with The Dying Squad, and it is an excellent compelling new debut to check out in 2021.

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Relentless by Jonathan Maberry

Relentless Cover

Publisher: Macmillan Audio (Audiobook – 13 July 2021)

Series: Rogue Team International – Book Two / Joe Ledger – Book 12

Length: 18 hours and 29 minutes

My rating: 5 out of 5 stars

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One of my absolute favourite series returns with an absolute bang as Jonathan Maberry produces another incredible, intense and thrilling Joe Ledger novel with Relentless, the second novel in the Rogue Team International series.

Readers of my blog will be well aware of how much I love Jonathan Maberry’s Joe Ledger series.  This science fiction thriller series, which follows the titular protagonist and his team of elite soldiers as they fight all manner of crazy scientific and supernatural threats, is so much fun and is one of my favourite series.  After reading one of these fantastic books a few years ago, I sat down and listened to the entire series, from Patient Zero, all the way to the final entry, Deep Silence.  It also led me to some of Maberry’s other novels, including last year’s excellent horror novel, Ink, which was one of my favourite books and audiobooks of 2020.  The author also started the Rogue Team International series in 2019 as a sequel series to the original Joe Ledger books, featuring the same characters and universe.  The first entry in this sequel series, Rage, got a five-star rating from me and was one of the best books and audiobooks of 2019.  Due to Rage’s epic conclusion, as well as how much I enjoy Maberry’s writing, I have been eagerly awaiting Relentless for some time now and I ended up being blown away by how awesome it was.

During Rogue Team International’s (RTI) first mission, Joe Ledger and his team faced off against the dangerous pairing of criminal mastermind Kuga and his fearsome enforcer Rafael Santoro, barely managing to stop their insidious, world-changing plot.  However, their victory came at a terrible price, as Santoro delivered fiery vengeance on his foe by killing every member of Ledger’s family in a revenge attack at Christmas.  Santoro and Kuga hoped that their destructive blow would mentally destroy their hated enemy forever; instead, it unleashed their worst nightmare.

After returning to the field, Ledger leads an RTI team to an advanced laboratory where terrible genetic, biological and cybernetic experiments are being performed.  While the mission begins as a textbook RTI operation, everything changes when Ledger comes across a room full of deformed lab subjects and their cruel tormentors.  With his already fragile psyche pushed to the limit by the death of his family, Ledger finally snaps and lets something dark and dangerous from deep within take control.  With blood and bodies trailing in his wake, Ledger abandons his team and goes truly rogue.

Accompanied only by his loyal combat dog, Ghost, Ledger rampages across Europe, killing and destroying anything related to Kuga’s operation and questioning anyone who knows where he and Santoro are.  Even more concerning for the villains, Ledger is also beginning to get close to their next major operation.  Utilising cutting edge technology, Kuga’s group have developed biologically enhanced super soldiers, equipped with some of the most destructive weapons available.  Their next plan will unleash a devastating attack within America that will change the political and social landscape for generations to come.  However, not even their most advanced troops may be enough to stop the dark thing that Ledger has become, and Kuga is soon forced to make a Faustian deal with someone, or something, whose evil eclipses Ledger’s insanity.  Can Ledger defeat his hated foes and save his own soul at the same time, or will he finally be overwhelmed by his own inner darkness?

Once again Maberry shows why he is one of the most exciting and impressive thriller writers out there as Relentless was another epic and wildly captivating novel.  This latest Rogue Team International novel contains a complex and thrilling narrative that sets its already complex main character into a horrific quest for vengeance and redemption.  Throw in an incredible amount of action, a very clever and well-written story, and some memorable characters, and you have an outstanding novel that gets a full five-star rating from me.

In Relentless, Maberry produces an extremely intense and fast-paced novel that is both character driven and loaded with some of the best action you will ever read.  Following up from the dramatic conclusion of Rage, Relentless is one of the darker and more inventive books in the Joe Ledger franchise, presenting the reader with a brutal revenge story as the protagonist puts the rogue in Rogue Team International to kill anyone associated with his foes.  Maberry once again makes great use of the unique writing style that has been such a hallmark of this series, with the novel made up of shorter chapters told from a vast number of different perspectives, including several interludes set in the past, to produce a more complex and multifaceted tale and showcase the elaborate plans of the antagonists.

However, the author also tries something new in this book, with a noticeable change of focus away from the protagonist for a good portion of the early novel to highlight some major character developments.  This results in a bit less humour during the first part of the book, but this is more than made up for with a darker and more powerful storyline.  The story focus does eventually revert to the series’ usual form about halfway through the novel, just in time for the protagonist to find himself with information about a complex and intriguing evil plot that only he can stop.  This leads to a pretty epic conclusion with some fun twists and several major moments of worry and surprise, especially as you get some massive concurrent scenes as Ledger and his allies battle the enemy in several destructive and dangerous battles.  The action throughout Relentless is typical Maberry, with some very detailed and graphic depictions of the techniques and damage done, and it is near impossible not to get sucked in the combat as the powerful scenes unfold.  Readers should be warned that parts of this novel can get a little dark and gruesome as Maberry pulls no punches, but it is very much worth sticking through the blood and guts to see the captivating narrative unfold.  I quickly became sucked into his awesome story, and I loved every second of it, managing to finish it off in extremely short order.  It looks like Maberry has some intriguing plans for the future of this series, and I for one am extremely excited for that.

Like most of the Joe Ledger/Rogue Team International novels, Maberry has made Relentless extremely accessible to new readers.  While I personally would suggest reading Rage first, due to the tragic ending that plays into the events of this novel, people unfamiliar with the preceding books can jump in here and still have an excellent time reading this book.  Maberry does an amazing job recapping all the key events of the prior novels, including character bios, descriptions of technology and summaries of various cases.  As a result, the reader is never left in the dark about what is happening and who is being talked about, although the certain significance of some characters or revelations might be slightly tempered until the protagonist describes them.  One thing I would note after having read all the Joe Ledger books in the last couple of years is that Maberry tends to reuse the same phrases and terms when it comes to describing certain characters or events.  While this was fine the first few times, by book 12 in the overall series, it is very noticeable and slightly detrimental to the flow of the story.  However, this was an overall incredible novel with more than enough unique features to make it really stand out from the rest of the books in the series.

One of the best parts of any of Maberry’s novels are the complex and likeable characters featured within them.  Over the years Maberry has produced some truly great and memorable characters for the Joe Ledger novels, and it was great to see so many of them return for Relentless, especially as most of them go through some major development.  The most prominent of these is titular protagonist Joe Ledger, who has one of his most significant roles here in Relentless.  Ledger has always been an extremely troubled and damaged protagonist, which has grown more and more apparent as the series progressed as he is forced to deal with additional traumas.  However, this is the book where he truly snaps, as he is dealing with the brutal death of every member of his family.  While Ledger starts the book mostly fine (by his already low standards), it doesn’t take him long to lose the plot.  Fans of this series will understand Ledger’s mind is already broken up into three distinct personalities, the Cop, the Modern Man, and the Killer, which together form his mostly balanced psyche.  However, the events of Rage have resulted in a fourth personality, the Darkness, which subverts Ledger’s mind and leads him to commit acts of terrible violence and destruction while massively freaking everyone out.  The Darkness completely takes over Ledger, ensuring that you don’t see into his head for a good portion of the novel, which is an interesting change considering that Ledger is the only character in the series with a first-person perspective.  While this really changes the tone of this novel, it perfectly highlights just how far-gone Ledger is.  Even when he regains control of his mind and becomes a prominent point-of-view character again, the Darkness is still there, and he has to fight hard to control it.  All this makes for quite a fantastic and deep read, and it was captivating to see the protagonist deal with the traumatic events of a previous novel in such a dramatic and destructive manner.  Maberry really amps up how dangerous Ledger can be in this novel, and there are some truly disturbing and concerning scenes when the Darkness takes over.  It will be really interesting to see how Ledger comes back from the events of this book in the future, and I am extremely curious to see what happens to the character next.

In addition to the outstanding central protagonist, Maberry fills up Relentless with great supporting characters, most of whom have been introduced in previous Joe Ledger novels.  Maberry really likes a wide spread of characters throughout his novels, resulting in an interesting group of perspectives as the various supporting characters and minor inclusions experience the events of the narrative.  It was great to see many long-running side characters return in Relentless, especially as they are severely impacted by Ledger’s walk on the dark side.  While a couple of usually major characters only have a couple of scenes in this book, the usual DMS/RTI mainstays are all there.  Ledger’s squad mates, Top and Bunny, have a particularly intriguing storyline in this novel, which sees them go undercover to infiltrate Kuga’s operation while being conflicted about Ledger’s actions.  It was also great to see more of mysterious RTI leader, Mr Church, the guy who totally isn’t some sort of avenging angel or benevolent god (those are my two top guesses at this point).  While Church doesn’t get as much focus as he has in previous books, he is still a major presence, and there some more hints at his past with one of the antagonists.  There are also a couple of fun new unique characters introduced who Ledger meets up with as he pursues his quest for vengeance.  Several of them are cool, and I look forward to seeing if they show up again.

Out of all the many supporting characters, there are two that I particularly want to focus on as they had some very strong arcs within this book.  The first is Alexander Chismer, better known as Toys, the former villain who is seeking redemption and is now a close friend of Ledger’s partner Junie.  Toys goes back into the field to find Ledger, even though they really dislike each other.  Toys is a pretty smooth operator, and it was fun to see him go back to his criminal roots, even though it was for a good cause.  When he eventually catches up to Ledger, their meeting doesn’t go amazingly well (someone gets shot), but they do end up having a rather fantastic and entertaining heart-to-heart.  The comparison between their respective paths to redemption is rather deep and fascinating, and it was very intriguing to finally see these two characters interact in an extended way.  The other character I absolutely must talk about is Ledger’s dog, Ghost, the bestest boy in all of fiction.  Ghost has a pretty rough time in this novel, as he is Ledger’s only companion during his master’s dark spells and ends up getting into some very violent confrontations.  Maberry is extremely good at writing canine characters, and most readers will find it next to impossible not to fall in love with this savage, sassy cuddle monster.  Due to the many bad circumstances that Ledger and Ghost finds themselves in, I found myself feeling a lot of worry for Ghost, especially as Ledger seemed crazy enough to hurt him at times.  The fact that I felt strongly anxious for a fictional dog should tell you all you need to know about Maberry’s ability to write likeable characters, and readers should be warned that they will be experiencing feels in this novel.

It wouldn’t be a Maberry book without some impressive and complex antagonists, and this novel is chock full of villains with an intriguing master plan.  The main antagonists of Relentless are the same as Rage, with the fun combination of Kuga and Rafael Santoro.  Both Kuga and Santoro are recurring Joe Ledger antagonists (Kuga was the main villain of Kill Switch under a different name, while Santoro was a significant antagonist in The King of Plagues).  As a result, they have an amazing amount of history with Ledger and the RTI, which makes them quite dangerous foes.  Both are a bit more unhinged in this novel, especially once it becomes clear that a deranged Ledger is on their tail, and it was great to see them slowly become a little more desperate.  Despite this, they have a pretty intense and detailed plot to make a large amount of money through the sale of their advanced weapons, technology and enhanced mercenaries.  Their master plan for destruction and manipulation is very clever and takes a while to fully become apparent to the protagonist and the reader.  Maberry lays the groundwork for this plan perfectly throughout his narrative and the eventual reveal of what they are hoping for is pretty cool and leads to several amazing scenes that play off current events really well.

In addition to the antagonists that appeared in Rage, Relentless also features one of Maberry’s most mysterious and sinister villains.  Going by the name of Mr Sunday in this book (which I assume is a fun little nod to Mr Church’s fake name), this antagonist is a very creepy and dangerous being who has had some impressive appearances before (Assassins Code, Predator One and Dogs of War for example).  The moment he appeared in this book, I knew that I was going to be in for a good time, as this character is essentially the devil incarnate (there is a strong chance he is the devil).  Maberry does an incredible job building him up once again in this novel, and he ends up terrifying his potential allies just as much as his enemies.  This character’s appearance has some major implications for Ledger and Mr Church, and it is highly implied that his appearance is causing some of Ledger’s instability.  While he is mostly just coasting off Kuga and Santoro’s plans in this book, he also has his own sinister plans which come into fruition perfectly.  As a result, he is a pretty fantastic addition to the plot, and I loved the entertaining interludes that featured his elaborate sales presentations.  It looks like Maberry has some big plans for this character in the future, and I am very excited to see what chaos he has in stall for the world next.

Aside from the main villains I mentioned above, Maberry also utilises some great supporting antagonists who act as assassins and henchmen.  This includes the deranged Eve, who was introduced in Rage and who lost her partner and lover, Adam, to Ledger.  This loss has driven her even more insane, and there are several crazy chapters shown from her perspective, and she represents the typical sexual degenerate antagonist that Maberry likes.  There is also a new henchman character in Michael Augustus Stafford, a hired gun considered one of the best assassins in the world and is often referred to as the anti-Ledger due to his similar appearance to the protagonist.  Stafford leads Kuga’s hunt for Ledger throughout Europe and America and is a dogged tail for much of the book.  There are some very intense cat-and-mouse scenes occurring between the two as they attempt to get the upper hand on each other.  I really appreciated the way in which the author took the time to building up these less prominent antagonists throughout the novel, and you get a great sense of their personalities and abilities.  I would say that they don’t live up to their full potential at the end of the novel, but it was still fantastic to see their entire storyline unfold.

Another hallmark of a great Maberry book is some of cool technology featured in the story, especially as it results in some excellent and over-the-top fight scenes.  The villains get some impressive and over-the-top toys in this novel, including biological enhancements, advanced body armour that has a lethal kick to it and massive armoured exoskeletons loaded with giant guns.  Maberry has some fun building up the capability of these devices through several of the interludes, and they do not disappoint, causing all manner of chaos and destruction around the world.  That ensures that when the protagonists encounter them they are in for a real fight, as it gives their enemies an edge against RTI agents who usually have the most advanced tech.  It was really cool to see this technology in action, and Maberry dreams up some outstanding scenes around them.  All the fight sequences featuring them in Relentless are ultra-impressive, and readers are in for some great scenes, especially as many of them involve the less destructive and sleeker RTI technology versus the purely destructive Kuga weapons.  I really enjoyed seeing these advanced weapons in use, and it helps to give some of the action scenes a major boost.

Just like I have with every other Jonathan Maberry book I have enjoyed, I ended up grabbing the audiobook version of Relentless.  I have a lot of love for the Maberry audiobooks, and in my opinion it is the best way to enjoy these cool novels.  The main reason for this is the amazing recurring narrator, Ray Porter, who has lent his voice to the audiobook versions of nearly every single one of Maberry’s novels.  Porter is one of my absolute favourite narrators, and if he is voicing something, I know I am going to love it.  This narrator always manages to deftly drag the listener in and keep their complete attention throughout the entire production.  He really dives into the various characters, ensuring every one of them has an appropriate voice, with cool accents and relevant speech patterns.  He is also extremely good at portraying emotion, and he always goes out of his way to highlight a character’s feelings in their speech patterns, whether it be excitement, grief, anger, or something darker.  This is particularly noticeable with protagonist Joe Ledger.  I have noted before at how effortlessly Porter inhabits the role of this complex character, ensuring that the reader gets his full range of feelings, including his boundless rage and outrageous sense of humour (he really gets Ledger’s sarcasm).  Porter does another amazing job in Relentless, and it was really cool to hear his take on the more unhinged Ledger, and he really helps to add an extra sense of menace and anger during the scenes where Ledger is out of control.  Each of the voices used in this book are extremely good (I would critique the voice of one Australian character, but it’s a fairly minor role), and it was an absolute joy to once again listen to his narration.  With a run time of just under 18 and a half hours, this is a rather long Joe Ledger novel, although I powered through it in less than a week due to how much fun I was having.  This version of Relentless comes highly recommended, and it is already one of the best audiobooks I have listened to all year.

Well, that was a damn impressive novel.  As you can see from my rather long and happy review above, I had an outstanding time reading Relentless by Jonathan Maberry, and I found it to be an incredible read.  The Rogue Team International series continues to be one of the most thrilling series out there, and I loved the complex damaged characters and intense storyline this latest novel contained.  Easily one of my favourite books of the year, Relentless gets a five-star rating from me and is highly recommended to anyone wanting guaranteed action, fun and comprehensive darkness.

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Throwback Thursday – Grave Peril by Jim Butcher

Grave Peril Cover

Publisher: Buzzy Multimedia (Audiobook – 1 September 2001)

Series: Dresden Files – Book Three

Length: 11 hours and 55 minutes

My Rating: 5 out of 5 stars

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Welcome back to my Throwback Thursday series, where I republish old reviews, review books I have read before or review older books I have only just had a chance to read.  In my latest Throwback Thursday article, I continue my dive into the bestselling Dresden Files urban fantasy series by Jim Butcher by looking at the third chilling novel, Grave Peril.

I am really getting into the awesome Dresden Files novels, a major long-running urban fantasy series that follows Harry Dresden, a wizard living in modern-day Chicago, as he investigates supernatural crimes.  Generally considered one of the best urban fantasy series of all time, I started enjoying this series last year when I read the latest novel, Battle Ground.  I absolutely loved Battle Ground (easily one of the best novels and audiobooks of 2020) and I have since decided to go back and check out the earlier entries in the series.  I already enjoyed the very first novel, Storm Front, a couple of months ago, and Fool Moon, which I finished and reviewed last week, was so much fun that I had to immediately go and read another Dresden Files book.  I have just finished off the third entry, Grave Peril, and decided to feature it in this Throwback Thursday article.

Something is stirring in the dark of Chicago and it is bringing all manner of ghosts and spooks with it.  Harry Dresden, professional wizard, is used to facing the supernatural dangers infecting his city, but he has never experienced quite so much chaos as the spirit world has gone crazy.  Powerful ghosts and tortured spirits are popping up all around Chicago, causing the walls between our world and the Nevernever (the spirit world), to weaken and fray.  As Dresden attempts to find out who or what is behind the current upsurge in spiritual activity, he finds himself under attack from a powerful and unseen force that can strike through his nightmares.  Scared, weakened and full of self-doubt, Dresden is near powerless to stop this creature as it begins to target his friends and loved ones.

With a righteous Knight of the Cross at his back and his reporter girlfriend hounding him for a scoop, Dresden looks for the true source of the entity coming after him.  But in order to find the truth, Dresden must place himself in the very heart of Chicago’s supernatural underworld.  With old enemies, bloodthirsty vampires, howling spirits, deadly demons and his twisted fairy godmother coming after him, can Dresden survive this latest attack unscathed, or will his enemies finally succeed in destroying him, mind, body and soul?

Is it even possible for Butcher to write a bad Dresden Files book?  I have yet to see any evidence to suggest this as Grave Peril, the fourth Dresden Files novel I have read and the third book in the series, turned out to be another epic and powerful fantasy read.  Butcher has come up with a fantastic novel in Grave Peril, and I loved the dark and compelling story that sees Dresden face various demons from his past.  Utilising some great new characters and serving as a major entry in the overall series, this was an outstanding read which gets yet another five-star rating from me.

I deeply enjoyed the cool and complex narrative that Butcher came up with for Grave Peril, especially as it takes Dresden and his friends into some sinister and dangerous places.  This book starts quick, with a great extended sequence that sees Dresden and Michael face off against a powerful ghost in the Nevernever.  This amazing opening to the novel is then followed by an intriguing central story which forces Dresden to investigate a new and unusual antagonist, the Nightmare, who is feasting on his dreams and using the power it steals to go after Dresden’s loved ones.  This central story is very intense and compelling, playing to the series’ detective novel inspirations as Butcher sets up a fantastic mystery while also showing a desperate Dresden coming under attack in some unusual ways.  There are some fantastic moments in this part of the book, and I really appreciated the author’s inclusion of multiple supernatural suspects as you try to figure out who is involved and how they are pulling off their plans.  All this leads to the book’s most memorable sequence, a vampire masquerade, which sees Dresden and his closest allies trapped at a ball, surrounded by a dangerous array of enemies and, trying to work out motivations and plans on the fly.  The story is eventually all wrapped up with a dramatic and clever conclusion that is exciting, emotionally rich and a little traumatising to the reader.  I deeply enjoyed Grave Peril’s cool narrative and it honestly did not take me long to get fully engrossed in what was happening.  While this novel is not as action orientated as the previous book, Fool Moon, it has a much darker edge to it with a particular focus on manipulation, emotions and intrigue.  Readers should be warned that some of the scenes can be a bit over-the-top at times (I am pretty sure the protagonist gets raped by a vampire at one point) and are a little hard to read.  However, this is an overall exceptional narrative.

Like most books in the Dresden Files series, Grave Peril can be read as a standalone novel without any knowledge of the previous entries.  Butcher always makes his novels very accessible to new readers, and while there are some references to the character’s previous adventures, most of the relevant details and re-examined and explained throughout this book.  Grave Peril is a fairly major entry in the overall series as Butcher starts to introduce some important storylines, key supporting characters and lasting world-building elements which become quite significant in future novels.  In particular, Butcher introduces lore surrounding vampires, spirits, and fairies, with the protagonist coming into conflict with all three.  Each of these fantasy elements are set up extremely well and have a dark edge that fits into the series’ distinctive tone.  I loved the author’s depiction of the fairy creatures as monstrous and shadowy manipulators, and it was quite cool to see all the lore around vampires.  Grave Peril introduces three major vampire courts, with each court made up a different sub-species of vampire with their own specific powers and weaknesses, from the Dracula-esque Black Court, to the sexually and emotionally powered vampires of the White Court.  Each of these different types of vampires are strongly featured in Grave Peril and are a fantastic part of the story.  The highlight for me was probably the various battles between Dresden and the members of the Red Court, who can be pretty freaky and repulsive, and Butcher sets up an intriguing, long-running storyline with the Red Court here.

It is near impossible to discuss a Dresden Files novel without mentioning the incredible and well-written characters that appear in each book.  Butcher has a real talent for introducing and developing memorable protagonists and antagonists, and Grave Peril is a particularly good example of this.  Not only do several amazing recurring characters reappear in a big way but Butcher also introduces some intriguing new figures who make a big splash.

The key character as always is series protagonist and point of view character, Harry Blackstone Copperfield Dresden, the sarcastic and amusing maverick wizard who is constantly finding himself in trouble.  I always deeply enjoy following Dresden throughout these novels, mainly because he has a wicked sense of humour, an entertaining attitude and an uncanny ability to annoying and enrage everyone he comes across.  Most of Grave Peril’s humour comes from Dresden’s outrageous actions and observations, including his insane decision to arrive at a vampire’s ball dressed in a cheesy Dracula costume (that raised some eyebrows and lengthened some fangs).  Despite this fun and amusing exterior, Dresden is quite a damaged individual, and you really get to see that on full display in Grave Peril.  Dresden goes through some major traumatic events in this novel, several of which nearly break him as he is forced to encounter or do some very dark deeds.  Butcher really takes his protagonist to the edge in this novel, and there are some very intense scenes, including a glimpse of Dresden’s nightmares and deepest fears.  The author also continues to drip-feed hints of his protagonist’s dark past throughout this novel, especially when Dresden comes into conflict with an old enemy/mentor.  All this hurt and trauma is really touching and compelling, and the entire novel features a heartbreaking ending for Dresden, which really hits home, especially after you find yourself connecting with the character.

Aside from Dresden, there is a great collection of supporting and side characters I had a lot of fun seeing in this novel.  The most prominent of them is newly introduced protagonist, Michael Carpenter, Knight of the Cross.  Michael is a modern-day holy crusader, wielding a powerful blessed sword and his own unflappable faith to strike down evil.  Michael is a very intriguing character, and I deeply enjoyed the friendship he forms with Dresden.  Michael is a man of intense faith and goodness, who manages to balance family with his responsibilities as a knight, and this serves as a fantastic counterpart to the more flaky and irresponsible Dresden.  Like Dresden, Michael goes through some major traumas in this novel, several of which shake even his faith and resolve.  However, no matter how dark the situation, Michael manages to pull through and he and Dresden work together well as an enjoyable team with Michael serving as a mentor figure and conscience to Dresden.  I felt that Butcher did a great job introducing Michael in this novel, and I am excited to see how this noble knight develops in future Dresden Files’ entries.

Other great side characters in this novel include Dresden’s girlfriend, feisty reporter Susan Rodriguez.  Susan has not been my favourite character in the past, but she has a great story arc in this novel.  Not only does she attempt to do her own research into the case but she also serves as a major figure of emotional turmoil for Dresden as he struggles to prioritise her over his supernatural work.  While I did get a little annoyed at some of Susan’s decisions in this novel, I enjoyed the compelling story arc Butcher weaves around her, especially as it alters her in a big way.  My favourite haunted skull, Bob, returns once again and has several great scenes throughout Grave Peril.  I love Bob’s funny, if slightly pervy, personality, and all his appearances are very amusing.  There are some great new characters featured in this book as well, including Lea (The Leanansidhe), Michael’s fairy godmother.  Lea, who previously made a dark bargain with a desperate teenage Dresden, spends much of this book manipulating and hunting Dresden, attempting to claim him and his power.  I loved the use of this evil, manipulative and sexy fairy godmother through the novel, and she ended up being a pretty impressive secondary antagonist.  Grave Peril also sees the introduction of Thomas Raith, a White Court vampire who finds himself helping Dresden.  Thomas is a cool addition to the plot, and it was intriguing to see his introduction to the Dresden Files, especially as I know some spoilers about him.  All of these characters were pretty awesome and I had an outstanding time seeing their latest dark adventure unfold.

As I have with the previous entries in this series, I ended up listening to Grave Peril’s awesome audiobook format.  The Dresden Files audiobooks are a thing of beauty and I love how fun and exciting listening to these great books turns out to be.  The Grave Peril audiobook has a decent runtime of just under 12 hours, which is longer than the previous two Dresden Files novels, but readers will be too caught up in the amazing narrative to care.  I managed to power through it in only a few short days, mainly because of the outstanding narration from actor James Marsters.  Marsters, best known for his roles in shows like Buffy the Vampire Slayer, Angel, Smallville and Torchwood, narrates all the Dresden Files books and does an exceptional job bringing each of these novels to life.  I absolutely loved the incredible gravitas and energy he infused in the Grave Peril audiobook.  Marsters really gets into the heart and mind of Dresden, and you get an amazing sense of what the protagonist is thinking and feeling through the narrator’s voice and tone.  I also enjoyed the enthusiasm that Marsters exhibited in several key scenes, as he attempted to highlight certain weird and dangerous story elements.  For example, he does a fantastic enraged and shrieking ghost wail towards the start of the novel that gave me a start, and I loved the dark and dangerous voices he pulls together for some of the more monstrous creatures.  It was also very cool to hear Marsters yell out some of Dresden’s spells in the heat of battle, and it really enhances the excitement of the scene.  All of this and more makes the Grave Peril audiobook the perfect way to enjoy this novel, and I plan to check out the entire Dresden Files in this format.

Grave Peril by Jim Butcher is an exceptional and incredible fantasy novel that serves as an amazing third entry in the bestselling Dresden Files.  Butcher crafted together a dark and compelling character driven narrative for Grave Peril which proved to be extremely addictive and powerful.  I had an outstanding time getting through this novel, and I loved all the clever introductions and memorable sequences the author loaded into the plot.  A highly recommended read, especially as an audiobook, I cannot wait to see what other madness occurs in the rest of this fantastic series.

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Star Wars (2020): Volume One: The Destiny Path by Charles Soule and Jesús Saiz

Star Wars (2020) - Volume 1 Cover

Publisher: Marvel Comics (Paperback – 10 November 2020)

Series: Star Wars (2020) – Volume One

Writer: Charles Soule

Artist: Jesús Saiz

Colour Artists: Arif Prianto, Jesús Saiz, Rachelle Rosenberg and Dan Brown

Letterer: VC’s Clayton Cowles

Length: 136 pages

My Rating: 5 out of 5 stars

Amazon

The next stage of the Star Wars comic universe continues as Charles Soule, Jesús Saiz and their team of talented artists present the first volume of the Star Wars (2020) series, The Destiny Path.

Star Wars (2020) #1 Cover

Shortly after the Disney buyout of Star Wars and their subsequent creation of a whole new canon, Marvel Comics started to develop a new range of Star Wars comics.  While there were several great series, limited series and standalone comics set during various periods of Star War history, the main series were set between the events of A New Hope and The Empire Strikes Back.  These key comics, which included the Star Wars (2015), Darth Vader (2015) and Doctor Aphra (2016) series, did a fantastic job of filling in the gaps between these two films and presenting readers with some clever and unique adventures.  All these series came to an end in late 2019, with their plots coinciding with the start of events from The Empire Strikes Back.  In the wake of their cessation, Marvel announced four new Star Wars comic series that would take their place (after suffering some pandemic-related delays), set in the aftermath of The Empire Strikes Back.  While I have already looked at some of these comics, including the first entry of the Darth Vader (2020) series, I think it is time that I explored the flagship series of this new run of comics, the Star Wars (2020) series.

The Star Wars (2020) series will explore what happens to the main cast of protagonists after the events of The Empire Strikes Back and is set in the year or so between that film and Return of the Jedi.  This looks set to be a long-running series that will not only tell its own tale but will tie in to the events of the other current comics, probably resulting in some crossovers.  This first volume, The Destiny Path, contains issues #1-6 of the Star Wars (2020) series and serves as an excellent and compelling introduction to the rest of the series.

Star Wars (2020) #2 Cover

Following the battle of Hoth, the Rebel Alliance is in disarray.  With their fleet scattered around the galaxy and the might of the Empire reigning supreme, these are the darkest days the Rebellion has ever faced, especially as the Empire appears to have found a way to locate their ships and hiding places.  The hope of the entire Rebel Alliance may lie in the hands of its greatest leaders and heroes, but, after the events on Bespin, even these shining beacons of rebellion have been damaged beyond recognition.

With Han Solo captured by the Empire and handed over to the bounty hunter Boba Fett, those on the Millennium Falcon are dispirited and lost.  However, finding a Rebel cell under attack prompts them into action.  Despite missing the man she loves, Princess Leia is determined to rescue him and revive the Rebel Alliance by any means necessary.  At the same time, reluctant Rebel recruit Lando Calrissian attempts to make himself useful, despite mistrust from everyone around him.  Finally, Luke Skywalker, after losing a hand and finding out the horrible truth of his parentage is in shock.  Worse, his meeting with Vader appears to have damaged his connection to the Force, and neither of his masters will appear to talk to him.

Star Wars (2020) #2 Cover2

As the Rebel Alliance seeks a way to survive, each of these players, with the help of Chewbacca, C-3PO and R2-D2, begin the next stage of their journey.  As Luke seeks a lightsaber, Leia looks to find a way to save Han and Alliance, while Lando looks for redemption in all the wrong places.  All their journeys lead the back to the scene of one of the worst moments of their past, Bespin.  But how far will Luke, Leia and Lando go to achieve their goes, and will they be able to survive the dangerous enemies chasing them?

This is an outstanding and intense Star Wars comic that does a wonderful job of setting up a brand-new series of exciting adventures.  Charles Soule, who has written some of the best Star War comics out there, creates an exceptional and captivating tale that highlights the tragic consequences of The Empire Strikes Back.  Featuring some incredible artwork, amazing big moments, and a perfect portrayal of some of the iconic original trilogy cast, this is an outstanding and awesome comic.

Star Wars (2020) #3 Cover

For this cool first volume in the Star Wars (2020) series, the author has come up with an extremely compelling and clever multi-part narrative that I deeply enjoyed.  The Destiny Path has a strongly character-driven story, following Luke, Leia and Lando as they attempt to recover from the traumatic events of The Empire Strikes Back.  The narrative starts right after the heroes escape from the Cloud City at Bespin (technically before the closing scene of The Empire Strikes Back) and places the shell-shocked characters right in the middle of a firefight against an intriguing new foe.  The next stage of the story contains an intriguing couple of sequences aboard the Rebel medical frigate, showing off some new angles to the film’s final scenes, while also following Lando and Chewie as they head to Tatooine to scope out Jabba’s palace.  This part of the narrative is very clever and exciting, especially as it paints Lando as a bit of a wildcard, with unclear loyalties.  The next section of the comic takes Luke, Leia and Lando back to Bespin, each for a different reason.  There are some high octane and emotionally rich comic issues here, especially as all three of the characters are forced to face up to their recent mistakes and losses, while also taking on the Imperial garrison stationed there.  All of this leads up to the final part of the book, which is primarily focused on Luke, who journeys to several distant planets following a vision to find a new lightsaber.  There are some really cool sequences here as Luke continues to battle his own personal demons (and a real one, but we’ll get to that later), before eventually coming away with an unexpected prize.  All these disparate storylines work really well on their own, but their real strength lies in the way in which they tie together perfectly throughout The Destiny Path.  You end up getting a fantastic story as you follow one major event to the next, and I liked the unique tales contained within each section.  All of this serves as an awesome and powerful start to the Star Wars (2020) series, and there are plenty of hints of awesomeness to come as the Rebels bounce back while Luke continues to grow as a Jedi.  Epic Star Wars storytelling at its best!

Star Wars (2020) #3 Cover2

There is no way that I can talk about The Destiny Path without geeking out about some of the cool and memorable Star Wars elements and references featured within.  I deeply, deeply enjoyed seeing the intriguing and dramatic aftermath of The Empire Strikes Back that Soule envisions here, especially as he took the time to explore the various traumas and consequences of the events at Bespin.  This was a fantastic heart of the entire volume which is going to appeal to all fans of the Star Wars franchise.  Other cool Star Wars moments that fans will love include the mysterious events occurring around the Skywalker lightsaber.  This lightsaber, which disappears at the end of The Empire Strikes Back and reappears in The Force Awakens, is a major item throughout the Star Wars canon and I liked seeing Luke trying to find it in the bowels of Cloud City, only for it to slip into another mysterious person’s grip.  It will be interesting to see what happens to that in the future, and foresee it being a fascinating narrative thread throughout this entire series.

In addition to these elements from the films, Soule also fits in a lot of other cool references and call-backs to previous Star Wars comics, especially ones that he has had a hand in.  The most obvious of these was the appearance of Verla, who Luke encounters while trying to find a new lightsaber.  Verla is a Force-sensitive woman who first appeared in The Burning Seas volume of Soule’s Dark Lord of the Sith comic series.  It was great to see that Verla survived, and Soule does a good job working her into this story, portraying her as the damaged and cynical former Jedi student who is just trying to survive.  Verla’s inclusion allows Luke to learn more about Vader, both as a Jedi hunter and a Jedi named Anakin, and it was interesting to finally see him learn about the Jedi purges, Order 66, and the Inquisitors.  I also noticed a lot of mentions about the High Republic in this volume.  I really should not be too surprised about this, especially as Soule is one of the leading creative minds behind the High Republic range, having written the first novel in the series, Light of the Jedi.  It looks like Star Wars (2020) is going to rely on several events from the High Republic books, and I am intrigued about how Soule will work them into his cool story.  All of these Star Wars elements are extremely cool, and I think that they will deeply appeal to every fan of this franchise.  While mega fans are obviously going to love some of the more obscure references that Soule fit into this comic, this series is also very easy to enjoy if you have a more basic knowledge of Star Wars.

Star Wars (2020) #4 Cover

I do have to quickly highlight that one of my favourite parts of this entire comic is one of the final sequences in the volume.  In this sequence, Luke visits an abandoned Jedi temple which is filled with a mound of untouched treasures, including a lightsaber which he desperately needs.  However, it turns out that this entire building is a trap (Luke was warned, to be fair), as he is quickly attacked by the ghost of the Grand Inquisitor.  The Grand Inquisitor is an awesome character who served as the main antagonist of the first season of the Star Wars Rebels animated series.  Soule has previously utilised him in his Dark Lord of the Sith comic series, especially the first two volumes, Imperial Machine and Legacy’s End, but this current comic is set after his death in Rebels.  There are so many cool elements to the Grand Inquisitor’s return in this comic, including a fantastically drawn fight between him and Luke, where Luke encounters a double-bladed lightsaber for the first time, and I loved the Grand Inquisitor’s fiery, spiritual appearance.  However, the best part of this whole unique inclusion was the characters final interaction with Darth Vader.  Here it is revealed that Vader is the one trapping the Inquisitor’s spirit in this world, using him as a tool and a trap.  When the Inquisitor begs Vader for his release, Vader refuses, as the Inquisitor still has use to him.  The forlorn spirit starts to fade, but not before sadly uttering “there are worst things than death”.  This is an outstanding call-back to the character’s final words in Rebels, and it was so cool to see his morbid prediction come to pass.  This whole sequence really pushed The Destiny Path up a level for me, and I love how the creative team worked this into this fantastic and awesome comic.

Easily one of the best parts of this entire comic is the creative team’s portrayal of the iconic Star Wars characters who serve as the main protagonists of this amazing first volume.  Soule has done an incredible job writing a character-driven narrative around these protagonists, and I love his in-depth examination of their psyches and actions following The Empire Strikes Back.  The author pulls together some great storylines around these characters, and I loved seeing what amazing adventures they went on between these two films.

Star Wars (2020) #4 Cover2

One of the main characters explored during this book is the original Star Wars hero, Luke Skywalker.  Now, Luke is going through a lot at this point, having just had his hand chopped off and learned that his father is Darth Vader.  Luke spends most of the first part of the novel absolutely traumatised by these events and ends up doubting himself while also concealing this revelation from his friends.  To compound his issues, Luke finds his connection to the Force somehow damaged or fractured, as neither of his masters, Obi Wan Kenobi and Yoda, are reaching out to him.  This results in a more scattered Luke, and I loved the way that Soule dove into his damaged mindset.  There are some great and powerful moments throughout this comic that show off Luke’s trauma, as well some dramatic moments when he lashes out uncontrollably with the Force.  After receiving some visions and engaging in a hunt for a new lightsaber, Luke starts to come to terms with the events surrounding him, and it is great to see him recover somewhat, including by learning more about his father.  This slight reconciliation with his identity enables Luke to regain his control over the Force, and there are some very cool scenes where he uses his powerful and advanced abilities against the Empire.  Overall, this was a pretty spectacular look at Luke, and I really appreciated the cool story that Soule spun around him.  It will be interesting to see what is going to happen to Luke in the future entries of this comic, especially as he continues along his journey to become a full-fledged Jedi.  It will also be cool to see more of Luke’s new yellow lightsaber, which was an intriguing decision by Soule which I think is going to really pay off.

Star Wars (2020) #5 Cover

In addition to Luke, a lot of the story focuses on Leia.  Like the rest of the characters, Leia is pretty traumatised, as she discovered her love for Han only to lose him in seconds.  While at times she seems in control, especially as she works to salvage the Rebels fleet, she is clearly still impacted by this loss.  As a result, she desperately attempts to find a way to save him from Boba Fett, even if that means risking herself and her friends.  Her recklessness leads her back to Bespin with the others as she attempts to find more about the carbonite freezing process.  While Leia’s arc is possibly the least interesting (which isn’t a criticism; it’s just the other two main characters have some outstanding stories), she does have some great moments in this comic, and I especially loved the visual of her also trapped in carbonite.  It was also great to see more of badass Rebel leader Leia in this comic as she steps up and takes charge to protect those around her.  I imagine that the creative team have some great ideas for Leia in the future and I cannot wait to see what they are.

The other main character of this volume was the flashy and charismatic rogue, Lando Calrissian, who finds himself stuck with the other protagonists after helping them flee from Bespin.  Despite his attempts to do the right thing at the end of The Empire Strikes Back, Lando is still not trusted by anyone, as they blame him for his betrayal and the loss of Han.  As a result, Lando attempts to find some form of redemption with them, although he mostly comes across as a self-centred bastard.  Soule works a really intriguing storyline around Lando, and I loved seeing his meeting with Jabba the Hutt as he makes some initial inquiries into Han’s location.  Lando is able to talk his way out of a meeting with Jabba, although the reader is left wondering whether he plans to sell out the Rebels.  This nicely leads into his storyline on Bespin as he accompanies Luke and Leia back there.  It was great to see Lando returning to his city, especially as he manages to con his way through a range of different Imperial obstacles, and he was fully in his roguish element.  While Lando appears to return to Cloud City for selfish reasons, such as throwing a big middle-finger to the Empire, his jaunt does awaken his inner hero a little, and you get a glimpse of the person we eventually see in Return of the Jedi.  Lando is easily the most entertaining character in the entire comic and most of The Destiny Path’s humour is derived from his interactions with most of the other characters.  He is a very funny character, and it was great to see so much focus on him after barely featuring in the last stage of Star Wars comics.  I look forward to seeing what Soule and the creative team have for him in the future, and I think he is going to be the MVP character of the entire series.

Star Wars (2020) #5 Cover2

Aside from the three main characters above, The Destiny Path also includes a great range of other characters from various points in Star Wars history.  Like its precursor comic, Star Wars (2020) also follows Chewbacca, C-3PO and R2-D2, although I think these three great characters were a little overshadowed by Luke, Leia and Lando in this volume.  Chewie does have a bunch of fun moments throughout the comic, mostly in his interactions with Lando, and it is entertaining to see him be forced to deal with the cocky former friend.  R2-D2 does have a great sidekick time with Luke, and it was always fun to see him save the mighty Jedi’s life again and again.  There is also an interesting focus on a couple of new or lesser-known characters.  For example, it looks like Soule is going to spend a bit of time following Kes Dameron and Shara Bey, the parents of a certain Poe Dameron.  The Destiny Path also introduces an intriguing new antagonist in the form of Commander Zahra, a fanatical Imperial officer placed in charge of eliminating the remnants of the Rebel Alliance.  Zahra is tactical genius who I understand is going to have a major role in some upcoming comics.  This volume proves to be an excellent introduction to this cool new character, especially as it establishes her dangerous intelligence, murderous mentality and the insane grudge she bears against Leia, all while she commands the unique Star Destroyer, Tarkin’s Will, which still bears scars from being hit by wreckage of the original Death Star.  Zahra proves to be an outstanding antagonist, and I cannot wait to see what deviousness and insanity she brings to the rest of the series.

I definitely need to highlight the incredible and eye-catching artwork that was an outstanding and memorable feature of this awesome comic.  The artistic team behind this comic did an amazing job from start to finish, and every page was a visual treat for the eyes.  While all the art in this comic is great, there are a few things that really stood out to me, such as character design.  The artists do such an incredible job capturing the main characters throughout this comic, especially in the first issue where all their post-The Empire Strikes Back pain and emotion is on full display.  It was uncanny how similar these characters looked to their portrayal in the film, and it is a testament to the artists’ amazing ability.  There are also several awesome combat sequences scattered throughout the comic and I loved the way in which the art brought them to life.  A particularly good example of this was the opening space battle between the Empire and a small Rebel fleet.  The artists come up with an incredible background for this fight, which takes place between a sun and a concentrated barrage of green turbolaser bolts, which are being used to fence the Rebels in place.  This was so visually pretty, and it really enhanced the cool story and fighter combat that was taking place in front of it.  I also deeply enjoyed the way in which the artists have recreated several key scenes from The Empire Strikes Back.  These scenes, which include Luke losing his hand, finding out that Vader is his father and Han giving his iconic “I know” to Leia, are scattered throughout key parts of The Destiny Path.  Not only are these cool visually, but they are also clever from a writing point of view, dragging the readers back to the emotional impact of these events and driving how much they are still sticking in the mind of the protagonists.  I cannot overstate how awesome this art is and I had an absolute blast seeing every explosion, Force burst and clever flashback that they were able to fit in.

Star Wars (2020) #6 Cover

Well, if the above multi-page rant above didn’t give it away, then I’ll say it clearly here: this comic is incredible!  Soule, Saiz and the other talented artists have done an amazing job with this first volume of the Star Wars (2020) series, and The Destiny Path is an epic and awesome read.  I loved the in-depth examination of these key characters after The Empire Strikes Back and there are so many cool Star Wars elements worked into the story.  This is one of my favourite Star Wars comics and it gets a full five-star rating from me.  I cannot wait to see what extraordinary stories and powerful artform this fantastic creative team comes up with next and I need to order the next volume in now.

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Throwback Thursday: Dogs of War by Jonathan Maberry

Dogs of War Cover

Publisher: Macmillan Audio (Audiobook – 25 April 2017)

Series: Joe Ledger – Book Nine

Length: 17 hours and 45 minutes

My Rating: 5 out of 5 stars

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For this week’s Throwback Thursday, I check out Dogs of War by Jonathan Maberry, the 9th novel in the action-packed, over-the-top Joe Ledger series.

People familiar with my blog will be aware that over the last year or so I have been making my way through Maberry’s Joe Ledger science fiction thriller novels.  I have been a little obsessed with these books ever since I first checked out the 10th novel in the series, Deep Silence, and then went all the way back to book one, Patient Zero, to see how the series started.  Ever since then I have worked my way through the rest of the Joe Ledger novels, each of which has proven to be a pretty top notch read.  I absolutely love the clever writing style, unique stories and distinctive characters that Maberry features in these novels, and I usually power through them in extremely short order.  Dogs of War is no exception, as I was able to get through this in less than a week and it did not take long for me to get addicted to its intriguing and exciting plot.

Following the disastrous events of Kill Switch, the Department of Military Sciences (DMS), a secret American counterterrorist unit that focuses on dangerous and unusual technology and science, is damaged and discredited.  However, they are still determined to do good throughout the world, and their main field agent, the legendary Joe Ledger, is always keen for a new case.  So when his brother calls him out of the blue with an unusual mystery, Ledger does not hesitate to head back to Baltimore in order to investigate.

Arriving in his former hometown, Ledger discovers a curious set of circumstances.  A young street worker went on a rampage, killing several people before dying herself.  The cause of her madness appears to be a new strain of rabies, which was apparently triggered by nanobots in her brain.  Attempting to investigate more into the case, Ledger finds himself and his family targeted by ruthless killers with advanced technology, determined to ward him off the case.  It soon becomes apparent that the death of the young girl in Baltimore is just the tip of the iceberg, as other mysterious events and attacks occur across America, many of them targeting members of the DMS.  A new enemy has risen from the ashes of the DMS’s old foes, and she is determined to bring about a new world order.  Worse, the DMS’s most dangerous enemy has returned, ready to rain chaos and destruction down on the entire world.  Can Ledger and his team defeat this ruthless team of villains before it is too late, or will Ledger face the greatest tragedy of his life?

So, after reading all 10 Joe Ledger novels (as well as the spinoff novel, Rage), I have come to the conclusion that is actually impossible for Maberry to write a bad Joe Ledger novel.  I was once again blown away while reading this ninth book as Dogs of War contained an epic and addictive story that I could not stop listening to.  Maberry continues to utilise his distinctive writing style in this book, setting up a captivating and clever story that is loaded with intense action, likeable characters, memorable antagonists and a devious plot to end the world.  This results in a very captivating read and Dogs of War gets an easy five stars from me.  This is actually one of my favourite novels in the series and is probably the best one I have read this year (by a very small margin; Predator One and Kill Switch are both really good).  Also he briefly mentions my Alma mater, ANU, so yay for that!

Dogs of War contains an absolutely fantastic story that sees the fun and complicated protagonist, Joe Ledger, face off against another world ending threat.  Just like in the rest of the series, Dogs of War’s narrative is cleverly constructed with about half the novel is told from the point of view of Ledger, as he encounters the antagonist’s plot in real time.  However, the rest of the novel features a large array of alternate perspectives and preceding time periods that expands the range of the story and helps to create a complex and captivating narrative which really grabs the reader’s attention and interest.  Maberry backs up this great storytelling with a thrilling and action-packed narrative that is fast-paced and delightfully over-the-top.  I really love the unique science fiction thriller storylines that Maberry features within Dogs of War and I appreciated all the cool connections that it has to previous novels in the series.  This cool story will appeal to a wide range of different readers and it is extremely accessible to people who are unfamiliar with the Joe Ledger series as Maberry goes to great lengths to explain all the various story elements and characters featured within the book.  That being said, I really need to emphasise just how truly over-the-top this story could be, as there are a number of scenes that some readers may find uncomfortable or hard to read.  This includes some very graphic fight sequences and some rather disturbing sexual content, some of which, if I am being honest, is way too excessive (one flashback scene features the underage antagonist getting deflowered by a literal demon right after her mother’s funeral, which happened to coincide with 9/11).  Still I have a lot of love for the way in which Maberry constructs a Joe Ledger story, and Dogs of War is a truly fun and thrilling story as a result.

Just like with the previous novels in this series, Maberry has anchored his amazing story on a fantastic collection of characters who really help to enhance the narrative and turn this into a first-class read.  The main character is the series’ titular protagonist, Joe Ledger.  Ledger is an extremely complex character due to his fractured personalities and intense emotional range, and it is always incredible to see the story through his eyes, whether he is feeling each and every emotional blow that comes as way as a result of the case, or he is dishing out severe and brutal vengeance to those who have wronged him.  Ledger is also the cause of most of the book’s enjoyable humour, as he has an extremely flippant outer personality, including a hilarious and sarcastic inner monologue, which becomes especially funny when he encounters the various strange and over-the-top elements that this series is known for.

In addition to Ledger, Maberry also does an amazing job reintroducing and utilising the various recurring characters who have been featured in the previous entries in the series.  All of the side characters have their own distinctive and enjoyable personalities, and fans of the series will really appreciate seeing many of these characters return and continue their various individual storylines.  This includes the two surviving members of Ledger’s personal strike team, Top and Bunny, who serve as a great backup throughout the novel and get into some dangerous scrapes of their own.  I particularly appreciated the way in which the author examined and showcased the emotional damage that these two characters have been dealing with since the traumatic events of Kill Switch, and it added an amazing sense of realism to the story.  I also absolutely loved seeing more of Ledger’s attack dog, Ghost, the best and most lovable canine killing machine in all of fiction.  It is an absolute testament to Maberry’s writing ability that he is able to install such a fun and memorable personality into a fictional dog, and you can’t help but love it when Ghost is on the page doing his thing.  That being said, one of the best characters in the novel has to be the mysterious head of the DMS, Mr Church.  Church is a calm and measured figure throughout the novel, grounding the various main characters and providing stable leadership to them.  However, the main appeal of Church lies around his enigmatic nature and past.  Maberry has built up such an amazing amount of mystique around this character that anytime a little hint or mention of his past is presented the reader absolutely laps it up as they try to figure out who or what he is (is he an alien, an angel, some form of immortal hero from history? You just don’t know).  Dogs of War features several more tantalising hints and clues about this, and you get some very interesting glances into his past, although there is still so much mystery.  I really loved seeing all these great characters again, and it was fantastic to see how the story unwinds around them.

No Joe Ledger novel would be complete with a sensationally evil villain with a complicated past and an elaborate master plan, and Dogs of War features both in spades.  The main antagonist of this novel, Zephyr Bane, is a rather intriguing character with a unique view on the world and a range of connection to some of the villains previously featured in the series.  Maberry does an outstanding job building up this antagonist throughout the course of Dogs of War, including through a series of interludes that show key moments in Zephyr’s life, such as how she came up with her plans and how she was tutored in the art of villainy.  While Zephyr is a great antagonist, Maberry doubles down on the villainy in the novel by introducing another sinister opponent for the DMS to face.  This second antagonist is someone who has appeared in several of the past Joe Ledger novels, although his identity is hidden for a good part of the book (although fans of the series will work out who they are rather quickly).  This character is another particularly mysterious being, who spends most of the book manipulating events from the shadows, giving the reader hints at who they are and what they are capable of.  A major highlight of this novel is this villain’s long-awaited showdown with a major Joe Ledger character, and this fated interaction does not disappoint, even if it leaves the readers with more questions than answers.  Overall, these are some fantastic antagonists, and I absolutely love seeing the outrageously evil opponents that Maberry comes up with for these books.

I also have to highlight the extremely complex and intricate evil plot that these antagonists came up with for Dogs of War.  This was a great, high-stakes plan that contained a lot of different elements that are slowly revealed to the reader throughout the course of the book.  Not only does Maberry make great use of flashbacks and interludes to show how this plan came to pass and the various planning stages but he also spends time examining how the antagonists attempt to counter the inevitable interference from the DMS.  Both of the main antagonists have had interactions with the DMS before, and they know that any plan they implement will gain the attention of the DMS at some point.  As a result, they come up with a number of counters and tactics designed to directly target key elements of the DMS in order to take them off the board.  This was a really clever part of the story, as not only does it add an extra level of drama to the narrative, especially when Ledger is emotionally targeted, but it also represents a clever bit of continuity with the rest of the series.  A lot of the weaknesses that the antagonists attempt to exploit were previously introduced or discussed in some of the previous Joe Ledger novels.  The antagonists subsequently try to learn from the mistakes of their predecessors when they utilise these weaknesses, resulting in a lot of tension as some of the characters you are invested in are personally targeted.  I think this was one of the more inventive master plots that Maberry has come up with for the Joe Ledger series.

One of the most fascinating parts of Dogs of War was the author’s examination of certain real-world technologies.  Throughout the course of the book, the author examines all manner of technological marvels in great detail, including nanobots, advanced robots, drones, computer technology and artificial intelligence.  This results in a number of intriguing discussions as the various characters consider all the applications and impacts that such technology has on the world, these technologies are then cleverly worked into the plot of the book as the antagonists utilise them for their evil plans.  Not only is this immensely interesting and highlights the research that the author has obviously done, but all this technology adds a certain amount of real-world menace to the book.  As Maberry takes pains to explain at the very front of the book, all of the technologies that he features within Dogs of War is either in development, currently being tested or already exist in the real world.  As a result, the reader gets a little bit of dread at the thought that a lot of the terrible things that Maberry features within Dogs of War could happen in real life.  This of course helps to ratchet up the tension and suspense within the novel, and I really appreciated how the author used this to make the story even better.  Also, you get to see the protagonist go up against a bunch of robotic dogs, which is just awesome on so many levels.

In order to enjoy Dogs of War I checked out the audiobook format of the novel, which has a decent run time just short of 18 hours.  I absolutely love the Joe Ledger audiobooks and they are by far my preferred way to enjoy these fantastic novels.  The main reason for this is the awesome narrator, Ray Porter, who has lent his talent to every novel in the Joe Ledger series, including Dogs of War, and whose voice really enhances these books.  Porter, who is probably my favourite audiobook narrator at the moment, does an amazing job bringing the characters and the story to life, thanks to his memorable voices and the impressive way that he loads each word with so much emotion and personality.  You always get an incredible sense of the character’s emotions, as the anger, rage, fear or grief that they go through always comes through so clearly.  I particularly love the way that Porter brings the series’ main character, Joe Ledger, to life, as he perfectly captures Ledger’s diverse emotive range, including his boundless anger and his outrageous and sarcastic humour.  I also love the incredible voices he utilises for some other characters, such as the mysterious Mr Church, and his depiction of him contains all the necessary gravitas and power to match the character described in the text.  I also liked the way in which Porter loads one of the antagonist’s voices up with such pure menace and hatred, turning them into a very threatening figure in this format.  All of this made listening to Dogs of War an absolute treat, and I cannot recommend the Joe Ledger audiobooks enough.

Dogs of War was another excellent and addictive entry in Jonathan Maberry’s Joe Ledger series, and I had an amazing time listening to it.  Featuring an outstanding story, awesome characters and so many other fantastic elements, this was an incredible read and I am extremely glad that I checked it out.  I have to admit that I am actually a little sad to have finished off Dogs of War, as that was the last Joe Ledger novel that I had to read.  I have really enjoyed going back and checking out all of the wonderful novels in this superb series, and I will have to get my science fiction thriller fix somewhere else in the future.  Luckily, Maberry actually references several other great series in Dogs of War that could be worth checking out, including the Sigma Force, Seal Team 666 and Chess Team thriller novels, all of which apparently exist in a shared universe with the Joe Ledger books.  I will have to have a think about look at some of these in the future, especially as I wait for Maberry to write another entry in his spin-off Rogue Team International series.  In the meantime, Dogs of War is really worth reading and it comes very highly recommended from me.

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Throwback Thursday: Usagi Yojimbo: Volume 7: Gen’s Story by Stan Sakai

Usagi Yojimbo Gen's Story

Publisher: Fantagraphics Books (Paperback – 1996)

Series: Usagi Yojimbo – Book Seven

Length: 187 pages

My Rating: 5 out of 5 stars

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Reviewed as part of my Throwback Thursday series, where I republish old reviews, review books I have read before or review older books I have only just had a chance to read.

For this week’s Throwback Thursday, I once again dive into the wonderful world of Usagi Yojimbo and review the seventh volume of this incredible ongoing comic series, Gen’s Story. I have been really enjoying going back and reviewing the older volumes of this fantastic comic by legendary writer and artist Stan Sakai, and this seventh volume is another excellent addition to the series that I always have a terrific time reading.

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Gen’s Story is an amazing example of a Usagi Yojimbo volume, which contains several short stories, each of which shows a unique tale set within the series’ clever version of feudal Japan populated with anthropomorphised animals. Each of the individual stories in this volume is rather good, and together they form a fantastic volume that not only introduces a recurring side-character but which also explores the backstory of another key character and serves as a perfect end note for one of the series’ best character arcs. This volume is made up of issues #32-38 of the Fantagraphics Books run on Usagi Yojimbo, as well as a story from Critters #38, which makes Gen’s Story a tad longer than a typical volume. All of these issues make for an awesome read, and Gen’s Story is another excellent addition to the Usagi Yojimbo series.

The first story contained within this volume is the fun and enjoyable tale, Kitsune. In this story Usagi encounters a talented street performer, Kitsune, who entertains the crowd with the tricks she can perform with her koma (spinning tops). However, Kitsune is much more than a simple entertainer; she is also an extremely skilled thief and pickpocket who manages to take Usagi’s purse without him realising it. This forces Usagi to stay late at an inn, washing dishes to pay for his meal, which results in him witnessing and intervening in an altercation between a notorious gambler and some local gangsters. Deciding to help the gambler under the mistaken belief that he is an innocent merchant, Usagi attempts to escort him out of town, where the two encounter Kitsune again just before the gangsters attack, leading to a fight in the streets.

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Kitsune is an entertaining story that works well as a suitably light-hearted start to the entire volume (get a fun story in before the feels start). The whole of this story is really amusing from the very start, and it contains some great comedy elements, from Usagi getting taken advantage of by Kitsune and the way he doesn’t initially realise that the person he is helping out is the same gambler who previously led a mob against him in A Kite Story, which was part of the fifth volume, Lone Goat and Kid. This leads to a great scenario where the gambler is forced to rely on Usagi for protection, while silently hoping that he will not remember who he is or what he previously did. Of course, Usagi eventually figures out who he is, thanks to the gambler’s boasting, and this results in a great end to the whole farcical tale. This issue also serves as an excellent introduction to the character of Kitsune, who goes on to become a major recurring figure within the Usagi Yojimbo stories. Sakai does a fantastic job showing off Kitsune’s personality and skills as a thief throughout this story, and I also love all the cool drawings he does of Kitsune’s various tricks with the spinning tops. Kitsune’s entire arc throughout this story is great, and I love how Usagi was able to get even with her at the very end, which is a fun prequel to all their future encounters. The combination of an entertaining plot, a great character introduction and an enjoyable call-back to a previous story helps to make Kitsune an excellent first entry in this volume, and I had an amazing time reading it.

The second story in this volume is the short entry Gaki. Gaki is quick and amusing story that follows a young Usagi back when he was a student under the tutelage of his sword master Katsuichi. After one of Katsuichi’s typical lessons, which sees Usagi receive a smack to the head, Usagi attempts to retaliate, striking a blow that seemingly kills his master and causes his ghost to start haunting Usagi. Of course, it ends up being a whole big misdirection, but it results in a fun sequence in which young Usagi is chased by a vengeful spirit, which all leads to a humorous conclusion. The highlight of this quick tale has to be the amazing drawings of the vengeful spirit and the pure terror that appears on the face of the young Usagi, all of which are way out of proportion to Gaki’s rather innocent story. All of this makes for an entertaining second inclusion in Gen’s Story, and it, together with the first story, provides readers with a fun start to this volume.

Critters 38

The third story is where we start getting to the heavier narratives of this volume, as the reader is treated to the supernatural tale, Broken Ritual. This story sees Usagi walking late at night through a small village filled with an unnatural amount of fear, especially after a loud and terrifying wail breaks the silence. Talking to the townsfolk, Usagi learns that the village, which is located close to the site of the battle of Adachi Plain, is haunted by one of Usagi’s old comrades, General Tadaoka, who died following the battle in the midst of an incomplete seppuku ritual. Now, due to the shame of having a dishonourable death at the hands of an unworthy and unnamed enemy, Tadaoka’s spectre appears in the spot where he died each full moon, letting out a wail of anguish. Upon hearing this tale, Usagi decided to try and help end the suffering of his former comrade and manages to help the spirt pass peacefully by successfully performing the seppuku ritual on the ghost.

Broken Ritual is an impressive and gripping story of honour and duty which is easily one of the best inclusions in this volume. This is one of those stories that really sticks in the reader’s mind, and the whole concept of samurai honour, even from beyond the grave, is a really fascinating central plot aspect. I loved the exploration of the seppuku ritual, and the supernatural elements of this story play into this really well, as it highlights just how important an honourable death is to a samurai like Tadaoka, so much so that he came back from the grave to ensure it was done properly. Sakai’s art is in top form for this volume, and his outstanding depiction of a wartime seppuku ritual is absolutely incredible. The intense facial expressions of Tadaoka during the seppuku scenes are particularly enthralling, and Sakai does a fantastic job of showing the pain and concentration that would have been on such a person’s face. All of this leads to a deeply captivating story, and it is amazing the sort of gripping tale Sakai can spin together in single issue.

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The fourth story in this volume is the shorter story, The Tangled Skein, which is the story that was originally featured in Critters #38. This is a creepy, quick story that follows Usagi in the immediate aftermath of the battle of Adachi Plain. Fleeing from the victorious troops of Lord Hikiji, Usagi attempts to hide in a dark forest known as The Tangled Skein, which is rumoured to be filled with all manner of haunts. Naturally, Usagi runs into one of these haunts, a demon disguised as a helpful old lady, and he must try to escape her clutches with help from the most unlikely of sources. This was an awesome supernatural storyline that I quite enjoyed, especially as the story once again highlights some of the philosophies surrounding samurai honour and what duties a samurai has to his lord, and vice versa. Fast-paced, exciting and with a surprisingly poignant moral to its story, The Tangled Skein is great entry to the volume, and I am glad that Sakai included it.

The next story in this volume is simply call Gen, and it is the major storyline contained within Gen’s Story. Made up of three Usagi Yojimbo issues, this is an excellent story of revenge and obsession that also continues the theme of the last few stories by looking at samurai honour and obligation. This story also reveals the full backstory of the always amusing and enjoyable recurring side character Gen and shows how he came to be a bounty hunter. The story is broken into three separate parts by issue, with the first part called Lady Asano’s Story, the second part called Sins of the Father and the third and final part titled Lady Asano’s Revenge.

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Naturally, Gen revolves around the character Gen, who Usagi once again meets out in the wilds, and helps him claim his latest bounty. Recovering from this fight in a nearby town, Usagi shares a meal with a destitute noblewoman and her retainer. The noblewomen, Lady Asano, is on the hunt for her husband’s murderer, a former advisor who betrayed him for great reward, and her exhaustive 20-year long quest has left her poor and on her own. The story is interrupted by the arrival of Gen, who is revealed to be the son of the great General Murakami, the most revered retainer of the Asano clan, and whose family owes allegiance to Lady Asano. Gen, bitter at the years his hard and disciplined father spent dragging him and his mother around the countryside hunting the murderer, an event that led to the death of Gen’s mother and Gen becoming a bounty hunter, refuses to help Lady Asano. However, once Lady Asano and Usagi are captured by the murderous advisor, revealed to be the town’s magistrate, Gen attempts to help, leading to an emotional and violent confrontation.

This was another excellent story that had a number of fantastic elements to it. It was great to finally get Gen’s backstory revealed, as Gen promised to tell his story all the way back in the second volume, Samurai. This was actually a rather tragic backstory for Gen, and I really liked seeing it, especially as it fits in really well with Gen’s character, not only explaining why he is so eager to fight for money but also why he is so dismissive and distrustful of honourable samurai, who must remind him of his father. Sakai makes sure to wrap up Gen’s personal history rather well within this story, as Gen gets some closure with his father towards the end of the story in one of the few instances that we see a really serious and emotionally wrought Gen. I also liked how Sakai continued to explore the concept of samurai honour within this story, especially the obsession and hurt that it can cause. We got to see the negative impacts that having an extremely loyal and honourable samurai as a father had on Gen, and Sakai also focused on the obsession for revenge and redemption that existed within Lady Asano, which not only drove her into poverty but also gave her the strength to finally get her revenge. The sequence where the dying Lady Asano slowly advanced towards the target of her wrath was pretty intense, and she almost appeared demonic as she slowly moved to get her revenge. Other cool highlights of the story include the huge pitched battle that occurred between the protagonists and their opponents’ retainers in the magistrate’s compound, and the continued fun banter between Usagi and Gen, which adds some much needed humour into this heavier story. Overall, this is an impressive and addictive expanded story, that achieves a lot of fantastic character development and which serves as an excellent focus of this entire volume.

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The next story contained within this volume is another lighter story, The Return of Kitsune. In this story, Usagi, who is accompanied by Gen, once again encounters Kitsune, who is up to her usual tricks of street performances and pickpocketing. This time, however, she accidently steals a valuable letter meant for a corrupt local merchant, and she is subsequently hunted through the streets until she runs into Usagi and Gen. Usagi and Gen was work together to save Kitsune from the merchant, even if they cannot agree on what the best course of action is.

The Return of Kitsune is probably one of the funniest inclusions in this volume. The highlight of this entry has to be the first meeting between the two fun side characters, Kitsune and Gen. These two characters play off each other extremely well, and you cannot help but chuckle at the exasperated expression on Usagi’s face as the Gen and Kitsune begin to flirt with each other. I also enjoyed seeing the opposing philosophies of Usagi and Gen clash throughout this story, as Usagi wants to intervene to save lives, while Gen wants to stay out of the whole thing and claims that Usagi is too nosey. This whole argument proves to be a rather entertaining part of the story, and it results in some excellent scenes towards the end of the story, especially when Usagi takes Gen’s advice about minding his own business and fails to tell his friend that Kitsune stole his purse.

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The final entry in this volume is the outstanding narrative, The Last Ino Story, which serves as the last appearance of one of the best recurring characters to appear in the earlier volumes of this series. In The Last Ino Story, Usagi and Gen are taking one of Gen’s infamous shortcuts late at night and find themselves ambushed by bandits while traversing a narrow path along the side of a cliff. Managing to outsmart their attackers, Usagi and Gen seek shelter in a nearby abandoned hut, where they find themselves confronted by a young woman who is attempting to defend her wounded husband. Able to make their way inside, they find that the woman’s husband is none other than the Zato Ino, who has settled down and abandoned his violent ways after his last encounter with Usagi and Gen. Gravely wounded by the same bandits Usagi and Gen encountered, Ino appears close to death and the two samurai must work quickly if they are to save him and ensure he gets to live the life he rightly deserves.

The Last Ino Story is an outstanding and emotionally rich story which is an amazing way to finish this entire volume off. This last entry in this volume contains a great story in its own right, especially as it serves as a fantastic conclusion to one of the best character arcs in the series, that of Zato Ino. Ino was introduced all the way back in the first volume, The Ronin, as a blind outlaw who was trying to find a quiet place to settle down and rid himself of his life of violence, but whose efforts were constantly disrupted by his large bounty and the hunters chasing him. However, as the series progressed and Usagi kept meeting him, he grew as a character, from him gaining his first true friend in the third volume, The Wanderer’s Road, to him finally finding a home and family after the events of the fourth volume, The Dragon Bellow Conspiracy. This final appearance from him (and it is indeed the last time that you see him), serves as a perfect send off to him, as Usagi and Gen, the only two people who knew his past and gave him a chance, find out that he ended up having a the peaceful life he always wanted and has even more happiness on the way. As a result, this is a perfect story for those readers who got attached to the character of Ino through the first volumes of the series, and it was great to see his story come to a satisfying end.

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I also liked Gen’s character arc throughout this story, especially once he finds out that Ino was the injured man in the barn. Gen and Ino have a complicated past, as Gen was initially trying to hunt Ino down for his bounty during their first encounter, and Ino ended up saving his life. In order to repay him, Gen dragged the injured Ino out of the castle before it exploded and told everyone, including Usagi, that Ino had died, in order to ensure that the blind pig would no longer be hunted and could settle down. In this story, Gen, upon seeing the man he saved once again dying, loses his cool and begins to take his rage out on an owl that has been stalking him throughout the course of the book, which he sees as an omen of death. Watching Gen constantly run out into the rain to chase away an owl is amusing on the surface, but it also reveals his deeper feelings that he usually keeps hidden: “The one decent thing I did was give him his peace, and you won’t take it away!” His determination to keep Ino alive because of this is a real change from his usual behaviour, and it helps underline that deep down Gen is a good character, even if he reverts to his usual gruff self the moment he knows Ino is fine. I also liked how the whole saga with the owl ended up, and it was a fun little turn around on the bird being an omen of death. Other highlights of this story include the cool battle sequence towards the front when Usagi and Gen manage to climb up the cliff and face the bandits trying to kill them. The five panels which show this fight are really cool, from the way that the grim faced Usagi and Gen are framed in the moonlight, the close-up of the bandits faces as they charge, the shot of Usagi’s bloody sword, and the way the fight is only alluded to by the sound effects that have been written in, makes for a great sequence that I really liked. All in all, The Last Ino Story is a first-rate inclusion, and it leaves the reader with a memorable and emotionally substantial ending to this volume.

The seventh Usagi Yojimbo volume, Gen’s Story, is another incredible addition to this awesome and deeply enjoyable series. Each of the entries within this excellent volume are outstanding reads, containing complex characters, fantastic narrative arcs and Sakai’s impressive artwork. Gen’s Story gets another five-star review from me, and Stan Sakai has once again shown why he is one of my favourite creative minds.

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Throwback Thursday: Usagi Yojimbo: Volume 6: Circles by Stan Sakai

Usagi Yojimbo Circles

Publisher: Fantagraphics Books (Paperback – 1994)

Series: Usagi Yojimbo – Book Six

Length: 164 pages

My Rating: 5 out of 5 stars

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Reviewed as part of my Throwback Thursday series, where I republish old reviews, review books I have read before or review older books I have only just had a chance to read.

For this latest Throwback Thursday, after reviewing Lone Goat and Kid a couple of weeks ago, I am still in a Usagi Yojimbo mood, so I thought I would check out the sixth volume of this fantastic comic book series, Circles.

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Circles is another fun and exciting addition to this excellent series which I honestly cannot praise enough (although I have been trying very hard in my last several Throwback Thursday articles). This sixth volume once again presents the reader with several outstanding and inventive stories that chronicle the adventures of the rabbit samurai, Miyamoto Usagi, as he journeys around a unique version of historical Japan. This volume contains five separate stories, derived from issues #25 – 31 of the Fantagraphics Books run on the Usagi Yojimbo series, as well as a short story taken from Critters number #50 (a comic magazine that had some early Usagi Yojimbo appearances). There are some rather amazing stories featured within this volume, and I had an incredible time reading them.

The first story contained within this sixth volume is called The Bridge, which sees Usagi encountering a demon out of Japanese folklore. During a dark a stormy night, Usagi is entering a village from across a bridge when suddenly he lashes out with his sword behind him, convinced something is sneaking up on him. When he finds nothing there, Usagi shrugs it off and enters the nearest inn, only to learn from the villagers that the bridge he just crossed has been possessed by a demon, and Usagi’s back now bears the claw marks of the demon. Awaking next morning, the villagers find a severed monstrous hand on the bridge, which Usagi appeared to have cut off the night before. Taking the hand into the inn, Usagi and villagers wait for a priest to arrive in order to perform an exorcism on the severed limb, but the demon of the bridge has other plans.

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This was a rather good supernatural story that sees Usagi go up against one of Japan’s many demons and monsters. Several significant elements from this story are taken from the story of the demon of Rashomon Gate, including the severing of the arm and the demon disguising itself as an old woman to recover its severed limb (although unlike the samurai in the legend, Usagi doesn’t fall for it). The demonic antagonist of this story is rather sinister in its drawing style and methods of attack, and it proves to be a dangerous opponent for Usagi. I love the extended fight on the bridge, and I especially enjoyed the way that the whole event ended, providing a side-character in the story their moment of vengeance. Overall, this was a tight, well-written story that was a lot of fun to read.

The next story in this volume is titled The Duel, and, as the name suggests, it features some duels between samurai. Usagi arrives in a village and is challenged to a public duel by the local champion while the watching villagers place bets with a travelling bookmaker, a duel that eventually results in Usagi’s opponent’s death. Completing the duel, Usagi meets and has lunch with a fellow unemployed samurai, Shubo, who subtly takes his measure. It is revealed that Shubo, who is a talented swordsman, is in league with the bookmaker who manipulates the odds of Shubo’s duels in order to make money off the betters. Shubo, who needs the money to provide for his wife and child, believes that he can beat Usagi, and the bookmaker inflates the odds in Usagi’s favour so that they can clean up when Shubo wins. Forcing Usagi into a duel, the two engage in a quick fight to death, with tragic results.

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This was a really clever and captivating single story that Sakai did an incredible job writing. The whole story concept is just brilliant, and Sakai sets it up and executes the plot brilliantly. There are some amazing scenes throughout The Duel, and the story features an excellent mix of comedy and tragedy which work together amazingly to produce a gripping narrative. Usagi, as the reluctant participant of this duel, is pissed at the entire affair, and his outraged reaction to the town people cheering his victory is rather good, especially as the peasants show over-the-top fake remorse in order to get him to go away so they can collect their winnings: “We are lower than the scum at the bottom of a stagnant pool!” While there is some fun and well-deserved karma coming down onto the bookkeeper who overextends himself and tries to escape, nothing quite takes away from the tragedy of Shubo’s wife and young child. The final panel of this story is incredibly heartbreaking, as it shows the wife and child waiting just outside the village for him to return. But as the light in the sky gets darker and darker, you can see the worry start to work its way onto the wife’s face, until she breaks down completely in the final panel, fully realising that her husband is dead. The wife comes across as a massively tragic character in this story, and the major impact that this final page has is a testament to how amazing Sakai’s storytelling and illustrations are.

The third story in the volume is the rather short entry, Yurei, which is the story that appeared in Critters. In this tale, Usagi, who is camping at the edge of a river, awakens to find a Yurei, a ghost, floating before him. The ghost imparts her tragic story to Usagi; she was betrayed and murdered by her husband, and she now seeks justice. Usagi then awakens and finds a woman’s hairpin on the ground next to him. Thinking his encounter with the ghost was just a dream, he travels to a nearby inn and attempts to trade the pin for a meal. What he does not realise is that the innkeeper is the murderous husband from the ghost’s tale, and his discovery of the pin leads to a series of deadly events. This was a good, fast-paced story which tells a compact and intriguing tale. I loved the supernatural elements in this story, and it was interesting to see Usagi portrayed as a tool of fate, who wonders into some ghostly revenge without even realising it. This was a fantastic short entry in this volume and was great to check out.

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The next entry in Circles is an entertaining and over-the-top tale titled My Lord’s Daughter. In this story, Usagi, who is telling a bedtime tale to children, is shown as the classic hero from Japanese legend, fighting through vast hordes of demons, monsters, and obstacles to rescue a beautiful princess from an Oni. This was a fun take on some of the traditional Japanese heroic legends, and it was cool to see Sakai draw a classic tale with Usagi as the protagonist. Sakai has some obvious fun setting the Usagi hero fearlessly against armies of demons and monsters, and he comes up with some clever fight sequences and scenes in this book, from a brutal duel with an Oni, to an underwater battle between Usagi, a shark and a giant octopus wielding several swords in its tentacles. This is an entertaining and exciting story, and I had a good laugh at the end reference to Sakai’s old comic, Groo the Wanderer.

Now let us get to the fifth story of this book, which is kind of the main event of the entire volume. This is a big story, told across four issues, titled Circles. This story follows Usagi as he returns home for the first time since the events of volume one, The Ronin. There are actually a couple of distinctive parts to this story, especially the first issue, which is somewhat separate from the rest of the story (with the exception of some build-up at the end). For this first part, Usagi, on his way back home, decides to stop at his old master’s house to pay his respects to the grave marker of Katsuichi, the man who taught him how to wield a blade. The story then shows a flashback, which serves as a continuation to part of the origin story Usagi told in the second Usagi Yojimbo volume, Samurai, about Usagi’s past. In the flashback, it is shown that Usagi’s master was ambushed and seemingly killed by members of the Dogora Fencing School after Usagi beat their students in a tournament. However, upon arriving at Katsuichi’s old house, he discovers that his master is still alive, having survived the ambush, and has taken on a new student. I liked this revisit of Usagi’s origin story with Katsuichi, although the whole death scene in the flashback comes a little bit out of nowhere. Still, it was interesting to see how much Usagi has matured since he was learning the way of the sword, and it was nice to see the teacher and student reuniting. The flashback sequence is also top quality, and Sakai illustrates up a storm in this one, showing a fierce battle and some intense emotions from Usagi, who goes from a full-on berserker rage as he gets his revenge on his master’s killer to an intense grief in just a few scenes.

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The story then continues as Usagi journeys back to his village, only to be confronted by his old childhood rival, Kenichi. It turns out that Jotaro, Kenichi’s son with Usagi’s former love, Mariko, has gone missing, and bandits are roaming the area. While Usagi and Kenichi are able to defend their town from a raiding party, the attackers reveal that Jotaro has been kidnapped by the bandits and are holding him hostage. Leading an army of local peasants against the bandit’s hideout, Kenichi and Usagi hope to rescue Jotaro and end the raids that have been plaguing them. However, what they do not realise is that the bandits are being led by the deranged and dangerous former adversary of Usagi, Jei, a mysterious and seemingly unkillable murder with a black blade, who hopes to use Jotaro to get his revenge on Usagi. But even Jei is not the most dangerous thing that lies ahead, as old resentments between Usagi and Kenichi, their shared love for Mariko and certain revelations may tear everything apart.

Wow, I have to say that the final three issues of Circles are just incredible. There is so much to unpack from them, as Sakai brings together a brilliant and powerful story. First of all, it was great to see Jei return as a villain once again. Jei, who was introduced in volume 3, The Wanderer’s Road, is an outstanding antagonist, and his continued feud with Usagi is just brilliant. The two engage in a fantastic and extended duel in this story, and Sakai did a fantastic job showing off each combatant’s skill and martial ability through his drawings. I also love the extensive battle between Kenichi’s peasant army and the bandits, which proved to be rather eye-catching. Not only is there a beautifully drawn sequence in the misty forest before the big battle in which Usagi does a great Jei impersonation to scare a bandit sentry, but Sakai illustrates a massive battle between the two forces. The massive single panel that shows the pitched battle is just impressive, and I love the detailed and entertaining scene that the author produced here.

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While all of the above is pretty amazing, what really makes this captivating story is the complex relationship between Usagi, Kenichi and Mariko. There are so many great layers plastered into this relationship. Usagi and Mariko were deeply in love when they were younger, and they still have great feelings for each other. However, Mariko ended up marrying Kenichi, and she is bound by duty, and her child, to him, no matter how she feels about Usagi. Kenichi, on the other hand, has always borne antagonism towards Usagi, which has been compounded over the years by their differences in skill and the fact that Usagi was chosen to serve Lord Mifune and left the village. However, Kenichi’s resentment towards Usagi is even greater, as he knows that Usagi is in love with his wife, and that these feelings are reciprocated by Mariko.

This leads to some outstanding scenes throughout this story, as these three try to come to terms with their complicated emotions. I particularly loved one scene in the middle of the story, where Usagi and Mariko discuss their feelings and reveal that they still both love each other, although Mariko makes it clear that they can never be together. The scene ends when Kenichi interrupts them, and while the look of heartbreak and shame on Mariko’s face is notable, what really gets me is the way that Kenichi’s usual stern/angry look is replaced with one of sad resignation in the last panel once he realises how Mariko still feels about Usagi. Despite this, Kenichi comes across in this story as a surprisingly honourable and well-intentioned character who puts aside his negative feelings for Usagi for the greater good, and it is a fantastic examination of a character who has mostly been antagonistic in the previous volumes. Sakai also drops a massive bombshell at the end of this story, when he reveals that Jotaro is actually Usagi’s son, and that Kenichi has known this and raised him as his own. Because of this, Mariko asks Usagi to leave and not try to settle down in their home village, as she fears it will put a wedge between Jotaro and Kenichi, who she sees as Jotaro’s true father. Usagi regretfully accepts this in another dramatic and captivating scene, although Mariko arranges for Usagi to see Jotaro as he leaves, and Usagi has a heartfelt time with his son, noting the similarities between them, and even suggesting Jotaro seek out Katsuichi as a teacher in later years. All of this is some first-rate storytelling and character development, and cannot praise Sakai enough for this amazing, emotional storyline. This is actually the last book that Kenichi and Mariko appear in (so far), and I think that Sakai did a fantastic job tying their love triangle together. All in all, Circles is easily my favourite story in this entire volume (The Duel comes close), and it is worth grabbing this volume just to check this key story out.

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It should come as no surprise to anyone considering all the praise I elicited above that I am giving this sixth volume of Usagi Yojimbo a full five star rating. This was another incredible comic book that features Sakai’s outstanding blend of powerful stories, memorable characters, intense action, fun references and depictions of traditional Japanese culture and history and some truly impressive artwork. I absolutely loved this volume, and this entire awesome series, comes highly recommended and is an unquestionable must-read.

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Throwback Thursday – Assassin’s Code by Jonathan Maberry

Assassin's Code Cover

Publisher: Macmillan Audio (Audiobook – 10 April 2012)

Series: Joe Ledger series – Book 4

Length: 15 hours and 35 minutes

My Rating: 5 out of 5 stars

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Reviewed as part of my Throwback Thursday series, where I republish old reviews, review books I have read before or review older books I have only just had a chance to read.

For this week’s Throwback Thursday, get ready for the fourth high-stakes, action-packed instalment of Jonathan Maberry’s excellent Joe Ledger series, Assassin’s Code, which sets the titular character up against a fantastic new set of antagonists.

Joe Ledger, top field agent for the elite Department of Military Sciences (DMS), is about to have a very unusual day. On assignment in Iran, Ledger and Echo Team have been tasked with rescuing American college kids held hostage by the Iranians. After successfully rescuing the hostages, Ledger is forced at gunpoint into a meeting with a high-ranking Iranian security officer. However, instead of being arrested, Ledger is given information about an impending terrorist attack that could shake the very foundations of the world.

An unknown player apparently has several nuclear weapons in play and is planning to unleash them against a number of targets around the world. As Ledger relays this information to his superiors, he is attacked by a mysterious assailant who is faster, stronger and more deadly than anything he has faced before. Barely escaping from his attacker, Ledger finds himself being pursued through the streets of Tehran by the Red Order, an ancient group of killers whose operatives appear to intimidate even Ledger’s boss, the legendary Mr Church.

As Ledger attempts to come to terms with what exactly is hunting him, he finds himself in the crosshairs of several other secret organisations, each of which has their own agendas. As Ledger gets closer to the truth, he discovers that events are being manipulated by an old enemy. An ancient conspiracy has been revealed and the fate of the world hangs in the balance. Can Ledger defeat the monsters unleashed against him or will a new world order arise?

Assassin’s Code in the fourth book in Maberry’s Joe Ledger series, which sees an elite special forces agency go up against the worst horrors that modern science and science fiction can unleash. I have already read and reviewed several books in this series so far, including the previous three novels, Patient Zero, The Dragon Factory and The King of Plagues, as well as the 10th and latest book in the series, Deep Silence. Each of these books has proven to be fantastic dark science fiction thrillers that I have had an amazing time reading, and all four of them have received a full five-star rating from me. Assassin’s Code is another incredible addition to the series, as Maberry has once again produced an intense and clever story, with some great antagonists, a complex protagonist and a heck of a lot of high-grade action.

In his fourth Joe Ledger book, Maberry has continued to utilise the same writing format that made all the other books in the series such an awesome read. While a large amount of the storyline follows Ledger and the other members of the DMS as they attempt to investigate and then counter the threats they are up against, a large amount of the book revolves around showcasing the history that led up to the book’s current events, as well as exploring the antagonists side of the story. There are several chapters that solely focus on the antagonists, showing what they are planning and the full range of their various motivations. I always love these explorations of the antagonists as I feel it creates a much more complete and interesting overall storyline, and these alternate points of view are often used to really ramp up the book’s tension and hint at events that are going to hit the protagonists.

While he continues to successfully utilises a number of these familiar writing styles, I felt that Maberry also made sure that Assassin’s Code stood out from the other books in the series. Not only does this fourth book have a lot more of a horror vibe to it than the previous two books in the series (somewhat reminiscent of the first novel, Patient Zero) but it is also told as a rush of events over a 24-hour period. Ledger is barely given an opportunity to rest as he is attacked again and again by a series of different opponents in the hostile territory of Tehran. The author has also woven together a number of interconnected conspiracies and features appearances from several individuals and organisations, each of whom has their unique agendas throughout the plot of the book, all of which need to picked through by the reader. All these various players and motivations make for a very full story, but I quite enjoyed seeing all the various revelations come to light. Assassin’s Code is also an intriguing central piece to the whole Joe Ledger series. Not only does it introduce several key characters who become major fixtures of the series but it also introduces a number of key events in the lives of characters who were introduced in the previous books. As a result, it is a must read for those people trying to get a grip on the series as a whole and is a fantastic overall read.

In my mind, one of the best things about the Joe Ledger books are the distinctive antagonists, each of whom come across as major threats not only to the protagonists, but to the entire world. So far in the series, Ledger has had to face zombies, genetically enhanced Nazis and a powerful cabal of terrorists (whose members included Osama Bin Laden) whose attacks are used to manipulate the world for profit. In Assassin’s Code, Maberry has done a fantastic job converting an old legend into a terrifying modern threat, as the major villains of this book, the mysterious Red Order and their infamous Red Knights, are essentially vampires. Maberry already has significant experience writing vampires into the modern world, thanks to his V-Wars book series (an adaption of which is coming out on Netflix in a couple of months), and he does a great job coming up with a new and somewhat plausible explanation for their existence (well, slightly more plausible than a supernatural origin), as well as a creative historical explanation for their organisation. These vampires are written as major threats for most of the book, and the fear and concern that they cause in a number of characters whose badass credentials have been firmly established in previous books is pretty impressive. The use of vampires in modern thriller was a real highlight of this book, and I really loved seeing them go up against a modern special forces unit. Maberry spends a lot of time exploring their history, as the book features a number of interludes that go back to the time of the Crusades, when they were first recruited for their mission. All of this exploration does a fantastic job of showing what true monsters these types of vampires are, which helps the reader really root for the reader. I also really liked some of the other groups featured in this book that were formed as a direct result of the existence of vampires, including a group of modern Inquisitors and the mysterious Arklight. If I had one complaint about these antagonists, it would be that they were taken down a bit too easily in the final act, and I would have preferred a more protracted or vicious fight.

In addition to the vampires, this book also features the reappearance of two key antagonists from the previous book in the series, The King of Plagues, who are major manipulators of events behind the scenes. These characters are the former King of Fear, Hugo Vox, and the mysterious priest Nicodemus, both of whom were major players in the previous book. I really liked how Maberry continued to explore both of these cool characters, and he did a fantastic job of tying their storylines into the unique events of this book. Their respective roles in the plot of this book is quite interesting, and I really enjoyed how both their storylines progressed or ended in this novel. The true reveal of who (or what) Nicodemus is has been left for a later book, and I am very curious to see what he turns out to be.

Maberry continues to do an outstanding job utilising his complex and multilayered protagonist, Joe Ledger. While on the surface, Ledger’s defining character traits are his abilities as a special forces operative and his relentless sense of humour, the character is actually extremely emotionally damaged. Thanks to the fact that Ledger is the only character whose chapters are shown from the first-person perspective (a nice distinctive touch for the central protagonist), the reader gets a much more in-depth look at his inner thoughts, and as a result you see how the events of his life, including the events of the previous three books, have impacted his psyche. It is quite refreshing to have a character who is actually emotionally affected by the events of his books, and you get the feeling that Ledger is only a short way away from truly snapping. However, in the meantime, the thick layer of humour he overlays these feelings with is great for a laugh, and it helps gives the chapters that the character is narrating a very unique and enjoyable feel. In addition to Ledger, I really liked some of the new protagonists introduced in Assassin’s Code and I look forward to exploring them more in the future. Special mention as always needs to go the awesome supporting characters of Mr Church and Ghost, Ledger’s attack dog. With his actions and woofs, Ghost honestly has more personality that some human characters in other books I have read, while Church continues to be the ultra-mysterious intelligence god who you cannot help but want to know more about. These two characters are one of the many reasons why I am excited to check out all the future books in the series.

It should come as no surprise to those who read the plot synopsis, but Assassin’s Code is filled with wall-to-wall action. Maberry has a well-established history of doing detailed research into various forms of combat, especially martial arts, which he has actually written several books on. Maberry is able to transfer all of this knowledge into his books, creating some truly amazing action sequences. There are a huge number of great and varied battle scenes throughout the course of the book, and readers are guaranteed a pulse pumping ride as a result. Also, if you have ever wondered how martial arts trained special forces soldiers would go against vampires, than this is the book for you.

Like all the other books in the Joe Ledger series, I chose to listen to the audiobook format of Assassin’s Code, narrated by Ray Porter. Coming in at around 15 hours and 35 minutes, this is a substantial audiobook; however, due to how much I enjoyed the epic story, I powered through it in a couple of days. I would strongly recommend that readers always check out the audiobook format of this series, thanks mainly to Porter’s narration. Porter, who has so far narrated all of the Joe Ledger books, has an uncanny ability to bring this central protagonist to life. His great narration fully encapsulates Ledger’s full range of emotions, from light-hearted banter, to soul-crushing despair to powerful bursts of rage, and it is really worth checking out. In addition, Porter does some really good voices for the other characters in the book, especially Mr Church, and he is probably one of my favourite audiobook narrators at the moment.

When I started reading Assassin’s Code, I knew I was going to love it, and it did not disappoint. Not only did Maberry up the ante with some incredible antagonists but he created another complex and utterly captivating story that had me hooked in an extremely short period of time. Assassin’s Code easily gets another five stars from me, and I whole-heartily recommend the audiobook format of this book. I am planning to try and read all the other Joe Ledger books in the next couple of months as I only just found out that the story is continuing in November of this year as part of a new spin-off series. Stay tuned to see what I think of the other books in this series (spoiler alert, I think I am going to love them).

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Throwback Thursday – The King of Plagues by Jonathan Maberry – Audiobook Review

The King of Plagues Cover.jpg

Publisher: Blackstone Audio (8 April 2011)

Series: Joe Ledger series – Book 3

Length: 16 hours and 10 minutes

My Rating: 5 out of 5 stars

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Reviewed as part of my Throwback Thursday series, where I republish old reviews, review books I have read before or review older books I have only just had a chance to read.

Over the last year or so, reading and reviewing all of the books in Jonathan Maberry’s Joe Ledger series has been something of a passion project for me. I absolutely loved the 10th and latest book in the series, Deep Silence, when I read it last year and found its superb blend of the horror, science fiction and thriller genres to be incredibly compelling and a whole lot of fun to read. Since then, I have gone back and read and reviewed the first two books in the series, Patient Zero and The Dragon Factory, and I found that I enjoyed them just as much as Deep Silence. As a result, when I got a gap in my reading schedule recently, I decided to check out the third book in the series, The King of Plagues, and once again found myself drawn into the world of Joe Ledger and the DMS.

Following the events of The Dragon Factory, which saw the death of the women he loved, Joe Ledger has left the chaotic world of the Department of Military Sciences (DMS) behind. Living in London, Ledger is suddenly thrust back into the field when an explosion levels a busy London hospital, killing everyone inside in one of the worst acts of terrorism the world has ever seen. Horrified by this callous attack, Ledger returns to active duty with the DMS and is immediately targeted by a hit team, before traveling to investigate a second attack at an Ebola research laboratory.

It does not take long to identify that the people behind these attacks are the group known as the Seven Kings. The Seven Kings are a mysterious secret society that Ledger and the DMS have dealt with before, as they influence and equip terrorist organisations around the world. Pledging fealty to a shadowy goddess and having a small army of highly trained mercenaries and the ability to influence highly placed people around the world, the Seven Kings are determined to change the world for their own benefit and are willing to kill anyone to achieve their goals.

As part of their plan to destabilise the world and benefit from the resulting economic chaos, the Seven Kings are planning to unleash weaponised versions of the Ten Plagues of Egypt that will not only kill untold masses but which will cripple the Seven Kings’ major opponents. If that was not bad enough, an old enemy from Joe Ledger’s past has resurfaced and is working with the Seven Kings to extract his revenge as the King of Plagues. Can Ledger and the DMS stop the devastating plans of the Seven Kings, or will the world once again bear witness to the devastation of the Ten Plagues?

The King of Plagues was another excellent addition to the Joe Ledger series that I had a fantastic time listening to. Maberry once again presents an exciting and addictive story that combines thriller action, a despicable evil scheme and a great group of characters, all told in Maberry’s distinctive writing style. This was an outstanding novel and yet another book in the Joe Ledger series that gets a five-star rating from me.

I always really enjoy the way that Maberry sets out the plots of his Joe Ledger books. The author utilises a huge range of different character perspectives across a number of different time periods to tell a full and complex overall story. By doing this the author is able to showcase a number of sides of the story. Not only does the reader get to see the protagonist’s story, but they also get to see how the antagonist’s evil scheme was planned and executed. Overall, this was a spectacular way to tell the story, and I always think that the reader gets so much more out of these books as a result. Maberry also did a fantastic job making this book accessible to readers unfamiliar with the series. While reading the Joe Ledger series out of order may result in some series spoilers for some of the earlier books, readers are easily able to start exploring this series with The King of Plagues and not have their enjoyment of the story suffer as a result.

The King of Plagues is filled with an amazing roster of characters, each of whom brings a lot of depth and emotion to the story. The main protagonist, Joe Ledger, has to be one of the biggest smartasses in fiction, and it is always a delight to watch him quip and make sarcastic comments across the world. However, despite that flippant exterior, Ledger is a complex emotional wreck who is still dealing with all manner of trauma and is barely containing his anger and bloodlust, especially when dealing with terrible events like the one in this book. I always find it fascinating when Maberry dives into the psyche of the series’ titular character, and it was especially poignant in The King of Plagues, as Ledger is still dealing with the loss of his love interest from the first two books, Grace Courtland. However, Ledger is not the only great character in this book. One of my favourites has to be Mr Church, the mysterious leader of the DMS, who everyone seems to be afraid of. Church once again shines in his role as the ultimate spymaster, but in this book he has some additional scenes that add to his character. In just one scene he shows the reader just why everyone is so afraid of him. There is also an attempt to humanise the character with some interesting reveals towards the end of the book, and I found those worked well and helped me like Church even more.

This book also featured the introduction of several other new characters. The main one of these, Circe O’Tree, is a brilliant young woman with a major chip on her shoulder who works as an analyst helping the DMS. I thought she was an intriguing character, especially due to her connections with the Seven Kings and several members of the DMS and her ability to analyse human behaviour. The King of Plagues also saw the introduction of the infamous Aunt Sallie, the second-in-command of the DMS, who is fearfully mentioned several times in the first two books. Aunt Sallie is a pretty fun character, and I am looking forward to seeing more of her scary, no-nonsense charm in the future. Funnily enough, one of my favourite characters was actually a dog, as The King of Plagues sees the inclusion of Ledger’s DMS attack dog, Ghost. Ghost was actually introduced in short story set between the second and third novels, Dog Days, but this is the first time readers of the main series get to see him in action. Despite being a ferocious and well-trained killing machine, Ghost is an absolutely adorable character who is responsible for some very funny moments in the story. Also, because he is such a good boy, you cannot help but get attached to him, and really get worried when he is in danger.

In addition to the great cast of protagonists, Maberry also utilises a great cast of antagonists in this novel in the form of The Seven Kings. The Seven Kings are an evil secret organisation who revel in deception and lies as they put their various plots and schemes into place. The identities of the various members of the Seven Kings is certainly interesting, and I really enjoyed this group and found them to be a fantastic group of antagonists. I absolutely loved the complex and devastating grand evil plan that they came up with in this story, and the full scope of their plot was pretty darn impressive. I was a little wary of this group at first, as they were introduced as some great threat that the DMS had apparently faced before, although there hadn’t been any mention of them in any of the previous books. However, in a number of interlude chapters set in the months before the current events of the plot, their lack of mention in the previous book is explained and they are presented as a force to be reckoned with. I quite liked this group of antagonists, and while certain revelations about them were not as surprising as in other Joe Ledger books, such as The Dragon Factory, for example, I did like certain developments that occurred within the Seven Kings, and I look forward to seeing how certain members show up again.

One of the things that makes the Seven Kings really sinister is their use of coercion and manipulation to achieve all their goals. At the most disturbing level, they target a number of people across the world with families and manage to terrify them so much that they will commit terrorist acts in order to save their loved ones. There are some quite chilling scenes in this book where the chief enforcer for the Seven Kings threatens these victims, and the lengths these innocent people will go to and the evils they will commit in the name of their families are horrifying at times. In addition, the Seven Kings use Twitter and other social media to fan the fires of hatred around the world, creating conspiracies and prejudice against certain ethnic groups that eventually result in violence. This examination of the evils of social media and how it can be used to spread hate is pretty fascinating, and it’s interesting to note that, as the book was written in 2011, it precedes a lot of the more recent and highly publicised incidents of Twitter being used to influence people. These inclusions really help set the Seven Kings apart from other villains in the Joe Ledger series and makes sure the reader is both disgusted and impressed by their methods.

The King of Plagues also saw the return of two antagonists from a previous book in the series, who join up with the Seven Kings to help them fulfil their master plan. I felt that both of these characters were used to their full potential within this book, and both had some truly intriguing and clever story arcs which contrasted quite impressively. For example, one starts on the long, hard road to redemption, while the other falls even further down the rabbit hole to pure evil. I won’t go into any more detail in order to avoid spoilers, but these two characters were extremely impressive, and were the main characters showing the inner workings of the Seven Kings.

Like the rest of the books in the Joe Ledger series, The King of Plagues is rich with action and firefights, as the protagonists engage in a number of battles with the minions of the Seven Kings. The action comes thick and fast throughout the book, and Maberry’s knowledge and research into various forms of armed and unarmed combat is extremely obvious. The way some of the firefights are paced out is pretty spectacular, and it is always impressive what a well-trained special operations team can do. Maberry really shines when it comes to the hand-to-hand combat sequences, though, as Ledger rips through his opponents with his martial arts prowess. The fight sequences in this book are straight up awesome, and those readers who love an action-packed book will be well catered to with The King of Plagues.

One of the things that I quite enjoyed about The King of Plagues was the author’s decision to include a number of celebrity cameos throughout the story. Not only does the protagonist encounter some famous singers and actors as part of the plot (including having a weird conversation at the end of the book with a famous rock star), but a number of celebrities are put into some interesting and deadly positions throughout the plot. I also had a good laugh at Maberry’s inclusion of a terrorist think tank made up of thriller writers coming up with the most outrageous situations they could think of, especially as that becomes a major plot point later in the book (and may have serious ramifications later in the series). The authors named dropped in these scenes are pretty impressive, and I thought it was a cute touch from Maberry to include his contemporaries like that. The use of the celebrities was an interesting choice from Maberry, but I think it fits into the wacky vibe of the Joe Ledger series quite well, and it was not too distracting from the main plot.

As with the previous books in the Joe Ledger series, I listened to The King of Plagues on audiobook. The audiobook is around 16 hours and 10 minutes long and is narrated by Ray Porter, who has to be my favourite audiobook narrator at the moment. Porter has an amazing vocal range, and I love the way that he portrays the main character of this book, Joe Ledger. Porter really brings Ledger to life in these audiobooks, not only amplifying the character’s sarcasm and smartass nature, giving real anger and sadness to Ledger when needed. The rest of the characters in this series are also really well done. I have mentioned before how much I love the voice he uses for Mr Church, and Porter really gets a lot of mileage out his Boston accent for some of the other characters. In addition to Porter’s awesome vocal work, I found that listening to The King of Plagues really helped bring me into the story. Not only does the action really pop in this format but listening to the antagonists come up with their evil plans and threats can be quite chilling at times. As a result, I would strongly recommend that readers check out the audiobook version of The King of Plagues. I know I will be checking out the rest of the books in the Joe Ledger series on audiobook as well.

Once again, I had an absolute blast listening to a book in Jonathan Maberry’s Joe Ledger series, as The King of Plagues was another outstanding addition to this fantastic series. Featuring a well-written and captivating story, some amazing characters, an evil and over-the-top plot, a number of intriguing plot points and some of the best action sequences in modern thriller fiction, this was an incredible read. I cannot wait to check out the fourth book in this series, and quite frankly all of the upcoming books sound like they have some truly outrageous stories.

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