Throwback Thursday – Mr Mercedes by Stephen King

On August 31, 2023 By The Unseen LibraryIn Five-Star Books, Thriller, Throwback Thursday16 Comments

Publisher: Hodder & Stoughton (Paperback – 3 June 2014)

Series: Bill Hodges – Book One

Length: 407 pages

My Rating: 5 out of 5 stars

Welcome back to my Throwback Thursday series, where I republish old reviews, review books I have read before or review older books I have only just had a chance to read. Is this week’s Throwback Thursday, I am going back to some of the older works of the legendary Stephen King lately, starting with his compelling and intense psychological thriller, Mr Mercedes, an excellent and captivating read that I had an outstanding time reading.

I have to admit that I don’t have a lot of experience with Stephen King’s books, having only read some of his more recent releases, such as Later, Billy Summers (one of my favourite novels of 2021), and Fairy Tale. However, I have been keeping an eye out for King’s upcoming novels, including his next book, Holly, which is out very soon. In preparation for Holly’s release, I decided to go back and read an earlier King novel, Mr Mercedes, especially as it serves as the introduction of the titular character from the upcoming book, and boy was I glad to try this fantastic novel out.

On a dark and cold morning in a depressed mid-western city, a desperate crowd gathers outside a jobs fair, hoping to turn their lives around. However, many never got the chance, as a lone driver in a stolen Mercedes drives into the crowd, killing eight people and wounding more, before managing to escape. This gruesome crime has haunted the community, and especially detective Bill Hodges, who was unable to catch the “Mercedes Killer” before he retired.

Years later, Hodges is living the solitary and depressed life of a former police officer who has seen too much. Barely managing to get through each day, Hodges is suddenly revitalised when he receives a disturbing letter from someone claiming to be the Mercedes Killer. Now more determined than ever to hunt down this killer and bring him to justice, Hodges jump-starts an unofficial investigation, hoping that his prey’s decision to contact him will be his biggest mistake.

Hodges’s new search leads him back to the owner of the Mercedes, who committed suicide from the guilt of her car being used in such a horrendous attack. Teaming up with the dead woman’s sister and a band of unlikely helpers, Hodges begins to finally unravel the case. However, the Mercedes Killer is a far more dangerous prey than Hodges ever realised. Not only is he obsessed with killing Hodges, but he also has a nefarious plan that will rock the city to its core. Can Hodges finally defeat his nemesis before it is too late, or will the Mercedes Killer once again get away with an outrageous act of violence?

This was a very impressive novel from King, who masterfully explores the psychological thriller genre the way only he can. Featuring some powerful and complex characters, an elaborate cat-and-mouse plot, and King’s intense and addictive writing style, Mr Mercedes is a masterful novel that proves near impossible to put down.

I loved the powerful and captivating story that King pulled together for Mr Mercedes, as the author really dives into this dark story in a big way. Starting with the gruesome and over-the-top Mercedes killing, which definitely sets the scene for much of the book, the main plot begins years later, with the retired Bill Hodges receiving a letter from the Mercedes Killer, who is attempting to persuade Hodges to kill himself. However, Hodges instead enters into an off-the-books investigation, attempting to goad the Mercedes Killer into making a mistake while also connecting with the sister of the case’s key witness. Half the book also focuses on the character of Brady Hartfield, the Mercedes Killer, who has become obsessed with ending Hodges, while also launching a new attack. Disturbed, and determined to win, Brady’s perspective adds a great narrative edge to Mr Mercedes, and you are soon swept up in his complex emotional journey, especially once he realises that Hodges is on his tail.

The plot develops at a pretty fast and compelling pace, and you swiftly get drawn into each perspective character’s unique view on life and the grizzly events unfolding around them. King really focuses on the dark and damaged minds of each of his characters, and the ongoing narrative is littered with compelling and fascinating dives into each of their pasts and the events that led them to where they are now. The author also introduces several great supporting characters, each of whom adds their own unique elements to the book, whether it’s by helping Hodges with his investigation or by adding to the emotional fire that burns within both main characters. Most of the story is devoted to the cat-and-mouse chase between Hodges and Brady, especially as they come closer and closer to confronting each other and digging at each other’s psyche. King really moves the story along in the second half, thanks to a massive moment that really shatters the somewhat comfortable narrative that had been building at that point. Everything leads up to the big and inevitable conclusion, as Brady attempts to unleash his master plan and Hodges and his allies close in on him. This big confrontation is pretty damn interesting and intense, especially as a surprising third party takes the lead, but it leaves a fantastic and satisfying conclusion that readers will deeply appreciate and will leave you wanting more of the great characters and King’s unique style.

This awesome story was well backed up by King’s uncanny and wonderful writing style, and he really had me hooked the entire way through. While early parts of the book where a tad slow in places, especially as King was building up the main two characters, once the full psychological dance between Hodges and the Mercedes Killer truly begins, you really cannot pull away from this great novel. The mounting tension as these characters make their respective plays is so damn effective, and you get drawn into the dark mental battle between them. King’s use of multiple perspectives really helps to enhance the brilliant story, and the captivating look into all the key characters’ minds is such an essential part of the book that it proves hard to turn away from these tragic and damaged figures. I honestly could not put this book down in places, especially the last third, as the tension, emotional power and tragedy that King had built up by then was extremely palpable. This was probably one of the better King novels I have read so far, especially as it had an excellent conclusion that fit the earlier themes of the book, and I deeply appreciated how well he explored the darker areas of the mind.

As I mentioned above, one of the main highlights of Mr Mercedes were the complex and highly damaged characters that were such a vital part of the plot. King always excels at effectively utilising impressive and highly realistic character driven narratives in his books, and Mr Mercedes was no exception to this. The major figures featured in this book were also highly unique and complex in their own way, often with some distinctive and understandable psychological damage that defines them and which they spend much of the book trying to overcome. These highly personal and compelling character elements were really well woven into Mr Mercedes’ plot, and you really get drawn into each character’s own damaged journeys, as well as the intriguing relationships that they form.

The main character of Mr Mercedes is retired police detective Bill Hodges, who serves as a dogged and solid protagonist. A rugged and tired figure who has seen too much, Hodges was an awesome retired cop character, and King did an outstanding job of capturing his loneliness and regret, especially in the early stages of the book. However, this burns away when the killer contacts him, and he once again has a purpose. I felt that this change in character focus was very well done and you easily understand why he dives back in the case, desperate to solve that one lingering case. While initially driven by obsession, Hodges soon develops more reasons to live, as he connects with several of the other characters in the book and each connection makes him want to live that little bit more. It was also interesting to see him revisit and reflect on his previous actions as a police officer, especially when he connects with the family of the witness he falsely accused of negligence, and the insights and empathy he develops now he is no longer a cop is quite touching. You really grow to appreciate Hodges as a character as the book continues, especially as you see him once again enjoying life, and King’s portrayal of a man who suddenly rediscovers his purpose is very well done. Of course, this opens him up to even greater tragedy, and watching him suffer cuts you to the core. Thanks to the television adaptation of the book, I could only envision Hodges as Brendon Gleeson, which I think fit the depictions shown in the book, and I really enjoyed seeing this gruff, no-nonsense figure in action.

I also really need to highlight the excellent work that King puts into creating the antagonist of Mr Mercedes, Brady Hartfield, the titular Mercedes Killer. I have read many good villains of the years, but frankly, the Mercedes Killer was one of the best, mainly because of how quickly and effectively King makes you despise him. King does such a good job of introducing and utilising the character of Hartfield throughout Mr Mercedes, and his dual life and obsession with Hodges become a key part of his chapters. The character’s sheer arrogance, distain and disregard for human life are so well written, and you understand just how deranged and damaged Hartfield is in just a few pages of his introduction. King does take the time to build up Hartfield as a character, showcasing his traumatic past, formulative family events and unsettling relationship with his mother, all of which helps the reader understand how he become the monster he currently is and why he does the things he does. However, even with that, it proves very hard to find any sympathy for the character, especially as every scene of his features an arrogant and hateful internal diatribe about the people he encounters and the world around him. I deeply appreciated how King was able to capture Hartfield’s sociopathic superiority complex and inherent sense of greater intelligence with his writing, and it was such a key part of Hartfield’s character. This ensures that when things do not go his way or when he is outsmarted by Hodges, a man he views as his inferior, he takes it badly, and watching Hodges manipulate Hartfield this way was a fantastic part of the book. This is honestly one of the better King villains I have so far had the pleasure of reading and his obsession with Hodges and being the smartest man in the room, was so damn well written.

Aside from the main perspective characters of Hodges and Hartfield, King also features several other intriguing figures in Mr Mercedes who also add a great deal to the plot in a supporting role. I personally really enjoyed the character of Janelle Patterson, who serves as Hodges’ main love interest. Janelle was a feisty and highly likeable figure in the book, and I actually really enjoyed the heartfelt connection she formed with Hodges, especially as they filled an emotional hole in each other’s lives. Janelle’s self-involved sister, Olivia Trelawney, also proves to be a great inclusion, despite being dead by the time the main plot starts. King builds her into a complex and tragic figure, and it was intriguing to see her sense of reality combat with guilt and despair in several flashback scenes. Jerome, the wisecracking teenager who serves as Hodges’s assistant and tech support added some great humour to the story, and his loyalty to Hodges ensured the reader grew quite attached to him, while also getting worried as Hartfield circled around. However, probably the most unique supporting character was Holly Gibney, who, as I mentioned above, is getting her own spin-off story soon. Initially shown as emotionally damaged and barely able to function, Holly doesn’t strike you as having protagonist potential. However, thanks to her bond with Hodges and certain shocking events breaking her out of her trauma shell, Holly ends up becoming a key supporting figure, able to assist in the case due to her unique insights and life experiences. Despite only being in the book for a relatively short amount of time, Holly really shines through as a complex and exciting figure who the reader quickly gravitates to. As such, by the end of the book you very much understand why Holly goes on to become her own protagonist, and I look forward to seeing how much she further developed when I grab King’s next novel.

Overall, Mr Mercedes was just as good as I had been led to believe, if not better. Stephen King did a masterful job with this powerful and captivating dark psychological thriller, and I got so wrapped up in the awesome battle of damaged minds that emerged. Featuring an excellent story, some exceptionally complex protagonists, and King’s infallible character-focused writing style, Mr Mercedes was a joy to read from start to finish, and I have to give it a full five-star rating as a result. I cannot wait to dive into King’s next book, Holly, when I get my hands on it in the next week, and I have no doubt that will also blow me away.

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The Book That Wouldn’t Burn by Mark Lawrence

On July 4, 2023 By The Unseen LibraryIn Fantasy, Five-Star Books16 Comments

Publisher: Harper Voyager (Ebook – 1 May 2023)

Series: The Library trilogy – Book One

Length: 570 pages

My Rating: 5 out of 5 stars

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One of the world’s inventive and compelling fantasy authors returns with one of his best novels yet, the highly addictive and ambitious novel, The Book That Wouldn’t Burn, which sets off his new The Library trilogy.

Few authors have had the impact on the fantasy genre than Mark Lawrence has in the last few years, as the author has truly impressed readers throughout the world with his unique and captivating novels that routinely blend fantasy and science fiction elements. His series include The Broken Empire trilogy, The Red Queen’s War series, and The Book of the Ancestor series. I myself only started reading Lawrence’s work a couple of years ago with his compelling The Book of the Ice series, which followed several powered teens on a grim frozen planet. I had an outstanding time with this series, which included The Girl and the Stars and The Girl and the Mountains. While I still have to read the third book, The Girl and the Moon, I really enjoyed these books, and it was a pretty clever series. As such, I was very keen to check out Lawrence’s new novel, The Book That Wouldn’t Burn, especially as it had a very intriguing plot synopsis behind it.

Throughout the world, there is nothing more important, more significant, nor more permanent than the library. Built inside a mountain near the great city of Crath, the library contains an impossible number of books fitted within innumerable rooms that no one person can access. The sheer amount of knowledge contained within the library represents the greatest power in the world, allowing its keepers and the King of Crath to wield great control in the world. Into this vast and elaborate repository of knowledge and secrets, two young people are about to meet in unusual circumstances.

Livira is a young girl raised in the Dust, the desolate wasteland that surrounds Crath. Plucky, curious, and incapable of giving up, Livira is a rarity among her people as she seeks to know more about the world outside her home. But when the alien sabbers destroy her village and kill her people, Livira finds herself lost in the wilderness. Rescued and brought to Crath, Livira soon becomes certain that her future lies in the library. Overcoming prejudice and her own humble background, Livira learns to navigate the library and soon begins to find out some of its deeper secrets. However, the most mysterious of these might be another strange inhabitant of the library, Evar.

Evar and his small family have known nothing but the library their entire lives. Released after unknown eons frozen as children inside the library’s mysterious Mechanism, Evar and his siblings have grown up in a vast chamber of the library, learning from the books and becoming masters of specialised subjects. However, Evar has always desired more and has long tried to find a way to leave their book filled prison. His discovery of a portal within his home soon leads him to a place outside of time where he meets an exploring Livira. Together, the two attempt to find the true history of the library and the threats it has withstood over the years. But dark evils haunt the library, and soon the two explorers must find a way to uncover the truth behind the sabbers, their own history, and other deadly threats waiting for them in the future. Can these two children of the library survive the revelations in front of them, or will the truth tear them apart in ways they can’t even understand?

Well damn, now this was a seriously impressive and epic book. Lawrence has honestly outdone himself here with this incredible read, and this might be one of the best books he is ever written, which is saying something. The Book That Wouldn’t Burn features one of the most elaborate settings and narratives you are likely to see in fantasy fiction, and this results in a powerful and moving read that will keep you guessing time and time again. I had an exceptional time reading The Book That Wouldn’t Burn, and it would be impossible for me to give it anything less than a five-star rating.

The Book That Wouldn’t Burn is told from two separate perspectives, that of Livira and Evar, and covers their very different lives and experiences within the libraries. These two character-driven storylines are initially kept separate from each other as Lawrence spends a good chunk of the book introducing the protagonists, setting up their unique stories, and bringing together the elaborate setting that the story is based around. Both of these storylines are very interesting and fun off the bat, with Livira having her life torn apart, only to find purpose in the library, while Evar details his life lived purely within the library. While both storylines are really good, I initially got drawn into Livira’s the most, especially as her outsider perspective of the library allows you to really appreciate how alien and strange the massive house of books is. Livira’s storyline advances at an extended clip, covering years of her life as she learns, grows, and fully develops her adventurous personality as she seeks to fully understand the secrets of the library and everything within it. Evar’s storyline on the other hand is a little more sedate in its pacing, as it is set only along the course of a few days as he tries to finally understand the structure that has kept him prisoner for so many years.

The first half of the book that showcases these two characters’ initial introduction and growth are pretty damn entertaining, and it does a wonderful job of setting the scene for Lawrence’s elaborate story and background location. However, the story doesn’t find its true strength until the two protagonists meet and their storylines becomes a lot more intertwined. Due to the impossible physics and requirements of the library, there is a compelling time element to the meetings between the characters, which Lawrence captures masterfully, and which really alters their perspectives of each other. Once they are able to properly interact, the two characters grow close and spend an interesting chunk of the novel exploring their respective worlds, as well as the history of the library. Lawrence really lays the world building on thick during these parts of the book, and it serves to bring the two protagonists together, which just ensures the last act of the book is as tragic, moving and devastating as possible. The author drops some massive bombshell twists around two-thirds of the way through, which completely throws you and makes you rethink everything you have thought about the preceding narrative. I honestly was pretty damn shocked at this epic and devastating revelation, and while I had already been pretty damn addicted to the story by this point, this was the moment I realised what a masterpiece The Book That Wouldn’t Burn truly was.

The final third of the novel gets even better as certain background elements of Livira’s storyline finally come to fruition and her entire life begins burning around her. This causes her and many of the supporting characters from her part of the book to end up interacting with the characters from Evar’s storyline, which is a very interesting change of pace from the previous parts of the book. There are also some frenetic conflicts and some very dark moments as everything you have previously known about the settings, the characters and the history of the library is thrown around in some excellent and compelling ways. There are several great new twists in this final section of the book, and Lawrence gets very metaphysical with the reveals, relying on his setting’s unique temporal properties to mess with your mind and bring you surprise after surprise. I really loved just how cool and complicated this novel got towards the end, and Lawrence leaves an awesome and open conclusion for you to enjoy while drawing you in towards the next book in the series. I came away from this narrative desperately wanting more, especially after being blown away by all the twists within the book, and I cannot wait to see what happens next.

Those who are familiar with Lawrence will know that he is a very impressive and talented author, and I really liked how he developed his story and displayed all its outstanding elements to the reader. The Book That Wouldn’t Burn is a particularly complex read, loaded with damaged characters, elaborate storylines and an inventive major setting. Lawrence approaches his latest novel with his usual flair and imagination, expertly showcasing every clever detail of this world to the reader and keeping them enthralled the entire way through. Due to the complexity of the story, you really need to dive into every single word that Lawrence writes, and it honestly took me a little longer to get through this lengthy novel than I expected, mainly because of how much focus I needed to fully appreciate everything. That said, it has a very good pace to it and there is never really a dull moment as you are constantly drawn into what is happening or the elaborate depictions of the library.

I felt that the author’s use of two narrators was particularly effective, especially as they give very different views of what is happening around them and the setting they find themselves in. The extra expansiveness of the separate narration really helps to expand the scale of the book, and it takes some major temporal shifts for the two protagonist’s storylines to align. Once they do, the two separate character arcs intertwine extremely well, and I loved seeing their interactions through each other’s eyes, as well as the elaborate adventures they find themselves involved with.

Lawrence also was very skilled at setting up some of the book’s big twists, and while many of them surprised me when I read them, looking back you could see the subtle clues leading up to them, and you really appreciate just how clever the author was in the earlier stages of the book. The initial big twist is probably the best, and you really have to love how careful Lawrence was with some of the dialogue and character descriptions to pull that off. Some of the subsequent twists are a little less shocking, mainly because you are on guard at that point, but I did like how well some of the reveals based around the protagonist’s journey through time were utilised and hinted at in earlier scenes. The fact that there are completely different faces to some of the major early figures of the book was very cool, and it was clear that the author had a very impressive plan while writing the early stages of the book. These excellent writing elements, and more, served to enhance an already captivating story, and I cannot get past how well Lawrence set everything up.

There is no way I can move forward without talking about the elaborate library setting that was such an epic centrepiece of The Book That Wouldn’t Burn. I love how the author’s ultimate major setting is a library, which is something that all readers can really appreciate. While we can all imagine a pretty massive or full library, Lawrence amped that imagination up to an 11 in this book, describing a seemingly impossible structure, made up of innumerable rooms filled with massive climbable bookshelves and a seemingly infinite number of books and tomes. The sheer scale of this setting when described by Lawrence boggles the mind to a degree, and it really is an outstanding setting for this story as it is the perfect place for exploration, adventure, and even habitation. The library naturally features Lawrence’s trademark blend of fantasy and science fiction elements, and the structure has a transdimensional or alien feel to it, as the protagonists find different mechanisms within the structure, as well as strange and unique ways to travel through it. This blend of fantasy and science fiction elements worked particularly well, especially as you get to experience an intriguing contrast between ancient advanced technology and endless shelves of paper books.

The more unique elements of the library, including the portals, the robotic guardians, the locked doors, and more, are worked into the plot extremely well, and it was fascinating to see how they impacted the story, especially while the characters attempted to find out their origins. The time travel aspects of the library proved to be particularly awesome, and I loved how Lawrence used them, and other cool features, to twist the narrative in some powerful and unexpected directions, completely changing everything you thought you knew. It was also really effective how Lawrence explored the library through two very different sets of eyes, as Livira and Evar see it in different ways based on their respective history and cultures. These alternate views added even more depth to the epic setting, and you have to love the continued focus on exploration, especially when it resulted in some of the best scenes in the book. Honestly, I could go on and on for pages about just how impressive this outstanding setting is, so let me just be blunt and say: read The Book That Wouldn’t Burn, as you really won’t be disappointed when it comes to this elaborate library setting and the dark world it inhabits.

The final thing that I really need to highlight are the great characters contained within The Book That Wouldn’t Burn, which Lawrence did an outstanding job pulling together. There is a rich and compelling cast of characters featured within this novel, and their unique stories and experiences play a big role in how the story develops. However, most of the character work is saved for the point of view protagonists, Livira and Evar. Both characters have intriguing and tragic backgrounds brought about by encounters with sabbers, and they have found sanctuary within the library as a result. However, this is where their storylines differ as Livira seeks out the treasures of the library and works to get deeper within, while Evar looks to escape and find a whole new world to explore. This leads to some very conflicted character moments, and it was fascinating to see how these characters’ intriguing histories influences their understanding of the world and what they want. Both protagonists are well established and utilized by the author in The Book that Wouldn’t Burn, and their distinctive character arcs give the book a different flavour chapter to chapter as you explore both their lives.

I personally enjoyed Livira a little more as a protagonist, as her adventurous spirit, drive to be the best and sheer pluck were quite entertaining to see, especially as it allowed her to uncover so many cool secrets about the library. However, you also have to appreciate the darker background and narrative around Evar, a man trapped all his life in the library, and who has known only limited contact and love in his life. Evar’s entire life has been nothing but uncertainty, abandonment and a certain amount of inadequacy as he has only known a few other people, each of whom are the absolute experts in their fields. These two protagonists, when they meet, prove to be a powerful and interesting combination, and Lawrence was quite masterful and subtle when it came to weaving their chapters together. You really appreciate the pain, loss and sacrifices that both protagonists make throughout the book, and the bond they formed together, soon becomes such a key part of the story. While they do experience some major, mind-blowing setbacks, you grow really attached to both of them, and seeing them continue and dive even deeper into the unknowable heart of the library, makes for powerful reading.

Aside from Livira and Evar, The Book That Wouldn’t Burn features an extensive and compelling cast of supporting characters, whose interaction with the protagonists adds some intriguing elements to the plot, especially as many of them are filled with some great surprises. Both Livira and Evar’s storylines had some excellent supporting figures whose appearances are primarily limited to their respective narrator’s timeline. My favourite supporting character in the Livira chapters had to be Malar, a rough and tough solider who becomes Livira’s protector mostly against his will. His gruff attitude is a fun contrast to Livira’s bright and curious nature, and they have some entertaining scenes together, especially as he grows to care for her, and Lawrence works in some particularly compelling story elements around him in the later part of the book.

Evar’s chapters also feature a great range of supporting characters, and due to the more constricted nature of his story and setting, you get to know them a lot better than some of the cast associated with Livira. These characters include Evar’s adopted siblings, Starval, Kerrol and Clovis, who were also trapped in the Mechanism as children and grew up with him in the library. However, unlike Evar, who emerged relatively normal, each of Evar’s siblings were warped by the knowledge of the Mechanism and are now masters of a particular subject, including assassination and espionage, war and psychology. Each of these siblings is now fairly damaged as a result of their complex upbringings and childhood traumas, and it was fascinating to see their unique mindsets, especially through the eyes of Evar, who holds a special place in each of their hearts. These characters were all raised by the animatronic constructs, the Assistant and the Soldier, servants of the library who took charge of them, and I liked the fun interactions that resulted from them, especially once Lawrence worked his twisty magic on them. All of these characters and more are pretty damn interesting, and I loved how complex and emotionally charged their interactions became.

Frankly I could go on and on about this book, but I still do not think I would really be able to fully encapsulate just how much I enjoyed The Book That Wouldn’t Burn. This complex and clever fantasy novel is a true masterpiece from Mark Lawrence, who utilised all his impressive writing skills and imagination to create a unique and powerful read. The Book That Wouldn’t Burn’s elaborate narrative and massive library setting really grabbed my attention and I had such an epic time getting through this outstanding novel. Easily one of the best fantasy books of 2023, you need to check The Book That Wouldn’t Burn out, especially if you are already a fan of Mark Lawrence’s amazing works.

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The Will of the Many by James Islington

On July 3, 2023 By The Unseen LibraryIn Audiobook, Australian, Fantasy, Five-Star Books22 Comments

Publisher: Gallery/Saga Press/Audible Studios (Audiobook – 23 May 2023)

Series: Hierarchy – Book One

Length: 28 hours 14 minutes

My Rating: 5 out of 5 stars

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Talented Australian author James Islington delivers one of the best fantasy books of 2023 with the compelling and complex novel, The Will of the Many, an exceptional read that I had a brilliant time reading.

I am always on the lookout for epic fantasy novels to sink my teeth into, and one that caught my eye when it was first announced was the intriguing book, The Will of the Many. Set in a cool new magical school setting, The Will of the Many sounded liked a very fun novel and I instantly wanted to read it. It helped that it was written by James Islington, an Australian author who had been on my radar for a while thanks to his fantastic Licanius trilogy. While I have not had a chance to check out the Licanius books, I was very keen to dive into The Will of the Many and I was glad I got the chance a couple of weeks ago. The Will of the Many is the first book in Islington’s new Hierarchy series, which looks set to be a major addition to the fantasy landscape especially after this incredible first book

The Catenan Republic, known as the Hierarchy, rules the world, conquering and enslaving everything before it using its unique magic of Will, which drains power, strength and mental energy from the lower classes and passes it up to those above. To gain true power and control in the Hierarchy citizens need to battle their way to the top of the pyramid of power and influence, and only those with drive, ambition, connections or no choice can rise.

Vis is an orphan boy with a hidden past, a quick mind, and an utter disdain for the entire Hierarchy. Lodged in a Catenan orphanage, Vis bides his time while searching for an escape from a future of ceding his Will to the higher echelons of the Hierarchy. However, his entire life is turned upside down when a powerful Catenan nobleman offers him a chance he never expected. Ulciscor Telimus is convinced that there are dark dealings going on at the Hierarchy’s most prestigious school, the Academy, and he needs someone to go undercover and discover what has been hidden there. If he succeeds, he will be adopted into Ulciscor’s influential family and be given a choice about his future.

Reluctantly agreeing to Ulciscor’s terms, Vis prepares to attend the Academy, only to discover it is a dangerous place of corrupt ambition, deadly secrets and deep rivalries. To succeed, Vis will have to rise through the Academy’s ranks by any means necessary without losing who he is as a person. But this will be no easy task, as deadly politics, long-buried power and a murderous rebel group all seek to control him. Worse, the more he advances, the greater the chance that his secret past will be uncovered and his enemies will put him to death. Can Vis survive against the terrible burden that is weighing him down or will he be ground down by the unstoppable Hierarchy just like everyone else?

Islington has created a pretty exceptional fantasy novel with The Will of the Many. Featuring a powerful, intense and character-driven plot, all set within an outstanding new fantasy world, The Will of the Many had me hooked pretty early on and I dedicated a lot of time to reading it. I really got drawn into Islington’s amazing inventiveness and this book gets an easy five-star rating from me thanks to how damn good it is.

I have lot of love for the epic and captivating narrative that Islington set up in The Will of the Many, especially as he simultaneously tells a brilliant introductory story while also expertly setting up the rest of the series. There are some awesome scenes in the start of this book, including an intense fight club sequence, which do an excellent job getting the reader across some key aspects of the plot, while also showcasing the emotional range and complexity of the protagonist, through whose eyes the entire story unfolds. I was honestly already very hooked by this point in the story, but Islington quickly picks up the pace and ensures that this character-driven narrative heads off in some very compelling directions. The introduction of Ulciscor soon presents the idea of the Academy and the dark conspiracies around it, and Islington starts the gradual process of getting the protagonist to the school environment. Ulciscor is a great addition to the plot, especially as he plays off Vis very well, and the early sequences with him result in some major world expansion and plot movement. It also sets up the book’s established formula of adventure, world building, politics, mystery and espionage, that carries through the rest of the story, and which ends up being a very heady combination.

Islington keeps building the story as The Will of the Many progresses, and pretty much every new revelation or intriguing world detail is really fun to behold. There is some good early action, as well as a couple of twists that I liked at this point, but the story is still very much on track for the promised magical school setting. However, before we get there, there are a series of cool and fascinating training montages which build up Vis as a character and really highlight the difficult tasks to come. There is also a deeper dive into the complexities of the tasks and the secrets surrounding them, and Islington does an impressive amount of set-up in this first third. However, the real highlight of this first part of the book is a very surprising and explosive occurrence that pushes Vis into the limelight, while also ensuring that he is caught between some very dangerous people. This big scene is extremely memorable, bloody and very well-written, and if you weren’t riveted to The Will of the Many before, you sure as hell were now.

From there the story turns into a more magical school focused narrative, which was something that I was really looking forward to. This intriguing setting had some great elements to it, and the story set within the Academy was a brilliant and compelling blend of education, entertaining rivalries, compelling personal interactions, and a series of secrets, as Vis attempts climb up the ranks, while also completing some of the objectives the various groups trying to control him have forced him to do. I honestly had a ton of fun during the scenes set in the Academy, and I liked how Islington built up the setting and the fantasy elements behind it, while also slowly advancing the story and the character development. The substantial part of the novel set in or around the Academy has some fantastic moments to it, including a few big scenes where Vis is forced to encounter deadly enemies, hard tasks, or the secrets from his past, and each of these major moments expertly expands on some part of the plot or universe you are already enjoying, whether it be secrets of the world, or some political machinations that will come back to bite the protagonist later.

Everything leads up to a major extended concluding sequence as the final test of the Academy brings all manner of trouble to the protagonist in a variety of cool and intriguing ways. Not only do some big secrets come to life but Vis manages to learn more about the magical secrets of the world and the Hierarchy, while also being forced to deal with deadly attacks and threats from a variety of corners. There are so many epic moments in this final section of the book, and Islington did an incredible job of tying together his many, many story threads to ensure that a variety of previous hints and revelations are well utilised. I loved some of the elaborate tests and set-ups featured here, and it was very fun to see the protagonist try to run them while also dealing with major threats from every angle. This final sequence has some massive moments, including major betrayals, compelling reveals about the wider world, and a very tragic death, all of which served as the perfect cherry to an already outstanding story. While many secrets and hanging storylines are resolved by the end of the plot, quite a few still remain for the sequels. Islington has already set up some big moments and unique ideas for the future, and I am very curious to see how they turn out.

As you can no doubt tell from my expansive summary above, I really loved this captivating narrative in The Will of the Many and I think that Islington did a really good job of presenting this complex and impressive story to the reader. The entire book has an outstanding pace to it, and there is barely a scene that is not filled with something exciting or entertaining, whether it be a moving character moment, some compelling world building, or a thrilling bit of action. I honestly flew through this lengthy novel, and there was no point of the book where I not highly invested in the plot nor gripped by the events unfolding. The author’s use of a first-person perspective from the character of Vis was a very good choice of narration that allowed the author to tell a compelling character-driven story that simultaneously explored a cool new setting from the outside, while also cleverly capturing all the key elements of the plot. The intense balancing act of lies, politics, outside influences and personal relationships that the protagonist has to maintain really shines through as a result of this use of perspective, and it was deeply compelling to see Vis attempt to overcome all the obstacles in front of him. The intense action scenes were particularly good, and Islington perfectly portrays the desperate violence, the life-and-death confrontations, and even some complex but exciting maze running, in ways that grab the reader’s attention and keep them fully engaged. I personally loved how Islington included so many different compelling storylines, plot points, and fascinating detail into every single page of the book, and you really cannot help but get addicted as a result.

I always love seeing a cool fantasy setting for a new series, and Islington produced a pretty intriguing and compelling one for The Will of the Many. Much of the main setting of the book sees Islington expand on an ancient Roman society, by adding in some intriguing new details like magic, powered constructs, a rigidly hierarchical community, and a deep political divide between the military, governance and religion bodies. This results in a very interesting background for much of the story, and Islington showcases it all through the eyes of Vis, a hostile outsider with an established hatred of the Hierarchy, which works to showcase it in even more detail, especially as Vis focuses on both the negatives and the positives of the political and cultural structures around him. I really enjoyed the clever balance of political concerns, oppressed citizenry and unique inclusions about status and magical power that were explored as a result, and it was fantastic to see them utilised in the plot, especially as Vis has to balance all of them throughout his many guises and missions. The most fascinating part of this whole setting has to be the focus Will, the magic of the Hierarchy, which sees people at the bottom of society sacrifice part of their strength, drive and health to those above them. The higher up in the Hierarchy you are, the more people you have ceding their strength to you, and this gives you greater powers, including better physical attributes, the ability to control and manipulate materials to certain purposes, and other magical abilities. Islington does a really good job of exploring and expanding on this intriguing magical system throughout The Will of the Many, especially as the narrator is also learning about it as he goes. The author has clearly put some time and great thought into this magical system, treating it like an established science, and I liked seeing the range of abilities it produces, as well as its related social and cultural impacts. Islington makes sure to highlight that this is not a perfect society, and the cracks that Vis witnesses throughout The Will of the Many should result in some outstanding and compelling ongoing storylines.

I need to point out that one of the main reasons I chose to grab The Will of the Many is that it had a magical school setting. I love, love, love magical school settings in fantasy fiction, and it is one of the best backgrounds for an excellent fantasy story (make sure to check out my recent list about my favourite books with magical school settings). The Academy in The Will of the Many is an amazing example of this, and I enjoyed how Islington utilised it as a primary location for the book’s plot. Just like the rest of the Hierarchy, the Academy is a rigidly hierarchical place based around a pyramid structure, with the most talented students at the top, and the other students below battling to take their place. This made for a great background of study, competition and rivalries for much of the plot, and it was fun to see the protagonist try to reach the higher classes in a short time period, especially as he was required to overcome numerous obstacles while also coming to terms with the distinctive social structure of the Academy. Islington adds a further twist to this education setting by introducing the Labyrinth as a unique educational and testing tool. Essentially, the Labyrinth sees participants run through an elaborate maze while being chased, manipulating a magical gauntlet to move around walls and doors, all to prove that the participant has the concentration and focus to control vast amounts of Will. Islington did an outstanding job of showcasing this Labyrinth in multiple scenes of The Will of the Many, and it produces some very exciting and compelling scenes, especially when the stakes around it get very high. There is also a very complex, and highly enjoyable final test that serves as a great background for much of the final confrontation. Islington clearly has a highly inventive streak when it comes to these unique fantasy inclusions, and I personally loved every second spent in this highly competitive magical school setting. I hope that we see more of it in the future, and this was honestly one of the better magical schools that I have personally seen in fantasy fiction.

I also must highlight the captivating and nuanced characters that were featured within The Will of the Many, especially the main protagonist, Vis, through whom we see most of the events occurring. Vis is an outstanding central protagonist, as he is a highly educated individual who sees all the flaws in the society he is forced to live in, and goes into the story with many secrets around him, including the fact that he is secretly the deposed prince of a realm recently conquered by the Hierarchy. Due to his many losses, his outsider status, and the sheer resentment he holds towards the Hierarchy and those who use Will, Vis has a great deal of anger, bitterness and lack of social ability that he needs to overcome. Vis proves to be the perfect character for the complex and morally grey narrative that Islington envisions, as Vis has to put all his learned deceit and ability to keep secrets and survive to good use to infiltrate the Hierarchy and the Academy, while being blackmailed by several different people. Vis has an interesting analytical mind, and I wonderful time seeing him try to work through the various problems, conflicts, and hostile situations he encounters, especially as nearly everything about him is a lie that he needs to keep straight. Despite his past and the pressures he is under, he is still a mostly kind and noble figure, trying to stay true to his original ideals while still doing what is right in a very corrupt world, and it was wonderful to see him grow throughout the course of the story and finally learn to trust again. I grew quite attached to Vis as the story continued, and it really hurts to see him suffer time and time again, especially once he comes to terms with the traumas of his past. I am very excited to see his story continue in the future, especially as it seems like it is going to get quite complex and multifaceted in the next book.

The rest of the cast of The Will of the Many is also very strong, and I liked the compelling and varied supporting characters that Vis has to interact with, including classmates, his new adopted family, rivals, political opponents, high-ranking members of the Hierarchy, and a dedicated group of rebels with dark plans for the future. The powerful and intriguing interactions that occurred between Vis, who is often lying about his intentions, and these other fantastic characters results in some amazing scenes, and I loved the unique relationships that Vis was able to form with them. You grow pretty attached to some of these characters as well, and I had my heart broken with one major fatality towards the end of the novel.

To check out this impressive novel I chose to grab an audiobook copy of The Will of the Many, which proved to be a pretty exceptional way to enjoy this fantastic read. I have a lot of love for the audiobook format when it comes to massive fantasy novels, especially as I find myself really able to absorb the complex narratives and vast new worlds extremely well when listening to it. This was definitely the case with The Will of the Many audiobook which really allowed me to get to grips with the powerful story it contained, and I lapped up every second that I listened to. It definitely helped that The Will of the Many audiobook featured an outstanding narrator in the form of Euan Morton, whose work I have previously enjoyed in several Star Wars audio productions (Tarkin, Dooku: Jedi Lost and Doctor Aphra). Morton has a unique voice that I felt gave The Will of the Many some real gravitas and impact when read out, especially with the distinctive, accented tone he utilised for both Vis and the main narration of the story. This specific great voice was pretty impressive, and it really helped to make the protagonist’s speech really stand out throughout the audiobook. The rest of the accents and tones he utilised for the other characters in the book really worked, and I loved how much range Morton had, covering a range of different characters perfectly and gifting them very fitting voices. All this really helps to make The Will of the Many an absolute pleasure to listen to, and I cannot recommend this format enough to people interested in this book. With a run time of just over 28 hours, The Will of the Many audiobook does represent a substantial time challenge for potential listeners (it is the 10^th longest audiobook I’ve ever listened to). However, I would say it is well worth the investment, especially as it does not take long for you to get obsessed with this awesome book and its elaborate story. An exceptional audiobook that is easily the best way to enjoy this amazing fantasy tale.

Unsurprisingly, I loved The Will of the Many, and it was a pretty great introduction to James Islington’s brilliant writing and inventiveness. The Will of the Many is a captivating fantasy read that makes excellent use of its dark setting and magical school focus to craft a powerful, character-driven tale. This is easily one of the best fantasy novels of 2023 so far and I would strongly recommend it to anyone wanting an epic read to really lose themselves in. An exceptional novel that perfectly sets up a bold new fantasy series!

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Throwback Thursday – Justice League: The Flashpoint Paradox

On June 24, 2023 By The Unseen LibraryIn Animation, Comics/Manga, Extended Universe, Five-Star Books, Superhero, Throwback ThursdayLeave a comment

Studio: Warner Bros. Animation and DC Entertainment

Series: DC Universe Animated Original Movies – Film 18 / DC Animated Movie Universe – Film One

Director: Jay Oliva

Writer: Jim Krieg (Based on the comic by Geoff Johns and Andy Kubert)

Producer: James Tucker

Length: 81 minutes

My Rating: 5 out of 5 stars

Welcome back to my Throwback Thursday series, where I republish old reviews, review content I have enjoyed before or review older books I have only just had a chance to read. For this week’s Throwback Thursday, I dive into a pretty damn awesome DC Comics animated film that is highly relevant at the moment with the awesome Justice League: The Flashpoint Paradox.

Like many comic book fans in the world, I went out last weekend for the epic new film offering, The Flash, which ended up being pretty damn good. The film had a lot of great elements to it, including the return of Michael Keaton as Batman, the introduction of a great new Supergirl, and a fantastic examination of the Flash mythos. I was also very happy to see a fresh new take on the iconic Flashpoint comic, and it will be interesting to see how that impacts any upcoming live action DC films. While I liked what they did with the Flashpoint story, I don’t think that The Flash was the absolute best adaptation of the Flashpoint comic; instead that honour goes the focus of this article, the 2013 animated film, Justice League: The Flashpoint Paradox.

Before we talk about the film, I should give a little background about the Flashpoint comic. Flashpoint was a major 2011 comic event, written by Geoff Johns, whose work I have deeply enjoyed in comics like Rogues’ Revenge and Teen Titans, and pencilled by Andy Kubert. Flashpoint was a compelling alternate timeline story that ended up resetting the main DC Universe in a big way. While I honestly have very little love for the resulting changes it caused (I will never forgive DC for The New 52), the Flashpoint comic itself is pretty good, featuring some unique and stunning ideas within it.

Flashpoint has been adapted a few times in recent years, including in several seasons of The Flash television series, and the current The Flash film takes a lot from it. While these other adaptations are pretty good, I think that The Flashpoint Paradox did the most with it, mainly because it sticks a lot closer to the source material and provides a very gritty animated film with a brilliant cast behind it. Directed by veteran animated film director Jay Oliva (who has directed several of my favourite animated comic book films) and written by Jim Krieg, The Flashpoint Paradox is pretty damn awesome film and it is one that I have rewatched multiple times over the years.

Barry Allen is the Flash, founding member of the Justice League, the fastest man alive and the greatest hero Central City has ever known. However, despite all he has done and everyone he has saved, Barry still cannot shake the trauma of his mother’s murder, a tragedy that has haunted him since his childhood. After defeating several of his greatest foes, including his archenemy, the Reverse-Flash Eobard Thawne, Barry awakens to find himself in a new world, one where his mother is still alive and the Flash never existed. Despite the joy he feels about his mother, this new world is no paradise, instead it is on the brink of ruin. The Atlanteans, under the command of Aquaman, and the Amazons, led by Wonder Woman, are at war, and their relentless battling and disdain for humanity, has seen the destruction of much of Europe and the death of hundreds of millions of people.

Determined to find out what is happening and to stop the war between the Atlanteans and the Amazons before it destroys the world, Barry seeks out the one man who he thinks can help him, Batman. However, the Batman he encounters is far different from the one he knows and has very little desire to save the world. Worse, it soon becomes apparent that the changes to the world have been caused by Thawne, whose obsession with destroying the Flash could lead to unbelievable destruction. To save the day, Barry needs to find a way to regain his powers and unite the scattered heroes of this reality. But with all-out war in front of him, and his own trauma catching up behind, can the Flash stop Thawne before it’s too late? And even if he succeeds, is he truly ready for the revelations that await him?

The Flashpoint Paradox was a pretty epic film that I have a lot of love for, especially as it blends a compelling story with great aesthetics, slick animation and a brilliant cast to produce something pretty damn awesome and a lot of fun to check out.

The creative team behind The Flashpoint Paradox did an outstanding job bringing this film together and one of the main reasons it works is the fantastic and intense story behind it. The film itself is an exceptional adaptation of the original Flashpoint comic and much of it is a close and deliberate match to the source material. That being said, it’s not a straight adaption as they needed to make it more accessible and take the story out of the main comic universe. The film starts off with an exceptional sequence where the Flash faces off against the Rogues and the Reverse-Flash, who ambush him at the Flash Museum. This scene, which sees a series of bombs threaten Flash and Central City, manages to achieve a lot of essential story points, including introducing Flash, showcasing his bitter rivalry with the self-destructive Thawne, and presenting the established version of the various Justice League characters who will later appear in the alternate timeline. It’s also a very entertaining scene in several great ways, not only because the banter between Flash and Thawne is pretty brutal, but because it shows each member of the Justice League in action as they disarm a bomb in their own unique way. This great intro really sets up the rest of the film, especially thanks to the clever references to Barry’s mothers’ death, and while it does make it a little more obvious whose ultimately responsible for events, it was a pretty damn epic start.

The middle part of the film is where the meat of the story is developed, as Barry arrives in the alternate universe and attempts to find out what is going on. This part of the film resembles the source material the closest as they are pretty much doing a straight adaptation of the Flashpoint comic at this point. However, they manage to really show off the grim reality of this new timeline very effectively in a short amount of time, and you really get to appreciate just how murderous the Amazons and the Atlanteans are, as well as how dark a world without the Justice League can be. The creative team tell a very impactful story in this part of the film, and you must love the powerful interactions between Barry and the new Batman, as well as the emotional impacts of Barry realising just how much his universe has changed. Everything is well capped off by the infiltration into the lab holding Superman, which is honestly way darker than what they did in the recent Flash film, especially with the horrifying aesthetics around the captured Superman. At the same time, the growing sense of doom in the world is intensifying as the two superhuman armies prepare for war in London, and the tension is well and truly ratcheted up before the final phase of the film.

Everything leads up perfectly to the final act of The Flashpoint Paradox, which frankly is the best and most impactful part of this entire exceptional film. The final third of the film is essentially an all-out war sequence, as the various characters descend into a three-way battle in the ruins of London, with the Atlanteans, the Amazons, and the human resistance, which includes the protagonists, fighting to kill as many enemies as possible. This sequence is dominated by several excessively brutal fights between the heroes, and so many characters end up dead in some pretty horrible ways. Not only are these action scenes highly polished and exciting, but they are also emotionally powerful, as the various character arcs and elements come full circle. The best scenes are probably shared between Barry and Thawne, as they fight through the battle, debating what has happened to the world. There are some outstanding revelations here, especially if you aren’t familiar with the source material or the other Flashpoint adaptations, and the moment when Barry figures out what truly happened is just heartbreaking, especially with Thawne’s taunting. There is so much dramatic tension floating around, especially as Barry witnesses the full onslaught of the battle in front of him, and everything tilts on the edge of destruction. The final brutal moments of this fight are so damn epic, and it leads up to some painful farewells and some tough decisions from Barry that will shake him forever. This built-up emotion remains to the very end of the movie, especially as Flash manages to get closure for himself and others, and I really appreciated just how well the film ended.

On top of the epic plot and amazing concluding third, I also need to really highlight the impressive animation, stylistic choices, and fantastic musical score that accompanied it. The animation in particular is awesome, and I loved the brilliant and iconic character designs that it depicted, especially as there is a mixture of classic character depictions, and the alternate versions that appeared in the Flashpoint universe. The grim nature of the Flashpoint timeline serves as a powerful backdrop to the plot of The Flashpoint Paradox, and it was fantastic to see the DC universe in an even darker and more desperate light. The best animation is naturally saved for the multiple impressive fight sequences scattered throughout the film, especially in the big war sequence at the end, and the brutality and sheer ferocity of the fights and battles are quite distinctive. The animators honestly show no hesitation in showing blood, gore, death and even brains throughout this film, and it is even more brutal than The Flash film or the original comics, as there is barely a second in the final war where someone isn’t dying in some dramatic fashion. There is some outstanding attention to detail during these various battles, whether it be a brutal fight in the sky, an intense duel between Cyborg and Aquaman in the middle of a warzone, or a high-speed fight through the midst of over combatants, and these are expertly portrayed and guaranteed to keep your interest with its high concept impact. The cool time travel sequences are also a great highlight, and the clever animation around them really dial up the intensity of the film, especially during certain seminal scenes. I’m also a big fan of the way that the major characters are presented throughout this film, and I appreciated how their designs change at various points of the film depending on which timeline is being watched. The alternate costumes or depictions are well contrasted by the classic costumes shown at the start of the film, and I also love the subsequent subtle changes that appear at the end of the film to represent the further changes that have been created.

I also must talk about the fantastic use of music throughout this film, which works perfectly in concert with the animated sequences. There are some great orchestral scores and tunes that are featured throughout the film, often in the most impact scenes, and I really liked how well they were used to enhance emotion or drama in a very powerful way. Some of the very best scenes, including several particularly tense or pivotal sequences at the end come across as so much better thanks to the music that was overscoring it, and this really drew me further into the plot. Combined this great music with the excellent graphics and The Flashpoint Paradox turns out to be an exceptional watch that I cannot get away from.

While the adapted plot and amazing stylistic choices help to turn this film into something special, I cannot walk away from this review without talking about the incredible cast of actors who bring this elaborate story to life. The Flashpoint Paradox features a pretty hefty and impressive group of voice actors who each dive into their respective characters and bring forth some of the more iconic figures from the DC universe, as well as their alternate versions, in some pretty epic ways. There is a great combination of classic character depictions, as well as the more nuanced and, in many cases, evil versions from the alternate timeline, that are featured in The Flashpoint Paradox, and the creative team brilliantly balanced the two throughout the plot.

At the centre of The Flashpoint Paradox is the Barry Allen version of the Flash, who embarks upon one of the most important missions of his life. Expertly voiced by Justin Chambers (of Grey’s Anatomy fame), this version of the Flash is much more closely related to the classic comic portrayals (rather than Ezra Miller’s quirky version) and is an experienced and competent crime fighter. Despite being one of the more stable superheroes out there, Barry is still haunted by the murder of his mother and his failure to save her. Chambers really dives into this role and perfectly voices the full emotional spectrum out of Barry, showing all the deep inner pain, as well as his inherent hope, all of which really comes out throughout the film. There are so many powerful scenes featuring Barry in the film, from his initial confusion over the new timeline, the emotional meeting with his mother, the despair at how the world turned out, and his absolute shocked resignation at who is responsible. I also felt that the writers did an outstanding job of capturing the entire personality, key history and mythos of the Flash within this film, and you really understand his decisions and how he interacts with the other heroes. I particularly loved his shock and pain at seeing what his friends have become in this alternate timeline, and it is so damn compelling. Honestly, there are so many powerful moments here and I have a whole new level of respect for Chambers thanks to this film as he honestly was just magical here.

On top of the Flash, I really need to highlight two figures from the new timeline who perfectly mesh with the main character and show off just how dark events are. The most prominent of these is easily this universes Batman, who was voiced by another Grey’s Anatomy alumni, Kevin McKidd. Rather than being an older version of Bruce Wayne, this version of Batman is his father Thomas Wayne, who took on the cowl after Bruce was killed in Crime Alley and Martha became this universe’s Joker. McKidd goes full on growly here for Batman, and the result is a grizzled, violent, and very murderous Dark Knight who has given up on the world in many ways. I loved this fantastic and clever take on Batman in The Flashpoint Paradox, and it is so damn epic to watch Barry attempt to work with this very different Batman. The shared connection of knowing Bruce gives these characters a powerful emotional bond, and McKidd kills it in several emotionally charged scenes, showcasing this Batman’s hidden heart.

I also have a lot of love for the cool version of Cyborg that appears in The Flashpoint Paradox, and honestly this is probably the grimmest and most powerful portrayal you are likely to see. Voiced by a young Michael B. Jordan, this Cyborg is the only real superhero left in America and has been modded out into a massive tank figure who runs national security. Out of all the figures in the film, Cyborg has the most impressive change in characterisation between timelines, especially as he goes from teenage figure to actual adult, and this is one of the first animated films that really showed what he could offer the wider DC universe. Jordan provides a pretty good and slightly robotic voice for Cyborg here, and I loved how he was portrayed as a level-headed peacemaker, trying to save the world. While still a little naive and idealistic, he really lives up to all the hype surrounding him in his initial introductions, especially during the final bloody battle scenes. He honestly goes full out in this war, and it was so damn cool to see just how dangerous he could be.

While the more heroic (or anti-heroic for Batman) characters above were great, this film would be nothing without its villains. The most prominent of these is easily Flash’s archnemesis Eobard Thawne, better known as the Reverse Flash. Voiced by the very talented C. Thomas Howell, Thawne is a brilliant and powerful figure in The Flashpoint Paradox, mainly because he has such a tangible hatred for Barry and his legacy. While he is the main villain of the story, he only appears in a few short scenes, but Howell makes each and every one of them count. The sheer contempt and bile that drips from every sentence is so important for the performance, and you quickly understand just how much he wants to destroy him, even if that means losing his own life. Thawne’s best sequence occurs at the end of the film when he finally appears to mock Barry and reveal everything that has been done. The joy, satisfaction and mocking appreciation for Barry is just perfect, and he has such a great villain monologue here. Howell has one of the strongest performances in The Flashpoint Paradox and I deeply appreciated how he brought such a fun and compelling villain to life.

In addition to Thawne, The Flashpoint Paradox features two other outstanding and particularly unique antagonists in the form of militarised and anti-human versions of Aquaman and Wonder Woman. Both characters have been twisted by a failed romance and the hatred that followed Wonder Woman’s slaying of Aquaman’s wife, and they are now brutally engaged in war to kill each other and the rest of the world. I loved these darker and more murderous forms of these iconic characters, especially after they are shown in their more heroic guises at the start of the film, and their complex war is a destructive backdrop to the intense narrative. Like Reverse-Flash, both are consumed by hatred, and they are willing to destroy the world rather than lose. Despite that, there is still an obvious, if twisted, love between them, which makes their fight even more tragic. I loved how both characters are portrayed, although I especially like how badass they make Aquaman here, especially as this was released in the pre-Jason Momoa days when Aquaman was still a bit of a joke. Watching him destroy everyone in The Flashpoint Paradox really sets him up as a massive threat, and I deeply appreciated this fantastic change to the character. I also loved the great casting behind these characters as well. Aquaman is portrayed by legendary actor Cary Elwes, who honestly disappears into the role, providing a much more gruff and commanding voice than I have heard in his previous works. The voice of Wonder Woman is provided by veteran voice actor Vanessa Marshall (Hera Syndulla from Star Wars Rebels), who is reprising the role she previously portrayed in Justice League: Crisis on Two Earths. Both actors really get these iconic characters down perfectly, especially in their darker moments, and I loved how well they were utilised in the film, especially as they enhance the emotional power and looming threat of the narrative.

On top of the great performances above, I also must commend the use of several excellent supporting actors in smaller roles who did an outstanding job. I as particularly happy that several actors who had previously voiced certain characters in other films and shows revisited their roles here, including some big names. The most noticeable of these is the late great Kevin Conroy, who does an exceptional (as always) job of voicing the Bruce Wayne Batman at the beginning and end of the story. Conway has several amazing scenes, including a particularly emotional sequence at the end that will have you in tears. Other performers include Nathan Fillion providing a cocky voice to the Hal Jordan Green Lantern, Dana Delany once again voicing Lois Lane after voicing her the DC Animated Universe (Superman: The Animated Series, Justice League and Justice League Unlimited), and Ron Perlman revisiting his epic Teen Titans performance as Deathstroke for a short scene. Other notable actors and characters include Danny Huston doing a quick dash as General Sam Lane and Dee Bradley Baker (the voice of all the clones in Star Wars animation, as well as several hundred other credits) doing a fantastic Etrigan the Demon. However, my favourite of these side characters is Danny Jacobs’s portrayal of the Wildstorm Comics character Grifter. Grifter is a brutally effective figure in the final third of the film, and he has some outstanding interactions with other characters like Batman. This cast, and more, all add so much to the film with their brilliantly portrayed characters, and I am still blown away by the calibre of the cast that was brought together here.

I think it is pretty obvious from the lengthy rant above that I have a lot of love for Justice League: The Flashpoint Paradox, and it is one of those animated films that I have watched so many times. Thanks to its amazing cast, fantastically adapted story, intense animation and general darker vibe, The Flashpoint Paradox is a pretty spectacular animated film, and I honestly think it has the best execution of the Flashpoint comic. It also has an awesome legacy, especially as it sets up the DC Animated Movie Universe and has impacts that range all the way to the final film, Justice League Dark: Apokolips War. As such, I really must give this film a full five-star rating and it is a must-watch for all comic fans, especially those who like their animation a little more adult and emotionally charged.

White Night by Jim Butcher

On June 19, 2023 By The Unseen LibraryIn Audiobook, Fantasy, Five-Star Books, Throwback Thursday7 Comments

Publisher: Penguin Audio (Audiobook – 3 April 2007)

Series: Dresden Files – Book Nine

Length: 14 hours and 12 minutes

My Rating: 5 out of 5 stars

Amazon

Welcome back to my Throwback Thursday series, where I republish old reviews, review books I have read before or review older books I have only just had a chance to read. In my latest Throwback Thursday post, I continue to explore the epic Dresden Files series by Jim Butcher, with the exceptional White Night.

Readers of this blog will have noticed that my last few Throwback Thursday posts have been all about the amazing Dresden Files by Jim Butcher. One of the most impressive and recognisable urban fantasy series in the world today, the Dresden Files are brilliant novels that follow Harry Dresden, a wizard and magical protector of humanity, as he faces off against all manner of unique supernatural foes and mysteries in modern day Chicago. This series features so many incredible books, such as Storm Front, Fool Moon, Grave Peril, Summer Knight, Death Masks, Blood Rites and Battle Ground, as well as the novella The Law, all of which are five-star reads. I have been reading this series on and off since 2020, and I recently got back into it, managing to finish off two more books, Dead Beat and Proven Guilty in recent weeks. These outstanding novels were also pretty exceptional, and I was in such a Dresden Files mood I ended up also listening to ninth book in the series, White Night, which turned out to be a pretty awesome decision.

Harry Dresden, wizard, private investigator, and now Warden for the White Council, is Chicago’s only defence against a range of supernatural threats lurking around its exterior. However, due to his growing power, the extended war between the White Council and the Red Court vampires, and his new position as a Warden, a lethal magical law enforcer, the ordinary magical users of Chicago have grown to fear him and no longer consider him one of their own. As such, Dresden is shocked to discover that several lesser practitioners in the city have either died in apparent suicides or simply disappeared.

Investigating the crimes, he discovers several mysterious messages that hint at a serial killer stalking female magic users in the city, one who seems to be taunting Dresden directly. Diving into the city’s hidden magical underbelly, Dresden soon finds a group of minor witches living in fear, all of whom are convinced that Dresden has something to do with their comrade’s deaths. Attempting to gain their trust, Dresden tries to find the truth, only to discover that all the evidence points towards his secret half-brother, the vampire Thomas Raith.

Unwilling to believe that his brother has become a murdering monster, Dresden dives deeper, only to discover a far more sinister plot lying beneath the surface. The vampires of the White Court are on the hunt, and their malevolent schemes are expanding to capture all of Chicago, including Dresden and his friends, in their web. Working with a range of allies, including wizards, gangsters and an old flame, can Dresden untangle the web and stop the White Court before every human magic user on the planet becomes the ultimate prey?

Damn, it really is proving impossible for me to have a bad time with one of the Dresden Files books. The ninth novel in this series by Butcher, White Night, was another incredible addition and one that I absolutely inhaled in only a few short days. Featuring a brilliant and well-written story loaded with the series’ great characters, White Night is an amazing and captivating read that gets another easy five-star rating from me.

Butcher has come up with a pretty epic story for White Night, and it was one that had me hooked the entire way through. The narrative starts off in familiar ground for a Dresden Files novel, with Dresden helping the Chicago police with a suspicious death that might have magical implications. Butcher draws the reader in at first by presenting them with a juicy and compelling case, that of a serial killer stalking minor magical practitioners in Chicago and leaving taunting messages or Dresden to find. This story gets even more intriguing when it turns out that many witnesses or the victims’ friends consider Dresden to be the main suspect, not only because of circumstantial evidence, but because his damaged reputation. Despite this, Dresden keeps trying to investigate, only to come across evidence that suggests his half-brother, Thomas, a White Court vampire, might be behind some of the crimes. He also encounters his first love, Elaine, who has been hired by a local group of witches for protection, and who Dresden teams up with again to solve the case.

I really appreciated the investigative focus for the first third of the book, and it really reminded me of some of the more classic Dresden Files adventures that started the series off. This initial investigation soon leads the protagonists into a pretty massive confrontation, and I loved how deadly and destructive things got around halfway through. Butcher also works in a rather good flashback sequence at this point, which lends itself well to explaining the protagonist’s mental state and providing some excellent context to his recent actions. As the story continues, Butcher starts to layer out and fully explore the major mystery of White Night in some fantastic ways. Not only is one of the killers exposed after some fun revelations, but a massive, elaborate conspiracy is also revealed that places Dresden and his allies in a major predicament. This leads up to an extended confrontation sequence in the last third of the book where Butcher really cuts loose and provides the reader with all the action and intense scenes that they can handle. Not only is their a beautifully written duel sequence that was pretty cool to see, but Butcher than provides a massive battle sequence that had so much going for it. There are explosions, betrayals, carnage and sacrifices here, and it is an impressive extended sequences that was near impossible to put down, especially as Butcher loads in epic surprise after epic surprise. The entire sequence comes together perfectly, and I had so much fun with it, especially as it opens up some cool storylines for the future. It also serves as a great conclusion to the narrative, and I was really impressed at the ongoing storylines that were either wrapped up or strengthen. Everything comes together really well and it honestly left me wanting even more Dresden Files.

Butcher once again backs up his amazing story with some outstanding writing that always works to drag the reader write into the middle of the plot. Featuring a great first-person perspective from Dresden that showcases his unique view of events, as well as his own deep personal concerns, Butcher moves White Night along at a swift pace, ensuring that every scene has something deeply interesting or exciting to keep the reader’s attention. I really appreciated the great blend of elements within White Night, as Butcher cleverly balances action, adventure, humour, character growth and dark moments, which, along with the investigation elements, ensures that there is a little something for everyone in this book. I particularly enjoyed some of the elaborate and intense major action sequences in White Night, especially that epic one at the end, and it was cool how massive and deadly some of them got. Just like most of the previous Dresden Files novels, White Night can be read as a standalone urban fantasy adventure, as Butcher makes sure to recap and reference and relevant prior event, character or storyline so new readers can easily follow along and still have fun. However, as this is a key novel in the series which concludes or continues several long-running storylines and character arcs, White Night is best enjoyed by those who have checked out the earlier Dresden Files books, especially as the emotional elements of some revelations or actions are greatly enhanced by continuous reading. I always have so much fun with Butcher’s style in this series, and I felt that White Night was particularly well served by the author’s ability to tell an amazing story.

I have a lot of love for the cool fantasy setting that the Dresden Files utilises as the combination of modern-day Chicago and classic fantasy monsters and magic is always makes for an excellent story. There are so many excellent elements to this fantasy society that Butcher has dreamed up over the years, and at this point in the series the lore and history of magic and its various factions is very well established. Despite this, Butcher always finds intriguing new elements to dive into each book, which is something I really appreciate. In White Night, he takes the time to look at the less powerful magic users in this society, the ones that don’t have enough magic to bother the White Council or interact with Dresden. These somewhat marginalised magic users have created their own societies and communities as a result, and it was really interesting to see Dresden interact with them, especially as, due to his position as a Warden, they all fear what he represents, which is a fun reversal of how Dresden was persecuted at the start of the series. I really loved seeing magic through the eyes of the little guy, and Butcher works them into the story in a very intriguing way.

The book also features quite a few White Court vampires, who feed on emotion and mental energy rather than blood. The White Court are always a rather distinctive inclusion in any Dresden Files novel, and of course there is the requisite extremely beautiful women and focus on lust that are a key part of the White Court vampires. However, several of the other factions of vampires are finally introduced here, those that induce and feed off fear and despair. This adds a rather darker angle to parts of the book, especially when these abilities are unleashed at full blast, and it was interesting to see how badly it can be weaponised. The accompanying vampiric schemes and backstabbing plans are also very fun, and Butcher manages to weave several elaborate ruses and plots into the narrative with some effective results. These fantasy elements, and more, really help to create a distinctive and captivating read, and I cannot get enough of Butcher’s ability to come up with and utilise the inventive elements.

As always, the characters contained within White Night were pretty damn amazing, and I felt that their complex and powerful character arcs added so much value and intensity to the plot. The focus is once again on protagonist and point-of-view character, Harry Dresden, who finds himself under all manner of immense pressure in White Night, which blows up around him in some big ways. Not only is he dealing with the dual responsibilities of having an apprentice and being the magical law in Chicago, but he also has some major family issues and a tone of intense mental trauma that has been building up over the last few books. A lot of this comes to a head in White Night, and Dresden actually comes across as a lot more angry and frustrated than he has in previous novels, especially after experiencing more losses and seeing some dreadful things. Butcher writes some compelling and complex storylines around Dresden’s many emotional concerns in White Night, and it proves very intriguing and powerful to see him try to work through them, especially as he is in denial about several of the more prominent concerns. The author does an amazing job exploring Dresden’s inner psyche here, and you come away feeling closer to him as a result. White Night is actually a pretty significant book for Dresden’s character growth, especially as several long-running storylines about his mental state finish up here, and this ends up being a pretty satisfying read as a result, especially if you like how he was portrayed in the previous few novels. Despite, or perhaps because of, his many issues, Dresden still brings his typical humour and complete disregard for decorum or his opponents to the table in White Night, and his fun comments and witty observations are responsible for most of the book’s comedy and entertainment. As such, Dresden remains a pretty impressive and likeable central character, and I cannot wait to see what future adventures and pain he has coming to him in the future.

White Night also features a great supporting cast of friends and antagonists to liven up the plot in some awesome ways. While most of the focus of the story is on Dresden, you see a lot of these characters and there are some fantastic and complex storylines written around them. The most prominent of these characters in White Night is probably Dresden’s half-brother Thomas Raith, who has been a major figure for the last few books. Due to his banishment from his vampire family, Thomas has been somewhat adrift in recent books, and it was clear that he had been keeping secrets from Dresden for various reasons. Most of his secrets are finally revealed here in White Night and it was interesting to see what resulted. Some of them are quite intriguing, some are pretty funny, and it was nice to finally get some answers, especially as it helped to strengthen the relationship between the two brothers. Other great characters in White Night include Dresden’s former lover, Elaine, who has managed to bounce back since her last appearance and is trying to become more like Dresden by helping people; Dresden’s dog, Mouse, who is such a fun supernatural canine character; and the fallen angel in Dresden’s head Lasciel, who has some of the most emotionally powerful scenes in the book. However, my favourite supporting character in White Night is probably Chicago gangster John Marcone, a mortal crime lord who dips his toes in supernatural affairs and often serves as an antagonist/uneasy ally of Dresden. Marcone is always very fun in these books, especially as he and Dresden play off each other perfectly, and he is the perfect foil to the hot-headed protagonist. His appearance in White Night is particularly good, as you get a deeper look at his true character, and realise he isn’t as evil as he appears. Despite that, he still proves to be rather ruthless and Butcher writes some amazing and compelling scenes around him. These characters and more add so much to the power and impact of White Night’s story, and I love how captivating and complex Butcher makes them.

I can’t talk about a Dresden Files novel without once again raving about its audiobook format. I love, love, love the Dresden Files audiobooks, and there is honestly no substitute to listening to these amazing stories, especially when all the audiobooks feature the incredible vocal talents of actor James Marsters. Marsters, who is one of my favourite audiobook narrators thanks to this series, is so damn talented, and his take on the Dresden Files books is very special. This proves to be the case again in White Night, as Marsters utilises all his intensity and passion to bring this epic story to life. His grip on all the major characters in White Night is pretty damn amazing, and I love how he manages to expertly portray all the characters, ensuring that the reader fully understands their personalities, emotions and inner thoughts when Marsters speaks in their voice. This is particularly true for protagonist Harry Dresden, a character that Marsters has always done an incredible job voicing, and I deeply appreciated how the narrator was able to capture his full emotional turmoil in this fantastic audiobook. This brilliant narration, as well as the great story it follows, ensures that White Night was another exceptional listen, and I had an outstanding time getting through this audiobook. Coming in at just over 14 hours, White Night was slightly shorter than some of the other Dresden Files audiobooks out there, but it still takes a little bit to get through it. However, it is well worth the time investment, and I cannot recommend White Night on audiobook enough.

Just like every Dresden Files novel I have read, White Night is an exceptional and captivating read that I had an absolute blast getting through. Jim Butcher’s novels always drag me in with their brilliant storytelling, complex scenarios and fantastic characters, and White Night is one of his more intense and exciting inclusions in the series. A highly recommended read and an outstanding addition to the series. I will be reading more Dresden Files novels as soon as I can.

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Proven Guilty by Jim Butcher

On June 10, 2023 By The Unseen LibraryIn Audiobook, Fantasy, Five-Star Books, Throwback Thursday6 Comments

Publisher: Penguin Audio (Audiobook – 1 February 2006)

Series: Dresden Files – Book Eight

Length: 16 hours and 16 minutes

My Rating: 5 out of 5 stars

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Welcome back to my Throwback Thursday series, where I republish old reviews, review books I have read before or review older books I have only just had a chance to read. This week I dive into another awesome entry in the exceptional Dresden Files series by Jim Butcher with Proven Guilty.

I have been having an outstanding time reading Butcher’s iconic and fantastic Dresden Files books over the last couple of years. One of the absolute best urban fantasy series ever written, the Dresden Files follows titular wizard and supernatural protector, Harry Dresden, as he investigates a series of crimes and magical conspiracies in Chicago. I got into these books back in 2020 and have been slowly getting through the series from the start, with most of the entries getting five-star reviews from me as I go. This includes the outstanding novels, Storm Front, Fool Moon, Grave Peril, Summer Knight, Death Masks, Blood Rites, Dead Beat and Battle Ground, as well as the novella The Law. I had so much fun reading the previous novels that I just had to dive into the eighth book this week with Proven Guilty, which proved to be another amazing read.

A year after officially becoming a Warden for the White Council of Wizards, Harry Dresden is chafing under his new role, especially the part that forces him to punish young practitioners with no real knowledge of the magic they wield. However, he must put aside his concerns when he is warned about black magic being used in Chicago, forcing him to start a new investigation into the city’s magical underbelly.

His investigations soon lead him to a seemingly normal horror movie convention where mysterious and sinister events are taking place. Brought in by one of the convention’s staff, Molly Carpenter, the daughter of holy knight Michael Carpenter, Dresden soon finds himself attempting to stem a series of supernatural attacks against innocent humans. The dangerous perpetrators all appear in the form of classic horror movie monsters, and their deadly attacks soon leaves a trail of mayhem across the convention. Forced to circumnavigate the police and other dangers waiting for him, Dresden works to hold back the dark supernatural tide, only to discover dangerous secrets that shock him to his core.

Working with his faithful dog, his vampiric half-brother, a cop with her own problems, and the most dangerous mother on the planet, Dresden attempts to right all the wrongs in front of him. But to succeed, he’ll need to confront the forces of the Nevernever, a rogue White Court Vampire, dangerous creatures forged from fear, and even the White Council itself. Can Dresden succeed or will his actions lead to even more suffering for those he cares about the most?

Butcher keeps his epic Dresden Files going in an amazing way with this eighth book, and I had an outstanding time reading Proven Guilty. Featuring an elaborate plot that effortless combines mystery and supernatural elements in modern day Chicago, while also serving as a key entry in the wider Dresden Files, Proven Guilty is a powerful and deeply captivating read that I had a great time listening to. I have so much love for this fantastic series, and Proven Guilty got another five-star rating from me as a result.

Proven Guilty has an outstanding story to it which sees the protagonist go up against a cohort of deadly enemies, some of which are disguised as horror movies creatures. I will admit that the start of the book was a tad slow, and I honestly thought that this was going to be more of a filler novel than anything else. However, it soon develops into an excellent story that loads up a cool mystery with some exciting encounters, deep emotional moments, strong character development, and the continuation or creation of several major storylines for the entire series. A conflicted Dresden is dragged into everything when Molly Carpenter requests his help, and he soon finds himself looking into the mysterious events at the horror convention. The main story goes in some very interesting directions, and I liked the great combination of investigation and fantasy elements as it continued, while several compelling side stories see Dresden facing even more danger and mystery. Several of these storylines came together quite nicely as the book continued, and Dresden soon identifies the main perpetrator of the threat, as well as other forces taking advantage of their actions. The impact of the big reveal of who was responsible wasn’t as significant for me, as I’d had that spoiled in advance, but it was still well crafted, especially the motivations behind it. However, the real meat of the story revolves around darker designs as unknown forces manipulate Dresden and his allies to do their bidding. This results in some very impressive scenes, including a massive magic battle in the Fae realm, and I loved how everything came together while also leaving some big mysteries open for later in the series. I also really enjoyed the complex wrap-up chapters, which saw Dresden go up against the White Council in some very intense scenes, as well as providing some excellent emotional resolutions that I deeply appreciated. Everything comes together perfectly, and this proves to be a fantastic new addition to already impressive series.

Butcher applies his usual excellent writing style to Proven Guilty, which always works well to convey his complex narratives. Like the rest of the series, Proven Guilty moves at a swift pace, quickly taking readers from one intriguing scene to the next, all of which is great in its own particular way, whether it be character interactions, plot developments, or lore downloads. At the same time, readers are treated to a great blend of fantasy elements, emotional moments, and a compelling investigation storyline, all of which is overlayed with a fun and signature bout of humour and snark, often directed from the protagonist. You really get drawn into Proven Guilty as a result, and I always love Butcher’s approach to the urban fantasy style, especially as both his unique fantasy world and the cool investigative story arcs work so well together. Like the rest of the Dresden Files books, Proven Guilty can be read as a standalone novel, although Butcher is juggling a few ongoing storylines and character arcs that had been built up in the previous entries. While the author always does a good job of recapping key events and reintroducing key characters, I really do feel that at this point in the series readers need to have enjoyed some of the previous books to get the full emotional and story impact Butcher is conveying. I do really need to critique one part of Butcher’s writing style for Grave Peril though, particularly how he oversexualised a teenage female character. The Dresden Files have always featured over-the-top descriptions of women, and while Butcher has gotten better about them as the series continues, he backslid here in Proven Guilty when it came to this character. While I do get what he was trying to do from a literary perspective, i.e. showing the vulnerability and confusion of teenagers, and how they act out a result, it honestly felt really icky to me, and I think the book would have been better off without it. Apart from that though, Proven Guilty is very well written, and I had a wonderful time getting through it.

I always really enjoy how well Butcher manages to utilise cool and complex fantasy elements into his narratives and Proven Guilty has some outstanding examples of this. Thanks to Dresden’s promotion to Warden in the last book, he is now a very prominent member of the White Council, and this provides him some bigger insights into the council and its members. This results in some great political scenes, as well as a deeper dive into the council’s law enforcement wing, which exists to hunt down and punish magic users who break the laws of magic. I found this to be pretty interesting and compelling, especially as the council’s determination to enforce the laws leads to some dark moments in the plot, and I liked the clever comparisons between them and the Chicago PD. The case also sees a return of the Fae Summer and Winter Courts, both of which have been featured heavily in the past, and Butcher has a lot of fun revisiting both and expanding the lore surrounding them. One of the most pivotal moments of the plot sees Dresden and his allies invading one of the most significant locations of the Winter Court, and I loved the carnage that resulted. As always, the various scenes of magical battle and encounters are a great highlight of Proven Guilty, and Butcher has a real talent for making the featured spells feel intense and spectacular. I also rather enjoyed the use of a horror convention (SplatterCon!!!) as a major background for the plot, especially as it allowed for a menagerie of movie monsters to emerge and attack the convention goers. There were a ton of fun homages here as a result, and it was very entertaining to see Dresden face off against several iconic monsters in some great scenes. These fantasy elements merge with the rest of the plot extremely well, and it was fun to see Dresden dive through the worst parts of his world to save the day.

One of the major highlights of all the Dresden Files novels in the fantastic cohort of characters that Butcher features and Proven Guilty is no exception to this as the author has utilised another fantastic group of figures, each of whom brings something emotional or compelling to the plot. The most prominent of these is naturally series protagonist Harry Dresden, who serves as the book’s main voice. Cocky, confident, emotionally damaged and highly conflicted, Dresden makes a great focal character and I have deeply enjoyed seeing his personal journey throughout this series. While still responsible for most of the book’s humour thanks to his jokes and fun observations about the other characters and all things magic, Dresden is decidedly a little more serious in Proven Guilty, especially as he is still recovering from some of the traumas of the previous books, including his injuries, his possession by a fallen angel, emotional conflicts with those closest to him, and the guilt over being forced to kill two people in his previous adventure. This provides a noticeable change to Dresden in this book, and I felt that Butcher did a wonderful job showcasing this in several emotionally charged confrontations and scenes. At the same time, Dresden is also dealing with his misapprehensions for working for the White Council as a Warden, especially as he is having trouble believing in all their rules. This leads him into even greater conflict as the book continues, especially when he finds out who is truly responsible for the latest evils he uncovers. All these personal issues and traumas help to provide a deep emotional layer to the plot, and it was one that Butcher masterfully addressed, providing some compelling and satisfying resolutions to several of them. I particularly liked how Dresden’s story is coming full circle in some ways, and it will be interesting to see how that plays out in the future.

Aside from Dresden, there are a ton of other great characters featured through Proven Guilty who add their own flavour to the plot. This includes an excellent range of new figures and well-established supporting characters, and I liked the mixture of storylines and character arcs that emerged. Dresden’s usual allies, Karrin Murphy and Thomas Raith are very well utilised again here, both as supporting characters for Dresden’s adventures, and as individuals with considerable personal and professional issues to deal with. Molly Carpenter, a minor figure from the previous novels, returns in a big way here and serves as an intriguing new addition to the plot. While I have some major concerns about Molly’s portrayal at times, her storyline had some great depth and it will be interesting to see how that develops in the future. This use of Molly also allowed a great focus on her mother Charity, another minor character from the previous novels, who gets a fantastic showing in Proven Guilty, especially as she shows herself to be an absolute badass. Throw in Harry’s giant dog Mouse, who is one of my favourite characters in this series now, and differing voices of Dresden’s two supernatural advisors, Bob and Lasciel, the angel and demon on his magical shoulder (both literally and figuratively), and you have a pretty outstanding cast here, and one that I always have a great time following.

As always with one of the Dresden Files novels I really need to highlight the exceptional and awesome audiobook versions which are my favourite way to enjoy this amazing books. The format really lends itself to the intense action, fast-paced storytelling and great characters contained within Proven Guilty, and I really found myself powering through this great audiobook in no time at all. With a run time of over 16 hours, this is one of the longer Dresden Files audiobooks, but I still managed to knock it off in a few days, as I never got sick of listening to it. The main reason for this is the outstanding narration of actor James Marsters, who has lent his powerful voice to the entire Dresden Files series. Marsters effortlessly dives into the story each time, and he brings some real gravitas and feeling to the plot and characters. The various voices he produces does each member of the complex cast great justice and I love how well he portrays their feelings, interactions, and personalities. This is mostly easily seen in main character Harry Dresden, who is suffering from a lot of different abuses by this point in the series. Marsters really does such a great job showcasing his various emotional and personal issues and I am always so impressed with how the narrator just gets this complicated character and brings that out with his voice. This great performance does so much to enhance the experience of listening to Proven Guilty on audiobook and I cannot recommend this format enough to people interested in checking out this cool Dresden Files entry.

Unsurprisingly, I had an outstanding time with Proven Guilty and it proved to be an excellent continuation of Jim Butcher’s epic Dresden Files series. Featuring another brilliant story, some fantastic character growth, and even more magic and mayhem, Proven Guilty was a ton of fun to get through, and I have so much love for this series. Indeed, I had such an incredible time with Proven Guilty that I have already started listening to the next book in the series, White Night, which I will hopefully review next week. I honestly can’t give Proven Guilty a higher compliment than that, and this is a pretty damn amazing read.

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The Voyage of the Forgotten by Nick Martell

On February 25, 2023 By The Unseen LibraryIn Audiobook, Fantasy, Five-Star Books8 Comments

Publisher: Gollancz (Audiobook – 3 November 2022)

Series: The Legacy of the Mercenary King – Book Three

Length: 19 hour and 47 minutes

My Rating: 5 out of 5 stars

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One of the very last books I read in 2022 might be one of the very best: the latest epic novel from Nick Martell, The Voyage of the Forgotten, which showcases just how much of an impressive, rising talent this outstanding author truly is.

Since 2020, one of my absolute favourite new fantasy authors has been the very, very talented Nick Martell, who burst into the scene in a big way with his elaborate and compelling The Legacy of the Mercenary King trilogy. This series started with The Kingdom of Liars, an exceptional book that introduced Martell’s intriguing fantasy world and distinctive protagonist Michael Kingman. The scion of a formerly great family whose patriarch was executed for a murder he didn’t commit, Michael spent most of The Kingdom of Liars trying to prove his father’s innocence while also finding himself dragged into various conspiracies infecting his home city of Hollow. I had an amazing time reading The Kingdom of Liars, and it ended up being one of my favourite books, audiobooks and debuts of 2020. Martell expertly followed his first novel up a year later with the equally incredible The Two-Faced Queen, which continued many of the fantastic story threads from the first book. However, the stakes were raised even further with the protagonist forced to deal with immortals, dragons, assassins, serial killers and more, all while trying to stop the woman he loves from killing him. This was another exceptional read, and The Two-Faced Queen was easily one of the best books and audiobooks of 2021. Naturally, there was no way that I would not read the third and final book in the series as soon as I could. This third book, The Voyage of the Forgotten, was one of my most anticipated reads of 2022, and I eagerly dove into it just before the year came to a close.

After proving his father’s innocence and restoring his family’s place in Hollow society, Michael Kingman should be happy. However, the closer he comes to victory, the more tragedy and defeat he suffers. Not only is the love of his life, Serena, the queen of Hollow, engaged to a merchant prince with his own elaborate agenda, but dangerous conspiracies centred on Michael seem to emerge from around every corner. His sister is enslaved to an immortal Wolven King who seeks war with his soon to be freed brothers, while his mercenary mentor, Dark, is becoming one of the most dangerous creatures in existence, using his stolen dragon magic to wreak havoc and destruction in the name of love. However, his true enemy remains Angelo Shade, Dark’s father, who seeks to bring back his dead wife and will burn the world, and everything Michael loves, to achieve it.

Thrust once again into this deadly battle of forces outside his league or ability to comprehend, Michael only has his wits, his barely trained magic ability, and a few dedicated friends to fight against the immortal schemers who have spent years bringing their elaborate plans to fruition. However, Michael is well used to being outclassed and underestimated by everyone he goes up against, and he resolves once again to make everyone pay to keep those he loves safe from harm.

Gathering his allies, Michael embarks on a foolish quest to fully understand all the world’s secrets that have long been hidden from him and ensure that he has the weapons to survive. But his course of action will put him at odds with the deadly mercenaries of Regal Company, all three of the ancient Wolven Kings, and even his own mercenary company. Defeating all of them seems impossible, but that has never stopped him from trying before. Can even the legendary stubborn Michael Kingman succeed and achieve his goals of becoming a Mercenary King when fate itself seems set against him? And even if he succeeds, is he willing to pay the terrible price that victory demands?

Wow oh wow, what an epic book. Nick Martell continues to deeply impress me with his captivating story writing ability as he brings this trilogy to a powerful and momentous end that I was instantly addicted to. The Voyage of the Forgotten was a truly exceptional read, loaded with amazing characters, elaborate fantasy lore and an intense story that refused to drop my attention. I can find no higher praise for this book than the fact that I named it one of my favourite books of 2022 well before I had even finished it; the first half was that damn good.

Martell has come up with a pretty epic narrative for The Voyage of the Forgotten, and it is one that I will not forget in a hurry. However, the first thing that I need to say about the story is: if you haven’t read the first two The Legacy of the Mercenary Kings novels, go back and start at the beginning. Martell has loaded the entire series with a ton of intricate and interesting lore, and he starts rapid firing back to the events of the last two books extremely early on in the story. While there is a useful Dramatis Personae, as well as a fun summary of previous events from one of the side characters, which helped to refresh my memory, if you haven’t read the previous books you will get lost very quickly when trying to read The Voyage of the Forgotten. The narrator is constantly making references to previous events, revelations, or characters who only appeared in the prior books, and it can get a little confusing if you don’t know what he is talking about. As such, I would strongly recommend reading (or re-reading) The Kingdom of Liars and The Two-Faced Queen in advance, which is a very small chore considering how amazing they are.

Now, if you’re up to speed on the prior books, you are in for a real treat when it comes to The Voyage of the Forgotten’s story. Told mainly from the perspective of protagonist and calamity-magnet Michael Kingman, Martell weaves together an intriguing, action-packed and character-driven conclusion to the elaborate story he set up in the first two books, which also leaves a lot of room for the larger series to grow in the future. The author once again primarily utilises a chronicle style from Michael’s perspective, which really helps to tell this unique story, especially as it forces Michael’s chaotic and hilarious personality into the story and made every scene seem that little more entertaining and personal.

The narrative itself starts quickly and effectively, with a series of fun battles, big confrontations, and a horde of vengeful dragons, all of which ensures that the reader is quickly reintroduced to the chaotic main character and the multiple tangled webs and conspiracies that he has found himself involved in. The story quickly advances to the main issue of this book as Serena Hollow loses her memory, and Michael is forced into an epic quest to find a cure. This of course leads Michael to fight against the entire world, as everyone is opposed to his quest, and this ends up resulting in multiple intriguing or over-the-top encounters. At the same time, Michael is constantly trying to unravel the mysteries of the world and his many enemies. There are some epic scenes and sequences in this first half of the book that I really fell in love with, and Martell has some fantastic writing chops behind him that makes his outrageous concepts really work and come to life. For example, one of the best sequences in the first half of the book sees Michael trapped in his own mind, forced to experience multiple loops of a historical battle from an ancient time. The constant death and fighting that occurs over innumerable rotations slowly drives the protagonist mad, which Martell captures perfectly in exquisite detail. Partnered with this intriguing sequence are several scenes showing an external view of Michael’s body, which has been taken over by a malevolent entity. This ended up being one of the best moments of the entire book, especially as it has a very fun ending.

In addition to the action, Martell continues to unwind or add to the overlying layers of conspiracies, plots and personal or historical secrets that have always been such a fun part of this series. Several long-running story threads are finally resolved in the first half of the book, and it is so much fun to see Michael finally get quite a few intriguing answers. Martell really does not hold back with the revelations in The Voyage of the Forgotten, and the entirety of the book is loaded with characters unburdening their secrets (at least some of them) or discussing the unique history of the wider world. I absolutely loved every sequence where revelations about this universe and its fun inhabitants came to the surface, and it was fascinating to see how they fit into the wonderful tapestry that Martell has woven throughout this trilogy. This universe building is further enhanced by a series of great interludes with alternate narrators, which show events outside of Michael’s knowledge and experiences. Not only do these help to showcase some of the fun supporting characters from the first two books but it also deepens the narrative and shows what schemes his friends, and more importantly his enemies, are up to, which provides some fun foreshadowing.

Everything really comes to a head in the second half of the book as Michael and his companions are thrust towards their destinies. After several major setbacks and further revelations that show off the sheer scope and intricacies of the story, you and the protagonist are dragged back on the road towards the final epic confrontation. The author sets all of this off perfectly by finally answering some big secrets that have been bedevilling the protagonist since the beginning, and there is a particularly cool twist that makes you rethink every major event of the first two books. I really loved how Martell briefly changed the narration around when this big twist is revealed and had Michael address the audience directly to reveal why he never mentioned certain details in his previous storytelling. This helped to really sell the effectiveness of this major reveal, as well as showcase a previously unseen alternate layer to the character’s personality, and I personally thought that this was bit of pure genius from Martell. All this leads up to the big final confrontation as Michael finally comes face to face with Angelo Shade, the main architect of his family’s pain, as well as some other surprising foes. This big conclusion is everything you would want it to be, with some epic moments, utter tragedy and multiple character arcs coming full circle in all the right ways. While parts of this conclusion do get a bit overly complicated and metaphysical, I felt that it came together pretty damn perfectly in ways that really fit the universe and the controversial main character to a T. Readers will come away from this conclusion both heartbroken and hopeful, and I felt that it was an exceptional and very on-brand ending to one of the more distinctive fantasy trilogies of the last few years.

I honestly think that Martell wrapped this book up extremely well, and my only major disappointment is that there was not more crammed in, as I would have gladly listened to several more hours of it. The exceptional narrative, backed up with extensive lore, amazing character development and the very distinctive writing style helped to make this final book really pop, and I was honestly impressed every step of the way. I was also very happy with how Martell handled the sheer range of extensive storylines that he had set up in the previous books. My main concern before reading the final book was that Martell would be unable to wrap up every storyline or plot point he had set up. Indeed, there are still quite a lot of potential storylines and questions that were unresolved by the end of the book, but Martell is clearly setting up a sequel trilogy of some design in the same universe. Some of the best ongoing storylines have been left to continue in the future, and I for one am very excited for that as I hope to spend many more years getting lost in Martell’s world. I felt that the author was cleverly selective when it came to which storylines ended in The Voyage of the Forgotten, as he chose to close off the ones connected with protagonist Michael Kingman, while leaving others open. This ensures that any future stories will probably focus on some of the other characters that Martell has set up in this trilogy, and indeed it is pretty clear who that will be. I personally look forward to seeing a new take on this universe in the future, and it will be very interesting to see how the narrative continues with a major change in perspective.

One of the things that has always impressed me about The Legacy of the Mercenary King trilogy is the elaborate and well-thought-out fantasy world that the story has been set in. Its dark and grim nature, coupled with the intricate history, compelling magic system, and diverse people, has always added so much to the story, and this remains true in The Voyage of the Forgotten. Because he did not shut off this universe completely, Martell was given free rein to continue to expand on his elaborate universe, and boy did he. The reader is treated to a ton of extra information and history about this amazing world, including some of the strongest glimpses about the mysterious Wolven Kings, the world’s various immortals and other unique creatures, and their long-running battles throughout history. There are several glimpses of the past thanks to magic, and you really learn a lot about what previously befall many of the immortal characters and how this affects their current motivations. In addition, several new cities, islands, nations, groups and other great elements are featured heavily in the plot as Michael and his companions explore the wider world and engage on some massive sea voyages. Martell does a great job of incorporating these new elements or character history into his wider narrative, with the protagonists either spending substantial time exploring this information, or else discussing it with the clear intention that it might become a major detail in the future. I really enjoyed how many of the previous novel’s mysteries were answered thanks to world expansion featured in this novel, and it is very clear that Martell has a lot more planned for this fantasy world in the future.

Of course, I also need to mention the cool magical system that Martell features throughout The Voyage of the Forgotten, especially as it has some major and extremely clever implications on the plot. Like the first two books, the main form of magic featured is Fabrication, which forces the user to sacrifice their memories to perform magic. It is actually quite horrifying to see the consequences of Fabrication misuse, as some of the users forget friends, facts or family, and this is often enhanced by the user’s sacrifice or by the fact that they suddenly lose all concept of someone they’d grown close to. However, this is nothing to becoming a Forgotten, someone who has completely lost their memories or sense of self, and this is strong explored in this book. I deeply appreciate the amazing way that Martell utilises this memory loss throughout The Voyage of the Forgotten, especially when it relates to the protagonist, as he often does not remember what he is forgetting, and it is always very heartbreaking when you notice that he, or one of the supporting characters, has forgotten something or someone important. This darker side of magic is well counterbalanced by the various impressive usages that occur throughout The Voyage of the Forgotten, and there are some rather elaborate battles that take place as a result. Martell also does a very deep dive into the origins of magic in this novel, and you find out some interesting facts about Fabrication, as well as other magical disciplines that exist in this universe, many of which have been cleverly foreshadowed throughout the trilogy. I really enjoyed seeing some of the over-the-top magic that was utilised by other characters throughout the various battles, and there are some very interesting moments as a result. It will be very interesting to see what happens to the magic use in the future, especially considering the major changes to Fabrication theory that occurred at the end of The Voyage of the Forgotten, and I look forward to seeing how Martell continues that intriguing plot thread.

While I can go on about the story, setting, magic and writing, for me the true strength of The Legacy of the Mercenary King books has always been the outstanding and extremely complex characters. This remains the case in The Voyage of the Forgotten as Martell brings many of his best characters back for a particularly emotional adventure. There are so many major and dramatic character moments throughout this book as Martell used the end of the trilogy to wrap up multiple character storylines and events. I really appreciated some of the fantastic development and big character moments that occurred throughout this final book in the trilogy, and fans of the first two novels are going to be very moved by what happens to their favourite characters.

The primary focus of the plot is naturally Michael Kingman. Martell has done some real wonders around Michael Kingman in the last two books, and he has ended up being one of the most complex characters you are ever likely to encounter. A highly damaged individual who has had his mind warped by magic, has seen his family destroyed, has been forced to live up to an impossible legacy, and has been kept apart from the love of his life, Michael has had a lot of growing to do in the last two books, and Martell has really laid on the character development. As such, the Michael Kingman in The Voyage of the Forgotten is wiser and more mature than we have previously seen, although he still has some ways to go. However, Martell ensures that this growth continues in this final book, as he keeps trying to become a better person, especially when faced with the certainty of his death and the loss of people he loves. There are some major moments when Michael is forced to face damaging revelations or hard truths and each of them change him in some way, often during a pivotal and well-written scene. Martell also cleverly includes some great secrets about his past and his life that I thought were pretty damn epic, especially as it answers some major questions about his personal history and why he is stuck in the middle of events.

Despite all this, Michael is still the same cocky bastard that he was at the start of the trilogy and his overconfidence, determination and sheer ability to enrage anyone he comes into contact with is so damn entertaining. Seeing normally calm and collected characters trying to deal with the Michael problem always result in some of the funniest scenes, and I loved the often hilarious edge that the character brings to much of the story due to his amusing narration. As such, you find it very hard to dislike Michael, no matter how hard you try, and his unique and heartbreaking tale is one that will appeal to many people. Martell wraps up much of Michael’s great and intense story in this final book and it was very moving to see some of the dark sacrifices the character is forced to make to save his family and fix some of his biggest mistakes. I guarantee you will not be prepared for everything that Michael goes through in The Voyage of the Forgotten, but you won’t be able to turn away as Martell does some dark, yet wonderful things, to his best creation.

In addition, quite a lot of the book focuses on major secondary character Serena Hollow, Queen and love of Michael’s life, who has had a turbulent relationship with her Kingman. This relationship gets even more complex in The Voyage of the Forgotten, especially when Serena becomes a Forgotten without any idea of who she is or what her many responsibilities are. You see a much more free version of the character in this book, and I found the differences between this person and the vengeful queen of the second book to be very intriguing. The continued focus on the relationship between Michael and Serena hits extra hard as a result of this loss of memory, and it is fascinating and moving to see them attempt to rekindle what they had. Honestly, their entire story is pretty tragic in this final book, but I was nice to see a powerful conclusion to their doomed love story and Martell features some damn fine character work when it comes to Serena.

Aside from Michael, The Voyage of the Forgotten features a rich and extensive cast of characters, many of whom are returning from the previous two books. Standout characters include Dark, the mercenary killer who serves as Michael’s mentor and possibly most dangerous foe, as he attempts to find his own way to bring back the dead. Dark is a brilliant character, and I love how Martell has written such an edge of menace around him, although by the events of The Voyage of the Forgotten Michael is pretty much immune to it, resulting in some very entertaining interactions. You also have to love the sinister Angelo Shade as the main antagonist of the book. Michael’s former foster father and the man responsible for his family’s downfall, Angelo has been an outstanding manipulative bugger the entire way through this trilogy, and I loved seeing more of his games in this final book. Watching his elaborate plans come to fruition is pretty amazing, and Martell does a good job continuing to show his past and motivations, ensuring his obsession with bringing back his dead wife is mirrored by Michael’s attempts to save Serena. Other great characters like Naomi, Chloe and Alexis have some fantastic moments in this book as the main supporters of Michael and Serena, and it was great to see some of their storylines. The rest of the cast make some fantastic appearances as well, although it is interesting that several key characters from the first two novels only had minor appearances, and indeed I was a tad disappointed that some figures, such as amusing immortal nobleman, Charles Domet, were barely featured. However, it is clear that Martell is saving them up for future entries in this larger series, and I look forward to seeing what happens to them next. Overall, this was a great cast of characters and Martell should be congratulated on the amazing character work he did.

While I received a massive physical copy of The Voyage of the Forgotten, I chose to listen to the audiobook version of this book when it first came out, and boy was I glad that I did. I have often said that the audiobook format is the perfect way to absorb vast amount of lore and universe elements (at least for me), and, with all the revelations and expansions that Martell featured here, that proved to be a major boon. The story came across perfectly in this format, and you can easily visualise the powerful scenes, battles of wits, and some of the more outrageous actions of the characters, as they are read out to you. It helps that this audiobook was once again narrated by one of my favourite audiobook narrators, Joe Jameson, who has impressed me before with the first two audiobooks in the series, and with his work on King of Assassins by R. J. Barker and the fun Warhammer 40,000 novel, Fire Made Flesh. Jameson always does a remarkable job with his narration of Martell’s books, and his great tones and pacing help to move The Voyage of the Forgotten along at a fast clip. However, the main advantage of Jameson as a narrator is the cool voices he brings out for the characters. While I was not the biggest fan of a couple of his female voices, the majority of his narration was pretty much spot on and I felt that he really showcased the cool personalities and emotions of the key figures. However, the best voice is saved for the main protagonist and narrator Michael Kingman, who Jameson perfectly encapsulates throughout the course of the audiobook. Jameson really gets into Michael’s head with his narration and expertly portrays his personality, emotions and thought process. This great portrayal of the central characters adds so much to overall quality of the entire audiobook, and my enjoyment of The Voyage of the Forgotten as a whole, and I loved every damn second of Jameson’s narration as a result. This honestly was the best way I found to enjoy The Voyage of the Forgotten, and I very strongly recommend it as a result. With a run time of just under 20 hours, it does take a little bit of effort to get through this audiobook, however, it is more than worth the effort as you will have a fantastic time.

If this extensive write-up didn’t give it away, I clearly deeply loved The Voyage of the Forgotten. Nick Martell has wrapped up his The Legacy of the Mercenary King trilogy in an exceedingly epic way, and I deeply enjoyed how the elaborate, powerful, and character rich narrative came to an end. This is some of Martell’s best work yet, and if you haven’t experienced this amazing fantasy author’s work yet, you are really missing out. I look forward to seeing how Martell will continue this story in the future, and any follow-up trilogy that will jump to the top of my to-read list the moment it is announced. In the meantime, make sure to check out this exceptional book, as well as the proceeding two novels in the trilogy, as The Voyage of the Forgotten gets one of the easiest five-star ratings I have ever given out.

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Unforgiven by Sarah Barrie

On January 24, 2022December 4, 2023 By The Unseen LibraryIn Australian, Five-Star Books, Thriller23 Comments

Publisher: HQ (Trade Paperback – 1 December 2021)

Series: Standalone/Book One

Length: 480 pages

My Rating: 5 out of 5 stars

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Talented Australian author Sarah Barrie presents one of the darkest and best Australian thriller novels of 2021 with Unforgiven, a powerful and captivating read that sets determined protagonists against the very worst of human monsters.

Years ago, the city of Sydney was haunted by a terrible paedophile and murderer known as the Spider, who kidnapped, molested and killed young girls, all on camera. His reign of terror was ended suddenly one violent night thanks to two women, a determined rookie police officer, Rachael Langley, and one of the Spider’s young victims, Lexi Winter, who disappeared never to be seen again.

Now, after years of living on the street, Lexi has grown up tough and hard, determined to escape the tortures of her childhood through alcohol while trying to reconnect with the sister she was forced to leave behind. However, Lexi is still obsessed with taking down monsters, and with her impressive hacking skills she spends her days tracking paedophiles, entrapping them, and ensuring they are captured by the police. However, when her latest target proves to be particularly illusive online, she makes a fateful decision to break into his house, only to witness him being murdered.

At the same time, Rachael Langley is now a successful detective inspector, solving some of the toughest crimes in Sydney. Still lauded for her role in stopping the Spider, Rachael lives in regret for being unable to save Lexi all those years before. However, everything changes when a man calls her, claiming to be the real Spider and providing proof by horrifically murdering another child on camera. Quickly establishing a police taskforce, Rachael and her team must determine if the killer is a copycat or whether Rachael captured the wrong man all those years ago. To solve this case Rachael is going to need help from the last person who wants to see her, Lexi, but can these women work together after everything they have been through? And what happens when their killer learns that Lexi is still alive and hunting for him?

This was an intense, grim and deeply compelling Australian crime fiction read from Barrie, who has written an amazing and powerful story that proves very hard to put down. Unforgiven was the first of Barrie’s books that I have read, although several of her other Australian crime fiction novels are quite intriguing and I might try and read them at some point after being so captivated by this epic and moving read. This was such an addictive novel that it gets a full five-star rating from me.

Barrie has come up with a very impressive and intense narrative for Unforgiven that sees several damaged characters dragged into the web of a dangerous and clever criminal. The story has a great start that showcases the lives of the main protagonists, Lexi, Rachael and Rachael’s nephew and fellow police officer Finn, as well as giving some hints at the events of the original Spider case that so deeply impacted the female main characters. After this quick set-up, the story advances in all its dark and powerful glory, as two fascinating plot lines develop. Lexi, who has become an online vigilante hunting paedophiles on the dark web, finds herself caught up in a brutal murder when one of her targets is murdered by a mysterious figure while she is sneaking into his house. Most of her early story involves her continued attempt to hunt paedophiles while also trying to find a way to hide the body of the murdered man, for which she gains some help from an interesting source. At the same time, Rachael and Finn become involved in a brutal case when the man claiming to be the real Spider calls Rachael and leads them to murdered young girl, forcing them to once again dive into the unsettling world of paedophiles.

Both storylines advance at a quick and compelling pace, with each of the main protagonists facing massive challenges as they attempt to achieve their objectives. I liked this initial separation of the storyline, and the two plotlines work well together in tandem, with the reader getting pretty caught up in both narrative threads. At the same time, the author drip-feeds in bits and pieces of Lexi and Rachael’s pasts, especially the events that led up to the arrest of the Spider and the disappearance of Lexi. This deepens the audiences’ connections to the two protagonists so that when their storylines inevitably connect it really enhances the impact of the scene. Unforgiven shifts into high gear once these plotlines are joined, with all three protagonists working towards the same goals, although Lexi maintains her secrets. Barrie starts throwing in some real curveballs here, providing a complex and intriguing case that throws the protagonists through the emotional wringer as they get closer to the big and powerful conclusion of the novel. There are some great twists in the last half of the book and while I saw a couple of things coming, there were some fantastic surprises that really threw me. This ends up being an outstanding and complex story, and the readers will be left wanting more, especially as Barrie leaves it open for a sequel, which I really hope she does.

While I deeply enjoyed the captivating and intense story contained within Unforgiven, this was a bit of a hard novel to read at times due to its very, very dark content. Unforgiven focuses on the hunt for a murderous paedophile and his child exploiting friends, which inevitably leads to some depictions of the terrible acts they commit, not only to children in the current storyline, but to the protagonist Lexi back in her childhood. Barrie really does not pull any punches here, and the book contains some very dark and grim moments that really stick in the mind. These powerful and shocking scenes really raised the stakes of the book and ensured that the reader becomes extremely invested in seeing the protagonists achieve justice through their actions. While I really appreciated that Barrie was trying to raise awareness and showcase just how evil some people can be, I will admit that some of these scenes did get to be a bit much at times, forcing me to stop and put the book down. Readers are warned that Unforgiven has very strong themes of violence and abuse against children and young people. However, if you can get past that, it is worth it, as Barrie does an excellent job telling this rough story about true human evil.

Unforgiven’s already brilliant and powerful narrative is enhanced by the impressively written and complex central characters contained within. Barrie has gone out of her way to introduce several very damaged and compelling protagonists, each of whom add so much to the overall plot thanks to their excellent backstories and substantial development. The most prominent and interesting of these characters are the two female leads of the book, Lexi Winter and Detective Inspector Rachael Langley, whose lives became irreparably entangled all those years ago. These two characters serve as two of the three main point-of-view characters, with most of the story told from their perspectives.

Lexi was a great character, and I was deeply impressed with the amount of work that Barrie put into her complex and damaging past, as well as her distinctive current personality. There were so many interesting aspects to Lexi, who immediately stands out as a protagonist thanks to her damaged personality, strong sense of deduction and observation, her badass ability with a computer and the fact that she is the only character whose chapters are told in the first person. I loved the intriguing contradictions in her life as Lexi makes a living as an escort while devoting most of her personal life to being an online vigilante/hacker extraordinaire who specialises in taking paedophiles down. This makes for such a distinctive character, especially once you figure in all the major impacts of her childhood that has left her such an emotional mess. Barrie does a good job of slowly revealing all the horrors of her early life, and while some of the scenes are pretty brutal, it is amazing to see everything that the character has risen above to still be such a strong figure. The reader swiftly gets attached to Lexi as a protagonist and it will be fascinating to see what happens to her next if Barrie decides to turn this into a series.

The other central character that I must talk about is Rachael, the veteran detective inspector whose career was built off the success of the Spider case. Rachael is a great police protagonist, a confident, intelligent and strong figure who is able to keep most of her people in line and pursue a vigorous investigation. However, Barrie builds in several great aspects to her character that really impact this protagonist throughout the course of Unforgiven. Firstly, there is the guilt that Rachael still feels over her past with Lexi, especially as Rachael failed her in a way which is slowly revealed over the course of the book, especially once the two reunite and have an awkward relationship. The other aspect is the doubt that slowly creeps into Rachael as the case proceeds, especially as the possibility that the original person convicted in the Spider case might be innocent. This doubt, coupled with the guilt over the fact that she could be responsible for the latest deaths by not actually catching the real Spider, starts to impact her throughout the book and proves to be an intriguing motivator for some of her decisions. These complex aspects really helped enhance the emotional power of Unforgiven and I really appreciated the intense storyline that Barrie wrote about people living in the past and accepting one’s mistakes. I really enjoyed seeing both Lexi and Rachael in this novel, and they had some great storylines in this book.

Aside from Lexi and Rachael, there are several other great characters in Unforgiven I should mention. The most prominent of these must be Detective Senior Sergeant Finn Carson, Rachael’s nephew and second-in-command of the investigation, who ends up being the third major point-of-view character. Finn was an excellent male police character who serves as an interesting counterpoint to the two female protagonists. While not as damaged as the other two, Finn has his own issues, and his viewpoint really added to the overall quality of the book. I was also a big fan of Lexi’s neighbour Dawny, an eccentric older woman who assists Lexi in several matters, including disposing of a body (what are good neighbours for?). Dawny was one of the funniest characters in the book and it was great to see the protagonists be completely baffled by her knowledge and ability to come up with effective solutions to problems while maintaining the batty old lady routine. I quite liked the eventual reveal of who Dawny really was, as it fit in well with the other characters in the book, and it will be fun to see if Barrie brings her back at some point in the future. Finally, I definitely need to highlight the villain of the book, the Spider, who is one of the most despicable fictional antagonists I have seen: a sordid child abuser and murderer who films their grisly crimes. You quickly feel a lot of hate towards this character, even if you don’t know who they are for most of the story. The eventual reveal and the various twists around them were quite clever and I had an amazing, if disturbing, time finding out who this monster was. An overall exceptional character driven novel, you will quickly find yourself getting stuck following all these fascinating and compelling figures.

Unforgiven by Sarah Barrie is an outstanding and impressive read that takes the reader of a gritty and vicious ride. Filled with a disturbing narrative and some brilliantly damaged central characters, Unforgiven is an utterly captivating read that is near impossible to put down or forget about. Easily one of the best Australian thrillers of 2021, Unforgiven comes highly recommended and I am extremely excited to see what other incredible novels Barrie comes up with in the future.

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Throwback Thursday: The Gray Man by Mark Greaney

On September 17, 2021February 2, 2023 By The Unseen LibraryIn Audiobook, Five-Star Books, Thriller, Throwback Thursday28 Comments

Publisher: Audio Studios (Audiobook – 29 September 2009)

Series: Gray Man – Book One

Length: 11 hours and 11 minutes

My Rating: 5 out of 5 stars

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Welcome back to my Throwback Thursday series, where I republish old reviews, review books I have read before or review older books I have only just had a chance to read. For this latest Throwback Thursday I check out the debut novel of impressive thriller author Mark Greaney, The Gray Man.

Over the last few years, I have been really enjoying some of the latest novels from the amazing Mark Greaney, one of the leading authors in the spy thriller genre. Having previously worked with Tom Clancy on his Jack Ryan series, Greaney is probably best known for his awesome Gray Man series. I have managed to check out the last three novels in this great series, which have been some pretty awesome reads, including Mission Critical, One Minute Out (one of the best books and audiobooks of 2020) and Relentless (one of the best books and audiobooks I have so far read this year). I also really enjoyed the outstanding military thriller he did with H. Ripley Rawlings, Red Metal, which ended up being one of my top books and audiobooks of 2019). I have long been meaning to go back and check out the earlier books in the Gray Man series, especially as there is a big Netflix adaption coming out soon (directed by the Russo brothers and starting Ryan Gosling and Chris Evans). I finally got the chance a few days ago to read the first Gray Man novel, which was also Greaney’s debut book, and I am extremely gad that I did as The Gray Man proved to be an exceptional novel with boundless action.

Court Gentry was the very best operative the CIA ever had, and for years he helped take down vital targets the world over. However, his career in government espionage came to a violent end when Gentry was set up and burnt, becoming one of the most wanted men in the world with a shoot-to-kill order on his head. With the entire intelligence community gunning for him, Gentry disappeared into the shadows, becoming a private assassin. Despite his murky profession, Gentry keeps his humanity by only accepting contracts on those people he believes deserve to die. After years of taking out the very worst gangsters, war criminals and terrorists in impossible situations, Gentry has gained a legendary and is known throughout the business as the Gray Man.

However, after his latest job sees him assassinate a high-ranking member of the Nigerian cabinet, Gentry suddenly finds himself under attack like never before. The outgoing president of Nigeria now wants the Gray Man dead, and with a powerful French company on the hook for a billion-dollar contract, he has the perfect tool to get his vengeance. Led by former CIA officer Lloyd, the French company have organised for a team of hitters to take Gentry down for good, but when their first strike fails, they must get inventive.

Taking Gentry’s handler and his family hostage, Lloyd gives Gentry an ultimatum, travel to their compound in Normandy within the next day or he will kill the hostages, including two young girls. Determined to save his friend’s family, Gentry is forced to traverse the entirety of Europe to get to his target. However, between him and his destination are 12 elite kill teams from around the world, each of them competing for a massive bounty on his head. With every eye on the continent watching out for him and no possible backup, Gentry will need to fight his way through more than 100 killers if he is to succeed. For most men this would an impossible task, however, the Gray Man is anything but ordinary and he is about to show the world why he is the absolute best.

Well damn, now this was an incredible thriller. I actually managed to power through the audiobook version of The Gray Man in two days especially once I got stuck into the incredible story. Loaded with a ton of action of spy thriller excitement, this was such a fun and action-packed read that gets a full five-star rating from me.

I deeply enjoyed The Gray Man’s exciting and compelling narrative, which takes the reader on a wild ride through death and destruction. While I wasn’t the biggest fan of how the book started, as the slaughter of Taliban soldiers in Iraq seemed a tad over-the-top for an introduction scene, it honestly does not take long for the rest of the story to get incredibly addictive and fun. The moment that the antagonists start targeting Gentry, all bets are off and what follows is an incredible blend of action, adventure and spy tradecraft that is very hard to put down. I loved the central story concept of Gentry forced to fight his way across Europe, and Greaney did a great job setting this entire scenario up. This results in an awesome central section of the novel, where Gentry slowly moves through Europe towards his goal, with everyone in the way trying to kill him. The action and intensity of these scenes are first rate, and I loved the slow, deliberate war of attrition that the antagonists wage against Gentry, with the protagonist forced to contend with a lack of equipment, allies, and later in the book, blood. This exceptional story eventually leads up to a massive conclusion, with a wounded Gentry storming the castle and facing off the people who have expended a lot of effort into killing him. The entire story is wrapped up extremely well, and readers are left very satisfied and happy with how everything turns out. I had a fantastic time getting through this outstanding story, and there was honestly not a single second that I wasn’t amazingly entertained.

Due to its status as the initial novel in the series, The Gray Man has a very self-enclosed narrative, which ensures that all the main storylines are wrapped up by the final page. While it does serve as a really good introduction to the protagonist and his unique situation, I found The Gray Man works well as a standalone novel, and it does not rely too heavily on details revealed in the later novels. There are a lot of great features to this book, and I must highlight the incredible action sequences. The intense violence and powerful fight scenes are beautifully written, and the reader gets a good sense of the characters interactions with his foes. I also really appreciated the author’s depiction of tradecraft and spy skills, with the characters using all manner of intelligence tricks and assets to try and win. Greaney makes really good use of multiple character perspectives throughout The Gray Man to highlight the battle of wits between the various players, and I liked how it also increased how impressive and brutal some of the action scenes were. While I could have probably done without the sections told from the perspective of one of the eight-year-old granddaughters, the rest work extremely well to create a detailed and richer spy thriller. I loved seeing the opposition put their plan into action to hunt down Gentry, and it was really great to see all the sides of this adventure. It was particularly fun to see the antagonist’s reactions as Gentry continues to survive against the odds, and the added note of desperation was pretty entertaining.

I also must highlight the great characters featured within The Gray Man, which really helped to enhance this already awesome story. They are led by impressive action hero Court Gentry (a great name, BTW), who is perfectly built up throughout the novel as a superhuman spy, thanks to his skill, intelligence, and pure stubbornness. Gentry has a hell of an ordeal in this novel, forced to fight against impossible odds while being hunted by literally everyone in Europe. Greaney does a good job introducing the key parts of his protagonist’s personality and history throughout the novel, and you really get a good sense of who Gentry is. I also loved how Greaney showed Gentry slowly getting worn down as the novel progressed, which felt pretty realistic, especially after all the opponents who try to kill him. These various injuries slow him down and make him sloppy as the narrative progresses, so much so that he is barely standing by the time he gets to the final showdown. It was fun to see the other characters debating the truth behind Gentry’s previous missions, especially as he has built up a reputation for impossible tasks. The constant discussion about what he achieved is really entertaining, especially as it causes several antagonists some major apprehensions. While substantial parts of his history, such as why he was betrayed by the CIA, are not examined here, you still get some great details about him, and I look forward to seeing what else is revealed in the books I haven’t read yet. In some ways Gentry was a little one-dimensional in The Gray Man and could have used some more depth, especially around his motivations and his feelings about his betrayal from the CIA. However, this was a great introduction to this ruthless killer with a heart of gold, and readers will enjoy this first great adventure.

In addition to Gentry, Greaney came up with an excellent group of supporting characters who serve as alternate point-of-view characters throughout the novel. Due to the plot being about Gentry being hunted by everyone in Europe, most of the alternate perspectives are antagonists, and I had fun with the cool group of villains that Greaney featured in this novel. Each of these antagonistic characters are well utilised and introduced, even if they have a short shelf-life, and I appreciated some of the time put into building them up. My favourite, or least favourite, of these is central antagonist Lloyd. Lloyd is a former CIA analyst turned private-sector lawyer who, after stuffing up and forcing his company to work for the Nigerians, sets his company after Gentry. Greaney went out of his way to make Lloyd as unlikeable as possible, with the character being extremely arrogant, petty, insecure, and vicious, especially as the novel proceeds and he faces setback after setback. Every scene he is in is a lot of fun, mainly because he is such an annoying figure in them, and this ensures that the reader is constantly barracking for Gentry, hoping that he wins so that he can punch Lloyd in the face. I had a wonderful time hating Lloyd throughout this book, and I cannot wait to see Chris Evans’s take on him in the upcoming film adaption.

As I mentioned above, I ended up checking out The Gray Man on audiobook, which proved to be an awesome way to enjoy this excellent book. The Gray Man audiobook has a decent run time of just over 11 hours, and I found myself flying through it in no time at all. This audiobook format proved to be the perfect way to enjoy this great book, especially as the many intense action sequences come to life extremely well while being narrated. I absolutely must highlight the book’s amazing narrator, Jay Snyder, who has since narrated all Greaney’s Gray Man novels. Snyder has an amazing voice for thrillers, and he ensures that the plot of this book moved along at a quick and exciting pace. I also deeply enjoyed the various voices that he produced, as every character featured within this novel had a very fitting and distinctive voice. I particularly appreciated the slimy and cocky voice that he gifted to main antagonist Lloyd, which gave the man a cowardly, bureaucratic voice (it honestly reminded me a little of Cyril from Archer), and really helped to make him even more unlikeable. Snyder also does some fantastic accents for the various international characters featured in the novel, and each of them worked extremely well. Overall, this was an exceptional way to check out this book, and I would strongly recommend the audiobook format to anyone interested in this novel.

The Gray Man is an incredible and deeply entertaining debut from Greaney and it is one that I had an outstanding time listening to. This great book had an awesome narrative, loaded up with a ton of action, mayhem and fun characters, and it swiftly turned into an intensely addictive and thrilling read. Greaney sets up a lot of elements for his future series, and I am really glad that I went back to see where this fantastic series started. This book comes highly recommend, and if you are a thriller fan, you will love this book. I am definitely going to have to check out the rest of the Gray Man novels I am missing, and I am looking forward to seeing what over incredible stories that Greaney has in store for me.

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The Dark by Jeremy Robinson

On September 11, 2021October 31, 2023 By The Unseen LibraryIn Audiobook, Extended Universe, Five-Star Books, Horror, Science Fiction25 Comments

Publisher: Podium Audio (Audiobook – 13 July 2021)

Series: Infinite Timeline

Length: 10 hours and 25 minutes

My Rating: 5 out of 5 stars

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Prepare for a literal journey into darkness with one of the most unique and insanely entertaining horror novels of 2021, The Dark by Jeremy Robinson.

Jeremy Robinson is a bestselling author of science fiction and horror who has been producing some amazing novels of the last few years. Since his debut in the early 2000s, Robinson has written a massive number of novels, including several fantastic sounding series, such as his Nemesis Saga, as well as a big collection of compelling standalone novels. I have been meaning to read some of Robinson’s books for a while, especially as one of his series, the Chess Team novels, are part of a somewhat shared universe with Jonathan Maberry’s Joe Ledger novels. After seeing several mentions of Chess Team in Maberry’s novels, I got curious and had to have a look at Robinson’s catalogue of work. I really love the sound of some of Robinson’s books, especially his Chess Team novels, which follow a special forces team at work against mythical threats, and the Nemesis Saga, which presents a new look at the Kaiju genre. Before diving into these series, I thought it might be good to get an idea of Robinson’s writing style, and so I decided to read his latest standalone novel, The Dark. I am extremely glad that I decided to check this out, as The Dark ended up being an incredible horror read that I deeply enjoyed.

Miah Gray is a messed up former army soldier, struggling with PTSD and other symptoms after his time in Afghanistan. Now living with his mother, sister and stepfather in an upscale New Hampshire neighbourhood, Miah spends most of his time being the neighbourhood’s resident weirdo, avoiding his troubles with prescribed cannabis and holding out hopes that his crush, Jen, will notice him. Managing to convince Jen to get high and watch a meteor shower on his roof one night, Miah thinks that his life is finally turning around. However, nothing in his wildest dreams could prepare him for what is to come next.

Awakening the next morning, Miah and Jen are shocked to discover that the sun has been blotted out and the entire neighbourhood has been plunged into darkness. With no communications, limited power, and no working artificial lights, Miah and his family attempt to adjust to the crazy events occurring around them. All available evidence suggests that an obscure religious doomsday prophecy about three days and three nights of darkness is coming true, with the lore indicating that the only way to survive is to barricade yourself in your home and cover the windows. Despite the blacked-out sun, Miah is dubious about this being a religious event, until a bright light from the heavens brands his forehead with an old Norse rune and an unholy army of demons invades.

Dark shapes are twisting their way through the neighbourhood, luring people outside and brutally dragging them away to an unknown fate, while even more terrifying figures lurk in the shadow. Attempting to ride out the storm at home, Miah is forced into action when his parents are taken. Leading a small group of survivors through the horrors outside, Miah attempts to save who he can while also trying to find a way to rescue those who were taken. But as Miah and his friends flee through the surrounding demons and devils, a far more dangerous threat is waiting to assail them. The rune on Miah’s head is starting to change him into something angry and inhuman. Now forced to resist his own mind, Miah will need to dig deep than ever before if he wants to survive what is coming, even as it drags him straight to the gates of Hell.

Wow, now that was awesome. When I started this novel, I strongly suspected I was going to love it, especially as it had a fantastic sounding plot, but I was unprepared for how much fun The Dark turned out to be. Robinson has created an exceptional and dark horror novel that keeps you on the edge of your toes from the very start all the way to the finish. I had an outstanding time listening to this book and there was no way I could give anything less than a five-star rating.

Robinson has come up with a pretty awesome story for The Dark, and I loved this unique horror tale. The Dark has a great start to it, and the author manages to do a lot in a very short amount of time, thoroughly introducing the main character, Miah, while also setting up several of the other major supporting characters. The novel’s big change from normal times to darkness occurs early in the novel, as soon as all groundwork has been established, so the protagonist can run right into the craziness. It does not take long for events to go sideways, with danger and despair all around as everything goes to hell, literally. The centre of the novel is extremely entertaining, as the protagonist meets a range of different people hunkering down through the apocalypse and slowly builds up a fun group of survivors. At the same time, some of the characters, including Miah, are forced to face an inner evil that has been brought on by these dark events. This internal battle for control and the elements that introduce it are very cleverly established, and it adds a fantastic new edge to the plot, especially as at times it seems like the only point-of-view protagonist is about to irrevocably snap. All this leads up to an epic conclusion as the protagonist journeys to a very evil place and comes face to face with some startling revelations and immense horrors, as well as some interesting story threads for the future.

I felt that this was an exceptional story, and I deeply enjoyed the outstanding combination of action, horror and comedy that was expertly bundled throughout the novel. It is rare to find a story that can alternately thrill, traumatise, and entertain in short succession, but The Dark does that in spades. It was gloriously entertaining and there was honestly not a single moment in this book that failed to keep my attention. The action sequences are crisp and fantastic, and you get a real sense of the intense violence happening all around the protagonist. I also really loved the horror feel that this novel had, especially as Robinson is a master of building up tension and suspense. Readers should be aware that there are a quite a few extremely gory scenes throughout the book, and Robinson does not hold back on the gruesome descriptions. I liked how the author switched the tone of the novel around two-thirds of the way through, with the horror focus moving away from fear of the unknown to a more extreme and science fiction based narrative. I did think that the sudden appearance of certain groups in the big finale were a bit coincidental and could have been telegraphed slightly better, but this really did not cut down on my enjoyment of the story, and I was still blown away with the cool action sequences that were featured in this part of the book. This was a really good standalone horror story, and I was deeply impressed with the exceptional narrative that Robinson featured in this book.

One of the things that I really appreciated about The Dark were the cool monsters and horror elements that Robinson came up with. The entire concept of the novel revolves around dangerous creatures who come out during an eclipse of the sun that covers the entire setting in darkness, while also wreaking havoc on human technology. Not only are these monsters pretty freaky and deadly, but Robinson builds up an intriguing mythology around them. Because the protagonists have no idea what they are facing, the entire phenomenon is attributed to a religious event, especially as there is a coincidental Christian prophecy about three days and three nights of darkness which will purge those who leave their house. Once the monsters appear, the characters initially identify them as demons, due to their unique look, ability to replicate voices and their dark and disturbing laughter. I found these attempts by the protagonists to understand what is happening to them to be really fascinating, and it involves some fun looks at mythology and ancient lore. The character’s understanding of these creatures evolves and changes over time, as there are some new freaky bits of context, and I thought it was pretty cool the way that Robinson was able to adapt these horror elements. I also must highlight the terrifying setting of Hell, where the protagonists eventually end up. There are some pretty dark and excessively gruesome aspects to this location, and it was a very fitting location for the big finale. Overall, I really liked the cool creatures and mythology that Robinson brings to The Dark and it was so much fun to see these monsters tear through a typical suburban neighbourhood.

Easily one of the best things about The Dark were the complex and impressive characters that the narrative was set around. The most prominent of these was central protagonist and point-of-view character, Miah, a former soldier who returned from the war even more messed up then before. Initially a bit of a weirdo loner, Miah soon evolves into a more heroic figure, especially as he takes the lead during the demonic invasion, saving several people he comes across and leading the survivors to either safety or battle. Miah is a very deep protagonist, and I really enjoyed the impressive and powerful examination of his inner trauma and the mental burdens he carries after his time in the army. Robinson really tries to make Miah as complex as possible, and he even works some of his own personal experiences with trauma into his protagonist’s psyche. It was great to see him evolve throughout the course of the book, especially once he has the fate of several other people on his hands, and these events help him grow and overcome his previous experiences. Miah is also an extremely entertaining protagonist to follow, especially as he has a great sense of humour, is constantly high and initially does not take anything seriously, even when all the lights go out. This combination results in Miah doing some unusual things, including wearing one of his sister’s skirts for the first third of the novel (it’s weird, but it works). Most of the book’s humour comes from his flippant narration of the weird events occurring around him, and even once stuff gets really serious, he still has plenty of fun jokes or odd observations about what he encounters. I loved his outrageous outlook on the world, and I ended up really appreciating Robinson’s fantastic choice of protagonist.

Aside from Miah, Robinson also comes up with some other fantastic characters who go through these apocalyptic events with him. All these characters are set up extremely well when they are introduced, and Robinson does a great job quickly examining their personalities and expanding on them throughout the course of the book. There are several fun characters featured throughout The Dark, although my favourite two are probably Bree and Emma, two younger girls who end up part of Miah’s group. Despite their youth, these two characters are extremely capable and quickly adapt to the weird new world that they live in. This is in part due to them being branded like Miah, which slowly changes their personalities, turning them into something different. Both characters react to their branding in different ways, with the eight-year-old Bree more swiftly losing her humanity. It was pretty fun to see this young kid become more and more bloodthirsty as the novel progresses, and there are some great moments where Miah tries to control her. It looks likes Robinson has some plans for both Miah and Bree in the future (Demon Dog and Laser Chicken for the win), and I look forward to them turning up again.

While I was checking out some of Robinson’s novels, one of the things that stood out to me was that all his novels have been converted to my favourite format, the audiobook, and that a good proportion of these were narrated by R. C. Bray. Bray is a very talented and entertaining narrator, whose work I have previously enjoyed in some of Michael Mammay’s science fiction novels, Planetside and Colonyside (the latter being one of the better audiobooks I have listened to so far this year). After seeing Bray’s name attached to The Dark, there was no way that I was not going to grab it on audiobook, which proved to be a very, very smart decision.

The Dark audiobook has a runtime of just under ten and a half hours, although I found myself absolutely powering through it, especially once I got into the story. I felt that the audiobook format worked extremely well with The Dark’s first-person perspective, and the audiobook was able to progress at a really quick pace. Bray really shined as a narrator in The Dark, and I loved the way that he presented the horrifying and intense events occurring around the characters. Bray does an excellent job voicing the various characters in The Dark, and I particularly liked the way that he dove into voicing central protagonist Miah. While I was initially a little dubious that Bray, who I have only previously heard voicing tough military characters, would manage with a more immature character like Miah, it ended up working really well. Bray expertly gets inside the head of the main character voicing, and he quickly portrays Miah in all his doped-up, entertaining glory. I think that Bray had a lot of fun voicing Miah (despite certain comments that the character makes about fancy audiobook narrators), and he did a great job presenting both the goofy side of the character and his more serious nature. This ability to dive into Miah’s personality really enhanced the character and the overall story and I really enjoyed all the emotion that Bray threw into him. I also liked some of the other voices that he did for The Dark, with all the characters ending up with some distinctive and fitting voices, even the younger ones. This excellent voice work really helps to turn The Dark into an outstanding audiobook production, and I would strongly recommend this format to anyone interested in checking out The Dark. Also, it has bloopers at the end, which were pretty damn fun.

While The Dark is a standalone novel that can be read with no prior knowledge of Robinson’s other works, it does have interesting connections that I need to mention. There is a big reveal at the end of the book which ties The Dark together with a previous standalone novel that was a released a couple of years ago. While I have not read this previous novel, it was a fun connection, and, after deeply enjoying The Dark, it got me in the mood to check out some of Robinson’s other books. I also looked at Robinson’s website after finishing The Dark and there was a very interesting post about this that has made me appreciate this novel a little more. Apparently The Dark is an entry in a wider joint universe, known as the Infinite Timeline, which already features several novels that Robinson has released in recent years. The Dark is part of a sub-series within this universe, and it is linked together with the above-mentioned previous novel and an upcoming novel, Mind Bullet. This sub-series will continue to become even more linked, eventually leading to another novel, Khaos, before it, and two other sub-series, made up of 11 novels in total, will have a big crossover in the 2023 novel, Singularity. While this does not impact who can check out The Dark, I think it is pretty awesome that Robinson is attempting to create this massive joint universe, and it has really got me intrigued. I am now extremely tempted to try and check out the rest of the entries in this joint universe before Singularity is released, and it should be a very interesting couple of years if I do.

Overall, The Dark by Jeremy Robinson was an epic and relentlessly exciting horror novel that I had an incredible time reading. Thanks to its captivating story, complex characters and unique horror elements, The Dark was an outstanding book and it ended up being one of the most entertaining and compelling audiobooks I have enjoyed all year. A definite must-read for anyone in the mood for a fun and intense horror novel, The Dark comes highly recommended and gets a full five stars from me. I think I will end up trying some more of Robinson’s novels in the future, especially in their audiobook format, and I cannot wait to see what other crazy adventures and outrageous events he features in his books.

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