The Last Shield by Cameron Johnston

Publisher: Angry Robot (Ebook – 13 August 2024)

Series: Standalone

Length: 376 pages

My Rating: 5 out of 5 stars

Amazon

One of the rising stars of dark fantasy fiction, Cameron Johnston, returns with an intense, gritty and addictive novel of revenge, desperation and brutal murder, with the brilliant novel, The Last Shield.

One of the more intriguing authors of fantasy fiction I have enjoyed reviewing in recent years is the outstanding Cameron Johnston, who has deeply impressed me with his small but excellent collection of works.  Since his debut book in 2018, The Traitor God, I have grown to enjoy Johnston’s novels, especially as his first book was a brilliant story of dark magical revenge.  Following up with the awesome sequel, God of Broken Things, Johnston cemented himself as an author to watch, and I have yet to be disappointed by him since.  His third novel, The Maleficent Seven, was a fantastically bonkers read that saw a small town become the unwilling recipients of a band of monstrous defenders when a massive army comes to destroy them.  I had an amazing time with The Maleficent Seven, and indeed all of Johnston’s books, which is why I was so eager for his latest novel, The Last Shield.  One of my most anticipated books of 2024, The Last Shield had an epic and cool plot behind it, and I was so very eager to check it out.

In a world of warring realms and dark magic, the ancient forest realm of Sunweald survives by serving as a buffer country between two far mightier nations on either side of its borders.  A realm of tradition and druidical magic, the heart of the nation lies in Sunweald Palace, where the Lord Regent, and the young heir to the throne reside, guarded by Sunweald’s elite warriors, the Shields.  Rough and old, Sunweald Palace is an impenetrable fortress designed protect the nation’s royal family, as well as safeguarding a massive vault of unspeakably powerful magical artefacts.

Despite its peaceful status, Sunweald finds itself beset by a group of vicious brigands, the Wildwood Reivers, who have made a living stealing away magical artefacts and trading them across the border.  Led by a mysterious witch, the Wildwood Reivers have grown bold, even launching an attack on the royal family.  When word reaches the palace of the location of the brigand’s base, the Shields depart to destroy them once and for all.  However, their mission is a devious decoy, as through treachery, dark magic and deceit, the Wildwood Reivers and their allies manage to take over Sunweald Palace.

With the Shields away and traitors holding the wall, the brigands plan to loot the palace’s ancient vaults and steal every magical artefact hidden within.  However, the Wildwood Reivers face one substantial obstacle to their success, Briar, feared, if hobbled, commander of the Shields.  Despite being outnumbered, wounded and near retirement, Briar is determined to perform her duty and reclaim the palace.  Using her knowledge of the palace’s secret tunnels and ancient corridors, Briar sets about dismantling the invaders in brutal fashion.  But battered, alone and loosing strength, can even a legendary Shield like Briar face the overwhelming odds and lethal magic set against her?

Gosh this was a very impressive and exciting read.  Cameron Johnston has a real flair for fantastically over-the-top narratives, and The Last Shield is some of his best work yet.  A complex and compelling tale of revenge and redemption, The Last Shield was a non-stop thrill ride, and I loved the deeply intense story that emerged.  This was a truly outstanding book that gets a full five-star rating from me thanks to how much sheer fun I had reading it.

The narrative that Johnston pulls together for The Last Shield is extremely awesome, and it can best be described as a gender bent, dark fantasy Die Hard, with some amazing fantasy elements.  An excellent standalone story, The Last Shield was a constantly moving book, which drew me in with its clever plot concept and the promised resulting violence.  Part of the reason the story works so well is the initial setup, which introduces the new intriguing world, but more importantly effectively gets you across the central characters and the main setting of Sunweald Palace.  There are some great early character moments here, especially when it comes to the main protagonist, Briar.  The veteran leader of the Shields, Briar is badly wounded in the opening scenes of the book, which kicks off a great arc for her as she attempts to find her purpose after the injury potentially robs her of her position.  Some other key character arcs and storylines are also introduced here, including around the young heir to the throne, whose brush with death drives him closer to the disapproving Briar as a mentor.  Johnston also takes the time to explore the full extent of the conspiracy to takeover Sunweald Palace, and you grow to appreciate just how dastardly the plot is.  As such, you are well prepared for the chaos and carnage to come, and the anticipation Johnston expertly builds up in first part of the book, really enhanced the overall impact of The Last Shield.

As such, the reader is very much ready to go when the villains initiate their plan around a third of the way into The Last Shield.  The resulting takeover is as dark and brutal as you’d expect, and the reader is well prepared to despise the antagonists and root for any sort of victory from the protagonist.  You don’t have to wait long as the despondent Briar quickly finds herself in the ideal position to fight back and begins her bloody and justified one-woman assault on the invaders.  Johnston initiates a series of intense, powerful and increasingly desperate battles, as Briar encounters greater and great hurdles and opponents as she attempts to save the Lord Regent and stop the looting of the castle’s vaults.  The author expertly ramps up the intensity every confrontation, and you really find yourself more and more off the edge of your seat as the story proceeds and Briar becomes increasingly injured.  There are some brilliantly brutal confrontations all the way to the end, and the author throws in some great twists and major final threats.  I honestly loved every second of the epic second half of The Last Shield, and Johnston wrote an amazing, blood-soaked story.

I felt that Johnston did an outstanding job bringing his cool story to life in The Last Shield, and readers are in for a great time if they check this book out.  The excellent blend of dark action, intriguing fantasy, and powerful characters really worked for me, and I felt that Johnston perfectly blended storytelling elements throughout the entire book.  The writing of The Last Shield is crisp, fast-paced, and well planned out, and it proves impossible not to be drawn into the fantastic scenario and intriguing storytelling.  Cameron does an excellent job exploring the new fantasy world that The Last Shield is set in, and you really get drawn into the bronze-age Celtic setting, and the focus on a small kingdom with some intriguing gender roles.  I particularly enjoyed how Jonston managed to emulate the feel of a classic action thriller like Die Hard or Under Siege and blend it with the dark fantasy setting.  The resulting scenes, which forced a nearly retired badass female palace guard to crawl through the secret tunnels of the castle to save the male reagent while disrupting a magical heist, were so damn fun, and it was a fantastic take on a classic film trope.  It helped that Johnston brought his typical, over-the-top mindset to the action sequences in The Last Shield, presenting the readers with an increasing bloody series of fights as the protagonist unleashed her inner fury.  These scenes of carnage and brutality paired perfectly with the complex narrative and character arcs that Johnston built up, and the resulting book was so much fun.

I need to highlight The Last Shield’s awesome characters which were a fantastic part of the book.  I have mentioned the main protagonist, Briar, a few times already, and frankly she was the heart of The Last Shield due to her intense personality and well-written storyline.  Johnston very cleverly set up Briar’s story at the start of the novel, first showing the warrior in her prime, before hobbling her and forcing her to consider retirement before the main plot kicked off.  As such, the version of Briar we see for much of the novel is a desperate, tired and absolutely pissed-off figure, especially when she realises the many betrayals that led up to both this current assault and her previous injury.  I loved how well Johnston set up this character’s revenge arc, and it was so much fun to see Briar finally get her hands on all the people responsible for her misery.  The author really dives into Briar’s mindset and emotions as the book continues, and it proves very, very hard not to root for her, especially when she is driven to her absolute limit.

While most of the focus of The Last Shield is on Briar, there are several other great characters featured throughout the book who also enhance the story.  The most prominent of these is probably the heir to the Sunweald, Ves, who has excellent parallel character growth to Briar.  Initially portrayed as a young fop, Ves grows due to the sacrifices he witnesses in his name and the brash mentorship of Briar, and he ends up proving himself in his own way.  Aside from that, I really need to highlight the excellent group of villains who Briar finds herself up against.  Featuring a band of traitors, brigands, an assassin and a dark witch, the antagonists of The Last Shield play off the stoic Briar extremely well, especially as each of them enrage her in a different way.  Johnston does a fantastic job showcasing the antagonist’s perspective throughout the course of the story, and their early scenes really work to ensure the reader dislikes them.  I personally loved seeing their point of view once they realised that Briar was loose in the castle with them, and the outrageous sequences of fear, anger and regret that followed are incredibly fun.  These characters proved to be a great boon to The Last Shield’s plot, and I deeply enjoyed the fantastic and powerful storylines that Johnston built around them.

Cameron Johnston continues to greatly impress with his fourth novel, The Last Shield.  An exceptional, addictive and gloriously over-the-top dark fantasy novel that takes inspiration from some classic action films, The Last Shield was pure entertainment and excitement, that I could not turn away from.  With great characters, an awesome setting, and so much damn action, there is something for every dark fantasy fan in The Last Shield, and I cannot recommend it enough.  One of my favourite fantasy books of 2024.

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Warhammer 40,000: Renegades: Lord of Excess by Rich McCormick

Publisher: Black Library (Audiobook – 6 April 2024)

Series: Warhammer 40,000: Renegades – Book Two

Length: 14 hours and 17 minutes

My Rating: 5 out of 5 stars

Amazon

Prepare to break the bounds of sensation, desire and treachery in the amazing Warhammer 40,000 novel, Lord of Excess by Rich McCormick, the second book in the fantastic Renegades series.

I have been having a great time with the huge variety of unique and elaborate Warhammer 40,000 books coming out in recent years, and it is always fun to see the impressive reads the franchise is producing.  One of the things I particularly enjoy about the Warhammer 40,000 fiction machine is the way in which it gives new authors the chance to shine, with several talented authors writing their very first book as part of the Warhammer canon.  I have already talked about one particularly good Warhammer 40,000 debut this year with Deathworlder by Victoria Hayward, but another incredible first novel I had the great pleasure of reading was Lord of Excess by new author Rich McCormick.

Lord of Excess was an exceptional book that was released as part of the loosely connected Renegades series that looks at a different band of traitor Space Marines as they make their dark way through the universe.  For example, the first Renegades book, Harrowmaster by Mike Brooks, looked at the nefarious Alpha Legion, and I am sure that future entries will dive into the other traitor legions with some fun stories.  Lord of Excess is the second Renegades book, and it provides the reader with an outstanding and unique story focussed on the ultimate beings of excess, the Emperor’s Children.

At the dawn of the Imperium, the Emperor’s Children were the master of mankind’s most loyal and revered Space Marine Legions, dedicated to the fight for humanity while seeking perfection in all things.  However, during the tumultuous events of the Horus Heresy, the Emperor’s Children followed their Primarch into treachery, and turned against their Emperor, falling into the service of the ruinous powers of Chaos.

Now, millennia later, the Emperor’s Children are a twisted remnant of their former glory.  Scattered into smaller warbands, the Emperor’s Children now only seek pleasure and sensation in hedonistic service to the Chaos God Slaanesh, the lord of obsession and excess.  One such band is the feared and infamous group known as the Adored.  Lead by the tainted Space Marine Xantine, the Adored has ravaged the galaxy for centuries, taking slaves and bringing untold torment, but Xantine has never found what he truly desires, until now.

Suddenly dropped out of the Warp, the Adored find themselves in orbit about the isolated planet of Serrine.  A wealthy and corrupt planet of the Imperium, Serrine has been long cut off from the rest of humanity due to corrupted currents of the Warp.  Sensing the opportunity to carve out a place for himself, Xantine decides to take control of Serrine, and turn it into the perfect society, dedicated to loving him.  However, making true perfection is an impossible task, and Xantine soon finds his rule challenged by both the population of Serrine and those closest to him.  Worse, there are darker forces at work within the bowels of Serrine, and soon the world will be engulfed in perfect destruction.

Lord of Excess was an exceptional and impressive Warhammer 40,000 novel that achieved so very much for the reader.  Featuring a complex and compelling tale of betrayal, deceit and corruption, loaded with fun characters and larger-than-life personalities, Lord of Excess was an entertaining and elaborate read from the very start, and I could not get enough of it.

I really loved the story contained with Lord of Excess, and I find it hard to believe that this was McCormick’s very first novel.  The plot of Lord of Excess is an elaborate and continuous tale of woe and failed ambition as it charts main character, Xantine of the Emperor’s Children, as he attempts to bring perfection to the world of Serrine.  Starting off by introducing Xantine and his renegade Space Marines, you are soon shown the world of Serrine, an isolated and mismanaged Hiveworld with plenty of its own problems, including an uprising from a genestealer cult.  Taking advantage of these chaotic events, an obsessive Xantine leads his mostly apathetic Emperor’s Children to the planet’s surface, telling the locals they are there to save them.  This proves to be an intriguing start, as the reader is shown a battle between two very different group of villains, which is essentially the equivalent of the cenobites from Hellraiser facing off against xenomorphs from Alien (with both sides using a lot of purple).  This fight against the genestealers is a fun first part of the book, and I honestly thought that McCormick was going to stretch that conflict out for the entirety of Lord of Excess.  However, the author instead chooses to cleverly end this conflict about a third of the way through the book, and the rest of the novel goes in some very interesting directions.

Following this introduction, Lord of Excess than goes through a series of time skips, as you follow the unlucky course of Serrine under the “benevolent” rule of the Emperor’s Children.  Each new version of Serrine you see is somehow worse the previous version, and it proves extremely entertaining to watch the inherent downsides of the protagonist’s twisted version of perfection.  The plot cleverly rotates between the machinations of Xantine and his Adored as they fight over the course of their warband, and several intriguing human inhabitants of Serrine, whose reaction to the fate of their planet varies across the emotional spectrum.  The plot goes in some very interesting and entertaining directions, as Xantine finds himself continuously beset by betrayal, mostly of his own making, while many others are driven to extreme lengths by Xantine’s actions, and other malign foes hiding beneath Serrine’s surface.  Things continuously get darker and darker as the plot continues, leading up to a brutal and amusing conclusion.  I loved the various elaborate twists and captivating revelations that McCormick cleverly worked into the plot, and his accompanying character work really helps to sell it.  The book ends on a fantastic note, with devilish and deserved endings for many members of the cast, and the ultimate fates of everyone really reminds you that Lord of Excess is a grimdark book focussing on deranged villains.

McCormick really showcased his effective and powerful writing style in Lord of Excess, and I loved the elaborate and multifaceted book that he ended up creating.  The fantastic story has so many deep elements to it, and it transcends the typical action-focused Warhammer fiction by providing nuanced portrayals of society, human nature, and the impossible search for perfection.  That’s not to say that there isn’t action in Lord of Excess, as McCormick loads the book with multiple over-the-top and entertaining fight sequences that prove hard not to love.  However, he also balances these battles with intriguing character work, long-running elaborate story elements, and complex depictions of intriguing Warhammer features.  The way in which the author cleverly shifts the narrative around several fantastic characters works to create a fun and layered story with many moving parts to it.  I also love how descriptive and visual McCormick got at times.  The author clearly had fun describing the many excesses and mutations of the Adored, and you really got a clear and vivid sense of the twisted nature of the beings involved.  This ended up being such an outstanding read, and McCormick did such a great job bringing his elaborate story to life in the absolute best way.

I felt that Lord of Excess was a pretty awesome Warhammer 40,000 novel, that will really appeal to a varied audience.  Established Warhammer fans will love the fantastic depictions of the Emperor’s Children featured within this book, and I love how well McCormick captured the complexities of these renegade Space Marines and the depths to which they have sunk.  While he doesn’t do a full deep dive into the history of the Emperor’s Children, McCormick provides some detailed flashbacks into their past, that Warhammer readers will appreciate, which also providing some good context for new readers.  While this book did spend a lot of time examining the Emperor’s Children, it also featured its own unique and clever narrative, which really utilised the grimdark nature of the wider Warhammer setting to its advantage.  Readers are gifted by a truly complex and intense read, and I felt that Lord of Excess is an amazing example of just how good a Warhammer 40,000 novel can be.  This would be a pretty good entry point for new readers keen to check out the elaborate Warhammer 40,000 fictional universe, especially as you can get an amazing sense of the overall cruel, deadly and often ironic nature of this fantastic overarching setting.

Easily the key strengths of Lord of Excess were the elaborate, distinctive and damaged characters that McCormick centred his story around.  There are some brilliant characters featured in this book, from ancient traitor Space Marines lost in their own obsessions, to the normal inhabitants of Serrine, whose lives are irrevocably turned upside down by the arrival of the Adored.  These elaborate character arcs are very intriguing, and McCormick expertly features them throughout his story, ensuring that the reader becomes intrigued by the fates of these various figures.  The most prominent character is the Adored leader, Xantine.  An ambitious and twisted being, Xantine finds himself drawn to the world of Serrine and sees it as an opportunity to create a perfect world, much like the previous planets the Emperor’s Children called home.  Xantine proves to be an intriguing central figure for the book, especially as you get drawn into his obsession and the disdain of his followers for his vision.  Thanks to the machinations of the daemon S’janth, who shares Xantine’s body, you get some fascinating insights into this character’s mind, and you soon appreciate the depths of his determination to be perfect, which stems from his daddy issues and dark personal history.  I loved seeing how the events of the book were driven with this figures love of perfection, and Xantine proved to be an excellent dark heart to this entire story.

In addition to Xantine, Lord of Excess features several other great characters, all of whom are damaged in fantastic and intriguing ways.  This includes the various members of the Adored, each of whom has their own unique obsessions and focuses.  McCormick really had fun when it came to these corrupted figures, and there are some delightfully over-the-top characters as a result.  These other members of the Adored often come into conflict with Xantine, primarily due to their incompatible obsessions, and I loved the barbed interactions that followed, especially as Xantine both loves and hates his fellow renegades.  While several of these characters stood out, the best one was probably Vavisk.  Vavisk, a Noise Marine, is obsessed with finding the perfect sound, and often finds himself lost in his horrifying music.  However, Vavisk is also Xantine’s closest friend, and the unique bond of brotherhood between these two figures, proves to be a key part of the book, especially as the potential for it to break is always there.

Other major characters include several inhabitants of Serrine who attempt to survive the actions of Xantine.  Due to a creation myth, many people on Serrine initially see Xantine as a destined saviour, and the eventual revelation of his true nature leads to much heartache for them.  These characters provide an outstanding alternative perspective to that of Xantine and the other Adored, and I loved seeing the various reactions to the evil that came to their planet.  Key figures include the young man Arqat, whose rage at the injustices performed against him drives him to some dark places.  The mysterious Cecily founds salvation and escape thanks to the patronage of Xantine, although her loyalty costs her deeply.  While the foppish noble Pierod, seeks to take advantage of the arrival of the Adored, which has blistering ups and downs for him.  I really enjoyed these three human characters, and their unique storylines, some of which were nearly as extensive as Xantine’s, helped to turn Lord of Excess into a particularly brilliant read as you get drawn into their various tales of woe and opportunity.  While Pierod’s story was probably the most entertaining, due to his naked ambition and greed, you honestly connect to all three of them, and it proves fascinating to see where their encounters with the Adored takes them.  McCormick writes some grim and fitting fates for all three of them, and the other humans of Serrine, and seeing the journey they take to get there, is so damn entertaining.

As with most Warhammer 40,000 novels I enjoy, I ended up grabbing Lord of Excess on audiobook, which is just the best way to appreciate a piece of Warhammer fiction.  Coming in with a runtime of over 14 hours, the Lord of Excess audiobook is a decent length, but one you can get through quickly once you become caught up in the outstanding plot.  I love how well this format highlighted the epic narrative featured with Lord of Excess, and you get a real sense of the plot’s chaotic delights, unnatural horrors, and devilish figures when they are read out to you.  It helped that the Lord of Excess audiobook was helmed by one of the very best Warhammer 40,000 narrators, Richard Reed.  Reed has been killing it in recent years with his work in Warhammer 40,000 fiction, including The Infinite and the Divine by Robert Rath, Ruin and Reign by Nate Crowley and Grim Repast by Marc Collins, all of which were greatly enhanced by his impressive voice work.  His work in Lord of Excess is particularly awesome, as he once again produces an impressive range of unique voices to fit the big personalities of the plot.  This includes multiple mutated and utterly corrupted Space Marines, and Reed provides very fitting voices for them, as well as the unlucky humans caught up in their machinations.  The over-the-top story comes out so much better because of Reed’s compelling narration, and I love how effectively he captured the various insane figures.  This amazing voice work turned the Lord of Excess audiobook into something very special, and I had an exceptional time getting through it.

Lord of Excess by Rich McCormick is an absolutely brilliant and amazing piece of Warhammer 40,000 fiction that I could not get enough of.  Expertly combining elaborate elements of the Warhammer 40,000 canon with a complex narrative and darkly damaged characters, Lord of Excess was so much fun to read, and it proves impossible not to get caught up in this epic debut.  This might be one of the smartest and most compelling pieces of Warhammer 40,000 fiction release so far in 2024.  A truly outstanding Warhammer 40,000 book from a particularly amazing new author, Lord of Excess comes very highly recommended, and Rich McCormick is an author with big things in his future.

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The Sandman – Act III (Audiobook), written by Neil Gaiman and performed by a full cast

Publisher: Audible Original (Audiobook – 28 September 2022)

Series: The Sandman – Volume 3

Script: Neil Gaiman and Dirk Maggs (script adapter)

Director: Dirk Maggs

Length: 11 hours and 31 minutes

My Rating: 5 out of 5 stars

Amazon

After falling in the love with the epic The Sandman comics thanks to their exceptional audiobook adaptations, I finally got to the third audiobook act in this exceptional series by Neil Gaiman, which was another amazing listen.

I have had an outstanding time listening to the first and second volumes of the audiobook adaptations of The Sandman comic.  Set partially in the DC universe, the original series, which started in 1989, is one of the most iconic comics of all time and features a unique adventure that only Neil Gaiman can come up with.  Following Dream, the anthropomorphic personification of dreams and human imagination, The Sandman is a truly amazing comic that blends horror, fantasy and superhero elements together.  Some people might be more familiar with the recent Netflix series that adapted the first couple of comics, and which has a second season on the way.

This series has proven to be extremely exceptional, with Act I perfectly introducing the characters and setting up the initial storyline, while Act II continues some of the key story points and places Dream against various foes, including Lucifer and other dangerous mythical figures.  Not only do these audiobooks feature an incredible story and powerful characters but they are brought to life by a truly awesome cast of celebrity actors and audiobook narrators who really lend their all to this performance.  As such, when going on a couple of fun road trips this year, Act III was a very easy choice to listen to, and I was extremely curious to see how this series would continue.

In a universe of strange and deadly creatures, many beings are considered immortal, but only seven siblings can truly claim to be endless.  The Endless, each a personification of a universal concept, are powerful and mesmerizing in their own way, but the most enchanting and mysterious is Dream.  Known by many names, including Morpheus, this being governs the Dreaming, a vast realm of creation’s collected dreams and stories, protecting the imagination that makes life worth living.  But circumstances outside of his control have set him on a dark path that not even he can escape from.

After being freed from captivity and deciding the future of Hell, Morpheus finds himself troubled by another failed romance, his own complex past, his previous monstrous decisions, and his often contentious relationship with his family.  Visited by his troubled youngest sibling Delirium, Dream embarks on an unusual quest alongside her to find their missing brother, the one member of the Endless to ever give up their role and responsibility, Destruction.  But their prodigal sibling does not wish to be found, and many obstacles lie between an Endless reunification.  To succeed in their quest, Morpheus will need to revisit the most painful chapter from his past.  However, no-one, not even a member of the Endless, comes away from a meeting with Destruction unscathed!

Unsurprisingly, Act III proved to be an exceptional listen, and I once again got wrapped up in the elaborate and compelling web of stories and characters that The Sandman is well known for.  Adapted once again by director Dirk Maggs and featuring all of Gaiman’s impressive storytelling and dark characterisations, The Sandman – Act III, was an outstanding listen, and one that I could not get away from.  Adapting the Brief Lives and Worlds’ End arcs of The Sandman comic, as well as several additional short stories, Act III was an exceptional addition to this series, especially with the truly exceptional voice cast.

Act III continues the same format and style of the previous The Sandman audiobook adaptations, with the comic broken into several distinctive parts to best tell the elaborate story from the comics.  The previously drawn adventures are brought to life here through a combination of excellent narration by Neil Gaiman, who covers many of the characters’ actions and movements, sound effects to represent other unseen elements, and the dialogue of the various characters, with their respective actors often describing the moments going on around them.  This results in an intriguing but complex listening experience, and with a runtime of 11 hours and 31 minutes, it is one that you can get through very quickly if you have the time.

This latest audiobook adaptation starts off in an interesting place with the short story The Song of Orpheus, which originally appeared in the Fables & Reflections collection of stories.  The Song of Orpheus is a fantastic retelling of the classic Greek myth of Orpheus, with the character reimagined as the son of Morphius and the muse Calliope, the latter of whom was featured in the story Calliope in the Dream Country collection (featured in the Act I adaptation).  Gaiman does an excellent job of bringing together the classic Greek mythology of the Orpheus legend with his own characters and the result is a seamless and complex tale.  Orpheus’ ill-fated marriage and journey to save his love is aided and hindered by the various members of the Endless, with Morpheus serving as a complex distant father figure.  The resulting story may seem familiar to those with knowledge of Greek mythology, but there are some added intriguing twists, and the inclusion of Gaiman’s characters ensure that there is even greater tragedy than the original Greek myth envisioned.

When I started this audiobook, I thought that The Song of Orpheus was interesting start to this act, and in hindsight it was quite a clever decision, as it sets up some of the other arcs extremely well.  The story ensures that listeners are well warned about the tragedy and elaborate storylines contained in Act III, while also drawing you in with its inventiveness and complexity.  It is also a brilliant production thanks to the combination of cast and background music effects.  Regé-Jean Page (of Bridgerton fame), proves to be an outstanding Orpheus, who stands as an interesting contrast to the other established voice actors of this story.  There are also some epic musical accompaniment and sound effects that prove vital in showcasing the full impact of this story, and which you honestly need when telling a story about the mythical musician Orpheus.  I felt that the musical elements of this chapter deeply helped to enhance the story, especially as there was some great sadness in the sound effects that mirrored the story.  This was honestly a very strong start to Act III, and I loved how well it led into the first main story, Brief Lives.

Brief Lives is a particularly epic main story arc for this audiobook which serves as both the plot and emotional heart of Act III.  Initially focusing on the incredibly fun character of Delirium, who we only briefly saw in Act II, Brief Lives sees Dream accompany his sister on a road trip to find their lost brother, Destruction.  This results in several intriguing mini story arcs as the mismatched and chaotic siblings travel through the mortal world, encountering their family, friends, and former associates of Destruction.  At the same time, sinister events begin to impact people associated with their search, and Dream must navigate the increased collateral damage his quest is incurring.

I really loved this arc, and I think that Brief Lives might be one of the stronger The Sandman storylines.  The road trip storyline with Dream and Delirium worked to tell this story in a fantastic manner, and I enjoyed how the author took the opportunity to quickly and effectively introduce new intriguing characters whose worlds become impacted by their interactions with the Endless.  The long-anticipated reveal about the missing Endless was great, and Gaiman loads in some intriguing examinations about family, destiny and duty.  Brief Lives is loaded with a great combination of dark mystery, the author’s gothic vibe, a fantastic layer of humour, and an intense amount of tragedy, all wrapped up with the most unique familial interactions you are likely to see in fiction.  The author takes the storylines in some interesting directions, and the resulting emotional richness proves very hard to ignore.  The ending of Brief Lives is particularly moving, with a resolution of family drama followed by additional tragedy millennia in the making.  This also proves to be quite a key story in the wider The Sandman story, with the consequences radiating out from the events of this road trip have chaotic impacts in the future.

I have to say that I was really impressed with how Brief Lives came together.  Not only does the elaborate story come across clearly and interestingly with the chapter split, but you really get drawn into every single supporting character that shows up.  I particularly enjoyed seeing Delirium getting a whole arc to shine in, and actress Kristen Schaal is perfect as the embodiment of personal chaos, bringing an immense childlike glee to the madcap antics of her character.  Schaal perfectly plays off the more serious characters in this story arc, and you can really feel the dancing chaos beneath the surface of her mind as well as how scattered and unconnected she is.  The reveal of Destruction as a character was also quite interesting, and I like the author’s take of him being a warm, thoughtful and entertaining destroyer, whose duty has deeply damaged him.  David Harewood brings some real compassion and charm to the role of Destruction, and I enjoyed how he played off the sarcastic talking dog Barnabas, voiced by veteran voice actor Harry Myers.  The portrayal of Brief Lives also makes excellent use of some musical accompaniment to enhance the emotional impact of the plot, including in some of the story’s heaviest scenes, and this ended up being the most compelling part of Act III to listen to.

The other major storyline in The Sandman – Act III, is the intriguing anthology storyline, Worlds’ End.  Like some of the previous arcs in The Sandman, Worlds’ End is more of an indirect addition to the plot, loaded with short stories that show snippets of Dream, the Endless, and other supporting characters, interacting with new and unique figures.  However, Worlds’ End is also quite distinctive, especially as Neil Gaiman surrenders his narrator duties in this arc, and instead features multiple guest narrators telling their own tales in a similar manner to The Canterbury Tales.  The plot of this arc starts with character Brant Tucker (voiced by Wil Wheaton) and his colleague crashing their car in a freak storm and then finding refuge in the mysterious Worlds’ End inn.  Within the inn, they discover multiple unusual travellers from across time and the realms, who have been scattered due to a reality storm and are seeking shelter.  To pass the time, the various guests tell stories based on their lives, which paint a complex tapestry of their experiences and the long-reaching influence of the Endless.

I have a lot of love for the various short stories that Gaiman fills The Sandman comics with, but I felt that the collection featured with Worlds’ End were some of his strongest.  There are five central stories featured within, and they each provide a complex and wildly different tale of life, loss and adventure, all set in the contexts of different worlds and experiences.  Gaiman manages to tell some complex tales in the short time he has with each entry, and the reader comes away with intriguing visions of these unique worlds and characters.  There are a few times where the narrative devolves into a story within a story, as narrators begin to recount tales that were told to them (and in a couple of cases you have a story within a story within another story).  However, even these prove to be very captivating, and it is a testament to how good a storytelling Gaiman is that readers can moved into multiple interlocking tales and still be intrigued by what is going on.  There is also a great mixture of tales here, from a Lovecraftian inspired dream tale, to a hilarious fantasy adventure told by a rambunctious Faerie, and even a classic nautical adventure tale of a handsome sailor boy, which features the return of fan favourite character Hob Gadling.  However, my favourite story was The Golden Boy, an intriguing retelling of the story of Prez Rickard, the teenage president protagonist of the classic, if short-lived, Prez comics, which proves to be quite entertaining and haunting, while also showing an idealised vision of America.

I felt that these five stories came across in a very organic way with the differing narrators, and it proved to be a lot of fun to experience the talents of several new or underutilised vocal talents in a strong way here.  Wil Wheaton was a great main narrator for the overarching story, and I felt he portrayed a good everyman character experiencing the unnatural for the first time.  Billy Boyd and Colin McFarlane both shine as narrators and central characters for their respective stories, and I quite enjoyed the performances of KJ Apa and Jon Culshaw in The Golden Boy, while Simon Jones was an impactful addition to the funeral-focused story Cerements.  These actors, and many others, helped to turn Worlds’ End into a compelling and distinctive arc, and I liked how effectively it contrasted with the other The Sandman arcs we have enjoyed.  This entire storyline ends on an ominous and prophetic note, as the listener is given a glimpse of major events to come, and Worlds’ End proved to be a great way to conclude Act III.

Overall, these main stories, as well as an additional couple of short stories, proved to be very impressive to read, and I love the complex plots and themes that the author tried to impart.  The continuation of a larger storyline, combined with multiple short stories that expands The Sandman universe, works to create an elaborate experience for the listener, and I deeply appreciate the immense imagination that Gaiman puts into his work.  The flow from larger, cohesive storylines to a series of shorter tales also works extremely well, and I love how the obvious palate cleaner short stories take on a compelling life of their own.  No matter how short, each of the stories in Act III were very well written, and the distinctive blend of dark storytelling, gothic imagination and complex characters makes for some addictive listening.  I especially love the recurring trend of normal humans, as well as other more supernatural beings, encountering the various Endless by chance, only to find their lives altered by the experience, often for the worst.  The often capricious nature of Dream, as well as some of his siblings, really comes through with Gaiman’s writing and the subsequent acting, and you cannot appreciate just how well-written these figures, and indeed the entire character cast of The Sandman, are, until you experience it for yourself.

Before we get to the end of this review, I must once again strongly compliment just how awesome these The Sandman audiobooks are.  Gaiman, Maggs and others do such an incredible job of converting the original comics into this new format, and all the original ideas, actions and compelling figures come across perfectly in the audiobook.  The combination of clever narration and on-point dialogue allows listeners to really appreciate the unfolding actions taking place, and effective sound effects add that extra layer of understanding.  Throw in some outstanding musical moments, which prove to be particularly impactful in Act III, and this entire audiobook hits the reader hard and ensures that are constantly caught up in the elaborate ideas of the original author.  All the storylines come across perfectly, with some slight alterations in the order they appear, and you really come away with an outstanding appreciation for The Sandman, even if you’ve never read the comics.

It goes without saying that Act III once again featured an incredible cast of actors and voice specialists, all of whom perfectly portray the characters they are assigned to.  I love how all the key stars from Act I and Act II, once again returned here, and their outstanding voices, combined with some awesome new figures, ensured that every word of this audiobook delighted its audience.  I have already mentioned a few key actors above, but I really want to once again highlight the outstanding recurring key cast, who do such a great job here.  Series lead James McAvoy is just perfect as Morpheus, and his resonate and powerful voice consistently captures the ethereal, arrogant, and thoughtful qualities of the titular protagonist every time.  It is such a pleasure to listen to McAvoy perform once again in Act III, and his excellent voice plays off every other actor in this audiobook so damn well.

Other key returning stars include Kat Dennings, who perfectly portrays Gaiman’s warmer, caring, female Death, who is frankly one of the best characters in the entire series.  Andy Serkis has a lot of fun as the raven Matthew, and his scenes with Dream and Delirium are hilarious.  Jeffrey Wright, Justin Vivian Bond and Miriam Margolyes each do an amazing job of bringing Destiny, Desire and Despair to life, and you can really feel their ancient power and alternating views of humanity.  Justin Vivian Bond’s portrayal of the feckless and fickle Desire is particularly noteworthy, and I love how well this unique character came across.  Multiple other actors and established audiobook narrators provide a range of compelling and memorable voices throughout Act III, including several of my favourite audiobook narrators like Ray Porter and Toby Longworth, and I loved every one of their voices.  Finally,  Neil Gaiman himself serves as an outstanding central narrator for much of the Act III.  Gaiman’s distinctive voice perfectly fits the gothic and mysterious vibe of The Sandman comics, and there is no-one else who could narrate these complex ideas and experiences, better than the author who originally came up with them.  You will frankly struggle to find a better cast of voice actors in any other audiobook out there, and this outstanding vocal team makes Act III, and indeed all The Sandman audiobooks, something extremely special to enjoy.

Act III of The Sandman audiobook was another exceptional listen and one that proves pretty impossible to stop listening to.  The combination of captivating storylines, outrageous characters, and a huge array of vocal and acting talents make this an easy five-star listen, and I can personally guarantee that The Sandman – Act III makes for an excellent accompaniment to a long road trip.  While I’m sure that recent controversies might impact this, I hope we get the fourth act in this epic series soon, and I cannot wait to see how Morpheus’s tragic and complex tale ends.

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The Mercy Chair by M. W. Craven

Publisher: Constable (ebook – 6 June 2024)

Series: Washington Poe – Book Six

Length: 420 pages

My Rating: 5 out of 5 stars

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Acclaimed author M. W. Craven introduces one of the darkest novels of 2024 with the complex and highly addictive thriller, The Mercy Chair.

M. W. Craven is an interesting author who I am becoming a bigger and bigger fan of the more I read. I started getting into his work last year with the awesome Fearless, which saw a lawman turned drifter go up against a deadly drug cartel. I had an amazing time with Fearless, and I am looking forward to the sequel, Nobody’s Hero, in a few short months.  However, before we get to Nobody’s Hero, I need to rave about Craven’s other 2024 novel, The Mercy ChairThe Mercy Chair was a captivating and unique novel from Craven that served as a part of his Washington Poe series.  The Mercy Chair is the sixth entry in this great English crime fiction series, and frankly I have still not recovered from how epic and shocking its narrative turned out to be.

Detective Sergeant Washington Poe of the National Crime Agency has seen many unsettling things during his career as a police officer, especially since he started teaming up with unusual civilian analysist Tilly Bradshaw to investigate the worst murders England has to offer.  However, his latest case has impacted him in ways few others have, and months after the events in question, Poe sits down with a psychologist to tell a tale of woe and despair unlike any other.

The case is an investigation into the brutal death of controversial religious figure Cornelius Green in Cumbria.  The victim, the leader of an extreme conservative church, has been found tied to a tree and stoned to death by someone who wanted him to suffer.  Brought in due to the brutality surrounding the killing and the religious significance of the victim, Poe and Tilly set about trying to discover which of Green’s many enemies or supporters might have wanted him dead.

Digging into their victim’s past, Poe and Tilly begin to believe that Green’s death might be connected to another infamous slaying of a religious family that occurred in the area many years ago.  Believing that the original killer, a troubled young member of Green’s church, has returned, the detectives attempt to uncover what caused her to snap and kill her parents and brother.  However, their investigation soon uncovers a series of terrible events from the past that still haunt many to this day.  What is the mercy chair, and how did a twisted religious figure bring so much despair to so many?

Gosh this was a damn impressive read!  The Mercy Chair was a particularly epic book that I have not been able to stop thinking about.  Exceedingly dark and hauntingly addictive, The Mercy Chair is guaranteed to steal your breath away with its many twists and turns.  An easy five-star read; The Mercy Chair ended up being one of my favourite books from the first half of 2024 for some very good reasons.

I cannot emphasise just how good the narrative of The Mercy Chair turned out to be, as Craven really dug deep to produce the most twisted and haunting narrative he could.  Starting off in an interesting way, with the traumatised protagonist, Washington Poe, recounting the events of his previous case to a psychologist, which instantly ensures that the reader knows something bad is about to happen.  The resulting set-up for the case proves to be very effective, and you are soon presented with an intriguing scenario of a religious leader stoned to death.  Craven also presents some compelling complications to the case in the form of an unwanted assistant for Poe and Tilly, the interest of the local bishop, and strange connections to a previous mass killing.  This first half of the book is very strong, and I honestly got hooked on the book very early due to Craven’s strong writing and ability to set up a good murder case.  The author does a great job of layering a lot of clues and hints about the events to come in this first half, not that it does you a lot of good, as there are so many sinister surprises to come.

While I really enjoyed the first half of The Mercy Chair, the second half is what really makes this book a first-rate thriller, as Craven brings all the darkness and thrusts the reader into a world of emotional pain.  I honestly cannot go into too much detail about what happens in the second half of the book, as too many hints could ruin The Mercy Chair for potential readers.  However, I will say that Craven is a dark genius, and I still cannot get over how crazy and harrowing things got.  The case goes in some very disturbing and inventive directions, and the author unleashes a multitude of twists, most of which are very well-set up in advance.  While I saw a few surprises coming or was able to guess the significance of certain subtle inclusions, I honestly could not predict everything that Craven’s diabolical mind came up with.  Trust me when I say that The Mercy Chair’s story gets darker and darker the more you progress through it, and no matter how many times you think it can’t get any worse, it does.  The author ends the narrative in a very interesting place right after a final massive twist comes out, and you really will not be prepared for every surprise that comes your way here.

I really appreciated the great way that Craven told his latest novel, especially when it comes to The Mercy Chair’s unique narrative set up where the protagonist discussed the case with a psychologist sometime after the actual case.  The transition between Poe’s perspective of the case as it unfolds and his discussions with the psychologist after the fact really enhances the impact of the story in so many interesting ways.  In particular, you get some fascinating discussions around the psychology and people involved in the events, and I loved the multiple dark hints that the protagonist gave the audience about how more bad things were still to come.  This, combined with the multitude of elaborate and clever clues and hints featured throughout the entire story, really heightened anticipation for the later parts of the book, although even with all these hints, I wasn’t prepared for just how dark things got.  I felt that Craven really hit the right balance of mystery, intriguing character development for the protagonists, and utter suspense at the events occurring, and frankly once you get stuck into the main murder, its near impossible to get away from this book.  While The Mercy Chair is the sixth book in the Washington Poe series, it can easily be read as a standalone novel, even by those readers unfamiliar with the series.  Craven does an excellent job setting up the story and reintroducing the protagonists, so new readers can easily drop in here without any issue at all.  While long-term fans of the author/series will probably get a little more out of The Mercy Chair in terms of character growth, anybody can have an epic time with this book, especially if they love gritty and shocking mysteries with some brilliant twists.

It’s hard to talk about The Mercy Chair without mentioning the outstanding characters featured within, although I honestly risk spoiling certain story elements if I discuss the new figures in the book.  However, I do need to highlight the great way that Craven continues the outstanding partnership between main character Detective Sergeant Washington Poe and civilian analysist Tilly Bradshaw, which has been such a fantastic part of the previous Washington Poe books.  Poe, a gruff and fractious veteran cop, plays off the brilliant and socially awkward Tilly perfectly, and they form a rather unusual pairing that works extremely well throughout the course of the mystery.  There is a certain level of humour to their interactions, especially as both can be outrageous in their own way, and I liked the sibling vibes that Craven set up between them throughout the book.  While the author does reiterate a lot of his protagonist’s character traits from the previous books, there is also some excellent emotional development amongst the two.  Poe, who has grown from an angry loner into somebody capable of holding down a romantic relationship, ends up going through some major emotional and psychological issues thanks to the grim impacts of this case.  Watching Poe lose his grip on his calm is very powerful, especially as his deteriorating mental state corresponds with growing intensity of the investigation and the terrible revelations he uncovers.  I honestly grew so attached to Poe because of his frank narration of events throughout the book, and his partnership with Tilly honestly made this book for me.  Craven leaves Poe and Tilly’s story in an interesting place at the end of The Mercy Chair, and I look forward to seeing how they overcome their latest obstacles in the next book.  Throw in a great cast of supporting characters, including some complex victims and perpetrators and a bunch of fun recurring figures, and The Mercy Chair’s characters really help to make this story something very special.

With The Mercy Chair, M. W. Craven has officially become one of my favourite thriller authors and I cannot emphasise just how incredible this novel is.  Craven produces an outstanding and powerful story that features a particularly clever and shocking mystery that I could not get enough of.  Loaded with elaborate twists, complex characters, and so many dark revelations, The Mercy Chair is guaranteed to make you an instant fan of Craven, no matter how hard you try to forget his narrative’s intense tragedy.  I loved this book so much, and I honestly wonder what would have happened if Craven had gotten his way and made it even darker.

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Point Nemo by Jeremy Robinson

Point Nemo Cover

Publisher: Podium Audio (Audiobook – 5 April 2024)

Series: Standalone/Book One

Length: 9 hours and 31 minutes

My Rating: 5 out of 5 stars

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The always entertaining and intense Jeremy Robinson returns with a compelling and dark science fiction adventure that takes the reader on one hell of a mushroom trip with Point Nemo.

Jeremy Robinson is an intriguing author who has been contributing some exiting and wild books to various genres for nearly 20 years.  Best known for his over-the-top science fiction and horror thrillers, Robinson has written a ton of fantastic books over the years, including his Chess Team, Nemesis Saga and Antarktos Saga series, as well as an awesome collection of standalone novels.  I am mostly familiar with the books in Robinson’s more recent Infinite Timeline connected universe, which feature a huge collection of compelling standalone novels that gradually came together as the series continued.  I had a wonderful time with several entries from this universe, including Tribe, The Dark and Mind Bullet, the latter two of which were amongst my favourite books and audiobooks of 2021.  I have been meaning to read a lot more of Robinson’s books, and I finally got the chance when I grabbed a copy of his latest audiobook, Point Nemo.  Originally a screenplay by Robinson, the author morphed Point Nemo into a complex novel that I really got stuck into.

Alien life has been discovered, and it’s far closer to Earth than we ever realised.  Mission Specialist Julie Rohr, an astrobiologist, has been sent to the International Space Station to study a strange, migratory space dust called xylem that has unusual properties that could benefit all of humanity.  However, despite appearing benign, the xylem is both alive and extremely insidious, causing the International Space Station to fail and crash towards Earth, dragging Julie with it.  The destination of the crash landing is Point Nemo.

Lying in the heart of the South Pacific, Point Nemo is the most remote and desolate place on the entire planet.  Thanks to its strong and isolating currents, Point Nemo is essentially a dead zone, devoid of life or any form of land, which makes it the perfect place for the world governments to crash their satellites.  However, that is no longer the case, as a mysterious island has begun growing in the middle of Point Nemo without anyone knowing.  Worse, the island appears to be made up of xylem, and it has begun moving towards inhabited waters.

Determined to investigate this mysterious occurrence and rescue Julie and her research, the US government sends in a small team to find her.  Among the team is Julie’s estranged father, renowned mycologist Dr Finn Maddern, who journeys from his isolation in the Amazon rainforest to save his daughter.  However, that might prove to be harder than expected as the xylem-forged island is swiftly evolving, becoming ever more dangerous and giving birth to an array of strange and terrifying creatures.  As the team begins to suffer tragic loses, it quickly becomes apparent that the island has hostile intentions for all of humanity, and if it escapes Point Nemo, it could destroy all life on the planet.  Can Julie and her father find the secrets of the alien island before its too late, or will they end up food for the malicious life forms coming for all of humanity?

Jeremy Robinson produces another high intensity, clever, and exciting read that had me hooked the entire way through.  Point Nemo was a very impressive science fiction thriller that make excellent use of the author’s intriguing story concept to create an intriguing and haunting story.

Point Nemo had an outstanding and epic narrative behind it that is heavy on the action, intriguing science fiction elements, and just a bit of body horror, which allows for an intense and fast-paced read.  Starting off with a few explosive space station crashes, and never slowing down from there, Point Nemo grabbed my attention very early on, and I liked the unique scenarios that Robinson kept introducing to the plot.  There is a fast but comprehensive introduction to the various key players to the story, including primary protagonist and point of view character, Dr Finn Maddern, a literal jungle-man scientist who joins to the team to save his daughter.  The protagonists are soon dropped onto the mysterious island, where they quickly begin to understand the unique makeup of the island, and the unusual biological processes going on.  I felt the first half of this book was very strong, and while it loses a little of its storytelling punch due to the need to introduce the scenario, it was still extremely gripping.

The second half of Point Nemo is where things really pick up, as Robinson begins to unleash the full horror of the island the protagonists find themselves trapped on.  There are some gruesome deaths, insane action sequences, and some very dark moments, as the protagonists begin to understand the full horror of the quickly evolving alien island, and desperately try to find a way to either escape or stop the island from destroying the world.  This leads up to a very desperate and compelling conclusion, as the protagonists risk everything to save the day, only to encounter tragedy and more and more deadly alien creatures.  The various action sequences littering the second half of the Point Nemo were exceptional and I really liked the sheer tension that Robinson was able inject into the book at times, especially in the final, extended struggle.  I cannot emphasise how captivating and exciting this second half of Point Nemo was, and I powered through it so damn quickly.  Robinson ends everything on an interesting note that potentially hints at a sequel to come, and I look forward to seeing how he might expand on this fantastic narrative in the future.

Robinson has a very fun and distinctive style for his novels which he reuses again for Point Nemo.  Told pretty much exclusively from the first-person perspective of his excellent and compelling protagonists Finn Maddern, the reader is quickly thrust into the action while also being treated to some very relatable insights from his protagonist.  As is typical with a Robinson book, Point Nemo moves very fast and is very explosive at time, with the protagonists quickly falling in line with the adventure into the unusual scenario.  This book did feel a little overly cinematic at times, probably because that this novel was originally a screenplay, but Robinson has done an outstanding job of fleshing out his original concept into a complete and complex book.  Readers unfamiliar with Robinson’s style might not fully appreciate the more casual dialogue and character traits that he utilises, but I think it works extremely well, especially as there is a lot of fun humour and realistic reactions spread out here.

All the protagonists are very relatable and human in their portrayal, and I found myself getting attached to those that survived.  Even those who die due to their own mistakes are quite easy to understand (to a degree, one character’s death was very frustrating), as they have very human traits of stubbornness and pride.  Protagonist Finn Maddern was easily the standout of the book, and while his brilliance and humour are typical Robinson protagonist traits, you have to love his jungle scientist background, especially as it sets him up very nicely as a protagonist for this book without turning him into an impossible action hero.  Finn’s central perspective for the vast majority of the story is very easy to follow, and Robinson builds him up as quite a complex figure with a powerful past thanks to his first-person narration.  The author does switch up the perspective of Point Nemo at times, especially towards the end, and this proves to be quite an effective writing move at times, as it really shows how serious and game-changing events are getting.  Point Nemo ended up being a very good standalone book from Robinson, which can be easily enjoyed by any reader looking for a highly thrilling read, although established fans of the author will no doubt appreciate the fun joke references to some of his other works.

I think one of the strongest elements of Point Nemo was the unique science fiction elements that Robinson came up with as the basis for his story.  A mysterious alien spore that crashes satellites, enhances biology, creates a massive, connected living island in the ocean and evolves various crazy alien creatures is an outstanding concept that the author uses to full effect in their narrative.  The author does an excellent job of breaking down the science behind these elements and presenting it to the reader in a compelling way.  There are also some fun dives into mycology, especially as Earth fungi and mushrooms bear some interesting similarities to the alien spores and play a big role in the overall story.  The unique island and its fantastic creatures prove to be an amazing part of the book, and I loved how crazy and over-the-top Robinson made them.  The various dangers and creatures encountered by the protagonists are legitimately scary at times, and Robinson allows them to make his story particularly gruesome at times.  This includes some dark body horror moments that will stick in my mind, and which allows for a particularly shocking narrative that will keep readers very engrossed.  I honestly cannot talk up Robison’s science fiction elements enough, especially as this very inventive story basis allowed for a particularly exciting and captivating narrative.

There are several series and authors out there whose works I would always recommend that potential readers should check out on audiobook.  Jeremy Robinson is one of these, as all the novels of his that I have enjoyed have been in their audiobook format, which were really damn awesome.  This is once again true for Point Nemo, which proved to be an incredible listen.  Coming in with a run time of nine and a half hours, the Point Nemo audiobook was a lot of fun, especially as it enhanced Robinson’s exciting adventure, while also showcasing the intense action in all its gory glory.  It also helped that Point Nemo was narrated by the legendary R. C. Bray, who is one of my favourite audiobook narrators.  Robinson and Bray have a great partnership going, with Bray narrating most of the author’s recent books.  Bray has an incredible voice that works extremely well for thrillers and high excitement tales, and any audiobook read by him becomes instantly better.  His tones work wonders in the first-person chapters of Point Nemo, and I loved the deep and likeable tones he assigns to the various characters.  His narration for the main character, Finn Maddern, was particularly good, and Bray really captured the multiple elements of this complex character.  I love how Bray was able to simultaneously bring out Finn’s humour, passion and intensity with his voice work, and you really get drawn into his personal journey as a result.  Due to this voice work, as well as how the story was enhanced by being read out, I would strongly recommend the audiobook format as the best way to enjoy Point Nemo.

Jeremy Robinson continues to show why he is one of the best and most insanely inventive authors of the science fiction thriller.  Point Nemo is an exciting, addictive, and slightly insane read that had me hooked all the way through, especially as Robinson brought out some amazing and impressive science fiction elements to really enhance his action-packed story.  I had such a great time with Point Nemo, especially with its audiobook format with narrator R. C. Bray, who helped to turn this into a five-star read.  I cannot recommend Point Nemo enough, and I look forward to more books from Robison in the future, especially if the audiobooks are as epic as this one was.

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The Gathering by C. J. Tudor

The Gathering Cover

Publisher: Michael Joseph (ebook – 16 April 2024)

Series: Standalone/Book One

Length: 412 pages

My Rating: 5 out of 5 stars

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Acclaimed author C. J. Tudor continues her excellent run of clever and dark thrillers with the intense, inventive, and gripping horror murder mystery, The Gathering.

C. J. Tudor is a talented and highly inventive author who has been producing some intriguing reads over the last couple of years. Starting with her 2018 debut, The Chalk Man, Tudor has consistently produced some compelling books with clever horror or psychological thriller elements. Her other books include The Hiding Place (also titled The Taking of Annie Thorne), The Other People, The Burning Girls and The Drift.  While Tudor’s intriguing novels have often stood out to me, generally because their unique plots, I unfortunately haven’t had the opportunity to read any of her prior works, which is something I really regret.  However, this has recently changed as I was lucky enough to receive a copy of Tudor’s latest book, The Gathering, an intriguing murder mystery thriller with some distinctive element behind it.

Welcome to the small town of Deadhart, Alaska, home to a small population of living humans and a colony of vampyrs.  Maligned and hunted beings throughout the world, vampyrs in America now have legal protection from unsanctioned killings, as long as they don’t harm any humans.  While members of the Colony attempt to stay away from humans, old hatreds, prejudices and grudges rear their ugly head when a young teenager is found murdered with his throat ripped out and his body drained of blood.

Detective Barbara Atkins, a specialist in vampyr killings and physiology, is sent to Deadhart to determine if a vampyr committed the murder and authorise a cull if the Colony is unwilling to hand over the perpetrator.  Arriving in the small town, Barbara finds the local inhabitants afraid and angry, looking for vengeance for the death of the boy and determined to wipe out the vampyrs for good, especially as this case bears a striking similarity to a previous killing blamed on the Colony 25 years ago.

Beginning her investigation, Barbara soon discovers that there is far more to the case then initially appears.  Much of the evidence has been staged, and no one is willing to tell her the truth about what has really going on in town.  When more deaths occurring throughout Deadhart and the town in uproar, Barbara deputises former Deadhart sheriff Jenson Tucker, whose investigation into the previous killings nearly left him for dead.

As Barbara and Jenson attempt to discover the culprit, it soon becomes clear that someone is attempting to stir up a conflict between the people of Deadhart and their vampyr neighbours.  With both settlements on the warpath, Barbara and Jenson need to dive into Deadhart’s dark history to truly understand the crime before them.  But is the killer a bloodthirsty vampyr, a psychotic human with a taste for chaos, or something far worse?

Tudor absolutely blew me away with this exceptional and highly clever read.  The Gathering was a brilliant book that expertly combined an inventive and well-established concept with a complex murder mystery.  Loaded with intriguing and damaged characters and a dark story of death, revenge and oppression, The Gathering was an extremely awesome book that I could not turn away from.

Thanks to its vampyr focused murder mystery, I knew I was going to really enjoy the plot behind The Gathering well in advance of reading it, and boy was I proven right.  Tudor does a wonderful job quickly and effectively setting the scene, and you are soon introduced to the town of Deadhart, the concept of vampyrs and the particulars of the murder.  What follows is a complex case as protagonist Barbara Atkins is forced to investigate as an outsider, as most of the town is filled with anti-vampyr sentiment.  Further complications are added when Atkins finds a range of dark secrets hidden throughout Deadhart, both in the present and in the past, which have bearing on the modern case.  At the same time, the various residents of Deadhart and the Colony react in different ways to the murder, using it to restart old grudges or bring long-festering hurts to the surface.

The Gathering’s narrative progresses at a fast and compelling pace, and you are soon treated to revelation after revelation, as well as several additional killings.  I loved the combination of a modern-day investigation and dives back into various periods of Deadhart’s history that emerged, especially as clues in the past have huge bearings on the modern story.  Tudor cleverly builds up several simultaneous mysteries and ongoing storylines, and soon the protagonist is not only trying to discover who the killer is but prevent a war between Deadhart and the Colony.  Everything leads up nicely to a pretty epic conclusion, which was well foreshadowed, with some pretty awesome revelations coming to the fore.  I loved how well several compelling character arcs came full circle during this confrontation, and the main antagonist of the plot proved to be quite sinister and well established.  Several other tertiary mysteries are also solved near the end, and Tudor ensures that many storylines are tied off in a satisfying and clever way.  There are some awesome twists at the end, including one surrounding one of the book’s most compelling characters, and this last twist in particular is likely to lead to additional books in the series.  I honestly was the hooked the entire way through this amazing story, and I really appreciate how Tudor brought it together.

I’m a huge sucker for classic for thrillers with distinctive twists to them, and The Gathering was a great example of this.  Tudor managed to pull together a complex murder mystery that not only features an isolated Alaskan town with a dark history and multiple complex and haunted characters, but also contains an elaborate vampiric society and history.  All these elements are used extremely well throughout The Gathering, and I was extremely impressed with how Tudor was able to tie everything so effectively together.  Tudor makes sure to tell multiple character-focused storylines at the same time, which allows for a more multifaceted plot that goes in some very interesting direction.  The split focus on several captivating and distinctive figures works wonders to enhance this, and Tudor uses this to showcase the rising tension in the town, and the various perspectives surrounding it.  There are some great plot lines here, and the way that they interacted and came together was very impressive.  I was particularly impressed by the chapters that kept coming back to an unnamed figure being held prisoner by a mysterious captor.  This storyline was weaved throughout the novel, and I was constantly left guessing about who the figures were and how it would work into the main story.  The reveal surrounding it was not what I was expecting, but I loved how well it set up a major twist at the end.  Other character-focused storylines also proved to be just as compelling, and the way everything came together was very impressive.  I honestly knocked out this book in just over a day, it was that damn good, and I cannot emphasise how cleverly Tudor brought everything together.

One aspect of this book that I really must highlight is just how great a setting Deadhart proved to be as it enhances the plot of The Gathering in so many excellent ways.  The well-written depictions of the frigid Alaskan wilderness and secluding storms allows Tudor to bring together a classic thriller background of an isolated, snowed-in town, where the protagonist is unable to get backup and is forced to rely on unlikely help from the local outsider.  While this always makes for a great story background, Tudor enhances it by building up a dark history around Deadhart and the Colony, that plays so well into the modern storyline.  This unique history of the town was expertly explored by Tudor, and it worked to produce a much more complicated mystery, one dotted with historical grudges and family feuds.  I particularly loved how effectively Tudor explored the growing terror infesting Deadhart as the killings continue, as both the humans and the isolated vampyrs begin to fear what is to come.  This undercurrent of fear and the resulting rage it leads to is almost palpable at times, and you can fully understand how and why the various characters act the way they do.

Another element of The Gathering that really impressed me was how well Tudor set up an alternate world where vampyrs exist.  The whole concept of the vampyrs as biological offshoots with several classic vampiric traits, including blood drinking and an aversion to sunlight, is quickly and effectively established by Tudor, who does a wonderful job of immediately bringing readers into this world.  As the book continues, the reader gets a more in-depth look at the vampyrs, their biology, their psychology, and their history, especially when it comes to their interactions with humans.  This examination of the interaction with humans is particularly key, as Tudor explores the prejudices that emerged, as humans learned to hate the entire species.  Featuring some fantastic parallels between other social rights issues, the relationship between the two species is explored in detail, and then applied to isolated Deadhart.  Watching the prejudices of the town come to light again was a great part of the book, especially as it is well contrasted by looks at the vampyr community.  As the story continues, you soon realise that there are monsters on both sides of the biological line, and figuring out who is crossing this line is a major part of the plot.  Defining vampyrs in both a scientific and social way proved to be very interesting, and I liked the attempts at humanising the figures and making them less of a horror monster.  That being said, there are some dark and scary scenes in The Gathering, especially when the vampyrs get angry.  Overall, the use of vampyrs is in The Gathering was very cleverly, and Tudor really highlighted her writing ability by setting this up so effectively.

The final element of the book I want to highlight is the amazing group of complex and damaged characters featured throughout The Gathering.  Tudor clearly has an aptitude for bringing together a compelling cast, as the reader is treated to a range of different figures, each of whom have their own compelling histories and dark pasts mottled by the troubled relationships between humans and vampyrs.  The most prominent of these is the visiting detective, Barbara Atkins, who is forced to battle mystery, local hatred, and her own unique feelings about vampyrs as she determines whether a cull is required.  Showcased as the calm and reasonable inclusion to the investigation, Barbara finds herself severely tested by the town’s prejudices and mistrust, while trying to find the truth no matter what.  Much of Barbara’s actions are guided by rationality, although there is an intriguing look back into her past, as her own experiences with small towns with vampyr colonies plays a big role in her motivations.  As such, she is an excellent central protagonist, and I loved how well she played the outsider figure coming into town.

In addition to Barbara, The Gathering also features a complex group of locals, each of whom have their own connection to Deadhart’s dark history and the hostile relationship between the town and the Colony.  Standouts include former sheriff Jenson Tucker, whose previous investigation of a vampyr death left him as the town pariah.  Tucker goes through a powerful redemption arc in The Gathering, and he proved to be an able secondary protagonist as he comes to terms with his many secrets.  Other great characters include an ancient vampyr, trapped in the form of a child, whose connection to the dark side of Deadhart becomes a driving force for their revenge.  There is also a mysterious local preacher determined to bring violence to the vampyrs, and who proves to be an intriguing counterpoint to the main protagonist Barbara.  Finally, the various members of an original Deadhart family with a long simmering hatred for all thing vampyr, adds a great amount of drama to the plot, not only because of their connections to the previous killing in town but because their well-established fear of vampyrs leads to much of The Gathering’s conflict.  These characters, and more, are very well written, and their dark attitudes, fearful actions and unique viewpoints add a great deal to this already impressive and emotionally charged novel.

C. J. Tudor deeply impressed me as The Gathering turned out to be one hell of a read. Expertly utilising her inventive and clever alternate world in conjunction with a captivating mystery, Tudor wrote a particularly epic tale in The Gathering, and I had such a lot of fun getting through it. An intense and powerful read, The Gathering is one of the best books I have read so far in 2024 and I cannot recommend it enough.

The Gathering Cover 2

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The Maleficent Seven by Cameron Johnston

The Maleficent Seven Cover 2

Publisher: Angry Robot (Trade Paperback – 10 August 2021)

Series: Standalone

Length: 416 pages

My Rating: 5 out of 5 stars

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One of the fastest rising authors of dark fantasy fiction, Cameron Johnston, returns with his most entertaining book yet, the outstanding and epic novel, The Maleficent Seven.

Cameron Johnston is a great author who I was lucky to come across a few years ago with his debut novel, The Traitor God.  Bought on a whim because it sounded cool, The Traitor God ended up being one of my favourite fantasy books of the year thanks to its excellent revenge storyline.  The Traitor God was such an epic read and I ended up grabbing the intriguing sequel the following year, God of Broken ThingsGod of Broken Things (one of my favourite books of 2019) proved to be an outstanding sequel, and it ensured that I would be keeping an eye out for more of Johnston’s work.  This included his 2021 novel, The Maleficent Seven, which had an awesome plot behind it.  I honestly have been meaning to read The Maleficent Seven for ages but could never fit it into my schedule.  That was until last year, when I managed to power through the entire book in a single plane ride.  The Maleficent Seven ended up being a pretty darn exceptional novel that I wish I read a hell of a lot sooner.

It is a dangerous time in the lands of Essoran, as the Lucent Empire, a nation of apparent holiness and light, continuously expands, sweeping away all opposition and either burning or converting the survivors to their faith.  Despite their apparent benevolence, the Lucent Empire has a dark side dedicated to destroying all magic, heretics, and anything it deems evil through fire, blood and death.  The final stage of their invasion is set, but to proceed they first need to cross through the mountain road, which exits at the small town of Tarnbrooke.  All looks lost for the inhabitants of Tarnbrooke, who are likely to burn in the Lucent Empire’s light, until an unlikely figure appears to lead them.

Forty years ago, the dread demonologist Black Herron led a black horde of bloodthirsty soldiers, dark creatures and monsters on a deadly campaign that rocked all Essoran.  Total conquest of the realm looked certain, until she suddenly disappeared the eve of the final battle.  Without the will of their leader to hold them together, the army fell to infighting allowing their enemies to prevail.  No one knew what happened to Black Herron, until she reappears in Tarnbrooke, having lived there in disguises for decades.

Determined to stop the Lucent Empire and their fanatical leader no matter what, Black Herron takes over the town and prepares it for siege.  But even a being as powerful as Black Herron is unable to stop an entire divinely infused army by herself.  Instead, Herron seeks to bring together the six deadly captains of her army, whose skills and ferocity helped her to nearly conquer the world.  Together, this assortment of dangerous beings, including a vampire, a necromancer, an orc chieftain, a war god, a pirate queen and a deranged alchemist, might stand a chance against the coming storm.  But first they need to learn to work together once more, especially as each of them have a very different reasons to fight with Black Herron again.

The Maleficent Seven is a powerful, captivating and fantastically over-the-top novel that showcases Cameron Johnston’s impressive writing skill and ability to bring together great characters with dark fantasy settings.

Now, as you can probably guess from the name, The Maleficent Seven is a dark fantasy take on classic films like The Magnificent Seven and its predecessor, Seven Samurai.  Johnston sets the scenario perfectly, first introducing protagonist Black Herron and her previous evil horde, which disbands in the starting chapter.  From there, we get a time skip and are introduced to the book’s antagonists in the form of the Lucent Empire, their divinely empowered inquisitors and their leader, the Falcon Prince.  Their initial actions are enough to paint them as dangerous religious zealots who use their divine light and apparent holiness as a shield for their dark ambitions.  Their quest leads them on the road to Tarnbrooke, where the elderly Black Herron waits for them, having decided to make a stand and bring together her six former captains.

The first half of the book is dedicated to recruiting the six captains, who have scattered across the world.  All evil or deadly figures, none of them particularly wants to fight another war, but each are drawn back for different reasons, including family, pride, revenge and more.  Johnston does a good job of breaking up the recruitment process throughout the early chapters, and each of the revealed captains turn out to be crazier than the last, enhancing your anticipation for how they are going to act in the coming battles.  At the same time, you get to know the Lucent Empire, as they send agents against the captains, trying to eliminate the danger they pose.  Johnston lays down some very solid groundwork in this first half of the book, and you quickly get drawn to each of the seven main characters for various reasons.  There are a great range of character arcs spread out amongst these unlikely protagonists, and while a couple of them are purposely irredeemable, the rest prove to be surprisingly likeable and complex.  Johnston also takes the time to build up the antagonist, showcasing just how sinister they truly are, while also providing some slightly predictable revelations about their leader.

The second half of the book is dedicated to the battle for Tarnbrooke, which after seeing how crazy the first half of The Maleficent Seven is, you know is going to be good.  There is some good additional setup once the captains arrive in town, with the building of siegeworks, the training of the townsfolk, and other unusual preparations, all of which is reminiscent of the films the book is an homage to.  Johnston also builds up some additional character interactions that I really enjoyed, as certain townsfolk become connected to different saviours and there is some good follow-up regarding the protagonist’s prior adventures.  The resulting siege is everything you could hope for and more.  I am a huge fan of sieges in fiction (check out my previous list on the subject) and The Maleficent Seven is a particularly good example of an epic siege, especially as Johnston goes very over-the-top when it comes to the different weapons and methods the defenders employ.  Everything from vampiric conversion, exploding pigs and drugged townspeople are used to hold the line against the enemy in several brilliant and brutal fight sequences, while a major sea battle simultaneously occurs, featuring, amongst other combatants, a giant kraken.  All the fighting is fierce, desperate, and pretty damn bleak, while the characters each go through their own intriguing and powerful journeys.  I honestly was enthralled once the main fighting started, and Johnston really did not let up until the end.

The final sequence of the main fight turns into an impressive and extremely horrific brawl for survival as the protagonists fight against increasingly desperate odds.  There are also several betrayals as certain telegraphed plots from the evil protagonists come to fruition, and everyone fights to survive and come out on top.  You will be a bit unprepared for who lives and who dies during the final few chapters as Johnston loads up some fantastic twists and cool revelations that constantly leave you guessing.  Even when you’re sure you know who is going to survive, Johnston swiftly changes everything around with a few hilariously ironic reveals, as well as some more tragic deaths.  I liked how Johnston imbued the story with a certain level of hope towards the end, even if that was somewhat overshadowed by the carnage surrounding it.  There were also some darker moments in the conclusion, as certain characters realise just how damned they truly are.  Throw in a final great twist that really tied together a hidden motivation from the very start, and Johnston ends The Maleficent Seven on the perfect note for the reader.

Johnston did a remarkable job with this awesome book, and I loved how dark, powerful, and compelling The Maleficent Seven turned out to be.  Thanks to the unique array of characters, insane fight sequences and entertaining twists, The Maleficent Seven will prove really appealing to a wide array of readers, especially as Johnston got the right balance of action, tragedy, and humour throughout the entire read.  I especially loved how well the author flipped the established concept of heroes defending a town from villains on its head with the inclusion of seven fantasy supervillains leading the charge against a holy army.  The clever reveal that the apparently good warriors are far more sinister than the literal monsters is so well handled, and it was impressive to see a classic idea so well refreshed.  Throw in some excellent world building, an interesting collection of fantasy creatures and the sheer overwhelming chaos of a desperate siege, and there is something in The Maleficent Seven for all fantasy fans.

Something I really loved about The Maleficent Seven was the cool collection of characters who made up the key cast.  All the titular seven are very well represented throughout the book, and it proves very hard not to fall in love with each crazy member of the team; thanks to the narrative split, you get some intriguing insights into their motivations, actions, and history.

Of these characters, my favourite was probably Tiarnach, the fading war god who has fallen on hard times.  Thanks to the death of all his followers and his inability to fight against the Lucent Empire, Tiarnach starts the book off as a broken, drunken figure with barely any power left.  Joining Black Herron’s cause to get revenge and some form of redemption, Tiarnach becomes the defenders’ nominal drill instructor, trying to whip the townsfolk into a fighting force.  The connection Tiarnach forms with the townsfolk, his journey towards redemption, and the fact that he is one of the few characters without ulterior motivations, ensures that readers are drawn towards him.  He easily has one of the best, most tragic character arcs in the entire book, and I really enjoyed how Johnston utilised him.  The same can also be said for the legendary orc warrior, Amogg.  Amogg leaves her responsibilities behind to sate her desire for battle and alleviate her restlessness.  Thanks to her blunt and entertaining personality, Amogg was another character the reader connects to.  However, Johnston ensured that she became a true favourite when she begins to turn the women of Tarnsdale into an effective fighting force against their will.  Watching her empower and lead a band of fighting women into battle was very impressive, and her storyline was heartwarming and bleak in equal measures.

The other five characters each have their moment to shine.  The vampire, Lorimer Felle, was a suave and brutal figure whose inability to die, connection to his one loyal servant, and desire for destruction left a major impression.  Verena, the pirate queen, was also really good, although she kind of gets overshadowed by the other characters.  Jerak the alchemist was the most unhinged, and I loved how he ended up becoming more of a danger to his friends than his enemies thanks to his gruesome experiments.  Maeven, the necromancer, has one of the more complex story arcs in the book as she blurs the line between ambition, revenge and a desire for family.  While she fights alongside the others, her own need for vengeance and power leads her down a dark path, especially with her connections to the Lucent Empire’s leader.  Maeven’s entire story goes in some very dark directions, and I appreciated the dark note Johnston left it on.  Finally, the leader of the group, Black Herron, has a very interesting storyline that runs the gambit from dark queen to unlikely hero.  Johnston does a great job showcasing her rise and fall throughout the story, and the question of why she chose to abandon her conquest and her army is a fantastic part of the book.  All these protagonists are outstanding in their own way, and I loved how Johnston was able to weave together some compelling, entertaining, and occasionally sad storylines around such wonderfully outrageous figures.

Look, with a story this awesome there was no way I wasn’t going to love The Maleficent Seven, and I think my lengthy review above proves this point extremely well.  Cameron Johnston was on fire when he wrote his third full-length novel, and The Maleficent Seven proved to be a particularly intense, clever and impressive read.  Bringing together entertaining characters with insane violence amid a classic story scenario, The Maleficent Seven proved near impossible to put down and I loved every second I spent reading it.  A highly recommended read for all fans of dark fantasy, I cannot wait to see how Johnston’s next book (coming out later this year) turns out.

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Peace Talks by Jim Butcher

Peace Talks Cover

Publisher: Penguin Audio (Audiobook – 14 July 2020)

Series: Dresden Files – Book 16

Length: 12 hours and 52 minutes

My Rating: 5 out 5 stars

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After nearly four fantastic years, I have officially come full circle with the epic Dresden Files series as I check out the final book I needed to read with the entertaining and compelling entry, Peace Talks.

Back in 2020, I had the very great pleasure of discovering Jim Butcher’s iconic Dresden Files urban fantasy series.  A powerful, action-packed, and intense read, Battle Ground was one of my favourite books and audiobooks of 2020, even though I started with the 17th entry in the series.  I had so much fun with Battle Ground that I instantly went back and listened to the first Dresden Files novel, Storm Front, which cemented my love for the series.  Since then, I have been slowly working my way through the entire Dresden Files audiobook collection, loving every second of it.  There are so many exceptional entries in this amazing series, with some of my favourites including Fool Moon, Dead Beat, Small Favour, Changes, Ghost Story, and Skin Game, just to name a few.  There was frankly not a single book in this series I didn’t love, and I had such a wonderful time with each of them.  I have been on the final stretch of this series for the last couple of months, which ended when I got through the intriguing Peace Talks.

Harry Dresden, professional wizard, White Knight, and supernatural defender of Chicago is adjusting to many of the changes in his life, including a new romance and his duties as a father.  However, things always have a way of becoming even more complicated for Dresden as the sins of his past and his twisted loyalties come back to haunt him, especially when an important gathering of supernatural entities is set to take place in his city.

Ever since Dresden destroyed the Red Court of vampires, the Fomor, an ancient and long hidden kingdom, have been making a play for power.  Their dark exploits have led them into conflict with many supernatural nations, and after years of skirmishes, the Fomor are finally ready to talk peace with the larger supernatural world in Chicago.  Assigned to summit as security for the White Council of wizards, as well as a liaison between the wizards and the Winter Court of Queen Mab, Dresden has his hands full, especially as he expects all hell to break loose.

As the various delegations descend upon Chicago, Dresden is proved right when his vampire half-brother, Thomas Raith, instigates a diplomatic incident that could lead to his death.  Forced to work with Thomas’ sister, Lara Raith, Dresden works to free his brother without starting a war.  But his actions soon draw the ire of several people close to him, especially as his loyalty to the White Council are in doubt.  Worse, an ancient evil has arrived in Chicago, one determined to destroy all chances of peace and bring about untold disaster.  Can Dresden save his brother while preparing for a force capable of destroying everything he has sworn to protect?

Peace Talks is a compelling addition to the long-running Dresden Files series that takes readers on an interesting ride in the lead up to the next big adventure.  Filled with great character moments, intriguing revelations, and some cool world-building, this was a solid addition to the series that I absolutely powered through.

Butcher comes up with a good story for Peace Talks that not only sets up some interesting plot points for later, but also tells its own unique narrative that is hard to put down.  To fully enjoy Peace Talks, you must appreciate that it is primarily a prelude for Butcher’s other 2020 release, Battle Ground, and as such a lot of story elements from it don’t get any real payoff until the second book.  As I’d already read Battle Ground before getting to Peace Talks, I could see where a lot of the hints, character arcs and storylines were going, so I think that gave me a bit more appreciation for what Butcher was doing here.

The story itself is an excellent character-driven narrative that contains a lot of great elements I really appreciated.  Starting off by showcasing the new normal for Dresden as a parent and partner, the story quickly moves along to the introduction of the summit, which brings several recurring characters back into the mix.  As various troubles begin to build on the horizon, the story introduces its major hurdle as Thomas apparently attempts to assassinate the leader of a supernatural nation.  Convinced of his innocence, Dresden reluctantly works with Thomas’ sister Lara to try to free him, resulting in a prison break sequence during a busy event.  Dresden’s determination to save his secret brother even at the risk of war begins to alienate several of his allies, including his grandfather, eventually resulting in an epic confrontation that was the highpoint of the book.  At the same time, the peace conference proves to be an intriguing addition to the plot, as you get to see some compelling interactions from multiple supporting characters, including many who haven’t been in the same book before.  The conclusion of the summit comes rather fast and shockingly, with the major antagonist for the next book arriving and making their intentions clear, and you come away greatly anticipating the chaos to come in Battle Ground.

I loved how Peace Talks came together as Butcher brings his usual charm, sharp writing and entertaining wit to the table in a big way.  Peace Talks features the trademark blend of mystery, adventure, character development, fantasy elements and snarky humour that I deeply enjoy about all the Dresden Files books, and it’s hard not to get caught up in the story.  There is a great focus on intrigue, politics and personal perception in this book, and I liked how a lot of the threats were more subtle and in the realm of future consequences rather than direct action.  Butcher also focused on setting up for the next book, and much of Peace Talks is geared towards providing context and character introductions for the coming war in Battle Ground.  While in some ways this reliance on setting things up for the next book made the events of Peace Talks seem a little less important, it was an overall strong book, and a great entry to the wider Dresden Files series.  While I do think that people should be really starting the series earlier than the 16th entry, new readers could slot themselves into the Dresden Files series here as Butcher continues his accessible style, minus a few references to some short stories.  Peace Talks also features some clever and subtle clues to major twists and big events in Battle Ground which you don’t fully appreciate until you read the following book.  I honestly came away from Peace Talks with an even greater appreciate for Butcher’s long-term writing skills, as well as his ability to expertly telegraph some major events.

I did feel that certain elements of Peace Talks did feel a bit rushed, especially when it came to the big bad who was revealed at the end of the peace summit.  Having already read Battle Ground, I was expecting more buildup for the villain Ethniu in Peace Talks, especially as she hasn’t been mentioned at all in any of the preceding 15 books.  However, she kind of just shows up, kicks ass for a few seconds, and then leaves, making her threats for the next book.  You don’t even get any history for her aside from the fact that she’s a long-dormant Titan who is annoyed at the world.  In hindsight, this is a little weak, and some explanation about who she is, how she took over the Fomor, or her history with the other magical leaders would have been good.  Butcher also failed to really set up any connection between her and Dresden before their fights in Battle Ground, which I think you needed.  This and other rushed bits of character interaction towards the end of Peace Talks weakened the overall story of both books, and it was clear that Butcher was keen to finish Peace Talks off and get into the major war sequences of the sequel.

As with most Dresden Files entries, Peace Talks excelled in the character department, which was a major highlight of the book.  Peace Talks features a huge cast of characters, most of whom are being reintroduced from previous novels so Butcher can feature them in Battle Ground.  As such, Peace Talks is loaded with some compelling interactions and character moments, especially as the protagonist must deal with a range of friends, family and foes who he hasn’t seen in years.

Naturally, most of the character work revolves around protagonist and point of view character Harry Dresden.  Dresden is such a fun character to follow, mainly because of his immaturity, sense of humour, and the lack of fear and respect he holds for powerful beings.  However, while deep down Dresden is still the same loveable rogue we’ve been following for years, he has been experiencing some major changes in his life that have had some intriguing impacts on his personality.  Peace Talks sees him dealing with a lot of these major life events in various ways, and it was interesting to see how much Dresden and his situation has changed since the start of the series.  Much of the book revolves around his changing relationships with certain people, including his new romance with Karrin Murphey, which finally came official in the previous book Skin Game.  This romance is one of the nicest parts of the whole book, and the two characters are just perfect for each other, which twists certain future emotional knives a little deeper.  It was also sweet to see Dresden as a father, even with their complicated relationship and the trauma surrounding them.

However, I think the most dramatic character relationship that was featured in Peace Talks involved Dresden and his mentor/recently revealed grandfather Ebenezar McCoy.  The two of them have been rocky for years, but their emotions finally spilled over in Peace Talks, especially when it came to Dresden’s relationship with Thomas and his plans to raise his daughter.  The anger between the two bubbles over throughout the course of Peace Talks, mainly because Dresden is forced to hide the true reasons for helping Thomas due to McCoy’s hatred of vampires.  The eventual and inevitable confrontation is very brutal as the two are unable to come to common ground and both think they are in the right.  The big fight between them is one of the best scenes in the book, and it simultaneously showed how powerful McCoy truly is while also highlighting how much more skilled Dresden has gotten over the years.  The eventual result is very heartbreaking, showcasing the fact that no one can hurt you more than family, while also containing a fun bit of sneakiness from Dresden.  It will be interesting to see where this relationship goes in the future, but it’s clear this family has some major issue to work out.

In addition, it was also particularly interesting to see Lara Wraith, leader of the White Court and Thomas’s half-sister become such a prominent character again in Peace Talks.  Butcher spent a good chunk of Peace Talks reintroducing Lara as a major character who is going to be a big part of the series going forward.  While this does result in the usual overly sexualised shenanigans that have accompanied Lara since her introduction in the infamous adult-film focused Blood Rites, Lara mostly proves to be a compelling and complex character.  Indeed, there were some moving examinations of her relationship with Thomas that showed just how much she cared for him.  While the differing goals and expectations for Thomas result in some conflict between Dresden and Lara, they prove to be an effective team, with a bit of hostility buried beneath them.  Considering these two are going to be forced to spend a lot of time together in the future, I liked how Butcher built up their relationship here, and it will be interesting to see how it develops in the future.  Overall, I felt the characters featured in Peace Talks were handled really well, and I loved the unique and powerful interactions that emerged.

As with the entire Dresden Files series, I ended up listening to Peace Talks on audiobook, and frankly there is no better way to enjoy one of these epic novels.  Coming in with a runtime just shy of 13 hours, this was slightly shorter Dresden Files book, especially when compared to the other later books in the series.  This shorter runtime allowed me to power through Peace Talks in no time at all, especially as I was once again wrapped up in the silky tones of narrator James Marsters.  Marsters, who is one of my favourite audiobook narrators, primarily due to his work in this series, is so damn good, and I love how effective he is at telling Butcher’s story.  Marsters honestly gets the tone of each scene perfectly and the way he inhabits each of the featured characters is just amazing.  I once again must highlight how well he portrays protagonist Harry Dresden in this book, and you can really sense the character’s conflicted emotions.  Due to the large cast associated with Peace Talks, Butcher needs fill in quite a few roles, including a ton of recurring figures from previous novels.  I felt that he did a great job voicing all of them, and it was fun to see him dust off a few voices that we haven’t seen in a few books.  Everything came together perfectly with Masters narration in Peace Talks, and this was another epic Dresden Files audiobook that I just loved listening to.

Jim Butcher provides another powerful and intriguing addition to the Dresden Files series here in Peace Talks.  Simultaneously setting up the events for the sequel Battle Ground while also telling a powerful, character-driven tale of betrayal and family trouble, Peace Talks was a great read that proves hard to put down, especially for established fans of the series.  A highly recommended book that leads to bigger things.

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Skin Game by Jim Butcher

Skin Game Cover

Publisher: Penguin Audio (Audiobook – 27 May 2014)

Series: Dresden Files – Book 15

Length: 15 hours and 49 minutes

My Rating: 5 out of 5 stars

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I was once again in the mood for a guaranteed hit, so I looked no further than Jim Butcher’s exceptional Dresden Files series, with the 15th book Skin Game.

As readers of this blog will know, for the last couple of years I have been having a wonderful time getting through Jim Butcher’s iconic Dresden Files series.  One of the most well-known and impressive urban fantasy series, the Dresden Files follow the titular wizard, Harry Dresden, as he investigates magical crimes and protects Chicago from supernatural threats.  This series is so damn cool, and I have loved the unique combination of mystery, great characters, and intensive world building as Butcher pulls together a brilliant, modern fantasy universe.  I honestly have loved every single book in the Dresden Files series, although I feel that the last few additions I have read, including Changes, Ghost Story and Cold Days are Butcher at his finest, especially as he really built in some elaborate and original stories.  As such, I had no reservations about checking out the 15th book in the series, Skin Game, especially as it had a pretty damn awesome plot behind it.

Harry Dresden, Chicago’s sole practicing wizard and the new anointed Winter Knight, is in trouble.  Trapped on his island in the middle of Lake Michigan with a magical parasite in his head, Dresden has only days left to live.  Salvation soon appears when his boss, Queen Mab, arrives on the island, offering to save him.  However, nothing from Mab is ever free, and the conditions for her help might prove even more lethal.

To pay off an old debt, Mab has loaned out Dresden to one of his most hated and dangerous foes, the fallen angel Nicodemus Archleone.  To further his dark goals, Nicodemus is planning to break into the personal vault of the Greek god Hades to loot several valuable artefacts.  However, Nicodemus can’t do it alone and he hires a group of rogues, thieves and specialists, as well as Dresden, to pull off the job.  If they succeed, they will all come away insanely rich, but if they fail, their souls be trapped forever in the underworld.

As the job proceeds, it quickly becomes apparent that Nicodemus has no intention of letting any of his heist crew live, especially Dresden and his allies.  To survive, Dresden needs to work out how to both counter the many obstacles between them and the treasure they seek, while also finding a way to stop Nicodemus without breaking the agreements that bind the two together.  Can Dresden outsmart one of the most treacherous and deceptive beings in all creation while keeping everyone alive?  Let the games begin!

Wow, what an awesome book.  I am constantly impressed with how Butcher continues to produce outstanding and epic reads throughout this series, and nearly every Dresden Files book is better than the last.  Skin Game was a pretty great example of this, as Butcher produces one of his most entertaining stories yet with so many twists, betrayals and fantastic revelations.

I cannot emphasise enough just how cool the plot of Skin Game is, especially as Butcher comes up with a particularly clever and exciting heist storyline that the narrative is centred around.  After effectively following through from the events of the prior novel, the reader is soon thrust into the new scenario, which sees Dresden forced to work for his old enemy Nicodemus.  This leads to a classic heist scenario, with Dresden meeting Nicodemus’s unique crew, gathering up new members, and pulling together the resources need to break into the vault, even if the target is a much more supernatural than usual.  Butcher also adds in the fantastic dynamic between Dresden and Nicodemus as they plot against each other.  Both knows that the other is planning to betray them at some point, however they are forced to play by the rules in public to preserve the magical bargain between Nicodemus and Mab.  This leads to a great series of betrayals, manipulations and confrontations, as Dresden walks a thin line while trying to stop Nicodemus.  At the same time, several great recurring characters are brought back, which results in some powerful and personal character-driven storylines that I really got invested in.

There are so many great story elements ongoing through the bulk of Skin Game’s narrative, that by the time you get to the main event, the heist, you are extremely hooked.  The heist in question is everything you would hope it to be, as Dresden and his erstwhile crew of rogues, engage in some daring exploits to achieve their goals.  They are some brilliant set pieces, intriguing revelations, and several brutal twists, including one heartbreaking moment surrounding the main antagonist.  Everything leads up to the inevitable betrayal which sees Dresden and Nicodemus finally face off after dancing around each other all book.  I loved some of the scenes that followed, especially as there is a particularly great twist shown through a well-placed flashback that changes your entire perspective of the earlier story.  A subsequent sequence also presents some of the most emotionally charged moments of Skin Game, especially when it comes to one of my favourite supporting characters.  Everything gets wrapped up nicely by the end, and I loved some of the final revelations in the book, especially when you finally understand who was running the true game and why.

Butcher applies his usual excellent writing skills to Skin Game, and I love how effectively he tells this latest powerful and entertaining story; since it is once again told solely from the perspective of the protagonist, you are treated to Dresden’s typically amusing take on the events occurring around him.  This proves to be quite funny at times, although Butcher adds in a good level of drama and highly personal character development which I think balances out the book and ensures Skin Game can hit you at multiple emotional levels.  I love how Butcher experimented a bit with elements of Skin Game’s writing, especially with how he worked in some very clever, and well planned out twists and revelations, which I felt was one of the strongest points of the novel.  Butcher also really amps up the unique action, intrigue and adventure of the story, and I was constantly engrossed with how the story was going.  The depictions of the underworld and its defences were very striking, and I loved some of the unique scenarios Dresden found himself in.   This entire story come across extremely well with the writing, and I enjoyed every second I spent listening to it.

One of the things I have enjoyed getting through the Dresden Files series is how accessible Butcher makes each novel, as any entry in the series can be read somewhat independently from the others.  However, the deeper you get into the Dresden Files, the more the new book references elements from previous novels, while also building on existing storylines and character arcs.  Skin Game is a great example of this, as new readers can come in and have a wonderful time reading it, especially as Butcher does a good job explaining all the key plot points new readers might be unfamiliar with.  However, established fans of the series will get a lot more out of this book, as Butcher continues or concludes several amazing storylines here.  In particular, there are a lot of references to the last two books that featured Nicodemus as an antagonist, Death Masks and Small Favour, as Dresden continues his deadly fight against his old foe, while remembering all the previous battles that have occurred.  Several great character arcs also come full circle in Skin Game, which proves to be quite moving, especially to those readers who have laboured through the rest of the series and are already quite attached to the main cast.  As such, I probably would recommend reading the rest of the series before trying out Skin Game, mainly because you are in for a much more impactful time if you do so.  However, for those who want a fun and moving fantasy heist novel, you can easily dive into Skin Game and have an outstanding time witnessing all the betrayal, lies and deceit.

As always, one of the best elements of this Dresden Files novel was the exceptional character work.  Butcher always excels at creating complex and powerful character arcs that showcase the many different layers of each excellent protagonist and villain, and Skin Game is no exception.  Indeed, Skin Game was one of the best character-focused books Butcher has released, as it features an interesting cast and some deep and intense character arcs that showcase just how much many of the protagonists have changed.

Naturally, most of the focus of Skin Game revolves around protagonist and point-of-view character, Harry Dresden.  The wizard defender of Chicago, Dresden has gone through a hell of a lot in the last few books, which starts to catch up to him in Skin Game.  While he is still his usual flippant and disrespectful self, you can really see the cracks forming in Dresden’s psyche, especially as he balances the many responsibilities and traumas afflicting him.  Not only is his personality being altered by his decision to become the Winter Knight, but he is dealing with so much guilt for some of his recent actions.  This has made Dresden start to doubt himself, and he has trouble at times seeing whether he is still the same good guy he was at the start of the series, especially when some of his friends start to lose faith in him.  However, thanks to the help of those closest to him, Dresden regains a bit of himself as Skin Game continues, although the dark battles along the way once again take their toll on him.  Butcher works in some extremely powerful and emotional scenes around Dresden in Skin Game, especially as he finally gets closure with some other characters, including his daughter (the scene where they finally talk nearly had me in tears).  While Butcher really did amp up the heavy emotion around Dresden here, you still get a healthy dose of the protagonist’s distinctive with and humour, especially when it comes to the outrageous events, he finds himself in.  The unique situation where Dresden is forced to work with one his enemies prove a rich ground for the protagonist’s humour to come out.  It also allowed the reader to see how much smarter and more mature Dresden has become after fighting against all comers for over a decade.  I really loved how Dresden was able to anticipate many of the coming betrayals and pull together a particularly effective counter that shook up everything.  Butcher does such a great job writing Dresden, and it has been extremely fun to see this character once again grow.

Aside from Dresden, Skin Game featured an excellent collection of recurring characters from the previous books, each of whom had their own unique and powerful character arc that Butcher expertly continued with.  This includes Karrin Murphy, the former cop, who Dresden recruits as his muscle for the job.  Murphy is always one of the best characters in a Dresden Files novel, and Skin Game was a great example of this, as she once again serves as Dresden’s unwavering backup and conscience.  Skin Game proves to be a major novel for Murphy, especially as they finally resolved the romantic tension between Dresden and Murphy that had been building since the first book, Storm Front.  I really appreciate how well Butcher kept up the will-they/won’t-they atmosphere of these two characters for so long, and it was great to finally get some closure on that, even if I know I’m going to get my heart broken in Battle GroundSkin Game also saw the return of one of Butcher’s best characters, Michael Carpenter, the former Knight of the Cross who has been out of action for several books.  Michael gets back into the fray for this novel, and it was so good to finally see him return to his old ways.  The ultimate good-guy character, Michael is always a reassuring presence in any Dresden Files novel, and the interactions he has with Dresden are some of the most moving in the entire book, especially as he provides Dresden insights and emotional support like no one else can.

While I love Murphy and Michael, probably my favourite supporting character in the book is Waldo Butters.  The nerdy and kind medical examiner has been getting a real glow-up as the series continues, and you finally see how serious he has become by the events of Skin Game, especially after having to hold down the fort during Dresden’s enforced absence.  The events of the last few years have really changed Butters, and some of the interactions he has with Dresden are surprisingly intense, especially as Butters no longer trusts the main character.  Butcher had a lot of fun turning Butters into a magical superhero in Skin Game, and I loved some of the unique magical inventions that Butters uses to face off against forces way outside his weight class.  There is also the major turning point for Butters at the end of the book, where he shows just how noble he truly is, and the universe rewards him in a big way.  In many ways, Butter is the true MVP of Skin Game, and his future storyline looks very bright, especially as Butcher could easily do a whole spinoff series focused solely on him.

Of course, no Dresden Files book would be complete without a great villain, and Skin Game has one of the very best with the return of Nicodemus.  A fallen angel possessing an ancient, evil human, Nicodemus is a particularly suave and dapper figure, who always makes a huge impact when he appears.  Nicodemus falls into the role of heist leader extremely well, and I loved the fun dynamic that emerges between him and Dresden, especially as they both hate each other and known that betrayal is imminent on both fronts.  Some of the confrontations he has with the protagonists are pretty brutal, and you get to see just how dangerous he can be as a villain.  While Nicodemus is mostly his usual calm self for most of the book, certain big events push him over the edge, especially as he makes some big sacrifices.  It was both satisfying and a little heartbreaking to see him so damaged as a result, especially when the truth about the events are fully revealed.  I cannot wait to see Nicodemus return in some future books, especially as he is going to be even more dangerous and desperate.  Throw in a truly entertaining and dangerous group of fellow heisters, old enemies, Dresden’s loveable dog, Mouse, and a fantastic Greek god who proves surprisingly similar to the protagonist, and you have an incredible group of characters who help turn Skin Game into something truly special.

Unsurprisingly, I chose to listen to Skin Game on audiobook, which is frankly the best way to enjoy a Dresden Files book.  Coming in with a runtime of just under 16 hours, Skin Game was a decently long audiobook, although I was able to power through it very quickly, especially after getting caught up in Butcher’s impressive story.  As always, the audiobook format really enhances Skin Game’s presentation, and the novel’s humour, intense action and great characters really come through when read out.  Most of this is due to one of my favourite narrators, actor James Marsters, who has lent his voice to all the books in the series.  Marsters is so damn entertaining as a narrator, and I love how well he inhabits the various characters featured in the book, especially the protagonist.  Each character is given a very fitting voice, whether it be the dapper voice of Nicodemus, the calm tones of Michael Carpenter, or the hilariously British voice of Binder (which always reminds me of Spike).  Not only are these voices entertaining, but Marsters does such a good job of conveying emotion and feeling through his characters, including through the protagonist’s deep narration.  This was such a great way to enjoy Skin Game, and I cannot recommend the audiobook format of this book enough.

Overall, Skin Game proved to be an exceptional and highly addictive addition to Jim Butcher’s always impressive Dresden Files series.  Loaded with an outstanding heist story, amazing characters, and tons of sacrifice and betrayal, Skin Game was a particularly strong Dresden Files book and one I cannot recommend enough.  An incredible read that gets a very easy five-star rating from me.

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The Tainted Cup by Robert Jackon Bennett

The Tainted Cup Cover

Publisher: Hodderscape (Trade Paperback – 13 February 2024)

Series: Shadow of the Leviathan – Book One

Length: 420 pages

My Rating: 5 out of 5 stars

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Acclaimed fantasy author Robert Jackson Bennett kicks off a brilliant new series with the captivating and impressive novel, The Tainted Cup, which sees two unique investigators dive into an enthralling magical murder.

Robert Jackon Bennett is an outstanding author who has been writing since 2010 with his debut novel, Mr. Shivers.  Best known for his iconic The Divine Cities trilogy, as well as the intricate The Founders trilogy (of which I read Foundryside), Bennett has been on a real roll of late, and I have been meaning to read more of his works.  I finally got the chance when I recently received a copy of his latest novel, The Tainted Cup, an intriguing combination of the crime fiction and fantasy genres.  I instantly fell in love with The Tainted Cup’s awesome sounding plot and The Tainted Cup ended up being one of my most anticipated reads of 2024 for very good reason.

In an opulent mansion in the backwater province of Daretana, an unusual case emerges when an important Imperial officer is apparently killed when a tree spontaneously erupted from his body.  Even in the unpredictable Empire of Khanum, which is constantly besieged by Leviathans, giant beings from the ocean whose blood and bodies can mutate the land and create unique contagions, this is a shocking death.

The job of discovering what caused this unusual death falls to Ana Dolabra, an Imperial investigator known both for her staggering intellect and her many oddities.  Able to make connections no-one else can, Ana begins her unique investigation, using her new assistant, Dinios Kol, as her proxy.  Din, an engraver magically altered to possess a perfect memory, acts as his boss’s eyes on the case, and begins to gather all the raw information Ana needs to uncover the full mystery.  The conclusion she makes about the case: murder!

Determining the case to be an unusual and deadly form of magical poisoning, Ana and Din manage to find one of the culprit’s accomplices.  But it quickly becomes apparent that this is only the beginning of their investigation when several engineers responsible for maintaining the great outer walls of the Empire against the Leviathan threat are killed in a similar manner in the next canton.  Determined to discover who is responsible for both the murders and the resulting Leviathan attacks, Ana and Din journey to the wall to find out more.  What they discover is an elaborate conspiracy, one that threatens the entire Empire and could result in the death of everyone to the Leviathans.

The Tainted Cup ended up being an incredible read from Bennett who masterfully blended a complex mystery with unique fantasy elements and amazing characters to tell a gripping and powerful story.  I had such a great time with this book and honestly couldn’t put it down until I worked out every secret and twist that Bennett loaded into this outstanding five-star read.

Bennett comes up with an excellent premise for The Tainted Cup that is essentially a twisty Sherlock Holmes tale of intrigue and conspiracy, set in a cool new fantasy realm besieged by giant monsters.  Told from the perspective of main character Dinios Kol, who works as the eyes of his peculiar master, Ana Dolabra, the eccentric criminal investigator, Bennett quickly and effectively introduces the mystery of a man killed when a tree explodes out of him.  I’ve read a lot of amazing mystery novels over the years, and frankly this must be one of the more unique murder tools I’ve seen, and Bennett uses it to full effect to tell such a great story.  The initial investigation proves to be quite impressive, as Ana manages to quickly solve the murder using the observations provided by Dinios, finding the catspaw responsible for this first crime in a fantastic scene that really highlights to the author what a great investigator this protagonist truly is.

However, this is only the start of the case, as several similar deaths occur in the next town over, killing multiple engineers and damaging the massive walls that protect the Empire.  The resulting chaos results in Dinios and Ana travelling to the nearby garrison town where the engineers were billeted to try and work out who is responsible and why.  The situation swiftly degenerates as the protagonists uncover additional murders, corruption, secrets and lies, as everyone tries to hide who is responsible for the killings.  What results is an elaborate and addictive investigation as Ana sends Dinios on a series of investigative missions to get closer to the truth and uncover the conspiracies infecting the Empire, while the threat of an approaching Leviathan literally looms on the horizon.  I was on the edge of my seat the entire way through the second half of the book, as I desperately waited to see who was responsible and why.  While I saw a couple of the big twists coming, the full picture that emerged was extremely impressive, and I honestly loved every clever reveal and surprise that Bennett loaded into the story.  Not only are the main mystery and the underlying conspiracies behind it solved perfectly, but Bennett sets up the entire trilogy to be something truly special.  I cannot wait to see how this series continues in the future, and I already know it is going to be amazing.

I really loved how Bennett set out The Tainted Cup, especially as his great blend of storytelling elements and genres helped to turn it into a particularly fun and captivating read.  The elaborate and intriguing mystery blended well with the other unique elements of the book, and Bennett did an outstanding job of keeping the pace of The Tainted Cup fast and exciting, layering the story with reveals and hints to keep the reader firmly attached.  There were so many times that I needed to stop reading but just couldn’t as I wanted to see what was going to happen next.  While this book is mostly a little dark and emotionally charged, Bennett also layers the plot with a good amount of humour, mostly tied into the main investigator, which I think really turned The Tainted Cup into something special.  This humour tied in nicely with both the more serious mystery and fantasy elements and helped to cut down the tension in an effective and targeted way.  Throw in some fantastically elaborate action sequences, unique fantasy battles, and vivid descriptions of the world through the eyes of a complex protagonist, and you will come away with a great appreciation for Bennett’s fantastic writing style.

One of the more memorable features of The Tainted Cup was the awesome new fantasy realm that Bennet imagined for the plot, as well as the intriguing and unique magic that infested it.  The plot of the book is completely set within the Empire of Khanum, a walled-off nation completely dedicated to protecting itself from the Leviathan, gigantic, mutated creatures from the seas that are constantly trying to make landfall and destroy everything within.  I also loved how the magical elements of The Tainted Cup revolve around the manipulation of strange plants and biological grafts that enhance the physical and mental abilities of the humans.  A lot of these plant elements are tied into the Leviathan, and it was fascinating to see the impacts it has both on the land and on the people within it.  This is a pretty awesome background for this already fantastic plot, and it reminded me pretty strongly of Attack on Titan or Pacific Rim.  Bennett does an outstanding job working the plot of The Tainted Cup around this cool background, and it was fascinating to try and work out how the protection of the wall and the threats of the Leviathan and other magical concerns plays into the main plot.  There are some unique conspiracies produced as a result, as well as a some very distinctive killers and suspects, and I was really impressed with how Bennett came up with all these new elements and ensured that become so intrinsic to the plot.  The author also makes sure to hint at some future secrets throughout The Tainted Cup, such as the true nature of the Leviathan, which I have no doubt will be revealed in future novels in a big way.

Another awesome element I really need to highlight about The Tainted Cup was the two main protagonists, Dinios Kol and Ana Dolabra.  These two honestly make this entire book, with Dinios serving as the harried subordinate while Ana is the brilliant, if slightly unhinged and blunt, investigative savant.  Bennett expertly captures the classic detective/sidekick dynamic that was made so famous with Sherlock Holmes and Watson, with Dinios serving the Watson role as point of view character and the sounding board for Ana’s observations and solutions to the various murders encountered.  Not only is this very cool in the fantasy context, but Bennett works to make Ana even more outrageous than some of the more recent Sherlock Holmes adaptations, as she is an agoraphobic, disgraced, drug-addicted figure, who mostly goes around wearing a blindfold and terrifying everyone she encounters.  I loved Ana so much, and so much of the humour of the book comes from her unusual behaviour.  Despite these eccentricities, Ana is still shown to be a brilliant investigator, and I think that Bennett masterfully found the balance between genius and madwoman for this protagonist.

I really appreciated how Dinios proves to be the perfect foil for his unusual master, and it was great to see the story unfold through his eyes, especially as he proves to be a keen student and an interesting figure in his own right.  Initially shown to be a little desperate and naive, with secrets of his own, Dinios slowly becomes more confident as the book continues, and I enjoyed seeing him come into his own the more involved with the case he became.  His student/friend relationship with Ana was heartwarming at times, and he also serves as the more responsible member of the team, using rules and commonsense to stop Ana from going too far.  Dinios gets a well-written glow-up as the book continues, thanks to a revelation about his abilities, and while that potentially makes him a little overpowered as a character, I assume that Bennett has some interesting long-term storytelling involved with them that I cannot wait to see.

Thanks to the masterful combination of mystery, unique fantasy elements and amazing characters, The Tainted Cup was an outstanding read that really showcased Robert Jackson Bennett’s ability as an author.  Inventive, entertaining, and emotionally charged, The Tainted Cup is perfect for both fans of fantasy fiction and unique mysteries, and there is so much to fall in love with here.  Easily one of the best books of 2024 so far, The Tainted Cup comes highly recommended, and I cannot wait to see how Bennett follows this amazing read off in the future.

The Tainted Cup Cover

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