Throwback Thursday – Ghost Story by Jim Butcher

Ghost Story Cover

Publisher: Penguin Audio (Audiobook – 4 August 2011)

Series: Dresden Files – Book 13

Length: 17 hours and 36 minutes

My Rating: 5 out of 5 stars

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So by this point in my explosion of Throwback Thursday articles I think I’ve made it pretty clear that I have been really enjoying the epic Dresden Files series lately.  This amazing series has so much going for it, and after listening to and reviewing Small Favour, Turncoat and Changes, I honestly had no choice but to dive into the 13th entry in the series, Ghost Story, especially as it continued on from a great cliffhanger at the end of Changes, and boy am I glad that I did.

Harry Dresden is dead.  Brutally and suddenly gunned down following his victory over the Red Court of vampires and his decision to sell his soul to Queen Mab, Dresden’s life is over, and his body is lost to the murky depths of Lake Michigan.  However, nothing is ever simple for Chicago’s only professional wizard and supernatural protector, and even his own death proves to be far too complicated for his own good.

Waking up in spiritual realm between life and death, Dresden is given an option to travel back to Chicago as ghost to clear up his irregular death.  If he manages to find out who killed him, he may save the lives of the friends he left behind, but if he fails, he will be wiped from existence completely.  Determined to save those he loved, Dresden elects to return home and finds himself back in his city, but in the six months he has been away, everything has changed.

Without his protection, Chicago has become a target of deadly dark powers wishing to capitalise on the destruction of the Red Court.  Worse, his allies have each been affected by his death, and their attempts to keep Chicago safe in his absence have led many of them upon a dark path.  Determined to save who he can, Dresden calls upon the services of ectomancer Mortimer Lindquist.  However, Mortimer is facing his own difficulties as a sinister force seeks to capture him using an army of dark spirits.  To help Mortimer and his friends, and to discover who has behind his death, Dresden will need to master his new ghostly abilities and face down some of the deadliest creatures stalking the afterlife of Chicago.  But even if he succeeds, is the remnants of Dresden’s soul ready for the dark truths and hidden secrets lurking just around the corner?

Well damn, the further I get in this series the more I appreciate just how good an author Jim Butcher is.  Ghost Story is another exceptional and epic Dresden Files book, and it might be one of the very best things he has ever written.  A dark and complex character-focused tale that places its protagonist is his most unique situation yet, Ghost Story has so much going for it, and I loved every second I spent reading it.

Ghost Story probably has one of the most unique and memorable narratives in the entire Dresden Files series, primarily because the protagonist and narrator is dead.  Cleverly following on from the intense cliffhanger of Changes, in which Dresden gets shot and killed in the final scene of the book, Ghost Story sees Dresden’s shade sent back to Chicago six months later to solve his own murder.  The initial scenes of Ghost Story are pretty interesting, and I quite liked how Butcher set up the scenario and reinforced it with the book’s first major action sequence at Mortimer Lindquist’s house, where the protagonist learns some of the rules about being a spirit and has his first encounter with the book’s antagonist.  The story really takes off when Dresden meets up with all his old friends and sees how much things have changed since his death.  The emotional damage his murder has caused is pretty damn moving, and the unintended consequences of his victory against the Red Court serve as a good set-up for some new long-running storylines.

The narrative from here continues at a brisk pace as Dresden attempts to simultaneously solve his murder, aid his lost apprentice, help a bunch of street kids being controlled by a minor sorcerer, and save Mortimer from a dangerous entity.  The last one proves to be the major storyline of the book, especially as it involves an old foe of Dresden’s, and the protagonist is forced to use all his limited ghost powers to save him.  This leads to several intense and distinctively dark set pieces, including a memorable storming of the beaches, an invisible ghost duel, and some major sacrifices.  The final confrontation of the book is very impressive, especially as it helps to reveal the full truth behind Dresden’s murder.  Butcher was really clever in setting this up big reveal, and I thought it was very fitting and complex, especially as it ties nicely to some events in Changes and hints at some great evils yet to come.  The scenes that follow are some of the best and most emotionally charged, as many of the characters get closure, and you get to see just how important Dresden is to his friends and family.  In some ways I kind of wish that Butcher ended series here, as there was a certain finality to some of the storylines that I really appreciated.  However, I’m also not upset that Butcher chose to continue the Dresden Files even further, and the inevitable scene returning Dresden to life was handled extremely well, setting up a whole new course for the protagonist.

I really liked how effectively Butcher wrote Ghost Story so that it had a different feel to most of the other Dresden Files books.  Thanks to the protagonist’s ghostly form, there is less traditional action and adventure, although Dresden compensates for this by bringing in a lot more world building and a lot of emotional character moments.  Thanks to the situation of the protagonist and the general gloomy atmosphere of the current setting, this is a much more subdued and grimmer Dresden Files novel than you might be used to.  Luckily, Butcher does try to break through this darker content with Dresden’s usual humour, which helped to lighten up some of the other characters in the book.  The usual investigative elements are still strongly represented here, especially as Dresden has to find his own killer, and I really enjoyed how the protagonist’s new limitations forced him to think about the case in new ways.  The main mystery is set up extremely well throughout this book, with clues hidden both in Ghost Story and Changes.  I particularly appreciated how the subtle absence or mention of a recurring character ended up being a clue, and it’s a brilliant bit of writing once you understand it.  Butcher really got the right blend of story elements here in Ghost Story, and I liked how he made the book a bit darker while still allowing established readers the sense of familiarity to keep them going.  These excellent writing decisions really enhanced the overall impact of the book, especially when combined with the exceptional character work and intriguing new fantasy elements.

Ghost Story is honestly one of the most significant entries in the entire Dresden Files series, not only because it resolves the cliffhanger from the previous novel but because it starts to change the status quo of the series’ wider world.  A lot of major ongoing storylines start in Ghost Story, and the six-month gap between Changes and Ghost Story also results in some intriguing changes to the main setting and supporting cast.  These changes are pretty jarring for established fans but are really clever, and I liked the darker picture of the world they painted.  Unlike most of the books in the Dresden Files series, Ghost Story really should not be read as a standalone novel or an entry into the series.  While Butcher does do his usual excellent recaps, there are just too many big story elements going on in Ghost Story for it to be an effective launchpad for new readers.  The emotional impact of the character interactions will also be reduced for those unfamiliar with the characters, and the big reveal at the end also loses a lot of punch if you haven’t read Changes.

One of the things that I really enjoyed about Ghost Story was the way in which Butcher worked some cool new fantasy elements into the story.  The spiritual world and the undead aren’t unfamiliar concepts to the series, especially with previous entries like Grave Peril and Dead Beat, but Ghost Story takes it in a whole new fascinating direction with Dresden’s death and return as a spirt.  This transformation forces Dresden to learn about spirits and ghosts extremely quickly, especially when he needs to utilise all his new abilities to save his friends.  This proves to be an excellent and complex inclusion, and Butcher does an amazing job of completely changing the abilities of his protagonist for an entire book.  The resultant changes and new talents are very cool, and I loved the dive into what ghosts are and how they can affect the world around them.  It also allows for some impressive scenes, and it was a lot of fun seeing pitched battles between ghostly magical practitioners while the mortals are completely unaware.  Throw in some intriguing new long-term baddies, the Fomor, and some new abilities for established characters, and Ghost Stories proves to be a book where Butcher was at his most inventive.

As with all the Dresden Files novels, one of the key highlights of Ghost Story is the excellent characters and the elaborate personal stories that Butcher weaves around them.  The characters arcs in Ghost Story are particularly poignant and moving, even compared to Butcher’s usual high emotional standard, as the lingering impacts of the protagonist’s death drive many of them to do things they would never expect.

Naturally, most of the focus returns to protagonist Harry Dresden, who experiences some major life changes after dying.  Despite losing his physical body, Dresden maintains much of his usual drive, humour and general disrespect for all the dangerous and scary creatures out there, and if there were ever a character who would excel as a nosey and noble ghost, it would be Dresden.  However, despite his outer façade of good cheer and comedic charm, Dresden is experiencing a great deal of emotional turmoil, because of both the events of the previous books and his regrets of leaving those close to him behind.  There are some brilliant examinations of the pure guilt he feels, especially around his destructive choices in Changes and their impact on his friends.  Despite all this, Dresden is still his usual bold and determined self, and I had an excellent time watching him come to terms with his spiritual nature and his new abilities.  Dresden had to be a lot more passive in this book, which honestly drove him a little crazy at times, and it was an interesting change of pace to see him so helpless.  Butcher also used this book to dive back into Dresden’s past, providing us with some intriguing looks at his early adventures, including his first traumatic apprenticeship, which has been mentioned but not fully explored until now.  I really enjoyed how Dresden was portrayed in this book, especially as Butcher wrote some particularly emotional and hard-hitting scenes for him, and this was one of his most unique adventures.  I look forward to seeing what happens to him next, especially as he comes to terms with certain new facts of his life in the rest of the series.

While Dresden does get a lot of compelling and emotionally rich development in Ghost Story, I really need to highlight how exceptionally well Butcher featured several of his key supporting characters in this novel.  Many of the characters the reader has grown to know and love throughout the course of this series really change in Ghost Story, especially as they have all had to spend six months dealing with the death of Dresden and the crazy world that developed in his absence.  There is some outstanding and brilliant development here as a result, and I really appreciated how effectively Butcher examined the impacts of grief, anger and guilt.

This excellent development can be particularly seen in the character of Karrin Murphey, who, after losing her position in the police and her potential romantic partner in Dresden, was forced into a dangerous war to keep Chicago safe from supernatural threats.  The resulting fights made her a lot more dangerous and unforgiving than we’ve previously seen, especially as she barely manages to keep her grief and anger contained.  The always fun Waldo Butters also grows up a lot for Ghost Story, especially now he is the holder of Bob the Skull.  Butters honestly becomes a better character with each appearance in the series, and it was great to see him being a more determined and bold figure here to try and live up to Dresden’s example.  I also really loved how well Butcher featured the character of Mortimer Lindquist in Ghost Story, as he had a sizeable role here.  A somewhat minor figure from several of the previous Dresden Files novels, Mortimer has been slowly growing into a better person with each appearance, something attributed to Dresden’s influence.  However, Ghost Story is the book were he finally shines, as you get some real insights into his abilities and heart.  While he might not be a traditional heroic figure, he does his best in this book, especially when it comes to helping the lost spirits of Chicago, and I really enjoyed how Butcher featured him, and his ghostly companions, in this novel.

While I loved all the work for the characters above, the most impactful and tragic character development revolves around the fascinating character of Molly Carpenter, Dresden’s wizard apprentice.  Molly has always been a potentially dangerous figure due to her talent for mental magic.  However, the loss of Dresden drives her off the deep end as her guilt and sorrow turn her into something a lot more dangerous and unhinged.  Molly ends up becoming the murderous, magical vigilante, the Rag Lady, to scare sinister creatures away from Chicago, and begins living on the streets, untrusted by her former friends.  This is such a powerful and surprising transformation from her previous appearances, although it’s not too surprising considering some of the darker things she’s done in the past.  Butcher does an exceptional job of diving into her grief, her growing power, and the reasons behind her actions, and it is very heartbreaking to see Molly go down such a dark path.  The full extent of her mental issues is a major part of the book’s plot, and I think that Molly had some of the best development in this whole emotionally charged novel.

As with all the other Dresden Files novels I enjoyed, I made sure to check out Ghost Story on audiobook, which frankly never fails to impress me.  Coming in with a runtime of just over 17 and a half hours, Ghost Story is one of the longer Dresden Files audiobooks, but you really don’t mind as Butcher packed so much awesome moments into this complex story.  Interestingly enough, Ghost Story is the only Dresden Files audiobook that has two separate versions to it, as actor John Glover provided the narration for the first version before James Marsters narrated a second edition a few years later.  While I did love John Glover in Smallville, I decided to listen to the Marsters version, mainly because I have gotten so used to him over the previous 12 Dresden Files audiobooks.  Marsters of course was exceptional here, and his particularly emotional and heartfelt performance in Ghost Story really highlights why he is one of my favourite audiobook narrators at the moment.  There is honestly no better way to enjoy a Dresden Files novel than by having it read out by James Marsters, and this format comes very highly recommended.

Overall, the fourth and final Dresden Files novel I review here today, Ghost Story, was an impressive and highly captivating read, especially when it comes to powerful characters and intriguing fantasy changes as Jim Butcher really showcased his writing skills here.  Exciting, emotionally charged and featuring a very different story than fans are used to, Ghost Story is one of the strongest books Butcher has ever written, and I was hooked the entire way through.  I honestly cannot express just how epic and awesome this series is at times, and I look forward to getting through the last few Dresden Files novels in the coming months.

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Throwback Thursday – Changes by Jim Butcher

Changes Cover

Publisher: Penguin Audio (Audiobook – 15 April 2010)

Series: Dresden Files – Book 12

Length: 15 hours and 26 minutes

My Rating: 5 out of 5 stars

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As promised in the previous posts for Small Favour and Turn Coat, this Throwback Thursday is a four-way special as I look at another epic entry in the exciting and fun Dresden Files series by Jim Butcher.  This review looks at the 12th entry in the series, Changes, which is one of the most intense and compelling books that Butcher has so far produced.

It is Harry Dresden’s darkest hour.  For years, Dresden has been Chicago’s only defence against the various mystical and monstrous threats that seek to destroy it.  His crusade to keep Chicago safe resulted in a deadly war between the White Council of wizards and the vampires of the Red Court, with Dresden firmly in the centre of the battle.  After years of fighting, the Red Court look set to launch their final killing blow, aimed directly at a weak spot Dresden was unaware he even had: his daughter.

Kept from him by his former lover, Susan Rodriguez, Dresden is shocked to discover that he has a child and that she has been kidnapped by a vengeful vampire noble.  Determined to get his daughter back no matter the cost, a reckless Dresden begins a new battle against the Red Court.  However, with the White Council unwilling to back him, Dresden has few options available to him as he is relentlessly hunted by agents of the Red King.

Injured, tired and desperate, Dresden will need all his most powerful allies to survive, but even the full might of Dresden’s most loyal friends isn’t enough to overwhelm the forces in front of them.  To succeed, Dresden may be forced to compromise everything he has ever believed in, especially if it brings him the tools and power he needs to save his daughter.  But the price demanded may be far more terrible than anything he could imagine.

Well damn, now this must be one of the most intense and powerful entries in this already outstanding series.  Butcher outdid himself with Changes as he wraps up several brilliant storylines while also taking his protagonist to the very edge in the worst ways possible.

Butcher provides a very powerful start to Changes, which places Harry in a dark position as he finds out that he has a daughter and that she has been kidnapped by Red Court vampires.  This expertly follows on from several long-running storylines around Dresden’s war with the Red Court (including those started Grave Peril and Death Masks), and it was really interesting to see an emotionally untethered Dresden trying to come to terms with having a child and the evils being done to them.  The first half of Changes is highly compelling, especially as Dresden faces attacks and obstacles he hasn’t seen before, with his office building getting blown up and increased interest from law enforcement in the city.  There are several great set pieces here, and Butcher quickly builds up the many threats surrounding Dresden as well as unprecedented stakes.

However, Butcher really saves the best for the second half of the book, as Dresden finds himself going down some dark roads to save his child.  After a particularly heartbreaking moment in the centre of the book, the weakened Dresden is forced to make a Faustian deal in one of Changes most powerful scenes.  However, this proves to be only the beginning as Dresden leads all his allies to the big final battle, which was something particularly impressive.  There are several outstanding fight sequences, including a magical pitched battle with everyone involved, and the ending sequence of the entire event is pretty dark.  There are losses, tragedies and massive changes featured here, and you really are left blown away by just how epic and brutal Butcher made everything.  However, that is only the beginning as, after a series of revelations and sacrifices, Butcher chooses to end Changes on a massive cliffhanger, one that is guaranteed to shock every Dresden Files fan and force them to dive right into the next book.

Changes is definitely one of the most impressive and expansive entries in the entire Dresden Files series, and it had me hooked the entire way through.  Thanks to the massive battles, intense and extremely epic action scenes, and the game-changing and emotionally charged moments where the protagonist is forced to make all the hard decisions, it honestly proves very hard to put Changes down and I loved how well Butcher wrapped up several long-running storylines while setting up key elements for some of the later novels.  This is one of the darker books in the Dresden Files series, although Butcher still manages to maintain a good amount of inherent humour and investigative focus.  I felt that the typical Dresden humour blended well with the more desperate and brutal parts of the book, especially as it helps to underline just how grim Changes becomes in places.  Unlike some of the previous books in the series, I would not recommend Changes as a place to start reading the Dresden Files books.  While Butcher provides his usual excellent recap of prior events throughout the book, there are way too many ongoing storylines and complex character moments featured here that you won’t get the full effect of unless you understand the full history of the protagonist and all he’s overcome.  This was honestly one of the better books in the entire series, especially with how much Butcher raised the stakes, and I love just how well the entire story came together.

Out of all the Dresden Files novels Changes has some of the best character moments in the entire series, mainly because of just how big events turned out to be.  Dresden, despite his attempts to keep his usual defiant humour intact, is emotionally wrecked time and time again in this book following the revelation that he has a daughter he didn’t know about.  Enraged, desperate and determined to not leave her alone like he was as a child, Dresden is forced into some very dark places to save her, and the resulting scenes where he sells his soul are very heartbreaking and emotionally charged.  A lot of these compromises come after he has been physically chopped away at throughout the book, and you can really understand why he is forced to make these decisions and just how much they cost him spiritually and morally to do so.  As such, Dresden spends a good chunk of this book unsure of whether he is making the right decisions, but he remains determined to do so all the same and would even go further if needed.  Despite this, Dresden still has the support of his friends, and it was great to see how they kept him grounded and certain that he was on the right path.  I particularly enjoyed the fun Lord of the Rings analogy that was revealed to him by his friends to show how they see him (he’s more of a Sam than a Gandalf), and Dresden’s concern that he might instead be a different, less heroic character from the series hits you right in the feels.  I may never forgive Butcher for how brutally and effectively he tugged at my heartstrings in Changes when it came to Dresden and this is probably one of the most substantial novels in the entire series when it comes to his character development.

Aside from Dresden, Changes features a great range of supporting characters, many of whom return to help the protagonist in his hour of need.  A lot of focus went into Susan Rodriguez, Dresden’s former lover and the secret mother of his child, who has struggled with her vampiric corruption since the third book.  While there is a certain amount of resentment towards her for her actions, you can completely understand why Susan might try to keep her daughter away from both herself and Dresden, which is honestly heartbreaking.  Butcher does a great job of featuring Susan again here after a lengthy absence, and I felt that he wrapped up her storyline and the relationship she had with Dresden really well.  Several other characters get a great showing in Changes, with Murphy becoming a literal Holy Knight for one particularly glorious sequence and Dresden’s apprentice Molly really showcasing her skills and her emotional vulnerability.  I also must mention one of my favourite characters, Dresden’s dog, Mouse, who continues to be one of the best figures in the series, especially here where he reveals more of his supernatural potential and his actual intelligence.  The scene where you can hear him talking is just hilarious, especially as Mouse has a very different view about his relationship with his human.  These characters and more really help to turn Changes into one of the most emotionally charged books in the entire Dresden Files series, and I loved seeing each and every one of them.

As has been the recurring theme with the Dresden Files, I checked out Changes on audiobook, which was another epic listen.  Narrator James Marsters can do no wrong with this audiobook, and with a runtime of 15.5 hours, you will find yourself quite engrossed with this elaborate tale.  Thanks to Marsters’s exceptional narration, I absolutely powered through this audiobook, and I loved the sheer emotion and power he brought to the production.  The epic set pieces were particularly cool in this audiobook, and I loved how well the climatic battles came across in this format.  As a result, Changes is definitely best enjoyed as an audiobook and I cannot recommend this format enough.

Unsurprisingly, Changes also gets a five-star rating from me and it was honestly one of the most impressive Dresden Files novels that Butcher has written.  The powerful character work and brutal story had me hooked the entire way through, and it honestly has some of the most significant moments in the entire series.  In fact it was so good that it instantly made me start listening to yet another Dresden Files novel, Ghost Story (that cliffhanger at the end left me no choice), which I am also reviewing today.  This is an exceptional read that once again shows why Butcher is such an incredible author.

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Throwback Thursday – Turn Coat by Jim Butcher

Turn Coat Cover

Publisher: Penguin Audio (Audiobook – 7 April 2009)

Series: Dresden Files – Book 11

Length: 14 hours and 36 minutes

My Rating: 5 out of 5 stars

Amazon

It’s a Dresden Files multi-feature today! In addition to reviewing Small Favour, I also check out the 11th book in the series, Turn Coat.

As I mentioned in my other post tonight, I have been in a real Dresden Files mood recently.  Thanks to how much fun I had with Small Favour, I immediately started listening to the 11th entry in the series, Turn Coat, which was another excellent novel.  I managed to finish off Turn Coat in a couple of days, and it proved to be another amazing entry in the series, tying up several long-running storylines while diving into some of the unique relationships surrounding the protagonist.

Throughout his entire magical career, professional wizard Harry Dresden has been feared and despised by the White Council of Wizard after killing his crazed mentor with magic.  Despite his crime being in self-defence, Dresden was watched and harassed for most of his life by a Warden of the White Council tasked with slicing his head off if he showed any dark magical inclinations.  The man who so relentlessly watched him was the implacable Warden Morgan, who still suspects Dresden of dark magic to this day.  So when Morgan shows up wounded at Dresden’s apartment asking for help, Dresden is reluctant to provide it.

Morgan has been accused of betraying the White Council and murdering one of its most senior members.  Despite the long history of hatred, Dresden agrees to help him, fully aware that Morgan is incapable of committing the acts he is accused of.  But by sheltering Morgan, Dresden has made himself a target of the White Council, and the only way to survive is to identify the real murderer before Morgan is discovered.

Digging into the case, Dresden soon uncovers an insidious conspiracy that threatens the fragile stability of the White Council and the world of magic it governs.  Forced to face off against friends, mercenaries, rogue vampires and one of the most dangerous mystical creatures in existence, a skinwalker, Dresden finds himself walking a razor’s edge.  If he succeeds, he could start a civil war within the White Council, but if he fails, he will be executed alongside Morgan.  With danger all around, can Dresden survive both his enemies and his own complicated feelings for Morgan?

This was a very interesting and compelling entry in the Dresden Files series, and I had quite a bit of fun with it.  Unlike the preceding novel, Small Favour, Turn Coat has a bit of a slower pace to it, and there is more of a focus on conspiracy, mystery and character growth rather than full on action.  The story has a very strong start, especially as Butcher brings back one of the more complex supporting characters: Morgan.  A lot of the story revolves around the contentious history between Dresden and Morgan, and the powerful tension between them makes for some excellent moments in the story.  I liked the central premise of Dresden attempting to uncover a conspiracy at the heart of the White Council and it follows up several key storylines from the rest of the series.  The shadowy plot that emerges is very intriguing, and the mixture of players, as well as a particularly terrifying antagonist, really ensures that the story is highly compelling the entire way through.  Everything leads up to the big fight sequence at the end of the book quite nicely and it was fun to see the unusual array of Dresden’s allies face off against a dangerous and deadly force.  The following big reveal of who the real antagonist of the story is was also very well set up and quite clever, although I was able to figure out the culprit some time in advance.  Still, this really didn’t detract from the impact of the reveal and the subsequent tragic events really hit the reader hard.  Butcher ends Turn Coat on a troubled and tragic note, with more questions than answers, and I quite enjoyed the darker, less hopeful tone that emerged as a result.

Butcher applied his typical writing style to Turn Coat, which I greatly appreciated, especially as it makes jumping from book to book in the series easy when I’m in the mood for something familiar to escape into.  Thanks to Butcher’s great continued use of the first-person perspective, you get a complex and intense story in Turn Coat, especially as much of the narrative focussed on Dresden’s hunt for the traitor and his other personal issues.  The protagonist’s usual glib outlook on life helped to provide much of the book’s humour, which melded well with the compelling fantasy and investigation elements of the book.  Butcher made Turn Coat particularly dark in places, and the haunting depictions of certain creatures and the inherent tragedy of much of the plot helped Turn Coat really stand out.  I personally enjoyed how well Butcher expanded the lore surrounding the White Council and the subsequent magical politics and backstabbing that emerged was a fascinating inclusion.  As with most of the Dresden Files books, Turn Coat can be read as a standalone novel or a starting point to the larger series, although much of the enjoyment of this 11th book relies on the continuation of key storylines and character arcs from the previous novels.  However, Butcher does an outstanding job of rehashing key events and characters were needed, so it is very easy to follow along if you start here.

I once again need to highlight some of the amazing characters featured in Turn Coat, each of whom expertly enhance the overall story.  Obviously, Dresden gets most of focus in Turn Coat and he proves to be as entertaining and enraging as usual.  Dresden has quite a lot of emotional baggage to unpack here, especially when it comes to his past with Morgan, and their hostility and inability to agree on the White Council and the laws of magic makes for some excellent scenes.  That being said, it is clear that Dresden has grown a lot as a person and a mentor by this point in the series, and his ability to plan ahead and outthink his opponents is quite impressive.  Thanks to how the story unfolds, the intriguing and harsh character Morgan got quite a lot of focus and I was really glad to see more of him here in Turn Coat.  Morgan has only had a few appearances in the series and is usually treated as a secondary antagonist thanks to his hostile attitude towards Dresden.  Butcher spends much of Turn Coat unpacking Morgan’s personality, and you finally get to understand why he’s so strict and concerned about dark wizardry.  The scenes featuring both Dresden and Morgan are some of the best in the book, and I deeply appreciated how Butcher was able to both expand upon and wrap up their turbulent relationship here.

Aside from Dresden and Morgan, Turn Coat also features an outstanding and compelling supporting cast, each of whom adds a lot to the overall story.  Recurring characters Molly Carpenter and Thomas Raith each get a great focus in Turn Coat for different reasons, with Molly trying to deal with the inherent prejudice of the White Council against her and Dresden, while Thomas is tortured for a good part of the book and reverts to his baser instincts.  Dresden’s current love interest, Anastasia Luccio, also has a great outing in Turn Coat, and certain elements of her emotional state prove quite vital to the story in some clever and quite tragic ways.  Dresden’s giant dog, Mouse, who is always a scene stealer, has some fantastic moments in Turn Coat, especially when he proves to be the only intelligent adult in the room when it comes to Molly, Morgan and Luccio.  There are also some great scenes featuring small pixie Toot-Toot and wizard elder Listens-to-Wind, who are very entertaining and fun in their own ways.  Finally, I really need to highlight one of the more sinister figures of the book, the skinwalker (also known as a Naagloshii), a Native American spirit who bursts into the scene by driving Dresden insane with fear.  Butcher did an amazing job building them up as a mega shapeshifting threat quite early in the story, and their powerful abilities and dark nature really comes across throughout the entire story.  These characters and more each added so much to the story and I had an amazing time seeing all of them get even further developed by this talented author.

As with Small Favour and the other Dresden Files books I have enjoyed over the years, I chose to grab the audiobook version of Turn Coat, which is just the best way to enjoy this amazing novel.  Thanks to the narration of the always talented James Marsters, Turn Coat was a real joy to listen to, and I love how well Marsters dives into the various characters.  His fun takes on many of the figures, especially protagonist Harry Dresden, are just perfect, and you must appreciate how well he knows all of the cast at this point.  Marsters does a lot of fantastic voices in Turn Coat, although I particularly enjoyed the voice he used for new character Binder, who sounds an awful lot like a certain blonde vampire from Buffy the Vampire Slayer.  I absolutely powered through this outstanding audiobook, and despite its 14 and a half hour run time, I managed to listen to it in an enjoyable two days.  Easily to best way to enjoy a Dresden Files novel, you will not be disappointed by the Turn Coat audiobook.

As you can no doubt tell from the gushy review about, I had a lot of fun with Turn Coat, and it was an outstanding addition to one of the very best fantasy series out there.  Slick, emotionally rich and building on some amazing long-running storylines, Turn Coat had so much going for it that I honestly could not put it down.  Heck, thanks to how awesome both Turn Coat and Small Favour was, I listened to yet another Dresden Files book, Changes, which I am also featuring today.  This is such an epic series, and Turn Coat is another five-star read that I cannot recommend enough.

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Throwback Thursday – Small Favour by Jim Butcher

Small Favour Cover

Publisher: Penguin Audio (Audiobook – 1 April 2008)

Series: Dresden Files – Book Ten

Length: 13 hours and 49 minutes

My Rating: 5 out of 5 stars

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Welcome back to my Throwback Thursday series, where I republish old reviews, review books I have read before or review older books I have only just had a chance to read. In a very special Throwback Thursday, I present reviews for four books in the legendary Dresden Files urban fantasy series by Jim Butcher starting with the 10th book in the series, Small Favour.

Over the last few years, I have been having an absolute blast getting through the outstanding and highly addictive Dresden Files urban fantasy series by Jim Butcher.  Following a maverick wizard as he investigates supernatural crimes in Chicago while also facing all manner of dark threats, the Dresden Files books are some of the best urban fantasy novels out there and I have had such a great time reading the rest of the series.  All the other Dresden Files novels I have read, including Storm Front, Fool Moon, Grave Peril, Summer Knight, Death Masks, Blood Rites, Dead Beat, Proven Guilty, White Knight, Battle Ground and The Law have gotten a full five-star rating from me and I have been very eager to continue this great long-running series.  As such, when I was travelling around and needed an audiobook I could listen to extremely easily, there was no better choice than the next Dresden Files book, Small Favour, which really did not disappoint.

Harry Dresden, Chicago’s only professional wizard and protector against the supernatural, has been enjoying a period of rare peace and productivity in his chaotic life.  But nothing ever lasts forever, and soon Dresden finds himself thrust into a dark battle between dangerous old enemies with the fate of the world at stake.

Thanks to a debt from his reckless youth, Dresden owes three favours to Queen Mab, manipulative monarch of the Winter Court of the fae, who seeks to turn Dresden into her greatest weapon.  Her latest favour sees Dresden drawn into a surprising conflict surrounding his old rival, Chicago crime boss John Marcone.  Marcone has been kidnapped by another deadly foe of Dresden’s, the Denarians, fallen angels who are determined to turn Marcone into a new host for one of their brethren.

Strongarmed by Mab, Dresden reluctantly agrees to help save Marcone from his fate and begins a new search for his foe throughout Chicago.  However, his acceptance not only forces him up against the Denarians and their twisted leader, Nicodemus, but also puts him in the sights of Mab’s rival, the Queen of the Summer Court, who sends her deadliest servants to kill him.  Caught between two unstoppable mystical forces can Dresden and his allies survive their deadliest battle yet, especially when Nicodemus’s full destructive plot is unleashed?

Unsurprisingly I loved Small Favour, which is easily one of the better Dresden File books in this already excellent series.  Combining a fast-paced story with elaborate world building, amazing action sequences and great characters, Small Favours masterfully builds on so many of the previous books and proves to be a highly addictive read that gets another five-star rating from me.

Butcher came up with an extremely amazing story for this 10th entry in the series, and I deeply enjoyed the elaborate and complex narrative that emerged.  Once again told solely through the troubled eyes of protagonist Harry Dresden, Small Favour sees the protagonist immediately under attack again as he is dragged into a deadly series of confrontations.  Thanks to a long-running story arc surrounding his relationship with the Winter Court, Dresden is forced to save his least favourite person in the world while also contending with the deadly Summer Court and his old enemies the Denarians.  Butcher does a great job of setting up this compelling scenario, and the early action scenes where Dresden faces down gun-wielding fairies really gets you caught up in the excitement.  Thanks to the inclusion of several excellent supporting characters, as well as some of Butcher’s best antagonists, the story moves along at a cracking pace, and there are two excellent, elaborate and bloody set pieces near the centre that really caught my attention, including a dark supernatural brawl at a train station, and a parley turned war at an aquarian, both of which are very well set out and which consistently raise the stakes again and again.

After the big twist in the middle of the book, where the antagonist’s full plot is revealed, the last third of Small Favour has a desperate and dark feel to it as Dresden and his allies attempt to save the day, while also dealing with darker concerns surrounding the protagonist.  There are several interesting reveals here, as well as good closure to several long-running storylines surrounding the attempted corruption of Dresden.  Everything leads up perfectly to the big final confrontation where Dresden and his allies face off against all manner of foes in his usual flippant and creative way.  There are some great moments here, including tragedies, sacrifices, intriguing confrontations, tricks, and Dresden finally getting his own against a superior foe.  I was one the edge of my seat the entire way through this massive confrontation and it was everything I hoped it would be and more.  The reader comes away from this part of the book very satisfied, if a little traumatised by certain heartbreaking moments, and Butcher really pulls together a great ending for Small Favour.

One of the things that I really like about the Dresden Files books is that Butcher has an effective and distinctive style that will be instantly recognisable to anyone reading one of his novels.  This style, which focuses on the first-person perspective of the protagonist, really brings out the best of the story and you are always guaranteed a great blend of action, adventure, comedy, mystery and impressive character moments while Butcher constantly builds up his extended universe around the story.  Small Favour is a great example of this as Butcher pulls out all the stops to make his excellent story even more enjoyable.  The action is fast-paced and powerful, the world according to Harry Dresden is both dark and hopeful, and the humour is continuous and hilarious as the main character constantly seeks to make light of all the terrible things he encounters.  I particularly enjoyed how well several of the major action pieces came together (the dark scene in the subway station is just amazing), and I loved the undercurrent of suspicion and dread that surrounded many of the scenes and this book can get quite bleak at times.  I also need to highlight a very clever bit of writing that Butcher worked into the story where certain typical elements of Dresden’s usual magical practice are missing, hinting at some darker elements behind his actions.  These writing elements and more really help to turn Small Favour into an excellent read and I had such a great time getting through it.

Like most of the books in the Dresden Files series, Small Favour can easily be read as a standalone read and Butcher does a great job recapping key events from the prior novels that are necessary to the main story.  However, the further you get into the series the more certain characters and storylines keep recurring, so dedicated fans of the series are probably going to get the most out of reading this novel.  Small Favour also proves to be an intriguing overall novel in the wider series, especially as Butcher introduces some key story elements and settings, as well as masterfully expanding on several characters from the previous novels.  There is a certain sense of a bigger evil starting to stir here (something that is explored a lot more in the next couple of books) and there are some very cool developments here as a result.  However, this is one of the easier books to start the Dresden Files series on then some others later in the series, although I will always recommend starting at the beginning to get the full impact of Butcher’s masterful work.

One of the true highlights of the Dresden Files series has to be the excellent characters featured within it.  Butcher builds up a complex and powerful cast in each novel, including several recurring characters, and it is always a real joy to see how they develop and grow with each book.  Of course, most of the focus is on the wise-cracking wizard protagonist and narrator Harry Dresden, who is such a fantastic character to focus on.  Witty, loyal, highly perceptive and utterly disrespectful of every evil creature he encounters, Dresden is an outstanding protagonist to set this series around, especially as Butcher always effectively dives into his deeper psyche.  Despite his comedic and irreverent exterior, which is responsible for most of the book’s humour, Dresden is a deeply troubled and damaged figure, having been forced to deal with so much pain and suffering throughout the series, all of which leaves a mark on him.  Small Favour really dives into his past trauma, especially when it comes to looking at certain dark influences that he only recently threw off, and Butcher manages to put some real unease around Dresden motivations and actions as a result.  I also liked seeing the continued growth of Dresden’s magical abilities, and the fun story around Dresden being forced to save one of his rivals is quite entertaining at times.  This works wonderfully along Butcher’s typical excellent portrayal of Dresden to tell a brilliant character-driven story ,and I really enjoyed some of the complex development that occurred around the protagonist as a result.

In addition to Dresden, Butcher did an excellent job utilising an extended cast of supporting characters and villains in Small Favour, and I really enjoyed how the author was able to weave them into his elaborate tale.  Many of Butcher’s best recurring characters make an appearance here, although I think the best in this book was Michael Carpenter, the calm and redemptive Knight of the Cross who serves as a voice of reason to Dresden’s more reactive desires.  Butcher has made great use of Michael in several of the previous novels, although this is probably one of his best, especially as he is forced to deal with both Dresden’s erratic behaviour and the return of his mortal enemies.  This leads nicely into the main antagonists of the story, Nicodemus and the Denarians, who are some of the more insidious foes in the series.  The Denarians have had one major appearance in the past and Butcher nicely expands on them here in Small Favour, diving into their motivations, introducing new members, and showcasing just how sinister, manipulative and destructive they can be.  The physical, mental and moral threat they represent to both the protagonists and the world are really well built up, and I loved the complex plan that Butcher attributed to them.  Throw in the assassins of the Summer Court, the Gruffs (based on the Three Billy Goats Gruff), who get bigger and more deadly with each appearance, and this was an excellent group of characters who really enhanced and already great story.

As with all the other Dresden Files books I have enjoyed so far, I chose to listen to Small Favour on audiobook.  This once again proved to be an outstanding choice, as the audiobooks are so damn good.  This is primarily because of narrator James Marsters, who is perfect for this series.  Marsters, who is one of my favourite audiobook narrators at the moment, does such a great job when reading these books out, and I love how enthusiastically he dives into the story and the characters.  Each of the figures in Small Favour is given a perfectly fitting voice, and I have so much love for how well he encapsulates protagonist Harry Dresden and his unique personality.  Marsters clearly has a lot of fun narrating these amazing books, and it proves near impossible to stop listening to his work as he narrates this cool series.  Coming in at just under 14 hours, this was an easy audiobook to get through quickly, and I cannot recommend this format enough to anyone interested in checking it out.

Jim Butcher does it again as his 10th Dresden Files book, Small Favour, proves to be another epic read.  Featuring a clever and compelling plot, loaded with emotion, action and complex characters, Small Favour was an addictive read from start to finish which I really could not stop enjoying.  I can think of no higher praise for this book than to say that the second I finished Small Favour, I immediately dove into the next book in the series, Turn Coat, because I wanted more Dresden Files goodness, and I ended up continuing and reading four Dresden Files books in a row.

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Holly by Stephen King

Holly Cover

Publisher: Hodder & Stoughton/Scribner (Audiobook – 5 September 2023)

Series: Holly Gibney

Length: 15 hours and 24 minutes

My Rating: 5 out of 5 stars

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The master of thrills and chills, Stephen King, returns with his latest exceptional read, the powerful and gruesome thriller Holly, an outstanding and utterly gripping read that brings back an amazing original protagonist.

Fans of this blog will be aware that I have been in a bit of a Stephen King mood recently, especially being quite a latecomer to his books.  I have had a wonderful time reading some of his latest works, including Later, Billy Summers and Fairy Tale, each of which has been great in its own way.  I have also been keeping a firm eye out for any upcoming books from King, and I was highly intrigued when I saw that he was releasing Holly in the second half of 2023.

Holly, which was one of my most anticipated books of the year, serves as a continuation of the adventures of protagonist Holly Gibney.  Holly Gibney, who first appeared in Mr Mercedes, is a unique and damaged figure who ended serving a vital supporting role in all three Bill Hodges books, as well as the horror-filled thriller, The Outsider (both of which have been adapted into awesome television series).  Holly is the first full novel where this quirky figure will be the main protagonist (although there was the novella, If It Bleeds), and I was very intrigued to see how that turned out.  I even went back and read Mr Mercedes for the first time so I would have a better idea of the character and their fascinating story.

It is the height of the 2021 COVID pandemic, and Holly Gibney is reeling from the sudden death of her domineering and stubborn mother.  Initially planning to take some time off, Holly finds herself drawn to a new case when distraught mother Penny Dahl calls the Finders Keepers detective agency hoping to get help in finding her missing daughter, Bonnie.  With her partner, Pete, out of commission with COVID, Holly decides to take on the case by herself, especially when Penny’s desperation breaks through to her.

Diving into the case to distract herself from her deep personal concerns, Holly begins to uncover all the details surrounding Bonnie’s sudden disappearance.  But the further she digs, the more sinister the case becomes, especially when it becomes apparent that more than one person has disappeared in the same residential area.  To uncover the truth, Holly will need to find out more about these other disappearances.

However, Holly is unaware of a deadly threat watching her from the suburban shadows.  Professors Rodney and Emily Harris are octogenarians living an easy life as semi-retired academics.  But this old married couple is keeping a dark and unimaginable secret in their basement, one that will shake Holly to her very core.  Can Holly find out what really happened to Bonnie and the other missing persons before the clever and patient professors make their move?

Wow, just wow!  This was such an exceptional and powerful read, and it is one of the best books I have ever read from Stephen King.  Featuring an exciting, emotionally charged and highly gruesome story that will leave you breathless and horrified, Holly had me hooked from the second I started it and it refused to let me go even after I finished it.  Intense, clever, and oh so beautifully disturbing, Holly gets an easy five-star review from me for so many delicious reasons.

Holly has an epic and addictive narrative that grabs the reader’s attention right off the bat, especially as you are immediately introduced to the horrifying schemes of the antagonists.  This great introduction perfectly leads into the main story, which focuses on the protagonist’s investigation into the disappearance of a missing girl.  This is very much a character driven plot, as the protagonist simultaneously deals with her troubled history and roiling emotions following the death of her mother.  King features a range of intriguing character perspectives throughout the course of Holly, showcasing different angles to the case and introducing several additional personal stories.  Thanks to these intriguing perspectives, especially those surrounding Holly herself, the investigative storyline rolls along at a fast and exciting pace, and Holly quickly begins to realise something nefarious did happen to her client’s daughter, as well as other people in the same area.  King backs up these revelations with great flashback chapters that showcase the actual sinister deeds of the antagonists, while also giving you some fascinating insights into who they are and what drives them to commit these insanities.

The resulting story continues at a fast and compelling clip, as you get further drawn into both Holly’s case and the intriguing history of the Harrises and the people whose lives they impact.  King writes a very tight and captivating investigative storyline around the protagonist, and I liked how Holly methodically finds connections and identifies new victims through a series of fun character interviews.  Thanks to the flashback sequences, the reader already knows what the Harrises have done and what Holly is going to find as her investigation continues, which gave the protagonist’s scenes more of an edge as you wait for her to uncover the full horrors awaiting her.  As this unfolds, you are also gifted to several compelling and emotionally charged scenes around Holly, as well as several other great supporting figures, as they go about their damaged and complex lives.  This includes a large sub-story thread around returning character Barbara Robinson, whose foray into the literary world proves quite powerful and personal, while also revealing several major clues in the case.  These multiple character-driven storylines are pretty fascinating and captivating in their own way, and they pull together perfectly into one cohesive and bloody narrative that you can’t prove away from.

While the first two thirds of Holly are extremely cool and addictive, the third act is where everything comes together, and boy is it glorious.  King came up with an excellent and very impressive conclusion that keeps you irresistibility hooked up to the end.  Several lingering questions, such as the fates of characters, are cleverly and gruesomely answered in the leadup to Holly pulling the clues together.  At the same time, the author also revolves several key character arcs and storylines, which set up these various figures for the big confrontations, for better or for worse.  I love how King maneuverers all the characters around through chance, tragedy and mistakes so that there is the maximum risk for his protagonists, and you are seriously left wondering who is going to survive and how the entire story will unfold.  The climatic scenes are pretty damn memorable, as King brings everything together in a brutal way that only he could envision.  The shock, the emotional damage and the horrors that are revealed are extremely powerful and cool, and you will come away from Holly disturbed and satisfied in equal measure.

While I already had a great deal of respect for King’s writing ability before reading this book, I have to say that I was even more deeply impressed with how he pulled Holly together.  This fantastic book was the perfect blend of mystery, suspense and character-driven narrative, and there was frankly not a single second that I did not enjoy.  The way that the author told his complex narrative is outstanding, and I loved how the perspective switches between the various intriguing characters, as well as featuring flashback chapters that range from heartfelt to highly sinister.  The constant changes in focus helped to create a very compelling and elaborate read, and showcasing all the key characters ensures that the reader gets a much more complete and powerful narrative, especially during the main investigative storyline.  While I liked the protagonist’s narrative, some of the best scenes were those that focused on the antagonists and their sinister secrets in the basement.  The Harrises’ scenes are pure and exquisite horror that had me shuddering and shivering the entire way through, especially when you find out exactly what they are doing and why.  I cannot fully express how gruesome King made this part of the book, and I could not stop reacting at his horrifying descriptions at times; it was that damn dreadful.  Combine that with the highly personal and relatable character arcs, and this ended up being an exceptional read that you will have a hard time putting down.

While Holly is part of a larger series of books and stories that feature the main character of Holly Gibney in some way, King makes sure to cover all the relevant details from these previous works where needed, and this can be read as a standalone novel.  Both I and my wife (who hasn’t read any of the books, but did watch the Mr Mercedes television series), were able to follow every point of this book without any issue, although established King readers will probably have fun seeing the story continue from these previous reads.  As such, Holly is an easy and compelling read to check out, even if you are unfamiliar with King’s work, and you are guaranteed to have fun with it.

I cannot talk about Holly without discussing the outstanding and beautifully written characters that help to turn this amazing novel into such a classic and exceptional read.  King has always excelled at wrapping his elaborate narratives around powerful and distinctive protagonists and villains, and Holly is a brilliant example of this.  The heart of the tale lies in the motivations and actions of Holly’s excellent cast, and the simultaneous examination of their lives and the case is so very addictive.

The most prominent of these characters is titular protagonist Holly Gibney, who returns this time as the main character of her own book.  Holly is such a fascinating and complex figure to focus a story around, and while much of her development occurred in previous novels, King still has a lot to work with here.  Already somewhat emotionally damaged and immature, especially after a lifetime of anxiety and manipulation, Holly has only come out of her shell in recent years thanks to the help of her friends and her new career as a private investigator.  However, the death of her mother brings up a whole new bag of issues, especially as it uncovers additional layers of manipulation that Holly had previously been unaware of.  Most of Holly’s scenes see her try to deal with continual feelings of guilt, betrayal and regret that results from these revelations, while the words of her mother continue to play in her head, influencing her decisions.  While this pain and uncertainty is a big part of Holly’s personality, King expertly balances this with some more positive character aspects, including her expert investigation skills, the emotional strength she draws from her friends, and her unyielding determination to find the truth.  King really did a great job of reintroducing and utilising Holly here, and I felt that she served as an excellent central protagonist of her own novel.  I did think that King really didn’t write Holly as a woman in her mid-50s, as she felt a lot younger than she should have, but a lot of this is due to how emotionally immature the character is due to her hard life.  Honestly, her unique insights, thoughts and relationships are extremely refreshing and so much fun, and I would read so many more novels that have Holly Gibney as the main protagonist.

While Holly is a great protagonist, this book would be nothing without the fantastic figures of Rodney and Emily Harris, who might be some of the best villains that King has ever written (which is saying something).  The Harrises are quickly shown to be anything but the harmless retired academics they present to the world, especially when readers are treated to a view of their basement.  I don’t want to give too much away here, because you really need to read King’s excellent buildup to fully experience the horror around them, but they are gloriously and exceptionally sinister.  Part of this is because their age belies how dangerous and malicious they truly are, with other characters constantly underestimating them, and watching these frail figures commit acts of utter evil is very shocking.  Other elements of their sinister nature are derived from the initial secrecy surrounding their motivations as well as the uncertainty around whether their actions are normal human evil or something more unnatural.  King does such a good job of diving into the mind of these characters throughout the course of Holly, and you really get some powerful and captivating insights into who they are and why they are committing their crimes.  The author works in a complex layer of fear, regret, love and insanity underneath their actions, you can kind of empathise with their desires and understand why they are doing what they are doing.  However, these brief flashes of empathy only ensure that the reader is even more repulsed by their actions, especially when you also get the points of view from their victims.  Honestly, I could go on, but I think I will just leave it here and say that Rodney and Emily Harris are exceptional villains, and you won’t be the same after visiting their basement.

Aside from the complex protagonist and the amazing villains, Holly is also loaded with a great cast of supporting characters, each of whom have their own moments to shine.  Many of these are returning figures from the previous Bill Hodges books, such as Jerome and Barbara Robinson, Holly’s friends and emotional support.  Both Jerome and Barbara have had a lot of growth in the previous novels, and it was great to see their stories continue in Holly.  Barbara in particular has a fascinating and moving character arc in this novel, as her horrifying experiences from the previous books inspire her to write haunting poetry.  This proves to be an intriguing and moving side storyline for part of the book, which, while it does have certain implications for the main investigation, also expands on Barbara’s creativity and highlights the joy that writing and creativity in all forms can bring to a person.  Barbara’s mentor, elderly poet Oliva Kingsbury, also proves to be a wonderful additional to the cast, and her canny insights and elaborate experiences add some great depth to parts of the novel.  I also need to highlight the poor unfortunates who serve as the victims of this story.  While many of them are only briefly featured throughout Holly, King ensures that each of them is effectively and emotionally highlighted.  While each of them is primarily shown at their very worst, you really get a sense of who they are, and the inherent tragedy of their lives and what is being done to them, will stick with you.  All these characters and more are so perfectly written by King, and their unique journeys and powerful emotions, help to drive Holly’s narrative in some outstanding directions.

King also injects an interesting level of social commentary into Holly by strongly featuring some of the key events of the last couple of years into this story.  Holly is King’s first novel set during COVID times, and he really tries to showcase how life was changed during this period.  The characters are constantly talking about masks, vaccines, and the impact of the pandemic on their lives.  While this is somewhat repetitive and traumatic for people trying to put that behind them, I felt that it was a perfect reenactment of how life was a few years ago.  The characters encounter all manner of different mindsets and opinions about the pandemic and other key events during this time, which will be instantly recognisable to readers, and I liked seeing the protagonists react to it, especially when it plays into their own personal experiences.  While King mostly speaks through his protagonists, there is a certain level of social commentary, and you can feel that King has some strong opinions about recent events.  While this commentary might not be for everyone, I really appreciated it and I felt that it gave the story some more realism, especially when the author sticks his narrative right in the middle of recent major events.

While I did get a physical copy of Holly, I decided to check out the audiobook version instead, because I had a road trip that this was the perfect accompaniment for, and also because they got the perfect narrator in Justine Lupe, who plays the character of Holly Gibney in the Mr Mercedes television series.  I love it when audiobooks get fun and appropriate narrators with connections to related media, and Justine Lupe was easily one of the best examples of this.  Not only does she perfectly capture Holly’s spirit, emotions and personality due to her experiences with Mr Mercedes, but she also does an amazing job narrating the rest of the story and bringing the other characters to life.  Lupe really dives into all the members of this brilliant cast in a great way, and I love how each of them is gifted a distinctive and fitting voice, such as how she made the Harrises sound both innocent and sinister at the same time.  I was really impressed with Holly’s perfect choice in casting, and I loved the continuation on from the existing portrayal of the titular protagonist.  Coming in at around 15 and a half hours, the Holly audiobook has a decent length to it, but once you start listening to it, you really can’t stop.  As such, I would strongly recommend this audiobook to anyone interested in checking out Holly in all its gory glory, especially if you also enjoyed the Mr Mercedes television series.

I could go on about Holly, but the point is that this latest Stephen King novel is pretty damn exceptional.  Perfectly blending established characters and an elaborate new narrative with some gruesome and intense elements, Holly had me hooked from the first scene thanks to its brilliant storytelling.  Dark, shocking and deeply personal, there is so much to love about Holly, and it was one of the strongest King stories that I have had the pleasure of reading.  I honestly cannot recommend this book enough, both to new readers and established King fans, and Holly is easily one of the best books of 2023.

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Throwback Thursday – Mr Mercedes by Stephen King

Mr Mercedes Cover 1

Publisher: Hodder & Stoughton (Paperback – 3 June 2014)

Series: Bill Hodges – Book One

Length: 407 pages

My Rating: 5 out of 5 stars

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Welcome back to my Throwback Thursday series, where I republish old reviews, review books I have read before or review older books I have only just had a chance to read. Is this week’s Throwback Thursday, I am going back to some of the older works of the legendary Stephen King lately, starting with his compelling and intense psychological thriller, Mr Mercedes, an excellent and captivating read that I had an outstanding time reading.

I have to admit that I don’t have a lot of experience with Stephen King’s books, having only read some of his more recent releases, such as Later, Billy Summers (one of my favourite novels of 2021), and Fairy Tale.  However, I have been keeping an eye out for King’s upcoming novels, including his next book, Holly, which is out very soon.  In preparation for Holly’s release, I decided to go back and read an earlier King novel, Mr Mercedes, especially as it serves as the introduction of the titular character from the upcoming book, and boy was I glad to try this fantastic novel out.

On a dark and cold morning in a depressed mid-western city, a desperate crowd gathers outside a jobs fair, hoping to turn their lives around.  However, many never got the chance, as a lone driver in a stolen Mercedes drives into the crowd, killing eight people and wounding more, before managing to escape.  This gruesome crime has haunted the community, and especially detective Bill Hodges, who was unable to catch the “Mercedes Killer” before he retired.

Years later, Hodges is living the solitary and depressed life of a former police officer who has seen too much.  Barely managing to get through each day, Hodges is suddenly revitalised when he receives a disturbing letter from someone claiming to be the Mercedes Killer.  Now more determined than ever to hunt down this killer and bring him to justice, Hodges jump-starts an unofficial investigation, hoping that his prey’s decision to contact him will be his biggest mistake.

Hodges’s new search leads him back to the owner of the Mercedes, who committed suicide from the guilt of her car being used in such a horrendous attack.  Teaming up with the dead woman’s sister and a band of unlikely helpers, Hodges begins to finally unravel the case.  However, the Mercedes Killer is a far more dangerous prey than Hodges ever realised.  Not only is he obsessed with killing Hodges, but he also has a nefarious plan that will rock the city to its core.  Can Hodges finally defeat his nemesis before it is too late, or will the Mercedes Killer once again get away with an outrageous act of violence?

This was a very impressive novel from King, who masterfully explores the psychological thriller genre the way only he can.  Featuring some powerful and complex characters, an elaborate cat-and-mouse plot, and King’s intense and addictive writing style, Mr Mercedes is a masterful novel that proves near impossible to put down.

I loved the powerful and captivating story that King pulled together for Mr Mercedes, as the author really dives into this dark story in a big way.  Starting with the gruesome and over-the-top Mercedes killing, which definitely sets the scene for much of the book, the main plot begins years later, with the retired Bill Hodges receiving a letter from the Mercedes Killer, who is attempting to persuade Hodges to kill himself.  However, Hodges instead enters into an off-the-books investigation, attempting to goad the Mercedes Killer into making a mistake while also connecting with the sister of the case’s key witness.  Half the book also focuses on the character of Brady Hartfield, the Mercedes Killer, who has become obsessed with ending Hodges, while also launching a new attack.  Disturbed, and determined to win, Brady’s perspective adds a great narrative edge to Mr Mercedes, and you are soon swept up in his complex emotional journey, especially once he realises that Hodges is on his tail.

The plot develops at a pretty fast and compelling pace, and you swiftly get drawn into each perspective character’s unique view on life and the grizzly events unfolding around them.  King really focuses on the dark and damaged minds of each of his characters, and the ongoing narrative is littered with compelling and fascinating dives into each of their pasts and the events that led them to where they are now.  The author also introduces several great supporting characters, each of whom adds their own unique elements to the book, whether it’s by helping Hodges with his investigation or by adding to the emotional fire that burns within both main characters.  Most of the story is devoted to the cat-and-mouse chase between Hodges and Brady, especially as they come closer and closer to confronting each other and digging at each other’s psyche.  King really moves the story along in the second half, thanks to a massive moment that really shatters the somewhat comfortable narrative that had been building at that point.  Everything leads up to the big and inevitable conclusion, as Brady attempts to unleash his master plan and Hodges and his allies close in on him.  This big confrontation is pretty damn interesting and intense, especially as a surprising third party takes the lead, but it leaves a fantastic and satisfying conclusion that readers will deeply appreciate and will leave you wanting more of the great characters and King’s unique style.

This awesome story was well backed up by King’s uncanny and wonderful writing style, and he really had me hooked the entire way through.  While early parts of the book where a tad slow in places, especially as King was building up the main two characters, once the full psychological dance between Hodges and the Mercedes Killer truly begins, you really cannot pull away from this great novel.  The mounting tension as these characters make their respective plays is so damn effective, and you get drawn into the dark mental battle between them.  King’s use of multiple perspectives really helps to enhance the brilliant story, and the captivating look into all the key characters’ minds is such an essential part of the book that it proves hard to turn away from these tragic and damaged figures.  I honestly could not put this book down in places, especially the last third, as the tension, emotional power and tragedy that King had built up by then was extremely palpable.  This was probably one of the better King novels I have read so far, especially as it had an excellent conclusion that fit the earlier themes of the book, and I deeply appreciated how well he explored the darker areas of the mind.

As I mentioned above, one of the main highlights of Mr Mercedes were the complex and highly damaged characters that were such a vital part of the plot.  King always excels at effectively utilising impressive and highly realistic character driven narratives in his books, and Mr Mercedes was no exception to this.  The major figures featured in this book were also highly unique and complex in their own way, often with some distinctive and understandable psychological damage that defines them and which they spend much of the book trying to overcome.  These highly personal and compelling character elements were really well woven into Mr Mercedes’ plot, and you really get drawn into each character’s own damaged journeys, as well as the intriguing relationships that they form.

The main character of Mr Mercedes is retired police detective Bill Hodges, who serves as a dogged and solid protagonist.  A rugged and tired figure who has seen too much, Hodges was an awesome retired cop character, and King did an outstanding job of capturing his loneliness and regret, especially in the early stages of the book.  However, this burns away when the killer contacts him, and he once again has a purpose.  I felt that this change in character focus was very well done and you easily understand why he dives back in the case, desperate to solve that one lingering case.  While initially driven by obsession, Hodges soon develops more reasons to live, as he connects with several of the other characters in the book and each connection makes him want to live that little bit more.  It was also interesting to see him revisit and reflect on his previous actions as a police officer, especially when he connects with the family of the witness he falsely accused of negligence, and the insights and empathy he develops now he is no longer a cop is quite touching.  You really grow to appreciate Hodges as a character as the book continues, especially as you see him once again enjoying life, and King’s portrayal of a man who suddenly rediscovers his purpose is very well done.  Of course, this opens him up to even greater tragedy, and watching him suffer cuts you to the core.  Thanks to the television adaptation of the book, I could only envision Hodges as Brendon Gleeson, which I think fit the depictions shown in the book, and I really enjoyed seeing this gruff, no-nonsense figure in action.

I also really need to highlight the excellent work that King puts into creating the antagonist of Mr Mercedes, Brady Hartfield, the titular Mercedes Killer.  I have read many good villains of the years, but frankly, the Mercedes Killer was one of the best, mainly because of how quickly and effectively King makes you despise him.  King does such a good job of introducing and utilising the character of Hartfield throughout Mr Mercedes, and his dual life and obsession with Hodges become a key part of his chapters.  The character’s sheer arrogance, distain and disregard for human life are so well written, and you understand just how deranged and damaged Hartfield is in just a few pages of his introduction.  King does take the time to build up Hartfield as a character, showcasing his traumatic past, formulative family events and unsettling relationship with his mother, all of which helps the reader understand how he become the monster he currently is and why he does the things he does.  However, even with that, it proves very hard to find any sympathy for the character, especially as every scene of his features an arrogant and hateful internal diatribe about the people he encounters and the world around him.  I deeply appreciated how King was able to capture Hartfield’s sociopathic superiority complex and inherent sense of greater intelligence with his writing, and it was such a key part of Hartfield’s character.  This ensures that when things do not go his way or when he is outsmarted by Hodges, a man he views as his inferior, he takes it badly, and watching Hodges manipulate Hartfield this way was a fantastic part of the book.  This is honestly one of the better King villains I have so far had the pleasure of reading and his obsession with Hodges and being the smartest man in the room, was so damn well written.

Aside from the main perspective characters of Hodges and Hartfield, King also features several other intriguing figures in Mr Mercedes who also add a great deal to the plot in a supporting role.  I personally really enjoyed the character of Janelle Patterson, who serves as Hodges’ main love interest.  Janelle was a feisty and highly likeable figure in the book, and I actually really enjoyed the heartfelt connection she formed with Hodges, especially as they filled an emotional hole in each other’s lives.  Janelle’s self-involved sister, Olivia Trelawney, also proves to be a great inclusion, despite being dead by the time the main plot starts.  King builds her into a complex and tragic figure, and it was intriguing to see her sense of reality combat with guilt and despair in several flashback scenes.  Jerome, the wisecracking teenager who serves as Hodges’s assistant and tech support added some great humour to the story, and his loyalty to Hodges ensured the reader grew quite attached to him, while also getting worried as Hartfield circled around.  However, probably the most unique supporting character was Holly Gibney, who, as I mentioned above, is getting her own spin-off story soon.  Initially shown as emotionally damaged and barely able to function, Holly doesn’t strike you as having protagonist potential.  However, thanks to her bond with Hodges and certain shocking events breaking her out of her trauma shell, Holly ends up becoming a key supporting figure, able to assist in the case due to her unique insights and life experiences.  Despite only being in the book for a relatively short amount of time, Holly really shines through as a complex and exciting figure who the reader quickly gravitates to.  As such, by the end of the book you very much understand why Holly goes on to become her own protagonist, and I look forward to seeing how much she further developed when I grab King’s next novel.

Overall, Mr Mercedes was just as good as I had been led to believe, if not better.  Stephen King did a masterful job with this powerful and captivating dark psychological thriller, and I got so wrapped up in the awesome battle of damaged minds that emerged.  Featuring an excellent story, some exceptionally complex protagonists, and King’s infallible character-focused writing style, Mr Mercedes was a joy to read from start to finish, and I have to give it a full five-star rating as a result.  I cannot wait to dive into King’s next book, Holly, when I get my hands on it in the next week, and I have no doubt that will also blow me away.

Mr Mercedes Book Two

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The Book That Wouldn’t Burn by Mark Lawrence

The Book That Wouldn't Burn Cover

Publisher: Harper Voyager (Ebook – 1 May 2023)

Series: The Library trilogy – Book One

Length: 570 pages

My Rating: 5 out of 5 stars

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One of the world’s inventive and compelling fantasy authors returns with one of his best novels yet, the highly addictive and ambitious novel, The Book That Wouldn’t Burn, which sets off his new The Library trilogy.

Few authors have had the impact on the fantasy genre than Mark Lawrence has in the last few years, as the author has truly impressed readers throughout the world with his unique and captivating novels that routinely blend fantasy and science fiction elements.  His series include The Broken Empire trilogy, The Red Queen’s War series, and The Book of the Ancestor series.  I myself only started reading Lawrence’s work a couple of years ago with his compelling The Book of the Ice series, which followed several powered teens on a grim frozen planet.  I had an outstanding time with this series, which included The Girl and the Stars and The Girl and the Mountains.  While I still have to read the third book, The Girl and the Moon, I really enjoyed these books, and it was a pretty clever series.  As such, I was very keen to check out Lawrence’s new novel, The Book That Wouldn’t Burn, especially as it had a very intriguing plot synopsis behind it.

Throughout the world, there is nothing more important, more significant, nor more permanent than the library.  Built inside a mountain near the great city of Crath, the library contains an impossible number of books fitted within innumerable rooms that no one person can access.  The sheer amount of knowledge contained within the library represents the greatest power in the world, allowing its keepers and the King of Crath to wield great control in the world.  Into this vast and elaborate repository of knowledge and secrets, two young people are about to meet in unusual circumstances.

Livira is a young girl raised in the Dust, the desolate wasteland that surrounds Crath.  Plucky, curious, and incapable of giving up, Livira is a rarity among her people as she seeks to know more about the world outside her home.  But when the alien sabbers destroy her village and kill her people, Livira finds herself lost in the wilderness.  Rescued and brought to Crath, Livira soon becomes certain that her future lies in the library.  Overcoming prejudice and her own humble background, Livira learns to navigate the library and soon begins to find out some of its deeper secrets.  However, the most mysterious of these might be another strange inhabitant of the library, Evar.

Evar and his small family have known nothing but the library their entire lives.  Released after unknown eons frozen as children inside the library’s mysterious Mechanism, Evar and his siblings have grown up in a vast chamber of the library, learning from the books and becoming masters of specialised subjects.  However, Evar has always desired more and has long tried to find a way to leave their book filled prison.  His discovery of a portal within his home soon leads him to a place outside of time where he meets an exploring Livira.  Together, the two attempt to find the true history of the library and the threats it has withstood over the years.  But dark evils haunt the library, and soon the two explorers must find a way to uncover the truth behind the sabbers, their own history, and other deadly threats waiting for them in the future.  Can these two children of the library survive the revelations in front of them, or will the truth tear them apart in ways they can’t even understand?

Well damn, now this was a seriously impressive and epic book.  Lawrence has honestly outdone himself here with this incredible read, and this might be one of the best books he is ever written, which is saying something.  The Book That Wouldn’t Burn features one of the most elaborate settings and narratives you are likely to see in fantasy fiction, and this results in a powerful and moving read that will keep you guessing time and time again.  I had an exceptional time reading The Book That Wouldn’t Burn, and it would be impossible for me to give it anything less than a five-star rating.

The Book That Wouldn’t Burn is told from two separate perspectives, that of Livira and Evar, and covers their very different lives and experiences within the libraries.  These two character-driven storylines are initially kept separate from each other as Lawrence spends a good chunk of the book introducing the protagonists, setting up their unique stories, and bringing together the elaborate setting that the story is based around.  Both of these storylines are very interesting and fun off the bat, with Livira having her life torn apart, only to find purpose in the library, while Evar details his life lived purely within the library.  While both storylines are really good, I initially got drawn into Livira’s the most, especially as her outsider perspective of the library allows you to really appreciate how alien and strange the massive house of books is.  Livira’s storyline advances at an extended clip, covering years of her life as she learns, grows, and fully develops her adventurous personality as she seeks to fully understand the secrets of the library and everything within it.  Evar’s storyline on the other hand is a little more sedate in its pacing, as it is set only along the course of a few days as he tries to finally understand the structure that has kept him prisoner for so many years.

The first half of the book that showcases these two characters’ initial introduction and growth are pretty damn entertaining, and it does a wonderful job of setting the scene for Lawrence’s elaborate story and background location.  However, the story doesn’t find its true strength until the two protagonists meet and their storylines becomes a lot more intertwined.  Due to the impossible physics and requirements of the library, there is a compelling time element to the meetings between the characters, which Lawrence captures masterfully, and which really alters their perspectives of each other.  Once they are able to properly interact, the two characters grow close and spend an interesting chunk of the novel exploring their respective worlds, as well as the history of the library.  Lawrence really lays the world building on thick during these parts of the book, and it serves to bring the two protagonists together, which just ensures the last act of the book is as tragic, moving and devastating as possible.  The author drops some massive bombshell twists around two-thirds of the way through, which completely throws you and makes you rethink everything you have thought about the preceding narrative.  I honestly was pretty damn shocked at this epic and devastating revelation, and while I had already been pretty damn addicted to the story by this point, this was the moment I realised what a masterpiece The Book That Wouldn’t Burn truly was.

The final third of the novel gets even better as certain background elements of Livira’s storyline finally come to fruition and her entire life begins burning around her.  This causes her and many of the supporting characters from her part of the book to end up interacting with the characters from Evar’s storyline, which is a very interesting change of pace from the previous parts of the book.  There are also some frenetic conflicts and some very dark moments as everything you have previously known about the settings, the characters and the history of the library is thrown around in some excellent and compelling ways.  There are several great new twists in this final section of the book, and Lawrence gets very metaphysical with the reveals, relying on his setting’s unique temporal properties to mess with your mind and bring you surprise after surprise.  I really loved just how cool and complicated this novel got towards the end, and Lawrence leaves an awesome and open conclusion for you to enjoy while drawing you in towards the next book in the series.  I came away from this narrative desperately wanting more, especially after being blown away by all the twists within the book, and I cannot wait to see what happens next.

Those who are familiar with Lawrence will know that he is a very impressive and talented author, and I really liked how he developed his story and displayed all its outstanding elements to the reader.  The Book That Wouldn’t Burn is a particularly complex read, loaded with damaged characters, elaborate storylines and an inventive major setting.  Lawrence approaches his latest novel with his usual flair and imagination, expertly showcasing every clever detail of this world to the reader and keeping them enthralled the entire way through.  Due to the complexity of the story, you really need to dive into every single word that Lawrence writes, and it honestly took me a little longer to get through this lengthy novel than I expected, mainly because of how much focus I needed to fully appreciate everything.  That said, it has a very good pace to it and there is never really a dull moment as you are constantly drawn into what is happening or the elaborate depictions of the library.

I felt that the author’s use of two narrators was particularly effective, especially as they give very different views of what is happening around them and the setting they find themselves in.  The extra expansiveness of the separate narration really helps to expand the scale of the book, and it takes some major temporal shifts for the two protagonist’s storylines to align.  Once they do, the two separate character arcs intertwine extremely well, and I loved seeing their interactions through each other’s eyes, as well as the elaborate adventures they find themselves involved with.

Lawrence also was very skilled at setting up some of the book’s big twists, and while many of them surprised me when I read them, looking back you could see the subtle clues leading up to them, and you really appreciate just how clever the author was in the earlier stages of the book.  The initial big twist is probably the best, and you really have to love how careful Lawrence was with some of the dialogue and character descriptions to pull that off.  Some of the subsequent twists are a little less shocking, mainly because you are on guard at that point, but I did like how well some of the reveals based around the protagonist’s journey through time were utilised and hinted at in earlier scenes.  The fact that there are completely different faces to some of the major early figures of the book was very cool, and it was clear that the author had a very impressive plan while writing the early stages of the book.  These excellent writing elements, and more, served to enhance an already captivating story, and I cannot get past how well Lawrence set everything up.

There is no way I can move forward without talking about the elaborate library setting that was such an epic centrepiece of The Book That Wouldn’t Burn.  I love how the author’s ultimate major setting is a library, which is something that all readers can really appreciate.  While we can all imagine a pretty massive or full library, Lawrence amped that imagination up to an 11 in this book, describing a seemingly impossible structure, made up of innumerable rooms filled with massive climbable bookshelves and a seemingly infinite number of books and tomes.  The sheer scale of this setting when described by Lawrence boggles the mind to a degree, and it really is an outstanding setting for this story as it is the perfect place for exploration, adventure, and even habitation.  The library naturally features Lawrence’s trademark blend of fantasy and science fiction elements, and the structure has a transdimensional or alien feel to it, as the protagonists find different mechanisms within the structure, as well as strange and unique ways to travel through it.  This blend of fantasy and science fiction elements worked particularly well, especially as you get to experience an intriguing contrast between ancient advanced technology and endless shelves of paper books.

The more unique elements of the library, including the portals, the robotic guardians, the locked doors, and more, are worked into the plot extremely well, and it was fascinating to see how they impacted the story, especially while the characters attempted to find out their origins.  The time travel aspects of the library proved to be particularly awesome, and I loved how Lawrence used them, and other cool features, to twist the narrative in some powerful and unexpected directions, completely changing everything you thought you knew.  It was also really effective how Lawrence explored the library through two very different sets of eyes, as Livira and Evar see it in different ways based on their respective history and cultures.  These alternate views added even more depth to the epic setting, and you have to love the continued focus on exploration, especially when it resulted in some of the best scenes in the book.  Honestly, I could go on and on for pages about just how impressive this outstanding setting is, so let me just be blunt and say: read The Book That Wouldn’t Burn, as you really won’t be disappointed when it comes to this elaborate library setting and the dark world it inhabits.

The final thing that I really need to highlight are the great characters contained within The Book That Wouldn’t Burn, which Lawrence did an outstanding job pulling together.  There is a rich and compelling cast of characters featured within this novel, and their unique stories and experiences play a big role in how the story develops.  However, most of the character work is saved for the point of view protagonists, Livira and Evar.  Both characters have intriguing and tragic backgrounds brought about by encounters with sabbers, and they have found sanctuary within the library as a result.  However, this is where their storylines differ as Livira seeks out the treasures of the library and works to get deeper within, while Evar looks to escape and find a whole new world to explore. This leads to some very conflicted character moments, and it was fascinating to see how these characters’ intriguing histories influences their understanding of the world and what they want.  Both protagonists are well established and utilized by the author in The Book that Wouldn’t Burn, and their distinctive character arcs give the book a different flavour chapter to chapter as you explore both their lives.

I personally enjoyed Livira a little more as a protagonist, as her adventurous spirit, drive to be the best and sheer pluck were quite entertaining to see, especially as it allowed her to uncover so many cool secrets about the library.  However, you also have to appreciate the darker background and narrative around Evar, a man trapped all his life in the library, and who has known only limited contact and love in his life.  Evar’s entire life has been nothing but uncertainty, abandonment and a certain amount of inadequacy as he has only known a few other people, each of whom are the absolute experts in their fields.  These two protagonists, when they meet, prove to be a powerful and interesting combination, and Lawrence was quite masterful and subtle when it came to weaving their chapters together.  You really appreciate the pain, loss and sacrifices that both protagonists make throughout the book, and the bond they formed together, soon becomes such a key part of the story.  While they do experience some major, mind-blowing setbacks, you grow really attached to both of them, and seeing them continue and dive even deeper into the unknowable heart of the library, makes for powerful reading.

Aside from Livira and Evar, The Book That Wouldn’t Burn features an extensive and compelling cast of supporting characters, whose interaction with the protagonists adds some intriguing elements to the plot, especially as many of them are filled with some great surprises.  Both Livira and Evar’s storylines had some excellent supporting figures whose appearances are primarily limited to their respective narrator’s timeline.  My favourite supporting character in the Livira chapters had to be Malar, a rough and tough solider who becomes Livira’s protector mostly against his will.  His gruff attitude is a fun contrast to Livira’s bright and curious nature, and they have some entertaining scenes together, especially as he grows to care for her, and Lawrence works in some particularly compelling story elements around him in the later part of the book.

Evar’s chapters also feature a great range of supporting characters, and due to the more constricted nature of his story and setting, you get to know them a lot better than some of the cast associated with Livira.  These characters include Evar’s adopted siblings, Starval, Kerrol and Clovis, who were also trapped in the Mechanism as children and grew up with him in the library.  However, unlike Evar, who emerged relatively normal, each of Evar’s siblings were warped by the knowledge of the Mechanism and are now masters of a particular subject, including assassination and espionage, war and psychology.  Each of these siblings is now fairly damaged as a result of their complex upbringings and childhood traumas, and it was fascinating to see their unique mindsets, especially through the eyes of Evar, who holds a special place in each of their hearts.  These characters were all raised by the animatronic constructs, the Assistant and the Soldier, servants of the library who took charge of them, and I liked the fun interactions that resulted from them, especially once Lawrence worked his twisty magic on them.  All of these characters and more are pretty damn interesting, and I loved how complex and emotionally charged their interactions became.

Frankly I could go on and on about this book, but I still do not think I would really be able to fully encapsulate just how much I enjoyed The Book That Wouldn’t Burn.  This complex and clever fantasy novel is a true masterpiece from Mark Lawrence, who utilised all his impressive writing skills and imagination to create a unique and powerful read.  The Book That Wouldn’t Burn’s elaborate narrative and massive library setting really grabbed my attention and I had such an epic time getting through this outstanding novel.  Easily one of the best fantasy books of 2023, you need to check The Book That Wouldn’t Burn out, especially if you are already a fan of Mark Lawrence’s amazing works.

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The Will of the Many by James Islington

The Will of the Many Cover

Publisher: Gallery/Saga Press/Audible Studios (Audiobook – 23 May 2023)

Series: Hierarchy – Book One

Length: 28 hours 14 minutes

My Rating: 5 out of 5 stars

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Talented Australian author James Islington delivers one of the best fantasy books of 2023 with the compelling and complex novel, The Will of the Many, an exceptional read that I had a brilliant time reading.

I am always on the lookout for epic fantasy novels to sink my teeth into, and one that caught my eye when it was first announced was the intriguing book, The Will of the Many.  Set in a cool new magical school setting, The Will of the Many sounded liked a very fun novel and I instantly wanted to read it.  It helped that it was written by James Islington, an Australian author who had been on my radar for a while thanks to his fantastic Licanius trilogy.  While I have not had a chance to check out the Licanius books, I was very keen to dive into The Will of the Many and I was glad I got the chance a couple of weeks ago.  The Will of the Many is the first book in Islington’s new Hierarchy series, which looks set to be a major addition to the fantasy landscape especially after this incredible first book

The Catenan Republic, known as the Hierarchy, rules the world, conquering and enslaving everything before it using its unique magic of Will, which drains power, strength and mental energy from the lower classes and passes it up to those above.  To gain true power and control in the Hierarchy citizens need to battle their way to the top of the pyramid of power and influence, and only those with drive, ambition, connections or no choice can rise.

Vis is an orphan boy with a hidden past, a quick mind, and an utter disdain for the entire Hierarchy.  Lodged in a Catenan orphanage, Vis bides his time while searching for an escape from a future of ceding his Will to the higher echelons of the Hierarchy.  However, his entire life is turned upside down when a powerful Catenan nobleman offers him a chance he never expected.  Ulciscor Telimus is convinced that there are dark dealings going on at the Hierarchy’s most prestigious school, the Academy, and he needs someone to go undercover and discover what has been hidden there.  If he succeeds, he will be adopted into Ulciscor’s influential family and be given a choice about his future.

Reluctantly agreeing to Ulciscor’s terms, Vis prepares to attend the Academy, only to discover it is a dangerous place of corrupt ambition, deadly secrets and deep rivalries.  To succeed, Vis will have to rise through the Academy’s ranks by any means necessary without losing who he is as a person.  But this will be no easy task, as deadly politics, long-buried power and a murderous rebel group all seek to control him.  Worse, the more he advances, the greater the chance that his secret past will be uncovered and his enemies will put him to death.  Can Vis survive against the terrible burden that is weighing him down or will he be ground down by the unstoppable Hierarchy just like everyone else?

Islington has created a pretty exceptional fantasy novel with The Will of the Many.  Featuring a powerful, intense and character-driven plot, all set within an outstanding new fantasy world, The Will of the Many had me hooked pretty early on and I dedicated a lot of time to reading it.  I really got drawn into Islington’s amazing inventiveness and this book gets an easy five-star rating from me thanks to how damn good it is.

I have lot of love for the epic and captivating narrative that Islington set up in The Will of the Many, especially as he simultaneously tells a brilliant introductory story while also expertly setting up the rest of the series.  There are some awesome scenes in the start of this book, including an intense fight club sequence, which do an excellent job getting the reader across some key aspects of the plot, while also showcasing the emotional range and complexity of the protagonist, through whose eyes the entire story unfolds.  I was honestly already very hooked by this point in the story, but Islington quickly picks up the pace and ensures that this character-driven narrative heads off in some very compelling directions.  The introduction of Ulciscor soon presents the idea of the Academy and the dark conspiracies around it, and Islington starts the gradual process of getting the protagonist to the school environment.  Ulciscor is a great addition to the plot, especially as he plays off Vis very well, and the early sequences with him result in some major world expansion and plot movement.  It also sets up the book’s established formula of adventure, world building, politics, mystery and espionage, that carries through the rest of the story, and which ends up being a very heady combination.

Islington keeps building the story as The Will of the Many progresses, and pretty much every new revelation or intriguing world detail is really fun to behold.  There is some good early action, as well as a couple of twists that I liked at this point, but the story is still very much on track for the promised magical school setting.  However, before we get there, there are a series of cool and fascinating training montages which build up Vis as a character and really highlight the difficult tasks to come.  There is also a deeper dive into the complexities of the tasks and the secrets surrounding them, and Islington does an impressive amount of set-up in this first third.  However, the real highlight of this first part of the book is a very surprising and explosive occurrence that pushes Vis into the limelight, while also ensuring that he is caught between some very dangerous people.  This big scene is extremely memorable, bloody and very well-written, and if you weren’t riveted to The Will of the Many before, you sure as hell were now.

From there the story turns into a more magical school focused narrative, which was something that I was really looking forward to.  This intriguing setting had some great elements to it, and the story set within the Academy was a brilliant and compelling blend of education, entertaining rivalries, compelling personal interactions, and a series of secrets, as Vis attempts climb up the ranks, while also completing some of the objectives the various groups trying to control him have forced him to do.  I honestly had a ton of fun during the scenes set in the Academy, and I liked how Islington built up the setting and the fantasy elements behind it, while also slowly advancing the story and the character development.  The substantial part of the novel set in or around the Academy has some fantastic moments to it, including a few big scenes where Vis is forced to encounter deadly enemies, hard tasks, or the secrets from his past, and each of these major moments expertly expands on some part of the plot or universe you are already enjoying, whether it be secrets of the world, or some political machinations that will come back to bite the protagonist later.

Everything leads up to a major extended concluding sequence as the final test of the Academy brings all manner of trouble to the protagonist in a variety of cool and intriguing ways.  Not only do some big secrets come to life but Vis manages to learn more about the magical secrets of the world and the Hierarchy, while also being forced to deal with deadly attacks and threats from a variety of corners.  There are so many epic moments in this final section of the book, and Islington did an incredible job of tying together his many, many story threads to ensure that a variety of previous hints and revelations are well utilised.  I loved some of the elaborate tests and set-ups featured here, and it was very fun to see the protagonist try to run them while also dealing with major threats from every angle.  This final sequence has some massive moments, including major betrayals, compelling reveals about the wider world, and a very tragic death, all of which served as the perfect cherry to an already outstanding story.  While many secrets and hanging storylines are resolved by the end of the plot, quite a few still remain for the sequels.  Islington has already set up some big moments and unique ideas for the future, and I am very curious to see how they turn out.

As you can no doubt tell from my expansive summary above, I really loved this captivating narrative in The Will of the Many and I think that Islington did a really good job of presenting this complex and impressive story to the reader.  The entire book has an outstanding pace to it, and there is barely a scene that is not filled with something exciting or entertaining, whether it be a moving character moment, some compelling world building, or a thrilling bit of action.  I honestly flew through this lengthy novel, and there was no point of the book where I not highly invested in the plot nor gripped by the events unfolding.  The author’s use of a first-person perspective from the character of Vis was a very good choice of narration that allowed the author to tell a compelling character-driven story that simultaneously explored a cool new setting from the outside, while also cleverly capturing all the key elements of the plot.  The intense balancing act of lies, politics, outside influences and personal relationships that the protagonist has to maintain really shines through as a result of this use of perspective, and it was deeply compelling to see Vis attempt to overcome all the obstacles in front of him.  The intense action scenes were particularly good, and Islington perfectly portrays the desperate violence, the life-and-death confrontations, and even some complex but exciting maze running, in ways that grab the reader’s attention and keep them fully engaged.  I personally loved how Islington included so many different compelling storylines, plot points, and fascinating detail into every single page of the book, and you really cannot help but get addicted as a result.

I always love seeing a cool fantasy setting for a new series, and Islington produced a pretty intriguing and compelling one for The Will of the Many.  Much of the main setting of the book sees Islington expand on an ancient Roman society, by adding in some intriguing new details like magic, powered constructs, a rigidly hierarchical community, and a deep political divide between the military, governance and religion bodies.  This results in a very interesting background for much of the story, and Islington showcases it all through the eyes of Vis, a hostile outsider with an established hatred of the Hierarchy, which works to showcase it in even more detail, especially as Vis focuses on both the negatives and the positives of the political and cultural structures around him.  I really enjoyed the clever balance of political concerns, oppressed citizenry and unique inclusions about status and magical power that were explored as a result, and it was fantastic to see them utilised in the plot, especially as Vis has to balance all of them throughout his many guises and missions.  The most fascinating part of this whole setting has to be the focus Will, the magic of the Hierarchy, which sees people at the bottom of society sacrifice part of their strength, drive and health to those above them.  The higher up in the Hierarchy you are, the more people you have ceding their strength to you, and this gives you greater powers, including better physical attributes, the ability to control and manipulate materials to certain purposes, and other magical abilities.  Islington does a really good job of exploring and expanding on this intriguing magical system throughout The Will of the Many, especially as the narrator is also learning about it as he goes.  The author has clearly put some time and great thought into this magical system, treating it like an established science, and I liked seeing the range of abilities it produces, as well as its related social and cultural impacts.  Islington makes sure to highlight that this is not a perfect society, and the cracks that Vis witnesses throughout The Will of the Many should result in some outstanding and compelling ongoing storylines.

I need to point out that one of the main reasons I chose to grab The Will of the Many is that it had a magical school setting.  I love, love, love magical school settings in fantasy fiction, and it is one of the best backgrounds for an excellent fantasy story (make sure to check out my recent list about my favourite books with magical school settings).  The Academy in The Will of the Many is an amazing example of this, and I enjoyed how Islington utilised it as a primary location for the book’s plot.  Just like the rest of the Hierarchy, the Academy is a rigidly hierarchical place based around a pyramid structure, with the most talented students at the top, and the other students below battling to take their place.  This made for a great background of study, competition and rivalries for much of the plot, and it was fun to see the protagonist try to reach the higher classes in a short time period, especially as he was required to overcome numerous obstacles while also coming to terms with the distinctive social structure of the Academy.  Islington adds a further twist to this education setting by introducing the Labyrinth as a unique educational and testing tool.  Essentially, the Labyrinth sees participants run through an elaborate maze while being chased, manipulating a magical gauntlet to move around walls and doors, all to prove that the participant has the concentration and focus to control vast amounts of Will.  Islington did an outstanding job of showcasing this Labyrinth in multiple scenes of The Will of the Many, and it produces some very exciting and compelling scenes, especially when the stakes around it get very high.  There is also a very complex, and highly enjoyable final test that serves as a great background for much of the final confrontation.  Islington clearly has a highly inventive streak when it comes to these unique fantasy inclusions, and I personally loved every second spent in this highly competitive magical school setting.  I hope that we see more of it in the future, and this was honestly one of the better magical schools that I have personally seen in fantasy fiction.

I also must highlight the captivating and nuanced characters that were featured within The Will of the Many, especially the main protagonist, Vis, through whom we see most of the events occurring.  Vis is an outstanding central protagonist, as he is a highly educated individual who sees all the flaws in the society he is forced to live in, and goes into the story with many secrets around him, including the fact that he is secretly the deposed prince of a realm recently conquered by the Hierarchy.  Due to his many losses, his outsider status, and the sheer resentment he holds towards the Hierarchy and those who use Will, Vis has a great deal of anger, bitterness and lack of social ability that he needs to overcome.  Vis proves to be the perfect character for the complex and morally grey narrative that Islington envisions, as Vis has to put all his learned deceit and ability to keep secrets and survive to good use to infiltrate the Hierarchy and the Academy, while being blackmailed by several different people.  Vis has an interesting analytical mind, and I wonderful time seeing him try to work through the various problems, conflicts, and hostile situations he encounters, especially as nearly everything about him is a lie that he needs to keep straight.  Despite his past and the pressures he is under, he is still a mostly kind and noble figure, trying to stay true to his original ideals while still doing what is right in a very corrupt world, and it was wonderful to see him grow throughout the course of the story and finally learn to trust again.  I grew quite attached to Vis as the story continued, and it really hurts to see him suffer time and time again, especially once he comes to terms with the traumas of his past.  I am very excited to see his story continue in the future, especially as it seems like it is going to get quite complex and multifaceted in the next book.

The rest of the cast of The Will of the Many is also very strong, and I liked the compelling and varied supporting characters that Vis has to interact with, including classmates, his new adopted family, rivals, political opponents, high-ranking members of the Hierarchy, and a dedicated group of rebels with dark plans for the future.  The powerful and intriguing interactions that occurred between Vis, who is often lying about his intentions, and these other fantastic characters results in some amazing scenes, and I loved the unique relationships that Vis was able to form with them.  You grow pretty attached to some of these characters as well, and I had my heart broken with one major fatality towards the end of the novel.

To check out this impressive novel I chose to grab an audiobook copy of The Will of the Many, which proved to be a pretty exceptional way to enjoy this fantastic read.  I have a lot of love for the audiobook format when it comes to massive fantasy novels, especially as I find myself really able to absorb the complex narratives and vast new worlds extremely well when listening to it.  This was definitely the case with The Will of the Many audiobook which really allowed me to get to grips with the powerful story it contained, and I lapped up every second that I listened to.  It definitely helped that The Will of the Many audiobook featured an outstanding narrator in the form of Euan Morton, whose work I have previously enjoyed in several Star Wars audio productions (Tarkin, Dooku: Jedi Lost and Doctor Aphra).  Morton has a unique voice that I felt gave The Will of the Many some real gravitas and impact when read out, especially with the distinctive, accented tone he utilised for both Vis and the main narration of the story.  This specific great voice was pretty impressive, and it really helped to make the protagonist’s speech really stand out throughout the audiobook.  The rest of the accents and tones he utilised for the other characters in the book really worked, and I loved how much range Morton had, covering a range of different characters perfectly and gifting them very fitting voices.  All this really helps to make The Will of the Many an absolute pleasure to listen to, and I cannot recommend this format enough to people interested in this book.  With a run time of just over 28 hours, The Will of the Many audiobook does represent a substantial time challenge for potential listeners (it is the 10th longest audiobook I’ve ever listened to).  However, I would say it is well worth the investment, especially as it does not take long for you to get obsessed with this awesome book and its elaborate story.  An exceptional audiobook that is easily the best way to enjoy this amazing fantasy tale.

Unsurprisingly, I loved The Will of the Many, and it was a pretty great introduction to James Islington’s brilliant writing and inventiveness.  The Will of the Many is a captivating fantasy read that makes excellent use of its dark setting and magical school focus to craft a powerful, character-driven tale.  This is easily one of the best fantasy novels of 2023 so far and I would strongly recommend it to anyone wanting an epic read to really lose themselves in.  An exceptional novel that perfectly sets up a bold new fantasy series!

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White Night by Jim Butcher

White Night Cover

Publisher: Penguin Audio (Audiobook – 3 April 2007)

Series: Dresden Files – Book Nine

Length: 14 hours and 12 minutes

My Rating: 5 out of 5 stars

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Welcome back to my Throwback Thursday series, where I republish old reviews, review books I have read before or review older books I have only just had a chance to read.  In my latest Throwback Thursday post, I continue to explore the epic Dresden Files series by Jim Butcher, with the exceptional White Night.

Readers of this blog will have noticed that my last few Throwback Thursday posts have been all about the amazing Dresden Files by Jim Butcher.  One of the most impressive and recognisable urban fantasy series in the world today, the Dresden Files are brilliant novels that follow Harry Dresden, a wizard and magical protector of humanity, as he faces off against all manner of unique supernatural foes and mysteries in modern day Chicago.  This series features so many incredible books, such as Storm Front, Fool Moon, Grave Peril, Summer Knight, Death Masks, Blood Rites and Battle Ground, as well as the novella The Law, all of which are five-star reads.  I have been reading this series on and off since 2020, and I recently got back into it, managing to finish off two more books, Dead Beat and Proven Guilty in recent weeks.  These outstanding novels were also pretty exceptional, and I was in such a Dresden Files mood I ended up also listening to ninth book in the series, White Night, which turned out to be a pretty awesome decision.

Harry Dresden, wizard, private investigator, and now Warden for the White Council, is Chicago’s only defence against a range of supernatural threats lurking around its exterior.  However, due to his growing power, the extended war between the White Council and the Red Court vampires, and his new position as a Warden, a lethal magical law enforcer, the ordinary magical users of Chicago have grown to fear him and no longer consider him one of their own.  As such, Dresden is shocked to discover that several lesser practitioners in the city have either died in apparent suicides or simply disappeared.

Investigating the crimes, he discovers several mysterious messages that hint at a serial killer stalking female magic users in the city, one who seems to be taunting Dresden directly.  Diving into the city’s hidden magical underbelly, Dresden soon finds a group of minor witches living in fear, all of whom are convinced that Dresden has something to do with their comrade’s deaths.  Attempting to gain their trust, Dresden tries to find the truth, only to discover that all the evidence points towards his secret half-brother, the vampire Thomas Raith.

Unwilling to believe that his brother has become a murdering monster, Dresden dives deeper, only to discover a far more sinister plot lying beneath the surface.  The vampires of the White Court are on the hunt, and their malevolent schemes are expanding to capture all of Chicago, including Dresden and his friends, in their web.  Working with a range of allies, including wizards, gangsters and an old flame, can Dresden untangle the web and stop the White Court before every human magic user on the planet becomes the ultimate prey?

Damn, it really is proving impossible for me to have a bad time with one of the Dresden Files books.  The ninth novel in this series by Butcher, White Night, was another incredible addition and one that I absolutely inhaled in only a few short days.  Featuring a brilliant and well-written story loaded with the series’ great characters, White Night is an amazing and captivating read that gets another easy five-star rating from me.

Butcher has come up with a pretty epic story for White Night, and it was one that had me hooked the entire way through.  The narrative starts off in familiar ground for a Dresden Files novel, with Dresden helping the Chicago police with a suspicious death that might have magical implications.  Butcher draws the reader in at first by presenting them with a juicy and compelling case, that of a serial killer stalking minor magical practitioners in Chicago and leaving taunting messages or Dresden to find.  This story gets even more intriguing when it turns out that many witnesses or the victims’ friends consider Dresden to be the main suspect, not only because of circumstantial evidence, but because his damaged reputation.  Despite this, Dresden keeps trying to investigate, only to come across evidence that suggests his half-brother, Thomas, a White Court vampire, might be behind some of the crimes.  He also encounters his first love, Elaine, who has been hired by a local group of witches for protection, and who Dresden teams up with again to solve the case.

I really appreciated the investigative focus for the first third of the book, and it really reminded me of some of the more classic Dresden Files adventures that started the series off.  This initial investigation soon leads the protagonists into a pretty massive confrontation, and I loved how deadly and destructive things got around halfway through.  Butcher also works in a rather good flashback sequence at this point, which lends itself well to explaining the protagonist’s mental state and providing some excellent context to his recent actions.  As the story continues, Butcher starts to layer out and fully explore the major mystery of White Night in some fantastic ways.  Not only is one of the killers exposed after some fun revelations, but a massive, elaborate conspiracy is also revealed that places Dresden and his allies in a major predicament.  This leads up to an extended confrontation sequence in the last third of the book where Butcher really cuts loose and provides the reader with all the action and intense scenes that they can handle.  Not only is their a beautifully written duel sequence that was pretty cool to see, but Butcher than provides a massive battle sequence that had so much going for it.  There are explosions, betrayals, carnage and sacrifices here, and it is an impressive extended sequences that was near impossible to put down, especially as Butcher loads in epic surprise after epic surprise.  The entire sequence comes together perfectly, and I had so much fun with it, especially as it opens up some cool storylines for the future.  It also serves as a great conclusion to the narrative, and I was really impressed at the ongoing storylines that were either wrapped up or strengthen.  Everything comes together really well and it honestly left me wanting even more Dresden Files.

Butcher once again backs up his amazing story with some outstanding writing that always works to drag the reader write into the middle of the plot.  Featuring a great first-person perspective from Dresden that showcases his unique view of events, as well as his own deep personal concerns, Butcher moves White Night along at a swift pace, ensuring that every scene has something deeply interesting or exciting to keep the reader’s attention.  I really appreciated the great blend of elements within White Night, as Butcher cleverly balances action, adventure, humour, character growth and dark moments, which, along with the investigation elements, ensures that there is a little something for everyone in this book.  I particularly enjoyed some of the elaborate and intense major action sequences in White Night, especially that epic one at the end, and it was cool how massive and deadly some of them got.  Just like most of the previous Dresden Files novels, White Night can be read as a standalone urban fantasy adventure, as Butcher makes sure to recap and reference and relevant prior event, character or storyline so new readers can easily follow along and still have fun.  However, as this is a key novel in the series which concludes or continues several long-running storylines and character arcs, White Night is best enjoyed by those who have checked out the earlier Dresden Files books, especially as the emotional elements of some revelations or actions are greatly enhanced by continuous reading.  I always have so much fun with Butcher’s style in this series, and I felt that White Night was particularly well served by the author’s ability to tell an amazing story.

I have a lot of love for the cool fantasy setting that the Dresden Files utilises as the combination of modern-day Chicago and classic fantasy monsters and magic is always makes for an excellent story.  There are so many excellent elements to this fantasy society that Butcher has dreamed up over the years, and at this point in the series the lore and history of magic and its various factions is very well established.  Despite this, Butcher always finds intriguing new elements to dive into each book, which is something I really appreciate.  In White Night, he takes the time to look at the less powerful magic users in this society, the ones that don’t have enough magic to bother the White Council or interact with Dresden.  These somewhat marginalised magic users have created their own societies and communities as a result, and it was really interesting to see Dresden interact with them, especially as, due to his position as a Warden, they all fear what he represents, which is a fun reversal of how Dresden was persecuted at the start of the series.  I really loved seeing magic through the eyes of the little guy, and Butcher works them into the story in a very intriguing way.

The book also features quite a few White Court vampires, who feed on emotion and mental energy rather than blood.  The White Court are always a rather distinctive inclusion in any Dresden Files novel, and of course there is the requisite extremely beautiful women and focus on lust that are a key part of the White Court vampires.  However, several of the other factions of vampires are finally introduced here, those that induce and feed off fear and despair.  This adds a rather darker angle to parts of the book, especially when these abilities are unleashed at full blast, and it was interesting to see how badly it can be weaponised.  The accompanying vampiric schemes and backstabbing plans are also very fun, and Butcher manages to weave several elaborate ruses and plots into the narrative with some effective results.  These fantasy elements, and more, really help to create a distinctive and captivating read, and I cannot get enough of Butcher’s ability to come up with and utilise the inventive elements.

As always, the characters contained within White Night were pretty damn amazing, and I felt that their complex and powerful character arcs added so much value and intensity to the plot.  The focus is once again on protagonist and point-of-view character, Harry Dresden, who finds himself under all manner of immense pressure in White Night, which blows up around him in some big ways.  Not only is he dealing with the dual responsibilities of having an apprentice and being the magical law in Chicago, but he also has some major family issues and a tone of intense mental trauma that has been building up over the last few books.  A lot of this comes to a head in White Night, and Dresden actually comes across as a lot more angry and frustrated than he has in previous novels, especially after experiencing more losses and seeing some dreadful things.  Butcher writes some compelling and complex storylines around Dresden’s many emotional concerns in White Night, and it proves very intriguing and powerful to see him try to work through them, especially as he is in denial about several of the more prominent concerns.  The author does an amazing job exploring Dresden’s inner psyche here, and you come away feeling closer to him as a result.  White Night is actually a pretty significant book for Dresden’s character growth, especially as several long-running storylines about his mental state finish up here, and this ends up being a pretty satisfying read as a result, especially if you like how he was portrayed in the previous few novels.  Despite, or perhaps because of, his many issues, Dresden still brings his typical humour and complete disregard for decorum or his opponents to the table in White Night, and his fun comments and witty observations are responsible for most of the book’s comedy and entertainment.  As such, Dresden remains a pretty impressive and likeable central character, and I cannot wait to see what future adventures and pain he has coming to him in the future.

White Night also features a great supporting cast of friends and antagonists to liven up the plot in some awesome ways.  While most of the focus of the story is on Dresden, you see a lot of these characters and there are some fantastic and complex storylines written around them.  The most prominent of these characters in White Night is probably Dresden’s half-brother Thomas Raith, who has been a major figure for the last few books.  Due to his banishment from his vampire family, Thomas has been somewhat adrift in recent books, and it was clear that he had been keeping secrets from Dresden for various reasons.  Most of his secrets are finally revealed here in White Night and it was interesting to see what resulted.  Some of them are quite intriguing, some are pretty funny, and it was nice to finally get some answers, especially as it helped to strengthen the relationship between the two brothers.  Other great characters in White Night include Dresden’s former lover, Elaine, who has managed to bounce back since her last appearance and is trying to become more like Dresden by helping people; Dresden’s dog, Mouse, who is such a fun supernatural canine character; and the fallen angel in Dresden’s head Lasciel, who has some of the most emotionally powerful scenes in the book.  However, my favourite supporting character in White Night is probably Chicago gangster John Marcone, a mortal crime lord who dips his toes in supernatural affairs and often serves as an antagonist/uneasy ally of Dresden.  Marcone is always very fun in these books, especially as he and Dresden play off each other perfectly, and he is the perfect foil to the hot-headed protagonist.  His appearance in White Night is particularly good, as you get a deeper look at his true character, and realise he isn’t as evil as he appears.  Despite that, he still proves to be rather ruthless and Butcher writes some amazing and compelling scenes around him.  These characters and more add so much to the power and impact of White Night’s story, and I love how captivating and complex Butcher makes them.

I can’t talk about a Dresden Files novel without once again raving about its audiobook format.  I love, love, love the Dresden Files audiobooks, and there is honestly no substitute to listening to these amazing stories, especially when all the audiobooks feature the incredible vocal talents of actor James Marsters.  Marsters, who is one of my favourite audiobook narrators thanks to this series, is so damn talented, and his take on the Dresden Files books is very special.  This proves to be the case again in White Night, as Marsters utilises all his intensity and passion to bring this epic story to life.  His grip on all the major characters in White Night is pretty damn amazing, and I love how he manages to expertly portray all the characters, ensuring that the reader fully understands their personalities, emotions and inner thoughts when Marsters speaks in their voice.  This is particularly true for protagonist Harry Dresden, a character that Marsters has always done an incredible job voicing, and I deeply appreciated how the narrator was able to capture his full emotional turmoil in this fantastic audiobook.  This brilliant narration, as well as the great story it follows, ensures that White Night was another exceptional listen, and I had an outstanding time getting through this audiobook.  Coming in at just over 14 hours, White Night was slightly shorter than some of the other Dresden Files audiobooks out there, but it still takes a little bit to get through it.  However, it is well worth the time investment, and I cannot recommend White Night on audiobook enough.

Just like every Dresden Files novel I have read, White Night is an exceptional and captivating read that I had an absolute blast getting through.  Jim Butcher’s novels always drag me in with their brilliant storytelling, complex scenarios and fantastic characters, and White Night is one of his more intense and exciting inclusions in the series.  A highly recommended read and an outstanding addition to the series.  I will be reading more Dresden Files novels as soon as I can.

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Proven Guilty by Jim Butcher

Proven Guilty Cover

Publisher: Penguin Audio (Audiobook – 1 February 2006)

Series: Dresden Files – Book Eight

Length: 16 hours and 16 minutes

My Rating: 5 out of 5 stars

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Welcome back to my Throwback Thursday series, where I republish old reviews, review books I have read before or review older books I have only just had a chance to read.  This week I dive into another awesome entry in the exceptional Dresden Files series by Jim Butcher with Proven Guilty.

I have been having an outstanding time reading Butcher’s iconic and fantastic Dresden Files books over the last couple of years.  One of the absolute best urban fantasy series ever written, the Dresden Files follows titular wizard and supernatural protector, Harry Dresden, as he investigates a series of crimes and magical conspiracies in Chicago.  I got into these books back in 2020 and have been slowly getting through the series from the start, with most of the entries getting five-star reviews from me as I go.  This includes the outstanding novels, Storm Front, Fool Moon, Grave Peril, Summer Knight, Death Masks, Blood Rites, Dead Beat and Battle Ground, as well as the novella The Law.  I had so much fun reading the previous novels that I just had to dive into the eighth book this week with Proven Guilty, which proved to be another amazing read.

A year after officially becoming a Warden for the White Council of Wizards, Harry Dresden is chafing under his new role, especially the part that forces him to punish young practitioners with no real knowledge of the magic they wield.  However, he must put aside his concerns when he is warned about black magic being used in Chicago, forcing him to start a new investigation into the city’s magical underbelly.

His investigations soon lead him to a seemingly normal horror movie convention where mysterious and sinister events are taking place.  Brought in by one of the convention’s staff, Molly Carpenter, the daughter of holy knight Michael Carpenter, Dresden soon finds himself attempting to stem a series of supernatural attacks against innocent humans.  The dangerous perpetrators all appear in the form of classic horror movie monsters, and their deadly attacks soon leaves a trail of mayhem across the convention.  Forced to circumnavigate the police and other dangers waiting for him, Dresden works to hold back the dark supernatural tide, only to discover dangerous secrets that shock him to his core.

Working with his faithful dog, his vampiric half-brother, a cop with her own problems, and the most dangerous mother on the planet, Dresden attempts to right all the wrongs in front of him.  But to succeed, he’ll need to confront the forces of the Nevernever, a rogue White Court Vampire, dangerous creatures forged from fear, and even the White Council itself.  Can Dresden succeed or will his actions lead to even more suffering for those he cares about the most?

Butcher keeps his epic Dresden Files going in an amazing way with this eighth book, and I had an outstanding time reading Proven Guilty.  Featuring an elaborate plot that effortless combines mystery and supernatural elements in modern day Chicago, while also serving as a key entry in the wider Dresden Files, Proven Guilty is a powerful and deeply captivating read that I had a great time listening to.  I have so much love for this fantastic series, and Proven Guilty got another five-star rating from me as a result.

Proven Guilty has an outstanding story to it which sees the protagonist go up against a cohort of deadly enemies, some of which are disguised as horror movies creatures.  I will admit that the start of the book was a tad slow, and I honestly thought that this was going to be more of a filler novel than anything else.  However, it soon develops into an excellent story that loads up a cool mystery with some exciting encounters, deep emotional moments, strong character development, and the continuation or creation of several major storylines for the entire series.  A conflicted Dresden is dragged into everything when Molly Carpenter requests his help, and he soon finds himself looking into the mysterious events at the horror convention.  The main story goes in some very interesting directions, and I liked the great combination of investigation and fantasy elements as it continued, while several compelling side stories see Dresden facing even more danger and mystery.  Several of these storylines came together quite nicely as the book continued, and Dresden soon identifies the main perpetrator of the threat, as well as other forces taking advantage of their actions.  The impact of the big reveal of who was responsible wasn’t as significant for me, as I’d had that spoiled in advance, but it was still well crafted, especially the motivations behind it.  However, the real meat of the story revolves around darker designs as unknown forces manipulate Dresden and his allies to do their bidding.  This results in some very impressive scenes, including a massive magic battle in the Fae realm, and I loved how everything came together while also leaving some big mysteries open for later in the series.  I also really enjoyed the complex wrap-up chapters, which saw Dresden go up against the White Council in some very intense scenes, as well as providing some excellent emotional resolutions that I deeply appreciated.  Everything comes together perfectly, and this proves to be a fantastic new addition to already impressive series.

Butcher applies his usual excellent writing style to Proven Guilty, which always works well to convey his complex narratives.  Like the rest of the series, Proven Guilty moves at a swift pace, quickly taking readers from one intriguing scene to the next, all of which is great in its own particular way, whether it be character interactions, plot developments, or lore downloads.  At the same time, readers are treated to a great blend of fantasy elements, emotional moments, and a compelling investigation storyline, all of which is overlayed with a fun and signature bout of humour and snark, often directed from the protagonist.  You really get drawn into Proven Guilty as a result, and I always love Butcher’s approach to the urban fantasy style, especially as both his unique fantasy world and the cool investigative story arcs work so well together.  Like the rest of the Dresden Files books, Proven Guilty can be read as a standalone novel, although Butcher is juggling a few ongoing storylines and character arcs that had been built up in the previous entries.  While the author always does a good job of recapping key events and reintroducing key characters, I really do feel that at this point in the series readers need to have enjoyed some of the previous books to get the full emotional and story impact Butcher is conveying.  I do really need to critique one part of Butcher’s writing style for Grave Peril though, particularly how he oversexualised a teenage female character.  The Dresden Files have always featured over-the-top descriptions of women, and while Butcher has gotten better about them as the series continues, he backslid here in Proven Guilty when it came to this character.  While I do get what he was trying to do from a literary perspective, i.e. showing the vulnerability and confusion of teenagers, and how they act out a result, it honestly felt really icky to me, and I think the book would have been better off without it.  Apart from that though, Proven Guilty is very well written, and I had a wonderful time getting through it.

I always really enjoy how well Butcher manages to utilise cool and complex fantasy elements into his narratives and Proven Guilty has some outstanding examples of this.  Thanks to Dresden’s promotion to Warden in the last book, he is now a very prominent member of the White Council, and this provides him some bigger insights into the council and its members.  This results in some great political scenes, as well as a deeper dive into the council’s law enforcement wing, which exists to hunt down and punish magic users who break the laws of magic.  I found this to be pretty interesting and compelling, especially as the council’s determination to enforce the laws leads to some dark moments in the plot, and I liked the clever comparisons between them and the Chicago PD.  The case also sees a return of the Fae Summer and Winter Courts, both of which have been featured heavily in the past, and Butcher has a lot of fun revisiting both and expanding the lore surrounding them.  One of the most pivotal moments of the plot sees Dresden and his allies invading one of the most significant locations of the Winter Court, and I loved the carnage that resulted.  As always, the various scenes of magical battle and encounters are a great highlight of Proven Guilty, and Butcher has a real talent for making the featured spells feel intense and spectacular.  I also rather enjoyed the use of a horror convention (SplatterCon!!!) as a major background for the plot, especially as it allowed for a menagerie of movie monsters to emerge and attack the convention goers.  There were a ton of fun homages here as a result, and it was very entertaining to see Dresden face off against several iconic monsters in some great scenes.  These fantasy elements merge with the rest of the plot extremely well, and it was fun to see Dresden dive through the worst parts of his world to save the day.

One of the major highlights of all the Dresden Files novels in the fantastic cohort of characters that Butcher features and Proven Guilty is no exception to this as the author has utilised another fantastic group of figures, each of whom brings something emotional or compelling to the plot.  The most prominent of these is naturally series protagonist Harry Dresden, who serves as the book’s main voice.  Cocky, confident, emotionally damaged and highly conflicted, Dresden makes a great focal character and I have deeply enjoyed seeing his personal journey throughout this series.  While still responsible for most of the book’s humour thanks to his jokes and fun observations about the other characters and all things magic, Dresden is decidedly a little more serious in Proven Guilty, especially as he is still recovering from some of the traumas of the previous books, including his injuries, his possession by a fallen angel, emotional conflicts with those closest to him, and the guilt over being forced to kill two people in his previous adventure.  This provides a noticeable change to Dresden in this book, and I felt that Butcher did a wonderful job showcasing this in several emotionally charged confrontations and scenes.  At the same time, Dresden is also dealing with his misapprehensions for working for the White Council as a Warden, especially as he is having trouble believing in all their rules.  This leads him into even greater conflict as the book continues, especially when he finds out who is truly responsible for the latest evils he uncovers.  All these personal issues and traumas help to provide a deep emotional layer to the plot, and it was one that Butcher masterfully addressed, providing some compelling and satisfying resolutions to several of them.  I particularly liked how Dresden’s story is coming full circle in some ways, and it will be interesting to see how that plays out in the future.

Aside from Dresden, there are a ton of other great characters featured through Proven Guilty who add their own flavour to the plot.  This includes an excellent range of new figures and well-established supporting characters, and I liked the mixture of storylines and character arcs that emerged.  Dresden’s usual allies, Karrin Murphy and Thomas Raith are very well utilised again here, both as supporting characters for Dresden’s adventures, and as individuals with considerable personal and professional issues to deal with.  Molly Carpenter, a minor figure from the previous novels, returns in a big way here and serves as an intriguing new addition to the plot.  While I have some major concerns about Molly’s portrayal at times, her storyline had some great depth and it will be interesting to see how that develops in the future.  This use of Molly also allowed a great focus on her mother Charity, another minor character from the previous novels, who gets a fantastic showing in Proven Guilty, especially as she shows herself to be an absolute badass.  Throw in Harry’s giant dog Mouse, who is one of my favourite characters in this series now, and differing voices of Dresden’s two supernatural advisors, Bob and Lasciel, the angel and demon on his magical shoulder (both literally and figuratively), and you have a pretty outstanding cast here, and one that I always have a great time following.

As always with one of the Dresden Files novels I really need to highlight the exceptional and awesome audiobook versions which are my favourite way to enjoy this amazing books.  The format really lends itself to the intense action, fast-paced storytelling and great characters contained within Proven Guilty, and I really found myself powering through this great audiobook in no time at all.  With a run time of over 16 hours, this is one of the longer Dresden Files audiobooks, but I still managed to knock it off in a few days, as I never got sick of listening to it.  The main reason for this is the outstanding narration of actor James Marsters, who has lent his powerful voice to the entire Dresden Files series.  Marsters effortlessly dives into the story each time, and he brings some real gravitas and feeling to the plot and characters.  The various voices he produces does each member of the complex cast great justice and I love how well he portrays their feelings, interactions, and personalities.  This is mostly easily seen in main character Harry Dresden, who is suffering from a lot of different abuses by this point in the series.  Marsters really does such a great job showcasing his various emotional and personal issues and I am always so impressed with how the narrator just gets this complicated character and brings that out with his voice.  This great performance does so much to enhance the experience of listening to Proven Guilty on audiobook and I cannot recommend this format enough to people interested in checking out this cool Dresden Files entry.

Unsurprisingly, I had an outstanding time with Proven Guilty and it proved to be an excellent continuation of Jim Butcher’s epic Dresden Files series.  Featuring another brilliant story, some fantastic character growth, and even more magic and mayhem, Proven Guilty was a ton of fun to get through, and I have so much love for this series.  Indeed, I had such an incredible time with Proven Guilty that I have already started listening to the next book in the series, White Night, which I will hopefully review next week. I honestly can’t give Proven Guilty a higher compliment than that, and this is a pretty damn amazing read.

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