Amongst Our Weapons by Ben Aaronovitch

On May 18, 2022August 13, 2022 By The Unseen LibraryIn Fantasy, Five-Star Books, Murder Mystery4 Comments

Publisher: Orion (Trade Paperback – 12 April 2022)

Series: Rivers of London – Book Nine

Length: 406 pages

My Rating: 5 out of 5 stars

One of the leading lights in the urban fantasy genre, the exceedingly talented Ben Aaronovitch, returns with the latest epic book in his brilliant Rivers of London series, Amongst our Weapons.

For the last 10 years, the fantasy world has been exceedingly impressed by the fantastic writings of Ben Aaronovitch, who came up with a real winner with his Rivers of London series (also known as the Peter Grant series). Aaronovitch, who already had some major nerd cred as a writer of two Doctor Who serials, debuted the first book in this series, Rivers of London, back in 2011. This book told the story of Peter Grant, a young Metropolitan Police officer who is assigned to a specialised branch of the Met that deals with magic and supernatural incidents. This intriguing debut combined magical elements with a classic police procedural format to create an epic and captivating read. The author has since expanded this series out to several novels, as well as a range of novellas, short stories, and even a graphic novel series, all of which continue the story of Peter Grant and Aaronovitch’s unique magical world. I have had a lot of fun over the last few years with this series, and I have greatly enjoyed Aaronovitch’s last two entries, Lies Sleeping and False Value. Aaronovitch is back with another exceptional read in his ninth Rivers of London novel, Amongst our Weapons, which continues the excellent format and presents the reader with an awesome new mystery.

The London Silver Vaults are a renowned underground market for silverware in the heart of London. They are highly secured and constantly monitored, so getting away with any sort of crime in the vaults is impossible. So when a crazed would-be robber is brutally killed in the middle of the vaults with no witnesses or cameras catching the act, the Met are forced to call in their secret weapon, Peter Grant and his fellow detectives from the Special Assessment Unit, better known as the Folly.

Specialising in investigating magical incidents, Peter and his team are quickly able to determine that the death and the murder’s subsequent escape were a result of powerful magic. Taking the lead on the case, Peter hopes to catch the killer quickly, but are quick to discover that their investigation is about to get far too complicated. Ancient magics and unknown powers are loose around London, and after discovering a second body, the Folly team begin to investigate the members of a mysterious college cult from Manchester that has been inactive for years. As more attacks occur, it becomes apparent that members of the cult are being hunted down and that their killer appears to be a vengeful, spear-wielding angel.

Determined to get to the bottom of the killings, Peter dives into the history of the cult and the mysterious artefacts they uncovered. His investigation will lead him all over England, from the colleges of Manchester all the way to the dismal North. But even as he begins to uncover the truth behind the killings and the being responsible, does even the full might of the Folly have the power to stop an angel and the deadly magic gifted to her? Worse, another party has involved themselves in the case, someone that Peter knows far too well. Can Peter solve this case before it is too late, and how will he deal with the greatest challenge of his life, becoming a father to his two magical twins?

Wow, Aaronovitch continues to massively impress me, bringing together another brilliant and unique urban fantasy read. Once again bringing together an outstanding story that features distinctive fantasy elements with a clever mystery, Amongst our Weapons was a fantastic read that I had an incredible time reading. This book was pretty damn awesome and gets a full five-star rating from me.

I had an absolute blast with the story contained within Amongst our Weapons as Aaronovitch has once again cleverly combined complex fantasy elements with a compelling murder mystery investigation, resulting in a deeply entertaining and addictive story. Aaronovitch starts this latest novel off strong, with the protagonist and his team immediately thrust into an investigation of a man with a mysterious magical hole blown into his chest and no witnesses who saw what happened. This intriguing start quickly becomes even more enticing, as a second murder is soon discovered, as well as other unusual signs and discoveries at the various crime scenes. However, the excitement does not end there, as Aaronovitch also fits in an early encounter with the powerful murder, who appears to be an exceedingly deadly angel of vengeance, as well as the sudden reappearance of recurring antagonist Lesley May, Peter’s former partner who now acts as a magical mercenary. Throw in some great character driven storylines about the protagonist’s family, as his river goddess wife is about to give birth, and you have quite an exceptional start to the novel. Indeed, once all these elements were set up, I was hopelessly hooked on the story, and it proved extremely hard to put this book down at all.

The rest of the narrative flows on from here extremely strongly, as the characters launch an exhaustive and intense investigation not only into the murders but into the origins of certain magical items and the history of the college cult who appear to be targeted. This takes the protagonist on a bit of a fieldtrip outside London, exploring Manchester and the North, and introducing the characters to some intriguing new magical elements. While parts of the story here did get a bit bogged down when it came to exploring some of the more complex new fantasy inclusions, I flew through the second part of the book, especially as it is laced with several brilliant and imaginative confrontations between the protagonist and the book’s various antagonists. Everything comes together extremely well in the lead-up to the conclusion, which results in a fantastic battle that helps resolve everything perfectly. I did think that it got a little too metaphysical in places, but I still deeply enjoyed this great conclusion, which should really satisfy every reader, while also setting up some interesting storylines for the future.

Aaronovitch has such a distinctive writing style for the Rivers of London series, which is put to great use throughout Amongst our Weapons. Like most of the Rivers of London novels, Amongst our Weapons can be read as a standalone read, with Aaronovitch doing a great job of rehashing some of the relevant continued storylines when they become relevant to the ongoing story. This book features the usual awesome blend of magic, crime fiction and character-led storylines, wrapped up with a great sense of fun and humour, which helps to produce quite an entertaining and captivating read. I particularly loved how the author makes his novels feel like a police procedural with magic, and this is perfectly on display in Amongst our Weapons, as the protagonists engage in elaborate investigation into several unique deaths. It is so much fun to watch these magic-wielding protagonists do research, official police investigations, paperwork, evidence collecting and various theorising as they examine both the magical and human sides of the case, and I always love how well these elements can be fit into a seemingly typical murder mystery storyline. Everything flows extremely well through this novel, and while I think there are some minor pacing issues towards the middle, readers will power through this entire book once they get caught up in the mystery and the magic.

I have always been really impressed with the distinctive and captivating fantasy elements contained within the Rivers of London novels, which prove to be intrinsic and outstanding parts of the book. Rather than use classic fantasy elements, the magic and unique creatures featured within this series are a lot more abstract with a focus on energy manipulation, creatures from alternate universes and godlike beings who get their powers by being embodiments of important locations. This really gives the novels a great, unique feel that is brilliantly enhanced by the way that the various characters treat magic in an almost scientific way, especially from a policing perspective, as the protagonists are effectively investigating and monitoring it in London. This fantastic way of examining magic proves to be quite effective in Amongst our Weapons, as you get to see all manner of theorising, analyses and scientific conclusions drawn up as the protagonists attempt to identify and quantify the new forms of magic they are dealing with, especially when they come face to face with an unknown being of immense power. This cool magic is also quite stunningly described throughout the novel, and I loved seeing its unique and clever use throughout the various magical confrontation sequences, and there is nothing more awesome than reading about a couple of wizards face off against an apparent angel. I find all the cool magical elements quite fascinating to explore, and I loved seeing some of the world building that occurred throughout Amongst our Weapons, with some new groups of magical users introduced or referenced throughout. Aaronovitch actually sets up some intriguing new world-building elements throughout Amongst our Weapons, and I look forward to seeing how this expands in some of the future novels.

Finally, I really must highlight the outstanding characters featured within Amongst our Weapons, who really help to turn this awesome story into something truly special. This cast is headlined by the book’s main protagonist and point-of-view character, Peter Grant, who I really have a lot of fun with. Grant is a funny and bold protagonist, who has been really growing since the first novel, not only in personality and responsibility but also in magical talent. He serves as a brilliant protagonist for Amongst our Weapons, and his dogged and clever investigation of the unusual events moved the story along at a swift and enjoyable pace. While his police work is a major part of the character, this latest novel also focuses again on his personal life, showing his unique marriage to a river (well, the living embodiment of a river), and the upcoming birth of his likely magical children. This puts some major responsibility on Peter’s head, which he struggles to deal with, still taking risks with his work. Watching him obsessively chase after the culprit while also trying to balance the upcoming birth of his children was a great part of the novel, and it really helped to make the reader feel attached to him. However, I personally loved his outstanding sense of humour throughout this novel, as much of the book’s comedic elements are thanks to this protagonist’s funny statements and clever observations about the outrageous events he is witnessing.

Aside from this excellent and relatable protagonist, Amongst our Weapons features a large and diverse cast of figures, including a combination of new people associated with the case and a huge batch of recurring characters who have been perfectly set up before. Most of the recurring characters are re-introduced extremely well, and even new readers should be able to follow who is who amongst this unique cast of magic users and professional police officers who work together to solve crimes. My favourite supporting character is Detective Chief Inspector Thomas Nightingale, head of the Folly and the last official wizard. A gentlemanly figure who fought in World War II, Nightingale serves as a great mentor as well as a badass magician able to throw down with the worst creatures or dark magic users. While not featured as heavily here as in previous novels, Nightingale has some great moments throughout Amongst our Weapons, and it was awesome to see him squaring off against the winged antagonist. Aaronovitch also sets up some interesting storylines for him in this book, and it sounds like he will have a much more altered role in the future. The other major character I should highlight is Lesley May, who serves as a secondary antagonist throughout this book. Lesley, who spends most of the book as a mercenary character attempting to undermine the police’s investigation, is a great addition to the plot and I am extremely glad that Aaronovitch brought her back for this novel. Not only do you get more of the regret-filled interactions with Peter but she serves as a great foil for the protagonists, and it was really fun to see her get involved and attempt to manipulate the situation to her advantage. All these characters, and many more, are great additions to the fantastic and complex plot of the book, and I deeply enjoyed seeing the fantastic and powerful interactions between them.

The Rivers of London series continues to shine as one of the best and impressive urban fantasy series with Amongst our Weapons. Ben Aaronovitch is such a talented author, and I deeply enjoyed distinctive and captivating stories he crafts, especially with its outstanding blend of unique fantasy and memorable murder mystery elements. Amongst our Weapons is one of my favourite books from Aaronovitch I have read so far and it is a highly recommended for all fantasy fans. If you aren’t exploring the Rivers of London, then you are really missing out!

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The Hunger of the Gods by John Gwynne

On May 14, 2022August 14, 2022 By The Unseen LibraryIn Audiobook, Fantasy, Five-Star Books18 Comments

Publisher: Orbit (Audiobook – 14 April 2022)

Series: The Bloodsworn Saga – Book Two

Length: 22 hours and 57 minutes

My Rating: 5 out of 5 stars

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Extremely talented dark fantasy John Gwynne returns with one of my most anticipated fantasy novels of 2022, The Hunger of the Gods, the epic second entry in The Bloodsworn Saga.

Last year, the fantasy world was aflame with discussion about a certain novel from acclaimed author John Gwynne, best known for his The Faithful and the Fallen series and its sequel Of Blood and Bone trilogy. While I wasn’t initially intending to check this book out, the sheer amount of positive feedback and reviews convinced me that I was clearly missing out, so I grabbed a copy and ended up being deeply impressed by the elaborate fantasy saga it contained. That novel was The Shadow of the Gods, a Norse inspired dark fantasy tale that saw three intriguing protagonists explore a deadly new fantasy world wrecked by the last battle of the dead gods, and filled with monsters, warbands and powered humans tainted by the divine ancestors. I had an exceptional time with this great book, which really met all my expectations and ended up being one of my favourite books and audiobooks of 2021 (it also topped my favourite new-to-me authors list and best covers of 2021 list, it was just that damn awesome). I deeply enjoyed the fantastic and elaborate tale this novel contained, and I could not wait to see how it would be continued. As such, when I received a copy of the sequel, The Hunger of the Gods, which featured another awesome fantasy cover and plot synopsis, I immediately started reading it and was once again thrust into world of gods and heroes.

The dread dragon god, Lik-Rifa the soul-stealer, has been released from her ancient tomb and now all of Vigrid lies in peril. Determined to unleash a new era of blood, death and conquest upon the lands, Lik-Rifa immediately begins to gather around her horde of Tainted warriors, including her own descendants, the dragon-born, terrible monsters and a cult of followers, all slaved to her will. Hope looks bleak, especially as the warring human kingdoms remain unaware that Lik-Rifa is free and about to unleash fresh horrors upon them.

Amongst this chaos, the deadly Orka continues her hunt for her stolen son, taken by Lik-Rifa’s followers. Now revealed as the legendary and infamous warrior, the Skullsplitter, Orka will not rest until she has her son and her vengeance, no matter the obstacles. While Orka continues her quest, her former warband of secretly Tainted warriors, the Bloodsworn, head south, determined to rescue one of their members, while their newest initiate, Varg, continues his attempts to find vengeance for his sister. Meanwhile, Elvar is forced to fulfil the blood oath she took to rescue another child from the dragonborn, and needs to convince her now leaderless warband, the Battle-Grim, to follow her.

As these brave warriors each take their own steps to destiny, they will all face dangerous challenges and horrendous odds. Orka will need to come to grips with the wolf lying deep in her heart as she attempts the impossible: defying a god. Varg and the Bloodsworn will travel to a distant land to achieve their goals, only to meet tragedy and loss. Elvar finally attempts to claim the responsibility of leadership that she has always desired. However, despite all their bravery and skill in arms, none of these heroes are going to be capable of fighting Lik-Rifa directly. Instead, Elvar and her company will attempt a desperate plan, using forbidden magic to bring a dead god to life and bind it to their will.

Wow oh wow, what an incredible and awesome read. Gwynne continues to showcase why he is one of the best current authors of fantasy fiction with The Hunger of the Gods, which perfectly continues the impressive Bloodsworn Saga in a big way. Featuring tons of bloody action, impressive new fantasy elements, complex characters, and a powerful and elaborate narrative that is the very definition of epic, The Hunger of the Gods was another five-star read from Gwynne that is easily one of the better books I have read so far this year.

The Hunger of the Gods has an outstanding and impressive story that instantly grabs the reader’s attention and ensures that they are unable to put the book down until the very last page. This sequel kicks off right after the epic conclusion of The Shadow of the Gods and quickly follows up on all the big revelations and events that occurred there, especially the release of the giant dragon god, Lik-Rifa, who serves as a suitably sinister and epic main antagonist for the series. Just like the first book, The Hunger of the Gods’ narrative is told from a series of split storylines, each one focused on a specific point-of-view character. All three character-specific storylines from The Shadow of the Gods are continued here, following Orka, Varg and Elva. These existing storylines go in some exciting and interesting directions in The Hunger of the Gods, and I loved how the author expanded on the character’s growth and individual journeys from the first novel, while also keeping some of the existing dynamics and elements. Gwynne also adds in two new point-of-view characters, as antagonists Gudvarr and Biorr, who were good secondary characters from The Shadow of the Gods, get their own intriguing storylines here. These new character arcs are impressively entertaining, providing great alternate perspectives to deepen the story, while also working into the existing storylines extremely well. All five storylines go in some great directions throughout the course of the novel, and there are some absolutely brilliant moments, twists and revelations that occur throughout, especially as many of these storylines started to come together more. I had an excellent time seeing where everything went, and Gwynne really did a great job taking all these character stories in some appropriate directions. Every single storyline end on an amazing note and the conclusions are guaranteed to drag readers back for the third Bloodsworn novel.

This second book in The Bloodsworn Saga is written pretty damn perfectly as Gwynne continues his magic to produce an addictive and distinctive read. The Hunger of the Gods retains the excellent tone introduced in the first novel, ensuring that everything comes across as a Norse adventure story set within a unique, dark fantasy realm. Everything about this book is handled extremely well, from the exceptional pacing, which ensures that you fly through this massive novel, to the intense and brutal action that is installed in every section of the book, guaranteeing that readers get that much needed adrenalin rush. Gwynne utilises an interesting writing style here that really emphasises repetition and unique dialogue to help to make the story feel more and more like an epic Norse saga. Just like the preceding novel in The Bloodsworn Saga, I think that The Hunger of the Gods had just the right blend of action, humour, character growth, world building and darker elements to create an excellent and enticing read. I also have to say that I was quite impressed with how Gwynne was able to avoid middle book syndrome here, as in many ways The Hunger of the Gods was even better than The Shadow of the Gods. While the story does slow down in places to help build up certain settings or plot elements, there is always something interesting or compelling going on, and I can honestly say that I was not bored at any point in the book. You could almost read The Hunger of the Gods by itself with no knowledge of the preceding book and still have a brilliant time with it, especially with the detailed synopsis of the prior novel at the start.

The best thing about how this story is written is the exceptional use of multiple character perspectives. The story perfectly flits between the five separate characters arcs throughout the novel, with a different character being focused on with each new chapter. Thanks to the inclusions of two new characters, readers of this sequel get to enjoy a much deeper story here, especially as the new characters are associated with some of the series’ antagonists, providing some fantastic new elements. I think the additional characters worked really well, as while the existing three protagonists are great, their storylines needed to be spaced out more in this sequel. All five separate character storylines play off each other perfectly as the novel continues, telling an immense narrative that, while connected, still contains a fair bit of individuality as you follow their specific adventure.

I liked finally being able to see some interactions between the various protagonists and I loved seeing these outstanding and well-written characters finally come together in some intense scenes, allowing the reader to see these distinctive characters viewed through the eyes of the other protagonists. The author had a great sense of which perspectives needed to featured at certain times, and there were some amazing contrasts as certain exciting storylines were played off each other, especially when you were able to see two sides to certain major battles or events. In addition, this is one of those rare multi-narrative fantasy novels where it is near impossible to choose a favourite storyline or character to follow. Each of the five storylines offers the reader something different, from a bloody revenge story, to an intriguing look at the book’s main antagonists, and all of them work extremely well in the context of the wider story. I will say that Orka’s brilliant quest for her son has some amazing action scenes and powerful character moments, while the camaraderie and excellent larger-scale battles of Varg’s storyline ensured that I was excited to hear from this character. In addition, Gudvarr provides some great political intrigue from the perspective of a true weasel, which was so very fun to watch. However, I honestly had a great time with every single character, and there was not a moment that their individual stories did not enhance the overall quality of The Hunger of the Gods.

I really must highlight the incredible dark fantasy setting of The Bloodsworn Saga that is expertly used again in The Hunger of the Gods after Gwynne took the time to set it up in the first novel. The harsh land of Vigrid, with its warring Jarls, terrifying monsters, long-dead gods, glory-seeking warbands and the feared and exploited Tainted, works so well as a background to this epic story and it really helps to expand the bloody adventures featured within. I loved how Gwynne uses classic Norse elements like shield walls, longboats, weaponry and mindsets, and I still really love seeing this in a fantasy context, especially when combined or used against the monsters and Tainted characters. This is further enhanced with the continued use of Norse inspired terms and dialogue throughout the novel, and it helps to give this entire series such a distinctive feel (although I kind of wish that he would stop trying to continually make “thought cage” an alternative to a person’s skull). While the author spends a bit of time continuing these elements from the first book, The Shadow of the Gods also features some brilliant world building as Gwynne provides intriguing enhancements to the existing gods, land and people, which were already extremely intriguing. There are also some examinations of the neighbouring nation of Iskidan, which was mentioned a few times in the first book. Iskidan, which has elements of historical China, the Middle East and the Byzantine Empire in its construction, serves as an intriguing counterpoint to Vigrid, and it was fascinating to learn more about it. I also loved a couple of cool, if freaky new monsters, that were featured in this book, although the flesh burrowing insect monster and the nightmare inducing tongue eaters, are a bit on the gruesome side (readers who don’t like body modifying monsters are warned to stay away). All these awesome elements are fitted in the book perfectly, and I loved this continued dive into the dark and gruesome world Gwynne has lovingly created.

While the awesome narrative, clever storytelling and dark fantasy setting are amazing parts of the book, I would be extremely remiss if I didn’t highlight the incredible character work that Gwynne did within The Hunger of the Gods. Just like the first book in The Bloodsworn Saga, The Hunger of the Gods features an impressive and captivating cast of characters, each of whom are expertly featured and who add some fantastic elements to the overall story. This is particularly true for the wonderful and memorable characters from whose perspective this epic tale unfolds. Gwynne did an incredible job introducing these excellent characters in the first book, and it was great to see two previous supporting characters promoted up to the central cast. All five main characters are exceptional and their unique personalities and goals ensure that every chapter is different from the last which helps to produce an awesome and expansive read.

The first of these characters is Orka, an incredibly dangerous warrior who is hunting for her lost son and vengeance for her murdered husband. Orka is a brilliant and complex figure who is easily one of the most exciting and enjoyable characters in the entire series. Due to her single-minded determination and bloodlust, pretty much all Orka’s chapters read like a bloody revenge trip that is essentially a dark fantasy version of Taken. Gwynne continues this excellent trend with Orka in this second novel and it was great to see this implacable warrior travel across this land, killing everyone who gets in her way as she takes big risks. However, Gwynne adds in some extra elements to Orka’s tale in The Hunger of the Gods, especially following the revelations made at the end of The Shadow of the Gods that Orka is both Tainted and the former leader of the Bloodsworn, the legendary killer known as the Skullsplitter. Orka actually comes across as a lot more bestial in this second book, especially after the big massacre she created at the end of The Shadow of the Gods that unleashed her inner monster. As such, there are more scenes of Orka trying to contain her rage and anger, and there were some fantastic and clever portrayals of her inner beast throughout the book. We also see some of Orka’s guilt and regret as the novel explores how she left the Bloodsworn and the relationships she sacrificed for the sake of her unborn son. I also quite enjoyed seeing her as a reluctant leader in this novel as she finds herself in charge of a small team of warriors and monsters. This enhances her sense of guilt and remembrances of her previous time with the Bloodsworn, and it adds some fun drama and even a mentoring arc as continues her work with her young student, Lif. Orka’s storyline goes in some great directions throughout The Hunger of the Gods, and you will be enthralled with her tale right up until the last line of this book.

I also had a lot of fun with Varg in this book. Varg, or as his warband knows him, Varg No-Sense, was probably my favourite character in The Shadow of the Gods and he continues to be an excellent part of this sequel. While he doesn’t develop as much as some of the other characters in The Hunger of the Gods, Varg still remains an enjoyable figure. Most of the appeal revolves around his friendship and growing sense of acceptance with his fellow Bloodsworn, and I liked seeing him continue to develop as a warrior and a free person, especially as starts to create some meaningful relationships. Like Orka, a lot of Varg’s personal storyline deals with his desire for vengeance, as well as his issues controlling his Tainted rage, and I liked seeing how this complemented and contrasted with Orka’s experiences. This is particularly noticeable when it comes to how he deals with loss, something he is not good at, especially when some good friends fall throughout the story. As a result, there are some great moments for Varg in this novel, and his chapters are filled with some of the funniest supporting characters and best battle sequences. I did find it interesting that Varg didn’t have the biggest impact on the overall storyline in this novel, even during his own chapters, but Gwynne is clearly planning some big things for him in the future, which I am really looking forward to.

Elvar, also has a great storyline in The Hunger of the Gods, and I honestly think that out of all the characters, she has the most development in this book. Due to where her story from The Shadow of the Gods ended up (dragon gods rising and all), I was extremely excited to see more from Elvar in this novel, and it really did not disappoint as she immediately gets into action, resurrecting gods and bending them to her will. Quite a lot of major plot elements occur through Elvar’s eyes, and she proves to be an excellent focus for all these key storylines. I liked how Elvar grew up quite a lot in this sequel, especially after the traumatic betrayals of the previous book, and she ends up with a very different mindset throughout this sequel, especially when it comes to leadership and her need for fame. Watching her grow and take control of the Battle-Grim is a compelling part of this novel, and it was awesome to see her come to terms with her new responsibilities. It was also great to see how a lot of Elvar’s story comes full circle in this novel, especially when it comes to her personal history and family, and her final chapters in this novel are some of the best in the book. I am once again extremely keen to see how Elvar’s story continues in the rest of the series, and Gwynne has left her in an incredible spot for the future.

Like I mentioned above, I was really impressed with Gwynne’s decision to start utilising two additional point-of-view characters in The Hunger of the Gods, and it really helped to turn this sequel into a much more detailed and compelling read. Part of the reason this works so well is that these two additional characters are both complex and excellent characters, and their chapters act as a great continuation of some of the minor storylines from the first book. The first of these characters is Biorr, former member of the Battle-Grim who was revealed to be a spy planted by Lik-Rifa’s followers and who ended up betraying and killing the Battle-Grim’s leader. While it would be easy to hate Biorr for his actions, he becomes quite a sympathetic character. Not only does he spend most of the book feeling intense guilt for his actions, but he also paints a pretty grim picture of his previous life as a slave, showcasing the hardships he and his fellow Tainted have suffered. As such, you can understand many of his reasons for why he is helping Lik-Rifa, especially as she is promising a new world order for people like him. Despite this he is still quite conflicted, and he acts as a more moderate antagonist. This changes towards the end of the book, especially after he meets a certain divine being, and he starts to become a bit colder and more determined to support Lik-Rifa. Despite being one of the least action-packed storylines in the novel, Biorr’s chapters were an excellent and entertaining part of the novel. I particularly enjoyed the intriguing alternate views they gave of the main group of antagonists, making them seem more reasonable and complex, and the inclusion of Biorr greatly enhanced the entire narrative for the best.

The other new point-of-view character is Gudvarr, the conceited lordling who hunted Orka in the last book and was a particularly annoying antagonist. I must admit that I was initially surprised that out of all the great supporting characters, Gudvarr was the one who was upgraded to main cast. However, it soon became apparent why he was used, as Gwynne had some real fun turning him into one of the entertainingly despicable characters in the entire novel. Gudvarr is the absolute epitome of arrogance, petty cruelty and cowardice throughout this book, and it is near impossible to have any respect for him, as he lies, brownnoses and attempt anything to gain power and reputation, often with disastrous results. Gwynne goes out of his way to make him seem as conceited and cowardly as possible throughout the novel, mainly through his inner monologue, where he constantly hides all his insults and most cowardly thoughts to avoid getting into trouble with actual warrior. He is such a little arseling in this novel, and you can’t help but hate him, especially as he has the devil’s luck and frustratingly manages to wiggle out of every single disaster he finds himself in. Despite this, or perhaps because of it, I grew to really enjoy Gudvarr’s chapters as everything he did was hilarious in a sneaky and spiteful way, and it is just so damn entertaining to see him get pushed around then overcome more powerful and confident characters. The Gudvarr chapters also provide some fantastic insight into another group of antagonists, loaded with political intrigue and deceit from one of the main courts of Vigrid. I had an absolute blast following Gudvarr throughout the novel, and the way that his storyline in this novel comes to an end is just so perfect and really showcases what an absolute cowardly snake he is. I cannot wait to see him get his eventual just deserts (or maybe he’ll be the only survivor), and he ended up being on of my surprisingly favourites in The Hunger of the Gods.

Aside from these main five characters, The Hunger of the Gods is filled with a massive raft of supporting characters, with a distinctive cast associated with each of the point-of-view storylines. Gwynne handles these supporting characters beautifully; despite the cast list going on for six pages, you get to know all of them and fully appreciate everything they bring to the story. Most of these characters support their respective storylines incredibly well and many of the characters either stand on their own as distinctive figures or have some brilliant interactions with the main characters. Many of my favourites were members of the Bloodsworn band, with the hilarious and witty Svik being the best example of this with his tall tales, love of cheese, and calming attitude towards Varg, while an additional storyline about his connection to Orka adding some intriguing depth to his character. You really get to enjoy many of the key Bloodsworn members, although this does mean you become way too emotionally strained when they get hurt or killed. I also really grew to enjoy returning character Lif in this book as he continues to grow as a warrior through Orka’s tutelage. Watching him develop is a great part of the Orka chapters, and he proves to be an excellent foil to the brutal main character. I loved the deeper look at many of the series’ main antagonists throughout The Hunger of Gods, especially with the two new character perspectives, and it was great to see a different side to their plans and motivations. The multiple resurrected or freed god characters proved to be an excellent addition to this second novel, with the main characters brought into their renewed war one way or another. These gods really changed the entire story, and it was fascinating to see their interactions with the main characters, as well impact they have on everyone’s psyches. These great characters, and many more, all added a ton to the story, and I loved how their various arcs and storylines came together. It will be fascinating to see if anybody else becomes a point-of-view protagonists in the future (my money is on Lif), and I can’t wait to see what happens to these brilliant characters in the future.

While I was lucky enough to receive a physical copy of The Hunger of the Gods, I ended up listening to the audiobook version of it instead, which was an extremely awesome experience. With a runtime of just under 23 hours, this is a pretty lengthy audiobook (the 19^th longest audiobook I’ve ever listened to) and requires a substantial investment of time. However, this is more than worth it as hearing this epic tale read out to you is a brilliant experience. Not only does it ensure that you become deeply trapped in the elaborate story and are able to absorb all the great detail, but it also fits with the book’s inherit theme of an oral saga. One of the best features of this audiobook is impressive narrator Colin Mace, a man with a ton experience narrating elaborate fantasy and science fiction audiobooks (such as The Black Hawks by David Wragg). Mace has a commanding and powerful voice that really fits the theme of this universe and perfectly conveys all the violence, grim settings and powerful elements of the dark fantasy world. He does a particularly good job with the character voices as well, as every character has a distinctive tone that fits their personality and actions extremely well. I loved some of the great voices that he comes up with, including deep-voiced warriors, snivelling cowards, strange creatures, ethereal gods and more, and it helped to turn The Hunger of the Gods audiobook into quite an experience. As such, I would strongly recommend this audiobook format as the way to enjoy The Hunger of the Gods, and I fully intend to check out the rest of this series on audiobook when it comes out.

John Gwynne continues to dominate the fantasy genre with his incredible Bloodsworn Saga. The amazing second entry, The Hunger of the Gods, is another exceptional read that takes you on a wild and deadly adventure through Gwynne’s impressively put together dark fantasy world. Containing an epic and powerful story, chock full of action, Norse fantasy elements and impressive characters, The Hunger of the Gods was one of the best reads of 2022 so far and I had an outstanding time reading it. In some ways The Hunger of the Gods ended up being a better novel than the first entry in the series and is an absolute must read for all fantasy fans.

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Death of the Black Widow by James Patterson & J. D. Barker

On May 2, 2022February 2, 2023 By The Unseen LibraryIn Five-Star Books, Horror, Thriller21 Comments

Publisher: Century (Trade Paperback – 12 April 2022)

Series: Standalone

Length: 520 pages

My Rating: 5 out of 5 stars

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Prepare for one of the trippiest and darkest thrillers of 2022 with Death of the Black Widow, the latest brilliant standalone novel from the all-star team of James Patterson and J. D. Barker.

Few thriller writers out there at the moment are as well-known or prolific as superstar author James Patterson. Patterson has been absolutely dominating the thriller and crime fiction genre for nearly 30 years and has an incredible catalogue of works to his name, including his best-selling Alex Cross books. In recent years, Patterson has released a torrent of works, including some solo books and several novels done in collaboration with other talented writers and even a few celebrities. I personally have loved several of his previous collaborated books, including Lost (co-written with James O. Born) and 2 Sisters Detective Agency (co-written with Candice Fox). However, one of the more intriguing authors he has teamed up with is acclaimed thriller and horror author J. D. Barker. Barker, whose work I previously enjoyed on Dracul (co-written with Dacre Stoker), has already produced two intriguing novels with Patterson, The Coast-to-Coast Murders and The Noise. I have been keen to check out this awesome writing team for a while (The Noise is currently sitting on my shelf waiting for my attention), and when I received a copy of their latest book, Death of the Black Widow, I made sure to read it as soon as possible.

It is a typical night in Detroit until former police officer Walter O’Brien and his comrades call in a bomb threat on a busy night club and use concentrated sniper fire to keep its patrons trapped inside. When the police arrive on scene, Walter surrenders to them and offers them a simple choice: allow them to kill a single woman hidden within the club, or watch as the entire building is destroyed. But who is this mysterious woman and what has driven Walter and his friends to such extremes?

The origins of these desperate actions date back decades to when a young Walter O’Brien is called to a murder scene on his very first night for the Detroit PD. What he uncovers is a terrible and bloody crime scene: a scared and surprisingly alluring young woman has apparently escaped from captivity and skillfully bludgeoned her ruthless captor to death with a lamp. Attempting to take her to hospital, Walter is shocked when she escapes from his custody, leaving an impression on him that will last a lifetime.

Years later, as a new homicide detective, Walter has a chance encounter with someone he believes to be same women from that fateful night. Still obsessed with his previous encounter, Walter attempts to track her down, only to find a disturbing pattern between this mysterious and woman and several disturbing and unexplainable murders he is investigating. But when his case takes an even more unusual twist, Walter finds himself thrust into something far bigger than himself. A secret government agency is attempting to find this mysterious woman, and soon they and Walter begin to uncover a disturbing trend of murders going back years. As Walter begins to lose himself more and more to obsession, he becomes determined to be the one to stop any more killings. But what is he willing to do to stop the deaths once and for all?

Wow, now that was a fun and intense book. Patterson and Barker have produced something very special with Death of the Black Widow, which was an utterly insane and awesome read. I was actually a little surprised with how much I enjoyed this clever book, and I think I have very little choice but to give it a full five-star rating.

Now, I must admit that when I started reading Death of the Black Widow, I honestly did not know too much about the book, apart from what was in the synopsis. From that and the name, I assumed that this was going to be a psychological thriller or a spy thriller. However, while Death of the Black Widow does have thriller and murder mystery elements to it, and indeed it appears to be a purely crime fiction novel for the first few chapters, it actually turned out to be something entirely more complex. Within the first 100 pages or so, you begin to realise that the authors are subtly including elements from other genres, and Death of the Black Widow soon starts to take on a distinctive horror vibe, with some incredible brutal killings done under extremely unusual circumstances. While I was surprised by this, I cannot say that I was disappointed. Instead, I felt that it was a brilliant move from the authors and one that played particularly well to Barker’s strengths. This new genre combines well with the books existing thriller/crime fiction framework to create an intense and exhilarating read that is extremely easy to get into and very, very hard to put down. I personally found myself powering through the last 350+ pages in less than a day, especially once I begun to fully understand just how clever and weird things were about to get.

I was really impressed with how Death of the Black Widow unfolded as a story, especially as Patterson and Barker went out of their way to make this standalone read as enticing and epic as possible. The book starts in the present day and shows the older protagonist and his compatriots entering the end game of their confrontation with a mysterious woman. This serves as a great setup to the rest of the story, which jumps back multiple decades to 1986, when Walter and the mysterious woman, known here as Amy Archer, first meet, and the strange and deadly circumstances behind their encounter. The story then jumps forward several years to 1992, where Walter is investigating several strange murders when he has a chance encounter with someone he believes is Amy. This results in an intriguing series of chapters where Walter deals with both the investigation and his growing obsession with this girl, before everything blows up terribly and the mystery becomes more convoluted and unusual with each new revelation. This pattern continues throughout the book, with the story jumping ahead years at a time to show the multiple encounters between Walter and his obsession. Each time period reveals some intriguing new angles and elements, and you find out new revelations about the woman the protagonist is hunting, resulting in the full truth about her finally being revealed. The novel also keeps slipping back to the siege occurring in the present, with some new characters trying to uncover what Walter and his team are up to as the protagonists provide them with hints about who they are and what they are after.

I deeply enjoyed that the authors chose to utilise a split timeline for Death of the Black Widow, especially as it works extremely well to tell this outstanding narrative. The switch between time periods and chronological length of the story really enhances just how mysterious the events of the book are and the powerful, life-altering impact they have on the protagonist. There are many clever elements to the switches between the periods, and I loved the subtle inclusions in the present timeline that hint at the events in the past that the protagonist was yet to experience, and the full impacts of them. There are also some fun summaries loaded at the front of each change between the past and the present that represent the protagonist’s notes on the case. Not only can these be useful to remind the reader where they are, but it helps to highlight just how massive the case gets, especially towards the end of the book, as well as tracking Walter’s growing obsession (especially the last one). This entire story is loaded up with brilliant reveals and shocking twists, and I was honestly surprised and very thrilled in some of the excellent directions that the authors took the story. You will honestly have a hard time putting this novel down once you get past the halfway point, especially once the 1992 storyline comes to its shocking end, and the intense revelations and horrific scenes of the next few time periods ensures you will become unerringly trapped as you attempt to find out more about the antagonist and their past. This entire story of obsession, murder and mystery concludes perfectly in the present, with some truly big moments, as everything comes full circle and twists that have been hidden in plain sight since the start come into the light. This was such a great story, and I frankly loved every single second I spent reading it.

I cannot finish talking about this book without mentioning the excellent characters it contained. Death of the Black Widow features an intriguing and unique cast, each of whom brings something fun and compelling to the story. The most prominent of these is Walter O’Brien, who serves as the central point-of-view character for most of the story. Thanks to how the book progresses, you get to see the entirety of Walter’s life unfold, from his young days as a rookie cop, all the way up to his present, when an older, dying Walter attempts to bring his great obsession to an end by finally catching the woman who has haunted him for decades. This ensures you get a brilliant look at this character and it proves absolutely fascinating to see the various stages of his life and the continued impacts of his interactions with the woman he knows as Amy Archer. One of the best parts of this is that you get to see the growing obsession that Walter builds towards this woman, as meeting her proves to be a defining experience for him. Despite the fact that his interaction with her are relatively short, each time he meets Amy she changes his life in a different way and he soon becomes quite obsessed with her. This obsession continues to bloom, even after certain revelations about her and her actions become known, and he is forced to fight his own feelings and observations throughout the entire book, especially once it becomes clear that this obsession is mutual and that Amy is drawn to Walter as well in a twisted romance that is so damn dark. Watching this usually confident and capable person being haunted by this obsession proves to be powerful and captivating centre to this story, and you really feel for this protagonist as he struggles. Walter ends up serving a great role as the central protagonist of this story, and I found his entire character arc to be extremely well written and cleverly exposed.

On the other side of the coin is the mysterious woman who serves as the titular Black Widow of the story. Known to Walter as Amy, this woman serves as a shadowy and enigmatic figure in the book, especially as you have no idea who she truly is for most of it. To avoid spoilers, I will not go into too much detail about her here, but I will say she was an exquisite and amazing character, and the authors did a remarkable job bringing her to life and fitting her into this remarkable story. She is easily one of the most distinctive and memorable literary villains I have read for a while, and if they ever make a movie of this book (which they really should), I think a great actor could turn her into something very special. These two characters, as well as some other great supporting characters (the members of Walter’s team in the present day, as well as some distinctive cops from the past timelines for example), prove to be the beating heart of this incredible story, and it was absolutely fascinating to see how their intriguing lives worked in to the plot of this book.

No doubt it, I was really, really impressed with Death of the Black Widow, which ended up being one of the most exciting and compelling reads of 2022 so far. The outstanding team of James Patterson and J. D. Barker were absolutely amazing here, producing a clever and intricate thriller, loaded with unique characters, a deep obsession laden storyline and some excellent horror elements. This was easily one of the most unique and memorable novels I have read in a while, and I loved every single second I was going through it. A highly recommended read that will appeal to anyone interested in a dark and deadly read, you will not be disappointed with Death of the Black Widow.

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Desperate Undertaking by Lindsey Davis

On May 1, 2022November 22, 2023 By The Unseen LibraryIn Five-Star Books, Historical Fiction, Murder Mystery9 Comments

Publisher: Hodder & Stoughton (Trade Paperback – 12 April 2022)

Series: Flavia Albia – Book 10

Length: 398 pages

My Rating: 5 out of 5 stars

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Buckle up for an intense, captivating and exceedingly memorable historical murder mystery as bestselling author Lindsey Davis unleashes the 10^th entry in the deeply clever and compelling Flavia Albia series, Desperate Undertaking.

It’s that awesome time when I get to gush about the newest entry in Davis’s excellent, long-running Flavia Albia series, which has been a major fixture in my reading schedule for the last several years. The sequel series to her iconic Marcus Didius Falco novels, the Flavia Albia novels follow the daughter of Davis’s original protagonist as she solves unusual murders across ancient Rome. Thanks to the series’ typical great combination of intriguing characters, complex mysteries, excellent historical elements and great humour, I always have an amazing time reading these novels, which usually get very high ratings from me. Some of the more intriguing Flavia Albia novels in recent years include The Third Nero, Pandora’s Boy, A Capitol Death, The Grove of the Caesars (one of my favourite books of 2020) and A Comedy of Terrors. Due to the quality and entertainment capability of this series, I eagerly keep an eye out for Davis’ new book each year and I was exceedingly chuffed when I got a copy of Davis’ latest novel, Desperate Undertaking.

Rome, 89 AD. The year is coming towards an end and the city is ready to enter a sleepy holiday period. Unfortunately, murderers are notoriously bad at taking breaks, and Flavia Albia, paid informer, dogged investigator and daughter of notorious busybody Marcus Didius Falco, is about to get dropped into the most disturbing case of her life. With her parents away on holiday and her impromptu family preparing to settle in for the quiet period, Albia receives a job request she cannot refuse. An aged actor, part of a troupe her parents travelled with in their youth, has been killed, horribly crucified in a public place. Starting her investigation, Albia and her husband, Tiberius, are shocked to discover this is not the only murder confronting them as they suddenly discover the first victim’s widow was also murdered in terrible circumstances. Her last words to Albia: “The undertaker did it…”.

Determined to find the person responsible for the horrific murders of her parent’s friends, Albia begins her investigation, diving into Rome’s theatre scene. But when another actor associated with the troupe is killed in a cruelly inventive way, Albia begins to realise that these are no ordinary murders. A twisted and determined serial killer is on the loose, bearing a terrible grudge against the actors and anyone associated with them. Worse, their exceedingly public killings all bear striking similarities to some of the most brutal moments in classic plays, causing their victims to suffer in horrific ways.

With the bodies piling up and the city in an uproar, Albia must solve the most unusual and deadly case of her career before more of her parents’ friends end up dead. But the closer she gets to the truth, the more she begins to realise that these murders bear a strong connection to one of her father’s past cases. Worst, Albia soon realises that her connection to the currently absent Falco has made herself and everyone she loves a target of a demented killer determined to get revenge.

Davis does it again with Desperate Undertaking, producing a wildly entertaining and exceedingly clever historical murder mystery that I had a brilliant time reading. Perfectly bringing together a disturbing mystery with an excellent historical setting, some great characters and the author’s trademark humour, Desperate Undertakings is an outstanding read and it ended up being yet another Flavia Albia book that gets a full five-star rating from me.

I must admit that I have sometimes found Davis to be a bit of an inconsistent writer; while most of her novels are extremely good, a few of them do not quite measure up in terms of substance or entertainment. However, Desperate Undertakings is easily one of the better books in the Flavia Albia series as Davis pulled together an exceptional and dark murder mystery narrative that will leave a memorable impression on the reader. For this latest story, Davis drops a lot of the family/household storylines that have been a significant, if slightly distracting, feature of the previous novels, and instead focuses on an intense and elaborate murder mystery that effortlessly grabbed my attention and ensured I was extremely hooked on this fantastic novel. The book starts off extremely strong, firstly with a foreboding introductory short chapter, and then with a great series of compelling early chapters that drag the protagonist into the investigation. These early chapters feature two dramatic (literally) and elaborate murders that really stand out due to their brutal and distinctive nature (the second one is particularly gruesome and over-the-top), as well as their connections to some of Davis’s iconic protagonists. As such, the reader becomes really invested in the case early on, and you soon get thrust into an elaborate in clever murder inquiry storyline. Davis sets up this investigation really well, and there are a series of great leads, potential suspects and unique theories that pan out as the novel proceeds in an excellent way. While the novel slowed down slightly after the initial murders, the next series of killings picks the pace right up again, which the story maintains for the rest of the book. I really enjoyed how the entire mystery came together, and there are some really clever twists and turns here, with seemingly minor characters or story elements coming back in some big ways later in the book. Everything leads up to a big and impressive conclusion and readers will be left rocked by the elaborate and powerful nature of the plot, as well as how damn dark this novel got in places.

Desperate Undertakings is extremely well written and I loved how Davis pulled this entire novel together. Davis once again hits the perfect blend of murder mystery, historical elements and character driven story elements in this book, as the reader is engrossed in this brilliant Roman based tale. I did feel that this one was significantly darker in places than some of Davis’s previous novels, which I really liked, especially as it results in some particularly gruesome killings. The story is once again told from the perspective of central character Flavia Albia as she traverses the mean streets of Rome to find her culprit. This central focus allows for much of the books fantastic humour, as Albia’s comedic and exceedingly modern perspective of events is extremely entertaining, while also providing a Roman noir feel for the murder investigation. Like most of the books in the Flavia Albia series, Desperate Undertakings can easily be read as a standalone read, with any relevant elements from the previous novel rehashed for the new reader. However, Desperate Undertakings also bears a strong connection to one of Davis’s older novels, the sixth book in the Falco series, the 1994 release Last Act in Palmyra. Multiple characters and elements from this book make an appearance here, with several of them serving big roles in this book, either as supporting characters, suspects or victims. Davis rehashes the events of this previous book extremely well, and readers who haven’t had the chance to enjoy it are still able to enjoy Desperate Undertakings without any issues, while those who have will no doubt enjoy the fun call back. I felt that these past elements were utilised extremely well, especially as these past events also impacted the present storyline. This entire novel came together brilliantly, and I was extremely enthralled by its great writing and powerful story the entire way through.

I always deeply enjoy how Davis portrays the historical elements in her novels and Desperate Undertakings was a particularly good example of this. The reader is once again treated to breathtaking depictions of ancient Rome, with everything from the chaos of the streets, the culture of the people, and the slapdash take on law enforcement used to full effect throughout the course of the plot. There are some brilliant descriptions of some of ancient Rome’s earlier sties, especially as the murders make use of some iconic locations for the sites of their crimes, and you get an excellent sense of the city thanks to Davis’s descriptive and powerful writing. However, the best part of these historical elements is the dive into the Roman theatre scene, which is a key part of the books plot. Davis provides an intriguing and entertaining look at the city’s theatre elements throughout the novel, and you soon become deeply engrossed in her entertaining portrayal of these eccentric and proud actors and entertainers.

Desperate Undertakings also takes quite an intriguing look at the various plays and performances put on during this period as the killer utilises some of Rome’s bloodiest and most elaborate plays as a basis for setting up their murders. This causes the protagonist to really dive into all the plays of the period and you get a good idea of several of the more iconic and distinctive ones, especially those that have elements of death involved. I found it really interesting to find out about this part of Roman culture, especially the deadly twists that are sometimes involved with them, and it was a great part of the plot. I also felt that Davis did a remarkable job working these historical theatre aspects into the plot of Desperate Undertakings, and it really helped to make the murder mystery stand out. I particularly enjoyed how the author broke the book down into sections, each one of them named after a play that corresponds to the murder that Flavia is about to discover. This allows for a glorious bit of foreshadowing, especially for those with an interest in classics and theatre, and it was an excellent addition to the book. I deeply appreciate how Davis utilised these historical plays as the inspiration for her murders in Desperate Undertaking and it really gave this book a very distinctive feel. Readers are warned that some of the murders are a bit graphic thanks to how they are portrayed in these plays, and you are in for some barbaric punishment as a result.

Another strong aspect of Desperate Undertakings was the excellent and compelling characters that Davis featured throughout. As usual, this great cast is headed up by the intrepid Flavia Albia, who serves as the main protagonist and point-of-view character for the book. Albia is a really entertaining protagonist, especially as Davis presents her as a cynical private investigator with very specific views of the reality of life in ancient Rome. The daughter of another cynical protagonist, Falco, Albia spends most of the book making astute and hilarious observations about the people, locations, and events around her, and much of the book’s humour results from the amusing and noticeably modern way she sees the world around her. As such, Albia really adds a lot to this intriguing story and it is always so much fun to see her waltzing around Rome solving her elaborate cases. It was particularly interesting to see her reactions to the murders that occur in Desperate Undertakings. Despite her familiarity with death and Rome’s underbelly, these killings really hit her hard due to their brutal nature and the connection that the victims have to her parents. I felt this was a really compelling and powerful change to the character, and it really helped to highlight just how dark this book got in places.

Desperate Undertaking also features a wide cast of characters, all of whom have some entertaining or intriguing moments through the book. Davis utilises a blend of established characters, new figures and even several characters who have not appeared since the Falco series. All these characters are utilised extremely well in this novel, and the author does a good job of introducing (or reintroducing) them throughout the course of the plot. As usual, this includes Albia’s husband, Tiberius, who serves as a good straight man to Albia’s eccentric antics, and helps to focus the investigation in places. Other interesting characters include a newly introduced cop who balances between competence and political expediency and serves as another excellent foil to Albia’s more unusual investigation methods. The various actors and theatre related figures are pretty entertaining, and Davis introduces some eccentric characters, many of whom serve as potential suspects or victims as you get to know them more. I also felt that Davis did a good job with the killer (or killers) featured in this book, as they have a unique motivation, and a compelling personality that is slowly uncovered throughout the course of the book. Finding out just who they are and why they are doing these dreadful killings is extremely fascinating and results in some brilliant character moments. Other supporting characters are also extremely entertaining, including a very strong butcher and two very cultured vigils, and I had a brilliant time getting to know them all.

With the extremely awesome and captivating Desperate Undertakings, the always incredible Lindsey Davis continues to reign from atop the historical murder mystery mountain. This latest Flavia Albia novel is exceedingly epic, containing a brilliant and dark investigation story that sees the series’ outstanding protagonist encounter a truly demented killer. With some fascinating and distinctive historical elements, especially those surrounding the bloody and memorable plays, Desperate Undertakings really stands out and was an amazing amount of fun to read. This was one of the better and more memorable entries in this excellent long-running series, especially with its vicious murders and great character work, and it comes extremely highly recommended.

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The German Wife by Kelly Rimmer

On April 26, 2022June 25, 2023 By The Unseen LibraryIn Australian, Drama, Five-Star Books, Historical Fiction8 Comments

Publisher: Hachette Australia (Trade Paperback – 27 April 2022)

Series: Standalone

Length: 450 pages

My Rating: 5 out of 5 stars

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One of Australia’s best authors, Kelly Rimmer, returns with another beautiful and exceedingly moving historical drama, The German Wife, which takes readers to the edge of despair and back again with its deep and bleak plot.

Kelly Rimmer is an outstanding author who specialises in writing great historical drama novels and who was one of the better authors I was lucky enough to experience for the first time last year when I received a copy of her 2021 novel, The Warsaw Orphan. The Warsaw Orphan was a brilliant and extremely powerful read that showcased multiple sides of the horror and terror experienced in the Warsaw Ghetto while also telling the unique tale of two young people who tried to smuggle young children outside the ghetto walls. Brutal, extreme and yet filled with hope, this was a deeply moving novel that ended up an incredible read. Due to how great this novel was, I was extremely keen to check out more stuff from Rimmer and I was extremely happy when I found myself receive a copy of her latest novel, The German Wife.

Berlin, 1930. Sofie Rhodes can only watch in horror as the Nazi Party starts to take control of her country, slowly morphing it into a nation of hatred and fear. Already facing financial ruin after World War I and the Depression, Sofie and her husband, Jürgen, find themselves receiving special attention from the Nazis due to Jürgen’s scientific speciality. When Jürgen is forcibly recruited to Hitler’s top-secret rocket project, Sofie finds herself constantly under surveillance and forced to conform to Nazi ideology, including turning her back on her Jewish best friend, Mayim.

Many years later, in 1950, Sofie and her remaining children emigrate to a small town in Alabama to be with Jürgen, whose past with the Nazis has been pardoned and erased in exchange for his work on the US space program. Determined to make a new life for herself and her family in America, Sofie soon discovers old and new prejudices both from the hostile Americans and the other German families living in town with them.

Isolated and hated, Sofie finds her path crossing with American housewife Lizzie Miller, who has her own history of loss and despair during the Depression. Shocked that her husband and government are so eager to be working with former Nazis, Lizzie keeps finding herself in conflict with Sofie, while rumour and gossip about the Rhodes family swirl around town. When these rumours lead to violence and anger, the new community will be torn apart as the true history of the Rhodes family comes tumbling out. Can this troubled family finally find redemption in a new land, or will the horrors of the war and Nazi ambition follow them wherever they go?

Damn, this was an intense and captivating read. Rimmer went all out with the emotional feels here in The German Wife, producing a powerful, moving and tragic tale of love, loss and moral compromise. Perfectly portraying some fascinating elements of the darkest part of our history, this was an exceptional read that gets a full five-star rating from me.

I cannot emphasise enough how good the story in The German Wife was as Rimmer produced a deeply dramatic historical tale with an impressive scope that comes together beautifully. Split between its two point-of-view characters, Sofie Rhodes and Lizzie Miller, The German Wife presents a complex, time-hopping narrative as the reader is shown the protagonists conflict as well as the events that led them to meet for the first time. Half the book takes place in 1950 Alabama, where both ladies live with their respective families, while the other half of the book goes back and sequentially examines their pasts from 1930 onward. This provides the reader with an intriguing view of both the Depression in America and the rise of Nazism in Germany, while also providing some intriguing context for the characters’ actions in 1950. This mixture of perspectives and time periods works extremely well, and Rimmer melds them together perfectly to tell a taught and emotionally rich tale. The past injustices and emotional traumas that occur in these earlier timelines contrast perfectly with the issues they are having in the 1950s, and it was great to see all the events that built towards the attitudes and emotions they had when they were older. It also provides three unique storylines (1930s America, 1930s Germany and 1950s America), all three of which contained some intriguing side characters and captivating historical elements, which was extremely compelling.

Out of the three main plot lines that The German Wife contained, I personally thought the examinations of Sofie and Jürgen’s time in Nazi Germany were the best. These scenes are particularly compelling, as they show the characters thrust into the middle of events they can’t escape from as they are forced to work with the Nazis and accept the changes to the country. Watching these inherently good characters make compromise after compromise and suffer constant emotional trauma and betrayal is pretty heartbreaking, but it produces some brilliant and memorable scenes that will really hit you in the feels. This context, and Lizzie’s excellent backstory, are worked into the 1950s storyline extremely well, and the various time periods compliment each other well, especially as Rimmer works to provide several cryptic hints about past events in the future chapters, which really adds to the reader’s apprehension. All these storylines, including the one in the 1950s, which examines the many issues the Rhodeses face when they emigrate to America, as well as the conflict that occurs between Sofie and Lizzie, are brilliantly written and loaded with emotional moments that hit you hard. There is also some great character work contained with The German Wife as Rimmer really builds up her central two characters, as well as the excellent supporting cast, providing them with captivating and compelling personal histories, which are fully explored in the flashback scenes. This great story, combined with the fantastic characters and the historical settings, is a narrative that will sit with me for a long time.

Rimmer also provides a detailed and impressive look at various historical elements that occurred between 1930 and 1950 in both America and Germany. The author clearly did a ton of research on multiple subjects before writing this book, and it really shows as the story progresses. These historical elements include a pretty comprehensive look at life in America during the Depression, as one point of view characters journeys around several parts of the deeply impacted South, and there are some great scenes, especially some of the early ones that take place in an extremely dusty climate. There is also a great examination of both the Nazi and American rocket programs that occurred during this period, as Jürgen serves as a technician for both governments. I found the examination of the V2 program to be extremely interesting, and Rimmer goes into exquisite detail here, with Jürgen serving as an intriguing stand-in for historical figure Wernher von Braun. This allows for the reader to see a slightly abridged version of the program (its shown through the eyes of his wife who is getting most of her knowledge second hand), but there is still a lot of great detail here, including the eventual change in objectives, the continued failure, the desire for it to succeed by the Nazis, as well as all the terrible things that resulted from it. However, a good part of the book is also reserved to examine one of the most fascinating parts of the Nazi rocket program, the subsequent responsive Operation Paperclip by the Americans, which pardoned many of the German scientists and moved them to America with altered pasts to help their fledgling space program. I loved seeing this movement to another country told through the eyes of both a wife of one of the scientists and an American citizen who finds out about the program, and it produces some brilliant and clever scenes that help showcases this extremely well.

I also really need to highlight Rimmer’s examination of the Nazi takeover of Germany that occurred in all Sofie’s flashback chapters. Rimmer already has a lot of experience showcasing the evils of the Nazis from her previous books, but The German Wife probably contains one of her best depictions of this as it showed how a normal German citizen’s life was turned upside down in just a few years. The author really hammers home just how creatively evil the Nazis were in corrupting their own country, as you see the full gradual process take effect. The author meticulously recounts every change that the Nazis implemented, all of which served to ensure the loyalty of its people and to terrorise those they hated. You get to see the full range of controls that the Nazis enacted, including threatening job security, disappearances by the secret police, control of the media, turning friends and neighbours against each other, providing a common enemy, and even brainwashing children in the schools. All of this is pretty damn intense, especially as there are some notable modern parallels, and it is darkly fascinating to see everything that the Nazis did. However, the true brilliance of the way that Rimmer explores it in The German Wife, is to show how people like the Rhodes reacted to it. Watching them become horrified by the changes to their country and the people around them is pretty intense, but the real drama occurs when they are forced to make compromises. Sofia and Jürgen are constantly faced with the choice of helping the Nazis (either directly or indirectly by not opposing them), or to face various consequences for themselves and their families. Their decisions, despite always appearing to be their best option, eventually drag them deeper into complicity with the Nazis, so much so that Jürgen becomes a reluctant member of the SS and bears some responsibility for utilising slave labour in terrible conditions. This is such a horrifying thing to witness, especially as the reader is left to wonder what they would have done in a similar situation. They way the scenarios are written, with the Rhodes punished every time they move away from the party goals really ensure that you have no idea how you would have acted it makes some of the reactions from the 1950s American characters sound extremely naïve as a result. This was such a powerful and impressive inclusion from Rimmer and I felt that this brilliant portrayal of the Nazi’s techniques for control of their own citizens added so much to book’s outstanding plot.

With The German Wife, Kelly Rimmer continues to shine as one of Australia’s most exceptional authors of historical dramas. This outstanding contains an extremely moving and heartbreaking tale from some of the darkest moments in 19^th century history. With powerful views of life during both the Depression and the rise of the Nazis, readers will quickly become engrossed with this impressive tale and well-written central characters. The German Wife was insanely good and will leave readers stunned with how the story comes together. A deeply memorable and intense read, I cannot recommend this book enough.

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Usagi Yojimbo: Volume 36: Tengu War! by Stan Sakai

On April 4, 2022December 31, 2023 By The Unseen LibraryIn Comics/Manga, Five-Star Books13 Comments

Publisher: IDW (Paperback – 22 March 2022)

Series: Usagi Yojimbo – Volume 36

Writer and Artist: Stan Sakai

Art Assist: Randy Clute (The Master of Hebishima)

Colourist: Hi-Fi Design

Length: 192 pages

My Rating: 5 out of 5 stars

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It is that amazing time of the year when I finally get my hands on the brand-new volume of the long-running Usagi Yojimbo comic series, written and drawn by the legendary Stan Sakai. Fans of this blog will be well aware of my all-consuming love for this amazing series that follows a roaming rabbit ronin, Miyamoto Usagi, as he traverses an intriguing alternate version of feudal Japan inhabited by anthropomorphic animals. Not only is this one of my favourite all-time comic book series but I have been steadily reviewing some of the older volumes as part of my Throwback Thursday series (see my recent reviews for Volume 12: Grasscutter, Volume 13: Grey Shadows and Volume 14: Demon Mask). Unfortunately, Sakai only releases one volume of this epic series a year, so it is a very big deal when I finally get my hands on the latest volume (this latest volume has been one of my most anticipated releases for 2022 for a while now).

This latest volume is Tengu War!, an intriguing and powerful comic that contains some awesome and clever new tales. Tengu War! is the 36^th overall volume in this series as well as the third volume printed by the publisher IDW (other IDW Usagi Yojimbo releases include Volume 34: Bunraku and Other Stories and Volume 35: Homecoming). I have been rather enjoying these more recent Usagi Yojimbo volumes from IDW as not only do they contain Stan Sakai’s usual impressive storylines, characters and artistic work but they are also packaged into a fantastic new format of booklet, which is slim and more aesthetically pleasing. In addition, the IDW volumes are also released in colour, which is an interesting change of pace from the previous volumes, which were initially released in black and white.

Tengu War! ended up being another great volume that makes use of Sakai’s skill and art to tell several complex and entertaining tales. Set immediately after the final comic of the previous volume and continuing several overarching storylines and themes, Tengu War! contains four unique new stories which were set out in issues #15-21 of the IDW run on the Usagi Yojimbo series. All four stories are fun and compelling new additions to the series that each present the reader with something different and distinctive.

The first entry is the volume’s main multi-issue story that sees Usagi return to visit an old teacher only to find himself embroiled in a deadly supernatural war. Made up of the first four issues of the volume, this entry actually consists of two stories, Sojobo and Tengu War!, which act together to tell one entire story, with Sojobo containing flashbacks to Usagi’s past, and Tengu War! featuring the current issue he and his friend are facing. Due to how closely linked these two stories are, with Sojobo providing the background to the longer Tengu War! story, I decided to talk about them as a single entity in this article.

These stories are set right after the events of the last volume, and swiftly tell the story of Usagi and his mostly hidden second sword master, the tengu warrior Sojobo. Years after his first meeting with Sojobo (see Volume 18: Travels with Jotaro) but before the events that would see him become a wandering ronin, a young Usagi returned to the tengu and convinced him to take him on as a pupil, enhancing his knowledge of the sword with Sojobo’s unique teachings. Now, years later, Usagi returns to Sojobo’s clearing to pay his respects, only to discover his former master in grave danger. A horde of guhin (lesser-tengu) are ravaging the mountainside, determined to claim the territory for themselves, and they have Sojobo and Usagi in their sights. To survive, Sojobo is forced to return to from his self-exile and reclaim leadership of his clan. But even with a tengu army at their back, can Sojobo and Usagi survive the onslaught of the guhin?

These two stories were an excellent start to this volume, especially as they contain all the best elements of a great Usagi Yojimbo story, with great new characters, compelling Japanese supernatural elements, and another intriguing glance at Usagi’s complex past. The first story, Sojobo, serves as a great introduction to the entire volume, perfectly continuing from the previous Sojobo story, and redefining the relationship between the two characters, showing their mentor-mentee bond. This sets up the rest of the Tengu War! story extremely well, as you have a good basis for Sojobo’s and Usagi’s stakes in the narrative. From there the story evolves into a classic Usagi Yojimbo tale, with Usagi getting involved in someone else’s fight, this time involving some unique and compelling supernatural foes. This extended story continues some brilliant character moments as Sojobo becomes reacquainted with his wife and clan, while also showing off the intractability and intense honour of the tengu. You also get to see the evolution of the bond between Sojobo and Usagi, and there are some great discussions as the wiser and battle-hardened Usagi discusses some recent changes in his life, such as the discovery of his son. It was also quite fascinating to see the apparent impacts that Sojobo’s training had on Usagi’s skill as a warrior, and I found it fascinating that Usagi’s fighting style is described as a combination of mortal and tengu techniques. The subsequent fights are pretty awesome and you get some fantastic and intense battle sequences that really highlight Sakai’s artistic skill. This all leads up to the big conclusion which contains a great mixture of action, satisfaction, camaraderie and tragedy, as victory is achieved at great cost, and the reader is left extremely satisfied with how this story turned out.

I have said many times before that some of the best Usagi Yojimbo stories are those where Sakai makes brilliant use of monsters, creatures or spirits from Japanese culture or mythology, and Tengu War! is a great example of this. This cool story provides one of the best looks at the tengu, a fantastic and unique Japanese yokai (supernatural entity), in the entire Usagi Yojimbo series, and I really enjoyed the cool dive into the mythology surrounding them. This story contains multiple different types of tengu who act as either allies or enemies, depending on their caste. This includes the main supporting characters, Sojobo and his wife, Nozomi, who are dai-tengu, with the classic long-nosed, red-faced, humanoid-appearance that most people would associate with tengu, and who act as master warriors and wise sages. These tengu are supported by their followers, the ko-tengu, bird-like creatures who act as samurai retainers in this comic, and I loved the cool combination of corvid features and samurai garb and mannerisms. The final group of tengu featured within this comic are the guhin, a lesser form of tengu who act as mysterious spirits of the hills and lesser peaks. Sakai depicts the guhin in this story in the more recent style of giant dogs (they are traditionally unseen spirits, but many modern depictions give them a canine physical form), and they come across as werewolf-like creatures, determined to take their rightful place at the top of the mountain. These different form of tengu are explored in compelling detail, and I loved seeing the awesome scenes featuring all of them, especially as it results in some excellent fight scenes between classic tengu goblins, sentient samurai crows, and giant werewolves. I loved this brilliant exploration of this unique part of Japanese culture (especially with the author’s comprehensive summary at the end), and it helps to enhance the outstanding overall story.

We next have the dark and captivating tale, The Master of Hebishima, which provides a chilling look at the evils of revenge, obsession and fear. In The Master of Hebishima, the wandering Usagi chances across a couple of peasants who specialise in trapping and removing the local pests, the tokage lizards. Upon meeting them, Usagi is intrigued to discover that the trappers sell most of their catch to a mysterious hermit on the island known as Hebishima (snake island), who lives amongst the local snakes. When one of the trappers is injured, Usagi volunteers to transport the captured tokages to Hebishima for them. However, what he finds there will shock and haunt him, as the hermit has a surprising history with Usagi, one that lies all the way back in the infamous battle of Adachi Plain. Faced with this surprising threat from his past, Usagi is unprepared for just how dangerous his opponent is, or what they are truly capable of.

The Master of Hebishima is a tight and powerful one-issue comic that may be the best entry in the entirety of the Tengu War! volume. Perfectly set up and executed, this tale is deeply interesting and powerful, especially with its unique and intense focus. Sakai has come up with an excellent story for this entry that not only ties into one of the key moments of Usagi’s life but which also shows the full impact of someone’s obsession and desire for revenge. The introduction of a mysterious stranger who has a connection to Usagi and the battle of Adachi Plain (which has been such a cool part of several volumes, including Volume 2: Samurai, Volume 11: Seasons and Volume 34: Bunraku and Other Stories), is handled perfectly, and I loved his unique backstory and the fact that you never actually find out his name. This villain’s entire history is tied to Usagi’s, and I liked the interesting symmetry in their loyalty, sense of honour and desire to serve their respective lords. The horror elements around this mysterious hermit are just great, especially with that snake reveal, and he proves to be an excellent opponent for Usagi, who could potentially come back in some future comics (I’d be keen for that). I was slightly disappointed that this story had nothing to do with distinctive Usagi Yojimbo villain Lord Hebi, a giant snake who serves as the principal lackey to the series’ main antagonist, but Sakai more than made up for this with all the other inclusions. This was an extremely well-paced story, and Sakai manages to do a lot with a single issue, producing one of his more memorable stories in recent years.

One of the most notable things about The Master of Hebishima is its exquisite art, some of which bears a slight difference to Sakai’s usual work. Parts of this issue are drawn sharper and in a slightly different style to the rest of the Tengu War! volume. This is particularly clear in the earlier panels of this issue, with some noticeable and intriguing stylistic changes to the characters and landscapes, which I thought looked like a well-enhanced version of Sakai’s usual drawings. I assume that this is because of the influence of artist Randy Clute, who is credited as giving “art assist” for this issue. Whatever the reason, I quite liked how this comic looked very early on, and it was interesting to see it change back to Sakai’s more typical style as the comic continued. The rest of the art in the comic also really needs to be highlighted though, as there are some extremely memorable and shocking moments drawn within. Not only do you get a notably spooky island of snakes for the main story but The Master of Hebishima also features a detailed flashback sequence that looks awesome, especially some of the battle sequences. I particularly liked how the antagonist’s face was constantly obscured by shadow during these flashbacks, as it helped to make them seem more sinister and mysterious while also ramping up anticipation for the final reveal, the best part of this story. This extended panel reveal is pretty damn freaky as the artists present a gruesome visage, accompanied by a Medusa-esque twist. This shot of the face is particularly well drawn in impressive detail and ends up being one of the most haunting panels I have ever seen in a Usagi Yojimbo comic. All this beautiful, if somewhat creepy, art really works to enhance this brilliant story, and it ensures that The Master of Hebishima really sticks in the mind and is well worth checking out.

The final story in the volume is the two-issue long story, Yukichi, another excellent character-driven narrative that introduces a fantastic new supporting character for the series. In this story Usagi encounters a fellow rabbit samurai, Yukichi Yamamoto, on the road. It is quickly revealed that, years ago, Yukichi was a disrespectful student at a prestigious sword school who insulted Usagi when the ronin attempted to meet his master. Now a more mature warrior, Yukichi is delivering the sword of his dead master to the school’s successor and, after he apologises to Usagi, the two decide to travel together. However, a rival school is determined to stop them delivering the sword by any means necessary, and they will use Usagi’s recent misadventures to justify their actions.

Yukichi is an amazing and fantastic story that serves as a great ending to the Tengu War! volume, especially as it combines an excellent Usagi Yojimbo story with some cool new character introductions. This story is another one with an excellent pace to it, smartly bringing in Yukichi, revealing the history between him and Usagi, before revealing the story’s villains, the members of a dishonourable sword school. From there the story intensifies as, after an initial confrontation, the students and instructors from the rival school attempt to kill Usagi and Yukichi, while also trying to claim a bounty on Usagi (a consequence of the main story in the previous volume, Homecoming). This results in a brilliant climatic scene where the two protagonists take on a horde of underlings before Yukichi engages their leader in an intense duel. This duel comes across as pretty awesome in the artwork, and you get the sense it is a real battle between master swordsmen. The conclusion of the fight, which highlights Yukichi’s naivety compared to the more jaded Usagi, is very cool, and I liked the conclusion of the story, where Yukichi is forced to make a big decision and eventually decides to travel with Usagi.

While the action, artwork, and story are great, the real highlight of this comic is the introduction of new character Yukichi, who Sakai is obviously setting up to be a big supporting figure in the overall series. Yukichi gets an excellent and comprehensive introduction here, and you swiftly get a grasp on his personality, history and relationship with Usagi. I mostly liked this character and his design, especially as he is a good foil to Usagi, given their divergent training history and life experiences, and his fighting style is awesome as well. His strong sense of honour, especially when faced with the poor successor to his master, was a great inclusion, and it does bring in some similarities with Usagi. I did think that the sudden realisation that they were cousins was a tad too coincidental, and wasn’t particularly necessary, but it does bring in a certain connection between the two which will bond them for the rest of the series. I wasn’t the biggest fan of Yukichi’s facial design either, especially those overly large and expressive eyes. It kind of made him look cartoonish and somewhat undercut the seriousness of some scenes. Still, this was my only real complaint about this new character and I am very curious to see what happens with him in the future Usagi Yojimbo volumes. I am predicting similarities to Usagi’s previous travels with Jotaro in volumes 18 and 19, and it will be interesting to see Yukichi interact with the other supporting cast members like Gen or Kitsune. An overall excellent and impressive end to this amazing volume that wraps everything up nicely.

As always, I really need to highlight the fantastic and awesome artwork featured with this incredible volume as Sakai continues to enhance his excellent stories with some gripping and powerful scenes. I have already discussed some of the best bits of art of each respective story, especially the amazing art of The Master of Hebishima, but every panel in this comic is drawn in exquisite detail. Not only does Sakai present some great character designs, especially around the new supernatural creatures in the Tengu War! story, but you have his always impressive setting shots that perfectly highlight the beautiful Japanese natural landscape or the historical buildings. You also must love the excellent battle sequences scattered throughout the stories. Sakai has always excelled at conveying movement and combat with his minimalistic style, and this is brilliantly highlighted in the various comics of Tengu War!, including in elaborate group fights or one-on-one duels. I am also really enjoying seeing these stories in colour from the get-go as part of the IDW release. While I will always be extremely fond of Sakai’s usual black and white style, having these adventures appear in colour is also amazing, and I feel that the colour enhances some of the art, especially in The Master of Hebishima, which came up beautifully. All this art brilliantly combines Japanese influences with western art styles and is such a joy to behold, especially as it always makes everything about the Usagi Yojimbo comics just a little bit better.

Another year, another exceptional Usagi Yojimbo volume as Stan Sakai once again produces a masterful and impressive new comic. Tengu War! is another awesome volume that presents the reader with three excellent stories that combine brilliant character work with unique narratives and outstanding artwork. I had so much fun reading this excellent comic, and it gets another easy five-star rating from me and comes very highly recommended.

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Throwback Thursday – Identity Crisis by Brad Meltzer, Rags Morales and Michael Bair.

On March 31, 2022August 23, 2022 By The Unseen LibraryIn Comics/Manga, Five-Star Books, Superhero, Throwback ThursdayLeave a comment

Publisher: DC Comics (Paperback – 1 October 2005)

Series: Identity Crisis Limited Series

Writer: Brad Meltzer

Penciller: Rags Morales

Inker: Michael Bair

Letterer: Ken Lopez

Colorist: Alex Sinclair

Length: 288 pages

My Rating: 5 out 5 stars

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Welcome back to my Throwback Thursday series, where I republish old reviews, review books I have read before or review older books I have only just had a chance to read. For this week’s Throwback Thursday I take a look at one of my absolute favourite comic book limited series, the epic 2004 DC Comics event, Identity Crisis. (Quick warning, there are spoilers ahead).

It is fair to say that the early to mid-2000s was one of my favourite periods of comic books, with some truly cool and epic ongoing and limited series being released. This was particularly true for DC Comics, who produced some of their best work during this time, many of which rank amongst my all-time favourite comic series. This easily includes the exceptional and brilliant crossover event, Identity Crisis, which to my mind is one of the best limited series ever written.

Made of seven issues, Identity Crisis combines the unique writing talent of thriller author Brad Meltzer with the artistic stylings of veteran DC Comics collaborators Rags Morales and Michael Bair. This ended up being a near perfect combination of talents and skill, and I have a lot of love for the exceptional story, which absolutely hooks me every time, and its outstanding associated artwork. I particularly impressed with the addition of Meltzer, who, despite his more literary background has written some of the absolute best and most human comics I have ever had the pleasure of reading, including Green Arrow: The Archer’s Quest and the two Justice League of America storylines, The Tornado’s Path and The Lightning Saga. However, his story in Identity Crisis is particularly powerful and thought-provoking, and it ends up being a comic that completely changes everything you knew about your favourite heroes.

For years the members of the Justice League of America have protected the world from all manner of evil and destruction, always prevailing no matter the odds. But who can protect them when someone goes after those closest to them? And what if they actually deserve the punishment being visited upon them?

On an unremarkable night, a mysterious attacker breaks into the home of long-serving Justice League associate, Ralph Dibny, the Elongated Man, and commits a terrible crime, the murder of Ralph’s beloved wife, Sue Dibny. With no evidence about who the killer is and no idea how they breached the Dibnys’ impressive security, the superhero community rallies behind their bereaved friend and seeks to find the killer by any means necessary.

As the rest of the heroes seek answers at any potential suspect within the supervillain community, the Elongated Man and a small group his closest friends hunt for a minor villain, Dr Light, whose secret connection to the League’s darkest moment may hold the answers they seek. However, when a second attack occurs on another publicly known relative of a superhero, Jean Loring, the former wife of the Atom, it soon becomes clear that someone else is targeting the heroes and their loved ones.

As Batman, Superman, Green Arrow and others attempt to get to the bottom of the case, cryptic threats to one hero’s relative reveal that whoever is targeting them knows all of the League’s secrets, including their hidden identities. As even more tragedies befall the superhero community, dark secrets from the League’s past are brought into the light and no-one will be prepared for the terrible truth behind these brutal murders. Can the League weather this latest attack, or is this the beginning of the end for the world’s greatest heroes?

Damn, no matter how many times I read this comic, the tragic and powerful events of Identity Crisis still really get to me. This exceptional comic contains one of the most impressive narratives I have ever seen in a limited series, taking the reader on a captivating and emotional dive into the world of your favourite heroes. Perfectly combing a dark, mysterious narrative with incredible character work and some truly amazing artistic inclusions, this comic gets an extremely easy five-star rating from me.

For Identity Crisis, Brad Meltzer really went to the well, producing an insanely compelling and moving story that relentless drags you in and introduces you to a completely new side of your favourite heroes. Utilising his experience as a crime thriller writer, he produces a powerful, character driven superhero narrative with detailed crime fiction elements to create an exceptional and unique story. Identity Crisis has an amazing start to it, which not only carefully introduces several key figures but also installs some dark tragedy, as the wife of a superhero is killed off. The subsequent investigation into her murder by the enraged superhero community is extremely compelling and intense, as the emotional heroes turn over every rock and stone, much to the horror of the villains. However, it is soon revealed that several members of the Justice League are harbouring a devastating secret, one that could reveal the identity of the killer. This secret becomes one of the most important parts of the first half of the series, and it leads to an epic, action-packed fight sequence against a particularly dangerous foe.

The story starts to go in a bit of a different direction at this point, with the above secret not really panning out regarding the investigation. However, other superhero relatives, both public and secret, are targeted, resulting in pandemonium around the characters. I loved the narrative’s move to a more classic investigation at this point, as the heroes start following every lead they can, while more character development and big moments are explored. This all leads up to the defining moment when another superhero loses a loved one and the identity of the killer is seemingly revealed. However, this turns out to be a bluff, as the real killer is still hidden. The reveal of who did it and why are revealed pretty suddenly towards the end, with some curious and clever motivations exposed. This leads to a tragic and heartbreaking conclusion, as more secrets are revealed, dangerous lies are uncovered, and several characters leave the story more broken and destroyed than ever before. You will be thrown through the emotional wringer as you check this comic out.

I deeply enjoyed the way that Meltzer told Identity Crisis’s excellent story, especially as it quickly and effectively engrosses the reader and ensures their undivided attention. The author utilises a mass-character narrative that follows a substantial collection of heroes and villains, many of whom have distinctive or semi-separate storylines. This works to tell an intriguing, rich narrative that not only has some clever dramatic components but also allows for some intriguing and compelling retcons and expansions to the already elaborate DC universe. It is very cool how the story developed into more of a murder mystery/thriller story as the comic progressed, and this really played to Meltzer’s strengths. The investigation is handled very well, and I liked how the superhero elements altered and enhanced it in some clever ways. The mystery itself is complex and clever, with Meltzer adding in some great twists, false leads and compelling surprises to keep the reader guessing. The twist about the actual killer is pretty good, and Meltzer did a great job layering in hints and clues throughout the rest of the story while also introducing a few good alternative suspects. While the motivations and complexities surrounding the killer’s actions are great, I did think that how the protagonists worked it out was a little abrupt, and it might have been a little better if they worked it out from some earlier clues. The use of female characters wasn’t the best either, especially as most of them are there simply to be victims in one shape or another. Having a long-established character getting both raped and murdered in a comic as a plot device is pretty unfortunate, and some stronger female figures might have helped balance this out. Still, this ended up being an awesome read and I deeply enjoyed how it turned out.

One of the things that I really enjoy about Identity Crisis is the interesting examinations that were included as part of the plot. Meltzer and the artistic team obviously had a lot of fun exploring or introducing some cool aspects of the DC Universe in this series, especially when it comes to the secret or hidden lives of superheroes and supervillains. I particularly loved the in-depth examination about how both groups are officially or unofficially organised, and there are some very intriguing views of them socialising or working together. The inclusion of a highly organised superhero death investigation squad, made up of a range of random heroes (the Ray, the Atom, Animal Man, Mister Miracle and two of the Metal Men) is particularly clever, as is the way the various heroes organise into a vengeful posse to question potential suspects. The deep dive into the importance of a superhero secret identity also becomes an important part of the story, especially as the loss of the secret brings pandemonium thanks to the killer stalking them. I also loved the counterbalance look at organised villainy, and there are some excellent scenes that see the villains gathering to socialise or talk shop. Having an organising force like the Calculator, as well as a secret space station hangout, is pretty elaborate, and the deeper look at the villains of this universe, definitely gave Identity Crisis a compelling and intricate edge.

However, easily the most groundbreaking and compelling new inclusion to the universe is the reveal about the unofficial league within the Justice League who have some dark secrets. Made up of heroes Green Arrow, Black Canary, Hawkman, Zatanna and Atom, as well as the Silver Age Green Lantern and Flash, this group of heroes apparently operated separately of the main Justice League during their classic Silver Age adventures, acting as their clean-up crew. This retcon by Meltzer provides an interesting explanation for why villains never remember the secret identities of the heroes they switch minds with or whose dreams they invade, namely they have their mind erased by Zatanna’s magic after being captured by this inner-League. While this is already a dark move by these established heroes, it gets even worse when they are forced to reveal that they intentionally destroyed Dr Light’s brain to make him less of a threat. This and other revelations, acts to make many of your favourite heroes appear much more morally grey and fallible, and it was a particularly impressive and monumental inclusion, that will have grave consequences down the line for the entire universe.

Unsurprisingly for something written by Meltzer, Identity Crisis contains some insanely complex and impressive characters who form the heart of the tale. Due to the way the story is told, Identity Crisis follows a massive cast of comic characters, including several obscure or underappreciated figures. Meltzer does a brilliant job of utilising all these established characters throughout his story, with nearly every major cast member getting a moment to shine in some way or another, and multiple figures who were underutilised or unappreciated before this comic were given brilliant and defining second chances here. While the use of multiple focus characters had the potential for a scattered narrative, Meltzer was able to direct the flow of the story around all these various protagonists and antagonists perfectly, and you still get a tight and concise story, which also takes the time to dive into each of these figures and showcase them to their greatest degree. As I mentioned before, there is a real focus on highlighting the darker side of the superhero characters throughout Identity Crisis, and you end up really seeing these fantastic figures in a whole new scary light.

Let’s start with Ralph and Sue Dibny. I must admit that the very first time I ever read Identity Crisis, many years ago, I honestly had no idea who Elongated Man and his wife were, as they were a little obscure. However, Meltzer really goes out of his way to feature them in this story (even adding in a few retcons) and you are given a great introduction to them at the start. In just a few panels, you understand who these characters are and what they mean to each other and the other superheroes, as well as some unique characteristics and relationship quirks. This excellent introduction makes you start to care about them just as Meltzer brings the hammer down and kills Sue. The subsequent grief, rage and despair from Elongated Man is just heartbreaking, and you go through the rest of the comic seeing him attempt to recover from these terrible events. This amazing use of characters at the start of the comic has a great flow-on effect to the rest of the story, and you become exceedingly invested in finding the killer as a result.

From there, a lot of the superhero focus goes to the surviving members of the Justice League who formed the league within the League I mentioned above. There is some exceptional character work around some of these team members, especially as they come to terms with the decisions they made in the past and how they are impacting them now. I loved seeing them attempt to justify their actions to the other heroes, even their darkest decisions, especially as you can understand why they did what they did, while also feeling disappointed in them. You really get a sense of determination and shame from them as the story continues, and you see all of them go through a lot in both the past in the present story. Despite multiple differences, this team are still friends and comrades, and watching them come together to brawl with some of the most dangerous characters is pretty heartwarming, even if darker elements lie just beneath the surface.

While there is a focus on these inner-Leaguers, some of them are utilised a lot more frequently than others, particularly the original Green Arrow, Oliver Queen. Green Arrow is an excellent figure in this comic and is probably the closest thing to a heroic narrator/central protagonist the story has. His unique perspective on the events acts as a good foil to many of the other characters, such as Batman and Superman, and he proves to be a calm, if potentially vengeful figure for much of the story, organising many of the League actions and forensic investigations. He also proves to be the voice of reason for the inner League, calmly justifying many of their actions and serving as a bridge between this existing group and the newer Flash and Green Lantern. Despite his belief that they are doing the right thing, you can see some real emotion and regret in his face, especially when the further revelations about Dr Light and Batman come out. I also appreciated the deeper look into his antagonistic relationship with Hawkman, which partially originated in the past events mentioned here, and it is interesting to see how the events of this comic impact future Green Arrow storylines.

Aside from Green Arrow, other members of this secret League who get an intriguing focus include the Atom, Ray Palmer, and his ex-wife, Jean Loring. Due to his status as another public hero, Atom and Jean are also targeted throughout the story, and you end up getting a rather intense and fascinating look at both. Watching their failed relationship rekindle is a nicer part of most of the comic, although eventual reveals and tragedies naturally ruin it and smash everything around. Still, their complicated emotions and issues surrounding their fractured relationship make for some of the best parts of the comic. I liked the interesting look at Zatanna throughout the comic, especially as she is largely responsible for some of the worst moments of this group of heroes, as she clearly feels guilty about her magic messing with the villain’s minds. I also need to highlight the younger Flash, Wally West, who finds out about the actions of the other characters during the current events of the comic. It is absolutely heartbreaking to see Wally learn that his mentor and predecessor, Barry Allen, was not as perfect as he imagined, and actually participated in some of the team’s worst events. The distress he exhibits with every subsequent reveal is showcased through the comic’s art extremely well, and his subsequent guilt as he is forced to keep it secret from other Leaguers like Batman is quite noticeable.

As you can expect from any major DC Comics crossover event, members of DC’s Big Three are strongly featured throughout Identity Crisis. While Wonder Woman only has a few intriguing scenes, in which you get to see both her ferocity and her kindness, there is much more of a focus on Superman and Batman. Superman gets some great sequences throughout Identity Crisis, especially as the creative team sinisterly focus on his family and friends, all of whom are potential targets. Watching Superman slowly get frustrated with the investigation, especially when Lois is threatened, helps to enhance the seriousness of the story, and he has some powerful moments here. I did appreciate the way in which Meltzer attempted to paint the big blue Boy Scout in a darker light, as it is revealed that even the supposedly righteous Superman is not as innocent as you’d believe. It is subtly implied that Superman always knew what the inner League was up to (yay for super hearing), and chose to ignore it for convenience. This brilliant and dark suggestion that even Superman isn’t infallible is a pretty weighty one that helps to enhance the weight and power of Identity Crisis’s narrative.

Batman is a lot more involved in the story and leads his own investigation into who is behind the killing. Even though he does not actually appear until halfway through the comic, he is a heavy presence throughout Identity Crisis, both because of his brusque, loner ways of trying to solve the crime, but because of the dark shadows of the past. There are multiple moments that revisit his childhood and the death of his parents, which parallels some of the other losses in Identity Crisis, and you get to see the human side of grief impacting this usually stoic character. Batman’s storyline gets even more intense when it is revealed that part of his memory was erased by his fellow Leaguers to cover up their actions surrounding Dr Light, which is a very haunting inclusion. Meltzer makes this even more intriguing by having Green Arrow suggest, mostly out of guilt, that Batman likely has done something similar in the past, while also acknowledging that he has likely already deduced that his memories were erased. This really makes you consider Batman’s relationship with the rest of his heroes, and it certainly has a big impact on future Batman storylines.

The Batman impact on this story is also felt through the great focus on the current Robin, Tim Drake, who plays a surprisingly big role in the events of Identity Crisis. At the start of the comic, Tim is one of the few members of the Bat-family who still has a father, which puts him at odds with Batman and the Robin predecessors. As his father has only just discovered his dual identity as Robin, he becomes one of the more interesting protagonists, as the comic explores the stress of the superhero lifestyle on family. Tim’s storyline ends up being extremely tragic when his father is murdered. Watching Robin talk to his father over the phone as he’s about to die is just damn horrific, and your heart can’t help but break during that epically drawn-out scene where he and Batman arrive too late. The subsequent parallel between him, Bruce Wayne and previous Robin Dick Grayson during this moment is particularly poignant, and it results in a whole new chapter of this amazing incarnation of Robin.

While there are a few other interestingly featured heroes in Identity Crisis, I’m going to start talking about the villains, as many of them have a brilliant role in this comic. Thanks to Meltzer’s fantastic writing, Identity Crisis proves to be just as much about the villains as the heroes, as many of them are deeply impacted by the events disclosed here. While I won’t reveal the identity of the killer here (I’m keeping some spoilers locked up), I will say that their motivations are pretty fascinating and provide a compelling insight into the super lifestyle. The rest of the villains in Identity Crisis are fair game for discussion, though, and I deeply loved the creative team’s excellent examination of them.

Easily the villain I need to talk about the most is Dr Light, an old school Justice League villain who had not been really utilised in recent years. Mostly known before this comic as the Teen Titans’ punching bag, Meltzer completely revitalised the character in Identity Crisis and, with a stroke, turned him onto one of the most deranged and dangerous figures in the entire universe. It is revealed throughout the comic that Dr Light used to be an extremely powerful villain, but after invading an empty Watch Tower and raping Sue Dibny, the League brutally took him down, erased his memory of the event and then magically lobotomised him. This resulted in him becoming the moronic and weakened villain who was routinely taken down by the teenage heroes and other embarrassing foes. This entire reveal is pretty damn epic and horrifying at the same time. Not only does Dr Light seem excessively evil and deranged in the flashback scenes, but the shocking revelations of his actions immediately make you hate him. Meltzer’s explanation for why he turned into such as pathetic creature (aside from the real reason of capricious authors) really hits home hard, and even though Dr Light is a terrible person, you can’t believe that members of the Justice League went so far. The subsequent scenes where Dr Light regains his memories and his powers feature some of the best artwork in the comic, and while he doesn’t do much here, the scenes with him brooding and plotting hit at his returned and future malevolence. I deeply appreciated how much Meltzer was able to morph this villain, and while the reliance on rape for antagonist purposes is a bit low, he succeeded in making him a very hateful and despicable figure.

Aside from the killer and Dr Light, several other villains hold interesting and significant roles in Identity Crisis, and I deeply enjoyed how they were portrayed. This includes Green Arrow villain Meryln, who serves as an interesting shadow to Oliver Queen throughout the comic (more so than usual). While Green Arrow provides the superhero community’s viewpoint on events, Merlyn’s narration examines the supervillain community and their various reactions. I loved his fun insights into his fellow villains, and he ends up being an interesting inclusion to the cast. The same can be said for the Calculator, a formerly silly figure who has turned himself into a non-costumed villain who acts as an anti-Oracle, providing the villain community with tech support and intelligence by charging them $1,000 per question. I loved this interesting revamp of this minor character, especially as this suave, behind-the-scenes information broker became his default look for years. Calculator’s conversations and business dealings offer some compelling insights into the superhero community, and I loved the occasional jokes about his old costume. Meltzer also makes exceptional use of one of my favourite villains, Deathstroke, who once again shows why he is the DC universe’s ultimate badass. Hired by Dr Light to protect himself from the League, Deathstroke takes on an entire team of heroes single handily and essentially spanks them. I love how the creative team not only showcase his insane physical abilities, but also his tactical knowhow, as he expertly takes down major heroes in brilliant ways (he takes down the Atom and Hawkman with a laser pointer, true story). His scene in the centre of the comic is the best action sequence in Identity Crisis, and it perfectly showcased this awesome villain (seriously, give this man a movie), while also hinting at some future grudges.

The final character I want to talk about is the lecherous and always entertaining Captain Boomerang, who has a major role in the plot. I absolutely loved the exceptional story that Meltzer wrote around this infamous villain, and it is easily one of his most defining depictions. Captain Boomerang has always been shown as a bit of a joke, but this comic shows him as a fat, washed up has-been, who leaches off his fellow villains and is generally looked down upon by them. However, he gets a very intense and emotional story in this comic, as he meets his long-lost son and starts to develop a relationship with him. The father/son moments add a rather interesting and nice edge to the main story and seem slightly disconnected from the rest of the plot. That is until the final killing, when it is revealed that Captain Boomerang has arrived to kill Robin’s father. The implied suggestion that Captain Boomerang of all people might be behind the killings is pretty iconic, and I loved the split panels that contrast his phone call to his son with the phone conversation between Robin and his father. The subsequent results of the attack, as well as the reveals in the aftermath are pretty awesome, and I really appreciated the fun second chance that Meltzer and the artistic team gave to this iconic, old-school villain.

While I have gone a lot about story elements and characters, I also really need to highlight the incredible artwork featured in Identity Crisis. The artistic team of Rags Morales and Michael Bair did an outstanding job in this limited series, producing some of the absolute best artwork from this era of DC Comics which perfectly enhances Meltzer’s epic storytelling. There are so many impressive and memorable artistic moments and sequences throughout Identity Crisis, and I loved the various ways in which the artists convey movement, action, and emotion in their detailed and captivating panels. There are so many brilliant action sequences in this comic, with my favourite being the Deathstroke vs Justice League fight I mentioned above, although a few others are also very cool to see. I also loved the character designs featured throughout Identity Crisis, especially as the creative team took the opportunity to seriously reinvent several heroes and villains. The streamlined look of the Calculator is particularly fun, and I also loved the balding and fat version of Captain Boomerang. While I didn’t love how a couple of characters looked (what was with the hair on Connor Hawke?), most of it was pretty exceptional, and I love how it was later reutilised by other artists.

There are multiple truly brilliant and eye-catching artistic highlights of Identity Crisis that I must highlight, including the massive and powerful funeral sequence that takes place in the early part of the series. There is an incredibly elaborate double-page public funeral spread that shows every single emotional superhero in attendance, with the various heroes organised by team or connection to the grieving family. The use of the multiple heroes and associates is pretty awesome, especially as there are a range of character-appropriate reactions, and I loved seeing the whole costume crowd surrounded by members of the press and public as they mourn. You also get also some excellent and heartfelt sequences in the subsequent scenes which show the eulogies, especially when Elongated Man starts to literally deteriorate due to his grief, which is just so powerful. Other great examples of the artist’s work include the fun flashback scenes that allowed them to draw events in various classic comic styles, that offer a little bit of simplicity compared to the darker modern spread.

I particularly loved some of the brilliant sequences that are set around Dr Light, as not only do you see him at his most dangerous in the past but you also have some outstanding scenes when he regains his memories and powers. The excellent parallels between the Justice League’s takedown of Dr Light and their attack on Deathstroke are incredible, and the subsequent massive panel of blinding light around Dr Light’s face is perfection. However, the absolute best-drawn sequence in Identity Crisis must be the panels leading up to the death of Robin’s father. Watching the insane amount of emotion on Batman and Robin as they realise that Robin’s father is about to die is so damn moving, especially the anguish on Robin. The most moving of these panels is the one that focuses on Batman’s face after Robin begs his mentor to save his father. The look of pure dread, fear and despair on Batman’s face takes my breath away every single time I look at it, and it perfectly conveys all of Batman’s repressed feelings as he realises that history is once again going to repeat itself. While there are some other great scenes, the above are easily the cream of the artistic crop and definitely make this comic stand out. I have so much love for the artistic work of Morales and Bair here, and it markedly enhances the already exceptional story, turning Identity Crisis into a true epic classic.

Well, that’s pretty much everything I have to say about Identity Crisis here. As you can no doubt guess from the excessive way I have waffled on, I have a lot of love for this exceptional comic and I’m not afraid to show it. The brilliant creative team behind Identity Crisis did an incredible job with this comic and they really turned out something special. Perfectly bringing together a deep and clever story with impressive artwork, amazing characters, and so much damn emotion, this comic has something for everyone and is so very highly recommended. I deeply enjoy everything about Identity Crisis, especially how it leads to some other epic comic books (the continuation of the mindwipe stuff in Justice League of America, Green Arrow, Teen Titans and more is particularly good). One of the most distinctive and amazing comics ever and a must read for all DC Comics fans.

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Sierra Six by Mark Greaney

On March 22, 2022February 2, 2023 By The Unseen LibraryIn Audiobook, Five-Star Books, Thriller22 Comments

Publisher: Sphere/Audible Audio (Audiobook – 15 February 2022)

Series: Gray Man – Book 11

Length: 15 hours and 58 minutes

My Rating: 5 out of 5 stars

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Epic thriller author Mark Greaney returns with the latest entry in his incredible Gray Man series with Sierra Six, an intense and captivating spy thriller that will grab your attention and refuse to let go until the final explosion.

Over the last few years, I have been absolutely hooked on the incredible thrillers of Mark Greaney, who is easily one of the best authors of spy fiction in the world today. Not only did he cowrite a very cool military thriller, Red Metal (one of my favourite books and audiobooks of 2019), but he has continued his exceptional Gray Man series. The Gray Man books follow Court Gentry, the titular Gray Man, an elite assassin and undercover operator who has worked both for and against the CIA. This series has been so very cool, from the first novel The Gray Man (set to become a Netflix movie later this year), to the last three awesome entries, Mission Critical, One Minute Out (one of my favourite books and audiobooks of 2020) and Relentless (one of my favourite books and audiobooks of 2021). Due to how impressive this series has been, I have been really excited to read the next book, Sierra Six, and it was one of my most anticipated releases of 2022, especially as it had a very cool plot to it.

Court Gentry, the Gray Man, is once again the world’s most wanted spy, hunted by his former employers, the CIA, and every other intelligence agency on the planet. Looking for work, Gentry accepts an easy infiltration mission in Algeria to spy on a delegation from Pakistan. However, the mission goes sideways when Gentry recognises one of the Pakistanis and his rookie technical officer is captured. Chasing after the kidnappers, Gentry follows their trail to India and must relive one of the darkest moments from his past.

12 years ago, long before he became the Gray Man, Court Gentry was a talented young agent for the CIA. Specialising in solo operations, Gentry is suddenly reassigned to Ground Branch and must work as the junior member of veteran CIA action team, Golf Sierra. Given a new designation, Sierra Six, Gentry is forced to adapt to a new way of fighting as he and his team attempt to hunt down a dangerous terrorist leader in Pakistan. However, their mission resulted in a high body count and a great personal loss that has haunted Gentry ever since.

Now, as Gentry works his way through Mumbai, he must face the realisation that the target of his original Sierra Six mission is still alive and active after all these years. Determined to finish the job once and for all, Gentry works with a small team of rogue operators to find his target. However, his old foe has initiated a bold new plan that could have devastating consequences for all of India. Can Gentry get his revenge before it is too late, or will the ghosts of his past finally finish him off?

Greaney is in fine form with Sierra Six as he has written another excellent and intense spy thriller that I deeply enjoyed. Containing an action-packed and multilayered narrative loaded with major set pieces, exciting spy elements and some complex characters, this was another awesome Gray Man novel from Greaney.

Sierra Six was an absolutely thrilling read and I had an outstanding time getting through the impressive and addictive narrative. Greaney does something a little different for this book and features an excellent and intricate split timeline narrative, with the book divided between the events of the past when Gentry was part of Golf Sierra, and the current events in Mumbai which see Gentry again contending with the target of this original mission. The narrative switches between the two timelines every chapter or two and you get a great sense of what is happening in both well-established storylines. These two plot lines advance at a great pace throughout the entire novel and feature their own range of distinctive and fun supporting characters, some of whom appear in both the contemporary and past storylines. I had a lot of fun with the two separate periods, and I loved how they both made excellent use of interesting characters, fantastic developments and a ton of high-octane action sequences.

The timelines support each other extremely well, with certain hints about the events of the past contained in the contemporary storyline increasing anticipation for the historical storyline, while revealed details about the villain and the young Court Gentry from 12 years ago enhance the protagonist’s current adventure. In both cases, Gentry and his allies embark on a methodical hunt for their quarry, with a high body count accumulating as they follow various leads and respond to their opponent’s counter plays. While primarily told from Gentry’s perspective, both timelines utilise distinctive side characters to great effect, and you see intriguing supporting perspectives, including from the antagonist, that help to widen the picture and enhance the richness of the story. Both timelines eventually lead up to an awesome final sequence, comprised of two near-suicidal missions that the protagonist is engaged in. This final section of the novel is extremely fast paced, especially as Greaney shortens the chapters and introduces more frequent jumps between the timelines to make everything seem even more frenetic. Both timelines end with some incredible and awesome major set pieces, and I loved how Greaney used the end of the past storyline to set up the antagonist’s eventual return. The novel ends on a great note, with the two separate storylines coming together perfectly, and the reader is left very satisfied, if a little moved, at the tragic ending of the events from 12 years ago. I was extremely impressed with how this fantastic story came together, and this ended up being an addictive read with so many awesome moments in it.

Sierra Six was a particularly good entry in this already awesome series, and I loved how Greaney was able to create a book that both stands on its own as a thriller, while also serving as an amazing entry in the wider series. This novel is structured to be very accessible to new readers, and anyone can easily pick up this book and start reading it without any knowledge of the prior entries in the series, especially as certain key elements are carefully explained when necessary. There is also a lot for established Gray Man fans to enjoy here, as Greaney provides a bit of an origin story for his long-running protagonist. Not only do we get to see Court Gentry do some of his earliest work for the CIA, but you also get to see his first interactions with key supporting characters, including Matthew Hanley and Zack Hightower. I also loved a couple of fun little cameo appearances and throwaway lines that reference some of the earlier books, including the quick but enjoyable inclusion of the antagonist from the original novel. While there is are no major continuations of some of the established storylines this is still a key and intriguing Gray Man novel, and it is one that people familiar with this series will deeply enjoy.

I was very impressed with some of the unique elements of this book, particularly those involving tradecraft, espionage work and covert combat teams. There is a real focus on tradecraft throughout Sierra Six, and the author ensures that everything feels exceedingly realistic and gritty as the characters play their spy games. Not only do you get to see some of the usual undercover work that Gentry excels in but you also get a great look at paramilitary combat, as the protagonist learns from scratch the rules of fighting as part of a combat team. All this tradecraft really adds to the authenticity of the story, although it did make parts of the book a little clunky in places, especially when the narrator or the characters explain certain espionage or military elements multiple times in overly descriptive ways.

I also rather enjoyed the exciting settings of the various timelines, as Greaney takes the reader to wartime Afghanistan, Pakistan and modern-day India. This is an interesting change of pace from most of the Gray Man novels I have read, which have been primarily set in Europe, and I liked seeing the various descriptive landscapes and unique people. Mumbai proved to be a great setting for most of the contemporary storyline, and it was very fun to see Gentry manoeuvre his way through the crowded districts and locals. I also really enjoyed the focus on Pakistani intelligence and the Indian underworld, which proved to be very fascinating. For example, the fiction criminal group B-Company are clearly based on the infamous real-life D-Company, and it was quite intriguing to see them worked into the story, while also examining their origin and goals of their leadership. All these cool tradecraft elements and intriguing settings deeply enhanced the overall story, and it made for quite a fascinating and distinctive read.

There was some rather interesting character work going on in Sierra Six as Greaney takes his fantastic protagonist to some very dark places at various points in his timeline. I really appreciated the dive back into the period before Court Gentry became the Gray Man, and Greaney paints a compelling figure of a habitual loner with no personal attachments only at the beginning of his espionage career. Watching Gentry join a team and try to play nice with others was a captivating part of the book, and it was fascinating to see the rookie Gentry get rattled by stuff he’ll become much more used to in the future. Greaney also enhances Gentry’s development by including a curious, but touching, relationship in the earlier timeline, which helped to humanise Gentry a lot. However, certain tragic elements from this help mould him into the killer we all know and love, and Greaney subtly introduced the ripples from this into the contemporary storyline. The reader leaves Sierra Six with a much better understanding of this cool character, and I had a great time seeing more of the Gray Man’s past.

Both timelines are filled with an excellent and comprehensive cast of side characters, each of whom add a great deal to the narrative and Gentry’s development in their own way. While there are a few recurring characters from the previous Gray Man novels, most of the focus are on newer figures, who Greaney provides with compelling and interesting backstories. I liked how the past and modern-day storylines both featured great female side characters who helped move the story along in their own distinctive ways. This includes the socially awkward intelligence officer Julie Marquez, from the original Golf Sierra mission, and Indian tech guru Priyanka Bandari, who Gentry is forced to work with after saving her from kidnappers. Both female characters add to the plot a great deal, and it is fascinating to see events unfold from their eyes, especially as they have diverse life experiences and are also seeing very different versions of the protagonist. The storylines around both women are written extremely well, and I really appreciated where both went, especially as they both included tragedy, regret and definitive action. I also must really highlight the use of long-running supporting character Zack Hightower, who was an excellent inclusion in the historical storyline. Zack is always a great foil to Gentry, and I really enjoyed seeing him interact with the younger, cockier version here, especially as it shows some of the earlier dynamics between them. Watching Gentry meet his mentor and friend for the first time was great, and I really enjoyed the cool storyline that developed between them and the other members of the Golf Sierra kill team. All these characters were extremely impressive and I had a brilliant time getting to know them throughout the course of Sierra Six.

While I did receive a paperback version of Sierra Six, I went out of my way to also get this novel on audiobook as I have had some awesome experiences with the Gray Man books in this format before. This proved to be an excellent decision as the Sierra Six audiobook was amazing, perfectly telling the cool story while enhancing the intriguing tradecraft and action elements. The Sierra Six audiobook has a run time just short of 16 hours and so requires a bit of a time investment to get through it, although I think this was more than worth it and dedicated listeners should be able to get through rather quickly. I was also very happy to see that this audiobook once again featured the vocal talents of Jay Snyder, who is one of my favourite audiobook narrators at the moment. Snyder has a gruff and distinctive voice that fits the harder spy thriller feel of this novel perfectly and drags the listener into the intense tale. Snyder does a brilliant voice with all the characters featured within, and you get a good sense of their various emotions and feelings, especially during some of the more action-packed sequences. I had an outstanding time listening to this audiobook and it is an excellent format for anyone interested in trying out this latest Gray Man novel.

The always impressive Mark Greaney has done it again, producing an incredible and exciting new Gray Man novel. Sierra Six, features a bold and captivating story that cleverly utilises two distinctive timelines to tell its intense and moving tale. Loaded with fun character, brutal action sequences, and some intriguing espionage moments, this was another outstanding book I had a brilliant time reading. Sierra Six comes highly recommended from me and I cannot wait to get my hands on the next Greaney book.

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Throwback Thursday: Usagi Yojimbo: Volume 14: Demon Mask by Stan Sakai

On March 17, 2022August 23, 2022 By The Unseen LibraryIn Comics/Manga, Five-Star Books, Throwback Thursday2 Comments

Publisher: Dark Horse Comics (Paperback – March 2001)

Series: Usagi Yojimbo – Book 14

Length: 224 pages

My Rating: 5 out of 5 stars

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Welcome back to my Throwback Thursday series, where I republish old reviews, review books I have read before or review older books I have only just had a chance to read. In this latest Throwback Thursday I once again dive into the awesome and elaborate world of Usagi Yojimbo as I check out the 14^th epic volume, Demon Mask.

It feels good to be on a Usagi Yojimbo review streak here at The Unseen Library, and I have been having a lot of fun diving into some of the awesome middle volumes of one of my absolute favourite comic series. My last two Throwback Thursday reviews of the 12^th Usagi Yojimbo volume, Grasscutter, and the 13^th volume, Grey Shadows, were really fun to pull together, and I really had no choice but to also have a look at the 14^th volume this week with Demon Mask.

Demon Mask is another excellent addition to the Usagi Yojimbo series that unsurprisingly gets a full five-star rating from me. Exclusively written and drawn by Stan Sakai, this impressive entry once again follows the rabbit ronin Miyamoto Usagi as he continues his action-packed adventures through the anthropomorphic animal filled version of feudal Japan this series is set in. Containing issues #31-38 of the Dark Horse Comics run on the series, as well as a few additional issues from associated magazines, Demon Mask continues the trend of featuring several shorter stories, while also leading back towards the next volume, Grasscutter II, which will contain a big crossover story. I deeply enjoyed all the cool stories in this volume, and there are some real classics here.

The first story contained within Demon Mask is the entertaining and elaborate tale, The Inn on Moon Shadow Hill. In this story, a travelling Usagi comes across a mysterious inn surrounded by strange sights and an unusual group of patrons. The land surrounding the inn is apparently haunted, filled with all manner of monsters, demons and obakemono (haunts), which attracts many wealthy individuals to the safe inn to watch. However, Usagi is soon drawn into a hefty wager with an arrogant merchant and must travel outside the inn to encounter the haunts and the forces behind them.

This is quite an amusing story that perfectly combines Sakai’s fantastic humour with his love of classic Japanese monsters and haunts. The entire story comes together really well, first introducing the situation, and then forcing Usagi outside to face the ghosts after making a bet. The subsequent reveal of the various monsters and creatures is pretty spectacular, and Sakai goes out of his way to include as many uniquely Japanese legendary creatures as possible, especially in one breathtaking and elaborate panel. I really enjoyed the fun twist that occurred here, especially as it allowed Usagi to win his bet with the merchant, and his over-the-top explanation of what he experienced was pretty damn amusing with all the exaggerated facial expressions and reactions from Usagi and his audience. This ends on a very satisfying and entertaining note, and The Inn on Moon Shadow Hill ended up being a fantastic and light-hearted start to the entire volume.

Following on from the first fun story is the touching tale, A Life of Mush. In this story Usagi encounters a brash peasant boy, Eizo, who wishes to become a warrior to avoid the farmer’s simple lifestyle (a life of eating mush). However, Eizo soon grows tired of Usagi’s honourable warrior philosophy and attempts to befriend a group of bandits, only to discover that there is more to life and battle than brashness and toughness. This was a great shorter story that presents an interesting outside perspective on the life of a warrior in this setting. I liked the comparison between a child’s view of a warrior to Usagi’s intense dedication and spiritual thoughts, which in fairness, does seem a little more boring. The subsequent events provide a fantastic lesson on perception and life choices, as Eizo and the bandits he encounters discover just how tough a true warrior like Usagi can be. A compelling and thoughtful addition to the volume, A Life of Mush was a powerful and clever read.

The next story is a shorter entry, Deserters, which brings us back to the iconic Neko Ninja and their leader, Chizu. Deserters examines a tragic tale of two Neko Ninja, Take and Saruko, who attempt to leave the Neko Ninja and start a new life together. Captured by their fellows, they are taken before Chizu for trial, and must soon face the treachery and manipulation of Chizu’s ambitious second in command, Kagemaru. This was another excellent shorter entry in Demon Mask, especially as it combines some quick, but efficient, character introductions, with some inherent tragedy and betrayal. The result of the story, while a little predictable, ends up being very moving, and you can’t help but feel for the star-crossed lovers. I also really like how this shorter entry turns out to be an interesting bridging story between several of the plot lines in the 11^th volume, Seasons, and some of the big storylines in the next few volumes. A surprisingly important and powerful story, Deserters is a great read that adds a lot to the overall volume.

Up next, we have the rather entertaining and fun story, A Potter’s Tale, which makes great use of amusing coincidences to create a fantastic and hilarious story. A Potter’s Tale sees the notorious thief, Samo, steal a precious jewel from a wealthy merchant and have to stash it. Choosing an unfired pot in a small pottery shop, Samo makes the vessel distinctive before he is brought in for questioning. Unfortunately, Usagi is staying with the same family of potters and chaos ensues when Usagi and his friends take a liking to Samo’s inadvertent innovation.

This is a great story that always gets a good laugh out of me when I read it. While a rather quick story, Sakai manages to achieve a lot with it, setting up the base of the humour quickly and ensuring that the reader becomes invested with both the potters and the caddish thief. The subsequent fantastic use of surprises, reveals and coincidences results in some amusing scenes, especially when the unlucky thief discovers that he must give up all his ill-gotten loot to fix his mistake. The reveal that all his endeavours are for naught and his loot has returned to its original owner, in a roundabout way, is pretty entertaining, as is the ironic comeuppance he gets for his actions. Sakai makes sure to enhance this story by featuring a compelling look at traditional Japanese pottery making (I love it when he examines authentic Japanese industries or art forms), and there are some beautiful sequences drawn as a result. Easily one of the most entertaining stories in this volume, I deeply enjoyed A Potter’s Tale, and it is always guaranteed to crack me up.

Sakai follows this funny story with another shorter entry, The Missive, which sees Nakamura Koji’s request for a duel reach Usagi’s master, Katsuichi. Reflecting on the matter of honour brought before him, Katsuichi remembers a moment from Usagi’s childhood and the lessons it contains. This was another quick but excellent entry from Sakai, which once again highlights how much he can do with only a few short pages. Not only do we get an excellent bridging storyline between a good entry in the 11^th volume, Seasons, and another future volume, but you also get an interesting reveal about a major supporting character. Throw in an amusing childhood tale about a young Usagi, and you have an entertaining and unique entry that helps to break up the flow of the overall volume.

Now we get to the main event of the volume, with the three-issue story, The Mystery of the Demon Mask. After receiving a dire warning about his future, Usagi ventures into a new town, only to witness a deadly duel between a fellow ronin and a mysterious opponent wearing a demon mask. Encountering the police, including the venerable Inspector Kojo, Usagi soon learns that the killer, known as Demon Mask, has been targeting and killing ronin around town. Helping with the investigation, Usagi encounters all manner of potential suspects as he also finds himself firmly in Demon Mask’s sites.

The Mystery of the Demon Mask is probably the best story in the entire volume, and Sakai has put a lot of effort into developing a powerful and elaborate murder mystery storyline in this unique Japanese setting. The entire story has a great flow to it, quickly introducing the villain, the murderous Demon Mask, and then introducing Usagi to the various players involved in the investigation. From there Usagi is thrust into several dangerous situations as Demon Mask stalks him and other masterless samurai around the town. There are several complex and intriguing characters introduced during this story, each of whom is a potential suspect. This story ends on a big finale, with Demon Mask exposed as he faces off against Usagi in a deadly duel. Sakai does a brilliant job of revealing who the killer is, and I really appreciated the various subtle clues scattered throughout the story to set this up. This ended up being quite a fantastic murder mystery story that works extremely well despite the limitations of the shorter comic form. The motivations behind the killer are pretty heartbreaking, and I really appreciated Sakai’s portrayal of their madness and grief. There is an excellent focus on fighting and duels throughout this story, especially as Demon Mask engages several skilled samurai in personal combat, and I loved seeing all these fights unfold. An excellent entry that has a brilliant balance of mystery, complex characters, classic Japanese elements and comic book action.

Following on from this awesome murder mystery story, we have another intriguing dive into Japanese mythology and monsters with the spooky story, Kumo. In this story, Usagi, who is eager to reach his friends, takes a shortcut across the mountains and finds himself in an isolated village, surrounded by an unusual number of spiders and an insane amount of webbing. When the innkeeper’s daughter is kidnapped in an improbable attack, it becomes apparent that something more is haunting the village, and that Usagi’s only hope might be another traveller in town, Sasuke.

This was another particularly good entry in Demon Mask; I always love Sakai’s more supernatural narratives. The story premise is somewhat typical, with Usagi arriving in a troubled town that needs his help, this time in defeating the monsters haunting them. The subsequent conflict with this threat gets pretty wild, not just because of the cool monster (in this case a Spider Goblin and her giant spider minions), but also because it introduces the intriguing side character of Sasuke. Sasuke, also known as The Demon Queller, is a mystical monster hunter who travels around Japan taking down supernatural threats (no doubt with Kansas blaring in the background). Sasuke goes on to become a major recurring character within this series, having most recently appeared in the 34^th volume, Bunraku and Other Stories (where he does some cool Demon Slayer-esque sword fighting). However, he gets a very awesome introduction here in Kumo, with Sakai perfectly setting up the character’s mystique, as well as his powerful magical abilities. This story literally sees Sasuke summon up a giant frog to fight a Spider Goblin, which has so many levels of awesome to it, and I loved seeing the magic on monster fight that ensures. Another fantastic story that makes excellent use of Japan’s rich spiritual and mythological past, I always have an outstanding time reading Kumo.

The final major story in this volume is the intriguing tale, Reunion. Usagi returns to the monastery of his friend, priest Sanshobo, only to discover it under attack by brigands, apparently after a rich merchant sheltering inside. Working with Sanshobo and a recovered Gen, Usagi must find a way to overcome the brigand horde and save the monastery from attack. However, the real threat may already be inside the walls, and soon Usagi, Sanshobo and Gen must overcome a dangerous enemy determined to take the most precious treasure, the legendary sword Grasscutter.

Reunion was another fun entry which ended the main Demon Mask stories on a compelling and interesting note. While a distinctive story itself, Reunion is primarily focused on setting up the events of the following major volume, Grasscutter II. This presents a fun scenario where Sanshobo’s temple is attacked (again, it honesty gets attacked a lot), while the real danger remains inside the wall. There are several fun parts to this story, from Usagi’s attempted infiltration of the gang, the many fight scenes against to the bandits, to the dangerous confrontation against the disguised adversaries within the temple. This proved to be an excellent story, and it was great to see Sanshobo and Gen again, especially as they prepare for their next epic adventure.

While Reunion concludes the main stories, this volume also has a couple of shorter stories that were contained in other publications, such as Dark Horse Presents (vol. 1) #140, Dark Horse Presents Annual #3, Wizard Magazine #3, Oni Double Feature #11, and Dark Horse Extra #20-23. These short stories provide a couple of quick, highly amusing tales which leave the reader smiling as they close the volume. Sakai achieves a lot in these shorter stories, and each has an entertaining or moving story, even if they only last for only a page. The most detailed of these was the entertaining Death and Taxes, which sees Usagi fighting bandits for a conniving and amusingly clever peasant. There is also the sweet little story, A Funny Thing Happened on the Way to the Tournament, which shows a young Usagi meeting his future friend (and love interest) Tomoe Ame when they were children. The short but powerful Netsuke sees Usagi reflect on a former comrade, while The Leaping Ninja has a hilarious one-page tale about an acrobatic infiltrator who leaps before he looks. The final story was the intense Tsuru, which sees Usagi encounter a member of the Koroshi assassins with a love for paper cranes, who has a contract out on Usagi, resulting in a fantastic duel. Despite their length, each of these stories features all of Sakai’s usual attention to detail and excellent story writing, and it was great to see these excellent examples of the creators shorter writing style.

I must once again highlight all the incredible artwork featured in this impressive volume, as Sakai continues to showcase all his amazing artistic talent. Pretty much every panel in this volume is filled with some excellent and powerful art, as Sakai tells his complex tales. There is the usual brilliant focus on Japanese landscapes and towns, and Sakai has such a talent for capturing all the elaborate cultural elements of the period, as well as the beautiful locations that dotted Japan. While all the art is really well drawn in this volume, I definitely have to highlight a few panels in particular. The first story, The Inn on Moon Shadow Hill, has so many great drawings of creatures and haunts from Japanese folklore, and there is one brilliant panel were all of them are they facing Usagi at once. The spider goblin and her minions in Kumo are also very cool and spooky, and the various scenes where they fight a samurai like Usagi and the magical Sasuke are pretty extraordinary. I also loved the awesome character design on the antagonist Demon Mask from the main story. Not only does it bear an interesting similarity to Usagi’s main foe, Jai (who himself is based on a character with distinctive mask), but it looks so dangerous and intimidating, especially when they silently engage in battle. I deeply enjoyed the exceptional artwork in Demon Mask, and Sakai has once again shown how much feeling and emotion he can portray with his brush and ink.

Another week, another epic and incredible Usagi Yojimbo volume reviewed on my blog. The 14^th volume of this outstanding series, Demon Mask, was another awesome comic as Stan Sakai provides his usual blend of impressive writing, stunning artwork, and powerful characters. Featuring several memorable and exciting short stories, Demon Mask serves as an excellent and wonderful entry in this wider series, and it is one that I always look forward to reading. A highly recommended read, Sakai really can do no wrong with this exceptional series.

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Her Perfect Twin by Sarah Bonner

On March 8, 2022March 7, 2023 By The Unseen LibraryIn Five-Star Books, Thriller14 Comments

Publisher: Hodder Studio (Trade Paperback – 25 January 2022)

Series: Standalone

Length: 329 pages

My Rating: 5 out of 5 stars

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Prepare yourself for shocks, twists and so many sweet surprises as impressive new author Sarah Bonner presents her epic debut thriller, Her Perfect Twin.

Megan Hardcastle has always lived in the shadow of her estranged twin, Leah, who always took everything Megan had, while exploiting their dramatic family past to obtain fame, fortune and the freedom to do anything she wanted. Despite that, deep down Megan still loves her sister, until she finds explicit photos of her on her husband’s phone. Rushing to her sister’s house, she is unable to contain her rage, and their argument ends tragically when she kills Leah.

Determined not to get caught, Megan comes up with the desperate plan to become Leah, fooling the world into thinking she is still alive. Diving deep into Leah’s perfect life, Megan starts to become her sister and soon finds her carefree life intoxicating and irresistible, especially when she falls in love with the new man in Leah’s life. As life at home with her controlling husband gets even more difficult, Megan decides to give up her entire existence and start living as Leah. However, just before she can enact her escape, the pandemic lockdown hits.

As the country adjusts to a new normal, Megan struggles to maintain two separate lives under lockdown. Her problems are only just beginning when it becomes clear that someone else knows her secret and they are willing to use it to take everything from her. Soon, Megan finds herself engaged in a deadly game of cat and mouse against a sadistic foe with her life, freedom and identity on the line. However, not everything is as it seems, and all the dark secrets from these twin’s life are about to come out.

OMG, well that turned out to be exceedingly epic and amazing. Sarah Bonner has come out of the gates swinging here, and her first book was such an outstanding and epic read. Her Perfect Twin is easily one of the best psychological thrillers of the year, and I loved the exceptionally clever and wildly entertaining story it contained. Loaded with complex and deeply flawed characters as well as some impressive examinations of self and identity, Her Perfect Twin is an incredibly addictive novel that gets a five-star rating from me.

Let me just start off here saying that you are going to really fall in love with the intense and captivating narrative contained within Her Perfect Twin. Bonner has gone out of her way here to create an exceptional read that quickly drags you in and then hits you with clever twist after clever twist, until the only thing you can think about is getting to the end of the story. Her Perfect Twin starts off strong, introducing the protagonist Megan and showing the events through her eyes as she uncovers her husband’s affair with her twin sister, Leah, who she then kills after they get into an argument. The reader slowly gets to see Megan enjoying the new freedoms and fun associated with living her sister’s life, while she also plans to escape from her normal life and terrible marriage. This first part of the book is very good and I enjoyed seeing the protagonist dive into her new identity, especially as she grows as a person under it. While I liked this part of the story, I thought I could see where the story was going, including the introduction of lockdown part way through. However, it turns out that I was so very, very wrong, as Bonner had some amazing tricks up her sleeve.

The first real indication you get about how much Her Perfect Twin is going to change happened about halfway through when, after a major and surprising reveal, the narrative suddenly starts getting told from the perspective of an entirely different character. This honestly altered everything, as not only did it throw you right into the mind of a psychopath but it starts showing some of the previous events of the book in an entirely new context, revealing just how much set up and foreshadowing Bonner included in the first half of the novel. From there you are forced to watch an incredibly evil villain make their move, manipulating the situation to their advantage while appearing to have total control, which is both infuriating and extremely compelling at the same time. And then, just when you think you have a handle on the situation, Bonner throws another big twist at you, along with another new point-of-view character, and you honestly have no idea what the hell is going to happen next. At this point, I was honestly reeling with all the revelations as I began to fully understand just how talented Bonner is as an author, but the story isn’t done yet. There are even more great reveals and twists from there as the third character tells their story, which changes everything that you thought you knew already. A final major shift occurs for the last part of the book, which seeks to wrap up everything and showcases the full cleverness and feelings off all the previous characters. While this final part of the book is a tad slower and seems a little disconnected from the main plot, it concludes everything up beautifully and leads to an impressive and well-thought-out ending that will leave you incredibly satisfied.

This was a pretty incredible story, and it is one that I had so much fun getting through. I honestly read the last 250 pages in a single sitting, and it was physically impossible for me to put down the book after the first big reveal. I cannot emphasize enough just how clever and brilliant all the twists in Her Perfect Twin were, and Bonner sets all of them up perfectly. I loved how multiple small details and seemingly throwaway lines came back in a big way as the novel progressed, and there was some brilliant planning here. Bonner writes a pretty dark psychological tale here, and Her Perfect Twin does an impressive dive into the inner psyches of its various characters, with a particular focus on identity, freedom and the terrible secrets that bind us together. While a few scenes get a bit disturbing and might be upsetting for some readers, it all works for the greater good of the story, and every brutal scene is incredibly well written and impressively moving. I did appreciate the way in which Bonner was able to work England’s COVID-19 lockdowns into the story. While some recent novels tend to shoe-horn lockdowns into their story, Bonner’s examination and use of the lockdowns was particularly clever, expertly tying into the story and becoming one of the better inclusions of it that I have seen in recent years. An overall incredible and powerful narrative, you will fall in love with Her Perfect Twin’s perfect story.

I must also highlight the incredible characters that Bonner featured throughout Her Perfect Twin, although I might avoid specifics to keep some of the twists hidden. All the characters in this book are extremely well developed, and Bonner produces some intricate and powerful backstories for them that drive them to do the bad things in this novel. Megan was extremely well written, and her constant battles with her identity, her devious twin, and the constant fear of obtaining the same memory issues that plague her mother, become important parts of her story. Watching her develop and attempt to find happiness is pretty satisfying, although she goes through a lot in this novel, especially as the story gets darker and darker. The rest of the main characters were also really good, and you get some intriguing perspectives as the novel progresses, which help to produce such a rich and striking story. A particular shoutout must go to the main antagonist of the book, who is quite frankly one of the best/worst villains I have seen in fiction. This antagonist is a malicious, deceitful and sadistic figure who puts all the other characters through the emotional wringer as they attempt to get their ultimate goal. I hated this character so much in Her Perfect Twin, especially after finding out the full extent of their plans, and once the book jumps to their arrogant perspective, you will grow to hate them too. Watching them put their devious designs into motion is pretty horrific, and you will hang in there just to wait and see if they fail. You will really come to love or hate these characters by the end of Her Perfect Twin, which just goes to show how awesome an author Bonner really is.

I think it is clear from my excitable ramblings up above that I really loved this incredible novel. Her Perfect Twin was an exceptional debut from Sarah Bonner and I still cannot get over how much I loved its cool and clever story. Loaded with insane twists and powerful characters, this novel is just so damn good, and you honestly will not be prepared for how crazy the story gets. A must-read for all fans of the thriller genre; I cannot recommend Her Perfect Twin enough.

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