A Capitol Death by Lindsey Davis

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Publisher: Hodder & Stoughton (Hardcover – 4 April 2019)

Series: Flavia Albia – Book 7

Length: 383 pages

My Rating: 4 out of 5 stars

For the last 30 years, Lindsey Davis has been one of the most prolific and impressive authors of ancient history murder mystery, writing 28 amazing books during this period. Starting in 1989 with The Silver Pigs, Davis introduced the world to Falco, the private investigator who solved murders in ancient Rome. This series, known as the Marcus Didius Falco series, eventually ended after 20 books in 2010; however, several of the characters and storylines explored in these books were continued in 2013’s The Ides of April, the first book in the new Flavia Albia series. In each of the following years, Davis has released a new book in this second series, resulting in A Capitol Death, which is the seventh Flavia Albia book to be released.

I was lucky enough to get a copy of The Ides of April when it first came out, and absolutely fell in love with the awesome main character and her fantastic investigations. I have since gone out of my way to grab every book in the Flavia Albia series, as Davis is one of my auto-buy authors, and I currently have reviews for the last two books in the series, The Third Nero and Pandora’s Boy on my blog. I really loved Pandora’s Boy last year, and it even got an honourable mention on my Top Ten Reads for 2018 list. As a result, I have been quite eager to get my hands on A Capitol Death for a while now.

In Rome, in 89 AD, while the city is preparing for the return of the cruel Emperor Domitian, murder is literally in the air. The body of a minor government official has been found at the base of the symbolic Capitoline Hill, and it appears that he was pushed off the top of the cliffs. While a case like this would usually be a low priority for the city’s authorities, the man who died was responsible for all the transportation during the Emperor’s upcoming triumph and his death is now politically sensitive.

Enter Flavia Albia, professional informer and adopted daughter of the legendary investigator Falco. Employed by her husband, the magistrate Faustus, to investigate the murder for the city, Flavia sets out to discover who is responsible for this crime. However, that is easier said than done, as the victim is revealed to have been an extremely unpleasant individual whose attitude and shady dealings made him a very unpopular person. With a huge list of suspects lining up before her, Flavia has her work cut out for her.

When a second murder occurs on the hill, the case becomes even more complicated. Flavia must work out the connection between the two victims and who would want to murder both of them. As the start of the Emperor’s triumph gets closer, Flavia must interrogate a lengthy list of people, including oyster farmers, slaves, diviners, goose handlers, seamstresses and more in order to find the killer. What happens when the killer finds her instead?

A Capitol Death was another great addition to the Flavia Albia series, and well worth the wait. Davis once again sets a compelling mystery within her excellent Roman historical setting, and sets her unconventional protagonist on the case to find out the truth in an ancient city that is portraying some very modern attitudes and mentalities. The result is a captivating and entertaining read that I was able to finish off in relatively short order. While I did not quite enjoy A Capitol Death as much as the last two Flavia Albia novels, this was still a fantastic piece of historical crime fiction and I will be grabbing the eighth instalment of this series when it comes out next year.

At the heart of this story is a well-thought-out and compelling murder mystery. Davis constructs a complex case, involving a deeply unpopular victim, a huge number of suspects with substantial motives, very little evidence and a complete lack of cooperative witnesses. Without modern forensic techniques in this ancient setting, the protagonist’s main investigative recourse is to talk to everyone with a connection to the victim in an attempt to find out who would want to kill him. As a result, Flavia digs her way through the lives of everyone involved in the case, finding out deficiencies in stories and the various connections between the various suspects and witnesses. I really enjoy the way that the protagonist investigates this case, and it is interesting to see the variety of evidence and leads she can come up with simply by asking the right questions. The case has a substantial number of twists and turns, as well as a huge number of likely suspects that act as good red herrings. The entirety of the case is very intriguing, and I really enjoyed the investigative angle of this book.

While the murder investigation is a key part of the main plot, Davis also spends a bit of time focusing on the chaotic personal life of series protagonist Flavia Albia. Between setting up her new home, dealing with her high-maintenance family and helping out a husband only recently recovered from a freak lightning strike, there is a lot going on for the character, even before she is forced to investigate a murder. While some readers might have trouble caring about a character setting up a household, entertaining her family or finding reliable domestic help, I actually found it to be an enjoyable part of the book, mainly because the author uses these scenes to make a number of jokes of humorous observations. In addition, after all these books, I have grown attached to the main character and I am genuinely interested to see how her life progresses.

Davis has always done a great job of utilising the ancient city of Rome as a setting for her stories, and she continues to do this in A Capitol Death. This story is set in 89 AD, during the reign of the Emperor Domitian, and features an interesting version of the city. In this book, Domitian is returning to the city after a military campaign and the city is organising a triumph in his honour. This means that the city is filled with all manner of secret agents, Praetorians and officials organising the triumph for the Emperor, which makes for an intriguing background setting for this story. I really enjoyed the author’s examination of the triumph, which becomes a big focus of the book due to several of the case’s suspects or persons of interest being involved in its planning and set-up. There are a number of sequences that show the huge amount of preparation that goes into the triumph, and it was entertaining to see how they may have faked certain required elements of the triumph, such as dressing up random citizens to use as fake captured prisoners.

In addition to the examination of the political make-up of the city and the preparation for the military triumph, Davis also spends this book looking at some other fascinating aspects of the city and its citizens. The presence of certain witnesses who live outside the city of Rome necessitates a visit to one of the smaller Roman towns on the Italian coast, and it is always interesting to see the protagonist leave the city. The visit also allows the author to spend some time highlighting the process behind the creation of the coveted imperial purple dye that was used for the priciest garments in ancient Rome. There was also an intriguing focus on Capitoline Hill as the site of a murder. The Capitoline Hill, as one of the original Seven Hills of Rome, is a major feature of city, and Davis really dives into its history and importance during the course of her book, giving the reader a great idea of what this historical location is like and what goes on there. I always love it when an author takes the time to teach the reader about some obscure aspects of history, and Davis showcases some really cool bits of historical trivial in A Capitol Death. This is a fun aspect of this book and one I quite enjoyed, especially as Davis does an excellent job of weaving it into the murder mystery part of the story.

I have always loved the way that Davis has introduced characters with more modern attitudes and personalities into her historical stories, as it makes for a funny and enjoyable story. Watching characters in an ancient setting act exactly like a person in a modern city is always enjoyable, and Davis makes sure to amp up the snark in each of her characters, making for a fun bunch of characters. Flavia is of course the snarkiest of them all, and as the story’s narrator and point-of-view character, her amusing opinions, thoughts, descriptions of the other characters and anecdotes from her past really help to give this book a light-hearted and entertaining tone. This is always a great feature of the Flavia Albia books, and I am glad that Davis continued it in this book.

This was another amazing outing from Davis that once again shows why she is the master of the ancient history murder mystery. Not only does she do an excellent job blending together a clever murder mystery with some fascinating historical details, but she also brings her trademark humour to the mix, creating another entertaining tale. I look forward to continuing this series next year, with The Grove of the Caesars, set to be released in April 2020, and I am sure I will have an incredible time reading the next instalment of the Flavia Albia series.

Pandora’s Boy by Lindsey Davis

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Publisher: Hodder & Stoughton

Publication Date – 5 April 2018

 

Ancient Rome’s premier female detective returns in the latest Flavia Albia mystery from veteran historical crime author Lindsey Davis.

Rome, 89 AD.  Flavia Albia, the daughter of the legendary investigator Falco, is now a proficient private investigator and informant in her own right.  When the ex-wife of her husband, Tiberius, brings a case of family drama to her, Flavia is tempted to refuse, but when Tiberius disappears she needs a distraction.

The case revolves around a teenaged girl found dead in the prosperous Quirinal Hill district of Rome.  The girl, Clodia, was the apparent victim of a poisoned love potion, and her parents and grandparents are blaming each other for her death.  What begins as a simple investigation quickly becomes complicated when the witch accused of supplying the potion turns out to be the sister of the city’s biggest crime boss.  No-one is talking, and everyone in the Quirinal Hill has a secret.

Flavia is forced to seek the truth from a variety of people, including warring grannies, concerned parents, criminal lawyers, secretive slaves, a lettuce salesman with an interesting religious statue and, worst of all, the overprivileged offspring of Rome’s elite.  However, as Flavia’s investigation continues and a friend of hers dies, it soon becomes apparent that a vicious gang war is imminent.  Can Flavia solve the crime without getting caught in the crossfire, especially when she has a terrible history with one of the gangs?

Pandora’s Boy is the sixth book in the Flavia Albia series, which acts as a direct sequel series to Davis’ Marcus Didius Falco series.  Davis is one of the most prolific authors of historical whodunits and has a particular focus on novels set in ancient Rome.  For example, her Marcus Didius Falco series contains 20 books, and she has produced some stand-alone books set in the same period.

Like the previous books in the Flavia Albia series, Pandora’s Boy takes a contemporary look at Roman culture and lifestyles.  The inhabitants of Davis’ books act in a very modern way despite their ancient surroundings, and this results in a very humorous interpretation of the ancient Roman characters.  Davis also uses this book to parody a specific group in modern society: the millennials.  Throughout the story, Flavia is forced to follow, interview and generally endure the victim’s friends, who are the offspring of the city’s rich and powerful.  These friends are exceedingly selfish, have sordid love lives and get into all sorts of mischief.  In other words, they act in a very similar way to how modern day millennials are often perceived and portrayed.  Their appearance is quite jarring in the ancient Roman setting and leads to a lot of the books humour.  In all, it is a fun, quirky addition, and an amusing examination of modern society through very ancient eyes.

The core of the book is the death of a young woman and its investigation by the main character.  This is a well-done mystery that takes many twists and turns to keep the attention of the reader.  Flavia’s investigation is done through interviews, trickery, observations and undercover work, and, like many other parts of the book, is infused with Davis’ trademark humour.  The investigation is wrapped up in a final scene that is a throwback to classic murder mystery dénouements.  All the interested parties are gathered together in one place and the investigator reveals their conclusions, eventually leading to their solution to the crime.  Davis provides a perfect parody of this, infused with her own unique touch.  As a result, there are several jokes about this well-used literary device, including discussions around the necessary prep work and tricks to keep the gathered parties’ concentration of the speaker that will greatly amuse many murder mystery buffs.

One of the more diverting and memorable aspects of the Flavia Albia series is Davis’ tendency to include big action sequences that devolve into near absurdity and provide some of the best laughs in the entire book.  For example, in Davis’ previous book, The Third Nero, the climactic scene was a battle in the heart of Rome that featured, among other things, a war elephant, Parthian cataphracts and one of the most improbable chase sequences in all of fiction.  While nothing will quite top this, Davis has striven to include one such scene in Pandora’s Boy, featuring an interrupted séance, an all-out brawl between legionnaires and Vigiles at a collapsing temple, all of which serves as a backdrop to a fight between two warring grannies.  This is an extremely entertaining scene and definitely a highlight to watch out for.

Another notable feature of the books in the Falco universe is the deeper examination of the Roman criminal justice system.  The investigators in these books often deal with the Vigiles and the Aediles, the ancient Roman equivalent of the police and magistrates, many of whom turn into key characters.  This is a unique feature, as most Roman historical fiction books neglect to focus on these institutions, only mentioning them if in the context of political gain.  Pandora’s Boy includes a detailed look at the Vigiles who patrol the Quirinal Hill district and their investigation into the death and other serious crimes.  Loaded up with a suitable modern twist, the inclusion of these characters is an intriguing addition that highlights an often-neglected side of ancient Roman life.

Pandora’s Boy is a wonderful addition to one of the best ancient crime series currently on the market.  Davis once again creates a fantastic murder mystery and infuses it with outrageous humour and a modernistic take on ancient Roman life.  This is an exceedingly fun and deeply absorbing novel that will appeal to a very wide audience of readers.

My Rating:

Five Stars