Top Ten Tuesday – My Favourite Audiobooks with Multiple Narrators

Top Ten Tuesday is a weekly meme that currently resides at The Artsy Reader Girl and features bloggers sharing lists on various book topics.  The official topic of this week’s Top Ten Tuesday looked at books participants have read or wanted to read because of other Top Ten Tuesday posts.  While this is a very interesting topic, it’s not one that I felt I could really participate in.  However, I did have a couple of audiobook-focused lists I’d been cooking up in the background, so I thought I’d take the opportunity to post one here.

My list for this week revolves around audiobooks with multiple narrators.  Now fans of my blog will be well aware that I am a massive fan of the audiobook format, and I honestly find it the best way to enjoy a range of cool novels and series.  I have so much love for audiobooks, and a great narrator can exceptionally increase how much I enjoy an epic book.  In some particularly awesome cases, the audiobook format can feature more than one narrator, and that is what I want to focus this list on.  I have had the pleasure of listening to some very impressive audiobooks that feature a large cast of voice actors and frankly the range of voices and talents involved can add an even greater layer of awesomeness to the proceedings.  As such, I thought this would be a fantastic opportunity to highlight some of the very vest multi-narrator audiobooks I have listened to so far.

To appear on this list, the audiobook in question had to have two or more narrators attached to it, with the second narrator having more than a cameo appearance to it.  I actually had quite a few options to include here, but I was eventually able to whittle it down to a satisfying top-ten list, with my typical generous honourable mentions section as well.  I think this list came up pretty well, and I really liked some of the books I selected.  All the below choices come very highly recommended on audiobook, and their great collection of narrators ensured that this format was particularly epic.

Honourable Mentions:

Caves of Ice, written by Sandy Mitchell and narrated by Stephen Perring, Penelope Rawlins and Emma Gregory

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Dredge Runners, written by Alec Worley and narrated by Jon Rand, Paul Putner, Emma Noakes, Kelly Hotten, David Seddon and Andrew James Spooner

Dredge Runners

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Dark Sacred Night, written by Michael Connelly narrated by Titus Welliver and Christine Lakin

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The Battle For Jedha, written by George Mann and performed by a full cast

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Top Ten Tuesdsay:

For the Emperor, written by Sandy Mitchell and narrated by Stephen Perring, Penelope Rawlins and Emma Gregory

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Let us start off with one of my favourite Warhammer 40,000 audiobooks, For the Emperor by Sandy Mitchell.  The first book in the acclaimed and hilarious Ciaphas Cain series, For the Emperor is a very entertaining novel that follows the exploits of a cowardly Commissar who has managed to convince everyone that he’s a brilliant war hero.  This is an extremely funny read, and it’s audiobook version is greatly enhanced by the use of its three narrators, Stephen Perring, Penelope Rawlins and Emma Gregory.  All three narrators are extremely good in their roles, and I love how they split the load, with Perring voicing much of the main story, Rawlins voicing hilarious notes from an outside observer, and Gregory voicing several intentionally badly written book excerpts in an over-the-top manner.  This unique narration works extremely well and you will fall down laughing as a result.  This cast (with a few more additions), lend their voices to the entire Ciaphas Cian series, and I look forward to checking out more entries in this series in the future, especially with this brilliant cast behind it.

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The Sandman, written by Neil Gaiman and narrated by a full cast

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I had to include the first epic audio adaptation of the iconic Sandman comic here on this list, as it is a particularly exceptional listen.  This adaptation features a massive and highly talented voice cast to bring Gaiman’s elaborate story to life, including a cool mixture of celebrities and professional voice actors, who mesh extremely well together to tell a brilliant story.  Celebrities, including James McAvoy, Kat Dennings, Taron Egerton, Andy Serkis, Michael Sheen and Riz Ahmed, as well as iconic audiobook narrators like Ray Porter, do an exceptional job bringing their characters to life, and in some cases they are even better than the live-action cast from the Netflix show.  I absolutely flew through this adaptation, and the sheer range of great voices involved is so damn epic you won’t be able to turn it off.

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World War Z, written by Max Brooks and narrated by a full cast

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Another massive audiobook production that benefits incredibly from an extensive celebrity cast is the adaptation of the awesome zombie novel, World War Z.  This large cast works extremely well to bring Brooks’ interview-style story to life, as they each take on the role of a specific character being interviewed.  With Brooks acting as the interviewer, each of these actors tell their character’s specific story of the zombie apocalypse in impressive fashion, diving into their charaters and telling their terrifying tales.  Honestly all 30+ actors do an incredible job here, but some of the standouts include Alfred Molina as former astronaut (with a decent Australian accent), Alan Alda as a business strategist, Masi Oka as a Japanese otaku who is totally unprepared for the zombies, and Rob Reiner and an almost unrecognisable Simon Pegg as politicians.  However, my favourite is easily Mark Hamill, who has several of the best chapters as a jaded former solider caught up in the very worst moments of the war.  This cast is just exceptional, and their use in this audiobook turns this into a first-class listen.

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Ghazghkull Thraka: Prophet of the Waagh!, written by Nate Crowley and narrated by Kelly Hotten, Paul Putner and Jon Rand

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One Warhammer 40,000 audiobook that particularly benefitted from multiple narrators was the impressive and exceedingly fun Ghazghkull Thraka: Prophet of the Waagh!.  Featuring a fantastic story that dives into the origins of a legendary figure in Warhammer 40,000 lore, this audiobook featured three talented narrators, Kelly Hotten, Paul Putner and Jon Rand.  These three narrators switched throughout the book, depending on which unique figure was the perspective character for that chapter.  This worked to really immerse the listener in the clever, multi-tiered narrative, and I had an awesome time listening to Ghazghkull Thraka: Prophet of the Waagh! as a result.  This was one of my favourite books and audiobooks from 2022 and this fantastic narration is a very strong reason for that.

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Doctor Aphra, written by Sarah Kuhn and narrated by a full cast

Doctor Aphra Audio Cover

One thing that Star Wars fiction excels at it is producing high quality and addictive audiobook versions of their novels.  This is particularly true for their audio exclusive productions that feature huge casts of talented audiobook narrators, many of whom have lent their voices to previous Star Wars audiobooks.  One of the best was probably the impressive Doctor Aphra audio production, which served as a very clever and funny adaptation of several fantastic Star Wars comics.  I had an absolute blast with this production and the sheer range of cool voices that were featured throughout really enhanced the clever storytelling and witty humour.  While there were several distinctive narrators for this production, the standout was probably Emily Woo Zeller, who voiced the titular protagonist and provided a perfect and fantastic take on the opportunistic archaeologist.  A must listen for all Star Wars fans, especially if you’ve had the pleasure of reading the Doctor Aphra comics.

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Engines of Empire, written by Richard S. Ford and narrated by Alison Campbell, Ciaran Saward, Phoebe McIntosh, Ewan Goddard, Andrew Kingston, Martin Reeve and Stephen Perry.

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One of the more unique fantasy audiobooks from last year was the awesome Engines of Empire, which told a story of revolution and betrayal in a fresh new fantasy realm.  This audiobook featured a huge cast of point of view characters, and the audiobook production seeks to enhance that by featuring a large group of narrators.  Each narrator voices the chapter told from a specific character, helping to create a rich and powerful audio tapestry as they capture the personalities of their respective protagonists.  This helps to turn the Engines of Empire audiobook into a great listen and I really had fun with it as a result.

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Tempest Runner, written by Cavan Scott and narrated by a full cast

Star Wars - Tempest Runner Cover

Another excellent Star Wars audio production with a large cast was the excellent Tempest Runner by Cavan Scott.  A fun addition to the High Republic subseries of Star Wars fiction, Tempest Runner followed one of the standout villains of the previous books and gives some fantastic context to her actions.  Tempest Runner featured an awesome cast of actors, and I loved some of the great performances that emerged.  Standouts included Jessica Almasy, who voiced the main character, January LaVoy who voiced a spiteful antagonist, and the leading Star Wars narrators, Marc Thompson and Jonathan Davies, who bring their very impressive skills to the fore again.  An outstanding audiobook that makes perfect use of its exceptional cast.

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The Night Fire, written by Michael Connelly, narrated by Titus Welliver and Christine Lakin

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I have had fun with several of Michael Connelly’s audiobooks in recent years, but some of my favourites have to be the Ballard and Bosch books, that bring together two of Connelly’s best police protagonists.  One of the things that make these audiobooks so cool are the use of dual narrators, Titus Welliver and Christine Lakin, who do a particularly awesome job in the second Ballard and Bosch book, The Night Fire.  The audiobook is evenly split between each of the characters, so Welliver and Lakin split the narration down the middle, with Welliver voicing all the chapters from Bosch’s perspective, while Lakin takes on Ballard’s chapters.  This helps to produce a very intriguing and compelling audiobook, with both actors inhabiting their respective role perfectly (unsurprisingly for Welliver, who plays Bosch in the recent television adaption).  I absolutely flew through this audiobook and I cannot recommend this format enough when enjoying the epic Ballard and Bosch crossovers.

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The Way of Kings, written by Brandon Sanderson, narrated by Michael Kramer and Kate Reading

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Another great audiobook that benefited from two separated narrators was the massive and iconic fantasy read, The Way of Kings by Brandon Sanderson.  I had a brilliant time listening to The Way of Kings in this format, especially as the audiobook allows for a greater appreciation of all the detail Sanderson chucked in, and the dual narrators of Michael Kramer and Kate Reading definitely helped here.  Kramer and Reading split their duties along gender lines, with Kramer narrating all the chapters and interludes told from a male perspective, while Reading does the same for the parts of the book told from the female perspective.  This helps to produce a very elaborate listen, especially as both narrators are particularly skilled, and I liked having a variety of voices in this extremely long audiobook.  This is such a great way to enjoy this fantatic novel, and you will have an awesome time with these two narrators.

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Dooku: Jedi Lost, written by Cavan Scott and narrated by a full cast

Dooku - Jedi Lost Cover

The final multi-narrator audio production I wanted to highlight here is the Star Wars audiobook, Dooku: Jedi Lost.  Diving into the past of iconic Star Wars villain Count Dooku, Jedi Lost was an excellent and entertaining listen, that features a brilliant cast of voice actors who bring several fantastic figures from the canon to life.  This includes Euan Morton, who breaths great life into the titular Count Dooku, Orlagh Cassidy who has a great take on fan favourite villainess Asajji Ventress, and Jonathan Davis and Marc Thompson, whose respective portrayals of Qui-Gon Jinn and Yoda, are pretty damn spot on.  I had such a great time with this Star Wars production, and you have to love the dedication and power that the big cast of voice actors really brought to the table.

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That is the end of this latest list highlighting some of my favourite audiobooks that feature multiple narrators.  Let me know what you think in the comments below and make sure to recommend your favourite audiobooks with a range of narrators behind it.

Dark Sacred Night by Michael Connelly

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Publishers: Orion

                       Hachette Audio

Publication Date – 30 October 2018

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Legendary crime author Michael Connelly returns for another clever and technically detailed crime thriller that teams up his iconic and most utilised protagonist, Harry Bosch, with his recently created female protagonist, Renée Ballard.

In the chaotic world of the LAPD, Renée Ballard is an outsider who has found herself permanently on the graveyard shift of the Hollywood beat.  Returning to the near-abandoned station after a callout, Ballard is surprised to find a stranger rifling through her unit’s filing cabinets.  The intruder is maverick retired detective Harry Bosch, formally of the LAPD, now currently working as a contractor for the San Fernando police.

Bosch is working a cold case for personal reasons.  The victim, a 15-year-old runaway, Daisy Clayton, was brutally murdered several years before and Bosch has gotten close to the girl’s devastated mother.  Initially kicking him out the station, Ballard’s subsequent investigation of Bosch’s actions reveals the full details of the case to her and she finds herself drawn to Bosch’s hunt for justice.  As the two outsider detectives join forces in order to solve the case, they are once again thrust into the grimy underworld of Hollywood.  But as they attempt to find justice, a cornered killer, departmental politics and the dangerous suspects of the two detectives other investigations may cause the case to come crashing down around them.

Michael Connelly is a prolific and award-winning crime novelist who has been writing since 1992.  During that period he has written over 30 books, all of which are set in the same shared universe.  Connelly’s debut book, The Black Echo, introduced his most iconic character, Harry Bosch, who has been the protagonist of 21 of Connelly’s books, as well as being a supporting character in several other books.  Due to the author’s focus on this character, Connelly’s extended crime universe is often referred to as the Harry Bosch universe.  Connelly has also written a number of other thrillers in this universe, featuring several other protagonists, such as lawyer Mickey Haller, reporter Jack McEvoy and investigator Terry McCaleb.  Many of the characters introduced in previous books often have small roles in later books, while Bosch has had interactions with most of Connelly’s other protagonists.  The second protagonist in Dark Scared Night, Renée Ballard, is a more recent creation who was introduced in the 2017 novel The Late Show, and this is her first interaction with Bosch in Connelly’s wider universe.

Outside of the literary world, Connelly’s works have been adapted to film and screen.  His Harry Bosch novels have been adapted into the current Bosch television series, which will air its fifth season in 2019.  Two of his books have also been adapted into movies.  His novel, Blood Work was adapted into film in 2002 with Clint Eastwood, while his first legal novel, The Lincoln Lawyer was adapted into film in 2011 with Matthew McConaughey.

Dark Sacred Night is an excellent piece of crime fiction that presents the reader with a series of interesting investigations, told from the perspectives of two fantastic police protagonists.  I listened to this book in its audiobook format, which is jointly narrated by Christine Lakin and Titus Welliver, and runs for 10 hours and 39 minutes.  Dark Sacred Night primarily focuses on the investigation into a cold case of a young runaway girl who was brutally killed nine years previously.  This central case is massively intriguing and takes the reader deep into the sordid and disturbing criminal nightlife of Hollywood.  The main case is a gritty and unique investigation as the protagonists are forced to rely on different methods than they would usually utilise to solve the case.  Rather than having any recent evidence, the detectives are forced to rely on old interviews and pieces of police intelligence to identify any potential suspects or witnesses.  This is an intriguing way to investigate an old crime, and I really enjoyed the way they were forced to utilise this less substantial evidence to find their killer.  This method results in the protagonists identifying and investigating several distinctive suspects, and the reader is presented with a series of false leads and suggested possibilities.  I was able to identify who the killer was quite early in the book, but I still had a lot of fun following the investigation to its conclusion.

I really enjoyed the way that Connelly seeded a large number of smaller cases throughout the novel for the protagonists to solve, as well as a number of examples of police work in action.  There is an interesting split here as Ballard, the full-time detective, is given a series of more official and everyday crimes to solve, such as a suspicious death, a missing persons, a theft, trespassing and a kidnapping that she investigates to various degrees throughout the book.  Bosch, on the other hand, only has one case, an old, unsolved gang execution that he is pursuing in San Fernando and which is the focus for a good portion of his chapters.  The inclusion of these smaller cases is a clever move from Connelly as it breaks up the story from a pure focus on the main case and presents a wider viewpoint of crime and policing in the book’s setting.  It also allows the author to showcase his protagonists’ divergent investigative skills and presents the readers with an additional number of compelling mysteries and adventures that they can sink their teeth into.  Some of these additional cases tie into the main mystery in some surprising ways and clues or suspects may be revealed through this.

All of these mysteries do an amazing job showing of the author’s obvious knowledge of police procedures and law enforcement techniques.  Connelly, a former crime reporter for the Los Angeles Times, has an amazing grasp of the minutiae of police work and he expertly inserts these details into his story.  As a result his police characters mostly investigate crimes, examine evidence and file the paperwork in a way that feel extremely realistic and which adds a huge amount to the books authenticity.  Connelly’s police characters even feel like real cops, as the way that they act or think feels like real life police would act.  All of this combines with the amazing mysteries to create a first-rate piece of crime fiction.

Dark Sacred Night is the first time that Connelly’s main protagonist, Bosch, engages with the author’s newest protagonist, Ballard.  There are some interesting similarities between the two characters, which makes for a great story.  Both detectives have a similar maverick style when it comes to investigating crimes, and both have been screwed over by LAPD politics and had their careers impacted as a result.  As a result, both characters are dogged in their pursuit of criminals, especially those guilty of sex crimes, and both are willing to bend the rules to get their suspects.  However, the main difference between them is how far they will go to get justice.  While Ballard is happy to bend rules, she doesn’t go too far over the line or deliberately hurt or damage her suspects.  Bosch on the other hand has a much more flexible idea of where the line is and engages in some questionable behaviour that could be seeing as going too far. The two characters work well together during this book, and I hope that Connelly continues to use his latest protagonist in the future, especially as there are some interesting stories available when it comes to her complex police past.

The audiobook version of Long Dark Night is a great way to enjoy this crime novel and I found that I quickly powered through the book with this format.  The audiobook format utilises two separate narrators to describe the adventure contained within, broken up by whichever protagonist is narrating that chapter.  For example, Christine Lakin narrates the chapters told from Ballard’s point of view, while Titus Welliver narrates Bosch’s chapters.  Both of these narrators have great voices for their central characters, and both of them fit in perfectly in this gritty crime drama.  Lakin captures Ballard’s character perfectly, and you get a real sense of the no-nonsense and wary personality that is Ballard every time you hear Lakin’s voice.  Welliver’s voice, on the other hand, is deep and gruff and really fits Bosch’s old school and veteran personality.  Overall there is some fantastic voice work in the audiobook format of Dark Sacred Night, and I found that listening to this mystery really drew me into the middle of this investigation and helped me remember certain details and clues.

This latest book from veteran crime author Michael Connelly is a fantastic mystery thriller that draws the reader in with two outstanding protagonists and a series of captivating mysteries.  Dark Sacred Night is written in a way that is very easy to get into and the reader can enjoy the full mystery without any details of the previous books in Connelly’s shared universe.  As a result, despite it being such a late book in this long-running series, Dark Sacred Night is also the perfect place to start your investigation into the crime sensation that is Michael Connelly.  First rate crime fiction at it’s very best, this is an outstanding release from Connelly that is guaranteed to draw the reader into the dark and intriguing world of mysteries.

My Rating:

Four and a half stars

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