Everyone in this Bank is a Thief by Benjamin Stevenson

Publisher: Penguin (Trade Paperback – 30 September 2025)

Series: Erenest Cunningham – Book Four

Length: 355 pages

My Rating: 5 out of 5 stars

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The over-the-top investigations of Ernest Cunningham resume in the outstanding and highly entertaining Australian crime fiction novel, Everyone in this Bank is a Thief by Benjamin Stevenson.

For the last few years, the Australian crime fiction scene has been the playground of Benjamin Stevenson. A comedian and performer with his brother, Stevenson started writing back in 2018 when he debuted his first crime fiction novel Greenlight (also released as Trust Me When I Lie and She Lies in the Vines), which Stevenson expertly followed up a year later with the great sequel Either Side of Midnight.  While these initial books were really good, for me Stevenson’s best work has been his Ernest Cunningham novels.

The Ernest Cunningham series follows the titular character, a crime fiction expert from a notorious family, who finds himself caught up in some real-life whodunit situations. The first book in the series, Everyone in My Family has Killed Someone (one of my favourite Australian novels of 2022), was particularly impressive, and it cleverly combined the author’s great sense of humour with a compelling mystery. Stevenson continued to impress the following year, with Everyone on this Train is a Suspect (one of my favourite books and pieces of Australian fiction of 2023) a worthy sequel that further parodied various crime fiction subgenres. Stevenson even released a short, but impactful, Christmas entry in the Ernest Cunningham series last year with Everyone this Christmas has a Secret, which saw a Christmas variety show get very bloody, and which ended up being one of my favourite pieces of Australian fiction in 2024. Due to how wildly entertaining these books were, I just had to get the fourth book in the series, Everyone in this Bank is a Thief, when it came out this year, and it was one of my most anticipated reads for the second half of 2025, especially with its fun title and awesome plot concept.

Ernest Cunningham, murder mystery expert and Australia’s least likely detective, has so far solved three murders, each in its own outrageous scenarios.  But even he is unprepared to solve a case in the middle of a bank robbery.

Trapped in a small-town bank while trying to get a loan for their new detective agency, Ernest and his fiancé Juliette find themselves at the mercy of a masked armed bandit, who has locked down the bank and demanding access to the vault.  The only problem, the bank’s chief of security who knows the code is missing, and Ernest was just in the process of being hired to find him.

Besieged by the police and with no chance of escape, Ernest is determined to get his fellow hostages out alive by discovering out the vault’s code.  However, as he begins his enquiries, he quickly discovers that the armed man holding them hostage isn’t the only criminal he’s dealing with.  There are many different things that can be stolen in this bank, and all the trapped hostages have their own plots in motion.  However, only one person is there to steal a life, and when bodies start turning up, Ernest once again finds himself in the middle of a murder investigation.

With all the suspects trapped in the bank with him, Ernest works quickly to solve the murders before the police end the siege.  All the people in the bank are suspicious, but is the killer the bank robber, the silent priest, the greedy film producer, the teen gaming prodigy, the dying teenage girl and her mother, or a member of bank’s staff? To find the truth, Ernest will have to uncover everyone’s secrets and work them into his established rules for a murder mystery.  But can he solve the crime before the killer takes him out, or is this one crazy investigation that even Ernest Cunningham cannot survive?

Benjamin Stevenson once again deeply impresses as Everyone in this Bank is a Thief was a brilliant and highly addictive novel that perfectly combines over-the-top mystery with the author’s distinctive humour.  Clever, wildly entertaining, and just a little silly, Everyone in this Bank is a Thief was so much fun to read, and it gets a full five-star rating from me.

What another brilliant and hilarious story.  Everyone in this Bank is a Thief was such an entertaining read, and I loved how crazy and exciting Stevenson made it.  Starting off with an interesting introductory note from the protagonist that sets the scene and foreshadows some of the events to come, you are quickly taken to the bank setting in small-town Australia, where Ernest and returning character Juliette are tasked with investigating the missing head of security, who has changed the code to the vault.  Stevenson does an effective job of introducing the locked room scenario, as well as the various suspects in these opening chapters, before the bank is taken over by the masked armed robber.  With everyone gathered as hostages and the bank surrounded by police, Ernest finds himself taking on the task of finding the combination to the vault to fulfil the robber’s unusual request of a single dollar from the bank’s vault.  This initial investigation provides a lot of hints about events for the future, before the story takes an enticing turn when someone dies in a spectacularly unusual situation.  This inspires Ernest to take on an unadvised secondary role in the case, which moves the story into an entertaining new direction.

The second half of the book is even more compelling, and you power through it fast as you can to get to the conclusion.  It quickly becomes apparent that there are multiple murders associated with this case, in addition to the other simultaneous heists taking place throughout the bank, all of which Ernest needs to uncover to solve the entire case.  The author selectively reveals some of these secondary crimes earlier in the plot, which allow the story to move forward, while also moving the suspicion away from some of the potential suspects.  While Stevenson continues to work in even more details about the suspects and the circumstances of their heists, there is also a certain amount of personal drama added into the mix, especially once Juliette realises the lengths Ernest has gone to solve the case, with some excellent moments leading up to it.  The interplay between the main plot and the author’s notes that hint at the future become even more entangled and urgent as the book continues, especially as the events of the two start to catch up, and Stevenson works in the usual concern about the protagonist’s survival a little earlier than usual.  Everything leads up to the classic summation gathering, where all the remaining secrets are revealed in hilarious and over-the-top fashion.  Featuring a big and deadly climax that all of Ernest’s investigations seem to require, the book ends on an entertaining note, with the series still having the potential to go forward.

I really enjoyed this new novel from Stevenson, which was an excellent continuation of the Ernest Cunningham series.  Working well as either the fourth book in the series, or an excellent standalone novel, Everyone in this Bank is a Thief was a lot of fun, with the concept of a crime fiction expert using the tropes of the genre to identify the killer in a humorous situation still as effective as ever.  Told in the form of a true-crime book by the protagonist as he recounts the events of the bank heist, the narrative features a classic closed circle of suspects as Ernest investigates several murders, including an actual locked-room mystery, as well as several adjacent thefts, all while trapped in the murder scene.  The result is an over-the-top mess of an investigation, as the various big personalities trapped in the bank clash with Ernest’s unusual methods and style, much to the audience’s glee.  While there is a lot of focus on the book’s humour, Stevenson also does a great job pulling together a complex mystery with a lot of compelling suspects.  There are a lot of intricate details and clues loaded into the story, often hidden by the more comedic interactions, and all these elements are well used later in the book, whether in solving the murders or examining the various hidden motivations of the other characters.  The eventual reveal of the killer also proves to be quite clever, and there is some fantastic build-up to the discovery, even if the methods the protagonist uses to uncover them, as well as the crimes itself, are a tad ridiculous.

As with the previous books in the series, Everyone in this Bank is a Thief is a great satirical take on classic crime fiction novels, with the author and the protagonist both keen to utilise and honour the well-known tropes of the genre.  While Stevenson once again features a fun takedown of old-school detective fiction murder mysteries, he also takes his protagonist outside of his crime fiction wheelhouse with the murder taking place amid a heist.  Forcing the protagonist to apply heist tropes alongside his established rules for classic murder mysteries results in a great hybrid case, with a lot of jokes and references about both subgenres of crime fiction.  Stevenson naturally goes overboard with the heist elements, with several concurrent thefts happening in the bank, all of which could serve as a potential motive for murder.  I loved the outrageous variety of thefts that were worked into the plot, especially as most weren’t typical fictional robberies, and it was quite impressive to see Stevenson work them into the novel’s larger murder mystery.  The series’ usual pre-narrative hints of events and murders to come, with accompanying page numbers, were missing in this latest novel, instead replaced by the alternate focus on the protagonist’s plight, as he instead uses the introduction to reveal that he is trapped in a safe and slowly running out of air.  The humour of this situation, as well as build-up of suspense to when Ernest gets locked in the safe, added some extra fun and drama to the plot, and it was an interesting twist on the usual Ernest Cunningham book.  I really enjoyed how Stevenson continues to experiment and alter the initial story and writing concepts he introduced in Everyone in my Family has Killed Someone, and this book was a worthy addition to this series, especially with the new focus on heist fiction in addition to other comedic differences.

As with the previous books in the series, Everyone in this Bank is a Thief features a memorable and over-the-top cast of characters.  This includes series protagonist Ernest Cunningham, a writer and crime fiction expert who has accidently found himself in the middle of several murder investigations.  Attempting to continue his unlikely career as a professional detective, Ernest proves to be an intriguing and entertaining protagonist, especially with his cynical outlook on the world.  Much of the book’s humour comes from Ernest’s entertaining observations of the people around him, and he has a unique way of solving crimes that mocks traditional murder mysteries in all the best ways.  There is a compelling addictive element to Ernest’s need to solve crime in this latest novel, which often forces him to make some stupid decisions, and the author adds in some interesting and entertaining self-reflective moments that I quite enjoyed.  There is also and quite entertaining look at Ernest’s notoriety and semi-fame in wider society, which plays into the story in several fun ways, including making him a potential target for murder.  I loved how much Ernest has developed over the series, and this proved to be a great extra inclusion to his story.

The rest of the cast of Everyone in this Bank is a Thief is also quite impressive, with my favourite being Ernest’s patient fiancé, Juliette.  A strong-willed, intelligent supporting character who has been Ernest’s love interest since the first book, Juliette often finds herself trapped in these elaborate murder investigations alongside her partner.  Her latest outing in Everyone in this Bank is a Thief was particularly fun, as Stevenson used some interesting shenanigans to showcase Juliette’s feelings about Ernest’s antics, especially when he gets caught up in an investigation.  The real brains and emotional heart of this novel, Juliette was extremely awesome, and I love how well she complements Ernest as the protagonist.  The rest of the cast, the majority of whom are fellow hostages in the bank, also prove to be a ton of fun, especially as all of them are thieves in one way or another.  While I’m going to limit my discussion about these supporting characters to avoid spoilers, I will say that Stevenson came up with an awesomely eclectic group of suspects, red herrings and rogues here, and uncovering their associated ploys and schemes made for some great reading.

Overall, Everyone in this Bank is a Thief was outstanding fourth entry in the Ernest Cunningham series, and I had such an epic time getting through it.  Benjamin Stevenson has perfected his formula for highly entertaining murder mysteries, and the intricate blend of complex mystery, excellent humour and outrageous characters makes for quite an impressive read.  One of the best Australian crime fiction novels of 2025, Everyone in this Bank is a Thief comes very highly recommended, and I cannot wait to see what Stevenson writes next.

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The Girls I’ve Been by Tess Sharpe

The Girls I've Been Cover

Publisher: Hodder Children’s Books (Trade Paperback – 9 February 2021)

Series: Standalone/Book One

Length: 361 pages

My Rating: 5 out of 5 stars

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From bestselling young adult author Tess Sharpe comes an outstanding and deeply impressive new novel, The Girls I’ve Been, an extremely clever and emotionally rich young adult thriller that is easily one of my favourite books of 2021 so far.

When young teen Nora O’Malley started her day, she thought that the worst thing she would have to deal with would be an awkward chance meeting with her ex-boyfriend at the local bank with her new girlfriend in tow.  However, things get decidedly worse when two armed men storm the bank, shooting wildly and demanding the manager.  When their plan goes awry, the two robbers take the staff and customers hostage, locking them in and barricading the doors.  With only a small police force in town, the nearest SWAT team hours away and the gunmen getting more and more antsy, things look grim for the hostages until Nora takes the lead.

Despite only being 17, Nora has a complicated and terrible past.  Born the daughter of a self-centred and manipulative con artist mother, Nora spent the first 12 years of her life helping her mother run her dangerous cons, first as a prop, then as an active participant, learning everything there is about lies, deceit and becoming a whole different person.  However, after their final job went terribly wrong, Nora eventually left her mother behind to escape and become Nora.  Despite living a relatively quiet life for the last five years with her long-lost sister, Nora is prepared to dive back into her past lives as a conwoman to ensure that everyone gets out this dangerous situation alive.

Using every trick and subtle deception at her disposal, Nora must try to manipulate the two robbers into letting them go, while also attempting to distract them from her friend’s escape attempts.  But as conditions in the bank get even worse, Nora begins to realise that these robbers have their own deadly plan, and that the only chance to survive is to reveal her true identity to her captors.  Nora has a deadly secret in her past, one that she has been running from for years, and which may prove to be far more dangerous than anything the robbers can throw at her.

The Girls I’ve Been is an impressive and captivating young adult thriller that I was lucky enough to receive a copy of a few weeks ago.  This is the latest novel from Tess Sharpe, an author who specialises in novels with strong female protagonists, including Barbed Wire Heart, Far From You and the Jurassic World: Fallen Kingdom tie-in novel, The Evolution of Claire.  I must admit that before receiving her latest novel, I was a little unfamiliar with Sharpe’s work, although I did hear good things about her Marvel Comics tie-in book, Captain Marvel: Liberation Run.  However, the moment I received The Girls I’ve Been, I knew that I had to read it as I really liked the cool synopsis and the fantastic-sounding plot.  I ended up powering through it in a few short days as I quickly became engrossed in the excellent and complex narrative that Sharpe weaved around her damaged protagonist.  I had an outstanding time reading this book and, considering how engrossing and powerful I found it, I have no choice but to give it a full five-star rating.

For this amazing book, Sharpe has come up with an exceptional story primarily told from the point of view of the book’s protagonist and narrator, Nora.  The author starts the story off quick, pushing the protagonist and her friends, the dramatic pairing of her hurt ex-boyfriend and her long-time crush turned recent girlfriend, into the midst of a violent and dangerous situation when the bank they are in is stormed by two gunmen.  After this explosive start, Nora quickly slips into action, plotting her escape while trying to find some way to manipulate their captors into letting them go, which in turn reveals her past as a conwoman’s daughter.  The author then starts layering in a series of fantastic flashback sequences or chapters loaded with details about the protagonist’s past or her relevant skills and experiences.  Not only do these become relevant to the current crisis that the characters find themselves in, but they also provide more context for Nora’s actions, as well as containing hints about her troubled past.  These flashbacks fit seamlessly into the main narrative, and as the book progresses and the situation in the bank gets worse, the reader becomes more and more aware of just how dangerous and messed up Nora’s childhood.  The depictions of the character’s past are exceedingly fascinating, and this entire flashback narrative proves to be an awesome addition to the plot, especially as some of her previous actions have severe consequences on current events.  Both the past and present come together extremely well to form an impressive conclusion, which also leaves open the potential for sequels in the future.  I really enjoyed this awesome overarching narrative, due to its fast-paced intensity, clever humour (I particularly liked the inclusion of text at the start of some chapters describing the progress of Nora’s various plans), and impressive character development, and it really did not take me long to get invested in the story.

Easily the best thing about The Girls I’ve Been is the extraordinary amount of character development that Sharpe puts into her point-of-view protagonist, Nora.  Nora (not her real name) is a character who has a unique outlook on life due to her past, which she is constantly haunted by.  When we are first introduced to Nora, the reader is shown a seemingly normal girl, albeit with a complex love life, but it does not take long for the reader to understand just how different she is.  Not only do we witness her immediately take control of the situation inside the bank, but soon the reader sees a powerful series of flashbacks showing the character’s chaotic early life.  Each of these great flashbacks help to produce a layered and captivating figure and it was truly fascinating to see how Nora was born and raised as a criminal conwoman.  Sharpe really dives down deep in Nora’s psyche, allowing you to see how messed up she is and how her past shaped her.  I particularly enjoyed the various flashback chapters that show her committing cons when she was younger, each time with a different name.  With each of these cons, the protagonist learns a whole new set of skills and personality traits, either because her mother demanded it to make the con work or because the trials she underwent during this job required her to learn them.  The protagonist attributes each of these traits to the distinct person she was during the job, and she calls on each of these personalities to shape her into the mostly stable and capable person that she is today.  The author pulls no punches in showing the reader all the terrible things that Nora experienced as a child, and I think she did an outstanding job capturing the lasting impact painful events would have on a young person.  Despite this trauma there is a noticeable strength to Nora that drives her to survive and help others, even if it means sacrificing herself or taking a more lethal approach to solving a problem.  Naturally, all this impressive backstory helps to produce a truly compelling protagonist who the reader cannot help to pull for, especially as Sharpe also imbues her with a sarcastic and clever sense of humour that really appealed to me.  It will be interesting to see if Sharpe continues utilising this unique character in the future and I for one would love to see what happens to her next.

In addition to Nora, Sharpe has also included several other great supporting characters who help to turn The Girls I’ve Been into a first-rate novel.  While none of these characters get as developed as Nora, Sharpe has ensured that each of them is just as complex and nearly as damaged.  The main two supporting characters are Iris, Nora’s quirky current girlfriend, and Wes, Nora’s ex-boyfriend, both of whom are trapped in the bank with her.  While you would assume that this combination of characters would result in petty drama, Sharpe has come up with an intriguing relationship dynamic between the three of them which becomes a fantastic part of the narrative.  They prove to be quite supportive of each other, as all three have experienced various forms of neglect or abuse in the past, and together they are able to face their demons and become more stable people.  I really liked the way that Sharpe utilised Iris and Wes in the story, especially as both characters have some interesting characteristics, and it was amazing to see them all develop them throughout the course of the novel.

In addition to her friends, there is also a significant focus on Nora’s family, her sister Lee, and her mother, both of whom have had a major impact on her life.  I enjoyed both characters for very different reasons.  Lee is the strong older sister who, after experiencing a similar traumatic childhood like Nora, dedicates her life to saving Nora, even if she must ruin everything she loves.  Their mother, on the other hand, is a selfish, manipulative creature, who lives for the scam and is willing to drag her children through hell to get what she wants.  Both characters are great additions to the narrative, and it was fascinating to see what motivated them and what terrible things they are willing to do for different reasons.  All these characters add so much to The Girls I’ve Been, and I was really impressed with Sharpe’s excellent work on them.

Like several of Sharpe’s previous novels, The Girls I’ve Been is marketed as a young adult fiction novel for a younger audience.  I would say that this is an exceptional novel for teenage readers, as The Girls I’ve Been contains a complex and powerful story that features a young girl forced to endure amazing hardships and overcoming them in an intelligent way.  There are some deep and emotional issues that are hit on throughout this book, including children forced to deal with abusive parents, as nearly every parental figure in this novel is either abusive or complicit through negligence.  I think the author addressed these issues in an excellent way, especially as she did not try to talk down her intended audience, and I have no doubt that these elements will strongly resonate with some readers.  In addition, Sharpe also discusses some other important issues in this novel, such as endometriosis, as well as depicting some very positive LGTB+ relationships, all of which I think a lot of teenagers will also really appreciate seeing.  The novel does contain some more mature themes and elements, which might not be appropriate for younger readers, but which make it a great teen read.  This is also one of those young adult novels that can be quite easily enjoyed by an older audience, and I think that a wide range of readers will deeply enjoy this amazing novel.

The Girls I’ve Been is an outstanding and exceptional novel that I cannot give enough praise to.  Tess Sharpe has come up with a truly impressive young adult thriller, containing an amazing story and some exceedingly compelling characters.  I had an awesome time with this book, and I cannot recommend it enough.  I look forward to seeing what Sharpe will come up with next and I can certainly say that this is an author that I will be keeping a very close eye on.  I hope that she considers a sequel to The Girls I’ve Been in the future, although this great novel already has a pretty fantastic self-contained story to it, still it might be interesting to revisits the cool characters again.  There is apparently a movie adaptation of The Girls I’ve Been in the works, starring Millie Bobby Brown.  I think that this book would make for a really good movie, and Millie Bobby Brown is a fantastic choice to play Nora (I only just watched her in Enola Holmes).  In the meantime, do yourself a favour and check out The Girls I’ve Been, because you really will not be disappointed.

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