House of Earth and Blood by Sarah J. Maas

House of Earth and Blood Cover

Publisher: Bloomsbury/Audible Studios (Audiobook – 3 March 2020)

Series: Crescent City – Book One

Lenght: 27 hours and 50 minutes

My Rating: 5 out of 5 stars

Prepare to meet your new obsession! One of the world’s top young adult fantasy fiction authors, Sarah J. Maas, breaks into the adult fantasy fiction genre in a big way with the first book in her brand-new Crescent City series.

Sarah J. Maas is an author that needs very little introduction. She is one of the most highly regarded young adult fantasy authors in the world today, having written two major bestselling series and a couple of standalone young adult novels. Maas debuted in 2012 with Throne of Glass, the first novel in her acclaimed seven-book long Throne of Glass series, and she has since gone on to write a second major series, A Court of Thorns and Roses. I have been meaning to check out some of Maas’s main series for a while now, especially Throne of Glass, as I have heard some very good things about them. Unfortunately, the only book of Maas’s that I have so far read was her DC Comics tie-in novel, Catwoman: Soulstealer, which I really enjoyed, especially as Maas had an amazing understanding of some iconic comic characters. As a result, I was interested when I heard about her new book, House of Earth and Blood, and I was curious to see how her first adult fiction novel would turn out. This is the first book in the Crescent City series, which presumably will be the author’s main body of work for the next few years. I received a physical copy of this book to review, although I eventually decided to listen to the audiobook format to fit it into my reading schedule, and I have to say I was rather impressed.

Welcome to Crescent City, a bustling metropolis where magic and technology meet in a world ruled over by all-powerful godlike creatures. Bryce Quinlan is a half-Fae, half-human, party girl at the low end of her world’s magical hierarchy, content to live her days clubbing and celebrating with her best friend, the powerful werewolf Alpha Danika Fendyr. All that changes the night Danika and her entire wolf pack are brutally slaughtered while Bryce is out partying. Bryce arrives home just in time to encounter the demon that committed the act, chasing it out into the streets before it escapes, never to be seen again.

Two years later, Bryce is a shell of her former self. Still reeling from the death of the closest person in her life, Bryce finds herself without direction or purpose. However, the revelation that a fresh wave of killings that mirror the bloody way Danika and her pack were taken out quickly changes that. Due to her experiences with the unknown species of demon and her intimate knowledge of Danika’s movements and history, Bryce is tasked by the governor of Crescent City to find who or what is summoning the destructive demons and unleashing them upon seemingly random members of the populace. However, Bryce will not be working on this case alone, as she finds herself teamed up with the governor’s personal assassin, the brooding, dangerous and surprisingly attractive fallen angel, Hunt Athalar.

Begrudgingly agreeing to work together, Bryce and Hunt start to scour the dark underbelly of their city, attempting to find any leads to who summoned the demon. However, they soon run afoul of many of Crescent City’s inhabitants, some of whom do not want the pair to uncover the truth. As they dig further, they begin to uncover a terrible conspiracy with terrible connections to Bryce’s traumatic past and which threatens all of Crescent City. However, the closer they come to the truth, the more pain and torment the two damaged souls uncover, especially as both of them try to fight the intense feelings blooming between them. With the fate of Crescent City hanging in the balance, can Bryce and Hunt get to the bottom of these killings, or will they be overwhelmed by all the hurt that is about to come their way?

Well damn, that turned out to be one hell of a book. I do have to admit that I’m not usually a fan of major romantic subplots in the novels I read (I know, typical male, Bryce would probably be calling me an Alphahole), and I was a little apprehensive that the romantic angles described in the book’s synopsis would overwhelm the fantasy story. However, any doubts I had about whether I was going to enjoy House of Earth and Blood were quickly blown away in the early stages of the story, especially once I hit the major plot development about 70 pages in. From there I was absolutely hooked on the story, as Maas kept piling on revelations, shocking moments, character development and an impressive murder mystery. I ended up really loving this amazing novel, and I ended up giving it a five-star rating.

I really enjoyed the way that Maas told this story, and this book contained an expansive and deeply addictive narrative that proved hard to put down at times. House of Earth and Blood is told from several character perspectives, most notably Bryce and Hunt, although quite a bit of the story is shown from the perspective of Bryce’s half-brother, Ruhn Danaan. Having these three main point-of-view characters results in a much more expansive story, as each of them has their own contributions to the plot, although there is a huge amount of crossover between each of their storylines. While Mass tends to focus most of her character development and storylines around Bryce, Hunt and Ruhn, there are a number of additional supporting characters, some of whom have some rather interesting roles throughout the book. Maas also includes a huge amount of foreshadowing throughout the book, hinting at several things that are to come further along in the narrative. While it is obvious where some of this foreshadowing is going, some of it was only noticeable in hindsight, and some of these more subtle inclusions made me really appreciate the author’s clever writing style.

One of the best things about this book was the incredible and intriguing new fantasy world. The Crescent City series is set on a version of Earth called Midgard, which was invaded thousands of years ago by vast armies of various magical creatures, ending humankind’s dominance of the planet. The modern world of Midgard is a chaotic and fascinating place, filled will all manner of magic and creatures who live in a hierarchal system, with all-powerful beings at the top and humans at the very bottom. There are so many cool elements to this world, from the unique magical systems, the different factions and organisations, and a vast multitude of different magical creatures with their own traits and characteristics. Maas dedicates a substantial amount of time exploring all these different elements of her new world, and the result is an impressive and vast setting which serves as a fantastic backdrop to this exciting story. I also liked the rather fun similarities between this fantasy world and the modern world, and it was interesting to see fantasy creatures running around with modern technology such as phones and guns. I also had a rather good laugh at some of the television shows that the author featured in the book, including a rather trashy-sounding True Blood inspired television show, which was made fun of relentlessly for its sexual content (which is kind of ironic considering how much sex was in this novel). Maas is clearly a master of universe building, and she has come up with a really great fantasy world that holds a lot of potential for future novels in the series, as well as opening up the possibilities of spin-off stories around some of the fantastic side characters introduced. I personally would love to see a novel based around the character of Fury Axtar, the mysterious assassin friend of Bryce, who has a minor role in the book.

In addition, Maas has also come up with a rather clever murder mystery storyline that I had an outstanding time unwrapping. The vast majority of House of Earth and Blood’s plot revolves around the murder of Danika Fendyr and her pack, as well as the similar murders that are occurring in the modern day. The subsequent investigation by Bryce and Hunt turned into a rather captivating storyline, as they explored the underbelly of their fascinating city, trying to find leads and uncover who had a motive to kill Danika. This whole mystery storyline goes to some very interesting places, and Maas comes up with a number of red herrings, alternate suspects, potential leads and side mysteries (a missing magical horn and a new street drug), all of which come together into a pretty incredible and clever narrative. I was actually rather surprised about who the culprit turned out to be, although Maas does set up the reveal rather well, and there are some rather clever hints in hindsight. That being said, while I didn’t know who the culprit was in advance, I totally knew where the final showdown with them was going to take place, and how the whole confrontation was bound to go down (there was a literal Chekov’s gun there). Still, it turned into quite a good confrontation scene, and I had a good laugh at the over-the-top way that the villain was taken down for good. This was a rather impressive element of the story, and I hope that Maas includes some more clever mysteries in her future books.

While I really loved the fantastic story, incredible world building and captivating mystery, the true centre of this book are the two compelling and exceedingly damaged main characters who Maas sets the story around, Bryce Quinlan and Hunt Athalar. Maas does some outstanding work setting these characters up, exploring their pasts and developing their personalities and emotions throughout the book. Bryce starts House of Earth and Blood as a seemingly carefree party girl with major daddy issues. However, the loss of Danika in the book’s first act severely changes her, as she has to deal with an extreme amount of guilt, isolation and social hatred in the following two years. This really alters her as a character and turns her into an extremely vulnerable person with a real emotional investment in the case, who hides all her true feelings behind a sassy and angry façade. Hunt, on the other hand, is a powerful fallen angel who lost his freedom and the love of his life in a failed rebellion against the ruling gods of the planet, and has spent the last several decades being tortured and used by the victorious archangels, and is now the personal assassin of the governor of Crescent City. Now known throughout the city as the Umbra Mortis, the Shadow of Death, Hunt is a simmering pot of anger who is resentful of how he has been treated all his life, and who is determined to be set free. Like Bryce, he is deeply invested in solving the case, as its resolution will allow him to take a serious step towards freedom, and on the surface he is the more serious of the duo. However, also like Bryce, Hunt has some major vulnerabilities and he is hurting deep inside. Both Bryce and Hunt are incredibly interesting protagonists, and I am really impressed with the layers that Maas was able bring to their characters, which added a significant amount to the story.

While Bryce and Hunt are amazing characters in their own right, the real magic comes when they are paired together. It is obvious from the start that these two are going to hook up at some point, but the journey to get there was written extremely well. The combination of these two exceedingly vulnerable and complex characters in the story is great, and it makes for some incredible and dramatic story moments, as Bryce and Hunt slowly work out all their issues and history. The way they slowly go from dislike to mutual respect to lust/romance is accompanied with a slow exchange of secrets, facts and personality reveals, and I had an amazing time seeing them come together as a couple. This turned into quite a good romantic subplot, although the two of them have some major bumps and betrayals along the way. Still, there are some rather nice moments in their relationship, from the way that they take care of each other after traumatic events, to funny reveals and mutual moments of protecting one and other. Bryce and Hunt make for a great pair, and I am really impressed with the way that Maas portrayed them and the complex story she wove around them. It looks like there are more secrets and backgrounds about both coming up in the future books, and I am looking forward to seeing where Maas takes them in the future.

While this book had some amazing elements, I did find this novel to be a tad trashy at times. As I mentioned above, this is Maas’s first foray into non-young adult fiction, and she certainly did not shy away from adding all manner of adult content into her book. While I can certainly appreciate Maas wanting to differentiate this book from some of her young-adult fiction work, I honestly think she overcompensated. This book is filled with a huge amount of adult language and sexual content, as pretty much every character in this book is crude, rude, oversexed and incredibly thirsty. While some of this served a purpose, such as showing what sort of party-girl character Bryce was before the traumatic incident, the sheer amount of stuff that Maas included was a bit over the top, and I found it to be somewhat distracting at times. This book also introduced me to the brand-new term, Alphahole. In the context of this book, an Alphahole is the term that Bryce gives to any magical male who thinks that their abilities and power give them the right to control women and run their lives, especially those women with less magical power than them (i.e. humans and half-humans like Bryce). Unfortunately, in this book pretty much every male that Bryce encounters is an Alphahole in her opinion; even the more redeemable characters like Hunt or Ruhn are deemed Alphaholes at the start of the novel, especially once they venture an opinion about her behaviour or actions. While I appreciate that this dislike for domineering men is part of Bryce’s character due to her father, and controlling guys really aren’t that cool in either fiction or real life, I do think that Maas kind of overdid their inclusion just a bit and I was honestly getting sick of hearing Alphahole as a descriptive term by the end of the book (although it became less apparent as the story progressed).

As I mentioned above, I ended up listening to the audiobook version of House of Earth and Blood. This audiobook has a runtime of 27 hours and 50 minutes and is narrated by Elizabeth Evans. I am rather glad that I decided to check out this format of the book. While I probably would have finished it off faster if I had read a physical copy (it took me a few weeks to get through the audiobook), I always feel that I absorb more of the novel when I listen to it, especially with longer books. This proved to be really useful when listening to House of Earth and Blood, as Maas packed so much plot and world building into this immense novel, and I think I ended up getting more out of this book by utilising this format. I have to say that I was also immensely impressed with Elizabeth Evans’s narration. Evans did an incredible job bringing the story to life, and her steady and emotional dictation of the story really helped me get to the end. I really loved the cool voices that Evans was able to come up with for all the characters, and I think that each of them matched the distinctive personalities of each character. Evans produced a huge range of different voices for these characters, and I really liked how she was able to alter them to reflect the ethereal or magical nature of some of the characters featured in the book, as well as hint at how powerful some of these creatures were by modulating her tone and adding a commanding quality to it. This was an impressive and deeply enjoyable audiobook adaptation, and I would strongly recommend it to anyone interested in enjoying House of Earth and Blood. That being said, be careful where you listen to this book, as it can be a little awkward to hear some of the steamy sex scenes when you are out in public. I somehow managed to be out shopping during two separate and particularly graphic scenes, and it proved very hard to keep a straight face while I was trying to grab groceries.

House of Earth and Blood is an incredible adult fiction debut from Sarah J. Maas, who has produced another outstanding and captivating read. There are so many excellent and enjoyable story elements in this book, and I absolutely loved every second I spend listening to it, even though some parts were a little over the top at times. This was an awesome start to Maas’s new Crescent City series, and I cannot wait to see what impressive and addictive story the author comes up with next. This novel comes highly recommended, and it gets a full five-star rating from me.

Book Haul – 17 November 2019

Before the new week starts up I just wanted to do a quick Book Haul post to look at the books I have received in the last couple of weeks.  This haul is combination of books I have received from publishers, as well as a few books/comics that I bought myself.  Most of these are sequels to some great novels/comics I have read in the past, as well as a couple of releases from some new authors that sound pretty interesting.  Let’s dive in.

Starsight by Brandon Sanderson

Starsight Cover

Starsight is easily the book I was most excited about getting a copy of.  Starsight is the epic sequel to Skyward, and it is a book that I have been looking forward to ever since I finished the Skyward last year, having previously featured Starsight in both a Waiting on Wednesday and My Top Ten Most Anticipated July-December 2019 Releases list.  I actually just finished this book today and it was pretty amazing.  Planning to get a review up for it soon so stay tuned.

Seven Crows by Kate Kessler

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This is a cool sounding thriller that I am looking forward to checking out.

Josephine’s Garden by Stephanie Parkyn

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This is an interesting historical fiction novel that looks at the life of Empress Josephine of France, should be fun to check out.

Grave Importance by Vivian Shaw

Grave Importance Cover

Grave Importance is the third book in Shaw’s fantastic Dr. Greta Helsing series.  I really enjoyed the first two novels in the series, and I have been looking forward to this latest instalment for it for a while.

Traitors of Rome by Simon Scarrow

Traitors of Rome Cover

Another book that I have been looking forward to for a while.  Scarrow is easily one of my favourite authors, and Traitors of Rome is a book that I really want to finish by the end of the year.

Angel: Volume One – Being Human by Bryan Edward Hill and Gleb Melnikov

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BOOM! Studios reimagining of the entire Whedonverse continues in this first volume of a brand new series of Angel comics.  I really loved their new versions of the Buffy and Firefly canons, and I look forward to seeing their take on one of Joss Whedon’s most intriguing characters.

Uncanny X-Men: Wolverine and Cyclops – 2 by Matthew Rosenberg and Carlos Gomez

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The second volume of a new series of Uncanny X-Men that sees the returning Wolverine and Cyclops team up once again.  The first volume of this new series was pretty good, and I am interested to see where the story goes in this volume, especially with all the massive events occurring in other areas of the X-Men universe.
Looks like I have a lot of reading to do in the future, I should probably get started.

Restoration by Angela Slatter

Restoration Cover.jpg

Publisher: Jo Fletcher Books

Publication Date – 9 August 2018

 

One of the very best authors of Australian crime fantasy returns with another outstanding release in her fast-paced and exceedingly entertaining Verity Fassbinder series.

In a world where the magical beings known as the Weyrd remain hidden from the Normal, non-magical population, Verity Fassbinder is a half-Weyrd, half-human agent for Brisbane’s Weyrd Council and is charged with policing the city’s Weyrd population.  However, following an adventure to the underworld, Verity has been forced into the employ of a crazed fallen angel, and must take up his quest to find two secretive artefacts hidden in Brisbane.  In order to protect those she loves from her murderous new employer, Verity has sent her family away and resigned her position with the Weyrd Council.  Saddled with a murderous Kitsune, Joyce, as a driver and spy, Verity must find a way to recover these mysterious two items without giving ultimate power to the creature holding everything she love hostage.

As if her involuntary quest wasn’t hard enough, Verity is also forced to contend with a myriad of other problems from Brisbane’s Weyrd population.  The vengeful sorceress Dusana Nadasy is back in town, determined to kill Verity for the role she played in the death of her family.  The angel Tobit is refusing to take Verity’s calls, Weyrd Council politics is seriously starting to annoy her, literal ghosts from her past are haunting her and her friends the Norns have developed strange new powers.  Finally, her contact in the Brisbane police, Inspector McIntyre, needs her help investigating a series of desecrated corpses of Normal women found around Brisbane whose bodies show the distinctive impact of Weyrd magic.  What Verity does not know is that all of these strange occurrences will play a part in her quest for the fallen angel’s prize and will change her life forever.

Restoration is the third book from Australian author Angela Slatter and represents the third book in her Verity Fassbinder series.  Restoration is an exceptional example of the benefits of combining two genres, and contains incredible fantasy and mystery elements blended together into a powerful final narrative set in modern day Brisbane.

Throughout Restoration, Slatter has surrounded her central storyline with an elaborate series of smaller mysteries and adventures, all of which cleverly tie into the protagonist’s hunt for the artefacts.  Each of the smaller plot lines and investigations is very interesting, and readers will be amazed about how interlocked the story really is.  Those who have read the previous books in the Verity Fassbinder series will also enjoy how Slatter expertly utilises elements and plot lines from the earlier books in the series throughout Restoration.  This is a fun feature, and really shows off how much planning and foreshadowing Slatter included in her first two books, as even minor observations and actions from the earlier books have some big impacts in the latest volume.  Despite this, Restoration is still an excellent book to come into this series with.  The author makes sure all the relevant details of the last two books are fully explained and explored.  As a result, new readers will be able to follow everything that is happening within Restoration, while also being tempted to check out the earlier books in this fabulous series.  Fans will enjoy how the storylines and side quests come together in the end of the book for a big and exciting confrontation sequence that serves as an epic conclusion to the first three books in the Verity Fassbinder series.

In addition to the book’s strong mysteries, the author has also included a range of enticing fantasy elements for the readers to enjoy.  The huge variety of fantasy aspects included within Restoration have been pulled together from a range of different cultural backgrounds.  As a result, the book’s protagonist interacts with creatures that have their origins in Greek, Germanic, Norse and Japanese mythologies and culture, as well as the usual ghosts, magic users and generally powered individuals.  There are also strong components from the Judeo-Christian religion that play a significant part in the story and which tie in well with the other fantasy elements.  The great mystery elements mentioned above work in conjunction with these fantasy features to create an amazing story.  Slatter comes up with some terrific fantasy based motives, plots and suspects for the reader to enjoy, and this helps create an intriguing and entertaining overall narrative.  The protagonist’s hunt for the artefacts, the “grail” and the “tyrant”, leads to a greater insight into this universe’s magical and religious roots, and turn into some intriguing pieces of this universe’s lore.  In addition, the protagonist’s curiosity about her Weyrd ancestors leads to her finding out some fascinating facts about their history, as well as a detailed bit of fictional mythology from Slatter.  This focus on the family she is descended from also hints at these characters being involved in future additions of this series, and will no doubt prove to be excellent antagonists.  Overall, the book’s fantasy elements are highly enjoyable and add sufficient wonder and enhancement to an already outstanding book.

Restoration is mostly set within the Australian city of Brisbane and its local environs.  Slatter, a Brisbane local, has created a detailed and personal depiction of her city and it serves as a fun location for this book’s plot.  People familiar with Brisbane will appreciate the descriptions of city and enjoy the concept of a hidden and chaotic fantasy world lying just below its surface.  Special note should be given about the inclusion of the University of Queensland, Slatter’s alma mater, as a setting within the book, and it is always fascinating to see a location that the author is familiar with and passionate about.

Slatter has continued to use the humour-laden tone of writing that was such a standout of the first two books in the Verity Fassbinder series.  The protagonist is a remarkable character who does not care who she annoys or who gets in her way as she tries to achieve her goals.  This nonconformist attitude and general disregard for the rules for the Weyrd Council has a great way of getting the reader to support her, and as a result she has always been a very likable main character.  The jokes and humour that inhabit the narrative as she encounters a range of strange and dangerous situations help lighten the tone of the dark investigations she is involved with.  Things get serious towards the end, especially when the protagonist’s family gets involved and this helps raise the stakes in the readers mind, although some humour is still involved.  Audiences will love the sass and humorous observations that inhabit this whole book, and it fits in well with the overarching urban fantasy crime narrative that Slatter has cultivated.

Restoration is another superb read from Angela Slatter and an outstanding addition to one of the best fantasy crime series in the world today.  The books in this series are up there with The Dresden Files and the Peter Grant series, and are fantastic examples of this combination of genres.  The third book in this Australian series makes full use of its elaborate mystery, intriguing fantasy elements, exciting Brisbane setting and distinctive humour to create an extraordinary read that comes highly recommended.

My Rating:

Five Stars