The Maleficent Seven by Cameron Johnston

On April 6, 2024 By The Unseen LibraryIn Fantasy, Five-Star Books6 Comments

Publisher: Angry Robot (Trade Paperback – 10 August 2021)

Series: Standalone

Length: 416 pages

My Rating: 5 out of 5 stars

One of the fastest rising authors of dark fantasy fiction, Cameron Johnston, returns with his most entertaining book yet, the outstanding and epic novel, The Maleficent Seven.

Cameron Johnston is a great author who I was lucky to come across a few years ago with his debut novel, The Traitor God. Bought on a whim because it sounded cool, The Traitor God ended up being one of my favourite fantasy books of the year thanks to its excellent revenge storyline. The Traitor God was such an epic read and I ended up grabbing the intriguing sequel the following year, God of Broken Things. God of Broken Things (one of my favourite books of 2019) proved to be an outstanding sequel, and it ensured that I would be keeping an eye out for more of Johnston’s work. This included his 2021 novel, The Maleficent Seven, which had an awesome plot behind it. I honestly have been meaning to read The Maleficent Seven for ages but could never fit it into my schedule. That was until last year, when I managed to power through the entire book in a single plane ride. The Maleficent Seven ended up being a pretty darn exceptional novel that I wish I read a hell of a lot sooner.

It is a dangerous time in the lands of Essoran, as the Lucent Empire, a nation of apparent holiness and light, continuously expands, sweeping away all opposition and either burning or converting the survivors to their faith. Despite their apparent benevolence, the Lucent Empire has a dark side dedicated to destroying all magic, heretics, and anything it deems evil through fire, blood and death. The final stage of their invasion is set, but to proceed they first need to cross through the mountain road, which exits at the small town of Tarnbrooke. All looks lost for the inhabitants of Tarnbrooke, who are likely to burn in the Lucent Empire’s light, until an unlikely figure appears to lead them.

Forty years ago, the dread demonologist Black Herron led a black horde of bloodthirsty soldiers, dark creatures and monsters on a deadly campaign that rocked all Essoran. Total conquest of the realm looked certain, until she suddenly disappeared the eve of the final battle. Without the will of their leader to hold them together, the army fell to infighting allowing their enemies to prevail. No one knew what happened to Black Herron, until she reappears in Tarnbrooke, having lived there in disguises for decades.

Determined to stop the Lucent Empire and their fanatical leader no matter what, Black Herron takes over the town and prepares it for siege. But even a being as powerful as Black Herron is unable to stop an entire divinely infused army by herself. Instead, Herron seeks to bring together the six deadly captains of her army, whose skills and ferocity helped her to nearly conquer the world. Together, this assortment of dangerous beings, including a vampire, a necromancer, an orc chieftain, a war god, a pirate queen and a deranged alchemist, might stand a chance against the coming storm. But first they need to learn to work together once more, especially as each of them have a very different reasons to fight with Black Herron again.

The Maleficent Seven is a powerful, captivating and fantastically over-the-top novel that showcases Cameron Johnston’s impressive writing skill and ability to bring together great characters with dark fantasy settings.

Now, as you can probably guess from the name, The Maleficent Seven is a dark fantasy take on classic films like The Magnificent Seven and its predecessor, Seven Samurai. Johnston sets the scenario perfectly, first introducing protagonist Black Herron and her previous evil horde, which disbands in the starting chapter. From there, we get a time skip and are introduced to the book’s antagonists in the form of the Lucent Empire, their divinely empowered inquisitors and their leader, the Falcon Prince. Their initial actions are enough to paint them as dangerous religious zealots who use their divine light and apparent holiness as a shield for their dark ambitions. Their quest leads them on the road to Tarnbrooke, where the elderly Black Herron waits for them, having decided to make a stand and bring together her six former captains.

The first half of the book is dedicated to recruiting the six captains, who have scattered across the world. All evil or deadly figures, none of them particularly wants to fight another war, but each are drawn back for different reasons, including family, pride, revenge and more. Johnston does a good job of breaking up the recruitment process throughout the early chapters, and each of the revealed captains turn out to be crazier than the last, enhancing your anticipation for how they are going to act in the coming battles. At the same time, you get to know the Lucent Empire, as they send agents against the captains, trying to eliminate the danger they pose. Johnston lays down some very solid groundwork in this first half of the book, and you quickly get drawn to each of the seven main characters for various reasons. There are a great range of character arcs spread out amongst these unlikely protagonists, and while a couple of them are purposely irredeemable, the rest prove to be surprisingly likeable and complex. Johnston also takes the time to build up the antagonist, showcasing just how sinister they truly are, while also providing some slightly predictable revelations about their leader.

The second half of the book is dedicated to the battle for Tarnbrooke, which after seeing how crazy the first half of The Maleficent Seven is, you know is going to be good. There is some good additional setup once the captains arrive in town, with the building of siegeworks, the training of the townsfolk, and other unusual preparations, all of which is reminiscent of the films the book is an homage to. Johnston also builds up some additional character interactions that I really enjoyed, as certain townsfolk become connected to different saviours and there is some good follow-up regarding the protagonist’s prior adventures. The resulting siege is everything you could hope for and more. I am a huge fan of sieges in fiction (check out my previous list on the subject) and The Maleficent Seven is a particularly good example of an epic siege, especially as Johnston goes very over-the-top when it comes to the different weapons and methods the defenders employ. Everything from vampiric conversion, exploding pigs and drugged townspeople are used to hold the line against the enemy in several brilliant and brutal fight sequences, while a major sea battle simultaneously occurs, featuring, amongst other combatants, a giant kraken. All the fighting is fierce, desperate, and pretty damn bleak, while the characters each go through their own intriguing and powerful journeys. I honestly was enthralled once the main fighting started, and Johnston really did not let up until the end.

The final sequence of the main fight turns into an impressive and extremely horrific brawl for survival as the protagonists fight against increasingly desperate odds. There are also several betrayals as certain telegraphed plots from the evil protagonists come to fruition, and everyone fights to survive and come out on top. You will be a bit unprepared for who lives and who dies during the final few chapters as Johnston loads up some fantastic twists and cool revelations that constantly leave you guessing. Even when you’re sure you know who is going to survive, Johnston swiftly changes everything around with a few hilariously ironic reveals, as well as some more tragic deaths. I liked how Johnston imbued the story with a certain level of hope towards the end, even if that was somewhat overshadowed by the carnage surrounding it. There were also some darker moments in the conclusion, as certain characters realise just how damned they truly are. Throw in a final great twist that really tied together a hidden motivation from the very start, and Johnston ends The Maleficent Seven on the perfect note for the reader.

Johnston did a remarkable job with this awesome book, and I loved how dark, powerful, and compelling The Maleficent Seven turned out to be. Thanks to the unique array of characters, insane fight sequences and entertaining twists, The Maleficent Seven will prove really appealing to a wide array of readers, especially as Johnston got the right balance of action, tragedy, and humour throughout the entire read. I especially loved how well the author flipped the established concept of heroes defending a town from villains on its head with the inclusion of seven fantasy supervillains leading the charge against a holy army. The clever reveal that the apparently good warriors are far more sinister than the literal monsters is so well handled, and it was impressive to see a classic idea so well refreshed. Throw in some excellent world building, an interesting collection of fantasy creatures and the sheer overwhelming chaos of a desperate siege, and there is something in The Maleficent Seven for all fantasy fans.

Something I really loved about The Maleficent Seven was the cool collection of characters who made up the key cast. All the titular seven are very well represented throughout the book, and it proves very hard not to fall in love with each crazy member of the team; thanks to the narrative split, you get some intriguing insights into their motivations, actions, and history.

Of these characters, my favourite was probably Tiarnach, the fading war god who has fallen on hard times. Thanks to the death of all his followers and his inability to fight against the Lucent Empire, Tiarnach starts the book off as a broken, drunken figure with barely any power left. Joining Black Herron’s cause to get revenge and some form of redemption, Tiarnach becomes the defenders’ nominal drill instructor, trying to whip the townsfolk into a fighting force. The connection Tiarnach forms with the townsfolk, his journey towards redemption, and the fact that he is one of the few characters without ulterior motivations, ensures that readers are drawn towards him. He easily has one of the best, most tragic character arcs in the entire book, and I really enjoyed how Johnston utilised him. The same can also be said for the legendary orc warrior, Amogg. Amogg leaves her responsibilities behind to sate her desire for battle and alleviate her restlessness. Thanks to her blunt and entertaining personality, Amogg was another character the reader connects to. However, Johnston ensured that she became a true favourite when she begins to turn the women of Tarnsdale into an effective fighting force against their will. Watching her empower and lead a band of fighting women into battle was very impressive, and her storyline was heartwarming and bleak in equal measures.

The other five characters each have their moment to shine. The vampire, Lorimer Felle, was a suave and brutal figure whose inability to die, connection to his one loyal servant, and desire for destruction left a major impression. Verena, the pirate queen, was also really good, although she kind of gets overshadowed by the other characters. Jerak the alchemist was the most unhinged, and I loved how he ended up becoming more of a danger to his friends than his enemies thanks to his gruesome experiments. Maeven, the necromancer, has one of the more complex story arcs in the book as she blurs the line between ambition, revenge and a desire for family. While she fights alongside the others, her own need for vengeance and power leads her down a dark path, especially with her connections to the Lucent Empire’s leader. Maeven’s entire story goes in some very dark directions, and I appreciated the dark note Johnston left it on. Finally, the leader of the group, Black Herron, has a very interesting storyline that runs the gambit from dark queen to unlikely hero. Johnston does a great job showcasing her rise and fall throughout the story, and the question of why she chose to abandon her conquest and her army is a fantastic part of the book. All these protagonists are outstanding in their own way, and I loved how Johnston was able to weave together some compelling, entertaining, and occasionally sad storylines around such wonderfully outrageous figures.

Look, with a story this awesome there was no way I wasn’t going to love The Maleficent Seven, and I think my lengthy review above proves this point extremely well. Cameron Johnston was on fire when he wrote his third full-length novel, and The Maleficent Seven proved to be a particularly intense, clever and impressive read. Bringing together entertaining characters with insane violence amid a classic story scenario, The Maleficent Seven proved near impossible to put down and I loved every second I spent reading it. A highly recommended read for all fans of dark fantasy, I cannot wait to see how Johnston’s next book (coming out later this year) turns out.

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The Emerald Tablet by Meaghan Wilson Anastasios

On June 25, 2019August 13, 2022 By The Unseen LibraryIn Australian, Historical Fiction, Thriller2 Comments

The Emerald Tablet Cover

Publisher: Macmillan (Trade Paperback – 25 June 2019)

Series: Benedict Hitchens series – Book 2

Length: 404 pages

My Rating: 4 out of 5 stars

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It’s time for another exciting archaeological adventure in the turbulent 1950s as Meaghan Wilson Anastasios returns with the second book in her Benedict Hitchens series, The Emerald Tablet.

Anastasios is an Australian academic who started writing fiction back in 2014 when she co-wrote her first historical fiction novel, The Water Diviner, with her husband, Andrew Anastasios. This first book was fairly successful and was loosely adapted into a film of the same name featuring Russel Crowe. Last year, Meaghan Anastasios wrote her first solo novel, The Honourable Thief. The Honourable Thief serves as the first book in the Benedict Hitchens series, which follows the adventures of the series’ titular protagonist, Benedict Hitchens, an ambitious American archaeologist living in Turkey.

In The Honourable Thief, Hitchens, a respected academic and war hero, was seduced by the beautiful Eris, who showed him a fabulous collection of artefacts she had apparently recovered. The seduction and the artefacts were revealed to be part of an elaborate con which ended up ruining Hitchens’s academic reputation and forced him to live a life of exile in Istanbul. The incident also provided Hitchens with a series of clues which eventually leads him to the hidden tomb of Achilles. However, this was revealed to be part of a further con: while he was able to find the tomb, Eris and her employer, Garvé, a man who Hitchens had significant history with during World War II, subsequently stole the tomb’s greatest treasure, the Shield of Achilles.

Now, a year later in 1956, Hitchens’s excavation of Achilles’s tomb has helped restore his academic reputation, and his life is back on track. However, he has never forgotten Eris, who still has a hold on his heart even after she betrayed him. When he finds out that Eris, now calling herself Essie, is in Istanbul researching a rare and ancient document, he decides to investigate what she is up to. He quickly discovers that she and Garvé are searching for the Emerald Tablet, a legendary artefact rumoured to hold powerful alchemical secrets that could alter the world.

Determined to keep the Emerald Tablet out of Garvé’s hands, Hitchens begins his own hunt for the tablet. With his friend the crooked antiques dealer Ilhan Aslan at his side, Hitchens follows a series of clues deep into the Middle East. However, this is a dangerous time, as tensions between Egypt, Israel and the European powers are at an all-time high. Hitchens and Aslan soon find that the Emerald Tablet’s trail leads them right into the middle of the chaotic Suez Canal crisis. With agents of the various world powers also searching for the tablet and a murderous assassin following Hitchens’s every move, can he recover the tablet before it is too late, or will Garvé once again outsmart him? And what will happen when Hitchens once again comes face-to-face with the woman who stole his heart?

This was a fantastic follow-up to Anastasios’s first solo novel, and the author has done a great job continuing the story from the first Benedict Hitchens book. The Emerald Tablet has a fast-paced and exciting story focused on the search for an intriguing artefact and featuring an interesting look at a major historical event of the 1950s. In addition, Anastasios tries out some new storytelling methods and a focus on one of the villains from the first novel, which work well to create a fascinating overall narrative. All of this results in an amazing book which I had a fun time reading.

While the first book in the series, The Honourable Thief, employed several separate timelines spread out through the book, Anastasios chose a different format for The Emerald Tablet. This second book is told in a linear way, with the events occurring in a chronological order. This time, however, the story is told from the perspectives of Hitchens and Eris/Essie, who show two different sides of the hunt for the Emerald Tablet.

I really enjoyed the central hunt for the Emerald Tablet that formed the main part of the book. Not only has Anastasios chosen an absolutely fascinating artefact for all the characters to chase but she has created a compelling archaeological and historical mystery surrounding its hidden location. The point-of-view characters are forced to follow a series of elaborate historical clues, many of which can be interpreted in different ways thanks to historical context or locations. Having the two-separate point-of-view characters works incredibly well for this part of the story, as both Hitchens and Eris receive different hints or have conflicting interpretations of the same historical clues, which results in them searching in different locations. This central story is filled with a number of great twists and betrayals, and I quite liked how the protagonists had to contend with agents of the various world powers who have an interest in the tablet for their own ends. Agents of the American, Soviet, British, Israeli and Turkish governments all have a role to play in the adventure, as well as agents of the central antagonist, Garvé. Not only does this increase the action and intrigue of the book but it also raises the stakes of the hunt for the artefact. The reader is constantly left guessing about the location and nature of the artefact Hitchens is hunting for. This was an excellent central narrative for this book, and I had a great time exploring this new archaeological mystery.

Just like she did with The Honourable Thief, Anastasios has chosen a fascinating treasure that the book’s various characters are trying to locate. The Emerald Tablet is an intriguing item out of history and mythology, which is rumoured to hold the secrets to transmutation. The author does a fantastic job of exploring the various myths and theories about the origins and nature of the tablet and the reader gets a great idea of its potential and why it has been hidden. It was a great summary of such an intriguing and unique item from history, especially as the author plays up the mystical side of the whole artefact. There are also outright hints that magic or alchemy, especially the alchemical transmutation of the Emerald Tablet, are real in this universe, which not only makes this story just that little more entertaining, but it could result in some fun adventures in the future. The whole mystical angle also allowed the author to explore some of the occultist groups of the early 20^th century, such as the followers of Aleister Crowley, who was quite a peculiar historical figure. Readers will find all of this incredibly riveting, and I felt that these curious subjects added a lot of interest to the overall story.

Anastasios’s use of historical Turkey and Crete was one of the highlights of The Honourable Thief, and I loved that she has once again chosen another captivating historical setting to use as the backdrop for this sequel. While the author does set a bit of The Emerald Tablet in Turkey, this book also explores the Suez Crisis of 1956, as the point-of-view characters spend time in Egypt and Israel and witness some of the crisis firsthand. Most of the course of the war is shown through the excellent use of realistic newspaper clippings set at the front several chapters that showcase how the situation between Egypt, Israel, France, England, the United States and other nations broke down and led to conflict. However, the accounts from Hitchens and Eris reveal that parts of the crisis where instigated as a cover for some of the sides to attempt to seize the Emerald Tablet. This makes for a fun tweak to history which fits the rest of the story quite well. The use of two separate point-of-view characters also allowed for a broader vision of the crisis, as one character mostly viewed it from Egypt, while the other saw it from within Israel, and both characters interacted with members of the country who had opinions about the upcoming conflict. I once again really enjoyed Anastasios’s use of 1950s historical settings, especially the Suez Crisis, and I feel it is one of the best parts of her Benedict Hitchens books.

There is a lot of good character work included in The Emerald Tablet. Not only do we finally get a close look at the mysterious character from the first book, Eris, but we get to further explore the psyche of Hitchens following the traumatic events of the previous book. Eris’s background is revealed in this book and it is a pretty interesting tale. I really enjoyed seeing her side of the story in this book. Not only does it allow the author to showcase this character’s past and her association with the villainous Garvé but we also get to see her motivations for the actions in this book and The Honourable Thief, including her feelings for Hitchen’s following her betrayal of him. Hitchens was already a fairly emotionally damaged character in the first book due to the death of his wife during World War II. However, Eris’s betrayal in the previous book has also had a marked impact on him, and he is obsessed with finding her again. This becomes one of his main motivations in The Emerald Thief, and he goes to extreme lengths to try and claim the tablet before she does, partially to frustrate her and partially in case it leads him to her. Their eventual meeting is an excellent part of the book, and we finally get to see how their relationship might be without the manipulations of Garvé. Certain complications will likely make this relationship an intriguing part of any future books in the series, and I look forward to them reuniting again. Can I also say: thank goodness that Hitchens wised up a little in this book. After some serious blunders from the genius archaeologist in the first book, I was glad that it took a little more to fool him this time.

I feel the need to comment on some of the rather racy scenes that Anastasios included in this book which may prove to be a bit surprising for some readers. Not only is there a rather disturbing ritualistic orgy as part of the story but there was a rather explicit scene in the first few pages of the book that nearly threw me off right at the start. I personally thought that these scenes were a bit unnecessary and somewhat distracting from the main story, but there were some plot reasons for them, and the rest of the story is really enjoyable.

Overall, The Emerald Tablet is an extremely entertaining novel, which does a superb job building on the foundations of the first book in the series. Anastasios has done an outstanding job combining together a fascinating archaeological mystery with emotional character work and an excellent historical setting. The Emerald Tablet is an amazing read, and I look forward to seeing what crazy artefact Benedict Hitchens attempts to find in his next book.

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