Top Ten Tuesday – My Favourite Audiobooks with Special Narrators

Top Ten Tuesday is a weekly meme that currently resides at The Artsy Reader Girl and features bloggers sharing lists on various book topics.  For this week’s Top Ten Tuesday, participants get a freebie list that they can build around a specific genre.  As such, I’m going to go back to my favourite format for enjoying all things fiction and craft a list around audiobooks, which fans of this blog will know I have a major liking for.  In particular, I am going to look at those very awesome audiobooks that make excellent use of a special narrator.

All audiobook fans know that the one thing that can make or break an audiobook is the narrator.  A talented narrator with a great voice can turn any book into something spectacular, while a bad narrator can tank even the very best story.  In some very awesome cases, the audiobook’s producers manage to get their hands on someone particularly special to narrate their product for them, and this usually works out to be pretty damn epic.  Now, when I talk about special narrators, I’m talking about either major celebrities, or someone who already has a significant connection with the book/franchise, and whose inclusion ensures that the listener can really get absorbed into the resultant audiobook.  I have had the very great pleasure of listening to several amazing examples of these special narrators turning already epic books into first-class listens, and I thought this would be a fantastic time to highlight them here.

To appear on this list, the audiobook had to feature the voice of a celebrity or an actor best known from another media, and whose inclusion as a narrator was particularly significant.  I chose to exclude a couple major audiobook productions that went out of their way to get a ton of celebrity voices, such as World War Z or The Sandman, mainly because they recently appeared on another Top Ten List, but also because that felt a little like cheating.  Despite this, I still had a good collection of first-rate audiobooks that featured very special narrators.  All these epic and unique narrators helped to deeply enhance the audiobook they lent their voices to, and I would strongly recommend the resulting products as a result.  So let’s see who made the cut.

Honourable Mentions:

The Law, written and narrated by Jim Butcher

The Law Cover

It often doesn’t work when an author narrates their own audiobook, especially if their series is already well known for having an excellent narrator, but I felt Jim Butcher did a pretty good job voicing his most iconic character in this audio adaptation of The Law novella.

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The Padmé Trilogy, written by E. K. Johnston, narrated by Catherine Taber

QueensShadow Cover

The Padmé trilogy of Star Wars novels was an intriguing young adult series that worked to expand on the story of Padmé Amidala from the prequel trilogy.  Now, while this series from E. K. Johnston, made up of Queen’s Shadow, Queen’s Peril and Queen’s Hope, is quite good in its own way, the audiobook versions are deeply enhanced by the inclusion of narrator Catherine Taber, the voice of Padmé from The Clone Wars animated series.  Taber really brings this iconic character to life again in this new format, and her voice work deeply enhances this fantastic read.

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The Night Fire, written by Michael Connelly and narrated by Titus Welliver and Christine Lakin

The Night Fire Cover

The audiobook versions of Michael Conelly’s books are usually pretty damn awesome, but I had a particularly good time with The Night Fire, mainly because it had a great voice cast behind it.  While Christine Lakin does an excellent job, for the purposes of this list I am mainly highlighting the inclusion of Titus Welliver, who plays the character of Harry Bosche in the Bosche television series.  His use as a narrator here is brilliant, and I loved the continuity in these latest audiobooks.

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The Final Girl Support Group, written by Grady Hendrix and narrated by Adrienne King

The Final Girl Support Group Cover

Grady Hendrix’s outstanding horror thriller, The Final Girl Support Group, featured a ton of amazing homages to classic slasher films, but its best is probably the inclusion of Adrienne King as the audiobook narrator.  King, who is best known for her role as the final girl in the original Friday the 13th film was an inspired choice for narrator, and I loved the added authenticity her performance gave this fantastic audiobook.

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Top Ten Tuesday:

The Lord of the Rings, written by J. R. R. Tolkien and narrated by Andy Serkis

The Lord of the Rings - The Return of the King

Let’s start with a true classic and focus on the latest The Lord of the Rings audiobooks.  While The Lord of the Rings books are always pretty damn awesome, these new audiobooks are further enhanced by the inclusion of legendary actor Andy Serkis as narrator.  Serkis gives a 110% performance in these audiobooks, gifting wonderful voices to all the characters, not just Gollum, and even trying to emulate the voices of fellow Lord of the Rings film cast members.  His exceptional voice work and elaborate performance greatly enhances these amazing audiobooks, and The Unseen Library strongly recommends this format as a result.

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Dresden Files audiobooks, written by Jim Butcher and narrated by James Marsters

White Night Cover

I doubt anyone familiar with my blog will be too surprised that I am featuring the Dresden Files audiobooks on this list.  I have had such an epic time with this series over the last few years, and part of the reason why is because each of the audiobooks is narrated by actor James Marsters, who I have been a huge fan of since Buffy the Vampire Slayer first came out.  Marsters is such a talented narrator, and he really dives into the various characters featured in the Dresden Files books, including series protagonist Harry Dresden.  The actor’s fun and emotional take on the protagonist really makes these audiobooks come to life, and every single one of them that I have listened to, including Storm Front, Fool Moon, Grave Peril, Summer Knight, Death Masks, Blood Rites, Dead Beat, Proven Guilty, White Night and Battle Ground, are so much better with Marsters’ expert narration.  I cannot recommend this audiobook series enough as a result, and Marsters will make you fall in love with this exceptional urban fantasy series.

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Welcome to Night Vale and It Devours!, written by Joseph Fink and Jeffrey Cranor, narrated by Cecil Baldwin

Welcome to Nightvale Cover

Another series I have to recommend thanks to my Guest Review section are the fantastic Welcome to Night Vale audiobooks.  Welcome to Night Vale is a beloved and weird sci-fi podcast that has been ongoing for several years now, picking up a dedicated following.  As part of this, the creators have also written several books, including Welcome to Night Vale and It Devours!, which provide some extra fun insight into this crazy series.  The audiobook versions of these novels are particularly fun because they are narrated by Cecil Baldwin, who serves as one of the main voices of the Welcome to Night Vale podcast.  While I haven’t personally listened to these books, my editor and occasional contributor Alex swears by them and I had to include them on this list as a result.  Alex really loved Baldwin’s voicework in these two audiobooks and she assures me that his inclusion as narrator ensures that these are required listening for all fans of this iconic podcast.

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The Thursday Murder Club and The Man Who Died Twice, written by Richard Osman and narrated by Lesley Manville

The Thursday Murder Club Cover

I have a lot of love for Richard Osman’s first two Thursday Murder Club novels, especially in their audiobook format.  That is because the awesome narration of actress Lesley Manville is so damn exceptional and she gives perfect voices to all the great cast members.  Manville really showcases her vocal skills in these first two books, and thanks to her outstanding narration, The Thursday Murder Club and The Man Who Died Twice both ended up being amongst my favourite audiobooks of 2020 and 2021 respectfully.

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Sylvanas, written by Christie Golden and narrated by Patty Mattson

World of Warcraft - Sylvanas Cover

There are some pretty awesome Warcraft/World of Warcraft audiobooks out there, but probably one of the best in terms of narration has to be last year’s outstanding listen, Sylvanas.  Not only does Sylvanas have a great story behind it that examines one of the most complex characters in the Warcraft cannon, but the production team sought to bring some major authenticity and power to the audiobook version by utilising voice actor Patty Mattson as narrator.  Mattson is probably best known for voicing Sylvanas Windrunner in World of Warcraft, so her inclusion here as narrator is an epic choice, as she already embodies the book’s main character/narrator perfectly.  Having Sylvanas’ story told to you in her own voice is so damn cool, and it turns this audiobook into an epic listen, especially for dedicated Warcraft fans.

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The Salvage Crew, written by Yudhanjaya Wijeratne and narrated by Nathan Fillion

The Salvage Crew Cover

I must admit that one of the main reasons that I originally listened to the compelling and freaky science fiction audiobook, The Salvage Crew, was because it featured Nathan Fillion as narrator.  Fillion, who voices the machine protagonist, unsurprisingly does an amazing job in The Salvage Crew, and his silky tones really drag you into this elaborate tale.  While I did deeply enjoy Wijeratne’s clever writing, I doubt I would have checked it out without Fillion, who really does an amazing job as a narrator.

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Redshirts, written by John Scalzi and narrated by Wil Wheaton

Redshirts Cover

Redshirts by amazing author John Scalzi is a hilarious and exceedingly clever parody/homage to the classic Star Trek series that shows the perspective of the doomed redshirts who are highly aware of their lack of survivability.  I have a lot of love for this novel, and the audiobook is particularly cool, especially because they chose the perfect narrator for it, with Star Trek: The Next Generation star, Wil Wheaton.  Wheaton has a lot of fun narrating this outstanding book, and there is something particularly fun having an iconic cast member reading this a clever Star Trek parody.  I was laughing myself silly the entire time I was listening to this book, and I doubt I would have had as much fun without Wheaton’s fantastic inclusion.

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Star Wars: Ahsoka, written by E. K. Johnston and narrated by Ashley Eckstein

Ahsoka_novel_cover

With the Ahsoka television series starting up tomorrow night, I definelty needed to highlight an awesome audiobook from a few years ago that makes perfect use of a special narrator.  This audiobook is Ahsoka by E. K. Johnston and it features the excellent voice work of Ashley Eckstein, who is the definitive Ahsoka for The Clone Wars fans.  This novel follows the character in the immediate aftermath of Revenge of the Sith and Eckstein unsurprisingly kills it, showcasing her impressive vocal range while also telling a unique Ahsoka tale that only she can. 

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The Bullet That Missed, written by Richard Osman and narrated by Fiona Shaw

The Bullet That Missed Cover

Now I am slightly cheating here by including the third Thursday Murder Club novel, The Bullet That Missed, separately on this list, but I’m justifying it because it features a different special narrator.  The Bullet That Missed was a particularly impressive entry in this great series, and I made sure to grab the audiobook version as soon as possible.  While I was initially disappointed that Leslie Manville wasn’t returning, I swiftly got over that the moment I found of Fiona Shaw of Harry Potter, Andor and Killing Eve fame was replacing her.  Shaw also does an exceptional job narrating this novel and while she does emulate Manville in places, Shaw really puts her own spin on the narration, producing an exceptional listen.  I really loved how Shaw effortless stepped in for this third book and her narration deeply enhances some of the best elements of The Bullet That Missed, including the pure Britishness of the story.  I am very happy that Shaw will be returning for the upcoming Thursday Murder Club book, The Last Devil To Die, and I cannot wait to hear her bring this new novel to life.

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The Thousand-Dollar Tan Line, written by Rob Thomas and Jennifer Graham and narrated by Kristen Bell

Veronica Mars - The Thousand Dollar Tan Line Cover

The final audiobook I want to highlight is the awesome Veronica Mars tie-in novel, The Thousand-Dollar Tan Line, which is set after the Veronica Mars film.  While I really did enjoy the clever mystery, intense personal story and intriguing expansion of the Veronica Mars mythos it contained, the true highlight of this audiobook has to be the fact that they get Kristen Bell to narrate it.  Bell obviously has no problem bringing this elaborate Veronica Mars story to life and her narration is exceedingly impressive, cleverly capturing not only her own character, but several other figures from the show.  This is probably one of my favourite pieces of tie-in media and Bell’s amazing narration is a key reason for this.

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That’s my latest list.  As you can see, I have had the pleasure of listening to several outstanding audiobooks that feature some brilliant and distinctive special narrators.  All 10 entries above come very highly recommended and you are guaranteed to love all of them, especially with their outstanding narrators.

The Final Girl Support Group by Grady Hendrix

The Final Girl Support Group Cover

Publisher: Penguin Random House Audio (Audiobook – 13 July 2021)

Series: Standalone

Length: 13 hours and 55 minutes

My rating: 4.25 out of 5 stars

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Bestselling author Grady Hendrix presents one of the most unique and intriguing novels of 2021, The Final Girl Support Group, a compelling thriller that brilliantly explores the slasher movie genre.

Hendrix is an interesting author and screenwriter whose name I have been hearing a lot in the last couple of years.  The author debuted in 2012 and has gone on to write several fun horror-based novels, including Horrorstör, We Sold Our Souls and The Southern Book Club’s Guide to Slaying Vampires.  Each of Hendrix’s previous novels had some fun concepts, and while I have not had the opportunity to check them out myself, I did read some very positive reviews for the previous two novels.  Hendrix’s latest book is The Final Girl Support Group, which caught my eye a few months ago.  What I found was a cool and clever novel that proved to be a compelling and addictive read.

We all know who the final girls are.  They are the only survivors of the vicious horror killers and slasher fiends in the movies, who manage to kill their monsters, avenge their friends, and walk off into a bloody sunset.  However, what happens to these final girls after they survive the worst days of their lives?  How do the final girls move on?

For Lynnette Tarkington, the horror of her defining moment never truly left her.  Twenty-two years since surviving terrible experiences, she is still barely able to leave her apartment, with paranoia and fear forcing her to see unimaginable danger around every corner.  Her only solace is the long-running support group she shares with five other final girls who have gone through their own traumatising events.  Together these women have slowly begun to put their lives back together one way or another, until the fateful day that one of their number fails to show up to group.

It soon becomes clear that their missing member has been murdered, a victim of one of the monsters they all fear.  As the remaining final girls go to ground, Lynnette finds herself under attack by someone who knows all about her and her escape plans.  Forced to improvise outside of her comfort zone, Lynnette discovers proof that other final girls are also being targeted.  When evidence suggests that Lynnette is responsible for some horrendous actions, she goes on the run to find out who is framing her.  Desperate, terrified, and still bearing the scars from all those years ago, Lynnette’s situation looks grim, but her latest monster is about to discover that you never count a final girl out.

As you can probably guess from the awesome plot of this book, The Final Girl Support Group is a very interesting novel that has some excellent elements to it.  Hendrix has come up with a clever narrative for this book, especially as it contains a very fun and compelling take on the classic slasher films.

The Final Girl Support Group has an excellent and deeply entertaining narrative which tells a very unique tale of a plot to kill the survivors of classic horror killers.  Hendrix does a really good job setting up each of the characters and the different world they lived in.  From there the story moves fast, as the protagonist experiences a variety of attacks on herself and her friends from all manner of directions.  The middle of the novel slows down a little and is extremely heavy, really examining the psychology of the protagonist and her friends, while also containing some excellent reveals and dark moments.  This all leads up to a very exciting conclusion, which was extremely intense and reminiscent of the films Hendrix is emulating and honouring.

Despite its roots, this novel was written more like a character-driven psychological thriller rather than a pure horror read, which I think worked extremely well.  The entire novel is loaded up with some cool twists, and the eventual reveal about who is behind the plot is pretty awesome and has some clever set-up behind it.  I loved the author’s inclusion of certain in-universe fictional articles and other inclusions, such as horror movie reviews, listicles and police transcripts, which helped to enrich the universe while also providing some interesting context to the various characters.  While I did have some issues with the middle section of the novel, mostly because of my feelings towards the main character, I felt that the entire narrative came together extremely well, and the outstanding conclusion really enhanced the entire overarching story.  An overall compelling and addictive read.

Easily the best part of this entire novel was the author’s examination of the horror/slasher genre as part of the plot.  Hendrix is obviously a massive fan of the horror genre, which is not too surprising considering he has actually written a couple of horror screenplays, such as the weird and disturbing sounding Satanic Panic, which I’m kind of keen to check out.  This love of horror is very clearly shown throughout The Final Girl Support Group, as this book acts as a major homage to some of the most famous slasher films of the last century.  The five other members of the support group are all strongly inspired by the final girls from Friday the 13th, A Nightmare on Elm Street, Halloween, The Texas Chainsaw Massacre and Scream.  Each of these characters has a very similar backstory to the characters from these movies, and Hendrix takes the time to describe the events that made them famous, which are near matches to the films, with similar characters, events and sequels.  Even Lynnette’s story, which is shown in the most detail, bears a very strong resemblance to the controversial 1980’s slasher film, Silent Night, Deadly Night and its sequel (a somewhat more obscure film that I had never heard of).

As a result, this novel is chock full of references to these various films, as well as some other horror/slasher entries (there was one that sounded a lot like Leprechaun).  I must admit that I am not the biggest fan of the horror genre, and my knowledge of slasher films is limited, however, even I was able to pick up and appreciate most of the references, which was really cool.  Hendrix does a wonderful job of deconstructing the various films, and it was extremely compelling and fascinating to see the author explore the aftermath of the event, the psychology of the killers, and the concept of crazy film fans.  I deeply appreciated the way that Hendrix structure this unique world where all these slasher movies occurred, and it was very interesting to see stuff like the final girls getting the film rights to their experiences, or the acceptance that a killer will come back in one form or another for a sequel.  The author also explores the negative sides of the slasher genre, such as the fact that they can be rather sexist and exploitative, and that author manages to cleverly tie some of the violence of the novels into the alt-right and men’s rights movements.  I did think that the underlying message that all men are evil was plastered on a little too thickly (having every single male character be an ass was a bit much), but I suppose that was a pretty significant theme of these slasher films.  This examination of the horror and slasher genre was pretty damn amazing, and fans of these movies are going to absolutely love seeing all the subtle references and compelling homages.

While I loved the story and all the amazing slasher film references in The Final Girl Support Group, I did feel that the novel was rather let down by the characters.  I was not the biggest fan of protagonist and point-of-view character, Lynnette, and I am in two minds about how much I liked her.  I did appreciate the author’s depiction of her as extremely paranoid and traumatised, which felt very realistic and deep.  I also enjoyed her survivalist mindset, which reminded me of Jamie Lee Curtis’s character in the 2018 Halloween film.  However, what annoyed me was at how incompetent the character was.  While I understood that the author was building towards the character having a breakthrough and becoming more dependable, I honestly think he really overdid the hopelessness.  Despite all her training and disaster planning, she manages to mess up every single action, interaction, or plan that she engages in, and is constantly outsmarted by the most obvious ploys or traps.  It was so frustrating to see her screw up again and again, and I found myself nearly yelling at the book every time she made a mistake.  Honestly, if Hendrix had dialled back these traits just a little, I probably would have enjoyed this novel a little more.  That being said, I did really appreciate the changes to the characters that did occur, and it was great to see her get some wins eventually.  I also enjoyed some of the twists that Hendrix set up around the character, which proved to be extremely compelling and place new light on her story.

Other members of the support group include Dani (whose story is like Halloween), Marilyn (Texas Chainsaw Massacre), Julia (Scream), Heather (Nightmare on Elm Street) and Adrienne (Friday the 13th).  Hendrix spends a bit of time exploring these characters, and it was cool to see the exploration of all these classic final girls and the aftermath of their horrors.  I really enjoyed seeing how each of them moved on with their lives after their experiences, with the characters running the gauntlet from inspirational to depressing.  It proved to be extremely captivating to learn more about these characters, and I grew to like several of them, although Heather was pretty annoying (her issues relate to her more psychological experiences, and the character does redeem herself by the end of the book).  I did find myself getting frustrated with each of these characters at times, as they also make some classic horror movie heroine mistakes, such as not performing a double tap (rule one in a horror situation), and being so quick to disbelieve Lynnette, even after all their experiences.  There were also some noticeable issues when it came to portraying the character’s ages.  Despite each of these characters having their traumatic event occur in the 1980’s when there were teenagers, none of them act like middle-aged women, which seemed really odd to me.  However, in the end I was able to overlook some of these flaws, and I ended up enjoying each of the characters’ stories and development.

While I was tempted to grab a copy of The Final Girl Support Group as an ebook for a quick read, I ended up getting the audiobook version, which has a runtime of just under 14 hours and which took me about a week to get through.  One of the more interesting things about this audiobook format is the narrator, Adrienne King, who horror/slasher fans will recognise as the final girl of the original Friday the 13th and who also had a subsequent appearance in Friday the 13th Part 2.  I felt that this was a pretty brilliant choice, not only because King portrayed a final girl but because her own real-life experiences with stalkers mirrors what happens to the characters in this novel.  However, while I did think it was a very fitting choice, I have to admit that I was not amazingly impressed with King’s narration.  She did a good job keeping the novel going at a quick pace and providing some emotion and feeling to the story, but I didn’t like the way she voiced the characters.  There is some variation between some of the final girls, but I honestly found that King’s voice work highlighted some of the character’s annoying tendencies and it never fully drew me in.  Still, this audiobook format is a fine way to enjoy this novel, and it is worth checking out.  I am also sure that Friday the 13th fans will enjoying hearing King’s take on the novel, especially when she describes the various homages to her own film, including the similarities in the deaths between one of the characters and King’s final girl in Friday the 13th Part 2.

The Final Girl Support Group was a fantastic read and is one of the more memorable and inventive novels of 2021.  Grady Hendrix does an outstanding examination of the final girl phenomenon in this novel and manages to craft quite an impressive and enjoyable thriller narrative around it.  While I wasn’t the biggest fan of every aspect of The Final Girl Support Group, it is still a great novel to check out, and horror fans will love the excellent examination of the genre.  I am very glad I decided to check this novel out and I will have to keep an eye out for whatever unusual book Hendrix writes next.

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