Play of Shadows by Sebastien de Castell

On April 30, 2024 By The Unseen LibraryIn Fantasy, Five-Star Books17 Comments

Publisher: Jo Fletcher Books (Trade Paperback – 26 March 2024)

Series: Court of Shadows – Book One

Length: 482 pages

My Rating: 5 out of 5 stars

Prepare yourself for a riveting good time in the impressive and wildly entertaining fantasy novel, Play of Shadows by the always amazing Sebastien de Castell.

Last year I had the very great pleasure of being introduced to Sebastien de Castell when I received a copy of his book The Malevolent Seven. Set outside his major series, The Malevolent Seven was a wickedly clever and chaotic book that followed seven dangerous mages who suddenly find themselves as humanity’s last hope. I had a wonderful time with The Malevolent Seven, and it honestly was one of the most entertaining fantasy books I read in 2023. As such, I was curious to read more from de Castell and I recently got the chance when I received a copy of his new novel, Play of Shadows. Serving as the first official book in his new Court of Shadows series, Play of Shadows is set within de Castell’s overarching Greatcoats universe, where most of his novels have been set, including his original Greatcoats books, the Spellsinger series and his Argosi series. While I haven’t had the pleasure of reading any of de Castell’s Greatcoats books before, I loved the awesome sounding story of Play of Shadows, and I decided to check it out, which proved to be a very wise decision.

Damelas Chademantaigne is one of the most unfortunate people in the entire city of Jereste. The grandson of two legendary Greatcoats, Damelas has always had a strong sense of justice, but he lacked the skills with a sword needed to back it up. So when he finds himself forced to accept a duel from the Vixen, the most feared duellist in the entire city, to save his ailing grandfather, his chances of surviving the night seem impossible. However, a fleeing Damelas finds sanctuary in the most unlikely of places: the Operato Belleza and its resident acting company, the Knights of the Curtain.

Now part of the illustrious company, Damelas finds himself protected by the city’s laws regarding actors and begins to eek a living as a minor player. However, his temporary haven soon becomes a deadly trap when one night he spontaneously manifests the spirt of the city’s greatest historical villain, Corbier, the Red-Eyed Raven. Identified as a newly emerged Veristor, an actor who can literally bring the past to life during a play, Damelas begins to constantly hear Corbier’s voice in his head and finds himself exploring the notorious rogue’s life each time he appears on stage. Forced to continue by the machinations of Jereste’s new duke, Damelas begins to tell the untold true history of Corbier, and it soon becomes apparent that he was far from the unrepentant monster everyone believed him to be.

As the play continues, Damelas gains the attention of the entire city, who become enthralled with finding out the truth. However, not everyone wants the past to come out, and soon Damelas finds out just how dangerous the theatre can be as he is targeted by the city’s nobles, a militant band of bravos, and the Vixen seeking her pound of flesh. Diving deeper into Corbier’s mind, Damelas beings to uncover a deadly conspiracy that threatens the entire realm. But can a mere actor, even one personifying a legendary fighter, survive the onslaught of villains on his tail? It’s going to take all of Damelas’s courage and skills as an actor, as well as the help of an eccentric collection of fellow players to make it to final curtain.

Wow, now this was an outstanding and epic book that I could just not put down. I was unprepared for how impressive Play of Shadows would be as de Castell unleashes a brilliant and complex read, loaded with intrigue, adventure, and a ton of theatrical humour. Entertaining and enthralling in equal measures, this was an incredible read and one that gets a full five-star review from me.

Play of Shadows is an epic book full of big personalities, big stakes, and an elaborate story of intrigue, adventure, and self-discovery. Set in the Three Musketeer’s inspired realm of the Greatcoats books, Play of Shadows initially seems set to feature the same focus on duels, bravos and rogues, as the rest of the series as the protagonist is forced to flee a fight from the infamous duellist, the Vixen, which sets him on course for his destiny. However, the first scene of Play of Shadows, in which Damelas escapes his pursuers by tricking his way into becoming an actor, changes expectations and perfectly sets the scene for the rest of the exciting, compelling, and wildly entertaining novel. I love how de Castell set a fantasy novel around the theatre , and having the protagonist be an actor rather than a master swordfighter is a great touch, especially for a Greatcoats book. Indeed, much of the book is set out like a play, which proves to be a clever guideline for the plot, while also allowing in the author’s fantastic humour about actors, the theatre, and the protagonist’s unlikely situation.

From there the story evolves into a compelling direction, as Damelas finds himself at the centre of the all the intrigue infecting the city, especially once he starts to manifest the great historical villain Corbier, the Red-Eyed Raven, as part of a legendary magical gift. This allows him to showcase the true events surrounding the past, which differ very greatly from the established history of the city. Due to the deep secrets hidden amongst the true history, the protagonist finds himself the target of many interested parties and becomes a tool in the battle between shadowy forces. The plot of Play of Shadows then begins to revolve around the three separate acts of the resulting play that tells the real story of Corbier. Each of these different acts reveal new secrets about the past that impact the present, and prove to be excellent centres for the plot, especially as each performance becomes increasingly deadly for Damelas and his fellow players, and there intense, action-packed, tragic moments occurring after each of them.

Between each of these acts of the play, Damelas is forced to interact with a variety of deadly and over-the-top figures, each of whom have a different motive to help or to kill the protagonist. The author also uses this time to provide new insights into both the historical and present-day conspiracies being uncovered as Damelas and his friends attempt to discover the true secrets of the city. De Castell does a really good job of building up the stakes in each of these intermissions, and there are some amazing set-pieces loaded here, from high-intensity duels, larger-scale battles between unlikely foes, and a raft of political intrigue and personal issues. Everything leads up to Play of Shadow’s massive climax, where the final act of the play unfolds, and all the secrets are revealed. There are some excellent twists and turns here, and while a couple of reveals are a little overly foreshadowed, the overall picture that is exposed is quite interesting and ensures that the rest of the trilogy is going to be very interesting. The big climax fight is so over-the-top bonkers, as all manner of magic, betrayals, personal vendettas, duels, and even an outrageous monologue, are used to resolve the issue. The reader comes away intensely satisfied, amused, and very curious about the future of the series.

Play of Shadows was a fast-paced, exciting, and continuously amusing book that was so much fun to get through, while also maintaining a darker edge that struck readers with tragedy and intense moments when they least expected it. This set-up of the book around the various acts of the play worked extremely well, and I loved how de Castell kept bringing the book back to the importance of the arts, even in the swordcraft-focused nation of the Greatcoats series. The magic of performance, both literal and figurative, is a major part of the book’s setting, which I thought was a clever choice from de Castell that made Play of Shadows really stand out. Much of the book’s humour is derived from the outrageous members of the acting troupe and their takes on the dramatic events overtaking their city. This comedic feature of the book was so much fun, and some of the best scenes involved the actors attempting to pivot the scenes around the protagonist’s unlikely visions. Other highlights include impromptu moments that made the actors great heroes in real life, or a sudden, extremely risqué monologue that manages to keep an approaching army at bay. This overarching action and entertaining theatre focus is well-balanced by a high level of intrigue and a dash of mystery, due to the elaborate conspiracies that seem to be infesting the city. De Castell does an exceptional job of contrasting these intriguing elements throughout Play of Shadows, and I really got drawn into its story as a result.

As I mentioned above, Play of Shadows falls within de Castell’s wider Greatcoats universe, which I personally don’t have any experience with. I must admit that I was initially a little wary of reading Play of Shadows, not only because I had no pre-knowledge of the other Greatcoats books, but because de Castell also released another Court of Shadows book last year with Crucible of Chaos, which serves as book zero in the series (Play of Shadows is the first official novel). However, my fears proved to be for naught as Play of Shadows stands on its own and easily welcomes new readers in. While there are references to the wider Greatcoats universe, having no pre-knowledge of this doesn’t impact a reader’s enjoyment or understanding of this book, and anything that does is naturally explained. Even the inclusion of a couple of characters from the previous series towards the end of the story was well handled, and the reader can easily follow what is happening while getting a good idea about who the characters are. The same is true for the apparent prequel, Crucible of Chaos, and people can easily start the Court of Shadows series here, rather than with book zero. While I am sure that established Greatcoats fans would probably get a little more out of these references than I was, this is a very good book for those readers who want to experience de Castell’s style or wider universe for the first time. As such, I would recommend Play of Shadows to all fantasy fans, and you really don’t need to do any other reading first. I am really looking forward to seeing how the Court of Shadows series continues, and I may also go back and read some of the other Greatcoats’ books, mainly because I am really enjoying de Castell’s writing and unique stories. I must try and read Crucible of Chaos before anything else though, and I will be interested in seeing how it unfolds and connects with this current book.

One of the great highlights of Play of Shadows is the excellent cast of characters featured throughout the book, all of whom add so much to the fantastic plot of the book. Naturally, most of the focus goes towards central protagonist and point-of-view character Damelas Chademantaigne, whose unexpected exploits in the theatre lead to so much drama. Damelas is a great entertaining fantasy protagonist, with a complex past, an often-irreverent take on current events that leads to a good chunk of the book’s excellent humour, and a desire to change the world, even if it wants to kill him. De Castell works in some amazing character development for Damelas, as he attempts to escape his pragmatic past that saw him run from a duel, to become the unlikely hero of his city. Watching him gain the skills and courage he needs thanks to the murderous spirit in his mind is just great, and de Castell does a wonderful job of highlighting his abilities as a Veristor. The tight line between controlling his gift and insanity is quite thin, and I loved the various sequences where he tried to showcase the past on stage, only for it to go in unexpected directions. Damelas goes through a lot in Play of Shadows, especially as he witnesses the many tragic consequences of his search for the truth, and I felt that de Castell perfectly showcases his doubts, fears and anger at how he is being manipulated. This was some incredible character work and I look forward to seeing how de Castell features Damelas in the future books now that he has found his purpose.

The rest of the cast of Play of Shadows are also quite impressive, and I love the huge array of outrageous and memorable figures that de Castell expertly dropped into the story. The historical ghost, Corbier the Red-Eyed Raven, was a brilliant ethereal figure in Damelas’s head, and the author has a lot of fun contrasting the instinctive and expert killer that is Corbier, with the inexperienced and pragmatic Damelas. In addition, Damelas’s acting companions, the Knights of the Curtain, also prove to be exceptional figures, and you really grow to care for this outrageous and eclectic group of actors. Every Knight brings something fun to the table, although my favourite had to be Damelas’s best friend, Beretto, the gentle giant, who steals every scene he’s in with his jokes, insights, and desire to ship Damelas with dangerous killers. However, props also need to go to head actor Abastrini and director Shoville, both of whom rise above expectations and show they have heart and the true passion of an actor. I also had a lot of fun with the Vixen, the ruthless duellist who serves as one of the best villains in the book. Her vengeful pursuit of Damelas is a major part of the book, and the various encounters they have, especially once Damelas gains the skills and courage to fight back, are very awesome. Throw in a beautiful assassin, a sarcastic musician who doubles as a secret agent, a duke with a complex past, and Damelas’s grandfather, a legendary retired Greatcoat who has some brilliant scenes, including one amazing sequence that shows why you don’t mess with old fighters, and the cast of Play of Shadows is something truly special. I had so much fun witnessing the battles and hijinks of this amazing group of characters, and I cannot wait to follow their future adventures in the rest of the series.

Overall, Play of Shadows was a particularly impressive novel from Sebastien de Castell that has made me very keen to read the rest of his books. Loaded with action, intrigue, humour, and an entertaining ode to the magic of the theatre, Play of Shadows was a remarkable and highly fun fantasy novel that I could not get enough of. Easily one of the best books I have so far read in 2024, Play of Shadows comes highly recommended, and I cannot wait to see how this outstanding series continues. You will not be disappointed by this book!

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Quick Review – Hollywood Hustle by Jon Lindstrom

On February 1, 2024 By The Unseen LibraryIn Quick Review, Thriller2 Comments

Hollywood Hustle Cover

Publisher: Crooked Lane Books (ebook – 6 February 2024)

Series: Standalone/Book One

Length: 261 pages

My Rating: 4 out of 5 stars

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I was recently lucky enough to receive an early copy of the intriguing thriller debut, Hollywood Hustle. Written by actor Jon Lindstrom, who has appeared in quite a few crime fiction shows and films himself, Hollywood Hustle had a cool story about the price of fame and the dark side of Hollywood which I really liked the sound of.

Plot Synopsis:

Winston Greene, a has-been film star, wakes one morning to find his six-year-old granddaughter at his bedside—traumatized, unattended, and gripping onto a thumb drive. She comes bearing video proof that her mother, Win’s troubled adult daughter, has been kidnapped by a murderous gang demanding all his “movie money” for her safe return. But what they don’t know is…his movie money is long gone.

Unable to go to the police for fear the kidnappers will make good on their promise to kill his daughter, Winston turns to two close friends—a legendary Hollywood stuntman and a disgraced former LAPD detective.

There’s no easy way out for Winston or his daughter—the gang is violent and willing to do anything to get the money they’re after, and Winston begins to realize that to get his daughter back, he’ll have to beat the kidnappers at their own game.

This propulsive and tense thriller will transport readers to the seedier side of LA, depicted in bold prose by a Hollywood insider.

Hollywood Hustle ended up being a fun first book from Lindstrom, which takes the reader on an exiting and fast-paced adventure through a dark Hollywood kidnapping. Lindstrom starts things off quickly, with the readers given an effective introduction to the main character, fading actor Winston Greene, and the unthinkable scenario he finds himself in. After an initial focus on Greene, the author branches out the focus of the story, splitting the perspective between various characters, including Greene, his two loyal friends, the kidnappers, and more, to create a wonderful and highly entertaining narrative.

Much of the story follows Greene, as he is forced to try and raise cash he doesn’t have to secure his daughter’s release. While he goes about that, you get to see what the kidnappers are up to, as their botched operation quickly comes undone in several different ways. At the same time, one of Greene’s friends begins an investigation into the case, while a nosey tabloid journalist tries to scoop up dirt on the troubled actor. These various storylines all come crashing together, and I liked how well Lindstrom was able to tell a cohesive tale while also focusing on his characters. I did find that some of the dialogue was a little weak in places, and the story did get a little derivative at times, but this was mostly a great read. I especially enjoyed how Lindstrom took the plot in some surprising and unpredictable directions, and several over-the-top deaths really spiced things up. While I didn’t love one plot twist at the end that relied on an overused writing cliché, I ended up having a lot of fun with this cool story, and I managed to finish it off in only a couple of days.

I really enjoyed Hollywood Hustles’ great story, and there were some excellent writing elements that helped it stand out. Lindstrom set a great pace for the entire book, and I appreciated how he got right down to business. I felt the entire story flowed efficiently and effectively, and he didn’t make the story overstay its welcome, finishing it off at just the right time. Splitting the perspective chapters between the various characters involved in the plot also worked well, as you quickly get multiple eyes on the dangerous unfolding situation. I liked the great mixture of distinctive character perspectives that emerged, and the slow-burn introduction of the three kidnappers was pretty awesome, especially as they all have compelling individual backstories, and it quickly becomes apparent that none of them are natural team players. Honestly these three antagonists proved to be a major highlight of the entire story, and their dysfunctional relationship, over-the-top actions, and well-crafted pasts that examine interesting, failed takes on the American dream increased my enjoyment of the entire book.

However, most of Lindstrom’s character work revolves around protagonist Winston Greene, who serves as the heart and soul of the book. A formerly famous actor who has reached has-been status and now only works bit gigs, Greene is a character with many parallels in real life, which makes his story even more relatable. Initially shown to be a flawed but caring man, Lindstrom slowly reveals several of his darker demons, including the price he paid for fame, his battle with alcoholism, his struggles being a father and husband, and the guilt he harbours for his past mistakes. Lindstrom builds in a very good narrative about Greene trying to redeem himself throughout the course of Hollywood Hustle, especially when it comes to his daughter and granddaughter, and you really find yourself pulling for him as a result. The author also uses Greene’s character to help highlight the many negatives involved with a Hollywood career, which adds an interesting and personal edge to much of the plot. The protagonist’s cynical views of the acting scene, especially after a complicated and currently expired movie career, make for a great inclusion, and I personally loved the fun fictional movie quotes attributed to Greene that are scattered throughout the novel. Greene really felt like a character that Lindstrom was pouring himself into, and I deeply appreciated how compelling and powerful his story got at times.

Overall, I quite liked Hollywood Hustle, and I felt that it was a good, solid debut from this interesting author. While Jon Lindstrom has some growing to do as a writer, this was an excellent first effort, especially when it comes to creating great characters, and I hope we see some more entertaining books from Lindstrom in the future.

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Desperate Undertaking by Lindsey Davis

On May 1, 2022November 22, 2023 By The Unseen LibraryIn Five-Star Books, Historical Fiction, Murder Mystery9 Comments

Publisher: Hodder & Stoughton (Trade Paperback – 12 April 2022)

Series: Flavia Albia – Book 10

Length: 398 pages

My Rating: 5 out of 5 stars

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Buckle up for an intense, captivating and exceedingly memorable historical murder mystery as bestselling author Lindsey Davis unleashes the 10^th entry in the deeply clever and compelling Flavia Albia series, Desperate Undertaking.

It’s that awesome time when I get to gush about the newest entry in Davis’s excellent, long-running Flavia Albia series, which has been a major fixture in my reading schedule for the last several years. The sequel series to her iconic Marcus Didius Falco novels, the Flavia Albia novels follow the daughter of Davis’s original protagonist as she solves unusual murders across ancient Rome. Thanks to the series’ typical great combination of intriguing characters, complex mysteries, excellent historical elements and great humour, I always have an amazing time reading these novels, which usually get very high ratings from me. Some of the more intriguing Flavia Albia novels in recent years include The Third Nero, Pandora’s Boy, A Capitol Death, The Grove of the Caesars (one of my favourite books of 2020) and A Comedy of Terrors. Due to the quality and entertainment capability of this series, I eagerly keep an eye out for Davis’ new book each year and I was exceedingly chuffed when I got a copy of Davis’ latest novel, Desperate Undertaking.

Rome, 89 AD. The year is coming towards an end and the city is ready to enter a sleepy holiday period. Unfortunately, murderers are notoriously bad at taking breaks, and Flavia Albia, paid informer, dogged investigator and daughter of notorious busybody Marcus Didius Falco, is about to get dropped into the most disturbing case of her life. With her parents away on holiday and her impromptu family preparing to settle in for the quiet period, Albia receives a job request she cannot refuse. An aged actor, part of a troupe her parents travelled with in their youth, has been killed, horribly crucified in a public place. Starting her investigation, Albia and her husband, Tiberius, are shocked to discover this is not the only murder confronting them as they suddenly discover the first victim’s widow was also murdered in terrible circumstances. Her last words to Albia: “The undertaker did it…”.

Determined to find the person responsible for the horrific murders of her parent’s friends, Albia begins her investigation, diving into Rome’s theatre scene. But when another actor associated with the troupe is killed in a cruelly inventive way, Albia begins to realise that these are no ordinary murders. A twisted and determined serial killer is on the loose, bearing a terrible grudge against the actors and anyone associated with them. Worse, their exceedingly public killings all bear striking similarities to some of the most brutal moments in classic plays, causing their victims to suffer in horrific ways.

With the bodies piling up and the city in an uproar, Albia must solve the most unusual and deadly case of her career before more of her parents’ friends end up dead. But the closer she gets to the truth, the more she begins to realise that these murders bear a strong connection to one of her father’s past cases. Worst, Albia soon realises that her connection to the currently absent Falco has made herself and everyone she loves a target of a demented killer determined to get revenge.

Davis does it again with Desperate Undertaking, producing a wildly entertaining and exceedingly clever historical murder mystery that I had a brilliant time reading. Perfectly bringing together a disturbing mystery with an excellent historical setting, some great characters and the author’s trademark humour, Desperate Undertakings is an outstanding read and it ended up being yet another Flavia Albia book that gets a full five-star rating from me.

I must admit that I have sometimes found Davis to be a bit of an inconsistent writer; while most of her novels are extremely good, a few of them do not quite measure up in terms of substance or entertainment. However, Desperate Undertakings is easily one of the better books in the Flavia Albia series as Davis pulled together an exceptional and dark murder mystery narrative that will leave a memorable impression on the reader. For this latest story, Davis drops a lot of the family/household storylines that have been a significant, if slightly distracting, feature of the previous novels, and instead focuses on an intense and elaborate murder mystery that effortlessly grabbed my attention and ensured I was extremely hooked on this fantastic novel. The book starts off extremely strong, firstly with a foreboding introductory short chapter, and then with a great series of compelling early chapters that drag the protagonist into the investigation. These early chapters feature two dramatic (literally) and elaborate murders that really stand out due to their brutal and distinctive nature (the second one is particularly gruesome and over-the-top), as well as their connections to some of Davis’s iconic protagonists. As such, the reader becomes really invested in the case early on, and you soon get thrust into an elaborate in clever murder inquiry storyline. Davis sets up this investigation really well, and there are a series of great leads, potential suspects and unique theories that pan out as the novel proceeds in an excellent way. While the novel slowed down slightly after the initial murders, the next series of killings picks the pace right up again, which the story maintains for the rest of the book. I really enjoyed how the entire mystery came together, and there are some really clever twists and turns here, with seemingly minor characters or story elements coming back in some big ways later in the book. Everything leads up to a big and impressive conclusion and readers will be left rocked by the elaborate and powerful nature of the plot, as well as how damn dark this novel got in places.

Desperate Undertakings is extremely well written and I loved how Davis pulled this entire novel together. Davis once again hits the perfect blend of murder mystery, historical elements and character driven story elements in this book, as the reader is engrossed in this brilliant Roman based tale. I did feel that this one was significantly darker in places than some of Davis’s previous novels, which I really liked, especially as it results in some particularly gruesome killings. The story is once again told from the perspective of central character Flavia Albia as she traverses the mean streets of Rome to find her culprit. This central focus allows for much of the books fantastic humour, as Albia’s comedic and exceedingly modern perspective of events is extremely entertaining, while also providing a Roman noir feel for the murder investigation. Like most of the books in the Flavia Albia series, Desperate Undertakings can easily be read as a standalone read, with any relevant elements from the previous novel rehashed for the new reader. However, Desperate Undertakings also bears a strong connection to one of Davis’s older novels, the sixth book in the Falco series, the 1994 release Last Act in Palmyra. Multiple characters and elements from this book make an appearance here, with several of them serving big roles in this book, either as supporting characters, suspects or victims. Davis rehashes the events of this previous book extremely well, and readers who haven’t had the chance to enjoy it are still able to enjoy Desperate Undertakings without any issues, while those who have will no doubt enjoy the fun call back. I felt that these past elements were utilised extremely well, especially as these past events also impacted the present storyline. This entire novel came together brilliantly, and I was extremely enthralled by its great writing and powerful story the entire way through.

I always deeply enjoy how Davis portrays the historical elements in her novels and Desperate Undertakings was a particularly good example of this. The reader is once again treated to breathtaking depictions of ancient Rome, with everything from the chaos of the streets, the culture of the people, and the slapdash take on law enforcement used to full effect throughout the course of the plot. There are some brilliant descriptions of some of ancient Rome’s earlier sties, especially as the murders make use of some iconic locations for the sites of their crimes, and you get an excellent sense of the city thanks to Davis’s descriptive and powerful writing. However, the best part of these historical elements is the dive into the Roman theatre scene, which is a key part of the books plot. Davis provides an intriguing and entertaining look at the city’s theatre elements throughout the novel, and you soon become deeply engrossed in her entertaining portrayal of these eccentric and proud actors and entertainers.

Desperate Undertakings also takes quite an intriguing look at the various plays and performances put on during this period as the killer utilises some of Rome’s bloodiest and most elaborate plays as a basis for setting up their murders. This causes the protagonist to really dive into all the plays of the period and you get a good idea of several of the more iconic and distinctive ones, especially those that have elements of death involved. I found it really interesting to find out about this part of Roman culture, especially the deadly twists that are sometimes involved with them, and it was a great part of the plot. I also felt that Davis did a remarkable job working these historical theatre aspects into the plot of Desperate Undertakings, and it really helped to make the murder mystery stand out. I particularly enjoyed how the author broke the book down into sections, each one of them named after a play that corresponds to the murder that Flavia is about to discover. This allows for a glorious bit of foreshadowing, especially for those with an interest in classics and theatre, and it was an excellent addition to the book. I deeply appreciate how Davis utilised these historical plays as the inspiration for her murders in Desperate Undertaking and it really gave this book a very distinctive feel. Readers are warned that some of the murders are a bit graphic thanks to how they are portrayed in these plays, and you are in for some barbaric punishment as a result.

Another strong aspect of Desperate Undertakings was the excellent and compelling characters that Davis featured throughout. As usual, this great cast is headed up by the intrepid Flavia Albia, who serves as the main protagonist and point-of-view character for the book. Albia is a really entertaining protagonist, especially as Davis presents her as a cynical private investigator with very specific views of the reality of life in ancient Rome. The daughter of another cynical protagonist, Falco, Albia spends most of the book making astute and hilarious observations about the people, locations, and events around her, and much of the book’s humour results from the amusing and noticeably modern way she sees the world around her. As such, Albia really adds a lot to this intriguing story and it is always so much fun to see her waltzing around Rome solving her elaborate cases. It was particularly interesting to see her reactions to the murders that occur in Desperate Undertakings. Despite her familiarity with death and Rome’s underbelly, these killings really hit her hard due to their brutal nature and the connection that the victims have to her parents. I felt this was a really compelling and powerful change to the character, and it really helped to highlight just how dark this book got in places.

Desperate Undertaking also features a wide cast of characters, all of whom have some entertaining or intriguing moments through the book. Davis utilises a blend of established characters, new figures and even several characters who have not appeared since the Falco series. All these characters are utilised extremely well in this novel, and the author does a good job of introducing (or reintroducing) them throughout the course of the plot. As usual, this includes Albia’s husband, Tiberius, who serves as a good straight man to Albia’s eccentric antics, and helps to focus the investigation in places. Other interesting characters include a newly introduced cop who balances between competence and political expediency and serves as another excellent foil to Albia’s more unusual investigation methods. The various actors and theatre related figures are pretty entertaining, and Davis introduces some eccentric characters, many of whom serve as potential suspects or victims as you get to know them more. I also felt that Davis did a good job with the killer (or killers) featured in this book, as they have a unique motivation, and a compelling personality that is slowly uncovered throughout the course of the book. Finding out just who they are and why they are doing these dreadful killings is extremely fascinating and results in some brilliant character moments. Other supporting characters are also extremely entertaining, including a very strong butcher and two very cultured vigils, and I had a brilliant time getting to know them all.

With the extremely awesome and captivating Desperate Undertakings, the always incredible Lindsey Davis continues to reign from atop the historical murder mystery mountain. This latest Flavia Albia novel is exceedingly epic, containing a brilliant and dark investigation story that sees the series’ outstanding protagonist encounter a truly demented killer. With some fascinating and distinctive historical elements, especially those surrounding the bloody and memorable plays, Desperate Undertakings really stands out and was an amazing amount of fun to read. This was one of the better and more memorable entries in this excellent long-running series, especially with its vicious murders and great character work, and it comes extremely highly recommended.

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How to Rule an Empire and Get Away with It by K. J. Parker

On September 18, 2020June 14, 2023 By The Unseen LibraryIn Comedy/Satire, Fantasy, Five-Star Books22 Comments

Publisher: Orbit (Trade Paperback – 18 August 2020)

Series: The Siege – Book Two

Length: 357 pages

My Rating: 5 out of 5 stars

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Prepare to laugh like crazy with How to Rule an Empire and Get Away with It by K. J. Parker, an intensely funny and clever fantasy read that was one of my most anticipated releases of 2020.

Several years after their home fell under a brutal and prolonged siege, the inhabitants of the City have settled into a new way of life. There may be a vast army camped on the plains outside and the occasional catapult shot may demolish a house or two, but that does not mean that people cannot make some money and get on with their lives. This includes Notker, an acclaimed actor, skilled lookalike and mediocre playwright, who scrapes a living by impersonating the rich and powerful of the City at parties while trying to get someone to pay him money for his latest play. However, what Notker does not know is that fame, opportunity, and a rather large boulder are about to land in his lap.

When the City’s greatest hero and nominal leader, Lysimachus, secretly dies, his followers/handlers, desperate to stay in power, recruit Notker to play the role of a lifetime. Impersonating Lysimachus, Notker continues to act as the city’s figurehead, allowing life to go on, and he even begins to think he has a handle on this simple job, until someone tries to murder him. Now he finds himself in the midst of a brutal and ongoing power struggle as the various power players in the city attempt to manipulate him for their own ends resulting in him being crowned as Emperor of the entire Robur Empire (or what is left of it).

As Notker attempts to find some sanity within his home, he begins to understand what a fragile position the City is in. With enemies surrounding them and the besiegers slowly overcoming the City’s defences, Notker needs to choose between making a run for it or trying to save the City. But what difference can one very good actor make in a war? If Notker has anything to do with it, everything!

How to Rule an Empire and Get Away with It is another spectacular and extremely entertaining fantasy novel from legendary fantasy writer, K. J. Parker. Parker, a pseudonym of bestselling author Tom Holt, has written a vast catalogue of books over the years, including a substantial collection of humorous and satirical fantasy novels. I first really got into Parker’s work last year when I was lucky enough to receive a copy of the awesome Sixteen Ways to Defend a Walled City, a very funny novel that focused on a conniving engineer as he thwarted a massive army through guile, tricky and a substantial amount of BS. Sixteen Ways to Defend a Walled City was an amazing read and it was easily one of my favourite books of 2019. As a result, I have been eagerly keeping an eye out for any additional releases from Parker and was very excited when I saw that How to Rule an Empire and Get Away with It was coming out. I was especially intrigued when I learnt that this latest Parker novel was some form of sequel to Sixteen Ways to Defend a Walled City, and I was very, very happy when I got my copy of this latest book.

This new novel from Parker proved to be an extraordinary read and it was easily one of the funniest novels of 2020. The author writes a clever, fast-paced and addictive story that utilises the author’s unique sense of humour to create a very entertaining piece of literature. This is a very enjoyable read, and fans of Parker’s work will love that How to Rule an Empire and Get Away with It is a sequel to Sixteen Ways to Defend a Walled City, continuing some of the great storylines from the prior book. I had an outstanding time reading this book and it gets an easy five-star review from me.

Parker presents another brilliant and witty story for How to Rule an Empire and Get Away with It that follows the adventures of another unlucky and jaded protagonist as he tries to survive the chaotic events unfolding around him. Just like with Sixteen Ways to Defend a Walled City, this novel is written purely from the perspective of the protagonist as he chronicles his actions and personal history into a historical text. This results in a very fast-paced and hilarious story, as the main character bounces from one bad situation to another, encountering plotters, ambitious politicians, angry crime bosses, dangerous invaders and one particular fierce actress who serves as Notker’s leading lady. I absolutely loved the various outrageous and challenging situations that the protagonist finds himself in, and Parker does a fantastic job presenting them in a humorous way, showing how silly everything is and the various, clever and well-written solutions to these problems. The entire story goes in some very fun and compelling directions and this ends up being an overall excellent narrative that is extremely well written. I was able to predict the overall conclusion of the story somewhat in advance, but Parker did an amazing job setting it up and it resulted in a very entertaining and satisfying conclusion. This was such an amazing story and I had an absolute blast getting through it, laughing my head off the entire time.

As part of this awesome and entertaining story, Parker sets up a whole new protagonist for this novel, Notker the liar. Notker is another fun protagonist in a similar vein to the main character of Sixteen Ways to Defend a Walled City, in that he is a self-serving and opportunistic individual who is mostly looking out for his own wellbeing. This changes once he takes on the assignment of impersonating the dim-witted but charismatic Lysimachus and soon finds himself responsible for the safety of the city. While at first he is mostly trying to survive and find a way to escape from all the insanity and backstabbing that is his life, once he becomes more aware of the situation facing the City and the danger it is really in he begins to take on more responsibility, manipulating everyone so that they can start fighting a more effective war. I really liked seeing this protagonist attempt to take control of the situation surrounding the City, especially as he appears to be one of the only sane people around. Watching his various incredulous reactions to the problems presented to him and his various solutions, which are a combination of common-sense responses and brilliant but out-there tactics, is really entertaining. I especially loved how Parker played up the actor/screenwriter aspect of the character as many of his greatest tricks are derived from theatre techniques, such as selling something to a crowd, misdirection or the value of good lighting. There is also a great underlying aspect to the character as he pretends to be Lysimachus and he needs to strike a balance between responses that Lysimachus would have done and his own common sense and craftiness. This compulsion to act like Lysimachus actually becomes a major problem for Notker as he enjoys being the heroic former gladiator and soon begins emulating him instead of acting in his usual manner of self-preservation. All of this results in another complex and likeable central character who the reader cannot help but root for as he attempts to survive. I really liked how Notker’s story progressed and it was a real joy to read about him from start to finish.

Another thing that I really enjoyed about this book was the way in which it acts as a fantastic and humorous follow-up to Sixteen Ways to Defend a Walled City. How to Rule an Empire and Get Away with It is set in the same city as the author’s 2019 release, and the story begins a few years after the events of this proceeding novel. This new novel mostly presents a new story, told from the perspective of a different protagonist, but it does have a lot of connections to the previous novel. The individual Notker is impersonating, Lysimachus, was a side character in the first novel, serving as a bodyguard to the original protagonist. In this book it is revealed that following Sixteen Ways to Defend a Walled City, Lysimachus, a champion gladiator and a revered public figure, was given all the credit for the original protagonist’s efforts following his death. Parker does a fantastic job revealing this to the reader, and it is extremely fitting in the scope of the first novel as this original protagonist was always getting overshadowed and overestimated. The author makes sure to really drive this point home by completely excluding the name of the previous protagonist throughout How to Rule an Empire and Get Away with It, just to emphasise how no one in the city truly remembers who he was or what he did, which is pretty darn hilarious. The novel contains a number of fantastic references to the events that occurred with the previous book, including giving Notker a copy of the previous protagonist’s memoirs (which formed the basis of Sixteen Ways to Defend a Walled City). Notker of course then provides his own witty two cents to this memoir, providing a writer’s critical analysis, including doubting some of the events that occurred, such as the coincidence around the protagonist being the childhood friend of the mastermind of the siege. All of this definitely adds a lot to the book’s overall humour, and it is always entertaining to see an author make fun of his own work.

Despite these fun references and the continuation of some story elements from Parker’s previous book, How to Rule an Empire and Get Away with It is very much its own novel, taking the reader on a whole new fun adventure. As a result, you really do not need to have read Sixteen Ways to Defend a Walled City first, although it is a lot of fun to see the previous book’s events lampooned in this novel. Indeed, due to the fact that the protagonist and point-of-view character has no idea of the full events of the previous book, you get a good overview as everything is explained to him, which is fun. Overall, this serves as a very entertaining sequel to this amazing previous book and I will be interested to see if Parker decides to continue the story in some way, which I have no doubt will be another incredible read.

How to Rule an Empire and Get Away with It is a truly awesome and enjoyable read, and author K. J. Parker lived up to all my expectations with this book. Not only does it contain a captivating and addictive narrative anchored by a likeable and complex main character, but it is also intensely funny. I loved every second that I spent reading How to Rule an Empire and Get Away with It, and this was without a doubt one of the best books that I have read this year.

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