The Dungeon Anarchist’s Cookbook by Matt Dinniman

Publisher: Soundbooth Theater (Audiobook – 19 March 2021)

Series: Dungeon Crawler Carl – Book Three

Length: 16 hours and 54 minutes

My Rating: 5 out of 5 stars

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Matt Dinniman’s elaborate tale of carnage and comedy continues with the third entry in the Dungeon Crawler Carl series, The Dungeon Anarchist’s Cookbook, another exceptional and highly addictive novel that I could not get enough of.

Those familiar with this blog will know that I recently discovered the sheer insanity that is Matt Dinniman’s epic Dungeon Crawler Carl books.  An outstanding LitRPG series that sees Earth demolished by aliens and turned into a massive, multi-layered fantasy dungeon that the surviving humans need to fight through and descend, all in the name of reality television, the Dungeon Crawler Carl novels are an incredible collection of books with some amazing depth to them as they follow two of the more explosive dungeon crawlers, the gruff Carl and his now sentient cat, Princess Donut.  I powered through the first two books in the series, Dungeon Crawler Carl and Carl’s Doomsday Scenario, in no time at all, and both were epic five-star books.  Due to how incredible these first two books were, I just had to continue the series, and I instantly started listening to the third book, The Dungeon Anarchist’s Cookbook, as soon as I finished off Carl’s Doomsday Scenario, and boy was it something special.

After the cataclysmic end to the third floor of the dungeon, Carl, Princess Donut, their dinosaur pet Mongo, and new party member Katia have arrived on the fourth floor.  This new floor opens all manner of changes for the crawlers, with sponsorship programs, advanced living quarters, new crafting areas and a leaderboard, all needing to be considered by Carl and his companions.  At the same time, the difficulty of the game is ramping up, and this new level is far more complicated than anything they have faced before.

Known as the Iron Tangle, the fourth floor of the dungeon is a mass of interwinding subway tunnels and stations built from the world’s pillaged railway systems.  Tied together in an elaborate knot, thousands of different lines populate this level, filled with random subway and train cars loaded with monsters.  To survive and find the stairs to the next floor, the crawlers need to work out the elaborate puzzle of the Iron Tangle, including which areas are safe, where the monsters are coming from, and what trains can be used to get to important destinations.  However, the dungeon’s creators have populated this floor with all manner of nasty surprises, surprises designed to swallow all the crawlers they can find.

Faced with a seemingly impossible puzzle before them, Carl, Donut and Katia will need to work with all the crawlers on the floor if they want to decipher the mystery of the Iron Tangle.  Only by coming together can the remnants of humanity survive the horrors before them and find a way to continue descending to the bottom of the dungeon.  But can Carl trust his fellow crawlers, especially now that he has a bounty on his head and a potential traitor in his own party? 

Wow, wow, wow!  I honestly didn’t believe that the series could get even better than the awesome first book, but Dinniman once again proves me wrong by producing a particularly elaborate third entry that I once again fell in love with.  Featuring a clever and memorable new scenario, The Dungeon Anarchist’s Cookbook was an exceptional continuation of the series, bringing back all Dinniman’s great characters, complex RPG elements and insane humour, and producing a particularly special story with it. This is another incredible Dungeon Crawler Carl book that gets a well-deserved five-star rating from me.

Like the previous entry in the series, the plot of The Dungeon Anarchist’s Cookbook covers the protagonists’ attempts to journey through a single level of the dungeon, in this case the massive fourth floor, which is made up of an elaborate tangle of monster-filled subway tunnels.  Thanks to The Dungeon Anarchist’s Cookbook having a longer length than the previous novels and not requiring any substantial introduction material, Dinniman is able to spend a substantial amount of time fleshing out the exploration of this level, and the primary focus of the plot focuses on the characters trying to find the various tricks of the Iron Tangle.  While the narrative of The Dungeon Anarchist’s Cookbook is a little slower paced than the previous entries in the series, you soon get engrossed in this complex adventure narrative, especially as there is the usual fun humour, cool character dynamics and the inevitable explosive solutions to all the problems the characters encounter.  Dinniman also spends time expanding on some of the background character plots and wider universe narrative threads that give greater context to the events of the dungeon.  While these parts aren’t as prevalent as in the original novel, you still get some interesting continuation of the wider conspiracies and issues surrounding the crawl and the whole series, which come into play in some compelling ways.

While the first half of the book is very awesome and has some great moments, it is the second part of The Dungeon Anarchist’s Cookbook that really ensures that readers will come away from this novel particularly happy.  Starting with a fantastic and particularly bloody rescue sequence when Carl and his associates attempt to save a bunch of trapped fellow crawlers and initiate a group stand against the horrors of the Iron Tangle, the plan swiftly breaks down in some particularly memorable ways, with the entire dynamic of the dungeon changing in a single moment.  Other great scenes, including a confrontation between Carl and one of his main enemies in the dungeon, also add to the general drama of the novel, and I love how these complex moments, as well as the entire plot of the second half of the book, perfectly flows from the great build up Dinniman featured in the first half of The Dungeon Anarchist’s Cookbook, as well as a multitude of other great plotlines the author has been building up throughout the series.

This impressive narrative eventually leads up to the big and massively destructive conclusion of the book, which was a perfect end to such a captivating novel.  Dinniman cleverly builds up the tension in the lead-up to this finale, and you know that the other shoe is about to drop in a big way.  When it does, Dinniman does not disappoint, forcing the protagonist into some elaborate life and death scenarios, including one particularly epic showdown.  I really loved how all these intense and action-packed sequences came together, and you are constantly on your edge of your seat as you wait to see what happens next.  The protagonist’s various creative plans and failed solutions in the face of these over-the-top scenarios really add to the outrageous entertainment value of the book, and I cannot emphasise enough what an awesome conclusion The Dungeon Anarchist’s Cookbook had.  The author also cleverly sets up the events for the next book, with several hints at key moments to come, and you are left eagerly waiting for even more of the series, especially after seeing how crazy and intense things got in this novel.

Dinniman did another outstanding job writing this third Dungeon Crawler Carl book, and I really appreciated how he brought the same energy and level of excitement to The Dungeon Anarchist’s Cookbook.  The reader is once again treated to an amazing amount of complex action, intriguing LitRPG elements, captivating character growth, and the author’s outstanding humour, which equates to a particularly gripping and intense read.  I liked that The Dungeon Anarchist’s Cookbook had a much more effective pace than the second novel, and the entire journey through the floor was very well set out and quite captivating.  While the labyrinthine nature of the Iron Tangle is a little hard to follow at times, I think this worked well in the context of the story, as it helped to underscore the confusing puzzle that the protagonists had to solve, and you really have to appreciate the sheer inventiveness that the author threw into this distinctive fourth floor.

As with the second novel, I felt that people interested in trying out this series really shouldn’t start with The Dungeon Anarchist’s Cookbook, and instead they need to read the preceding novels first.  While this third novel does have a bit more internal recapping, as the protagonist thinks back to key events, Dinniman does drop the reader into the story immediately after the closing moments of Carl’s Doomsday Scenario, which will confuse most new readers.  The author again builds on the cool LitRPG elements of the previous novels, adding in even more classic gaming features that the protagonists, and through them the readers, need to keep in mind as the book progresses.  All these features have an effective introduction so that anyone can understand their impact, no matter their experience with RPGs, and Dinniman works them into the wider plot extremely well.  As always, a lot of the dryer LitRPG elements of the book are made a lot more entertaining thanks to the over-the-top explanations, clever jokes, and the general insane manner in which the protagonists utilise them, and those reader’s with less interest in stats, abilities or equipment, will still have fun with the scenes focussed on them, especially as they feature some of the book’s funniest lines.  The rest of the novel also features a great comedic tone, and I laughed so many times throughout The Dungeon Anarchist’s Cookbook, especially as Dinniman keeps upping the ante with the plot and forcing the protagonist into even more ridiculous scenarios.

This great humour is well balanced by the often more serious character moments that Dinniman does a wonderful job inserting into the story.  Most of these revolve around the perspective character, Carl, who serves as the voice of the entire story.  A sarcastic, gruff and scarred figure, Carl serves as an excellent everyman protagonist for the series, and you soon get very attached to him, especially as he attempts to be the dungeon’s hero and save everyone he can.  The author builds up some really moving storylines around Carl in this third book, and I loved seeing his continued growth as the team’s unofficial leader, as his accurate insights and tactical ideas really move the plot along.  There are some very dramatic moments loaded in as Carl encounters the various dark sides of the dungeon, and I loved the big anti-authoritarian aspect to the character that Dinniman is expanding upon, especially as he witnesses more and more of the dungeon’s cruelty.  The inclusion of the titular Dungeon Anarchist’s Cookbook, a secret in-game book that gives him hints and ideas to survive in the dungeon, was a fun twist, and I loved how it gave him even more explosive ideas, while allowing the author to explore his rebellious side even more.  Despite being a mostly serious figure, there is still a lot of humour around Carl, mainly from him being the straight man in a very ridiculous place, and you have to love his very reasonable reactions to some of the weird things he witnesses.  Dinniman also continues the very funny trend of having Carl gain a well-deserved reputation of being one the craziest crawlers in the dungeon, mainly due to his tendency of solving all his problems with explosives, and there is a lot of entertainment in seeing Carl’s various plans go further off the rails than intended.

In comparison to Carl, sentient cat Princess Donut is the fun face of the team, and it’s impossible not to love her various antics and over-the-top attitudes.  Her many entertaining quirks, including her obsession with fame, hilarious insights into humans, her long-running grudge against all Cocker Spaniels, her relentless use of all-caps in chat mode, and her general cat-like personality all add a lot of amusement to the novel, and you have to love the odd-couple relationship that forms with Carl.  So many of The Dungeon Anarchist’s Cookbook’s funniest sequences result from Donut’s antics and Carl’s subsequent reactions, and this novel would not be as entertaining without her.  Despite mostly being a comedic figure, Donut does get some serious interactions with the other characters, which help to showcase her character growth and protective nature.  Her occasional vulnerable and honest discussions with Carl really highlight their bond, and she has one of the best moments in the entire book when she overreacts after a friend is hurt.  I really cannot emphasise enough what a great character Donut is, and I really love that Dinniman decided to make this hilarious sentient cat one of his main protagonists.

I also must mention the newest member of the protagonist’s party, Katia, a shy woman who has taken on a shapeshifting race that allows her to act as an effective tank.  I must admit I wasn’t too certain about Katia as a character at the start of The Dungeon Anarchist’s Cookbook, due to her understated personality and somewhat random introduction and inclusion to the team in the second half of the previous novel.  However, Dinniman steadily builds up her complex personality as the book continues, and thanks to the continued support of her new party, as well as Carl’s various attempts to hack her race features, she becomes quite an effective crawler, gaining a lot more confidence.  Her unique abilities and likeable personality nicely compliment the already existing team of Carl and Donut, and they end up becoming a well-balanced trio thanks to her inclusion.  The author also sets up an intriguing storyline around Katia’s conflicting loyalties between her previous party and the current group of Carl and Donut, which come into play perfectly during one of the novel’s big moments.  Katia ends up becoming quite an awesome part of the book thanks to these scenes, and I loved the excellent new dynamic she brings to the series.

Aside from these main three characters, The Dungeon Anarchist’s Cookbook features a really impressive supporting cast, especially as Dinniman brings back a lot of awesome characters from the previous two novels.  This includes Donut’s pet, Mongo, a giant velociraptor who was once again a fun addition to the plot.  While Mongo does get used a little less in the book thanks to the compact train cars of the setting, he made an impact when he did appear (especially to a certain gnoll) it is very entertaining to see Donut finally able to ride him.  The group’s manager, Mordecai, was once again perfect as the reluctant and exasperated mentor figure, who plays off the personalities of the main protagonists perfectly.  One excellent scene in the book ended up limiting Mordecai’s role in The Dungeon Anarchist’s Cookbook, which serves as an effective handicap for the protagonists, while also hinting at Mordecai’s traumatic past, and I look forward to the author expanding on that in the future.

This lack of Mordecai also allows for the author to feature a lot of additional characters, which fits the giant group teamwork focus of the plot, and it was fun to see some of Carl and Donut’s acquaintances from the previous two books return here, especially as several have changed in some very entertaining ways.  I need to highlight the return of antagonist Frank Q, whose big scene with Carl was one of the most powerful moments of the novel, especially as Frank seemingly gets his revenge.  Other previously mentioned antagonists, including some introduced outside the dungeon, are brought back here, often in a big way, and their interactions with Carl are always quite destructive.  Dinniman also focuses on an array of NPC characters in The Dungeon Anarchist’s Cookbook, and the dark plight of these poor figures helps to showcase both the protagonist’s empathy and the twisted nature of the entire dungeon process.  Finally, I again need to mention the hilarious AI who runs the dungeon, as the disembodied figure is easily the most hilarious character in the series thanks to his unhinged descriptions, brilliant references, and the twisted way he manipulates the crawlers to get the funniest result for the audience.  I love how Dinniman showed how the AI is starting to crack a little, especially when it begins rebelling against the corporation running the game (how dare they appeal the AI’s decisions), and I laughed so hard at so many things the AI said.  All these characters, and more, were very entertaining to follow, and I love the many rich character arcs and moments that the author cleverly inserted into the novel’s plot.

I have been having an absolute blast with the Dungeon Crawler Carl audiobooks, and I didn’t even hesitate in choosing to also listen to The Dungeon Anarchist’s Cookbook on this format.  Unsurprisingly, this was another exceptional listen as the audiobook version of The Dungeon Anarchist’s Cookbook really helped to highlight all the best aspects of the book, including the great action, amazing characters and brilliant, over-the-top humour.  Coming in at nearly 17 hours, this was the longest Dungeon Crawler Carl audiobooks yet (they only get even longer from here), although I still managed to power through it in very quick order.  A large reason this audiobook was so good was because the very talented Jeff Hays once again impressed as narrator.  Thanks to his zany voices Hays makes this audiobook truly come alive, and I love how perfectly he inhabits all the crazy and complex characters featured within this book.  There is an outstanding array of accents, parody voices, and over-the-top tones from Hays in this audiobook, and all the voices were a lot of fun, especially for some of the big or exaggerated monsters.  I again need to highlight his excellent voices for Carl and Princess Donut, and it’s just amazing how he can embody both very divergent characters.  I also loved the voice he used for the system AI, especially as Hays brings out all the disembodied figure’s sass, anger and sadistic comedy with his reading of the announcements, especially when the AI gets freaky or mad.  This Dungeon Crawler Carl audiobook also features the voice of Youtube personality The Critical Drinker, who voices a minor character in a well-done, if unnecessary, inclusion.  I felt this entire audiobook came together pretty damn perfectly, including the very funny ad for Soundbooth Theater thrown in at the end, and I honestly don’t think I would enjoy this series nearly as much if it weren’t for these fantastic audiobook productions.  I plan to listen to all future Dungeon Crawler Carl novels on audiobook, and I know I am going to have so much damn fun doing so.

With yet another explosive story, loaded with great characters, clever RPG inclusions and the author’s outstanding humour, The Dungeon Anarchist’s Cookbook was extremely epic, and I could not get enough of it.  The best book in the Dungeon Crawler Carl series so far, The Dungeon Anarchist’s Cookbook was ultra-impressive, and Matt Dinniman did an exceptional job bringing everything together.  I enjoyed this novel so much that I once again decided to start reading the next book in the series the moment I finished this one and then continued after that.  As such, I am currently in the middle of the fifth book in the series, The Butcher’s Masquerade, after loving the fourth book, Gate of the Feral Gods, and both are incredibly awesome and so much fun.

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Carl’s Doomsday Scenario by Matt Dinniman

Publisher: Soundbooth Theater (Audiobook – 6 January 2020)

Series: Dungeon Crawler Carl – Book Two

Length: 11 hours and 28 minutes

My Rating: 5 out of 5 stars

Amazon

After falling in love with Dungeon Crawler Carl, the first book in the epic Dungeon Crawler Carl series, I have decided to continue diving into this incredible series of adventure, friendship and adversity, with the second novel in the deeply impressive LitRPG series Carl’s Doomsday ScenarioDungeon Crawler Carl was so damn fun, and I chose to start reading this awesome sequel the very moment I finished the first book in the series.

The dungeon crawl to determine the fate of planet Earth has begun, and it is already the highest rated show in the entire galaxy.  However, the games have only just began, as the human crawlers who survived the training levels of the game now must contend with the horrors of the dungeon’s third level. 

The unlikely team of the pants-bereft hero Carl, his now sentient cat, Princess Donut, and Donut’s pet dinosaur, Mongo, have already survived great adversity in their initial forays through the dungeon, but now the game is starting to get even more chaotic.  Starting off the level with the ability to chooses new races and specialised classes, Carl and Donut have some serious upgrades to face the full horrors of the dungeon, and they are going to need it.

This new level of the dungeon, known as the Over City, is the sprawling ruin of a once vast city, laid low by a devastating calamity.  Many creatures still haunt the now destroyed streets, including the horrifying remains of a once popular circus, while in the seemingly safe town they use as a base, murdered prostitutes rain from the sky as part of a malevolent scheme.  However, while Carl and Donut face all manner of monsters and mayhem tackling these horrors and the quests that lay behind them, the greater danger may lay outside of the dungeon, as old and new enemies from the alien races descending on Earth are determined to make Carl’s journey as difficult as possible.  Can these two unlikely companions and their pet dinosaur survive the carnage to come, or is their doomed crawl through the dungeon about to come to an end?

Well damn, now that was a really impressive follow-up to the first book in the Dungeon Crawler Carl series.  Carl’s Doomsday Scenario was an outstanding novel from Dinniman that ups the craziness and ensures that you are still absolutely hooked on its brilliant storytelling, intriguing LitRPG elements and awesome humour.  I frankly couldn’t stop listening to Carl’s Doomsday Scenario, and I have to give it another five-star rating for how much fun I had with it.

Dinniman came up with another great story for Carl’s Doomsday Scenario that continues right after the events of the first book in the series.  One of the shorter novels in the series, Carl’s Doomsday Scenario avoids any recap material and instead jumps right into the plot, which covers the entire time the protagonists spend on the third level of the game.  Cleverly bringing in some cool new elements at the start, the protagonists are soon grinding through this new level.  The plot mostly focused around two of the quests that the protagonists choose to participate in, one involving a cursed circus, and the other involving a sinister plot of sacrifice and murder in one of the floor’s main towns.  Dinniman plays through both major plot elements in a similar manner to quests from a particularly deranged RPG game, and you soon get invested in both the scenarios, and the protagonist’s unusual or explosive ways of dealing with the situation.  Both major quest lines involved carnage, exploration, a dash of mystery, and an array of intriguing new characters, and allow for the protagonists to keep getting stronger and more experienced.

These quest-focused sequences are well balanced by an array of events that tie them into the larger series story of the protagonists playing the dungeon game.  The protagonists become involved in several events outside the dungeon which helps introduce long-term antagonists and hints about some of the future obstacles to come.  You also get some interesting updates about some of the recurring characters introduced in the first book, many of whom are clearly going to have a bigger impact on the story in the future.  All these elements blend well into one cohesive and exciting plot, and I loved how well Dinniman balanced the various unique story elements and kept making the overall narrative of the series even more elaborate.  These plots all come together for Carl’s Doomsday Scenario’s big finale, which was as hilariously epic as possible.  Dinniman really ramped up the tension for this final part of the book, and you are constantly on the edge of your seat as you wait to see who survives and how.  An epic story that perfectly continued the overarching Dungeon Crawler Carl narrative, while also providing some very memorable moments that allows Carl’s Doomsday Scenario to stand on its own.

I loved how Carl’s Doomsday Scenario came together, although I must point out that you really need to read Dungeon Crawler Carl first.  The plot of Carl’s Doomsday Scenario directly continues from the events of Dungeon Crawler Carl, and you could honestly combine the two to get one long novel without any issues at all.  Indeed, this story does feel a little like a bridging novel between the introductory first novel and the heavily plot laden third book, although it still works well to tell its own fun story.  While the point-of-view protagonist does recap some events in his head as the story unfolds, new readers trying to start at this second book would likely get lost in some of the plot details.  As such, this is definitely a book for those who plan to read the series from start to finish, and those that are will find that Carl’s Doomsday Scenario features all the very best elements from the initial novel, including a ton of great action, some unique LitRPG elements, and the continued side-splitting humour that made Dungeon Crawler Carl so much fun to get through.

Dinniman makes excellent continued use of the first-person perspective to paint a compelling picture of the protagonists’ journey in this second book, and you really get drawn into Carl and Princess Donut’s adventures as a result.  Thanks to the fact that they are experiencing all these scenarios for the first time, readers with all manner of LitRPG or RPG experience can easily enjoy this novel, and the author does an amazing job combining the more elaborate RPG elements into the larger exciting narrative.  There are a ton of great new elements added in for this book, with things like class and species decisions, quests, elite NPCs, towns and more, adds some additional complexity to the plot which helps to make the story even more interest.  These extensive LitRPG features are perfectly enhanced by the author’s comedic writing, and there are so many great jokes thrust into the story.  This humour is well supported by the book’s overall outrageous nature, and all the over-the-top scenarios the protagonists encounter can be exceptionally funny at times.  Thanks to how well Dinniman writes and combines these elements together, I was so invested in every part of the book, and it was fantastic to see the entire narrative unfold and watch the protagonists evolve with the game.

As with Dungeon Crawler Carl, the emotional heart of Carl’s Doomsday Scenario lies in the partnership between Carl and Princess Donut, and it was fascinating to follow these two unlikely heroes through the dungeon.  Carl continues to be the gruff and over-exasperated central character through whose eyes we see the story unfold.  A tired figure still reeling from the death of his planet, Carl continues to grimly stay alive for Donut’s sake, while also becoming more enraged at the full evils of the dungeon and the corrupt alien corporations controlling it.  I really enjoyed the practical and often quite clever way he addresses the dungeon’s many challenges, and Dinniman does a good job showcasing his evolution as a player, even though he still mainly resorts to explosives and crazy plans.  Indeed, Carl starts to develop a somewhat well-deserved reputation as a reckless figure, which is quite entertaining.

While Carl is the stoic centre of the plot, Princess Donut is the comedic heart of the Dungeon Crawler Carl series, and you just have to love her entertaining persona.  Despite being sentient, Princess Donut is still very much a cat in nature and bearing, and it is hilarious to see her exaggerated personality clash with the more subdued nature of Carl.  Her ability to get them into all manner of trouble with her fun-loving ways and lack of caution adds some great entertainment to the plot (Goddammit Donut!), while her love of attention and popularity perfectly plays into the reality television nature of the dungeon game they are in.  Donut is an outstanding personality foil to Carl, and this allows for some very entertaining moments as a duo.  However, while on the outside she is still the same silly and haughty cat you came to love in the first book, Dinniman has started to showcase Donut’s hidden depths, and there are some great moments when you come to realise that the cat is growing up and become more mature.  A lot of this lies in the heartwarming relationship between Carl and Donut as the two continue to become a true team.  I love some of the scenes when Carl and Donut are vulnerable with each other, especially when they are close to death, and you realise just how close they’ve become and how much they mean to each other.  This connection provides some amazing moments throughout Carl’s Doomsday Scenario, and you continue to become extremely invested in these two’s adventures.

Aside from Carl and Donut, there is an array of additional awesome characters featured in Carl’s Doomsday Scenario, including a combination of figures from the previous novel and some new great characters.  This includes Donut’s pet velociraptor, Mongo, who continues to grow into an even more dangerous killing machine.  Despite some continued teething troubles about Mogo’s inability to control himself, Mogo grows into a key member of the team, and that intense scene where he defends Donut from harm cements him as a wonderfully beloved pet.  The team’s NPC tutorial guide, Mordecai, gets an extended appearance in Carl’s Doomsday Scenario, becoming Donut’s reluctant manager, and I loved the fun mentor role he adds to the cast, becoming the team’s voice of reason, which is often ignored by the protagonists.  Dinniman also adds in an interesting third member of the party later in the book, who gets an effective introduction, even if they don’t play a major role in the plot this time around.  Throw in an array of determined fellow crawlers, aliens who often have beef with Carl, and some complex mobs and NPCs whose unique stories the protagonists get dragged into, and the cast of Carl’s Doomsday Scenario was so damn epic and really enhanced the overall story.

As with the first book in the series, I chose to listen to Carl’s Doomsday Scenario on audiobook, which is frankly the very best way to enjoy this incredible novel, especially as the having the crazy story and the antics of the characters read out is so much fun.  Coming in with a run time of 11 and a half hours, this is one of the shorter entries in the series, and I managed to finish off this audiobook in a few very entertaining days.  I deeply appreciate the fact that Jeff Hays continues as the narrator of this second audiobook in the series, as he really impressed me with Dungeon Crawler Carl.  Hays has an amazing array of elaborate voices that perfectly fit so many of the unique characters featured in this novel, and he carries over several of the key tones from the first audiobook for the recurring characters.  His voices for Carl and Princess Donut are particularly good, and I love how effectively he still captures their complex personalities, including Carl’s frustrations and anger, and Donut’s comedic over-excitement and infectious personality.  His best voice still probably remains the system AI running the dungeon, as the sheer amount of excitement, sarcasm and comedic timing Hays brings to reading out the AI’s notices is so damn good.  Throw in a cool array of new character voices, as well as some modulated tones for characters who have changed race or attributes, and this was such an impressive listen that will have you laughing like crazy.  I cannot recommend the audiobook format of the Dungeon Crawler Carl books enough, so do yourself a favour and make sure to check them out.

My newfound obsession with Matt Dinniman’s Dungeon Crawler Carl series continues unabated as I powered through the second book, Carl’s Doomsday Scenario, in no time at all.  an outstanding sequel that perfectly continues all the amazing story elements from the first book, while adding even more layers to the elaborate scenario.  Fast-paced, constantly entertaining, and with some impressive emotional depth to it, Carl’s Doomsday Scenario was particularly awesome, and I had an absolute blast reading it.  Indeed, I loved it so much that I once again instantly dived into the next book in the series, The Dungeon Anarchist’s Cookbook, which is proving to be just as incredible as its predecessors.

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Dungeon Crawler Carl by Matt Dinniman

Publisher: Soundbooth Theater (Audiobook – 21 September 2020)

Series: Dungeon Crawler Carl – Book One

Length: 13 hours and 31 minutes

My Rating: 5 out of 5 stars

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Have you ever had one of those books or series that everybody seems to be talking up all the time?  Lately for me that series has been the Dungeon Crawler Carl novels by Matt Dinniman.  An intriguing LitRPG series, the Dungeon Crawler Carl books are a funky and hilarious fantasy and science fiction hybrid that places its outrageous protagonist into an unlikely alien reality show filled with subterranean dungeons inspired from classic RPGs.  A series with a very interesting premise, I have been seeing so much online about the Dungeon Crawler Carl books over the last couple of years, with everyone praising it and really talking it up.  Despite not having a lot of experience with the LitRPG genre (except for Ascension by B. F. Rockriver), I decided to check out the first novel in the series, also titled Dungeon Crawler Carl, to see what all the fuss was about, and boy did that have an excellent result.

When aliens come to Earth, first contact is far more brutal and unusual than you could ever expect.  Instead of communicating or conquering, the aliens instead instantaneously collapse every single human-made structure down into the ground, killing everyone who was inside.  Only those standing outside at the time survived, and they are given a dire choice: either remain on the planet’s now desolate surface with no shelter, or journey down into the subterranean 18-level dungeon that has been formed from humanity’s repurposed buildings.

For those few million human survivors who journey into the newly labyrinth, they soon encounter a fantasy-inspired dungeon, filled with traps, monsters, loot and other dark dangers to navigate.  These survivors, known as dungeon crawlers, need to keep moving downwards in the hope of reaching the 18th floor and the promised reward it contains.  Death and dismemberment are a near certainty in the dungeon, so contestants will need to learn how to kill mobs, find enchanted gear, learn new combat skills or magic and keep getting stronger, all before the level they are on collapses.  However, this dungeon is far more that a contest of might and magic; it is the most popular reality program in the galaxy, seen by untold trillions of aliens, and only those crawlers who can gain a strong following and rich sponsors are likely to survive.

Into this chaotic situation is thrown unlikely hero Carl.  A simple man caught outside in his underwear as he attempted to retrieve his ex-girlfriend’s cat, Princess Donut, Carl soon finds himself fighting for his life in the most ridiculous of circumstances.  Teaming up with the now sentient Princess Donut, Carl finds that the dungeon has a steep learning curve, and he will need all his resolve, cunning and the friendship of a superpowered cat to survive.  However, as Carl and Princess Donut accidently become two of the most popular contestants in the game, they will need to contend with everyone who wants them dead, both from inside the dungeon and without, as they constantly move downwards.  Dangerously overmatched, completely overwhelmed, and with a distinct lack of pants for Carl, this unlikely duo will need to learn how to survive big and show the universe and the unhinged AI controlling the game that they are worth keeping alive.

Goddammit Dinniman, how could you create something so damn addictive.  It turns out that for once the internet crowd had this 100% right, and Dungeon Crawler Carl was everything they said it would be and more.  A clever, intense and overall hilarious romp through a cool LitRPG scenario, Dungeon Crawler Carl had me hooked very early on and I absolutely powered through this epic adventure novel which I just had to give a full five-star rating.

I really, really loved the cool story in Dungeon Crawler Carl, which starts off quickly and never lets up all the way to the end.  Starting with a quick but effective introduction to Carl, which then leads to the world collapsing and him being forced to enter the dungeon with his cat, you are soon immersed in this new crazy world, with some bloody opening fights setting the crazy tone for the rest of the novel.  After an in-depth sequence that explains the rules of the world, Dungeon Crawler Carl takes off again at a fast pace made even more entertaining thanks to the introduction of the now sentient cat, Princess Donut.  Forced to keep fighting through monsters, traps and other obstacles, the action and excitement never lets up, and I really appreciated how Dinniman naturally flowed the protagonists into fresh scenarios, including unusual boss fights, explosive opportunities, and starting a meth war between goblins and fire-spitting llamas.

The second half of Dungeon Crawler Carl goes in some very interesting direction, as the protagonists encounter other Crawlers, with some very different results, while also ensuring the full and often ultra-bonkers horrors of the first two levels of the dungeon keep coming at you hard and fast.  There is some great character development as the book continues, both literally and figuratively, and it was interesting to see the characters evolve to face the unique threats of the dungeon in their own way.  Dinniman threw in some clever and often hilarious solutions to many of the obstacles the protagonists face (although most of them involve explosives), and you’re constantly on the edge of your seat as you wait to see how they will survive going forward.  There is also some excellent universe expansion as the characters experience the reality-television obsessed world outside the dungeon, which often leads to some hints of the dangers to come later in the series.  These upcoming elements are well placed into the book, which allows the readers to anticipate what is to come, while not distracting from the main plot points.  The conclusion of Dungeon Crawler Carl comes a little after the big events of the book, but it sits in a good place as part of the wider series.  This novel ends up being an exceptional read on its own, while also being an excellent first entry in the series that perfectly sets up the many over-the-top adventures to come.

This proved to be a very cleverly put together novel, and Dinniman really excelled at utilising the unique elements of the LitRPG genre and utilising in his story.  Featuring a very cool explanation for why the protagonists are trapped in a fantasy dungeon (alien reality television show to determine the fate of the planet is an awesome plot idea), you soon get engrossed in the LitRPG themes of the book, as the characters are instantly forced to battle mobs to survive.  Due to the time limits built into the plot, the protagonists are quickly forced to adapt to the new way of living (or dying), and the reader is given a crash course in the mechanics of the game system.  I found these to be quite fascinating, and you really get engrossed in the various levelling, skills, magical items, achievements and other elements of the game, which fans of RPGs of all varieties will be familiar with.  The dungeon itself is a unique blend of classic fantasy creatures and tropes, with exaggerated elements of modern human culture, allowing for modern references to go together with fights against goblins and other creatures.  Dinniman also adds in a great reality television element to the plot, as the protagonists are forced to earn followers and appeal to a wider audience to improve their chances, like The Hunger Games on steroids.  The author does an excellent job of setting these unique elements up, and it’s a great extra edge to the typical LitRPG elements.

Dinniman ensures that these LitRPG elements continue to be quite entertaining throughout the entirety of Dungeon Crawler Carl thanks to a variety of factors, mainly humour.  Nearly every scene in this book is incredibly funny of various levels, including entertaining character interactions, reactions to over-the-top scenarios, various subtle jokes, and a large amount of more noticeable adult humour that reflects the crazy situation and big personalities of the plot.  I personally loved how Dinniman enhanced all the game elements of the book, such as item and mob descriptions, achievements, skill discussions and more, by including comedic summaries loaded with jokes, references and the barely controlled fetishes of the AI running the dungeon.  These wacky descriptions made the more LitRPG-heavy parts of the plot flow a lot better, especially as readers with less interest in RPGs can still have fun with these scenes.  Dinniman works to make various other LitRPG elements more entertaining for casual readers in various other ways, such as ensuring all the scenes featuring the chat function are quite distinct and humorous due to Princess Donut’s insistence of only writing in caps.  I honestly was left laughing out loud multiple times throughout Dungeon Crawler Carl, and the sheer ridiculousness of the story, as well as the often quite inappropriate, yet hilarious jokes, was just too much for me.

While there is a definite focus on comedy and jokes in Dungeon Crawler Carl, Dinniman also adds in some real emotional heart to the story, mainly through the focus on the protagonists.  The relationship between the perspective protagonist Carl, and the now sentient cat Princess Donut adds some excellent and powerful depth to the book, especially as they grow to be a compelling team.  While initially thrown together in unlikely fashion, the grumpy Carl and the amusing Princess Donut, who has all the smugness and confidence of a prize-winning cat, turn into the ultimate odd-couple, made even more entertaining by the fact that the cat is much more powerful than Carl.  Dinniman throws in a lot of very entertaining quirks for both characters that makes you love them; however, it is the more subtle examination of the protagonist’s deeper emotions that help to enhance this narrative even more.  This includes Carl’s deep internal anger, brought on by various factors, the despair he feels at the complete destruction of his world, and his continued attempted heroics, even when it puts him at greater risk.  I loved how both Carl and Princess Donut both grew to become quite dependent on each other as the book continued, and while there is still a lot of growth needed for both, you can see that their bond is going to be the powerful centre of the plot.

Aside from Carl and Princess Donut, Dungeon Crawler Carl is loaded with an outstanding array of characters who each bring their own brand of fun to the plot.  I personally enjoyed the protagonist’s guide, Mordecai, a veteran former crawler who provides advice on how to proceed, while also hiding the trauma of his own adventures in a previous dungeon.  There was also an array of compelling and distinctive mobs, alien night show hosts, and other creatures associated with the production, who on the surface are quite entertaining and funny, but whose deeper tragedies work to highlight just how dark the dungeon process truly is.  There are also some other distinctive fellow crawlers thrown into the plot, and it is interesting to see how humans will react to the terrible situation before them, either becoming heroes or dark villains.  Finally, I must mention the AI running the dungeon, who proves to be one of the more entertaining figures in the book, despite not appearing in person in any way.  His very over-the-top commentary and descriptions for all the game mechanics was ultra-hilarious, and there are so many great jokes there.  However, it was the AI’s more subtle actions that proved to be the funniest part of this electronically ethereal figure’s inclusion, as it guides the game to suit its own interests and desires.  This includes giving very specific items to the protagonists to produce the most amusing story, while other rewards and loot encourage Carl to remain barefoot and lacking pants throughout the game for “reasons”.  I felt that this excellent cast really matched the over-the-top story that Dinniman threw together for Dungeon Crawler Carl, and every character made an amusing and memorable impact on the story.

I ended up checking out the audiobook for Dungeon Crawler Carl, which was honestly exceptional, and I cannot emphasise enough just how effective this format enhanced Dinniman’s great story and outrageous humour.  Narrated by Jeff Hays, who might be one of my new favourite audiobook voice actors, all the action, intensity and the distinctive characters of Dungeon Crawler Carl came across exceptionally well in this format, and I absolutely loved how effectively Hays conveyed the entire craziness of this novel.  The narrator provides an excellent voice for the protagonist, Carl, that served as the base tone for most of the narration, and you really get to feel the protagonist’s fear, determination and continued exasperation, especially when he encounters all the crazy twists and inclusions.  Hays’ voices for the other characters of Dungeon Crawler Carl also helps to make this audiobook stick out.  For example, the tone that Hays choice for Mordecai perfectly fit the tired, old mentor, while his Princess Donut voice is so damn entertaining, especially as you can fully appreciate the character’s catlike nature with Hays’ high-pitched and demanding voice.  Hays also captures all the fun features of weird mobs of the dungeon, including goblins and other sentient creatures, and there are some very striking and funny voices featured there.  However, it is the tone he uses when speaking in the voice of the AI running the dungeon that is the best.  Cheerful and sarcastic, Hays perfectly captures this computer program’s weird sense of humour with his narration, and I loved the boisterous way he reads out the achievements, the skills, item stats and more, especially for more colourful descriptions that require accents or other creepier voice changes.  This outstanding narration worked on so many levels with Dinniman’s unique style, and I frankly could not get enough of listening to Dungeon Crawler Carl on audiobook, which is just the best way to check out this novel.

Overall, I had an exceptional time with Dungeon Crawler Carl, and this series instantly became my new obsession.  Fun, outrageous and constantly exciting, Dungeon Crawler Carl lives up to all the hype surrounding it, and I was really impressed with Matt Dinniman’s ability to craft a complex story that will potentially get better with each new entry.  Honestly the best way to showcase just how much I enjoyed Dungeon Crawler Carl is to reveal that as soon as I finished this first book I instantly started listening to the sequel, Carl’s Doomsday Scenario, and then the third book, The Dungeon Anarchist’s Cookbook, soon after that.  I will probably end up powering through this series in the next few months, hopefully before the eighth book comes out next year, and I cannot wait to see where Dinniman takes this beautifully unhinged plot next.

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Waiting on Wednesday – Blindside by Michael Mammay

Welcome to my weekly segment, Waiting on Wednesday, where I look at upcoming books that I am planning to order and review in the next few months and which I think I will really enjoy.  Stay tuned to see reviews of these books when I get a copy of them.  For this latest Waiting on Wednesday, I once again jump ahead to 2026 and highlight an especially awesome upcoming science fiction thriller that I am really excited for with Blindside by Michael Mammay.

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Back in 2018 I had the very great pleasure of reading the debut novel of new author Michael Mammay, Planetside. An intriguing science fiction thriller that sent a retiring military officer, Colonel Carl Butler, to an alien planet to find a missing soldier, Planetside turned into quite the clever and exciting read, and I really got attached to its complex narrative and maverick protagonist. Ending on a massive and well-written twist, Planetside was an exceptional read and was one of my favourite books of 2018. The series continued strong from that point on as Mammary released more cool additions to the Planetside series, each of which pit the protagonist against human corruption and corporate greed in the depths of space with Spaceside (one of my favourite books of 2019), Colonyside (one of my favourite books and audiobooks of 2021) and last year’s intense read Darkside (one of my favourite books and audiobooks of 2024).

Due to how impressive I have found them the Planetside books soon became a must-read series for me, and I eagerly grab the latest entry as soon as it comes out.  As such, I am very keen to get my hands on the recently announced next novel in the series, Blindside.  Set for release in March 2026, Blindside will once again put the protagonist in great danger as he faces the dark consequences of his past interferences.

Plot Synopsis:

Colonel Carl Butler charges back into the world of military crisis, corporate malfeasance, and intergalactic mystery in the action-packed fifth Planetside novel from science fiction master Michael Mammay.

Carl Butler has returned to his home planet from the moon Taug and is looking forward to some rest and relaxation. But following two mysterious deaths connected with the Taug mission, he realizes that the intruders that recently set off his home’s security system might be looking to add him to the death toll.

Having been Butler’s muscle on numerous missions, Mac is no stranger to getting involved with mysteries that should be none of his business. So when the daughter of one of his gym members goes missing, he offers to help. Mac assumes she’s a simple runaway, but the case turns out not to be so clear-cut. Wondering if these strange occurrences are somehow related, Butler—along with Mac, Ganos, and the rest of his small crew—once again finds himself neck deep in intrigue.

As the clues for the various cases begin to intertwine, Butler sees the hand of an old enemy at work, and…well…he’s never been one to sit back and wait for something to happen. Gathering the team, he heads off across the galaxy to confront his suspects head-on.

But this time, they’re waiting for him.

Blindside sounds like another epic entry in the Planetside series, especially as eternal busybody and constant thorn in the corrupt galaxy’s powerbrokers, Colonel Carl Butler, is once again causing trouble.  Having the enemies come after the protagonist this time, rather than having Butler visiting new locations and uncovering rampart corruption, is going to be a cool twist to the typical Planetside series, and I’m very keen to see how everything unfolds.  You have to imagine that Butler is once again facing off against a corrupt corporation who he has managed to annoy.  However, as Butler has found himself involved in quite a few dark situations throughout the course of the series, the trick is going to be finding out which specific corporation or old enemy (or perhaps multiple corporate opponents) are coming after him.  This should result in an intense and compelling narrative, especially if some of the people close to Butler get hurt as part of the attack against him.

Based on my experiences with this series, I predict that Blindside is likely to be another intense and exciting science fiction thriller, that will include some cool mystery and high-level stakes.  I’m very curious to see how Mammay will handle the investigation in this next novel, especially when it hits closer to the protagonist’s home.  From what I understand, this next book will feature more narration from major supporting character Mac, so it will be interesting to see how this changes the pace.  Mammay will likely also lay in the usual outstanding action sequences, resulting in quite an exciting and powerful read, and I cannot wait to see how everything unfolds.

Due to how damn impressive the first four Planetside books have been, Blindside is already one of my most anticipated books of 2026, and I am extremely excited to read it.  Featuring another awesome plot that will continue the deadly adventures of a terminally nosey old-soldier, Blindside looks set to be one of the stronger books in the first half of next year, and I already know I am going to love it.  I will probably once again try to check out Bindside on audiobook, primarily thanks to the narration of the legendary R. C. Bray, and I have a feeling that this new entry is going to be something really special.

Top Ten Tuesday – Most Anticipated Books Releasing During the Second Half of 2025 (Fantasy and Science Fiction)

Top Ten Tuesday is a weekly meme that currently resides at The Artsy Reader Girl and features bloggers sharing lists on various book topics.  For this latest Top Ten Tuesday participants need to list their top anticipated releases for the second half of 2025.  I am planning to do two versions of this list, one that will exclusively look at upcoming thrillers, crime fiction, historical fiction, and more, and this one that will focus on upcoming fantasy and science fiction books.

2025 has so far been a pretty amazing year for books (something I will cover in next week’s Top Ten Tuesday), with some outstanding and impressive novels coming out and blowing me away.  However, the year is far from over and there are so many incredible and epic-sounding novels set for release in the second half of 2025.  To fill out this list I have scoured my list of anticipated upcoming releases and tried to work out which of the books coming out between the start of July and the end of December I am most looking forward to.  I already have a couple of these books in advance, but I think it’s worth including them here, especially as I still need to make time to read them.

I had initially intended to only do a single list featuring all the genres, however, I ended up with way too many awesome upcoming novels on my radar.  So, to fairly feature them all, and to save myself from some hard decisions, I decided to split this post into two separate lists, starting with this one on fantasy and science fiction.  I still had to cut out several impressive upcoming releases, but I was a lot happier with how these lists turned out, especially as I was able to feature so many epic upcoming reads that I am going to have the most fun reading.  Due to how much potential that I think the entries on this list have, several have previously appeared in my weekly Waiting on Wednesday articles, as well as on my recent Winter TBR list.   So let us get to my selections and find out which upcoming novels are my most anticipated fantasy and science fiction releases for the second half of 2025.

Honourable Mentions

Seven Recipes for Revolution by Ryan Rose – 22 July 2025

A cool fantasy debut with an interesting cooking theme that I have had my eye on for a while.

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Katabasis by R. F. Kuang – 26 August 2025

A fantastic dive into academic hell from the acclaimed R. F. Kuang.

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King Sorrow by Joe Hill – 28 October 2025

A very interesting upcoming book from Joe Hill that will see a group of friends suffer the consequences of summoning a dragon.

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Warhammer 40,000: Voidscarred by Mike Brooks – announced for 2025

I’m very excited for the upcoming Warhammer novel by Mike Brooks that will set Aeldari Corsairs against Ork Freebooterz. Brooks is exceptional Warhammer 40,000 author, with books like Warboss, Da Big Dakka and The Lion: Son of the Forest really showcasing his talent, and I look forward to seeing this very fun upcoming book.

Top Ten List

Warhammer 40,000: Grotsnik: Da Mad Dok by Denny Flowers – 1 July 2025

There are several awesome Warhammer 40,000 novels still to come in 2025, but the one I’m currently most looking forward to is the epic novel Grotsnik: Da Mad Dok.  Written by the very talented Denny Flowers who has previously impressed me with books like Outgunned (one of my favourite Warhammer 40,000 novels) and Above and Beyond (one of my favourite books and audiobooks of 2024), Grotsnik: Da Mad Dok has a ton of hilarious potential as it dives into the most insane and diabolical “medical” practitioner amongst the brutal orks.  I already know this is going to be a clever and very funny read (especially after seeing Flowers write ork characters in Da Red Gobbo Collection), and I cannot wait to see what insanity awaits in this cool upcoming book.

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Stone and Sky by Ben Aaronovitch – 8 July 2025

The always outstanding Ben Aaronovitch returns to his iconic Rivers of London series with the compelling upcoming Stone and Sky.  Part elaborate urban fantasy, part clever police procedural, Stone and Sky will see the series protagonist and his unusual family journey up to Scotland on a holiday, only to encounter a new supernatural mystery from the depths of the ocean.  Set to feature another amazing and addictive story told in Aaronovitch’s distinctive style, Stone and Sky will likely be one of the most captivating fantasy novels of 2025 and I look forward to continuing the series.

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Three Shattered Souls by Mai Corland – 15 July 2025

In the last year I have had an amazing time checking out the awesome fantasy novels of the Broken Blades trilogy by Mai Corland.  Following several dangerous killers as they are forced to pull off impossible missions for a power-hungry king, the first two books, Five Broken Blades and Four Ruined Realms, have set up an outstanding story with some brilliant characters.  Fans of this series will be getting a conclusion to the trilogy later this year with Three Shattered Souls, which should be particularly epic.  I cannot wait to see how Corland wraps everything up, and I already know I’m going to love it, especially in its elaborate audiobook format.

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The Last Soul Among Wolves by Melissa Caruso – 19 August 2025

Another great upcoming fantasy murder mystery novel I have my eye on is The Last Soul Among Wolves by Melissa Caruso.  The sequel to Caruso’s amazing 2024 novel, The Last Hour Between Worlds, The Last Soul Among Wolves will see the series protagonist caught in a cursed mansion during a doomed will reading.  Looking set to combine a classic murder mystery scenario with Caruso’s elaborate fantasy world, The Last Soul Among Wolves has a ton of potential and I cannot wait to check it out.

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Born of an Iron Storm by Anthony Ryan – 26 August 2025

One of my favourite fantasy authors, Anthony Ryan, returns with the second book in his awesome Age of Wrath trilogy, Born of an Iron Storm.  The amazing sound sequel to his 2024 novel, A Tide of Black Steel, Born of an Iron Storm will continue the elaborate adventures started in Ryan’s last book.  Set to once again feature a cool Norse-inspired setting, compelling characters, and all manner of plots and conspiracies, Born of an Iron Storm sounds pretty damn incredible and I have no doubt this is going to be one of the better fantasy releases of 2025.

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Cold War by Jonathan Maberry – 14 October 2025

The always impressive Jonathan Maberry continues to showcase his brilliant writing skills with Cold War, a fantastic upcoming follow-up to his 2024 dark science fiction novel, NecroTek.  Pitting human scientists and soldiers trapped far away in space against ancient cosmic horrors, Cold War should be another gripping read, especially as the humans are fighting back using their powerful, death-powered alien mechs.  Likely to be another particularly dark and haunting read, Cold War has the potential to be an incredible sequel, and I am very keen to check it out.

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The Blackfire Blade by James Logan – 23 October 2025

Last year I had the very great pleasure of reading the outstanding fantasy debut, The Silverblood Promise by James Logan.  An elaborate and compelling fantasy adventure that saw a young man travel to an unfamiliar city to try and uncover his father’s killer, The Silverblood Promise was an amazing read that blended cool worldbuilding with a great conspiracy storyline.  I had a ton of fun with this first book from Logan, and I have been quite eager to get my hands on the sequel for a while now.  Luckily, I only have to wait a few more months as Logan’s second book, The Blackfire Blade is one of the big fantasy releases of October.  Continuing to follow the protagonist’s quest to find clues related to his father’s murder, The Blackfire Blade takes the reader to another elaborate fantasy city within the same realm and forces the characters to uncover the new setting’s dark secrets to get what they want.  I have no doubt this is going to be an impressive book, and I cannot wait to see how Logan continues his amazing series.

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Our Lady of Blades by Sebastien de Castell – 6 November 2025

One of the more impressive fantasy novels coming out later this year is the very cool novel, Our Lady of Blades.  The next book in Sebastien de Castell’s The Court of Shadows series, Our Lady of Blades will be another standalone novel in the author’s Greatcoat universe, that will build on the previous novels Crucible of Chaos and Play of ShadowsOur Lady of Blades will explore a new location in this universe and will feature a The Count of Monte Cristo inspired plot, as a mysterious masked duellist returns to a corrupt city to get justice and restore her family through any means necessary, all while the big conspiracy of the series continues to unfold.  Based on how exceptional the last two books in this series have been, I feel that Our Lady of Blades is going to be a top book of 2025, and it is one I am especially keen for.

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The Strength of the Few by James Islington – 11 November 2025

Probably the most anticipated book for fantasy fans coming out in the second half of 2025 is the elaborate and intriguing novel, The Strength of the Few by James Islington.  The sequel to Islington’s highly acclaimed The Will of the Many (one of my favourite booksaudiobooks and Australian novels of 2023), The Strength of the Few, will continue to follow Islington’s compelling protagonist as he attempts to undermine the empire that destroyed his family, while uncovering the hidden secrets from the past.  However, this book looks set to be even more complex as different versions of the protagonist are split amongst three separate worlds, each of whom must face its own troubles and adventures.  I am extremely intrigued to see how this split narrative is going to work out but based on how damn exceptional The Will of the Many was, I have very little doubt this is going to be a particularly epic novel.

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Star Wars: Master of Evil by Adam Christopher – 11 November 2025

The final book that I want to highlight on this list is the impressive and character-focussed Star Wars tie-in novel, Master of Evil by Adam Christopher.  Set to follow Darth Vader during his early days as a Sith Lord, Master of Evil will provide some complex insights into this iconic villain’s mind as he attempts to uncover the true dark side of the Force.  With a very cool plot idea, and an even more awesome cover, Master of Evil has certainly caught my attention, and I cannot wait to see Christopher’s take on this legendary Star Wars character.

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That is the end of this list.  I am extremely happy with how my latest Top Ten Tuesday article turned out, and this list contains an intriguing collection of upcoming fantasy and science fiction books that should prove to be incredible reads.  I think that every one of the books I mentioned above has some amazing potential, and most, if not all, will probably end up with a full five-star rating from me.  Make sure to also check out my next list where I dive into upcoming thrillers, crime fiction, historical fiction and more.  Let me also know if any of the above interest you and let me know what your most anticipated releases for the next six months are in the comments below.

Sunrise on the Reaping by Suzanne Collins

Publisher: Scholastic Audio (Audiobook – 18 March 2025)

Series: The Hunger Games – Book 0.5

Length: 12 hours and 48 minutes

My Rating: 5 out of 5 stars

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Acclaimed author Suzanne Collins presents the next epic and heartbreaking entry to her iconic Hunger Games series with the brilliant prequel, Sunrise on the Reaping.

Unless you’ve been living under a rock for the last few years, then you’ll probably be more than familiar with the Hunger Games series by Suzanne Collins, as well as the major film franchise that it spawned.  Set in a dystopian future where 24 teenagers are forced to fight to the death each year, the Hunger Games franchise is a very cool and inventive young adult series that expertly blends great characters, an overarching anti-authoritarian narrative and a ton of complex action with its excellent central concept.  I have been a massive fan of the Hunger Games since watching the first movie, which I went into blind and ended up deeply enjoying.  I have since read all the books, including Collins’s previous prequel, A Ballad of Songbirds and Serpents, all of which are extremely awesome and contain exceptional stories that cleverly add to the larger setting.

While I have enjoyed all the awesome Hunger Games books that Collins has so far written, there has always been one intriguing story from the universe that I always felt needed to be expanded on, that of the rascally old drunk mentor Haymitch Abernathy (played perfectly by Woody Harrelson in the films).  I especially have always wanted more detail about Haymitch’s own Hunger Games, which were briefly summarised in the second novel, Catching Fire.  Well, Collins has just granted one of my fondest literary wishes as her latest book captures just that with Sunrise on the ReapingSunrise on the Reaping has been very high on my to-read list since it was first announced, and it was one of my most anticipated novels of 2025, as well as a much-anticipated film in late 2026.  I had a real blast listening to it, and boy did Collins take her story to all the dark places I wanted, and further beyond.

May the odds be ever in your favour!

As the dawn breaks on the 50th annual Hunger Games, few people have cause to celebrate, even young District 12 bootlegger Haymitch Abernathy, whose birthday unfortunately falls on Reaping Day each year.  Despite growing up in a totalitarian dictatorship, Haymitch believes that he has a good life, with friends, family and the love of his life.  However, he is unprepared for just how badly a single moment can change everything.

Selected as one of his district’s Hunger Games tributes, Haymitch suddenly finds himself torn away from everything he loves and must contemplate fighting for his life to survive in the Capitol’s arena.  However, this is no ordinary Hunger Games, it is the second Quarter Quell, and twice as many tributes have been taken from each of the districts, ensuring that his games will be the largest and most brutal battle ever seen.

Forced to compete alongside three other District 12 tributes, including one of his best friends, an oddsmaker whose family prospers by betting on the games, and the most stuck-up-girl in town, Haymitch knows that his chances of survival are slim.  However, something within Haymitch wants to fight back against both the Capitol and the controlling President Snow.  Finding unlikely allies, Haymitch seeks a way to make his impending death mean something and to strike a blow that the Capitol can’t ignore.  But can Haymitch survive long enough to make his stand, while still keeping true to his own loyalties and friendships? The fires of rebellion start to burn here, but Haymitch will soon find out that when flames start, people get burnt.

Well hot damn, that is how you do a prequel.  Suzanne Collins once again shows why she is the leading lady of dystopian young adult fiction, with the brilliant and powerful Sunrise on the Reaping.  A devastating prequel to her original Hunger Games trilogy that perfectly tells the haunting tale of Haymitch Abernathy, Sunrise on the Reaping was an exceptional novel that I can’t help but give a full five-star rating to.  This is a must-read for all fans of the Hunger Games series, but be warned: you won’t be prepared for how tragic the book gets.

I honestly have so much to say about the epic new story that Collins came up with for Sunrise on the Reaping, although I really don’t want to ruin anything for those who have yet to read it.  I will say that if you think you know the story from the summary in Catching Fire, then you are very, very wrong, as Collins twists everything you thought you knew about the 50th Hunger Games and Haymitch Abernathy, while breaking your heart in so many ways.

This dive into tragedy is very well established, and Collins does a brilliant job of initially setting the scene around young Haymitch and showing his early life, family and the other connections he has around District 12.  It doesn’t take long for Collins to turn the expected narrative on its head, thanks to a very clever bait-and-switch, and from that moment on, you really don’t know what to expect.  While much of Sunrise on the Reaping does follow the story beats you would expect from reading the previous books and from Catching Fire’s summary, Collins keeps cleverly turning or twisting them around, so that events like the Tributes parade, the pre-game training and the interviews go in some surprising and often even more traumatic directions.  At the same time, Haymitch has interesting interactions with an array of great supporting characters, many of whom will be very familiar to those who have read the previous Hunger Games books.  All this works to provide much more depth to a story that could have simply been about a massive teenage deathmatch, and which helps to drag you even more into the story, especially as it gives you some intriguing context about Haymitch’s upcoming actions.

Things get pretty crazy once the characters get into the games proper at around the halfway point, and Collins keeps this part of the story fast paced, as you watch Haymitch navigate the arena, surviving the fights and trying to enact his own plans.  This is the part of the book that really deviates from the previously shown version of these games, and I loved how much more detail and complexity Collins gives this latest batch of carnage as Haymitch tries to enact his own hidden goals alongside the previously known narrative.  This works to form quite a compelling plot, which I won’t talk about too much to avoid spoilers.  I will say that there are some truly devastating moments, and you cannot help but feel despair as you witness what really happened to Haymitch and his fellow tributes.  There are so many heartbreaking scenes scattered throughout this part of the book, as well as some great moments of rebellion and humanity, all of which keeps you hooked as you wait to see the brutal final moments of these games.  Collins does an amazing job wrapping everything up in a powerful way, although the conclusion is guaranteed to gut you.  While you know something bad is coming, the full enormity and devastation of the ending really does break you and ensures that will come away from Sunrise on the Reaping haunted and with a deeper appreciation of the rest of the series.

I deeply enjoyed how this epic novel came about, as Collins delivered a complex, powerful and distinctive character-driven read that has the right balance of moving character arcs, desperate survival, brutal tragedy and clever word building, all brought together by a series of shocking twists and heart-breaking reveals.  Once again told exclusively from the protagonist’s perspective, you witness events through the eyes of the young and rebellious Haymitch, which narrows the reader’s vision of the plot.  While I do hope that the film makers show some alternative perspectives like they did in the original Hunger Games films (i.e. what was happening in the control room), I think that this single-character perspective worked extremely well for the book, allowing the reader to get closer to the protagonist, appreciate his emotional reactions to the dark events unfurling around him, while also provide a great outsider perspective to the craziness of the Capitol and the arena.  Collins utilises this to tell a dark and haunting tale, and you are soon inundated with the many injustices Haymitch experiences that Haymitch experiences as he makes his may towards the inevitable Hunger Games.  I really appreciated how well Collins set out the various pivotal events of Sunrise on the Reaping, especially as there are some subtle hints about some of the big events cleverly scattered throughout both the early part of the book, as well as the brief synopsis of the games featured in Catching Fire.  I felt the author did an excellent job pacing everything out, and the reader is constantly on their toes as unexpected events hit the protagonist, and you never quite know what is going to happen next.

As with most of the books in this series, I found Sunrise on the Reaping to be a novel that will appeal to a wide range of readers, including both its intended young adult audience and older fans.  Thanks to the protagonist covering his adventure from start to finish, new readers can easily jump into the series here if they wanted to and not lose any of the book’s intensive impact.  Unsurprisingly, though, Sunrise on the Reaping is going to be best enjoyed by those readers who have enjoyed the rest of the Hunger Games books or movie adaptations.  Collins layers in a ton of references, cameos and hints at events to come, throughout the course of Sunrise on the Reaping’s plot, and eagle-eyed readers will have a lot of satisfaction picking up on them.  I personally loved some of the clever references to the previous prequel, A Ballad of Songbirds and Serpents, including one scene where President Snow utilises some of his knowledge gained from his sojourn to District 12 to rattle Haymitch.  I also quite liked the author’s depictions of the games 24 years before the events of the first novel, and it was interesting to see the similarities and differences between the events, especially after the more basic version that was showcased in A Ballad of Songbirds and Serpents.

One of the things that fans of the series will no doubt be interested in seeing is how the events of Sunrise on the Reaping are widely different to the summary included in Catching Fire.  While certain broad strokes of the event are the same as what Katniss and Peeta saw in the recording, most of what happened in the actual games and its lead-up is vastly different, with Collins showing some very surprising motivations and hidden events throughout the course of the book.  I found this to be extremely fascinating, mainly because it so cleverly invokes the overlapping theme of Sunrise on the Reaping: control of information as a powerful tool of authoritarian governments.  There are some very clever scenes where the Capitol edits and rewrites key events of the plot to suit their own propaganda, and it was fascinating to see tragedies, injustices and occasional flashes of kindness hidden away or completely erased to make Snow look good and Haymitch and the other tributes look like animals or noble patriots.  This allowed Collins to hide a very compelling early rebellion storyline amongst the events of the book, which puts the events of the main trilogy in a whole new light and makes you full reevaluate some of the supporting cast members.  Collins did this in a very clever manner which doesn’t devalue or contradict the events of the other Hunger Games novels but which allowed Sunrise on the Reaping to stand out as a major entry in the larger canon, with events that would resonate down the years.  I really cannot emphasise enough what an impressive act of long-term series writing this is, and you can tell that Collins put an exceptional amount of thought and planning into bringing this unique story to life.

This compelling read features an excellent and varied array of major and supporting characters, including a whole collection of major existing characters from the franchise, as well as several great new figures.  Collins wrapped some amazing storylines around these outstanding figures, and I was really impressed by how attached I grew to several of them, even though I knew what their eventual fate was likely to be.

Due to his role as the book’s main narrator and point-of-view character, most of Sunrise on the Reaping’s focus was around the young Haymitch Abernathy, and it was particularly fascinating to see a younger version of this iconic figure.  Initially shown to be a hopeful and confident teenager with ambitions of love and a future, you soon become quite attached to the young Haymitch due to his selflessness and his willingness to protect his friends and loved ones leading up to the games, as well as the inherent rebellious nature that makes him a target of the Capitol and Snow.  However, as the book continues and Haymitch experiences multiple tragedies, including a series of dark deaths, you witness his spirit start to break piece by piece.  While you had to know that Haymitch was going to have a hard time in this novel, especially after seeing the drunk and damaged figure from the original trilogy, it was still very heartbreaking to see every dark event that befalls him, especially while witnessing all his thoughts and emotions.  I really loved this deeper dive into Haymitch’s life, especially as you get to see why he had so little hope or resolve when you first met him in The Hunger Games, and this makes his entire story from the main trilogy even more impactful.  A truly amazing origin story for one of the best characters in the Hunger Games series.

Aside from Haymitch, Sunrise on the Reaping contains an outstanding array of supporting characters, many of whom Collins makes shine in the time that they appear.  This includes several great new figures, primarily those fellow tributes of Haymitch, whose story alongside the protagonist is highly impactful.  I’m not going to go into too much detail to avoid spoilers, but I felt that several of these new characters were extremely cool, and will no doubt become even larger than life on the big screen.  Highlights for me include Wyatt Callow, a young oddsmaker whose family business makes the other tributes distrust him; Louella McCoy, the youngest tribute from District 12, whose story is especially tragic; and Ampert Latier, a tribute with connections to a major character from the original trilogy.  Lenore Dove Baird, Haymitch’s love interest back home, is a very enthralling figure who has some potential connections to a major figure from A Ballad of Songbirds and Serpents, which allows for some very compelling and moving scenes.  Other interesting new figures included the cruel Capitol escort, Drusilla Sickle, and the reptile-obsessed stylist Magno Stift, while several other great characters step up in their own way.  However, it was the final District 12 tribute, Maysilee Donner, who really stole the show for me, and her fantastic wit and brutal barbs helped turn her into a major favourite of mine, especially when you realise that she isn’t as stuck up as people believe she is.

Collins wraps up this cast with several characters introduced in the original trilogy who have some memorable appearances here.  However, they aren’t just there to please the fans; Collins used them strategically to give a lot more depth to some of these recurring characters as you witness early key events in their personal history.  Many of these appearances helped to underscore why they are so willing to rebel or help Katniss, and I loved how well they were featured in the plot.  Special mention must go to a returning President Snow (the only character to appear in all five books), who was a spectacular antagonist in this latest Hunger Games book.  The author made sure to showcase Snow at his most cruel and vindictive during his scenes, and Collin’s use of him here was a pure masterclass of evil that you had to love.  I also need to highlight the fantastic deeper dive into Plutarch Heavensbee, whose motivations during the Catching Fire, are a little clearer after reading Sunrise on the Reaping, and it was awesome, if initially a little surprising, to see him so well utilised in this novel.

Overall, I think that the character work in Sunrise on the Reaping was quite exceptional, and I loved how well all these characters were featured in this book.  While the particularly large cast of supporting characters did mean that some tributes weren’t as well featured or explored as they could have been (this is also a side effect of there being twice as many tributes), the figures who were highlighted more than made up for this, and I loved the various complex and tragic story arcs that surrounded them.  I cannot wait to see how many of these characters come across in the upcoming Sunrise on the Reaping film, although based on the recent casting announcements, they are going to shine so brightly when they appear.

As with the rest of the books in the Hunger Games series, I chose to listen to Sunrise on the Reaping on audiobook, which is an exceptional way to absorb Collins’s dark and brutal tale.  Featuring a runtime of just under 13 hours, Sunrise on the Reaping has a decent length that I managed to move through quickly.  Thanks to some great narration and an excellent pace, the audiobook format did an outstanding job of enhancing many of the best elements of Sunrise on the Reaping, especially the central characters and the emotional depth of the protagonist.  The narrator of this audiobook, actor Jefferson White, was particularly effective, and I loved how he brought the story to life with his voice.  His take on many of the characters was pretty damn perfect, with his voice for the young Haymitch being particularly effective.  His young Haymitch, which was the default tone for much of the audiobook, was a great take on a younger Woody Harrelson, and I really felt that he captured the characters many nuances and emotions.  I also liked how White tried to sing out the various melodies that were so intrinsic to the plot of Sunrise on the Reaping, which ensured that they were a little more impactful.  This outstanding narration really helped to enhance my enjoyment of the books’ epic plot, and I honestly felt that this was the best way to enjoy this exceptional addition to the Hunger Games franchise.

I think the above five pages are more than enough to showcase just how much I loved Sunrise on the Reaping, which was such a brilliant addition to the Hunger Games series.  Suzanne Collins honestly outdid herself with this incredible prequel, and you will not be prepared for how complex and emotionally traumatising this outstanding novel is.  I honestly cannot not stop thinking about how Sunrise on the Reaping turned out and this is easily one of the better books (and audiobooks) I have so far enjoyed in 2025.

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Warhammer 40,000: The Emperor’s Finest by Sandy Mitchell

Publisher: Black Library (Audiobook – 7 December 2010)

Series: Ciaphas Cain – Book Seven

Length: 10 hours and 14 minutes

My Rating: 4.75 out of 5 stars

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Dive once again into the crazy adventures of the Warhammer 40,000 universe’s most undeserving hero, with the awesome Ciaphas Cain novel, The Emperor’s Finest by Sandy Mitchell.

I was recently in the mood for something familiar and fun to enjoy during a gap in my audiobook listening schedule, and the first thing that came to mind was another entry in the highly entertaining and addictive Ciaphas Cain series by Sandy Mitchell (a pseudonym of author Alex Stewart).  One of my favourite Warhammer 40,000 series, the Ciaphas Cain books chronicle the adventures of the dashing and doubtful hero of the Imperium of Man, Commissar Ciaphas Cain, a man who sensibly seeks to avoid the many, many terrifying dangers of the Warhammer 40,000 universe, but who constantly finds himself dragged into the deadliest of situations, often because of his vastly inflated legend.  I have had a wonderful time making my way through the series, with books like For the EmperorCaves of IceThe Traitor’s HandDeath or Glory, Duty Calls and Cain’s Last Stand, proving to be extremely compelling and highly entertaining.  As such, I knew well in advance of reading The Emperor’s Finest that I was going to have a brilliant time with it, and Mitchell did not disappoint.  The seventh entry in this outstanding series, The Emperor’s Finest, had an outrageous and fantastic plot behind it that throws you into the action right away.

A dangerous and terrible foe stalks several human worlds in the galaxy, and only one man is unlucky enough to face it: Commissar Ciaphas Cain.  Despite being relatively early in his illustrious career, Cain has already gained a reputation for heroics and bravery, a combination that conspires to get the Commissar into far more trouble than he wants.  However, one of his most dangerous adventures occurs when he is surrounded by the finest warriors humanity has to defend them.

Rescued from an exploding Necron ship, Cain finds himself in the care of Space Marines of the Reclaimers chapter and soon becomes their Imperial Guard liaison as part of a new campaign.  Assigned to supress a civil war on the important agricultural world of Viridia, the Reclaimers are keen to engage the enemy, and Cain finds himself reluctantly dragged in their wake, forced to once again play the rousing hero and bring the loyalists of Viridia into line.  However, as the Reclaimers begin their bloody work, it soon becomes apparent that the traitors of Viridia are far more deadly than expected, when a nefarious genestealer cult is revealed at the heart of the warring factions.

As the Space Marines engage the genestealers, the defenders of Viridia determine that they must have snuck into the system when a massive, drifting space hulk briefly appeared.  Determined to eradicate the source of this unholy threat to the Imperium, the Reclaimers lead an ambitious expedition into the warp to track down the space hulk and obtain its secrets, and Cain is naturally required to follow along.  With murderous genestealers and ravaging orks in front of him, and the far more terrifying threat of an ambitious husband-seeking noblewoman at his back, Cain and his trusty aide, Jurgen, are flung once again into the fray and must find a way to extricate themselves from the new dangers all around them.  But if anyone can survive the oncoming terrors of the space hulk, it’s the soon to be legend of the Imperium.

Sandy Mitchell continues to delightfully show just how ridiculous and entertaining the Warhammer 40,000 universe can be with this outstanding entry in his Ciaphas Cain series.  Featuring an intense plot loaded with some fantastic characters, The Emperor’s Finest takes Cain on a grand adventure filled with action, questionable heroics, and boundless fun.

As with the rest of the books in the Ciaphas Cain series, The Emperor’s Finest features a brilliant and highly entertaining story loaded with funny coincidences, complex characters and highly dangerous situations.  Following on from the immediate aftermath of the Ciaphas Cain short story, Echoes of the Tomb, the initial story sees Cain once again thrust into danger, this time supporting the Reclaimers’ attempts to wipe out a genestealer-led revolution on the planet of Viridia.  This first part of The Emperor’s Finest is a somewhat typical Ciaphas Cain narrative, with the reluctant Cain dragged into a dangerous situation thanks to his own inflated reputation.  This ensures a ton of excellent action and over-the-top scenarios, as Cain jumps from danger to danger, with many of his decisions to avoid trouble resulting in him finding an even worse scenario.  Mitchell enhances this fun by also forcing Cain to contend with supporting character, Mira DuPanya, whose entertaining exploits, foppish nature, aristocratic arrogance, and determination to stick with Cain leads to some great moments, including an unlikely romantic subplot with the protagonist.

While this was a great introduction, the plot focus of The Emperor’s Finest changes about a third of the way through into a space adventure, when the Reclaimers set out to find and cleanse the space hulk that initially corrupted Viridia, and Cain is dragged along.  This allows for some excellent space adventures, especially when Cain and the Space Marines burst out into ork space, resulting in a great boarding action sequence.  Mitchell really leans into some fun interpersonal clashes between the book’s three main characters here, especially as Cain and the always dependable Jurgen find themselves at their wits end with Mira, who continues to be a real highlight of the plot.  All this leads to the excellent final third of The Emperor’s Finest, which sees Cain and Jurgen trapped alone aboard the space hulk, facing off against genestealers and orks.  A frenetic and fast-paced extended sequence, the space hulk scenes feature some of the book’s best action, and it was fun to see Cain and Jurgen working as an effective team to achieve Cain’s goal of not dying.  Mitchell plunks in some really awesome, fast-paced sequences here, and the reader is left hanging on until the end as they wait to see how Cain escapes this time.  Everything wraps up with some final fun moments, with Cain once again coming out on top through happy accident, and I was thoroughly entertained with how the self-contained storylines around Mira came to an end.

Unsurprisingly, Mitchell continued to utilise the same writing style that made the rest of the Ciaphas Cain series so entertaining, with the main narrative primarily told in a journal format, written by an older Cain.  Filled with self-deprecating humour and his own narrow insights into events, the novel paints a rather compelling and frank picture of events, which Mitchell ensures is loaded with action, adventure, and a certain level of ridiculousness.  This main narration is cleverly interspersed with entertaining footnotes, commentary and in-universe texts provided by the account’s editor, Inquisitor Amberly Vail, which ensures that the story becomes even more cynical and humorous, abet with some excellent additional insights into the Warhammer 40,000 universe.  I personally found The Emperor’s Finest to be one of the funnier Ciaphas Cian novels, and I chuckled my way through several scenes, especially those where Cain’s greatest threat proves to be an ambitious and heavily armed love interest.  I really love Mitchell’s great writing style for these books, which are honestly some of the more light-hearted entries in the larger Warhammer 40,000 canon, and I felt that it helped to turn the already awesome action story of The Emperor’s Finest into a truly entertaining narrative.  While the overall general adventure narrative is relatively basic, especially after some of the preceding books that had a little more depth, this was still a great read, and those in the mood for comedy, action and amusing characters in the always grim dark Warhammer 40,000 universe are going to have fun with this seventh Ciaphas Cain book.

As with the rest of the series, The Emperor’s Finest works extremely well as a standalone novel, with no prior knowledge of the rest of the Ciaphas Cain series needed to enjoy this cool narrative.  Indeed, as The Emperor’s Finest is set relatively early in the character’s personal chronology, only a couple of the previous books are referenced or mentioned, although the short story, Echoes of the Tomb, set directly before the events of this novel, is discussed a few times.  As such, The Emperor’s Children could potentially be used as a good entry point into the larger series, especially as you get some great comedic moments and interactions in this book.  While The Emperor’s Finest does suffer from some repetition issues due to Mitchell reusing some phrases, descriptions and broad story arcs, I feel that there were enough unique elements in this book to make it stand out from the rest of the series.  This includes the inclusion of Space Marines characters for the first time in a Ciaphas Cain book, as well as the inclusion of some fun new supporting figures who add a lot of humour to the plot.  As such, I felt that The Emperor’s Finest was an outstanding addition to the overall series, and one that will appeal to both new readers and established fans of the series.

An always amazing highlight of the Ciaphas Cain novels are the great characters, and The Emperor’s Finest is an excellent example of this, featuring a fun cast of outrageous figures.  This includes protagonist and main point-of-view character, Commissar Ciaphas Cain, who is a particularly complex figure in the Warhammer 40,000 canon.  Always described by the protagonist himself as a coward and a false hero, Cain spends most of the book trying to come up with ways to avoid combat and survive the inevitable danger his reputation and own bad lack force him to participate in.  Written in a very cynical and self-deprecating manner, Mitchell always tries to emulate classic figures like Flashman or Blackadder with his depictions of Cain.  However, despite Cain’s own constant assurances that he is no hero, he often proves to be quite a skilled fighter and leader, routinely defeating the enemy through clever strategies or natural talents, and you soon figure out that the character is actually a good Commissar, even if he doesn’t believe it.  As such, Cain is a brilliantly contrary character, and it always fun to see him in action, especially in these earlier adventures where even he isn’t sure whether he’s brave or a hero.  Throw in the protagonist’s usual witty humour, sarcastic comments and overall cynical nature, which throws some entertaining shade on the entire Warhammer 40,000 universe, and Cain is a brilliant and surprisingly likeable central character that is so much fun to follow.

Aside from Cain, The Emperor’s Finest features some excellent supporting characters, including some recurring figures from the main series.  This includes Cain’s faithful aide Jurgen, a seemingly gormless and thoroughly unsanitary soldier, who is also an effective and lethal sidekick and in many ways is the true hero of the series.  While some elements of his nature are hidden due to this book being set early in the series’ timeline, Jurgen still has several moments to shine in The Emperor’s Finest, and I love how well he plays off Cian.  Another great recurring figure is Inquisitor Amberly Vail, who serves the essential role as the overarching narrator of the book as well as the person behind the footnotes.  Despite not physically appearing as a character in The Emperor’s Finest, Vail’s impact on the overarching book is undeniable, and I love hearing her commentary on Cain’s exploits while also calling out all his lies and mistakes.  Mitchell also features several stoic Space Marine characters, whose surly presence adds some interesting colour to proceedings, and whose apparently inability to see through Cain is quite amusing.

While Jurgen and Vail are great in their roles as always, I think that new character Mira DuPanya honestly stole the show in The Emperor’s Finest.  The spoiled daughter of Viridia’s governor, Mira is shown to be an early thorn in Cain’s side as she decides to accompany him into battle with her troops, despite being unqualified to lead anyone.  The early conflict between the two quickly turns into an unconventional romance, which Cain humorously regrets the entire way through, especially when Mira’s true intentions are revealed.  Mitchell honestly did a masterful job of portraying Mira in the most spoiled and foppish light, and for once Cain isn’t the most selfish character in the plot.  The hilarious interactions that occur between Mira and several of the recurring cast is often comedic gold, and I felt that this character’s presence alone helped to make The Emperor’s Finest one of the funnier books in the series.  An overall amazing cast of characters that I couldn’t get enough of.

I almost don’t need to say it at this point, but I of course checked out The Emperor’s Finest on audiobook, which frankly is the very best way to enjoy a Ciaphas Cain/Warhammer 40,000 novel.  Once again featuring an impressive cast of entertaining narrators, The Emperor’s Finest had a brisk run time of just over 10 hours, which I honestly flew through because I was having such a fun time with this audiobook.  The multiple narrators really help to capture the entertaining and crazy nature of the narrative, with Stephen Perring doing his usual exceptional job leading the narration.  His voice work in the main story, as told from Cain’s perspective, is very entertaining, and I love the extremely fitting voices that once again accompany the recurring protagonists of Cain and Jurgen, with Jurgen’s sticky tones being particularly fun.  Thanks to its compelling cast, Perring also had some additional interesting voices to feature in The Emperor’s Children, including a group of Space Marines, who Perring gives an appropriately intimidating and booming voice. However, Perring’s most entertaining, if ridiculous voice, belonged to Cain’s new love interest, Mira, upon whom Perring bestows a very grating and overly aristocratic voice, that really fits the spoiled princess persona the character had.  I honestly chuckled my way through some of the outrageous dialogue between the two, especially with Perring’s tones making them even more ridiculous.

In addition to Perring, the voice cast of The Emperor’s Finest also features the returning Penelope Rawlins, as well as additional narrators Andrew James Spooner and Helen McAlphine.  Rawlins once again does an amazing job voicing Inquisitor Vail’s notes on Cain’s account of this mission, and I loved the sarcastic yet informative tone that Rawlins has long attributed to this compelling figure.  Rawlins’s inclusions work perfectly alongside the main narration of Perring, and the way that her subtle and comedic comments are inserted into the flow of the story in this format is always extremely fun.  Throw in some excellent work from Spooner and McAlphine, who bring the contextual articles, interviews and exerts from in-universe texts to life in an amusing and striking fashion, and The Emperor’s Finest once again features some outstanding narration that really enhances Mitchell’s already awesome story.  I have so much love for how the Ciaphas Cain novels come across on audiobook, and The Emperor’s Finest once again shows why this is the very best way to enjoy this series.

Seven books in and the always fun Ciaphas Cain series remains one of the best Warhammer 40,000 series.  Sandy Mitchell did an outstanding job continuing the series with The Emperor’s Finest, which provides even more great action, fantastic comedy, and amazing character interactions.  An excellent and captivating read from start to finish, The Emperor’s Finest comes highly recommended, and I can’t wait to dive even further into the series when I get a chance.

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Waiting on Wednesday – Star Wars: Master of Evil by Adam Christopher

Welcome to my weekly segment, Waiting on Wednesday, where I look at upcoming books that I am planning to order and review in the next few months and which I think I will really enjoy.  Stay tuned to see reviews of these books when I get a copy of them.  In this week’s Waiting on Wednesday, I look at an intriguing and compelling upcoming Star Wars novel, with Master of Evil by Adam Christopher.

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After a couple of years of inadvertently avoiding extended Star Wars fiction (mainly because I’ve been more focussed on Warhammer 40,000 fiction), I’ve been making a big effort to try and grab or highlight some of the newer Star Wars novels, including the compelling early rebellion focused novel, The Mask of Fear by Alexander Freed that came out earlier this year.  While there are a few other cool Star Wars books coming out in the second half of 2025, the one that has really caught my eye is the complex and character-focused book, Master of Evil by Adam Christopher.

Christopher, who previously wrote the sequel-trilogy set-up novel, Shadow of the Sith (which is still on my to-read list), is returning to his Sith focus in a big way with Master of Evil.  Set for release in November 2025, Master of Evil will follow Darth Vader on his journey deeper into the dark side of the force, as he embarks on a quest to conquer death.  Sure to be complex, character-driven and intense, Master of Evil sounds like an exceptional read, and I love it’s compelling, lore-focussed plot synopsis.

Plot Synopsis:

After Revenge of the Sith, a newly forged Darth Vader hunts for the secrets of life and death under the watchful eye of Emperor Palpatine.

In the wake of Emperor Palpatine’s rise to power, the true nature of his most sinister enforcer remains a mystery. Darth Vader is a dominant yet illusive figure: the shadow cast by a malignant Imperial regime, unknowable to even its top officials. But even as his humanity gives way to myth, Vader remains haunted by the promises of the dark side, seeking the ultimate power that his master has hinted at but withheld—the power to conquer death itself.

On the volcanic world of Mustafar, Vader undertakes a dark ritual, bleeding a kyber crystal to forge his lightsaber. This act unleashes a power far greater than he anticipated, giving him a glimpse into the limitless potential of the Force.

Vader is determined to follow this vision, even if it means defying his master’s orders. Yet he finds the Emperor suspiciously supportive of his mission, even sending Vader to the Diso system to investigate rumors of a Force-wielding shaman able to raise the dead. At his side are a cadre of the Emperor’s scarlet-robed Royal Guard, led by Colonel Halland Goth—a decorated soldier with a very personal interest in Vader’s mission.

Even as the Emperor’s true motivations reveal themselves, Vader falls deeper into obsession. His journey takes him far across the galaxy, chasing rumors and phantoms. But no matter how far he travels, he cannot escape the shadows within his own soul. Haunted by the echoes of his past, Vader circles the true resolution to his quest: only once all weakness is purged can he become a master of evil.

I am really intrigued by Master of Evil’s plot, and I think its one that has an awful lot of potential, especially for hardcore Star Wars fans.  Frankly any book that follows Darth Vader, especially during his early days as a Sith Lord, is going to be an instant get for me, and I am extremely curious to see Vader settling into his role as the Emperor’s shadowy enforcer.  You’ll have to assume that this will result in quite a personal and character-focused plot, as the scarred and emotional Vader tries to come to term with all that he’s done and all that he’s lost.  The extra focus on Vader learning more about the dark side of the Force, especially with how it relates to stopping death, is going to be fascinating, and I look forward to seeing how the central character moves further away from the heroic Anakin to the resolute and merciless Vader.

Naturally, the above plot synopsis sounds pretty lore-heavy, so I imagine that Master of Evil isn’t going to be a book aimed towards more casual Star Wars fans.  I personally love some of the more lore-heavy Star Wars novels and comics, such as Charles Soules’ Darth Vader: Dark Lord of the Sith comic series, that was set in a similar period, and they can make some very compelling and personal reads.  Indeed, it looks like Christopher is going to be revisiting some of the elements that Soule introduced in this comic, and it will be interesting to see where Christopher takes some of these more obscure bits of the lore in Master of Evil.

Overall, I think that Master of Evil has a ton of potential, and it could end up being one of the top pieces of Star Wars extended universe fiction out in 2025.  I love the complex story synopsis above, especially as Star Wars fans will be blessed with one of the first Darth Vader novels in years, and I am excited to dive into the mind of a young Vader as he learns more about the evil he has dedicated his life to.  I look forward to seeing Adam Christopher’s take on one of fiction’s most iconic villains, and if Master of Evil’s story is as half as cool as its fantastic cover, then we’re in for an awesome time with this book.

When the Moon Hits Your Eye by John Scalzi

Publisher: Tor (ebook – 25 March 2025)

Series: Standalone

Length: 336 pages

My Rating: 4.75 out of 5 stars

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Prepare for one of the most outrageous and original science fiction novels of 2025 with the fun, heartwarming and very entertaining novel, When the Moon Hits Your Eye by the always fantastic John Scalzi.

John Scalzi is a very entertaining science fiction author who has been providing his unique take on the genre for years.  Best known for Old Man’s War and The Interdependency series, Scalzi has also written a range of distinctive standalone science fiction novels that provide interesting takes on the world, as well as satirising certain elements of pop culture.  I have had a wonderful time reading novels like Redshirts, The Kaiju Preservation Society and Starter Villian, and all of them proved to be amazing books.  As such, I have been making a strong effort to read all Scalzi’s new novels, including his 2025 release, When the Moon Hits Your Eye.  A captivating read with a unique premise behind it, When the Moon Hits Your Eye was one of my most anticipated books of 2025, and I am so glad that I got the chance to read it.

Plot Synopsis:

The moon has turned into cheese.

Now humanity has to deal with it.

For some it’s an opportunity. For others it’s a moment to question their faith: In God, in science, in everything. Still others try to keep the world running in the face of absurdity and uncertainty. And then there are the billions looking to the sky and wondering how a thing that was always just there is now… something absolutely impossible.

Astronauts and billionaires, comedians and bank executives, professors and presidents, teenagers and terminal patients at the end of their lives — over the length of an entire lunar cycle, each get their moment in the moonlight. To panic, to plan, to wonder and to pray, to laugh and to grieve. All in a kaleidoscopic novel that goes all the places you’d expect, and then to so many places you wouldn’t.

It’s a wild moonage daydream. Ride this rocket.

Alright, so I knew going in that I was going to love When the Moon Hits Your Eye, primarily because it’s John Scalzi examining what happens when the moon turns to cheese, and that’s such an awesomely wacky premise.  However, even with that expectation, I was surprised at how much fun I had with When the Moon Hits Your Eye, especially as Scalzi presents a compelling, thoroughly amusing and genuinely nice book that I ended up powering through in only a couple of days. 

This was an extremely enjoyable novel, and I loved the impressive and multi-layered narrative that Scalzi was able to wrap around his original central plot idea.  Starting with a couple of great introductory chapters that showcased the people of Earth becoming aware of the makeup of the moon suddenly and inexplicably changing from rock to a cheese-like substance, the book soon evolves into a series of loosely connected stories, set over the course of the first lunar cycle of the new cheese moon.  These stories are designed to show the various reactions people in America have to the moon’s sudden change, and Scalzi has fun coming up with a range of great scenarios that only he could imagine.  Many of these involve scientists, government officials and astronauts as they explore the more scientific nature of the cheesy moon and how it impacts the larger world, and this forms the core of When the Moon Hits Your Eye’s narrative, moving the overall plot along with new developments.

These main stories are well mixed with much more personal tales of ordinary people who find the unusual world circumstances impacting their lives in various ways as they try to make sense of their new reality.  Scalzi really tries to showcase different layers of society with these stories, as he explores how religious people, philosophers, pop scientists, movie producers and even cheese shop owners would react to the unlikely scenario.  These resulting ordinary-people based narratives blended extremely well with the core storylines about the official examination of the new moon and provided the reader with an outstanding range of emotions, humour and complex character-driven tales that expertly captured the human experience and examine how people react to the unexpected and the impossible.

Scalzi goes a variety of interesting places as the overall narrative of When the Moon Hits Your Eye continues, and I appreciated how well he set out the crazy lunar cycle.  There is a more desperate edge to the second half of this book, especially as the cheese-based moon causes massive problems for the world, but this allows Scalzi to really dive into the emotional heart of the story, especially as he revisits several characters throughout the course of the book to see how these impossible events have changed their perspective and lives.  The story comes to a very interesting, if slightly sudden, end, and while I think there was room for Scalzi to possibly provide readers greater closure with some of his character arcs, I felt that his conclusion was fun and fitting, especially with its cynical, if realistic, take on Earth’s future and how it will likely look back at the past.

This ended up being a very fun and moving novel, especially as Scalzi really dove into the human side of the problem and tried to examine the various ways people would either come together and drift apart over something this insane happening.  While I’m sure some of book’s science is a little iffy, Scalzi sells the entire event in a realistic manner, and anyone can come into When the Moon Hits Your Eye and follow along with its plot, especially when it comes to the moving character-focused stories.  Scalzi has a real talent for creating some elaborate short narratives around interesting protagonists, and the cool range of cool stories set under the book’s big plot event were all quite entertaining and unique in their own way.  While some go for outright humour, others try to mirror recent real-world events, while more have much more personal and complex stories that looked at the darker side of the changes to the moon.  All feature Scalzi’s realistic and relatable characters, and I felt that the author had a great, if cynical handle, on the modern mindset and the different ways humans would react to a sudden, major event like this.

As for the many cool stories contained within When the Moon Hits Your Eye, I tended to enjoy the more outrageous or outright funny tales, primarily because Scalzi used his imagination to come up with some truly hilarious, if surprisingly realistic moments.  For example, one brilliant chapter focused on a Hollywood producer bombarded by moon and cheese focused screenplays, each one more ridiculous then the last.  Other highlights included stories following employees of an entitled uber-wealthy who wants to become the first person to eat moon cheese, a poorly received Saturday Night Live taping, and a Vegas-based narrative resulted in a very over-the-top political scandal, all of which made me chuckle.  These funnier stories were well balanced by more heartfelt narratives in unusual times, such as the tales surrounding two rival cheese shops that resulted in romance, familial reconnection, and other tales of emotional growth.  I personally found myself connecting to a particularly moving story about an aspiring and struggling fantasy author whose writing dreams are eclipsed by the changes to the moon.  Throw in several more central plot threads that move the story along in some surprisingly dark ways, including the narratives surrounding a billionaire tech-mogul with delusions of grandeur.  These stories all form quite an impressive narrative web, and I really cannot emphasise just how well they came together, nor how entertaining they are both a singular and a joint level.

John Scalzi dives into one of his craziest scenarios with When the Moon Hits Your Eye, an ultra-compelling and fantastically over-the-top novel that I couldn’t get enough of.  Smart, moving and oh-so funny, When the Moon Hits Your Eye was a breathtaking novel that brings you laughs, joy, and Scalzi’s brilliant insights into human nature.  A highly recommend book for anyone looking for something entertaining or just a little unusual.

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