Loki: Where Mischief Lies by Mackenzi Lee

Loki Where Mischief Lies

Publisher: Penguin Random House Audio (3 September 2019)

Series: Standalone/Book One

Length: 9 hours and 10 minutes

My Rating: 4.25 out of 5 stars

From acclaimed young adult fiction author Mackenzi Lee comes a fun and clever young adult tie-in novel to the Marvel comic book universe that follows the early life of one of the genre’s best villains, Loki, the Asgardian God of Mischief.

Loki has long been one of the most infamous and complicated villains in the Marvel Universe, whose manipulations and machinations are a constant threat to Asgard, his brother, Thor, and the Avengers. However, years before he started causing chaos in Midgard, he was a young prince of Asgard and the unfavoured son of Odin. Despised and mistrusted by the people of Asgard for his magical abilities, and feared by his father as a prophesied destroyer, Loki’s only confidant is Amora, a powerful sorceress in training.

When Loki and Amora accidently destroy an ancient and valuable magical artefact, Amora is banished to Midgard (Earth), where her magic will eventually fade, and Loki loses the one person who appreciates who he truly is. Determined to prove his father wrong, Loki dedicates himself to becoming a dutiful son, but he continues to find himself overshadowed by his brother’s bravery. When a failed mission once again disappoints Odin, Loki is sent to Midgard in order to investigate a series of murders that have been caused by Asgardian magic.

Arriving in 19th century London, Loki makes contact with a small group of humans who police interdimensional travel, the Sharp Society. Loki, despite his reluctance to help, soon finds himself trying to find the mysterious killer who is turning humans into living corpses. But when he discovers who is responsible for the deaths, he is once again torn between doing the right thing and acting the villain. As his adventure on Midgard continues, Loki soon realises that he needs to decide who he truly is: the good prince of Asgard his family always wanted, or the villain everyone expects him to be.

Loki: Where Mischief Lies is a rather intriguing read that caught my attention some time ago. I am a huge fan of Marvel comics and I will always be interested in checking out any tie-in novels connected to either the comics or the movies. As a result, I made sure to grab a copy of the audiobook version of this book as soon as I could. This turned out to be a fast-paced and enjoyable read that explores the life and times of a young Loki, placing him into a fascinating setting that helped enhance the story. Lee, who is best known for her young adult novels set in the 19th century, including This Monstrous Thing and the Montague Siblings books, created a great Loki story that does a spectacular job diving into the psyche of the character and shaping a fun adventure around it. This is actually the first book in a series of three historical novels that Lee has been contracted to write that will feature Marvel antiheros, and I am really interested in finding out which characters will be in these books.

Where Mischief Lies contains a compelling central storyline that follows the early days of Loki in Asgard and his first foray down to Midgard. Lee starts the story off by introducing a young Loki on Asgard, establishing his character, examining some of his early motivations, inserting a major life-changing event and inserting a magical premonition that will haunt the character throughout the rest of the book. I really enjoyed this introduction to the characters and the plot, and thought that it set up the rest of the story perfectly. The next few parts of the book, which are set after a time jump of a few years, do a good job showing how the character has evolved after the introductory events of the book, and then they manoeuvre him down to London where he has to discover the cause of a series of deaths done using Asgardian magic. The set up to get him down to London, the initial parts of Loki’s adventures on Midgard, his introduction to the Sharp Society and the first encounter with the mysterious bodies are all pretty interesting, and is a great follow-through from the book’s introductions.

I did however struggle with the middle parts of the book, as they felt a little flat and hard to get through. Those readers hoping for a complex mystery into who is leaving the bodies on the streets of London are going to be disappointed, as Loki solves the case quite quickly, and it is literally the most obvious suspect ever. I also wasn’t the biggest fan of the following periods of Loki’s indecision and angst as he tries to deal with the fallout from this revelation. However, the ending of the book more than makes up for it, as Lee wraps it up with an epic conclusion that showcases the full extent of the character’s nature and his eventual future, while also utilising story elements set up earlier in the book. While there were periods in the middle of the book where I was starting to get a little restless, I think overall the story of Where Mischief Lies is really good and its strong ending made it all worthwhile.

Thanks to his appearances in the MCU, Loki is probably one of the most popular and well-known Marvel antiheroes and characters, so any portrayal of him needed to be spot on. Luckily, Lee did an outstanding job with her characterisation of Loki, and the examination of the younger version of this character is probably one of the best things about this book. Lee’s version of young Loki contains all the hints of the growing arrogance, swagger, fashion sense, penchant for mischief and casual disdain for mortals and Asgardians that make him such a fun character in the comics and movies. However, what really makes this an excellent portrayal is the fact that Lee also shows all of Loki’s inherent vulnerability, frustration and anger, which have resulted from a childhood of being seen not only as the lesser son but as something that is dangerous and untrustworthy. This examination of the character’s inner psyche is a fantastic central point of the book, and it is interesting to see the world from Loki’s point of view, especially as you really start to sympathise with him. The story also shows some key moments in Loki’s life, and you get a sense of his motivations and determination to torment those around him. I also think that Lee did a fantastic job of examining the relationship between Loki and Thor. While a lot of their relationship is antagonistic, Thor is shown at times to be the only character who trusts Loki, and it is interesting to see the relationship that might lead to Loki’s eventual redemption. If I were to complain about any aspect of Lee’s portrayal of Loki, it would be that his powers and abilities were a bit inconsistent at times. For example, it was a little weird to see him being physically inconvenienced by a human in one scene, and then a chapter or two later he has the strength to lift two people up at the same time. While this is a relatively minor issue and I imagine that you could explain this away as some form of deception by Loki, I personally found it to be a little jarring.

One of the most intriguing aspects of Lee’s portrayal of Loki is his gender and sexuality. In the build-up to the release of Where Mischief Lies there was a lot of discussion about how this book was going highlight certain LGTB+ elements from the comic books, especially as Lee’s previous books have all contained LGTB+ components. Throughout his comic book history, Loki has been portrayed as both genderfluid and pansexual, and both of these elements of the character are explored within this new book to various degrees. While an interesting part of the character, the genderfluid aspect of Loki is only really shown to a small degree in this book. While Loki does not actually change his gender within Where Mischief Lies (which has occurred in some Marvel comics), when asked “if he prefers men or women”, he does indicate that he has been both. There are also several examples of Loki using his powers of magic to appear as a female character (with various degrees of success), and there are also scenes where he dresses in women’s clothing, usually stolen from Amora, who is amusedly annoyed that they look better on him. While it was not as fully explored as it could have been (and to be fair, it would have been hard to add it in to a novel of this length), it is really cool to see a genderfluid character being introduced into a novel connected to the Marvel Universe.

In addition to this, the pansexual aspect of Loki’s character is on full display throughout the book, as Loki has romantic connections with both male and female characters. Not only does he fall in love with Amora (there is a reason they call her The Enchantress), but a romantic connection also begins to spark between him and a young Sharp Society member, Theo. I really liked the way that Lee handled both of these romances. While the relationship between Loki and Amora ends in flames (which should come as no surprise to Marvel fans), the slowly growing feelings he shares with Theo are quite sweet and contain some rather interesting social commentary. The relationship with Theo is underscored with feelings of identity; due to the social conventions of the 19th century, Theo is unable to be who he really is. This is mirrored by Loki, who has complete freedom of sexuality and gender, but who finds that he is looked down on because of his magic, which he sees as a being major part of his identity. All of this was intensely fascinating, and I really enjoyed seeing this additional complexity explored within the character.

Another aspect of this book that I enjoyed was the various tie-ins it contained to the Marvel’s comics universe. This was a pretty comprehensive origin story for Loki, and quite honestly it could be used as a prequel to both the comics and the Marvel Cinematic Universe. However, given that there is a lot more focus on magic, runes, elves and artefacts, it should probably be more associated with the comics. Lee does a fantastic job bringing Asgard to life, and there are a number of cool references to the various settings and characters of the Thor comics that will appeal to major comic book fans. In addition to this, the author also peppers the story with other Marvel references, especially when the story goes down to Midgard. For example, there are mentions of an industrialist called Stark, talk of a green-skinned female alien and discussion that the Sharpe Society should be renamed as either SHIELD or SWORD. While all these references are rather amusing, I would say that no real prior knowledge of the comics or the movies are really required to enjoy this book, although Marvel fans will probably get more out of it.

Where Mischief Lies is being marketed as a young adult fiction novel, and I believe that this would be a great book for young teen readers, who will love this intriguing look at one of the best Marvel characters. Younger readers should be prepared for the typical amount of comic book level of violence and sex in this book, but there is really nothing that is too explicit for younger readers. I personally think that many teens will appreciate the various LGTB+ elements included in the story, and they will be interested to see this side of the character that has not been included in the movies. Like many young adult tie-in novels, Where Mischief Lies is very accessible to older readers, and I know that many will really like this take on Loki as well, making this a fantastic novel for all ages.

While I really enjoyed the awesome cover of Where Mischief Lies’ hardcover edition, I ended up listening to it on audiobook rather than grabbing a physical copy. The audiobook format of this book is narrated by Oliver Wyman and runs for just over nine hours in length. I think that was a pretty good way to enjoy Where Mischief Lies, as it proved to be a rather easy book to listen to, and I was able to complete it in only a couple of days. Wyman is an enjoyable narrator, and I really like his take on the book’s protagonist and point-of-view character, Loki. He did a fantastic job capturing various aspects of the character’s personality and speech patterns, from his sneering contempt to his frustrations at the way he is treated. This excellent narration really added a lot to my enjoyment of the novel and I would definitely recommend the audiobook format to anyone who is interested in checking this book out.

Loki: Where Mischief Lies by Mackenzi Lee was a fantastic young adult tie-in novel that does a wonderful job of bringing the character of Loki to life. I had a lot of fun listening to this novel, especially as Lee dives deep into the life and mind of Loki, exploring how he became the villain we all love. I was initially planning to give this book a rating of four out of 5 stars; however, considering how much I ended up writing about it, it must be worthy of 4.25 stars instead. I have to say that I was impressed with Lee’s talent for writing novelizations about Marvel antiheroes, and I look forward to her next book in this young adult series.

Star Wars: Vader: Dark Visions by Dennis “Hopeless” Hallum and Various

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Publisher: Marvel Comics

Publication Date: 27 August 2019

Length: 128 pages

My Rating: 4.5 out of 5 stars

Prepare to see one of the most iconic and beloved villains in all of fiction, Darth Vader, in a whole new light as Dennis “Hopeless” Hallum and several talented artists present five new and clever stories of the Dark Lord of the Sith from across the galaxy.

To most of the universe, Darth Vader is the Empire’s ultimate symbol of power, authority and fear, delivering death and destruction upon all who incur his wrath. But to some he can be something even more potent and remarkable. On one planet he is a Black Knight, a beacon of hope that saved them from a terrible monster. To a certain Imperial Commander, Vader is a reminder that failure is unacceptable. To one Imperial nurse, Vader is her one true love. But no matter how people see him, the one universal truth is that those who encounter this Sith Lord are likely to end up dead.

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Vader: Dark Visions is a fun and uniquely intriguing Star Wars comic that I bought a few weeks ago while on holiday. Vader is easily one of my favourite Star Wars characters, especially as most recent pieces of Star Wars expanded universe fiction have gone out of their way to show him as the ultimate badass. For example, I have absolutely loved some of the recent Darth Vader comics that have been published, including the 2015 Darth Vader series, the Darth Vader: Dark Lord of the Sith series (check out my reviews for Volumes 2 and 3 here), and he has also been exceedingly impressive as a villain in recent volumes of the 2015 Star Wars comic series and the always entertaining Doctor Aphra comics. I also loved his appearance in the second season of Star Wars Rebels and in novels such as Thrawn: Alliances (which features a very cool scene of Vader flying a Tie Defender). As a result, I have been looking forward to Dark Visions for a while, as I found the cool concept of five new and different stories about Darth Vader very appealing.

This collected edition of Dark Visions contains five separate, standalone comic issues that have been written by Hopeless, each of which features the talents of a different artist. Each of these separate stories is really cool, featuring some very interesting story elements, eye-catching artwork and interactions that give the reader a real sense of how terrifying and complex the character of Darth Vader truly is. I also liked how different each of the stories was as Hopeless goes in some very interesting directions to showcase Vader.

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The first issue of Dark Visions is Savior and it features the artistic talents of Paolo Villanelli and colour artist Arif Prianto. Savior is the set piece of the entire book and is probably the one that shows off how powerful Vader truly is as he faces off against a gigantic civilisation-destroying monster by himself. Not only is this a pretty epic fight, but everything is shown from the perspective of a young boy whose people have been living in fear of the monster for generations. To him, Vader appears as a great hero, a Black knight, who has come to save their planet, and who even rides a black horse-like steed into battle. However, even after he saves his entire world, the young narrator gets a sense of what Vader really is and is quite rightly terrified. This was an awesome, action-packed first issue and it serves as a great introduction to the entire volume. You also have to give props to the cool cover art that this story produced. The main cover for Issue #1 was used as the cover for the Dark Visions collected edition, and the shot of Vader as an actual knight is one of the main reasons why I wanted to grab this comic. I have also included the two alternate covers that this issue inspired as well, as they are a lot of fun, and show the behemoth that Vader faces off against

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The second issue of this comic is easily the funniest of the whole Dark Visions volume. Issue #2, Unacceptable, features an absolutely hilarious Moby Dick inspired story drawn by Brian Level and coloured by Jordan Boyd. The story follows an Imperial Commander who, after seeing Vader brutally kill an entire room full of officers when he was younger, is absolutely terrified of any form of failure. As a result, when a single Rebel spy escapes his attack and he learns that Vader is on route, he abandons the fleet to take his Star Destroyer after this spy in order to capture him, as “failure is unacceptable”. What follows is a destructive rollercoaster ride through space, as the Rebel spy pilots his ship through a range of obstacles and the Imperial Commander obsessively follows him no matter the risk. This results in a fantastically amusing story filled with laughs, disbelief, some very impressive artistic set pieces and an ending that brings the entire story full circle. Thanks to excellent artwork, the commander’s fall to insanity is pretty clear throughout the issue, and I absolutely loved the crazy obstacles he went through. If you’ve ever wanted to see a Star Destroyer fly into an exogorth (the giant space slug in Empire Strikes Back) then this is the comic for you.

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Next we come to the third issue of Dark Visions, Tall, Dark and Handsome, which has David Lopez and Javier Pina as the artists and Muntsa Vicente as the colour artist. Like Unacceptable, the story within Issue #3 is a tale of obsession; however, it goes in a very different direction. Tall, Dark and Handsome follows an Imperial nurse on the Death Star who, after treating Vader and feeling his power, starts to fall in love with him and begins to imagine an epic romance with him. This story pretty much ends the way you would imagine, but it is a very dark and emotional journey to the conclusion. While this story is pretty messed up, it is written and drawn extremely well, and you can’t help but feel sorry for the nurse who is slowly losing her mind. The artists did a fantastic job showcasing the various stages of the nurses obsession, from the initial stages of her infatuation, to the look she gives him after he knocks her down with the force (a look that can only be described as “thirsty”), to the scenes at the end where she finally cracks and goes into full-blown crazy stalker mode. I also loved the various sequences generated by the nurse’s imagination, which show her idealised versions of the romance, and they are a great portal into her shattered mind.

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The fourth issue of Dark Visions is titled Hotshot and featured Stephen Mooney as the artist and Lee Loughridge as the colour artist. This is a rather interesting story that examines the impact Vader has on the psyche of the Rebel pilots he flies against. In this issue, Vader goes up against a group of skilled Rebel pilots, including a young hotshot flyer with boundless confidence. However, Vader’s superior skills and reputation as a pilot soon have a noted influence on his opponent’s minds, and Vader is able to defeat one solely through fear. I really liked seeing a story that focused on Vader’s ability as a pilot, as it is one of his more impressive abilities, and is pretty cool when focused on (his appearance in the season 2, episode 1 of Star Wars Rebels springs to mind). The various space battles that occur within this issue look fantastic, and you get a real sense of how skilled Vader is in the cockpit.

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The fifth and final issue contained within this volume is called You Can Run…, and it was drawn by Geraldo Borges and coloured by Marcio Menyz. This final inclusion focuses on the general aura of fear that Vader exudes as he hunts down a person carrying valuable information on a hostile jungle world. Vader is already pretty terrifying on his own, but when his target gets dosed by a hallucinogenic compound and begins to see all sorts of horrors around him (like the Scarecrow’s fear toxin in Batman), Vader’s scariness gets amped up to 11. The artists come up with some pretty impressive fear-induced sequences throughout this issue, and the various exaggerated ways that Vader is shown are quite inventive (there is a hint of the Predator in one of them).

Overall, I think that this was a really varied and enjoyable combination of different stories that all examine a different aspect of this great character. All five of these issues are done extremely well and feature a fantastic combination of intriguing stories and amazing artwork. I absolutely loved each of the first three issues, and also quite enjoyed Hotshot and You Can Run… However, I actually found it really hard to pick out my favourite story, mainly because they were all enjoyable in such different ways. I do think that these various stories came together into a very satisfying overall volume that is extremely entertaining. As a result, I would strongly recommend Vader: Dark Visions, and it is an excellent read for all fans of the Star Wars franchise.

Star Wars: Galaxy’s Edge – Black Spire by Delilah S. Dawson

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Publisher: Century (Trade Paperback – 3 September 2019)

Series: Star Wars

Length: 378 pages

My Rating: 4.25 out of 5 stars

Man, it has been a good year for Star Wars tie-in fiction. So far in 2019 there have been a huge number of awesome books that cover some diverse periods of Star Wars history, from an intriguing look at a younger Qui-Gon Jinn and Obi-Wan Kenobi in Master & Apprentice by Claudia Gray to the electrifying third book in Timothy Zahn’s new Thrawn series, Treason. As the year draws to a close, the focus of the Star Wars extended universe starts to turn to the release of Star Wars: The Rise of Skywalker. As a result, the rest of the books coming out this year will set the scene of the Star Wars universe before the events of this upcoming film. This includes the focus of this review, Black Spire by Delilah S. Dawson.

Black Spire is an interesting addition to this later year complement of Star Wars novels, and it is one that I have been looking forward to for a while. Dawson previously contributed to the Star Wars extended universe with 2017’s Phasma, and Black Spire is also part of the Galaxy’s Edge mini-series, which is connected with the Disneyland theme park area of the same name. As such, there are some intriguing elements to the book that make it worth checking out.

Following the events of The Last Jedi, the Resistance has been decimated, and only a few survivors remain. However, those survivors are still as determined as ever to fight the tyranny of the First Order, and need to find new recruits, allies and resources to continue this war. To that end, General Leia Organa has tasked her best spy, Vi Moradi, to find an isolated planet and set up a base to serve as a much-needed bolt hole for other surviving members of the Resistance. Still recovering from the trauma of her last adventure, Vi decides that the best location for this base is on the isolated planet of Batuu, which serves as the final stop between the known galaxy and the mysterious and unexplored expanses of Wild Space.

Heading out for Batuu with a ship full of supplies, materials for a base and a rather snarky droid, Vi is joined by Archex, a former captain in the First Order turned ally who is now seeking redemption. However, their mission begins poorly when they are forced to crash land on the planet and scavengers steal all their supplies. With no help coming from the rest of the Resistance, Vi is forced to make other arrangements to secure her objectives. Finding work in the Black Spire Outpost, Vi will have to make deals with local gangsters and barter with various businesses if she is wants to build up her base of operations and attract new recruits.

However, most of Batuu’s populace want nothing to do with the Resistance and are content to live their lives on the outskirts of the current conflict. But when a force of First Order stormtroopers arrive on Batuu led by a fanatical officer determined to hunt down Vi, they begin to understand the true power and terror of the group beginning to dominate the galaxy. As Vi’s small group of Resistance recruits band together to fight back against the superior force arrayed against them, will they be able to save Batuu, or will another planet fall to the destructive tyranny of the First Order?

The first thing that needs to be addressed is that Black Spire is tied into the newest themed area at Disneyland in California, Galaxy’s Edge. I have to admit, when I first heard that this book was going to be strongly associated with a theme park attraction, the rather blatant commercialism was a little off-putting, so I can totally understand why some people may be reluctant to check it out. However, those readers who give it a chance will be in a for a treat, as Black Spire is an exciting and at times emotional book that proved to be quite enjoyable.

I really liked the storylines contained within this book, as the whole concept of two opposing factions trying to win over a town for their own ends was one that I found to be pretty cool. Watching Vi and her allies attempt to gain resources and followers in the Black Spire Outpost was very entertaining, especially as the author comes up with several compelling Resistance recruits to help Vi in their fight against the First Order. The backstories of each of these followers, who include a young farm boy from an isolated anti-tech society, a flamboyant smuggler and a small alien mechanic, are explored in some detail, and each of them gets their own captivating character arcs. The author also spends some time showing the perspective of Black Spire’s sadistic villain, which makes for a great alternate viewpoint and intriguing change of pace at times. In addition to the fun characters, there is also a ton of action and adventure, as the two opposing sides face off against each other, the locals of Batuu and dangers of the surrounding wilderness. Overall, this was a really fun read, and it is worth checking out.

As I mentioned above, Black Spire is set in the immediate aftermath of The Last Jedi and helps showcase the universe and the Resistance’s struggle between this movie and The Rise of Skywalker. This book is also a sequel to Dawson’s previous book, Phasma, as Vi was the Resistance spy who was narrating Phasma’s life story, while Archex is a reborn version of one of Phasma’s antagonists, Captain Cardinal. While readers do not need to have read Phasma to enjoy this book, those who have will appreciate the continuation of several of the stories and character arcs that were started in the first book. Archex’s character arc, for example, is particularly fascinating, as he is a former First Order commander who has been deprogrammed from the organisation’s brainwashing and propaganda. His perspectives on First Order tactics and methods are really cool and help showcase the First Order as a truly evil and ruthless group. The guilt and regret that Archex experiences, combined with Vi’s mental trauma and PTSD from the events of Phasma, make for a compelling emotional heart to the whole book, especially as the author explores the extent of their new working relationship.

I think it is also important to mention that this book has some cool connections to the Galaxy’s Edge theme park area. In a mostly unplanned coincidence, I was actually halfway through Black Spire while visiting Disneyland and the Galaxy’s Edge area just over a week ago. As a result, while I was walking around through Galaxy’s Edge and enjoying the cool atmosphere, I noticed that a number of the characters and locations featured in Black Spire were inspired by the shops within the park area. In addition, some of the performances from the Disneyland cast revolved around the First Order hunting a Resistance spy hiding in the Black Spire Outpost, which is a cool reference to the events of the book. Indeed, one of the performances I saw actually kind of spoiled an event that occurred at the end of this book, although it is a rather minor reveal. I personally found that reading this book around the same time as I visited the theme park not only helped enhance my experience of Galaxy’s Edge, but it also made me appreciate a number of the elements of Black Spire at the same time. As a result, I would strongly recommend this book to anyone who is visiting Galaxy’s Edge at Disneyland, and it is truly interesting to see how the setting of the book is brought to life.

Black Spire by Delilah S. Dawson is another excellent addition to the Star Wars expanded universe with some neat storylines and compelling characters. While its strong connections to the newest themed area of Disneyland may not be for everyone, I felt that there were a lot of cool features in this book that make it really worth checking out. I am excited to see what Star Wars stories Dawson tells in the future, as Black Spire turned out to be an incredibly enjoyable read.

Star Trek: The Antares Maelstrom by Greg Cox

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Publisher: Simon & Schuster Audio (Audiobook – 13 August 2019)

Series: Star Trek: The Original Series

Length: 11 hours and 34 minutes

My Rating: 4 out of 5 stars

My bold new voyage down into the depths of Star Trek extended fiction continues as I review the latest exciting novel tied into Star Trek: The Original Series, The Antares Maelstrom by Greg Cox.

Get ready for a good old-fashioned “gold rush” on the outskirts of Federation space, as vast quantities of a rare and valuable mineral vital for energy production is found on the remote planet of Baldur-3. The sparsely populated planet is quickly overrun by a horde of opportunists from all over the galaxy, seeking to make their fortunes as miners and prospectors. Hailing from a variety of planets and made up of a number of different species, these determined but often under-prepared prospectors are pushing Baldur-3’s infrastructure to its limit. Despite not being part of the United Federation of Planets, Baldur-3 requests assistance from Starfleet, which dispatches Captain James T. Kirk and the crew of the U.S.S. Enterprise to help in any way they can. However, upon their arrival in the sector, Kirk discovers several major problems that require him to split his personnel.

While Kirk and the Enterprise remain above Baldur-3, Sulu and a small contingent of the ship’s crew are left behind at the local Deep Space Station S8 to help manage the prospectors in transit to the planet. While there, Sulu is forced to deal with a multitude of issues, including a malevolent saboteur, the return of an old romantic flame, and foolhardy adventurers attempting to cross the dangerous Antares Maelstrom to find a fabled shortcut to Baldur-3. At the same time, Spock and Chekov travel to a nearby planet, inhabited by a pre-spaceflight race of humanoids, where alien items have started appearing in the hands of the locals in what is clearly a severe violation of the Prime Directive. As Spock and Chekov investigate, they find themselves dragged into a sophisticated smuggling ring involving a rare tea that could prove disastrous for the planet’s future development. Each of these groups will experience mortal peril as they attempt to uphold the values of Starfleet and assist all those in need.

I have really been on a roll with Star Trek novels lately, having already read several fantastic pieces in the last few months, including The Captain’s Oath by Christopher L. Bennett, Available Light by Dayton Ward, The Way to the Stars by Una McCormack and the first volume of the Boldly Go comic book series. The Antares Maelstrom by Greg Cox is another fun and enjoyable Star Trek novel that I had a wonderful time listening to on audiobook. Cox is an experienced writer of tie-in fiction, having written novels related to a number of different media franchises, such as Buffy the Vampire Slayer, Alias, Underworld, The Librarians and titles from DC and Marvel comics. However, his most consistent body of work has been his Star Trek tie-in novels. Since 1995, Cox has written around 20 Star Trek books, set across the various television series. He has already written several books related to The Original Series, as well as three books that show the life and times of iconic franchise villain Khan.

This particular Star Trek adventure is set during the Enterprise’s five-year journey (2265 – 2270), meaning that this story occurred around the same time as the episodes of The Original Series. The Antares Maelstrom turned out to be an interesting change of pace from some of the other Star Trek books I have previously read, as it is a standalone novel that does not seek to explore character backgrounds or continue several ongoing storylines from previous novels. Instead, the episode reads a lot like an episode from The Original Series, with the crew of the Enterprise getting involved with a number of adventures in space and helping those in need.

Cox has populated his latest book with three separate storylines, each of which features various members of the Enterprise’s main crew. This includes Sulu’s stay aboard Deep Space Station S8 and Spock and Chekov’s investigation of the tea smugglers on the nearby planet. Both of these storylines branch off from Kirk’s storyline as he, Scotty, McCoy, Uhura and the Enterprise stay above Baldur-3 and provide assistance to the surface. Each of these storylines is quite interesting and has a number of great moments. While Spock and Chekov’s storyline is one extended adventure, the other two parts of the book feature a series of interconnected adventures and mysteries. This is a very interesting blend of stories, from the examination of a futuristic “gold rush” in space, to a covert investigation on an alien planet. I personally enjoyed Sulu’s storyline the most, as it featured a number of exciting moments between spaceships, a compelling investigation, several great new characters and a huge amount of action. The other two storylines are really good, and in my opinion the story benefited from having this great mixture of storylines, which did not dilute or overwhelm the overall quality of the book. Indeed, all of the storylines form a compelling overarching narrative which I found to be extremely fun and surprisingly addictive, and I was firmly glued to the story.

Like most tie-in novels, The Antares Maelstrom is intended for fans of the franchise it is based on, meaning that this is an ideal read for hardcore Trekkies. However, no great knowledge of the original series is required to enjoy this book. There are no real pre-existing storylines to follow, and anyone who has a basic knowledge of the show or who has seen the latest trilogy of movies will be able to follow along without any issues. Cox does pepper the story with a number of references to some of the past adventures of the Enterprise, and there is even a major connection to one of the more interesting episodes from the first season. The book does feature the first appearance of the titular Antares Maelstrom, which itself is a rather obscure reference to the second Star Trek movie, The Wrath of Khan, as the Antares Maelstrom is featured in one of Khan’s iconic monologues. While these many references and call-backs to previous episodes will prove to be enjoyable to fans of the franchise, most of them have no real bearing on the plot, and any that do are well explained.

I also felt that Cox did a fantastic job of capturing the original tone of the Star Trek television show in this novel. The focus on the prospectors arriving on Baldur-3 is used by the author to mirror the bold explorative and chance-taking stance that the crew of the Enterprise undertake, and there is a lot of discussion about new opportunities and venturing into the unknown. While these prospectors are initially viewed as greedy and reckless, they eventually come together as part of the book and show how, deep down, people are basically good. All this focus on unity, compassion and logic is classic Star Trek, and Kirk makes sure to accompany many of these examples with his trademark speeches, talking about the ideals of Starfleet and his crew. In addition to this, each of the major characters is strongly featured throughout the book, and the author makes sure that each of them gets a substantial amount of story time. Cox does an amazing job capturing the various personalities of the original series cast members, and it was great seeing them back in action in this new book.

As I mentioned above, I ended up listening to The Antares Maelstrom on audiobook, narrated by Robert Petkoff, which ran for 11 hours and 34 minutes. I absolutely flew through this audiobook, and I really enjoyed having this cool story narrated to me. Petkoff is still an impressive narrator, and I have previously mentioned how much I enjoyed his work narrating the voices of The Original Series cast members for The Captain’s Oath. In The Antares Maelstrom, Petkoff continues to amaze, coming up with a huge range of different voices for the various characters featured throughout the book. Just like in the previous book, his Kirk, Spock, Sulu and McCoy are darn near perfect, and I was really glad I got to hear a lot more of his Scotty, as he manages an awesome Scottish accent. I also got my first real experience of Petkoff’s Chekov in this book, and I have to say it was near perfect. The narrator expertly captures Chekov’s Russian accent, and there were a number of amazing instances where Petkoff had to imitate Chekov’s classic mispronunciations of English words. This is truly some first-class voice work and it really helps make the entire audiobook stand out. Petkoff seems to be one of the main Star Trek audiobook narrators at the moment, as several recent and upcoming books all feature his talents, and this makes me a lot more eager to check out these books in the future.

The Antares Maelstrom by Greg Cox proved to be another amazing piece of Star Trek fiction. It presents the reader with three fantastic adventures that come together to create an exciting and captivating book. While probably best read by established Star Trek fans, this book can be easily enjoyed by readers who have less Star Trek experience but who love sci-fi, intriguing mysteries, iconic characters and fast-paced action. Another great outing from Cox, The Antares Maelstrom is really worth checking out, especially in its audiobook format.

Star Trek: The Captain’s Oath by Christopher L. Bennett

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Publisher: Simon & Schuster Audio (Audiobook – 28 May 2019)

Series: Star Trek

Length: 11 hours and 58 minutes

My Rating: 4.5 out of 5 stars

Prepare to venture boldly into a new Star Trek: The Original Series tie-in novel which not only tells a deeply compelling story but also looks at several pivotal moments of Captain Kirk’s early Starfleet career that made him the captain we all know and love.

Captain James Tiberius Kirk is known throughout the galaxy as a great warrior, diplomat, explorer and hero. His story as the captain of the U.S.S. Enterprise is legendary, but how did a relatively young and inexperienced captain gain the right to take command of Starfleet’s most advanced and famous ship? What drives the young captain to be the best? And where did he get the tendency to bend Starfleet’s many rules in order to do the right thing?

Over three separate timelines set between 2261 and 2265, The Captain’s Oath follows Kirk’s early career as a captain. Looking at both his first command aboard the U.S.S. Sacagawea to his initial missions with the crew of the Enterprise, this book highlights several major conflicts and explorations that Kirk was involved in which shaped his personality and command style. From early conflicts with the Klingons, first contact missions that tested Kirk’s dedication to follow the Prime Directive to the letter, and diplomatic missions that had the potential to lead to war, these experiences will turn him into a captain worthy of the Enterprise.

I am fairly new to the world of Star Trek tie-in books, having only previously read two Star Trek novels that were released earlier this year, The Way to the Stars and Available Light. I was massively impressed by The Captain’s Oath, which was a spectacular and massively compelling read. Veteran Star Trek author Christopher L. Bennett, who has written a large number of Star Trek tie-in novels since 2004, crafted an excellent novel that not only showcases the past of an iconic character from the franchise but presents an exciting adventure at the same time.

The overarching narrative of The Captain’s Oath is told in three separate timelines. The first of these timelines starts in early 2261 and follows the early day of Kirk’s captaincy of the Sacagawea. The next timeline is set between 2262 and 2264, and also features Kirk as the Captain of the Sacagawea; however, this timeline starts after an undisclosed destructive event that crippled the ship and killed several of Kirk’s crew in the previous timeline, and follows Kirk’s adventures after this event. The final timeline is set in 2265 and starts the moment Kirk takes command of the Enterprise. It follows his first real mission as captain of his iconic ship, and ends just before the start of The Original Series television show. The book features lengthy chapters, with various adventures in different points of time spread throughout the course of the novel. These adventures are also usually shown from the perspectives of Kirk and some of the Starfleet personnel serving with him, although there are occasional scenes featuring characters aboard other Starfleet ships.

I did initially find it a little tricky to get my head around the use of multiple timelines, especially as I was listening to the audiobook format of The Captain’s Oath. However, once I got track of each of the three major timelines, I was able to appreciate what Bennett was doing with this writing style and how he wanted to tell the story. By using these multiple timelines, Bennett succeeds in telling a story that is much more complex and compelling than a linear story would have been. These multiple timelines allow the reader to get a much better sense of the main character and how he became the person he was in the first episode of The Original Series. By showing various stages of his time as a captain, Bennett is able to examine a number of key events that formed Kirk’s personality and command style. Through a series of intriguing missions and a ton of different scenarios, you get to see how Kirk reacts to both his success and his failures, and what lessons he takes with him. As the book progresses, you get to see how these earlier experiences affect his actions in the subsequent chronological missions. This was an extremely clever way to write the story, and I felt that the multiple timelines work extremely well together and helped create a powerful narrative that did a fantastic job showcasing the character of Captain Kirk.

I also really enjoyed the huge variety of Star Trek missions that Kirk and his crew went on throughout the course of the book. This book featured an amazing range of different missions that Starfleet are known for, including diplomatic undertakings, rescues, exploration, first contact and military missions in defence of the Federation. Some of these missions are quite complex in their individual content and in the way that most of them flow through and connect with later missions in the chronology. Bennett has come up with some truly unique and fantastic scenarios for this book, and through these various missions the reader is treated to some intriguing mysteries, intense battles and deep examinations of humanity and life. I really got into a number of these missions, including a fascinating mission where Kirk and his crew get trapped on a pre-spaceflight planet whose government is using propaganda to frighten the populace with non-existent invading aliens. However, the best scenario is a series of missions set during Kirk’s days as captain of the Sacagawea where he and his crew encounter an unusual group of aliens who are invading Federation space in some unique ships (the one on the cover). The various missions involving these new aliens not only result in some impressive space battles but also feature some intriguing diplomatic meetings and fascinating discussions about different forms of life, as the beings Kirk and his crew encounter are so alien that a number of key concepts such as territory and galactic borders are untranslatable to them. Each of the missions featured in this book were pretty amazing and are a testament to Bennett’s imagination and appreciation for the underlying material.

One of the things that I enjoyed about this book was the sheer amount of Star Trek references and lore that Bennett has managed to fit into this story. Fans of Kirk and The Original Series will be intrigued by this new look at Kirk’s early career as a captain and several of the pivotal adventures he undertook. The Captain’s Oath also features Kirk’s first meetings with several key characters from the series, including Spock, Sulu, Scotty and McCoy. Not only does the reader get an idea of the early relationship between Kirk and Spock, which only began when Kirk took command, but you also get to see Kirk befriend McCoy and then eventually talk him into becoming doctor for the Enterprise. In addition to the look at the major characters, there are also a number of great examinations of minor characters from the series. A great example of this is the inclusion of the Klingon character Captain Koloth, the villain of The Original Series episode The Trouble with Tribbles. While he was only in the book for a short period of time, it does answer a question about how Koloth and Kirk knew each other, as they recognise each other in the episode, and it shows why they disliked each other.

Perhaps the most interesting part of The Captain’s Oath was the inclusion of Gary Mitchell throughout the course of the book. In the show, Mitchell only appeared in one episode and was the original helmsman of the Enterprise before becoming the eventual antagonist of the episode Where No Man Has Gone Before. In this episode it is explained that Mitchell was one of Kirk’s oldest and closest friends, and Bennett spends a lot of time exploring this friendship in this book. Mitchell is shown to be a major influence on Kirk’s personality during the early days of him being a captain, helping him relax and become less beholden to Starfleet’s rules and regulations. Their friendship is an important part of the book, although it is a little tragic when you consider how it is destined to end. The book also features a few scenes with Lt. Kelso, who is killed by Mitchell in Where No Man Has Gone Before, and it is interesting to see some of his interactions with Mitchell and Kirk, considering his appearances in the show. It is curious to note that Bennett appears to have switched the roles of Mitchell and Kelso around, as Kelso is portrayed in the book as the helmsman, while Mitchell is the navigator. Nonetheless, the author uses the inclusion of Kelso to explain why Sulu was the ship’s physicist in this episode rather than helmsman, and why he was given the job in subsequent episodes.

Bennett has included some pretty deep Star Trek lore in this book, but do you need to be a major Star Trek fan to enjoy The Captain’s Oath? In my opinion, you do not. Obviously, hardcore Star Trek fans will get a lot more out of this book, no doubt appreciating all the references, minor characters and the backstory that Bennett has concocted. However, this book is easily enjoyable for people who only have a passing knowledge of the Star Trek shows or universe. Bennett makes the story extremely accessible, and many features from the franchise or history relevant to the story are explained in full detail, ensuring no one is left in the dark. Indeed, due to the awesome story, connection to The Original Series and the focus on such an iconic character, this is a great book to check out if you are curious about Star Trek books and want to see what they are like, and a lot of general science fiction readers will like some of the unique scenarios explored throughout the book. This would also be a really interesting book for those people whose only exposure to Star Trek has been the recent movies set in the alternate timeline, as this book shows a very different version of Kirk. Overall, I think that quite a wide audience can appreciate The Captain’s Oath, and it is a fantastic Star Trek tie-in book to check out.

While I did receive a physical copy of The Captain’s Oath, I decided to check out the audiobook version instead in order to fit it into my reading schedule. The audiobook format of this book is narrated by Robert Petkoff, who has a narrated a large number of previous Star Trek tie-in books, as well as several Star Trek novels coming out later this year. The Captain’s Oath audiobook runs for a pretty typical length of time for a Star Trek book, at just under 12 hours long, meaning that dedicated listeners should be able to get through this quite quickly. I really enjoyed listening to the audiobook format of this book, and I found that listening to the story helped enhance certain aspects of the plot, such as making the action sequences more exciting and providing the full impact of several of Kirks inspirational speeches. Petkoff is an excellent narrator whose work I have previously enjoyed when I listened to Available Light a couple of months ago. I noted back than that Petkoff did an amazing job imitating several key members of the Star Trek: The Next Generation cast, and I was very curious to see how he would go with characters from The Original Series. Petkoff’s voice work in The Captain’s Oath was pretty impressive, as he did an exceptional job bringing characters such as Spock, Scotty, Sulu and McCoy to life and making them sound very similar to their original portrayals in the show. Petkoff also did a pretty good Kirk, and I liked how he attempted to reproduce the captain’s iconic speech patterns from the show. Petkoff also had the opportunity to bring a huge range of different nationalities and alien species to life, and these were also very impressive, as he was able to produce some distinctive voice types from the show, including the specific vocal patterns of the Vulcans as well as several distinctive human accents. All of this made for an incredible listen, and I fully intend to check out the audiobook formats of any future Star Trek books narrated by Petkoff. Indeed, the next audiobook I am planning to listen to, The Antares Maelstrom, is narrated by Petkoff, and I look forward to listening to this latest book.

Star Trek: The Captain’s Oath is an exciting and captivating novel that does an outstanding job exploring the early life of Captain Kirk and examining some formative events that made him the character we all know and love. Author Christopher Bennett has created a compelling story that utilises multiple timelines and a series of intriguing missions to tell a complex tale that I had an amazing time reading. This is an excellent piece of Star Trek extended fiction that I would whole-heartily recommend for anyone who has ever been curious about learning more about Kirk’s story and the Star Trek universe prior to The Original Series.

Throwback Thursday – Star Trek: Boldly Go, Volume 1 by Mike Johnson and Tony Shasteen

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Publisher: IDW Publishing

Publication Date: 25 July 2017

Length: 136 pages

My Rating: 4.5 out of 5 stars

Reviewed as part of my Throwback Thursday series, where I republish old reviews, review books I have read before or review older books I have only just had a chance to read.

In this Throwback Thursday, get ready to explore the first volume of an intriguing Star Trek comic book series, Boldly Go, which presents the reader with clever new story directions spinning off from the alternate timeline Star Trek movies.

I think it is time to admit to myself that I am starting to get rather hooked on Star Trek extended universe fiction. Like my obsession with everything from the Star Wars extended universe, all it took for me to dive into this new fandom was reading a few compelling Star Trek books. Amazing titles such as Available Light and The Captain’s Oath made me realise that there are some pretty interesting Star Trek books out there. I just started listening to another Star Trek audiobook today (The Antares Maelstrom by Greg Cox, which is pretty good so far). As a result, when I recently saw some other reviewers talking about a cool-sounding Star Trek comic book series that came out a couple of years ago, I immediately went and grabbed a copy of the first volume (I am very impressionable like that). What I found was an extremely compelling Star Trek adventure that had some truly intriguing and clever elements to it.

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Star Trek: Boldly Go was an ongoing canon comic book series which started in 2016 and was set in the same continuity as the 2009 Star Trek film and its sequels. This continuity is an alternate timeline to the main Star Trek universe, which is known as the Kelvin Timeline due to the deviation that started with the time traveller Nero’s destruction of the U.S.S. Kelvin (Kirk’s father’s ship). This series was written by Mike Johnson, who has a lot of experience writing Star Trek comic book series, and featured contributions from several different artists. Boldly Go was the second ongoing series set in this timeline, following the 2011 Star Trek series which ran for 60 issues and was also written by Mike Johnson (which apparently had some really interesting-sounding storylines and which I might have to check out as well).

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Following the destruction of the U.S.S. Enterprise in Star Trek Beyond, the entire crew have been temporarily reassigned to new posts while they wait for their ship to be rebuilt. While Spock and Uhura are living on New Vulcan and Scotty is a lecturer at Starfleet Academy on Earth, Sulu, McCoy and Kirk are still serving out amongst the stars. Kirk has taken command of the U.S.S. Endeavour with McCoy begrudgingly at his side, and Sulu is serving a one-year exploration mission aboard the U.S.S. Concord.

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Events outside of their control will soon bring the former crew of the Enterprise back together, when the Concord encounters a ship of unknown design on the edge of Federation space. The ship is extremely powerful and technologically advanced and it attacks without warning, easily carving off pieces of the Concord with its destructive weapons. As alien boarders abduct members of the crew and devastate the ship, only one thing is certain: resistance is futile!

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The Borg Collective, one of the most dangerous races in the entire galaxy, have arrived in this version of Federation space nearly 100 years earlier than they were supposed to. Their motives are unclear, but as they attack several Federation vessels and settlements it is clear that they are en route to the capital of the Romulan Empire, Romulus. Answering the Concord’s distress call, Kirk and the Endeavour follow the Borg sphere after picking up Spock and Uhura. Forced to enter Romulan space, can Kirk and his crew save the abducted humans and defeat the Borg, or will actions provoke war with the Romulans? And what connection do the Borg have to the events that made this alternate timeline and formed this version of the Enterprise’s crew?

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This first volume of Boldly Go is a massive ball of fun that I had a great time reading. Not only does it feature a captivating and enjoyable story with some real cool twists; it also takes this Star Trek universe in some interesting directions. Featuring issues #1-6, this first volume starts a few months after the events of Star Trek Beyond and continues several of the fun storylines explored in the movies and the 2011 ongoing comic book series.

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This first volume features a bunch of interesting storylines. Issues #1-4 contain the volume’s major storyline, the invasion of the Borg into Federation and Romulan space. This is an extremely action-packed storyline, and I really enjoyed seeing the Borg, who are probably the best Star Trek antagonists ever created, go up against the classic crew of the Enterprise. The entire Borg storyline is cleverly written, with high stakes and explosive action sequences, and it has some really cool moments. If you have ever wanted to see what would happen if the Borg tried to assimilate Spock (and let’s face it, who wouldn’t find that awesome) then this is the comic for you.

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Issues #5 and #6 contain two different, intriguing storylines. Issue #5 contains a rather emotional story that examines the history of the fan-favourite character from Star Trek Beyond, Jaylah. Told chronologically backwards, this issue shows Jaylah’s tragic life trapped on the planet Altamid, and then goes further back to explore how she and her family were marooned there and the events of her past that would eventually lead her to Starfleet. The sixth and final issue in the volume continues some of the storylines from the first four issues of the series, reunites the always funny Scotty with the rest of the main characters and shows a rather curious story about an extremely advanced species of aliens interfering with the Endeavour in violation of their own version of the Prime Directive.

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While all of the storylines featured within this first volume are compelling and filled with emotional plot developments, it was also cool to see this version of the Enterprise crew once again. I really liked seeing how their adventures continued post-Star Trek Beyond, especially because, at the moment, it looks like Beyond is going to be the last film in this particular series of Star Trek films (which is a real shame, as some of the plans for the next instalment sounded particularly awesome). I did feel that the creative team of this comic did a fantastic job capturing the tone of the new movies and the personalities of these versions of the characters, and overall I found the story within this volume to be quite impressive.

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In addition to the great story, dedicated Star Trek fans will find some of plot inclusions to be extremely interesting, as they draw on some unique pieces of Star Trek lore. This volume features alternate timeline versions of characters from the original series, such as Captain Terrell, an older version of whom previously appeared in The Wrath of Khan, and there are intriguing hints at features of the Romulan Empire, such as the feared Tal Shiar. I also cannot get past how awesome it was to see the Borg in this timeline. Jackson has previously experimented with having this version of the original Enterprise crew interact with classic villains from other Star Trek shows. For example, they encountered Q in Jackson’s previous comic book series set in the Kelvin Timeline. However, it was particularly cool having the crew fight the Borg, and it resulted in a number of amazing scenes.

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I found the explanation for why the Borg were in Federation space during this time period to be extremely clever. In the main Star Trek universe, the Borg did not attack the Federation until the events of Star Trek: The Next Generation, set around 100 years after the start of The Original Series. However, in this comic, the Borg were attracted to the Federation much sooner than expected. The reason for this is eventually shown to be because Nero, the antagonist of the 2009 Star Trek film, constructed his massive ship, the Narada, out of Borg technology. This naturally drew the attention of the Borg, who travelled to Federation space at a much quicker rate than they did in their original appearance. While this explanation is pretty fascinating by itself, it actually results in some interesting connections with the main Star Trek universe. Technically, this alternate timeline is still considered to be within the canon of the main universe, as it was created when characters from this timeline, Nero and Spock from The Original Series, travelled back to the day Kirk was born. As a result, if the Narada contained Borg technology, then it is reasonable to assume that the Romulans are experimenting with captured Borg material in the main universe after The Next Generation ended. This has subsequently been somewhat confirmed, as the recent Comic Con trailer for the upcoming television series Picard showed images of Romulans dissecting Borg prisoners. As Picard is going to be set after the destruction of Romulus in the main Star Trek universe, it appears that this comic actually predicted events from the show before it was even in production (or else the creators of the show read this comic). This deep dive into Star Trek lore is really cool, and it is interesting to see ideas spawned in this comic have impacts in an upcoming show.

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This volume of Star Trek Beyond features some fantastic artwork from a variety of skilled artists. The main artist for the first five issues is Tony Shasteen, with Davide Mastrolonardo serving as colourist. Their combined artwork is pretty spectacular, and I really enjoyed it. Not only did they do a fantastic job of recreating the alternate timeline versions of the Enterprise crew, but the drawings of space, battles and the destruction of the Borg are amazing. I particularly liked the character designs of the Borg drones, especially when some of the Starfleet characters are converted into drones. I was also really impressed by an extended sequence that took place in Spock’s mind, where the Borg infiltrated his memories of several events of the 2009 film, and they made for a great scene. Issue #6 was drawn by Chris Mooneyham, with J. D. Mettler doing the colours. This naturally results in a noticeably different art style for this final issue, but this team does a great job of portraying some interesting scientific anomalies in space. Overall, the artwork featured within this volume is exciting and very well-done, and I had a great time seeing how the artists rolled out this adventure.

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Volume 1 of Star Trek Beyond is a fantastic comic book that is really worth checking out. The creative team have done a wonderful job portraying a new story that takes place in the aftermath of the last Star Trek movie. There are some really compelling story ideas taking place in this volume, and Johnson made sure to go big by bringing in a fantastic bunch of antagonists from The Next Generation. Best read by existing fans of the Star Trek franchise who will enjoy the creative team’s unique take on the characters and their adventures, this comic will also be appreciated by casual Star Trek fans who have only seen the more recent movies. I am extremely glad I decided to explore this Star Trek comic book series, and I will definitely be grabbing the next two volumes of this series when I next visit the comic book shop. This first volume gets four and a half stars from me and is an outstanding piece of Star Trek fiction.

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Uncanny X-Men – Vol. 2: Wolverine and Cyclops

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Publisher: Marvel Comics (Trade Paperback – 2 July 2019)

Series: Uncanny X-Men (2018) – Volume 2

Writer: Matthew Rosenberg

Artists: Salvador Larroca

               John McCrea

               Juanan Ramirez

Colour Artist: Rachelle Rosenberg

Length: 136 pages

My Rating: 4.5 out of 5 stars

Prepare to enter a whole new era of X-Men comics as writer Matthew Rosenberg and artist Salvador Larroca bring forth a second volume in the new series of Uncanny X-Men and focus on the aftermath of the latest disaster to befall mutantkind.

No More X-Men!

For years, the X-Men have tried to fulfil Charles Xavier’s dream of unity between mutants and humans by being the shining examples of their species as superheroes, protecting even those people who hate and fear them. However, in one devastating moment, that dream has been smashed. The godlike mutant X-Man, in an attempt to remove all opposition to his messianic desires, combined his powers with that of the reality-bending mutant Legion in order to end all the X-Men who stood against him. In a single instant, nearly every mutant who had served as a member of the X-Men was gone, and the world reacted accordingly.

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In the aftermath of this loss, Mutantkind is on the brink of extinction. Already suffering from years of losses caused by the Genosha genocide, the M-Day Decimation, the Terrigen Mists and Disney’s wrath for being owned by Fox, the remaining Mutants are now left without their protectors. With public opinion firmly against them, government agencies hunting down and imprisoning any surviving mutants and the new mutant vaccine being made mandatory for the entire population, this looks like the end for the species. However, one mutant is desperate to change this: the original leader of the X-Men, Cyclops.

Having been recently returned from the dead, Cyclops attempts to find his way in the new world, where all his X-Men comrades have disappeared. After an encounter with the mysterious mutant Blindfold, whose cryptic visions now contain nothing but despair, Cyclops will try to do what he always does, attempt to save his species. However, with no allies willing to help and even the Avengers turning against them, Cyclops is finding it hard not to give in to despair. In a desperate move, he makes a televised plea for any remaining X-Men to join him at the remains of the X-Mansion. While at first it appears that only the X-Men’s enemies have turned up in order to kill him, one X-Man answers the call, the last person Cyclops expected to come to his aid, his long-time rival Wolverine.

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Having also just come back from the dead, Wolverine is reluctantly drawn back into Cyclops’s orbit. In their recent past these two legendary X-Men have fought, gone to war and nearly killed each other over their ideals, the future of mutantkind and the heart of Jean Grey, but now they can agree on one thing: the X-Men need to come back. Pulling together a rag tag team, including Magik, Wolfsbane, Havok, Dani Moonstar, Karma, Chamber and Jamie Madrox, Cyclops and plan to go after the biggest mutant threats they can find on order to stop additional escalations against mutants and to leave the world in a better place if this is truly the end of mutantkind. But what happens when they are forced to go up against old friends such as Banshee or Hope Summers, as they attempt to obtain their own form of justice leading a new version of the Mutant Liberation Front?

The second volume of this new series of Uncanny X-Men, Wolverine and Cyclops, is a fantastic and enjoyable comic that does a wonderful job introducing a cool new version of the X-Men following the major changes that occurred in the first volume of the series, X-Men Disassembled. Featuring issues #11-16 of the 2018 series of Uncanny X-Men, this volume does an excellent job of showcasing the new, darker version of the Marvel Universe following the disappearance of the X-Men.

Cyclops and Wolverine is written by Matthew Rosenberg, who has been working on a number of cool series for Marvel lately, including the extremely entertaining new Punisher series. In a nice sense of continuity, Rosenberg returns to write this second volume of Uncanny X-Men after completely changing everything with X-Men Disassembled. After setting up the cool story in that book, Rosenberg now puts his thoughts to exploring the aftermath of this tale, not only in this volume but in a number of future entries. For this second volume, Rosenberg is joined by artist Salvador Larroca, who provides the art for most of this book, while veteran artist Rachelle Rosenberg serves as the colourist for all the issues in this volume.

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After the previous entry in the series, the creative team was left with the interesting problem of how to run an X-Men series after you sent away all the X-Men (probably to the universe featured in the various Age of X-Man miniseries). What they came up with was a fantastic story that featured a new end of days for mutantkind and a new version of the iconic team. Since the events of the last volume, the whole world has dramatically changed for mutants. While they were never popular, now they are being actively hunted down, captured, experimented on or exterminated by government-sanctioned groups and there is no one able to stop them until this new team of X-Men come along. I really liked one of the ideas broached in the story that the X-Men, despite their attempts to be peacemakers, really only stopped this sort of government attack because they intimated the government, and now that the X-Men gone, there is nothing stopping them from ensuring there are no more mutants. As a result, this is a really interesting setting for a new X-Men series, and Rosenberg has come up with a really cool story. This is a much grimmer version of the classic X-Men story, as the team no longer has a high-tech base, matching uniforms or an advanced jet. Instead, they are a small team of rebels, hiding out in a bar and getting involved in fights for survival. This first volume contains a number of big plot moments, including the additional deaths of several mutant characters (which probably won’t last that long), noteworthy character developments (one character’s code-name gains a whole new level of significance) and the formation of an intriguing new team of X-Men.

I really enjoyed the way that the creative team set out this story in the first volume and I particularly enjoyed the first issue of the volume (Issue # 11). This issue does a wonderful job introducing the new Marvel Universe, and showing Cyclop’s difficulties coming back to such an altered world, bereft of hope for mutants. As the first issue continues, Cyclops meets several former friends and allies, such as Blindfold, Chamber, Ben Urich, Jamie Madox and Captain America, each of whom try to convince Cyclops that the X-Men are dead and that his mission is over. All of these encounters, including a second tragic meeting with Blindfold, drive Cyclops to his former home at the X-Mansion, where it appears he is truly the last X-Man, and only his enemies, such as the Reavers, the Purifiers and the Sapien League remain. However, at the last second, it is revealed that Wolverine was also on the scene and joins the fight, teaming up with Cyclops to defeat the mass of foes in the front of them in a particularly satisfying fight sequence to end the first issue. The volume then goes on to show two mini-stories, which show the reader that Wolverine had been following Cyclops for a while and had actually been helping him without the reader or Cyclops knowing it. Another story also shows why Blindfold had gotten involved and adds a whole new layer of tragedy to the story. The rest of the volume unfolds in a pretty logical way; without going into too much detail, Cyclops and Wolverine manage to form a team of X-Men, and in the following volumes they face a variety of different threats and find new allies, all of which will set up some interesting storylines for the next few volumes of the series. I liked where the story went towards the volume, and there were some really interesting developments that did a fantastic job following the strong opening issues.

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While this volume features a number of great characters, as the name suggests, the story is mostly focused around Cyclops and Wolverine, who team up again for the first time in years. These two are probably two of the most iconic X-Men ever created, and the longstanding rivalry and dislike between them has long been a recurring X-Men story arc. However, in recent years, this dislike has turned into direct antagonism, especially after the events of the 2011 miniseries, Schism, where a fight of their respective ideological differences saw them split off and lead two separate groups of X-Men. This antagonism continued through several major X-Men arcs, including Avengers vs X-Men, but it was ultimately left unresolved due to Wolverine’s death in 2014. As a result, this volume is the first time Wolverine and Cyclops have both been alive in nearly five years, and it was interesting to see the two of them finally come together again. I really enjoyed their reconciliation in this volume, especially as all it took for these two to get on the same page was two simultaneous resurrections, the complete destruction of the X-Men, one cathartic fight against a group of bigots, and a one-word greeting on the battle field.

The rest of the volume continued to build on their relationship as they work together to reform the X-Men. It is a fun return to the pre-Schism dynamic, as Wolverine once again follows Cyclops’s lead, and the two have a fun, banter-laden relationship built on mutual respect. However, Rosenberg does not ignore some of their prior conflict; rather he incorporates it into their relationship. Cyclops is fully aware that much of the X-Men’s current issues are due to his past actions, such as pushing for a more militant approach while he was the mutant leader, going to war with both the Avengers and Inhumans, and killing Professor X. As a result, he starts to rely on Logan’s opinion a lot more than some of the other X-Men, such as his brother Havok, as he knows that Wolverine won’t just agree with him if he is in the wrong again. This new era of cooperation between Cyclops and Wolverine forms a fantastic heart of this volume of Uncanny X-Men, and it was great to see these two characters back in action again after their lengthy absences.

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I rather enjoyed the artwork that was featured in Wolverine and Cyclops, and the artistic team of Larroca and the colourist Rosenberg do a good job producing an interesting art style for this volume. I personally liked the darker artistic tone quite a lot of the scenes had, which I felt reflected the tone of the series and which was also a result of the X-Men trying to remain hidden by doing their missions at night. I also liked the interesting character designs that featured in the book, as the team is forced to wear a mismatched bunch of scavenged uniforms from across the various X-Men eras, which really helped highlight the low resources and support they have. There are a number of detailed and exciting action sequences throughout the book that the artists do an amazing job bringing to life. I was particularly fond of the first major sequence, in which Cyclops and Wolverine took on the anti-mutant soldiers near the X-Mansion. It was a particularly brutal couple of pages, and I loved seeing the two main characters in action again. I also really liked the scene where Wolverine first reveals himself. The look of horror and resignation of several characters’ faces when they hear “snikt” was just beautiful. Extra art done by John McCrea and Juanan Ramirez for the two background stories, Wolverine Returns and The Last Blindfold Story, added an interesting new element to the volume, and it was cool to see their different art style in the middle of the book. Overall, this was some great artwork, and I cannot wait to see what this team produces in the future.

Wolverine and Cyclops is a bold new direction for Uncanny X-Men that I really enjoyed. With a darker universe, some interesting story directions and the return of two of the team’s most iconic characters, the X-Men have entered a brave new era, and I was glad to be there for the ride. This new creative team for Uncanny X-Men did a fantastic job reintroducing these two amazing characters, and they have proven that they have some intriguing ideas. The next volume of this series is out in October and is already one of my top comics to buy later in the year.