Star Wars: Master & Apprentice by Claudia Gray – Audiobook Review

Master & Apprentice Cover

Publisher: Random House Audio (16 April 2019)

Series: Star Wars

Length: 11 hours and 42 minutes

My Rating: 4.75 out of 5 stars

2019 is shaping up to be an amazing year for fans of the new Star Wars extended universe, a group of which I consider myself to be a proud member, with so many awesome Star Wars books and comics being released.  After reviewing the first Star Wars book for 2019, Queen’s Shadow, a few weeks ago, I have been really looking forward to getting to grips with the franchises second 2019 novel, Master & Apprentice by Claudia Gray.

Master & Apprentice is a canon Star Wars novel set around eight years before the events of Star Wars Episode I: The Phantom Menace.  It focuses on two of the main characters from this prequel movie, Jedi Knight Qui-Gon Jinn and his Padawan, Obi-Wan Kenobi.

Qui-Gon Jinn is an experienced and powerful Jedi Knight, having been trained in the Force by the legendary Count Dooku, who himself was trained by Master Yoda, and is ready to face any threat or danger that lies in front of him.  However, his greatest challenge may prove to be his own Padawan, Obi-Wan Kenobi.  The two Jedi are polar opposites to each other: while Obi-Wan is by-the-book and rigid in his respect of rules and protocol, Qui-Gon routinely shows very little regard for the rules and laws that bind the Jedi and constantly finds himself at odds with the Jedi Council.  Despite years of working together, the two Jedi struggle to understand each other.  Qui-Gon sees every mistake of Obi-Wan’s as his own, while Obi-Wan is unable to understand the reasoning behind Qui-Gon’s actions, nor his obsession with the ancient Jedi prophecies that many see as dangerous and unreliable.  Their tenuous and strained relationship is further tested when Qui-Gon is unexpectantly offered a place on the Jedi Council, a move that would likely end their partnership.  With feelings of betrayal and failure hanging over both of them, they are suddenly assigned a critical mission that is likely to be their last as master and apprentice.

Fellow Jedi Rael Averross, another former apprentice of Dooku, has requested Qui-Gon’s help with a difficult political dispute on the planet of Pijal.  Averross has been serving as regent for the planet’s young queen, who is days away from ascending to the throne and signing an important treaty.  A series of attacks which has rocked the planet is apparently the work of The Opposition, a band of political performance artists turned terrorists.  Once the two Jedi arrive on the planet, they quickly find that the situation is far more complicated than initially believed.  With corruption and secrets around every corner, Qui-Gon and Obi-Wan attempt to get to the bottom of everything, even utilising a pair of jewel smugglers to help with their inquiries.  However, their investigations are hampered by their opposing points of view, which only worsen when Qui-Gon places great stock in a dark vision of the future he has foreseen.  Can they overcome their differences to unravel the plot, or will they fail their mission?

Claudia Gray, also known as Amy Vincent, is a prolific and experienced author, best known for her first body of work, the Evernight series, which started in 2008.  Since then she has written a number of other series, including the Spellcaster, Firebird and Constellation series, as well as the standalone novel Fateful.  Gray also has a huge amount of experience writing Star Wars fiction, having previously written three Star Wars tie-in novels in the new extended universe, including Lost Stars, Bloodline and Leia, Princess of Alderaan.  As a result, the story of Qui-Gon Jinn and Obi-Wan Kenobi is in safe hands as Gray produces an outstanding, compelling and character-driven novel that delves deep into the Star Wars lore to create an amazing story.

Master & Apprentice presents a clever and exciting story that sees the protagonist attempt to uncover the mysterious events unfolding on Pijal, while also dealing with their many personal and emotional issues.  The story is told from the perspective of a range of characters in the book, and each of them adds their own thoughts and experiences to the story.  The overall story arc on Pijal becomes quite complex, with many different and intriguing sides to the conflict, and the people behind the events are not who you think.  I had an amazing time enjoying this book.

In this fantastic piece of fiction Gray goes into some intriguing parts of the Star Wars universe and lore.  This is actually the furthest back the new extended universe books go, so it offers the reader a great opportunity to see some of aspects of the pre-movie Star Wars universe.  While there are some hints at the events to come, as well as references to some major characters in the upcoming movies, the book contains a significant amount of new content and antagonists.  It is actually quite refreshing to read a Star Wars book that is not tied into the Skywalker family or featuring the Empire or the First Order as an antagonist.  I quite enjoyed the look at the pre-The Phantom Menace universe, including the new planet of Pijal, and the inclusion of the immoral Czerka Corporation, who previously appeared in the pre-Disney Star Wars universe.  While those fans of the Star Wars franchise who like to consume more than the movies will absolutely love this book, Master & Apprentice should prove to be fairly easy to read for those people who have at least seen The Phantom Menace, as it is a pretty intriguing science fiction adventure.

Those readers who are interested in a deeper dive into the Jedi of the Republic era are in for a real treat in this book, as Gray delves into aspects of their history and lifestyle.  Throughout Master & Apprentice there are a number of scenes set in the Jedi Temple, as well as a number of discussions about how and why the Jedi do what they do.  Perhaps one of the key things highlighted in this book is how the traditional Jedi master and apprentice program worked.  Several different apprenticeships are shown, and the reader gets a good idea of what is entailed in this relationship, what training the Padawans go through and how the process turns them into the eventual guardians of peace in the galaxy.

One of the most unique and fascinating aspects of Star Wars and Jedi lore that Gray examines are the fabled Jedi prophecies.  The prophecies were created long ago by an ancient group of Jedi sages, and are reputed to reveal events from the future.  The prophecies become a key part of the story, as not only do they drive a wedge between Qui-Gon and Obi-Wan but they are also shown to have a major influence over Dooku when Qui-Gon was his Padawan.  The prophecies have been mentioned in the movies before, with the most famous prophecy about the coming of a chosen one who will bring balance to the Force, referring to Anakin Skywalker/Darth Vader.  While the chosen one prophecy is referenced in Master & Apprentice, several other prophecies are mentioned, including one that comes true in this book.  I was really quite intrigued by the author’s examination of the prophecies; while they have been mentioned in the movies, I did not know too much about them.  Dedicated fans will no doubt have fun trying to tie some of these prophecies into the movies and other associated pieces of Star Wars media.  For example, there is one that clearly refers to Princess Leia that is repeated a couple of times.  I personally was very curious about one prophecy that was mentioned towards the end of the book, which was referenced as being obsessed over by Count Dooku.  It was a particularly portentous-sounding prophecy, and I wonder if it will have anything to do with recent revelations in the trailer for the next Star Wars movie, The Rise of Skywalker.

The story contained within Master & Apprentice is a strong, character-driven affair which features a compelling central cast, each of whom gets an in-depth analysis from Gray.  Not only is there some compelling examinations of the main two characters, Qui-Gon and Obi-Wan, but Gray also introduces several intriguing and entertaining new characters who really add a lot to the story.

There is a great examination of the younger Qui-Gon Jinn and Obi-Wan Kenobi in this book, as Gray examines not only the relationship between the two characters but also aspects of their past and their personalities.  When the two characters are introduced in the first prequel film, The Phantom Menace, very little is known about them, save that Obi-Wan is nearing the end of his apprenticeship and the two of them disagree on certain matters, such as the future of Anakin Skywalker.  Master & Apprentice offers a whole new, deeper examination of these characters and explores how these two Jedi came together and appeared so close, despite some differences in their personalities and styles.  I thought that this deep dive into the relationship between these key movie characters was utterly fascinating, and it made me reconsider aspects from the movie.  The strained relationship between the two characters becomes a major factor of the book, and Gray creates an emotional storyline around it as Qui-Gon and Obi-Wan work to overcome their issues while facing external threats.  This was an excellent part of the book which readers will quite enjoy.

In addition to looking at their relationship and how the two characters become close, Gray also looks at other aspects of their past.  This is particularly true for Qui-Gon, as Gray spends time highlighting Qui-Gon’s apprenticeship to Dooku and his friendship with Rael through a series of flashbacks.  These flashback scenes are quite interesting as they show several key events that were responsible for turning Qui-Gon into the character he was in the movie and go a long way to explain why he was such a hesitant master for most of Master & Apprentice.  There was also an intriguing and extended look at how and why Qui-Gon became so obsessed with the Jedi prophecies.  Qui-Gon’s research and fascination with the prophecies becomes a major part of the book, which really appealed to me, and which also explains a lot about the Qui-Gon’s actions in The Phantom Menace.  For example, it explains why Qui-Gon was so sure that he had found the Chosen One in Anakin Skywalker, and why he was determined to train him, even if it meant defying the will of the council.  These storylines also explain certain aspects of Obi-Wan’s personality that occur within the movies.  For example, the bond and respect that are formed between Obi-Wan and his master explain why he was so willing to take on Anakin as an apprentice after Qui-Gon’s death in The Phantom Menace.  It also adds another layer to Anakin’s betrayal in Revenge of the Sith, as Anakin has not only betrayed Obi-Wan and the Jedi but also Qui-Gon’s memory and his belief in Anakin as the chosen one.  This might explain why Obi-Wan, upon defeating Anakin, so passionately shouted “YOU WERE THE CHOSEN ONE.”  There were also some cute aspects to Obi-Wan’s life that are explained, such as why he had such an aversion to flying and how he was able to ride the lizard mount in Revenge of the Sith.  I quite liked how both characters developed over the course of the book, and I felt that Gray did an amazing job bringing these characters to life and providing an excellent story about their past.

While Gray’s portrayal of the main two characters is really good, I also have to say how much I loved some of the side characters that the author introduced in this book.  My favourite has to be Rael Averross, the unconventional Jedi who has a connection to Qui-Gon’s past.  Rael Averross is pretty much the opposite of all the Jedi readers would mostly be familiar with.  He’s a hard drinking, womanising (which he claims is technically not against the rules of being a Jedi), death stick using scoundrel, who hates nearly every aspect of being a Jedi Knight.  He was an extremely entertaining character whose actions and scruffy appearance are part of a persona the character has created to disguise the guilt, fear and resentment from his past.  I also liked how he was the only character able to identify and point out what the actual result of someone fulfilling the prophecy and finding the chosen one, something that every other Jedi apparently missed.  Rael was such an interesting counterpoint to the other Jedi characters in Master & Apprentice, and his influence on a young Qui-Gon was quite intriguing.  It will be interesting to see if Rael shows up again (I believed he is used in a recent Star Wars audiobook, Dooku: Jedi Lost) as he has the potential to be a key character in the new Disney expanded universe.

Other characters utilised within this book are the two jewel smugglers co-opted by the Jedi to be their guides on Pijal, Pax and Rahara.  While both these characters are a lot of fun, the standout one has to be Pax.  Pax is a gaudy and socially inept character whose inability to interact with other people is due to the fact he was raised by a ship full of protocol droids.  Pax is full of sass, sarcasm and insults, and is easily the most entertaining character in this entire book.  Rahara is also a great character.  A former slave of the Czerka Corporation, Rahara is the more normal of the two characters.  However, her former enslavement still haunts her and drives much of her more noble actions in this book.  Individually, both these characters are pretty cool, but together they form a great team who play off each other well.  Their emotional attachment to each other is another great part of the book and seeing the lengths that the usually pragmatic Pax will go to for Rahara is very heart-warming.

There were also a few flashback scenes featuring Qui-Gon’s mentor and future Star Wars antagonist Count Dooku.  All of these scenes were shown from the point of view of Qui-Gon as Dooku’s apprentice, and they paint a picture of a rigid and severe Jedi who was already showing signs of being tempted to the Dark Side of the Force.  This was a very intriguing portrayal, although I believe that the audiobook Dooku: Jedi Lost, which was released around the same time as Master & Apprentice, contains a lot more of Dooku’s backstory and motivations, and I am definitely going to check this other audiobook out at some point.

As usual, I was deeply, deeply impressed with the audiobook version of this Star Wars book.  The company behind these audiobooks really go the extra mile to make them special, and these tie-in novels are quickly becoming my favourite series to listen to rather than read.  The Master & Apprentice audiobook runs for 11 hours and 42 minutes, and I found that I was able to get through this book quite quickly.  I always find I absorb a lot more of the story with the audiobook format, and with this book I was really able to enjoy the character strife, as well as the new world building that Gray included.  Props need to be given to the amazing sound effects that seem to permeate nearly every single scene in this book.  Firstly, I absolutely love how the incredible and iconic music from the Star Wars movies is used during some of the book’s major scenes.  The music, especially some of the big orchestral moments that defined key parts of the original Star Wars movies, is quite incredible and it does an amazing job of forcefully dragging the reader into the story.  The additional sound effects used throughout the book easily replicate the actions going on around the characters, often using established and recognisable sound from the movies.  I also loved how some of the sound effects could be so effective at creating an appropriate background for the scene by adding in engine noises or the susurration of a loud crowd.

The audiobook format of Master & Apprentice is narrated by Jonathan Davis, who has previously provided his voice to several other Star Wars audiobooks.  I was deeply impressed with Davis’ incredible voice acting range in this book, as the voices he comes up with for the characters are outstanding.  For example, he produces incredible voices for the book’s two main characters, Qui-Gon and Ob-Wan as he damn near succeeds in replicating the two actors voices from The Phantom Menace.  On top of that, his Yoda voice is spot-on, and sounded just like Frank Oz in the movies.  I also liked the voices that the narrator came up with for some of his new characters.  His voice for Rael, for example, does an amazing job capturing the character’s personality, including his more carefree attitude, and the simmering anger that exists for most of his interactions with Qui-Gon.  I also quite like the voice and tone he uses for Pax, and the character’s inbuilt arrogance and emotional shallowness really shine through.

Master & Apprentice is so far my favourite Star Wars book of 2019, and I absolutely fell in love with its excellent story and powerful character work.  Gray takes her readers deep into the Star Wars lore, allowing fans of the franchise to further examine two of the best characters from The Phantom Menace movie.  The combination of Jonathan Davis’ exceptional narration and the production company’s perfect use of classic Star Wars music and sound effects resulted in an absolutely fantastic audiobook that comes highly recommended.  This is one hell of a book, and I cannot wait to see how the rest of the year’s Star Wars books turn out.

Superman: Dawnbreaker by Matt de la Peña

Dawnbreaker Cover.jpg

Publisher: Penguin Books (Trade Paperback – 5 March 2019)

Series: DC Icons – Book 4

Length: 290 pages

My Rating: 4 out of 5 stars

Bestselling young adult fiction author Matt de la Peña attempts to put his own spin on the classic origins of one of DC Comics’ most iconic superheroes, Superman, in the fourth and final instalment of the DC Icons book series.

The DC Icons series is made up of four young adult books that present new and modernised origin stories for four of DC Comics’ most iconic and recognisable characters.  Written by some of the world’s best young adult fiction authors, this series has so far looked at Wonder Woman, Batman and Catwoman, and this final book, Dawnbreaker, takes a look at Superman.  Each of the stories in the DC Icons series stands alone and does not connect to either the main DC comic universe or the other DC Icons books.  I have so far only had the opportunity to read one of the previous books in the DC Icons series, Soulstealer by Sarah J. Maas, which presented an imaginative and captivating new version of Catwoman’s origin story.  I really liked Soulstealer when I read it late last year, and I have been looking forward to Superman: Dawnbreaker for a while.

In Dawnbreaker, the reader is taken to the sleepy Kanas town of Smallville, home to awkward high school student Clark Kent.  Clark has always been different to the other young people around him, as he is gifted with abilities that make him stronger, faster and resistant to injury.  Afraid of these powers and the potential reactions of the people around him if they found out, Clark tries to live a more ordinary life, hiding his abilities and only confiding in his parents.  However, Clark is finding it harder and harder to disguise what he can really do, especially when he has the power to help those around him.

However, Clark is not the only person with secrets in Smallville.  When Clark finds fellow student Gloria Alvarez crying one day after school, he begins to see that there is something dark at the heart of the town he loves.  People are disappearing; men are skulking around the Kent farm attempting to enter a barn that his father always keeps locked, a large corporation is buying up land around town, and several wealthy young people, including the mysterious Lex Luthor, are suddenly taking an interest in both Smallville and Clark.

Teaming up with his best friend, Lana Lang, Clark attempts to uncover what is really happening in his town.  But the further down the rabbit hole they go, the more Clark begins to realise that only his abilities will be able to stop the terrible events occurring around them.  Can Clark become the hero that his town and the world needs?

De la Peña is an award winning young adult author who has written a number of intriguing and thought-provoking books which often look at young people from disadvantaged or ethnic backgrounds.  De la Peña debuted in 2005 with Ball Don’t Lie, which was later developed into a motion picture of the same name.  Some of his other notable works include We Were Here, I Will Save You and the highly acclaimed children’s book, Last Stop on Market Street.  His most famous book is probably his second novel, Mexican WhiteBoy, which was actually banned in Tucson for five years due to its “critical race theory”.  Dawnbreaker is de la Peña’s first foray into comic book fiction.  While he has previously written some science fiction books, such as The Living and his instalment of the Infinity Ring series, Curse of the Ancients, I was interested to see how he went writing in this new genre.

I personally think that de la Peña did a great job with this book, as he was able to craft together a compelling and exciting novel that contains an excellent combination of mystery, superhero origin story and teen drama.  The mystery and young adult storylines are particularly good, and I quite enjoyed seeing where those parts of the story went.  However, I did have some minor issues with the Superman origin story part of the book, namely because I had seen this origin story so many times before.  I honestly found parts of Dawnbreaker to be very similar to some of the previous versions of Superman that I have seen in both comics or screen adaptions like the Smallville television show (which I may mention again a few times, as I was a massive fan of the show).  Of course, readers who have not already been exposed to so many iterations of Superman’s origin story will not have the same problem.

I fully recognise that this was always going to be a problem for any author attempting to write this sort of book.  For the last 81 years, Superman has been one of the most, if not the most, iconic and recognisable comic book superheros in the world.  As a result of the commercial appeal of the character, there have been so many different versions of Superman over the years, nearly all of which at some point have shown him as a younger Clark Kent living in Smallville.  Because of all of these comics, novels, movies, television shows, games and animated features, the character’s origin story has really been done to death.

Still, de la Peña does do a great job portraying the character of Clark Kent and presenting a more modern version of the hero.  In particular, he did an outstanding job of capturing the character’s identity issues.  An important part of Clark Kent/Superman’s character has always been his fear of hurting anyone with his power or exposing his family to danger.  De la Peña’s take on this character aspect is fantastic, as his version of Clark is extremely vary of using his powers anymore after he previously lost control and hurt someone.  As a result, he finds himself somewhat socially isolated in this book, as he attempts to distance himself from others to make sure they do not realise that he is different and subsequently reject or fear him.  However, events keep conspiring against him, as he keeps finding himself drawn into situations where his powers could help or save people and he has to decide what to do.  I felt that de la Peña covered this part extremely well, and the emotional and ethical internal debates that occur within the protagonist during these events were spot on and some of the best writing in the entire book.  The eventual creation of the Superman identity later in the book is a great result of some of these events, and it is shown to be a natural progression for the character.

Another issue I had with this book was how compacted the origin story felt.  While some origin stories would build up to Clark becoming Superman and an alien saviour over an extended period (although perhaps Smallville’s 10 seasons were a bit over the top), Dawnbreaker covers all of this rather quickly.  At the start of the book, Clark is a teenager with powers (mostly strength and invulnerability at that point), but he has no idea where they come from or what their full extent is.  Within a few days, he finds out that his an alien, he learns all his additional abilities (x-ray vision, heat vision, artic breath and the ability to fly) and he takes on the Superman identity for the first time.  While I certainly understand de la Peña’s desire to portray all these iconic Superman elements in this book, it did make Dawnbreaker’s story feel a bit rushed.

There is some great utilisation of characters within this book.  As I mentioned above, the examinations of Clark’s inner self are done perfectly and really cover important aspects of the character.  I also felt that de la Peña made good use of several classic Superman comic characters, specifically Lana Lang and Ma and Pa Kent, and there were a few clever references to other major characters associated with Superman.  I was a tad disappointed in the portrayal of perennial Superman villain, Lex Luthor.  While he is a key character with his own agenda, there are no real signs of the super scientist and utterly ruthless businessman he is in the comics, nor was there the close friendship that devolved into antagonism that features in some comics, as well as the excellent version that appeared in Smallville.  Still the new, original characters that appear in this book are really well done and offer some unique new inspirations for Superman that I quite enjoyed.

I also quite liked the way that de la Peña attempted to introduce relevant and divisive political and social issues into Dawnbreaker, such as racism and immigration.  This can be mainly seen in treatment of Mexican immigrants (both legal and illegal) in Smallville.  Not only have several of these immigrants gone missing without the police caring, but also people in the town are harassing some of the remaining immigrants, and there are attempts to pass a targeted stop-and-search law.  I thought this was an intriguing and thought provoking inclusion for this book, and it was interesting to see such issues discussed in a comic book tie-in novel.  A Superman book is a great place for this sort of storyline to be explored, as the character is probably the most famous illegal alien in fiction, and Clark’s empathy for these immigrants once he finds out the truth of his past is an interesting inclusion.

Like the other books in the DC Icons series, Dawnbreaker is targeted at a young adult audience.  This is quite a good book for younger audiences, as not only does it present an exciting and fun adventure at an American high school, but it would also serve as an excellent introduction of this iconic character’s origins for this younger cohort.  Younger readers will no doubt appreciate the author’s more modern take on this beloved superhero and be intrigued by how his story starts.  There is also quite a lot for older readers in this book, especially fans of comic books and Superman, and an adult audience can easily enjoy Dawnbreaker.

Superman: Dawnbreaker by Matt de la Peña is a compelling and exciting story that attempts to present an updated origin of one of comic’s most iconic superheros.  Featuring some new takes on the character of Clark Kent, as well as bringing some more contemporary issues to bear in the story, this is an fantastic and enjoyable book and one a wide range of readers can appreciate.  Dawnbreaker is an excellent conclusion to the DC Icons series, and I still fully intend to check out the first two instalments in this series in the near future.

Throwback Thursday – Moving Pictures by Terry Pratchett

Moving PIcture Cover.jpg

Publishers: Corgi and ISIS Audiobooks (14 November 1991)

Series: Discworld – Book 10

Length: 332 pages or 10 hours and 8 minutes

My Rating: 5 out of 5 stars

Reviewed as part of my Throwback Thursday series, where I republish old reviews, review books I have read before or review older books I have only just had a chance to read.

Because my blog shares the name of a building featured in Terry Pratchett’s Discworld series, some people might have assumed that I am a fan.  You would be right, so very, very right.  I have loved Discworld since I was a small child, and my appreciation and respect for the complex writings of the late, great genius, Sir Terry Pratchett, has grown with me.  The Discworld series represents one of my ultimate comfort series of books.  It’s the series that I go back to at any time when I want something fun and familiar to enjoy.  I have read all of the adult books set in Discworld multiple times (I have yet to read all of the young adult ones), and it is an unusual year when I do not listen or read some of these books in my spare time.  Pretty much every single book in this series deserves five out of five stars or higher (with one or two exceptions that I may mark down to a 4.75 with a heavy, heavy heart), and you are unlikely to find any real criticisms about this book below.  After nearly a year of running this blog, the continued exclusion of a review of any of Pratchett’s Discworld is a travesty, and one that I seek to rectify in this somewhat late Throwback Thursday with a review of the 10th book in the series, Moving Pictures.

Before I review Moving Pictures, here is some quick context of the Discworld series for those people unfamiliar with these books.  Discworld is the main series of Sir Terry Pratchett, set upon the Discworld, world and mirror of worlds.  The Discworld, or the Disc, is a flat world that rests on the backs of four massive elephants, who themselves stand on the back of a gigantic turtle swimming in space, Great A’Tuin.  The Discworld itself features a huge range of different nations and continents that bear striking similarities to real-world locations.  This series is, without a doubt, the best series that utilises a combination of fantasy and satire in the entire world.  The seamless blend of the two elements is just incredible, and both elements do an unbelievable job at enhancing each other.  Before his death, Pratchett wrote 41 books in the Discworld series, six of which are considered young adult books.  While the books can be read in any real order, the series were mostly written in chronological order (with the exception of Small Gods), and events from earlier books in the series are often referenced.  Although most of the Discworld stories are self-contained, a number of the books are linked together by a recurring main character and are subsequently grouped together into subseries.  These include the Rincewind, Witches, City Watch, Death, Tiffany Arching and Moist von Lipwig subseries, in addition to a few standalone books that fall outside of any of the subseries.  Characters often appear in other Discworld books outside of their subseries, and there are a string of side or secondary characters who appear in multiple subseries and standalone books.

The book I am reviewing, Moving Pictures, is a standalone book that does not really fall within any of the main subseries.  It is sometimes considered part of minor subseries, called the Industrial Revolution subseries, with The Truth and Monstrous Regiment, but I am not a big fan of that distinction.  As it is the first Discworld book I am reviewing, you might think that it is my favourite book in the entire series, which is not true; although it does get five out of five stars from me and I have enjoyed it an amazing number of times, it is not my absolute favourite Discworld book, although it is high on the list.  It is, however, an easier one for me to review as there is a lot I can say about it.

Goodreads Synopsis:

‘Holy wood is a different sort of place. People act differently here. Everywhere else the most important things are gods or money or cattle. Here, the most important thing is to be important.’

People might say that reality is a quality that things possess in the same way that they possess weight. Sadly alchemists never really held with such a quaint notion. They think that they can change reality, shape it to their own purpose. Imagine then the damage that could be wrought if they get their hands on the ultimate alchemy: the invention of motion pictures, the greatest making of illusions. It may be a triumph of universe-shaking proportions. It’s either that or they’re about to unlock the dark terrible secret of the Holy Wood hills – by mistake…

The blurb above is a bit vague on the details of what is actually happening in Moving Pictures.  Essentially, the alchemists of Ankh-Morpork, the largest city on the Discworld (and a central location for many of the books), suddenly develop filmmaking, which they call moving pictures, and set up a filming base at the ancient and abandoned Holy Wood.  The moving pictures issue a weird siren call to the inhabitants of the Discworld, dragging all manners of people and creatures from across the lands and infecting them with their magic (not a metaphor).

Among those drawn to Holy Wood are Victor Tugelbend, a former student wizard, and Theda “Ginger” Withel, a small-town girl with big dreams.  Thanks to the magical on-screen chemistry between them, Victor and Ginger quickly become the superstars of the fledgling moving pictures industry, especially when the Discworld’s most infamous salesman, Cut-Me-Own-Throat Dibbler, comes to town and takes over the studios.

However, reality on the Discworld is always a bit thin, and Lovecraftian monsters (a favourite recurring antagonist of Pratchett’s early Discworld novels) are revealed to be the ones who planted the idea of moving pictures and Holy Wood in the alchemists’ heads.  Using the new sort of magic created by Holy Wood, the creatures start to break through.  With the wizards of Unseen University, the people who are supposed to guard against these sorts of incursions, distracted by the arrival of an unconventional new Archchancellor, it is up to Victor, Ginger and a ragtag band of other Holy Wood characters to save the day.

This book has so many moving parts to it that it’s hard to know where to begin when reviewing it.  While the main story is concerned with the introduction of moving pictures into the Discworld, there are a number of other entertaining storylines going on throughout the book, each one complementing the main story and creating an amazing overall narrative.  The major appeal of this book is its sharp and intelligent satire of the movie business, which also examines the nature of a film industry in a world as crazy as the Discworld.  I also quite like all the amazing characters, either introduced or built up in this book, many of whom appear in later books in the series.

This book is absolutely hilarious and filled with a huge number of clever and outrageous jokes and observations about the film industry, all of which lie on top of Pratchett’s usual humour about day-to-day life in the Discworld and his random observations, many of which are perfectly introduced in the book’s footnotes.  The main storyline is an amazing portrayal of the hectic early days of the film industry, placed in a fantasy setting.  The cameras are powered by miniature demons (who paint the pictures really, really fast), the lighting is done by salamanders, actors of all species make up the cast, the audience eat ‘banged grains’ while watching the ‘clicks’ and the film’s monsters and villains are all trolls in crude costumes.  However, literal movie magic is making people do strange things (strange even for Discworld folk), talking animals are showing up looking for work, Dwarfs are singing “Hihohihohiho” as they work, characters routinely burst into song and dance in the rain, and one producer keeps threatening to turn people into stars, all while the book’s few straight-characters look on in bemusement.  All of this is amazing, and the sheer number of fantasy-assisted jokes throughout the book is pretty unbelievable.

At its heart, Moving Pictures is a satire and a critique about the film industry as a whole.  Quite a large amount of the story is dedicated to parodying the real-life the crazy effect that movies can have on audiences and the people who make them, as the book shows some ridiculous events.  The story also reflects the insubstantial nature of fame and the fragility of dreams surrounding the movie industry.  The fast-moving world of the film industry is also shown, although sped up even more for comedic and story value, as they film creators are constantly searching and finding new advancements in their field.  A great example of this is shown when Cut-My-Own-Throat Dibbler invents and then continually advances the art of advertisement, so that, within a few short weeks, the film industry goes from ineffective text advertisements to eye-catching posters and explorations of product placement and subliminal messages.  Pratchett handles these critiques very skilfully, and you cannot help but laugh aloud as he skewers the film industry quite cleverly throughout Moving Pictures.

Pratchett also filled Moving Pictures with a ton of references to iconic films and elements of the film industry.  Many of the characters involved with the films are caricatures of famous movie actors, with Victor playing all the typical romantic or manly male heroes of the day, and Ginger is essentially Marilyn Monroe.  Several films are parodied throughout the book, such as Gone With The Wind, which becomes Blown Away, an epic love story set around a famous Ankh-Morpork Civil War.  There is a rather good King Kong parody, in which a gigantic woman kidnaps a poor defenceless Ape (the Librarian) and drags him to the roof of the tallest tower in Ankh-Morpork, all while two wizards on a broomstick shoot at it with a crossbow, with one shouting “If it bleeds, we can kill it!”  That is only scratching the surface of the references featured within this book.  A golden figure with a name starting with O plays a big part in the story, the various studios are all parodies of real-life studios, and there a huge number of funny and subtle references to various famous films.  Examples of these include Wizard of Oz, Lassie, Lawrence of Arabia, Indiana Jones, Looney Tunes, Blues Brothers, Casablanca, Tarzan and Star Trek just to name a few.  Readers can go through this book multiple times and not pick up every detail, which is a testament to the cleverness of Pratchett and his ability to come up with some hilarious references.

I have always found the way that Pratchett utilises or re-uses his characters to be extremely fascinating; while some characters appear in multiple books, a number of his main characters, especially from his earlier books, are only used once. There are several examples of this, including Mort from Mort, Pteppic from Pyramids and Esk from Equal Rites (who did appear in a later young adult novel, but there was a significant time gap between the writing of these two books).  While Pratchett may have simply had only one story in mind for these characters, I have a feeling that he simply did not like how they turned out and decided not to use them again under any circumstances.  Mort is probably the best example of this.  Despite being the protagonist of the first Death subseries book Mort, he never appears in any of the Death subseries books again (aside from one brief flashback), and is instead replaced by his own daughter, Susan.  It is interesting to note that most of the main characters who were never or rarely used again are somewhat similar to each other, being young heroes without too many obvious flaws to them.  On the other hand, the unique main characters Pratchett creates with notable flaws, such as Rincewind, the wizard who has turned cowardice into an art form, or the overly cynical and dangerous alcoholic Sam Vimes, helm multiple books.

If I have to make one criticism about this book, it is the weak and somewhat inconsistent main characters, Victor and Ginger.  Ginger is a generic female character, and while she is a good parody of Marilyn Monroe and other early screen actresses, she is pretty one-dimensional and unlikeable.  Victor starts out with some very interesting character traits, as he is described as an extremely lazy person, whose unique brand of laziness forces him to become a brilliant student wizard in order for him to succeed in his quest to fail every test he ever takes by a certain point margin to ensure he remains a student.  However, these character traits are pretty much thrown out the window a few chapters in and he becomes a typical male hero for the rest of the book.  While this sort of straight-man character was needed for this wacky adventure, it is surprising that the character never again really shows the slightest hint of some of these earlier established character traits.  It is interesting to note that neither Victor or Ginger appear in any of the subsequent Discworld novels, so I think there is a strong possibility that Pratchett might also have disliked how these characters turned out.

While one or two of his earlier main characters were somewhat unimpressive, Pratchett always managed to make up for this by creating a range of memorable and enjoyable side characters.  It was always interesting to see which of these side characters would appear in various later books, as you knew Pratchett had to like them as well.  For example, Granny Weatherwax was a supporting character in Equal Rites, but Pratchett must have liked writing her, as she became a major character in the Discworld series, even getting her own subseries with several other witch characters.  Moving Pictures is perhaps the best example of Pratchett’s love of side characters; while Victor and Ginger never appear in the Discworld again, many of the side characters introduced or developed in this book have major roles later in the series.

For example, I was always impressed with how this book turned two minor characters from Guards! Guards!, Cut-Me-Own-Throat Dibbler and Detritus the troll, and gave them more expanded roles in Moving Pictures.  Dibbler was an opportunistic merchant who got a couple of good, if minor, scenes in Guards! Guards!, but in Moving Pictures, Pratchett transformed him into a ruthless and extremely savvy salesman who gets in the front door of every major new opportunity inflicted on the Discworld, but is often forced by circumstances back to becoming a sausage-in-a-bun merchant.  Dibbler was absolutely fantastic as the stereotypical sleazy film producer, and it is unsurprising why he suddenly became a major recurring character throughout the Discworld books, not only appearing in nearly every book set in Ankh-Morpork but also having clones of him appear in the other nations and cities, all of whom sell disgusting local delicacies.  Detritus is another great example, as he goes from the simple bouncer introduced in previous books to a troll seeking love and a new way of life.  Pratchett comes up with a great personality for Detritus in this book, and it carries through to the City Watch subseries when he joins the Watch in Men at Arms and becomes a major recurring character in this subseries and other books set around Ankh-Morpork.  Other recurring characters, Death and the Librarian, are as awesome as ever, but Dibbler and Detritus are the real standout stars of this book.

Several new characters introduced in this story also make a number of reappearances throughout the rest of the Discworld series.  A good example of this is the talking dog, Gaspode, who is a fantastic and sarcastic character through the book.  He has some great scenes, with the highlight being his friendship with Laddie, a Lassie parody and idiot who Gaspode takes under his wing.  The idea of a clever, underappreciated and sarcastic talking dog side character apparently worked so well that Pratchett found a way to return his magical intelligence and ability to speak a few books later in Men at Arms (the same book Detritus reappeared in) and he then featured in several additional books.

You also have to love the new wizard characters that Pratchett also created for this book.  Before Moving Pictures, the faculty of Unseen University, with the exception of the Librarian and Rincewind, were replaced each book with a new group of senior wizards, thanks to the competitive nature of succession in the university.  However, this 10th book introduces a brand new and more permanent faculty of Unseen University, led by Archchancellor Mustrum Ridcully.  Ridcully is a fantastic character as he is big, loud and sporty man who is generally the complete opposite to any other wizard previously shown in the Discworld series.  I really enjoyed his storyline and found it to be one of the most entertaining in the entire book.  Pratchett must have agreed, as Ridcully became the only recurring Archchancellor in the Discworld series.  This also allowed for the creation and stabilisation of unique characters to make up the senior faculty of Unseen University, including the Bursar, the Dean, the Chair of Indefinite Studies and the Lecturer in Recent Runes.  While the other wizards have a fun romp breaking out to go see the moving pictures, the Bursar has a great story, as you get to see the first signs of madness that would afflict him throughout every other book he appears in, as he first encounters the stress associated with working under Ridcully.  I also liked the introduction of a young Ponder Stibbons, whose bad day while trying to escape from the university is pretty humorous, but also the complete departure from his later role as the only serious member of the faculty.  Thanks to their entertaining storylines, the wizards would appear in multiple books in the rest of the Discworld series, and while they never had their own specific subseries, they would get major inclusions in several other subseries, including substantial stories in The Last Continent, Soul Music, Lords and Ladies and The Hogfather, as well as their own novel, Unseen Academics.

While I have physically read most of the books in the Discworld series, including Moving Pictures, these days I tend to only listen to the audiobook formats of these books.  The Discworld audiobooks are pretty awesome, and the two narrators for the series, Nigel Planer and Stephen Briggs, both do an incredible job.  I find that the humour in the Discworld novels is massively enhanced by the narration, and I love listening to the stories this way.  At 10 hours and 8 minutes, this is not a long audiobook, and I always tend to power through these books really, really quickly.  Planer is a comedy veteran and has an awesome audiobook voice, and it is quite impressive the sheer range of different and distinctive voices he can come up with.  I also like his incredible consistency when it comes the multiple books in the Discworld series; for example, voices he creates for Moving Pictures are generally the same used for that character in later books he narrated.  The audiobook format of Moving Pictures is my preferred way to enjoy this book, and it is really worth trying out.

As you can see from my extremely long rant above, I absolutely love Moving Pictures and the Discworld series.  Pratchett created an incredibly complex and extremely funny novel that laughs right at the heart of the film industry.  The sheer range of references in this book is amazing, and the creation and enhancing of the various side characters featured in this book has massive ramifications for many of the later Discworld novels.  If you have yet to experience the joy of Terry Pratchett’s Discworld series, get on it as soon as you can.  It is well worth it, and Moving Pictures is a great place to start your Pratchett adventure.  I fully intend to review more books in this series in the future.

Halo: Renegades by Kelly Gay – Audiobook Review

Halo Renegades Cover.jpg

Publishers: Gallery Books and Simon & Schuster Audio (19 February 2019)

Series: Halo

Length: 8 hours 37 minutes

My Rating: 4.25 out of 5 stars

In this review, I dive into the expanded media universe surrounding the popular Halo video game franchise, as I review one of their latest tie-in books, Renegades by Kelly Gay.

I remember way back in 2001 when we first got the X-Box, the original Halo (or Halo: Combat Evolved) was one of the first games we got on the system, and it was definitely one of the best games we had at the beginning of the platform.  The graphics on Halo were just incredible for the time, and it represented a fantastic evolution in the first-person shooter genre.  The Halo series has since expanded out in a number of addition games, including the five main games (Halo to Halo 5), two additional first-person shooters (ODST and Reach) and two real-time strategy games (Halo Wars 1 and 2).  I have ended up playing most of the games in this series and have quite enjoyed the fun action and excitement that come with the series.

Like many other video game franchises, writers have taken advantage of the Halo series’ popularity to create a range of tie-in novels, comics, animation and other media items.  There has even been talk of a live-action Halo movie for some time, although we are probably a long way off from that.  Halo is one of those games where the creators actually invested in a complex backstory and extended history, much of which is revealed within the game’s impressive cut scenes.  While I quite enjoyed the extended Halo backstory revealed in the games, I never got too into the media tie-ins associated with the franchise.  The only other book in this franchise I have read is Halo: Contact Harvest, which I bought in Philippines to supplement my reading material on an extended trip.  While I did actually really enjoy Contact Harvest, which focused on one of the most entertaining side characters in the original game trilogy, I did not have a chance to read any of the other books written about the games until now.  Since starting my blog, I am always keen to expand my range and decided to listen to the audiobook version of this book for something different.  I did have to choose between Renegades and the recently released young adult Halo book, Battle Born, but ended up going with Renegades in the end.  I may yet check out Battle Born at a later date.

For those unfamiliar with the franchise, the games are set in the 26th century, after humanity has journeyed away from Earth and formed an interstellar civilisation.  Some years before the events of the first game, humanity comes into contact with an advanced alliance of alien races, collectively known as the Covenant, who engage in a brutal war against humanity.  As part of this war, a human ship fleeing the Covenant lands on an artificial ring planet, known as Halo.  The Halo rings were created millennia ago by a now extinct race of beings, the Forerunners, to stop the creatures destroying their civilisation, the parasitic race known as the Flood.  However, the only way to defeat the Flood was to wipe out all life in the galaxy to starve the Flood, and then reseed life, including humanity, back into the galaxy.  Throughout the course of the first three games, the protagonist attempts to save humanity from the Covenant and the Flood, eventually forming an alliance with elements of the Covenant and bringing the war to an end.  Halo 4 and 5 are set a few years after the original trilogy, and feature the protagonist dealing with surviving members of the Forerunners and a whole set of other threats.

Renegades is set in the year 2557, approximately around the same times as Halo 4, and follows the adventures of the human salvage ship Ace of Spades.  After the events of the book Halo: Shadow and Smoke, the crew of the Ace of Spades are still reeling from the losses they experienced and are eager to get revenge of the Sangheili (Elite) Covenant commander Gek’Lhar.  Captain Rion Forge is also determined to use the information they recovered in their last adventure to locate and rescue her father’s missing ship, the Spirit of Fire.

However, Gek’Lhar is not the only enemy they have made.  The United Nations Space Command’s (UNSC) Office of Naval Intelligence (ONI) works to collect or control all valuable or dangerous pieces off Forerunner technology in the galaxy, and the crew of the Ace of Spades are the only people aside from Gek’Lhar who have knowledge of a massive debris field filled with valuable Forerunner technology.  In the middle of a daring heist to steal information from Gek’Lhar, Forge and her crew find themselves captured by ONI operatives, who confiscate the coordinates to the debris field, as well as all the crew’s assets and salvaged technology.

Left with nothing but their ship, the Ace of Spades crew need to find the next big score, and information Forge secretly obtained from ONI during their arrest may provide them with what they need.  ONI are on route to secure a remote and desolate planet, which contains the remains of one of their ships, which apparently crashed with classified technology aboard.  The contents of the ship may be the crew’s best option to reclaim their stolen possessions, so they set out to get there first.  Beating ONI to the planet, the Ace of Spades crew make a surprising discovery of an advanced robot calling itself 313 Guilty Spark.

Halo: Renegades is a terrific novel from author Kelly Gay, who creates an exciting and compelling story with a huge number of connections to the Halo universe.  Gay is a well-established author of science fiction and fantasy fiction, best known for her Charlie Madigan series, and who also writes under the pen name of Kelly Keaton.  Renegades is the direct sequel to Gay’s 2016 novella Smoke and Shadows, but it also continues stories started in the games and introduced in The Forerunner Saga of books.

The first thing I have to talk about when it comes to Halo: Renegades is the sheer range of Halo references and backstory from across the Halo games and extended media utilised in this book.  Not only is the story set in the post-Halo 3 universe but the book takes place around the time of the events of Halo 4, with several of the events from the fourth game commented on and having some impact on the story.  In addition, one of the main protagonists of the book, Rion Forge, is the daughter of one of the main characters from the first Halo Wars, Sergeant John Forge, and Rion Forge spends a good part of this book trying to find her father and the ship from Halo Wars 1 and 2, the Spirit of FireRenegades also features 313 Guilty Spark, one of the main antagonists from the original trilogy, as a major point-of-view character in the book, and characters from the Spartan Ops additional content of Halo 4 appear in various minor roles throughout the book.  That is on top of all the information contained in the previous books in the Halo extended universe.  Renegades takes place directly after the events of Gay’s preceding Halo novella, Smoke and Shadows, and all the events that occur in that book are incredibly relevant.  In addition, the events and characters explored in The Forerunner Saga, a trilogy that dove deeply into several key Forerunner characters from the various games, also play a significant role throughout Renegades.

Now, with all these references to various games and books, how easy is the plot of Renegades to follow, especially for those with limited or only basic knowledge of the Halo universe?  I would say that Renegades is a perfect book for hardcore fans of the Halo series who have enjoyed some of the books mentioned above and who will appreciate all the references and discussion that occurs within.  People with slightly less knowledge of the franchise may struggle during certain parts of the plot and have a hard time understanding the relevance of what is happening.  Having played all the games and having done some background reading, I thought that I would be able to follow everything that was going on, but I actually struggled with some aspects of the plot, especially with the extensive discussion about ancient Forerunner characters.  While I did struggle a little, I found that as I stuck with the book, all the relevant parts were eventually explored in some additional detail, helping to fill in the picture.  I do think that the author took the reader’s knowledge of the events of all the video games a little for granted, and there were some gaps in the story that, while I was able to fill them in, people less familiar with the games might have trouble with.  That being said, Gay did a fantastic job of making the story accessible to those people who had not read her direct prequel story, Smoke and Shadows, and readers were quickly able to get a good understanding of Gay’s earlier entry into the Halo universe.  In the end, if you have very little knowledge of the Halo games, this probably is not the book for you, and while you might be able to enjoy the adventure within, you are extremely likely to get lost a number of times throughout the complex plot.

Aside from the intensive amount of inclusions from the various Halo games and media tie-ins, I felt that Renegades was an overall awesome book that was a lot of fun to listen to.  Gay presents an entertaining character based novel that has a good amount of new, original story content while also utilising the main aspects of the Halo universe.  The author presents the story from a range of different character perspectives, allowing for a richer and fuller story for the reader to enjoy.  There is a little less action than you would expect from a Halo tie-in novel, but there are still a number of action sequences throughout the book to keep fans of combat and firefights interested.  I quite liked where the story went, and I was extremely glad that I decided to read this book.

I thought that the camaraderie of the crew of the Ace of Spades served as a good emotional heart to this story, and I liked the time that Gay spent exploring the familiar relationship that had formed among the members of the crew, and the strain that recent events had placed upon them.  I also enjoyed how the story focused on a gang of salvagers, and it was interesting to see how they fit into the wider Halo universe.  It also meant the story featured a few heists-like sequences, as the team uses intelligence rather than brute-strength to defeat their opponents.

One of the more interesting characters utilised in Renegades was the character of 313 Guilty Spark.  Spark was a Forerunner Monitor; an intelligence left behind to maintain the Halo rings and help activate them in case of another Flood infestation.  Spark appeared in all three of the original Halo games, including Halo: Combat Evolved as the main antagonist, and Halo 3, in which he was apparently killed.  However, The Forerunner Saga of books revealed he had survived the events of Halo 3 and was actually a former ancient human who had been transformed into a monitor long ago by the Forerunners.  Spark had quite a good redemption arc within this book, as well as good a redemption arc, as someone who killed off Sergeant Major Johnson deserves.  While Spark has his own agenda for most of the book, his time among the crew starts to rekindle his lost humanity and slowly turns him into a somewhat likeable character.  I did enjoy the duality that Gay portrayed within Spark, as the character tries to figure out who exactly he is: the ancient human, the Forerunner monitor or something entirely different.  His subsequent quest to find out who he is becomes a major part of the story, and it was interesting to see how it tied into the larger Halo universe, especially in relation to the Forerunners.  I was slightly disappointed that his role in the original three Halo games was not really mentioned or explored, but it was still a compelling character arc that I found to be most intriguing.

As I mentioned before, I chose to listen to the audiobook format of this novel, narrated by Justine Eyre.  Like many tie-in novels, this is a relatively short audiobook, only going for 8 hours and 37 minutes, making it fairly easy to get through this book quickly.  I quite enjoyed listening to this book rather than reading it, as it allowed me to absorb the deep dive into the Halo lore a little easier.  I also found that the audiobook format helped enhance some of the action sequences, such as the awesome spaceship fight sequences in the centre of the book.  Justine Eyre did a fantastic job of narrating this story, and the voice she provides for the base narration and the book’s central character, Rion Forge, is perfect, encapsulating the strong and determined nature of Forge that Gay sets forth in the book.  I quite liked the voices that Eyre utilises for the other human members of the Ace of Spades crew, and she does some decent and varied voices for the book’s alien characters.  I had a little trouble liking Eyre’s voice for Guilty Spark, mainly because Tim Dadabo did such an incredible job with the character in the games; however, this did not really negatively impact my experience with Renegades.  As a result, I would definitely recommend the audiobook format of this tie-in novel, as I found it to be an awesome way to enjoy this amazing story.

Kelly Gay did an excellent job following up her 2016 Halo novella, Smoke and Shadow, and I had an absolute blast listening to Halo: Renegades.  The book contains an outstanding story that goes deep into the lore of the Halo franchise and successfully pulls in elements from several games and novels to create a fantastic overall read.  While some readers may have trouble following some parts of the story, I had a great time reading it, and I know that established fans of this particular franchise will really love Gay’s new book.  I really hope that Gay continues the story of Rion Forge, 313 Guilty Spark and the rest of the crew of the Ace of Spades in the future, and I would be quite interested to see them try to navigate the post-Halo 5 universe.  This is definitely a series that I will be keeping an eye on.

Waiting on Wednesday – Upcoming Star Wars Tie-in Novels

Welcome to my weekly segment, Waiting on Wednesday, where I look at upcoming books that I am planning to order and review in the next few months and which I think I will really enjoy.  Stay tuned to see reviews of these books when I get a copy of them.

I have never made it a secret that I am a huge fan of the Star Wars extended universe, having devoured several of the books and comics in the last year.  After reviewing the first 2019 entry into the Star Wars extended universe, the young adult novel Queen’s Shadow, last week I thought this would be a good time to talk about some of the upcoming books in the franchise.  There are three Star Wars novels being released in the next four months that I am very much looking forward to.  These three novels represent a very interesting spread of stories across the Star Wars timeline, and each have some very intriguing story premises.

The first of these books is Master and Apprentice, by Claudia Gray, which is coming out in a few weeks.

Master & Apprentice Cover.jpg
Master and Apprentice is an intriguing novel that will focus on the relationship between Qui-Gon Jinn and his young apprentice, Obi-Wan Kenobi.  While previous novels have explored Obi-Wan’s apprenticeship with Qui-Gon, none of these are considered canon anymore, so it will be interesting to see how this relationship is explored in the new extended universe.  This will be fourth Star Wars novel from Claudia Gray, who has already contributed to the current Star Wars extended universe with Lost Stars, Bloodline and Leia, Princess of Alderaan.

Goodreads Synopsis:

An unexpected offer threatens the bond between Qui-Gon Jinn and Obi-Wan Kenobi as the two Jedi navigate a dangerous new planet and an uncertain future.

A Jedi must be a fearless warrior, a guardian of justice, and a scholar in the ways of the Force. But perhaps a Jedi’s most essential duty is to pass on what they have learned. Master Yoda trained Dooku; Dooku trained Qui-Gon Jinn; and now Qui-Gon has a Padawan of his own. But while Qui-Gon has faced all manner of threats and danger as a Jedi, nothing has ever scared him like the thought of failing his apprentice.

Obi-Wan Kenobi has deep respect for his Master, but struggles to understand him. Why must Qui-Gon so often disregard the laws that bind the Jedi? Why is Qui-Gon drawn to ancient Jedi prophecies instead of more practical concerns? And why wasn’t Obi-Wan told that Qui-Gon is considering an invitation to join the Jedi Council—knowing it would mean the end of their partnership? The simple answer scares him: Obi-Wan has failed his Master.

When Jedi Rael Averross, another former student of Dooku, requests their assistance with a political dispute, Jinn and Kenobi travel to the royal court of Pijal for what may be their final mission together. What should be a simple assignment quickly becomes clouded by deceit, and by visions of violent disaster that take hold in Qui-Gon’s mind. As Qui-Gon’s faith in prophecy grows, Obi-Wan’s faith in him is tested—just as a threat surfaces that will demand that Master and apprentice come together as never before, or be divided forever.

This sounds like it will have a complex and character driven plot that will really plumb the depths of this Jedi Master and apprentice relationship.  This is actually the furthest back the new extended universe books have explored, and I am quite excited to see the earlier adventures of these two iconic characters.  I am extremely curious to see how Qui-Gon Jinn is characterised in this book, and I would love to see some discussion about his relationship with Count Dooku.  Master and Apprentice sounds absolutely incredible, and I have already requested a copy.

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The second book is the ultra-exciting-sounding Alphabet Squadron by Alexander Freed.  Alphabet Squadron, which is set to be released in early June, is the first book in a new original Star Wars trilogy, featuring New Republic pilots in the post-Return of the Jedi timeline.  Freed is another established Star Wars author, having written two books in the current canon, Twilight Company and the Rogue One: A Star Wars Story novelisation, as well as a series of Star Wars comics in the now defunct extended universe.  Alphabet Squadron also has a synopsis out, although I chose to use the one I found on the Penguin Random House website as it contains a lot more detail.

Penguin Random House Synopsis:

On the verge of victory in a brutal war, five New Republic pilots transform from hunted to hunters in this epic STAR WARS adventure. Set after Return of the Jedi, Alphabet Squadron follows a unique team, each flying a different class of starfighter as they struggle to end their war once and for all.

The Emperor is dead. His final weapon has been destroyed. The Imperial Army is in disarray. In the aftermath, Yrica Quell is just one of thousands of defectors from her former cause living in a deserters’ shantytown—until she is selected to join Alphabet Squadron.

Cobbled together from an eclectic assortment of pilots and starfighters, the five members of Alphabet are tasked by New Republic general Hera Syndulla herself. Like Yrica, each is a talented pilot struggling to find their place in a changing galaxy. Their mission: to track down and destroy the mysterious Shadow Wing, a lethal force of TIE fighters exacting bloody, reckless vengeance in the twilight of their reign.

The newly formed unit embodies the heart and soul of the Rebellion: ragtag, resourceful, scrappy, and emboldened by their most audacious victory in decades. But going from underdog rebels to celebrated heroes isn’t as easy as it seems, and their inner demons threaten them as much as their enemies among the stars. The wayward warriors of Alphabet Squadron will have to learn to fly together if they want to protect the new era of peace they’ve fought so hard to achieve.

While I was always going to get this book no matter what, the moment I saw the plot summary mention of Hera Syndulla, of Star Wars Rebels fame, I knew I would move heaven and Earth to get this book.  I absolutely loved Star Wars Rebels and I am extremely keen to read anything that explores the fates of any of the characters from the show.  Aside from the presence of Hera Syndulla, there are so many other cool elements of Alphabet Squadron that make me really want to check it out.  First of all, the focus on a fighter squadron has so much potential for action and adventure, and I am anticipating a ton of awesome dog fights and wonderful examples of ship-to-ship battles in space.  I am also looking forward to the requisite training and analysis of the various flying techniques that tend to follow those sorts of stories, and a squadron made up of one of each of the Rebel Alliance’s iconic ships sounds pretty damn awesome to me.  Finally, I am excited to see the start of a whole new, original Star Wars series, focusing on a whole new bunch of characters.  While the Star Wars books that focus on the characters from the films, shows and games are really cool, it will be interesting to see an extended universe book whose plot is not as closely linked with the overarching story of the movies and televisions shows.  I have a feeling that this might be the Star Wars book I enjoy the most in 2019, and I have high hopes for it.

Thrawn Treason Cover.jpg

The final book that I will be looking at is Treason, the third book in the Thrawn series by master of Star Wars novels, Timothy Zahn.  Treason, set to be released in July, will continue the story of one of the best villains of the Star Wars extended universe, Grand Admiral Thrawn.  Grand Admiral Thrawn was introduced in 1991’s Heir to the Empire and is one of the most iconic characters in the previous extended universe, serving as a major antagonist for several books.  Thrawn proved so popular that Disney resurrected him for their extended universe, featuring him as a villain in Star Wars Rebels.  In addition, Disney also invited Zahn to reimagine his character’s origin in 2016, with the first book in this series, Thrawn.

Goodreads Synopsis:

Grand Admiral Thrawn faces the ultimate test of his loyalty to the Empire in this epic Star Wars novel from bestselling author Timothy Zahn.

“If I were to serve the Empire, you would command my allegiance.”

Such was the promise Grand Admiral Thrawn made to Emperor Palpatine at their first meeting. Since then, Thrawn has been one of the Empire’s most effective instruments, pursuing its enemies to the very edges of the known galaxy. But as keen a weapon as Thrawn has become, the Emperor dreams of something far more destructive.

Now, as Thrawn’s TIE defender program is halted in favor of Director Krennic’s secret Death Star project, he realizes that the balance of power in the Empire is measured by more than just military acumen or tactical efficiency. Even the greatest intellect can hardly compete with the power to annihilate entire planets.

As Thrawn works to secure his place in the Imperial hierarchy, his former protégé Eli Vanto returns with a dire warning about Thrawn’s homeworld. Thrawn’s mastery of strategy must guide him through an impossible choice: duty to the Chiss Ascendancy, or fealty to the Empire he has sworn to serve. Even if the right choice means committing treason.

This should be a really interesting read, and I believe that it will be the final book in the Thrawn series.  Thrawn is an amazing character to read about, and the adventures of the Empire’s ultimate tactician are some of the best stories in the entire Star Wars universe.  I really enjoyed the second book in this series, Alliances, which saw Thrawn team up with Darth Vader, although the plot of this book sounds like it will be more closely associated with the first book in the series, Thrawn.  I have not had a chance to enjoy the first Thrawn novel yet, although I am planning to listen to it before Treason comes out.  I imagine that this book will wrap up the character’s story before his final appearance in Star Wars Rebels, and I am very intrigued to see how this story arc finishes up.  I will be interested to see Thrawn try and work against the Death Star project, and the return to his home planet has some intriguing potential as well.  Overall, this sounds like another enjoyable instalment in the Thrawn series, and I am quite looking forward to see how the author ends this series, and where he will go from here.

While I may try and get physical copies of these books, preferably before their release dates, I will be strongly tempted to seek out the audiobook versions of these books instead.  Star Wars audiobooks are something special, and I love how they utilise the franchise’s iconic sound effects and music to enhance the story and make them sound out.  I will have to see how I go, but do not be surprised if one or more of the follow up reviews to this article involve the audiobook versions of these books.

I am very excited for these next three Star Wars novels, and I know that I will love all of them.  I love how these books represent such a wide range of stories, and I think that the new Star Wars extended universe is in excellent shape.  Stand by to see what I think of these amazing sounding tie-in novels.

Firefly: The Magnificent Nine by James Lovegrove

Firefly The Magnificent Nine Cover

Publisher: Titan Books (Hardcover Format – 19 March 2019)

Series: Firefly – Book 2

Length: 331 pages

My Rating: 4.5 out of 5 stars

Fresh off writing the fantastic first book in this new series of Firefly tie-in novels, author James Lovegrove has crafted another amazing Firefly book that focuses on one of the more entertaining members of the Serenity crew, the hero of Canton, the man they call Jayne.

As I mentioned when I reviewed the first book in this new series of Firefly novels, Big Damn Hero, and in one of my subsequent Waiting on Wednesday entries, I am a massive fan of the Firefly franchise and was particularly eager to read the second book in this new series, The Magnificent Nine, which sounded liked it had an amazing plot.  As a result, I made sure to order this copy online well in advance and was extremely happy when it came last week so close to the worldwide release date.  I managed to read through it in about a day, and once again had the amazing feeling of being transported back into Firefly universe.

Out in the darkness of the verse, the crew of the Firefly class ship Serenity is up to its old tricks, searching for smuggling jobs that will keep them flying, while at the same time staying off the Alliance’s radar.  While Captain Malcolm Reynolds is used to anticipating the needs and wants of the inhabitants of his ship, he is completely thrown when a request for an unpaid mercy mission comes from one of the most unlikely members of his crew.  Serenity’s resident disgruntled mercenary, Jayne Cobb, suddenly asks that the ship be diverted to the backwater world of Thetis.  An old flame of Jayne’s, Temperance McCloud, has reached out requesting aid.  A vicious bandit, Elias Vandal, is threatening her small town of Coogan’s Bluff with a horde of trigger-happy thieves and murderers.  Mal initially does not take the request seriously, but then Jayne does the unthinkable and offers up his most prized possession, his beloved gun, Vera, as payment for the crew’s help.

Arriving at Thetis, the crew find that not only are the inhabitants of Coogan’s Bluff reluctant to get involved in any sort of fight, but a well-armed force of killers is waiting for them and spoiling for a fight.  However, the most shocking discovery is the fact that Temperance is raising a teenage daughter, born less than a year after Temperance and Jayne parted ways and named Jane McCloud.

This was a pretty epic read and one I had a lot of fun with.  Lovegrove once again hits it out of the park with this amazing novel that featured a great story, excellent coverage of the Firefly crew and some new interesting characters and events.  The Magnificent Nine is set between the events of the television series and the film Serenity, before Inara and Shepherd Book leave the ship.  Once again, I liked how this new entry into the Firefly book series felt exactly like a new episode of the television show, although it uses some of the show’s existing episodes, like Jaynestown or Heart of Gold, as inspiration.  I also quite liked how the story emulated some classic westerns such as The Magnificent Seven, which obviously inspired this book’s name, while also utilising science fiction elements.  I actually enjoyed this book a bit more than the preceding Firefly novel, Big Damn Heroes.  I felt that the story was more fast paced, significantly more action packed, and less widely spread out that the first book.  I also quite enjoyed the author’s use of the existing characters from the show as well as the intriguing new side characters that are introduced in this book.  The main story contains some interesting twists and turns, some of which are easy to see coming, but one or two of which come out of nowhere and are quite surprising.  The end result is a thrilling and character driven story which is enhanced by its association with the Firefly television show.

One of my favourite things about this book is the focus on the character of Jayne, especially as we get to see his underutilised noble side come out once again.  Throughout the run of the television show and most of the follow-up movie, Jayne is a selfish mercenary more concerned with his own self-interest and personal gain than the lives of his fellow crewmembers.  Jayne is not above sacrificing or betraying members of his own crew, namely the Tam siblings, if it will benefit him in some way.  His joining the crew of Serenity even involved him betraying and shooting his former captain when Mal offered him a better paying job and his own room on the ship.  That being said, there are a few instances where Jayne will do the right thing and act the hero, resulting in some memorable moments for the character.  The most notable of these occurred in the episode Jaynestown, where Jayne’s core beliefs are rocked by an entire community who venerate them as a great hero of the masses.  In The Magnificent Nine, Jayne’s noble side once again comes out when he receives a request for help from his former lover and her daughter.  As a result, he makes a series of impulsive and foolish actions throughout the book in order to try to do what he sees as the right thing, and these often result in some excellent sequences throughout the book.

Seeing this more noble version of Jayne emerge once again is fantastic and will be greatly appreciated by a huge number of Firefly fans.  Jayne is always a widely entertaining character in the Firefly franchise, and I felt that Lovegrove did a great job of portraying the character in this story.  I really enjoyed seeing another Jayne-centric storyline, and I liked how the author makes sure to utilise a number of classic Jayne elements throughout The Magnificent Nine, including the return of his iconic bobble hat and his favourite gun, Vera.  However, there are some interesting new Jayne moments as well, as Lovegrove goes back and explores some elements from his past, including how he met Temperance, and how she helped turn him into the man he is today.  This is an outstanding novel for those fans who love the character of Jayne, and I had a lot of fun watching him get another personal adventure.

As The Magnificent Nine mostly focuses on Jayne, the rest of the crew do take a bit of a backseat in this book.  That being said, all of them get one or two scenes focused on them, in one way or another.  Lovegrove once again does a great job of capturing the characters from the show, and rehashing their various quirks, relationships and the other minutiae of their personalities, even with these limited scenes.  While some of the characters do not get too much action in this book, I thought that Mal and River in particular were showcased well.  In this book, Mal plays the long-suffering captain who finds himself dragged into all manner of trouble by his crew, which forces him to act as the ship’s annoyed father figure.  River, the psychotic psychic, also gets a pretty good run in this book.  While Lovegrove does not explore her mind to any great degree, she gets some fun scenes, including one where she takes out intruders in Serenity, and another where she steals Vera and uses it in a firefight.

The side characters introduced in this book are pretty memorable, and the storylines revolving around them were very interesting.  Jayne’s former love interest, Temperance McCloud, is a pretty badass woman, and it’s fun to see the sort of woman Jayne would fall in love with.  There are also a number of secrets from Temperance’s past that come into play and add some emotional depth to hers and Jayne’s story.  The villain of this story, Elias Vandal, is a fairly dark antagonist, acting as a sort of Charles Manson-like character, forming a cult of personality that draws in the planets outcasts and loners while also claiming to be a former Reaver.  I quite liked Vandal as the story’s villain.  I thought he was well written out, and the various layers to his past and the way he controls his gang are quite intriguing.  Young Jane McCloud is another great side character, and I liked her interactions with River and Jayne.  She forms a great friendship with River, and the two get up to all sorts of fun antics.  I also liked the unconventional father-daughter relationship that occurred between Jayne and Jane, especially when they were forced to work together.

As mentioned above, The Magnificent Nine contains a large amount of action, with a huge number of firefights and other battles throughout the book.  I liked the way that many of the battles had a western theme, with the skilled gunfighting heroes fighting large swathes of bandits and goons.  However, the utilisation of science fiction elements really helped enhance them and, in some cases, increase the humour value.  I liked the Mad Max-like chase scene that featured not only horses but also dune buggies, motorbikes and Firefly’s mule.  There is also a spaceship assisted lassoing that was quite fun, and I liked seeing a classic trope like a lasso assisted by science fiction elements.

I absolutely loved Firefly: The Magnificent Nine, which turned out to be another ultra-fun romp back into one of my favourite television shows.  Lovegrove has a real skill for bringing these characters to life, and I really enjoyed the thrilling story he wrote for The Magnificent Nine.  The author’s portrayal of Jayne Cobb really shines through in this book, and it was great to see another story based around this awesome and funny character.  This book is best appreciated by fans of the franchise, although I feel there is a lot in this book for new fans to enjoy.  While this book was an amazing amount of fun to read, I now have to wait another six months for my next taste of the Firefly verse; how will I survive?

Star Wars: Queen’s Shadow by E. K. Johnston – Audiobook Review

QueensShadow Cover.jpg

Publishers: Disney Lucasfilm Press and Listening Library (5 March 2019)

Series: Star Wars Extended Universe

Length: 8 hours 22 minutes

My Rating: 4 out of 5 stars

The female protagonist of the Star Wars prequel movies, Padmé Amidala, gets a story mostly worthy of her, as young adult fiction author E. K. Johnston attempts to bridge the character gap between the first two Star Wars prequel movies in Queen’s Shadow, the first Star Wars novel of 2019.

While The Phantom Menace had its flaws, one of the things that the first Star Wars prequel film did right was the character of Queen Amidala, the young, fierce and strong democratically elected Queen of Naboo, who was able to lead her people to freedom.  Portrayed by a young Natalie Portman, the character appeared in the other two prequel movies, where her relationship with Anakin Skywalker became a key plot point of the entire series.  While I am not the biggest fan of how Padmé was portrayed in the second and third prequel films, I was quite excited to read a novel that explored the character in more detail, especially one written by Johnston, who did such a fantastic treatment on the popular character Ahsoka Tano in her one previous foray into Star Wars fiction.  After my previous awesome experiences with Star Wars audiobooks, such as Ahsoka, I chose to listen to this book’s audiobook format, which was narrated by Catherine Taber.

Four years after ensuring the defeat of the Trade Federation on Naboo, Queen Padmé Amidala has served the last elected terms of office and is no longer Queen.  Now free of the responsibilities of ruling, Padmé and her loyal handmaidens now have time to think about a new future.  However, before Padmé can put any plans in place the new Queen of Naboo presents her with a job she cannot refuse: become the new representative of Naboo in the Galactic Senate.

Accepting the role, Senator Amidala travels to Coruscant, the capital of the Galactic Republic, to take up her seat, accompanied by a completely new support staff.  She is quick to discover that her experiences as a ruler have not prepared her for the demanding and treacherous world of galactic politics.  The Senate is a hotbed of corruption and bureaucracy, and Padmé is already considered by many to be a puppet of Chancellor Palpatine.  She also has number of powerful enemies throughout the galaxy who seek not only to discredit her but also to kill her.

However, Padmé Amidala is used to being underestimated, and with Sabé, her former decoy and shadow, watching her back, she begins to forge the political alliances she needs to finally bring some change the galaxy.

This was an interesting piece of Star Wars fiction that I quite enjoyed.  However, it is not without its flaws, and there were a few things that I disliked about the story that resulted in me dropping my overall rating slightly.  But before I talk about the parts of the story that I had issue with, I want to mention the elements of this book that I enjoyed quite a bit.

Queen’s Shadow is an amazing Padmé Amidala story that helps redeem the character after her less than stellar showings in the second and third Star Wars prequel movies.  This book helps make people forget about the helpless, pregnant damsel from Revenge of the Sith (although some deleted scenes from that movie do show some of the politics she was involved with), and instead focuses on her role as a canny political operator.  I was also quite happy that Anakin did not appear as a character in this book; I preferred to see Amidala stand on her own without being defined by her relationship with a Jedi.

Johnston did a spectacular job of creating a novel that bridges the gaps in Padmé’s story between the first and second prequel movies.  At the end of The Phantom Menace Padmé is still queen of Naboo, but by the start of Attack of the Clones she has become a senator, with very little discussion in the movies concerning how this came about.  While I am sure that some of the books and comics in the old Star Wars extended universe would have covered this period of Padmé’s life, Queen’s Shadow is one of the first stories to explore this in the new Disney owned and operated Star Wars extended universe.

The author spends a significant amount of time focusing on Padmé’s early days in the Galactic Senate, including how she formed some of her early alliances, such as with Bail Organa and Mon Mothma, and how she became such a significant force in the Senate.  In addition to this, we get to see how and why several of the minor Naboo characters from The Phantom Menace left Padmé’s side, and how several new characters, such as her new handmaidens and her security guard, Gregar Typho, came into her service.  In addition to serving as a bridge between the two prequel movies, Queen’s Shadow also ties into The Clone Wars animated television show, showing Padmé’s first contact and initial relationships with some of the characters who originated in the animated show, such as Senators Rush Clovis and Mina Bonteri.  While the book does spend time setting up events for Attack of the Clones, Johnston ensures that Padmé and the other main characters reflect on the events that occurred during The Phantom Menace, and the people that helped them during these adventures, such as Qui-Gon Jinn and little Anakin Skywalker.  Overall, I felt that this really helped tie in the events between the two books and is an excellent new piece of Star Wars cannon.

In my opinion, one of the cleverest parts of The Phantom Menace was the revelation towards the end of the film that Queen Amidala was actually being played by two separate actresses: Natalie Portman and Keira Knightley.  In the context of the film, Natalie Portman’s character, Padmé, was the real queen of Naboo, while Keira Knightley’s character, Sabé, was a decoy used for security purposes.  While Padmé portrayed the Queen at the start of the movie, when the Trade Federation invaded there was a subtle switch and Sabé took on the role while Padme could be seen disguised as a nondescript handmaiden in the background.  The two characters would then switch between portraying Queen Amidala throughout the film, with Sabé taking on the role whenever there was a chance the Queen could be captured or killed, while Padmé took on the role herself when official discussions or speeches needed to be made.  Handmaiden Padmé also got her own scenes when Sabé was taking on the role as Queen, allowing the viewers to see this side of the character.  This was and still is an amazing and ingenious part of the movie, which worked due to the similarity in appearances between the two then relatively unknown actresses, a downplaying of Knightley’s role in the film, as well as because of the elaborate makeup, hairstyles and dresses that Queen Amidala wore.  As a result, the general audience were quite surprised at the time, especially as cast lists were not as easily available on the internet at the time.

As a result, I was extremely happy that Johnston chose to explore the utilisation of the queen’s decoy in some detail throughout this book.  Quite a lot of time is spent discussing the techniques behind the Amidala persona, from the distracting makeup and costumes, to the quick-change techniques that Padmé and her handmaidens utilise, and even several discussions about the ‘Amidala voice’, the imperious tone that Portman and Knightly both performed in The Phantom Menace.  I found this entire exploration of this decoy angle incredibly fascinating, and it gave me a completely new appreciation for how the decoys were utilised in the first prequel film.  The decoys were also a key part of Queen’s Shadow, as Padmé still continues to utilise them as a senator, allowing her to avoid danger and slip away at social gatherings so she can undertake other covert tasks.  The scenes where they utilise them are quite intriguing, and I liked the author’s thoughts on the psychology behind the effectiveness of the decoys and how they are still an effective technique in an advanced science fiction society.  It was interesting to note that both of Padmé’s decoys who appear the films, Sabé and Cordé (who was blown up at the start of Attack of the Clones), have major roles in this book, with both taking on the Amidala persona at some point in the story.

While it was intriguing to see Cordé learn to take on the role of Amidala in this book, the original decoy, Sabé, was a much bigger part of the plot.  Sabé has a significant role within the book and is actually Queen’s Shadow’s secondary protagonist, performing undercover work on Padmé’s behalf.  The relationship between Padmé and Sabé was a really interesting and emotional subplot to explore, as Sabé is quite loyal to the former queen.  How Sabé defines herself as Padmé’s friend and confidant is a significant part of Sabé’s story, and Johnston spends time attempting unravel this complicated relationship.  The overall result is a fascinating inclusion to this story, and one that adds some real emotional depth to the story.

In addition to the focus on the decoy characters, Johnston also spends time looking at the role of Padmé’s royal handmaidens, the young hooded women who followed Padmé around in the first film.  I had never really given the handmaidens much thought before this book, apart from how Padmé was able to hide her identity by taking up a handmaiden’s garb for several parts of the film.  However, Johnston does a fantastic job of explaining the actual role of these characters as Padmé’s confidants, covert operatives, undercover bodyguards and potential body doubles.  I really liked how Johnston was able to turn these minor characters from the films into a significant part of her book, and it was quite interesting to see them be deployed to help with Padmé’s political moves.  Each of the handmaidens, both those who only appeared in The Phantom Menace and those who only appeared in Attack of the Clones, are explored in some detail throughout the book.  The reader gets a real sense of each of the characters personalities, what skills they bring to Padmé’s table and the fates of those handmaidens who served Padmé during the invasion of Naboo are also explained by this book.  This look at the handmaidens is an excellent part of the book, and one that I actually found quite fascinating.

Aside from the look at Padmé and her associates, Queen’s Shadow also examines a number of other aspects of the Star Wars universe during this time period.  For example, there is quite a large focus on politics, both on Naboo, and within the Galactic Senate.  The galactic politics in particular is quite intriguing, and I liked seeing Padmé’s initial impression of Senate procedure and its many shortcomings.  Johnston has also included some fun media articles throughout the book, showing how negative news coverage is being used to disadvantage or advantage Padmé’s political ambitions, which I found to be quite amusing.  There are also some hints at the coming Separatist movement, as several planets are showing discontent with the Republic and certain actions are taking place to undermine security throughout the galaxy.  All of the features are pretty interesting, and I had fun reading about them throughout this book.

Now, while I obviously quite enjoyed many of the elements that Johnston explored in this book (having gone on about them for over two pages), I have to admit that the overall story is actually a bit boring in places and the story really does not go anywhere.  There are some big points, including a quick assassination attempt, piracy, large-scale disasters and potential political crisis, but many of these events has any real significance, follow through or any sort of actual conclusion.  This could potentially be alright if Queen’s Shadow is the start of a larger storyline or a new book series, but I am not too sure how likely that is.  Not only is there no real indication that Johnston will be continuing this story, but the epilogue of the book kind of puts a damper on that, which I will discuss below.

 

BEWARE SPOILERS BELOW:

The epilogue of the book shows Padmé’s funeral, as shown at the end of Revenge of the Sith.  While I did like how Johnston alluded to the funeral at the start of Queen’s Shadow’s by using the same descriptions of Padmé’s floating flower-covered body, and the funeral does put a final end to the story.  The epilogue did show Sabé talking with Senator Organa, so this book could potentially set up a follow-up book focusing on the former decoy either joining the Rebel Alliance or investigating Padmé’s death.  However, this does not really fit with some of the open story points from this book, as the Trade Federation are the most likely people behind the assassination attempts and the piracy, and who cares about the Trade Federation after Revenge of the Sith?  In addition, this book only really explored around a year of Padmé’s life as a senator, and I think it would make more sense to follow more of Padmé’s early political career, especially as there is still around five more years until Attack of the Clones begins.  I suppose you could maybe do a split-timeline story that follows Padmé and Sabé before and after Revenge of the Sith, with the two storylines coming together, although I am not sure how well that would work.  I would like to see Johnston explore this more and give her overall story more shape, I just do not know how likely that is at this point.

END OF SPOILERS

 

While the somewhat pointless story does bring Queen’s Shadow rating down a bit, its audiobook features really help raise it up again, especially with its excellent narrator Catherine Taber.  The audiobook version of Queen’s Shadow runs for around eight hours and 20 minutes, so it is an easy book to get through quickly.  Catherine Taber is the actress who voiced Padmé in The Clone Wars animated show and is also the most recent person to portray the character on screen.  As a result, she is the perfect narrator for this book, as she already perfected a great Natalie Portman imitation voice for the show.  Taber did a fantastic job narrating this book, as she not only is the perfect voice for Padmé but also has an amazing range for the other characters featured in the book.  I appreciated how she was able to craft similar voices for the handmaiden characters, many of whom were chosen to be handmaidens because they were physical and audible matches to Padmé.  This is particularly true of Sabé, and as a result Taber ensures she has pretty much the same voice that Padmé does.  Other high points of Taber’s narration include her rendition of the Amidala voice, as well as the creepy tones she utilises for Chancellor Palpatine, especially when he kept saying “my dear”.  As always, the producers of this Star Wars audiobook load up this version with all sorts of sound effects and classic Star Wars music.  I felt that these sound effects and music really helped enhance the story, and gave it some real atmosphere, and I liked the way that certain things, such as holo-messages between the characters, were altered to make them sound more realistic.  I would strongly recommend the audiobook format of Queen’s Shadow as the best way to enjoy this story, and I thought it was just wonderful.

Queen’s Shadow is marketed as a young adult novel, and it is quite a good novel for a younger audience to enjoy, with only minor sexual references, coarse language, drug use and violence throughout the book.  However, there really is not any upper age limit on enjoying this book, and older readers can just as easily explore Johnston’s story.  While there is no age limit, readers should ideally be a Star Wars fan to fully enjoy Queen’s Shadow.  At the very least, readers should have watched all of the prequel films first to get a full handle on what is happening.  While I imagine someone with no prior knowledge of Star Wars might be able to enjoy reading this, it is probably not the best young adult science fiction book to pick out.  As a result, this book is recommended more for established fans of the franchise, and as a pretty hard-core Star Wars fan myself, I know I enjoyed all of the references and character exploration that Johnston did a lot more.

In the end, I decided to award Queen’s Shadow four stars out of five.  While I really loved all the intriguing elements that Johnston explored in this book, the lagging story did make it a little harder to enjoy.  That being said, I would not hesitate to grab another Star Wars book from Johnston, as she has an outstanding understanding and appreciation of the Star Wars universe.  I do hope that this story is continued in some way, and if it does, I will definitely check out the audiobook version of it, especially if it is narrated once again by Catherine Taber.  Interesting reading, Queen’s Shadow is worth checking out, especially if you are an established fan of the Star Wars franchise.