Waiting on Wednesday – Firefly: Generations by Tim Lebbon

Welcome to my weekly segment, Waiting on Wednesday, where I look at upcoming books that I am planning to order and review in the next few months and which I think I will really enjoy.  Stay tuned to see reviews of these books when I get a copy of them.

As a massive fan of Firefly I have been absolutely enjoying the recent spate of fiction that has been based on this awesome television show in the last year. I have already read and reviewed the first two books in this new series of Firefly novels, Big Damn Hero and The Magnificent Nine, and I also recently picked up the first volume of the Firefly comic book series, The Unification War: Part One, which I intend to review soon. I have loved all these recent pieces of Firefly fiction, which is why I am so eager for the subject of this week’s Waiting on Wednesday, Firefly: Generations by Tim Lebbon.

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I recently featured Firefly: Generations on my Top Ten Most Anticipated July-December 2019 Releases list, but I have decided to go into a little more detail about it in this post. Generations will be the third book in Titan Books’ new series of Firefly books and is set for release on 15 October 2019. A plot synopsis of Generations has already been released, and it sounds pretty epic.

Goodreads Synopsis:

Mal wins an old map in a card game. Ancient and written in impenetrable symbols, the former owner insists it’s worthless. Yet River Tam can read it, and says it leads to one of the Arks, legendary ships that brought humans from Earth-that-was to the ‘Verse. The salvage potential alone is staggering. But the closer they get to the ancient ship, the more agitated River becomes. She says something is waiting inside, something powerful, and very angry…

There are some really cool details in the synopsis above that make me extremely keen for this book, including the character that is likely to be at the centre of the plot. While the first two books in the series focused on Mal and Jayne respectfully, it looks like Generations is going to focus on River Tam. River was one of the most intriguing characters in the Firefly television show, as she was a young prodigy who was turned by an evil government into a half-crazed psychic assassin. Hunted by the government because of the secrets she holds in her head, River spends her time on Serenity suffering intense mental breakdowns, making physic examinations of the people she meets, and acting as the ship’s ultimate killing machine, saving the crew on multiple occasions with her lethal skills. While River is likely to be a hard character to capture in book form, I am really looking forward to a story that focuses on her, and it will be interesting to see how far into her fractured psyche the author delves.

While the potential focus on River is going to be cool, I also really like the sound of the rest of the plot synopsis. A story set around a dangerous salvage in wild space has so much potential, and I am pretty darn curious to find out what is lying in wait for them aboard that ancient generation ship. I’m hoping that some Reavers show up in this book, although I doubt that the characters aboard Serenity share my sentiments there. I am also keen to learn more about the early days of the universe that Firefly is set in, especially about the generation ships that took humanity away from Earth.

I have not read any of Tim Lebbon’s books before, but it appears he has some significant experience writing media tie-in novels. In addition to his original series, some of Lebbon’s previous works include the Hellboy books Unnatural Selection and The Fire, two 30 Days of Night novelisations, Alien: Out of the Shadows, Star Wars: Dawn of the Jedi – Into the Void and the Kong: Skull Island novelisation. Firefly: Generations will actually not be the first piece of Joss Whedon’s work that Lebbon has adapted into a book before, as he previously did a novelisation of The Cabin in the Woods back in 2011. I think that this novel is in safe hands and I am looking forward to seeing what Lebbon can do with the Firefly universe.

To be honest, I was always going to grab this upcoming Firefly book when it came out, but I am actually really intrigued by the cool-sounding story and the focus on the character of River Tam. Firefly: Generations sounds incredibly awesome, and I know I am really going to love it. What will the crew of Serenity find in the generation ship? I am going to have a hard time waiting till October to find out.

Throwback Thursday – Star Wars: Darth Vader: Volume 1 – Vader

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Publisher: Marvel COmics

Writer: Kieron Gillen

Artist: Salvador Larroca

Colourist: Edgar Delgado

Publication Date: 20 October 2015

My Rating: 5 out of 5 stars

Reviewed as part of my Throwback Thursday series, where I republish old reviews, review books I have read before or review older books I have only just had a chance to read.

For this week’s Throwback Thursday, I check out the fun and exciting first volume of the Darth Vader comic book series, Vader, which features the destructive adventures of the Star Wars trilogy’s greatest villain, Darth Vader, and presents a new story for Disney’s extended universe.

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When I previously reviewed two volumes of the Darth Vader: Dark Lord of the Sith comic book series (Legacy’s End and The Burning Seas), I mentioned how much I love the classic Star Wars movie villain Darth Vader. This current series is pretty epic and does an amazing job of telling the story of Darth Vader’s early adventures following the fall of the Jedi and the rise of the Empire. However, another Darth Vader series, helmed by writer Kieron Gillen and artist Salvador Larroca, commenced in 2015 off the heels of the Star Wars comic book series.

This first volume of this Darth Vader series is set after the events of A New Hope and deals with the fallout of the destruction of the Death Star. It is also deeply connected with the Marvel 2015 Star Wars comic series that started around the same time, especially the first volume of this series, Skywalker Strikes. Issue #1 of the Darth Vader comic, for example, starts just after the events that occurred in first three issues featured in the Skywalker Strikes, and both Star Wars #6 and Darth Vader #6, which close out each series’ respective first volume, end at the exact same moment of time.

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For nearly 20 years, Darth Vader has been the most feared being in the Empire, loyally serving under the Emperor as his most effective enforcer and most trusted subordinate. However, recent failures have damaged his relationship with his master. The destruction of the Death Star on his watch has left the Empire vulnerable, and his failure to stop the recent Rebel assault on Cymoon (as seen in Star Wars issues #1- #3) has made them look weak. The Emperor, displeased with his apprentice’s failures, has placed Grand General Tagge in command of Vader and is keeping secrets that could prove deadly to him. At the same time, Vader finds himself intrigued by the young, unnamed Rebel who is responsible for the destruction of the Death Star, especially after their encounter on Cymoon, where he discovered that his old master, Obi-Wan Kenobi, gifted the boy the lightsabre Vader once wielded as Anakin Skywalker.

Concerned with the events occurring around him, Vader decides it is time to start operating outside of the Emperor’s orders. Not only does he send the bounty hunter Bobba Fett to capture the mysterious Rebel pilot and bring him directly to Vader; he also recruits the rogue archaeologist, Doctor Aphra, as his agent. Using Aphra’s knowledge and contacts and the two murderous droids she has assembled, Vader amasses the resources needed to investigate the Emperor’s hidden agenda. However, his investigation reveals that the Emperor has commissioned research into a series of deadly individuals meant to take Vader’s place at the Emperor’s side. As he attempts to deal with this new competition, Vader finds himself rocked by another revelation: the pilot who destroyed the Death Star is named Skywalker!

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Darth Vader: Volume 1: Vader features issues #1-6 of this series, and features the writing of Kieron Gillian and the artistic talents of Salvador Larroca. Gillian and Larroca are veteran comic book talents with a variety of different titles under their belts, although both are probably best known for their work with Marvel Comics. The two of them have formed an effective creative team in the last few years, as they have worked together on a number of Star Wars comic book titles, including all 25 issues of this Darth Vader series. The two have also produced the last 30 or so issues of the amazing Star Wars series, creating several of the series best moments, and have worked together on the entertaining Doctor Aphra title, which follows the adventures of the popular character, Doctor Aphra, who is introduced in this volume of Darth Vader. I think at this point I actually have a copy of every Star Wars comic this pair have created together, and it is almost guaranteed that I will feature more of their work in the future.

I started getting into the 2015 Darth Vader series late last year after I was blown away by the Darth Vader: Dark Lord of the Sith comics. I am extremely happy that I decided to check out the 2015 Darth Vader series, because I absolutely loved this first volume of the series, Vader, and had an amazing time reading it. Not only was this one of the first comic book volumes in the new Star Wars canon that showed what an absolute badass Darth Vader is but it features a captivating story, some major Star Wars moments, incredible artwork and iconic new characters.

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This first volume of Darth Vader contains some epic sequences that really highlight how awesome and destructive the character of Vader really is. I loved the opening scene in particular, which features Vader having a covert meeting with Jabba the Hutt at Jabba’s palace on Tatooine. This meeting is in some ways very similar to the meeting Luke has with Jabba at the start of Return of the Jedi, with Vader entering alone to stand before Jabba in his audience chamber. However, some key alterations really show how different Vader’s style is compared to his son’s. Rather than attempting to negotiate like a Jedi, Vader slaughters his way in, deliberately avoids standing on Jabba’s hidden trap door, kills every minion that Jabba ambushes him with and then proceeds to force choke Jabba until he gets his way. It makes for one hell of an introduction to the series, and does an incredibly successful job of setting up Vader as a major badass. This first issue #1 also has a great ending, showing Vader nonchalantly having a conversation over a smoking pile of Tusken Raiders that he spent the day killing. This is a nice call-back to his past as Anakin Skywalker and it also shows how much more causal he now is around death and destruction, especially as he leaves simply saying, “All my present business is concluded.”

I also liked how this volume showed a completely different side to Vader’s relationship with the Emperor. The series is set in some unique circumstances, as it occurs right after the destruction of the Death Star, and the Emperor’s displeasure at Vader for allowing it to happen is vast. Vader in turn is suspicious of the Emperor’s secrets, and actively starts working behind the Emperor’s back for the first time. The sequences featuring Vader assembling his own private resources and working against the benefits of the Empire are quite fascinating, and results in some interesting missions. I also really liked the part of the book when Vader and the Emperor eventually find out each other’s secrets, especially as it results in an interesting discussion. While the Emperor is actually impressed with Vader showing initiative and working outside the system, Vader is outraged that the Emperor has been creating abominations to replace him for the last 20 years. The Emperor reveals that he has been disappointed with Vader ever since he was defeated at the end of Revenge of the Sith, and that he needs to prove himself worthy of the Emperor again.

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While all the above scenes are pretty awesome, the best part of this volume is the incredible conclusion of the volume in issue #6. Vader, already enraged after his talk with the Emperor, finds out that the young Jedi he encountered is named Skywalker. The building anger within Vader as he finds out is palpable as he flashes back to the events of Revenge of the Sith and realises that the Emperor lied to him; he did not actually kill Padmé before she gave birth to their child. The switch between Vader’s reaction in the present and the scenes from the past is done perfectly, building up the tension around Vader and making for some amazing pages. The scene then continues with Vader calling up the Emperor to confront him, in a nice continuation of the storyline I mentioned above. However, rather than revealing that he knows the Emperor lied to him all those years ago, he instead keeps it secret and indicates he understands his place with the Emperor. The final pages reveal Vader staring off into space and stating, “I have a son. He will be mine. It will all be mine”, referring to the Empire and the galaxy with the last part. There is so much in this scene to love. Not only do we actually get to see the moment where Vader finds out Luke is his son, a major moment in Star Wars history that ties together parts of the prequel series with the original trilogy, but we also get a look into Vader’s mind when he finds out the truth after all these years. This whole sequence is just incredible and has to be one of my favourite moments in this entire series. It also cleverly matches the end of the first volume of the related Star Wars comic book series and actually expands on that original comic for fans who were curious about it.

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While the focus on Darth Vader is amazing, this volume also features the introduction of several outstanding new characters in the Star Wars canon, Doctor Aphra and her droids. Dr Aphra is an awesome character, as she is essentially an anti-Indiana Jones living in the Star Wars universe. Aphra recovers valuable (and often extremely dangerous) artefacts from across the galaxy, either for her own use or to sell for a profit. However, in this first volume, Aphra is forced into Vader’s employ and must help him obtain the means to act outside the Emperor’s notice. Aphra story arc in the first volume is pretty darn compelling. While Aphra is willing to help Vader, and even thinks of it as a cool opportunity, she is under no illusions about the fact that Vader will kill her at some point in the future and is a constant mess of emotions as a result. There is a fantastic scene in this volume where Aphra makes it clear to Vader that she knows he is eventually going to kill her and begs him to show some mercy when the time comes and use his lightsabre rather than worse methods, such as chucking her out of an airlock (this actually comes into play later in quite a clever way). I also liked that the creative team really played up the Indian Jones aspects of her character at times, such as her introductory sequence, where she is forced to escape a series of booby traps, including a spherical droid, similar to the boulder sequence in Raiders of the Lost Ark. Humour like that really makes Aphra an excellent addition to this volume, and I love how the creative team are able to get some dark moments out of her relationship with Darth Vader.

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In addition to Aphra, we are introduced to her droids 0-0-0 (Triple Zero) and BT-1, who are fun parodies of C-3PO and R2-D2. Like C-3PO and R2-D2, Triple Zero and BT-1 are a protocol droid and astromech duo, but with a few key differences. Triple Zero has been programmed with a number of languages and human protocols, but he has also been programmed for torture and is equipped with a number of syringes and other torture implements. BT-1, on the other hand, is actually a lethal assassin droid disguised as an astromech in order to appear harmless, and is loaded with multiple weapons, including a massive cannon and a flamethrower. Both of them had been decommissioned by the Empire for being too dangerous (which tells you a lot), but are brought back online by Aphra and Vader. These two droids are an extremely fun duo, acting a lot like the iconic C-3PO and R2-D2, except with a complete disregard for human life and a desire for as much destruction and death as possible. The discussion the two have in this first volume about killing the various creatures they come into contact with are very funny: “Hahaha! You are on fire and also dead.” I also found it amusing that, even though they are remorseless killers, the two droids get along better than C-3PO and R2-D2 ever did, with Triple Zero actually complimenting BT-1 and appreciating everything he does, especially all the murder. These two are an extremely entertaining couple of characters, and it was fun to see them parody the classic Star Wars droids in such a clever way.

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I loved the artwork in this volume, and some of the cool details that were included in the various scenes added so much to the story. For example, the fantastic closing sequence where Vader finds out his son is still alive is superbly enhanced by the cracks that appear on all the glass around Vader as he comes to his realisations. This looks so cool and really highlights how angry he is feeling. The art also showcases all the awesome action contained within this book, especially when it comes to all the destruction Vader and his cohorts unleash to achieve their goals. There are so many explosions and so much destruction laced throughout the book, and the artists who contributed to this first volume make them look pretty darn spectacular. I also loved the close-up action when Vader gets to work with the force and his lightsabre. The artists do an impressive job showcasing all the destruction he is capable of, and the reader is constantly reminded of that amazing Darth Vader scene at the end of Rogue One. The artists also do an amazing job conveying character emotion through the subtleties of their facial expressions. You get a real idea of what the characters are feeling thanks to the artwork, whether it is Doctor Aphra’s fear whenever she has to deal with a pissed of Vader, or the constant anger Vader is feeling throughout this volume. I am particularly impressed with how they were able to compensate for the helmet Vader is always wearing in order to show off Vader’s various emotions. Subtle things like the tilt or shape of the mask and the character’s body language seemed to speak volumes at times, and I think that they captured Vader’s emotions perfectly every time. Vader featured some very clever and very impressive artwork, which not only stand on its own, but which enhances the book’s story substantially.

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The first volume of the 2015 Darth Vader series was an outstanding example of Star Wars fiction which really modernises one of the most iconic Star Wars characters of all times. Darth Vader is masterfully reborn here as a being of pure destruction, as this first volume places him in some extremely compelling situations. I loved where the story went in this first volume, and the creative team have come up with some amazing scenarios and several excellent new characters who are so unique and creative they manage to escape Vader’s sizeable shadow. Overall, this first volume did a fantastic job setting the stage for the rest of the series, and I had an incredible time reading this comic.

Buffy the Vampire Slayer – Vol.1: High School is Hell by Jordie Bellaire and Dan Mora

Buffy The Vampire Slayer - High School is Hell Cover

Publisher: BOOM! Studios (28 May 2019)

Series: Buffy the Vampire Slayer – Volume 1

Length: Four issues – 128 pages

My Rating: 4.5 out of 5 stars

Prepare for a whole new take on Buffy the Vampire Slayer as the first four issues of BOOM! Studios’ new Buffy comic series are collected together in their first volume, High School is Hell.

For those unfamiliar with it, Buffy the Vampire Slayer was an extremely popular fantasy television show that started in 1997 and ran for seven seasons until 2003. The show followed the adventures of the titular Buffy, who has inherited the role of the Slayer, a magically strengthened warrior chosen to fight vampires, demons and the forces of darkness. Buffy the Vampire Slayer was the first show helmed by Joss Whedon, who went on create one of the best science fiction shows of all time, Firefly, as well as direct the first two Avengers movies (and parts of the Justice League movie, but let’s not look to closely at that). Buffy was actually an adaption of Whedon’s 1992 movie of the same name; however, there were some significant differences between the tone and writing of the movie and the show, as the show had some superb storylines and an amazing cast. It eventually resulted in the spin-off Angel, which also had a strong five-season run and some amazing episodes.

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Due to the immense popularity of the show, a huge amount of Buffy the Vampire Slayer tie-in material has been created, including a number of novels and video games. A substantial number of comic books were also created through Dark Horse Comics, many of which involved Whedon in the creative process. Indeed, the storylines of both Buffy the Vampire Slayer and Angel were continued for many years as a comic book series that followed a huge number of events that occurred following the end of both television shows.

Recently, Dark Horse Comics gave up the comic book rights to several of Joss Whedon’s works, including Buffy the Vampire Slayer, Angel and Firefly. These rights were subsequently obtained by BOOM! Studios, who have embarked on a whole new wave of comics for these franchises. The first of these, Firefly, started up last year, and the first collected volume was released in late April (I grabbed a copy the other day and will hopefully review it in the next couple of weeks). A new Angel comic book series is also currently running, although the first issue was only released a short while ago, so it might be a little while before I get my hands on the collected edition of it. BOOM! Studios are producing a bunch of different stories for these various properties and have different plans for each of them. The Firefly comics, for example, will be set in the same universe as the shows and have presented an interesting new adventure. However, for the new Buffy the Vampire Slayer comic, they have decided to do something different. Rather than continue the storylines written by Dark Horse Comics or try to fit in the established universe left by the shows, the new creative team have taken the bold step of completely revamping the entire series, restarting the story from the beginning and swapping the setting to a more modern era. This new series takes place in 2018/19 instead of the 1990s and features a completely different story to the original series, similar to what Marvel Comics did with their Ultimate universe.

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This new series starts in a similar way to the events of the show, with Buffy Summers only recently arrived in Sunnydale and ready to start as the new kid at Sunnydale High. Buffy has to deal with many of the pitfalls of being a modern teenager, grades, friends and an embarrassing dead-end job. However, Buffy has one thing no over teenager has to deal with, an unescapable destiny as the latest in a line of vampire slayers. While the story may sound familiar so far, this is not the grunge era of the 1990s; instead it is the modern era of smart phones, social media and social norms. Buffy soon settles in as the new girl in school, training with her watcher, Giles, and making two new friends, Xander and Willow, after she saves them from a vampire. While the worst thing in her life may appear to be the exceedingly peppy Cordelia, Sunnydale is still Sunnydale. Vampires and demons are always lurking just beneath the surface, and two familiar and deadly foes are in town. The devastating team of Drusilla and Spike are looking for a mysterious power and will kill anyone who gets in their way. What is their sinister plan, and how will the lives of the new Scooby Gang be changed forever?

Volume 1, High School is Hell, features issues #1-4 of this new Buffy series and was written by Jordie Bellaire. It also features the artistic skills of Dan Mora as the illustrator and Raúl Angulo as colourist. Joss Whedon is also credited as the original creator of this series in all the issues, although I am uncertain if he consulted on this new project at all. Pretty much the moment I saw this comic in the shop, I knew I was going to enjoy it. I grew up with watching Buffy and Angel when I was younger and have enjoyed a lot of their comics in the past. I really liked the concept of this new series, and I was incredibly interested in seeing where the creators of this new series were going to take it. I have to say that I was not disappointed with the end result. These first four issues not only tell an excellent and deeply compelling story with some incredible artwork; they also present an incredible reimagining of the classic Buffy the Vampire Slayer universe and bring it into modern times.

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The issues featured within Volume 1 tell a pretty amazing story. The whole reintroduction of the Buffy world is done extremely well, as the new story told within is filled with the right amount of new ideas, classic characters and an exciting, action filled storyline with some major twists. I really think the blend of the old characters and story elements with the new storylines where done exceedingly well, and it creates and excellent new world that has some amazing potential for the future. Bellaire also does a fantastic job capturing the tone and humour of the original series and inserting it into this new vision of the Buffy universe, and it makes for quite an entertaining and enjoyable read. I also like how the creators brought the story out of the 90s into more modern times, incorporating all the relevant technology and social norms into the plot. There are also quite a few jokes making fun of the 90s, which is a nice touch, and a great call back to the original series. As a result, I thought the new story introduced in High School is Hell was pretty darn amazing and I had a lot of fun reading it.

The issues featured in High School is Hell feature an interesting mix of characters from the original television show, and I think fans of Buffy will enjoy the changes that the creative team introduce to the various characters. Firstly, Buffy remains pretty much unchanged; she is still the new girl at the school who is trying to balance the Slayer part of her life with high school, friends and romance. While there is a tad additional teenage apathy, perhaps as a result of her job at Tunaverse, her character remains as a pretty consistent touchstone from the original series. The same could be said of Giles, who is still the same stuffy English gentleman he was in the first few episodes of the original show with the disapproving mentor vibe, although we do get to see him playing his guitar in public a lot sooner.

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While Buffy and Giles are fairly similar to their original versions in the show, there are some interesting changes to the other major Buffy characters featured in this new series. For example, Willow has already discovered her sexuality and has a girlfriend, new character Rose. She also seems to be a whole lot more confident than she originally was in the series and is already eager to fight evil and start learning magic (which couldn’t possibly go wrong). Cordelia is still the most popular girl in school, although she is a lot braver and nicer than she was in the original show, although most of the characters find her extreme peppiness to be a bit too much. She also garners a rather unhealthy obsession with Spike, which was an intriguing addition which will no doubt become a major plot point in the future. Interestingly enough, Xander is probably the character who has changed the most in this series. On the exterior he is still the same happy-go-lucky character he was in the show. However, none of the characters realise that Xander is actually quite depressed, lonely and feels quite powerless, something the audience is made aware of by viewings of his anonymous blog. The inclusion of the blog entries is quite clever; we are initially made to think they are Buffy’s inner monologue. Once we are shown they belong to Xander, it gives an emotional look into his mind. Xander’s resultant story arc in this book ends in a pretty shocking twist, which has real potential to be a defining moment of this series.

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In addition to these main characters who were the focus of the original Buffy first season, there is also an interesting use of other characters from the show. Major characters Anya, Robin Wood, Spike and Drusilla all show up in these first four issues, each entering the story far earlier than they did in the television show, and with very different storylines. Anya is a demonic witch who deals magical artefacts from a secret occult shop (a fun nod to her business from the show). Anya is a neutral force in the town, and it is an interesting departure from her role as a vengeance demon. We only see a little of Robin Wood in these first four issues, although he is set up as Buffy’s potential love interest. In this series he’s set up as a star athlete and overall nice guy, with no real indication of whether he’ll have the same connections to the Slayers or Spike that he did in the show. Spike and Drusilla are a cool choice as the initial antagonists for this version of Buffy. The two of them always make a great team, although there is a bit of a change to the dynamic. Dru is somewhat less insane in this series, and seems to be the brains of the operation, relying on Spike a lot less. Spike is pretty much his usual fun self, although he appears a little less in love or devoted to Dru as he was in the show. He also has a fun relationship with Cordelia, and there is also a certain debate about his name. While Dru and Anya refer to him as William, he introduces himself to Cordelia as Spike to try and sound edgy, which results in a good joke from Dru about how the name “hardly played in the 90s”.

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Overall, I was quite happy with how the creative team behind this new series utilised the show’s existing characters and brought them into the new century. Some of the changes are really quite cool, and I liked how some of the dynamics were altered. Some of the new characters were also pretty cool, and it will be interesting to see what overall impact they will have on the series. I think that some of their decisions will lead to some excellent stories in the future, and I look forward to seeing how other existing characters are introduced.

The artwork in the first four issues of this series was pretty awesome and really added a lot to this volume. Mora did an outstanding job capturing the likenesses of the existing characters from the show; they looked so much like the original actors. The action sequences are done exceedingly well and there is a real sense of motion in some of the scenes that bring all the fights to life. The artwork and the colour schemes help add a lot of dread or unease to several scenes throughout the volume, which add a lot more to story. The artwork in this new version of Buffy the Vampire Slayer was first rate and really exciting.

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Buffy the Vampire Slayer: High School is Hell represents a bold new direction for the Buffy franchise, and one that I am quite excited for. The alternate timeline that the creative team has decided to set this story in is quite an intriguing concept that works exceedingly well. Bellaire has come up with a captivating initial storyline that is enhanced by Mora’s artwork. This series will definitely appeal to fans of the original television series, who will love seeing these great characters altered in a brand-new timeline. It is also easily accessible to those readers less familiar with the show and could be a good starting point for those who want to check out the franchise. This volume is highly recommended, and I am looking forward to the future inclusions in this excellent new comic book series.

Quick Review – Texas Hold ‘Em edited by George R. R. Martin

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Publisher: Harper Voyager (Trade Paperback – 6 November 2019)

Series: Wild Cards series – Book 27

              American Triad trilogy – Book 3

My Rating: 4 out of 5 stars

Texas Hold ’Em is the 27th book in the long-running Wild Cards series, which started in 1987. I read this book late last year but did not get a chance to review it until just now, so I’m just going to do a quick one.

The Wild Cards books make up one of the more interesting book series at the moment. Started by George R. R. Martin and his tabletop game friends (all of whom where fantasy and science fiction writers), this series has since expanded into a massive book franchise that has featured an impressive line-up of authors. There are a huge number of books, and the series is even currently being adapted into a couple of television series on Hulu.

Each of the Wild Cards books is made up of several short, interconnected stories written by a different author, with the entire novel edited together by Martin. Texas Hold ’Em, for example, features the talents of David Anthony Durham, Max Gladstone, Diana Rowland, Caroline Spector, Walton Simons, William F. Wu and the late Victor Milán. Melinda M. Snodgrass, who has contributed to a huge number of the previous Wild Cards books, also assisted in editing this book.

I came into this franchise fairly late and have only read the books which make up the most recent trilogy, The American Triad. I quite enjoyed the first two books in the trilogy, Mississippi Roll and Low Chicago, and was looking forward to the third and final book, Texas Hold ’Em.

Blurb:

In the aftermath of World War II, the Earth’s population was devastated by a terrifying alien virus. Those who survived changed forever. Some, known as jokers, were cursed with bizarre mental and physical mutations; others, granted superhuman abilities, became the lucky few known as aces.

San Antonio, home of the Alamo, is also host to the USA’s top high school jazz competition, and the musicians at Xavier Desmond High are excited to outplay their rivals. But they are also jokers; kids with super abilities and looks that make them stand out. On top of that, well, they are teenagers – prone to mischief, mishaps, and romantic misunderstandings.

Ace Michelle Pond, aka The Amazing Bubbles, thinks that her superhero know-how has prepared her to chaperone the event. But little does she know the true meaning of the saying, ‘Don’t mess with Texas’.

I found Texas Hold ‘Em to be a fun addition to this fantastic series. However, unlike the other two Wild Cards books that I have read, this one seemed to be a bit more like a young adult fiction novel. This is mainly because many of the short stories focus on teenage characters as they encounter the many ups and downs of San Antonio and the jazz competition. The rest of the stories are a pretty interesting mix of mystery, thriller and other action adventure type stories, as the various adult characters encounter a range of situations, mostly associated with protecting or wrangling their young charges. There were some good stories within this book, and fans of the franchise will appreciate the return of several recurring characters who have appeared in some of the previous books.

The stories in this book are told in a different way to the previous Wild Cards books. Rather than having several short stories told to their full extent and then connected by one split short story that overlaps with each of them, Texas Hold ’Em is instead broken up by a period of several days. Each of the days contains multiple parts of the various short stories, featuring the events of that story that happens on that day. This is a much more fragmented way to tell each story, but the chronological consistency is an interesting narrative choice. The combined short stories do make for quite a good overall narrative, although it does seem a little lower stakes than some of the previous books in the series.

One of the most interesting parts of this book is the examination of prejudice and hatred that infects each of the stories. In this universe, many of the humans who were unaffected by the Wild Card virus discriminate against Jokers and Aces; Jokers because of their disfigurations and Aces because they are afraid of them. This appears to be particularly enhanced down in San Antonio, mainly due to the appearance of the Purity Baptist Church, this universe’s version of everyone’s favourite hate group, the Westboro Baptist Church. The various protests and prejudices of the fiction group against those affected by the Wild Card virus do reflect the Westboro Baptist Church, so it was definitely an accurate depiction, and it was cool to see how they would react when confronted with someone with superpowers. That being said, the writers really needed to come up with a better term than “God’s Weenies” to refer to this group, or least stop repeating it to the degree that they did. Many of the characters in the book also encounter other forms of discrimination aside from the protests occurring outside the event, most of which mirrored discrimination real-life minority groups experience every day. This was a pretty good look at discrimination, and I liked how the various authors attempted to examine this problem by putting it in the context of the Wild Cards universe, especially as it led to some curious scenarios and interesting story moments.

Overall, this was a great new addition to the Wild Cards series. If I’m going to be honest, this was probably my least favourite book in the American Triad trilogy, but I still had fun reading it. I am interested to see what the next book in the Wild Cards universe will be like, and I will be curious to see if the show I mentioned above actually comes into being.

Throwback Thursday – Star Wars: Thrawn by Timothy Zahn – Audiobook Review

Thrawn Cover.jpg

Publisher: Random House Audio (11 April 2017)

Series: Star Wars

Length: 16 hours and 56 minutes

My Rating: 5 out of 5 stars

Reviewed as part of my Throwback Thursday series, where I republish old reviews, review books I have read before or review older books I have only just had a chance to read.

While Disney are currently releasing quite a large number of Star Wars tie-in novels and comics, none of them quite had the history behind them that Thrawn did. Timothy Zahn is probably one of the best authors of Star Wars fiction of all time, having written several books in the previous Star Wars expanded universe (now rebranded as Star Wars Legends) before Lucasfilm was bought out in 2012. Without a doubt, his most iconic contribution to the Star Wars universe was the character of Grand Admiral Thrawn, who was introduced in his 1991 book, Heir the Empire, the first book in Zahn’s original Thrawn trilogy. Grand Admiral Thrawn was the Empire’s greatest tactician and naval commander, who led the war against the protagonists of the original Star Wars trilogy following the events of Return of the Jedi and proved to be an effective major antagonist. Thrawn swiftly became a fan favourite, and Zahn revisited the character several times.

While Thrawn was an amazing character, many assumed that he was unlikely to be seen again after Disney shelved the original expanded universe to allow for their own stories and characters. However, Disney surprised many when they announced that Thrawn would be brought back to their extended universe in the Star Wars Rebels animated show. Thrawn was introduced as the show’s main antagonist for the third and fourth season and he shone as the villain of the show, bringing his tactical abilities and unique view of war to bear against the rebels. Brought to life with the voice work of the extremely talented Lars Mikkelsen, Thrawn is easily one of my favourite things about the show’s last two seasons and was a fantastic addition to the plot.

Disney also decided to include Thrawn in their slowly building collection of Star Wars novels, with a whole new Thrawn trilogy commissioned from Timothy Zahn. Given the unique opportunity to have a second go at introducing one of his most iconic creation, Zahn has so far written two books in this series, Thrawn and Alliances. I read and reviewed Alliances last year, but I unfortunately missed getting a copy of Thrawn when it first came out. With the third and final book, Treason, coming out at the end of July, I decided to finally go back and check out an audiobook copy of Thrawn.

In the Star Wars Legends canon, Thrawn was active for a long period of time, essentially from before the events of Attack of the Clones until several years after the events of Return of the Jedi, with a lengthy service in the Imperial Navy. In this book, however, Zahn has to reintroduce his character in a much earlier and compacted period of Star Wars history, as his character could only have come to prominence between Revenge of the Sith and the third season of Star Wars Rebels in the Disney canon. I was quite keen to see this new version of the character, especially as Zahn gets to once again show how an alien managed to rise to the highest of ranks in the xenophobic Imperial military.

Several years after the fall of the Galactic Republic and the Jedi, the Empire reigns supreme throughout the galaxy and is always looking to expand its control. A routine survey of an unexplored world in Wild Space uncovers a small, ramshackle settlement with items featuring writing in an unknown alien language. As the Imperial survey team investigates, they find themselves under attack from an unseen adversary who manages to inflict heavy causalities with minimal resources. Retreating back to their ship, the Imperials discover that their attacker, a blue-skinned, blue-haired alien, has stowed away on their transport. The alien identifies himself as Mitth’raw’nuruodo, a member of the Chiss Ascendency, a legendary race from the Unknown Regions. The Imperial commander takes Mitth’raw’nuruodo, or Thrawn, to Coruscant to be presented to the Emperor, who he impresses with his tactical ability and his mysterious connection to the Clone War General, Anakin Skywalker.

Taking Thrawn into his service, the Emperor makes him an officer in the Imperial Navy, along with his translator, cadet Eli Vanto. As Thrawn and Vanto are first enrolled in the Imperial Naval Academy and then assigned junior roles on a ship, they face opposition and resentment from other members of Navy. However, thanks to Thrawn’s unparalleled tactical and strategic mind, as well as his ability to understand and predict the actions of his opponents on the battlefield, the two are able to rise in the Imperial hierarchy.

As Thrawn is quickly promoted up the ranks, he starts to become obsessed with the enigmatic Nightswan, a brilliant rogue tactician who has been helping criminals and dissidents defy the Empire across the galaxy. At the same time, Thrawn’s inability to understand the political realities of the Imperial Navy proves to be a major threat. Luckily the politically ambitious Arihnda Pryce is willing to provide help, as long Thrawn assists with her plans to gain political power and become governor of her home planet of Lothal. As rebellion spreads through the galaxy, Thrawn leads the assault to cut it down as he heads towards his promotion as Grand Admiral.

This was a pretty outstanding novel. I absolutely loved Thrawn and it is probably the best canon Star Wars novel in that I have so far had the pleasure of reading. Zahn did an amazing job revamping his iconic character by presenting a fantastic new story that not only harkens back to the author’s original novels but also fits the character perfectly into the Disney timelines. Thrawn is an excellent balance of character work, action, political intrigue and exploration of the Star Wars universe, all of which adds up to an incredible novel that I was nearly unable to stop listening to and which results in an easy five-star rating from me.

The events of this book take place over the course of nine years, between the events of Revenge of the Sith and A New Hope. More specifically, it starts 11 years after Revenge of the Sith, and continues directly at the start of the third season of Star Wars Rebels, approximately two years before A New Hope. Thrawn is split into two separate storylines: one that follows the rise of Thrawn through the Imperial Navy and another that focuses on the machinations of Arihnda Pryce as she becomes governor of Lothal. The Thrawn storyline is mostly told from the perspective of Thrawn’s companion, Eli Vanto, although a few chapters are shown from Thrawn’s perspective alone. While the two storylines start off showing Thrawn and Pryce’s separate rises to power and are not initially connected, once the two characters start working together, their stories mesh together a lot more. While I had a stronger preference for the parts of the book focussing on Thrawn, I did quite enjoy the sections focusing on Pryce, as they had some compelling elements and showed a different side of the Empire. The two separate storylines mesh together quite well, and together they tell a complete and intriguing story that highlights how the characters obtained the relevant positions in the Imperial hierarchy that they had when introduced in Star Wars Rebels.

At the heart of this book is the focus on Thrawn, an absolutely amazing central protagonist, whose escapades and adventures are some of the best parts of the book. Zahn has done an amazing job reinventing Thrawn for this new era of Star Wars history, keeping all the character traits that made him such a hit in the original expanded universe, while fitting his character timeline into a much shorter period. Thrawn is still the same highly intelligent alien with an unmatched tactical mind and an appreciation for the culture and art of the various people he encounters. However, in this universe, he achieves his rank of Grand Admiral in a far shorter period of time. Starting with his rescue on a remote planet after ambushing Imperial forces (the entire scene is a rewrite of Zahn’s 1995 short story, Mist Encounter, although with a few necessary changes), this book shows him joining the Imperial Academy, and then climbing the ranks all the way up to Grand Admiral within a few short years. The entire story of Thrawn’s early career in the Imperial Navy is absolutely fascinating, and I really enjoyed this look at the character’s history, especially as his rapid promotions were due to the multiple intriguing military actions he oversaw. His entire storyline is extremely well paced out, and the reader gets a full story that is incredibly captivating. This was a really clever reimagining of the character’s history, and it is a great story to tell.

Zahn does a great job showcasing Thrawn as an utterly brilliant individual who is clearly smarter than everyone else he encounters. There are some great characteristics to Thrawn, like the way he is able to get into his opponents’ heads and anticipate their actions and intentions. His shear analytic ability is showcased so many times throughout the book, most notably in the way that he analyses the emotions and body language of all the people he encounters. For example, whenever Thrawn is talking with someone, the reader gets a short description of the facial reactions or emotions that the character talking to Thrawn is exhibiting. I’m unsure what this looks like in the hard copy of the book, but in the audiobook version the narrator uses his chilling Thrawn voice rather than his baseline narrator voices. From these short descriptions, the reader gets an idea of what Thrawn thinks the other character is thinking, and it is deeply fascinating to see how this affects Thrawn’s actions. I loved that the author continued to show how Thrawn gains insight into a people’s culture and personalities through their art. Throughout the book, Thrawn is shown appreciating a potential opponent’s art and culture, and then using the conclusions and observations he gleams from the items to alter his strategies or the way that he deals with them. This is a fantastic character trait that I am glad Zahn continued to use in his works.

Probably one of the best things about the character of Thrawn in this book is the inventive and brilliant strategies that he comes up with to defeat his enemies. Throughout the course of the book, Thrawn utilises some deeply inventive plans for both large-scale conflicts and smaller battles, and it is always very entertaining to watch these plans come to fruition. I loved some of the strategies that Thrawn used in this book; whether he is swamping a shielded fortress with artificial tidal waves or using Clone Wars era buzz droids to take out a pirate ship, the end result is just spectacular. In many ways, the Thrawn in this book is a bit like Sherlock Holmes, if Sherlock worked for an evil space empire. His opponent, Nightswan, is essentially Moriarty (a man nearly as smart as Thrawn, who sells his tactical abilities to members of the underworld), and the author uses this to make the battle scenes even more intense, as a brilliant attack from Nightswan is countered by an even more sophisticated move from Thrawn. In addition, Thrawn also has a loyal sidekick in Eli Vanto, who is essentially the Watson to Thrawn’s Sherlock. Not only are there certain similarities between the two within the story, such as the way that Thrawn takes Vanto and train him in his methods, turning Vanto into an extremely competent strategist, but Zahn also uses him in a similar literary way to Watson in the Sherlock Holmes novels. Vanto is used as a proxy for the audience, so when he questions Thrawn on how he came up with his plans or anticipated his opponents, the audience gets a full explanation within the scope of the story. Thrawn was an extremely awesome character in this book, and his presence helps turn this into an outstanding read.

In addition to the character of Thrawn, Zahn also looks at Governor Arihnda Pryce, another major antagonist from Star Wars Rebels. Zahn spends a good amount of time showing Pryce’s past and how she went from a nobody to a powerful planetary governor with major political connections and a history working with Grand Admiral Thrawn. I liked this look at Pryce; her story is pretty compelling and it offers a great look at the political side of the Empire. Pryce is already a pretty despicable character in Star Wars Rebels (she is responsible for the tragic death of one of the main characters), but this book does a masterful job of showing just how evil she is. While it starts off showing her experiencing early hardship and difficulties, she quickly stops being a character you can root for the moment she has any sort of power within her grasp. The way she turns on her friends and her extreme act of self-preservation towards the end of the book are pretty dark, and you cannot help but dislike the character even more after reading her full arc in this book. This was some really good character work, and Zahn does an amazing job showcasing Pryce’s motivations and despicable nature.

If you are a fan of massive and electrifying space battles, there is a lot for you to love in Thrawn. Zahn has packed this book with a huge number of large and impressive battles between Imperial ships and the various pirates and rebels that are encountered throughout the story. There are some really fun ship-to-ship battles throughout this book, and they are absolutely spectacular to watch unfold. Thanks to the brilliant adversary that Thrawn faces for most of the book, the characters face some unique opposition, such as Clone War era ships, like the vulture droids, and an impressive island base with massive guns. These result in some amazing sequences, especially when Thrawn comes up with a surprising strategy to defeat the opposition. I had a lot of fun listening to these battle sequences, and they are a real highlight I feel that many readers will enjoy.

Thrawn takes quite an interesting look at certain parts of the Star Wars universe, and fans of the series will enjoy the author’s canonical deep dive into the Empire at the height of its power. Quite a lot of time is spend showcasing the ins and outs of the Imperial Navy, and readers get a good idea of how it operates and its system of command as the main character rises through the ranks during the course of the book. In addition to the military side of the Empire, the storyline focusing on Governor Pryce highlights how brutal Imperial politics is during this period, as she attempts to gain power and influence. Zahn also includes a number of key characters from Star Wars lore and inserts them into his story. Characters such as Grand Moth Tarkin and Colonel Wullf Yularen (a background Imperial character in A New Hope who was given an expanded role in The Clone Wars animated show) are used quite successfully in this book and offer some interesting insights into additional aspects of the Empire. There are also the obligatory hints at the Death Star (seriously, nearly every piece of Star Wars fiction set in the period has some mention of a “secret Imperial project”) and other elements of the Star Wars movies. I quite enjoyed this intriguing look at the Empire between the events of the first two trilogies, and it helped with the story.

Like most Star Wars tie-in novels, Thrawn is intended more for dedicated fans of the franchise, although I felt that this book would be particularly accessible to those readers with only a basic knowledge of the Star Wars franchise. Zahn does an excellent job explaining key aspects of the Star Wars universe that fans who are only familiar with the movies might not understand, and the book features some really fun and exciting moments. As a result, this might be the perfect book to try if you are interested in exploring the Star Wars expanded universe for the first time, especially if you happened to enjoy Thrawn in Star Wars Rebels. There really is so much in here for dedicated Star Wars fans to enjoy, and those readers who grew up with Zahn’s original Thrawn trilogy will no doubt be extremely curious to see this new version of the character.

Like most of the Throwback Thursday books I review, I chose to listen to the audiobook version of Thrawn rather than read the physical copy. The Thrawn audiobook is narrated by veteran Star Wars audiobook narrator Marc Thompson and runs for 16 hours and 56 minutes. I have mentioned before that listening to a Star Wars audiobook is an intriguing experience, as the productions are filled with all manner sound effects, including a number of iconic sounds from the Star Wars franchise. Thrawn continues this tradition, featuring a huge number of sound effects in pretty much every scene. These sound effects are really effective at creating an ambiance and atmosphere, and the reader gets a whole other experience of the events occurring in the book. This includes a background susurration during parties and large gatherings or the sound of blaster fire during a battle sequence. While I really love how most of these sound effects work, I did have a slight issue with an effect used to alter the voices of a certain alien species. The producers added a high-pitched screeching echo to the voices of the aliens known as the Afe in order to simulate their unique vocal patters as described in the book. However, this sound effect is extremely distracting and unpleasant, and I found it hard to listen to the dialogue of the Afe characters. While these characters were only in the book for a short while, their voices were extremely memorable and it is hard to forget that screeching sound. On the plus side, the audiobook also featured several pieces of John Williams’s epic music from the Star Wars films at key parts of the book, which helped enhance several of the scenes and bring the audience into the story.

In addition to all the sound effects and music, the Thrawn audiobook also featured the vocal talents of narrator Marc Thompson. Thompson is an extremely talented voice actor, and his work in Thrawn was pretty amazing. He has an excellent voice for the character of Thrawn that not only sounds like Lars Mikkelsen from Star Wars Rebels but which also carries all of the character’s intelligence and charm. Thompson comes up with a great voice for Eli Vanto, utilising an accent that screams space yokel and which stands out from the voices of other Imperial characters in this book. I was also quite impressed with how Thompson was able to imitate key characters from the Star Wars universe. For example, Thompson does a great Emperor Palpatine voice and also comes up with passable imitation of Grand Moth Tarkin. I felt that Thompson really got the heart of many of the characters he narrated, whether by showcasing Thrawn’s cool intelligent manner or by replicating the arrogance that comes off many of the book’s Imperial characters. As a result, I would wholeheartedly recommend the audiobook version of Thrawn, as not only do the producers continue to make good use of sound effects and music, but they also use an amazing narrator to bring this story to life.

I had an absolute blast going back and listening to Thrawn for the first time. This is an exception piece of Star Wars fiction and Zahn does an outstanding job bringing his iconic character, Grand Admiral Thrawn, into the new Disney canon. Featuring a ton of amazingly entertaining moments and some excellent character work, Thrawn is an exceedingly fun book that will prove to be extremely appealing to both hardcore Star Wars fans and novice readers. This was a wonderful five-star read, and I cannot wait to see how Zahn wraps up this trilogy.

Waiting of Wednesday – Loki: Where Mischief Lies by Mackenzi Lee

Welcome to my weekly segment, Waiting on Wednesday, where I look at upcoming books that I am planning to order and review in the next few months and which I think I will really enjoy.  Stay tuned to see reviews of these books when I get a copy of them.

I am a man that loves a good and complex anti-hero story, so for this week’s Waiting on Wednesday I check out an absolutely spectacular-sounding book that is set to be released in September 2019: Loki: Where Mischief Lies.

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Loki: Where Mischief Lies is the first of three young adult novels that acclaimed author Mackenzi Lee has been contracted to write by Marvel Comics. Each of these books will focus on a different Marvel anti-hero and will feature a historical setting. The first of these anti-heroes is the master of mischief himself, Loki, Prince of Asgard, who, thanks to the Marvel Cinematic Universe, has to be one of the most popular comic book villains at the moment.

Even before Tom Hiddleston brought him to life with some significant swagger in the MCU, the character of Loki has been a major figure in the Marvel Comics universe. A re-imagining of the Norse god of mischief, Loki is portrayed as a powerful magician who battles against his brother, the superhero Thor, out of jealousy or for control of Asgard or the world. He has been a recurring Marvel villain for over 60 years and is the villain responsible for the formation of the Avengers. Over the years, a large amount of complexity has been added to his character, with some significant developments to his motivations and history, and a number of notable shifts in his allegiance and relationship with Thor and the rest of Asgard. As a result, I am quite eager to see any sort of novel written about Loki, especially one that sounds as awesome as this one.

Goodreads Synopsis:
Before the days of going toe-to-toe with the Avengers, a younger Loki is desperate to prove himself heroic and capable, while it seems everyone around him suspects him of inevitable villainy and depravity . . . except for Amora. Asgard’s resident sorceress-in-training feels like a kindred spirit-someone who values magic and knowledge, who might even see the best in him.

But when Loki and Amora cause the destruction of one of Asgard’s most prized possessions, Amora is banished to Earth, where her powers will slowly and excruciatingly fade to nothing. Without the only person who ever looked at his magic as a gift instead of a threat, Loki slips further into anguish and the shadow of his universally adored brother, Thor.

When Asgardian magic is detected in relation to a string of mysterious murders on Earth, Odin sends Loki to investigate. As he descends upon nineteenth-century London, Loki embarks on a journey that leads him to more than just a murder suspect, putting him on a path to discover the source of his power-and who he’s meant to be.

There are so many amazing elements to unwrap in the plot synopsis, but the bottom line is I think I am going to like this. Not only do we have a comic book novelisation focusing on an amazing character, but we have Loki investigating murders in 19th century London. Historical fiction is one of my favourite genres, and a murder mystery in 19th century London is always a great basis for a good story. Combine that with comic book shenanigans and a young Loki investigating the crimes, and you have a book with insane amounts of potential.

I am also quite excited by the choice of author for this trilogy. Mackenzi Lee is a fantastic author known for her unique and powerful novels, most of which are set in 19th century England. I am very much looking forward to seeing her take on the character of Loki, and I cannot wait to see what sort of backstory and conflicted thought processes she attributes to this amazing character.

One of the things about Where Mischief Lies that is getting a lot of attention is the author’s apparent intention to make Loki a genderfluid and pansexual character. This is based on a tweet from December 2017, in which Lee responds to someone’s question about Loki being queer in her upcoming book. Lee correctly points out that Loki “is a canonically pansexual and gender fluid character” and then ends it with “So.”. Based on that, quite a lot of people are assuming she will explore this aspect of the character in her book. Loki’s gender identity and sexuality have been featured in many comics, with the character reincarnating as a female several times, and there are also some examples of Loki romancing members of various genders. I am quite interested in seeing how much of this is explored in Where Mischief Lies, and I am sure it will result in quite an intriguing part of the story.

I am uncertain whether I will grab a physical copy of this book or try to get it on audiobook. While I love the awesome cover for Where Mischief Lies and imagine it would look great on a hardcover book, I do love a good audiobook and I have had excellent experiences with comic book based audiobooks in the past. They have also gotten Marc Thompson, one of the best Star Wars audiobook narrators, to narrate this book. I have recently finished listening to one of his Star Wars audiobooks and would be really intrigued to see what voice he would attribute to Loki and the other iconic Marvel characters.

This has the potential to be an outstanding novel, and I am really looking forward to seeing how Lee tackles the character of Loki. The plot of this book sounds like a huge amount of fun, and I am sure there will be some amazing story and character developments throughout the book. I think this is going to be one of the best tie-in novels of the year and I plan to get it as soon as it comes out.

Stranger Things: Darkness on the Edge of Town by Adam Christopher

Darkness on the Edge of Town Cover.jpg

Publisher: Century (Trade Paperback – 4 June 2019)

Series: Stranger Things

Length: 411 pages

My Rating: 4 out of 5 stars

With the third season of the sensational and entertaining television show Stranger Things fast approaching (4 July cannot come fast enough), another tie-in novel, Darkness on the Edge of Town by Adam Christopher, has been released and offers another intriguing look into the wider Stranger Things universe. This story heads back into 1970s and focuses on the life of Hawkins police Chief Jim Hopper, portrayed in the show by David Harbour, and presents a thrilling and curious new adventure.

Stranger Things is one of the hottest televisions shows on at the moment, featuring a captivating plot, some incredible characters, amazing young actors and the fun use of 1980s nostalgia, all of which come together into one hell of a show. With the final season of Game of Thrones just wrapped up, the third season of Stranger Things is the next big release I am looking forward to (with the possible exception of Good Omens), and I fully intend to binge-watch it the weekend it comes out. It is not surprising that some tie-in material has been released to capitalise on the success of the show, and, truth be told, they have actually been a little restrained with it, with only one tie-in novel and one comic book series released so far. While I have not had a chance to the read the comic book series, The Other Side, which looks at Will Beyers’ time in the Upside Down in Season 1, I did previously read and review the first official Stranger Things tie-in novel, Suspicious Minds by Gwenda Bond, a few months ago. Suspicious Minds was set back in 1969 and looked at how Eleven was born and then subsequently stolen by the US Government, and it proved to be quite a thrilling read which explored some fascinating backstory to the television show.

As a result, I was very keen to check out what the next Stranger Things tie-in novel was like and what secrets it might reveal about the show. Darkness on the Edge of Town is set to be released on 4 June 2019, exactly one month before the release of Stranger Things’ third season, which is going to be set around Independence Day in 1985. Another Stranger Things book, which I will also try to get a copy of, Runaway Max, is also due out on 4 June, and this book will be aimed at a young adult audience.

Darkness on the Edge of Town was written by New Zealand-born author Adam Christopher, who has some experience with tie-in novels, having previously written three books that tie in to the Dishonoured video game and two books that tie in to the Elementary television show. Christopher is probably best known for his 2012 debut novel, Empire State, as well his Ray Electromatic Mysteries and Spider Wars series. I have not previously read any of Christopher’s work before, but several of his books, especially Empire State (a noir superhero thriller with parallel words, yes please!), sound like a lot of fun and I may have to check them out in the future.

Darkness on the Edge of Town’s story starts in December 1984, around two months after the end of the second season of Stranger Things. While enjoying a quiet Christmas with his adopted daughter, Eleven, Jim Hopper is suddenly brought back to his past when Eleven pulls out a cardboard box marked “New York”. Despite his reluctance, Hopper begins to tell Eleven the story of the greatest case he solved before tragedy forced him back to Hawkins.

On Independence Day in 1977, after returning from the Vietnam War, Jim Hopper is living in New York City with his wife, Diane, and his daughter, Sara. While the city deals with bankruptcy and a heatwave, Hopper, a rookie NYPD detective, finds himself investigating a series of brutal, ritualistic murders with his new partner, Rosario Delgado. The murderer has already killed three people, leaving a mysterious card at each crime scene. Before Hopper and Delgado can make any progress, their investigation is shut down by shadowy federal agents who order them off the case. Disobeying orders and putting his career on the line, Hopper continues to investigate the murders and is able to connect the deaths to the mysterious leader of the Viper gang, who is reputed to have paranormal powers. Going undercover to infiltrate the Vipers, Hopper makes some startling revelations about the scope and devastation of the gang leader’s sinister plans, and he must do everything he can to protect his city from an upcoming evil.

This was quite an interesting and engaging novel from Christopher, who not only manages to examine some interesting aspects of the Stranger Things television show but also creates his own intriguing story set during an interesting time in American history. The story is split between two separate time periods. Some of the story is set in December 1984 and follows the older Hopper as he tells the story to Eleven, while the majority of the book is set back in 1977 and follows Hopper and his partner as they investigate the brutal murders and the Vipers. Most of the book comes across as a dark murder mystery thriller that also spends significant time examining the psyche of its protagonist. I quite liked the murder mystery angles of the 1977 storyline, and it provides an interesting counterpoint to the more science fiction/horror/young protagonist focus of the television show.

The previous Stranger Things novel, Suspicious Minds, explored in detail events that featured in the show in flashbacks. Darkness on the Edge of Town, however, is a character study that may not have too much relevance to franchise’s overall story. While this might not appeal to some Stranger Things fans, it does allow Christopher a lot more freedom to explore the character of a younger Hopper. The result is a fantastic story that dives deep into the psyche of this great character and really lets the reader see what drives Hopper and what initially convinced him to become a police officer. There are some amazing parts to this examination of the character, but I personally liked the way that Christopher decided to focus on the lasting effects of Hopper’s service in Vietnam. This is explored in some detail, and the reader gets a really good idea of how emotionally vulnerable Hopper was even before his daughter became sick and his wife left him. I also thought that the author did a great job showing Hopper’s relationship with Eleven in the 1984 storylines, and their oddball father-daughter relationship comes across quite well.

In addition to the focus on the character of Hopper, this book also contains a few plot points that tie into the wider Stranger Things universe. The contents of the mysterious box Hopper had hidden in his house, which Eleven uncovered in Season 2, becomes a major part of this book’s story. In addition, there are several things that could potentially become significant in the future, and which the reader can leave to their own imagination. The first thing that comes up is a physic prediction about clouds or tendrils of darkness covering the world, mentioned a few pages in and repeated throughout the book. While events that occur later in the book do fit in with some of these predictions, the imagery of the Mind Flayer from the show comes to mind every time this vision is mentioned, and in some ways, it fits the predictions a little better. In addition, quite early in the book the antagonist is rumoured to have mental abilities as a result of government experiments. For a large part of the book, the reader is left wondering whether he actually has abilities like Eleven and, if he does, how he is connected to the institute that Eleven was being tested in. All of these, plus some other great references, will prove to be deeply appealing to fans of the television show, and I will be really intrigued to see if any of these references might appear in the third season of the show (do these authors have the inside track on the series?).

One of the most interesting parts of Darkness on the Edge of Town was its setting in 1970s New York City. The 1970s, especially 1977, were a pretty chaotic period in the city’s history, which serves as an excellent backdrop to this dark and gritty tale. Not only was the city suffering through a severe economic downturn but there was also a tremendous heatwave, especially in July of 1977, when the vast majority of the storyline is set. The Son of Sam killer was also active during this time, a fact commented on in several parts of the book, which also ties into the darker ‘70s crime nature of this book. I liked the way that Christopher was able to bring the atmosphere of this period to life in his book, as well as the way he was able to tie the story into a certain major event that occurred in New York in July 1977. This great use of setting really added a lot to the story and helped turn Darkness on the Edge of Town into quite a compelling read.

One of the reasons why Stranger Things is such a success is the show’s writers and creators have such an amazing ability to channel its viewers’ nostalgia for the 1980s into each episode. Writers of these tie-in novels also attempt to capitalise on this nostalgia by highlighting aspects of that decade’s culture in their writing. I previously felt that Gwenda Bond did an amazing job of that in Suspicious Minds, and Christopher also did his job exploring parts of that culture, specifically when it relates to New York City. As a result, there are several fun references to relevant movies, television shows, books, sports and music for fans of the 1970s to notice and reminisce about. Whether the characters are having fun thoughts about M*A*S*H or cheeky discussions about whether Princess Leia will end up with Luke or Han in Star Wars, there are some really fun inclusions throughout the book, and Christopher luckily does not go too overboard loading his story up with these references. I personally quite liked the way that the author envisioned the New York City gangs at this point, and the main one that Hopper encounters has a very Warriors vibe around it. An extended sequence later in the book kind of put me in mind of Escape from New York (although that was released in ’81). I really enjoyed the strong nostalgia included in the book, and it added a certain amount of fun to the book that fans of the show will greatly appreciate.

Darkness of the Edge of Town is a fantastic new addition to the burgeoning Stranger Things extended universe, and Adam Christopher does an amazing job of exploring one of the show’s main characters. The author’s examination of Jim Hopper is a deep and emotional dive into the character’s psyche, and it proves to be an effective and compelling centre to this book. Christopher is also able to utilise ’70s nostalgia and fan interest in the franchise quite effectively and turn this into an excellent tie-in novel to this complex and enjoyable show. The end result is an excellent character-driven story that will greatly appeal to fans of Stranger Things. This book is really worth checking out, especially before the third season of the show is released, and I look forward to seeing what other tie-in novels Christopher produces in the future.