Category: Comedy/Satire

Guards! Guards! by Terry Pratchett

On By The Unseen LibraryIn Audiobook, Comedy/Satire, Extended Universe, Fantasy, Five-Star Books, Murder Mystery, Throwback Thursday14 Comments

Publisher: Gollancz/Penguin Audio (Audiobook – 1989)

Series: Discworld – Book 8 / City Watch – Book One

Length: 13 hours and 29 minutes

My Rating: 5 out of 5 stars

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I recently revisited one of my favourite books in Terry Pratchett’s iconic Discworld series, Guards! Guards!, and I just had to review it to showcase how much fun this series can be.

I have never made any secret of the fact that I love all things Terry Pratchett as the Discworld books were one of the formative series of my youth.  A massively popular series set on a flat world carried through space on the back of a giant turtle and four elephants, the Discworld books present a range of unique fantasy adventures, backed with exceptional comedy and satire.  This series is so much fun, and I honestly love every single Discworld book, having read them all multiple times, usually while laughing myself silly.  Indeed, I am such a big fan of this series that I named my blog after a location in the universe.  Despite my overwhelming love for this series, I haven’t reviewed many Discworld books (the exception being Moving Pictures and The Last Continent).  That changes with my review of the outrageously funny Guards! Guards! which I recently enjoyed while on a road trip.

Guards! Guards! is a particularly entertaining addition to the Discworld series that I have a lot of love for.  Serving as the first book in the City Watch sub-series, Guards! Guards! sees Pratchett blend his typical fantasy and comedy elements with a complex murder mystery.  This book follows the ragtag city watch of this world’s main recurring city, Ankh-Morpork, as they try to solve a series of deaths caused by a monstrous murder weapon.  Due to its brilliant and hilarious story, as well as the fact that it perfectly sets up the rest of the awesome City Watch books, I generally consider Guards! Guards! to be one of my absolute favourite Discworld novels, and I have featured it in various Top Ten Tuesday lists over the years.

On the fantastical and impossible Discworld no place is more dangerous, corrupt or morally unhealthy as the legendary and stinking city of Ankh-Morpork.  The Disc’s largest city, Ankh-Morpork has many terrors haunting its urban depths, where life is cheap and death lurks around every corner.  However, not even the hardest criminals, deadliest wizards or most manipulative politicians are prepared for an ancient and malevolent creature that is about to be unleashed upon the city.

A shadowy secret brotherhood has engineered an elaborate plan to seize power in Ankh-Morpork through use of an unlikely weapon, a dragon.  Summoning a fully formed fire-breathing dragon to cause terror, the brotherhood hopes to use the resulting carnage to bring in their own puppet to control the city.  However, the dragon has its own ideas about what sort of terror it wants to bring down on humanity.

With the rest of the city powerless against the dragon, it falls to the ramshackle Ankh-Morpork Night Watch and its depressed captain, Sam Vimes, to try and stop it.  The only problem is the Watch are the biggest joke in the city, incapable of standing up to normal crime, never mind carnage caused by magical dragon.  But with an unnaturally keen new recruit guilting them into action, and a terrifying dragon fanatic with a crush on Vimes keeping them in line, the Watch is going to try and save the day, even if no-one wants them to.

Guards! Guards! still reigns supreme as one of my top Discworld novels from the always impressive Terry Pratchett.  Featuring a unique plot, loaded with an outstanding mix of mystery, humour and fun fantasy elements, Guards! Guards! brilliantly sets up one of Pratchett’s best sub-series while presenting its own epic and powerful story.  An exceptional read from start to finish, this book gets a very easy five-star rating from me, and I love it so damn much.

The plot of Guards! Guards! is so damn clever and is peak Pratchett in its inventiveness and impressive characters.  Presenting an entertaining and humourous noir murder investigation in a fantasy series, Guards! Guards! has a lot of moving parts to it, including some impressive character-driven story arcs, all of which come together beautifully for a particularly intense and insane story.  Starting off very strong with some great introductions to various key characters, including the young and keen Carrot Ironfoundersson, who journeys to the massive and corrupt city of Ankh-Morpork to join the Night Watch, providing fresh blood, irrepressible honesty and uncontrolled enthusiasm to the small squad of rejects and failures currently staffing it.  Carrot’s arrival corresponds with the start of a bold conspiracy, as a secretive mystic brotherhood plots to dethrone the Patrician and take over the city.  The initial scenes of this book are extremely good, and I love how Pratchett expertly sets up the entire narrative with some hilarious moments, including the opening sequence with the Elucidated Brethren of the Ebon Night, whose petty ideology shows you just what sort of criminal minds we are truly dealing with.

Things go in a chaotic direction as the Night Watch, led by the drunk and depressed Captain Vimes, witness a direct murder by dragon and begin their own investigation into the matter.  Pratchett expertly pivots the story around from its comedic fantasy start into a complex police procedural/noir murder investigation, as the protagonists try to find out why the dragon is terrifying the city and who benefits from the apparent crime.  At the same time, several great character arcs emerge, including a truly nice, if unconventional romance, new friendships, and a fun analysis of dragon mythology.  There is a great twist about halfway through the book as the down-and-out Night Watch witness an interesting change to the classic dragon fantasy tale that sees a unique king take over the city.

The final third of the book is some of Pratchett’s strongest writing, as Vimes identifies the true culprit and must work to undo the damage they caused.  There are some great moments in this last part of the book as Pratchett presents his own unique and hilarious take on classic fantasy tropes, including the famed million-to-one shot, the heroic rescue, and the successful defeat of a dragon.  I felt that the identity of the main villain of the story was very clever, and Pratchett sets it up well with subtle clues, although if you know Pratchett’s thoughts on certain government positions it’s not too surprising.  Still, the final confrontation between the protagonists and this villain is great, and being literal has never been so deadly.  Pratchett leaves Guards! Guards! on a hopeful note, and it’s impossible not to come away with a smile on your face.

Pratchett was really on-point when it came to writing Guards! Guards! and I loved how perfectly it came together.  As with all books in the Discworld series, Guards! Guards! features an exceptional mixture of fantasy and humour elements, as the unusual and cynical Discworld produces some unusual situations, layered in with a great plot and some fantastically complex characters.  A lot of the humour is derived from classic fantasy scenarios that are taken up to 11 and shown in outrageous manners, accompanied by sarcastic comments from the characters as they witness them.  For example, this book serves as an ode to the guards and watchmen from classic fantasy fiction, and there are some funny scenes when these self-aware guards realise how expendable they are in a fantasy story.  However, Guards! Guards! also features a brilliant third element as Pratchett also features a compelling crime fiction read, accompanied with an addictive murder mystery.

The blend of fantasy and crime fiction elements works incredibly well, and it is highly entertaining to watch a serious investigation consider magic, suddenly appearing dragons, and the unique background setting of Ankh-Morpork.  I also loved how many clever and subtle jokes Pratchett was able to weave in because of these crime fiction inclusions, and he ends up lovingly roasting so many classic tropes from police procedurals and noir detective novels.  Despite having read this book many times, I still laugh like crazy at all the humourous moments in Guards! Guards!, especially as you always discover a new joke or pun you previously missed.  I honestly don’t have time to list all the funny scenes in Guards! Guards!, but favourites include the various meetings of the petty and mostly incompetent Elucidated Brethren, Carrot’s naïve overreactions upon discovering crime in the city, and various musings on how to achieve a perfect, million-to-one chance.  Pratchett once again expertly backs up his humour in Guards! Guards! with a series of entertaining footnotes spread throughout the book, that prove to be nearly as much fun as the main story.  These brilliant footnotes contain additional jokes, sarcastic comments, or interesting expansions of the Discworld universe, and they always bounce off the main story perfectly, providing extra laughs and food for thought where necessary.  I really cannot emphasise just how well this blend of genres worked with Pratchett’s unique and endearing humour, and it proves impossible not to have an exceptional time while reading this book.

As with most Discworld books, Guards! Guards! works exceedingly well as a standalone novel, and I feel that anyone wanting a laugh could easily jump in and follow the story without any issues.  Due to its early position in the shared Discworld universe, you don’t have to know anything about the other entries in the overarching series to jump right in, as Pratchett goes a tad light on some of the more outrageous Discworld elements.  As such, I consider Guards! Guards! to be one of the very best entry novels to new Discworld readers.  It also proves to be a brilliant first book in one of Pratchett’s best sub-series, and so many key details of the subsequent City Watch books are introduced here.  This includes some excellent early looks at the chaotic city of Ankh-Morpork and key recurring characters in the larger universal plot.  Ankh-Morpork is a great background setting for Guards! Guards! and it was the first book completely set within the bounds of the city.  I loved seeing this crazy city in even more detail, and all the fun elements set up here help to make it an epic setting.  As such, this is a great book for any Discworld reader, new or old, and it’s one of my favourites for very good reason.

As with pretty much all of Pratchett’s works, the key things that made Guards! Guards! so impressive were the amazing and unique characters that were featured throughout the plot.  Pratchett had a real knack for producing complex, multi-layered figures who can be both comedic and tragic at the same time, and who you couldn’t help but love.  Guards! Guards! was a particularly good example of this, as Pratchett featured a range of brilliant and entertaining characters who would go on to be become major recurring figures in the Discworld canon.  Indeed, Guards! Guards! is one of the most significant books for new characters, and it is frankly amazing how many exceptional major and iconic figures were introduced here.  Each of these characters were so well written, and you have to love both their specific arcs in this book, as well as how they were expanded on in later works.

The most prominent character in Guards! Guards! is Captain Samuel Vimes.  A cynical and damaged man whose habit of calling out social inequities has seen him assigned to the joke position as head of the Night Watch, which he deals with by drinking vast amounts of alcohol.  A parody of every hard-drinking cop and private eye in classic noir fiction, Vimes starts the book with no prospects and too many dead friends.  Given new purpose when the dragon appears in the city, Vimes turns his innate rebellion to a purpose and tries policing and detecting.  Pratchett does an exceptional job setting up Vimes here in Guards! Guards!, and it is no wonder he goes on to be one of his top protagonists.  Vimes’s depressed investigative method proves quite successful, and it was entertaining to watch Vimes attempt to solve the case while sarcastically calling out his fellow citizens’ base stupidity and selfishness.  Pratchett also sets up an impressive redemption arc around Vimes, which comes about through a combination of trusted colleagues, romance, and a renewed determination to uphold the law.  While he ends the book still irritated with the world, the road forward to Vimes doing bigger and better things is well established, and you really get drawn into his arc as a result.

Another impressive character is naïve and innocent City Watch recruit, Carrot Ironfoundersson.  Due to his complex home situation and a late life revelation that he’s human rather than a dwarf (being six and a half feet tall wasn’t a clue to him), Carrot is sent to Anhk-Morpork with a desire to become a watchman, which he incorrectly believes is a noble calling.  Thanks to his literal personality and highly moral upbringing, Carrot proves to be an anathema to the lawless folks of Anhk-Morpork, as he comes to town bringing justice, enforcing obscure laws, and actually arresting thieves: “change your ways”.  A brilliant parody of ultra-righteous fantasy kings, Carrot serves as an outstanding comic relief for much of the book, especially when it comes to his wholesome interactions with the exceedingly criminal inhabitants of the city.  However, beneath his comedic cover, Carrot is written as a complex figure of change, and his ability to inspire the other characters, either through guilt or determination, leads to some big moments.  Pratchett did an amazing job with Carrot in Guards! Guards!, and it was fascinating to see how he evolves from his initial innocent personality, to a more clever, but still determined, character.

Aside from Vimes and Carrot, the other two watch characters are Sergeant Fred Colon and Corporal Nobby Nobbs, both of whom are excellent and solid comedic characters.  The stereotypical fat sergeant and dodgy corporal, Pratchett has fun setting them up as unassailable fixtures of the Night Watch as they do the jobs nature intended for them, and I love how they play off each other.  While Colon has some hilarious scenes, including his attempt at archery and his various ill-timed run-ins with the dragon, you can tell that Pratchett had a lot more fun writing Nobby.  While not all his over-the-top characteristics from the series are shown in Guards! Guards!, Nobby is still a particularly entertaining figure.  Between his coarse language, petty criminal mindset, and uncharacteristic foppish behaviours, every scene with Nobby is highly amusing, and I love how Pratchett expanded off clever stereotypes about lifetime corporals to create this wayward figure.

Outside the members of the City Watch, there are a fantastic array of figures who help to make Guards! Guards! a particularly enthralling story.  This includes one of the few female characters in the book, Sybil Rankin, a dragon-loving heiress who ends up being Vimes’s unlikely love interest.  Deliberately written as the direct opposite of a noir femme-fatale in both personality and appearance, Sybil is a force of nature, using her accumulated nobility to pull the Night Watch, especially Vimes, into her orbit.  It proves impossible not to like Sybil as you watch her confidently go after Vimes or try to put the dragon to heel, and she ends up being one of the most complicated female characters that Pratchett wrote (which is saying a lot when you think of some of his other great female characters).

The other major character that I want to separately highlight is the Patrician of Ankh-Morpork, Lord Havelock Vetinari.  While he has appeared in previous Discworld novels (notably Sourcery), this is the first book that showcases him as a full character.  Generally depicted as a Machiavellian mastermind and one of the few people capable of controlling the chaotic city, Vetinari has some great early scenes.  However, it’s not until the second half of the book when you realise just how fantastic a character he is.  Deposed by the false king, Vetinari initially appears to be completely powerless in the dungeons, until Vimes is thrown in with him and begins to realise that he is still in control, especially as he’s managed to cultivate a new intelligence network (procured by providing wartime strategy to magical rats), while also getting locked in a dungeon specifically designed to keep him safe.  His subsequent scenes tormenting the book’s real antagonist and talking about the nature of humanity with Vimes really cement him as an impressive figure, and the seeds for his many later inclusions as the Disc’s ultimate political mastermind are well sown here.

While I know I’ve been going on a bit about characters (blame Pratchett for being such a good writer), I just need to highlight a few more figures who have a great role in Guards! Guards!.  This includes the Librarian, one of Pratchett’s most iconic characters, who proves to be just as much fun outside of a wizard focused book, and it was entertaining seeing him interact with a separate group of friends.  You get a great introduction to the character of Cut-My-Own-Throat Dibbler, whose mercantile tendencies are on full display here.  The unusual swamp dragon Errol proves to be an unlikely pet, and his arc about finding love and his true form was particularly heartwarming.  Finally, I must mention the book’s great antagonist, who fully embraces the mad tendencies that his position demands.  While I won’t go into too much detail about who he is, I will say I loved seeing his various internal rants about the world, and the scenes with his incompetent henchmen were so damn funny.  All these characters, plus even more hilarious figures, are instrumental to so much of Guards! Guards! brilliant charm and humour, and after being introduced to them here, it’s impossible not to follow them on their full journey.

I have had the pleasure of reading Guards! Guards! in a couple of different formats over the years, but to my mind the best way to enjoy this book, and indeed any Discworld novel, is on audiobook.  The Discworld audiobooks are something very special, and I find that the unique stories, excellent humour and elaborate characters really come across when read out by a passionate narrator.  With the recent re-release of various Discworld audiobooks, there are now two different unabridged versions of Guards! Guards! fans can enjoy, and I want to highlight them both here.

The first Guards! Guards! audiobook is the original version with the talented Nigel Planer, who narrated 22 of the original 23 Discworld audiobooks.  Guards! Guards! is one of his best performances, and it set the scene nicely for many of his subsequent Discworld audiobooks, especially as he settled on a lot of key character voices and tones here.  While it has been a little while since I’ve listened to Planer’s version of Guards! Guards!, I have enjoyed it so many times it is permanently engrained in my head (I used to grab the tape cassette version out of my local library all the time).  Planer, who does all the voices himself, really captures the essence of Pratchett’s storytelling and excels at expressing the author’s unique humour through his vocal work.  I also felt that his portrayal of many of the key characters was second to none, and he really brought to life all the City Watch protagonists, as well as some other long-running figures, in some impressive ways.  He would revisit many of these voices in multiple subsequent performances, and it is a testament to his skill that the initial tones he came up with here, worked so well in the later books.  I frankly have so much love for Planer’s original take on Guards! Guards!, which definitely still stands the test of time, and his excellent and heartfelt voice work defines many of the City Watch characters for me.

While Nigel Planers original version is perfect, current Discworld fans may be more familiar with the latest audiobook production of Guards! Guards!, which was part of a recent re-recording of all the Discworld books.  These new audiobooks each feature a different famous British performer voicing the main plot, while acclaimed actors Peter Serafinowicz and Bill Nighy have key roles in every single production.  While these have been out for a little while, I only just listened to my first one .  Coming in at a runtime of 13 and a half hours, which is a tad longer than the roughly 10-hour long Planer version, this Guards! Guards! audiobook was extremely fun, and it served as excellent entertainment on a recent road trip.

The new version of the Guards! Guards! audiobook is primarily voiced by British radio and television personality Jon Culshaw.  Culshaw is amazing in the role, and I was deeply impressed with his take on the Guards! Guards! characters.  Each unique character comes across extremely well in Culshaw’s capable hands, and I enjoyed his take on their unique characteristics and eccentric personalities.  He perfectly showcased protagonist Samuel Vimes’s drunken despair and depression, while various other key members of the watch, such as the extremely keen Carrot and the more cautious Colon, are shown extremely well.  I also felt that Culshaw did an incredible job with several complicated figures from the story, such as the infamous watchman Nobby Nobbs, who Culshaw gifts a gruff and weaselly voice that sounded a lot like David Bradley or Jon Pertwee.  His Lord Vetinari is also amazing, and the deep and threatening tones really capture the character’s dangerous nature.  Finally, I felt that his take on the main female character, Sybil Ramkin, was just perfect, and you really got the full blast of her big personality and excessive aristocratic characteristics.  Many of the other side characters were also perfectly portrayed to my mind, and I must highlight the excellent way in which he disguised the voice of the main antagonist during some key secret society scenes.

Culshaw’s primary narration is well backed up by Peter Serafinowicz and Bill Nighy in their respective roles.  Serafinowicz provides the voice of Death whenever he appears in this audiobook, which works out extremely well even with Death’s relatively minor role in Guards! Guards!.  Serafinowicz has an exceptional Death voice, and hearing it suddenly appear throughout Guards! Guards! is so damn epic, especially during one scene where Death is hiding amongst the soon-to-be deceased.  Nighy, on the other hand, narrates the various footnotes.  Nighy was a perfect choice for this, and his calm, consistent tones, echoing Peter Jones’s similar role in The Hitchhiker’s Guide to the Galaxy radio and TV editions really highlighted the subtle comedy of these footnotes.  I felt that all three of these distinctive actors really vibed together in the Guards! Guards! audiobooks, and the switch between them was seamless, allowing for a particularly awesome listen.  Throw in an interesting short afterword about fantasy elements by acclaimed author Ben Aaronovitch, and this proved to be a remarkable and compelling audiobook I could not get enough of.  While Nigel Planer’s original narration of Guards! Guards! is always going to live in my head rent free, I felt that this new version more than lived up to the hype surrounding it, and I really appreciated the unique and powerful performances these new narrators brought to the table.  Frankly both of the audiobook versions comes highly recommended by me, and it is impossible to be dissatisfied by them at all.

Whew, well in case you could guess from this massive review (it got away from me), I love Guards! Guards! and I have some very strong feelings for it.  One of Terry Pratchett’s best Discworld novels, Guards! Guards! is the perfect blend of fantasy, crime fiction and humour that you could ever want, and I always get wrapped up in its elaborate story.  A wildly entertaining and comedic novel from start to finish, Pratchett added so much heart to this book, and you get drawn into the impressive characters and compelling, crime fiction plot.  A brilliant start to the City Watch subseries, Guards! Guards! is so damn good, and I know I will be reading it many more times in my life.  I can think of no better way to emphasise just how amazing Guards! Guards! is than to mention that I used it to introduce the Discworld to my wife, who is now powering through the series on her own.  So do yourself a favour and check this book out now!

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How to Become the Dark Lord and Die Trying by Django Wexler

On By The Unseen LibraryIn Comedy/Satire, Fantasy11 Comments

Publisher: Orbit (Trade Paperback – 6 August 2024)

Series: Dark Lord Davi – Book One

Length: 395 pages

My Rating: 4.75 out of 5 stars

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Hilarious author Django Wexler presents one of the funniest and most memorable fantasy novels of 2024 with the deeply addictive How to Become the Dark Lord and Die Trying.  Serving as the first book in Wexler’s new Dark Lord Davi series, How to Become the Dark Lord and Die Trying was an extremely amusing book that has been on my radar for a while due to its amazing-sounding plot.

It’s a tale as old as time.  An ordinary human becomes trapped in a mythical fantasy realm and is subsequently lauded as the prophesied hero of legend, destined to rule the kingdom and defeat the conquering Dark Lord.  But what happens when the human protagonist gets sick of living and dying as the hero?

That’s the question that falls to Davi, a young woman who has become trapped in a bloody and predictable time loop.  Constantly forced to become the leader of the soon-to-be-destroyed humans of The Kingdom, Davi has tried time and time again to organise an army capable of defeating the oncoming and everchanging Dark Lord, only to fail and die in agony in over 200 inventive ways.  After nearly a thousand years of playing the hero and losing in brutal fashion, Davi has had enough and decides that if you can’t beat them, become them.

Determined to take control of her destiny, Davi sets out to do the direct opposite of every other loop.  If the Dark Lord always wins, then this time Davi will take her place at the top of the winning side and become the new Dark Lord herself.  But first she must pull together a band of followers from the various non-human races of the realm and bring her loyal minions to the Convocation where the new Dark Lord is chosen, far away in lands she’s never even seen.  Standing between Davi and her destiny lie multitudes of deadly landscapes, brutal enemies, and all manner of unique obstacles that a Dark Lord in training needs to overcome.  Armed with her wits, her accumulated knowledge of the world, the ability to use her own death to her advantage, and an insane amount of humorous confidence, Davi may be able to do the impossible and finally win.  But Davi will soon learn that becoming the Dark Lord isn’t everything it’s cracked up to be.

How to Become the Dark Lord and Die Trying was a highly entertaining and insanely captivating read that I honestly could not get enough off.  Featuring a brilliant scenario that Wexler plays to comedic perfection, combined with dark humour and a uniquely insane protagonist, How to Become the Dark Lord and Die Trying is an outstanding novel that I had so much fun reading.

I must admit that I instantly loved the very fun premise of this book which saw the protagonist decide to take on the role of the Dark Lord after hundreds of failed attempts to survive as the hero.  Wexler did an outstanding job setting this idea up in the first couple of chapters of How to Become the Dark Lord and Die Trying, and you are quickly intrigued by the combination of a bloody time loop, a despondent, if hyper, protagonist, and the entire change of plan said protagonist embarks upon.  As such, you are completely onboard as soon as Davi starts to implement her plan, and the resulting carnage proves to be highly entertaining and fun.  After multiple bloody failed attempts to start her new turn to darkness, Davi soon begins to get into her groove as the next Dark Lord, recruiting a small band of minions, and taking the first steps to proving she has what it takes to rule.

Davi’s subsequent quest to become the Dark Lord involves an intense adventure arc, as she leads her army through various fun fantasy locations.  Along the way to her destination, Davi engages in different schemes to recruit new followers, especially when she encounters some chaotic communities whose internal strife she is able to exploit.  The story devolves into an awesome combination of intrigue, humorous encounters, fantasy action and personal character growth, as the protagonist becomes more comfortable with the Dark Lord lifestyle.  After several extended sequences at key locations, the protagonist eventually reaches her goal and begins her trials to become the new Dark Lord.  However, nothing at the trials is what it seems, and Davi is forced to deal with multiple enemies from her various pasts to survive.  There are some great moments in this final part of the book, including tragic betrayals, heart-felt romance, intriguing revelations, and some big fights, all of which leads to an interesting open-ended conclusion that will ensure readers come back for the next book in the series.

I had an exceptional amount of fun with How to Become the Dark Lord and Die Trying, and Wexler had a fantastic style that really appealed to me.  Told exclusively from the slightly crazed first-person perspective of the protagonist, readers are treated to Davi’s highly excitable inner thoughts as she recounts her journey to becoming the Dark Lord.  This proved to be a great medium to explore the more complex elements of the plot, and I appreciated how Wexler was able to succinctly dive into time-loop and Davi’s place in it, while also moving the plot along.  The author also introduces a serviceable and intriguing fantasy world the plot of How to Become the Dark Lord and Die Trying, which proved interesting to explore.  While a little basic in places, Wexler does feature some excellent concepts here, and readers will enjoy watching Davi explore it with her own unique perspective, especially as she forms new ideas about the supposedly evil wilders (non-human creatures) as she works with them.  While some of these concepts are a little complex at times, everything honestly works extremely well for the entertaining plot, and I really appreciated how effectively the author was able to explore and utilise his fantastic ideas.

While all these great concepts help to craft a unique book, what holds everything together and keeps the reader’s attention is the relentless comedy that Wexler injects into nearly every page of How to Become the Dark Lord and Die Trying.  I really connected to Wexler’s humour in this book, and I found myself chuckling away for large chunks of it.  Thanks to the slightly cracked protagonist, the reader is bombarded with a constant array of jokes, hilarious commentary, and over-the-top moments, as Davi combats the horrors both in front and behind her with humour.  A lot of this humour was driven by the protagonist having a modern, nerdish perspective in a crazy fantasy world, and her reactions ranged from sarcastic to goofy.  Wexler also makes great use of an array of continuous footnotes to tell additional jokes outside the flow of the narrative, or to really expand on an interesting or funny point.  I am a big fan of the use of footnotes for comedic purposes (blame my Terry Pratchett upbringing), and Wexler made it work really well here.  The author also relies on quite a lot of highly adult humour throughout the book, which helped to give How to Become the Dark Lord and Die Trying an interesting flair.  While I could see some readers not liking how continuously risqué the book got, or how over-the-top the humour is in general, I personally felt that it worked and allowed for quite an amusing, if slightly randy, experience.

Talking of crazy humour, I must highlight the fantastic central protagonist of How to Become the Dark Lord and Die Trying, Davi.  A modern-day and highly nerdy woman who finds herself trapped in this recurring fantasy adventure without any idea of how she got there, Davi is an interesting figure, and you really connect with her as the plot continues, especially as a lot of hilarity is drawn from her outrageous behaviour and thoughts.  Davi is constantly cracking jokes, making sarcastic inner observations and meta commentary, often driven by her modern experiences, and it’s hard not to be amused by her antics.  She also has some great, often ridiculous interactions with the various fantasy creatures she encounters, and I liked seeing her unusual persona connect with these more serious creatures.

While it is easy to get lost in Davi’s comedic persona, the further you get into the book, the more apparent it is that her cracked behaviour has been brought on by the constant trauma from her hundreds of deaths and the accompanying thousand years of experience that she has lived through as part of her fantasy adventure.  The initial exposure to her early trauma and rage at the start of the book gives you enough of a glimpse of this that you appreciate her turn to the dark side, but you see even more of it as the story continues.  A lot of this is because, even after years of watching everyone die, she still cares about the people around her, and the impacts of her decisions start to wear on her.  While she maintains her zany persona for much of the book, a new romance and a dark change in her circumstances towards the end of the book nearly break her, and I felt that Wexler did an outstanding job of trying to humanise her there, especially as she sometimes gives off uncaring, immortal vibes.  Thanks to these deeper personality traits, as well as her comedic nature, I really grew to appreciate to Davi as main character, especially as she is a lot more capable and competent thanks to her experiences, although she still makes some interesting mistakes (never sleep with your minions, everyone knows that).  As such, I look forward to seeing how her story continues, especially as things are likely to get even more out of control for her.

Overall, How to Become the Dark Lord and Die Trying by Django Wexler was an awesome book that I honestly found to be quite addictive.  The fantastic central scenario is greatly enhanced by the author’s outrageous humour and clever storytelling, and it allows for quite an outstanding read.  Slick, unique and very, very funny, How to Become the Dark Lord and Die Trying was one of the more unique fantasy novels of 2024, and if you are in the mood for a great laugh, then this is the book for you.  I personally am very excited to see how the Dark Lord Davi series continues in the future, and the second novel, Everybody Wants to Rule the World Except Me, is set for release in May 2025.

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Waiting on Wednesday – Everyone This Christmas Has a Secret by Benjamin Stevenson

On By The Unseen LibraryIn Australian, Comedy/Satire, Murder Mystery, Waiting on Wednesday7 Comments

Welcome to my weekly segment, Waiting on Wednesday, where I look at upcoming books that I am planning to order and review in the next few months and which I think I will really enjoy.  I run this segment in conjunction with the Can’t-Wait Wednesday meme that is currently running at Wishful Endings.  Stay tuned to see reviews of these books when I get a copy of them.  For this latest Waiting on Wednesday, I highlight one of my most anticipated Australian novels of 2024, with the hilarious upcoming crime fiction read, Everyone This Christmas Has a Secret by Benjamin Stevenson.

Everyone This Christmas Has a Secret Cover 1

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Over the last few years, one of the most consistently impressive and enjoyable Australian authors has been crime fiction author Benjamin Stevenson.  A former comedian (alongside his brother), Stevenson dove into the world of crime fiction with his exciting debut Greenlight (also released as Trust Me When I Lie and She Lies in the Vines), which proved to be a gripping and enjoyable read.  Stevenson followed this up in 2020 with his second novel, Either Side of Midnight, which proved to be an excellent sequel to Greenlight.

While I have really enjoyed his more serious crime fiction novels, Stevenson’s best work is easily his Ernest Cunningham series.  Starting in 2022 with the outrageous and incredible Everyone in My Family has Killed Someone, this series follows a murder mystery expert who finds himself trying to solve an elaborate killing involving his own trapped family.  Everyone in My Family has Killed Someone was such a good book, especially as Stevenson expertly utilised his comedy background to tell a particularly entertaining story, and it ended up being one of my favourite pieces of Australian fiction from 2022.  Not to be outdone, Stevenson followed this book up last year with the awesome sequel, Everyone on this Train is a Suspect.  Once again forcing the protagonist into a unique locked-room mystery, Everyone on this Train is a Suspect proved to be an epic book, especially as it cleverly parodied the crime fiction genre, and it was one of my favourite books and pieces of Australian fiction from 2023.

Needless to say, I have been keeping a close eye out for anymore books from Stevenson, and I was delighted when I found out there was going to be a third Ernest Cunningham novel coming out later this year.  This book, which is set for release in late October 2024, is the awesome sounding Everyone This Christmas has a Secret, which will throw the protagonist into a whole new mess of trouble.

Plot Synopsis:

Benjamin Stevenson returns with a Christmas addition to his bestselling Ernest Cunningham mysteries. Unwrap all the Christmas staples: presents, family, an impossible murder or two, and a deadly advent calendar of clues.

If Knives Out and The Thursday Murder Club kissed under the mistletoe…

My name’s Ernest Cunningham. I used to be a fan of reading Golden Age murder mysteries, until I found myself with a haphazard career getting stuck in the middle of real-life ones. I’d hoped, this Christmas, that any self-respecting murderer would kick their feet up and take it easy over the holidays. I was wrong.

So here I am, backstage at the show of world-famous magician Rylan Blaze, whose benefactor has just been murdered. My suspects are all professional tricksters: masters of the art of misdirection.

THE MAGICIAN
THE ASSISTANT
THE EXECUTIVE
THE HYPNOTIST
THE TWIN
THE COUNSELLOR
THE TECH

My clues are even more abstract: A suspect covered in blood, without a memory of how it got there; A murder committed without setting foot inside the room where it happens; And an advent calendar. Because, you know, it’s Christmas.

If I can see through the illusions, I know I can solve it.

After all, a good murder is just like a magic trick, isn’t it?

Now this sounds like a pretty damn epic read and boy am I going to have fun with it later this year.  Taking his fun concept and turning it into a Christmas-themed murder mystery is a brilliant move from Stevenson and I am really excited to see how it works in Everyone This Christmas Has a Secret.  Focussing the murder on a bunch of different entertainers, all of whom are trained liars and distractors, should result in a complex mystery and I am sure that Stevenson is going to produce a very memorable story around it.  The utterly ridiculous scenario also plays masterfully into Stevenson’s comedy and performance background, so I am sure its going to be loaded with some amazing jokes and references that will appeal to a lot of people.

Look, after all the fun I’ve had with his last few books picking up the new Benjamin Stevenson is a given for me at this point.  However, having a new Ernest Cunningham mystery that features an elaborate and entertaining Christmas themed murder mystery is just gold and there is no way I’m not going to have an absolute blast reading this book.  I am exceedingly excited for Everyone This Christmas Has a Secret and I cannot wait to see how Stevenson continues his outstanding series.  While I am a tad worried about the shorter length of this novel, which might restrict the mystery a little, I am sure that Stevenson has something special planned, and I look forward to seeing it unfold.  Everyone This Christmas Has a Secret has the potential to be one of my favourite books of the year and in my opinion October cannot come soon enough.

Everyone This Christmas Has a Secret Cover 2

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Warhammer 40,000: Death or Glory by Sandy Mitchell

On By The Unseen LibraryIn Audiobook, Comedy/Satire, Extended Universe, Science Fiction, Throwback Thursday, Tie-in Novel, Warhammer9 Comments

Death or Glory Cover 2

Publisher: Black Library (Audiobook – 28 February 2006)

Series: Ciaphas Cain – Book Four

Length: 8 hours and 50 minutes

My Rating: 4.75 out of 5 stars

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After recently getting through awesome Warhammer 40,000 novels like Straight Silver and Sabbat Martyr, I was in the mood for even more fantastic fiction, so I decided to check out the always reliable Ciaphas Cain series by Sandy Mitchell with Death or Glory.

The Ciaphas Cain books are an outstanding and highly entertaining Warhammer 40,000 series that shows the grimdark universe in a whole new light.  Written by talented author Sandy Mitchell (a pseudonym of Alex Stewart), the Ciaphas Cain books follow an unlikely hero, Commissar Ciaphas Cain.  Despite being a Commissar, officers who are supposed to be embodiments of duty, discipline and bravery, Cain is a highly practical and fearful man who wants to stay alive in the deadly Warhammer 40,000 universe.  However, his attempts to stay out of the fight usually result in him getting thrust into even more danger which he needs to survive using his trademark cunning and manipulation tactics.  His various adventures have also turned him into a legendary hero throughout the Imperium of Man, something that results in even more trouble for unlucky Commissar.

The Ciaphas Cain books are always a lot of fun to read, especially as Mitchell takes a comedic take to the Warhammer universe.  Loaded with unlikely coincidences, clever humour and over-the-top characters, the first three Ciaphas Cain novels, For the Emperor, Caves of Ice and The Traitor’s Hand, have been extremely awesome and this is easily one of my favourite Warhammer 40,000 series.  As such, when I needed something particularly entertaining to listen to, I chose the fourth book in the series, Death or Glory.

Relatively young Commissar Ciaphas Cain is not yet the hero of the Imperium he is fated to become, although he has already started to gain a reputation he doesn’t believe he deserves.  After stopping a genestealer infestation, Cain and the artillery unit he is attached to are ordered to the planet of Perlia, which has fallen under siege by the orks.  Happy to spend the next war far behind the lines with the artillery, Cain is unprepared for the dangers to come.

Upon arriving in the Perlia system, the ship Cain is travelling aboard comes under ork attack and Cain has no choice but to rapidly disembark in an escape pod.  Trapped with his aid, Jurgen, Cain’s pod is shot down before they can be rescued, which results in them crashlanding on Perlia.  Hoping to find sanctuary after a harrowing adventure in space, Cain is horrified to discover that they have crashed into the wrong side of the planet and are currently stuck well behind enemy lines.

Knowing that the only way to survive the ork hordes is to rejoin the main Imperial army, Cain has no choice but to embark on a dangerous road trip across the continent.  However, with thousands of brutish orks in the way, Cain will need help to survive.  Pulling together an unlikely army of scattered troops and desperate civilians, Cain heads off into the desert, hoping to find his salvation.  Their resulting journey will pit them against the full ork army and help turn Cain into a legend known throughout the galaxy.

Death or Glory was another exceedingly fun and deeply captivating entry in the Ciaphas Cain series that once again places Mitchell’s complex protagonist in all manner of trouble.  Action-packed, clever, and filled with excellent humour, Death or Glory was an outstanding read that I could not get enough of.

I really enjoyed the awesome story that Mitchell came up with for Death and Glory, particularly because it was a somewhat fresh take on the usual narrative.  Rather than following Cain as he works with his regiment to stop a hidden threat, Death or Glory shows Cain alone (except for Jurgen) and behind enemy lines on an ork controlled world.  Acting as a prequel to the previous novels in the series, you see the slightly younger Cain attempt to find his way back to safety, only to encounter multiple groups of refugees and scattered soldiers who turn to him for leadership.  The resulting story turns into a hilarious combination of Mad Max, Laurence of Arabia, and Kelly’s Heroes, as Cain leads his band, many of whom are crewing crude ork vehicles, across the ork controlled territories, including a vast desert.  There are several amazing battle scenes that see the humans fight back against the orks in desperate situations, often won thanks in part to Cain’s tactical insight and his unlikely manoeuvres designed to keep him alive.  This is a non-stop story, and you get really drawn into the constant travel, fighting and attempts at survival that emerge.  The orks prove to be great antagonists for the story, especially as Mitchell provides them as a mostly serious enemy.  While they are slightly underpowered in the face of the unbeatable Cain, and you do see the inherently sillier side of them, Mitchell also makes sure to showcase their prowess and brutality, which keeps the stakes high and the story even more captivating.  Ending on a final battle where Cain showcases his unlikely heroism by pure chance, Death or Glory had me hooked with its story the entire way through, and I loved the fantastic scenario that Mitchell came up with.

I have mentioned in previous reviews of the Ciaphas Cain series that Mitchell has an outstanding style that really enhance the story and bring out the innate humour within.  This is once again the case for Death or Glory, as the story is primarily told in the chronicle form from Cain’s perspective.  These unvarnished insights into Cain’s mind paint a vivid and fun picture of the events he was involved in, and you get some interesting insights into his actual motivations.  This fun story is further enhanced by the fact the memoirs have been modified by Cain’s associate, Inquisitor Vail, as she adds in a variety of notes, additional information, in-universe historical texts and footnotes.  Not only are these delightful additions informative and serve as a great way to quickly insert details of the larger war into the plot, but they are also quite funny due to the author’s sarcastic tone.  I love some of the entertaining jokes that emerge in the footnotes, especially as it allows the author to quickly reference certain ridiculous elements of life in the Warhammer universe, many of which are parodies of classic British activities.  These additional notes really change the tone of the entire book, and I love how it allows Mitchell to turn Death and Glory into something far more than a typical war story.

While there is a definite focus on humour in Death or Glory, there is still a ton of action and intense adventure here, as Mitchell draws inspiration from classic desert war movies.  The carnage of the orks is bleak, the battles are hard, and the situation is desperate as Cain and his comrades navigate the desert.  These darker elements play off the humour of Death and Glory extremely well, and I loved the complex narrative that emerged.  I enjoyed how Mitchell kept up the same excellent level of humour and compelling story elements that the previous entries were known for, and there was a strong effort to keep it consistent with the previous books.  You do notice that Mitchell utilises a bit of repetition in his books, with similar lines and descriptions used again and again.  While this is not too noticeable if you take a break in between books, it is very apparent for chain readers.  Still, this is a minor issue that Mitchell does a good job of dispelling in Death or Glory with the more unique storyline.

Like most of the entries in this series, Death or Glory can be read as a standalone novel with no real pre-knowledge of the previous books needed to enjoy it.  Indeed, Death or Glory is set earlier than the other Ciaphas Cain books, so this is a good entry point to the larger series.  There are a few references to the other Ciaphas Cain books, which established fans will enjoy, and Mitchell also provides clever hints at future events Cain will have to encounter.  Death or Glory also serves as a very fun introduction to the ork faction, especially as our protagonist has never encountered them before.  This allows the reader to get a fresh outside perspective on these alien characters, while also including details that hardcore Warhammer fans will appreciate.  As such, Death or Glory proves to be an awesome addition to the series that will appeal to fans of all levels and could easily spark a new reader to fall in love with Warhammer 40,000 fiction.

A recurring highlight of this series is the fantastic characters who populate the narrative, particularly main protagonist Ciaphas Cain.  Cain is a particularly complex Warhammer 40,000 character, mainly because he is both a renowned hero and a self-serving coward who only wants to avoid a fight.  Portrayed as a fun combination of Blackadder and Flashman, Cain is shown to be purely selfish, with his every move calculated to keep himself alive.  However, through accident or something else, his plans often backfire, forcing him into over-the-top dangerous situations that ensure others see him as an amazing hero.  This is on full display in Death or Glory as Cain pulls together a band of survivors that gets far larger and more chaotic the further they get along.  Despite his plan being designed to get himself to safety, many see him as a heroic revolutionary leader, which he is forced to maintain to keep his band of protectors loyal to him.  It is quite fun to see everyone misinterpret his decisions, and several fictional historical texts showcase the process of overexaggerating his deeds in hilarious detail.  However, despite all his protestations to the reader about being a coward, you once again see that there is far more to Cain than he lets on.  Rather than being a terrible person, he is just a sensible and tactically aware figure in a universe where the actions of unachievably brave heroes are constantly lauded.  This has led Cain to completely underestimate his own self-worth, even though he is routinely shown to be an impressive fighter, clever tactician, and caring leader.  I love this complex look at Cain, especially as his self-deprecating account ensures he is even more likeable, despite his selfish habits, and you really get drawn in to his crazy adventures.

Aside from Cain, several other figures were impressive in Death or Glory.  The most prominent, at least from impact on the book, is Cain’s associate Inquisitor Vail.  Despite not actually appearing as a character in the main adventure, Vail’s presence is strongly felt as she is the one editing and presenting Cain’s fictional memoirs.  As such, you are constantly gifted with Vail’s overlying narration and notes, especially as she provides greater context to the story and translates some of Cain’s wilder claims.  Thanks to her sarcasm, as well as her personal insights into Cain’s actual character, Vail provides a fantastic alternate viewpoint of events, and it is always fun to see her call out Cain for his lies and terrible writing style.  The other major character you must talk about is Cain’s aid and reliable bodyguard, Jurgen.  The Baldrick to Cain’s Blackadder, Jurgen is generally shown to be an unhygienic, smelly, and slightly dim companion who is utterly loyal to Cain.  However, despite this appearance, Jurgen proves to be an interesting and likeable figure, and he forms an excellent partnership with Cain.  His skills are well on display in Death or Glory, mainly due to his intimate knowledge about orks, and he once again showed himself to be an unappreciated part of Cain’s ultimate victory.  Throw in a band of intriguing survivors who flock around Cain, including several capable soldiers, a somewhat insane Tech-priest and determined troop of civilians, and Death and Glory had some great characters you can’t help but root for.

I have mentioned multiple times in the past that the best way to enjoy a Warhammer 40,000 novel is in its audiobook format.  Nowhere is that truer than the Ciaphas Cain books, which make excellent use of multiple narrators to expertly adapt the fantastically funny content of the novels.  Death or Glory is an outstanding example of this, as the brilliant production and excellent narrators produced something that I powered through very shortly, even with its nearly nine-hour long runtime.  The intense action, compelling story and outstanding humour is all amazingly highlighted in this format, and I especially loved the four amazing narrators who were brought in to voice the characters.  This includes returning favourites Stephen Perring and Penelope Rawlins, who fulfill their respective roles perfectly.  Perring is probably the most prominent narrator of the bunch as he voices all the chapters told from Cain’s perspective.  Perring is an awesome narrator as he perfectly captures the chaotic characters featured within the book, especially Cain and  Jurgen.  His portrayal of Cain is probably the best, as he expertly showcases the protagonist’s exterior boldness, as well as his interior fear and deep humanity.  Jurgen of course also comes out very well, and I love how Perring captures Jurgen’s unique persona and unquestionable loyalty to Cain.

While Perring voices the main chapters, Penelope Rawlins is just as important as she voices Inquisitor Vail, who writes the prelude, chapter introductions, additional material and footnotes that are scattered throughout the book, providing editorial notes and material to make the story more organised.  Rawlins’ voice is seamlessly worked into the main plot multiple times throughout the course of the audiobook, and I like how well her inclusions work with Perring’s main narration, especially as Rawlins perfectly captures both Vail’s sarcasm and the clear admiration she has for Cain.  This audiobook would not be as entertaining or clever as it is without these clever insertions by Rawlins, and she adds just as much to the production as Perring does.  In addition, Death and Glory brings two new narrators to the series with Joe Jameson and Richard Reed, who voice in-universe historical texts and autobiographies included to provide additional context to Cain’s ramblings.  I was very happy to hear from both familiar narrators, as Jameson lent his voice to the Necromunda novel Fire Made Flesh by Denny Flowers, as well as the Legacy of the Mercenary King series by Nick Martell (The Kingdom of Liars, The Two-Faced Queen and The Voyage of the Forgotten), while Reed narrated The Infinite and the Divine by Robert Rath, The Twice-Dead King series by Nate Crowley (Ruin and Reign) and Grim Repast by Marc Collins.  I really liked Jameson and Reed’s performances as a result, although both were a little underutilised thanks to the constraints of the narrative.  Still, these four narrators provided some exceptional voice work, and I had an amazing time listening to them throughout the course of this audiobook.  As such, Death and Glory comes very highly recommended in its audiobook format, and there is no better way to enjoy this book.

Sandy Mitchell continues to write one of the most entertaining Warhammer 40,000 series out there with this fourth entry in the epic Ciaphas Cain series.  An outstanding and hilarious novel that I absolutely powered through, I cannot recommend Death or Glory enough, and you will fall in love with this brilliant book.

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Warhammer 40,000: The Traitor’s Hand by Sandy Mitchell

On By The Unseen LibraryIn Audiobook, Comedy/Satire, Extended Universe, Science Fiction, Throwback Thursday, Tie-in Novel, Warhammer11 Comments

The Traitor's Hand Cover

Publisher: Black Library (Audiobook – 1 January 2005)

Series: Ciaphas Cain – Book Three

Length: 9 hours and 6 minutes

My Rating: 4.75 out of 5 stars

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After updating my list about my favourite Warhammer 40,000 novels last week, I was keen for more action from this awesome franchise, so I decided to quickly listen to the entertaining and fun novel, The Traitor’s Hand by Sandy Mitchell.

One of the things that I like most about the Warhammer 40,000 franchise is the sheer range of different stories and genres that can be found within it.  For example, one of the most popular series is a particularly funny and amusing series that focuses on a Blackadder-esque Imperial Commissar as he finds himself involved in all manner of over-the-top heroics.  This series is the Ciaphas Cain books, which follows the titular protagonist who has accidently become regarded as a great hero of the Imperium of Man, despite most of his actions being more for self-preservation.  The first two books in this series, For the Emperor and Caves of Ice, were extremely fun reads, and I have been meaning to check out the next book in the series for a while.  As such, when I had my recent Warhammer 40,000 craving, the third Ciaphas Cain book, The Traitor’s Hand, was an easy choice.

Commissar Ciaphas Cain, hero of the Imperium or unrepentant coward?  Constantly forced into the direst of circumstances despite doing everything in his power to avoid them, Cain has built up a reputation he considers entirely undeserved, especially as being known as a hero always seems to get him into trouble.  His latest assignment will test him like none other, especially when he is forced to go up against the great archenemy of the Imperium, the forces of Chaos.

With a Chaos fleet approaching the tidally locked planet of Adumbria, Cain and the soldiers of the Valhallan 597th are rapidly redeployed towards the planet to aid in its defence.  Despite wishing to stay off the frontlines, Cain’s experience and uncanny ability to find trouble forces him to join in the hunt for a Chaos cult hidden throughout the planet that has awakened in advance of the coming fleet.  However, the more he digs, the more he discovers that there is something far more sinister going on within the planet than anyone realises.

As the invading enemy arrives on the planet, it soon becomes apparent that two rival bands of Chaos worshippers are attacking Adumbria with very different goals in mind.  Leading the fight against the enemy, Cain needs to work out just what their objectives are before the world is destroyed in the Chaos crossfire.  However, with deadly enemy forces all around and a rival commissar determined to undermine him, can even the terminally lucky Cain stop them, especially when an old nightmare returns seeking revenge against him.

The Traitor’s Hand was an extremely awesome book from Mitchell that I had so much fun getting through.  Containing the outstanding blend of action, humour and intriguing characters that the Ciaphas Cain series is known for, The Traitor’s Hand was pretty damn epic, and I managed to power through it in about a day of intense listening.

This third Ciaphas Cain novel had a great story behind it that I had a wonderful time listening to.  While it does follow some similar story conventions to the previous books in the series, in that Cain and the Valhallan 597th arrive on a planet to face one foe, only for Cain to inadvertently discover another threat hidden under the surface, I think Mitchell did a good job distinguishing this book from the previous entries.  The introduction of a rival Commissar and alternating bands of Chaos worshippers makes for a great central storyline, and you get really involved in the battle for the planet and the attempts to discover a hidden Slaaneshi cult who are performing dark rituals.  The entire story evolves in a familiar manner, with Cain’s attempts to avoid a fight leading him into darker situations each time, while his keen insights allow him to determine where the true threat to the planet is located.  The big final sequence for The Traitor’s Hand was pretty damn awesome, as Cain leads a small force into a massive battle royale between warring Chaos warbands while also facing a dangerous foe from his past.  While the big bad’s identity was overly foreshadowed, their inclusion was very intense and lead to a gripping conclusion.  I do wonder if this repetitive story structure is going to be sustainable for the series in the future, but I really got stuck into this entertaining and exciting narrative and powered through it so damn quickly.

I absolutely loved the fun style of the Ciaphas Cain books which Mitchell once again uses to tell a fantastic story.  Primarily told from the first-person chronicle perspective as Cain recounts his many adventures, you get to see his insights into events that occur.  While on the surface this appears to be a typical Imperial Guard focused Warhammer 40,000 story, it is a much lighter read, as the book revolves around Cain’s continued attempts to get out of danger only to encounter worst problems.  It is really entertaining to see his excuses and manipulations, especially as nearly every action he does is calculated to avoid danger, which he shamelessly admits to.  The continued increase of stakes, desperate response from Cain and the inevitable lucky escape makes for some fun reading, and Mitchell does an excellent job of layering a strong amount of comedy into a usually dark universe.  This humour is expertly enhanced by the overarching narration of the book, provided by Inquisitor Vail’s editorial notes as she collates Cain’s memoirs.  Vail’s various notes, quotes and included histories of the story provides some much-needed context to the plot, while the entertaining and often sarcastic way they are delivered works extremely well.  I think that Mitchell got the right blend of humour, action, and dark moments throughout the course of The Traitor’s Hand, and I really got engrossed in the hilarious and action-packed story that emerged.  I did feel at times that Mitchell did get a bit repetitive with some of his phrases and lines, which you really notice with an extended read, but this is honestly a pretty minor complaint, and The Traitor’s Hand proved to be an amazing read.

I liked how well Mitchell featured the Warhammer 40,000 universe in The Traitor’s Hand, especially as he once again seeks to showcase the horrors of the franchise from the eyes of a human solider, even one as lucky as Ciaphas Cain.  The various Chaos factions prove to be great villains in this story, and I loved the cool comparisons between the Slaaneshi cult and the Khorne-worshipping warband.  You also get a great insight into the life of the common soldier or civilian, and it was fun to see the various responses many of them have to the reveals about Chaos and their dark designs.

Like most of the Ciaphas Cain novels The Traitor’s Hand can easily be read as a standalone book, and no real pre-knowledge of the Warhammer 40,000 universe is really needed.  Indeed, I really appreciated how efficiently Mitchell is able to ease new readers into the wider Warhammer 40,000 universe.  In addition, readers don’t really need to have checked out the prior Ciaphas Cain novels either, as Mitchell does a good job of summarising the necessary key points from these books when needed.  There were some strong references to the Ciaphas Cain short story, The Beguiling, which if you had read would have increased the impact of The Traitor’ Hand to a degree, however, it is also not necessary to have read it first, as Mitchell recaps it very well.  Overall, I felt this was a great piece of Warhammer 40,000 fiction that many people can get into.

A key highlight of any Ciaphas Cain novel is the excellent character work that Mitchell installs into the story.  This is certainly the case in The Traitor’s Hand, with most of the character work revolving around the protagonist and main point-of-view character, Commissar Ciaphas Cain.  While Mitchell has done a great job setting up this figure in the previous two books, it is always so much fun to see a story through Cain’s eyes, especially as the protagonist bears the duality of being a hero and a coward at the same time.  Fitted with a well-honed sense of survival, Cain is constantly trying to find ways to get out of danger and has proven quite adept at manipulating people to get what he wants.  However, due to bad luck or because he finds himself trapped by his own legend, Cain is constantly dragged into the most dangerous situations possible.  While it would be easy to dislike a character like this, readers quickly become aware that Cain isn’t as big a coward as he believes, and instead he is quite a skilled, brave and caring leader whose “cowardly” actions are often borne by shrewd assessment and tactical awareness.  Throw in his excellent sense of humour, his entertaining insights into the universe, and his vast experiences with the many different things trying to kill humans in the Warhammer universe, and Cain is such a great protagonist to follow.

Aside from Cain, The Traitor’s Hand features a raft of other great characters, each of whom bring a lot to the story.  For example, Inquisitor Vail, despite not appearing in person, serves a big role in the book, editing Cain’s unreliable manuscripts.  I loved her witty over-arching narration and notes throughout the book, and it was fun to have someone constantly calling out Cain for his wilder statements.  I also loved the continued inclusion of Cain’s aid, Jurgen, the man capable of killing anything in the galaxy with his trusted meltagun.  I love how Mitchell sets Jurgen up as the Baldrick to Cain’s Blackadder in this series, especially with his attitude, hygiene and loyalty, although he proves to be a vital ally.  It was also interesting to see Mitchell continue to explore just how vital Jurgen is to Cain’s success, especially due to his status as a Blank, and I love the entertaining team the two characters combine into.  New character Commissar Tomas Beije, an old school rival of Cain’s, serves as a great secondary antagonist for much of the story, and it was entertaining to finally see a character suspicious of Cain’s status as hero, especially as he looks deranged spouting out accusations we know to actually be true.  Finally, the various members of the Valhallan 597th, many of whom were introduced to us at the same time as Cain, continue to grow as characters and serve great supporting roles in the story, and it was touching to see how their relationship to the protagonist has grown over the years.

I have often said throughout my many reviews on the subject that the best way to enjoy a Warhammer 40,000 novel is its audiobook format.  Nowhere is that truer than the Ciaphas Cain audiobooks, which really capture the zany feel of the series through its excellent narration and style.  Most of this is due to the excellent use of multiple narrators, whose mixture of voices creates a particularly epic read (indeed this one of my favourite audiobook series with multiple narrators).  The Traitor’s Hand features four separate narrators, each of whom add so much to my enjoyment of this audiobook.  Each of these narrators has a distinctive role, with the amazing Stephen Perring providing the bulk of the narration in this series, as he narrates the chapters told from the protagonist’s perspective.  Perring serves as an epic centre for this audiobook, especially as he does such a good job capturing the larger-than-life Ciaphas Cain with his acting.  Perring’s take on Cain’s cocky dialogue, as well as his more honest chronicling of events, is impressive, and I love how he captured the various aspects of Cain’s character.  There are some other great voices featured throughout these chapters as well, as Perring assigns fitting and entertaining voices to each of the major characters.  My favourite of these is probably Jurgen, especially as Perring really tries to make him sound as much like Tony Robinson as possible.

While Perring does most of the narration in The Traitor’s Hand, the additional voice actors also add a lot to the story, especially Penelope Rawlins.  Rawlins voices the character of Inquisitor Vail, the Imperial Inquisitor and acquaintance of Cain who is compiling the memoirs for publication.  As such, Rawlins voices the prelude, chapter introductions and footnotes contained in this book to showcase the editorial notes that this character is adding in to make Cain’s ramblings easier to read.  Rawlins serves as a good contrast to Perring, especially as her character’s more serious tones are the direct opposite of Perring’s flippant take on Cain.  I love how seamlessly the production works Rawlins’ voice into the various points of the audiobook where her character cuts into the main story, and you really get into the groove of her explaining key details about the universe and the characters.  Throw in the additional voice work of Emma Gregory and new narrator Andrew Spooner, who give their voices to various in-universe texts that provide additional information for the reader, and you have a strong team who masterfully enhance Mitchell’s brilliant story.  These great actors really help to make this entire audiobook production so much fun to listen to, and with a runtime of just over nine hours, you can very easily sit back and listen to The Traitor’s Hand in one fantastic sitting.

With The Traitor’s Hand, Sandy Mitchell continues to showcase why he is one of the strongest, and funniest, authors of Warhammer 40,000 fiction.  Filled with the series’ trademark humour, intriguing characters and intense action, The Traitor’s Hand was an entertaining audiobook from start to finish that I could not turn off.  An outstanding and highly recommend novel, The Traitor’s Hand was so damn good, and I cannot wait to see how Mitchell continues this amazing series.

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Saevus Corax Captures the Castle by K. J. Parker

On By The Unseen LibraryIn Comedy/Satire, Fantasy, Five-Star Books7 Comments

Saevus Corax Captures the Castle Cover

Publisher: Orbit (Trade Paperback – 21 November 2023)

Series: Corax – Book Two

Length: 321 pages

My Rating: 5 out of 5 stars

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One of the funniest fantasy authors in the game presents a fantastic second entry in his closely released Corax trilogy with the hilarious and brutally brilliant Saevus Corax Captures the Castle.

In 2023, fantasy author K. J. Parker (a pseudonym of author Tom Holt), had an incredible blast of creativity as he managed to release an entire trilogy within the space of a month with the outstanding Corax series.  Set to follow an infamous battlefield salvager, the titular Saevus Corax, as he finds himself getting dragged into all manner of unusual scenarios, this series sounded so damn fun.  I was particularly intrigued, especially as these books were set in the same universe as his epic The Siege series, which featured Sixteen Ways to Defend a Walled City (one of my favourite books of 2019), How to Rule an Empire and Get Away with It (one of my favourite books of 2020) and A Practical Guide to Conquering the World (one of my favourite books of 2022).

While I managed to get all three of Parker’s Corax books last year, I only had the chance to read the first novel, Saevus Corax Deals with the Dead before 2023 ended.  This first entry in the trilogy was pretty damn incredible, and I loved the wonderful and highly entertaining story it contained, especially as it was masterfully layered with Parker’s trademark humour.  Saevus Corax Deals with the Dead got an easy five-star rating from me, and it ended up being one of my favourite books of 2023.  As such, I really want to get through the other two Corax books as soon as possible so I quickly powered through the second one, Saevus Corax Captures the Castle, last weekend.  Saeuvs Corax Captures the Castle was another outstanding read that I had such I wonderful time with.

Several years after his last outrageous adventure when he was crowned a king against his will, Saevus Corax is back to what he knows best, battlefield salvage.  While it is not the most glamorous work, it provides a living for his large crew of outcasts and rogues, as they tour their world’s many scattered battlefields, rescuing and repurposing everything they can recover from the dead.  However, a nemesis with a personal grudge will send Corax on a dangerous path he might have no escape from.

When several of his men are kidnapped, Corax’s only apparent chance to save them is to capture a delipidated castle in the middle of nowhere.  Utilising his unconventional tactics and knowledge of warfare, Corax begins his impromptu siege, only to discover that his old flame, the beautiful con artist Stauracia, is in charge of the castle’s defence, and she has no intention of losing to Corax again.

But why is Corax’s new unwelcomed employer so determined to capture the castle, and what are they hoping to achieve by using Corax’s motley crew?  The truth has the potential to plunge the whole world into war if Corax can’t keep it under wraps.  However, Corax soon finds himself distracted by revelations from his past, as he finds hope being dangled before his eyes.  Can Corax survive this latest misadventure and the dastardly rivals it brings, or has he finally met his match?

The second Corax book proved to be just as funny, addictive, and inventive as the first awesome entry, and I had such an outstanding time with Saevus Corax Captures the Castle.  Placing his wonderfully witty and world-weary protagonist on the course for more unusual conflict, Saevus Corax Captures the Castle had me fully hooked from the very first word and I just had to give it another full five-star rating.

Parker came up with a pretty clever and memorable narrative for Saevus Corax Capture the Castle, which proved to be a lot of fun to read.  Starting with another entertaining look at one of the group’s salvage jobs, the book soon places Corax’s entire group in a bad situation when members of the salvage band are kidnapped, and the only way to get them back is by capturing a castle.  So begins a battle of wits as Corax pits his innate knowledge of war and human nature against the manipulation of his old foe Stauracia, as they both try and work out why they have been charged with looking after an isolated castle.  This impromptu siege between two groups of people who do not actually want to be there proves to be quite entertaining, and it serves as a fun focus for the first half of the book.  This first half also features several flashbacks into Corax’s past, especially the events that have occurred since Saevus Corax Deals with the Dead, which provides some interesting motivations and looks at the connections between Corax and the book’s main antagonist.

Thanks to some deeply personal manipulations, there is an interesting and dramatic plot change in the second half of Saevus Corax Captures the Castle, as Corax finds himself motivated to journey alone to a forbidden nation.  This change from a siege to an independent journey actually works really well in the context of the story, and it builds on a lot of cleverly hidden elements and clues from the earlier plot.  You are really on the edge of your seat during this second part of the book, especially as Corax is in the direst of scenarios, and I loved seeing him use his understanding of people to get out of trouble.  The ending of this misguided quest proves to be very clever and a little heartbreaking, as Corax finds what he is looking for, but it’s not what he wants.  It does allow him a few bits of knowledge that let him destroy his opponents back home and get the payday, although nothing is every that simple for Corax.  I liked the intriguing tone that Parker left this second book on, especially as like the first book, the protagonist soon realises that he’s happiest when back doing what he does best.

Saevus Corax Captures the Castle features the exact same writing style as the first book in the series, which you tend to notice when you read these books in quick succession.  I personally liked this continuation of style, especially as it is what made me a fan of Parker in the first place, and it results in quite an entertaining story.  Told in a chronicle format from the perspective of main character Saevus Corax, the book is his account of events, filled with his commentary, observations and memories, to tell an intriguing tale.  Corax proves to be a very fun narrator, and his ultra-cynical take on the world has an entertaining influence on the story which is hard not to enjoy.  The resulting mixture of betrayals, manipulations and unconventional warfare really comes together into quite a comprehensive and fun story thanks to this great narration, and I was chuckling the entire way through.

The series continues to utilise the unique world that Parker came up with for both the Corax books and The Siege novels, and the fun references to some of the prior events are quite amusing.  As I mentioned in my review for Saevus Corax Deals with the Dead, this series is in some ways more of an alternate history novel rather than a fantasy book, as it does not feature any magic or unnatural elements.  Instead, we get a world of war, politics, and domineering nations, which acts as a satirical mirror of our own history.  I would still prefer some form of map up front to keep track of where the characters are going and where some of the nations being discussed are in relation to each other, but you can get by without one.  While there are a few mentions of the previous novel in the series, Saevus Corax Captures the Castle is for the most part a standalone novel, and anyone interested in a particularly fun tale can dive in here no problem.  However, I would personally suggest going from the start of the trilogy, if for no other reason than some of the jokes in this sequel are a little funnier after Saevus Corax Deals with the Dead, and you get the full understanding of the unique relationship between Corax and Stauracia.  It also solves one of the main mysteries from the first book, and it would not surprise me if a couple of story elements from this novel are featured in the third and final novel in the series.

As you would expect from a first-person perspective novel like this, most of the focus is on the titular Saevus Corax, whose unique adventures we are following.  Corax is a very typical Parker protagonist, in that he is an intelligent and cynical being who would rather live a simple life doing what he does best, but instead finds himself thrust into complex and dangerous events.  This proves to be a fun character dynamic, and I loved seeing the often-exasperated Corax forced to deal with people trying to outsmart and manipulate him while he is just trying to do the right thing.  Luckily his strong ability to understand how people think and then use that to outplay them often keeps him out of trouble, and it is quite entertaining to see him casually stop a clever enemy plan, just because they are doing exactly what he would.  His distrustful, intense, and often very honest outlook on life really impacts how the reader sees the world he lives in, and you really grow to appreciate his take on events, especially as he knows everyone is out to get him.  However, readers do get to see another side of Corax in this second book, especially as you get to see how his one previous attempt at romance worked out, and the impacts its tragic ending has on him cause him to act out in some big ways.  As such, this is a very intriguing book for this great character, and I had a wonderful time seeing him develop even further.

Aside from Corax, the cast of Saevus Corax Captures the Castle is pretty fun, as Parker comes up with an interesting group of self-centred, occasionally loyal, but mostly treacherous figures to partner up with our favourite rogue.  The most prominent of these is Stauracia, who was both a secondary antagonist of the first novel and the protagonist’s love interest.  Stauracia is a con-artist who has run afoul of Corax and his group before, and who finds herself forced to work both with and against them in this novel.  Smart, manipulative, and utterly lovely, Stauracia is the perfect foil for the more subdued Corax, and they have some amazing chemistry in this book.  I loved the unique relationship that bloomed between them that is often driven more by dislike or mistrust than anything else, but both of them come away a bit better from knowing the other.  Other major characters include the group of unlikely companions that make up Corax’s battlefield scavengers.  Their constant bickering makes for a fun background to many scenes, and I like how they are usually annoyed with Corax’s antics, although they keep following because no-one else could do the job better.  Throw in a great villain, whose prior connections to Corax result in some brutal plots against him, and the cast of Saevus Corax Capture the Castle are extremely entertaining, and I loved seeing the unique narrative that formed around them.

Overall, Saevus Corax Captures the Castle was a highly fun and utterly amazing novel from K. J. Parker that I cannot recommend enough.  Featuring all the humour, entertaining cynicism and clever characters that made the first Corax book so incredible, Saevus Corax Captures the Castle serves as an outstanding sequel that continues the series in an awesome way.  An outstanding and epic read, this was such a great book and I cannot wait to read the final Corax novel as soon as I can.

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Saevus Corax Deals with the Dead by K. J. Parker

On By The Unseen LibraryIn Comedy/Satire, Fantasy, Five-Star Books9 Comments

Saevus Corax Deals With the Dead Cover

Publisher: Orbit (Trade Paperback – 10 October 2023)

Series: Corax – Book One

Length: 359 pages

My Rating: 5 out of 5 pages

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One of the most unique and funny authors of fantasy fiction, K. J. Parker, returns with an outstanding and hilarious read about a likeable protagonist caught up in the middle of so much drama, with Saevus Corax Deals with the Dead.

Few authors have the comedic chops and inventiveness of K. J. Parker, whose work I have been deeply enjoying over the last few years.  A pseudonym of established fantasy author Tom Holt, Parker has written a ton of unique and compelling reads over the years, including some outstanding novels that set outrageous and clever protagonists against the stupidity of their world in some impressive scenarios.  I particularly enjoyed Parker’s recent The Siege series, which saw three very different men take advantage of a major siege in very different ways.  All three Siege books were extremely epic, and they all got five-star ratings from me because of their clever stories, entertaining characters, and fantastic comedy.  This includes Sixteen Ways to Defend a Walled City (one of my favourite books of 2019), How to Rule an Empire and Get Away with It (one of my favourite books of 2020) and A Practical Guide to Conquering the World (one of my favourite books of 2022).

Due to how much I enjoyed Parker’s last series, I was very excited when I found out that he had a fun new trilogy coming out in 2023.  This series, the Corax trilogy, follows Saevus Corax, a professional battlefield looter who runs afoul of multiple groups, nations and people in his quest for survival and the big score.  Parker, who seems to be an unstoppable force when it comes to writing, released all three Corax books in the space of around a month, which is pretty damn impressive.  I have so far had the great pleasure of reading the first of these, Saevus Corax Deals with the Dead, which proved to be an exceptional novel and one of my favourite books of 2023.

Saevus Corax is a man with a twisted and hidden past, who seeks to make a new future for himself by looting the many, many battlefields that scatter his world.  Leading a professional band of scavengers, Corax makes his living by selling recovered and repaired gear from the dead to warring armies desperate or greedy enough to buy from him.  While not the most glamorous work, it’s a job Corax excels at, and it allows him to escape his complicated history.  But the past always has a habit of coming back when you least expect it, especially when there is a great deal of money on the line.

Finishing up a lucrative job, Corax and his men are shocked to discover that they are being accused of committing a brazen heist and now have a price on their heads.  Assuming that he is the true target of this bounty, Corax soon finds himself targeted by the two most powerful banking organisations on the continent.  Forced to flee, Corax finds himself the most wanted man alive, with several nefarious organisations, as well as vengeful members of his own family, placing a massive bounty on his head.  But who is Corax really, and why does everyone want him either alive or dead?

To understand that you’ll need to unwrap Corax’s complex history, and the events that turned him into the most important figure in world politics.  But Corax is sick of being a pawn in everyone else’s game, and he soon starts to make his own moves to ensure his independence.  Will Corax survive, or will his attempts at upsetting the board result in chaos and destruction across the world?

This was an absolutely amazing read from K. J. Parker that placed a very likeable and relatable protagonist into one heck of an elaborate bind.  Filled with a wry humour, outrageous scenarios and constant treachery, Saevus Corax Deals with the Dead was an outstanding read that gets a very easy five-star rating from me.

Saevus Corax Deals with the Dead has a great story that is told in a first-person chronicle format from the perspective of titular protagonist Saevus Corax.  This is the exact way that Parker wrote The Siege trilogy, and indeed this book is set in the same world several hundred years down the line.  This results in a different landscape for the story, with the bulk of the technology, culture, and certain story elements reminiscent of medieval times rather than the previously seen Romanesque setting, and Parker uses this to his full advantage, especially as the protagonist finds himself caught in a battle between this world’s equivalent of the historic banking giants, the Knights Templar and the Knights Hospitaller.  While nominally a fantasy novel, as it is set in a different world, this series often comes across more as an alternate history novel with comedic undertones, which is highly fun.

The author comes up with an awesome tale surrounding this scenario, as the compelling protagonist is thrust into this conflict against his will thanks to certain aspects of his birth.  Corax recounts this entire adventure in detail, as he first attempts to ascertain who is trying to capture him after framing him for a crime, before eventually going on the run.  Despite promising the reader to always tell the truth, Corax proves to be a somewhat unreliable narrator, mainly because he doesn’t have a desire to share his own personal history unless he must.  However, this hidden history comes into play quite a lot, as his past ensures he is immensely important for just being him.

Inevitably betrayed and captured, Corax is sent off to experience his destiny, which results in some substantial carnage as the protagonist attempts to either escape or turn the situation to his advantage.  This leads to several amusing battles, impractical wars, and other major confrontations, as Corax and the other characters lie, backstab and manipulate to try and get what they want.  Watching a highly practical man with a professional understanding of warfare and a capable imagination face off against various foes who constantly underestimate him makes for some great entertainment, and the various twists and turns that emerge are so much fun.  This entire story comes together extremely well, and the sheer number of betrayals, changing loyalties and attempts by people to use the protagonist for their own advantage ensure you’re never certain who’s going to come out on top of every brilliant scene.  The conclusion of Saevus Corax Deals with the Dead’s plot is very clever, and it brings together a lot of the unique world and compelling story elements that have been built up over the course of the story.  The way that the protagonist overturns everything just to maintain his life is so much fun, and the fitting rewards all the characters get is very fun.

I have so much love for how this story comes together, as the protagonist’s recounting of events really works to give you a personal and complex take.  Every moment of the story is told through Saevus Corax’s cynical and distrustful eye, which adds a certain slant to events, and the author does a great job of providing some fun, but detailed, context to the events unfolding.  Much of this book’s excellent humour is lifted from these outrageous situations that the protagonist finds himself in.  The protagonist does a great job of expressing the ridiculousness of many of these moments, as well as the funny ways he manages to oppose them, often by using simple human nature or flaws in various systems to his advantage.  I loved how well Parker introduced his protagonist is this novel, and Corax’s excellent narration of current events, as well as the compelling and often emotionally charged retelling of his personal history, comes together well to tell an impressive story.  I really cannot emphasise enough how well this first-person narration works, and the detailed recounting of events from a grounded, sensible and exasperated figure really makes for a unique tale.

As the first book in this new trilogy, Saevus Corax Deals with the Dead is a self-contained book, and readers don’t need to have read any of Parker’s previous novels to appreciate it.  As a fan of The Siege series, I enjoyed that the Corax books are set in the same world, especially as the author slips in some fun references and allusions to prior events.  However, no prior knowledge of The Siege books is needed, as the protagonist provides all the relevant world history in his narration, with a few fun and ironic points about the unreliability of prior narrators.  Parker does a good job of quickly building and exploring the various nations and powers in this world, especially if they relate to the plot, and I liked some of the fun parallels that exist between some of them and real historical entities.  The interplay of politics, the rivalries between powers, and the simple desire many of these groups have to betray each other is well set out as a result, and this works into the plot of the book very effectively, especially once you begin to understand just who Corax is.  I really enjoyed how all these elements are explored in the plot, although I did on multiple occasions wish that Parker had included some form of map just so I could have kept track of locations and nations.  I honestly had such a great time returning to this amazing world, especially as we got to follow yet another unlikely leader who was able to change the world just by applying their own unique brand of knowledge and an understanding of how fallible humans can be.

Saevus Corax Deals with the Dead was an incredible novel from K. J. Parker that continues to showcase his exceptional and comedic writing style.  Setting a great protagonist down a chaotic road, Saevus Corax Deals with the Dead had an amazing story which Parker showcases in his well-honed and enjoyable style.  Immensely clever and exceedingly funny, Saevus Corax Deals with the Dead comes highly recommended, and I loved every second I spent reading it.  I already have both sequels, Saevus Corax Captures the Castle and Saevus Corax Gets Away with Murder (both with very intriguing titles), and I am hoping to read them as soon as possible as I know I will love them too.

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Everyone on this Train is a Suspect by Benjamin Stevenson

On By The Unseen LibraryIn Australian, Comedy/Satire, Murder Mystery16 Comments

Everyone on this Train is a Suspect Cover

Publisher: Michael Joseph (Trade Paperback – 17 October 2023)

Series: Ernest Cunningham – Book Two

Length: 318 pages

My Rating: 4.75 out 5 stars

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Impressive Australian author Benjamin Stevenson returns with another hilarious and outstanding murder mystery that once again acts as a clever homage to the classics with Everyone on this Train is a Suspect.

Over the last few years, one of the most consistently enjoyable authors of Australian crime fiction has been the remarkably talented Benjamin Stevenson.  Best known prior to his writing career for his comedic work with his brother James, Stevenson adapted well to crime fiction and made his first impression with his debut novel, Greenlight.  Also released as Trust Me When I Lie and She Lies in the Vines, Greenlight was an outstanding read, and Stevenson quickly followed it up with the cool sequel Either Side of Minute.  While both of these books had great murder mystery plots with some unique twists to them, I think Stevenson didn’t truly display his writing ability until his next novel; Everyone in my Family has Killed Someone.

Everyone in my Family has Killed Someone was an exceptional 2022 novel that saw a fictional murder mystery expert try to solve a classic locked room murder that was likely committed by a member of his notorious family, each of whom has killed someone in the past.  Everyone in my Family has Killed Someone was so damn good as not only did it feature a clever case but Stevenson excelled at producing a very funny novel in his unique style that parodied the classics of the genre.  Due to its entertaining and meta storytelling, Everyone in My Family has Killed Someone was such a joy to read and it ended up being one my favourite pieces of Australian fiction in 2022.  As such, I have been eager to see what Stevenson would produce next, and while I was initially a little surprised to see that he would be writing a sequel to Everyone in my Family has Killed Someone, it was something that really excited me.  This sequel, Everyone on this Train is a Suspect, was one of my most anticipated releases for 2023, and I had another outstanding time getting through it.

Plot Synopsis:

6 WRITERS. 5 DETECTIVES. 4 DAYS. 3 WEAPONS. 2 MURDERS. 1 TRAIN…

When the Australian Mystery Writers’ Society invited me to their crime-writing festival aboard the Ghan, the famous train between Darwin and Adelaide, I was hoping for some inspiration for my second book. Fiction, this time: I needed a break from real people killing each other. Obviously, that didn’t pan out.

The program is a who’s who of crime-writing royalty:

the debut writer (me!)
the forensic science writer
the blockbuster writer
the legal thriller writer
the literary writer
the psychological suspense writer.

But when one of us is murdered, six authors quickly turn into five detectives. Together, we should know how to solve a crime.

Or commit one.

How can you find a killer when all the suspects know how to get away with murder?

Stevenson once again presents an outstanding and wildly entertaining Australian crime fiction novel that proves impossible to put down.  Thanks to his impressive story and wonderfully distinctive style for this series, Everyone on this Train is a Suspect was a particularly funny novel that takes some fun shots at classic murder mysteries, modern crime fiction and the publishing world at large.

I absolutely loved the story Stevenson came up with for Everyone on this Train is a Suspect, which essentially traps his returning protagonist, Ernest Cunningham, on the Australian version of the Orient Express with a group of other famous crime fiction authors.  Ernest, who has achieved a certain amount of literary fame writing a true-crime book about the familial murder he solved, is the somewhat ostracised newcomer to the group and is currently suffering from writer’s block.  Hoping to gain inspiration from meeting some of his fellow authors, most of whom are homages to famous crime fiction authors (Ian Rankin and Patricia Cornwell, for example), Ernest instead finds himself caught up in another deadly murder, this time involving suspicious writers, greedy publishers, scheming agents, angry mega-fans and other fun figures from the literary world.  The resulting plot is extremely fun, as an obsessed Ernest attempts to solve the crime, only to encounter additional murders, opposition from his fellow writers, unique interactions, and all manner of ridicule.

This entire story is really well written, as it features all the elements that made Everyone in my Family has Killed Someone great, including a clever mystery, outrageous characters and an irrepressible sense of humour.  Just as with Everyone in my Family has Killed Someone, Everyone on this Train is a Suspect is told in the form of a true-crime book written by the protagonist as he recounts the events that unfolded aboard the train.  I really enjoyed this fun and clever way of writing the story, especially as the character of Ernest has such an amusing and satirical outlook on life and murder mysteries.  The author also believes in challenging the classic ways of writing crime fiction and providing clues to the reader, and as such the book is loaded with a ton of hints from the protagonist about who the killer is and the events to come.  For example, he indicates how many times he is going to mention the killer’s name early on and then keeps a running countdown going throughout the book to narrow down the suspect pool.  In addition, several characters’ fates, actions and other clues are mentioned well in advance, just to heighten anticipation.  While you would imagine that this would spoil much of the plot, I felt it honestly enhanced it, as you eagerly wait to see how these events occur or try to keep track of who is being talked about and in what context.  Stevenson also does not always play it fair with these hints, with a few flagrant mistruths sprinkled through by the protagonist to mislead the reader, although this is all done in good fun.

As such, by the time you get to the second half of Everyone on this Train is a Suspect, you are really invested in the overall mystery that Stevenson has cooked up.  All the various clues, hints and other interesting story details have been cleverly built up and you are eager to see how everything unfolds.  There are a few hilarious set pieces loaded here, including an unnecessary chase sequence, a failed denouement gathering, and some major misunderstandings, all of which add to the chaotic nature of the plot.  This exciting and funny story also makes great use of its iconic background setting of the Ghan, one of Australia’s most famous trains, and Stevenson works in some fantastic personal drama for the protagonist who finds that crime solving and romance do not mix.  The eventual solution to the mystery is just great, as it blends multiple motivations, character histories and various subtle clues in an outstanding way.  Even all the overt clues that the protagonist had been directly feeding the reader come into play, although not always in the way you would expect it to.  This leads to an intense and memorable conclusion, which I thought wrapped things up nicely, especially with that fun twist designed to surprise readers familiar with first-person stories.

As with Everyone in my Family has Killed Someone, this second novel serves as a great homage and parody of classic murder mystery tropes, as the protagonist once again finds himself in a locked-room scenario.  The parallels between this story and Murder on the Orient Express are purposely obvious, and I loved seeing the very self-aware protagonist revel in them as the plot continues.  Stevenson also modernises his references by including homages to more modern mystery and crime fiction sub-genres.  The legal thriller, forensic science, modern detective and psychological suspense genres are all featured here in some ways, as fictional authors of these genres are present as supporting characters, and all their specialties are considered when it comes to solving the crime.  Stevenson works these into the plot perfectly, and it was a great deal of fun to see each of these elements discussed, satirised, and then utilised to a degree.  As such, this proves to be quite a fun book for all manner of crime fiction fans, and the fun references, jokes and hints will greatly appeal to the wider murder mystery audience.

Another awesome aspect of Everyone on this Train is a Suspect that I liked was the exploration of the literary world.  Due to the events of the first book, the protagonist finds himself as a published author, with all the baggage that brings with it.  As such, this sequel is filled with a ton of fun discussions and jokes about being a writer, with Stevenson no doubt utilising his own personal experiences to give it a splash of realism.  Most of these inclusions are done to provide another comedic edge to the story, especially as Ernest has been thrown into the deep end with a group of experienced writers who have no respect for him.  The scenes where they discuss their works while also putting down his less successful book are so damn funny, although I could not help but feel a little self-conscious with some of the comments (I know I use too many adverbs).  Stevenson also really dives into the dark side of writing and publishing, with sketchy agents, dodgy backroom deals, story thefts, and personal compromises all being featured quite heavily in the plot.  These elements make for some great potential motives, but you have to appreciate the heavy level of cynicism that Stevenson is throwing into the mix.  I deeply enjoyed the way that Stevenson explored the minefield of life as a murder mystery writer, as well as other connected literary issues, and it ensured that the protagonist’s storyline about being a new author was simultaneously funny and intriguing.

Benjamin Stevenson continues to impress as one of my favourite authors of crazy Australian crime fiction.  His amazing latest novel, Everyone on this Train is a Suspect, is so damn good, as it combines a clever mystery with Stevenson’s unique style that satirises the entire crime fiction genre.  Loaded with some brilliant homages to all manner of murder mystery, and mixing an intense murder plot with jokes, outrageous characters, and fantastic way to tell the story, Everyone on this Train is a Suspect was a blast of epic fun from start to finish.  A worthy and incredible sequel to Everyone in my Family has Killed Someone, Everyone on this Train is a Suspect is funny, brilliant and occasionally dark, and you are guaranteed to love every second of it.

Everyone on this Train is a Suspect Cover 2

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Guest Review – Welcome to Night Vale and It Devours! by Joseph Frink and Jeffrey Cranor

On By The Unseen LibraryIn Audiobook, Comedy/Satire, Guest Review, Science Fiction, Throwback Thursday, Tie-in Novel1 Comment

This week as part of my Throwback Thursday articles I let my eternally awesome editor/wife, Alex, reveal what weirdness she has been reading lately with a guest review of two very fun, if odd, books.  Fans of this blog may remember that Alex has previously provided some insightful guest reviews for The Power (soon to be a television series), The Testaments, The Fowl Twins, Pan’s Labyrinth and the latest audiobook versions of The Lord of the Rings trilogy.  For this latest guest review, Alex dives into the audiobook versions of the tie-in novels associated with the Welcome to Night Vale podcast, written by Joseph Frink and Jeffrey Cranor.  Now, I have to admit that despite Alex’s love of Welcome to Night Vale, I honestly do not know much about it, and I was intrigued to see what stories these books featured.  If her review of the first two books are anything to go by, I am missing out on some crazy, crazy things by not listening to this podcast.

Welcome to Nightvale Cover

Alex’s Rating: 4 out of 5 stars

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Welcome to Night Vale is a long-running sci-fi podcast that publishes new episodes twice a month. Joseph Fink and Jeffrey Cranor have been writing the show together for just over 10 years now, and have so far published three books in the canon. I recently found myself in need of some audio entertainment to accompany some long drives, and I decided the soothing baritone of Cecil Baldwin was just the thing I needed, so I started with the first two books, Welcome to Night Vale and It Devours!

Regular listeners of the Welcome to Night Vale podcast will know exactly what to expect from these books. New fans will need to strap in for some weirdness, ranging from the merely strange, like invisible pie and the Glow Cloud (ALL HAIL), to the truly terrifying, like throat spiders and librarians. Time doesn’t work in Night Vale. Angels are real, but it is illegal to acknowledge them (and certainly don’t lend them any spare change when they ask for it). Mountains are real, but not everyone believes in them. There is a faceless old woman who secretly lives in your home, but she’s not usually violent. The best advice I can give is to simply accept everything the narrative tells you, as any law-abiding Night Vale citizen would do.

The Welcome to Night Vale book chiefly follows the adventures of three such Night Vale citizens. Josh Crayton is able to change his form at will, sometimes appearing as an insect or a sentient patch of haze, sometimes sporting huge antlers or the legs of an octopus. Like all teenagers, he’s just trying to learn how to feel comfortable in his body and figure out who he is—and who his father is. His mother, Diane Crayton, is just trying to protect and connect with her son; it’s not easy being a mother in a town so strange and dangerous. But she also finds herself transfixed by the mystery of a newcomer to town, a strange man in a tan jacket, whose name and face you forget as soon as you look away. The man in the tan jacket has also caught the attention of Jackie Fierro, the pawn shop owner, who has been 19 years old for as long as she or anyone can remember—decades or perhaps even centuries. When things are strange enough even for Night Vale locals to take note, you know that very strange things indeed are afoot.

It Devours! introduces Nilanjana, a scientist who is investigating a series of terrible, massive sinkholes which have started appearing all over town. Nilanjana is a newcomer to Night Vale, and unsurprisingly she hasn’t found it easy to join the community. The other major character, Darryl, is a member of the Joyous Congregation of the Smiling God, a cult-like religion mostly made up of expats from the nearby town of Desert Bluffs. This pair encapsulate the themes of belonging that are so prevalent in this book—the need to belong to a community, even one as strange as Night Vale or as sinister as the Joyous Congregation—as well as the friction between science and religion.

I found that the real treat of these books is that they give you an insight into the internal lives of Night Vale citizens. Since the podcast is almost exclusively presented from the perspective of journalist and community radio host Cecil, a sometimes unreliable narrator, the audience gets only second-hand knowledge of other characters. But since the books take on a more traditional, omniscient style of storytelling, we are treated to a much fuller view of the day-to-day lives and struggles of the people living in this strange town. As such, they very much operate as a character study (especially Welcome to Night Vale, since its protagonists are all pre-existing characters) but there’s also plenty of action to keep the stories moving.

It Devours Cover

Alex’s Rating: 4 out of 5 stars

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Fink and Cranor take care to liberally sprinkle in cameos and references to delight podcast listeners whilst also giving new readers (and those of us who haven’t caught up on the podcast in a while) enough information to go on. At one point in Welcome to Night Vale Carlos the scientist makes an offhand comment about his extensive experience of other worlds, but that he doesn’t like to talk about it. New fans can enjoy this throwaway line as yet another deadpan non-sequitur, but regular listeners will know this refers to a long-running, heartbreaking arc in which Carlos spent a year trapped and isolated in a desert otherworld. It can be hard to tell which elements are simply weird worldbuilding and which are important clues that will assist the characters in their investigations, so the books are full of surprises. The books are also very suspenseful, with the characters facing some kind of peril—physical or psychological—on a regular basis. At one point while listening on a drive, I sat in the carpark for an extra 10 minutes after reaching my destination just to make sure Jackie and Diane made it out of the library alive.

On a similar note, another upshot of the novel format is that the payoff comes much quicker than podcast listeners may be accustomed to. With episodes only released every few weeks, it’s not unusual to have to wait months or even years for some elements to reach a resolution. Here we get a much tighter narrative that arises and resolves itself in a few hundred pages. I would say that It Devours! is the far stronger of the two books, as Fink and Cranor seem to have gotten a better handle on adapting their usual style to the novel format.

Of course the only appropriate narrator for these audiobooks is Cecil Baldwin, who in the podcast portrays Cecil Palmer, the presenter of the community radio show which is the format of most episodes. The books are written in a more traditional novel format but still with the usual Night Vale cadence; when I read the paperback editions when they were first published, I found myself “hearing” Cecil’s voice as I read, so it was a real treat to listen to the audiobooks properly. I also appreciated the use of Disparition’s eerie background music during the chapter interludes, making them feel like they’d been lifted right out of an episode of the podcast.

Overall I really enjoyed the first two Night Vale books, especially It Devours!, but I definitely had the advantage of a fair bit of familiarity with the Night Vale world already. I’m now especially looking forward to finally catching up on the third book, The Faceless Old Woman Who Secretly Lives In Your Home, narrated by my childhood idol Mara Wilson.

Throwback Thursday – For the Emperor by Sandy Mitchell

On By The Unseen LibraryIn Audiobook, Comedy/Satire, Extended Universe, Science Fiction, Throwback Thursday, Tie-in Novel, Warhammer18 Comments

Warhammer 40,000 - For the Emperor Cover

Publisher: Black Library (Audiobook – 23 December 2003)

Series: Ciaphas Cain – Book One

Length: 8 hours and 57 minutes

My Rating: 4.75

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I’ve already put up one Throwback Thursday post today, for the cool Warhammer 40,000 novel, Kingsblade by Andy Clark, but the fun doesn’t end there as I am also going back to 2003 and reviewing the hilarious and deviously clever novel, For the Emperor by Sandy Mitchell, which is easily one of the funniest Warhammer books I have ever read.

Anyone who has paid the slightest bit of attention to my recent review habits would probably have noticed that I am quickly and doggedly powering through a ton of the top books in the Warhammer 40,000 range of fiction.  Not only did I recently finish off the epic Eisenhorn trilogy by Dan Abnett (featuring Xenos, Malleus and Hereticus), but I have also checked out several cool standalone novels, including Grim Repast by Marc Collins, Deus Encarmine by James Swallow and Sepulturum by Nick Kyme.  All these books are exceedingly impressive examples of Warhammer 40,000 fiction that featured their own unique elements, such as galaxy spanning conspiracies, intense horror elements, or a futurist homage to classic, gritty cop stories.  However, the one thing that they all tended to lack was a substantial and notable sense of comedy.  That is where my next entry comes in as I have finally had a chance to explore the first book in the iconic Ciaphas Cain series by Sandy Mitchell (a pseudonym for author Alex Stewart), For the Emperor, which had me laughing like crazy.

In the millennia when the forces of humanity fought to maintain the Imperium of Man, many heroes have risen from amongst the ranks of the Imperial Guard, gloriously leading mankind’s armies against the traitors, the heretics and the xenos.  Of these, few are spoken of with as much reverence and respect as the famed Commissar Ciaphas Cain, a living legend of duty, honour and courage.  Known throughout the Imperium for his daring exploits that have seen him survive the harshest of battlefields and continually lead his forces to victory, Commissar Cain is considered by many to be one of the greatest heroes of the age.

However, everything everyone knows about Cain is a lie.  In reality, he is a conniving coward who only seeks to avoid the horrors of the battlefield by any means necessary, in order to survive and make it to retirement.  Blessed with remarkable survival instincts, Cain has managed to stay alive against impossible odds many times, which has led many to believe he is a true hero capable of anything.  However, Cain’s ill-earned fame and reputation is a double-edged sword, as he is constantly chosen to journey to the worst battlefields in the Imperium, where his bad luck ensures he is in the thick of the fighting.

His latest mission sees him assigned to a newly formed Imperial Guard regiment suffering from horrific infighting and a lack of discipline.  Determined to install unity and respect amongst his new regiment, primarily so they don’t shoot him in the back, Cain is confident that he has found a relatively safe assignment.  However, his bad luck once again sees him in the thick of it, as his regiment is transferred to the backwater planet Gravalax, where a delicate situation is unfolding.  The inhabitants of Gravalax are attempting to defect to the alien Tau, who come with a message of peace and the Greater Good.  Not wishing to face the Tau and their superior technology, Cain works hard to avoid an upcoming war and ensure diplomacy will prevail.

However, after the Tau ambassador is assassinated and tensions are enflamed across the planet, Cain begins to suspect that there is more in play than he previously expected.  A shadowy conspiracy is hoping to start a war between the Tau and Imperium on Gravalax, and Cain is right in the middle of their plot.  To survive and avoid yet another war, Cain needs to work with a beautiful inquisitor to find out who is behind the attempted carnage before it is too late.  But his investigation reveals a far more dangerous enemy than expected, one that is determined to destroy all before it, starting with the terrified Cain.

Wow, oh wow, now that was a pretty damn fun book.  I had heard many times before how awesome and entertaining the Ciaphas Cain books were, and For the Emperor really did not disappoint.  Featuring a compelling story loaded with clever, dark humour, For the Emperor is a very easy book to fall in love with, and I ended up coming away really impressed with Sandy Mitchell’s amazing writing and comedic ability.

For the Emperor’s narrative itself is pretty interesting as it follows Cain through one of his most notable adventures.  Told in a chronicle perspective from Cain’s own memoirs (which may or may not be the most reliable source of information), you get to see the true Commissar Cain as he finds himself thrust into another adventure.  After a quick and very intriguing introduction, with notes from Cain’s associate, Inquisitor Amberly Vail, the story initially details Cain’s attempt to unify and control the Valhallan 296th-301st composite Imperial Guard regiment (eventually the Valhallan 597th).  These initial chapters showcase many aspects of the compelling protagonist, his deep cunning and determination to avoid damage, while also taking the time to introduce several of the major supporting characters.  The story changes after a few chapters as Cain and his new regiment arrive on Gravalax, where Cain must contend with the Tau, who are influencing parts of the local population.  Unlike most Warhammer 40,000 novels, the story doesn’t revolve around a war between the Imperial Guard and the Tau; indeed the focus on the plot is avoiding the conflict as two rival races attempt to find a diplomatic solution.  Unfortunately, some hidden force is attempting to start a war between the Tau and the humans, and Cain soon finds himself trying to maintain the peace, primarily for his own benefit.  After several intriguing and entertaining side missions, the plot eventually sees Cain and the new Inquisitor Vail lead a small, expendable force into the lair of their true enemy.  While I won’t go into detail about who they face, it results in a series of gruesome and deadly battles, where Cain’s survival skills are really put to the test.  Mitchell features a ton of action, intrigue, and odd-couple team-ups for this final major sequence, and you are really drawn into the intense storytelling, with even Cain’s sense of humour failing to cut through the brutal nature of the conflict.  Everything ends on a compelling, if slightly dark note, and you come away from the story pretty damn satisfied and ready for another intriguing adventure from this hilarious protagonist.

I really liked the fun way Mitchell wrote For the Emperor, as everything is set out to enhance the inherent comedy of the book.  While there is a ton of impressive action, adventure and intrigue, at their core all the Ciaphas Cain books are very light-hearted and add a more humorous spin to the grim Warhammer universe.  Indeed, I was getting some major Blackadder vibes from For the Emperor, as much of the plot sees the supposedly noble protagonist attempting to weasel his way out of actually getting into a fight.  Pretty much every interaction or thought in this book had me chuckling in some way, and I appreciated some of the clever jokes or references that Mitchell scattered throughout.  I also deeply enjoyed the cool chronicle format of the story, as Cain’s antics are made even funnier when you see it from his eyes.  At the same time, Mitchell includes a ton of extra notes and excerpts from other in-universe texts that not only provide intriguing context, but also add to the humour, especially as the intentionally over-the-top opinions and bad writing highlights just how crazy other members of the Warhammer 40,000 universe are.  There are also a series of notes, footnotes and quotes from supporting character Inquisitor Vail sprinkled throughout the plot to provide some additional insights, often in a humorous way.  I always deeply enjoy the use of a good footnote in fiction, especially due to my love of Terry Pratchett’s novels, and I felt that Mitchell utilised them perfectly throughout For the Emperor.  Not only do they provide additional information, but Vail’s footnotes often directly contradict Cain’s opinions and descriptions of events, and ensure a much more complex and complete overall story.

While the focus is often on the humour, Mitchell also does write a pretty compelling military thriller as the main story, which ties well into the wider Warhammer universe.  The focus on the intense conspiracy and the outbreaks of rebellion and war fit into the more humorous feel of the book extremely well, and you get quite an impressive story as a result.  There are also some rather dark moments scattered throughout the novel as well, and they provide a rather interesting contrast to the more comedic elements.  Having the character deal with some heavy moments, like being forced to kill an innocent man, provides some great balance to the story, and despite the lighter tone, you are always reminded just how grim the overlying universe truly is.

I deeply enjoyed Mitchell’s unique take on the Warhammer universe that was featured in For the Emperor, especially thanks to who is telling the story.  Most of the Warhammer 40,000 books you experience either follow a bold warrior or a common soldier, many of whom see the universe through lens of duty or ignorance.  However, the Ciaphas Cain books provide a much more down-to-earth view as the cynical Cain sees events as they truly are and he knows deep down just how deadly the universe and his own comrades are.  I really liked this alternate view of the franchise from a protagonist and it, and the inherent humour of the story, help to make this book really stand out from some other novels.  At the same time, Mitchell adds in some compelling and fascinating insights to the Tau, and other factions to the story, which really help to expand out the universe and ensure that there is plenty there for all Warhammer readers.  The examination of a more diplomatic route from the usually xenophobic Imperium of Man was also pretty damn fascinating, and it really helps to showcase how pragmatic some of Mitchell’s characters are.  This lighter tone, as well as the fun references to some other classic Warhammer 40,000 novels, ensures that all fans of the franchise are going to have an amazing time with this book, and I personally found it to be a welcome change of pace between a few heavier Warhammer novels I have recently read.  For the Emperor would also serve as a pretty good entry point into the Warhammer 40,000 universe, especially as you get a good idea of how crazy everything is, while also getting to have a laugh at it.  As such, this is an extremely good Warhammer novel, and I now fully understand why the Ciaphas Cain books are so beloved by the fandom.

I can’t mention For the Emperor without discussing the awesome and extremely entertaining collection of characters that Mitchell successfully introduces here.  For the Emperor features a substantial and compelling cast, each of whom brings something special to the story and helps to either enhance the humour or the more serious aspects of the book in their own special way.

The most important of these characters is of course Commissar Ciaphas Cain, through whose memoirs we see most of the plot unfold.  A legendary hero of the Imperium, Cain is one of the more unique figures in Warhammer 40,000 fiction, mainly because he doesn’t deserve his inflated reputation.  While he acts the great hero and everyone is in awe of his reputation, in reality he is a craven figure who is actively trying to avoid the universe’s various wars and stay alive.  Thanks to his narration throughout the book, you see him constantly manipulating the situation to his advantage.  Literally every single action he takes is done to benefit him and him alone, with an appropriate explanation or excuse to keep people from getting suspicious.  Even his more heroic actions in the book (stopping a riot, defending the Tau ambassadors, visiting the enemy stronghold) are only done because they serve him in some way or when he can’t get out of doing it without dying or losing his ill-gained fame.  I absolutely loved this unique character feature, as not only is it hilarious to see how he manages to weasel out or manipulate situations but it ensures that he is the complete opposite of the usual gruff and ultra-serious Commissar characters that are such a big part of franchise (Gaunt and Yarrick, for example).

While it would be easy to dislike such a selfish character, you really grow to enjoy Cain and his hilarious and cynical viewpoint of the universe, which is the source of much of the book’s comedy.  It also helps that nearly every one of his actions backfires on him in some way, as his attempts to stay out of the fighting usually see him put into an even worse situation.  His intriguing narration through his journals (which have been seized and classified for political reasons), adds to the comedic and emotional impact of the story, especially as you get to see him weigh his actions with the benefit of hindsight (although he is usually unrepentant).  Of course, Cain is also the textbook definition of an unreliable narrator, and you have to wonder at the truth of his words sometimes.  I did like how Mitchell tried to show that despite his desire to avoid combat, Cain is actually a pretty capable warrior and commander, and that he wouldn’t be as effective a leader if he weren’t trying to keep up his lies.  There are also some flashes of humanity and deeper emotions scattered throughout the book, and you can see that there is a good person in there somewhere, even if it is buried far beneath his instincts for self-preservation.  Honestly, Cain might be my most favourite Warhammer character since Kal Jerico, and I had such a fun time seeing his antics in For the Emperor.

Aside from Cain, I really need to highlight Inquisitor Amberly Vail, who finds herself investigating the same conspiracy Cain gets wrapped up in.  Vail is a very fun character in this book as she not only presents the fictional version of For the Emperor to the reader, but she has a big role in the actual plot.  Vail serves as Cain’s love interest, but she also is the only person in the book who sees right through Cain and knows what he truly is.  Watching her manipulate the seasoned conman is quite cathartic, and the two make an effective and interesting team throughout the book.  However, I felt that Vail’s best contribution to the novel comes in the form of her notes and footnotes throughout the account, especially as they constantly call out Cain for his actions and keep his narration mostly honest by filling in some crucial gaps.  It as also very fun to see the various different versions of Vail that appear throughout the book, as you see both how she presents herself to the reader, and the slightly altered version of her that Cain sees.  This really makes her stand out as a central character in this series and her funny notes and corrections deeply enhanced the already entertaining plot.

Another major character I need to mention is Cain’s aide-de-camp, Jurgen, the Baldrick to Cain’s Blackadder.  A stooped, smelly and scruffy being, Mitchell has made Jurgen as Baldrick-like as possible (including a scene in which he comes up with a cunning plan), and I loved every damn second of it.  Firmly believing that Cain truly is the hero he claims to be, Jurgen faithfully serves Cain, and it is a lot of fun to see the two play off each other, especially as Jurgen is honestly the most honest and likeable character in the entire book.  The rest of the cast, which include schemers, professional soldiers, and various Tau, also have their moments, and I really liked how they were portrayed in the book.  However, they all share one particularly defining feature: they all believe Cain is a hero and are led around by his manipulations.  Watching these generally smart people fall for Cain’s lies is a great part of the book’s plot, and I had so much fun seeing them act the fool in this one specific way.  Overall, though, For the Emperor has some outstanding characters to it, and it will be fun to see how they are utilised in the other Ciaphas Cain books.

Like most Warhammer novels I have the pleasure of enjoying, I chose to listen to For the Emperor’s audiobook format, which I maintain is one of the best ways to enjoy Warhammer 40,000 fiction.  All the best narrative and stylistic elements of For the Emperor comes through at an even higher quality when you listen to them, and you really find yourself getting drawn into the complex story while also laughing at the fun characters.  I felt that the production value behind For the Emperor was particularly impressive, as the audiobook features three separate narrators in experienced voice actors Stephen Perring, Penelope Rawlins and Emma Gregory.  Perring, who I enjoyed last year in the audiobook for Engines of Empire by R. S. Ford, serves as the primary narrator for most of the book as he voices all the characters and action in the chapters of For the Emperor told from Cain’s perspective.  Perring is an extremely awesome narrator and the range of epic voices he creates for the main cast are very impressive and really capture their personalities and unique physical characteristics.  I loved the cynical, tired and falsely noble voice that Perring utilises for the main character of Cain, and you have to mention the slimy and fun voicework for the character of Jurgen as it makes him sound even more like Baldrick.  Perring also narrates a couple of the in-text extracts (those written by a male author), and he ensures that they sound even more pompous and filled with misinformation, than you would get from a simple reading.

While Perring is the main narrator, the other two featured actors have amazing performances in For the Emperor’s audiobook which really add to the overall production.  Penelope Rawlins voices the character of Inquisitor Vail during the parts of the novel she writes, mainly her notes on the events going on and the various footnotes featured throughout the plot.  Rawlins’s take on Vail is slightly different to that of Perring, and you get a stronger sense of her intelligence and power through Rawlins voice, which I felt helps to emphasise that Cain’s perspective might not be the most reliable.  The change in narrator also ensures that the various notes from Vail really pop out in comparison to the main story so you always know when Vail is speaking to correct Cain’s memory of events.  The way that the footnotes are read out exactly where they fall in the text also works extremely well, and it ensures that Cain’s misinformation never gets a chance to sit properly.  The final voice actor, Emma Gregory, also provides a few interesting sections to the audiobook, particularly as she narrates one of the recurring in-universe texts that is quoted, written by an older version of one of the supporting characters (Guardswoman Sulla, who gets promoted to a general in the future). Gregory captures the pride and arrogance of Sulla, as well as her devotion to Cain, perfectly, and I felt that this additional performance was a great part of the production.  All this incredible voice work, as well as the amazing story that it brings to life, ensures that For the Emperor’s audiobook is particularly awesome and really worth listening to.  With a runtime of just under 9 hours, this is a really easy audiobook to get through, and I powered through it in only a couple of days, mainly because of how much fun I was having, and I cannot recommend this format enough.

Look, I think it is clear to see that I loved For the Emperor and had a fantastic time reading this awesome book.  Sandy Mitchell did something pretty special with this first entry in the epic Ciaphas Cain series, and I am now a massive fan of this series and the titular character.  Loaded with so much clever humour, fantastic Warhammer elements, and a strong and surprisingly intense narrative, For the Emperor is pretty much perfect, and there is so much for people to enjoy.  As a result, this book is particularly highly recommended, and I fully intend to get more Ciaphas Cain fun and manipulations in the future.

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