Warhammer 40,000: The King of the Spoil by Jonathan D. Beer

The King of the Spoil Cover

Publisher: Black Library (Audiobook – 1 July 2023)

Series: Warhammer Crime

Length: 12 hours and 33 minutes

My Rating: 4.75 out of 5 stars

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Get ready for another awesome round of Warhammer Crime goodness as Jonathan D. Beer presents an epic and captivating novel thick with action, intrigue and cool characters in The King of the Spoil.

Out of all the many Warhammer 40,000 novels and series currently running, few are as fun as the very impressive Warhammer Crime collection of books.  An intriguing subseries designed to mix distinctive crime fiction narratives with the awesome grimdark Warhammer 40,000 universe, the Warhammer Crime novels are a ton of fun, and I love the crazy and powerful stories that result.  All loosely connected and set in the same massive dystopian city of Varangantua, the Warhammer Crime series has so far produced some epic reads, including The Wraithbone Phoenix and Dredge Runners by Alec Worley, Grim Repast by Marc Collins, Flesh and Steel by Guy Hayley, and Bloodlines by Chris Wraight.  Each of these Warhammer Crime books has been pretty damn exceptional in their own way, and most of them appeared on my recent favourite Warhammer 40,000 list.  As such, I was very excited when I saw that a new Warhammer Crime novel was on its way with The King of the Spoil.

The King of the Spoil was an outstanding novel from author Jonathan D. Beer that introduced the reader to a new area of the overarching setting of Varangantua while also supplying them with a compelling and impressive story.  This is actually the first full novel from Beer, and it continues several of his short stories that were previously published in the Warhammer Crime collected editions, Broken City and Sanction and Sin.  I had an epic time with this fantastic novel as Beer produced an exceptional and addictive read.

In the vast continent-spanning city of Varangantua, there is no section of the city more desperate or devastated than the broken chunk of land known as the Spoil.  A formerly prominent industrial area, time has turned the Spoil in a useless wasteland abandoned by the rest of the city.  With the remaining populace of the Spoil forced to remain within its bounds, there are very few choices for survival and little chance for escape.  But even in this fallen area, someone must rise to the top, and only one man can be king.

For over a generation, the Spoil was ruled by Andreti Sorokin, the self-proclaimed King of the Spoil.  His rule brought stability to the once lawless section of the city, while his unpopular alliance with the Valtteri business cartel ensured that money once again flowed through the Spoil.  However, no king can rule forever, and when Sorokin is brutally murdered by a mysterious assassin, it doesn’t take long until someone tries to replace him.

As the Spoil devolves into a deadly gang war, with rival factions fighting for control of whatever they can get, the Valtteri turn to their most effective agent to find them an edge.  Melita Voronova is an info-broker and hacker of unsurpassed skill who has been forced to work for the Valterri.  However, after failing to predict Sorokin’s assassination, her only hope to survive her employer’s wrath is to travel to the Spoil and determine who killed Sorokin.  However, many people within the Spoil had a motive for killing the king, and Melita is about to discover that Sorokin’s death is only the first step in an elaborate plot that could change the very foundation of the Spoil.  Can Melita find the truth before it’s too late, or will this massive conspiracy destroy her and everything she cares about?

This was a pretty awesome book from Beer, who really showcases his fantastic writing ability in his debut novel.  Featuring an excellent and intense story, loaded with intrigue, action and complex characters, The King of the Spoil is an excellent addition to the Warhammer Crime series and I had so much fun getting through it.

Beer comes up with a very elaborate and fun story in The King of the Spoil, which starts very strong and never really slows down.  Beginning with the assassination of the titular king, Beer takes his time before introducing the main protagonist, instead utilising a series of short chapters to effectively bring several supporting cast members into the narrative while also showcasing the immediate aftermath of Sorokin’s death.  I really liked how Beer decided to focus on these other characters first, especially as it adds in some interesting story angles that come into play later in the story.

Once the scene has been effectively set, the story starts to primarily focus on protagonist Melita Voronova who, after failing to warn her dangerous corporate employers about Sorokin’s death, is forced to journey to the Spoil to find out who killed him and manage the appointment of a successor.  Beer also introduces a great alternate point of view protagonist in young Spoil resident Haska Jovanic, who provides an intriguing look at the events occurring on the ground in the Spoil, especially as warlords and other involved parties make their move.  Both major narratives evolve at a steady pace, mostly independent of each other, and I liked the competing views of the events and the city that they provided to the reader.  Out of the two, Melita’s investigation-focused chapters were probably the more entertaining, and she leads the reader on the hunt for the killer and the complex politics of the Spoil and its gangs.  These two main perspectives are cleverly interspersed with a series of interludes shown from other side characters, including the true antagonist and their patsies, as they put their masterplan into commission.  While a more detailed perspective from the antagonist might have been interesting, Beer chose to keep their involvement mostly mysterious for the moment, and it was interesting to see their intermittent involvement to the larger plot.

The King of the Spoil takes a big turn in the second half when the antagonist makes a big move and absolutely rocks the entire plot.  The full extent of their ambitious plan and its massive repercussions are pretty over the top, and I loved how Beer cleverly hinted at what was to come while setting everything up in the first half of the book.  Everything honestly goes to hell for Melita at that point while Haska finds herself in the middle of conflict, fighting for everything she believes in.  The stakes of the book keep getting bigger and bigger, and Melita is forced to find help more in keeping with the Warhammer Crime vibe to uncover who some of the major hidden players in the case are, which only results in a more sinister conspiracy than anyone realised.  This leads up to a massively explosive conclusion, which leads to some major changes and mostly resolves events, although there are some big plot points left open which Beer is clearly looking to explore in the future.  Both the main protagonists are left in interesting positions, which cleverly fits their respective development, and it will be great to see what happens to them next.  This was overall an exciting and gripping narrative that lived up to the lofty heights of the Warhammer Crime series.

Like many of the Warhammer Crime books, The King of the Spoil is a mostly standalone read that does not require a lot of pre-knowledge of the other entries in the series, or the wider Warhammer 40,000 universe to enjoy.  While Beer has written about the main character in several prior short stories, you don’t really need to check these out first, as the author makes sure that any relevant details are revisited or mentioned where necessary.  I think that Beer did a really good job of converting the characters and scenarios from his previous shorter works into the larger novel format, and his debut book was pretty epic as a result.

I loved the intriguing mixture of storylines that were featured within The King of the Spoil, and the blend of investigation, gang politics, and character driven storylines worked to produce a fantastic and complex read that fit well within the larger Warhammer Crime universe.  Beer maintains a steady and compelling pace throughout the course of The King of Spoil, and there honestly wasn’t a dull moment throughout the entire book, whether the focus was on intrigue, action, or character growth.  The intriguing crime elements of the novel, such as the protagonist’s major investigation, criminal politics, and the brewing gang war, were all expertly inserted into the story and it blended well with both the setting and the accompanying character arcs.  Beer proved competent at ratchetting up the tension at certain parts of the novel, as both main protagonists are continuously experiencing major threats, momentous decisions, and tragedy.  The action scenes were pretty damn awesome, and I loved how Beer was able to capture the intricacies of the various battles that occurred, whether they be gang scraps or something even more serious.  Thanks to the author’s inclusive writing style and determination to bring a powerful crime fiction story to life, I found The King of the Spoil to be a great entry novel into the Warhammer Crime series, and indeed this might even be a good read for those readers looking to explore the Warhammer 40,000 universe for the first time.  This entire story was showcased extremely well by Beer and I honestly had a hard time putting down The King of the Spoil.

One of the things I love so much about the Warhammer Crime books is the great overarching setting of the massive city of Varangantua, which each author adds to throughout the course of the series.  I love all the unique and different areas of the city that have so far been introduced, but I think the Spoil is one of the best.  Showcased as an extremely poor district that has been deliberately cut off from the rest of the city and is now completely ruled by gangs, the Spoil is a particularly grim and desperate place in an already notoriously grim city/universe.  Beer does a wonderful job diving into the unique history of the Spoil and its inhabitants throughout the course of the book, including how things changed during the reign of Andreti Sorokin, who brought some stability to the region, but in a way that damaged their pride and independence.  This desperation and desire to be free becomes a key part of the plot, as the antagonists use this to bring anarchy to the Spoil and beyond in some impressively destructive ways.  There is also an outstanding and enjoyable focus on gang politics and interactions, as various factions seek to take control of the Spoil throughout the course of the book.  I deeply appreciated how Beer wove these elements of his major setting into the plot, and it made for a much more complex story where neither side is really in the right.  Beer also cleverly works in some larger Warhammer 40,000 elements into the story, which work to enhance the stakes of the story.  The inclusion of one notorious Imperial organisation really showcases just how serious events get at times, and I honestly enjoyed just how widespread and massive Beer decided to make his plot, especially as there are implications of darker forces at work.  This was such a great addition to the Warhammer Crime sub-series of books, and I loved how Beer made this part of Varangantua his own and built an outstanding story around it.

One of the major highlights of The King of the Spoil was the intriguing group of characters the story was set around.  Beer does a great job of introducing a fantastic cast of thieves, gangsters, mercenaries, cut-throat industrialists and more throughout the book, and their battles for supremacy and respect ensured this was an excellent read.  The main protagonist is Melita Voronova, a talented info-broker who has been forced into service by the Valterri cartel and is tasked with keeping an eye on the Spoil.  A brilliant, analytical person with the ability to recruit and maintain a large spy network, Melita is a very intriguing protagonist, and you swiftly grow to ensure her unique outlook and abilities.  However, thanks to her indentured servitude, her complex past, and the cybernetic implants she’s received, Melita is a bit of a mess and is using drugs to cope.  Beer portrays Melita is a deeply damaged figure, who is resentful of her current lot in life and is constantly pushing everyone close to her away.  This makes for several deeply personal scenes throughout The King of Spoil, and it was heartbreaking at times to see her refuse any help, even when she really needs it.  Thanks to the chaotic events of the book, Melita experiences several tragedies in The King of the Spoil which adds further strain to her psyche and enhances the already dark tension of the novel.  I really liked where Beer left Melita’s character arc at the end of The King of the Spoil, especially as it became clear that she still has a lot of development to go, and it will be fascinating to see what happens to her next, especially as she is now on several powerful people’s radar.

The other major protagonist of The King of the Spoil was Haska Jovanic, a young resident of the Spoil who gets a front row view of all the changes and conflict that occurs throughout the book.  In some ways, Haska has a much more complete character journey in this book than Melita, especially as she goes from scared street rat to hardened and vengeful gang soldier.  Dragged into various conflicts in the book thanks to her eager friends, Haska is a bit of a reluctant figure for much of the story, and there are some intriguing chapters around her motivations and what she wants out of life.  Forced to choose between being a fighter or being exploited, Haska is thrust into some of the major plot points of the book, where she finds courage, motivation and tragedy.  Beer did a particularly good job of building up the reader’s attachment to Haska throughout The King of the Spoil, especially as she is one of the more relatable figures in the entire book.  Watching her be forced by circumstances, fear and loyalty into several deadly situations which usually backfire on her is pretty powerful, and the author builds some fantastic storylines around her as a result, especially in the second half of the book.  I deeply enjoyed how her entire complex storyline unfolded, and the compelling conclusion to her arc in The King of the Spoil ensures that she is going to be particularly interesting to follow when she shows up again next.

Aside from Melita and Haska, there are a ton of other great characters featured throughout The King of the Spoil, mainly to bolster the protagonist’s storyline or provide some intriguing antagonistic figures.  Some of the most notable includes Edi, Melita’s bodyguard and former enforcer who serves as the main character’s conscience, resolve and sounding board.  Edi is probably one of the more likeable and honourable figures in the novel, and his intriguing relationship with Melita as he tries to act like her father against her wishes, makes him that much more enjoyable.  The Valterri security chief Tomillan Vasimov, who controls Melita for his organisation, served as an outstanding secondary antagonist, especially due to his rivalry and disdain for the protagonist.  Beer turns him into quite a fantastically unlikeable figure, so much so that you quite enjoy it when the real antagonists take shots at him.  Haska’s ambitious and inexperienced gang friends also prove an excellent addition to the cast, especially as they give Haska a lot of motivation to get involved in events, while Mattix, the grizzled Probator (investigator for the Enforcers), adds a great police presence, despite his often less-than-honourable motivations.  Other great characters also have their moment in the book, such as the actual, and somewhat hidden, antagonist of the story, who masterfully sets every event into play.  I quite liked the deadly intrigue that surrounded this figure, although I do wish we had gotten to see more of them in The King of the Spoil or find out more about their motivations.  I imagine this antagonist will be a recurring figure in any future Beer Warhammer Crime novels, and I look forward to seeing them face off against the protagonist again.  These characters, and more, were all deeply enjoyable and I loved the intriguing range they brought to the plot.

I checked out The King of the Spoil on audiobook, as frankly it is the best way to enjoy a Warhammer 40,000 novel.  Unsurprisingly, I had an amazing time listening to The King of the Spoil, and I really felt that the audiobook format helped to enhance its already exciting and fantastic story.  The frenetic intrigue and brutal action sequences all really come to life when it is read out to you from the protagonist’s perspective, and I definitely absorbed more of the elaborate and desolate landscape of the Spoil thanks to the narration.  I also a very big fan of the narration provided by relatively new audiobook narrator, Gabrielle Nellis-Pain, whose intriguing range added a great deal to the impact and enjoyment of the story.  Nellis-Pain does such a great job of inhabiting the roles of the various characters contained within The King of the Spoil, especially the main two protagonists, Melita and Haska.  I felt that the narrator did a wonderful job capturing their various personalities, as well as the emotional pain and distress the events of this book inflict upon them, and you really get drawn into their story arcs as a result.  The rest of the cast also come together extremely well, and I liked how Nellis-Pain was able to really showcase some of their key character traits, which really helped me to enjoy the excellent story.  Coming in with a decent runtime of 12 and a half hours, dedicated listeners can get through The King of Spoil fairly quickly, especially once they get caught up in its wonderful detail.  I would strongly recommend The King of the Spoil’s audiobook to anyone interested in checking this book out and you will really enjoy it more in this format.

Overall, The King of the Spoil was an excellent and captivating Warhammer Crime novel that I had an epic time listening to.  Author Jonathan Beer did an outstanding job with his first Warhammer novel, and I deeply enjoyed the powerful and exciting crime fiction story he came up with, loaded with amazing characters and set in a fantastic and compelling new part of the Warhammer Crime shared setting.  The King of the Spoil was an impressive addition to an already awesome sub-series and it is clear that Beer has some interesting plans to continue the storylines started here in the future.  I cannot wait to see what Beer delivers in the future and if this first book is anything to go by, it’s bound to be exceptional.

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The Traitor by Anthony Ryan

The Traitor Cover

Publisher: Orbit (Audiobook – 11 July 2023)

Series: Covenant of Steel – Book Three

Length: 19 hours and 15 minutes

My Rating: 5 out of 5 stars

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Acclaimed fantasy author Anthony Ryan brings his epic and exceptional Covenant of Steel trilogy to an end in a massive way with the impressive third and final book, The Traitor.

Over the last three years I have had an outstanding time getting my first taste of the works of leading fantasy author Anthony Ryan.  A veteran author who has been enthralling fantasy audiences for over a decade, Ryan has several highly regarded series under his belt, including his Raven’s Shadow books, the Slab City Blues series, the Seven Swords series and The Draconis Memoria trilogy.  However, I have so far only had the opportunity to read his latest body of works, The Covenant of Steel trilogy, which has been more than enough to make me a major fan of this author.

The Covenant of Steel books are an outstanding series that follows an intriguing and well-developed protagonist, the notorious Alwyn Scribe.  Told in a chronicle format written by Alwyn, the Covenant of Steel books follow the protagonist as he embarks upon a powerful and exciting character journey that sees him overcome his bandit past to take on several new roles, including that of a scribe, soldier and knight, all while serving the mysterious religious figure, Lady Evadine Courlain.  I have had an epic time with this series over the last few years, and the first two books, The Pariah (one of my favourite books and audiobooks of 2021) and The Martyr (one of my favourite books and audiobooks of 2022) have been exceptional five-star reads that proved near impossible to put down.  Loaded with action, intrigue, a fantastic new world, and some complex characters, this series is so damn good, and I have been eagerly awaiting the third and final book for a while.  This third book, The Traitor, was one of my most anticipated reads for 2023, and I was so excited when I finally got the chance to listen to it.

Alwyn Scribe is a man in real trouble.  Now a renowned knight, general, spymaster, and trusted advisor, the former outlaw has relentlessly championed the cause of his lady, the Risen Martyr Evadine Courlain, and ensured she is now the most beloved and influential religious figure in all of Albermaine.  But what if he made a terrible mistake?

Cryptic visions from the past have warned Alwyn that, despite her claims to be a servant of the divine Seraphile, Evadine actually serves the Malecite, the source of all evil in the land, who will use her to bring about a cataclysmic future.  Blinded by love, Alwyn is convinced that these visions are false, and he is determined to keep Evadine alive and ensure that her vision of a united Albermaine are brought to life, even if that means starting another destructive war.

However, the closer Evadine gets to achieving her goal, the more Alwyn begins to realise that she is no longer the same woman that he swore his life to.  Her messages of peace and tolerance have been replaced by the fires of puritanical fury, and Evadine soon launches a brutal crusade to rid the country of her enemies and place herself on the throne as an Ascendant Queen.  But is she truly corrupted by the Malecite or is her brutal work a necessity to keep Albermaine safe from a greater evil?  As a devastating civil war is unleashed upon the kingdom, Alwyn will be forced to choose whose side he is truly on and what he is willing to sacrifice to keep the world from burning.

Well damn, Ryan really didn’t disappoint with this fantastic and powerful conclusion to the fantastic Covenant of Steel trilogy.  Weaving together all the elaborate elements from his first two books and then lighting everything you love on fire, The Traitor was a complex and deeply enjoyable read that I honestly couldn’t stop listening to.  Powerful, thrilling, and oh so beautifully dark, The Traitor was a perfect ending to the Covenant of Steel trilogy that got an easy five-star rating from me.

The Traitor has a heck of a powerful narrative to it that takes the protagonist and the reader to the emotional limit.  After an effective and entertaining recap of the previous two books, The Traitor starts in the immediate aftermath of the previous novel, The Martyr, with Alwyn leading Evadine’s army to war against the dangerous Ascendant Arnabus and his forces, resulting in a major, religious war.  This initial conflict is the focus for a good part of the early story, and it serves as a great warm-up for the rest of the plot, allowing for some much-needed character reintroductions and development, while also providing some intriguing new context for the main story.  This initial fight only serves as a taste for the wars to come, as Evadine seeks to overthrow the current order and rule herself.  This incoming conflict ensures that the first half of The Traitor has a range of great story elements to it, with a mixture of intrigue, political manoeuvrings, espionage, and battles, ensuring that every second of The Traitor at this point is highly entertaining.  This also serves as an excellent prelim for the anticipated change in the middle of the book, where the protagonist is finally forced to confront the fact that Evadine is no longer the woman he fell in love with.

Due to the reveal at the end of The Martyr, you had to know that Evadine was going to have some sort of fall from grace in this final novel, and when it comes, boy does it come hard.  The betrayals, shocks and losses at this point are exceedingly impactful, and you soon realise that Ryan intends to go full scorched earth with his storytelling, forcing the reader to deal with some major tragedies.  I liked the dark turns that occurred at this point in The Traitor, especially as Ryan had been hinting at them since book one, and it was awesome to get some payoff for the previous dark predictions.  This forces Alwyn to make some tough choices, and there is a major and compelling change in the protagonist’s objectives and loyalties for the second half of the book.  Thanks to the great setup at the start, as well as the major events in the middle, the reader will be very strongly caught in the narrative at this point, and even though the final half of The Traitor slows down in places, you really cannot put it down.  Ryan really dives into the lore of his land in this second half, which provides some very unique scenes and moments, even if some of these story elements got a little away from the author.  Still, this part of the book has some pretty impactful moments, and you will not be prepared for some of the key touching events.

Everything leads up to a final confrontation, which releases three books worth of pent-up emotion and revelations in some spectacular scenes.  While part of this confrontation is a bit more metaphysical than it needed to be, you honestly will be blown away with how it all comes to an end, especially as there is layer upon layer of tragedy involved, and I deeply enjoyed the compelling and satisfying resolutions that followed.  This entire story was a fantastic read from start to finish, and I really loved how Ryan wrapped up so many of his ongoing storylines and arcs here.  While most plot points are finalised here, a couple do remain unresolved, and it wouldn’t surprise me if we get a sequel series at some point.  I personally would be very keen for that, as I had such an exceptional time seeing this elaborate trilogy and ongoing narrative come together in some excellent ways.

I have always really enjoyed how Ryan set out the previous Covenant of Steel books, and he did a fantastic job of continuing his awesome writing style in this third and final book.  The author sets out The Traitor using a chronicle style told from the protagonist’s perspective, which is such an effective writing tool.  This deeply personal vision of events, combined with the author’s regretful insights of the future, really helps to drag the reader into the story, and Ryan really makes the most of this story format the entire way through.  Like with the rest of the trilogy, Ryan keeps up a pretty steady pace in The Traitor, and there aren’t a lot of quiet moments in the book.  The author really hit the right blend of powerful character focus, fantasy world building, and storytelling loaded with intrigue and action, and there is generally something for everyone here.

I loved the darker, more tragic feel that The Traitor had, especially compared to the earlier books, and it was easy to tell that this is the final book in the series.  While the detailed plot recap and cast list at the front of the book is very helpful at reminding readers of prior events, readers unfamiliar with The Pariah and The Martyr probably won’t be able to jump into this final novel too easily as there are so many details from the first two books that reader’s need to be aware of to fully appreciate the impacts of this story. As such, people new to the series should really head back to the start, and I guarantee you will have a great time doing so.  I really enjoyed how this awesome book came together, and Ryan’s ability to weave together an intense read with so many layers to it is very impressive.

One of the great highlights of the Covenant of Steel series has been the exceptional and detailed fantasy realm that the book has been set in, shown through the eyes of the narrator as he explores it.  The reader has been given a very detailed look at these settings throughout the last two novels, and it has served as a great background to the plot.  Primarily a medieval landscape dominated by a quasi-Christian religion, this background setting initially didn’t have a lot of fantasy elements to it except for a couple of wandering beings with strange powers.  But Ryan slowly built up the fantasy elements throughout the book, with cumulation of magic occurring about halfway through The Martyr, which I think was an excellent choice, as it allowed him to instead focus on character growth, other world building elements, and the general politics and wars of the realm, in excellent detail.  A lot of these political and religious elements are strongly explored throughout The Traitor, especially in the first half, and Ryan had a lot of fun showcasing the land’s dark turn towards religious conflict as his character’s embark on a bitter holy war.  The dark and destructive changes to this well utilised setting are very notable, disturbing and compelling, and it was fascinating to see how much everything changed throughout the course of the series.

The Traitor does get a lot more fantasy heavy in the second half of the book, as the protagonist returns to a hidden realm and fully experiences the mysterious magic and powers that reside there to counter the dark visions of Evadine.  I do think that there might have been a few too many magical inclusions here, as the plot did get a tad convoluted in places.  Still, Ryan definitely had some fantastic and unique ideas here, and many of these fantasy elements have been utilised in the past to great effect.  One particular ability that emerges actually brings part of the story around full circle, and it allowed for some very compelling interactions with characters from the past that I quite enjoyed.  The fantasy revelations that emerge during the big concluding confrontation are very over the top, which some readers might have issues with.  However, I quite enjoyed it, and it lead to a particularly dark final meeting between protagonist and antagonist that had me hooked the entire time.  This really was an awesome fantasy series, loaded with cool settings and unique features, and I hope that we might get to revisit them in the future, especially as the events of this book will leave Albermaine a much darker and traumatised setting.

Easily my favourite element of The Traitor, and indeed the entire Covenant of Steel trilogy, has been the complex, damaged and memorable characters that the story has focussed on.  Ryan has come up with an exceptional group of protagonists and villains over the course of the trilogy, and there are some deeply elaborate character arcs ongoing throughout the last two books.  Many of these continue and conclude here in The Traitor, and Ryan really went out of his way to finalise the development of his characters in some powerful ways that will really strike the reader in the feels.

The main character of The Traitor is once again Alwyn Scribe, who serves as the primary narrator of the trilogy as he recounts his historical adventures.  Alwyn has been a particularly compelling character throughout the series, mainly because you get to see him grow from a common outlaw to key advisor of the Risen Martyr as she begins her campaign across the country.  Ryan has done such a great job telling Alwyn’s unique tale in the previous books, and the reader should already be highly invested in his story before The Traitor even starts.  Of course, this ensures that the reader is hit even harder by some of the big moments of the book, as Alwyn goes through a lot here.  Not only is he still involved in a series of deadly wars and political battles, but now he finds himself being torn between love and his sense of right and wrong, as Evadine becomes more and more unstable.  Watching Alwyn continue to justify Evadine’s actions, even though deep down he knows she’s in the wrong, is both frustrating and understandable, as you realise just how much he is devoted to her.  This sense of frustration is only enhanced by the constant recriminations Alwyn throws towards his past self as he narrates his own story, and you can feel the regret pouring of the pages there.  While I won’t give too much away here, Alwyn ends up going through quite a lot in The Traitor, and the emotional toil that inflicts is pretty terrible, especially as he has to make some bitter and ruthless choices.  It was very touching and intense to see Alwyn’s story come full circle in some ways, especially as there are some intriguing callbacks to his past, and all the major impactful moments that affect Alwyn are expertly portrayed by the author.  Despite everything he goes through, Alwyn still maintains much of his humour, wit, ingenuity, and disrespectful attitude that were such a great part of the Covenant of Steel trilogy.  It was so much fun to once again get his unique take on events, and he ended up being a pretty perfect narrator for this fantastic series.

The other major character that I have to talk about is Evadine Courlain, the Risen Martyr and Alwyn’s love interest, who has been such a significant figure in the last two books.  A religious leader who inspired people with her visions, Evadine has always been a fascinating character, especially as you are never quite sure if she is actually divinely chosen, a delusional madwoman, or something even worse.  After the reveal at the end of The Martyr that Evadine might be an avatar of evil, you come into The Traitor naturally highly suspicious of her, and Ryan caters to these expectations by ensuring that she quickly starts to descend into further darkness.  Despite Alwyn’s continual attempts to restrain her, and justify her actions to the reader, Evadine becomes more of a darker figure as she pursues her various wars, although initially never going quite far enough to alienate her friends.  Of course, that changes about halfway through the book, and when she goes dark, she goes dark in a big way, turning into quite a fantastic and sinister antagonistic figure.  I really loved how Ryan turned Evadine here, and it is such an outstanding cumulation of so many key story arcs from the first two books.  Despite everything she does, there is still a powerful bond between Alwyn and Evadine that deeply impacts both of them, and it was fascinating to see these great characters walk the thin line between love and hate again and again.  The complex interactions between these two characters at various different points of The Traitor are beautifully written, and you have to appreciate just how damaged and dangerous their bond got at times.  Evadine honestly was the perfect counterpoint to Alwyn in The Traitor, and I cannot emphasise how impressive her entire story arc ended up being.

In addition to Alwyn and Evadine, Ryan has loaded The Traitor with an exceptional cast of supporting characters who add a great deal to the impact of the story.  This supporting cast is mostly made up of figures from the first two books, as Ryan brings back many of the old favourites and seeks to wrap up many of the intriguing storylines that have been such a fantastic part of the series.  Highlights include Alwyn’s returning comrades, such as the unstable but very likeable Ayin, disgraced knight Wilhum, former outlaw Tiler, outlaw queen turned legitimate Duchess Lorine, and Juhlina, also known as the Widow.  These characters, and more end up having some interesting roles throughout The Traitor, and it was fascinating to see the various sides that many of them chose, especially as the plot continued.  I liked some of the surprising directions Ryan took a few of these returning characters, and there are some interesting choices, romances and entertaining fates that were wonderful to see.  Ryan also features several great new characters who got a good introduction and utilisation in The Traitor, even if it was only for a single book.  Quite a few of these characters were cast in antagonistic roles, which I think worked really well, and it was amazing how quickly Ryan was able to turn some of these characters into quite hateable figures.

While I did really enjoy the return of so many great characters featured within The Traitor, readers should be warned that Ryan does go on a bit of a murder spree here.  While I won’t give too much away here, several great characters meet an untimely end in The Traitor, and this honestly gets pretty heartbreaking.  While I usually don’t love it when authors kill off most of their characters in a finale, I think it worked quite well in The Traitor, especially as each death served an important narrative purpose.  It also helped that for many of these characters, Ryan worked to resolve their storylines in advance, so readers got some closure with them, even as they were taken away.  As such, The Traitor turns into quite a bloody and impactful read at times, and you will not be prepared for just how grim and tragic it gets when it comes to your favourite Covenant of Steel characters.  I really cannot emphasise just how good Ryan’s character work is though, and I hope we see some of the surviving figures again in the future.

I ended up grabbing a copy of the audiobook version of The Traitor, mainly because it has been the format that I have enjoyed the rest of the Covenant of Steel books in.  Coming in at a bit over 19 hours, this is a decently long audiobook, but I absolutely flew through it once I got caught up in the exceptional story.  This format really lent itself to Ryan’s writing style and epic storytelling, and I deeply appreciated how listening to The Traitor allowed me to absorb all the key character moments, action and world building a lot better.  My enjoyment of this book was enhanced even further by the return of narrator Steven Brand, who has given his voice to most of Ryan’s audiobooks.  Brand is a very talented narrator with a great voice that fits this darker fantasy novel extremely well, especially as he perfectly encapsulates the protagonist, Alwyn Scribe.  Brand really brings Ryan’s chronicle style to life in Alwyn’s voice, and I really loved his take on the protagonist and all the other characters.  The sheer despair, weariness and self-loathing that Brand envisions in Alwyn’s voice at times is really moving, and I deeply appreciated how expertly he dove into the role of the main character.  The rest of characters in The Traitor also receive some great, fitting voices, and the entire cast really came to life, if but briefly.  I honestly had such a great time listening to The Traitor on audiobook and this is easily my preferred way to enjoy this fantastic book.  As such, this format comes highly recommended, and it will probably end up being one of my top audiobooks of 2023.

Honestly, after how much fun I had with the first two books in this series, as well as my lengthy write-up above, it should come as no surprise that I deeply enjoyed The Traitor.  Anthony Ryan brought his epic Covenant of Steel trilogy to a near perfect end, and I cannot emphasise enough how great and impactful this exceptional novel was.  Featuring some excellent dark moments, powerful character development, and an outstanding war-focused narrative, The Traitor delivered everything I wanted and more.  Easily one of the best fantasy books of 2023 so far, The Traitor was a joy to read from start to finish, and I am so glad I got the experience this awesome and amazing fantasy trilogy.

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Top Ten Tuesday – My Favourite Audiobooks with Special Narrators

Top Ten Tuesday is a weekly meme that currently resides at The Artsy Reader Girl and features bloggers sharing lists on various book topics.  For this week’s Top Ten Tuesday, participants get a freebie list that they can build around a specific genre.  As such, I’m going to go back to my favourite format for enjoying all things fiction and craft a list around audiobooks, which fans of this blog will know I have a major liking for.  In particular, I am going to look at those very awesome audiobooks that make excellent use of a special narrator.

All audiobook fans know that the one thing that can make or break an audiobook is the narrator.  A talented narrator with a great voice can turn any book into something spectacular, while a bad narrator can tank even the very best story.  In some very awesome cases, the audiobook’s producers manage to get their hands on someone particularly special to narrate their product for them, and this usually works out to be pretty damn epic.  Now, when I talk about special narrators, I’m talking about either major celebrities, or someone who already has a significant connection with the book/franchise, and whose inclusion ensures that the listener can really get absorbed into the resultant audiobook.  I have had the very great pleasure of listening to several amazing examples of these special narrators turning already epic books into first-class listens, and I thought this would be a fantastic time to highlight them here.

To appear on this list, the audiobook had to feature the voice of a celebrity or an actor best known from another media, and whose inclusion as a narrator was particularly significant.  I chose to exclude a couple major audiobook productions that went out of their way to get a ton of celebrity voices, such as World War Z or The Sandman, mainly because they recently appeared on another Top Ten List, but also because that felt a little like cheating.  Despite this, I still had a good collection of first-rate audiobooks that featured very special narrators.  All these epic and unique narrators helped to deeply enhance the audiobook they lent their voices to, and I would strongly recommend the resulting products as a result.  So let’s see who made the cut.

Honourable Mentions:

The Law, written and narrated by Jim Butcher

The Law Cover

It often doesn’t work when an author narrates their own audiobook, especially if their series is already well known for having an excellent narrator, but I felt Jim Butcher did a pretty good job voicing his most iconic character in this audio adaptation of The Law novella.

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The Padmé Trilogy, written by E. K. Johnston, narrated by Catherine Taber

QueensShadow Cover

The Padmé trilogy of Star Wars novels was an intriguing young adult series that worked to expand on the story of Padmé Amidala from the prequel trilogy.  Now, while this series from E. K. Johnston, made up of Queen’s Shadow, Queen’s Peril and Queen’s Hope, is quite good in its own way, the audiobook versions are deeply enhanced by the inclusion of narrator Catherine Taber, the voice of Padmé from The Clone Wars animated series.  Taber really brings this iconic character to life again in this new format, and her voice work deeply enhances this fantastic read.

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The Night Fire, written by Michael Connelly and narrated by Titus Welliver and Christine Lakin

The Night Fire Cover

The audiobook versions of Michael Conelly’s books are usually pretty damn awesome, but I had a particularly good time with The Night Fire, mainly because it had a great voice cast behind it.  While Christine Lakin does an excellent job, for the purposes of this list I am mainly highlighting the inclusion of Titus Welliver, who plays the character of Harry Bosche in the Bosche television series.  His use as a narrator here is brilliant, and I loved the continuity in these latest audiobooks.

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The Final Girl Support Group, written by Grady Hendrix and narrated by Adrienne King

The Final Girl Support Group Cover

Grady Hendrix’s outstanding horror thriller, The Final Girl Support Group, featured a ton of amazing homages to classic slasher films, but its best is probably the inclusion of Adrienne King as the audiobook narrator.  King, who is best known for her role as the final girl in the original Friday the 13th film was an inspired choice for narrator, and I loved the added authenticity her performance gave this fantastic audiobook.

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Top Ten Tuesday:

The Lord of the Rings, written by J. R. R. Tolkien and narrated by Andy Serkis

The Lord of the Rings - The Return of the King

Let’s start with a true classic and focus on the latest The Lord of the Rings audiobooks.  While The Lord of the Rings books are always pretty damn awesome, these new audiobooks are further enhanced by the inclusion of legendary actor Andy Serkis as narrator.  Serkis gives a 110% performance in these audiobooks, gifting wonderful voices to all the characters, not just Gollum, and even trying to emulate the voices of fellow Lord of the Rings film cast members.  His exceptional voice work and elaborate performance greatly enhances these amazing audiobooks, and The Unseen Library strongly recommends this format as a result.

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Dresden Files audiobooks, written by Jim Butcher and narrated by James Marsters

White Night Cover

I doubt anyone familiar with my blog will be too surprised that I am featuring the Dresden Files audiobooks on this list.  I have had such an epic time with this series over the last few years, and part of the reason why is because each of the audiobooks is narrated by actor James Marsters, who I have been a huge fan of since Buffy the Vampire Slayer first came out.  Marsters is such a talented narrator, and he really dives into the various characters featured in the Dresden Files books, including series protagonist Harry Dresden.  The actor’s fun and emotional take on the protagonist really makes these audiobooks come to life, and every single one of them that I have listened to, including Storm Front, Fool Moon, Grave Peril, Summer Knight, Death Masks, Blood Rites, Dead Beat, Proven Guilty, White Night and Battle Ground, are so much better with Marsters’ expert narration.  I cannot recommend this audiobook series enough as a result, and Marsters will make you fall in love with this exceptional urban fantasy series.

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Welcome to Night Vale and It Devours!, written by Joseph Fink and Jeffrey Cranor, narrated by Cecil Baldwin

Welcome to Nightvale Cover

Another series I have to recommend thanks to my Guest Review section are the fantastic Welcome to Night Vale audiobooks.  Welcome to Night Vale is a beloved and weird sci-fi podcast that has been ongoing for several years now, picking up a dedicated following.  As part of this, the creators have also written several books, including Welcome to Night Vale and It Devours!, which provide some extra fun insight into this crazy series.  The audiobook versions of these novels are particularly fun because they are narrated by Cecil Baldwin, who serves as one of the main voices of the Welcome to Night Vale podcast.  While I haven’t personally listened to these books, my editor and occasional contributor Alex swears by them and I had to include them on this list as a result.  Alex really loved Baldwin’s voicework in these two audiobooks and she assures me that his inclusion as narrator ensures that these are required listening for all fans of this iconic podcast.

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The Thursday Murder Club and The Man Who Died Twice, written by Richard Osman and narrated by Lesley Manville

The Thursday Murder Club Cover

I have a lot of love for Richard Osman’s first two Thursday Murder Club novels, especially in their audiobook format.  That is because the awesome narration of actress Lesley Manville is so damn exceptional and she gives perfect voices to all the great cast members.  Manville really showcases her vocal skills in these first two books, and thanks to her outstanding narration, The Thursday Murder Club and The Man Who Died Twice both ended up being amongst my favourite audiobooks of 2020 and 2021 respectfully.

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Sylvanas, written by Christie Golden and narrated by Patty Mattson

World of Warcraft - Sylvanas Cover

There are some pretty awesome Warcraft/World of Warcraft audiobooks out there, but probably one of the best in terms of narration has to be last year’s outstanding listen, Sylvanas.  Not only does Sylvanas have a great story behind it that examines one of the most complex characters in the Warcraft cannon, but the production team sought to bring some major authenticity and power to the audiobook version by utilising voice actor Patty Mattson as narrator.  Mattson is probably best known for voicing Sylvanas Windrunner in World of Warcraft, so her inclusion here as narrator is an epic choice, as she already embodies the book’s main character/narrator perfectly.  Having Sylvanas’ story told to you in her own voice is so damn cool, and it turns this audiobook into an epic listen, especially for dedicated Warcraft fans.

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The Salvage Crew, written by Yudhanjaya Wijeratne and narrated by Nathan Fillion

The Salvage Crew Cover

I must admit that one of the main reasons that I originally listened to the compelling and freaky science fiction audiobook, The Salvage Crew, was because it featured Nathan Fillion as narrator.  Fillion, who voices the machine protagonist, unsurprisingly does an amazing job in The Salvage Crew, and his silky tones really drag you into this elaborate tale.  While I did deeply enjoy Wijeratne’s clever writing, I doubt I would have checked it out without Fillion, who really does an amazing job as a narrator.

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Redshirts, written by John Scalzi and narrated by Wil Wheaton

Redshirts Cover

Redshirts by amazing author John Scalzi is a hilarious and exceedingly clever parody/homage to the classic Star Trek series that shows the perspective of the doomed redshirts who are highly aware of their lack of survivability.  I have a lot of love for this novel, and the audiobook is particularly cool, especially because they chose the perfect narrator for it, with Star Trek: The Next Generation star, Wil Wheaton.  Wheaton has a lot of fun narrating this outstanding book, and there is something particularly fun having an iconic cast member reading this a clever Star Trek parody.  I was laughing myself silly the entire time I was listening to this book, and I doubt I would have had as much fun without Wheaton’s fantastic inclusion.

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Star Wars: Ahsoka, written by E. K. Johnston and narrated by Ashley Eckstein

Ahsoka_novel_cover

With the Ahsoka television series starting up tomorrow night, I definelty needed to highlight an awesome audiobook from a few years ago that makes perfect use of a special narrator.  This audiobook is Ahsoka by E. K. Johnston and it features the excellent voice work of Ashley Eckstein, who is the definitive Ahsoka for The Clone Wars fans.  This novel follows the character in the immediate aftermath of Revenge of the Sith and Eckstein unsurprisingly kills it, showcasing her impressive vocal range while also telling a unique Ahsoka tale that only she can. 

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The Bullet That Missed, written by Richard Osman and narrated by Fiona Shaw

The Bullet That Missed Cover

Now I am slightly cheating here by including the third Thursday Murder Club novel, The Bullet That Missed, separately on this list, but I’m justifying it because it features a different special narrator.  The Bullet That Missed was a particularly impressive entry in this great series, and I made sure to grab the audiobook version as soon as possible.  While I was initially disappointed that Leslie Manville wasn’t returning, I swiftly got over that the moment I found of Fiona Shaw of Harry Potter, Andor and Killing Eve fame was replacing her.  Shaw also does an exceptional job narrating this novel and while she does emulate Manville in places, Shaw really puts her own spin on the narration, producing an exceptional listen.  I really loved how Shaw effortless stepped in for this third book and her narration deeply enhances some of the best elements of The Bullet That Missed, including the pure Britishness of the story.  I am very happy that Shaw will be returning for the upcoming Thursday Murder Club book, The Last Devil To Die, and I cannot wait to hear her bring this new novel to life.

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The Thousand-Dollar Tan Line, written by Rob Thomas and Jennifer Graham and narrated by Kristen Bell

Veronica Mars - The Thousand Dollar Tan Line Cover

The final audiobook I want to highlight is the awesome Veronica Mars tie-in novel, The Thousand-Dollar Tan Line, which is set after the Veronica Mars film.  While I really did enjoy the clever mystery, intense personal story and intriguing expansion of the Veronica Mars mythos it contained, the true highlight of this audiobook has to be the fact that they get Kristen Bell to narrate it.  Bell obviously has no problem bringing this elaborate Veronica Mars story to life and her narration is exceedingly impressive, cleverly capturing not only her own character, but several other figures from the show.  This is probably one of my favourite pieces of tie-in media and Bell’s amazing narration is a key reason for this.

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That’s my latest list.  As you can see, I have had the pleasure of listening to several outstanding audiobooks that feature some brilliant and distinctive special narrators.  All 10 entries above come very highly recommended and you are guaranteed to love all of them, especially with their outstanding narrators.

Top Ten Tuesday – My Favourite Audiobooks with Multiple Narrators

Top Ten Tuesday is a weekly meme that currently resides at The Artsy Reader Girl and features bloggers sharing lists on various book topics.  The official topic of this week’s Top Ten Tuesday looked at books participants have read or wanted to read because of other Top Ten Tuesday posts.  While this is a very interesting topic, it’s not one that I felt I could really participate in.  However, I did have a couple of audiobook-focused lists I’d been cooking up in the background, so I thought I’d take the opportunity to post one here.

My list for this week revolves around audiobooks with multiple narrators.  Now fans of my blog will be well aware that I am a massive fan of the audiobook format, and I honestly find it the best way to enjoy a range of cool novels and series.  I have so much love for audiobooks, and a great narrator can exceptionally increase how much I enjoy an epic book.  In some particularly awesome cases, the audiobook format can feature more than one narrator, and that is what I want to focus this list on.  I have had the pleasure of listening to some very impressive audiobooks that feature a large cast of voice actors and frankly the range of voices and talents involved can add an even greater layer of awesomeness to the proceedings.  As such, I thought this would be a fantastic opportunity to highlight some of the very vest multi-narrator audiobooks I have listened to so far.

To appear on this list, the audiobook in question had to have two or more narrators attached to it, with the second narrator having more than a cameo appearance to it.  I actually had quite a few options to include here, but I was eventually able to whittle it down to a satisfying top-ten list, with my typical generous honourable mentions section as well.  I think this list came up pretty well, and I really liked some of the books I selected.  All the below choices come very highly recommended on audiobook, and their great collection of narrators ensured that this format was particularly epic.

Honourable Mentions:

Caves of Ice, written by Sandy Mitchell and narrated by Stephen Perring, Penelope Rawlins and Emma Gregory

Caves of Ice Cover

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Dredge Runners, written by Alec Worley and narrated by Jon Rand, Paul Putner, Emma Noakes, Kelly Hotten, David Seddon and Andrew James Spooner

Dredge Runners

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Dark Sacred Night, written by Michael Connelly narrated by Titus Welliver and Christine Lakin

Dark Sacred Night Cover

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The Battle For Jedha, written by George Mann and performed by a full cast

Star Wars - The Battle of Jedha Cover

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Top Ten Tuesdsay:

For the Emperor, written by Sandy Mitchell and narrated by Stephen Perring, Penelope Rawlins and Emma Gregory

Warhammer 40,000 - For the Emperor Cover

Let us start off with one of my favourite Warhammer 40,000 audiobooks, For the Emperor by Sandy Mitchell.  The first book in the acclaimed and hilarious Ciaphas Cain series, For the Emperor is a very entertaining novel that follows the exploits of a cowardly Commissar who has managed to convince everyone that he’s a brilliant war hero.  This is an extremely funny read, and it’s audiobook version is greatly enhanced by the use of its three narrators, Stephen Perring, Penelope Rawlins and Emma Gregory.  All three narrators are extremely good in their roles, and I love how they split the load, with Perring voicing much of the main story, Rawlins voicing hilarious notes from an outside observer, and Gregory voicing several intentionally badly written book excerpts in an over-the-top manner.  This unique narration works extremely well and you will fall down laughing as a result.  This cast (with a few more additions), lend their voices to the entire Ciaphas Cian series, and I look forward to checking out more entries in this series in the future, especially with this brilliant cast behind it.

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The Sandman, written by Neil Gaiman and narrated by a full cast

Sandman Act 1 Cover

I had to include the first epic audio adaptation of the iconic Sandman comic here on this list, as it is a particularly exceptional listen.  This adaptation features a massive and highly talented voice cast to bring Gaiman’s elaborate story to life, including a cool mixture of celebrities and professional voice actors, who mesh extremely well together to tell a brilliant story.  Celebrities, including James McAvoy, Kat Dennings, Taron Egerton, Andy Serkis, Michael Sheen and Riz Ahmed, as well as iconic audiobook narrators like Ray Porter, do an exceptional job bringing their characters to life, and in some cases they are even better than the live-action cast from the Netflix show.  I absolutely flew through this adaptation, and the sheer range of great voices involved is so damn epic you won’t be able to turn it off.

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World War Z, written by Max Brooks and narrated by a full cast

World War Z Cover

Another massive audiobook production that benefits incredibly from an extensive celebrity cast is the adaptation of the awesome zombie novel, World War Z.  This large cast works extremely well to bring Brooks’ interview-style story to life, as they each take on the role of a specific character being interviewed.  With Brooks acting as the interviewer, each of these actors tell their character’s specific story of the zombie apocalypse in impressive fashion, diving into their charaters and telling their terrifying tales.  Honestly all 30+ actors do an incredible job here, but some of the standouts include Alfred Molina as former astronaut (with a decent Australian accent), Alan Alda as a business strategist, Masi Oka as a Japanese otaku who is totally unprepared for the zombies, and Rob Reiner and an almost unrecognisable Simon Pegg as politicians.  However, my favourite is easily Mark Hamill, who has several of the best chapters as a jaded former solider caught up in the very worst moments of the war.  This cast is just exceptional, and their use in this audiobook turns this into a first-class listen.

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Ghazghkull Thraka: Prophet of the Waagh!, written by Nate Crowley and narrated by Kelly Hotten, Paul Putner and Jon Rand

Ghazghkull Thraka - Prophet of the Waaagh! Cover

One Warhammer 40,000 audiobook that particularly benefitted from multiple narrators was the impressive and exceedingly fun Ghazghkull Thraka: Prophet of the Waagh!.  Featuring a fantastic story that dives into the origins of a legendary figure in Warhammer 40,000 lore, this audiobook featured three talented narrators, Kelly Hotten, Paul Putner and Jon Rand.  These three narrators switched throughout the book, depending on which unique figure was the perspective character for that chapter.  This worked to really immerse the listener in the clever, multi-tiered narrative, and I had an awesome time listening to Ghazghkull Thraka: Prophet of the Waagh! as a result.  This was one of my favourite books and audiobooks from 2022 and this fantastic narration is a very strong reason for that.

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Doctor Aphra, written by Sarah Kuhn and narrated by a full cast

Doctor Aphra Audio Cover

One thing that Star Wars fiction excels at it is producing high quality and addictive audiobook versions of their novels.  This is particularly true for their audio exclusive productions that feature huge casts of talented audiobook narrators, many of whom have lent their voices to previous Star Wars audiobooks.  One of the best was probably the impressive Doctor Aphra audio production, which served as a very clever and funny adaptation of several fantastic Star Wars comics.  I had an absolute blast with this production and the sheer range of cool voices that were featured throughout really enhanced the clever storytelling and witty humour.  While there were several distinctive narrators for this production, the standout was probably Emily Woo Zeller, who voiced the titular protagonist and provided a perfect and fantastic take on the opportunistic archaeologist.  A must listen for all Star Wars fans, especially if you’ve had the pleasure of reading the Doctor Aphra comics.

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Engines of Empire, written by Richard S. Ford and narrated by Alison Campbell, Ciaran Saward, Phoebe McIntosh, Ewan Goddard, Andrew Kingston, Martin Reeve and Stephen Perry.

Engines of Empire Cover

One of the more unique fantasy audiobooks from last year was the awesome Engines of Empire, which told a story of revolution and betrayal in a fresh new fantasy realm.  This audiobook featured a huge cast of point of view characters, and the audiobook production seeks to enhance that by featuring a large group of narrators.  Each narrator voices the chapter told from a specific character, helping to create a rich and powerful audio tapestry as they capture the personalities of their respective protagonists.  This helps to turn the Engines of Empire audiobook into a great listen and I really had fun with it as a result.

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Tempest Runner, written by Cavan Scott and narrated by a full cast

Star Wars - Tempest Runner Cover

Another excellent Star Wars audio production with a large cast was the excellent Tempest Runner by Cavan Scott.  A fun addition to the High Republic subseries of Star Wars fiction, Tempest Runner followed one of the standout villains of the previous books and gives some fantastic context to her actions.  Tempest Runner featured an awesome cast of actors, and I loved some of the great performances that emerged.  Standouts included Jessica Almasy, who voiced the main character, January LaVoy who voiced a spiteful antagonist, and the leading Star Wars narrators, Marc Thompson and Jonathan Davies, who bring their very impressive skills to the fore again.  An outstanding audiobook that makes perfect use of its exceptional cast.

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The Night Fire, written by Michael Connelly, narrated by Titus Welliver and Christine Lakin

The Night Fire Cover

I have had fun with several of Michael Connelly’s audiobooks in recent years, but some of my favourites have to be the Ballard and Bosch books, that bring together two of Connelly’s best police protagonists.  One of the things that make these audiobooks so cool are the use of dual narrators, Titus Welliver and Christine Lakin, who do a particularly awesome job in the second Ballard and Bosch book, The Night Fire.  The audiobook is evenly split between each of the characters, so Welliver and Lakin split the narration down the middle, with Welliver voicing all the chapters from Bosch’s perspective, while Lakin takes on Ballard’s chapters.  This helps to produce a very intriguing and compelling audiobook, with both actors inhabiting their respective role perfectly (unsurprisingly for Welliver, who plays Bosch in the recent television adaption).  I absolutely flew through this audiobook and I cannot recommend this format enough when enjoying the epic Ballard and Bosch crossovers.

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The Way of Kings, written by Brandon Sanderson, narrated by Michael Kramer and Kate Reading

WAY OF KINGS MM REV FINAL.indd

Another great audiobook that benefited from two separated narrators was the massive and iconic fantasy read, The Way of Kings by Brandon Sanderson.  I had a brilliant time listening to The Way of Kings in this format, especially as the audiobook allows for a greater appreciation of all the detail Sanderson chucked in, and the dual narrators of Michael Kramer and Kate Reading definitely helped here.  Kramer and Reading split their duties along gender lines, with Kramer narrating all the chapters and interludes told from a male perspective, while Reading does the same for the parts of the book told from the female perspective.  This helps to produce a very elaborate listen, especially as both narrators are particularly skilled, and I liked having a variety of voices in this extremely long audiobook.  This is such a great way to enjoy this fantatic novel, and you will have an awesome time with these two narrators.

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Dooku: Jedi Lost, written by Cavan Scott and narrated by a full cast

Dooku - Jedi Lost Cover

The final multi-narrator audio production I wanted to highlight here is the Star Wars audiobook, Dooku: Jedi Lost.  Diving into the past of iconic Star Wars villain Count Dooku, Jedi Lost was an excellent and entertaining listen, that features a brilliant cast of voice actors who bring several fantastic figures from the canon to life.  This includes Euan Morton, who breaths great life into the titular Count Dooku, Orlagh Cassidy who has a great take on fan favourite villainess Asajji Ventress, and Jonathan Davis and Marc Thompson, whose respective portrayals of Qui-Gon Jinn and Yoda, are pretty damn spot on.  I had such a great time with this Star Wars production, and you have to love the dedication and power that the big cast of voice actors really brought to the table.

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That is the end of this latest list highlighting some of my favourite audiobooks that feature multiple narrators.  Let me know what you think in the comments below and make sure to recommend your favourite audiobooks with a range of narrators behind it.

Warhammer 40,000: Leviathan by Darius Hinks

Warhammer 40,000 - Leviathan Cover

Publisher: Black Library (Audiobook – 24 June 2023)

Series: Warhammer 40,000

Length: 12 hours and 13 minutes

My Rating: 4.5 out of 5 stars

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Prepare for all-out war as the righteous Ultramarines battle the insidious Tyranids in this epic new Warhammer 40,000 novel from Darius Hinks, Leviathan.

It has been a pretty good year for Warhammer 40,000 fiction already, with several fantastic novels coming out in 2023, including Warboss and The Lion: Son of the Forest by Mike Brooks (the latter being one of my favourite books from the first half of 2023), and Shadowsun: The Patient Hunter by Phil Kelly.  However, the hits are far from over, especially as there are several fantastic new Warhammer 40,000 novels set to come out later this year.  But before we get to those, I managed to jump onto another recent release with the outstanding novel Leviathan, written by established Warhammer author Darius Hinks.  Hinks was a new author to me, but I soon grew to appreciate his latest book, especially as it showcased a dark and intense alien invasion that made for a great story.

In the far future of the 41st millennium, the besieged Imperium of Man faces many threats, but few are more deadly, unstoppable, or insidious as the unrelenting and seemingly endless hordes of the Tyranids, an alien race determined to devour everything it encounters.  While several of the larger invading Tyranid fleets have been destroyed, a splinter tendril is making its way towards the galactic centre, threatening the very heart of the Imperium.

Standing in the way of this fleet is the fortress world of Regium, an ancient planet recently taken over by Imperial forces, it now serves as a bulwark against invasions heading towards the inner-Imperium.  Many believe that Regium is secure from all threats, but when the people of the planet are haunted by parasites, strange cults, and mysterious dreams of terrifying monsters, it soon becomes clear that a Tyranid swarm is about to descend upon them.

It falls to the decorated hero, Lieutenant Castamon of the Ultramarines, to hold Regium against the foes and keep the rest of the Imperium safe.  A veteran of many battles, Castamon believes that this new Tyranid fleet will be swiftly destroyed.  However, these Tyranids are led by something far more sinister than the Ultramarines have encountered before, something cunning and ruthless that is able to disrupt minds and outthink even the cleverest of humans.  With his forces split, Regium’s defences compromised, and his allies panicking, even the vaunted Lieutenant Castamon may be unable to save Regium from the Tyranid invasion.  However, Castamon has one last trick up his sleeve, the brilliant Ultramarine Apothecary Biologis, Vultis, whose research into the Tyranid biology might be the only thing that can stop them.  Unfortunately, the enemy knows all about the Ultramarines and their plans, and the deadly creature known as the Harbinger is coming for them.

Leviathan was a pretty awesome and intense Warhammer 40,000 novel that shines a real spotlight on one of the more insidious alien races in the canon.  Featuring a strong and at times terrifying narrative, Leviathan was a great read, and I really got caught up in Hinks’s fantastic book.

Hinks pulls together an excellent story for Leviathan, and it is one that will appeal to a range of different readers, especially those fans of Warhammer 40,000 fiction.  Set around the already troubled planet of Regium, Leviathan follows an intriguing range of different human/space marine characters as they attempt to make sense and prepare for a Tyranid invasion of their world.  The early parts of the book are dedicated to introducing the key characters and the overall setting of the story, while also attempting to cast a more psychological edge to the main story as visions, doubts and other insanities haunt the populace.  There are some great early action sequences, including a disastrous shipboard incursion, and a dark hunt in some interesting terrain, and Hinks works well to set up for the second half of the book, especially as several unique, character driven stories were introduced and given some early weight.  While I enjoyed a lot of this set up, I did find the first half of the story to be a bit slow with its pacing and I was initially having trouble getting too invested in any of the characters or story elements.  However, this changed when I got to the second half of the book.

This second half masterfully builds on all the setup and character development that occurred at the start of Leviathan and readers are in for a particularly intense and gruesome narrative from this point on.  This entire second half is dedicated to the full-on invasion of Regium, as swarms of aliens, including some new creatures, emerge to decimate the populace and challenge the protagonists.  Each of the character focused plot lines set up in the first part of the book, as well as a few additional story inclusions, are perfectly thrust into this overlying chaos, and you get to see them try to survive the oncoming horrors and monstrosities.  Hinks really pulls no punches when it comes to this Tyranid invasion, and you get to witness all the devastation, the deadly transformation of the planet, and the subsequent epic battles, as the Tyranids fight against the human and Ultramarine defenders in some epic and well-crafted set pieces.  Each storyline was really good in its own way, and together they formed a fantastic and at times over-the-top overarching narrative that successfully showcased just how overwhelming the Tyranids can be.  I loved how dark Hinks made Leviathan at times, especially as he had no qualms about killing off key characters in some particularly brutal ways, which really raised the stakes for the reader.  While I did think that a lot of the plot did rely a little on the narrative stupidity of certain characters (the Ultramarines kept forgetting everything they knew about the Tyranids), the second half of the book was extremely epic, and I had real trouble putting it down.  All the separate storylines were concluded in entertaining and fitting ways, and I particularly appreciated the final plan that Hinks introduced for the main protagonists, which really fitted the outrageous feel of a lot of the plot.  This brutal and continuously exciting second half really turned Leviathan into such a great read, and I really loved how the entire thing turned out.

Leviathan proved to be an interesting and compelling addition to the wider Warhammer canon, especially as Hinks took the opportunity to really dive into some of the factions and showcase how crazy they can be.  However, I know that Leviathan has been copping a little flack in this department, mainly because some people see it as merely a promotional novel tied-in with some of the recently announced Ultramarines and Tyranid models.  While I can definitely see that, especially as Hinks spends a lot of time highlighting some of the newer Tyranid creatures in his narrative, I still enjoyed Leviathan a lot.  His depictions of the Tyranids were one of the major highlights of the book, and I loved how much he upped the horror aspect of them, showing them to be ravenous monsters who alter and devour everything they encounter.  This might be one of the better portrayals of Tyranids that I have so far seen in Warhammer fiction, and they were certainly a lot less one-dimensional here than they are in other books.  Part of this was because of the inclusion of several newer Tyranid creatures, such as the Neurotyrant and the Norn Emissary, with both being shown as unstoppable monsters with interesting abilities.  This allowed the Tyranids to attack their prey in all new ways, and it was very fun to see the various intricate tactics they were able to come up with.  Hinks tempers some of the more commercial aspects of these creatures’ inclusion by not actually using the names of the models in Leviathan, instead all you have is the protagonist’s descriptions of them when they encounter them in person.  These personal and often deeply terrified accounts of the various Tyranid bioforms really help to showcase just how terrifying and alien they are, especially to the ordinary human, and it really added a great edge to the narrative.  This darker edge is further exacerbated by the author’s powerful examination of how the planet of Regium is altered once the Tyranids arrive.  The spores constantly raining down on the planet slowly poison the various humans as they breathe in, and the depictions of the protagonists dying from within as they inhale alien matter, while their skin starts to slowly melt is pretty damn memorable and terrifying, especially as this is the first step in turning all biological matter in the planet into edible goo.  Frankly, I don’t think I’ve ever experienced the horror that is the Tyranid better than in Leviathan, and Hinks’ brilliant use of this faction enhanced the entire book.

On top of the Tyranids, Leviathan also features another intriguing major faction, the all-time classic Ultramarines chapter of Space Marines.  I mostly liked how the various Ultramarine characters were featured in Leviathan, although I did think that Hinks could have perhaps done a little more to distinguish them from other general Space Marines.  Still, Hinks goes out of his way to make the Ultramarines as badass as possible, and you really get a sense of their courage and battle prowess, especially as the severally outnumbered Ultramarines (I won’t go into the logistics of Regium’s defence here, but it did seem a tad low for such a vital planet), managed to put up quite a showing against the Tyranid swarm.  Some of the fight sequences featuring the Ultramarines in combat were pretty damn epic, and while some Space Marines did die easily for plot effect (especially when going up against a Tyranid with a new model), I felt that Hinks did a good job highlighting just how dangerous a Space Marine can be.  Hinks really tries to cover various aspects of the Space Marines throughout Leviathan, including the reverence and respect that most normal people have for them, and while this might not be the absolute best portrayal of an Ultramarine detachment ever, it was still pretty damn good, especially in those fantastic fight sequences.

I also must highlight some of the great characters featured within Leviathan as Hinks comes up with a diverse and compelling cast to tell the story with.  Thanks to the way the story is set out, each of the key plotlines revolves around some excellent characters, each with their own motivations, missions, and big moments, as they try to weather or escape the oncoming Tyranid doom.  Hinks crafts some great storylines for each of these major characters, and it proves easy to get invested in them, such as the tale of two ordinary farm workers who try to escape the monsters around them, the hapless Governor who finds himself out of his depth, or the proud Cadian leader who is drawn into war by the machinations of a delusional priest.  However, some of the best characters in Leviathan are members of the Ultramarines, and much of the story focuses on the elites of this chapter on Regium.  I really enjoyed these major Ultramarine characters, including the bold Lieutenant Castamon, the heroic leader who lives up to all the hype, the Apothecary Biologis, Vultis, whose analytical mind and desire for knowledge might hold the key to victory, and even the arrogant Sergeant Tanaro has his moments, especially in that powerful last scene.  However, my favourite character in the book is probably the scarred Ultramarine Baraca.  Baraca is a seemingly unkillable figure who has survived an insane amount of damage, but who has grown detached from even the rest of his battle brothers.  Despite appearing to be a mindless brute, Baraca is a deep and complex figure whose friendship with Vultis provides some emotional power to their scenes together.  Baraca honestly steals every scene he is in, especially his last, and Hinks writes a great storyline around him as he courts death, while trying to find his place in life.  All these characters, and more are very well written, and the impact they have on the plot is pretty impressive.

Like most Warhammer 40,000 content that I absorb, I chose to listen to Leviathan’s audiobook format, which is such a fantastic way to enjoy these intense stories.  I think that I made the right choice when it came to Leviathan, as this amazing audiobook really helped to throw me into the midst of the action.  Narrator Theo Solomon did an excellent job of setting a fast pace with his narration, and his descriptions of the massive battles, compelling heroics, and gruesome aliens was very fun to listen to.  While I wasn’t always the biggest fan of some of the character voices that he came up with, Solomon did produce some excellent tones for some of the main characters, particularly that of Lieutenant Castamon, who is made to sound very heroic and bold, which worked to showcase this intriguing protagonist.  As such, I felt that this was an excellent way to enjoy Leviathan, and with a run time of just over 12 hours, this isn’t a massive audiobook to get through, especially once you get caught up in the impressive second half.  I had an awesome time with Leviathan on audiobook, and I recently featured it on my favourite audiobooks from the first half of 2023 list.

Overall, I think that Leviathan was a pretty good Warhammer 40,000 novel and I was pretty impressed with my first book from Darius Hinks.  While I did have some issues with the story, especially in the early goings, this ended up being a very memorable and captivating read, especially thanks to the use of the cool Tyranid faction.  Loaded with carnage, brutal fights to the death, and complex characters dealing with an oncoming horde of clever aliens, Leviathan was an outstanding novel that deeply enjoyed.

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Top Ten Tuesday – My Favourite Audiobooks from the First Half of 2023

Top Ten Tuesday is a weekly meme that currently resides at The Artsy Reader Girl and features bloggers sharing lists on various book topics.  Top Ten Tuesday participants get a freebie this week so I chose to have a look at my favourite audiobooks from the first half of 2023.  This is a continuation of my Top Ten list from a few weeks ago that featured my favourite overall novels from the first half of 2023.

I have a great deal of love for the audiobook format, and it is one of the main ways that I tend to check out books.  Each year I enjoy a great number of different audiobooks and use the format to check out recent releases and older novels.  I have been enjoying audiobooks for years, and it is amazing the various ways in which listening to a book can enhance your enjoyment.  A great narrator can really bring you into the story, and I find that listening to a book enhances the amount of detail that you can take in.  In addition, other features, such as captivating voices, music and sound effects can really make an audiobook something special, and there some great examples of that out there.  This year alone I have listened to several outstanding audiobooks, includes some of my favourite books from early 2023.  Because I love this format so much, I thought I would take this opportunity to highlight my favourite audiobooks from the first half of the year.

To pull this list off I had a look at all the 2023 releases that I listened to on audiobook to figure out my favourites.  It turns out that I have already gone through quite a few this year so there was a very large collection of potential additions to this list.  I was eventually able to whittle it down to the ten audiobooks I consider to be the best.  There is a bit of a crossover with my previous Favourite Books from the First Half of 2023 list, but I think there are enough new additions to make this list worthwhile.  I made sure to feature only the very best audiobooks on this list, and, in addition to the quality of the baseline novel, I also looked at audiobook production and narration.  In my experience an outstanding narration or use of music and sound effects can enhance the plot, and I think that all the audiobooks listed below were exceptional listens that are really worth checking out.

In addition, as I had also listened to a few pre-2023 audiobooks in the first half of the year, I decided to also included a few of the best in a honourable mentions section.  I had an epic time diving back into some classic reads, especially those of the Warhammer variety, and I really wanted to highlight which ones made for the best audiobooks.  With these honourable mentions, I am very happy with how the overall list turned out and I think that the below entries really highlight what my favourite audiobooks from the first half of the year are.

Honourable Mentions (Pre-2023 audiobooks):

Eisenhorn Trilogy, written by Dan Abnett and narrated by Toby Longworth

Warhammer 40,000 - Xenos Cover

Some of the very best Warhammer audiobooks I listened to this year are the epic Eisenhorn novels by Dan Abnett.  Thanks to Toby Longworth’s exceptional narration, all three Eisenhorn novels, Xenos, Malleus and Hereticus were a joy to listen to from start to finish.

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Dead Beat, Proven Guilty and White Night, written by Jim Butcher and narrated by James Marsters

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Few audiobooks are better than Jim Butcher’s Dresden Files novels narrated by actor James Marsters.  I’ve gotten through three of these audiobooks in 2023 with Dead Beat, Proven Guilty and White Night, and all of them were outstanding five-star reads that I had such a great time listening to.

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The Infinite and the Divine, written by Robert Rath and narrated by Richard Reed

The Infinite and the Divine Cover

A highly clever, utterly hilarious and very impressive Warhammer 40,000 audiobook that focused on two rival Necron lords, battling it out over the centuries in a petty feud.  I laughed myself silly with this audiobook and Richard Reed’s awesome narration made it even better.

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For the Emperor by Sandy Mitchell and narrated by Stephen Perring, Penelope Rawlins and Emma Gregory

Warhammer 40,000 - For the Emperor Cover

Another particularly funny Warhammer 40,000 audiobook I enjoyed this year is the first Ciaphas Cain novel by Sandy Mitchell, For the Emperor.  This entertaining audiobook about a cowardly war hero truly comes alive with the outstanding narration team of Stephen Perring, Penelope Rawlins and Emma Gregory, who compliment themselves marvellously throughout the entire production.

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Top Ten List:

Son of the Poison Rose, written by Jonathan Maberry and narrated by Ray Porter

Son of the Poison Rose Cover

I had to start this list off with the new Jonathan Maberry novel, Son of the Poison Rose.  The sequel to Kagen the Damned (one of my favourite books and audiobooks of 2022), Son of the Poison Rose was another epic and bloody novel that proves hard to put down.  The always exceptional narration of Ray Porter turns it into an utterly addictive and impossibly good listen, which I cannot recommend enough.

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Warhammer 40,000: Warboss, written by Mike Brooks and narrated by Harry Myers

Warhammer 40,000 - Warboss Cover

Rising Warhammer 40,000 author Mike Brooks is having a stellar 2023, and one of the first audiobooks of his I listened to was the very funny Warboss.  Focusing on feuding warband of Orks attempting to determine a new leader through conquest, Warboss was a riot the entire way through, especially with Harry Myer’s fantastic narration perfectly capturing the chaotic yet complex nature of the Ork characters.

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The Last Kingdom, written by Steve Berry and narrated by Scott Brick

The Last Kingdom (Steve Berry) Cover

History and conspiracy really come to life in the hands of Steve Berry, especially when narrated by Scott Brick.  This latest Cotton Malone audiobook, The Last Kingdom, was pretty damn good, and I have so much love for the amazing combination of a modern-day thriller and intriguing historical mysteries.

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The Lake House, written by Sarah Beth Durst and narrated by Karissa Vacker

The Lake House Cover Better

A fantastic and haunting young adult thriller that saw three teenagers thrust into a deadly situation on a remote summer camp.  Sarah Beth Durst produced a pretty amazing book here and Karissa Vacker does a great job of portraying the three teenage protagonists with her excellent narration.  I had an amazing time with The Lake House and I am hoping to get a review up for it soon.

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Warhammer 40,000: The Lion: Son of the Forest by Mike Brooks and narrated by Timothy Watson

The Lion - Son of the Forest Cover

The second Mike Brooks audiobook on this list is The Lion: Son of the Forest, which was probably one of the best Warhammer 40,000 novels of 2023 so far.  Following the return of a mythical hero, this fantastic book had a compelling and powerful plot that had me hooked very early.  Narrator Timothy Watson ensures that the audiobook version is particularly epic as he brings some outstanding gravitas to an already legendary main character.

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Burner, written by Mark Greaney, narrated by Jay Snyder

Burner Cover

Few thriller series impress me as much as the Gray Man books by Mark Greaney, and I have been having an amazing time listening to their audiobooks, especially with the very talented Jay Snyder narrating them.  The latest Gray Man audiobook, Burner, was particularly special, and I could barely stop listening to it as Greaney wove together a captivating and highly relevant spy story.  A must listen, especially with Snyder’s great take on the characters.

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The Will of the Many, written by James Islington and narrated by Euan Morton

The Will of the Many Cover

One of the audiobooks I am most glad I listened to in the first half of 2023 was the brilliant fantasy novel, The Will of the Many by James Islington.  A highly elaborate, entertaining and moving novel, The Will of the Many is one of the best fantasy books of the year so far and represents the start of an outstanding new series.  I particularly enjoyed the amazing audiobook version, which thanks to the narration of Euan Morton, really popped, and helped to cram every detail of Islington’s new world into my head.  Highly recommended!

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Warhammer 40,000: Shadowsun: The Patient Hunter, written by Phil Kelly and narrated by Helen McAlpine

Warhammer 40,000 - Shadowsun Cover

A slick, action-packed, and occasionally gruesome Warhammer 40,000 audiobook that I had a lot of fun with was Shadowsun: The Patient Hunter.  Combining Phil Kelly’s love of the T’au faction with Helen McAlpine’s great narration is a winning combination, and I powered through this cool audiobook in no time at all.

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City of Last Chances, written by Adrian Tchaikovsky and narrated by David Thorpe

City of Last Chances Cover

Another particularly impressive and captivating fantasy novel from the start of the year was City of Last Chances by the very talented Adrian Tchaikovsky.  Following multiple unique protagonists around a troubled fantasy city, City of Last Chances is a must read for all fantasy fans, and you will find your experience of it greatly improved with the outstanding audiobook version.  Narrator David Thorpe perfectly captures all of the many complex characters and ensures that Tchaikovsky’s brilliant story elaborate setting is expertly conveyed to the listener.  I cannot recommend this audiobook enough and I cannot wait to see how Tchaikovsky follows it up.

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Warhammer 40,000: Leviathan, written by Darius Hinks and narrated by Theo Solomon

Warhammer 40,000 - Leviathan Cover

The final audiobook on this list is the one I’m listening to now, Leviathan by Darius Hinks.  An intense and fast-paced book that follows a deadly alien invasion, this is a great Warhammer 40,000 read that really grew on me.  Leviathan has a very good audiobook format, thanks to the narration of Theo Solomon, and I am having an outstanding time seeing this dark tale of insanity, invasion and hope, come to fruition.  I should knock this off in the next day or so, and I will try to get a review up for it soon.

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Well, that’s the end of this latest list.  As you can see, there have been some very good audiobooks out in the first half of 2023, even my list is a little Warhammer 40,000 heavy.  It will be interesting to see which books make the cut later in the year, especially as I currently have several major 2023 audiobooks currently sitting on my phone, waiting to be listened to.  While I get to that, make sure to let me know what your favourite audiobooks of 2023 so far are in the comments below.

The Will of the Many by James Islington

The Will of the Many Cover

Publisher: Gallery/Saga Press/Audible Studios (Audiobook – 23 May 2023)

Series: Hierarchy – Book One

Length: 28 hours 14 minutes

My Rating: 5 out of 5 stars

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Talented Australian author James Islington delivers one of the best fantasy books of 2023 with the compelling and complex novel, The Will of the Many, an exceptional read that I had a brilliant time reading.

I am always on the lookout for epic fantasy novels to sink my teeth into, and one that caught my eye when it was first announced was the intriguing book, The Will of the Many.  Set in a cool new magical school setting, The Will of the Many sounded liked a very fun novel and I instantly wanted to read it.  It helped that it was written by James Islington, an Australian author who had been on my radar for a while thanks to his fantastic Licanius trilogy.  While I have not had a chance to check out the Licanius books, I was very keen to dive into The Will of the Many and I was glad I got the chance a couple of weeks ago.  The Will of the Many is the first book in Islington’s new Hierarchy series, which looks set to be a major addition to the fantasy landscape especially after this incredible first book

The Catenan Republic, known as the Hierarchy, rules the world, conquering and enslaving everything before it using its unique magic of Will, which drains power, strength and mental energy from the lower classes and passes it up to those above.  To gain true power and control in the Hierarchy citizens need to battle their way to the top of the pyramid of power and influence, and only those with drive, ambition, connections or no choice can rise.

Vis is an orphan boy with a hidden past, a quick mind, and an utter disdain for the entire Hierarchy.  Lodged in a Catenan orphanage, Vis bides his time while searching for an escape from a future of ceding his Will to the higher echelons of the Hierarchy.  However, his entire life is turned upside down when a powerful Catenan nobleman offers him a chance he never expected.  Ulciscor Telimus is convinced that there are dark dealings going on at the Hierarchy’s most prestigious school, the Academy, and he needs someone to go undercover and discover what has been hidden there.  If he succeeds, he will be adopted into Ulciscor’s influential family and be given a choice about his future.

Reluctantly agreeing to Ulciscor’s terms, Vis prepares to attend the Academy, only to discover it is a dangerous place of corrupt ambition, deadly secrets and deep rivalries.  To succeed, Vis will have to rise through the Academy’s ranks by any means necessary without losing who he is as a person.  But this will be no easy task, as deadly politics, long-buried power and a murderous rebel group all seek to control him.  Worse, the more he advances, the greater the chance that his secret past will be uncovered and his enemies will put him to death.  Can Vis survive against the terrible burden that is weighing him down or will he be ground down by the unstoppable Hierarchy just like everyone else?

Islington has created a pretty exceptional fantasy novel with The Will of the Many.  Featuring a powerful, intense and character-driven plot, all set within an outstanding new fantasy world, The Will of the Many had me hooked pretty early on and I dedicated a lot of time to reading it.  I really got drawn into Islington’s amazing inventiveness and this book gets an easy five-star rating from me thanks to how damn good it is.

I have lot of love for the epic and captivating narrative that Islington set up in The Will of the Many, especially as he simultaneously tells a brilliant introductory story while also expertly setting up the rest of the series.  There are some awesome scenes in the start of this book, including an intense fight club sequence, which do an excellent job getting the reader across some key aspects of the plot, while also showcasing the emotional range and complexity of the protagonist, through whose eyes the entire story unfolds.  I was honestly already very hooked by this point in the story, but Islington quickly picks up the pace and ensures that this character-driven narrative heads off in some very compelling directions.  The introduction of Ulciscor soon presents the idea of the Academy and the dark conspiracies around it, and Islington starts the gradual process of getting the protagonist to the school environment.  Ulciscor is a great addition to the plot, especially as he plays off Vis very well, and the early sequences with him result in some major world expansion and plot movement.  It also sets up the book’s established formula of adventure, world building, politics, mystery and espionage, that carries through the rest of the story, and which ends up being a very heady combination.

Islington keeps building the story as The Will of the Many progresses, and pretty much every new revelation or intriguing world detail is really fun to behold.  There is some good early action, as well as a couple of twists that I liked at this point, but the story is still very much on track for the promised magical school setting.  However, before we get there, there are a series of cool and fascinating training montages which build up Vis as a character and really highlight the difficult tasks to come.  There is also a deeper dive into the complexities of the tasks and the secrets surrounding them, and Islington does an impressive amount of set-up in this first third.  However, the real highlight of this first part of the book is a very surprising and explosive occurrence that pushes Vis into the limelight, while also ensuring that he is caught between some very dangerous people.  This big scene is extremely memorable, bloody and very well-written, and if you weren’t riveted to The Will of the Many before, you sure as hell were now.

From there the story turns into a more magical school focused narrative, which was something that I was really looking forward to.  This intriguing setting had some great elements to it, and the story set within the Academy was a brilliant and compelling blend of education, entertaining rivalries, compelling personal interactions, and a series of secrets, as Vis attempts climb up the ranks, while also completing some of the objectives the various groups trying to control him have forced him to do.  I honestly had a ton of fun during the scenes set in the Academy, and I liked how Islington built up the setting and the fantasy elements behind it, while also slowly advancing the story and the character development.  The substantial part of the novel set in or around the Academy has some fantastic moments to it, including a few big scenes where Vis is forced to encounter deadly enemies, hard tasks, or the secrets from his past, and each of these major moments expertly expands on some part of the plot or universe you are already enjoying, whether it be secrets of the world, or some political machinations that will come back to bite the protagonist later.

Everything leads up to a major extended concluding sequence as the final test of the Academy brings all manner of trouble to the protagonist in a variety of cool and intriguing ways.  Not only do some big secrets come to life but Vis manages to learn more about the magical secrets of the world and the Hierarchy, while also being forced to deal with deadly attacks and threats from a variety of corners.  There are so many epic moments in this final section of the book, and Islington did an incredible job of tying together his many, many story threads to ensure that a variety of previous hints and revelations are well utilised.  I loved some of the elaborate tests and set-ups featured here, and it was very fun to see the protagonist try to run them while also dealing with major threats from every angle.  This final sequence has some massive moments, including major betrayals, compelling reveals about the wider world, and a very tragic death, all of which served as the perfect cherry to an already outstanding story.  While many secrets and hanging storylines are resolved by the end of the plot, quite a few still remain for the sequels.  Islington has already set up some big moments and unique ideas for the future, and I am very curious to see how they turn out.

As you can no doubt tell from my expansive summary above, I really loved this captivating narrative in The Will of the Many and I think that Islington did a really good job of presenting this complex and impressive story to the reader.  The entire book has an outstanding pace to it, and there is barely a scene that is not filled with something exciting or entertaining, whether it be a moving character moment, some compelling world building, or a thrilling bit of action.  I honestly flew through this lengthy novel, and there was no point of the book where I not highly invested in the plot nor gripped by the events unfolding.  The author’s use of a first-person perspective from the character of Vis was a very good choice of narration that allowed the author to tell a compelling character-driven story that simultaneously explored a cool new setting from the outside, while also cleverly capturing all the key elements of the plot.  The intense balancing act of lies, politics, outside influences and personal relationships that the protagonist has to maintain really shines through as a result of this use of perspective, and it was deeply compelling to see Vis attempt to overcome all the obstacles in front of him.  The intense action scenes were particularly good, and Islington perfectly portrays the desperate violence, the life-and-death confrontations, and even some complex but exciting maze running, in ways that grab the reader’s attention and keep them fully engaged.  I personally loved how Islington included so many different compelling storylines, plot points, and fascinating detail into every single page of the book, and you really cannot help but get addicted as a result.

I always love seeing a cool fantasy setting for a new series, and Islington produced a pretty intriguing and compelling one for The Will of the Many.  Much of the main setting of the book sees Islington expand on an ancient Roman society, by adding in some intriguing new details like magic, powered constructs, a rigidly hierarchical community, and a deep political divide between the military, governance and religion bodies.  This results in a very interesting background for much of the story, and Islington showcases it all through the eyes of Vis, a hostile outsider with an established hatred of the Hierarchy, which works to showcase it in even more detail, especially as Vis focuses on both the negatives and the positives of the political and cultural structures around him.  I really enjoyed the clever balance of political concerns, oppressed citizenry and unique inclusions about status and magical power that were explored as a result, and it was fantastic to see them utilised in the plot, especially as Vis has to balance all of them throughout his many guises and missions.  The most fascinating part of this whole setting has to be the focus Will, the magic of the Hierarchy, which sees people at the bottom of society sacrifice part of their strength, drive and health to those above them.  The higher up in the Hierarchy you are, the more people you have ceding their strength to you, and this gives you greater powers, including better physical attributes, the ability to control and manipulate materials to certain purposes, and other magical abilities.  Islington does a really good job of exploring and expanding on this intriguing magical system throughout The Will of the Many, especially as the narrator is also learning about it as he goes.  The author has clearly put some time and great thought into this magical system, treating it like an established science, and I liked seeing the range of abilities it produces, as well as its related social and cultural impacts.  Islington makes sure to highlight that this is not a perfect society, and the cracks that Vis witnesses throughout The Will of the Many should result in some outstanding and compelling ongoing storylines.

I need to point out that one of the main reasons I chose to grab The Will of the Many is that it had a magical school setting.  I love, love, love magical school settings in fantasy fiction, and it is one of the best backgrounds for an excellent fantasy story (make sure to check out my recent list about my favourite books with magical school settings).  The Academy in The Will of the Many is an amazing example of this, and I enjoyed how Islington utilised it as a primary location for the book’s plot.  Just like the rest of the Hierarchy, the Academy is a rigidly hierarchical place based around a pyramid structure, with the most talented students at the top, and the other students below battling to take their place.  This made for a great background of study, competition and rivalries for much of the plot, and it was fun to see the protagonist try to reach the higher classes in a short time period, especially as he was required to overcome numerous obstacles while also coming to terms with the distinctive social structure of the Academy.  Islington adds a further twist to this education setting by introducing the Labyrinth as a unique educational and testing tool.  Essentially, the Labyrinth sees participants run through an elaborate maze while being chased, manipulating a magical gauntlet to move around walls and doors, all to prove that the participant has the concentration and focus to control vast amounts of Will.  Islington did an outstanding job of showcasing this Labyrinth in multiple scenes of The Will of the Many, and it produces some very exciting and compelling scenes, especially when the stakes around it get very high.  There is also a very complex, and highly enjoyable final test that serves as a great background for much of the final confrontation.  Islington clearly has a highly inventive streak when it comes to these unique fantasy inclusions, and I personally loved every second spent in this highly competitive magical school setting.  I hope that we see more of it in the future, and this was honestly one of the better magical schools that I have personally seen in fantasy fiction.

I also must highlight the captivating and nuanced characters that were featured within The Will of the Many, especially the main protagonist, Vis, through whom we see most of the events occurring.  Vis is an outstanding central protagonist, as he is a highly educated individual who sees all the flaws in the society he is forced to live in, and goes into the story with many secrets around him, including the fact that he is secretly the deposed prince of a realm recently conquered by the Hierarchy.  Due to his many losses, his outsider status, and the sheer resentment he holds towards the Hierarchy and those who use Will, Vis has a great deal of anger, bitterness and lack of social ability that he needs to overcome.  Vis proves to be the perfect character for the complex and morally grey narrative that Islington envisions, as Vis has to put all his learned deceit and ability to keep secrets and survive to good use to infiltrate the Hierarchy and the Academy, while being blackmailed by several different people.  Vis has an interesting analytical mind, and I wonderful time seeing him try to work through the various problems, conflicts, and hostile situations he encounters, especially as nearly everything about him is a lie that he needs to keep straight.  Despite his past and the pressures he is under, he is still a mostly kind and noble figure, trying to stay true to his original ideals while still doing what is right in a very corrupt world, and it was wonderful to see him grow throughout the course of the story and finally learn to trust again.  I grew quite attached to Vis as the story continued, and it really hurts to see him suffer time and time again, especially once he comes to terms with the traumas of his past.  I am very excited to see his story continue in the future, especially as it seems like it is going to get quite complex and multifaceted in the next book.

The rest of the cast of The Will of the Many is also very strong, and I liked the compelling and varied supporting characters that Vis has to interact with, including classmates, his new adopted family, rivals, political opponents, high-ranking members of the Hierarchy, and a dedicated group of rebels with dark plans for the future.  The powerful and intriguing interactions that occurred between Vis, who is often lying about his intentions, and these other fantastic characters results in some amazing scenes, and I loved the unique relationships that Vis was able to form with them.  You grow pretty attached to some of these characters as well, and I had my heart broken with one major fatality towards the end of the novel.

To check out this impressive novel I chose to grab an audiobook copy of The Will of the Many, which proved to be a pretty exceptional way to enjoy this fantastic read.  I have a lot of love for the audiobook format when it comes to massive fantasy novels, especially as I find myself really able to absorb the complex narratives and vast new worlds extremely well when listening to it.  This was definitely the case with The Will of the Many audiobook which really allowed me to get to grips with the powerful story it contained, and I lapped up every second that I listened to.  It definitely helped that The Will of the Many audiobook featured an outstanding narrator in the form of Euan Morton, whose work I have previously enjoyed in several Star Wars audio productions (Tarkin, Dooku: Jedi Lost and Doctor Aphra).  Morton has a unique voice that I felt gave The Will of the Many some real gravitas and impact when read out, especially with the distinctive, accented tone he utilised for both Vis and the main narration of the story.  This specific great voice was pretty impressive, and it really helped to make the protagonist’s speech really stand out throughout the audiobook.  The rest of the accents and tones he utilised for the other characters in the book really worked, and I loved how much range Morton had, covering a range of different characters perfectly and gifting them very fitting voices.  All this really helps to make The Will of the Many an absolute pleasure to listen to, and I cannot recommend this format enough to people interested in this book.  With a run time of just over 28 hours, The Will of the Many audiobook does represent a substantial time challenge for potential listeners (it is the 10th longest audiobook I’ve ever listened to).  However, I would say it is well worth the investment, especially as it does not take long for you to get obsessed with this awesome book and its elaborate story.  An exceptional audiobook that is easily the best way to enjoy this amazing fantasy tale.

Unsurprisingly, I loved The Will of the Many, and it was a pretty great introduction to James Islington’s brilliant writing and inventiveness.  The Will of the Many is a captivating fantasy read that makes excellent use of its dark setting and magical school focus to craft a powerful, character-driven tale.  This is easily one of the best fantasy novels of 2023 so far and I would strongly recommend it to anyone wanting an epic read to really lose themselves in.  An exceptional novel that perfectly sets up a bold new fantasy series!

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White Night by Jim Butcher

White Night Cover

Publisher: Penguin Audio (Audiobook – 3 April 2007)

Series: Dresden Files – Book Nine

Length: 14 hours and 12 minutes

My Rating: 5 out of 5 stars

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Welcome back to my Throwback Thursday series, where I republish old reviews, review books I have read before or review older books I have only just had a chance to read.  In my latest Throwback Thursday post, I continue to explore the epic Dresden Files series by Jim Butcher, with the exceptional White Night.

Readers of this blog will have noticed that my last few Throwback Thursday posts have been all about the amazing Dresden Files by Jim Butcher.  One of the most impressive and recognisable urban fantasy series in the world today, the Dresden Files are brilliant novels that follow Harry Dresden, a wizard and magical protector of humanity, as he faces off against all manner of unique supernatural foes and mysteries in modern day Chicago.  This series features so many incredible books, such as Storm Front, Fool Moon, Grave Peril, Summer Knight, Death Masks, Blood Rites and Battle Ground, as well as the novella The Law, all of which are five-star reads.  I have been reading this series on and off since 2020, and I recently got back into it, managing to finish off two more books, Dead Beat and Proven Guilty in recent weeks.  These outstanding novels were also pretty exceptional, and I was in such a Dresden Files mood I ended up also listening to ninth book in the series, White Night, which turned out to be a pretty awesome decision.

Harry Dresden, wizard, private investigator, and now Warden for the White Council, is Chicago’s only defence against a range of supernatural threats lurking around its exterior.  However, due to his growing power, the extended war between the White Council and the Red Court vampires, and his new position as a Warden, a lethal magical law enforcer, the ordinary magical users of Chicago have grown to fear him and no longer consider him one of their own.  As such, Dresden is shocked to discover that several lesser practitioners in the city have either died in apparent suicides or simply disappeared.

Investigating the crimes, he discovers several mysterious messages that hint at a serial killer stalking female magic users in the city, one who seems to be taunting Dresden directly.  Diving into the city’s hidden magical underbelly, Dresden soon finds a group of minor witches living in fear, all of whom are convinced that Dresden has something to do with their comrade’s deaths.  Attempting to gain their trust, Dresden tries to find the truth, only to discover that all the evidence points towards his secret half-brother, the vampire Thomas Raith.

Unwilling to believe that his brother has become a murdering monster, Dresden dives deeper, only to discover a far more sinister plot lying beneath the surface.  The vampires of the White Court are on the hunt, and their malevolent schemes are expanding to capture all of Chicago, including Dresden and his friends, in their web.  Working with a range of allies, including wizards, gangsters and an old flame, can Dresden untangle the web and stop the White Court before every human magic user on the planet becomes the ultimate prey?

Damn, it really is proving impossible for me to have a bad time with one of the Dresden Files books.  The ninth novel in this series by Butcher, White Night, was another incredible addition and one that I absolutely inhaled in only a few short days.  Featuring a brilliant and well-written story loaded with the series’ great characters, White Night is an amazing and captivating read that gets another easy five-star rating from me.

Butcher has come up with a pretty epic story for White Night, and it was one that had me hooked the entire way through.  The narrative starts off in familiar ground for a Dresden Files novel, with Dresden helping the Chicago police with a suspicious death that might have magical implications.  Butcher draws the reader in at first by presenting them with a juicy and compelling case, that of a serial killer stalking minor magical practitioners in Chicago and leaving taunting messages or Dresden to find.  This story gets even more intriguing when it turns out that many witnesses or the victims’ friends consider Dresden to be the main suspect, not only because of circumstantial evidence, but because his damaged reputation.  Despite this, Dresden keeps trying to investigate, only to come across evidence that suggests his half-brother, Thomas, a White Court vampire, might be behind some of the crimes.  He also encounters his first love, Elaine, who has been hired by a local group of witches for protection, and who Dresden teams up with again to solve the case.

I really appreciated the investigative focus for the first third of the book, and it really reminded me of some of the more classic Dresden Files adventures that started the series off.  This initial investigation soon leads the protagonists into a pretty massive confrontation, and I loved how deadly and destructive things got around halfway through.  Butcher also works in a rather good flashback sequence at this point, which lends itself well to explaining the protagonist’s mental state and providing some excellent context to his recent actions.  As the story continues, Butcher starts to layer out and fully explore the major mystery of White Night in some fantastic ways.  Not only is one of the killers exposed after some fun revelations, but a massive, elaborate conspiracy is also revealed that places Dresden and his allies in a major predicament.  This leads up to an extended confrontation sequence in the last third of the book where Butcher really cuts loose and provides the reader with all the action and intense scenes that they can handle.  Not only is their a beautifully written duel sequence that was pretty cool to see, but Butcher than provides a massive battle sequence that had so much going for it.  There are explosions, betrayals, carnage and sacrifices here, and it is an impressive extended sequences that was near impossible to put down, especially as Butcher loads in epic surprise after epic surprise.  The entire sequence comes together perfectly, and I had so much fun with it, especially as it opens up some cool storylines for the future.  It also serves as a great conclusion to the narrative, and I was really impressed at the ongoing storylines that were either wrapped up or strengthen.  Everything comes together really well and it honestly left me wanting even more Dresden Files.

Butcher once again backs up his amazing story with some outstanding writing that always works to drag the reader write into the middle of the plot.  Featuring a great first-person perspective from Dresden that showcases his unique view of events, as well as his own deep personal concerns, Butcher moves White Night along at a swift pace, ensuring that every scene has something deeply interesting or exciting to keep the reader’s attention.  I really appreciated the great blend of elements within White Night, as Butcher cleverly balances action, adventure, humour, character growth and dark moments, which, along with the investigation elements, ensures that there is a little something for everyone in this book.  I particularly enjoyed some of the elaborate and intense major action sequences in White Night, especially that epic one at the end, and it was cool how massive and deadly some of them got.  Just like most of the previous Dresden Files novels, White Night can be read as a standalone urban fantasy adventure, as Butcher makes sure to recap and reference and relevant prior event, character or storyline so new readers can easily follow along and still have fun.  However, as this is a key novel in the series which concludes or continues several long-running storylines and character arcs, White Night is best enjoyed by those who have checked out the earlier Dresden Files books, especially as the emotional elements of some revelations or actions are greatly enhanced by continuous reading.  I always have so much fun with Butcher’s style in this series, and I felt that White Night was particularly well served by the author’s ability to tell an amazing story.

I have a lot of love for the cool fantasy setting that the Dresden Files utilises as the combination of modern-day Chicago and classic fantasy monsters and magic is always makes for an excellent story.  There are so many excellent elements to this fantasy society that Butcher has dreamed up over the years, and at this point in the series the lore and history of magic and its various factions is very well established.  Despite this, Butcher always finds intriguing new elements to dive into each book, which is something I really appreciate.  In White Night, he takes the time to look at the less powerful magic users in this society, the ones that don’t have enough magic to bother the White Council or interact with Dresden.  These somewhat marginalised magic users have created their own societies and communities as a result, and it was really interesting to see Dresden interact with them, especially as, due to his position as a Warden, they all fear what he represents, which is a fun reversal of how Dresden was persecuted at the start of the series.  I really loved seeing magic through the eyes of the little guy, and Butcher works them into the story in a very intriguing way.

The book also features quite a few White Court vampires, who feed on emotion and mental energy rather than blood.  The White Court are always a rather distinctive inclusion in any Dresden Files novel, and of course there is the requisite extremely beautiful women and focus on lust that are a key part of the White Court vampires.  However, several of the other factions of vampires are finally introduced here, those that induce and feed off fear and despair.  This adds a rather darker angle to parts of the book, especially when these abilities are unleashed at full blast, and it was interesting to see how badly it can be weaponised.  The accompanying vampiric schemes and backstabbing plans are also very fun, and Butcher manages to weave several elaborate ruses and plots into the narrative with some effective results.  These fantasy elements, and more, really help to create a distinctive and captivating read, and I cannot get enough of Butcher’s ability to come up with and utilise the inventive elements.

As always, the characters contained within White Night were pretty damn amazing, and I felt that their complex and powerful character arcs added so much value and intensity to the plot.  The focus is once again on protagonist and point-of-view character, Harry Dresden, who finds himself under all manner of immense pressure in White Night, which blows up around him in some big ways.  Not only is he dealing with the dual responsibilities of having an apprentice and being the magical law in Chicago, but he also has some major family issues and a tone of intense mental trauma that has been building up over the last few books.  A lot of this comes to a head in White Night, and Dresden actually comes across as a lot more angry and frustrated than he has in previous novels, especially after experiencing more losses and seeing some dreadful things.  Butcher writes some compelling and complex storylines around Dresden’s many emotional concerns in White Night, and it proves very intriguing and powerful to see him try to work through them, especially as he is in denial about several of the more prominent concerns.  The author does an amazing job exploring Dresden’s inner psyche here, and you come away feeling closer to him as a result.  White Night is actually a pretty significant book for Dresden’s character growth, especially as several long-running storylines about his mental state finish up here, and this ends up being a pretty satisfying read as a result, especially if you like how he was portrayed in the previous few novels.  Despite, or perhaps because of, his many issues, Dresden still brings his typical humour and complete disregard for decorum or his opponents to the table in White Night, and his fun comments and witty observations are responsible for most of the book’s comedy and entertainment.  As such, Dresden remains a pretty impressive and likeable central character, and I cannot wait to see what future adventures and pain he has coming to him in the future.

White Night also features a great supporting cast of friends and antagonists to liven up the plot in some awesome ways.  While most of the focus of the story is on Dresden, you see a lot of these characters and there are some fantastic and complex storylines written around them.  The most prominent of these characters in White Night is probably Dresden’s half-brother Thomas Raith, who has been a major figure for the last few books.  Due to his banishment from his vampire family, Thomas has been somewhat adrift in recent books, and it was clear that he had been keeping secrets from Dresden for various reasons.  Most of his secrets are finally revealed here in White Night and it was interesting to see what resulted.  Some of them are quite intriguing, some are pretty funny, and it was nice to finally get some answers, especially as it helped to strengthen the relationship between the two brothers.  Other great characters in White Night include Dresden’s former lover, Elaine, who has managed to bounce back since her last appearance and is trying to become more like Dresden by helping people; Dresden’s dog, Mouse, who is such a fun supernatural canine character; and the fallen angel in Dresden’s head Lasciel, who has some of the most emotionally powerful scenes in the book.  However, my favourite supporting character in White Night is probably Chicago gangster John Marcone, a mortal crime lord who dips his toes in supernatural affairs and often serves as an antagonist/uneasy ally of Dresden.  Marcone is always very fun in these books, especially as he and Dresden play off each other perfectly, and he is the perfect foil to the hot-headed protagonist.  His appearance in White Night is particularly good, as you get a deeper look at his true character, and realise he isn’t as evil as he appears.  Despite that, he still proves to be rather ruthless and Butcher writes some amazing and compelling scenes around him.  These characters and more add so much to the power and impact of White Night’s story, and I love how captivating and complex Butcher makes them.

I can’t talk about a Dresden Files novel without once again raving about its audiobook format.  I love, love, love the Dresden Files audiobooks, and there is honestly no substitute to listening to these amazing stories, especially when all the audiobooks feature the incredible vocal talents of actor James Marsters.  Marsters, who is one of my favourite audiobook narrators thanks to this series, is so damn talented, and his take on the Dresden Files books is very special.  This proves to be the case again in White Night, as Marsters utilises all his intensity and passion to bring this epic story to life.  His grip on all the major characters in White Night is pretty damn amazing, and I love how he manages to expertly portray all the characters, ensuring that the reader fully understands their personalities, emotions and inner thoughts when Marsters speaks in their voice.  This is particularly true for protagonist Harry Dresden, a character that Marsters has always done an incredible job voicing, and I deeply appreciated how the narrator was able to capture his full emotional turmoil in this fantastic audiobook.  This brilliant narration, as well as the great story it follows, ensures that White Night was another exceptional listen, and I had an outstanding time getting through this audiobook.  Coming in at just over 14 hours, White Night was slightly shorter than some of the other Dresden Files audiobooks out there, but it still takes a little bit to get through it.  However, it is well worth the time investment, and I cannot recommend White Night on audiobook enough.

Just like every Dresden Files novel I have read, White Night is an exceptional and captivating read that I had an absolute blast getting through.  Jim Butcher’s novels always drag me in with their brilliant storytelling, complex scenarios and fantastic characters, and White Night is one of his more intense and exciting inclusions in the series.  A highly recommended read and an outstanding addition to the series.  I will be reading more Dresden Files novels as soon as I can.

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Proven Guilty by Jim Butcher

Proven Guilty Cover

Publisher: Penguin Audio (Audiobook – 1 February 2006)

Series: Dresden Files – Book Eight

Length: 16 hours and 16 minutes

My Rating: 5 out of 5 stars

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Welcome back to my Throwback Thursday series, where I republish old reviews, review books I have read before or review older books I have only just had a chance to read.  This week I dive into another awesome entry in the exceptional Dresden Files series by Jim Butcher with Proven Guilty.

I have been having an outstanding time reading Butcher’s iconic and fantastic Dresden Files books over the last couple of years.  One of the absolute best urban fantasy series ever written, the Dresden Files follows titular wizard and supernatural protector, Harry Dresden, as he investigates a series of crimes and magical conspiracies in Chicago.  I got into these books back in 2020 and have been slowly getting through the series from the start, with most of the entries getting five-star reviews from me as I go.  This includes the outstanding novels, Storm Front, Fool Moon, Grave Peril, Summer Knight, Death Masks, Blood Rites, Dead Beat and Battle Ground, as well as the novella The Law.  I had so much fun reading the previous novels that I just had to dive into the eighth book this week with Proven Guilty, which proved to be another amazing read.

A year after officially becoming a Warden for the White Council of Wizards, Harry Dresden is chafing under his new role, especially the part that forces him to punish young practitioners with no real knowledge of the magic they wield.  However, he must put aside his concerns when he is warned about black magic being used in Chicago, forcing him to start a new investigation into the city’s magical underbelly.

His investigations soon lead him to a seemingly normal horror movie convention where mysterious and sinister events are taking place.  Brought in by one of the convention’s staff, Molly Carpenter, the daughter of holy knight Michael Carpenter, Dresden soon finds himself attempting to stem a series of supernatural attacks against innocent humans.  The dangerous perpetrators all appear in the form of classic horror movie monsters, and their deadly attacks soon leaves a trail of mayhem across the convention.  Forced to circumnavigate the police and other dangers waiting for him, Dresden works to hold back the dark supernatural tide, only to discover dangerous secrets that shock him to his core.

Working with his faithful dog, his vampiric half-brother, a cop with her own problems, and the most dangerous mother on the planet, Dresden attempts to right all the wrongs in front of him.  But to succeed, he’ll need to confront the forces of the Nevernever, a rogue White Court Vampire, dangerous creatures forged from fear, and even the White Council itself.  Can Dresden succeed or will his actions lead to even more suffering for those he cares about the most?

Butcher keeps his epic Dresden Files going in an amazing way with this eighth book, and I had an outstanding time reading Proven Guilty.  Featuring an elaborate plot that effortless combines mystery and supernatural elements in modern day Chicago, while also serving as a key entry in the wider Dresden Files, Proven Guilty is a powerful and deeply captivating read that I had a great time listening to.  I have so much love for this fantastic series, and Proven Guilty got another five-star rating from me as a result.

Proven Guilty has an outstanding story to it which sees the protagonist go up against a cohort of deadly enemies, some of which are disguised as horror movies creatures.  I will admit that the start of the book was a tad slow, and I honestly thought that this was going to be more of a filler novel than anything else.  However, it soon develops into an excellent story that loads up a cool mystery with some exciting encounters, deep emotional moments, strong character development, and the continuation or creation of several major storylines for the entire series.  A conflicted Dresden is dragged into everything when Molly Carpenter requests his help, and he soon finds himself looking into the mysterious events at the horror convention.  The main story goes in some very interesting directions, and I liked the great combination of investigation and fantasy elements as it continued, while several compelling side stories see Dresden facing even more danger and mystery.  Several of these storylines came together quite nicely as the book continued, and Dresden soon identifies the main perpetrator of the threat, as well as other forces taking advantage of their actions.  The impact of the big reveal of who was responsible wasn’t as significant for me, as I’d had that spoiled in advance, but it was still well crafted, especially the motivations behind it.  However, the real meat of the story revolves around darker designs as unknown forces manipulate Dresden and his allies to do their bidding.  This results in some very impressive scenes, including a massive magic battle in the Fae realm, and I loved how everything came together while also leaving some big mysteries open for later in the series.  I also really enjoyed the complex wrap-up chapters, which saw Dresden go up against the White Council in some very intense scenes, as well as providing some excellent emotional resolutions that I deeply appreciated.  Everything comes together perfectly, and this proves to be a fantastic new addition to already impressive series.

Butcher applies his usual excellent writing style to Proven Guilty, which always works well to convey his complex narratives.  Like the rest of the series, Proven Guilty moves at a swift pace, quickly taking readers from one intriguing scene to the next, all of which is great in its own particular way, whether it be character interactions, plot developments, or lore downloads.  At the same time, readers are treated to a great blend of fantasy elements, emotional moments, and a compelling investigation storyline, all of which is overlayed with a fun and signature bout of humour and snark, often directed from the protagonist.  You really get drawn into Proven Guilty as a result, and I always love Butcher’s approach to the urban fantasy style, especially as both his unique fantasy world and the cool investigative story arcs work so well together.  Like the rest of the Dresden Files books, Proven Guilty can be read as a standalone novel, although Butcher is juggling a few ongoing storylines and character arcs that had been built up in the previous entries.  While the author always does a good job of recapping key events and reintroducing key characters, I really do feel that at this point in the series readers need to have enjoyed some of the previous books to get the full emotional and story impact Butcher is conveying.  I do really need to critique one part of Butcher’s writing style for Grave Peril though, particularly how he oversexualised a teenage female character.  The Dresden Files have always featured over-the-top descriptions of women, and while Butcher has gotten better about them as the series continues, he backslid here in Proven Guilty when it came to this character.  While I do get what he was trying to do from a literary perspective, i.e. showing the vulnerability and confusion of teenagers, and how they act out a result, it honestly felt really icky to me, and I think the book would have been better off without it.  Apart from that though, Proven Guilty is very well written, and I had a wonderful time getting through it.

I always really enjoy how well Butcher manages to utilise cool and complex fantasy elements into his narratives and Proven Guilty has some outstanding examples of this.  Thanks to Dresden’s promotion to Warden in the last book, he is now a very prominent member of the White Council, and this provides him some bigger insights into the council and its members.  This results in some great political scenes, as well as a deeper dive into the council’s law enforcement wing, which exists to hunt down and punish magic users who break the laws of magic.  I found this to be pretty interesting and compelling, especially as the council’s determination to enforce the laws leads to some dark moments in the plot, and I liked the clever comparisons between them and the Chicago PD.  The case also sees a return of the Fae Summer and Winter Courts, both of which have been featured heavily in the past, and Butcher has a lot of fun revisiting both and expanding the lore surrounding them.  One of the most pivotal moments of the plot sees Dresden and his allies invading one of the most significant locations of the Winter Court, and I loved the carnage that resulted.  As always, the various scenes of magical battle and encounters are a great highlight of Proven Guilty, and Butcher has a real talent for making the featured spells feel intense and spectacular.  I also rather enjoyed the use of a horror convention (SplatterCon!!!) as a major background for the plot, especially as it allowed for a menagerie of movie monsters to emerge and attack the convention goers.  There were a ton of fun homages here as a result, and it was very entertaining to see Dresden face off against several iconic monsters in some great scenes.  These fantasy elements merge with the rest of the plot extremely well, and it was fun to see Dresden dive through the worst parts of his world to save the day.

One of the major highlights of all the Dresden Files novels in the fantastic cohort of characters that Butcher features and Proven Guilty is no exception to this as the author has utilised another fantastic group of figures, each of whom brings something emotional or compelling to the plot.  The most prominent of these is naturally series protagonist Harry Dresden, who serves as the book’s main voice.  Cocky, confident, emotionally damaged and highly conflicted, Dresden makes a great focal character and I have deeply enjoyed seeing his personal journey throughout this series.  While still responsible for most of the book’s humour thanks to his jokes and fun observations about the other characters and all things magic, Dresden is decidedly a little more serious in Proven Guilty, especially as he is still recovering from some of the traumas of the previous books, including his injuries, his possession by a fallen angel, emotional conflicts with those closest to him, and the guilt over being forced to kill two people in his previous adventure.  This provides a noticeable change to Dresden in this book, and I felt that Butcher did a wonderful job showcasing this in several emotionally charged confrontations and scenes.  At the same time, Dresden is also dealing with his misapprehensions for working for the White Council as a Warden, especially as he is having trouble believing in all their rules.  This leads him into even greater conflict as the book continues, especially when he finds out who is truly responsible for the latest evils he uncovers.  All these personal issues and traumas help to provide a deep emotional layer to the plot, and it was one that Butcher masterfully addressed, providing some compelling and satisfying resolutions to several of them.  I particularly liked how Dresden’s story is coming full circle in some ways, and it will be interesting to see how that plays out in the future.

Aside from Dresden, there are a ton of other great characters featured through Proven Guilty who add their own flavour to the plot.  This includes an excellent range of new figures and well-established supporting characters, and I liked the mixture of storylines and character arcs that emerged.  Dresden’s usual allies, Karrin Murphy and Thomas Raith are very well utilised again here, both as supporting characters for Dresden’s adventures, and as individuals with considerable personal and professional issues to deal with.  Molly Carpenter, a minor figure from the previous novels, returns in a big way here and serves as an intriguing new addition to the plot.  While I have some major concerns about Molly’s portrayal at times, her storyline had some great depth and it will be interesting to see how that develops in the future.  This use of Molly also allowed a great focus on her mother Charity, another minor character from the previous novels, who gets a fantastic showing in Proven Guilty, especially as she shows herself to be an absolute badass.  Throw in Harry’s giant dog Mouse, who is one of my favourite characters in this series now, and differing voices of Dresden’s two supernatural advisors, Bob and Lasciel, the angel and demon on his magical shoulder (both literally and figuratively), and you have a pretty outstanding cast here, and one that I always have a great time following.

As always with one of the Dresden Files novels I really need to highlight the exceptional and awesome audiobook versions which are my favourite way to enjoy this amazing books.  The format really lends itself to the intense action, fast-paced storytelling and great characters contained within Proven Guilty, and I really found myself powering through this great audiobook in no time at all.  With a run time of over 16 hours, this is one of the longer Dresden Files audiobooks, but I still managed to knock it off in a few days, as I never got sick of listening to it.  The main reason for this is the outstanding narration of actor James Marsters, who has lent his powerful voice to the entire Dresden Files series.  Marsters effortlessly dives into the story each time, and he brings some real gravitas and feeling to the plot and characters.  The various voices he produces does each member of the complex cast great justice and I love how well he portrays their feelings, interactions, and personalities.  This is mostly easily seen in main character Harry Dresden, who is suffering from a lot of different abuses by this point in the series.  Marsters really does such a great job showcasing his various emotional and personal issues and I am always so impressed with how the narrator just gets this complicated character and brings that out with his voice.  This great performance does so much to enhance the experience of listening to Proven Guilty on audiobook and I cannot recommend this format enough to people interested in checking out this cool Dresden Files entry.

Unsurprisingly, I had an outstanding time with Proven Guilty and it proved to be an excellent continuation of Jim Butcher’s epic Dresden Files series.  Featuring another brilliant story, some fantastic character growth, and even more magic and mayhem, Proven Guilty was a ton of fun to get through, and I have so much love for this series.  Indeed, I had such an incredible time with Proven Guilty that I have already started listening to the next book in the series, White Night, which I will hopefully review next week. I honestly can’t give Proven Guilty a higher compliment than that, and this is a pretty damn amazing read.

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Warhammer 40,000: The Lion: Son of the Forest by Mike Brooks

The Lion - Son of the Forest Cover

Publisher: Black Library (Audiobook – 22 April 2023)

Series: Warhammer 40,000

Length: 12 hours and 15 minutes

My Rating: 4.75 out of 5 stars

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One of the fastest rising authors of Warhammer 40,000 fiction, Mike Brooks, returns with another exceptional read, this time covering one of the most significant events in recent Warhammer fiction, the return of Lion El’Johnson with The Lion: Son of the Forest.

At this point I think that my love for all things Warhammer is pretty well established, especially after my lengthy post earlier this year detailing my favourite Warhammer 40,000 novels.  I have been having a ton of fun in 2023 with this cool franchise, and I have just managed to finish off the newest Warhammer novel with The Lion: Son of the Forest.  This is the latest book from the very impressive Mike Brooks, who has been making a real name for himself in Warhammer 40,000 fiction and who seems to get better with every one of his books that I read.  His previous novel, Huron Blackheart: Master of the Maelstrom was a great read about an excellent established villain, and I had a lot of fun with his most recent book, Warboss, a highly entertaining novel about the always crazy orks.  However, I think that The Lion is probably his most ambitious and captivating novel yet as he covers the return of the Primarch of the Dark Angels, Lion El’Johnson.  This is a pretty big deal in Warhammer circles, and I was very impressed with how Brooks puts his own spin on the return to create an epic and powerful read.

At the dawn of the Imperium of Man, there was no force more deadly nor more loyal to the Emperor than the Dark Angels, the first Legion of Space Marines.  Led by their implacable and unstoppable Primarch and genefather, Lion El’Johnson, better known as the Lion, nothing was able to stop the Dark Angels as they crusaded from planet to planet dispensing the Emperor’s will.  However, following the events of the Horus Heresy and the Lion’s inability to save the Emperor, the Dark Angels imploded from within.  Treachery and years of resentment saw the Legion engage in a brutal and sudden civil war, which resulted in the destruction of the Dark Angel’s home world of Caliban, the scattering of the traitor Dark Angels throughout time and space as the Fallen, and the disappearance and apparent death of the Lion right when the galaxy needed him most.

Now in the 41st millennium, humanity is facing the greatest threat since the Horus Heresy.  The fall of Cadia spawned the Great Rift, a sprawling gap of daemon infested space that split the already crumbling Imperium in two, distributing travel, communications and coordination between humanity’s armies.  Into this darkness, the dread forces of Chaos emerge, destroying all before them, while other malign threats begin to eat away the remains of the Imperium.  The doom of all mankind seems certain, but hope is about to emerge in the most unlikely of places.

After a 10,000-year absence, the Lion awakens on the far-flung and devastated planet of Camarth, with no memory of how he got there.  Discovering one of his former sons, the Fallen Zabriel, the Lion soon discovers what has happened to the Imperium in his absence, as well as the terrible threats of the Great Rift and the forces of Chaos.  Unsure of his purpose or what has happened to him, the Lion sets out to preserve humanity from the forces trying to destroy it.  Rallying members of the Fallen from their long exile, the Lion begins a new campaign throughout the besieged systems of man, while trying to reconcile himself to everything he has lost.  But a dangerous and well-organised Chaos warband, the Ten Thousand Eyes, led by two of the Lion’s Fallen sons, are determined to destroy the returned Primarch and enact an ambitious plan with galaxy shattering consequences.  Can an isolated Lion survive the insanity of the 41st millennium, or has he returned only to face his doom?

Wow, now this was a pretty damn awesome Warhammer 40,000 novel.  Mike Brooks continues to really impress me with this cool new book, and I loved the elaborate and captivating tale contained within The Lion: Son of the Forest.  Featuring an intriguing and emotionally charged narrative that perfectly revives a key Warhammer 40,000 character, The Lion is an outstanding read and I think this is probably Brooks’ best Warhammer novel yet.

The Lion had a particularly interesting narrative that was firmly set around the return of Lion El’Johnson, and I loved the unique tale that Brooks came up.  The initial scenes of the book are quite fascinating as Brooks presents a symbol laden couple of chapters to show the Lion’s initial return, which I felt was a great way to start the story as it set up a lot of intriguing moments and gave the book quite a distinctive theme.  The introduction of two new alternate perspective characters a few chapters in helps to morph the story into a more typical Warhammer 40,000 narrative as it sees the Lion and other former members of the Dark Angels awaken in the current timeline.  The story soon sees the Lion reunite with one of his former sons and begin to reclaim a conquered Imperial planet from a notorious Chaos warband while trying to understand the new universe he’s in.  Getting back to his roots as a protector, the Lion soon is soon drawn into larger affairs, thanks a mysterious new ability he has obtained, and he sets out to do the right thing and right the wrongs of his past.  His actions not only lead him to more of his sons, ensuring that this book has a deep emotional heart to it, but it also leads him into conflict with a dangerous enemy, one that has big plans for him.

The Lion’s narrative is pretty epic in its scope and power as Brooks tells an exciting and compelling story about both the past and the present, and how one hero can make a difference.  The story features some great moments, including cool battles, emotional reunions, and dives into ancient history, as the characters come to grips with what the Lion’s return means to the greater universe.  Everything leads up to an ultra-intense finale as the Lion encounters a truly fallen son and is forced to reckon with the sins of his Legion and family.  I really enjoyed this epic narrative and Brooks sets out all the events extremely well, ensuring that readers will follow one excellent scene to the next.  While not every mystery is explained, the author does lay out some intriguing events that will grab a lot of Warhammer fans attention, and it leaves it open for more awesome books in the future.  I had an incredible time with The Lion and I managed to finish it off in a short amount of time.

This outstanding story is beautifully brought to life in Brooks’s capable hands as he deploys an excellent and captivating writing style throughout The Lion.  Brooks really had a tall order here in bringing back a key character from the Warhammer mythos and I think that he handled in an outstanding way by focusing on the emotional aspects of the character, rather than a pure action novel.  While The Lion does have some outstanding battle sequences designed to showcase just how epic a Space Marine can be, the focus is really on character development as Brooks examines three outstanding point of view figures while also telling an excellent narrative about characters trying to find their place in a strange new galaxy.

I loved how the author split the story across the three different perspectives, and I enjoyed how he made them so distinctive by using different styles and tenses for each of them.  For example, Baelor’s chapters use a third-person narration to show his struggles without going too deep into his head, the scenes shown from Zabriel’s eyes are written in a first person chronicle style as he recounts his story as if writing a journal, while the chapters focusing on the Lion are also in the third person, but feature a different, more epic style, which at times put me in mind of an older story or saga.  These different styles really fit the characters and their specific stories, and I appreciated how Brooks utilised these changes of styles to really tell a complex by subtly layering a classic Warhammer tale with pain, emotional damage, and uncertainty.

I felt that the author got the right balance of action and adventure with character growth, and you really get attached to the protagonists and their unique experiences in the Warhammer 40,000 universe.  I also loved how Brooks layered the story with a ton of Arthurian symbolism, as the Lion is meant to mirror King Arthur in this book, returning during his people’s darkest hour after dying during a war with his sons.  This included an excellent take on the Green Knight tale, with a dark Warhammer 40,000 twist to it, which also leads to one of the book’s funniest moments with a Monty Python homage.  I really got drawn into this outstanding story thanks to the way that Brooks told it, and this was an excellent and captivating read.

Now, this one of those Warhammer 40,000 novels that I probably wouldn’t recommend to new Warhammer readers as the story dives into some deep canon elements of the franchise.  Due to its focus on the return of Lion El’Johnson, a particularly important character that was only recently brought back in the game as a major event, The Lion is a key book in the Warhammer 40,000 expanded universe, and I felt readers needed a good understanding of the lore to fully appreciate its story.  This is because is strongly related to the history of the Dark Angels, and indeed all the Space Marines, and while Brooks does revisit and explain these events, having a more in-depth knowledge really does make that story that much clearer and more intriguing.  For those established fans of Warhammer 40,000 fiction, you are in for a real treat as Brooks expertly expands the lore while also providing some intriguing insights into established canon.  Seeing the Lion return and interact with his Fallen brethren was so damn cool, and it really tied into some of the best bits of Dark Angel lore that has been building for years and years.

I loved how the story examined both the current state of the Warhammer 40,000 universe, as well as the Horus Heresy, and it was fantastic to see characters who survived the Heresy arrive in the current universe and see what has been unleashed by the arrival of the Great Rift.  There are also a ton of jokes, references, and in-universe discussions that I had a lot of fun with, including intriguing new descriptions of events of the Horus Heresy, as well as more intriguing Dark Angels history.  I personally deeply enjoyed seeing the various ancient characters discuss the events that happened after they disappeared, and their reactions at the state of the Imperium, the deification of the Emperor to godhood, and what happened to the Dark Angels in the Lion’s absence, and this lead to some outstanding scenes.  The Lion proved to be a pretty epic piece of Warhammer 40,000 fiction and I was really impressed with how Brooks told such a unique and important story.

As I mentioned before, The Lion is a very powerful character driven novel as Brooks focuses on a cast of damaged and dispossessed figures thrust into an uncompromising future.  This is mostly clearly seen in the main character of Lion El’Johnson, the legendary Primarch of the Dark Angels and son of the Emperor, who returns after 10,000 years of mysterious disappearance.  Brooks paints quite the intriguing and complex picture around the Lion, showing him as a being out of time who, after experiencing some of the greatest losses and betrayals imaginable, awakens 10,000 years in the future with no idea of what happened to him.  The Lion is shocked at what the Imperium has become and how badly the universe has changed without him there.  Forced to reconcile with both this new future and his many failures, the older and wiser Lion heads back to the basics of his youth, protecting humans from monsters while also trying to reconnect with his lost sons, the Fallen, who he has mixed feelings about.  Brooks’s characterisation of the Lion is very different to what we’ve seen in previous novels, which I think a smart move, as the character is tired and lonely in this reality, and very much aware of the mistakes he has throughout his life.  Watching him relive some of the worst decisions he made during the Horus Heresy is very moving, and I loved how his insights into the past allowed him to move forward with his rediscovered sons and attempt to forgive them.  While there are a still a lot of questions around how the Lion returned (something I hope Brooks addresses in the future), I think that this was a pretty impressive return of such a key character, and I look forward to seeing more books focused on him.

The other major characters featured within The Lion are former Dark Angels who rebelled against their father thousands of years ago and were scattered throughout time and space following the destruction of Caliban.  Known collectively as the Fallen, these Space Marine characters have very complex feelings about Lion El’Johnson, especially as many believe he betrayed them and the Imperium, and they have all spent the intervening years being relentlessly hunted by the modern Dark Angels and their successor chapters.  This intriguing background was fertile ground for rich character development and backgrounds, and a large portion of the novel’s emotional depth relied heavily on the Lion meeting and reconciling with his lost sons.  Brooks produces several brilliant scenes that showcase the turbulent relationship between the Lion and the returning Fallen, and it was fascinating to see the Lion, a usually stubborn and proud character, admit that he was wrong and try to make amend to his sons.  I loved the intriguing group of characters that emerged in a supporting role as a result, especially as Brooks set them up as counterpoints to the Knights of the Round Table to match the Arthurian vibes around the Lion.

The most prominent of these supporting characters is Zabriel, the first Fallen that the returned Lion encounters, who serves as his guide to the new universe.  Zabriel has some amazing scenes in this book, especially as he provides the Lion with the first taste of the trauma the Fallen have experienced thanks to their father, and he makes sure the Lion knows that.  His well written chapters really capture his deep emotional conflict throughout The Lion, as he tries to reconcile the betrayals of the past with the hope that surrounds the revelation that Lion El’Johnson has returned.  His interactions with other members of the Fallen are really impressive as well, and I think he had some of the best chapters in the book.  Zabriel’s intriguing perspective is well matched by the other major point of view character, Baelor, a fellow Fallen who has chosen to continue following his former commander Seraphax, who he believes has a great plan to save the Imperium.  To achieve this goal, Seraphax has taken to wielding dark magic and is working with the followers of Chaos, forming the deadly warband, The Ten Thousand Eyes.  This forces Baelor to make a lot of compromises as he works to maintain his loyalty to Seraphax, even though they are doing terrible things.  The return of the Lion really throws Baelor for a loop, and there is a great undercurrent of denial to him as he tries to process all the implications that this has for him.  Brooks paints a brilliantly narrative of conflicted loyalty and duty around Baelor which worked wonderfully with all his chapters depicting the horrors of Chaos.  The rest of the Fallen characters in The Lion are very well written, and while some of them didn’t get a lot of focus, I loved some of the distinctive personalities that emerged.  It will be interesting to see how many of them are featured in the future, especially as there are still some secrets I wouldn’t mind knowing (who is The Red Whisper?), and I deeply appreciated how well Brooks featured them here.

To nobody’s great surprise, I checked out The Lion on audiobook, which is easily the best way to enjoy any good Warhammer novel.  Naturally, The Lion was pretty damn epic in this form, and everything about the book is greatly enhanced by the narration, as the epic story, amazing characters, and intriguing additions to the Warhammer universe, all come to life when read out.  I particularly enjoyed the voice work of Timothy Watson, who previously impressed me in last year’s Warhammer 40,000 audiobook, Krieg.  Watson has a wonderfully booming and commanding voice that worked well with all the powerful Space Marine characters in The Lion.  The narrators take on the confident and radiant tones of Lion El’Johnson was particularly awesome, and I really felt that he captured both the majesty of the character, as well as his deeper uncertainty and regret.  The other Space Marine characters are also extremely well captured, and I liked the fun range of voices that emerged, especially as they all seemed to fit that respective character and convey the key parts of their identity to the listener.  The villains are also cleverly narrated, and Watson goes out of his way to make them sound as inhuman as possible in places.  Coming in with a run time of over 12 hours, The Lion has a decent length for a Warhammer audiobook, although Watson’s fantastic narration moves the story along at a swift pace, ensuring that the listener is constantly hooked on the plot.  This entire production was just amazing, and I had an exceptional time listening to The Lion on audiobook, which is such an epic way to enjoy a Warhammer 40,000 novel.

Mike Brooks continues to rise through the ranks of Warhammer 40,000 authors with his outstanding new novel, The Lion: Son of the Forest.  The impressive and captivating read brilliantly brings back one of the most significant characters in the Warhammer canon and places him in an intense and deeply powerful tale of betrayal, forgiveness and displacement.  I had such an epic time with The Lion: Son of the Forest and this probably the best Warhammer book of 2023 so far.  I cannot wait to see what happens to this iconic character in the future, nor can wait to get my next Mike Brooks novel.  Highly recommended and required reading for all fans of Warhammer fiction.

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