Throwback Thursday – The Andromeda Strain by Michael Crichton

The Andromeda Strain Cover.jpg

Publishers: Brilliance Audio (Audiobook Edition – 26 May 2015)

                        Knopf (12 May 1969)

Series: Standalone/Book 1

Length: 8 hours 15 minutes

My Rating: 4.5 out of 5 stars

Reviewed as part of my Throwback Thursday series, where I republish old reviews, review books I have read before or review older books I have only just had a chance to read.

For this week’s Throwback Thursday I take a look at a classic techno-thriller from legendary author Michael Crichton, The Andromeda Strain.

The Andromeda Strain was released nearly 50 years ago, in May 1969, and represented a bold new direction from Crichton, who had previously done several pulpy crime novels, such as Odds On and Scratch One, under the name John Lange, as well as the medical crime thriller A Case of Need, which he wrote under the name Jeffrey Hudson.  The Andromeda Strain was considered to be part of the new techno-thriller genre and is still considered to be a major example of this genre.

I have only read three of Crichton’s books before, including Jurassic Park (for obvious reasons), The Lost World and Pirate Latitudes.  While I have always intended to go back and read some more of Crichton’s works, I have never had the time to do so.  However, with the recent announcement that The Andromeda Evolution is being released in November to correspond with the 50-year anniversary of The Andromeda Strain, I thought this would be the perfect opportunity to check out one of Crichton’s earlier books.  For that reason, I listened to the audiobook version of The Andromeda Strain narrated by David Morse.

When a military satellite comes down in the small town of Piedmont, Arizona, nearly all the residents in the town die.  They are victims of a mysterious new pathogen that either instantly clotted all the blood in their body or drove them to suicide.  The military quickly activate the Wildfire protocol, and a small government team of scientists and doctors take command of Piedmont and the satellite.

Believing that the satellite contains an extraterrestrial organism, the team bring it and the two survivors of Piedmont, an old man and a baby, to a secret and secure underground Wildfire laboratory for study.  Deep in the laboratory, the team attempt to identify and categorise the organism which has been given the codename Andromeda.  However, Andromeda is evolving a way no member of the Wildfire team believed possible, and not even the laboratory’s nuclear bomb safeguards may be enough to keep it contained.

After listening to The Andromeda Strain over a couple of days, I found it to be an extremely thrilling and complex novel that I really got into and which I am eager to review.  However, after 50 years and thousands of reviews I am not too sure how much I can really say about this book that has not already been said.  That being said, when looking at this book from a 2019 perspective, I feel that The Andromeda Strain is still an extremely strong techno-thriller, with some expert storytelling and an in-depth scientific base that is still relevant in this modern era.

In this book, Crichton utilised a very dry, detailed and scientific approach to his writing, slowly covering every aspect of the events unfolding before each of the protagonists, while also providing the reader with backstory on the characters and briefings on the various relevant scientific and political components of the book.  Despite this somewhat less exciting writing style, Crichton is still able to create quite a thrilling atmosphere throughout the book as the story gets closer to the inevitable disaster part of the plot.  Crichton really adds to the suspense by mentioning the various mistakes that the protagonist are making and hinting at all the problems going on around them that will eventually lead to the release of the Andromeda microbe.

I did feel that the book ended rather suddenly, and I was surprised that the investigation part of the story was still going with only a short amount of the book left to go.  I found it interesting that the part of the story that dealt with the release of Andromeda and the subsequent race to stop the nuclear explosion about to wipe out the lab was introduced so late in the book and solved so very quickly.  I was expecting a large portion of the story to focus on the main characters getting past all of the impressive contamination protocols in order to stop the nuclear explosion.  Instead, this was all solved within about 10 minutes of audiobook narration, or probably five to 10 pages of a normal book.  While I was surprised about this, I suppose it does make sense in the context of the rest of the story, where the characters and briefing material did mention several times that there was a three-minute delay between the bomb arming and the explosion.  This was all extremely thrilling, and I felt that the book is still capable of keeping authors on the edge of their seats.

One of the things that really surprised me about the book was the advanced level of technology that was featured within a story written and set in 1969.  Perhaps this is simply ignorance as a result of being a child of the 90s, but I feel it is more likely the result of Crichton having a great understanding of technology and potential future advances that might be utilised within a high-level government laboratory.  Certainly, the scientific features of this book are extremely impressive, and I felt that they were still extremely relevant and understandable in a 2019 context.  For example, all the extreme quarantine methods surrounding the Wildfire laboratory sound like perfectly reasonable steps that modern laboratories could use to keep pathogens contained.  All the discussions about viruses and micro-organisms were also incredibly detailed, and I felt that much of the information discussed around those is still relevant today, and modern audiences will still be able to understand and consider it quite easily.

I did find the concept of the Odd-Man Hypothesis to be extremely interesting.  In essence, the Odd-Man Hypothesis states that out of all the humans in the world, unmarried men are the most likely to make the best and most dispassionate decision in the face of an emergency.  This becomes a key part of the story, as one of the characters is designated as the Odd-Man and is the only person with the ability to shut off the laboratory’s nuclear self-destruct device.  Now this is one theory that does not translate to more modern times, although, in fairness, most of The Andromeda Strain’s characters did not take it that seriously either.  That being said, it was an extremely intriguing element to read about, and I enjoyed the discussion around its viability and use within the context of the story.

As I mentioned above, I chose to listen to The Andromeda Strain in its audiobook format.  There are actually a number of different audiobook versions of The Andromeda Strain out there, each with different narrators, such as an earlier version narrated by Chris Noth.  I ended up listening to the most recent audiobook version of this book, although I imagine a new version is sure to follow soon, especially with a sequel about to come out.  The version I listened to was narrated by actor David Morse and was released in 2015.  This version is 8 hours and 15 minutes long, and I found myself powering through it very quickly.

I think that the audiobook was a really great way to listen to The Andromeda Strain, as it allows the reader to absorb the huge amount of scientific detail and discussion a lot easier.  I felt that David Morse was an excellent narrator for this book, and that his basic narration voice perfectly fit the books tone and style.  Morse also comes up with some great voices for this book, and I was particularly impressed by his weary old man voice.  As a result, I would highly recommend the audiobook version of The Andromeda Strain, as it is definitely an outstanding way to the listen to this fantastic story.

Overall, I loved this dive back into the past and I had a lot of fun listening to this classic techno-thriller.  Crichton is an amazing author, especially when it comes to a more science-based story, and I am incredibly impressed that his story still holds up 50 years after it was first published.  I am extremely curious to see where the upcoming sequel, The Andromeda Evolution, takes the story, and how well new author Daniel H. Wilson replicates Crichton’s style.  This book has also encouraged me to check out some more of Crichton’s works, and I am looking forward to reading some more of this author’s excellent techno-thrillers, as well as some of his intriguing historical fiction pieces.

Reckoning of Fallen Gods by R. A. Salvatore

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Publishers: Tor Books and Audible Studios (Audiobook Format – 29 January 2019)

Series: The Coven – Book 2

Length: 14 hours 37 minutes

My Rating: 4.5 out of 5 stars

Prepare to return to Corona, the world of The DemonWars Saga, for Reckoning of Fallen Gods, the latest book from master fantasy author R. A. Salvatore and the second book in his outstanding new The Coven series.

In the world of Corona, no lands are as harsh or unforgiving as those surrounding the massive Loch Beag.  All manner of dangerous creatures live in and around the loch, including one massive and unseen lake monster that lurks right below the surface.  But for those who live in the fishing villages that eke out a living around the shore of Loch Beag, the biggest danger is more human in origin.  Living at the top of the massive mountain, Fireach Speur, is a barbaric tribe, the Uscar, who constantly raid the fishing villages below.  Enhanced in battle by the crystal magic of their witches, the Uscar are ferocious warriors who consider themselves vastly superior to the inhabitants of the villages they raid.

This cycle of violence and death existed for hundreds of years until a powerful young Uscar witch, Aoelyn, attempted to change her tribe’s ways by destroying the fossa, a demonic creature that haunted the mountain at night.  However, her decision will have terrible consequences, as ambitious members of her tribe turn against her.  As Aoelyn endures the wrath of her tribe, her friend, the slave Bahdlahn, attempts to escape from the Uscar with help from an unexpected ally.  Down at the shore of Loch Beag, the trader Talmadge, who Aoelyn saved from her tribe’s brutality the night she ended the fossa, attempts to find some sort of peace among the fishing villages who have accepted him as a friend.  However, the appearance of a mysterious stranger will bring significant changes to his life.

But while those living around Loch Beag fight among themselves, they are unaware of a much bigger threat growing in the East.  A lost empire of goblinoids, the Xoconai, are on the march, driven by the return of their fallen god.  The Xoconai are determined to conquer all the lands of man, and the first obstacle they must overcome is the people of Fireach Speur and Loch Beag.

R. A. Salvatore is one of the best and most prolific authors of fantasy fiction in the world today, having a written over 60 fantasy books in his career. He is perhaps best known for his work in the established Forgotten Realms universe and the incredibly popular character of Drizzt Do’Urden. However, Salvatore has also written a series of novel set within his own unique fantasy world of Corona.

Salvatore introduced audiences to this new fantasy world in his 1997 release, The Demon Awakens, the first book in his epic The DemonWars Saga, which spanned seven books between 1997 and 2003.  This universe was expanded out in 2004 with The Highwayman, the first book in his Saga of the First King series.  After the Saga of the First King series ended in 2010, Salvatore left the world of Corona untouched for eight years while primarily focusing on his Forgotten Realms series.  However, he returned to Corona in 2018 with Child of a Mad God, the first book in his new The Coven series.  The Coven series is primarily set in a previously unexplored area of Corona, in the lands around the massive Loch Beag, with the first book focusing on a whole new group of characters.

I am a massive fan of Salvatore’s work, having read nearly all the books featuring Drizzt Do’Urden and his companions (click here for my review of the latest Drizzt Do’Urden book Timeless).  However, before last year’s Child of a Mad God, I had not really gotten into his work set in Corona, having only really read The Highwayman back when it was first released in 2004.  While Child of a Mad God was not my favourite of Salvatore’s books, it did a great job introducing this new area of Corona, while also creating an excellent starting point for the series’ overall plotline.

I found that I enjoyed Reckoning of Fallen Gods a lot more than the first book in the series, possibly because the author was able to dive right in and continue several of the more intriguing plot threads from the first book.  I quite enjoyed how the story progressed; all of the storylines contained within were very well paced and entertaining, coming together extremely well towards the book’s conclusion.  I really liked the over-the-top way that the story ended, as it sets up the next book in the series with some massive stakes and makes full use of the intriguing new fantasy elements that were included within this book.  A bit of a warning about this series: is it substantially darker than some of Salvatore’s other works.  This was particularly true of the first book of The Coven series, Child of a Mad God, which contained a fair amount of torture and sexual violence.  While there is a little less sexual violence in this book, several character development elements are based around these original events and are discussed in some detail.  There is also some fairly dark and gruesome action and torture, which might not be enjoyable for some readers.  Overall, though, this is a great follow-up to Child of a Mad God that once again highlights Salvatore’s skill as a master fantasy storyteller.

Some readers may be wary about checking this book out because it is the second book in The Coven series and the 13th overall book set in the world of Corona.  However, I found that this book to be easily accessible to new readers, with the author ensuring that relevant details from the previous book and series were easy to understand and follow nearly right away.  In addition, there are also a lot of elements for established fans of this universe to enjoy, especially as Salvatore includes a substantial character from one of his previous Corona based series in this book.  The inclusion of this character is an excellent way to tie this new series with the author’s existing works in this fantasy universe, which also highlights the importance of this story to the rest of the world of Corona.  The ending of Reckoning of Fallen Gods also hints that characters and locations from the previous series may come into play in the next book in The Coven series.

I loved all the fantasy elements in this book.  The world of Corona is a fantastic setting for the great story that is taking shape within The Coven series.  The main location for most of this book’s plot, the lands around Loch Beag and Fireach Speur, is a substantially dark and rugged area with a large number of natural and unnatural threats.  In Reckoning of Fallen Gods, there are a number of significant developments around several of these locations and creatures, some of which are pretty insane.  Just like in the first book in this series, Child of a Mad God, Salvatore continues to expand on the intriguing gem-based magic that is a feature of the books set in Corona.  The gem magic that was featured in Child of Mad God was somewhat different from the already established gem magic used in some of previous Corona books, such as The DemonWar Saga, and is based around the magic found atop Fireach Speur.  This expansion of the gem magic continues in Reckoning of Fallen Gods with the main character, Aoelyn, developing additional magical abilities.  Many of these abilities are quite spectacular, and Salvatore’s enthralling writing highlights how impressive these abilities are when Aoelyn utilises them in fights or other magical engagements.  At the same time, another character utilises some of the more traditional gemstone powers they had in one of the previous series, and it is interesting to see the differences and similarities this has with the Uscar magic.

One of the more unique and enjoyable fantasy inclusions within Reckoning of a Fallen God is the new antagonist race, the Xocanai.  The Xocanai are a new race of goblinoid creatures that exist in a realm on the other side of the mountains surrounding Fireach Speur.  The Xocanai are somewhat Aztecan in culture and their empire has been rather cut off from the rest of the world for some time.  However, recent actions have allowed them to come together to invade the human lands, and some of the events of Child of a Mad God may be to blame.  I felt that Salvatore did an excellent job of introducing them in the current book, and he was able to build them up as a substantial antagonist in quite short order.  I liked how the reader is able to get a good view of this new race’s culture and religion in only a few short chapters, while in-universe texts present at the start of each section of the book help to establish a historical past for these creatures.  In the end, they are a fantastic new inclusion to the series and the universe and serve as excellent new antagonists.

Salvatore has created some great new characters for this series, and many of the key characters who were introduced in the first book go through some significant and compelling character development throughout Reckoning of Fallen Gods.  The main character development occurs with Aoelyn, who, after the fallout of the events in the first book, develops a stronger sense of independence and rejects the established male hierarchy imposed upon her and all the female members of her tribe.  Her friend Bahdlahn gains the courage to finally flee the Uscar and is finally able to come to terms with his feelings for Aoelyn.  At the same time, the trader Talmadge comes to terms with the tragedies in his life and is finally able to find some semblance of peace with the people living around Loch Beag.  Even the established character from the previous series (who I am still not mentioning for spoiler reasons) has developed somewhat in this book, as he ruminates on the mistakes from his past that were covered in the previous series.

I have to give credit to Salvatore for creating some truly villainous antagonists for this series, especially among the Uscar characters.  The main antagonists are quite despicable, especially in the way that they deal with Aoelyn and Bahdlahn, and the reader is hoping for all sorts of comeuppance for these characters.  Even the Uscar characters that come across as more compassionate members of the tribe can still be quite dislikeable.  For example, there is one character who appears to change his ways in Reckoning of Fallen Gods.  However, he has a sudden and quite unjustified change of heart back to the Uscar ways towards the end of the book, and his complaining about the event that drove him to betray his friends really does not endear him to the reader.  These great antagonists serve as spectacular foils to the protagonists and really add a lot to the overall story.

I chose to listen to the audiobook version of Reckoning of Fallen Gods, narrated by Tim Gerard Reynolds.  This was an interesting change of pace for me, as I had read the physical copy of the first book in The Coven series, so it was cool to hear these characters come to life in the audiobook format.  At 14 hours and 37 minutes, this was not the longest audiobook I have listened to recently, but it still required a little bit of time to get through.  Reynolds is a spectacular narrator, and I really enjoyed listening to him tell this story.  His base narration voice for this book was really good, and I found I was able to absorb a lot of the story through his great narration.  The character voices he came up with were also excellent, and I loved how the distinctive cultural/species groups within Reckoning of Fallen Gods got their own accents.  For example, he ensured that the Uscar characters had a form of Scottish accent, while the other groups that feature in the book, such as the Xocani have a noticeably different way of speaking.  Because of this excellent voice work, I had a lot of fun listening to this book, and I will make sure to get the audiobook versions of this series in the future.

Fantasy icon R. A. Salvatore is in high form once again with Reckoning of Fallen Gods, the second book in his new The Coven series.  Salvatore does an outstanding job continuing the intriguing story he started in the first book of the series, Child of a Mad God, and effortlessly inserts a number of original and familiar elements to create an exciting and epic read.  With some great characters and some inventive new ideas, this is a spectacular new addition to this darker fantasy adventure series.

The Wedding Guest by Jonathan Kellerman

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Publisher: Random House Audio (Audiobook Format – 5 February 2019)

Series: Alex Delaware – Book 34

Length: 12 hours 20 minutes

My Rating: 4.5 out of 5 stars

 

Bestselling author Jonathan Kellerman returns with the 34th book in his long-running Alex Delaware crime series, The Wedding Guest, a clever and captivating murder mystery.

It is the couple’s big day, an elaborate wedding ending with a ‘Saints and Sinners’ themed reception in a former Los Angles strip club.  The only thing that could upstage the happy couple is the discovery of a well-dressed murder victim hidden in one of the club’s bathrooms.  None of the guests claim to know who the victim is, and she appears to have crashed the wedding without anyone noticing.

Psychologist Alex Delaware is called onto the case by his friend Detective Milo Sturgis.  With no obvious suspects at the wedding, Alex and Milo not only have to find out who the murderer is but also the identity of the victim.  As they slowly build up a picture of the events that led up to the murder, the investigators soon discover that this not the first time that the murderer has struck, and his is still at large in the city.

Kellerman is an extremely prolific and skilled crime fiction author, who has been writing books for over 30 years.  His first book, When the Bough Breaks, was released in 1985 and was the first book in his main body of work, the Alex Delaware series.  In addition to huge number of books in his main series, Kellerman has also written three shorter series: the Petra Connor series, the Jacob Lev series and the Clay Edison series.  The latter two series he wrote with his son, Jesse Kellerman.  In addition, he has also written several standalone novels, including two with his wife, Faye Kellerman, and several nonfiction books reflecting his career as an actual clinical psychologist.

As mentioned above, this is the 34th book in the Alex Delaware series, and I was a bit uncertain how easy it would be to come into this series this far in, having not previously read any of Kellerman’s books before.  Luckily, I found that The Wedding Guest was extremely accessible to new readers to the series as there were only minimal throwaway references to the previous books or cases that the main characters were involved in.  The author instead dives straight into the mystery and builds up his story from scratch.  The focus is on the main case, with only a brief look at the protagonist’s personal life, and as a result there is very little need to dive back into the series’ previous investigations.  I ended up really enjoying The Wedding Guest and thought it was an excellent piece of crime fiction.

The standout part of this book has to be the central investigation into the murder of the unexpected guest at the wedding.  The overall case is compelling, and I found myself getting pretty hooked on the story and trying to work out who the killer is, especially as the case expands further out.  Kellerman has a very interesting murder mystery writing style.  Rather than creating a fast-paced mystery that has the investigators barrelling from one massive clue to the next, Kellerman keeps the investigation within The Wedding Guest at a much slower and more realistic pace.  The investigators are forced to wait for test results and for technicians and coroners to get back to the office, and most of their investigation involves meeting and questioning people of interest.  The whole process is a lot more methodical that other crime fiction books I have read; it has a much more realistic investigative timeline.  The author has a very detailed orientating writing style, recording a large amount of details about the suspects, their possessions and the locations they are found in, so much so that you expect any of these details to become relevant at a later point in the text.  I loved how realistic the investigation came across, from the timelines and issues that real-life detectives would experience, to the impact of chance or coincidence on solving a case and the use of modern-day technology, such as social media or internet searches, to obtain information on suspects.  The case as a whole was deeply captivating, and my curiosity about who had committed the crime kept me deeply enthralled within The Wedding Guest.

This book is very character based, as the story focuses deeply on the lives of a huge range of secondary characters, most of whom are suspects, witnesses or victims of the crimes being convicted.  Through his protagonists, Kellerman dives into the lives of these characters, finding out surprising details and issues that may or may not have some impact on the case.  As a result, the reader is quite exposed to these secondary characters, in some way more so than some of the protagonists investigating the case.  Many of the characters who are suspects are fairly duplicitous or unlikeable in some way or another, making it rather easy for the readers to dislike them and see them as reasonable suspects for the murder.  In contrast to these interesting but deceitful characters are the main protagonists, Alex and Milo.  I loved the fun friendship between these two characters.  Who would have thought that a psychologist and a homosexual police detective would make for such an entertaining and enjoyable tandem?

In addition to the fantastic mystery and intriguing characters, this book contains a number of other great story elements for the reader to enjoy.  This includes the fantastic and detailed descriptions of the city of Los Angles.  Kellerman, a near life-long resident of the city of Los Angles, does an outstanding job of portraying the various components of city, and there is obvious affection for its many nuances and its inhabitants’ ways of life.  I also liked the psychological inclusions with The Wedding Guest.  The main character, Alex Delaware, is a child psychologist who assists with the police investigations and provides analyses of the suspects and the murderer.  While the psychological elements within The Wedding Guest are somewhat less prominent than in some of the other books in the series, such as the first book, When the Bough Breaks, it is still deeply fascinating, and it was intriguing to see things such as the character’s analysis of what kind of person the killer would be.

While did receive a physical copy of this book, I ended up choosing to listen to the audiobook format of The Wedding Guest, narrated by John Rubinstein.  This was an excellent way to the listen to this book, and at 12 hours and 20 minutes, it did not take me long to get through it.  Rubinstein does an incredible job of narrating this awesome story, and I felt that his fantastic voice really added a lot to this book.  The Wedding Guest is told from the point of view of the main character, Alex Delaware, and Rubinstein does a good base narration for everything the character sees and says.  I also really liked the other voices that Rubinstein does throughout this book, and he is able to impart some real personality into most of the other characters.  I especially loved the narration that he does for Milo, as he gives this character an exceptional cop voice that was really fun to listen to.  Overall, I felt that the audiobook version of this book was a great way to enjoy The Wedding Guest and I would strongly recommend this format.

The Wedding Guest was an excellent piece of crime fiction, containing a deeply compelling mystery that really drags the reader in and holds their attention for the entire book.  I quite enjoyed Kellerman’s use of characters and felt that it enhanced the mystery elements to create a wonderful overall story.  Easily accessible for those who have not read any of the previous books in the Alex Delaware series, The Wedding Guest is well worth checking out in both its paperback and audiobook formats.

Cold Iron by Miles Cameron

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Publisher: Hachette Audio (Audiobook Format – 30 August 2018

Series: Masters & Mages – Book 1

Length: 19 hours, 29 minutes

My Rating: 5 out of 5 stars

 

I recently managed to read one of the books that was featured in my Top Ten Books I Wish I Had Read In 2018 list.  I have to say I was quite impressed with this book, Cold Iron by Miles Cameron, as it is one of last year’s most intriguing fantasy reads.

Miles Cameron is the pseudonym historical fiction author Christian Cameron uses when he writes fantasy novels.  Cameron debuted in 1999 with Rules of Engagement, the first book in the seven-book long Alan Craik thriller series, which he wrote with his father, Kenneth Cameron, under the joint pseudonym of Gordon Kent.  In addition to this joint series, Cameron started writing his own novels in 2003 when he wrote his first historical fiction novel, Washington and Caesar.  Since then, Cameron has written over 15 historical fiction novels, including the multiple books in his Tyrant, Long War and Chivalry series.  In 2013, Cameron branched off again into a new genre, fantasy, with his five-book long Traitor Son Cycle, which he wrote as Miles Cameron.  Cold Iron is the first book in his brand-new fantasy series, called the Masters & Mages series.

I am mostly familiar with Cameron through his historical fiction works, having read and reviewed a couple of books in his Tyrant and Long War series early in my career.  I particularly enjoyed the first book in his Long War series, Killer of Men, which set a young protagonist from Plataea on an adventure across ancient Greece and Persia.  Unfortunately, I failed to get any of Cameron’s books in the intervening years and was completely unaware that he had written any fantasy books.  So when I came across Cold Iron and recognised the author, I was deeply intrigued and thought it would be an interesting book to check out, especially as it had been receiving some great reviews.  After mentioning it in one of my Top Ten lists, I decided to check out the audiobook version of this book a few weeks ago.  I was especially keen to check it out as the second book in the Masters & Mages series, Dark Forge, has recently been released, although it looks like this second book will be released in a number of different formats throughout the year.

Cold Iron follows Aranthur Timos, a young student at The Academy, a prestigious institute of magic, science and other scholarly pursuits that lies at the heart of a mighty empire.  Aranthur, a poor farmer’s son, is not the best student at The Academy, and aside from some slight skill with the sword, nothing sets him apart from any of the other students.  But fate has something special in store for Aranthur.  Travelling back to his family farm for the holidays, Aranthur stops at a small inn.  When bandits attack the owners of the inn, Aranthur steps in to try and help, and in doing so sets a momentous series of events into play.  His actions that night inadvertently place him in the middle of a vast and terrible conspiracy, as he comes to the attention of the inn’s other guests, including a powerful priest, a master swordsman, a young gentleman spy and an enigmatic and dangerous beauty.

After returning to The Academy, the results of Aranthur’s actions at the inn indirectly introduce him to a number of new friends that help him excel at his studies.  But a series of chaotic events are occurring across the lands.  The city surrounding The Academy is in turmoil, as factions and noble houses fight against each other.  Worse, refugees are flooding in from lands to the east, driven out of their homes by a group known as the Disciples, followers of a shadowy figure known as the Master, who seek to return the world to an ancient status quo where only the nobles have access to magic.  Despite being a simple student, Aranthur keeps finding himself in the centre of the momentous events sweeping the city.  Can Aranthur survive all the mysterious events occurring around him, and, if he does, what sort of person will he become?

I absolutely loved this book; it gets a well-deserved five stars from me.  Cold Iron is an extremely clever coming-of-age fantasy story set within an immensely detailed and inventive new world.  I have found with some of Cameron’s previous works, such as the books in his Chivalry series, that the author has a very particular writing style, such as his propensity to include large amounts of detail in his paragraphs and the utilisation of a somewhat more formal dialogue.  This style has always worked well with the author’s historical fiction work, and I felt that this writing style translated across well to this fantasy book.  It was reminiscent of some of the older classical fantasy stories, although with some more modern language.  This results in the book having a much more unique feel to it, which I found to be quite curious and actually helped draw me into the story.

The overall story of Cold Iron is quite an intriguing fantasy read that places its protagonists and point-of-view character in the centre of a worldwide conspiracy.  There are so many elements to this story to enjoy, including an excellent coming-of-age focus.  Throughout the course of the book, the protagonist, Aranthur, grows from a poor and insignificant student to a central figure in the fight for kingdoms and the freedom of magic.  The story is quite clever as it focuses on a character who, rather than being the dreaded “chosen one” fantasy trope, is instead thrust into events by accidentally being in a certain place at a certain time.  I really enjoyed how everything that happens to Aranthur throughout the book is the direct result of the one tavern fight at the start of the book, and he is drawn into the subsequent events or introduced to key characters through sheer coincidence.  The resultant conspiracy is deeply intriguing and ties in really well with Cameron’s excellent fantasy elements.  I am also a sucker for a storyline involving magical schooling or training, so I loved how this story was set within a magical university and focused quite a bit on the protagonist’s training.  All of these elements work together to produce an incredible overall narrative that I really enjoyed listening to.

For this new series, Cameron has come up with a fun and detailed fantasy world.  The Masters & Mages series is set in a sprawling world that features a number of diverse human nations.  Only a small part of this world is explored within this first book, although there are quite a number of references to nations outside of the central settings, and events occurring in these locations impact on the main story.  This world appears to be in a post-medieval point of its history, with early firearms starting to be utilised, although older technologies such as crossbows are still in use.  The setting comes across a bit like Italy or France during a similar time period, but with a magical edge to it that works quite well.  The main setting is a gigantic and rich city of canals and elaborate architecture that hosts The Academy, and this serves as a perfect location for the intriguing, conspiracy-laden fantasy story.  The city is filled with a huge number of factions, refugees and competing noble houses, creating quite a significant amount of internal political strife which plays into the story quite well.  There are also some examinations of some more rural areas within the world, and Cameron does a spectacular job of presenting the more down-to-earth folk that live in these locations.  The locations featured within this book were very well done and I look forward to seeing what new lands are explored in future books.

One of the most interesting things about the setting of the book was how several of the issues and plot points have some interesting parallels with modern issues.  For a bit of context, the world that the Masters & Mages series is set within a world where a historical revolution installed a series of reforms that granted magic and education to the lower classes.  Now even quite poor families have access to basic magic that cleanses water, helps create fires and heal people, resulting in a better class of life for the common people.  At the same time, women are able to attend classes at The Academy and learn magic and other skills.  The book’s antagonists are determined to reverse these reforms and return magic to the rich and the nobles and ensure women have no more power.  This has resulted in a number of invasions and wars that have resulted in a huge number of refugees entering the city and other locations, much to dismay of the city’s rich and powerful.  I found the motivations of the antagonists to be very interesting, and it is easy to see some real-life parallels.  Intolerance towards refugees is a major issue at the moment, and it is deeply fascinating to see this reflected in a work of fantasy fiction.  In addition, the book featured quite a lot of intolerance towards people of certain nationalities, including the protagonist’s nationality.

Highlights of Cold Iron the spectacular action sequences that occur throughout the book.  There are a substantial number of fight scenes throughout the book, featuring magic, firearms, crossbows and swordplay.  All of these action elements are pretty impressive, and I especially love some of the larger sequences, where all the above methods of combat are being utilised by both sides.  For the most part, only some basic magical techniques are used within fights, which while intriguing, do not result in any eye-popping scenes.  However, there is one sequence where two powerful magic users fight in front of the protagonist, and he sees the destructive potential of their respective magic abilities.  Without a doubt, the most amazing action element is the swordplay.  There is quite a focus on swords throughout the book as the protagonist spends a large amount of time learning and training with them before using them in a number of duals and fights.  Cameron’s insane attention to detail and incredible knowledge of sword fighting makes these scenes absolutely incredible and produce some amazing fight sequences that feel extremely realistic.  These sword fight scenes are some of the best parts of this book and I really enjoyed having them narrated to me.

I had a lot of fun with several of the characters in this book.  The main character, Aranthur, is a pretty good protagonist who goes through some substantial character development in this book.  Not only does he grow to appreciate different points of view and increase his abilities as a warrior and scholar but he actually learns from his mistakes, although in some cases, such as when it comes to learning about women, it takes a little too long.  The other characters featured within Cold Iron are an interesting group.  My favourites include Ansu, a noble from another land who brings some amusing cultural differences; Tiy Draco, a gentleman spy with unclear allegiances; and Dahlia, the feisty warrior student who highlights the abilities and determination of the female students in The Academy.  My favourite character, however, had to be Sasan, the sarcastic and fatalistic refugee and drug addict who Aranthur attempts to help.  Sasan has some of the best lines in the entire book, and his exclamations and actions when under the effect of an enhancement spell were really funny.  Each of these characters is a lot of fun, and I will be intrigued to see what future development awaits them.

I listened to Cold Iron’s audiobook format, narrated by Mark Meadows, and I had a good time listening to this book.  Clocking in at around 19 and a half hours, this is a fairly long audiobook; however, I found myself really drawn into the story, so I was able to get through it fairly quickly.  I personally thought that the audiobook format was the best way to enjoy this book due to the huge amount of detail and worldbuilding that went into this story.  I was able to focus on all the details a hell of a lot more by listening to them, and I think this helped me follow the plot with a lot less confusion.  Cold Iron’s action sequences are particularly good when narrated, and I found that the intense and elaborate sword sequences were really enhanced by this format.  Mark Meadows does a fantastic job of narrating Cold Iron and I really appreciated his work in bringing the story to life.  I felt that the voice Meadows used for the narration of Cold Iron was very appropriate, and I liked listening to all the descriptions and actions that Cameron had inserted into his story.  Meadows also came up with a range of unique voices for his various characters, each of which did a great job of conveying the character’s emotions and personality.  Part of the reason why I liked the character of Sasan so much was because of the voice that Meadows created for him and used to exclaim some of his best lines.  Overall, I would strongly recommend that readers interested in checking out Cold Iron should try its audiobook format, and I was quite glad that I did.

Before I wrap up, I just wanted to make a quick comment on Cold Iron’s cover art.  Cold Iron has two separate covers: the one I have included at the top of this review, and the one I have placed below.  I loved both of these covers individually, and I felt that they contrasted with each other quite nicely.  The first cover is very classy and really exudes an old-school fantasy vibe, which I think represents Cameron’s storytelling style quite well.  However, I did enjoy the more modern look of the second cover, and I really enjoyed the artist’s use of the simple, but effective black and white colour scheme.  Both are very impressive, and I have to say that the artists did a fantastic job with both of them.

Cold Iron Cover 2.jpg

I was very impressed by my first foray into Cameron’s fantasy writings.  Cold Iron is an exceptional piece of fantasy fiction and an easy five stars from me.  This book’s story was incredibly well written and contained a very compelling plot filled with wide-reaching conspiracies, magic and excellent characters.  Set in a brilliant new fantasy world, Cold Iron is an excellent start to the Masters & Mages series and sets it up as a fantasy series to watch out for.  Some paperback versions of the second book in the series, Dark Forge, came out a short while ago, and I am tempted to order a copy in.  However, I may wait until September, when the audiobook version is released, as I found this was a great way to enjoy the first book.  Cold Iron is an outstanding read, and I am really glad I went back and checked out this excellent 2018 release.

Throwback Thursday – Star Wars: Death Troopers by Joe Schreiber

Death Troopers Cover.jpg

Publisher: Random House Audio (Audiobook Edition 13 October 2009)

Series: Star Wars Legends

Length: 6 hours 42 minutes

My Rating: 4.25 out of 5 stars

 

Reviewed as part of my Throwback Thursday series, where I republish old reviews, review books I have read before or review older books I have only just had a chance to read.

In this week’s Throwback Thursday, I look at an entertaining blend of horror and Star Wars with Death Troopers, a book from the Star Wars Legends collection which I listened to in its audiobook format.

Death Troopers is set a short time before the events of Star Wars: Episode IV – A New Hope.  The Imperial prison barge Purge is the temporary home of the galaxy’s worst criminals, rebels and murderers.  Carrying over 500 prisoners, as well as guards, stormtroopers and other personnel, the ship is a floating hive of scum and villainy, where the guards are just as bad as the inmates.  En route to a permanent prison facility, the engines fail, stranding the Purge in an uninhabited area of space.  Rescue appears to be weeks away, unless the crew can fix the engines.  The discovery of an apparently deserted Star Destroyer offers hope to the Purge’s crew, but the ghost ship contains a dark secret.

A boarding party sent to scavenge parts for the Purge inadvertently brings back something lethal: a virus that spreads incredibly fast and soon infects everyone aboard the ship.  Within hours, only a few survivors are left alive: the ship’s compassionate doctor, the sadistic captain of the guards, two young teenage brothers and a certain pair of smugglers.  However, these survivors soon discover that the sudden and bloody death of everyone on the ship is the least of their problems.  Shortly after dying the bodies of the Purge’s crew and passengers violently reanimate.  These creatures are driven, unstoppable and have a hunger for the flesh of the living.  As the survivors attempt to flee the Purge, they soon find that the Star Destroyer above is not as abandoned as they had believed.  The dead have risen, and their greatest desire is to infect the entire Star Wars universe.

Zombies!  In a Star Wars book!  How can I possibly resist that?  No seriously, tell me how it is even possible not to check out a book with that sort of premise.

Death Troopers is a 2009 release from horror, thriller and tie-in novel author Joe Schreiber, who wrote several fun-sounding books between 2006 and 2015.  These novels include two additional Star Wars novels, all of which fall in the Star Wars Legends line of novels.  Indeed, his third Star Wars novel, 2014’s Maul: Lockdown, was actually the last novel released in the Star Wars Legends series of books.  His other Star Wars novel, 2011’s Red Harvest, is a prequel to Death Trooper, and is set in the Old Republic, thousands of years before the events of Death Troopers.

The Star Wars Legends series of books is the current incarnation of the old Star Wars expanded universe, which, in addition to the six Star Wars movies that George Lucas produced, included all the books, comics, video games and television series that were endorsed by Lucasfilm.  All of these entries were considered canon, so at one point there were actually proper zombies in the Star Wars canon.  While the original expanded universe did have a dedicated fan base, it did not survive the Disney buyout of Lucasfilm intact.  In order to allow for the new movies, Disney declared that, with the exception of the films and The Clone Wars television show, everything created before 25 April 2014 would no longer be considered canon.  However, rather than disavow all of these previous Star Wars media items, Disney rebranded this original expanded universe as the Star Wars Legends collection and kept it as a deep pool of ideas and characters for any future writers of the franchise.

It’s no secret that I am a bit of a Star Wars fan, having reviewed several tie-in books and comics in the last year.  While my current interest mostly lies within Disney’s expanded universe, I did grow up with a number of books and games in what is now the Star Wars Legends range.  Star Wars books and comics are going to form a significant part of my upcoming Throwback Thursday entries, but I had not intended to dive back into the Star Wars Legends range until I had gotten through all the books in the Disney expanded universe, as I wanted to stick with what is currently canon.  However, I happened to come across the cover and plot synopsis for Death Troopers the other day, and the moment I saw it I knew that I had to read it.  I immediately grabbed an audiobook copy, narrated by Sean Kenin, and started listening to it.

While I loved the plot synopsis, I was worried that Death Troopers was going to be a Star Wars novel first that featured some light zombie elements and minimal gore.  However, what I was not expecting was an extremely terrifying and well-written zombie novel that makes full use of its Star Wars setting to create a dark, gruesome and somewhat scary story.  I was very impressed with Schrieber’s ability to craft an amazing zombie novel.  His creations are pretty darn terrifying, especially as the author paints some detailed and horrifying descriptions to go along with his story.  The introduction of the zombies is done perfectly, in my opinion, as Schreiber goes for a slow burn approach.  Following the introduction of the virus, the book’s survivors slowly explore the ship, searching for a way to escape.  The author slowly builds up the tension by having things move around out of the characters’ sight, the bodies slowly disappear, bloody handprints appear in places and the characters hear all sorts of noises.  The characters of course have no idea what is happening, and blame their imagination or paranoia, but the reader knows full well what is happening.  Even when the first zombie is actually seen, panic and realisation still does not immediately set in for the rest of the characters, much to the reader’s frustration.  It is not until well after halfway through Death Troopers that the zombies are revealed in all their horror, and from there the pace of the book picks up, as the characters must find a way to quickly get away from the creatures hunting them.  This slow introduction of the zombies was a fantastic part of the book and represents some outstanding horror writing from Schreiber.

Despite this being a Star Wars novel, Schreiber does not dial back on the blood, gore or horror, and there are quite a few dark scenes throughout the book.  I was on the edge of my seat for quite a lot of it and felt that this was a great piece of horror fiction.  There are quite a few dark scenes, such as cannibalism, jaunts in rooms full of body parts and some fairly gross surgical scenes, all of which Schreiber describes in shocking detail.  I did find the story to be a bit predictable in places, and it was pretty easy to predict which of the characters would live or die.  There were also quite a few unanswered questions (what the hell was the lung room for?), although they may be answered in the prequel book Schreiber wrote a couple of years later.  I also thought that the way Schreiber ended the plot line about the zombies attempting to escape the Star Destroyer and infect the rest of the universe was a bit of an anti-climax, but overall this was a pretty fun story that I quite enjoyed.

I felt that Schreiber was quite clever in his use of the Star Wars elements throughout Death Troopers.  It is quite obvious that Schreiber is a fan of the franchise and he has a wonderful understanding of the history, technology and characters that have appeared in other Star Wars works.  As a result, he is able to craft an excellent Star Wars setting for this story that presents the reader a good idea of how this book appears in relation to the rest of the franchise.  However, what I really liked was how Schreiber did not overuse the Star Wars elements, and the reader’s focus was never taken away from the zombie part of the book.  I also felt that several of the Star Wars elements really helped to enhance the horror aspects of the book.  Having the familiar turn into something different can often be quite scary for people, and to see the often-ridiculed Imperial Stormtrooper turned into a ravenous, mutilated zombie was quite something.  The inclusion of fan favourite characters Han Solo and Chewbacca was also a nice touch.  Not only do you have some familiar characters for the readers to enjoy but you also raise the stakes of the story when both of these beloved characters come close to being eaten by zombies.

Another benefit of combining Star Wars and zombie fiction is that for once characters are completely justified in not knowing what a zombie is.  There are quite a few other major zombie movies or television shows set in fictional worlds that are supposed to mirror ours, and yet the protagonists have no idea what zombies are, despite how much they are used in fiction.  This always frustrates me, and while it was a minor thing, I was very happy to read a book where the character’s lack of understanding about zombies is completely understandable.  Overall, I really liked how the author presented the Star Wars elements within the book, and I was impressed by the way he used it to make the zombie elements even scarier.

If you are tempted to check this book out, I would highly recommend that you listen to the book in its audiobook format.  At just over six and a half hours, this did not take me a long time to get through, but I was absolutely amazed at how much the audiobook format enhanced the story.  This is mainly down to the fantastic sound effects that were scattered throughout the story.  The producers of this book did a superb job inserting a range of zombie sound effects throughout the background of the book’s narration.  This includes sounds such as screams, disturbing eating sounds, moans and other assorted sounds of horror, with the continued screams being particularly off-putting.  None of these sounds overwhelm or totally distract from the narration, but I found hearing them when the narrator describes a horror scene really enhanced the tension and dread I experienced.  I also thought that the disconnected, whispered and screamed echoes of the chapter names was a very nice touch and it really added to the overall atmosphere of the book. In addition to these horror based sound effects, there are quite a few classic Star Wars sound effects for the reader to enjoy and get nostalgic about, including some of the classic music from the movies.

Sean Kenin’s narration was also extremely well done, as the narrator was able to create a series of fun and distinctive voices.  I thought that Kenin’s Han Solo was very convincing, and it sounded a lot like the movie version of the character.  I also found that having this horror story narrated to me helped bring me into the centre of the action and really experience the horror and dread that was present there.  The narration of the descriptions can be a bit disturbing at times, and I would recommend not eating during one or two scenes; trust me on that.  As a result, I would highly recommend that people wanting to check out Death Troopers should definitely use the audiobook version of it, as in my opinion it does an amazing job enhancing this already fun story.

I am happy to say that I was not disappointed by this entertaining combination of zombie literature and the iconic Star Wars universe.  This was a pretty dark story, which also includes some familiar elements from a franchise that I truly love.  Because of this I had an outstanding time reading Death Troopers and felt that it was a great example of both a zombie novel and a piece of Star Wars fiction.  In my mind the book itself is four stars out of five, but I had so much fun with its audiobook format that I am raising it up to four and a quarter stars.  An overall fantastic and unique read, Death Troopers is really worth checking out for fans of either zombies or Star Wars and is perfect for those who love both.  I am very curious to check out Schreiber’s other Star Wars books in the future, as both of them sound like a lot of fun.

Throwback Thursday – The Dragon Factory by Jonathan Maberry

The Dragon Factory Cover.jpg

Publishers: St. Martin Griffins

                        Blackstone Audio

Publication Date – 2 March 2010

 

Reviewed as part of my Throwback Thursday series, where I republish old reviews, review books I have read before or review older books I have only just had a chance to read.

My quest to get through all of the books in Jonathan Maberry’s Joe Ledger series continues.  In this week’s Throwback Thursday I look at the second epic entry in what is fast becoming one of my favourite series of all time, The Dragon Factory.

It has been only a few months since former police officer Joe Ledger joined the elite and top-secret American intelligence agency, the Department of Military Sciences (DMS).  Working with the DMS and its mysterious leader, Mr Church, Ledger has helped save the country and the world from a variety of unique scientific threats.  Therefore, Ledger is extremely surprised when one morning a team from the NSA ambushes him and attempts to place him under arrest.

Without any warning, Ledger and the DMS find themselves caught in the crossfire between two rival organisations of rogue geneticists who have already drawn first blood against the DMS.  One of these organisations works on perfecting the world’s deadliest diseases, while the other seeks to create an army of genetically enhanced soldiers and terrifying animal hybrids.  Both of these factions are well funded, have remained hidden from the world’s intelligence agencies and have access to game-changing technology.  However, one has a terrifying vision for the future that they will go to any lengths to achieve.

As Ledger leads his team in an all-out war against these rival groups, they begin to uncover the full extent of these villains and the connection they have with Church and the DMS’s secret past.  The Extinction Clock has started to count down, and the entire world will be changed when it hits zero.  Forced to battle impossible odds, will Ledger be able to save the world again or will death and tragedy rain down around him?

Those who have been following my reviews in the last few months will remember that I first experienced Jonathan Maberry’s amazing Joe Ledger series when I read last year’s epic release, Deep Silence, which was among my top 10 reads of 2018Deep Silence was the 10th book in the series, and its clever writing, over-the-top elements and outstanding audiobook adaption made me immediately go back and check out the first book in the series, Patient Zero.  I found Patient Zero, with its focus on weaponised zombies, to be just as entertaining as Deep Silence, while also serving as an amazing start to the series.  Because of how much I enjoyed Deep Silence and Patient Zero, I decided to check out the other books in the Joe Ledger series as soon as possible.  The Dragon Factory is the second book in this series, and it continues the epic adventure started in Patient Zero.  Featuring excellent antagonists, fun new elements and a killer storyline, The Dragon Factory is an amazing book which I experienced in its audiobook format.

Having read the first book and the latest book in this series before reading this second instalment gave me an interesting insight when it came to reading The Dragon Factory.  While Patient Zero was a great book, I felt that The Dragon Factory is the book in the series where Maberry really hit his stride.  I found that this second book contained a much better combination of character focus, humour, intense action and the books fantastic science fiction elements.  The overall story of The Dragon Factory was absolutely incredible and extremely compelling, allowing me to rush through this book in no time at all.  I loved several of the twists that Maberry inserted into this book, although I did see the book’s big plot development coming from some distance away.  However, knowing it was coming did not lessen the impact for me, and it represents some amazing writing from the author.  There was a lot less horror elements in The Dragon Factory than the other Joe Ledger books I have read, but it still contains a healthy dose of mad-science elements, and I loved all the scientific discussions included throughout the book.

One of the best things about the Joe Ledger series is the wide range of viewpoints that the author employs to show the protagonist’s actions and to highlight the plots, schemes and planning of the various antagonists.  This allows the reader to get a much more widespread view of the various actions being taken by the book’s various characters, and the reader gets to see events that happened weeks before the book’s main storyline at various points throughout the narrative.  Maberry uses this to particular effect in The Dragon Factory, and it enhances many of the books various story elements.  I also loved how each of the main story chapters had a timer at the top counting down how many hours were left on the Extinction Clock.  I thought this was an extremely clever literary device that served at least two purposes in the book.  Not only did it add a real sense of dread to the story as the countdown leads closer and closer to a devastating event but it was also useful in highlighting the chronological order in which some of the chapters occurred, which was extremely useful during some of the later action sequences.

One of the most entertaining parts of The Dragon Factory was the amazing new villains that Maberry focused on.  In this book the protagonists find themselves up against two sets of geneticists, each with their own specialities and goals.  As the story progresses, the reader gets a deep understanding of both groups’ motives, plans, creations and the various moves and counter-moves they make against each other and the DMS.  Watching the two different groups attempt to attack or manipulate their rivals is an intriguing part of the plot, and it was fascinating to see the impacts the protagonist’s actions had on their villains schemes and overall plans.  Having geneticists as the villains not only allowed Maberry to create a series of memorable and destructive creatures for the protagonists to fight but it also added some very fun edges to the conflicts between the rival villain establishments.  While the motivations of one group are quite a basic, the motivations of the other group are very over the top, and the full list of their fictional crimes is quite insane.  I honestly laughed out loud when certain details about this group were revealed towards the end of the book, but it was an extremely out-there twist that I loved so much.  Maberry does a really good job of fleshing out all the main antagonists, which I think helps create a much richer and more enjoyable story.

Maberry is a bit of an action fanatic, so those readers who are looking for some fictional fights have come to the right book.  There is a huge range of different action sequences throughout this book as the DMS and the two rival groups of evil scientists unleash their forces against each other.  I am always amazed at the level of detail Maberry is able to convey in his action sequences, as he paints a vivid picture of the combat while also discussing the various tactics and techniques behind them.  For example, when the main protagonist engages a skilled opponent in an epic knife fight, not only does the reader get a great description of the battle that’s taking place but they also get an understanding of the various moves being utilised and the advantages and disadvantages of the different knives.  I really enjoy the way that the author goes into the psychology of the fight, and it really shows how much research and thought has gone into these sequences.  The genetically enhanced super soldiers and weird animal hybrids are pure fun, and provide the reader with some extreme and wildly entertaining pieces of violence.  An easy choice for any action junkie, you will not be disappointed with this read.

Joe Ledger continues to serve as a fantastic protagonist for this series, and I love his uber-sarcastic personality.  Ledger is the only point-of-view character whose chapters are told from the first person perspective.  This is an interesting differentiation which highlights Ledger’s importance to the plot and helps showcase his fighting ability.  Ledger, like Maberry, is a martial arts enthusiast, and the author uses his character’s first person perspective to really show off his fight scenes and show the devastating fight moves that he can perform.  The first-person perspective also allows Maberry to explore the unique psyche of his protagonist, as Ledger’s mind is broken up into three separate personalities following a traumatic event in his childhood.  This has always been an interesting character trait for Maberry’s protagonist, but it was especially intriguing to see how Ledger and his mind react to certain traumatic events that occurred in this other book.  Mr Church continues to shine as the best secondary character in this series, and his calm persona, mysterious past and the sheer badassery that comes off him are absolutely amazing.

Without question, the best way to check out The Dragon Factory is in its audiobook format, which goes for a very enjoyable 16 hours.  The main reason for this has to be the incredible narration from Ray Porter, who has narrated all the books in the Joe Ledger series.  The narration a great way to absorb all the action, plots and science, and Porter does an amazing job of vocalising all of the characters, especially Ledger and Mr Church.  I loved the way that Porter was able to capture Ledger’s sarcasm and humorous edge for most of the book, and then turning on a dime to capture the harder and more vicious parts of the character when he gets enraged or upset.  The voice work on Mr Church is once again exceptional; every time he voices the character I can almost see the calm and mysterious figure, and I love how Porter makes him sound like a cross between Tom Hanks and JFK.  This is some first-rate voice work, and I find it adds an incredible amount to this excellent story.

After absolutely loving Patient Zero and Deep Silence I never once doubted that I would enjoy The Dragon Factory.  I was amazed by how much fun I had with this book, which I found to be insanely addictive and near impossible to stop listening to.  Featuring all of the elements of this series that I already loved, as well as some outstanding new features, this was an insane read that I cannot recommend enough.  Without a doubt this needs to be experienced in its audiobook format, and Porter has to be one of my favourite audiobook narrators at the moment.  I am already planning to dive into the third book of this series, so keep an eye out for my review of it in the next month.

My Rating:

Five Stars

Throwback Thursday – Promise of Blood by Brian McClellan

Promise of Blood Cover.jpg

Publishers: Orbit

                        Hachette Audio

Publication Date – 16 April 2013

 

Reviewed as part of my Throwback Thursday series, where I republish old reviews, review books I have read before or review older books I have only just had a chance to read.

One of the saddest realities of being a bibliophile is that no matter how hard you try or how much spare time you have, no one can read every great book that comes out every year.  I am no exception to this rule, as for years I was mainly focused on the historical fiction genre.  While this is a fantastic genre to focus on, it did mean that I missed out on many of the biggest science fiction and fantasy releases for the last several years.  Ever since I expanded my attention to a range of other genres, I have been seeking out and reading a number of different fantasy or science fiction books and series, many of which I have or will review on my blog and on Goodreads.  One of the series that I have heard constantly praised by friends, fantasy fans and other book reviewers is The Powder Mage trilogy by Brian McClellan.  Nearly every fantasy reviewer and their dog has read and said good things about these books and, as a result, The Powder Mage trilogy has long been at the top of my to-read list.  So when I was recently able to fit the first book in the trilogy, Promise of Blood, into my reading schedule, I thought I would try it out and see if it lived up to everyone’s hype.

The Powder Mage trilogy are the debut novels of fantasy author Brian McClellan, and are a flintlock fantasy series, which is a modern fantasy sub-genre that features pre-industrialisation civilisations who utilise flintlock firearms with fantasy elements.  The Powder Mage trilogy started in 2013 with Promise of Blood, which the author followed up with a new book in 2014 and 2015.  Following the success of his initial trilogy, McClellan introduced a second trilogy, the Gods of Blood and Powder trilogy, which is set 10 years after the events of The Powder Mage trilogy.  This second trilogy is still ongoing, with the third and final book set to be released in November of this year.  In addition to these two main trilogies, McClellan has also written a number of novellas and short stories set in the same universe as his main books, which expand on his fantasy world.

McClellan has created a new and captivating fantasy world in order to contain the stories in his two main trilogies.  The Powder Mage trilogy is primarily set in the nation of Adro, one of nine nations that were founded thousands of years ago by the god Kresimir, which are together known as The Nine.  By the start of the first novel, Promise of Blood, the nations of The Nine have reached a level of technology equivalent to Europe’s pre-industrial revolution period, with flintlock firearms in heavy use.  Magic is also common in this world, with the nations of The Nine containing three separate levels of magical ability.  These include the privileged, extremely powerful sorcerers who can wield a range of devastating elemental abilities; the marked, lesser mages with more specific gifts; and the knacked, who have one specific magical talent, like a perfect memory or not needing to sleep.  The privileged of The Nine are generally organised into sorcery cabals, with the most powerful organised into a Royal Cabal loyal to the King of their nation.

Promise of Blood starts with Field Marshal Tamas, the highest-ranked military officer of Adro, leading a bloody coup against his country’s corrupt king and nobility.  During the coup, Tamas and his powder mages, marked whose abilities are powered by gunpowder, assassinate every member of Adro’s Royal Cabal.  However, every member of the Royal Cabal said one thing before they died, “You can’t break Kresimir’s Promise”.  In order to find out the meaning of these mysterious words, Tamas hires former police inspector Adamat to investigate.  While Adamat sets out to uncover meaning behind these mysterious final words, Tamas begins the difficult process bringing order to his country.  However, it soon becomes apparent that staging the coup was the easiest part of his endeavour.

Tamas’s coup provokes a war with the Kez, one of Adro’s rival nations in The Nine, whose previous attempts to control Adro’s king, led to Tamas overthrowing him.  As Tamas deals with assassins, Royalists, deposed nobles and Kez magicians, it soon becomes apparent that someone on Tama’s council has betrayed him.  Brought in by Tamas to investigate who betrayed him, Adamat finds his loyalties tested when mysterious figures target him and his family.  At the same time, Tama’s estranged son, Taniel Two-Shot, embarks on a hunt for a surprisingly powerful member of the Royal Cabal who escaped Tamas’s powder mages.

Both Adamat and Taniel’s missions reveal dark secrets about the formation of their country.  With dark omens in the sky and ancient legends come to life, can Tamas and his forces stop the destruction of Adro, or will the mysterious forces arrayed against them succeed in their mission to summon forth an ancient power?

To be honest, even before I heard about this trilogy from other book lovers and reviewers, I thought the synopsis was pretty cool and the idea of gunpowder-wielding mages was an interesting concept.  I listened to the audiobook format of Promise of Blood, narrated by Christian Rodska, which goes for a lengthy 19 hours.  Now the question is; did this book live up to the hype?  The answer is yes.  I loved this book, I thought it was massively creative, filled with incredible action, had some complex, if mostly male, characters and made use of some excellent fantasy elements.

I really enjoyed the story within this book and I thought it was an amazing combination of intrigue, action and fantasy storytelling.  I liked the idea of starting the book just as a successful coup had taken place and the focus on the immediate aftermath of such a significant event.  The story is essentially broken into three main parts.  About a third of the book is told from Adamat’s point of view and really focuses on the intrigue elements of the story.  Adamat at first investigates “Kresimir’s Promise”, which is a fairly interesting part of the book, as it dives into the history of the country, and quickly reveals that shadowy forces are at play behind the scenes.  This initial investigation only lasts for a short part of the book, before Adamat is drawn into the larger investigation about the traitor in Tamas’s council.  This is a very well done investigation part of the book as the reader is presented with five suspects, each of whom is hiding several secrets and many of which have suspicious employees.  In addition, Adamat has to deal with a mysterious figure who is blackmailing him, and who keeps the identity of his employer secret.  These multiple layers of intrigue and lies ensures that the reader is looking in several different directions and have a much harder time guessing who these antagonists are.

Another third of the book is told from Taniel’s point of view, and follows him as he first hunts down a powerful privileged, and then finds himself stuck in the middle of a large battle for the survival of Adro.  While there are quite a lot of reveals about some of the book’s underlying fantasy elements in this part of the book, the main focus is on the action, as Taniel and his allies fight a number of opponents, and Taniel reveals while he is known as Two-Shot.  There is some interesting character work in this section as Taniel works through his feelings for his father, finds himself having to choose between obeying orders and the life of his best friend, and him coming to terms with his weird relationship with the powerful female character, Ka-poel.

The final main part of the book is told from the point-of-view of Tamas himself, and deals with the fallout from his coup and the multitude of issues he has to deal with in the aftermath.  The parts of the book focusing on Tamas are the most important chapters within Promise of Blood, as they bridge the other two sections of the book due to Taniel and Adamat not really interacting too much during the book.  The Tamas chapters have the best balance of Promise of Bloods’ excellent combination of fantasy elements, intrigue and action.  Throughout these chapters, Tamas is constantly forced to deal with the political infighting and betrayals occurring all around him, while also being targeted by assassination or capture by his various enemies.  Tamas also encounters a number of hints about the true nature of the fantasy events impacting Adro, including from a bizarre chef, and I loved the layers of intrigue that surrounded something most of the characters believed was a myth.  I really liked Tamas as a character, and I found him to be an intriguing combination of a calm, tactical genius and an absolute rage monster.  Despite alienating most of the people around him, especially Taniel, deep down Tamas is a good man who has been forced to make the hard decisions no-one else will.  However, when enraged he is an absolute terror to behold, especially to someone who has crossed his friends or family, and during these scenes of anger he gives several of the best lines, such as the one that appears on the cover:  “The age of kings is dead, and I have killed it”.  He is an absolutely great character and a fantastic focus for this trilogy.

In addition to these three main characters, a small portion of the book is narrated by female character Nila.  Nila’s character really is not explored too much in Promise of Blood, although she is given a good introduction, and I understand she will become a much bigger character in the next books in the trilogy.  On top of the main characters, there are several excellent side characters who really make this book extra awesome.  This includes Tamas’s bodyguard, Olem, a sarcastic and funny man who acts as Tamas’s moral compass for much of the book, and who also has certain ideas about people shooting his dog.  There is also Sousmith, Adamat’s bodyguard, a former boxer who acts as a fun foil to Adamat’s detective character.  While several characters at the Mountain Watch are also enjoyable, you have to love Ka-poel, the mute, witch who serves as Taniel’s spotter.  She has some crazy magic to her, and I have a vague feeling (without knowing anything about the plot of the future books) that she is some sort of young god or something.  I liked the way that Ka-poel was able to express everything, despite being a completely non-verbal character, although the implied romance between her and Taniel was a tad weird, especially as it started the moment he realised she was older than she looked.

The world building in this book is extremely impressive and it serves as an outstanding introduction to the key elements of the series’s universe.  While the other magical and fantasy elements of this book are pretty awesome, I especially loved the powder mages, and their magic is easily the best part of the book.  The powder mages have a unique blend of abilities, all of which are powered by eating or snorting gunpowder.  Consuming the powder gives them focus, enhanced perception, great strength and stamina.  In addition, they have control over gunpowder, igniting at will, and using their abilities to manipulate bullets in flight.  Each of the characters have different abilities on top of that.  Tamas can ricochet bullets around a room; Taniel can fire bullets further than anyone else, as well as firing two bullets at once; while another powder mage, Vlora, can ignite powder from a distance.  These characters in battle are absolutely fantastic, and I love it when these characters, especially Tamas, fully unleash their abilities.  The fight scenes between the powder mages and the privileged were exceptionally amazing, and I loved the contrast between the more traditional fantasy magic of the privileged and McClellan’s more unique powder magic.  That being said, when the privileged unleash their abilities they can be much more destructive, and some of their fights are pretty impressive.

I had a wonderful time listening to the audiobook format of Promise of Blood, and I thought that it was a spectacular way to enjoy this amazing story.  The action sequences, especially when the magic and bullets are flying, really come to life when narrated, and audiobooks always help me absorb complex new fantasy worlds such as the one in this series.  Rodska’s narration is really well done, and I found that he really captured the essence of the characters.  I especially thought he got the gruff and powerful voice of Tamas down perfectly, and it was an extremely realistic personification of the character’s voice.  I really hope that Rodska does the narration for the other books in McClellan’s series, and I would easily recommend the audiobook format of Promise of Blood to anyone interested in this series.

Overall, I really loved Promise of Blood and I found that it lived up to its substantial hype.  It’s easily a five-star novel in my eyes.  I loved this book so much that I am planning to listen to the remaining books in The Powder Mage trilogy as soon as I can, and I will probably also try and listen to the first two books in the Gods of Blood and Powder before the final book comes out in November.  McClellan is a fantasy genius, and anybody who loves action and explosions should invest the time to read this book.

My Rating:

Five Stars