Headcase by Jack Heath

On March 21, 2023 By The Unseen LibraryIn Australian, Five-Star Books, Thriller5 Comments

Publisher: Allen & Unwin Australia (Trade Paperback – 29 November 2022)

Series: Timothy Blake – Book Four

Length: 416 pages

My Rating: 5 out of 5 stars

One of Australia’s leading and most diabolical thriller writers, the exceedingly talented Jack Heath, returns with another twisted and immensely clever mystery, Headcase, which sees the return of his cannibalistic protagonist, Timothy Blake.

While Australia has quite a few outstanding crime fiction authors, Jack Heath is a particular favourite of mine. Coming from my hometown of Canberra, Heath has been writing for years, producing a range of different series and standalone novels. I have really enjoyed some of his recent books, including the 2021 standalone novel, Kill Your Brother, an ultra-intense and amazing five-star read that saw a young woman with a complex past forced to make a terrible decision: kill her imprisoned brother or die herself. This was one of my favourite Australian novels of 2021, and it is a must-read for anyone keen for a powerful and thrilling story. However, Heath is probably best known for his Timothy Blake books (also known as the Hangman series), which are particularly fun and gruesome. Following the titular Timothy Blake, a brilliant investigator with cannibalistic tendencies, this epic series are set around a unique but highly entertaining series of mysteries that really draw the reader in. I have had an amazing time with this series, including the third entry in the series, Hideout (one of my favourite Australian books of 2020), and I have been very excited to see how this series continues for a while. Heath did not disappoint as the fourth and latest entry in the series, Headcase, proved to be an exceptional and gripping read.

Following his previous harrowing adventure, which cost him his arm and burned all the trust he had with his former FBI partner, freelance investigator and full-time cannibal Timothy ‘Hangman’ Blake’s future seemed in doubt, until he was given an offer he couldn’t refuse. Recruited by a CIA agent nearly as insane as he is, Blake now works freelance for the agency, investigating odd occurrences throughout the country in exchange for occasionally being able to indulge in his cannibalistic habit.

His latest case sees him and his CIA partner, Zara, journey to Houston, where something unexplainable has occurred at the NASA training complex. A fully suited Chinese astronaut has been discovered on the grounds of the facility and no one can explain how he got there. Did he fall out of the sky, or was he murdered elsewhere and somehow dragged into the middle of a secure United States facility? As a diplomatic catastrophe seems imminent, Blake is drafted by the CIA to unofficially investigate one of the facility’s employees, a former kidnapper who Blake helped put away seven years ago, who may hold the secret of the dead astronaut.

As Blake starts digging, he uncovers a series of surprising and unusual clues that seemed design to confuse any investigation. The evidence seems to point to the victim falling out of a Chinese spacecraft surveilling the United States, however, all Blake’s investigative senses and knowledge of human flesh seem to tell him differently. But with Chinese hit squads following them, the CIA attempting to forestall their investigation, several suspicious individuals working in the facility attempting to misdirect him, and Blake’s own ravenous hunger driving him crazy, this case seems near impossible to solve. Can the Hangman crack the impossible one more time, or will he finally end up in the cage that he deserves?

Wow, I just cannot get over how good Jack Heath is an author as he produces another outstanding and captivating read with a diabolical story behind it. This amazing thriller has everything you need to enjoy yourself, including a clever mystery and some truly insane characters, and I absolutely powered through it trying to see how everything came together. This is an easy five-star read from me and I have already featured Headcase on my Top Australian Books of 2022 list a few weeks ago.

Headcase has a brilliant story to it that takes the reader on a very wild ride into some very gruesome murders. Told from the perspective of main character Timothy Blake, you are soon shown the compelling murder through the eyes of a crazed cannibal who is attempting to simultaneously solve a murder and please the CIA while not revealing that they are looking into the death and sate his own hunger for dead human flesh. Heath provides a great set-up to this entire story with the mysterious Chinese astronaut discovered in the centre of the NASA facility, which is a very good hook to drag the reader in. As Blake tries to investigate this case, the reader is treated to several flashback chapters to when Blake was working for the FBI and helped to put away one of the NASA technicians for kidnapping, a crime Blake never believed he committed. Heath also mixes things up by also including several chapters set a short while into the future in which Blake is incarcerated in a mental institution and is recounting the current story to his psychologist. This three-way split storyline works extremely well for the first half the book as all three timelines support the others extremely well, and the blend of different periods and focuses helps to create a very interesting read. The storyline focusing on the dead astronaut remains at the centre of the narrative, with the other two plotlines tying into it, and this is where the magic truly happens. Heath sets up a particularly interesting mystery around the dead astronaut, with the protagonist forced to dive through a ton of clues, overly dodgy suspects, and government secrets to try and get to the truth. At the same time, Blake and his partner find themselves under attack from several sources, such as Chinese hit squads, the police, a mysterious serial killer, and their own very dark inner demons.

The story advances at a quick clip the entire way through as the characters power through a range of deadly and dark scenarios. Heath loads up the clues and the complicated supporting characters and it proves very interesting to see Blake attempt to work out who may be responsible and their very complex motivations. Much of the story has a bit more of a spy thriller taste to it, thanks to Blake’s association with the CIA and this really helps to make Headcase standout a little from the previous Timothy Blake books. The NASA and Chinese space surveillance proves to be a very fascinating inclusion that Heath cleverly works into the plot, and I loved that the author was able to write a whole story about mysterious Chinese surveillance craft before the current balloon crisis. While these spy elements, which include brutal encounters with hit teams from various agencies, are a great new inclusion, some of the best parts of the book still revolve around the deeper character moments of the story, especially when it comes to the protagonist. I deeply enjoyed how Heath utilises his protagonist’s disturbing cannibalistic insights as an investigative tool, while other insights into his mind, especially when he is in a mental institution, increase the tension and make you wonder just how reliable a narrator Heath truly is.

Everything comes together perfectly in the second half, especially when Blake is desperately trying to solve everything, not only to get to the truth but to save lives. All the previous story elements are brought together in a big way, and it was outstanding how the clues that Heath had cleverly laid throughout the story came together. The time split perspectives are resolved in a great way, and it is a lot of fun to see how Blake ended up in the mental hospital. Everything leads up to several big reveals at the end of the book, not just surrounding the main murder, but other curious events that have been explored as Headcase continues, and reader will not be disappointed in what comes to light, nor how the protagonist deals with it. The full details about the compelling and unique motivations for the main murder makes for a very interesting read, and the diabolical method of murder is something that I won’t be forgetting in a hurry. While I did find that the use of a certain McGuffin was somewhat unrealistic, even for this crazy series, I was generally extremely happy with how the entire novel came together. The complex mystery is resolved in a very captivating way, and the character arcs that sit at the centre of the story go in some very interesting direction which should result in some fantastic books in the future. I personally came away from Headcase extremely elated and deeply impressed with just how clever an author Heath is.

On top of the outstanding and fantastically compelling story, I have a lot of love for Heath’s writing style, which deeply enhances each of his books. The quick pace, the fantastic dives to both the past and future, and the intense blend of mystery and insane personal issues surrounding the main characters, makes for some outstanding reading, and there honestly isn’t a single part of Headcase that wasn’t extremely fascinating or fun. Understandably, due to the story content, this is a pretty gruesome series, and Heath doesn’t hold back on the detailed depictions of dead bodies, nor the terrible things that his protagonist does to them. However, he never goes way too over-the-top, and the gore and cannibalism always serves a vital purpose, either to provide clues to the mystery or to highlight the protagonist’s complex nature. It also helps to make the series particularly distinctive, even amongst other impactful thrillers, and you must love just how obsessed and focused the main character/narrator is about dead bodies. Like most of the books in this series, Headcase can be very easily read as a standalone novel, and Heath is very careful to concisely fill in any relevant details that the reader might need. However, as with most ongoing series, those people who have read the earlier books in the series will probably get a lot more out of Headcase emotionally, especially when it comes to seeing the progression of the protagonist. I wouldn’t hesitate to recommend Headcase to a new reader, as they are guaranteed to have a fun and unique time with this outstanding read.

I must highlight Heath’s captivating and complex central protagonist, Timothy Blake, who is once again one of the best things about this entire book. I really love the character of Blake in this series as he is such an intriguing and damaged character due to his deranged cannibalistic tendencies, which often drive him to do terrible things in the name of obtaining human flesh. There are so many great scenes where Blake feels his desire and hunger for human meat start controlling his actions and the character is constantly fighting for some measure of self-control. Despite this, he is a relatively good person and a skilled investigator whose keen observation skills, canny insights, intense survival instincts, and intimate knowledge of human bodies give him some intriguing edges during a case. While he often likes to pretend that he is only helping the case to get fresh meat, he is also obsessed with finding the truth and getting justice, which, when combined with his romantic desires for his former FBI partner Reese Thistle make him occasionally seem like a good, if highly damaged, person. These seemingly incompatible parts of his personality are so damn effective, and it is always quite fascinating to see what part of his personality actually wins: the feral hungry beast or the surprisingly heroic detective.

The version of Blake in Headcase is particularly interesting as Heath comes up with some new range of issues and problems for him to overcome on top of his all-consuming hunger. After managing to survive his particularly desperate situation in Hideout, he has a somewhat different lease on life which goes with his new job. However, he is still in love with Thistle, even after their confrontations in the last two books, and this is encouraging him to be a better person. This desire to be a better person somewhat goes against the desires of his new masters in the CIA, especially his partner Zara, who try to use his fractured mind to their advantage and his desire to change for Thistle puts both her and Blake at risk. He also undergoes therapy for the first time in his life, albeit somewhat against his will. These scenes with the psychologist are particularly fascinating as they discuss his cannibalistic desires and his general sanity. While the psychologist doesn’t believe he is a cannibal, her insights give Blake a lot to think about, especially when he comes to the revelation that he might be able to overcome these life-long issues if he sought treatment. This really alters Blake’s perspective of his entire life, and it, as well as some insights he gets from viewing other patients at the mental hospital he is locked in, proved to be a very interesting tipping point for the character growth we have witnessed throughout the series. It will be very interesting to see how Heath continues to explore and highlight Blake in the future and I have a feeling we are only on the start of a particularly dark and emotionally rich journey.

In addition to Blake, Heath has loaded Headcase with an intriguing array of unstable and entertaining supporting characters who add some awesome value to the entire novel. The most prominent of these is Blake’s CIA partner in this case, Zara. Zara was introduced in the previous novel, Hideout, when she managed to infiltrate a group of psychotic killers extremely successfully, before recruiting Blake with the promise of bodies to eat. While Zara serves as an effective agent and partner to Blake, she is ultra-violent and has some major mental issues and might even be crazier than Blake (which is saying something). Zara ends up forming a toxic relationship with Blake in this book, especially as she utilises his addiction and leads him into to some deadly and dark situations. She proves to be a fantastic addition to the plot and I love how intense and threatening Heath made her at times. There are some great reveals around her, as well as a certain incident that matches her with Blake, and I loved all the awesome stuff Heath set up around her. Heath also makes sure to bring back Blake’s former FBI partner and love interest, Reese Thistle, who has another interesting run in Headcase. Blake and Thistle have had a very compelling relationship throughout the series, which got even more complicated when Reese found Blake’s fridge full of corpses. Still keeping his secret after he saved her life, Reese is very awkward with Blake, which adds to Headcase’s dramatic tension. Despite this, the two do work together to try and solve the murder and it was nice to see them teaming up again. Of course, this leads to more danger and despair for both of them, but Heath is taking their relationship in some interesting directions, and I look forward to seeing how that turns out. Throw in a compelling group of potential suspects, foreign agents and mental patients that the protagonist has to work his way through to solve this complex case and you have an outstanding group of characters that I had a lot of fun with.

With his latest Timothy Blake novel, Headcase, Jack Heath continues to impress with his epic and captivating take on murder and complex characters. This incredible novel takes the reader on an awesome journey through insanity, obsession, and desperation, all centred around an impossible and very clever mystery. I had a brilliant time powering through Headcase, and I have so much appreciation for Heath’s scary wit and ability to dive into the head of a killer. Headcase is an exceptional book that comes highly recommended, I cannot wait to see what outstanding mysteries and thrillers he produces in the future.

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Burner by Mark Greaney

On March 19, 2023January 2, 2024 By The Unseen LibraryIn Audiobook, Five-Star Books, Thriller18 Comments

Publisher: Sphere/Audible (Audiobook – 21 February 2023)

Series: Gray Man – Book 12

Length: 16 hours and 37 minutes

My Rating: 5 out of 5 stars

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The epic and captivating Gray Man series by legendary thriller author Mark Greaney returns with another exciting spy thriller entry, Burner, which thrusts the protagonists into the middle of some major real-world events.

Nothing starts off the thriller field of 2023 quite like the latest Gray Man novel from leading author Mark Greaney. Greaney is a very impressive author who has been killing it throughout the genre for years. Not only has he produced some cool standalone books, such as last year’s exciting action romp Armored, or the cool military thriller he co-wrote with Hunter Rawlings IV, Red Metal (one of my favourite books and audiobooks of 2019), but he has also written the exceptional Gray Man spy thriller books. Following legendary assassin Court Gentry, better known as the Gray Man, as he gets involved in several deadly situations, the Gray Man books are one of the leading spy thriller series and I have deeply enjoyed the epic and powerful adventures that Greaney has so far released. I personally have had an exceptional time with several of the Gray Man books, including Greaney’s debut novel, The Gray Man (which got a film adaptation last year), as well as the later entries such as Mission Critical, One Minute Out (one of my favourite books and audiobooks of 2020), Relentless (one of my favourite books and audiobooks of 2021) and Sierra Six (one of my favourite books and audiobooks of 2022). His latest release is the outstanding Burner, which was one of my most anticipated novels of 2023. The 12^th book in the Gray Man series, Burner was a particularly intense read with a fantastic story behind it.

Alex Velesky is a Ukrainian expat living in Switzerland, whose comfy life as a notorious mover of immoral money has been hollow ever since the death of his family back in Ukraine at the start of the invasion. Going through the motions, Velesky is suddenly given an opportunity to strike back at Russia when a disenfranchised Russian intelligence agent provides him with a trove of secret financial data. This data, when combined with information from his own bank, reveals all the Russian bribes paid out to the West, and could damage not only Russia’s foreign intelligence apparatus but also the delicate negotiations to re-open the Russian economy to the wider world.

Immediately targeted by Russians determined to kill him and reclaim the data before it can leak out, Velesky finds himself hunted throughout Switzerland. His only chance of survival seems to lie in rogue intelligence officer Zoya Zakharova, a woman hunted by her former employers in both Russia and the CIA, who is determined to get him and his information to New York, where it can be deciphered and released. But Velesky and Zoya soon find themselves being stalked by an elite unit of Russian military operators who have no qualms about killing anyone in their way.

However, the Russians aren’t the only people interested in the data, as the CIA wants to claim it for themselves. Determined to keep their interest in it quiet, the CIA reach out to Court Gentry, the Gray Man, to capture Velesky before the Russians do. However, Court is unaware of the full significance of the data he is reclaiming, and that he will have to compete against the love of his life, Zoya. Soon caught between the competing interests of the CIA and Russian intelligence, Court and Zoya decide to work together to keep Velesky alive. But with the dangerous data revealing dark dealings in the highest levels of government, can even these two legendary spies survive?

Wow, Greaney really can’t miss when it comes to the Gray Man books. Burner was another exceptional novel that had me hooked from the very beginning all the way to the final, devastating encounter. The blend of exceptionally written action scenes, spy thriller elements, complex characters and the utilisation of contemporary issues makes Burner really stand out, even alongside the other epic Gray Man books. This was another easy five-star rating from me as Greaney once again shows why he is currently leading the spy thriller genre.

Burner’s story is a pretty impressive and intense thrill ride that takes the reader across multiple continents in a blaze of glory and excitement. The book starts whilst the Russian invasion of Ukraine is ongoing and introduces the reader to interesting new character, Alex Velesky, who receives information about all of Russia’s illegal financial transactions from a disaffected Russian operative. If he can take this information, as well as data stolen from his bank, to a certain forensic accountant in New York, he will be able to disrupt Russia’s international intelligence efforts while also weakening their position against Ukraine. However, he soon finds a deadly Russian kill team on his tail, and is only saved by reluctant operative Zoya Zakharova, who eventually believes his story and attempts to get him to New York. However, the Russians and the CIA both want the data, and this drags in Court Gentry. On the run from the CIA and unsatisfied with his current job sinking Russian mega-yachts, Court is given a chance to get back into the agency’s good books by helping them recover the data. This sees him engage in a massive fight in Caribbean, before flying to Europe to find and capture Velesky and begin searching for him and the Russians. This results in a brilliant collection of scenes as the various sides engage in elaborate tradecraft to try and outsmart the others, resulting in a particularly epic extended sequence on a train. The resulting carnage and revelations make for some exceedingly gripping content and sets the final third of the book up extremely well. I protagonists are forced into a series of deadly battles on a tight timeline to achieve their goals. There are surprises, shocking deaths, elaborate fights and the resolution of several character arcs, all of which wraps up with a particularly epic, split-scene sequence that ends everything on a high note. I was engrossed in this exceptional narrative the entire way through, and it will be very interesting to see where Greaney takes this series next.

Greaney brings all his impressive writing skills to the table with Burner, and his ability to set a dramatic and powerful scene honestly turns the already outstanding narrative into something truly special. While I did find a few pieces of dialogue to be a bit weak and robotic, and Greaney did decide to fit in the annoying trope that two women working together must be bitchy to each other, this was mostly a very strongly written spy thriller book. Like all the previous Gray Man books, Burner has an outstanding pacing to it that quickly draws the readers in and ensures that they stick around for the entire ride. The action scenes are brutal and have a great veneer of realism that ensures that you can easily imagine every punch, shot or stab. The focus on tradecraft is a particularly fascinating element to the entire story, and you must love the multiple scenes that show the characters utilising their training to outmanoeuvre their opponents. Greaney also brings in the perfect blend of intense action focused scenes and story building, real-world issues, and character moments throughout the course of Burner and there honestly wasn’t a single moment that I wasn’t hooked on everything that was going on. Burner also proves to be a rather interesting and significant entry in the wider Gray Man series, which long-running fans are going to appreciate. While Burner can easily be read as a standalone novel thanks to the author’s concise and effective description of prior events, this book does continue several interesting storylines from the previous books, including Court’s fugitive status, his relationship with Zoya, and the examination of both main characters’ places in the world. Several recurring characters from the series also make their return here, including some entertaining antagonists, and I loved how Greaney worked them into the plot. I had a lot of fun seeing some of these call-backs to previous stories and plotlines, and Greaney leaves this book in an interesting place for the future.

I really need to mention Greaney’s exceptional use of multiple character perspectives throughout Burner. Greaney casts a very wide net when it comes to the perspectives being followed and while primary characters, such as Court Gentry and Zoya Zakharova, do get a lot more focus, you also see a lot of events occurring through the eyes of other characters, including several antagonists. This gives the reader a much more expansive narrative that not only lets you understand the motivations of every significant character but also allows you to see how the antagonists are responding to the actions of the protagonists, which adds intensity to the plot. However, the best advantage is the way that Greaney utilises these perspectives to make some of his biggest sequences really pop. In these key sequences, the point of view constantly moves around the various characters as the story unfolds and this helps to produce a particularly intricate and powerful viewpoint of how events are going down. This is particularly evident in the book’s best extended sequence where multiple point-of-view characters, including Court, Zoya, Alex, the antagonistic Russian hit team, a lone CIA agent and more find themselves converging on a train to Switzerland. As the scene continues, Greaney keeps quickly moving the point-of-view around from one of the characters to the next, including a couple of minor characters who are mostly there as witnesses. Watching every character’s reactions, moves and countermoves really enhances the power of the scene as Greaney first uses it to build up tension before the inevitable firefight begins, and then switches it up to ensure that the resulting battle is even more epic as you see every shot both sides make. Greaney uses this excellent balance of perspectives through several of Burner’s key scenes, including the big finale, and each sequence comes off much better as a result. I cannot emphasise how effectively Greaney utilised this throughout Burner, and it was a major highlight for me.

One of the most distinctive things about Burner was the excellent and memorable use of contemporary events to enhance the already enjoyable spy thriller narrative. Greaney has never shied away from referring to current conflicts, politics and events, and in Burner he goes for the most infamous current conflict in a big way by strongly featuring the Russian invasion of Ukraine. Greaney pulls no punches when describing the conflict and he artfully and powerfully paints the entire invasion as the act of barbarism and greed that it is. While no political leaders are names, multiple Ukrainian and Russian characters are featured throughout the plot and through them Greaney examines multiple sides of the conflict, ensuring that readers are fully aware of what is happening, who is responsible, and just how bad things are. The Russian government are shown to be extremely corrupt, starting the war and then poorly preparing their own troops, all in the name of obtaining more money for the Russian elites to exploit. This focus on corrupt money is a major part of the plot as the characters spend the entire book trying to identify funds being syphoned out of Russia to the West, either to escape sanctions or to be used for bribes or operation money by Russian intelligence. The discussion about bribes to influential westerners is pretty interesting, especially as it seems to be a dig at certain politicians and news reporters, and it ended up being a very fascinating plot focus. While it might seem a little insensitive to use a current conflict in a thriller novel, I personally felt that this was a master touch by Greaney. Having the book focused on something that is such a big part of current world events ensured that I was even more invested in the story while rooting for the protagonists to succeed. I really must compliment Greaney for using his book to shine a light on this conflict, and I feel that his warnings about how the war could end are very important.

I also need to highlight the great characters contained within Burner as Greaney brings back several of his best recurring protagonists, while also introducing some cool new figures. This includes series protagonist Court Gentry, who has another outstanding adventure in Burner. Court is his usual fun and effective self in this latest book, and it was great to see him utilise his skills and over-the-top abilities to achieve the mission. Despite this, there isn’t an awful lot of character development around Court in this one, except for updating his status with the CIA. Instead, most of the character development in this book was reserved for major recurring character and Court’s love interest, Zoya Zakharova. Zoya last appeared in the 10^th book, Relentless, which saw Court abandon her to keep her alive after he became wanted by the CIA again. This had a major impact on Zoya’s psyche due to her previous abandonment issues and this, combined with the guilt she feels for being a former Russian spy, sends her into a massive spiral, and at the start of Burner she is an alcoholic, cocaine addicted mess. A lot of her storyline deals with her attempts to move forward from her guilt, and she takes the mission with Alex Velesky to redeem herself. Greaney does an outstanding job of showcasing Zoya as a woman in crisis, and I felt that this was an interesting and realistic jump in her character arc, especially after everything she’s been through in the series. Naturally her life gets even more complicated once she is reunited with Court, which forces her to deal with some major feelings. Greaney smartly keeps these two characters apart for a substantial part of the book and they are unaware of each other’s presence even while working the same case. This means that when they finally do meet, the emotional pay-off is even more rewarding, and there are some great sequences with them as the story continues. This ended up being a very substantial story for both characters and it was great to finally get some closure on the open relationship threads.

Aside from Court and Zoya, most of the other major characters are new additions to the Gray Man series, and Greaney does an outstanding job of building these characters up quickly during their initial appearances in Burner. The most prominent of these is Alex Velesky, a Ukrainian banker working in Switzerland who ends up with the incriminating Russian data and is motivated to expose it after the death of his family. Greaney frames an exceptionally good redemption arc around Alex in Burner as the character, who is feeling guilty for the years he’s spent illegally moving Russian money, attempts to finally reveal all the crimes he’s been apart of. Alex’s entire arc is masterfully written by Greaney, and he proves to be an outstanding part of this book. The other major new character was Angela Lacey, a rookie CIA operative who is sent to work with Court. Shown to be a bit naïve, yet highly capable, Angela proves to be an interesting inclusion to Court’s mission, and he ends up become a bit of a mentor to her. Angela is forced to grow up a lot in this book, especially when manipulated by her superiors, and it looks like Greaney has some interesting plans for her in the future. Other great characters include a deadly new Russian assassin Luka Rudenko, slippery recurring antagonist Sebastian Drexler, and even Court’s old CIA handler Suzanne Brewer, who is up to her old diabolical tricks. All these impressive characters add a lot to the plot of Burner, especially as Greaney takes the time to explore all their motivations and deeper secrets, and their inclusion results in some amazing sequences and confrontations.

While I did receive a paperback copy of Burner, I ended up listening to this awesome book on audiobook, mainly because I have had some great experiences with the Gray Man audiobooks in the past. The Burner audiobook ended up being another excellent production that I managed to knock off quickly, even with a run time of over 16 and a half hours. In my opinion, this audiobook format greatly enhanced the already epic story contained within Burner in several notable ways. Not only does the action sequences really pop as you have them read out to you, by the format also works well to enhance the tension of some of the extended sequences involving multiple characters. Just listening to all the players making their moves at the same time really drags you into the intense and explosive scenes and I was riveted through the scene on the train, or the final massive battle. It also helped that Burner once again featured the exceptional vocal talents of Jay Snyder, who has lent his voice to all the previous Gray Man audiobooks. Snyder, who was already one of my favourite audiobook narrators, has an outstanding voice that really fits the spy thriller genre. His performances always capture the intensity, chaos, and destruction of any scene he narrates, while at the same time he manages to move the book along at a quick pace that really keeps the audience drawn in. Snyder also has an excellent and fitting range of voices that he deploys throughout the audiobook, and I loved hearing the voices he assigns to some of the returning favourites. His tone for Court Gentry fits perfectly, and all the other major player get some great voices with well performed accents. All this ensures that the audiobook is an incredible way to enjoy the latest Gray Man novel and I cannot recommend the Burner audiobook enough.

I could go on more about Burner (trust me, I really could), but I think it is fair to say that I deeply enjoyed this latest Gray Man novel from Mark Greaney. Greaney has been on a roll with his last few Gray Man books, and I honestly think that Burner is one of the better novels he has released recently. The impactful story, great characters, compelling content and impressive writing ensured that I was enthralled throughout the entirety of Burner, and I honestly couldn’t put it down at times, especially during some of the big action sequences. This was such an epic book, and I can already guarantee Burner is going to end up as one of my top books and audiobooks of 2023. Highly recommended!

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Throwback Thursday – Warhammer 40,000: Caves of Ice by Sandy Mitchell

On March 17, 2023 By The Unseen LibraryIn Audiobook, Extended Universe, Science Fiction, Throwback Thursday, Tie-in Novel, Warhammer13 Comments

Caves of Ice Cover

Publisher: Black Library (Audiobook – 1 February 2004)

Series: Ciaphas Cain – Book Two

Length: 6 hours and 46 minutes

My Rating: 4.5 out of 5 stars

Amazon

Welcome back to my Throwback Thursday series, where I republish old reviews, review books I have read before or review older books I have only just had a chance to read. For this latest Throwback Thursday I look at another highly entertaining entry in the hilarious Ciaphas Cain Warhammer 40,000 series with the second book, Caves of Ice.

Even after my many recent reviews of Warhammer 40,000 fiction, my obsession with this franchise is far from over, so when I had a spare second, I quickly listened to Caves of Ice. Caves of Ice is the second novel in Sandy Mitchell’s (a pseudonym for author Alex Stewart) iconic Ciaphas Cain series, which follows the outrageous life of Commissar Ciaphas Cain, legendary hero of the Imperium of Man, who in reality is a pragmatic survivor whose heroic reputation is the result of chance and coincidence. I had a wonderful time reading the first book earlier in the year, For the Emperor, and not only was it an extremely funny book but it also ended up being one of the absolute best Warhammer 40,000 novels I have had the pleasure of reading. As such, I have been looking for an opportunity to continue this series and I worked hard to slip it into my reading cycle. This was well worth the effort as Caves of Ice is another fun and awesome read that takes the protagonist to a whole new dangerous battlefield in deadly circumstances.

After unravelling a diabolical conspiracy on Gravalax, the legendary Commissar Ciaphas Cain and the troops of the Valhallan 597^th have been redeployed to a new battlefront, the ice planet of Simia Orichalcae. Empty except for a vital promethium refinery, Simia Orichalcae has recently received a group of unwelcome guests, a warband of orks who crash landed on the planet and are making their destructive way towards the refinery with ill intent.

Happy to be facing a more conventional enemy on their preferred icy terrain, the Valhallan men and women eagerly prepare for battle. However, Cain, in his usual pragmatic approach to life and war, is less enthusiastic about the violent battle to come and searches for any way to avoid the fighting. Several mysterious disappearances in the tunnels beneath the refinery offer a potential escape for Cain as he leads a small squad underground to map the tunnels and discover the reasons behind the missing miners.

Cain, with his typical bad luck, finds far more than he bargained for beneath the ice. Not only are several ferocious monsters lurking in the vast underground labyrinth, but a far more sinister foe lies there undisturbed, one that Cain has good reason to fear. When the war and Cain’s explorations awaken this enemy, the entire planet is put at risk as this new, unrelenting danger attempts to destroy both the orks and the humans. It once again falls to the reluctant Cain to face impossible odds and try to find a way to save his men. But can even this legendary hero of the Imperium stop the flood of evil that is to come?

Sandy Mitchell continues his fantastic Ciaphas Cain series in a very fun way with Caves of Ice, which features another excellent story that strongly focuses on Mitchell’s reluctant hero. Caves of Ice was a wild ride from start to finish, with a fantastic and captivating mixture of action, adventure, humour and intriguing character moments. Taking place after the events of For the Emperor, Caves of Ice is another self-contained novel that any new reader can easily jump into. This was a much shorter novel than the previous Ciaphas Cain book, and Mitchell provides a more direct narrative as a result. Initially focusing on the ork invasion of Simia Orichalcae, the story is soon primarily set in the labyrinth of mines and tunnels laying underneath the refinery, where several miners have gone missing. Attempting to avoid the fighting on the surface, Cain leads his aide Jurgen and squads of soldiers on several missions into he depths to explore the tunnels and find whatever is behind the disappearances. What follows is an Aliens-esque series of adventures, as Cain discovers a variety of different and steadily more terrifying dangers down in the tunnels. Each discovery forces Cain to go even deeper into danger, thanks to his heroic reputation and hidden skills, and the resultant action is pretty epic, especially when combined with Cain’s cynical and self-serving narration of events. Everything leads up to a very explosive conclusion as the protagonist and his comrades are faced with the absolute worst their enemy has to offer them, and the resulting mess really brings everything together. This ended up being a pretty strong sequel to For the Emperor, and I had an incredible time seeing Cain dragged into another deadly adventure.

I love the way that Mitchell portrays the various adventures of Cain in these novels, especially as it allows him to express a great range of different writing styles. Just like with For the Emperor, Caves of Ice is primarily told from Cain’s perspective as entries from his personal memoirs. However, this chronicle is cut through with notes and inclusions from his unintended editor, Inquisitor Vail, who provides some added context to the story through her own introductions, footnotes, inclusions of in-universe texts, and quotes from other notable characters. These inclusions from Vail not only allow for a much wider story than the one Cain is telling (especially when it comes to the battle on the surface), but it also increases the humour of the novel by implying Cain is an unreliable narrator. This, combined with the cynical and less-than-heroic observations and actions of the protagonist, gives the entire Ciaphas Cain series a much more comedic edge than many other Warhammer 40,000 books out there, and indeed there were several times I was cracking up laughing throughout this book. However, Mitchell perfectly balances this lighter tone with some dark and bloody moments as the protagonist encounters all manner of deadly foes. The action and lethal battles are recorded in exquisite detail, and you can feel the terror and fear that the protagonist feels as he constantly fights for his life. This great blend of styles and tones really helps to make Caves of Ice stick in the mind, and I find the entire setup extremely compelling and very easy to fall in love with.

In addition to being a great Ciaphas Cain novel, I felt that Caves of Ice was a great entry in the wider Warhammer 40,000 canon. The clever, humorous writing, and the fact the book could easily stand on its own, makes Caves of Ice an ideal place for someone to start their Warhammer 40,000 adventure, even if they are very new to the franchise. The book provides some interesting insights into life in the Warhammer 40,000 universe, both through Cain’s insights and through the humorous or satirical texts that Inquisitor Vail adds to the book. I really enjoy the solider-focused observations of the primary narrator and some of the supporting characters, and it is always quite compelling to see the common soldier’s reactions to the aliens and monsters they encounter. Cain’s observations are always very sharp and funny, and his own range of experiences adds some amazing colour to the events unfolding in Caves of Ice. Mitchell also takes the time to explore several iconic Warhammer 40,000 factions and races throughout the book and its quite interesting to see Cain’s opinions and insights into them, especially as he has a much more realistic views towards them than some of his cohorts. Combine that with some fun insights into the day-to-day lives of soldiers in the Imperial Guard and their Commissar, and Caves of Ices proves to be quite an interesting Warhammer 40,000 novel. I love seeing the range of different experiences that the protagonist has in this universe, and it will be fascinating to see what deadly danger he encounters in the next book.

Without a doubt, the major highlight of this series and Caves of Ice is the fantastic and compelling characters, particularly Commissar Ciaphas Cain. Cain is one of the more entertaining figures in Warhammer 40,000 lore as he is a somewhat cowardly man who, in his mind, has accidently gained a reputation as a great hero and legendary fighter. Just like in his previous adventure, Cain is still obsessed with staying alive and avoiding battle, often manipulating events to ensure he’s far away from the action. Nearly all his thoughts revolve around how he can stay alive or in control, and it is often very entertaining to see his very selfish thought process in action. At the same time, he is conscious of his image as a hero, which he also tries to maintain as dearly as his life, and this forces him into so many situations and fights he would honestly rather avoid. His honest observations and hilarious internal reactions when events don’t go his way (which happens often), are some of the main drivers behind the book’s outrageous humour, and it is hard not to fall in love with this cheeky rogue. While a lot of this book does focus on Cain’s attempts at survival and avoiding combat, Mitchell does take the time to focus on Cain’s good qualities. Despite his own narration constantly trying to talk down his own abilities out of modesty (or self-loathing), Cain is shown to be a very competent fighter, explorer and commander, effectively leading his troops into battle and facing down a series of outrageous threats. His keen insights, vast history fighting the enemies of the Imperium, and his own uncanny survival skills, actually make him an ideal champion who often succeeds against all the odds. Indeed, with each adventure it is becoming more and more apparent that Cain is in denial about his own abilities and is suffering some form of imposter syndrome. Whatever the case is, Cain remains a particularly entertaining and surprisingly likeable figure, and I cannot wait to see what crazy adventures he has in his next book.

Aside from Cain, Caves of Ice contains an intriguing range of characters who add to the story in several different and unique ways. This second novel contains a fascinating range of supporting figures, including several who previously appeared in For the Emperor, as well as a few new characters as well. The always entertaining Inquisitor Vail, despite not appearing in person, continues to have a major impact on Caves of Ice as she is the one presenting Cain’s manuscripts to the reader, often editing it to make it more reliable and cohesive. Her insights into Cain’s adventures, mindset and unreliable narrations are very amusing, while also simultaneously impacting the reader’s perception of the protagonist and his various actions. As such, she is a vital part of Caves of Ice, and I am glad Mitchell continues to utilise her as a narrator. Another major character in the book is Jurgen, Cain’s aide and bodyguard who accompanies him on most of his adventures. Portrayed as a slightly dim, relentlessly straightforward, and somewhat smelly, Jurgen is essentially the Baldrick to Cain’s Blackadder, and at times he serves as a good additional comic relief, especially in some of the more serious scenes where Cain is scared. Despite his portrayal as a simple man, Jurgen is a very effective fighter and companion to Cain, and his love of the meltagun heavy weapon gets them out a jam plenty of times. I liked how Mitchell also strongly hints that Jurgen is a lot smarter than anyone realises, especially when it comes to Cain’s nature, and it will be interesting to see how their friendship develops in the future. Other great characters include Lieutenant Sulla, an exceedingly keen and annoying solider who offers some entertaining insights into the wider events of the story. This is primarily due to the fact that Vail quotes Sulla’s memoirs throughout the book, although Mitchell writes them as pompously and badly as possible to really highlight Sulla’s character deficits. Throw in some additional soldiers, arrogant bureaucrats, and a fanatical Adeptus Mechanicus priest who brings nothing but trouble for Cain, and you have an outstanding cast that I had a great time following.

Unsurprisingly, I chose to listen to the Caves of Ice audiobook rather than grab a physical copy, and I once again had an epic time with the fantastic audio format. Coming in at just under seven hours, this was a relatively short Warhammer audiobook entry, and I was able to power through extremely quickly. The audiobook format really made Caves of Ice a joy to listen to, and the entire story was beautifully portrayed throughout, especially the action scenes in the tunnels. I was particularly happy that this production once again featured the three narrators who were utilised in For the Emperor, with the excellent team of Stephen Perring, Penelope Rawlins and Emma Gregory once again making a major impact. All three give excellent performances in Caves of Ice, and I had a good chuckle listening to their fun and clever takes on the characters.

Perring is once again the central narrator as he voices everything in Caves of Ice shown from Cain’s perspective. Perring has an outstanding voice, and he really brings all the characters to life in a colourful way, especially when it comes to showcasing the slippery and jaded Cain. I also love his take on most of the supporting characters, especially Cain’s aid Jurgen, who Perring gives a very Baldrick-esque voice to. In addition to Perring, Penelope Rawlins serves a very vital role as Inquisitor Vail in the outside narration, who is compiling Cain’s memoirs for the reader. Rawlins voices all the extra notes that Vail adds to the proceedings, including the footnotes, several chapter introductions, and the descriptions of several in-universe texts, all of which Vail adds to give extra context to the story. Rawlins gives Vail an awesome voice steeped in knowledge, command and a light sense of humour, and it is always very fun to see her add some honesty and truth to Cain’s version of events, especially when the footnote appears in the immediate aftermath of Cain’s false information or ignorance. The final voice actor, Emma Gregory, is primarily used to narrate one of the major in-universe texts that is quoted throughout, the chronicles of supporting character Lieutenant Sulla (Like a Phoenix From the Flames), written many years after the events of Cave of Ice. Gregory voices all the excerpts of Like a Phoenix From the Flames in a particularly pompous manner to match the tone of these poorly written memoirs, and you really get a sense of the self-importance Sulla must feel in the future. This brilliant combination of narrators ensures that Caves of Ice, and indeed all the Ciaphas Cain audiobooks, really stands out, while also effectively increasing the humour of the entire production. For that, and more, audiobooks are easily the best way to enjoy the Ciaphas Cain series and I cannot recommend it enough.

The second entry in the outstanding Ciaphas Cain series, Caves of Ice, was another exceptional novel from Sandy Mitchell that I had an awesome time reading. Featuring an outstanding and hilarious protagonist, Caves of Ice is a great addition to one of the funniest series in the Warhammer 40,000 franchise. I cannot recommend this book enough, and any fans of fun adventure are going to have a great time with Caves of Ice.

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Canberra Weekly Column – Australian Crime Fiction – 16 February 2023

On March 16, 2023 By The Unseen LibraryIn Australian, Canberra Weekly Column, Murder MysteryLeave a comment

Canberra Weekly Column - Australian Crime Fiction - 16 February 2023

Originally published in the Canberra Weekly on 16 February 2023.

Make sure to check out my extended reviews for How to Kill a Client and Red Dirt Road.

Quick Review – Red Dirt Road by S. R. White

On March 16, 2023 By The Unseen LibraryIn Australian, Murder Mystery, Quick Review16 Comments

Red Dirt Road Cover

Publisher: Headline (Trade Paperback – 10 January 2023)

Series: Detective Dana Russo – Book Three

Length: 307 pages

My Rating: 4.5 out of 5 stars

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Impressive author S. R. White continues to lead the Australian outback murder mystery scene with his new and compelling release, Red Dirt Road, the third book in his Detective Dana Russo series. I had the great pleasure of reading the second book in this series, Prisoner, back in 2021 and I really enjoyed his unique take on the outback detective novel. As such, I have been rather excited to read his new book, Red Dirt Road, especially as it featured a particularly enthralling mystery.

Plot synopsis:

One outback town. Two puzzling murders. Fifty suspects.

In Unamurra, a drought-scarred, one-pub town deep in the outback, two men are savagely murdered a month apart – their bodies elaborately arranged like angels.

With no witnesses, no obvious motives and no apparent connections between the killings, how can lone police officer Detective Dana Russo – flown in from hundreds of kilometres away – possibly solve such a baffling, brutal case?

Met with silence and suspicion from locals who live by their own set of rules, Dana must take over a stalled investigation with only a week to make progress.

But with a murderer hiding in plain sight, and the parched days rapidly passing, Dana is determined to uncover the shocking secrets of this forgotten town – a place where anyone could be a killer.

Red Dirt Road ended up being a very fun and captivating murder mystery novel and one I had a wonderful time getting through. I really enjoyed White’s cool and clever plot scenario and the entire concept of a cop attempting to solve a mystery in a small town with limited suspects is a fun idea that harkens back to classic whodunits.

Red Dirt Road’s story itself hits the ground running quickly, as complex protagonist Dana Russo is forced to travel to the small town for the investigation and soon becomes wrapped up in its many foibles. This includes the sheer isolation, the lack of modern comforts and the unusual locals, many of whom are hiding from the outside world. There is also a set of creepy angel-themed statues that mysteriously move around town, the work of a guerrilla artist who has remained hidden since the murders began. With time restrictions on her investigation and with minimal help from the local police, Dana initiates an unconventional investigation that focuses on understanding Unamurra’s society and its people to solve the crime. After getting to grips with the various people living there, as well examining other clues and evidence, she is able to figure out which one of the town’s residents is the most likely killer and confronts them in a particularly fascinating reveal sequence. The full explanation for why the crime was committed, as well as the ingenious and very distinctive motivation of the murderer, was exceedingly clever, and I felt that White set everything up perfectly. While certain elements of the conclusion were a bit over-the-top, (a very unrealistic elite government SWAT team comes to town), I felt that the story was pretty damn impressive and I was absolutely blown away with the elaborate motivation that the author came up with. The plot of Red Dirt Road also simultaneously continues some of the series’ ongoing storylines, such as Dana’s personal relationship with her co-worker and the internal police politics that are impacting her career, and this ended up being quite a gripping read as a result.

One of the most noticeable things about Red Dirt Road was the unique, society-orientated investigation method that the protagonist used to understand the people of Unamurra and find out who the killer was. I personally thought that this was a very smart and intriguing way to frame a murder investigation that worked extremely well in the context of the setting and the series. When I reviewed Prisoner I noted that White likes to highlight the interrogation side of policing with his writing and this was once again in full display when it came to how Dana gathers information in Unamurra. The flurry of casual conversation she engages in ensures she picks up all the knowledge about the town and people she needs, while also putting the potential suspects at ease as they don’t understand her style or the subtle reasons behind her lines of inquiry. This information, when combined with some observations and additional background she gets from headquarters, allows her to pull together a full mental picture of the town and by understanding them and their needs she finally gets the insight she needs to understand the entire situation. This results in a very unique case, and I found myself getting really wrapped up in both the characters and the setting while trying to wrap the clues together in my head. While this style of investigation probably isn’t going to fit every murder mystery fan’s taste, I felt that it worked extremely well and I loved how the elaborate motivation was teased out through these discussions. The final confrontation with the killer and the various revelations it contained really ties all these previous discussions together perfectly and you quickly realise just how cleverly White structured his entire mystery.

On top of the cool investigation method, I also deeply enjoyed the dusty and desolate setting of Unamurra that served as the backdrop to the murders. White really tries to show the reader the full experience of such a lonely and decaying town, and thanks to the excellent descriptive writing you can absolutely picture every cloud of dust, quiet night, and the lack of movement. At the same time, the protagonist begins talking to each of the residents of Unamurra and you really get to understand the sort of people that would live in such a place, whether they are desperate, trapped, or have their own strange motivations. This excellent use of setting and compelling supporting characters greatly enhances the book’s already complex murder investigation, and I felt that White did an amazing job of working it into the larger narrative and mystery. The sheer isolation impacts every decision and insight that Dana has and you really come away trying to imagine what life in such a location would be like. While White does overgeneralise some areas of rural Australia in his book, especially as he makes the location of these crimes geographically vague, this setting added a great deal to the impact of Red Dirt Road and I deeply enjoyed my time in the elaborate setting of Unamurra.

Overall, Red Dirt Road was an outstanding new book from S. R. White that perfectly highlighted his distinctive take on a murder mystery investigation. Combining another outstanding outback setting with a unique case, Red Dirt Road will have you hooked all the way to the fantastic finale. I cannot wait to see what complex stories White comes up with in the future, but if they are anywhere near as clever and enthralling as Red Dirt Road, I know I am going to love them.

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WWW Wednesday – 15 March 2023

On March 15, 2023 By The Unseen LibraryIn WWW WednesdayLeave a comment

WWW Wednesday is a weekly meme hosted by Taking on a World of Words, where bloggers share the books that they’ve recently finished, what they are currently reading and what books they are planning to read next. Essentially you have to answer three questions (the Three Ws):

What are you currently reading?
What did you recently finish reading?
What do you think you’ll read next?

So, let’s get to it.

What are you currently reading?

How to Sell a Haunted House by Grady Hendrix (Trade Paperback)

I am still getting through the new Grady Hendrix horror book, How to Sell a Haunted House, which has so far proven to be quite the compelling read. Following a woman trying to sell her parent’s haunted house, this fantastic book is building up to its big horror reveals while also feature some compelling family drama. I cannot wait to see how this entire novel ends up and I am having an excellent time reading it at the moment.

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Son of the Poison Rose by Jonathan Maberry (Audiobook)

I just started listening to the awesome fantasy novel Son of the Poison Rose by Jonathan Maberry. The sequel to Maberry’s epic and exceptional 2022 novel, Kagen the Damned, Son of the Poison Rose continues to follow Maberry’s doomed protagonist as he attempts to navigate the dark and deadly new fantasy realm he finds himself in. Sure to be one of the best books and audiobooks of 2023, I am very excited to see how this epic book turns out and I am sure it will feature a ton of deadly action, brutal depravity, and some major twists.

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What did you recently finish reading?

Warhammer: Giantslayer by William King (Audiobook)

I managed to quickly finish off Giantslayer last week and it turned out to be a very fun addition to the Gotrek and Felix series. Make sure to check out my Throwback Thursday post from last week covering it.

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Warhammer 40,000: Caves of Ice by Sandy Mitchell (Audiobook)

I also managed to get through the fun Warhammer 40,000 novel, Caves of Ice. The sequel to the first Ciaphas Cain novel, For the Emperor, Caves of Ice sees Mitchell’s iconic Warhammer protagonist engage in another desperate battle for survival, this time on an ice planet loaded with all manner of aliens and monsters. A highly entertaining and action-packed novel, I am hoping to write a Throwback Thursday review about it later this week.

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Star Wars: The High Republic: The Battle of Jedha by George Mann

The latest fun addition to the High Republic sub-series of Star Wars fiction, The Battle of Jedha is a full-cast audio production that sees all out war engulf the Jedi holy city of Jedha. An intriguing and explosive addition to the High Republic series, The Battle of Jedha is well worth a listen and I am hoping to get a review up for it soon.

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What do you think you’ll read next?

The Tyranny of Faith by Richard Swan

I am still planning to dive into the fantasy/crime fiction hybrid novel, The Tyranny of Faith by Richard Swan, next. The sequel to Swan’s highly regarded debut, The Justice of Kings, The Tyranny of Faith will contain another powerful adventure, filled with magic, mystery and political intrigue.

Amazon Book Depository

That’s it for this week, check back in next Wednesday to see what progress I’ve made on my reading and what books I’ll be looking at next.

Waiting on Wednesday – Murtagh by Christopher Paolini

On March 15, 2023March 15, 2023 By The Unseen LibraryIn Fantasy, Waiting on Wednesday, Young Adult10 Comments

Welcome to my weekly segment, Waiting on Wednesday, where I look at upcoming books that I am planning to order and review in the next few months and which I think I will really enjoy. I run this segment in conjunction with the Can’t-Wait Wednesday meme that is currently running at Wishful Endings. Stay tuned to see reviews of these books when I get a copy of them. For my latest Waiting on Wednesday I highlight a somewhat surprising but highly anticipated upcoming release with the epic Murtagh by Christopher Paolini.

Murtagh Cover

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I have been a fantasy fan for a long time and have had the great pleasure of reading quite a few impressive series over the years. However, one of my favourite all-time fantasy series is the epic Inheritance Cycle that was the debut series of amazing author Christopher Paolini. Starting in 2003 with Eragon, the Inheritance Cycle told the tale of a young hero who uncovers a dragon egg and uses his newly hatched companion to battle an evil empire and defeat the fallen Dragon Rider turned evil king, Galbatorix. Taking place over four books, including Eldest, Brisingr and Inheritance, this was a particular favourite series of mine growing up and I made sure to read every single book the moment they came out. While the story was a little derivative in places, I had a great deal of love for this series due to its elaborate fantasy universe, the cool magical systems, the fantastic bond between the human protagonist and his dragon, and the many exceptional battles Paolini detailed. The Inheritance Cycle has become something of a comfort series for me and since the final book dropped in 2011 I have reread (and relistened) to these books multiple times with great enjoyment, and I also did a fun joint review of the entire series.

Due to how much I enjoyed his debut series, I have kept an eye on Paolini’s career, which also saw him produce some intriguing science fiction novels, including the massive To Sleep in a Sea of Stars and the upcoming prequel Fractal Noise. However, I hadn’t really expected to see anything more from the Inheritance cycle, especially after over 12 years of waiting. That is why I was pretty damn thrilled when I saw last week that Paolini was releasing a standalone sequel later this year with the fantastic sounding Murtagh.

Murtagh is an awesome book that is currently set for release in November 2023. Set shortly after the events of Inheritance, this cool novel will follow fan-favourite character and anti-hero Murtagh as he attempts to find his place in the world after serving the previous series’ big bad, while also embarking on a new adventure.

Plot Synopsis:

Master storyteller and internationally bestselling author Christopher Paolini returns to the World of Eragon in this stunning epic fantasy set a year after the events of the Inheritance Cycle. Join Dragon Rider—and fan favorite—Murtagh and his dragon as they confront a perilous new enemy!

The world is no longer safe for the Dragon Rider Murtagh and his dragon, Thorn. An evil king has been toppled, and they are left to face the consequences of the reluctant role they played in his reign of terror. Now they are hated and alone, exiled to the outskirts of society.

Throughout the land, hushed voices whisper of brittle ground and a faint scent of brimstone in the air—and Murtagh senses that something wicked lurks in the shadows of Alagaësia. So begins an epic journey into lands both familiar and untraveled, where Murtagh and Thorn must use every weapon in their arsenal, from brains to brawn, to find and outwit a mysterious witch. A witch who is much more than she seems.

In this gripping novel starring one of the most popular characters from Christopher Paolini’s blockbuster Inheritance Cycle, a Dragon Rider must discover what he stands for in a world that has abandoned him. Murtagh is the perfect book to enter the World of Eragon for the first time . . . or to joyfully return.

Ok, so if I wasn’t already pretty damn excited for a new Inheritance Cycle novel, I am even more hyped after reading that synopsis. Out of all the characters that Paolini could have set his next novel around, Murtagh is one of the absolute best, as he is probably one of Paolini’s more complex characters. The son of a notoriously evil Dragon Rider and the secret half-brother of series’ protagonist Eragon, Murtagh is a rogue and adventurer who spent his appearances in the first novel trying to escape his past. However, he was captured at the start of the second novel, Eldest, and morphed into a deadly weapon, bound to the red dragon Thorn and forced to fight against his brother as Galbatorix’s ultimate enforcer. Essentially serving as the Darth Vader of the series, Murtagh killed several key supporting characters and became quite a good brooding villain. Managing to free himself at the end of the series and help Eragon kill Galbatorix, Murtagh departs with his dragon, attempting to find his own place in the world. This opens quite a lot of interesting potential storylines which Paolini looks set to fully explore in his new book. I love the idea of the author fully exploring all of Murtagh’s trauma and guilt, especially after all the terrible things Galbatorix made him do, and I am sure that it will play into the story extremely well. It was also be very interesting to see the story told from Murtagh’s point of view, something we never got in the previous books, and I am hoping that we’ll get an eye on the events of the original series from his perspective.

On top of the fantastic focus on the great character of Murtagh, the rest of this story sounds pretty damn awesome. The idea of this lone and despised character travelling the lands, attempting to find a place where he isn’t hated is an excellent basis for a story, especially when he attempts to finally be a hero and tries to solve a dangerous mystery. No doubt this will lead to another dangerous adventure and it will be cool to see how he deals with it on his own. I am also quite excited to see some expansions of the already vast land of Alagaësia, which Paolini really built up well in his previous books. It will be fascinating to see how much Alagaësia changes in the aftermath of the war, and I am very hopeful that Paolini will take us to some new locations that will no doubt add a lot to it. Throw in references to a mysterious witch, who could potentially be the always entertaining Angela, who readers have been wanting to see more of for years, and Murtagh has all the ingredients you need for a pretty epic book.

Now if am going to be honest, I was always going to eagerly grab up any new additions to the Inheritance Cycle that Paolini created, but I am particularly excited for Murtagh, which has so much damn potential. I cannot wait to see how the author expands on his complex protagonist in this upcoming novel, and I am sure it will feature an epic adventure. Murtagh is going to be such a nostalgia filled blast for me and I am sure that I will enjoy every damn second of it.

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How to Kill a Client by Joanna Jenkins

On March 13, 2023December 11, 2024 By The Unseen LibraryIn Australian, Murder Mystery, Thriller11 Comments

How to Kill a Client Cover

Publisher: Allen & Unwin Australia (Trade Paperback – 31 January 2023)

Series: Standalone

Length: 384 pages

My Rating: 4.5 out of 5 stars

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Australian lawyer and debuting author Joanna Jenkins introduces herself in a big way with her fantastic first novel, the legal thriller How to Kill a Client, which takes the reader on a fascinating journey to the dark side of Australia’s legal profession.

As the in-house lawyer at a powerful international mining company, Gavin Jones oversees millions of dollars’ worth of legal contracts each year, including to the Brisbane office of the Australian legal firm Howard Green. Using them to negotiate lucrative contracts throughout Australia, Jones has become one of Howard Green’s biggest clients and the money he controls ensures that everyone at the law firm treats him like a god.

But while everyone fawns over Jones and his power, no-one actually likes him. A cruel, petty and vindicative man, Jones has messed with the careers and lives of everyone in his orbit, especially women, who he reserves a particular disdain for. His actions ensured the suffering of everyone he has power over, including his wife, his employees, and the female partners at Howard Green, as he seeks to wreck lives, destroy careers and give himself the lifestyle he feels he deserves.

So when Jones dies suddenly and suspiciously, everyone he knew is a potential suspect; thanks to his dodgy dealings and underhanded tactics, they all had a motive to kill him. As the police begin their investigation and the lawyers at Howard Green close ranks, it falls to partner Ruth Dawson, one of the few people without a motive, to protect her firm and its secrets. However, when her investigation reveals proof of who killed Jones and other dark secrets her firm is hiding, will Ruth reveal the truth or will she bury it to protect her firm?

How to Kill a Client is a clever and tricky novel that really showcases Jenkins’s skill as a new writer. Blending a fantastic and compelling crime fiction narrative with intense looks at the lifestyle of members of a successful law firm, How to Kill a Client was a gripping and interesting read that is really worth checking out.

I loved the cool story contained within this book which came across as part legal thriller, part personal drama surrounding high-level professionals, and part intriguing murder mystery. The story dives into the chaotic world surrounding the legal firm of Howard Green and its clients and effectively introduces all the key players in this drama, who have their own views on the troubles to come. Each primary characters is connected to the eventual victim, Gavin Jones. Jenkins spends the first half of the book showcasing Jones’s terrible nature and the various ways they are messing with everyone. Cleverly utilising multiple character perspectives, you are soon drawn into the various main characters’ lives and soon see all the various reasons why each of them may have wanted to kill Jones, as well as some of the suspicious steps some of them took. Jenkins perfectly sets up everything in the first part of How to Kill a Client, and by the time you reach the halfway point, you are firmly enthralled by the narrative and want to see how the rest of the book unfolds.

When the eventual death happens (a real high point) the reader is left wondering whether it was an accident, a mistake, or a deliberate action, with the evidence pointing towards a murder. However, due to the sheer range of suspects and motives, the story produces a twisty and fun range of plotlines that you need to navigate to get to the final conclusion. Jenkins really produces an emotional and captivating second half as you try to find out who killed Jones and why. There are some brilliant revelations unfurled here, and I loved how some cunningly hidden clues in the first half of the book were utilised in the final mystery. I was very impressed with the final reveals around how the killing was committed and why it happened, and you will come away from this story very satisfied, especially as Jenkins builds in some excellent character moments and ensures that all the remaining characters get a fitting end to their arcs. I found myself getting really caught up in Jenkins’ powerful and amazing story and I honestly powered through the last half of the book very quickly to see how everything ended.

Part of the reason why How to Kill a Client is such an effective read is that Jenkins introduces an excellent cast of intriguing and complex characters who are thrust into a variety of compelling situations throughout the course of the narrative. Each of the main cast, who Jenkins effectively builds up and utilises in the plot, are quite damaged, desperate or concerned in their own unique way, while many of the supporting characters are notably selfish or manipulative for their own ends. Characters like Ruth Dawson and Viv Harrison give some compelling and honest insights into how women are treated in this influential professional setting, while Anne Jones shows the harsh reality of a women trapped in an abusive relationship. At the same time, there is a great collection of supporting lawyer characters who Jenkins uses to show off the range of people and personalities one is likely to experience in Australia’s legal services.

However, out of all the characters in this book, the one I must highlight the most is probably the murder victim, Gavin Jones, mainly because he is such a despicable figure. Jenkins really goes out of her way to make Jones into one of the most unlikable and petty characters you are ever likely to find in fiction and boy does she succeed, perfectly capturing an insecure and manipulative narcissist who enjoys controlling people. Not only does he go out of the way to try and ruin the careers of several characters just because they are women, but he also demands attention from the male characters to feed is ego, while also abusing and controlling his wife to make him feel good. In a very short amount of time Jenkins builds Jones up into such an unlikable character that the reader finds themselves trying to reach into the book and kill him before the murderer does. This naturally adds quite a lot to the mystery of the book, as his malicious professional actions, deceits, violence and puppy killing (seriously, that one really angered me), ensures that everyone he came in contact with had a reason to murder him. The huge suspect pool around this unlikable character allows Jenkins to craft an impressive murder mystery and you’ll really get drawn into finding who finally snapped and killed this infuriating character. This villainous figure, and other great characters, all added so much to the plot of How to Kill a Client and really got invested in their stories very quickly.

One of the other features of How to Kill a Client that I particularly enjoyed was the author’s detailed and intriguing examination of an Australian law firm. Clearly utilising all her past experiences as a lawyer, Jenkins perfectly showcases how a firm would work and act in a variety of scenarios, and you really get the senses of the day-to-day chaos the individuals working there would experience, which adds a lot of authenticity to the story. Jenkins also dives into the backroom drama and politics that surround such entities, as the various lawyers cut deals and fight for control over various projects or clients. There is a particularly cynical edge to the book’s portrayal of legal firms in this novel, and Jenkins shows it to be a dark and unfulfilling practice at times, especially in some of the more elite firms. The author really showcases just how bad these companies are when it comes to the treatment of women as two of the book’s central characters are female partners in Howard Green who have to constantly deal with their male colleagues’ condescension and manipulations, and there are several pointed scenes where the arrogant male managers fail to listen to the women even when they are right. There is also a focus on the way law firms sycophantically woo potential clients, bending over backwards to get hired, and this adds some intriguing angles to the drama. Finally, there is also quite a dark look at the demand for profits over people, as there is a constant fear of firings and layoffs, even for the best employees. This critical presentation of a professional law firm is pretty striking and it results in some powerful scenes throughout the course of the book, especially as the people stuck in these firms often refuse to escape it, no matter how bad it gets. I felt this examination of the profession in Australia added so much to the outstanding story and it helps to make How to Kill a Client really stand out.

Overall, How to Kill a Client was an outstanding and captivating debut from new Australian author Joanna Jenkins and one I had a wonderful time reading. Blending compelling legal elements with a fascinating, character-driven mystery, How to Kill a Client has a brilliant story that takes the reader on a powerful and twisty journey. Slick, emotionally rich, and filled with exceptional characters, How to Kill a Client is one of my favourite debuts of 2023 so far, and I cannot wait to see what epic reads Jenkins will release in the future.

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Throwback Thursday – Warhammer: Giantslayer by William King

On March 10, 2023 By The Unseen LibraryIn Audiobook, Extended Universe, Fantasy, Throwback Thursday, Tie-in Novel, Warhammer8 Comments

Giantslayer Cover

Publisher: Black Library (Audiobook – 3 April 2003)

Series: Gotrek and Felix – Book Seven

Length: 10 hours and 23 minutes

My Rating: 4.5 out of 5 stars

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Welcome back to my Throwback Thursday series, where I republish old reviews, review books I have read before or review older books I have only just had a chance to read. After having a ton of fun listing my favourite Warhammer 40,000 novels last week, I dive back into Warhammer Fantasy in a big way with the seventh epic entry in William King’s Gotrek and Felix series, Giantslayer.

While the Warhammer franchise has many great series, few are as iconic or long-lasting as the epic Gotrek and Felix books. Following a doomed dwarf Slayer Gotrek Gurnisson and his human chronicler Felix Jaeger as they travel across the Warhammer Fantasy landscape, trying to find a worthy death for Gotrek, these books are amazing and fun action-packed reads guaranteed to keep you entertained with their excellent stories. Each of these books is an outstanding read in their own way, and I have had a wonderful time getting through the previous Gotrek and Felix books by King, including Trollslayer, Skavenslayer, Daemonslayer, Dragonslayer, Beastslayer and Vampireslayer. Giantslayer actually marks the end of William King’s run on the Gotrek and Felix series, and he brings his tenure of the series to a powerful and impressive end.

Following their arduous and costly battle against the vampires of Sylvania, Gotrek, Felix and their companions attempt to deal with the losses they all have suffered. However, the evils of the Old World are never considerate of grief, and soon the heroes find themselves attacked by a horde of beastmen. Following them to their lair, they discover a mysterious cavern full of tunnels pulsing with unnatural power.

Separated from their friends and dragged through an unnatural gateway, Gotrek and Felix find themselves transported to the legendary island of Albion, home of ancient tribes, dark forces, and massive giants. Fate brings the two companions into contact with the legendary High Elven mage Teclis, who has journeyed to Albion to uncover the source of dangerous magical energy that threatens to sink the High Elves’ home island of Ulthuan and devastate the rest of the world.

Reluctantly agreeing to work with the elf mage, Gotrek and Felix travel across Albion, attempting to uncover the cause of the latest magical threat facing the world. They soon discover that the island is far from tranquil; instead it is a dark land corrupted by magical power and the dangerous legacy of the Old Ones, the mysterious beings who created the world. Worse, the island has been invaded by the dark forces of Chaos who are determined to harness Albion’s unique magic for themselves. Caught between dark sorcerers, corrupted giants, an army of greenskins and the long-lasting enmity that exists between elves and dwarves, can Gotrek and Felix work with Teclis to save the world, or will the Slayer finally find his doom on Albion?

Giantslayer was another great and highly entertaining Gotrek and Felix novel that successfully showcased the outrageous protagonists while further exploring the elaborate Warhammer Fantasy universe. This was another amazing book from William King, and I felt that he ended his run on this series on a great note, especially as Giantslayer contained a fantastic and fast-paced story. Taking place in the immediate aftermath of Vampireslayer, Giantslayer quickly thrusts the protagonists into the midst of the action while simultaneously introducing the reader to the character of Teclis, who serves as a great additional central character. The first few chapters of the book are pretty trippy in places, especially as all the characters find themselves trapped in a mystical realm, and the subsequent escape results in some fantastic sequences. The characters are then transported to Albion and must explore this intriguing new landscape while trying to overcome their many personal issues, namely the animosity between Gotrek and Teclis, which adds a fun edge to the entire narrative.

King expands the story as the book continues, introducing the reader to several fantastic supporting characters from amongst the people of Albion, and soon shapes the major threat facing the world, namely the forces of Chaos overwhelming the magical energy of the island for their nefarious purposes. King utilises an excellent series of villains at this point of the novel, including the recurring sorcerous twins who have been dogging the protagonists since Dragonslayer. Everything eventually leads up to the massive final confrontation as the protagonists and their allies find themselves in the middle of a massive three-sided battle as they attempt to achieve their goal. There is a ton of action, sacrifice, magical duels, and of course a giant, in this last part of the book, and King really built up an explosive and powerful conclusion to the entire novel. I really enjoyed how this entire book came together, and it was great to see the characters embark on a final adventure under King’s reign. While the story itself can be read as a standalone, the author does fit in a ton of references to the previous entries in the series and long-time readers will enjoy the cool callbacks.

I think that King did an interesting job of wrapping up his run on this series with this final fantastic action story, and fans of his writing style will not be disappointed with Giantslayer. This is very much another epic hack and slash Warhammer novel, and King always manages to make that style of novel stand out, especially with his excellent attention to detail and ability to make all the fun action really pop. The use of multiple perspectives, including through Felix, Teclis and several antagonists’ eyes, gives the reader a very wide narrative to explore, and I loved the fantastic and fun moments that emerged through their adventures. King utilises very quick pacing for this book, so it is quite easy to power through it, especially as there is really never a dull moment as the characters jump from one deadly scenario to another. I do have to be a little critical and point out that King is a somewhat repetitive writer; if he finds a phrase, description, or sentence that he likes, he tends to overuse it slightly throughout the plot. This is particularly noticeable after seven Gotrek and Felix books and readers of this series will no doubt know what phrases I am talking about (wool cloaks and beads of blood). However, while this repetition is occasionally distracting, it honestly didn’t mess up my enjoyment of the story too much and I had a ton of fun getting through Giantslayer.

Giantslayer also serves as a particularly interesting and lore-heavy addition to the Gotrek and Felix books as King spends a lot of time diving into the history of the Warhammer Fantasy world and the original creators, the Old Ones. The book is primarily set on the island of Albion, the setting for the 2001 Warhammer Fantasy campaign series, Dark Shadows, and the author really leans heavily into the setting, showing the rain drizzled island in all its swampy and deadly glory. King sets it a little before the events of Dark Shadows, and much like the campaign’s descriptions the island of Albion is shown as a very Celtic landscape, very much inspired by Scotland. This serves as a brilliant background to the main story, and I loved seeing the characters traverse and fight across the various settings to achieve their goal. As one of the few Warhammer Fantasy books set on Albion, fans of the Dark Shadows campaign can have a bit of fun with Giantslayer, and it was great to learn a little more about the local societies and the history of the island. History really is a major part of the book, and the protagonists end up finding a lot of about Albion and the Old Ones as the story continues. This includes a dive into the Path of the Old Ones, a series of magical gateways existing outside of the main reality which can be traversed. The sequences set within this gateway are very trippy and dark, especially as they have been invaded by daemons, and King really knows how to make all these unique locations stand out with his excellent writing. As a long-time Warhammer Fantasy fan who can remember the Dark Shadows campaign, I really liked the heavy lore inclusions in this book and I felt that King utilised them perfectly throughout Giantslayer to tell a powerful narrative with some really heavy stakes for the protagonists.

I need to highlight the great characters contained within Giantslayer, especially as you get to see more of the titular protagonists, Gotrek Gurnisson and Felix Jaeger. This odd-couple pair of suicidal Slayer and pragmatic human is always a ton of fun, and King keeps this up all the way to the end, as the two characters play off each other perfectly. Gotrek’s glee at each encounter is usually only matched by Felix’s understandable reluctance to travel into the dangerous places their quests take them, and you can always count on a sarcastic and fatalistic statement from Felix, and it makes for some amazing, if slightly predictable scenes. King has never done a lot of character development when it comes to these protagonists and this continues again in Giantslayer. Gotrek remains the same old unstoppable and unflappable Slayer that he always has been, constantly diving into danger, with the author never showing his perspective or providing too many hints at this past. While King does however provide some intriguing insights in Gotrek’s seemingly unkillable nature, this was pretty much a status-quo book for Gotrek, which still has its fun moments. Felix also had some minimal growth in this book, although King does dive into the emotional impacts that the previous adventures have had on the character, which does provide some insights into his cynical and reluctant personality. I did like the more scholarly bent that was shown around Felix in this novel as he learns more about the history of the world and it was fun to see him finally get the idea to start writing the books that have introduced all the prior Gotrek and Felix adventures.

While the character work around Gotrek and Felix was minimal in Giantslayer, King more than makes up for this with the inclusion of the master mage Teclis, one of the more significant High Elf characters in the game. Teclis is a very fascinating character in the lore, and I deeply enjoyed how King portrayed him throughout Giantslayer. King amped up the arrogant, ethereal and ancient qualities of Teclis in his storytelling, and you can really feel how apart from the various human characters he is, especially in the many scenes that he narrates. Teclis is also, by his nature, a rather darker cynical figure, even compared to other elves, and it was great to see this featured throughout the book, especially when it comes to his dealings with the other characters. Despite this, he is still a good person whose sole concern is the preservation of his homeland and the rest of the world. I think that King utilised him perfectly throughout Giantslayer and he served as a great alternative narrator to Felix. I loved seeing this iconic mage in action, and it was especially fun to see him interact with Gotrek considering how antagonist dwarfs and elves are with each other. The two engage in a petty war of words for most of the book, which proves to be highly amusing, as these usually collected characters end up bickering like children. This makes for an extremely unique dynamic throughout the novel that I found to be highly entertaining. King backs up Teclis with a series of great supporting characters and intriguing villains, all of whom add a certain amount of flair and strength to the story. While King once again fails to include any substantial or distinctive female characters, except for a few minor figures, I enjoyed the excellent character inclusions to the series and you get really invested in some new personal stories in this book.

While I did manage to get a physical copy of Giantslayer (as part of the Gotrek and Felix omnibus), I ended up listening to it on audiobook out of convenience, and due to my love of the format. Coming in at just under 10 and a half hours, this is rather easy audiobook to get through quickly, and I manage to knock it out in a couple of days. Like most of the Gotrek and Felix books, the audiobook format for Giantslayer was very fun and I loved how it managed to enhance the epic nature of the book. Not only does it really showcase King’s elaborate descriptions of the Warhammer world, but it also ensured that all the many action scenes really popped as you were drawn right into the heart of the battle through the cool narration.

It helped that the listener was once again treated to the awesome narration of Jonathan Keeble, a veteran voice actor and audiobook narrator who has lend his voice to a huge number of Warhammer audiobooks, including all the Gotrek and Felix books. Keeble is a particularly skilled narrator, not only because he produces a huge number of distinctive voices but because he brings a high level of excitement to his performances that really drags the listener in. I love how Keeble’s voice speeds up to match the carnage and the enthusiasm and energy that permeate his voice as he describes every blow or crazy moment makes you feel like you are sitting there watching it. I also love the very fitting voices that he brings to all the characters, all of which are pretty damn perfect and a lot of fun. The gruff and brutal voice of Gotrek and the sarcastic, scared, yet determined tones of Felix are still just as good here as they were in Trollslayer, and all the new voices introduced by Keeble in the Giantslayer audiobook work just as well. I loved the more ethereal and arrogant voice that Keeble used for Teclis, which really fit King’s portrayal of the character in the novel, and the cool Scottish accents that the natives of Albion spoke with were very distinctive and helped to really characterise these awesome supporting figures. Keeble also brings a great range of monster voices to the book to fit the various Chaos creatures, orcs and giants that are such a prominent feature of the plot, and I loved how dedicated he got to bringing these creatures to life with his narration. Keeble is a very talented narrator, and his performance adds so much to this audiobook while also helping to enhance the already exciting narrative of Giantslayer. As such, I would highly recommend the audiobook version of this book, and you are guaranteed to have a ton of fun listening to it.

Overall, I felt that William King brought his run on the iconic Gotrek and Felix to an end in a fantastic way with Giantslayer which was another awesome and electrifying entry in the series. Featuring an epic, lore-rich story, a ton of action, and the complex and enjoyable characters that King has spent seven books developing, Giantslayer is King at his best and all Warhammer fans will have a blast with this outstanding novel. This entire impressive series has been so much fun to get through and King’s work on these books really stand the test of time as the Gotrek and Felix series are still the premier Warhammer Fantasy books. I will hopefully dive into the next book in the series, Orcslayer, later this year, and while it will be odd not to have it written by King, I am very intrigued to see what Nathan Long brings to the franchise.

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WWW Wednesday – 8 March 2023

On March 8, 2023 By The Unseen LibraryIn WWW Wednesday1 Comment

What are you currently reading?
What did you recently finish reading?
What do you think you’ll read next?

So, let’s get to it.

What are you currently reading?

How to Sell a Haunted House by Grady Hendrix (Trade Paperback)

How to Sell a Haunted House Cover

I have just started the new Grady Hendrix horror book, How to Sell a Haunted House, which looks set to be quite a fun and compelling read. I am only a very short way into this book at the moment, but I am so far enjoying the intriguing story about a woman trying to sell her parent’s haunted house. Knowing Hendrix, this will end up being an excellent homage to classic haunted house movies, and I look forward to seeing how it turns out.

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Warhammer: Giantslayer by William King (Audiobook)

Giantslayer Cover

I was in the mood for some classic Warhammer Fantasy action so I dived back into the always fun Gotrex and Felix series, with the 7th book in the series, Giantslayer. Following the series’ fun duo as they land upon a deadly island, full of monsters, wizards and deadly foes, Giantslayer is an amazing and entertaining addition to the series and one I had a great time getting through. I only have a little left of this audiobook to listen to and I will probably end up finishing it first thing tomorrow.

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What did you recently finish reading?

Burner by Mark Greaney (Audiobook)

Burner Cover

Greaney once again shows why he is one of the best spy thriller authors in the world today with his latest Gray Man book, Burner. An epic and action-packed read that had me hooked from the very beginning, I will hopefully get a review for this one up soon.

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Unnatural History by Jonathan Kellerman (Trade Paperback)

Unnatural History Cover 2

Another fantastic and very clever murder mystery novel from the master Jonathan Kellerman. Unnatural History had an excellent and compelling mystery to it and I loved how everything came together.

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Cold People by Tom Rob Smith (Trade Paperback)

Cold People Cover

A complex and unique science fiction read that sees a group of human refugees get up to all sort of genetic chaos in Antarctica. A great read that I am really glad I got the chance to read.

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What do you think you’ll read next?

The Tyranny of Faith by Richard Swan

The Tyranny of Faith Cover

I am planning to dive into the fantasy/crime fiction hybrid novel, The Tyranny of Faith by Richard Swan, next. The sequel to Swan’s highly regarded debut, The Justice of Kings, The Tyranny of Faith will contain another powerful adventure, filled with magic, mystery and political intrigue.

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Son of the Poison Rose by Jonathan Maberry

Son of the Poison Rose Cover

I am hoping to start listening to the awesome fantasy novel Son of the Poison Rose by Jonathan Maberry next. The sequel to Maberry’s epic and exceptional 2022 novel, Kagen the Damned, Son of the Poison Rose will continue to follow Maberry’s doomed protagonist as he attempts to navigate the dark and deadly new fantasy realm he finds himself in. Sure to be one of the best books and audiobooks of 2023, I am very excited to finally listen to Son of the Poison Rose.

Amazon Book Depository

That’s it for this week, check back in next Wednesday to see what progress I’ve made on my reading and what books I’ll be looking at next.