Publisher: Del Rey (Trade Paperback – 29 October 2024)

Series: Standalone

Length: 431 pages

My Rating: 5 out of 5 stars

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One of the biggest rising stars in fantasy fiction, M. L. Wang, effortlessly showcases her amazing talent with the outstanding read, Blood Over Bright Haven.

M. L. Wang is an awesome author who I have been hearing a lot about over the last few years. Debuting back in 2018 with her first book, The Sword of Kaigen, Wang blew away the fantasy crowd with this intriguing debut fantasy novel that featured a compelling Asian inspired setting and theme. While I have yet to have the pleasure of reading The Sword of Kaigen, it is currently high on my to-read list, especially as it has received an exceptional amount of love in fantasy circles.  As such, this has made me very curious about Wang, so when I saw that her new book, Blood Over Bright Haven, was coming out in Australia, I made sure to grab a copy of it.  Wang’s second adult fantasy novel, Blood Over Bright Haven was originally self-published in 2023, although I think I will be counting it as a 2024 release later this year.  I really loved the sound of this cool book from Wang, and boy did Blood Over Bright Haven deliver, as it proved to be an epic and highly impressive read.

In a world full of death, despair and fear, the city of Tiran serves as a gleaming beacon of civilisation and safety.  Protected by a magical dome that keeps out the destructive Blight, a mysterious occurrence that destroys everything it touches, Tiran has managed to survive while the rest of the world withers away.  Many of Tiran’s citizens believe that the dome, and the magic that powers it, are a gift from the city’s forefathers and only they have the right to benefit from it.  However, not everyone is treated the same within Tiran.

Sciona is a talented young mage seeking to become the first women ever admitted to the High Magistry at the University of Magics and Industry.  After studying for 20 years Sciona finally proves herself worthy to become a highmage and is excited to push the field of magic forward with her inventive techniques and unparalleled ambition.  However, despite everything she has achieved, when Sciona arrives at the university, she is treated with scorn and derision by her male colleagues and assigned only a janitor to help her rather than a qualified assistant.

Determined to show everyone what she is capable of, Sciona sets out to pioneer new ways of harnessing magical power that will allow Tiran’s dome to be expanded.  Forced to work with the tools in hand, Sciona decides to train her new assistant, the Kwen janitor Thomil, and soon discovers a bright and focused mind.  A former hunter from the plains who sort sanctuary with the city after seeing his entire tribe torn apart by the Blight, Thomil has lived within the oppressive Tiranish system for ten years, trying to survive the city’s prejudice for the Kwen.

Despite their differences, Sciona and Thomil form a formidable team, especially when Sciona begins using Thomil’s knowledge of the world outside of Tiran to good use.  But their work will uncover a dark secret, one rooted at the heart of Tiran’s history and their ability to harness magic.  Can Sciona and Thomil overcome the shocking truth before them to ensure both their people’s survival, or will everything they know come crashing down?

Well damn, now that was a particularly awesome book!  While I had high hopes for Blood Over Bright Haven, this honestly blew me away as Wang produced a truly inventive and powerful novel loaded with dark twists, complicated characters, and a unique magical system.  I could not stop reading Blood Over Bright Haven once I started as this was such an addictive and memorable read.  As such, I have very little choice but to award Blood Over Bright Haven a well-deserved five-star rating, and this was easily one of the best fantasy books I read in 2024.

Wang brings together an addictive and complex stand-alone fantasy narrative for Blood Over Bright Haven that I am frankly still not over due to its very clever twists and dark turns.  Starting off with a great prequel scene that sets the stage for much of the drama to come, you are soon introduced to main character Sciona as she works to become a highmage in the male-dominated magical trade of the city.  The fantastic entrance exam for the High Magistry was honestly the part of the book that first really grabbed my attention, and I loved how it simultaneously introduced the ambitious protagonist and several key plot points, all while presenting the basics for the novel’s distinctive magical system.  I really cannot emphasise how well these initial scenes set the rest of Blood Over Bright Haven up, and you really plunge into the rest of the story from there.

From there the book quickly evolves into a complex story that is part intriguing magical research story part societal piece, as Sciona tries to overcome the inherent sexism of her colleagues while also working with her new assistant Thomil.  Thomil, a Kwen from outside of the city, provides some further insights into the plight of the refugees in the city, which really amps up the excellent social commentary that the author is making.  Thomil’s introduction also allows Wang to further dive into the complex elements of the book’s magic as Sciona teaches him the basics to make him a better assistant.  You swiftly become attached to this new partnership between the idealistic and academic Sciona and the more pragmatic Thomil, and their combined dive into magical theory and the deeper issues of the city proves fascinating, right up until you hit the book’s big twist about halfway through.  Now, I don’t want to reveal too much about this twist because it is so damn impactful, but I also really want to gush about how clever it is.  I must commend Wang for how effectively she set up elements of this reveal in the first half of the book and I was really impressed with how it made so much sense looking back.  It also completely changes the entire tone and context of much of the previous plot, which is frankly brilliant, and you go into the next part of the book a little traumatised as a result.

Naturally the second half of the book is very dark, as Sciona and Thomil try to move past the terrible secrets they have learned.  This results in multiple brilliant scenes, as Sciona has her eyes full opened to all the secrets and lies around her.  I particularly enjoyed the great sequence where Sciona overcomes the initial trauma of learning the book’s big secret by completely outthinking a doctor (who’s alchemical ‘cures’ is another grim plot inclusion which allusions to the historical medical treatment of women), and her somewhat naïve attempts to rationalise everything going on.  Wang takes the reader into the final third of the book with some major moments as the protagonists go on the offensive and try to show the city the truth, even if they don’t want to see it.  I particularly enjoyed the protagonist’s initial inventive attempt to sway people to her cause, which backfires in some shocking, if predictable ways, and everything is set up nicely for the final big twist, which I had honestly been hoping for most of the book.  Wang wraps everything up brilliantly, and there is a bleak, yet hopeful, conclusion, which I think fit the powerful overarching narrative extremely well.  You honestly come out of finishing Blood Over Bright Haven extremely thoughtful, and I cannot emphasise enough just how complex, compelling and clever this entire story was.

I deeply enjoyed how Wang set out her outstanding story, and I really found myself drawn to her compelling writing style in Blood Over Bright Haven.  A very impressive and though-provoking stand-alone fantasy read, Wang balances a lot of great elements in her writing and sets it out extremely well for the reader to appreciate.  The focus on some complex and highly relatable protagonists, whose perspective of the story allows to fully appreciate the hidden horrors of the plot, works extremely well, and I got so drawn into the various elements of the story as a result.  Wang also proves effective at changing the tone of the book to match the plot, and I appreciated how the feel of the book went from a determined tale of magical research against the odds to something far bleaker.  The background setting of Tiran was also extremely effective at helping to showcase the various social issues and concerns that Wang was strongly alluding to with her writing, and the more you learned about the city, the more you understand the points that the author was making.  Wang also proved very effective at hiding the set-up for her big twists throughout her writing, including in examining history and magical theory, which is something I really appreciated.  All the elaborate elements and reveals are extremely well foreshadowed in the earlier parts of the book, and I really enjoyed how everything came together in this plot.

As I have mentioned quite a few times above, I loved the compelling fantasy elements of the Blood Over Bright Haven, which were extremely inventive and highly memorable.  This includes the magical city of Tiran, which, in addition to providing societal elements for the plot, also had a compelling history tied around magic and religion.  However, the best fantasy elements of Blood Over Bright Haven was the truly unique magical system that so much of the plot was focussed on.  In this case, magic revolves around a spellograph, essentially a magical steam-punk computer/typewriter, that allows its wielder to perform magic by setting out specific tasks and drawing energy from an alternate dimensional plain.  While this sounds a bit clunky, it works extremely well, and Wang does an impressive job of setting it out and explaining it to the reader.  The more you learn about this elaborate system, the more you appreciate Wang’s inventiveness, as she clearly put a lot of thought into the various processes and aspects of her system.  The author furthers this by focusing much of the narrative around the protagonist’s magical research, and the reader finds themselves following all of Wang’s thoughts and complex in-universe theories to their inevitable conclusions.  This outstanding magical system adds so much to the book, especially as so much of story’s darker moments are tied into understanding the full extent of how the citizens of Tiran came by their magic and how they utilise it.  This was easily one of the more inventive new sorcerous concepts that I have seen in fantasy fiction for a while, and I cannot emphasise enough about how impressive I found it.

Finally, I need to highlight the great characters who Wang’s impressive narrative was set around, the brilliant, self-absorbed magical student Sciona and the former hunter turned desperate refugee Thomil.  While on paper they sound like the leads of a rom-com, Wang has some elaborate and deep storylines around them that allow for some massive emotional depth and character growth.  The two characters play off each other extremely well in the first half of the book, being an interesting duo trying to prove to the world what they can do.  Both characters represent the oppressed classes of Tiran, and it was fascinating to see the different ways in which they try to address it, from Sciona trying to prove herself to those who will never respect her, while Thomil learns to knuckle under to survive, despite his pride and deep fury.  While there is a little bit of a romantic edge to them at the start, the big reveal at the centre of the novel and their wildly different, but understandable, reactions to it, drives a big wedge, especially as it forces Sciona to finally fully address the many ills of her society, while Thomil comes to understand just how badly he has been wronged.  I felt that both protagonists had some brilliant changes in their personality in the second half of the book, especially Sciona, who loses everything she previously believes in.  Their subsequent interactions are laced with tension, especially as Sciona still attempts to see good in those around her, while Thomil has a more realistic viewpoint.  Despite this, Thomil still tries to help her, and their final interactions, especially once Sciona finally understands everything, is very heartfelt and moving.  These two protagonists are so well written, and Wang’s ability to dive into their minds and hit them with dark emotional curveballs created some gripping and powerful moments.  Throw in Thomil’s wild, but entertaining niece, and a group of fantastic villains whose entitlement, selfishness, and determination to continue institutionalised oppression (cough, sounds familiar, cough), really make you hate them, and this proved to be an outstanding character-driven book.

M. L. Wang is easily one of my favourite new fantasy authors as Blood Over Bright Haven was so damn good. The epic combination of compelling narrative, extremely inventive fantasy elements, effective social commentary, and great characters made for a particularly impressive read, which sticks in your mind long after you put Blood Over Bright Haven down. I honestly cannot recommend this fantastic book enough, and you are in for an incredible treat if you decide to pick it up.  As for myself, I am planning to check out The Sword of Kaigen in the new year, as I really want to read more awesome fantasy fiction from this brilliant new author.

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