Month: November 2025

Star Trek: Lower Decks, Vol. 1: Second Contact

On By The Unseen LibraryIn Comedy/Satire, Comics/Manga, Extended Universe, Science Fiction, Star Trek3 Comments

Publisher: IDW Publishing (Paperback – 16 September 2026)

Series: Lower Decks (2024) – Volume One

Writer: Ryan North

Artists: Derek Charm and Jack Lawrence

Length: 144 pages

My Rating: 4.5 out of 5 stars

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The hilarious adventures of the Lower Decks crew continue in the highly entertaining Star Trek comic, Second Contact, an outstanding and amusing read that will deeply appeal to all fans of the animated series.

I’ve been a little slack with my comic book reading in 2025, but one of the things I was unable to turn down was the first volume of a comic series provide new adventures for one of my favourite Star Trek television series, the comedic Lower Decks animated series.  Second Contact is the first volume of the 2024 IDW Lower Decks ongoing comic series, which follows on from the previously released miniseries.  Written by veteran comic author Ryan North and featuring art from Derek Charm and Jack Lawrence, Second Contact features issues #1-6 of this new series and contains three fantastic and awesome adventures of the chaotic crew of the U.S.S. Cerritos.

Plot Synopsis:
The crew of the U.S.S. Cerritos is back in a new ongoing comic series that’s a big, fun adventure from the hit TV show Star Trek: Lower Decks.

First up, a mysterious ghost ship appears just in time, as Mariner is becoming increasingly frustrated by the lack of thrills aboard the Cerritos! The thrill level increases significantly when the team is beamed onto an equally mysterious surface of an unknown world populated by an alien race that wishes to learn more about mentorship…through a battle royale! Enter Jadzia Dax, Montgomery Scott, Kathyrn Janeway, T’Pol, and Jean-Luc Picard as the mentors and the Lower Deckers as the mentees!

The Cerritos’ next mission is a supply run to Tavela Minor, but they first need to stop by the Alecto system to get some supplies to, uh, supply them with. However, just before they warp, they see the Alecto system isn’t only missing; it doesn’t exist. Like at all. Now they have a space mystery at hand: What could cause a whole star system to disappear?

Then, suspicious after the Cerritos docks for its second baryon sweep in the same year, Mariner sneaks into a command meeting. There, the Department of Temporal Investigations tasks the crew with finding a time traveler who is rewriting Federation history at an alarming rate. Mariner finds her friends and tells them what’s really going on…only for the timeline to change around them! Obviously, something has gone wrong with Command’s mission, and per usual, it’s now up to Mariner, Tendi, Rutherford, and Boimler to save the day!

Second Contact was a very fun and compelling addition to the Lower Decks canon that sent its loveable cast on several great new adventures.  Loaded with intriguing adventures, light-hearted character moments and the self-referential humour fans of the Lower Decks animated series will know and love, Second Contact was a great comic I had an awesome time getting through.

North comes up with three great new adventures for these first issues of the Lower Decks comic, which balances fun with some deep cuts into Star Trek lore.  Set during the animated series’ fourth season, the three stories of Second Contact each run for two issues and stand on their own extremely well, with plenty of laughs, crazy moments and some fun looks at the well-established main cast of Mariner, Tendi, Rutherford, Boimler and T’Lyn as well as the main cast bridge crew.

Of these three main storylines in Second Contact, my favourite was probably the first, which sees the Cerritos crew encounter the abandoned U.S.S. Bonadventure, a starship dedicated fans may remember from the Star Trek: The Animated Series episode The Time Trap.  However, the protagonists’ attempts to study the ship go sideways, with the five newly minted Starfleet lieutenants transported to a mysterious planet by the Excalbians in an entertaining homage to The Original Series episode, The Savage Curtain.  With each Lower Decks member paired with an iconic figure from one of the first five Star Trek live-action series, the cast are forced into a hilarious death fight scenario, which goes off the rails in some very creative ways.  North clearly had a lot of fun parodying two classic Star Trek episodes, mainly through jokes about Kirk’s actions, and the references come fast and thick here.  It’s also hard not to laugh at the viciously over-the-top interpretation of some of your favourite Star Trek characters, especially when they engage in a ridiculous, televised death match, all while the main cast critique the resulting tropes, as well as the various inconsistencies in the setting and the places they visit.  This was a very strong starting point for the series, which includes one of my favourite jokes about Boimler, who, after being paired with Picard, mentally requests the ‘Early Picard. Really stern, the super hard-ass Picard. The one who just got the Enterprise and is really mean about it for some reason’, version of the character, due to his issues with authority figures.

North keeps the intriguing narratives coming quick and fast with the next two adventures, each of which are well laid out in their respective two issues.  This includes a satirically science-heavy story, where the Cerritos investigates a disappearing system, only to encounter unlikely life from another universe.  This narrative, which features some great moments for the always entertaining and light-hearted pairing of Tendi and Rutherford, was a particularly touching inclusion, especially as North veers away from the comic’s typical comedic tone to provide a darker, and reflective conclusion.  However, the humour soon returns with the third and final story in Second Contact, which throws the cast into an unlikely time travel story.  A loving homage to Star Trek’s many time travel episodes, this story sees the five main characters chase the bridge crew and a temporal fugitive who are mucking up the timelines in several inventive ways.  Initially forced to navigate through various hostile versions of the Cerritos, filled with some ridiculous alternate alien crews, they eventually journey to classic time travel destinations the Titanic and the Late Cretaceous, all with inevitable hilarious results.  This third story was a very amusing entry that allowed the Lower Decks crew to get another taste of time travel after the hilarious crossover episode, Those Old Scientists, with the comic format allowing for some particularly inventive and over-the-top scenarios.  All three of these stories come together extremely well, and while they mostly serve as standalone adventures, it is a particularly exciting and compelling overall narrative for Second Contact that you can’t turn away from.

I really enjoyed how North pulled these first six issues together, and you get a good look at his style and understanding of both general Star Trek lore and the specific feel of Lower Decks.  The writing within these comic issues was very similar in style and substance to the animated show, with the loveable characters engaged in several bonkers missions with clever and satirical ties to the wider Star Trek universe.  The main cast of Lower Decks are perfectly captured by North’s writing, and I honestly heard all their fun lines in the character’s respective voices from the show, no matter how ridiculous the statement.  The amazing humour of the original animated series is also perfectly emulated in this comic, with a great combination of outrageous moments and references to classic Star Trek lore.  There are some truly amazing comedic moments here, including some hilarious takedowns of previous Star Trek moments, which range from subtle comments from the protagonist, to a full on bloody brawl between five of the franchise’s most iconic figures thanks to ratings-obsessed aliens.  Throw in some additional self-aware commentary at the bottom of each page from a now-omniscient Badgey, who serves as the comic’s narrator, and this was a very funny read, especially if you loved the Lower Decks show.  While they humour and storylines of the comic are geared towards the more hardcore fans of the franchise, Second Contact is open to all readers, and even those who only have a passing familiarity with Star Trek can have a blast with this comic.

The final thing I want to highlight about the issues contained within Second Contact was the fantastic comic art.  Made to emulate the cartoon style of the animated series, the more simplistic panels and content work well to continue the Lower Decks feel in this comic, which I appreciated as a fan of the show.  There are some interesting minor artistic and stylistic changes after issue 2, after Jack Lawrence tagged in, but both artists did a great job replicating the show’s characters, even if they also went in some amusing directions.  I personally loved some of the sequences by artist Derek Charm where he drew some panels in a manner more reminiscent of Star Trek: The Animated Series, primarily to help mock the old-school cartoon.  There are also some extremely exaggerated and evil drawings of several classic characters, including Picard, Janeway, Scotty and more, as they engage in some overly dramatic moments of villainy.  This includes a glorious double spread where these alien duplicates all switch from nice to derange in only a couple of panels, accompanied by some very crazy moments (such as Scotty casually turning the team’s spacesuits into improvised bombs), all of which added to the humour of the story.  The other artist, Jack Lawrence also has some excellent drawn moments in these comics, including a series of trippy science moments, such as a blank section of space suctioning up planets, as well an exaggerated sequence of time travel, which enhanced the narrative of these entries. This great art from Charm and Lawrence was very fun, and I enjoyed their entertaining visual takes on the Lower Decks cast.

Star Trek: Lower Decks contained in wildly entertaining fashion with this great new comic.  Featuring some fantastic stories, amazing humour and awesome artwork, Second Contact was an outstanding first volume in this series, and it was one I had a blast getting through.  Highly recommended for all Star Trek and Lower Decks fans, especially those who like self-aware jokes about this iconic franchise.

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The Pilgrim’s Revenge by Scott Mariani

On By The Unseen LibraryIn Historical Fiction, Thriller2 Comments

Publisher: Hodder & Stoughton (Trade Paperback – 26 August 2025)

Series: Will Bowman – Book One

Length: 323 pages

My Rating: 4.5 out of 5 stars

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Prepare for war in Scott Mariani’s compelling and action-packed historical thriller, The Pilgrim’s Revenge, an awesome read with some real heart to it.

Scott Mariani is a veteran author whose work I have been meaning to check out for a while.  A major thriller author, Mariani is best known for his long-running Ben Hope series which features modern spy fiction narratives with the protagonist unwinding puzzles and conspiracy theories from history.  While I haven’t had the chance to read any of Mariani’s thrillers, his 2025 release, The Pilgrim’s Revenge caught my eye, especially as it is the first time that Mariani has written a full historical fiction novel.  The first book in Mariani’s new Will Bowman series, The Pilgrim’s Revenge was an intense and captivating take on the classic medieval historical fiction adventure, featuring a great revenge twist.

Plot Synopsis:

1190 – Humble layman Will Bowman lives in the countryside with his pregnant wife, when soldiers from Richard Lionheart’s army tear through his home. Will is beaten unconscious, and awakes to find his wife murdered, his farm burnt down, and his life forever changed.

In vengeance, Will infiltrates Richard’s army to find the marauding gang, and finds himself swept along in the march of the Crusades. With the help of new allies and fuelled by his loss, Will crosses Europe with the King’s army.

Can Will avenge his wife? Or will he be swept away by the unstoppable force of Richard’s Crusade?

The Pilgrim’s Revenge was an outstanding and action-packed novel from Mariani, who dives into full historic fiction with great enthusiasm.  Setting the scene quickly, with an introduction to point-of-view protagonist Will Bowman, a minor landowner and skilled hunter, the book soon takes a dark twist when a group of pillaging soldiers kill his pregnant wife, burn his farm and leave Will for dead.  Determined to get revenge, Will takes up his bow and starts following the attackers, determining them to be pilgrims on the way to join Richard the Lionheart’s attack on the Holy Lands.

After a good initial period in England, where Will encounters friendship and additional heartbreak as part of his personal journey, the protagonist soon boards a ship towards the Holy Land.  This middle section of the novel is useful for introducing several great supporting characters and provides some compelling historical context to the events that Will is a part of.  After some exciting sequences at sea, as well as a sudden action-packed siege, the plot takes the protagonist into King Richard’s orbit in Sicily as part of some established historical events.  Mariani also gives Will the first glimpses of his goal, which ends in an exciting and tense series of encounters that add some excellent drama and risk.  Following some surprising developments, Mariani continues to explore the early parts of Richard’s crusade, including his landing in Cyprus, which provides some awesome fight sequences, before setting the protagonist up for the big confrontation of the novel.  While the development of the later part of this story isn’t too surprising, it features some fantastic and exciting moments, and plays into the established historical events really well.  Wrapping up on an excellent, if unexpectedly complete, note, Mariani leaves the story open for more adventures, which we’ll probably see very soon.

I think that the author provided a strong story for The Pilgrim’s Revenge, and this proved to be an excellent piece of historical fiction with a bit of a thriller flair to it.  Loaded with action, intriguing descriptions of the period, as well as some entertaining characters, The Pilgrim’s Revenge was a great historical adventure, which Mariani ensures stands out from the various other novels set in this period thanks to its central character and he’s unique motivations.  I particularly appreciated the author’s use of the third-person perspective through the eyes of protagonist Will Bowman, which really paints a personal and insightful look at the events of the Third Crusade.  Having a simple English farmer, who has relatively little knowledge of the land outside his local community, slowly learn about the lands of the later 12th century as part of his own personal journey, really allowed new readers with less historical knowledge to dive into the events of this book a lot easier.  At the same time, Mariani clearly puts the work in describing the historical elements of the book, whether it’s the details of the crusade, interesting depictions of real-life figures, or even complex depictions of day-to-day life and the social, technological and military element of the time.  Thanks to the exciting, action-packed plot, readers can power through The Pilgrim’s Revenge quickly, but for those who stop to savour the author’s compelling writing, there are some amazing details and compelling character moments to appreciate.

Overall, The Pilgrim’s Revenge was an outstanding and captivating novel, as Scott Mariani sets up an exciting new series.  Featuring an enjoyable, action-laden plot, The Pilgrim’s Revenge was an amazing novel to get through, especially with its compelling depictions of war and life in the 12th century.  A very exciting read, I quickly flew through The Pilgrim’s Revenge and is worth checking out especially if you enjoy intense and detailed historical reads.  I look forward to continuing the Will Bowman series going forward, and I’ve already got a copy of the sequel, The Knight’s Pledge, which I am hoping to read soon.

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The Widow by John Grisham

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Publisher: Hodder & Stoughton (Trade Paperback – 21 October 2025)

Series: Standalone

Length: 404 pages

My Rating: 4.75 out of 5 stars

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Iconic author John Grisham continues to shine as one of the leading authors of the legal thriller genre with his outstanding new novel, The Widow, a clever, character-driven book that relentlessly drags you in.

Most people will be very familiar with author John Grisham, considering he has been presenting awesome novels filled with complex legal cases since 1989, many of which have been turned into films or television series.  I started reading Grisham in the last few years, having been lucky enough to receive copies of some of his latest novels, including The Judge’s List, The Boys from Biloxi, Sparring Partners, The Exchange and Camino Ghosts.  All these novels proved to be a lot of fun, and I enjoyed the interesting collection of stories and sub-genres that Grisham would explore in these books.  As such, I was very keen to read Grisham’s new novel, The Widow, especially as it had an exciting and compelling plot behind it.

Plot Synopsis:

She needs a lawyer. He needs a payday.

Simon Latch is a small-town lawyer struggling with debt, gambling issues and an impending divorce. But when Eleanor Barnett, an 85-year-old widow, visits his office to secure a new will, it seems his luck has finally changed: she claims she’s sitting on a $20 million fortune and no one else knows about it.

She could be the ticket to his fortune.

Once he’s hooked the richest client of his career, Simon works quietly to keep her wealth under the radar, even from his own assistant. But there are complications: other lawyers are circling his client like vultures.

But when she is hospitalised after a car accident, Eleanor’s story begins to crack. Simon realises that nothing is as it seems. And as events spiral out of control, he finds himself on trial for a crime he swears he didn’t commit: murder.

The Widow was a very interesting and captivating novel from Grisham that combined a distinctive story of a down on his luck protagonist, with a complex mixture of murder and thrilling legal elements.  A very clever read that I had an excellent time getting through, The Widow is Grisham at his best and proved to be a particularly engaging read.

Grisham relies on a well-crafted character-driven narrative for The Widow, which gradually draws the reader in until they are unable to put the book down.  Starting off with a deliberate, slower pace, the early parts of The Widow are primarily focused on introducing and showcasing the life of protagonist Simon Latch, as well as the various people in his orbit.  A lawyer with a stalled career, gambling issues, and a failing marriage, Simon is eager for fresh opportunities, which seems to walk in the door in the form of elderly widow Eleanor Barnett, who requires a new will.  Unable to resist the allure of Eleanor’s reputed fortune, Simon secretly takes her on as a client, hoping to manipulate her into signing a favourable will that he can later abuse for his own financial gain.  Forced to remain in Eleanor’s orbit for his scheme, Simon begins to learn more about his unusual client, who seems to bring trouble down on all around her.  At the same time, Simon keeps making all the wrong decisions in the other areas of his life, which results in him becoming increasingly desperate for a payday.  Grisham does an outstanding job of building up the extensive background of the characters and their motivations in the first half of The Widow, and the elaborate picture of greed, secrets and self-destructive behaviour allows for a very impressive second half of the book.

Deftly amping up the pace in the second half of The Widow, things change quite dramatically when Eleanor passes suddenly, and Simon is free to enact his plan.  However, before he can go through with it, Simon is charged with Eleanor’s murder and soon finds himself a pariah in his own town.  With the evidence stacked against him, the protagonist finds himself embroiled in an elaborate court battle as he tries to prove his innocence.  Expertly building on all the events and interactions in the first half of The Widow, Grisham sets up an impressive and very realistic series of court sequences, all while the Simon’s life falls even further apart around him.  There is a brilliant sense of desperation and despair in this second half of the book, and you really get drawn into the thrilling legal battles, which are laced with beautiful uncertainty, as you are unsure if the protagonist is truly innocent and where the story is going to go next.  I personally was enthralled with this second half of The Widow and powered through it extremely quickly, as I was keen to see how the court case ended and the reveals about who was responsible for Eleanor’s death.

While I loved all the key legal battles, and the extensive court case that takes up a good chunk of the second half of the book, I must admit that I was a little disappointed with how The Widow ended.  This was because the final 50 pages contained a rushed, and slightly unlikely, investigation arc that looks to uncover the truth of how the titular widow died.  While there are some excellent elements to these final pages, the revealed truth about Eleanor’s death comes a little out of nowhere and derailed the careful nature of the rest of the plot.  While there are some hints about who or what was responsible earlier in the book, I think that Grisham erred with this ending, and a different reveal more connected to the main plot would have been better.  Still, it was a mostly satisfying conclusion to book’s overall narrative, and readers will be happy where some of the main cast, especially the protagonist, finish up.

I really enjoyed how Grisham wrote The Widow, as the author effortlessly pulled together a complex story of the legal system told primarily through the eyes of an ethically dubious lawyer.  Featuring elements reminiscent of the author’s other small-town legal thrillers, particularly those set in Clanton, this was an amazing character-focused book.  Grisham does an excellent job of effectively introducing the protagonist, Simon Latch, and viewing his descent from respected lawyer to suspected killer thanks to his own greedy actions.  Thanks to Grisham’s clever examination of all the events of the protagonist’s life, you feel very sympathetic towards Simon, even if he continuously makes things worse for himself.  The somewhat simplistic dishonestly of Simon is well matched by some of the more devious or naturally deceitful characters in The Widow, including the elderly Eleanor Barnett, who suddenly becomes the most important person in Simon’s life.  Old, crotchety and stubborn, Grisham paints a great layer of uncertainty around Eleanor, which ensures the reader is never quite sure whether she is genuinely rich, or pulling some sort of elaborate con on Simon and the other lawyers in his town.  The eventual reveal of this truth is extremely fun, and thanks to the way the two characters are entangled at the end of Eleanor’s life, it helps produce a fantastic murder trial that you can really sink your teeth into.

The resulting criminal defence case was the true highlight of The Widow, and Grisham was in his wheelhouse writing not only the trial but the more mundane legal elements of the protagonist’s practice, which proves to be a key part of the plot.  I deeply appreciated how well the court case played out in the second half of The Widow, which cleverly revisits the events of the first half of the book to examine the protagonist’s guilt.  It soon becomes clear that Grisham did an amazing job hiding a lot of hints and relevant details in the early parts of the plot, and the way these elements come to be used later in was extremely clever.  While I still have my doubts about the novel final reveal, the rest of the book has an excellent flow to it, and I really appreciate how Grisham upped the pace in the second half of the book with a truly gripping court battle.  Throw in an excellent depiction of small-town life and the Virginia legal system, thanks to the portray of fictional town of Braxton and this ended up being a very compelling novel I honestly couldn’t put down.

John Grisham continues to highlight why he is one of the very best writers of legal thriller fiction with The Widow.  A complex and powerful novel, with a compelling protagonist focus, The Widow was a brilliant read, and I loved how wrapped up I got in the book’s outstanding mystery and the various secrets and legal battles surrounding it.  While there are some stumbles towards the conclusion, The Widow was an overall incredible read that is going to appeal to all Grisham fans and those who love a good legal thriller.  I look forward to diving into whatever Grisham writes next.

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WWW Wednesday – 12 November 2025

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WWW Wednesday is a weekly post hosted by Taking on a World of Words, where bloggers share the books that they’ve recently finished, what they are currently reading and what books they are planning to read next. Essentially you have to answer three questions (the Three Ws):

What are you currently reading?
What did you recently finish reading?
What do you think you’ll read next?

So, let’s get to it.

What are you currently reading:

Seven Recipes for Revolution by Ryan Rose (ebook)

I’ve just started reading the awesome 2025 fantasy debut, Seven Recipes for Revolution by Ryan Rose. An exciting and compelling novel full of cookery-based magic, Seven Recipes for Revolution follows the journey of a low-born apprentice chef as he journeys toward revolution, while creating new magical food. I’ve had my eye on this book for a while, so I’m very happy to finally read it, especially as it’s proving to be a really captivating read. I’ve made a bit of progress on this novel so far and I’m aiming to finish it off in the next few days.

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Cold War by Jonathan Maberry (Audiobook)

I still powering through the dark and twisted science fiction audiobook, Cold War by Jonathan Maberry.  The second novel from Maberry in 2025 after Burn to Shine, Cold War is the compelling sequel to last year’s NecroTek, and continues to follow a group of humans transported across the universe to fight Lovecraftian monsters. A clever, terrifying and deeply addictive read, Cold War had me hooked early on, and I am flying through its audiobook format, especially with the legendary Ray Porter narrating it. I’ve only got a few hours of this audiobook left, and I will hopefully finish it off very soon.

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What did you recently finish reading?

The Proving Ground by Michael Connelly (Trade Paperback)

I managed to finish off the new Lincoln Lawyer novel from acclaimed crime fiction author Michael Connelly, The Proving Ground.  Connelly’s second novel of 2025 after Nightshade, The Proving Ground sees two iconic protagonists from Connelly’s shared universe team up to take on a corrupt AI company.  This was an exceptional legal thriller, and I am hoping to write something up for it very soon.

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Kill Your Boss by Jack Heath (Trade Paperback)

I also managed to read the awesome Australian crime fiction novel, Kill Your Boss by Jack Heath this week. The outstanding follow up to Kill Your Brother and Kill Your Husbands, Kill Your Boss was a deeply impressive and fun novel with an excellent mystery behind it. A book I absolutely powered through, and which comes very highly recommended.

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What do you think you’ll read next?

Tyrant of Rome by Simon Scarrow (Trade Paperback)

The next book that I’m hoping to read is the exciting new Eagles of the Empire novel, Tyrant of Rome. An intriguing new historical fiction novel from the always impressive Simon Scarrow, Tyrant of Rome will see the series’ two soldier protagonists fight on a new battlefield when they are given control of law and order in ancient Rome. This book has so much potential, and I cannot wait to check it out.

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That’s it for this week; check back in next Wednesday to see what progress I’ve made on my reading and what books I’ll be looking at next.

Waiting on Wednesday – Sister Svangerd and the Not Quite Dead by K. J. Parker

On By The Unseen LibraryIn Fantasy, Waiting on Wednesday1 Comment

Welcome to my weekly segment, Waiting on Wednesday, where I look at upcoming books that I am planning to order and review in the next few months and which I think I will really enjoy.  Stay tuned to see reviews of these books when I get a copy of them.  For this latest Waiting on Wednesday, I highlight what is sure to be one of the more hilarious novels of early 2026 with Sister Svangerd and the Not Quite Dead by K. J. Parker.

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Fans of this blog will know that I love a fantasy novel that utilises humour and comedy to enhance its story, and to my mind few authors do that better than K. J. Parker.  A pseudonym of author Tom Holt, Paker has been delighting readers for decades with his intriguing reads that blend his unique sense of humour with elaborate and well-thought-out fantasy or historical fiction-inspired scenarios.

I fell in love with Parker a few years ago when I was lucky enough to receive copies of his captivating and brilliant The Siege trilogy, which includes some of the funniest books that I have ever read. Set around a lengthy siege of a powerful city, all three books told unique stories of the besiegement from a different, unreliable narrator, in a great, loosely connected trilogy which perfectly showcased Parker’s outrageous humour and impressive inventiveness.

The first book in the series was the very impressive Sixteen Ways to Defend a Walled City (one of my favourite books of 2019), which saw an amoral engineer take command of the city’s defences and use a mixture of mechanisms and bluffing to keep out the enemy. This outstanding read was followed up by the extremely funny How to Rule an Empire and Get Away with It (one of my favourite books of 2020). Set years after the events of the first book, this sequel followed an actor in the still besieged city tasked with impersonating a dead war hero, and who then uses his position to take over everything. Parker masterfully finished the trilogy off with A Practical Guide to Conquering the World (one of my favourite books of 2022).  This outstanding finale saw a scribe and scholar from the city out on embassy duty manage to use his unique array of obscure knowledge, as well as a strong understanding of basic human nature, to overthrow a nation and then the entire world in a brilliant sequence of manipulation and cleverness.

After The Siege trilogy, Parker was fully on my radar as an author to grab as much as possible for, and I made sure to follow through with that in the following years.  While I haven’t always been able to get his intriguing novellas, I did make sure to get his next three novels, all of which were part of the hilarious and gripping Corax trilogy.  Set in the same universe as The Siege trilogy after a substantial time skip, the Corax series follows the titular Saevus Corax, a professional battlefield scavenger, whose secret past makes him one of the most dangerous and wanted figures on the continent.

All three of the Corax books were extremely impressive, with the first novel, Saevus Corax Deals with the Dead, introducing the titular protagonist and saw him engage in a series of brazen plots to stay alive after he is kidnapped and forced to become the ultimate pawn in a sprawling game of kings, religions and money.  I had so much fun with this epic book, and Saevus Corax Deals with the Dead ended up being one of my favourite books of 2023.  Naturally I had to keep going with this cool trilogy, especially as the next two novels, Saveus Corax Captures the Castle and Saevus Corax Gets Away With Murder, were released in quick succession in late 2023 (although I didn’t get a chance to read them until 2024).  Both these impressive novels, which took Corax on even more deadly adventures, were simply incredible, and I loved the intense humour, elaborate schemes, constant betrayals, as well as the clever world building, as each of Corax’s adventures results in additional conflicts and wars down the road.  All these books were instant five-star classics, and I have been eager to see what elaborate, comedic novels Parker will write next.

Well, it looks like I won’t have that much longer to wait, as Parker has an awesome new novel coming out in January 2026.  This book, Sister Svangerd and the Not Quite Dead, will serve as the first book in the author’s Loyal Opposition trilogy, and will follow an unlikely religious figure, as they engage in murder, intrigue and deadly theology, in what sounds like a brilliantly insane and hilarious read.

Plot Synopsis:

Not even the Church of the Invincible Sun is invincible – and somebody has to do its dirty work. Enter Sister Svangerd and her accompanying priest, both accomplished practitioners. Their mission is simple: to make a meddlesome princess disappear (permanently).

To get to her, they must attend the legendary Ecumenical Council, the once-in-a-century convening of the greatest spiritual minds the world has to offer. But when they arrive, they find instead a den of villainy that would make the most hardened criminal blush.

To complicate matters further, it appears that some people long considered dead might not be after all. What began as a simple murder is about to escalate into a theological debate of terrifying complexity.

From World Fantasy Award-winning author K. J. Parker comes a devilishly clever tale of murder, intrigue, and existential crisis.

Now this is another awesome and hilarious sounding book from Parker.  Following a murderous nun who serves as a church’s troubleshooter and assassin is a very fun idea, especially as her next mission is in the middle of a cutthroat and corrupt religious conference to kill a meddlesome princess.  I’m expecting that Sister Svangerd and the Not Quite Dead is going to feature Parker’s trademark blend of clever storytelling, self-aware characters, and a massive array of betrayals and schemes.  I’m honestly expecting so many secrets, lies and double-crosses to come out, and I cannot wait to see the protagonist navigate her way through the religious fanatics and corrupt clergy to achieve her goal.  I’m also curious to see what world-building Parker does with this new novel and whether the Loyal Opposition novels sit within the same world as some of his previous series.  Even if there is a different setting, I’m expecting a lot of the same energy as The Siege and Corax trilogies, which can only mean that Sister Svangerd and the Not Quite Dead is going to be exceptional.

Look, there is honestly no chance I won’t be reading Sister Svangerd and the Not Quite Dead in the new year, especially as K. J. Parker’s last two trilogies were just too damn good.  I am so extremely excited to read another twisty and hilarious novel from Parker, especially one filled with killer intrigue and over-the-top religion.  Sure to be one the funniest and most intelligent fantasy novels of 2026, Sister Svangerd and the Not Quite Dead is so very high up on my reading list, and I will be devouring this the second I get it.  Special mention also needs to go to the second book in the upcoming Loyal Opposition trilogy, Sister Svangerd and the Devil You Know, which is currently coming out in March 2026 and will likely be a top sequel of the new year.

Waiting on Wednesday – The Shark by Emma Styles

On By The Unseen LibraryIn Australian, Thriller, Waiting on Wednesday4 Comments

Welcome to my weekly segment, Waiting on Wednesday, where I look at upcoming books that I am planning to order and review in the next few months and which I think I will really enjoy.  Stay tuned to see reviews of these books when I get a copy of them.  In this week’s Waiting on Wednesday post, I check out an intriguing and intense upcoming Australian thriller with The Shark by Emma Styles.

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Back in 2022 I had the pleasure of reading the exciting and entertaining thriller, No Country For Girls, which was the debut novel of new Australian author Emma Styles. Set in the harsh Western Australian outback, No Country For Girls was an outstanding read, featuring two great protagonists on a gritty and deeply personal journey. Fun and compelling, No Country For Girls ended up being one of my top debut novels of 2022, and I was curious at the time to see what Styles would write next.

Well, it looks like I will finally be able to find out soon as Styles has her second novel coming out in early 2026, and it sounds pretty epic. This new novel, The Shark, is set for release in March 2026, and features a powerful plot about a deadly Australian serial killer and two teenage girls who attempt to stop him.

Plot Synopsis:

A killer is stalking the suburbs of Western Australia. Two teenage girls hell-bent on revenge take matters into their own hands, with deadly results. Another dark, uniquely voice-led crime thriller from Wilbur Smith Adventure Writing Prize-winner Emma Styles.

Every monster has a weakness.

At the height of Australian summer, a serial killer dubbed The Shark stalks a beachside suburb, targeting young female swimmers whose bodies are later found on the shoreline.

Disempowered and angry at the failures of the police to protect them, two young women are hell-bent on revenge. Raych has lost someone and will go to any length to discover what happened to her, while Carmen suspects a disturbing connection to the killer.

Together they form an uneasy alliance and, in a moment that changes the trajectory of their lives, Carmen and Raych abduct and imprison the prime suspect. Do they think they can save the day, or are their intentions darker? Can they trust one another’s agenda? And when another young woman goes missing, what stops them from going to the police?

A dark and voice-led serial killer thriller that subverts the tropes of crime fiction at every turn, The Shark is an unforgettably propulsive novel about victimhood, power and autonomy.

Now this is a very interesting book by Styles.  I love the awesome scenario above, which promises to turn The Shark into a particularly intense read.  Pitting two teenage protagonists against a potential serial killer, while other deaths and disappearances are occurring outside their prison has so much potential, and this thriller has one of the more distinctive and exciting plot synopses of novels coming out in early 2026. 

While I would probably have grabbed The Shark no matter what in 2026, especially after really enjoying No Country For Girls, I must admit that I’m already a little obsessed with the above plot.  Emma Styles has come up with an extremely interesting idea for her second novel and I am extremely curious to see how it comes together.  If Styles backs up this great plot with some amazing characters and dark moments of dread and uncertainty, then The Shark will likely be one of the top pieces of Australian fiction in 2026.  I cannot wait to see how this book comes together, and I have a strong feeling that I am going to love it.

WWW Wednesday – 5 November 2025

On By The Unseen LibraryIn WWW WednesdayLeave a comment

WWW Wednesday is a weekly post hosted by Taking on a World of Words, where bloggers share the books that they’ve recently finished, what they are currently reading and what books they are planning to read next. Essentially you have to answer three questions (the Three Ws):

What are you currently reading?
What did you recently finish reading?
What do you think you’ll read next?

So, let’s get to it.

What are you currently reading:

The Proving Ground by Michael Connelly (Trade Paperback)

I’ve started reading the awesome new Lincoln Lawyer novel from acclaimed crime fiction author Michael Connelly, The Proving Ground.  Connelly’s second novel of 2025 after Nightshade, The Proving Ground sees two iconic protagonists from Connelly’s shared universe team up to take on a corrupt AI company.  I’m about halfway through The Proving Ground at the moment and it’s a pretty outstanding legal thriller that really dives into the risks behind AI. I am honestly really loving The Proving Ground, which is likely to be one of my top books of the year, and I am hoping to finish it off in the next couple of days.

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Cold War by Jonathan Maberry (Audiobook)

I have also started listening to the dark and twisted science fiction audiobook, Cold War by Jonathan Maberry.  The second novel from Maberry in 2025 after Burn to Shine, Cold War is the compelling sequel to last year’s awesome novel, NecroTek, and continues to follow a group of humans transported across the universe to fight Lovecraftian monsters. A clever, terrifying and deeply addictive read, Cold War already has me hooked, and I am currently flying through its audiobook format, especially with the legendary Ray Porter narrating it.

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What did you recently finish reading?

The Pilgrim’s Revenge by Scott Mariani (Trade Paperback)

I ended up powering through the exciting historical fiction read, The Pilgrim’s Revenge this week. An awesome release from thriller author Scott Mariani, The Pilgrim’s Revenge was an intense read that all fans of historical action are going to love.

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The Feeding by Anthony Ryan (Audiobook)

I also quickly finished off the excellent horror novel from Anthony Ryan, The Feeding.  Featuring an intriguing post-apocalyptic vampire narrative, The Feeding was a deeply compelling book that comes very highly recommended. Review to follow soon.

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What do you think you’ll read next?

King Sorrow by Joe Hill

I hoping to read the excellent sounding horror novel, King Sorrow, in the next week. A particularly epic sounding novel that will follow a group of friends who make a dark deal with an ancient evil, King Sorrow has a ton of potential, and it sounds like it is going to be a twisted and impressive read.

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That’s it for this week; check back in next Wednesday to see what progress I’ve made on my reading and what books I’ll be looking at next.

Everyone in this Bank is a Thief by Benjamin Stevenson

On By The Unseen LibraryIn Australian, Comedy/Satire, Five-Star Books, Murder MysteryLeave a comment

Publisher: Penguin (Trade Paperback – 30 September 2025)

Series: Erenest Cunningham – Book Four

Length: 355 pages

My Rating: 5 out of 5 stars

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The over-the-top investigations of Ernest Cunningham resume in the outstanding and highly entertaining Australian crime fiction novel, Everyone in this Bank is a Thief by Benjamin Stevenson.

For the last few years, the Australian crime fiction scene has been the playground of Benjamin Stevenson. A comedian and performer with his brother, Stevenson started writing back in 2018 when he debuted his first crime fiction novel Greenlight (also released as Trust Me When I Lie and She Lies in the Vines), which Stevenson expertly followed up a year later with the great sequel Either Side of Midnight.  While these initial books were really good, for me Stevenson’s best work has been his Ernest Cunningham novels.

The Ernest Cunningham series follows the titular character, a crime fiction expert from a notorious family, who finds himself caught up in some real-life whodunit situations. The first book in the series, Everyone in My Family has Killed Someone (one of my favourite Australian novels of 2022), was particularly impressive, and it cleverly combined the author’s great sense of humour with a compelling mystery. Stevenson continued to impress the following year, with Everyone on this Train is a Suspect (one of my favourite books and pieces of Australian fiction of 2023) a worthy sequel that further parodied various crime fiction subgenres. Stevenson even released a short, but impactful, Christmas entry in the Ernest Cunningham series last year with Everyone this Christmas has a Secret, which saw a Christmas variety show get very bloody, and which ended up being one of my favourite pieces of Australian fiction in 2024. Due to how wildly entertaining these books were, I just had to get the fourth book in the series, Everyone in this Bank is a Thief, when it came out this year, and it was one of my most anticipated reads for the second half of 2025, especially with its fun title and awesome plot concept.

Ernest Cunningham, murder mystery expert and Australia’s least likely detective, has so far solved three murders, each in its own outrageous scenarios.  But even he is unprepared to solve a case in the middle of a bank robbery.

Trapped in a small-town bank while trying to get a loan for their new detective agency, Ernest and his fiancé Juliette find themselves at the mercy of a masked armed bandit, who has locked down the bank and demanding access to the vault.  The only problem, the bank’s chief of security who knows the code is missing, and Ernest was just in the process of being hired to find him.

Besieged by the police and with no chance of escape, Ernest is determined to get his fellow hostages out alive by discovering out the vault’s code.  However, as he begins his enquiries, he quickly discovers that the armed man holding them hostage isn’t the only criminal he’s dealing with.  There are many different things that can be stolen in this bank, and all the trapped hostages have their own plots in motion.  However, only one person is there to steal a life, and when bodies start turning up, Ernest once again finds himself in the middle of a murder investigation.

With all the suspects trapped in the bank with him, Ernest works quickly to solve the murders before the police end the siege.  All the people in the bank are suspicious, but is the killer the bank robber, the silent priest, the greedy film producer, the teen gaming prodigy, the dying teenage girl and her mother, or a member of bank’s staff? To find the truth, Ernest will have to uncover everyone’s secrets and work them into his established rules for a murder mystery.  But can he solve the crime before the killer takes him out, or is this one crazy investigation that even Ernest Cunningham cannot survive?

Benjamin Stevenson once again deeply impresses as Everyone in this Bank is a Thief was a brilliant and highly addictive novel that perfectly combines over-the-top mystery with the author’s distinctive humour.  Clever, wildly entertaining, and just a little silly, Everyone in this Bank is a Thief was so much fun to read, and it gets a full five-star rating from me.

What another brilliant and hilarious story.  Everyone in this Bank is a Thief was such an entertaining read, and I loved how crazy and exciting Stevenson made it.  Starting off with an interesting introductory note from the protagonist that sets the scene and foreshadows some of the events to come, you are quickly taken to the bank setting in small-town Australia, where Ernest and returning character Juliette are tasked with investigating the missing head of security, who has changed the code to the vault.  Stevenson does an effective job of introducing the locked room scenario, as well as the various suspects in these opening chapters, before the bank is taken over by the masked armed robber.  With everyone gathered as hostages and the bank surrounded by police, Ernest finds himself taking on the task of finding the combination to the vault to fulfil the robber’s unusual request of a single dollar from the bank’s vault.  This initial investigation provides a lot of hints about events for the future, before the story takes an enticing turn when someone dies in a spectacularly unusual situation.  This inspires Ernest to take on an unadvised secondary role in the case, which moves the story into an entertaining new direction.

The second half of the book is even more compelling, and you power through it fast as you can to get to the conclusion.  It quickly becomes apparent that there are multiple murders associated with this case, in addition to the other simultaneous heists taking place throughout the bank, all of which Ernest needs to uncover to solve the entire case.  The author selectively reveals some of these secondary crimes earlier in the plot, which allow the story to move forward, while also moving the suspicion away from some of the potential suspects.  While Stevenson continues to work in even more details about the suspects and the circumstances of their heists, there is also a certain amount of personal drama added into the mix, especially once Juliette realises the lengths Ernest has gone to solve the case, with some excellent moments leading up to it.  The interplay between the main plot and the author’s notes that hint at the future become even more entangled and urgent as the book continues, especially as the events of the two start to catch up, and Stevenson works in the usual concern about the protagonist’s survival a little earlier than usual.  Everything leads up to the classic summation gathering, where all the remaining secrets are revealed in hilarious and over-the-top fashion.  Featuring a big and deadly climax that all of Ernest’s investigations seem to require, the book ends on an entertaining note, with the series still having the potential to go forward.

I really enjoyed this new novel from Stevenson, which was an excellent continuation of the Ernest Cunningham series.  Working well as either the fourth book in the series, or an excellent standalone novel, Everyone in this Bank is a Thief was a lot of fun, with the concept of a crime fiction expert using the tropes of the genre to identify the killer in a humorous situation still as effective as ever.  Told in the form of a true-crime book by the protagonist as he recounts the events of the bank heist, the narrative features a classic closed circle of suspects as Ernest investigates several murders, including an actual locked-room mystery, as well as several adjacent thefts, all while trapped in the murder scene.  The result is an over-the-top mess of an investigation, as the various big personalities trapped in the bank clash with Ernest’s unusual methods and style, much to the audience’s glee.  While there is a lot of focus on the book’s humour, Stevenson also does a great job pulling together a complex mystery with a lot of compelling suspects.  There are a lot of intricate details and clues loaded into the story, often hidden by the more comedic interactions, and all these elements are well used later in the book, whether in solving the murders or examining the various hidden motivations of the other characters.  The eventual reveal of the killer also proves to be quite clever, and there is some fantastic build-up to the discovery, even if the methods the protagonist uses to uncover them, as well as the crimes itself, are a tad ridiculous.

As with the previous books in the series, Everyone in this Bank is a Thief is a great satirical take on classic crime fiction novels, with the author and the protagonist both keen to utilise and honour the well-known tropes of the genre.  While Stevenson once again features a fun takedown of old-school detective fiction murder mysteries, he also takes his protagonist outside of his crime fiction wheelhouse with the murder taking place amid a heist.  Forcing the protagonist to apply heist tropes alongside his established rules for classic murder mysteries results in a great hybrid case, with a lot of jokes and references about both subgenres of crime fiction.  Stevenson naturally goes overboard with the heist elements, with several concurrent thefts happening in the bank, all of which could serve as a potential motive for murder.  I loved the outrageous variety of thefts that were worked into the plot, especially as most weren’t typical fictional robberies, and it was quite impressive to see Stevenson work them into the novel’s larger murder mystery.  The series’ usual pre-narrative hints of events and murders to come, with accompanying page numbers, were missing in this latest novel, instead replaced by the alternate focus on the protagonist’s plight, as he instead uses the introduction to reveal that he is trapped in a safe and slowly running out of air.  The humour of this situation, as well as build-up of suspense to when Ernest gets locked in the safe, added some extra fun and drama to the plot, and it was an interesting twist on the usual Ernest Cunningham book.  I really enjoyed how Stevenson continues to experiment and alter the initial story and writing concepts he introduced in Everyone in my Family has Killed Someone, and this book was a worthy addition to this series, especially with the new focus on heist fiction in addition to other comedic differences.

As with the previous books in the series, Everyone in this Bank is a Thief features a memorable and over-the-top cast of characters.  This includes series protagonist Ernest Cunningham, a writer and crime fiction expert who has accidently found himself in the middle of several murder investigations.  Attempting to continue his unlikely career as a professional detective, Ernest proves to be an intriguing and entertaining protagonist, especially with his cynical outlook on the world.  Much of the book’s humour comes from Ernest’s entertaining observations of the people around him, and he has a unique way of solving crimes that mocks traditional murder mysteries in all the best ways.  There is a compelling addictive element to Ernest’s need to solve crime in this latest novel, which often forces him to make some stupid decisions, and the author adds in some interesting and entertaining self-reflective moments that I quite enjoyed.  There is also and quite entertaining look at Ernest’s notoriety and semi-fame in wider society, which plays into the story in several fun ways, including making him a potential target for murder.  I loved how much Ernest has developed over the series, and this proved to be a great extra inclusion to his story.

The rest of the cast of Everyone in this Bank is a Thief is also quite impressive, with my favourite being Ernest’s patient fiancé, Juliette.  A strong-willed, intelligent supporting character who has been Ernest’s love interest since the first book, Juliette often finds herself trapped in these elaborate murder investigations alongside her partner.  Her latest outing in Everyone in this Bank is a Thief was particularly fun, as Stevenson used some interesting shenanigans to showcase Juliette’s feelings about Ernest’s antics, especially when he gets caught up in an investigation.  The real brains and emotional heart of this novel, Juliette was extremely awesome, and I love how well she complements Ernest as the protagonist.  The rest of the cast, the majority of whom are fellow hostages in the bank, also prove to be a ton of fun, especially as all of them are thieves in one way or another.  While I’m going to limit my discussion about these supporting characters to avoid spoilers, I will say that Stevenson came up with an awesomely eclectic group of suspects, red herrings and rogues here, and uncovering their associated ploys and schemes made for some great reading.

Overall, Everyone in this Bank is a Thief was outstanding fourth entry in the Ernest Cunningham series, and I had such an epic time getting through it.  Benjamin Stevenson has perfected his formula for highly entertaining murder mysteries, and the intricate blend of complex mystery, excellent humour and outrageous characters makes for quite an impressive read.  One of the best Australian crime fiction novels of 2025, Everyone in this Bank is a Thief comes very highly recommended, and I cannot wait to see what Stevenson writes next.

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Star Wars: Sanctuary by Lamar Giles

On By The Unseen LibraryIn Audiobook, Extended Universe, Science Fiction, Star Wars, Tie-in Novel1 Comment

Publisher: Random House Audio (Audiobook – 6 August 2025)

Series: Star Wars – The Bad Batch

Length: 11 hours and 46 minutes

My Rating: 4.75 out of 5 stars

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New Star Wars author Lamar Giles presents an epic and highly entertaining novel that follows everyone’s favourite group of rogue clones, with the Bad Batch focused novel, Sanctuary.

2025 has been an awesome year for Star Wars fiction.  Between the intense political novel, The Mask of Fear by Alexander Freed, and the upcoming Darth Vader-focused novel, Master of Evil by Adam Christopher, there are some interesting and heavy books coming out to further the lore of this iconic franchise.  However, there have also been some highly entertaining entries in this canon, including the fantastic novel Sanctuary.  Written by young adult fiction author Lamar Giles, Sanctuary is the author’s very first Star Wars novel, having previously written a short story in an anthology book.  A tie-in to The Bad Batch animated series, Sanctuary was an intriguing adult Star Wars novel that wasn’t originally on my reading radar.  However, in the mood for an audiobook from a familiar franchise, I decided to check it out, and boy was I glad that I did.

After turning on the Empire and deciding to live their own lives, the members of Experimental Clone Force 99, better known as the Bad Batch, are on the run, taking odd jobs and helping the innocents of the galaxy.  Made up of the grizzled Hunter, brilliant Tech, loveable powerhouse Wrecker and child prodigy Omega, the Bad Batch members have become an unlikely family.  However, after a series of dangerous missions, the members of the squad are tired, especially with their former comrades Echo and Crosshair on their own separate journeys. 

Needing a safe place to rest, the Bad Batch have found sanctuary on the planet of Pabu.  An idyllic settlement hidden from the eyes of the Empire, Pabu appears to be the perfect place for the clones to finally settle down and escape the constant battles.  However, before they can enjoy the peace of their new home, they’ll first have to help rebuild it.  With the settlement desperate for resources after a massive tidal wave, the members of the Bad Batch team up with pirate and self-proclaimed liberator of treasures, Phee Genoa, who promises an easy payday.

Hired to recover a valuable relic from an auction house, the crew’s ploy to steal it is quickly discovered, forcing them to revert to their usual fugitive ways.  However, their escape plan becomes complicated when Phee insists that they take on a second job, ferrying a mysterious couple to safe harbour.  Going against his better judgement, Hunter agrees to take on the passengers, but soon discovers that their new cargo has many secrets.  Forced to contend with an obsessive ISB agent and murderous tycoon with dangerous connections, the Bad Batch will risk it all for their new home.  But have they finally found an enemy too dangerous to defeat?

Sanctuary was an excellent and very entertaining Star Wars novel that proved a lot of fun to read.  Perfectly bringing the characters from The Bad Batch to life for an exciting new adventure, Sanctuary was an outstanding read that featured a compelling and action-packed story of love and life in the Star Wars universe.

Giles pulled together a captivating and very fitting narrative for Sanctuary, the serves as a great addition to The Bad Batch show, while also telling its own unique story.  Set towards the end of second season of the series, right after the events of the 13th episode, Pabu, Sanctuary is a fast-paced, character-driven story that takes the protagonists into the gritty underbelly of the Star Wars universe.  Starting with a very entertaining heist sequence, which goes about as well as any of the team’s plans, the titular Bad Batch and their pirate associate Phee Goena, escape with the loot, planning to sell it to a wealthy buyer.  At the same time, they take on two passengers, pregnant woman Keshiri Sohi and her masked partner Kuuto, who require smuggling across the galaxy.  Giles does a great job setting up all these initial story elements, and he quickly adds in some compelling complications that add some exciting drama to the narrative.  This includes a righteous ISB agent, Supervisor Sendril Crane, who is hunting their passengers, as well as the squad’s potential buyer, Cellia Moten, who would prefer to kill Phee Goena rather than pay her.

After an excellent shootout sequence halfway through the book where the protagonists are forced to simultaneously resist both Crane and Moten, the book slightly slows down as Giles works in some excellent story elements for both the protagonists and antagonists.  This includes growing drama between the Bad Batch and their passengers over their various secrets and lies, which also ties in nicely to internal conflicts amongst the team.  At the same time, Crane finds himself in the sinister orbit of the highly connected Cellia Moten, with the two trying to manipulate the other for their secrets and influence.  After a series of personal scenes for the protagonists that finally get them on the same page, Giles moves the story towards the end game, with the antagonists finding out where they are hiding.  This results in a series of awesome action sequences, with all the protagonists forced to fight to escape.  All the book’s characters, including its two villains, have their moment to shine here, and there are some powerful examinations of the relationship between new characters Crane and Sohi.  After some suitably climatic moments, the book ends on a high note that fans will really enjoy.  Giles also adds in an excellent cameo at the end that serves as a cathartic conclusion to another character’s story, and which I thought was a fitting and fun way to end the book.

I really enjoyed Giles’s writing style for Sanctuary, especially as he managed to achieve a lot in this novel.  Not only do we get a fantastic Bad Batch focused narrative loaded with action, adventure and other exciting Star Wars elements, but Giles also managed to include some powerful, personal moments, as various character dramas from both the show and this specific novel are played out.  The result was a slick and fast-paced novel that quickly draws the reader in with its easy humour and fun focus on The Bad Batch’s entertaining characters.  Thanks to some excellently timed shifts in character perspective, all the key members of Sanctuary’s cast have their moment to shine.  I particularly loved parts of the book that showcased the antagonist’s journey, which served as outstandingly entertaining contrast to some of the more character-driven chapters around the protagonists.  The combination of intrigue and Imperial politics in these scenes, as well as the mind games between to delightfully devious villains, was a true highlight of the book, and it allowed Giles to up the stakes of the plot, especially when it starts diving into some deeper Star Wars elements with some excellent references.

As a fan of The Bad Batch animated series I personally really enjoyed Sanctuary as Giles perfectly captured the tone and humour of the show.  Working as a great tie-in, Sanctuary fills in some interesting gaps between two of the show’s episodes, and the author does an excellent job of examining some of the issues the characters are facing during this period.  While naturally geared towards those familiar with The Bad Batch, Giles ensures that Sanctuary isn’t too show-lore dependent, and most general Star Wars fans will be able to read this book and have a great time.  Indeed, those unfamiliar with the animated series get a good glimpse at the humour and character dynamics in this novel, and it could serve as a good entry point to show.  Even if they don’t, the author also adds in a bunch of references that anyone familiar with Star Wars will be able to appreciate.  I felt that Giles did an excellent job exploring the period the novel is set in, the early days of the Empire a couple of years after the events of Revenge of the Sith, which is one of the more fascinating times in the franchise’s lore, and it was interesting to see how some of the new characters fit into this time.  As such, Sanctuary is going to appeal to a wide range of readers, and it’s a great read for fans of the Star Wars extended universe.

I have already mentioned a few times the excellent character work in Sanctuary as Giles features a great cast for this book.  Naturally for a Bad Batch book, the titular cast get much of the focus in Sanctuary, with excellent portrayals of Hunter, Tech, Wrecker and Omega.  Giles expertly captures their personalities from the show and reproduces them in Sanctuary.  As such, you are given some very interesting insights into the minds of each of these characters at this point in the series, with a particular focus on each clone’s glance towards the future and what they want out of life.  While there are some interesting alternating characters here amongst the cast, including Omega trying to become more independent, Tech’s unlikely romance with Phee, and Wrecker’s simple desire to blow things up, much of the character development for the main cast revolves around Hunter.  Giles spends a large amount of time diving into Hunter’s issues with losing control and no longer being a soldier, as well as some of the resentment he has from Crosshair’s abandonment of the squad.  This results in several fractious family moments, especially as Hunter’s caution tends to put him at odds with the rest of the team’s desires, and his distrust of Phee and their new passengers causes some noticeable friction.  These character dramas are a compelling part of the book’s overall plot, although Giles also does a good job of showcasing the more happy-family version of the Bad Batch, which fans of the show will appreciate, considering we all know what’s coming in a few episodes time.  That being said, I’m not sure I can forgive Giles for his line about Tech’s grapnel gun never failing him.

Aside from the titular Bad Batch, Giles features several additional outstanding characters, including returning show favourite Phee Genoa.  A free-spirited pirate and treasure hunter, Phee was a breath of fresh air amongst the stuffier clone soldier protagonists, and it was entertaining to see the unique interactions she had with the other characters.  Her antagonism of the rigid Hunter was particularly fun, especially as it brought up some much-needed drama, however, it was her relationship with Tech that was a true highlight of the book.  Giles did a good expanding on the feelings hinted at in the show, and they proved to be a very distinctive couple as a result.  I felt this gave some of the upcoming events of the animated series a little bit more of a tragic air, as you try to imagine what could be, and you end up liking them in a very bittersweet way.  The main cast of protagonists were well rounded out by new figures Keshiri Sohi and the masked Kuuto.  Mysterious passengers with secret pasts who cause all manner of trouble for the main cast, Sohi and Kuuto spend much of the book seemingly untrustworthy with their own agendas.  However, thanks to some excellent reveals, as well as a couple of good flashbacks, you grow to understand the complexity around their actions, and they proved to be a compelling addition to the cast as a result.

While I really enjoyed the protagonists, I felt they somewhat got overshadowed by the book’s impressive antagonists.  This includes ISB Supervisor Sendril Crane, a diligent and intense figure on the heels of Sohi and Kuuto.  Crane has a brilliant introduction in this book, which shows off his intelligence and ruthlessness, and he only gets better from there as you come to understand his background as a spy and his obsession with Sohi.  While Crane proves to be a ruthless adversary, he is well matched by Sanctuary’s other main antagonist, Cellia Morten.  An ultra-rich, politically connected tycoon with a penchant for murder, Morten is shown to be an outstandingly deranged figure early on, and she swifty amps up her evilness as the book continues.  Giles does an exceptional job sculpting Morten into the very worst rich villain he could, especially once her motivations for killing are revealed, and it was very fun for to eventual face reality on the real power structure in the galaxy.  While both serve as great antagonists to the main cast, the real beauty of these villainous characters occurs when they interact with each other, which results in a series of manipulative conversations which are thoroughly entertaining.  I particularly enjoyed how Morten continuously got the better of the normally unflappable Crane, especially in their first meeting when she gets out being arrested by asking if he had been sent by her good friend Sheev, with her use of namedropping and connections only getting better from there.  These two antagonists played off each other perfectly, and their battle of wits and cruelty, was even more entertaining than their hunt for the protagonists.  All these great characters added so much to my enjoyment of Sanctuary, and I loved the amazing arcs and interactions that emerged.

Naturally, I ended up listening to Sanctuary on audiobook, rather than seeking out a physical copy, as the audiobook format is the absolute best way to enjoy a Star Wars novel.  I love how incredible a Star Wars novel can sound when read out, and this was particularly true with Sanctuary, as all the awesome action and great characters were so much more impactful and fun in this format.  A lot of this is due to the narration of Marc Thompson, who does an exceptional job voicing all the characters and bringing the entire book to life.  Thompson, who is one of my favourite audiobook narrators, has long been one of the top narrators of Star Wars fiction thanks to his brilliant vocal talents and ability to impersonate various characters from the shows (see my previous reviews of Thrawn and Scoundrels by Timothy Zahn and Dark Disciple by Christie Golden).  His skill was on full display in Sanctuary, especially as he perfectly voiced Hunter, Tech and Wrecker throughout this novel, as well as several other characters from the show.  I was honestly so impressed by how he managed to accurately he was able to voice the three main clones from the show, with each of their distinctive but similar voices, coming across so damn close to their voice actor in the show, Dee Bradley Baker.  At the same time, he also does a good take on Wanda Sykes’s character Phee Genoa, and even does a passible voice for Omega, which includes the New Zealand accent of actress Michelle Ang. 

Thompson’s outstanding narration is further enhanced by the fantastic inclusion of Star Wars sound effects and music, which is an outstanding part of all Star Wars audiobooks.  The entire story really comes to life when you can hear crowd sounds and blaster fire amongst the dialogue, while the iconic Star Wars music makes several scenes just a little more epic, especially when they help remind you of moments from the films.  These extra audio inclusions pair perfectly with Thompson’s narration, and it honestly felt like you were listening to an episode of The Bad Batch with this audiobook.  I really enjoyed this full listening experience, and I ended up powering through Sanctuary’s near 12-hour long runtime in no time at all.  This was such a great listen, and this was honestly one of the better audiobooks I had the pleasure of listening to in 2025.

With a brilliant story, fun characters and a ton of action, Lamar Giles’ Star Wars novel, Sanctuary, was an outstanding hit.  An excellent tie-in novel that follows the entertaining characters from The Bad Batch animated series, Sanctuary was an impressive and exciting novel that had me hooked very early on.  A deeply compelling and addictive read, Sanctuary comes very highly recommended, especially on audiobook, and all Star Wars fans are going to have a great time with this awesome read.

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Warhammer 40,000: Final Deployment by R. S. Wilt

On By The Unseen LibraryIn Audiobook, Extended Universe, Science Fiction, Tie-in Novel, WarhammerLeave a comment

Publisher: Black Library (Audiobook – 30 August 2025)

Series: Warhammer 40,000

Length: 11 hours and 23 minutes

My Rating: 4.5 out of 5 stars

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Prepare for battle as R. S. Wilt presents his debut novel, Final Deployment, a captivating read that perfectly highlights bloody war in the grimdark future of the Warhammer 40,000 universe.

There are few franchises that bring me as much joy as the Warhammer 40,000 series, which follows the numerous factions of the infamously grimdark 41st millennium.  The sheer amount of imaginative stories and tales that are featured in this universe, as well as the talented authors who contribute to it, is quite impressive, and includes some major established writers.  I particularly like how the Warhammer 40,000 publishers also give some interesting opportunities to new authors looking to break into the fantasy or science fiction space.  Many aspiring authors have had their very first novel published in the Warhammer canon recently, and I deeply enjoy reading debuts from these new writers.  Examples of this include Fire Made Flesh by Denny Flowers, The King of the Spoil by Jonathan D. Beer, Ashes of Cadia by Jude Reid, Longshot by Rob Young, Deathworlder by Victoria Hayward and Lord of Excess by Rich McCormick, to name a few.  Many of these debuts are first class reads, and I’ve featured a few on my favourite Warhammer 40,000 novels lists over the years.

Due to my previous awesome experiences with debuts in this franchise, I am always very excited to check out first Warhammer 40,000 novels from new authors, especially those with epic plots.  The latest example of this is Final Deployment by R. S. Wilt, which was the author’s very first novel.  Spinning off from his previously published short story Eradicant, Final Deployment had a very exciting plot behind it that follows the most lethal human soldiers in the grimdark future, the Tempestus Scions.

In the far future, the Imperium of Man battles for survival on thousands of planet-spanning battlefields, with untold numbers of human soldiers fighting and dying every day against monsters, xenos and heretics.  Of these soldiers, none are more deadly or skilled than the Tempestus Scions.  Moulded into unquestionable killing machines from a young age with relentless training and mental manipulation, the Tempestus Scions serve as an elite force with the soldiers of mankind, taking on the missions that no other soldier could complete.

Amongst these Tempestus Scions are the fighters of First Eradicant squad of the Xian Tigers.  Led by Tempestor Traxel and “inspired” by Commissar Fennech, First Eradicant are an unusual regiment made up of several misfit Scions damaged by the battles they have seen.  Deployed to the planet of Rilis, a formerly loyal world now fighting a brutal civil war, First Eradicant is tasked with destroying the rebelling regiments and bringing order to the planet.  Utilising their superior training and equipment, First Eradicant quickly turn the tide against the enemy and being to lead the loyalist forces on Rilis to victory.  However, their success leads them discover the full strength of the traitors, as well as their dark allegiances.

After a disastrous battle that sees their loyalist allies massacred, First Eradicant find themselves facing monstrous opponents even more lethal than they are; three Chaos Space Marines from the Iron Warriors legion.  Determined to slay the ancient, genetically enhanced traitors, First Eradicant take the fight to the Iron Warriors across the planet.  However, with their leader traumatised by past battles and Commissar Fennech playing his own sinister games, can even the best human soldiers in the galaxy defeat the evolved might of the Chaos Space Marines?

R. S. Wilt starts his professional writing career off in explosive fashion with this amazing and compelling debut. Final Deployment was a deeply exciting character-driven Warhammer 40,000 story that followed several highly damaged characters as they attempted to survive the horrors of war. Intense, action-packed and deeply addictive, Final Deployment was an outstanding read that I had an incredible time getting through.

I really enjoyed the epic and deeply exciting narrative that Wilt pulled together for Final Deployment, which perfectly showcases futuristic special forces soldiers going after a deadlier opponent.  Set after the events of the author’s previous short story Eradicant, Final Deployment has a quick and effective start to it, as Wilt first sets the scene for the war on Rilis, before introducing the members of First Eradicant as they literally drop onto the scene.  Each of the protagonists, especially lethal and reckless recon trooper Norroll, gets their moment to shine in these opening scenes, which also work well to highlight Wilt’s intense writing style.  You are soon dragged into the story, and while the initial parts of the book are a tad slow, that changes with the pivotal battle around a third of the way through that sees the Chaos Space Marines arrive in bloody fashion.

Wilt did an outstanding job of changing the tone of Final Deployment after this big moment, as the protagonists find themselves heavily on the backfoot, and there are some notable PTSD elements hitting Tempestor Traxel.  The rest of the novel revolves around the protagonists attempting to hunt down and stop the Chaos Space Marines, no matter how the rest of the war is going.  The story from that point is essentially broken down into three distinctive parts, each of which showcase the very different, but equally brutal, fights against the separate deadly antagonists.  Wilt does an excellent job setting up the scenarios around these battles, which include infiltrating a deadly facility, a brutal ambush by a daemonic possessed foe, and an air drop into enemy territory, and you soon get enthralled in the protagonist’s desperate mission.  These events work extremely well as a sequential and cohesive narrative, and you get really absorbed in the mission of the slowly dwindling group of Tempestus Scions.  Everything leads up to the desperate final confrontation between the protagonists and their deadliest foe, which hits hard and keeps you guessing about who is going to survive.  I felt this entire story came together perfectly, and the ending does an excellent job wrapping up Final Deployment as a standalone Warhammer 40,000 story, with the potential left open for a sequel.  An overall excellent narrative that was quite impossible to put down at times.

While the story is very cool, I also felt that Final Deployment was extremely well written, as Wilt produces a powerful, character-driven narrative that focused on the horrors of war in the grimdark future.  Expertly utilising the iconic Warhammer 40,000 universe in this clever and brutal war story, I loved how the intense personal narratives blended with the more outrageous elements of franchise.  Wilt puts his evident skill at writing brilliant and bloody action sequences to good use in Final Deployment, and the resulting firefights and close combat sequences were some of the more intense and striking you are likely to see in Warhammer fiction.  The author maintains an excellent, fast pace throughout the entire novel, and there wasn’t a single slow moment or inclusion that didn’t play into the story in some interesting or compelling way.  I also appreciated the great use of alternate perspectives, as the story cleverly jumps between several key characters.  This is primarily utilised to showcase multiple angles to the book’s awesome action sequences, which was a ton of fun.  However, I also enjoyed how Wilt took the opportunity to examine the plot from the perspective of several interesting supporting character, including a couple of antagonists.  This helps Wilt to present an even more layered narrative, and it is always really entertaining to see the villain’s reactions to the protagonist’s actions.

Final Deployment is also an excellent and entertaining addition to the Warhammer 40,000 franchise, which works well as an exciting standalone novel.  Despite diving straight into the universe, Final Deployment is accessible to readers no matter their experience with Warhammer fiction, as the author provides a lot of intriguing universe details.  This includes the Tempestus Scions, who serve as the human faction’s ultimate special forces unit outside of the genetically enhanced Space Marines.  The author does an incredible job showcasing the skill and tactics of the Scions throughout Final Deployment, and you really appreciate that they are a highly trained and better equipped regiment.  While Wilt somewhat exaggerates the effectiveness of the Scions and their equipment for narrative purposes (especially carapace armour), you get a realistic sense of these figures in combat, and I appreciated how the characters were slowly debilitated by injuries and losses.  There is also a fascinating look at the harsh training and religious brainwashing these figures undergo, which fits the grimdark Warhammer 40,000 universe perfectly.  Other elements of Warhammer fiction are cleverly utilised here, and I loved the author’s depiction of just how dangerous Space Marines and their chaotic counterparts are compared to normal humans, even the Tempestus Scions.  The damage three Iron Warriors were able to do to the loyalist army, and the lengths the protagonists went to beat them, was so beautifully excessive, and I felt it was an appropriate amount of power scaling.  Thanks to these cool features from the Warhammer 40,000 universe, this book will primarily appeal to established fans of the franchise, although thanks to Wilt’s great writing, new readers will also have a lot of fun with it, even if they didn’t read the author’s previous short story.

While much of the appeal of Final Deployment was its epic story, great writing, and impressive action, I also felt the complex characters helped to make it even more special.  Primarily set around a group of Tempestus Scions, Final Deployment featured an intriguing look at these figures, their damaged pasts, and the struggles they experience on and off the battlefield.  Wilt does an excellent job of splitting the focus of Final Deployment over much of the extended cast, and indeed its nominal main characters, Tempestor Traxel and Commissar Fennech, don’t have that much of the book shown from their perspective.  Instead, most of the story is told through the eyes of other key members of the squad, including Norroll and the squad’s medic, Daviland.  This allows these secondary figures in the squad much more room to shine, and I felt the book was stronger as a result.  Norroll in particularly was quite a fun character.  An overly reckless Scion, Norroll finds himself caught between loyalty to Traxel and his squad, and his own death wish, and it was often really intriguing to see him in the middle of the bloodiest scenes in the book.  Daviland served as an excellent counter to Norroll’s more outrageous perspectives, especially as she is one of the saner members of the squad.  A transplant from another regiment, Daviland provides an interesting outsider’s perspective to the book, especially as she has a lot less mental damage the rest of First Eradicant.  Despite her loyalty primarily being to Fennech, Wilt writes an excellent storyline around Daviland becoming closer to her squad, and I felt that her perspective scenes were some of the more thoughtful and provided some great insights in the minds of the rest of the characters. 

Of the rest of the cast, Tempestor Traxel and Commissar Fennech, had the most presence.  Despite not serving as perspective characters, both were major parts of the book’s plot, and Wilt did an excellent job showcasing their personalities and issues through the eyes of the other protagonists.  This includes Traxel’s mental trauma at once again facing Chaos Space Marines after a previous deadly mission, and his impacted leadership adds an extra layer of difficulty to the protagonists’ mission.  Fennech, on the other hand, was a great portrayal of a classic, cold-blooded Imperial commissar, shooting allies first and never asking questions.  Fennech served an interesting role as both an ally/gun-bearing motivator, and a potential secondary antagonist to First Eradicant, especially as he questions their effectiveness and resolve.  While Fennech’s storyline doesn’t go as far as it could have, and I would have liked seeing some of the book through his steely eyes, I felt that he was an outstanding inclusion to Final Deployment’s cast that added some excellent alternative menace.

In addition to these characters, I enjoyed how the rest of First Eradicant also got their time to shine in this novel.  Featuring a mixture of existing members and later transfers from another squad, each of these characters had their own unique charm, and their compelling interactions added a lot to the novel’s enjoyment.  While there isn’t an excessive amount of development with some of these characters, which is mainly down to the mental indoctrination they’ve gone through, they were still fun to follow.  Just make sure not to get too attached to them, as the death toll in this novel is quite high.  Wilt matches these excellent perspective characters with several additional outsider characters, including several gloriously over-the-top antagonists, and the clash of styles and mentalities increased the overall fun and excitement I had with Final Deployment.

Unsurprisingly, I ended up listening to Final Deployment on audiobook, rather than seeking out a physical copy of the book.  I always find that the audiobook format brings out the very best of the grimdark Warhammer 40,000 universe and the unique characters that inhabit it, and the Final Deployment audiobook was a great example of this.  Perfectly narrated by Andrew Wincott, who previously impressed me with his voice work in Deathwatch: Shadowbreaker by Steve Parker and Huron Blackheart: Master of the Maelstrom by Mike Brooks, the intense action and harsh nature of war featured in Final Deployment really comes through in this audiobook, and I loved hearing all the intense firefight sequences come to life.  Wincott did an excellent job moving this intense story along at a quick clip, while also providing all the characters with distinctive voices that really fit their unique and gritty personalities.  The fun mixture of voices between the battle-weary human soldiers and the more unnatural forces of Chaos was extremely enjoyable, and you really get drawn into the compelling narrative as a result.  I honestly flew through the over 11-hour long audiobook in no time at all, and I loved every second I spent listening to it, especially some of the more brutal and deadly fight sequences.

Loaded with awesome action, damaged characters and an epic narrative, Final Deployment by R. S. Wilt was an incredible read and an amazing piece of Warhammer 40,000 fiction.  A fast-paced novel that follows some intense protagonists through hell and back, Final Deployment was an outstanding debut from Wilt, and comes very highly recommended, especially on audiobook.  I look forward to seeing how Wilt’s writing career continues in the future, and I am sure I will enjoy any additional contributions to the Warhammer franchise.

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