Top Ten Tuesday – My Top Reads From 2023 Quarter One

Top Ten Tuesday is a weekly meme that currently resides at The Artsy Reader Girl and features bloggers sharing lists on various book topics.  The official topic for this week’s Top Ten Tuesday was around participant’s favourite indie/self-published books, which isn’t honestly something I can particularly contribute to.  So instead, as this is the first Tuesday of April, I thought I would take the time to look back at the first quarter of 2023 and highlight the best books I read during that period.  This is a rather new list type that I think I might employ a bit more in the future, and it will be very interesting to see what the best books of each quarter of the year are.

I’m keeping this list fairly open and pretty much allowing any novel or audiobook I recently read to be included here.  The only condition is that I had to have read it between 1 January 2023 and 31 March 2023, and I am also excluding a couple of books that I started reading in March but didn’t finish until April.  This still leaves me with a huge collection of recently read books to feature here, and I had to make some hard decisions.  However, I ended up coming up with an interesting list, and one that definitely shows off what sort of books I have been focusing on in the first quarter of the year.  So let us see what made the cut.

Honourable Mentions:

Grim Repast by Marc Collins

Warhammer 40,000 - Grim Repast Cover

A dark and captivating Warhammer Crime novel that showcases the very worst parts of the Warhammer 40,000 underworld.

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How to Kill a Client by Joanna Jenkins

How to Kill a Client Cover

An impressive and exciting Australian debut that casts an interesting light on Australia’s legal profession.

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13th Legion by Gav Thorpe

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I was very happy to start of the awesome Warhammer 40,000 Last Chancers series this year, and 13th Legion serves as a great introduction to the entire action-packed series.

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For the Emperor by Sandy Mitchell

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One of the funniest books I have read in 2023 so far, For the Emperor is a brilliant Warhammer 40,000 entry that sees a cowardly war hero attempt to save the day, and his own skin.

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Top Ten List:

Eisenhorn Trilogy by Dan Abnett

Warhammer 40,000 - Xenos Cover

One of the things that pulling this list together has really shown me is that I have been reading way too much Warhammer 40,000 fiction in the first quarter of this year (if that is possible).  I really have become a little obsessed with this awesome franchise, but to be fair, there are some particularly epic books featured within it.  My favourite of these so far will have to be the Eisenhorn trilogy by exceptional author Dan Abnett.  Following a noble Inquisitor as he faces the forces of Chaos, the Eisenhorn trilogy is made up of three excellent, five-star reads, including Xenos, Malleus and Hereticus, each of which I had a great time reading this year.  All three books have brilliant stories, and the overarching theme of the protagonist’s corruption as he tries to do the right thing, is pretty perfect.  One of the best Warhammer 40,000 series out there, highly recommended.

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Son of the Poison Rose by Jonathan Maberry

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Probably the best 2023 release I have read so far this year is the exceptional dark fantasy epic, Son of the Poison Rose by Jonathan Maberry.  The sequel to the outstanding 2022 novel, Kagen the Damned (one of my favourite books and audiobooks of 2022), Son of the Poison Rose continues the twisted story introduced in the first novel.  Loaded with intense world building, dark magic, over-the-top scenes, and some of the best action you are ever likely to read, Son of the Poison Rose is a brilliant read, and I am hoping to get a proper review up for it soon.

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Red Dirt Road by S. R. White

Red Dirt Road Cover

Moving on to Australian fiction and we have the captivating Red Dirt Road by S. R. White.  Set in the middle of the Australian desert, Red Dirt Road follows an intrepid detective as she attempts to solve a sinister murder where every resident left in a near-abandoned town is a suspect.  Smart, character focused, and very intriguing, this was an amazing read and White is fast become one of my favourite Australian crime fiction authors.

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The Infinite and the Divine by Robert Rath

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One of the most amusing novels I read in the first quarter of 2023 is the amazing Warhammer 40,000 book, The Infinite and the Divine.  Written by Robert Rath, who previously enthralled me with his 2022 release, Assassinorum: Kingmaker, The Infinite and the Divine is a brilliant read that sees two immortal Necron lords fight for control of a mysterious artifact.  Presenting the reader with an exceptional story, set around the pettiest of feuds, The Infinite and the Divine is highly amusing and deeply compelling, while also diving into the intriguing Necron faction.  An absolute joy to read from start to finish, this is a must read for all Warhammer 40,000 fans.

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Ogres by Adrian Tchaikovsky

Ogres Cover

I had to include one of the latest audiobooks I finished off on this list with the Adrian Tchaikovsky novella, Ogres.  Set in a world where humans are ruled over by technologically advanced Ogres, this clever read focuses on revolution, adventure and nature vs nurture.  This ended up being on the most complex and intriguing things I have read in 2023, and I really enjoy Tchaikovsky’s unique writing style.  I am actually listening to his latest novel, City of Last Chances as I put this review up, and it is also proving to be a fantastic read.

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Flesh and Steel by Guy Haley

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I had an absolute blast with the Warhammer Crime novels in the first quarter of 2023 and one of the best is Flesh and Steel by Guy Hayley.  A compelling read that sees two unusual and highly damaged detectives team up to solve a unique, Warhammer 40,000 crime, Flesh and Steel was exceptionally entertaining and a highly recommended novel to anyone interested in a cool combination of a unique dystopian world a gripping mystery.

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Burner by Mark Greaney

Burner Cover

Mark Greaney continued his iconic Gray Man series in a big was this year with the latest entry Burner.  Setting his legendary protagonist, Court Gentry, the Gray Man, against both the CIA and the Russians while also focusing on major world events, Burner was a powerful and epic read that I cannot hype up enough.  This is easily going to top all my best of 2023 lists later this year, and it is a must read for all fans of this talented author.

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Bloodlines by Chris Wraight

Warhammer 40,000 - Bloodlines Cover

The final Warhammer 40,000 novel I need to feature on this list is the awesome Warhammer Crime entry, Bloodlines by Chris Wraight.  Featuring a particularly impressive crime fiction story, set around a veteran cop with many secrets, Bloodlines is a fantastic read that perfectly blended its crime fiction story with the Warhammer 40,000 setting.  I had such a great time with this book, and it is probably the Warhammer Crime novel I most want a sequel for.

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Unnatural History by Jonathan Kellerman

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What’s the start of a year without a new Alex Delaware novel from iconic crime fiction author Jonathan Kellerman.  His latest entry, Unnatural History, presents the reader with another captivating mystery, this time centred around an intriguing victim with a complex past.  I had such a great time reading this slick and intense read, and I look forward to seeing what amazing stories Kellerman produces in the future.

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Downfall by Louise Carey

Downfall Cover

The final book on this list is Downfall by Louise Carey.  The exciting and thoughtful conclusion to Carey’s excellent Inscape trilogy (featuring Inscape and Outcast), Downfall is a captivating read, loaded with cyberpunk influences and an outstanding story.  Carey has really shown how talented she is as an author here and I cannot wait to see what she produces in the future.

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Well, that’s the end of this first quarter review.  As you can see, I have read an interesting collection of books in the first three months of 2023, and I am hoping to get through quite a few more before the end of the year.  2023 has definitely been the year of older books, especially older Warhammer novels, for me as have read so many (perhaps too many), exceptional Warhammer books published before 2023.  I am hoping to read more recent releases in the next quarter to compensate for this, and it will be very interesting to see what books I highlight in my next look-back list.

Unnatural History by Jonathan Kellerman

Unnatural History Cover 2

Publisher: Century (Trade Paperback – 28 February 2023)

Series: Alex Delaware – Book 38

Length: 303 pages

My Rating: 4.5 out of 5 stars

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A shocking murder, a mysterious motive, and two intriguing investigators on the case, it sounds like it’s time for another Alex Delaware novel from bestselling author Jonathan Kellerman with Unnatural History.

For the last few years one of my favourite long-running crime fiction series has to be the Alex Delaware books from the always impressive Jonathan Kellerman.  Set in Los Angeles, this excellent series follows the exploits of psychologist Alex Delaware and his best friend, Lieutenant Milo Sturgis, as they investigate strange murders throughout the city.  This is a very solid and captivating series, and I personally love all the clever and distinctive mysteries that Kellerman keeps coming up with.  All the Alex Delaware novels I have so far read, including The Wedding Guest, The Museum of Desire, Serpentine and City of Dead, have been just outstanding, and the complex and fascinating murder investigations have all been very strongly written and particularly compelling to follow.  As such, the Alex Delaware books are one series that I will always make sure to grab as soon as it is out, and this includes the latest entry, Unnatural History.  The 38th book in this long-running series, Unnatural History was another exceptional read with a fantastic case behind it.

When the body of a photographer is found murdered in his studio, brutally shot to death, Lieutenant Milo Sturgis is quick to bring in his friend and consultant, psychologist Alex Delaware, to help with the investigation.  The victim, Donny Klement, was a controversial photographer whose latest project saw him photographing members of the local homeless population as they pretend to achieve their greatest dreams.  To complicate matters even further, Donny was the son a mysterious and elusive billionaire whose family members have a habit of dying young.

Diving into the case, Alex and Milo soon discover that their victim was a curious figure.  Damaged by a neglectful father, a scattered family, and a dead mother, Donny’s life was anything but easy, even with his vast family fortune.  His latest photographic vision looked set to make him a major star in the arts scene, but was his death related to his seemingly disrespectful photos or to his family and their wealth?

As Alex and Milo attempt to find a motive for Donny’s killing, a second body is found that appears connected to their first case, suggesting that their killer is taking out all the potential witnesses.  It soon becomes apparent that Alex and Milo are dealing with a deranged serial killer whose anger lies somewhere in Donny’s life.  To solve the case, Alex and Milo need to uncover all the victim’s secrets and use them to catch the killer before he strikes again.

This was another excellent and captivating novel from Kellerman, who presents the reader with an impressive and well-set-out mystery that really draws you in and keeps you hooked.  Like most of the Alex Delaware novels, Unnatural History quickly works to set the scene for the case, with the reader immediately introduced to the murder victim, Donny Klement, and his unfortunate circumstances.  The story moves into the investigative stage with Alex and Milo beginning the task of identifying the relevant people associated with Donny’s life, including his family, his girlfriend, and the people he interacted through with through his photography.  This raises quite a few interesting avenues of inquiry as the victim was both the scion of a mysterious billionaire whose family has already suffered multiple deaths, and an idealistic artist who showed great naivety in dealing with the city’s homeless population.  This leads to quite a deep dive into the victim’s life, and you soon build up a quite an intensive view at who Donny was and the many problems he faced in life.

Kellerman keeps the investigation going strong the entire way through Unnatural History, and the reader is directed along many interesting plot threads as the author lays down false trails and red herrings.  There are some great alternative theories and potential motives spread out for much of the book, and the case gets even more complicated when additional bodies are found throughout the city, all of them connected to Donny in some way.  This really throttles up the pacing of the book, and the reader is gifted with some intriguing revelations as Kellerman revisits details that previously seemed unimportant and cleverly fits them even further into his case.  The eventual reveal about the killer is pretty brilliant, and I liked how Kellerman was able to tie the motivation into several existing different story threads, which allowed for a complex and intense picture of who they are and what evils they committed.  This ended up being a very strong mystery, and I honestly did not see the full extent of the motivations coming.  Everything leads up to a big confrontation which doesn’t go how you’d expect, and which results in some very dark moments.  I did like how this confrontation revisited events from several books ago and it helped some of the characters gain a measure of closure.  I ended up being really impressed with how the author managed to bring everything together in his story, and I was firmly hooked the entire way through.

As always, I really enjoy Kellerman’s unique style when it comes to his compelling murder mysteries, and this helped me power through Unnatural History.  I love the sharp pacing and focus on the characters, both the protagonists, and the victim, that occurred throughout Unnatural History and you are swiftly drawn into their unique lives and the process of their investigation.  The blend of solid investigative focus, character moments, and major twists is pretty spot on, and there honestly aren’t any slow moments at any point of this book, as the reader is constantly learning more interesting bits of information about the case.  All his characters have a very distinctive way of talking/interacting with each other, and it is something that always drags me in, especially with the fun banter.  I did find a few of these conversations, especially with deliberately annoying witnesses, to be a little odd, but they all added to the general theme and feel of the book.  Like all the Alex Delaware novels, Unnatural History is fairly accessible to new readers, and anyone interested in this book who hasn’t read anything from Kellerman can easily dive in here without any issues.  While there are references to prior events scattered throughout Unnatural History, none of them are too relevant to the plot, and Kellerman always does a good job of making his novels almost feel standalone in nature, as he recaptures the series’ unique feel each time.  That being said, fans of some of his last few books will no doubt enjoy some of the story elements between Alex and one of the supporting characters that come full circle after several books, and it was something I was very happy to see.

One of the things that I always particularly enjoyed about the Alex Delaware novels is the way that Kellerman presents a more grounded style when it comes to how his detectives solve the crime.  Unlike in some of the flashier crime fiction novels out there, Kellerman’s characters are more realistic in their investigative approach, and each Alex Delaware novel has a major focus on talking to witnesses, doing research, hammering out theories and doing the legwork to find out everything you can about the victim and the various suspects.  The protagonists are constantly following up leads and talking to multiple people associated with the case, even if they only tangentially knew the victim, to find out every fact or theory that they can.  This leads to a much more comprehensive examination of the murder, which allows the reader to build up a captivating picture of everything that led up to the killing.  This more methodical and realistic method of investigation always really works for me, and I love seeing the protagonists earning their solve and battling through all manner of obstacles.  I felt that the investigation in Unnatural History was particularly good, especially when they combine multiple cases from across the city to get the full picture, and the way that they efficiently weed out the unlikely scenarios and find the truth was deeply addictive and really worth checking out.

I also need to highlight the impressive characters who are the focus of Unnatural History, especially when it comes to the two protagonists, Alex Delaware and Milo Sturgis.  These two protagonists, the calm psychologist and the veteran detective, complement each other perfectly when it comes to their skill set, and you can see why they are such an effective team.  At the same time, Kellerman has really built up their relationship over the series, so the two are good friends, which results in some fantastic dynamics and interactions between the two.  The banter and discussions fly thick and fast between them, and you really appreciate just how close they are as they solve the crimes together.  There is a pretty major moment that occurs between these friends at the end of Unnatural History that I felt was handled extremely well and which is likely to impact their dynamic going forward.  I am very intrigued to see how Kellerman handles that, and I am sure it will make his next novel even more interesting.

The other character that gets quite a lot of focus in Unnatural History is the main murder victim, Donny Klement.  As with most of Alex Delaware novels, Kellerman’s ensures that the story spends substantial time diving into the victim’s life, as the police try to find out why he is murdered.  This allows the reader to get a fascinating, outsiders perspective of who Donny was, which proves to be quite fascinating and compelling.  Kellerman’s portrayal of Donny as a lonely man trying to escape his father’s shadow while also dealing with other family trauma allows the reader to get very attached to the victim and you become even more invested in solving the case.  This post-mortem portrayal of Donny was excellent, and I loved how effectively Kellerman showed his complex and unusual life.  Throw in a very fascinating and complex murderer, a good collection of unique witnesses, and the usual supporting detectives in Milo’s squad, and Unnatural History has a great collection of characters who add a lot to the overall story.

Jonathan Kellerman once again delivers an amazing and compelling murder mystery with his latest Alex Delaware novel, Unnatural History.  This fantastic novel features another brilliant mystery that dives deep into the life of a complex victim and paints a powerful picture around him.  This was a deeply entertaining and captivating read, and I loved every second I spent getting through Unnatural History.  I cannot wait to see what happens next in the Alex Delaware series, one of the strongest, long-running crime fiction series currently out there.

Unnatural History Cover

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Quick Review – Ogres by Adrian Tchaikovsky

Ogres Cover

Publisher: Penguin Audio (Audiobook – 15 March 2022)

Series: Standalone (Novella)

Length: 4 hours and 58 minutes

My Rating: 4.75 out of 5 stars

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Fear, revolution, and the ultimate nature of humanity all lie in store for readers when they check out the impressive novella Ogres by highly regarded science fiction and fantasy author, Adrian Tchaikovsky.

Adrian Tchaikovsky is an acclaimed author whose highly regarded works often receive much applause for their unique stories filled with overarching themes, messages, and appreciation for both the fantasy and science fiction genres.  I have been meaning to read several of his more intriguing novels and series for a while, but my first direct experience with Tchaikovsky occurred last year when I was lucky enough to listen to a version of his debut Warhammer 40,000 novel, Day of Ascension.  Focusing on an insidious Genestealer Cult who have infiltrated a corrupt city and started a deadly revolution, Day of Ascension was an incredible read, and it was one of the best Warhammer 40,000 novels I have read.  This left me pretty enthralled with Tchaikovsky’s style and ability to quickly and effectively craft elaborate new worlds and peoples and I decided to read some more of his work this year.  I had intended to read his latest novel, City of Last Chances, next, but at the last minute I changed my mind and instead decided to quickly listen to his 2022 novella, OgresOgres was a very intriguing sounding novella that everyone was talking about last year, and I figured it was time to see what all the fuss was about.

Plot Synopsis:

Ogres are bigger than you.
Ogres are stronger than you.
Ogres rule the world.

It’s always idyllic in the village until the landlord comes to call.

Because the landlord is an Ogre. And Ogres rule the world, with their size and strength and appetites. It’s always been that way. It’s the natural order of the world. And they only eat people sometimes.

But when the headman’s son, Torquell, dares lift his hand against the landlord’s son, he sets himself on a path to learn the terrible truth about the Ogres, and about the dark sciences that ensured their rule.

Well damn, now that was a very impressive read.  Ogres was an excellent and captivating read and Tchaikovsky does an incredible job setting up a particularly unique and imaginative scenario and running with it to create a fantastic and highly addictive read.

I really loved the powerful and elaborate story that Tchaikovsky featured in Ogres, and what made it even more impressive was how much he managed to fit into this shorter novella format.  The story has a slightly slow start to it that sets up the world ruled by Ogres and introduces the reader to the protagonist, Torquell.  After a terrible incident forces Torquell to seek revenge, he goes on the run, only to find out more about the Ogres and the humans they enslave around the world than he ever expected.  This story goes into some very interesting places, blending several genres together and simultaneously providing some compelling commentary on the world of Ogres, and ours at the same time.  There are some great reveals at the centre of the story, especially as Torquell learns more and more about how the Ogres came to rule, and the revelations he uncovers drive him forward into revolution.  This entire last quarter of Ogres, when Torquell brings the fight to his foes, is pretty brilliant, and I loved seeing how he orchestrates his battle.  Everything leads up to a fantastic conclusion, which honestly left me pretty damn shocked and impressed beyond all belief.  Tchaikovsky brings a ton of great story elements together in the conclusion as you see everyone’s narrative come full circle in a big way.  However, the real joy is a particularly excellent and impactful twist that completely changes everything you thought you knew about Ogres and really upends the entire narrative.  I deeply loved how Tchaikovsky switches things up at the end, and this twist proves to be the perfect way to end this exceptional and intense novella.

I really must commend Tchaikovsky’s brilliant writing style in Ogres, as there are so many damn layers to how he brings this story together.  However, I must first highlight how well the author inserts such a complex story into such a short number of pages.  The full story is so well paced out, and he manages to fit in so much worldbuilding and detail, which really shouldn’t be possible.  However, it is, and he does, and I loved every damn second of it.  This story has a little something for everybody as it stretches between science fiction, fantasy, historical fiction, and political commentary.  Tchaikovsky fits in several intriguing messages about freedom, rights, modern society and more throughout this story, all of which ends up fitting the narrative frame of Ogres extremely well.  One of the more distinctive things about how Ogres is told is the use of a mysterious narrator who utilises a second person perspective to tell the story.  This was a unique way to bring Ogre’s narrative to life, and it really made this story stand out in several ways.  I must admit that at first, I wasn’t the biggest fan of this narration style at first, but as Ogres continues, I did get used to it, and I found that it worked to tell the complex story and give it a more classic, heroic edge.  However, you don’t realise just how clever this choice of narration style is until the very end of the book when the twist comes into play.  It turns out that there is a very specific reason why the story is told in this way, and I deeply enjoyed how this epic turn adds so much to everything you have just read.  Throw in some very well established and polished character journeys, especially around the protagonist, that sees them grow as a person (literally and figuratively), and you come away with a very deep appreciate for Tchaikovsky’s rare ability to tell a story.

While the story and the impressive writing are pretty damn epic, one of the main things that I loved about Ogres was the sheer inventiveness of the world that the story is set in.  Tchaikovsky has come up with another elaborate and fantastic scenario for his latest work, presenting a world in which Ogres rule over humans with their size and technology, and the corresponding world is such a joy to behold.  The initial view of the world shows the Ogres as domineering landlords ruling over multiple villages, acting very much like country lords romping around their estates, treating all the humans like edible serfs.  This was a great concept to behold, and it gets even better when the protagonist travels further afield.  He soon sees a world completely dominated by the Ogres, with humans crammed into factory towns, like classic London factories, other humans forced in a Napoleonic-esque war for the Ogres’ amusement, and a weird mixture of technology and society elements from across history are present throughout the world.  I loved how Tchaikovsky blended a race of Ogres with settings reminiscent of iconic periods of British history, and it gives the book such a distinctive flair.  However, the world gets even more complicated when you learn the full scope of who and what the Ogres are, which provides the book more of a science fiction edge at that point.  Tchaikovsky does a beautiful job of effectively introducing every single wonderful facet of his complex world to the reader, and you quickly understand everything about it in a very short amount of time.  The story balances wonderfully through this world and Tchaikovsky of course takes the time to add in a few societal messages, and I particularly enjoyed how well this setting skirted the genre boundary and made Ogres a compelling mix of historical, fantasy and science fiction features.

I ended up quickly listening to Ogres on audiobook, which was a great way to dive into this compelling book.  Coming in at just under five hours in length, Ogres was a very short listen, but it still has plenty of time to get you hooked and introduced to the entire unique world.  Narrator Emma Newman does a great job of dragging listeners in with her quick narration, and I liked her take on several of the characters, especially as when she makes the Ogres seem particularly brutal and cruel.  Her voice also works for the second person narration I mentioned before and I quite enjoyed the fantastic edge she gave to this overlying narration, especially towards the end.  As such, I would strongly recommend the audiobook format to anyone interested in checking out Ogres, and it proved to be a brilliant way to enjoy this shorter story.

I think it is fairly easy to say that I loved this awesome novella and I am really glad that I listened to it.  Ogres is such a clever concept and Adrian Tchaikovsky came up with a brilliant and powerful story that really keeps you engaged the entire way through.  The entire novella is extraordinary from start to finish and you will be utterly enthralled the entire way through.  I had such a great time with Ogres and I look forward to seeing what other elaborate stories that Tchaikovsky has created.

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Quick Review – How to Sell a Haunted House by Grady Hendrix

How to Sell a Haunted House Cover

Publisher: Titan Books (Trade Paperback – 17 January 2023)

Series: Standalone

Length: 399 pages

My Rating: 4.25 out of 5 stars

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One of the leading authors of modern horror fiction, Grady Hendrix, returns with another fantastic read, this time taking on the classic haunted house tale and putting his own unique spin on it.

Few horror authors are getting the recognition these days that the intriguing Grady Hendrix is, and for very good reason.  A veteran author and screenwriter, Hendrix has made his name in recent years with his string of fun, horror-based novels, including Horrorstör, We Sold Our Souls and The Southern Book Club’s Guide to Slaying Vampires.  These outstanding novels all combined classic horror concepts with unique and entertaining scenarios that provided the author’s own twist on the subject, resulting in a ton of rave reviews.  I personally became more familiar with Hendrix when I managed to check out his 2021 release, The Final Girl Support Group.  A compelling take on the concept of final girls in horror films, The Final Girl Support Group ended up being an excellent and elaborate homage to the slasher genre that I had a wonderful time reading.  While horror isn’t my favourite genre, I was very curious when I received a copy of Hendrix latest novel, How to Sell a Haunted House and decided to see what new awesome story this inventive author has come up with.

Plot Synopsis:

Your past and your family can haunt you like nothing else… A hilarious and terrifying new novel from the New York Times bestselling author of The Final Girl Support Group.

Every childhood home is haunted, and each of us are possessed by our parents.

When their parents die at the tail end of the coronavirus pandemic, Louise and Mark Joyner are devastated but nothing can prepare them for how bad things are about to get. The two siblings are almost totally estranged, and couldn’t be more different. Now, however, they don’t have a choice but to get along. The virus has passed, and both of them are facing bank accounts ravaged by the economic meltdown. Their one asset? Their childhood home. They need to get it on the market as soon as possible because they need the money. Yet before her parents died they taped newspaper over the mirrors and nailed shut the attic door.

Sometimes we feel like puppets, controlled by our upbringing and our genes. Sometimes we feel like our parents treat us like toys, or playthings, or even dolls. The past can ground us, teach us, and keep us safe. It can also trap us, and bind us, and suffocate the life out of us. As disturbing events stack up in the house, Louise and Mark have to learn that sometimes the only way to break away from the past, sometimes the only way to sell a haunted house, is to burn it all down.


How to Sell a Haunted House
was an interesting and complex book from Hendrix that I had a great time getting through.  Focused on his damaged protagonists and the horrors that they have experienced, both in their house and in their lives, this ended up being a particularly deep and moving novel that will get its hooks into you extremely early and refuse to let go.

I honestly wasn’t too certain what to expect from How to Sell a Haunted House when I started reading it, and the book went in some very interesting and surprising directions.  Told over a series of acts based on the stages of grief, this book is initially told from the perspective of Louise Joyner as she returns home after the sudden death of her parents to try and deal with both the funeral and the fate of her childhood home, only to run straight into the emotional wall that is her slacker brother, Mark.  Both have a lot of baggage, especially when it comes to each other, and their initial hostile encounters perfectly set the scene for the family drama that is to come.  The horror elements of How to Sell a Haunted House are initially a little muted, which allows the tension and threat to gently simmer and rise, as the reader knows stuff is going to break down eventually.  The house in question, with its multitude of puppets (so, so many puppets), boarded up attic, freaky occurrences, and more, lends a layer of threat that really sets the scene for the rest of the book.  Despite this, the start of How to Sell a Haunted House is a little slow and I had a bit of a hard time really getting into it.  However, it is really worth continuing into the meat of the story, as Hendrix has a brilliant story ready for you.

The intriguing drama slowly builds as the book continues, and the reader is introduced to the masses of baggage between Louise and Mark.  This becomes a big part of the book’s plot and soul, and you really get drawn into their very complex relationship which has been influenced by events outside of their control without them even realising.  Other compelling family elements are thrown into the mix at this point as well, and these slowly boil up throughout the book and influence the conclusion in some clever ways.  It doesn’t take long for the major horror elements of the book to fully take over and partially distract the reader away from Louise and Mark’s many personal issues.  The focus of what is causing the chaos in their house is expertly revealed, and the revelation is very freaky, especially when you fully understand what it is and how it has affected the protagonists all these years.  I really loved how Hendrix blended the complex family ties of the protagonists with the disturbing presence in their house, and it results in a particularly impressive, character-driven story.  There are some great early confrontations with this presence which Hendrix showcases extremely well, emphasising the physical, spiritual and emotional danger that comes with each encounter, as well as the hidden revelations that are simultaneously brought to the surface.  There are some fascinating moments set around these encounters, and I loved how there was a constant focus on family throughout, as well as a surprisingly detailed look at the history of puppets (seriously, you will never look at puppets again after this book).

Hendrix brings everything to an excellent and crashing crescendo which left me with a real appreciation for the author’s impressive imagination and writing ability.  There is an excellent false victory for the protagonists, which comes at such a substantial cost that you almost believe it could be the end.  However, the full evil is yet to come, and after a great reveal sequence, you realise just how insidious the force they are facing truly is.  The way that the story wraps up is pretty scary in places, but it is also extremely heartfelt and emotionally impactful, as family history and complex character dynamics come full circle.  I ended up getting really caught up in the story behind How to Sell a Haunted House, even though horror isn’t my preferred genre, and I loved all the emotional storylines and character arcs that were brought together as a result.

This is an overall pretty exceptional read, and I am glad that I took the time to check out Hendrix’s new book.  How to Sell a Haunted House is a must read for all those familiar with Hendrix unique and powerful style, and new readers will have a blast getting caught up in the author’s immense inventiveness.  A strongly recommended read that will stick with me for a very long time.

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3 Days to Live by James Patterson

3 Days to Live Cover

Publisher: Century (Trade Paperback – 31 January 2023)

Series: Standalone

Length: 372 pages

My Rating: 4.5 out of 5 stars

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Those in the mood for a quick and very fun series of thriller stories should check out the intriguing new book from the legendary James Patterson, 3 Days to Live, featuring three great short stories co-written by some impressive talents.

I have been really getting into James Patterson’s books over the last couple of years, and there is a reason that he is always leading the thriller field.  At this point, I have mostly read books that Patterson has co-written with several other authors, including the fun Doc Savage sequel The Perfect Assassin (co-written by Brian Sitts), the impressive mystery loaded with family drama 2 Sisters Detective Agency (co-written by Candice Fox), the compelling thriller Lost (co-written by James O. Born) and the addictive and freaky Death of the Black Widow (co-written by J. D. Barker and one of my favourite books of 2022).  As such, I am always keen to read more from Patterson and when I received a copy of 3 Days to Live, I quickly dove into it knowing I would have a great time with it.

3 Days to Live is a captivating book that contains three separate short stories, including the titular story 3 Days to Live, as well as Women and Children First and The Housekeepers.  Patterson wrote each of these short stories with a separate co-author, and the talented Duane Swierczynski, Bill Schweigart and Julie Margaret Moulin each add their own flair to these great stories.  I haven’t read anything from these three authors before, so 3 Days to Live proved to be an excellent and fun introduction.  All three stories are roughly the same length, and they each have their own elaborate and intelligent narratives told utilising Patterson’s fast-paced style.  There is a very fun collection of different storylines with each of these entries, and I loved the sheer variety of scenarios these great authors came up with.

The first of these short stories is 3 Days to Live, which was co-written by Patterson and Swierczynski.  This is a very exciting and clever spy thriller that serves as an excellent and distinctive introduction to the entire collection.  The story is told from the perspective of Samantha Bell, a young, recently retired CIA agent, who has just eloped with her new husband, Kevin Drexel.  Honeymooning in Berlin, tragedy strikes when Kevin is lethally poisoned at the hotel alongside a Russian Oligarch and his daughter.  Samantha manages to survive the attack but is also dosed with the poison, which will end up killing her in less than three days.  Weakened, dazed, and heartbroken, Samantha sets out to find out who killed her and her husband and is forced to contend with both the CIA and the Russians, before discovering the terrible truth behind her own murder.

This was a very impressive and enjoyable story that I particularly enjoyed getting through.  Patterson and Swierczynski came up with a great story that perfectly utilises its fun storyline about a poisoned individual trying to find their killer before they die, which was reminiscent of films like D.O.A, Crank, and Kate.  The authors set the scene for 3 Days to Live’s story extremely well and you are soon deeply engrossed with Samantha’s story as she utilises all her knowledge and skill as a CIA agent to find out who killed her and why.  The story goes in some very fun directions, and you really connect with Samantha as she balances her grief over her husband’s death with her need for vengeance and control of the situation.  The authors do a good job of showcasing the character’s slowly declining physical health, and the weakness and loss of control she feels becomes an outstanding part of the plot, especially as you begin to worry that she won’t be able to achieve her goals.  There are some fun twists and swerves throughout this short story, and while the identity of the poisoner is a little obvious, the full motivations and set-up for it works perfectly.  I was extremely engrossed by this captivating story and I managed to power through all 110 pages in very, very short order.  Readers interested in checking this book out are in for a lot of fun with this first impressive entry and it honestly was my favourite story in the entire book.

The second story is the great read Women and Children First, which was co-written by Bill Schweigart.  This intriguing second story follows security specialist and former elite soldier Chase Weldon, who has been hired by a massive corporation to test their systems and find any potential breaches.  However, during Chase’s initial investigations a series of deadly cyber security breaches occur, and it becomes clear that someone is targeting the company and its eccentric CEO.  Initially an observer, Chase is dragged into the chaos when the saboteurs contact him and coerce him to convince his employers to pay a substantial ransom.  But when Chase attempts to push back, the saboteurs place him in a terrible situation, one where killing his wife and kids seems to be the only option.

This was another awesome and electrifying story that serves as a wonderful and compelling second entry in 3 Days to Kill.  Moving from spy thriller to corporate espionage is a fun change of pace, and I liked the unique and clever story that emerges.  Patterson and Schweigart do a great job drawing the reader in, especially after an entertaining introduction to the protagonist that also serves to highlight the tactics of the baddie.  The stakes steadily rise as the book continues and watching the protagonist get desperate enough to consider killing his family really added to tension of the plot.  The subsequent interactions with the arrogant tech CEO make for some great scenes, and while I was able to see most of the story’s big twists coming, it was still a ton of fun getting through it, especially with all the action that unfolds around them.  There are some fantastic family dynamics worked into the plot, and while the family are portrayed as way too overwhelmingly talented, you still get caught up in their gripping adventure.  The authors end up telling a very concise and entertaining story through the course of 121 pages, and I was hooked enough to read the entire thing in one sitting.  Women and Children First also serves as a great follow up to 3 Days to Live, and readers following on straight away from the first action-packed story will find another excellent read that keeps the blood pumping while telling its own distinctive and enjoyable story.

The third and final story in 3 Days to Live is the powerful and intense thriller, The Housekeepers, which was co-written by Julie Margaret Moulin.  Following several distinctive characters, The Housekeepers sees Russian housekeepers Sophie and Masha on the run from the Russian mob who intend to kill Sophie’s son Nikolai.  Desperate for a place to hide, they secrete themselves in the pool house of Masha’s boss, Dr Elizabeth Parks.  However, Dr Parks is going through her own issues, including family drama and police concerns around a gang violently targeting her clients to steal their prescription medication.  When circumstances drive them together, the doctor and the housekeepers need to work together to survive all their deadly problems.

This was another compelling story and probably the most moving and powerful of the bunch.  Rather than the fast-paced action of the first two stories, The Housekeepers is more character driven, and Patterson and Moulin do a wonderful job of efficiently setting up the major problems impacting all the distinctive protagonists.  Each of these issues, including Russian gangsters, problematic teenagers, intruders, family tensions, and even a pack of coyotes, come crashing down around them and it results in some complex and dramatic interactions.  The authors really lay down an excellent and intelligent narrative in The Housekeepers and I loved how dark it got, especially with those great twists at the end.  All the complex characters have their own dark issues, and it was really impressive how Patterson and Moulin where able to effectively set them out and resolve them during the course of this short story.  I came away from The Housekeepers deeply satisfied, if slightly saddened, and this proved to be an awesome and moving finale to this volume.

This was an overall excellent and captivating collection of short stories from Patterson and his co-writers, and I am really glad I got the chance to read them.  All three fast-paced stories really draw the reader in with their well-established and thought-out narratives and unique scenarios, and the authors played them out perfectly.  Each story really stood on its own feet while also adding to the entire volume.  I personally enjoyed the differences in tone and focus that each story contained, and I think that 3 Days to Live serves as a good example of Patterson’s style and ability to work with different authors.  I would strongly recommend 3 Days to Live to established Patterson readers or thriller fans who are interested in seeing what sort of ideas Patterson and his cohorts are working with these days.  I can’t wait to read more Patterson books in the future.

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