Throwback Thursday – Moving Pictures by Terry Pratchett

Moving PIcture Cover.jpg

Publishers: Corgi and ISIS Audiobooks (14 November 1991)

Series: Discworld – Book 10

Length: 332 pages or 10 hours and 8 minutes

My Rating: 5 out of 5 stars

Reviewed as part of my Throwback Thursday series, where I republish old reviews, review books I have read before or review older books I have only just had a chance to read.

Because my blog shares the name of a building featured in Terry Pratchett’s Discworld series, some people might have assumed that I am a fan.  You would be right, so very, very right.  I have loved Discworld since I was a small child, and my appreciation and respect for the complex writings of the late, great genius, Sir Terry Pratchett, has grown with me.  The Discworld series represents one of my ultimate comfort series of books.  It’s the series that I go back to at any time when I want something fun and familiar to enjoy.  I have read all of the adult books set in Discworld multiple times (I have yet to read all of the young adult ones), and it is an unusual year when I do not listen or read some of these books in my spare time.  Pretty much every single book in this series deserves five out of five stars or higher (with one or two exceptions that I may mark down to a 4.75 with a heavy, heavy heart), and you are unlikely to find any real criticisms about this book below.  After nearly a year of running this blog, the continued exclusion of a review of any of Pratchett’s Discworld is a travesty, and one that I seek to rectify in this somewhat late Throwback Thursday with a review of the 10th book in the series, Moving Pictures.

Before I review Moving Pictures, here is some quick context of the Discworld series for those people unfamiliar with these books.  Discworld is the main series of Sir Terry Pratchett, set upon the Discworld, world and mirror of worlds.  The Discworld, or the Disc, is a flat world that rests on the backs of four massive elephants, who themselves stand on the back of a gigantic turtle swimming in space, Great A’Tuin.  The Discworld itself features a huge range of different nations and continents that bear striking similarities to real-world locations.  This series is, without a doubt, the best series that utilises a combination of fantasy and satire in the entire world.  The seamless blend of the two elements is just incredible, and both elements do an unbelievable job at enhancing each other.  Before his death, Pratchett wrote 41 books in the Discworld series, six of which are considered young adult books.  While the books can be read in any real order, the series were mostly written in chronological order (with the exception of Small Gods), and events from earlier books in the series are often referenced.  Although most of the Discworld stories are self-contained, a number of the books are linked together by a recurring main character and are subsequently grouped together into subseries.  These include the Rincewind, Witches, City Watch, Death, Tiffany Arching and Moist von Lipwig subseries, in addition to a few standalone books that fall outside of any of the subseries.  Characters often appear in other Discworld books outside of their subseries, and there are a string of side or secondary characters who appear in multiple subseries and standalone books.

The book I am reviewing, Moving Pictures, is a standalone book that does not really fall within any of the main subseries.  It is sometimes considered part of minor subseries, called the Industrial Revolution subseries, with The Truth and Monstrous Regiment, but I am not a big fan of that distinction.  As it is the first Discworld book I am reviewing, you might think that it is my favourite book in the entire series, which is not true; although it does get five out of five stars from me and I have enjoyed it an amazing number of times, it is not my absolute favourite Discworld book, although it is high on the list.  It is, however, an easier one for me to review as there is a lot I can say about it.

Goodreads Synopsis:

‘Holy wood is a different sort of place. People act differently here. Everywhere else the most important things are gods or money or cattle. Here, the most important thing is to be important.’

People might say that reality is a quality that things possess in the same way that they possess weight. Sadly alchemists never really held with such a quaint notion. They think that they can change reality, shape it to their own purpose. Imagine then the damage that could be wrought if they get their hands on the ultimate alchemy: the invention of motion pictures, the greatest making of illusions. It may be a triumph of universe-shaking proportions. It’s either that or they’re about to unlock the dark terrible secret of the Holy Wood hills – by mistake…

The blurb above is a bit vague on the details of what is actually happening in Moving Pictures.  Essentially, the alchemists of Ankh-Morpork, the largest city on the Discworld (and a central location for many of the books), suddenly develop filmmaking, which they call moving pictures, and set up a filming base at the ancient and abandoned Holy Wood.  The moving pictures issue a weird siren call to the inhabitants of the Discworld, dragging all manners of people and creatures from across the lands and infecting them with their magic (not a metaphor).

Among those drawn to Holy Wood are Victor Tugelbend, a former student wizard, and Theda “Ginger” Withel, a small-town girl with big dreams.  Thanks to the magical on-screen chemistry between them, Victor and Ginger quickly become the superstars of the fledgling moving pictures industry, especially when the Discworld’s most infamous salesman, Cut-Me-Own-Throat Dibbler, comes to town and takes over the studios.

However, reality on the Discworld is always a bit thin, and Lovecraftian monsters (a favourite recurring antagonist of Pratchett’s early Discworld novels) are revealed to be the ones who planted the idea of moving pictures and Holy Wood in the alchemists’ heads.  Using the new sort of magic created by Holy Wood, the creatures start to break through.  With the wizards of Unseen University, the people who are supposed to guard against these sorts of incursions, distracted by the arrival of an unconventional new Archchancellor, it is up to Victor, Ginger and a ragtag band of other Holy Wood characters to save the day.

This book has so many moving parts to it that it’s hard to know where to begin when reviewing it.  While the main story is concerned with the introduction of moving pictures into the Discworld, there are a number of other entertaining storylines going on throughout the book, each one complementing the main story and creating an amazing overall narrative.  The major appeal of this book is its sharp and intelligent satire of the movie business, which also examines the nature of a film industry in a world as crazy as the Discworld.  I also quite like all the amazing characters, either introduced or built up in this book, many of whom appear in later books in the series.

This book is absolutely hilarious and filled with a huge number of clever and outrageous jokes and observations about the film industry, all of which lie on top of Pratchett’s usual humour about day-to-day life in the Discworld and his random observations, many of which are perfectly introduced in the book’s footnotes.  The main storyline is an amazing portrayal of the hectic early days of the film industry, placed in a fantasy setting.  The cameras are powered by miniature demons (who paint the pictures really, really fast), the lighting is done by salamanders, actors of all species make up the cast, the audience eat ‘banged grains’ while watching the ‘clicks’ and the film’s monsters and villains are all trolls in crude costumes.  However, literal movie magic is making people do strange things (strange even for Discworld folk), talking animals are showing up looking for work, Dwarfs are singing “Hihohihohiho” as they work, characters routinely burst into song and dance in the rain, and one producer keeps threatening to turn people into stars, all while the book’s few straight-characters look on in bemusement.  All of this is amazing, and the sheer number of fantasy-assisted jokes throughout the book is pretty unbelievable.

At its heart, Moving Pictures is a satire and a critique about the film industry as a whole.  Quite a large amount of the story is dedicated to parodying the real-life the crazy effect that movies can have on audiences and the people who make them, as the book shows some ridiculous events.  The story also reflects the insubstantial nature of fame and the fragility of dreams surrounding the movie industry.  The fast-moving world of the film industry is also shown, although sped up even more for comedic and story value, as they film creators are constantly searching and finding new advancements in their field.  A great example of this is shown when Cut-My-Own-Throat Dibbler invents and then continually advances the art of advertisement, so that, within a few short weeks, the film industry goes from ineffective text advertisements to eye-catching posters and explorations of product placement and subliminal messages.  Pratchett handles these critiques very skilfully, and you cannot help but laugh aloud as he skewers the film industry quite cleverly throughout Moving Pictures.

Pratchett also filled Moving Pictures with a ton of references to iconic films and elements of the film industry.  Many of the characters involved with the films are caricatures of famous movie actors, with Victor playing all the typical romantic or manly male heroes of the day, and Ginger is essentially Marilyn Monroe.  Several films are parodied throughout the book, such as Gone With The Wind, which becomes Blown Away, an epic love story set around a famous Ankh-Morpork Civil War.  There is a rather good King Kong parody, in which a gigantic woman kidnaps a poor defenceless Ape (the Librarian) and drags him to the roof of the tallest tower in Ankh-Morpork, all while two wizards on a broomstick shoot at it with a crossbow, with one shouting “If it bleeds, we can kill it!”  That is only scratching the surface of the references featured within this book.  A golden figure with a name starting with O plays a big part in the story, the various studios are all parodies of real-life studios, and there a huge number of funny and subtle references to various famous films.  Examples of these include Wizard of Oz, Lassie, Lawrence of Arabia, Indiana Jones, Looney Tunes, Blues Brothers, Casablanca, Tarzan and Star Trek just to name a few.  Readers can go through this book multiple times and not pick up every detail, which is a testament to the cleverness of Pratchett and his ability to come up with some hilarious references.

I have always found the way that Pratchett utilises or re-uses his characters to be extremely fascinating; while some characters appear in multiple books, a number of his main characters, especially from his earlier books, are only used once. There are several examples of this, including Mort from Mort, Pteppic from Pyramids and Esk from Equal Rites (who did appear in a later young adult novel, but there was a significant time gap between the writing of these two books).  While Pratchett may have simply had only one story in mind for these characters, I have a feeling that he simply did not like how they turned out and decided not to use them again under any circumstances.  Mort is probably the best example of this.  Despite being the protagonist of the first Death subseries book Mort, he never appears in any of the Death subseries books again (aside from one brief flashback), and is instead replaced by his own daughter, Susan.  It is interesting to note that most of the main characters who were never or rarely used again are somewhat similar to each other, being young heroes without too many obvious flaws to them.  On the other hand, the unique main characters Pratchett creates with notable flaws, such as Rincewind, the wizard who has turned cowardice into an art form, or the overly cynical and dangerous alcoholic Sam Vimes, helm multiple books.

If I have to make one criticism about this book, it is the weak and somewhat inconsistent main characters, Victor and Ginger.  Ginger is a generic female character, and while she is a good parody of Marilyn Monroe and other early screen actresses, she is pretty one-dimensional and unlikeable.  Victor starts out with some very interesting character traits, as he is described as an extremely lazy person, whose unique brand of laziness forces him to become a brilliant student wizard in order for him to succeed in his quest to fail every test he ever takes by a certain point margin to ensure he remains a student.  However, these character traits are pretty much thrown out the window a few chapters in and he becomes a typical male hero for the rest of the book.  While this sort of straight-man character was needed for this wacky adventure, it is surprising that the character never again really shows the slightest hint of some of these earlier established character traits.  It is interesting to note that neither Victor or Ginger appear in any of the subsequent Discworld novels, so I think there is a strong possibility that Pratchett might also have disliked how these characters turned out.

While one or two of his earlier main characters were somewhat unimpressive, Pratchett always managed to make up for this by creating a range of memorable and enjoyable side characters.  It was always interesting to see which of these side characters would appear in various later books, as you knew Pratchett had to like them as well.  For example, Granny Weatherwax was a supporting character in Equal Rites, but Pratchett must have liked writing her, as she became a major character in the Discworld series, even getting her own subseries with several other witch characters.  Moving Pictures is perhaps the best example of Pratchett’s love of side characters; while Victor and Ginger never appear in the Discworld again, many of the side characters introduced or developed in this book have major roles later in the series.

For example, I was always impressed with how this book turned two minor characters from Guards! Guards!, Cut-Me-Own-Throat Dibbler and Detritus the troll, and gave them more expanded roles in Moving Pictures.  Dibbler was an opportunistic merchant who got a couple of good, if minor, scenes in Guards! Guards!, but in Moving Pictures, Pratchett transformed him into a ruthless and extremely savvy salesman who gets in the front door of every major new opportunity inflicted on the Discworld, but is often forced by circumstances back to becoming a sausage-in-a-bun merchant.  Dibbler was absolutely fantastic as the stereotypical sleazy film producer, and it is unsurprising why he suddenly became a major recurring character throughout the Discworld books, not only appearing in nearly every book set in Ankh-Morpork but also having clones of him appear in the other nations and cities, all of whom sell disgusting local delicacies.  Detritus is another great example, as he goes from the simple bouncer introduced in previous books to a troll seeking love and a new way of life.  Pratchett comes up with a great personality for Detritus in this book, and it carries through to the City Watch subseries when he joins the Watch in Men at Arms and becomes a major recurring character in this subseries and other books set around Ankh-Morpork.  Other recurring characters, Death and the Librarian, are as awesome as ever, but Dibbler and Detritus are the real standout stars of this book.

Several new characters introduced in this story also make a number of reappearances throughout the rest of the Discworld series.  A good example of this is the talking dog, Gaspode, who is a fantastic and sarcastic character through the book.  He has some great scenes, with the highlight being his friendship with Laddie, a Lassie parody and idiot who Gaspode takes under his wing.  The idea of a clever, underappreciated and sarcastic talking dog side character apparently worked so well that Pratchett found a way to return his magical intelligence and ability to speak a few books later in Men at Arms (the same book Detritus reappeared in) and he then featured in several additional books.

You also have to love the new wizard characters that Pratchett also created for this book.  Before Moving Pictures, the faculty of Unseen University, with the exception of the Librarian and Rincewind, were replaced each book with a new group of senior wizards, thanks to the competitive nature of succession in the university.  However, this 10th book introduces a brand new and more permanent faculty of Unseen University, led by Archchancellor Mustrum Ridcully.  Ridcully is a fantastic character as he is big, loud and sporty man who is generally the complete opposite to any other wizard previously shown in the Discworld series.  I really enjoyed his storyline and found it to be one of the most entertaining in the entire book.  Pratchett must have agreed, as Ridcully became the only recurring Archchancellor in the Discworld series.  This also allowed for the creation and stabilisation of unique characters to make up the senior faculty of Unseen University, including the Bursar, the Dean, the Chair of Indefinite Studies and the Lecturer in Recent Runes.  While the other wizards have a fun romp breaking out to go see the moving pictures, the Bursar has a great story, as you get to see the first signs of madness that would afflict him throughout every other book he appears in, as he first encounters the stress associated with working under Ridcully.  I also liked the introduction of a young Ponder Stibbons, whose bad day while trying to escape from the university is pretty humorous, but also the complete departure from his later role as the only serious member of the faculty.  Thanks to their entertaining storylines, the wizards would appear in multiple books in the rest of the Discworld series, and while they never had their own specific subseries, they would get major inclusions in several other subseries, including substantial stories in The Last Continent, Soul Music, Lords and Ladies and The Hogfather, as well as their own novel, Unseen Academics.

While I have physically read most of the books in the Discworld series, including Moving Pictures, these days I tend to only listen to the audiobook formats of these books.  The Discworld audiobooks are pretty awesome, and the two narrators for the series, Nigel Planer and Stephen Briggs, both do an incredible job.  I find that the humour in the Discworld novels is massively enhanced by the narration, and I love listening to the stories this way.  At 10 hours and 8 minutes, this is not a long audiobook, and I always tend to power through these books really, really quickly.  Planer is a comedy veteran and has an awesome audiobook voice, and it is quite impressive the sheer range of different and distinctive voices he can come up with.  I also like his incredible consistency when it comes the multiple books in the Discworld series; for example, voices he creates for Moving Pictures are generally the same used for that character in later books he narrated.  The audiobook format of Moving Pictures is my preferred way to enjoy this book, and it is really worth trying out.

As you can see from my extremely long rant above, I absolutely love Moving Pictures and the Discworld series.  Pratchett created an incredibly complex and extremely funny novel that laughs right at the heart of the film industry.  The sheer range of references in this book is amazing, and the creation and enhancing of the various side characters featured in this book has massive ramifications for many of the later Discworld novels.  If you have yet to experience the joy of Terry Pratchett’s Discworld series, get on it as soon as you can.  It is well worth it, and Moving Pictures is a great place to start your Pratchett adventure.  I fully intend to review more books in this series in the future.

Lies Sleeping by Ben Aaronovitch

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Publishers: Gollancz and Orion Audio (Audiobook format – 15 November 2018)

Series: Rivers of London – Book 7

Length: 10 hours 25 minutes

My Rating: 5 out of 5 stars

Prepare to dive headfirst into one of the best urban fantasy series in the world today, with the seventh book in Ben Aaronovitch’s Rivers of London series, Lies Sleeping.

London is a magical place, especially for Peter Grant, Detective Constable and apprentice wizard.  Peter is a member of an elite unit of the London Metropolitan Police, known as the Folly, which is tasked with investigating magical crimes and protecting the city from all sorts of magical threats.  The person at the top of the Folly’s most wanted list is Martin Chorley, also known as the Faceless Man, a magical criminal mastermind who is determined to do whatever it takes to gain power.  However, despite the Met and the Folly’s considerable resources, Chorley is always able to stay one step ahead of those chasing him.

During a routine attempt to subtly panic several of Chorley’s known associates, a magical creature attacks a potential witness.  Peter’s investigation soon reveals that the witness had ordered the forging of a large and mysterious bell, which Chorley is desperate to get his hands on.  As Peter and his team dig deeper in the bell’s construction, they quickly begin to realise that Chorley is the final stages of his master plan, a plan tied deeply into the heart of London’s dark and bloody history, and one which could cause untold disaster for the entire city.

As the clock ticks down, Peter needs to work out the connection between London’s past and the mysterious magical events occurring all over the city.  Can Peter and his team once again save the day, or will their adversary finally obtain the power he has always desired?  Moreover, what will Peter do when he comes face to face with the woman who betrayed him to Chorley, his old partner in the Met, Lesley May?

Ben Aaronovitch is a highly regarded author with an interesting writing history to his name.  His writing career began back in the late 1980s and early 1990s, when he wrote a couple of Doctor Who television serials, including the highly regarded serial Remembrance of the Daleks, as well as three entries in the Virgin New Adventures series of Doctor Who books.  The Virgin New Adventure series chronicled the adventures of the Doctor after the television show’s hiatus in 1989.  Aaronovitch’s three entries in this book series sound incredibly interesting, although they were considered to be somewhat controversial at the time due to their more adult content.  Aaronovitch did not get around to writing his fantasy work until 2011, when he wrote the urban fantasy Rivers of London.  This was the first book in the author’s Rivers of London series of books (alternatively known as the Peter Grant series or the PC Grant series), for which the author is best known for.  The Rivers of London series is very highly regarded, and Aaronovitch has worked hard to expand on the story and universe of this series, writing a number of novellas, short stories and graphic novels on top of the series’ main seven books.

Before Lies Sleeping, I had never got around to reading any of Aaronovitch’s books, despite hearing good things about his main series.  As a result, I was very happy that I finally managed to check out the series earlier this year.  I did receive a trade paperback edition from Hachette Australia, but in the end, I chose to listen to the audiobook version of this book, narrated by Kobna Holdbrook-Smith.  I have to say that I was extremely impressed with this brilliant book and found that I really enjoyed the excellent and captivating story.  Lies Sleeping easily gets a full five-star rating from me, and I fully intend to go back and check out the other books in this series.  This book is an excellent blend of the fantasy and crime fiction genres, both of which come together perfectly to create an extremely compelling and complex read.

Lies Sleeping will prove to be extremely appealing to huge range of people; not only pre-existing fans of the series but also those readers who have not read any of the Rivers of London books before.  As a first-time Aaronovitch reader, I found that it was incredibly easy to step in and enjoy this series, as the author did a fantastic job making Lies Sleeping accessible to everyone.  While Aaronovitch has created a huge amount of lore around his series, including in his novellas and comics, the reader does not need to have any knowledge of these or the previous six books in the series to fully understand the entirety of Lies Sleeping’s story.  However, those readers who do have experience with this series will love how the story continues to development, as well as the massive and surprising twists that occur throughout the book.

At the core of this book lies a series of intriguing mysteries that take place throughout London.  In order to achieve his villainous goals, the antagonist has embarked on a series of seemingly random and chaotic crimes and ventures, all of which apparently form part of his master plan.  These various mysteries or criminal events were really interesting, and I liked trying to work out how they would all come together.  I particularly liked how various parts of these mysteries were deeply tied into the history of London, and the protagonist needed to gain a historical understanding of some of various myths and legends surrounding London.  Watching the protagonist attempt to unwind the complex plan of the book’s villains was extremely compelling, and I had a great time trying to work out what was happening myself.  One or two threads of these mysteries did go unsolved in this book, and I will be curious to see if they are picked up in any of the future entries in this franchise.

Aaronovitch is clearly a very creative writer, as he utilises a huge range of different and fairly unique fantasy elements throughout this book.  While there are a large number of wizards, spells and elvish beings throughout the book, the main focus is on the titular rivers of the series.  The more common magical beings encountered in this series are the personifications of the various rivers and waterways (current and historical) that flow through and around London.  These beings are similar to gods, although the term genius loci may be more appropriate, and have a huge range of powers.  These are a really intriguing addition to the book, and it was interesting to see the protagonist attempt to deal and interact with the various river characters, including his girlfriend, Beverly Brooke (yes, the main character of this series is dating a river).  There is also a huge range of other genius loci, or similar beings, that are featured within the story, including the mysterious and insane Mr Punch.  The magic that the human characters utilise is complex and slightly less ostentatious than some classic pieces of fantasy, but when the master wizards get to work it can be quite impressive.

One of the things I liked best about this book is how the author could create a realistic British police narrative and ensure magic became part of the procedure.  The Folly may be a special branch of the Metropolitan Police, but it is still part of the police force, and as such the characters are forced to follow standard procedure when investigating magical crimes.  Having these elite magical characters fill out paperwork and other various elements of day-to-day police life was deeply amusing.  I did like seeing how regular law enforcement tactics, anti-crime strategies and police combat techniques could be utilised against magical opponents.  The overall fantasy elements of this book are really enjoyable, but I really liked to see them be blended with a classic British police story.

Aaronovitch has done a fantastic job creating a huge and intriguing group of characters for this series.  The protagonist of Lies Sleeping and the Rivers of London series is Peter Grant, police officer and official wizard’s apprentice.  Peter is the sort of protagonist I really enjoy (sarcastic, funny and determined) so I quite enjoyed having him narrate the story, making a number of great jokes throughout.  The other police characters make up a great supporting and diverse cast, with a range of different abilities and characteristics.  I especially liked the classy and wise Detective Chief Inspector Thomas Nightingale, the last officially sanctioned English wizard and Peter’s mentor.  He is an extremely charming and old-fashioned character who has a huge amount of magical power at his fingertips and who can be quite intimidating if he puts his mind to it.  I also quite enjoyed the other magical characters that appeared throughout the book, as Aaronovitch has created a bevy of river gods and associated genius loci characters.  I liked how many of these ancient characters portrayed modern characteristics and ways of speaking, even when talking in a historical context.  Long-time readers of the series will also enjoy the further exploration of several recurring characters, including finally revealing the backstory of the mysterious Mr Punch.

While the protagonists and supporting cast are great characters, I really liked the antagonists in this story.  The main villain of the story is Martin Chorley, also known as the Faceless Man.  He is an excellent antagonist who is built up as a master planner, master magician and crazy villain before you even see him in the book.  His master plan was fairly complex, and the character’s overall arc in this book featured some massive twists that I did not see coming.  Lesley May is another really complex character who is a great addition to the series.  Her relationship with Peter is one of the best parts of the book, as even after her betrayals earlier in the series, he is still trying to save her from herself.  The way this works out in the end is quite dramatic, and it will be interesting to see where it goes from there.

While a large part of this book is set out more as a slow and steady police procedural, there are some fantastic action sequences within Lies Sleeping.  These come about when the protagonist attempts to stop the plans of the Faceless Man, and all manner of chaos erupts.  Nothing highlights this better than an extended action sequence which involves Peter chasing after a van on a bicycle, throwing fireballs, while all manner of debris is magically flung at him and several pursuing police vehicles.  The magical duels between some of the participants, mainly Nightingale and Martin Chorley, can be particularly impressive, but I personally liked how many of the confrontations devolved into fist fights as both sides attempt to distract the other and disrupt their castings.  Plus, where else are you likely to see British police with truncheons attempt to fight evil wizards?  These amazing action sequences really added to the story, and it was great to see all this magic in action, rather than being theorised the entire time.

While I would have already been tempted to give Lies Sleeping a five-star review, the thing that definitely clinches it for me is the amazing audiobook adaption of the novel, narrated by actor Kobna Holdbrook-Smith.  At nearly 10 hours and 30 minutes, this is a moderately easy audiobook to get through, and I had an absolute blast listening to it.  Holdbrook-Smith has an amazing voice and his work narrating this audiobook was just incredible.  His voice for protagonist and story narrator Peter perfectly encapsulated the character and got the full force of his witty and enjoyable personality across to the reader.  I really liked all the voices that Holdbrook-Smith created for the various characters featured throughout Lies Sleeping, especially for some of the magical creatures, who had an air of ancient wisdom in their voices.  However, without a doubt my favourite voice was the one for Nightingale.  The voice chosen for Nightingale is full of all sorts of old British class, and I thought it fit the character perfectly and was one of my favourite parts of this whole audiobook.  Aside from the outstanding voice work, I also quite liked the jazzy music that was played at the start of each chapter.  It gave the book a real noir private investigator feel, and I like how it added to the tone of the book as a whole.  The audiobook version of this book also helped me understand the story a bit better as an outsider to the series, and that, combined with Holdbrook-Smith’s brilliant voice work, makes me completely happy to recommend the audiobook format of Lies Sleeping.

Aaronovitch once again delivers a spectacular read that expertly combines amazing fantasy and crime fiction elements into one widely outstanding narrative.  There are so many excellent elements to this book, and I had absolutely loved my first foray into the Rivers of London series.  I strongly recommend listening to the Lies Sleeping audiobook, narrated by the very talented Kobna Holdbrook-Smith, but those readers who prefer to read their books will also find much to enjoy about this fantastic book.  This is one of the best urban fantasy books I have ever had the pleasure of reading.  I fully intend to go back and check out all the preceding books in this series, and I can’t wait to see where the series goes next.  Five stars all the way.

An Easy Death by Charlaine Harris

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Publisher: Piatkus

Publication Date – 2 October 2018

 

Gunslingers versus wizards in a dystopian alternate timeline of America, what more could you possibly want in a fun and captivating action novel?

Down in Texoma, one of the small countries forged out of the remnants of a fractured United States, Lizabeth Rose makes a living as a gunnie, a gunslinger for hire.  Despite being one of the best shots in Texoma, Lizabeth finds herself short of employment after her team is killed getting a group of refugees up to New America.

In need of a new gig, Gunnie Rose is less than cautious about accepting work from two grigori, wizards from the Holy Russian Empire.  The two grigori need Lizabeth’s help to find a fugitive member of their order, there is just one problem: the fugitive mage was killed some weeks prior, and Lizabeth was the person who pulled the trigger.  Undeterred, the grigori require a member of his lineage, so Lizabeth agrees to help them find the dead man’s brother, while keeping her role in his death secret.

Setting off on a journey through the barren and hostile landscape of an alternate history America, Lizabeth and the two wizards encounter all sort of dangers as they attempt to find the missing man.  From bandits to religious fanatics, their journey through the small towns is eventful and very bloody, especially when it becomes apparent that a faction of grigori are tracking them, determined to stop the trio completing their mission.  Can Lizabeth keep her clients safe, and what will happen when they find out who she really is?

An Easy Death is the latest book from bestselling author Charlaine Harris, who has written over 40 books in her career, staring with her 1981 debut, Sweet and Deadly.  Harris is possibly best known for her Sookie Stackhouse series, alternatively known as The Southern Vampire Mysteries, which was adapted into the incredibly popular True Blood television show.  In addition to this, she has also written the long-running Aurora Teagarden Mystery crime series and the Midnight Texas series, both of which have also had some form of television adaption in recent years.  An Easy Death is the first book in Harris’s new Gunnie Rose series, which presents the reader with a fast-paced adventure is an intriguing new setting.

I have to admit that I typically don’t read Harris’s books and she isn’t an author I have really gotten into before, although I did enjoy the first season of True Blood a few years ago.  However, after reading this book’s cool synopsis I decided to check this out, and I’m quite glad I did, after powering through it in about a day and thoroughly enjoying the fun story and the electrifying action.

I was impressed by the unique version of America that Harris has created for her new series.  Within the Gunnie Rose universe, the United States of America broke apart years before when FDR was killed before his inauguration as president.  In the following years, Canada and Mexico expanded into America, while smaller countries were formed from the remnants of various states.  A large amount of the book is set in Texoma, a collation of Texas, Oklahoma, New Mexico and part of Colorado.  Texoma is your typical old-west locale, with desserts and dry scenery, long roads and several small towns and cities, all of which are fantastic locations for this sort of high-octane modern western.  I quite enjoyed this alternate history version of America, and it was fascinating to see Harris’s vision of how historical America could have broken up, and the crazy world it might have turned into.  While this first story was primarily set within the location of Texoma, as well parts of New America and Mexico, I’m sure that Harris will take Gunnie Rose through the rest of these new countries and locations in future books.

Harris also explores another intriguing nation that was formed in the aftermath of the breakup of America, the Holy Russian Empire.  Within the context of this universe, Tsar Nicholas and his family managed to escape the Russian revolution and fled to California, where they and their armada were given sanctuary.  Following the breakup of America, the Tsar and his armies turned California and Oregon into The Holy Russian Empire.  The country is now ruled by the sickly Tsar Alexei, who has been kept alive by the magic of Grigori Rasputin.  While the characters don’t physically visit this nation, quite a lot of time is spent examining the internal politics of the Holy Russian Empire, and the reader is given a detailed explanation of how such a country came into existence and why their mission is so important.  Those readers who are familiar with the history around the Russian revolution will appreciate Harris’s explanation for this new country, as well as the suggested consequences of the Russian royal family surviving their infamous execution.

Another interesting part of An Easy Death is the use of magic throughout the story, as well as the author’s explanation of how it came to be an open power within the Holy Russian Empire.  The main reason magic is a thing in this universe is Grigori Rasputin, who, like the Russian royal family, managed to survive the events of the Russian Revolution.  Once the Russians were safe in America, Rasputin revealed the full power of his wizards, known as grigori by the rest of America, while international magic users, especially those hidden in Britain, journeyed to the Holy Russian Empire to gain sanctuary.  This is an intriguing idea from Harris, which coincidently allows her to feature a number of powerful magic users throughout this story.  As a result, this book is filled with some crazy magical fight scenes, graphic attack spells, as well as a number of scary magical creations that hunt the book’s protagonists throughout the story.  All of this is a great feature of the book, and one that works surprisingly very well in an alternate history western adventure.

A book that follows a gunslinger travelling across a dystopian America with two wizards was always going to be about the action.  Harris creates a fast-paced adventure that is filled with exciting action sequences as our protagonist goes toe-to-toe with bandits, fellow gunslingers and even a full complement of rogue grigori.  There are a number of great battle sequences throughout this story as a result, as the main character engages in some intense shootouts with her opponents.  The whole idea of an old-west gunslinger versus a wizard in combat is a very amusing idea, and Harris uses it to great advantage, having Lizabeth engage in fire fights with several different magical characters.  These scenes are pretty crazy, and it is fun watching the bullets and the spells fly in both directions.  Overall, this is a very action based novel, and the reader can simply sit back and enjoy all the carnage, complete with some very extreme and graphic sequences that stick in the mind.

Charlaine Harris’s new book is an outrageous and exhilarating action extravaganza that provides the reader with a healthy dose of fun and fire fights.  Thanks to a creative setting of an alternate timeline America, this book is filled with all sorts of crazy elements, including wizards and professional old-west-style gunslingers, who spend the entire book duking it out in fast-paced scenes.  An Easy Death is a thrilling read that is easy to enjoy and hard to put down, and an excellent start to a bold new series from Harris.

My Rating:

Four stars