The Coward by Stephen Aryan

The Coward Cover

Publisher: Angry Robot (Audiobook – 28 April 2021)

Series: Quest for Heroes – Book One

Length: 14 hours and 50 minutes

My Rating: 4.5 out of 5 stars

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Prepare for a legendary quest with a complex and damaged hero as bestselling author Stephen Aryan presents the first book in his new fantasy duology, The Coward.

Aryan is an awesome fantasy author who has been writing some great books over the last few years.  Aryan debuted back in 2015 with Battlemage, the first book in The Age of Darkness trilogy, which focused on a brutal magical war.  After finishing this initial trilogy, Aryan released a sequel trilogy, the Age of Dread trilogy, which was set 10 years after the events of the first trilogy, which focused on the consequences of the first trilogy, especially the fear and prejudice its magical war brought on every mage in this fantasy world.  I ended up reading the second book in this trilogy, Magefall, and quite enjoyed its interesting story.  Unfortunately, I never got a chance to finish the trilogy off or go back and check out some of the earlier books, which I kind of regret.  But I did get the chance last year to read the first book in his new series, The Coward, the first instalment of the Quest for Heroes duology.

Everyone in the Five Kingdoms knows the legend of Kell Kressia, the most renowned hero in all the lands.  At the young age of 17, Kell volunteered to join a band of legendary warriors and heroes on their greatest quest ever: travelling to the far north and killing the Ice Lich to save the world.  Twelve men ventured to the north, and only Kell returned, having slain the Ice Lich, leaving the land’s greatest heroes behind in death.  Kell’s fame as a hero spread throughout the land thanks to song and story.  However, not everything you hear in stories is true.

Ten years later, Kell is living the simple life on his family’s farm, content with the peace and quiet and avoiding people where possible.  However, fate has a funny way of catching up with heroes, and when word reaches the kingdoms of further trouble in the north, Kell is called for once again.  A terrible evil is said to have taken root in the fortress of the Ice Lich, and their power threatens the entire world.

Taking up his famous sword and ready to revisit the dangers up north, Kell sets out.  However, Kell is carrying a dark and desperate secret: he is no true hero; instead he is just a lucky man broken by his experiences and with no intention of returning to hell.  However, caught up in his own legend, and with a new band of heroes forming around him, Kell has no choice but to once again venture forth, even if it means his death.  Everyone is convinced that Kell will once again save the world, but can the hero win when he doesn’t even believe in himself?

This was a fantastic and clever fantasy novel from Aryan that I had an excellent time reading.  Aryan came up with an outstanding story for The Coward, based on a complex protagonist forced to relive his worst experiences.  I deeply enjoyed this cool novel and I managed to power through its entertaining and compelling narrative in no time at all.

The Coward has an awesome and captivating plot that quickly draws the reader in and ensures that they are held captive by the compelling quest.  I was honestly a fan of this book the moment I read the first line: “Kell Kressia, slayer of the Ice Lich and saviour of the Five Kingdoms, tripped on a rake and fell into a pile of horse shit.”  This perfectly set the scene for the entire novel, and showcased Aryan’s fun and compelling take on classic fantasy quest heroes.  The story initially develops primarily around Kell and showcases his severe emotional damage, as well as the fact that the legendary events of the past are mostly false, no matter what the bards and histories say.  Quickly dragged back into the fray by an ambitious king, Kell is tasked with travelling back to the scene of his last adventure and killing whatever evil he discovers there.  Naturally Kell, having learnt his lesson the first time, graciously accepts the request, and then tries to run away the first chance he gets.  However, thanks to a starstruck young man following in his footsteps, Kell is trapped into the mission and decides the best way to survive is to recruit a new bunch of heroes, and soon pulls together a small, eclectic group of rogues and warriors to take up the quest.

Most of these events take place in the first half of the book, and you really get to grips with the central characters while also fully understanding Kell and his pain.  Interspersed with flashbacks to the true story of the original quest, Aryan does a wonderful job of painting the risks of the upcoming journey to the reader, and you know that some brutal events are in store for the protagonists in the future.  At the same time, there is an excellent subplot that shows political intrigue throughout the Five Kingdoms, as a nefarious church attempts to take control of the lands, while the kings use Kell and his quest as pawns in a great political game.  This results in some dangerous moments for the protagonists on their way to their destination, and I liked the compelling and thrilling change of pace the dive into court politics presented.

Everything leads up to the big trek up North that dominates the second half of the book.  What follows is a bleak and captivating series of events that ensures that Kell and his companions hit every single monster and deadly creature that the author could think off, including wraiths, cunning ice sharks and an aggressive herd of lethal arctic beasts.  These scenes are all written extremely well, and Aryan does an excellent job of showcasing the deadly stakes of the mission, and there is even a memorable, and frankly surprising, tragedy just before the final major sequence.  This sequence, which sees the heroes re-enter the Ice Lich’s fortress, is paced extremely well, and leads to a brutal and intense final confrontation with their enemy.  While I did think that Aryan was a little too mysterious when it came to who or what this antagonist was, they certainly left their mark on the story, and it was fascinating to see their impacts.  Aryan fits in a couple of concluding chapters to set up the characters for the next book, while also containing some interesting surprises that will come into play in the future.  The reader comes away from The Coward extremely satisfied, and I felt that this was a very well-crafted narrative that not only stands on its own, but which leaves the reader curious to find out what happens next.

I deeply enjoyed the way that Aryan set this entire narrative up, and I felt that all the distinctive narrative threads fell into place extremely well.  Running at a swift and enjoyable pace, The Coward’s fantastic and elaborate story quickly drags you in, especially with its focus on a damaged protagonist and his new quest.  The author was extremely good at balancing deep and damaging character insights with a fast-paced action narrative, and you really had to feel for the protagonist as he revisited his trauma, while also selfishly encouraging him to keep going with the quest.  There is an excellent layer of dark humour over the entire story, and I liked how the action and adventure of the main storyline was well balanced by the alternate scenes of political intrigue that also set up the main villain of the second book.  I also deeply appreciated the captivating and clever dive into the dark side of an epic fantasy quest, and the traumatic memories of the events really shape the protagonist and the narrative in some excellent ways, while also proving to be an interesting and fun alternate perspective of classic fantasy novels.  Aryan features several fun allusions and homages to other iconic fantasy works in this book, and I appreciated his distinctive take on how a classic fantasy story adventure would really go.

I also quite enjoyed the fantastic and impressive new fantasy landscape that Aryan introduced in The Coward.  This first book is set in the Five Kingdoms, a collection of lands who are currently experiencing hardship, especially with a poor harvest and the increasing cold.  Despite the efforts of the authoritarian Church of the Shepherd to quash them, rumours abound that the Five Kingdoms are facing a threat from the north again, just like they did years before.  Aryan does a great job setting up the Five Kingdoms, and you swiftly get an idea of the many problems and conflicts befalling them, especially as their church is slowly increasing its influence and power, attempting to undermine its kings.  This proves rich ground for the early part of the narrative, and it was amazing to get introduced to this land.  I particularly loved the exploration of the myth of the protagonist throughout the lands, and the impact it had on the people, both in terms of morale and celebration, as well as politically.  Having multiple characters recite a famous in-universe retelling of the original quest was particularly fun, especially as the inconsistencies and blatant lies attached to them soon become extremely apparent.  The best setting in the entire book, however, was easily the North, were much of the second half of the book takes place.  Although it is similar to other famous fantasy winter landscapes, Aryan works to make his fairly distinctive, especially with the unique creatures and threats that lurk within.  The author really makes the landscape seem as brutal, barren and isolated as possible, and it is very intense to see the characters travel through it, particularly when Kell encounters remnants of the original quest, and is forced to relive his previous horrors again.  I had a lot of fun exploring Aryan’s intriguing world in this book and I look forward to seeing how it is expanded out in the sequel.

While I deeply enjoyed the narrative and had a great time exploring the new fantasy realm, easily the best thing about this book is the character work.  Aryan has done a real masterclass with some of the characters in The Coward, and you swiftly get attached to the main band of heroes, especially the protagonist Kell Kressia, all of whom are damaged or hiding something.  Watching them endure through terrible hardship and come together as a group is just wonderful, and I loved how attached I ended up feeling them as the novel progressed.

Most of the focus of the plot is directed to Kell Kressia, the titular coward.  Kell is a fantastic and memorable figure who draws you in with his unique story of woe.  The lone survivor of a legendary quest he undertook as a naïve teenager, Kell suffered a lot during the previous journey, and despite the renown and love lauded upon him, Kell ended up with nothing to show for his quest and has lived a simple life ever since.  In the current story, Kell has grown up significantly and is now content to be alone.  However, when he is sent on another quest, he attempts to flee, only to be dragged in against his will.  I really appreciated the development that Aryan put into Kell, especially as I figured that the twist would be that he’s a fraud.  However, despite the title, you realise that Kell isn’t really a coward; instead he is a deeply traumatised man who is now wise enough not to repeat the mistakes of his youth.  Rather than seeking battle, he tries to avoid it, but when he is forced to complete the quest, he reveals himself to be quite competent and able to lead his companions, even if he doesn’t want to.  I had an amazing time with Kell in this book, and you really sympathise with him once you find out the whole truth behind him.  I loved seeing how much he matured since the original quest, and the canny and realistic new hero is a very understandable figure as a result.  Aryan builds in a bit of closure for Kell in The Coward, especially as he comes to terms with the dark events from his past and finally starts to move on, but he does have to suffer some more tragedy along the way.  I also liked seeing him manipulate and utilise his status as a legendary hero throughout the book, even if he doesn’t believe it, and it was fun to see people who knew in the past underestimate him, not realising how much he’s grown up.  Kell is an excellent and impressive protagonist, and I can’t wait to see what Aryan puts him through next.

Another major character I need to highlight is Gerren, a young and idealistic teenager.  Following Kell’s example from the stories, Gerren finds Kell on his quest and stubbornly follows along, attempting to become a hero in his own right, despite Kell’s many attempts to get rid of him.  Realising that Kell doesn’t want to be there and means to run away, Gerren becomes quite angry and uses Kell’s own legend to trap him in the quest.  However, the further he travels with Kell and the heroes, the more he realises that Kell was right, and he soon regrets his decision.  I loved how Aryan used Gerren in The Coward, as the character essentially ends up being a younger version of Kell, making all the mistakes that his hero did, and becoming a dark mirror to him.  Watching Gerren mimic Kell’s life is pretty moving for all involved, and I loved seeing Kell’s reaction, especially as he tries to save Gerren from all the pain he suffered, which results in some amazing scenes.  Aside from being an emotional anchor on Kell, Gerren also goes through quite a lot of development in his storyline, as he grows from naïve kid to serious adventurer.  Watching his resentment to Kell grow and then fade when he realises what Kell was trying to protect him from is amazing, and you really wish that he would turn back at some point, not just for his sake but for Kell’s.  You also grow really attached to Gerren as the book goes on, and he served as an intriguing companion to the protagonist and really helped amp up the dramatic heft of Kell’s trauma.

Aside from Kell and Gerren, I really must highlight the rest of the fantastic band of heroes that travel with him, as Aryan brings together an eclectic and complex group, each of whom are there for very different reasons.  This includes the mysterious but entertaining bard Vahli, the hilarious pairing of Bronwyn and Malormir, two outrageous heroes with many a tale behind their deeds, and the monstrous but heroic non-human character of Willow.  Willow is probably the most intriguing out of these, as her entire species is something of a mystery, with a strange connection to the events of the plot.  Willow grows to be quite a significant figure as the book continues, and I am looking forward to seeing how the author expands on her in the future.  All these characters and more (the villainous Revenant Mother Britak was a fantastic secondary antagonist), were very impressive, and their unique and powerful adventure, as well as the many deep secrets in their past, help to turn The Coward into an exceptional character driven novel.

Like many great epic fantasy books, I would strongly recommend The Coward’s audiobook format.  Narrated by actor Matt Wycliffe, The Coward flows along at an excellent pace as an audiobook, and you really get caught up in the adventure and epic fight scenes out on the snow.  Wycliffe does some amazing and fitting voices for the various characters, and you really get caught up in their personalities and emotional depths through this narration.  With a run time of just under 15 hours, this is a slightly lengthy audiobook to get through, but I found myself powering through a very short amount of time thanks to the compelling story and characters.  A wonderful way to enjoy this amazing and clever novel.

Overall, The Coward by Stephen Aryan was one of the more captivating and intriguing fantasy novels of 2021 and it is one that is well worth checking out.  I loved elaborate narrative and impressive character work in this outstanding read, and readers will find themselves getting dragged into its compelling adventure tale.  I had an exceptional time with The Coward last year, and I really regret not reviewing it sooner.  I will hopefully read the next book in this duology, The Warrior, in the coming weeks, and I have no doubt it will be just as awesome as The Coward.

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Buffy the Vampire Slayer – Vol.1: High School is Hell by Jordie Bellaire and Dan Mora

Buffy The Vampire Slayer - High School is Hell Cover

Publisher: BOOM! Studios (28 May 2019)

Series: Buffy the Vampire Slayer – Volume 1

Length: Four issues – 128 pages

My Rating: 4.5 out of 5 stars

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Prepare for a whole new take on Buffy the Vampire Slayer as the first four issues of BOOM! Studios’ new Buffy comic series are collected together in their first volume, High School is Hell.

For those unfamiliar with it, Buffy the Vampire Slayer was an extremely popular fantasy television show that started in 1997 and ran for seven seasons until 2003. The show followed the adventures of the titular Buffy, who has inherited the role of the Slayer, a magically strengthened warrior chosen to fight vampires, demons and the forces of darkness. Buffy the Vampire Slayer was the first show helmed by Joss Whedon, who went on create one of the best science fiction shows of all time, Firefly, as well as direct the first two Avengers movies (and parts of the Justice League movie, but let’s not look to closely at that). Buffy was actually an adaption of Whedon’s 1992 movie of the same name; however, there were some significant differences between the tone and writing of the movie and the show, as the show had some superb storylines and an amazing cast. It eventually resulted in the spin-off Angel, which also had a strong five-season run and some amazing episodes.

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Due to the immense popularity of the show, a huge amount of Buffy the Vampire Slayer tie-in material has been created, including a number of novels and video games. A substantial number of comic books were also created through Dark Horse Comics, many of which involved Whedon in the creative process. Indeed, the storylines of both Buffy the Vampire Slayer and Angel were continued for many years as a comic book series that followed a huge number of events that occurred following the end of both television shows.

Recently, Dark Horse Comics gave up the comic book rights to several of Joss Whedon’s works, including Buffy the Vampire Slayer, Angel and Firefly. These rights were subsequently obtained by BOOM! Studios, who have embarked on a whole new wave of comics for these franchises. The first of these, Firefly, started up last year, and the first collected volume was released in late April (I grabbed a copy the other day and will hopefully review it in the next couple of weeks). A new Angel comic book series is also currently running, although the first issue was only released a short while ago, so it might be a little while before I get my hands on the collected edition of it. BOOM! Studios are producing a bunch of different stories for these various properties and have different plans for each of them. The Firefly comics, for example, will be set in the same universe as the shows and have presented an interesting new adventure. However, for the new Buffy the Vampire Slayer comic, they have decided to do something different. Rather than continue the storylines written by Dark Horse Comics or try to fit in the established universe left by the shows, the new creative team have taken the bold step of completely revamping the entire series, restarting the story from the beginning and swapping the setting to a more modern era. This new series takes place in 2018/19 instead of the 1990s and features a completely different story to the original series, similar to what Marvel Comics did with their Ultimate universe.

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This new series starts in a similar way to the events of the show, with Buffy Summers only recently arrived in Sunnydale and ready to start as the new kid at Sunnydale High. Buffy has to deal with many of the pitfalls of being a modern teenager, grades, friends and an embarrassing dead-end job. However, Buffy has one thing no over teenager has to deal with, an unescapable destiny as the latest in a line of vampire slayers. While the story may sound familiar so far, this is not the grunge era of the 1990s; instead it is the modern era of smart phones, social media and social norms. Buffy soon settles in as the new girl in school, training with her watcher, Giles, and making two new friends, Xander and Willow, after she saves them from a vampire. While the worst thing in her life may appear to be the exceedingly peppy Cordelia, Sunnydale is still Sunnydale. Vampires and demons are always lurking just beneath the surface, and two familiar and deadly foes are in town. The devastating team of Drusilla and Spike are looking for a mysterious power and will kill anyone who gets in their way. What is their sinister plan, and how will the lives of the new Scooby Gang be changed forever?

Volume 1, High School is Hell, features issues #1-4 of this new Buffy series and was written by Jordie Bellaire. It also features the artistic skills of Dan Mora as the illustrator and Raúl Angulo as colourist. Joss Whedon is also credited as the original creator of this series in all the issues, although I am uncertain if he consulted on this new project at all. Pretty much the moment I saw this comic in the shop, I knew I was going to enjoy it. I grew up with watching Buffy and Angel when I was younger and have enjoyed a lot of their comics in the past. I really liked the concept of this new series, and I was incredibly interested in seeing where the creators of this new series were going to take it. I have to say that I was not disappointed with the end result. These first four issues not only tell an excellent and deeply compelling story with some incredible artwork; they also present an incredible reimagining of the classic Buffy the Vampire Slayer universe and bring it into modern times.

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The issues featured within Volume 1 tell a pretty amazing story. The whole reintroduction of the Buffy world is done extremely well, as the new story told within is filled with the right amount of new ideas, classic characters and an exciting, action filled storyline with some major twists. I really think the blend of the old characters and story elements with the new storylines where done exceedingly well, and it creates and excellent new world that has some amazing potential for the future. Bellaire also does a fantastic job capturing the tone and humour of the original series and inserting it into this new vision of the Buffy universe, and it makes for quite an entertaining and enjoyable read. I also like how the creators brought the story out of the 90s into more modern times, incorporating all the relevant technology and social norms into the plot. There are also quite a few jokes making fun of the 90s, which is a nice touch, and a great call back to the original series. As a result, I thought the new story introduced in High School is Hell was pretty darn amazing and I had a lot of fun reading it.

The issues featured in High School is Hell feature an interesting mix of characters from the original television show, and I think fans of Buffy will enjoy the changes that the creative team introduce to the various characters. Firstly, Buffy remains pretty much unchanged; she is still the new girl at the school who is trying to balance the Slayer part of her life with high school, friends and romance. While there is a tad additional teenage apathy, perhaps as a result of her job at Tunaverse, her character remains as a pretty consistent touchstone from the original series. The same could be said of Giles, who is still the same stuffy English gentleman he was in the first few episodes of the original show with the disapproving mentor vibe, although we do get to see him playing his guitar in public a lot sooner.

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While Buffy and Giles are fairly similar to their original versions in the show, there are some interesting changes to the other major Buffy characters featured in this new series. For example, Willow has already discovered her sexuality and has a girlfriend, new character Rose. She also seems to be a whole lot more confident than she originally was in the series and is already eager to fight evil and start learning magic (which couldn’t possibly go wrong). Cordelia is still the most popular girl in school, although she is a lot braver and nicer than she was in the original show, although most of the characters find her extreme peppiness to be a bit too much. She also garners a rather unhealthy obsession with Spike, which was an intriguing addition which will no doubt become a major plot point in the future. Interestingly enough, Xander is probably the character who has changed the most in this series. On the exterior he is still the same happy-go-lucky character he was in the show. However, none of the characters realise that Xander is actually quite depressed, lonely and feels quite powerless, something the audience is made aware of by viewings of his anonymous blog. The inclusion of the blog entries is quite clever; we are initially made to think they are Buffy’s inner monologue. Once we are shown they belong to Xander, it gives an emotional look into his mind. Xander’s resultant story arc in this book ends in a pretty shocking twist, which has real potential to be a defining moment of this series.

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In addition to these main characters who were the focus of the original Buffy first season, there is also an interesting use of other characters from the show. Major characters Anya, Robin Wood, Spike and Drusilla all show up in these first four issues, each entering the story far earlier than they did in the television show, and with very different storylines. Anya is a demonic witch who deals magical artefacts from a secret occult shop (a fun nod to her business from the show). Anya is a neutral force in the town, and it is an interesting departure from her role as a vengeance demon. We only see a little of Robin Wood in these first four issues, although he is set up as Buffy’s potential love interest. In this series he’s set up as a star athlete and overall nice guy, with no real indication of whether he’ll have the same connections to the Slayers or Spike that he did in the show. Spike and Drusilla are a cool choice as the initial antagonists for this version of Buffy. The two of them always make a great team, although there is a bit of a change to the dynamic. Dru is somewhat less insane in this series, and seems to be the brains of the operation, relying on Spike a lot less. Spike is pretty much his usual fun self, although he appears a little less in love or devoted to Dru as he was in the show. He also has a fun relationship with Cordelia, and there is also a certain debate about his name. While Dru and Anya refer to him as William, he introduces himself to Cordelia as Spike to try and sound edgy, which results in a good joke from Dru about how the name “hardly played in the 90s”.

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Overall, I was quite happy with how the creative team behind this new series utilised the show’s existing characters and brought them into the new century. Some of the changes are really quite cool, and I liked how some of the dynamics were altered. Some of the new characters were also pretty cool, and it will be interesting to see what overall impact they will have on the series. I think that some of their decisions will lead to some excellent stories in the future, and I look forward to seeing how other existing characters are introduced.

The artwork in the first four issues of this series was pretty awesome and really added a lot to this volume. Mora did an outstanding job capturing the likenesses of the existing characters from the show; they looked so much like the original actors. The action sequences are done exceedingly well and there is a real sense of motion in some of the scenes that bring all the fights to life. The artwork and the colour schemes help add a lot of dread or unease to several scenes throughout the volume, which add a lot more to story. The artwork in this new version of Buffy the Vampire Slayer was first rate and really exciting.

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Buffy the Vampire Slayer: High School is Hell represents a bold new direction for the Buffy franchise, and one that I am quite excited for. The alternate timeline that the creative team has decided to set this story in is quite an intriguing concept that works exceedingly well. Bellaire has come up with a captivating initial storyline that is enhanced by Mora’s artwork. This series will definitely appeal to fans of the original television series, who will love seeing these great characters altered in a brand-new timeline. It is also easily accessible to those readers less familiar with the show and could be a good starting point for those who want to check out the franchise. This volume is highly recommended, and I am looking forward to the future inclusions in this excellent new comic book series.

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