The Strength of the Few by James Islington

Publisher: Text Publishing/Audible Studios (Audiobook – 11 November 2025)

Series: Hierarchy – Book Two

Length: 31 hours 8 minutes

My Rating: 5 out of 5 stars

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Australian author James Islington continues his Hierarchy series in epic form with the incredible and complex novel, The Strength of the Few, an outstanding and highly addictive fantasy novel that I had an incredible time getting through.

Back in 2023, I had the pleasure of reading the outstanding novel, The Will of the Many from James Islington, which I very quickly fell in love with.  Following a fugitive prince who finds himself enrolled in an academy for the children of the elite members of the nation that conquered his homeland, The Will of the Many had an intricate plot that forced the protagonist to deal with elaborate ancient puzzles, the unique magic of his world, unlikely friendships, deadly rebels, and all his hidden secrets potentially becoming uncovered.  I had such an amazing time reading The Will of the Many that it got a very easy five-star rating from me, and it ended up topping several of my end-of-year lists for 2023, including my favourite book, audiobook, new-to-me author and Australian fiction lists.  Unsurprisingly, I have been keen to see how the series would continue ever since I finished the final page of The Will of the Many, and the long-awaited sequel, The Strength of the Few, was one of my most anticipated novels of 2025.  I started reading The Strength of the Few the second I could, and it turned out to be another captivating read, with a plot that goes in some captivating and intense directions.

After infiltrating the Academy and running the mysterious Labyrinth, the man known to the Catenan Republic as Vis Telimus thought that he would finally understand some of the secrets of the nation that destroyed his people.  However, his encounters within the Labyrinth have instead resulted in the impossible and placed him in the firing line of an ancient evil determined to destroy his world.

While the original Vis continues to live in the Catenan Republic, attempting to avenge the massacre of his Academy classmates and friends at the Iudicium, he is unaware that the ancient devices within the Labyrinth replicated him across three separate words.  Mirrors of each other influenced and altered by different history, the worlds of Obiteum, Luceum and the world Vis already knows as Res, are divergent places, each with their own troubles, rulers and chaos.

Now one of the few beings existing across all three concurrent realities, Vis stands as the only person who can stop the upcoming Cataclysm that will burn away all he loves.  But first he needs to face the different challenges each world has for him, especially as he truly belongs in none of them.  Forced to fight, to learn how to control the unique powers his situation has granted him, and to understand the different worlds they find themselves in, all three versions of Vis will be pushed to their limits as they try to prove themselves and understand the secrets behind their unlikely journey.  If any version of Vis fails, then all their chance to stop the Cataclysm are finished.  But can Vis really survive in three separate realities, each of which is filled with beings who desperately want him dead?

Well damn, now that’s how you do a sequel.  The Strength of the Few was an incredible novel as James Islington expertly continued the elaborate and ambitious narrative of his epic Hierarchy books.  Featuring a layered story loaded with complex world-building, intricate story details and compelling characters, The Strength of the Few was an exceptional novel that gets a very easy five-star rating from me.

Islington came up with an especially complex and powerful story for The Strength of the Few, which served as a very worthy follow-up to the compelling events of the previous Hierarchy book.  Right out the gate readers are treated to an intricate plot, with the protagonist from The Will of the Many split into three different versions of himself in three separate mirror worlds.  Each version has its own very distinct narrative that revolves around that specific Vis trying to overcome the challenges of that specific world.  For example, the version of Vis on Res, the world that The Will of the Many was completely set in, continues to endure the politics of the Hierarchy, while also attempting to uncover those responsible for the massacre of his classmates at the end of the previous book.  The storyline set on Obiteum is a bit of a post-apocalyptic narrative, as Vis is forced to survive a broken world ruled by the enemy responsible for several previous Cataclysms, and must try to find a way into a forbidden city, half staffed by the living dead.  The final storyline set in Luceum offers a much more adventurous narrative, as a version of Vis that is completely unaware that he is in an alternate world, is forced to explore a new culture and attempt to survive amongst people who have no idea of his past or his destiny.

These three separate and very distinctive storylines each go in some interesting directions as the book continues, and the result is a very impressive and compelling overall narrative, especially as Islington expertly sets up necessary details in the early stages of the book and cleverly builds from there.  For most part, each of these storylines stay isolated, although some key details from each bleed into the wider narrative, and you can appreciate the significance of certain events or revelations in one storyline better thanks to the events in one of the other worlds.  Each plot line goes in some very interesting directions, with the dark politics of Res forcing Vis to engage in some complex schemes and deceptions, the struggles of Obiteum slowly getting to an isolated version of the protagonist, while positive character interactions in Luceum turn that Vis into a completely different person.  Islington starts to enhance the tension of all three storylines in the second part of the book, and there are some very amazing scenes that completely change the tone of each of the main storylines.  I felt the political instability of Res allowed for some particularly powerful moments, especially after a shocking scene about two-thirds of the way through book.  A growing war in Luceum also provides some compelling drama for that storyline, as Vis must decide what he wants in life, while the continued threat of discovery in Obiteum proves to be particularly draining.

The final third of the book contains some of the best scenes of The Strength of the Few, as Islington builds on all the novel’s great storytelling and complex worldbuilding to bring forth an epic conclusion.  Thrusting all three versions of Vis into mortal danger, the tension is particularly thick, as the protagonist and much of the supporting cast are in constant risk.  This includes a final desperate attempt to achieve his goal of killing a god in Obiteum, which hits a range of snags amongst the ancient city Vis has spent most of the book infiltrating.  At the same time, the Vis in Leceum finds himself in the middle of a deadly war, where his unique abilities and the unlikely rewards of a deadly ceremony weigh him down.  However, the most intense is the narrative set on Res, where Vis finds himself attempting to save who he can from the chaotic events brought on by those manipulating him.  Islington probably throws the book’s most shocking moments into the Res storyline, which nicely builds on a lot of the drama and intrigue from the first novel, and forces the protagonist to make some dark decisions, out of both vengeance and necessity.  One scene where the title of the book is quoted by an antagonist really sticks in the mind, and I’m not sure I’ll be able to forgive Islington with the dark bait-and-switch there.  All three of these storylines end on an interesting note that hint of destructive events for the future, and it is going to be fascinating to see how Islington continues the Hierarchy series going forward.

Thanks to the elaborate ideas that Islington had for this epic sequel, The Strength of the Few turned out to be an exceptionally written read, which provides an intense and compelling fantasy narrative, filled with some great emotional depth.  The inventive way that the author splits the book to follow three separate versions of the same protagonist worked surprisingly well, and it allowed for quite a unique character-driven story, which really showcases Islington’s writing ability.  I felt that the split between the three distinctive storylines was very well done, and these separate narrative threads each stood on their own merits, provide a distinctive experience in each.  I loved how there was something special in each of the storylines, and you got some interesting interactions, world building and different focuses with each of them.  All three were very well written, and there were honestly no weak links with any of the storylines, which is always a risk when you split the narrative like this.  I will say that the intrigue-laden narrative on Res was a particular favourite of mine, but both other storylines were also quite exceptional, and they balanced each other nicely with their alternating themes and varied character growth.  Throw in some creative expansion of the universe the narrative is set in, with its cool Will-based magic system, and three worlds each inspired by different ancient cultures (Roman, Egyptian and Celtic), and this was a very well written book, and I really appreciate how effectively Islington builds up his different worlds and showcases them to the reader.

The Strength of the Few proved to be an impressive continuation of the Hierarchy series, and I felt that Islington did an outstanding job building on the impressive fantasy elements and storylines of the first book.  However, the complex narrative split and the way that Islington dives immediately into the story does mean that The Strength of the Few is probably best enjoyed by those readers who have already gotten through The Will of the Many.  While Islington does re-examine key elements of the plot from the first book as The Strength of the Few continues, it is a very gradual process, and new readers trying to read the sequel first are likely to get confused if they don’t know some necessary details from the first book.  The Strength of the Few might have benefited from a good summary or recap at the front of the book to remind readers of some key details, especially if they haven’t had a chance to read re-read The Will of the Many since its 2023 release.  Still, for the most part, all readers should be able to follow and appreciate The Strength of the Few, especially once you get drawn into the three compelling storylines, and people who love extremely elaborate fantasy narratives with a lot of intricate detail are going to have an outstanding time.

I was once again impressed with Islington’s great characters in The Strength of the Few, as this book has a massive cast, made up of an interesting combination of figures from The Will of the Many, and new characters from the three separate worlds of the setting.  However, most of this book naturally follows the young protagonist from the first book, who is primarily known as Vis Telimus.  A studious and damaged figure who had already gone through a lot before the events of this novel, Vis has rather a unique experience in this sequel, as unbeknown to him, there are now three separate versions of him concurrently existing in the mirror worlds of this setting.

Islington perfectly sets up and utilises this three-way split of his protagonist, and readers are soon treated to three distinct variations of the protagonist, each of whom are altered by their experiences and losses, especially the two versions of Vis who lose their left arm.  It was fascinating to see how each of the Vises are influenced and changed by their respective traumas, and how their adventures are altered by the different information or people that they meet.  For example, the Vis in Res, who is essentially the same protagonist from The Will of the Many, finds himself longing for vengeance after the events of the Iudicium, and spends much of the book angry and forced to endure politics and lies.  The version of Vis on Luceum, while feeling lessened by the loss of his arm, soon finds peace in his new setting, and his eventual motivations for fighting and living are very different from his other incarnations, especially as he finds friends he can trust completely.  Finally, the Vis on Obiteum is one of the more confident incarnations of the protagonist, having full knowledge of the upcoming Cataclysm and his place in the three worlds explain early in the book.  As such, he soon becomes the most competent at utilising his Will talents and appears the most undamaged of the three due to not losing his arm.  However, in many ways the Obiteum Vis is the worst off out of all versions of the protagonist due to his isolation, the desolate surroundings, and the early expectations of murder and potential death that are thrust upon him.  I really cannot emphasise just how clever the split between these different variations of the protagonist is, especially with the subtle differences and alternate reactions to similar events or situations. It really makes for quite a distinctive and moving read, especially as all three versions of Vis experiences even greater trauma and damage as this sequel continues.

While Vis is the obvious focus of The Strength of the Few, there is a huge supporting cast utilised throughout this book, including various characters only found on each distinctive world.  Indeed, each version of Vis picks up its own supporting cast, which allows for some very different interactions in each of the major storylines.  Highlights include many of the recurring characters from the first book who serve as Vis’ friends and mentors in Res.  There is a particular focus on Eidhin and Aequa, who have an expanded role as Vis’s main confidants in this novel, and I liked some of the powerful storylines that formed around them.  Other major supporting characters from the first novel are showcased to a lesser extent in this sequel, primarily due to the book being split into three separate parts, although many of these characters still got a notable role in this sequel.

The cast supporting Vis on the desolate world of Obiteum is a lot more limited, mainly to emphasise the protagonist’s loneliness, although he does find a compelling mentor in Caeror, his adoptive uncle, who the protagonist was hunting for in the first book.  A couple of other native characters from Obiteum gain prominence later in this storyline as Vis attempts to complete his mission, and it is fascinating to see how their experiences living on a dead-world, impact their interactions with the protagonist.  Finally, the cast of the Luceum plotline represent a compelling counterpart to the supporting characters of the rest of the book.  While Vis has enemies in Luceum, he also finds several true friends who he can trust with all his secrets.  It was interesting to finally see Vis truly open up to other people, and it allowed for some very different interactions to the secrets and lies that define the protagonist in the other two storylines.  Throw in a compelling array of antagonists, as well as an entertaining manipulator who keeps chucking Vis into the deep end on Res, and this was an impressive cast for this great sequel.  It honestly was an extremely intriguing experience to have three separate casts of characters set around different versions of the protagonist.  While this narrative split did result in some restrictions when it came to character depth or a full exploration of relationships, I think the overall extended length of the book overcame this and allowed the reader to grow close to the supporting characters.  I will warn readers not to get too attached to the extended cast though, as Islington does get a little murderous as the book continues, however, all these characters are impressive while they last.

While I was lucky enough to receive a physical copy of The Strength of the Few, I ended up holding out for a little bit to listen to the audiobook version of this book instead.  I’m a big fan of audiobooks when it comes to ultra-elaborate fantasy narratives, as I tend to absorb and retain more of the details that way, and this worked out well with The Strength of the Few.  I felt that Islington’s complex story came across very effectively when read out, and all the elements, including the elaborate worldbuilding and the great character work, were well translated to the reader.  I also appreciated how the switches between the three different versions of the perspective protagonist, was easily discernible, and this was a very easy story to follow on audiobook.  The Strength of the Few audiobook saw the return of Euan Morton for narrator, who previously read out The Will of the Many, and who I quite enjoyed as a narrator of the Star Wars audiobook, Tarkin.  Morton has a very interesting cadence to his voice as a narrator, which provided a very unique edge to this audiobook.  While Morton’s narration style might not appeal to everyone, I felt that he did a good job voicing this compelling story, especially through the eyes of the complex protagonist, and his unique narration on this elaborate story worked extremely well.  I also felt that Morton excelled at pronouncing all the different names and titles that Islington featured in his plot, no matter their Roman, Celtic or Egyptian inspiration, and the characters of all three different worlds had a subtly different cadence and accent that helped to distinguish the separate storylines from each other.  As such, I really got stuck into this audiobook, powering through it quickly, even with its 31-hour runtime.  This was probably one of the more intense and moving fantasy audiobooks I had the pleasure of listening to in 2025, and I cannot recommend this format enough.

James Islington does it again with his incredible second Hierarchy novel, The Strength of the Few.  Brilliantly continuing his elaborate narrative from the first novel in a unique manner, The Strength of the Few was an ultra-addictive read, that really showcased Islington’s writing ability and imagination.  Clever, powerful and easy to get addicted to, The Strength of the Few was one of my favourite books of the year, and I cannot wait to see how Islington continues the series going forward.

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The Widow by John Grisham

Publisher: Hodder & Stoughton (Trade Paperback – 21 October 2025)

Series: Standalone

Length: 404 pages

My Rating: 4.75 out of 5 stars

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Iconic author John Grisham continues to shine as one of the leading authors of the legal thriller genre with his outstanding new novel, The Widow, a clever, character-driven book that relentlessly drags you in.

Most people will be very familiar with author John Grisham, considering he has been presenting awesome novels filled with complex legal cases since 1989, many of which have been turned into films or television series.  I started reading Grisham in the last few years, having been lucky enough to receive copies of some of his latest novels, including The Judge’s List, The Boys from Biloxi, Sparring Partners, The Exchange and Camino Ghosts.  All these novels proved to be a lot of fun, and I enjoyed the interesting collection of stories and sub-genres that Grisham would explore in these books.  As such, I was very keen to read Grisham’s new novel, The Widow, especially as it had an exciting and compelling plot behind it.

Plot Synopsis:

She needs a lawyer. He needs a payday.

Simon Latch is a small-town lawyer struggling with debt, gambling issues and an impending divorce. But when Eleanor Barnett, an 85-year-old widow, visits his office to secure a new will, it seems his luck has finally changed: she claims she’s sitting on a $20 million fortune and no one else knows about it.

She could be the ticket to his fortune.

Once he’s hooked the richest client of his career, Simon works quietly to keep her wealth under the radar, even from his own assistant. But there are complications: other lawyers are circling his client like vultures.

But when she is hospitalised after a car accident, Eleanor’s story begins to crack. Simon realises that nothing is as it seems. And as events spiral out of control, he finds himself on trial for a crime he swears he didn’t commit: murder.

The Widow was a very interesting and captivating novel from Grisham that combined a distinctive story of a down on his luck protagonist, with a complex mixture of murder and thrilling legal elements.  A very clever read that I had an excellent time getting through, The Widow is Grisham at his best and proved to be a particularly engaging read.

Grisham relies on a well-crafted character-driven narrative for The Widow, which gradually draws the reader in until they are unable to put the book down.  Starting off with a deliberate, slower pace, the early parts of The Widow are primarily focused on introducing and showcasing the life of protagonist Simon Latch, as well as the various people in his orbit.  A lawyer with a stalled career, gambling issues, and a failing marriage, Simon is eager for fresh opportunities, which seems to walk in the door in the form of elderly widow Eleanor Barnett, who requires a new will.  Unable to resist the allure of Eleanor’s reputed fortune, Simon secretly takes her on as a client, hoping to manipulate her into signing a favourable will that he can later abuse for his own financial gain.  Forced to remain in Eleanor’s orbit for his scheme, Simon begins to learn more about his unusual client, who seems to bring trouble down on all around her.  At the same time, Simon keeps making all the wrong decisions in the other areas of his life, which results in him becoming increasingly desperate for a payday.  Grisham does an outstanding job of building up the extensive background of the characters and their motivations in the first half of The Widow, and the elaborate picture of greed, secrets and self-destructive behaviour allows for a very impressive second half of the book.

Deftly amping up the pace in the second half of The Widow, things change quite dramatically when Eleanor passes suddenly, and Simon is free to enact his plan.  However, before he can go through with it, Simon is charged with Eleanor’s murder and soon finds himself a pariah in his own town.  With the evidence stacked against him, the protagonist finds himself embroiled in an elaborate court battle as he tries to prove his innocence.  Expertly building on all the events and interactions in the first half of The Widow, Grisham sets up an impressive and very realistic series of court sequences, all while the Simon’s life falls even further apart around him.  There is a brilliant sense of desperation and despair in this second half of the book, and you really get drawn into the thrilling legal battles, which are laced with beautiful uncertainty, as you are unsure if the protagonist is truly innocent and where the story is going to go next.  I personally was enthralled with this second half of The Widow and powered through it extremely quickly, as I was keen to see how the court case ended and the reveals about who was responsible for Eleanor’s death.

While I loved all the key legal battles, and the extensive court case that takes up a good chunk of the second half of the book, I must admit that I was a little disappointed with how The Widow ended.  This was because the final 50 pages contained a rushed, and slightly unlikely, investigation arc that looks to uncover the truth of how the titular widow died.  While there are some excellent elements to these final pages, the revealed truth about Eleanor’s death comes a little out of nowhere and derailed the careful nature of the rest of the plot.  While there are some hints about who or what was responsible earlier in the book, I think that Grisham erred with this ending, and a different reveal more connected to the main plot would have been better.  Still, it was a mostly satisfying conclusion to book’s overall narrative, and readers will be happy where some of the main cast, especially the protagonist, finish up.

I really enjoyed how Grisham wrote The Widow, as the author effortlessly pulled together a complex story of the legal system told primarily through the eyes of an ethically dubious lawyer.  Featuring elements reminiscent of the author’s other small-town legal thrillers, particularly those set in Clanton, this was an amazing character-focused book.  Grisham does an excellent job of effectively introducing the protagonist, Simon Latch, and viewing his descent from respected lawyer to suspected killer thanks to his own greedy actions.  Thanks to Grisham’s clever examination of all the events of the protagonist’s life, you feel very sympathetic towards Simon, even if he continuously makes things worse for himself.  The somewhat simplistic dishonestly of Simon is well matched by some of the more devious or naturally deceitful characters in The Widow, including the elderly Eleanor Barnett, who suddenly becomes the most important person in Simon’s life.  Old, crotchety and stubborn, Grisham paints a great layer of uncertainty around Eleanor, which ensures the reader is never quite sure whether she is genuinely rich, or pulling some sort of elaborate con on Simon and the other lawyers in his town.  The eventual reveal of this truth is extremely fun, and thanks to the way the two characters are entangled at the end of Eleanor’s life, it helps produce a fantastic murder trial that you can really sink your teeth into.

The resulting criminal defence case was the true highlight of The Widow, and Grisham was in his wheelhouse writing not only the trial but the more mundane legal elements of the protagonist’s practice, which proves to be a key part of the plot.  I deeply appreciated how well the court case played out in the second half of The Widow, which cleverly revisits the events of the first half of the book to examine the protagonist’s guilt.  It soon becomes clear that Grisham did an amazing job hiding a lot of hints and relevant details in the early parts of the plot, and the way these elements come to be used later in was extremely clever.  While I still have my doubts about the novel final reveal, the rest of the book has an excellent flow to it, and I really appreciate how Grisham upped the pace in the second half of the book with a truly gripping court battle.  Throw in an excellent depiction of small-town life and the Virginia legal system, thanks to the portray of fictional town of Braxton and this ended up being a very compelling novel I honestly couldn’t put down.

John Grisham continues to highlight why he is one of the very best writers of legal thriller fiction with The Widow.  A complex and powerful novel, with a compelling protagonist focus, The Widow was a brilliant read, and I loved how wrapped up I got in the book’s outstanding mystery and the various secrets and legal battles surrounding it.  While there are some stumbles towards the conclusion, The Widow was an overall incredible read that is going to appeal to all Grisham fans and those who love a good legal thriller.  I look forward to diving into whatever Grisham writes next.

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The Will of the Many by James Islington

The Will of the Many Cover

Publisher: Gallery/Saga Press/Audible Studios (Audiobook – 23 May 2023)

Series: Hierarchy – Book One

Length: 28 hours 14 minutes

My Rating: 5 out of 5 stars

Amazon

Talented Australian author James Islington delivers one of the best fantasy books of 2023 with the compelling and complex novel, The Will of the Many, an exceptional read that I had a brilliant time reading.

I am always on the lookout for epic fantasy novels to sink my teeth into, and one that caught my eye when it was first announced was the intriguing book, The Will of the Many.  Set in a cool new magical school setting, The Will of the Many sounded liked a very fun novel and I instantly wanted to read it.  It helped that it was written by James Islington, an Australian author who had been on my radar for a while thanks to his fantastic Licanius trilogy.  While I have not had a chance to check out the Licanius books, I was very keen to dive into The Will of the Many and I was glad I got the chance a couple of weeks ago.  The Will of the Many is the first book in Islington’s new Hierarchy series, which looks set to be a major addition to the fantasy landscape especially after this incredible first book

The Catenan Republic, known as the Hierarchy, rules the world, conquering and enslaving everything before it using its unique magic of Will, which drains power, strength and mental energy from the lower classes and passes it up to those above.  To gain true power and control in the Hierarchy citizens need to battle their way to the top of the pyramid of power and influence, and only those with drive, ambition, connections or no choice can rise.

Vis is an orphan boy with a hidden past, a quick mind, and an utter disdain for the entire Hierarchy.  Lodged in a Catenan orphanage, Vis bides his time while searching for an escape from a future of ceding his Will to the higher echelons of the Hierarchy.  However, his entire life is turned upside down when a powerful Catenan nobleman offers him a chance he never expected.  Ulciscor Telimus is convinced that there are dark dealings going on at the Hierarchy’s most prestigious school, the Academy, and he needs someone to go undercover and discover what has been hidden there.  If he succeeds, he will be adopted into Ulciscor’s influential family and be given a choice about his future.

Reluctantly agreeing to Ulciscor’s terms, Vis prepares to attend the Academy, only to discover it is a dangerous place of corrupt ambition, deadly secrets and deep rivalries.  To succeed, Vis will have to rise through the Academy’s ranks by any means necessary without losing who he is as a person.  But this will be no easy task, as deadly politics, long-buried power and a murderous rebel group all seek to control him.  Worse, the more he advances, the greater the chance that his secret past will be uncovered and his enemies will put him to death.  Can Vis survive against the terrible burden that is weighing him down or will he be ground down by the unstoppable Hierarchy just like everyone else?

Islington has created a pretty exceptional fantasy novel with The Will of the Many.  Featuring a powerful, intense and character-driven plot, all set within an outstanding new fantasy world, The Will of the Many had me hooked pretty early on and I dedicated a lot of time to reading it.  I really got drawn into Islington’s amazing inventiveness and this book gets an easy five-star rating from me thanks to how damn good it is.

I have lot of love for the epic and captivating narrative that Islington set up in The Will of the Many, especially as he simultaneously tells a brilliant introductory story while also expertly setting up the rest of the series.  There are some awesome scenes in the start of this book, including an intense fight club sequence, which do an excellent job getting the reader across some key aspects of the plot, while also showcasing the emotional range and complexity of the protagonist, through whose eyes the entire story unfolds.  I was honestly already very hooked by this point in the story, but Islington quickly picks up the pace and ensures that this character-driven narrative heads off in some very compelling directions.  The introduction of Ulciscor soon presents the idea of the Academy and the dark conspiracies around it, and Islington starts the gradual process of getting the protagonist to the school environment.  Ulciscor is a great addition to the plot, especially as he plays off Vis very well, and the early sequences with him result in some major world expansion and plot movement.  It also sets up the book’s established formula of adventure, world building, politics, mystery and espionage, that carries through the rest of the story, and which ends up being a very heady combination.

Islington keeps building the story as The Will of the Many progresses, and pretty much every new revelation or intriguing world detail is really fun to behold.  There is some good early action, as well as a couple of twists that I liked at this point, but the story is still very much on track for the promised magical school setting.  However, before we get there, there are a series of cool and fascinating training montages which build up Vis as a character and really highlight the difficult tasks to come.  There is also a deeper dive into the complexities of the tasks and the secrets surrounding them, and Islington does an impressive amount of set-up in this first third.  However, the real highlight of this first part of the book is a very surprising and explosive occurrence that pushes Vis into the limelight, while also ensuring that he is caught between some very dangerous people.  This big scene is extremely memorable, bloody and very well-written, and if you weren’t riveted to The Will of the Many before, you sure as hell were now.

From there the story turns into a more magical school focused narrative, which was something that I was really looking forward to.  This intriguing setting had some great elements to it, and the story set within the Academy was a brilliant and compelling blend of education, entertaining rivalries, compelling personal interactions, and a series of secrets, as Vis attempts climb up the ranks, while also completing some of the objectives the various groups trying to control him have forced him to do.  I honestly had a ton of fun during the scenes set in the Academy, and I liked how Islington built up the setting and the fantasy elements behind it, while also slowly advancing the story and the character development.  The substantial part of the novel set in or around the Academy has some fantastic moments to it, including a few big scenes where Vis is forced to encounter deadly enemies, hard tasks, or the secrets from his past, and each of these major moments expertly expands on some part of the plot or universe you are already enjoying, whether it be secrets of the world, or some political machinations that will come back to bite the protagonist later.

Everything leads up to a major extended concluding sequence as the final test of the Academy brings all manner of trouble to the protagonist in a variety of cool and intriguing ways.  Not only do some big secrets come to life but Vis manages to learn more about the magical secrets of the world and the Hierarchy, while also being forced to deal with deadly attacks and threats from a variety of corners.  There are so many epic moments in this final section of the book, and Islington did an incredible job of tying together his many, many story threads to ensure that a variety of previous hints and revelations are well utilised.  I loved some of the elaborate tests and set-ups featured here, and it was very fun to see the protagonist try to run them while also dealing with major threats from every angle.  This final sequence has some massive moments, including major betrayals, compelling reveals about the wider world, and a very tragic death, all of which served as the perfect cherry to an already outstanding story.  While many secrets and hanging storylines are resolved by the end of the plot, quite a few still remain for the sequels.  Islington has already set up some big moments and unique ideas for the future, and I am very curious to see how they turn out.

As you can no doubt tell from my expansive summary above, I really loved this captivating narrative in The Will of the Many and I think that Islington did a really good job of presenting this complex and impressive story to the reader.  The entire book has an outstanding pace to it, and there is barely a scene that is not filled with something exciting or entertaining, whether it be a moving character moment, some compelling world building, or a thrilling bit of action.  I honestly flew through this lengthy novel, and there was no point of the book where I not highly invested in the plot nor gripped by the events unfolding.  The author’s use of a first-person perspective from the character of Vis was a very good choice of narration that allowed the author to tell a compelling character-driven story that simultaneously explored a cool new setting from the outside, while also cleverly capturing all the key elements of the plot.  The intense balancing act of lies, politics, outside influences and personal relationships that the protagonist has to maintain really shines through as a result of this use of perspective, and it was deeply compelling to see Vis attempt to overcome all the obstacles in front of him.  The intense action scenes were particularly good, and Islington perfectly portrays the desperate violence, the life-and-death confrontations, and even some complex but exciting maze running, in ways that grab the reader’s attention and keep them fully engaged.  I personally loved how Islington included so many different compelling storylines, plot points, and fascinating detail into every single page of the book, and you really cannot help but get addicted as a result.

I always love seeing a cool fantasy setting for a new series, and Islington produced a pretty intriguing and compelling one for The Will of the Many.  Much of the main setting of the book sees Islington expand on an ancient Roman society, by adding in some intriguing new details like magic, powered constructs, a rigidly hierarchical community, and a deep political divide between the military, governance and religion bodies.  This results in a very interesting background for much of the story, and Islington showcases it all through the eyes of Vis, a hostile outsider with an established hatred of the Hierarchy, which works to showcase it in even more detail, especially as Vis focuses on both the negatives and the positives of the political and cultural structures around him.  I really enjoyed the clever balance of political concerns, oppressed citizenry and unique inclusions about status and magical power that were explored as a result, and it was fantastic to see them utilised in the plot, especially as Vis has to balance all of them throughout his many guises and missions.  The most fascinating part of this whole setting has to be the focus Will, the magic of the Hierarchy, which sees people at the bottom of society sacrifice part of their strength, drive and health to those above them.  The higher up in the Hierarchy you are, the more people you have ceding their strength to you, and this gives you greater powers, including better physical attributes, the ability to control and manipulate materials to certain purposes, and other magical abilities.  Islington does a really good job of exploring and expanding on this intriguing magical system throughout The Will of the Many, especially as the narrator is also learning about it as he goes.  The author has clearly put some time and great thought into this magical system, treating it like an established science, and I liked seeing the range of abilities it produces, as well as its related social and cultural impacts.  Islington makes sure to highlight that this is not a perfect society, and the cracks that Vis witnesses throughout The Will of the Many should result in some outstanding and compelling ongoing storylines.

I need to point out that one of the main reasons I chose to grab The Will of the Many is that it had a magical school setting.  I love, love, love magical school settings in fantasy fiction, and it is one of the best backgrounds for an excellent fantasy story (make sure to check out my recent list about my favourite books with magical school settings).  The Academy in The Will of the Many is an amazing example of this, and I enjoyed how Islington utilised it as a primary location for the book’s plot.  Just like the rest of the Hierarchy, the Academy is a rigidly hierarchical place based around a pyramid structure, with the most talented students at the top, and the other students below battling to take their place.  This made for a great background of study, competition and rivalries for much of the plot, and it was fun to see the protagonist try to reach the higher classes in a short time period, especially as he was required to overcome numerous obstacles while also coming to terms with the distinctive social structure of the Academy.  Islington adds a further twist to this education setting by introducing the Labyrinth as a unique educational and testing tool.  Essentially, the Labyrinth sees participants run through an elaborate maze while being chased, manipulating a magical gauntlet to move around walls and doors, all to prove that the participant has the concentration and focus to control vast amounts of Will.  Islington did an outstanding job of showcasing this Labyrinth in multiple scenes of The Will of the Many, and it produces some very exciting and compelling scenes, especially when the stakes around it get very high.  There is also a very complex, and highly enjoyable final test that serves as a great background for much of the final confrontation.  Islington clearly has a highly inventive streak when it comes to these unique fantasy inclusions, and I personally loved every second spent in this highly competitive magical school setting.  I hope that we see more of it in the future, and this was honestly one of the better magical schools that I have personally seen in fantasy fiction.

I also must highlight the captivating and nuanced characters that were featured within The Will of the Many, especially the main protagonist, Vis, through whom we see most of the events occurring.  Vis is an outstanding central protagonist, as he is a highly educated individual who sees all the flaws in the society he is forced to live in, and goes into the story with many secrets around him, including the fact that he is secretly the deposed prince of a realm recently conquered by the Hierarchy.  Due to his many losses, his outsider status, and the sheer resentment he holds towards the Hierarchy and those who use Will, Vis has a great deal of anger, bitterness and lack of social ability that he needs to overcome.  Vis proves to be the perfect character for the complex and morally grey narrative that Islington envisions, as Vis has to put all his learned deceit and ability to keep secrets and survive to good use to infiltrate the Hierarchy and the Academy, while being blackmailed by several different people.  Vis has an interesting analytical mind, and I wonderful time seeing him try to work through the various problems, conflicts, and hostile situations he encounters, especially as nearly everything about him is a lie that he needs to keep straight.  Despite his past and the pressures he is under, he is still a mostly kind and noble figure, trying to stay true to his original ideals while still doing what is right in a very corrupt world, and it was wonderful to see him grow throughout the course of the story and finally learn to trust again.  I grew quite attached to Vis as the story continued, and it really hurts to see him suffer time and time again, especially once he comes to terms with the traumas of his past.  I am very excited to see his story continue in the future, especially as it seems like it is going to get quite complex and multifaceted in the next book.

The rest of the cast of The Will of the Many is also very strong, and I liked the compelling and varied supporting characters that Vis has to interact with, including classmates, his new adopted family, rivals, political opponents, high-ranking members of the Hierarchy, and a dedicated group of rebels with dark plans for the future.  The powerful and intriguing interactions that occurred between Vis, who is often lying about his intentions, and these other fantastic characters results in some amazing scenes, and I loved the unique relationships that Vis was able to form with them.  You grow pretty attached to some of these characters as well, and I had my heart broken with one major fatality towards the end of the novel.

To check out this impressive novel I chose to grab an audiobook copy of The Will of the Many, which proved to be a pretty exceptional way to enjoy this fantastic read.  I have a lot of love for the audiobook format when it comes to massive fantasy novels, especially as I find myself really able to absorb the complex narratives and vast new worlds extremely well when listening to it.  This was definitely the case with The Will of the Many audiobook which really allowed me to get to grips with the powerful story it contained, and I lapped up every second that I listened to.  It definitely helped that The Will of the Many audiobook featured an outstanding narrator in the form of Euan Morton, whose work I have previously enjoyed in several Star Wars audio productions (Tarkin, Dooku: Jedi Lost and Doctor Aphra).  Morton has a unique voice that I felt gave The Will of the Many some real gravitas and impact when read out, especially with the distinctive, accented tone he utilised for both Vis and the main narration of the story.  This specific great voice was pretty impressive, and it really helped to make the protagonist’s speech really stand out throughout the audiobook.  The rest of the accents and tones he utilised for the other characters in the book really worked, and I loved how much range Morton had, covering a range of different characters perfectly and gifting them very fitting voices.  All this really helps to make The Will of the Many an absolute pleasure to listen to, and I cannot recommend this format enough to people interested in this book.  With a run time of just over 28 hours, The Will of the Many audiobook does represent a substantial time challenge for potential listeners (it is the 10th longest audiobook I’ve ever listened to).  However, I would say it is well worth the investment, especially as it does not take long for you to get obsessed with this awesome book and its elaborate story.  An exceptional audiobook that is easily the best way to enjoy this amazing fantasy tale.

Unsurprisingly, I loved The Will of the Many, and it was a pretty great introduction to James Islington’s brilliant writing and inventiveness.  The Will of the Many is a captivating fantasy read that makes excellent use of its dark setting and magical school focus to craft a powerful, character-driven tale.  This is easily one of the best fantasy novels of 2023 so far and I would strongly recommend it to anyone wanting an epic read to really lose themselves in.  An exceptional novel that perfectly sets up a bold new fantasy series!

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Fool’s Gold by Jon Hollins

9780356507651

Publisher: Orbit (Paperback – 26 July 2016)

Series: The Dragon Lords – Book One

Length: 517 pages

My Rating: 4 out of 5 stars

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Prepare for all manner of craziness and exceedingly entertaining fun as Jon Hollins presents an amazing book about heists and dragons with Fool’s Gold.

A few months ago, whilst perusing my local book fair, I happened upon a copy of Fool’s Gold by Jon Hollins (a pseudonym for fantasy author Jonathan Wood), which really grabbed my attention.  The first book in Hollins’ The Dragon Lords trilogy, Fool’s Gold had a fantastic plot synopsis which involved heists and dragons.  I was very intrigued by this cool book, which sounded so very fun, so naturally I made sure to grab it.  As a result, it was nice and handy when I was in the mood for a fun fantasy book, and boy was I entertained by this cool read.

In the fantasy land of Avarra, there are many different magical creatures and beings who infest the world and bring all manner of chaos with them.  However, no creature is as dangerous, arrogant, and domineering as the dragons, especially members of the destructive Consortium who have taken over the isolated nation of Kondorra and rule it as overlords.  Employing a private army, the dragons impose massive taxes on the lands surrounding their lairs, driving the people into poverty and forcing many to lose everything.

It is only a matter of time before something gives, and when Willett Fallows loses his farm to greedy dragon who controls his village, he snaps and becomes a fugitive.  On the run, Will finds himself in the most unusual of situations after a chance meeting with four unlikely wanderers in a nearby cave, including a skilled warrior woman, a murderous lizard man, a dragon obsessed academic with explosive magical powers, and his village’s local insane drunkard.  Together the five new companions come up with an ambitious plan to steal all the gold from the local dragon lord and make their escape.

However, when their heist unsurprisingly goes wrong the friends find themselves in a surprising position as the nation’s apparent saviours.  Suddenly worshipped by a massive following, the companions must find a way to escape both the deadly retribution coming their way and their own insane devotees.  But no matter how hard they try, all their plans seem to backfire until they find themselves in the middle of a deadly religious war against the dragons.  Can they pull off one more con to destroy the Consortium, or is everyone about to end up dead in a field of fire?

Fool’s Gold is an exceedingly fun and very entertaining read that I was able to finish off in a few days, especially once I got caught up in its exciting and fast-paced narrative.  Hollins sets everything up very quickly, with the new fantasy world introduced, the dragon’s control of Kondorra established, and all five of the main characters brought together.  While I wasn’t the biggest fan of the extremely coincidental meeting that saw all the protagonists meet up in the first few chapters, the story evolves at a much more appropriate pace from there, with the characters quickly planning their theft of the local dragon’s hoard.  I was a little surprised at how fast the first heist came about, as I figured it would be a long-term plan that would unfold much later in the book.  However, featuring this heist early on really works, as it sets up the rest of the story extremely well while also showcasing early just how crazy and over-the-top this book is going to be.  The chaotic results of the first heist see the protagonists incorrectly declared religious saviours destined to bring down the dragons.  Suddenly leading a ragtag army, the protagonists are forced to engage in several more attempted heists and plots against other dragons and their minions.  While these plans often backfire in very funny ways, the protagonists keep failing upwards and must keep the con going while dealing with a multitude of problems, including deranged followers, immense responsibility, and deep personal issues.  This all leads up to the final confrontation with the dragon Consortium, with the characters unleashing their most ambitious plan yet.  Watching this final plan come together is pretty damn awesome, and the insane battles and crazy results that follow were so damn epic.  I ended up really loving this compelling and very fun story, which Hollins leaves open for some intriguing sequels in the future.

Fool’s Gold is an incredibly fast-paced novel with a great writing style that makes it very easy to power through.  The author has a brilliant and wicked secret of humour that infects his writing, and I found myself chuckling the entire way through, not just because of the jokes but because of the insane scenarios that resulted.  I was also deeply impressed with how well Hollins brought together several genres to create a compelling and hilarious read.  The book initially appears to be a classic fantasy read, as the author quickly and effectively sets up an intriguing new fantasy world at the start of the book, which contains several classic fantasy creatures and elements that are likely going to get expanded on in the sequels.  However, it soon becomes apparent that this isn’t going to be a typical fantasy book, especially as the very modern sense of humour and language that Hollins employs gives it a whole new tint.  I often enjoy when authors feature contemporary language and attitudes in fantasy novels, and I felt that Hollins uses it to great effect in Fool’s Gold, giving the book a distinctive tone.  The author further brings in the brilliant heist elements to the book, which I deeply enjoyed thanks to all the fantastic plans and cons.  It proved to be extremely fun to see all these elaborate and weird heists get planned out and executed in a fantasy universe, and it combines extremely well with the humorous tone and fantasy elements of the book.  I deeply enjoyed how this captivating story came together, and I can’t wait to see how the next books in the series pan out.

I also really liked the cool characters featured in Fool’s Gold, especially as Hollins came up with a very eclectic and damaged group of central figures.  The book primarily revolves around five protagonists, each of whom have multiple chapters told from their perspective and who unite as a team very early in the book.  This includes Willett Fallows, the former farmer who turns to heist planning after the dragon’s greed takes everything from him.  There is also the fantastic pair of Lette and Balur, a female adventurer looking to settle down and her lizard man companion who loves all forms of violence and is determined to fight and kill the biggest opponents he can find, in this case dragons.  There is also Quirk, a former mage turned academic who arrives in Kondorra to study the dragons and finds herself dragged into the group’s plans so she can get a closer look at the dragons and their lairs.  Finally, there is Firkin, a local drunk whose failure years ago to defeat the dragons drove him mad and who finds new life during the new adventures. 

All five characters are pretty crazy in their own way, and I think they made for quite an intriguing and amusing focus for the narrative, especially all the interesting growth Hollins makes use of.  Will’s evolution from a farmer to a master strategist was very well written and I appreciated the compelling examination of how the power he started to wield was potentially corrupting him, especially when he holds the lives of so many in his hands.  The inevitable romance between Will and Lette was handled well throughout the book and it came across as a natural and well-developed relationship.  Balur, the battle-loving lizard man was easily one of the most entertaining characters in the novel, and I loved seeing his mad rages and various attempts to kill the dragons they encounter, especially as it results in an incredibly funny and hilariously brutal final fight at the end of the book.  I was also quite impressed that Hollins was able to keep up Balur’s unique style of speech for much of the story.  Firkin’s rise from unpredictable drunk to unpredictable drunken religious mouthpiece and rabblerouser was exceedingly funny in places, especially as you are never quite sure whether he is actually insane or just messing with everyone.  I did find his continued crazy speech a bit too much at times, although the occasional hints at his deeper intelligence and sanity made up for that.  However, the best character work was probably reserved for Quirk as Hollins really dives back into her history as a child soldier/mage who was gently rehabilitated and taken into the academic lifestyle.  Quirk finds herself reverting to her old destructive magical ways throughout the course of the adventure and she must figure out who she truly wants to be.  I had a great time with all the cool characters in this book, although I do wish that the greedy and arrogant dragons might have gotten a little more development.  Overall, I would say that the characters were some of the best parts of Fool’s Gold and look forward to seeing more of them in the future.

Unsurprisingly, I had a pretty wonderful time with Fool’s Gold and it ended up being as thrilling and compelling as I hoped it would be.  Jon Hollins wrote a wildly entertaining and very funny fantasy heist narrative for Fool’s Gold, which came equipped with some great fantasy elements and a bunch of excellent characters.  I really enjoyed Fool’s Gold and I will have to try to grab the next two books in the Dragon Lords trilogy, especially when I’m in the mood for some crazy, over-the-top adventure and excitement. 

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A Testament of Character by Sulari Gentill

A Testament of Character Cover

Publisher: Pantera Press (Trade Paperback – 3 March 2020)

Series: Rowland Sinclair – Book 10

Length: 337 pages

My Rating: 4.5 out of 5 stars

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Acclaimed Australian author Sulari Gentill returns with the 10th book in her bestselling Rowland Sinclair series, A Testament of Character, an intense and compelling new entry which was a lot of fun to read.

Gentill is an excellent Australian author who has written several amazing books since her 2010 debut. While her main body of work is the Rowland Sinclair series, Gentill has also written The Hero trilogy, a young adult fantasy trilogy based on classic Greek stories, and the standalone novel Crossing the Lines. I am mostly familiar with her Rowland Sinclair books, however, as I have read the last several books in this series, all of which have been extremely enjoyable due to their fantastic blend of history and mystery. The Rowland Sinclair books follow the adventures of the titular Rowland Sinclair, a wealthy left-wing Australian gentleman artist, and his three artistic friends in the 1930s, as they find themselves in the middle of several murder investigations. Each Rowland Sinclair book is a fun and entertaining part of my yearly reading calendar, and I have been looking forward to checking out A Testament of Character for a while now.

In 1935, after the horrors they experienced in Shanghai, Rowland and his bohemian friends Edna, Clyde and Milton are enjoying a leisurely holiday in Singapore before heading back to Australia. However, their travel plans are dramatically changed when Rowland receives tragic news. An old friend of Rowland from his Oxford days, Daniel Cartwright, has died suddenly, and he has appointed Rowland as the executor of his vast estate.

Detouring from Australia to Cartwright’s home city of Boston, Rowland and his companions arrive for the funeral and find themselves in the midst of controversy and familiar conflict. Not only was Cartwright estranged from the rest of his family, especially his brothers, who disapproved of his lifestyle choice, but it turns out he was murdered, and the police have yet to find any suspects. Even more mysteriously, Cartwright had only just written every member of his family out of the will, leaving all his money to an unknown man everyone claims does not exist.

Determined to carry out the last wishes of his dear friend, Rowland attempts to find the man who apparently meant so much to him. However, his investigation quickly turns sour, as he runs into numerous people who do not want Cartwright’s will to come to pass. Forced to scour Boston, New York and other parts of post-Depression America for leads, the four friends encounter all manner of dangerous and eccentric characters as they pursue their quest. However, none of them are prepared for the terrible truth they encounter, especially now that Cartwright’s killer has them in their sights.

A Testament of Character is an exciting and compelling novel that proves to be a fantastic new addition to the Rowland Sinclair series. Gentill has done an amazing job coming up with another captivating story that not only features an exciting and gripping mystery but which takes an intriguing look at America in the 1930s. This story contains the series’s usual blend of fun, intrigue and action, as the four exceedingly liberal protagonists get into all manner of trouble across conservative America. There are some rather impressive and at times dark scenes throughout this book, and Gentill has also included some major character developments that will appeal to long-term readers of this series. The end result is an exceedingly enjoyable and thrilling story of love, adventure and revenge which proved extremely hard to put down.

At the heart of this book lies a clever mystery storyline that revolves around the murder of the protagonist’s friend and the identity of the mysterious beneficiary of the will. Gentill crafts an excellent multi-layered mystery, with a number of surprising twists, turns and false leads on the way to the exciting conclusion. While I was able to guess a little bit in advance who the main perpetrator turned out to be, all the revelations that came out in the final confrontation were really impressive and helped wrap up the entire mystery storyline extremely well. I also thought that Gentill came up with a very compelling and memorable motivation for the various crimes featured within the book. Some of these reveals were a bit dark and shocking, but they did make for some very dramatic and captivating sequences throughout the book. Overall, I thought that this was one of the strongest mysteries to have so far been featured within one of the Rowland Sinclair books, and it served as an amazing centre to this entire fantastic book.

One of the most distinctive features of this whole series is the way that Gentill dives into the history and culture of the period in which the books are set. She has previously done a wonderful job of exploring parts of 1930s Australia, Europe and occupied Shanghai, and in A Testament of Character Gentill’s characters explore post-Depression America. This proves to be an excellent backdrop to the book’s superb story, and I loved the examination of the key cities of Boston and New York, as well as some rural areas of the country. Gentrill provides the reader with a fantastic and at times in-depth look at various parts of the 1930s American culture and society. This is done in two distinct ways, the first of which involves the protagonists exploring America as Australians, providing an outsider’s perspective of the events or places they visit (while constantly getting complemented for speaking such good English!). The second way is through Gentill’s inclusion of historical newspaper clippings at the front of every chapter. The use of these newspaper clippings is another recurring trait of the Rowland Sinclair series, and I have always enjoyed the way in which the articles relate to some cultural or historical aspect of the chapter the clipping fronts. Through the use of these methods, the author paints an intriguing picture about America during this period, which I think worked extremely well as a background to the main mystery plot. This is especially true as some of the motives and elements of the mystery revolve around the social attitudes and cultural expectations of the time, which the reader will need to have a bit of an understanding about. I have to say that I was glad that as part of this examination of historical America, Gentill also had a look at public opinion around the Nazis and fascists in the lead up to World War II, as this has been one of the more interesting story threads to follow throughout the series.

Another distinctive aspect of the Rowland Sinclair series is the way that Gentill writes a number of historical figures into the story, either as cameos or in major roles. The best previous example of this is easily the author’s inclusion of Eric Campbell and The New Guard (an ultra-right-wing Australian organisation in the 1930s) as recurring antagonists in some of the books, as these real-life historical figures are great foils to the progressive protagonists. Gentill continues to do this in A Testament of Characters, making great use of several iconic American historical figures to flesh out the story and create several memorable inclusions. Several of these historical figures have pretty major roles in the plot, including Joseph Kennedy, F. Scott Fitzgerald and his wife and fellow author, Zelda Fitzgerald. There are also some fun cameos from several other notable people, including Errol Flynn, a young JFK, Marion Davies, Randolph Hearst and Orson Welles, as well as several other characters who were in Boston or New York during the 1930s. There are also a ton of references to other unique figures in America during this time, including the Parker Brothers Company (Monopoly was released in 1935, and the protagonists of course end up playing a game), as well as a unique goat competition that was held in Central Park, of which Gentill of course names the winner. This is an extremely fun and amusing part of A Testament of Character, and I always enjoy seeing Gentill’s protagonists run into these real-life historical figures, especially as the author does a fantastic job examining and showcasing their personalities and motivations. I love how Gentill effortlessly works these people into the plot, and the reader is always left wondering who is going to appear next.

A Testament of Character is a superb and exciting new addition to the outstanding Rowland Sinclair series that is really worth checking out. Sulari Gentill has once again produced a fantastic mystery storyline that strongly benefits from the author’s clever dive back into 1930’s history. This results in a powerful and exhilarating novel which makes amazing use of its fun, distinctive inclusions and intriguing characters. I cannot wait to see what misadventures Rowland Sinclair and his friends get up to in their next book, and this is a truly wonderful Australian series with a real unique flair to it.

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