The Butcher’s Masquerade by Matt Dinniman

On September 12, 2025 By The Unseen LibraryIn Audiobook, Fantasy, Five-Star Books, Science Fiction, Throwback Thursday5 Comments

Publisher: Soundbooth Theater (Audiobook – 28 February 2022)

Series: Dungeon Crawler Carl – Book Five

Length: 23 hours and 33 minutes

My Rating: 5 out of 5 stars

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The epic adventures of Carl and Princess Donut continue in the incredible fifth book of the Dungeon Crawler Carl series, The Butcher’s Masquerade, which takes the reader on an intense thrill ride loaded with fantastic comedy, crazy action and some incredibly powerful moments.

After doing little else but talk about the series for the last few weeks, I think it’s obvious that I am now a massive fan of Matt Dinniman’s Dungeon Crawler Carl series, a major LitRPG sensation that I have recently become obsessed with. Featuring amazing books like Dungeon Crawler Carl, Carl’s Doomsday Scenario, The Dungeon Anarchist’s Cookbook and The Gate of the Feral Gods, the Dungeon Crawler Carl series has been nothing but amazing since the very first page. These books follow reluctant adventurer Carl, his now sentient cat Princess Donut and an eclectic mix of humans and NPCs (and some goats) fighting for survival in a dungeon built under the surface of Earth by entertainment-obsessed aliens. I have been deeply impressed with the impressive narrative contained within these previous books, so much so that I have listened to all these books in a row without break, often spending hours at a time getting through key parts of the plot. This fifth book in the series promised to be a major entry with some key plotlines, and Dinniman did not disappoint, presenting a deep and captivating book I couldn’t turn away from.

After surviving the horrors of the previous floor and striking a blow against the wealthy Faction Wars contenders waiting for the human crawlers below, Carl, Princess Donut and their allies have arrived at the infamous sixth floor of the dungeon, better known as the Hunting Grounds. A lush, jungle level, filled with powerful mobs, intricate quests, and conquerable towns, there are many opportunities for the crawlers to level up on this floor, but also many dangers, including those who would make the remnants of humanity their prey.

As part of the traditional chaos of the Hunting Grounds, off-world tourists are given their first chance to enter the dungeon to participate in the carnage. Known on this floor as hunters, these aliens seek to make money by hunting crawlers and stealing their gear. These hunters have long made the sixth floor the most lethal level for crawlers, whose best strategy is to run and hide from the deadly aliens. However, this season is going to be very different, especially as Carl has no intention of being hunted.

Determined to punish everyone who has profited from his planet’s destruction, Carl takes the fight directly to the hunters, and his explosive actions soon inspire the rest of the human crawlers. However, his very public rebellions have placed a massive target on his head, and soon the deadliest hunters in the game, including the legendary crawler killer Vrah, are on his trail. At the same time, Carl and Donut must contend with far more dangerous human opponents, a horde of rampaging dinosaurs, the vicious whims of the AI running the dungeon, and an elite NPC whose tragic backstory they find themselves dragged into. But the greatest threat to everyone in the Hunting Grounds lies at the end-of-floor celebration, a party where all the top crawlers will be forced to attend amongst their deadliest enemies. Everything will be decided at The Butcher’s Masquerade, and no one will emerge unscathed.

Well goddamn, Dinniman, you really know how to throw a party. Just when I thought this series couldn’t get even better, Dinniman presents The Butcher’s Masquerade, which throws the reader right into the carnage and barely gives you a chance to catch your breath. Filled with epic moments, brilliant storytelling, insane humour and some of the most complex characters you are likely to find in LitRPG fiction, The Butcher’s Masquerade was an incredible and utterly addictive read that I could not turn away from. I’m honestly still reeling from the ending of this novel, and there is no way I can give The Butcher’s Masquerade anything but a five-star rating.

I loved, loved, loved the narrative of The Butcher’s Masquerade, as Dinniman hits all the right notes to keep the reader engaged and diving even deeper into his series. Starting off right after the chaotic events of The Gate of Feral Gods, Carl hits all manner of trouble early on, especially as his actions put a massive target on his head for every hunter. Dinniman shows you just what kind of book The Butcher’s Masquerade is going to be early on, as Carl immediately teleports himself and Donut into the middle of the hunter base to start his own explosive campaign of resistance. The story only gets more exciting and compelling from there, with an engaging Elite NPC storyline, various dinosaur themed quests and so much impressive action. This action is well balanced by scenes showcasing the chaotic changes occurring out in the wider universe, as well as a particularly moving sequence where Carl and Donut are forced to deal with manipulative events with huge emotional implications.

While there are some amazing moments in this first part of the book, the events that really cemented The Butcher’s Masquerade as one of the best entries in the series occur around the middle, as Dinniman brings both fun action and deep tragedy in equal measure. The first of these sees Carl whisked away to Crawler Con, an over-the-top convention filled with entertaining enemies, right at the moment that he and Donut find themselves under attack in the dungeon. Knowing that he is going to be teleported back into a massive ambush, Carl spends his time at the convention trying to plan, including crowdsourcing tactics at a panel featuring an opponent’s mother. The resulting carnage as Carl uses a fun combination of a gonorrhoea-causing arrow, necromancy, friendly fire and explosives (naturally) to defeat his enemies, all to the backdrop of ‘The Ballroom Blitz’, was so damn awesome and fun. The fact that Dinniman immediately follows this up with one of the most heart-wrenching moments in the entire series goes to show just how talented an author Dinniman is, especially as it also works to set up an outstanding new supporting character as a complex recuring figure.

All this perfectly leads up to the big final third of the book, which starts with some major raised stakes and every ongoing storyline heading towards the titular Butcher’s Masquerade, an event where every major survivor of the floor is trapped in the same room, and the person who starts the inevitable fight is instantly killed. The tension heading into this event is very impressive, as you wait to see who makes the first move and how the carnage will unfold, especially as the protagonist’s plan to survive has a lot of holes in it. The contrast between Carl’s despair and the more light-hearted and frankly hilarious antics of Princess Donut (there may be a moonwalking dinosaur, just go with it) is very impressive, and you honestly don’t know what is going to happen next. The eventual reveal of the big plan is pretty damn amazing, and the resulting over-the-top confrontation is pure Dinniman, who once again manages to exceed the craziness from the previous books with hunters, bosses, and gods. There is some haunting tragedy thrown in amongst the carnage that really highlights just how dire the entire crawl is for the protagonists, while also concluding some powerful storylines. However, even after this carnage and its terrible aftermath, Dinniman isn’t done with the readers, whiplashing them with some brilliant and well-telegraphed moments that change everything about the progression of the Dungeon Crawler Carl books. So many major plot points for the series going forward have their origin in the final sequences of the book, and it will leave you wanting more as soon as possible.

Dinniman really brought all the carnage he could in The Butcher’s Masquerade, and I was really impressed with how this elaborate story unfolded for the readers. Once again requiring knowledge of the previous novels to fully enjoy (seriously, start the Dungeon Crawler Carl books from the beginning), The Butcher’s Masquerade adds a lot of cool elements to the series, which Dinniman expertly introduces and then utilises in his massive, ongoing story. Featuring all the cool action, adventure and over-the-top moments you’ve come to expect from the Dungeon Crawler Carl books, Dinniman really amps up the carnage in this fifth novel, while also increasing the drama and powerful character moments. I honestly found myself sitting at the edge of my seat during some of The Butcher’s Masquerade’s big scenes, as I honestly didn’t know where the story was going to go at times. The major show-stealing sequences were especially great, and I really appreciate how elaborate some of these scenes were, loaded with multiple moving parts and elements cleverly set up either earlier in the book or even in previous novels. However, Dinniman ensures that all the scenes in this novel were really entertaining and there honestly are no slow or wasteful moments at all during this awesome novel.

As with the rest of the series, The Butcher’s Masquerade is loaded with a lot of elaborate RPG elements, which are worked into the story extremely well. While the natural progression of the series and the need to include new things each book means that some original spells and abilities don’t get shown as much, while other RPG elements are somewhat overused, for the most part I feel that Dinniman ensures all the best elements are shown to the reader, and this is one of the easiest LitRPG series to enjoy. A lot of this enjoyment is down to the outrageous humour loaded into every scene, which allows readers to absorb and even become obsessed with the progression of stats and quests, as well as the gaining of achievements and new abilities and equipment, especially as the series really doesn’t take itself as seriously as other LitRPG books. While this humour might not be for everyone, I really loved how fun and over-the-top things got at times, and there are so many layers to the novel’s comedic charm. This includes a combination of overreactions to crazy events, deadpan reactions to other humorous characters, and a ton of fun references, including some particularly subtle ones that are cleverly seeded throughout and may take multiple rereads to appreciate (for example, I only just got the hilarious U2 references loaded into the names of the rock cretin NPCs). While this humour is very amazing on its own, its true strength lies in the way that Dinniman perfectly balances it with the more serious and darker elements of the narrative, providing some reprieves for the horror of the story, or even helping to emphasise the darkness surrounding the characters as they face death and despair again and again. I really love the complex balance of themes that Dinniman manages to weave around his elaborate and often silly story, and it makes for quite an impressive read that will appeal to large audience of readers.

I’ve mentioned multiple times in previous Dungeon Crawler Carl reviews that Dinniman is extremely amazing when it comes to writing complex characters to set his stories around. You really get drawn into the various moving character arcs in this series, many of which progress across multiple books, and it is awesome to see how these figures develop and evolve in response to the dark events of the dungeon. The Butcher’s Masquerade is an impressive example of this, especially as Dinniman really amps up the drama surrounding several key characters, each of whom have their moment to shine in some outstanding ways.

Naturally, most of the book’s focus revolves around the series’ titular protagonist, Carl, the troubled and intense central protagonist, through whose eyes we see most of the narrative unfold. Carl really shines in The Butcher’s Masquerade, with his anarchist persona on full display. Determined to bring his own form of explosive justice to the various aliens profiting from the destruction of Earth and the murderous crawl, Carl eagerly faces off against the hunters who have come into the dungeon, antagonising them as only he can. Dinniman pulls together some amazing sequences around Carl in this book, especially when it comes to facing off against the hunters in deadly situations, and I loved the methodical and often extreme ways he reacts to pressure, as well as he hilarious performance during Crawler Con. While he is still mostly seen as the reasonable, if explosively inclined, straight man of the team, Dinniman starts to show a darker edge to Carl in this novel. Thanks to the continued pressure of the dungeon, the various emotional revelations, his desire for revenge and his own troubled past, as well as a certain magic ring, Carl takes on a more sinister persona at times in this book, especially with the cold way he deals with his opponents. He also finds himself struggling with all the trauma that comes his way in this new book, much of which is showcased through the appearance of “the river”, a part of his mind that is always moving and brings back his anger and memories of all the evils he has experienced. The continued torrent of the river begins to warp Carl at times, and this is the book when he starts to become a little bit scary. As such, there is a lot of emotional depth to Carl in this book, and Dinniman did a great job expanding on his darker personality, while still including all the elements that made him such a beloved protagonist of the previous novels.

While Carl is a brilliant main character, he is usually overshadowed in all the best ways by his sentient cat companion, Princess Donut. A brilliantly sassy, over-emotional and deeply hilarious diva who still maintains many catlike personality traits, Donut is the perfect foil for Carl, especially when it comes to being in the spotlight, and her overly positive manner in most situations really endears her to the audience, even when she needlessly overreacts. Dinniman has some real fun with Donut in The Butcher’s Masquerade, as the cat takes on a temporary bard class which requires her to sing to cast spells, much to everyone’s displeasure, and there are so many moments when you get to laugh at her antics. However, much like Carl, Donut goes through some real emotional turmoil in this novel, not only getting the chance to confront her original owner Beatrice (although Carl was always her true human), but she also deals with some deep trauma as the book continues. The author loads up some highly emotional scenes between Carl and Donut, especially in the aftermath of the climatic finale, and you grow to appreciate their complicated bond even more throughout this book, even when your heart breaks at some of the trials they must endure. However, Donut continues to move through the dungeon in her usual over-enthusiastic manner, and it was very fun to see her finally get to perform on the big stage at the end of the titular Butcher’s Masquerade. The pet talent show with Mongo was one of the funniest moments in the book, while her subsequent singing performance helped to highlight just how far she’d come, and the emotional impact she has on the rest of the cast. I honestly love everything about Princess Donut, and this was probably one of her strongest appearances in the series.

While most of the story focusses on Carl and Donut, Dinniman at this point in the series has created a truly impressive collection of supporting characters, all of whom have some very compelling storylines around. The most prominent of them is probably Katia, who has spent the last two books in the main party. Katia steps away a little from the main character’s plot in The Butcher’s Masquerade, leading her own group of crawlers in a separate storyline to the protagonists. While it was a shame to have her featured a little less, especially after her impressive appearances in The Dungeon Anarchist’s Cookbook and The Gate of Feral Gods, it fit her character development nicely and showed how much her confidence had grown. It also allowed for a bigger focus on some of the other extended members of the Guild group that Carl and Donut have become part of, and I think the book benefited from a bigger cast. Dinniman did go quite dark with Katia at times in The Butcher’s Masquerade, especially in the book’s epilogue, where so many secrets that the author had cleverly been hiding under the character’s surface, finally come to light, especially the final shocking revelation.

The rest of the returning cast was also very impressive. Mordecai continues to excel as the cranky and practical mentor figure, even if he has been turned into a cute and cuddly little creature this book, much to the team’s amusement. The trapped and insane god Samantha was hilarious as the book’s mother-threatening comic relief, and there are some truly amusing scenes with her in this book, especially when Carl starts using her as a mobile weapon platform. The returning former slackers, Louis and Firas, continue to shine in this novel as the team’s pilots, and it was nice to see how much they evolved since their original appearance, while readers also got to spend more time with long-running characters Elle, Imani and Chris. The Butcher’s Masquerade also features the return of the dangerous Elite NPC, Tsarina Signet, whose dramatized storyline drags the protagonists into all manner of trouble. Dinniman made perfect use of Signet and her NPC cohorts in this novel, and I was really impressed by the full-circle and sad nature of her narrative.

In addition to these returning characters, The Butcher’s Masquerade featured significant appearances from several notorious crawlers who had only been shown existing outside the protagonist’s adventures. This includes the lethal child crawler, Lucia Mar, who lives up to her crazy reputation, the Crocodilian crawler Florin with his strong Australian accent, the calm shepherd turned vampires Miriam Dom, and the now sentient goat Prepotente. Of these Prepotente was probably the most impactful new character, especially as his story takes him from being a comedic figure, to a particularly dangerous and grieving ally. His heartbreaking appearance halfway through the book was extremely well-written, while his big act of defiance at the end of The Butcher’s Masquerade changes everything. However, out of all these characters, my favourite remains the AI controlling the game, who has really started to crack and is testing its limits in some very concerning ways. The various over-the-top descriptions, announcements and rulings made by the AI add so much humour to the story, especially as they are getting more-and-more unhinged and random. Throw in the AI’s dangerous independent decisions, which have dire effects for everyone in the dungeon, and you really come away eager to see how crazy things are going to get with this disembodied figure next. I really cannot emphasise just how impressive this massive cast is, and Dinniman perfectly uses all his complex character to enhance his already outstanding narrative.

I doubt anyone is surprised at this point that I chose to listen to The Butcher’s Masquerade on audiobook, which is just the best way to enjoy this incredible novel. Due to the increased action and adventure that Dinniman loads into each new novel in the series, The Butcher’s Masquerade is the longest audiobook in the series yet, coming in at a respectable 23 and a half hours. While this is a long audiobook, I honestly flew through it, thanks to how addictive and cool the crazy events within were, as well as the once again exceptional narration of Jeff Hays. Hays is frankly perfect for the complex and hilarious Dungeon Crawler Carl series, and his amazing range of voices and excellent takes on the many over-the-top characters, has ensured that every second of this series was a joy to listen to on audiobook. The Butcher’s Masquerade is one of the best examples of this, as Hays brings every awesome element of it to life with apparent ease, as well as some excellent use of minor sound effects and cool vocal enhancements.

Each character within The Butcher’s Masquerade has a very fitting voice to it, which includes a return of all the fantastic tones from the previous audiobooks, as well as several additional cool voices for some of the newer characters. You really get the perfect sense of these characters from Hays narration, and every aspect of their personalities comes through with his voice. Some of the best voices include those for Carl, whose increased anger is becoming more apparent, Mordecai, whose most recent transformation requires a new hilarious voice, and the System AI, whose over-the-top exclamations are just hilarious when read out. I also must highlight Hay’s voice work for Donut in this audiobook, especially as he gets all her outrageous mannerisms, over-reactions and the rest of her personality perfectly. Hays also rises to the challenge of Donut taking on a bard class in this book and singing, badly, which made me laugh so damn hard. Highlights include an exceptional talent show performance, as well as the cat’s unique take on ‘Wonderwall’ in the Soundbooth Theater promotional material at the end of the audiobook (renamed as ‘Wondercrawl’), both of which Hays gamely voices, and clearly has fun with. I honestly could go on for ages about every outstanding voice Hays uses in The Butcher’s Masquerade but let’s save time and say they are all exceptional, and that this entire audiobook is just pure awesomeness. I cannot recommend this format enough, and you will have a brilliant time enjoying The Butcher’s Masquerade in this format.

If the above extensive review didn’t give it away, I loved The Butcher’s Masquerade, and it is probably the best entry in the Dungeon Crawler Carl series at that point. Matt Dinniman produced a truly incredible entry in his brilliant series with The Butcher’s Masquerade, and I still cannot get over just how compelling, exciting and emotionally charged this fifth entry in the series was. I honestly cannot think of a better compliment than to point out that I was still absolutely addicted to this series when I finished The Butcher’s Masquerade, and I instantly jumped to the next book in the series, The Eye of the Bedlam Bride, and devoured it in a similar quick manner, before jumping even further into the series. If you’re not enjoying the Dungeon Crawler Carl series, you are missing out, especially with this exceptional fifth novel.

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Templar Traitor by Angus Donald

On August 17, 2025August 17, 2025 By The Unseen LibraryIn Historical FictionLeave a comment

Publisher: Canelo Adventures (ebook – 28 August 2025)

Series: The Mongol Knight – Book One

Length: 411 pages

My Rating: 4.5 out of 5 stars

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Those in the mood for an awesome and intense adventure should check out the soon-to-be-released historical fiction novel from Angus Donald, Templar Traitor, an outstanding book that I had a brilliant time getting through.

I have mentioned several times on my blog that my experiences with reviewing started with historical fiction, which was the main genre that I read for several years. While I have progressed to a range of other genres since then, historical fiction still holds a very special place in my heart, and I always love to dive back into time and read a great adventure or moving tale set in our collective past. One of the more enticing recent examples was Templar Traitor by Angus Donald. Featuring a cool plot about an English knight fighting alongside the Mongolian horde, Templar Traitor is the first book in Donald’s The Mongol Knight series, which I really liked the sound of. It helped that Donald is an author I have an interesting history with, as his early novel, Outlaw, was one of the first books that I reviewed professionally, and I was very keen to see how he had progressed as a writer since then.

Plot Synopsis:

“Do not lie to me, Templar, or it will be the last thing you do.”

July 1241. Christendom cowers in terror before the threat of a Mongol invasion. The swift-moving, invincible cavalry of Genghis Khan has smashed the proud, steel-clad knights of Russia, Poland and Hungary – and now Austria lies directly in their path.

At a skirmish outside the walls of Vienna, German knights capture a squad of Mongol scouts, and are astonished to discover one of their number is an Englishman – a Templar knight – who has been riding with these Devil’s horsemen for more than twenty years.

Interrogator Father Ivo of Narbonne is summoned to Vienna Castle to draw the truth from the imprisoned Englishman before his impending trial, to find out why he abandoned his Faith, his Brethren and his homeland to become… a traitor to Christendom.

This was a very impressive novel from Donald that nicely sets up a cool new historical fiction series, while also containing an intense and exciting story. Loaded with action, adventure and some fascinating historical elements, Templar Traitor was an excellent read that I’m very glad I got to check out early.

Donald pulled together a very interesting story for Templar Traitor that cleverly makes use of a real recorded historical event and expands on it to create an elaborate tale of adventure, war and survival from the perspective of an initially eager young knight. The framing device of the novel starts in Austria in 1241, with the capture of protagonist Robert of Hadlow, a knight from England who rides with the Mongols during their invasion of Europe. From there, the captured Robert gives testimony to a priest with his own agendas, who is shocked to discover that Robert is a former Templar Knight who had journeyed to Mongol lands many years earlier. From there the story dives back in time and chronicle of Robert’s life, following him as a young man ejected from Templars two decades earlier to becoming a wandering merchant travelling across Europe, before he is given the unique opportunity to try and establish an exclusive trade deal with Genghis Khan. This first part of the book was a very compelling introduction to the story, and it sets up the early story of the protagonist nicely, including his pressing reasons to undertake such a task, while also providing some fascinating historical contexts of the regions that the protagonist initially journeyed through.

From there Templar Traitor takes on a much more action-oriented edge, as Robert and his lone companion journey deep into Persia and beyond to find the Mongols, while pursued by rival European faction who seeks to secure trade for their own masters. This resulted in some fast-paced and frenetic sequences, and the protagonist is soon dropped in amongst the Mongols, trying to find a way earn their favour. Soon accepted as an envoy, Robert finds his place within the Khan’s army and witnesses their culture, people as well as their devastating war against the Khwarazmian Empire of Persia. To gain Genghis Khan’s favour, Robert finds himself serving as a key figure in the invasion, which allows for multiple battle sequences, as the protagonist finds himself thrust into the centre of the war. This resulted in a very rich and compelling historical novel, and it was fascinating to see some of Genghis Khan’s most famous battles through the lens of a western outsider. Donald adds in a rather good twist near the end of the novel that completely alters your entire perspective of the events of Templar Traitor, while also setting up some very interesting storylines going forward. This ended up being quite a fantastic overall story, and I appreciated how it contained a great, self-contained plot, while also working well as the first entry in a larger series.

Templar Traitor was a very strong historical fiction novel from Donald, and I really appreciated the layered book that emerged. The use of an older, imprisoned protagonist giving his confession as a framing device for the main plot worked extremely well, especially as the experiences of the older Robert of Hadlow impact his narrative of the past. The elaborate narrative of adventure and exploration allows Donald to really flex his historical writing ability, and he does an exceptional job exploring and showcasing the landscapes and cultures that his protagonist journeys through. However, his best writing is saved for exploring the Mongolian armies of Genghis Khan, whom the protagonist spends more than half the book riding with. Donald did an outstanding job diving into the complex culture and society of the Mongols throughout Templar Traitor, and the novel is loaded with compelling details and vivid descriptions. This was further enhanced through the author’s decision to frame these descriptions through the eyes of an outsider, and it allows for some very complex scenes of misunderstanding and cultural exchange.

Naturally, much of this examination of Mongolian culture is focused on their military exploits (the protagonist did join a war camp), and you get a very detailed examination of their invasion of Persia. The intense and bloody battle scenes are a true highlight of Templar Traitor, and you can easily imagine yourself riding amongst the Mongols as they fight through Asia, Europe and the Middle East. I felt that Donald did an outstanding job of covering the history around this war, and it was an excellent choice to have the protagonist join the Mongols at the height of their power, rather than at the beginning of Genghis Khan’s rule. I also enjoyed the fact that the scenes between the protagonist and his interrogator in 1241 were based on real events and Donald does an excellent job exploring a figure caught between his Christian upbringings in Europe, and his experiences living with his Mongol comrades. The compelling narrative about the protagonist’s motivations for journeying into the East, as well as the hidden secrets beneath his main story, was featured extremely well, and I loved the complex layers that emerged around Robert. This was a really impressive piece of historical fiction, and I really appreciated the skilled way that Donald set out his excellent story.

Overall, Templar Traitor was a great new novel from Angus Donald that is guaranteed to appeal to all historical fiction fans. Expertly blending intense action with some great characters and a deeply intriguing historical period, Templar Traitor was a joy to read, and I look forward to continuing The Mongol Knight series in the future.

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The Malevolent Eight by Sebastien de Castell

On July 13, 2025 By The Unseen LibraryIn Comedy/Satire, Fantasy5 Comments

Publisher: Acardia (ebook – 27 May 2025)

Series: Malevolent series – Book Two

Length: 397 pages

Rating: 4.75 out of 5 stars

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The always entertaining Sebastien de Castell unleashes one of the funniest books of 2025 with the dark fantasy novel, The Malevolent Eight, a compelling and impressive sequel that I couldn’t get enough of.

Over the last couple of years, I have really become attached to the amazing Sebastien de Castell, a leading fantasy author with some outstanding stories under his belt. Known for his impressive and varied stories, including his Greatcoats, Spellslinger and Argosi novels, de Castell has a brilliant imagination, and I love the range of complex settings and narratives he brings to life. Some of my favourite de Castell books are from his recent The Court of Shadows fantasy murder mystery series, which serves as a sequel to his original Greatcoats books. These include the witty and entertaining Play of Shadows (one of my favourite books of 2024) and the particularly clever Crucible of Chaos (one of my favourite audiobooks of 2024), both of which were real highlights of my reading calendar last year. However, for this review I’m going to focus on a far more entertaining series of de Castell’s that I have had a blast with.

This series is the Malevolent collection of books, which contain dark magic, over-the-top characters and ridiculous humour. Starting back in 2023 with The Malevolent Seven, this series followed seven morally questionable mercenary mages who come together into an unlikely team to defeat a group of dangerous wizard brothers. However, their attempt to do the right thing spectacularly backfires on them when they are tricked into allowing the hosts of heaven and hell to simultaneously invade, turning their realm into the battleground for their final war. I ended up having an exceptional time with The Malevolent Seven, and I really got drawn into it’s clever, if outrageous plot. Naturally I was keen to see how the series continued, and the recently released sequel, The Malevolent Eight, has long been on my to-read list.

After a great betrayal, the mortal realm is in peril as the heavenly Lords Celestine and the dark Lords Devilish have simultaneously invaded, determined to fight their long-anticipated final battle on this unclaimed ground. As both sides recruit as many additional human soldiers and followers as they can to their cause, the survival of humanity seems to lie in the hands of an unlikely group of rogue magic users. Unfortunately for everyone involved, humanity’s saviours are the damn fools who caused this calamity in the first place, the insane mages better known as The Malevolent Seven.

At the head of this misfit band is Cade Ombra, a man who has known power and betrayal from both the Celestine and the Devilish and is determined to allow humans to remain free from their dual influences. Forced to work with the most emotionally unstable group of mages and wonderists in the mortal realm, including a destruction-loving lighting slinger, a fallen angel, a righteous devil trying to serve the Celestine, an uncertain blood mage, a roguish rat admirer and their newest member, a vampiric kangaroo, Cade begins to wage a surprisingly moral war on both the Celestine and the Devish.

However, The Malevolent Seven aren’t the only beings attempting to disrupt the plans of the two invading armies. Another group of mages, as well as a mysterious woman from Cade’s past with unimaginable power, are also fighting for their own purposes, and looking good while doing so. Forced to contend against angels, devils, and ambitious mages, Cade will need to outthink all his enemies, while also ensuring that his own chaotic allies don’t make everything even worse. However, the harder he fights, the more Cade begins to realise that he may have to sacrifice everything, especially when it becomes clear that the origin of the apocalypse lies in his gilded past.

De Castell continues to deeply impress with this brilliant, if somewhat unhinged, novel, as The Malevolent Eight was an exceptional dark fantasy sequel that comes very highly recommended. Taking all the comedic craziness from the first book and amping it up to eleven, The Malevolent Eight was a perfect follow-up to de Castell’s previous narrative that takes the reader on an exceptional adventure you just won’t be able to look away from.

After having a ton of fun with the awesome first book in the series, I honestly wasn’t too sure what to expect with The Malevolent Eight’s story. However, not even in my wildest dreams did I imagine just how unhinged, wild and downright insane this sequel’s plot would get as de Castell pumped the narrative all the way up to 11 and beyond. Starting with a fun and particularly bloody sequence that not only reintroduces the unruly protagonists but also showcases the dark scenario that they find themselves in for this book, the readers are quickly thrust into The Malevolent Eight’s plot, and frankly after the first series of crazy events, you find yourself pretty hooked as the self-proclaimed Malevolent Seven’s attempt to fight both the armies of heaven and hell. However, as the story progresses, the unconventional heroes soon find that there are far more dangerous beings involved in this war, including a mysterious mage with previously unknown destiny-altering magic.

Determined to find out more about their new opponent, Cade leads The Malevolent Seven to both the Lords Celestine and Devilish to find out what they know and soon begins to understand his unfortunate role in the outbreak of the apocalypse. After some hilarious interactions with both sets of lords, the protagonists embark on a series of missions, only to encounter betrayals, hidden secrets, the consequences of Cade’s lies, capture, revelations and a surprisingly humorous torture sequence. This leads up to the big conclusion of the story, as the protagonists find themselves in the middle of a battle against three separate sides trying to claim their world for various purposes, all while manipulative figures work from the sidelines. This big finale for The Malevolent Eight gets a little overcomplicate and convoluted, especially as we dive into alternate realms and different realities, but the entire thing is highly entertaining to behold. It finishes off on an interesting conclusion, which has a nice hopeful note to it (especially in comparison to the previous book), while also hinting at some dark events to come. This is an overall quite entertaining and wild story that really highlights de Castell’s creativity and ability to craft over-the-top narratives.

I deeply enjoyed the wonderful style that de Castell utilised in The Malevolent Eight, as the author pulls together a chaotic and hilarious dark fantasy that hits a lot of over-the-top notes at the same time. Perfectly told from the single perspective of main character Cade Ombra, The Malevolent Eight is a balls-to-the-wall blast, loaded with insane action, excessive blood, crazy moments and fantastic humour. De Castell keeps the pace of the story moving pretty fast throughout The Malevolent Eight, and the reader absolutely powers through the fantastic combination of carnage, intrigue, and hidden motivations. Working well as a sequel to the previous book, The Malevolent Eight cleverly returns to the author’s fun setting, which has been drastically altered due to the rival inter-dimensional armies fighting across it. Serving as the perfect background to such an entertaining and oddball dark fantasy narrative, de Castell makes perfect use of the changed setting and existing book history to go all out with his narrative. While a seemingly simple and insane book on the surface, de Castell also adds in some impressive extra depth to the story, including through its complex magic system and the inclusion of several alternate realms that allow or some interesting inclusions from the author’s wider fictional reserves. There is also a great moral greyness to the entire setting, as even the most noble of people or beings in this setting is generally pretty flawed or evil in their own way, and I frankly loved how cynical things got at times.

While this is a rather dark story, loaded with brutal combat and destructive magic, de Castell keeps the overall tone of The Malevolent Eight pretty light thanks to the excellent use of humour. This is an insanely funny book, and while there is a certain subtly to some of the comedy contained within, for the most part de Castell utilises over-the-top scenarios (such as a swearing kangaroo), unhinged dialogue (the one swearword said kangaroo can say) and silly over-reactions for his comedy, which frankly fits the overall crazy feel of The Malevolent Eight. The author gets a consistent amount of humour out of all the crazy antics of his characters, which stays pretty damn funny all the way through and never gets too tiring or overplayed. Highlights of The Malevolent Eight’s humour for me included a very cleverly written demonic contract that spelled out the terms of a deal with the protagonists with some unique caveats, a particularly entertaining torture sequence where the protagonist causes more discomfort for his torturers than himself, ill-timed relationships with the book’s apparent antagonist, and so many crazy conversations between the seemingly sane point-of-view protagonist and every single person he encounters. While I’m slightly salty about de Castell’s description of the Australian accent being “halfway between some poncy foreign nobleman and an inebriated fishmonger” (ok fine, it was pretty funny), this was quite a hilarious read, and I honestly laughed out loud multiple times in public as I read through this crazy comedic book.

One of the things I appreciated about The Malevolent Eight is the way in which de Castell made it accessible to all readers, even though who didn’t read the preceding novel. While those who have checked out The Malevolent Seven are probably going to get the most out of this novel, especially as they can continue the hilarious character arcs from the first book, I feel that new readers can easily jump into The Malevolent Eight without any real context and still follow the story perfectly. Indeed, I quite enjoyed how well de Castell cleverly and effectively recapped the events of the previous book, especially after a two-year gap between reading The Malevolent Seven and The Malevolent Eight. Established de Castell fans will probably appreciate the references to the author’s other series, as a new major character in the novel is from the author’s Spellslinger universe and utilises that series’ unique magic to great effect in this novel. While those readers who have read the Spellslinger books will no doubt find this inclusion really cool, people who are less familiar with this series can still follow The Malevolent Eight’s plot without any issue, especially as the events of the other series don’t really come into play here. As such, I would recommend The Malevolent Eight to any fantasy readers looking for a dark comedic turn, although for the sake of completeness, try The Malevolent Seven first.

As with The Malevolent Seven, this excellent sequel features a fantastic cast of compelling damaged characters whose unique and often quite outrageous stories helped to ensure The Malevolent Eight was an impressive read. Cleverly building on the storylines of the previous book, The Malevolent Eight features the immoral characters who make up titular Malevolent Seven attempting to be heroes in this book, often with mixed results. This includes main protagonist and point-of-view character Cade Ombra, the leader of group and a man with quite a complex past. Shown in the previous book to be a power hunger survivor with a conscience, The Malevolent Eight really dives into his characterisation even further as you look at his past as an arrogant holy warrior and his eventual fall from grace to work with demons. His complex past becomes a key part of The Malevolent Eight’s plot, especially as much of the current issues lie in his past mistakes, and it was quite moving to see Cade attempt to make amends, especially as it gets him into even more trouble. Despite this, Cade is still a massive bastard at times, and his manipulative nature and evil strategic mind are some of his greatest weapons. Serving as the apparent straight man to a group of crazy friends, Cade sees himself as the sole voice of reason in the entire book, and it was fascinating to see his compelling perspective unwind throughout the book, especially when he faces certain realities about his friends and what he must do for redemption.

The rest of the cast of The Malevolent Eight is pretty crazy in comparison to Cade (at least from his perspective), and it was so much fun to see these outrageous personalities interact with each other. My favourite supporting character is still the rude and crude Corrigan Blight, a thunder mage who serves as Cade’s unwieldly second. Despite his outward appearance as an idiot controlled by his element (I mean, he is), Corrigan is a surprisingly deep figure and his ability to act as Cade’s conscious really highlights their great friendship. The rest of the returning members of The Malevolent Seven, which includes a rat mage, a fallen angel, a holy demon and an uncertain blood mage, are slightly less well featured in this book, although de Castell does dive into their uncharacteristic attempts to be heroes, and their always fun interactions as a group allowed for some amazing moments. I also must mention the newest member of team, Temper, a giant, swearing, vampiric kangaroo who has joined the team since the events of the first book. Temper was quite a surprising figure to behold, and de Castell cleverly keeps the kangaroo’s origins somewhat hidden from the reader for much of the plot, allowing you to really enjoy his random presence without thinking too much about it. This main cast was so much fun, and de Castell tops it off with a new magic user from Cade’s dark past with surprising connections to the Spellslinger universe, Cade’s former demonic benefactor whose intrigue, and paella, is to die for, and a variety of high demon lords and celestial beings whose motivations are never black and white. These characters, and more, ensure that The Malevolent Eight is an exceptional read from start to finish, and I deeply enjoyed seeing these crazy characters in action.

Sebastien de Castell was in rare form with his impressive new dark fantasy novel, The Malevolent Eight. A bold sequel that takes all the best elements from the first book and amps them up to a hilarious new height, The Malevolent Eight was an extremely entertaining read, with some brilliant comedic charm that worked well with the damaged characters and very dark fantasy elements. Outrageous and excessive in all the best ways, The Malevolent Eight was such a great read and I couldn’t get enough of de Castell’s latest ultra-fun offering. Make sure to also keep an eye out for de Castell’s other 2025 novel, Our Lady of Blades, later this year, which I strongly feel is going to be even more amazing.

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A Tide of Black Steel by Anthony Ryan

On June 22, 2025 By The Unseen LibraryIn Audiobook, Fantasy, Five-Star Books11 Comments

Publisher: Orbit (Audiobook – 24 September 2024)

Series: Age of Wrath – Book One

Length: 19 hours and 20 minutes

My Rating: 5 out of 5 stars

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After finally getting something up for We Solve Murders, I continue trying to publish long-overdue reviews for some of the better books of 2024, including the highly captivating fantasy novel A Tide of Black Steel by Anthony Ryan.

Veteran fantasy author Anthony Ryan is an author I have been really learning to enjoy in recent years, especially as I fell in love with his epic The Covenant of Steel series. Following a young rogue who takes on the mantle of a warrior, spy, strategist and most importantly a scribe throughout his complicated and danger-filled life, The Covenant of Steel novels were an impressive collection of books loaded with great characters, a compelling chronicle style and some brilliant twists. All three books in the series, including The Pariah (one of my favourite books and audiobooks of 2021), The Martyr (one of my favourite books and audiobooks of 2022), and The Traitor (one of my favourite books and audiobooks of 2023), were instant five-star reads from me, and I had so much fun getting through them. As such, I was very excited to find out about Ryan’s new novel, A Tide of Black Steel, especially as it serves as a sequel to The Covenant of Steel series. The first book in the author’s new Age of Wrath series, A Tide of Black Steel sets up a mighty fantasy tale that I had a brilliant time with.

Plot Synopsis:

From the international bestselling author Anthony Ryan comes the spectacular first novel in a new epic new fantasy trilogy inspired by Norse mythology. A new age has dawned. An age of blood and steel. An age of wrath.

The land of Ascarlia, a fabled realm of bloodied steel and epic sagas, has been ruled by the Sister Queens for centuries. No one has dared question their rule. Until now.

Whispers speak of longships of mysterious tattooed warriors, sailing under the banners of a murderous cult of oath-breakers long thought extinct. A tide of black steel that threatens to vanquish all in its path.

Thera of the Blackspear, favoured servant of the Sister Queens, is ordered to uncover the truth. As Thera sails north, her reviled brother, Felnir, sets out on his own adventure. He hopes to find the Vault of the Altvar – the treasure room of the gods – and win the Sister Queens’ favour at his sister’s expense.

Both siblings – along with a brilliant young scribe and a prisoner with a terrifying, primal power – will play a part in the coming storm.

The Age of Wrath has begun.

A Tide of Black Steel was another outstanding novel by Anthony Ryan that provided readers with a cool and layered fantasy adventure. Cleverly expanding the fantasy universe introduced in The Covenant of Steel books, A Tide of Black Steel brings together several interesting storylines into one exciting read with a very different tone to the author’s previous novels. Powerful, action-packed, and featuring some interesting twists and turns, A Tide of Black Steel gets a full five-star rating from me, and it was one of my favourite books and audiobooks of 2024.

I really enjoyed how this cool novel turned out, especially as Ryan introduced an ambitious and powerful new narrative that combines bold, seafaring adventures with some complex world-building to create an outstanding read. Serving as a loosely connected sequel to the author’s The Covenant of Steel books and told through the eyes of four compelling protagonists, the plot of A Tide of Black Steel breaks off into several divergent threads that each have their own charm while also individually exploring a dangerous new enemy threatening the world. These perspective characters include Ruhlin, a young man who is captured for his mysterious magical abilities and must try to escape from dangerous new masters who want to use his gifts in the fighting ring. At the same time, Thera of the Blackspear, an agent of the Sister Queens of Ascarlia, investigates a mysterious series of raids against Ascarlia’s borders, travelling to the most isolated islands of the nation. Finally, Thera’s brother, Felnir, and the young scholar Elvine, are tasked with trying to find an ancient treasure horde and the dark secrets it contains.

Apart from Thera and Felnir’s perspective chapters, which are strongly linked for much of the book, these major storylines are kept mostly separate from each other, allowing for three separate adventures to occur simultaneously. All these arcs were equally interesting and provided some cool alternate perspective and themes to the book, with Ruhlin’s being a dark coming-of-age plot, Thera’s being a brutal series of battles and investigation, while the combined plot of Felnir and Elvine was a great mixture of exploration, redemption and secrets. While I was a little more drawn to Felnir and Elvine’s plotlines at times, primarily because of a couple of secretive supporting characters that hinted at a great connection between this book and The Covenant of Steel series, I honestly had a brilliant time with all the storylines, and they combined nicely into one compelling and cohesive overall plot. All these storylines progress nicely, amping up the stakes and enhancing the adventure until they reach some thrilling conclusions where some big reveals come to pass. While I saw a few of the twists coming, the impact of these arc conclusions was really impressive, and I came away from A Tide of Black Steel wanting more, especially as there was a cool and brutal cliff-hanger that is going to result in dark moments for the series going forward.

Ryan gave it a real classic adventure feel that worked in the context of the plot. The author used a very different writing style here compared to The Covenant of Steel novels, as this latest book was a multi-character epic that lacked the chronicle style of the previous trilogy. While this change in style while remaining the same universe could be potentially jarring, I think it worked quite well, and I enjoyed the complex and entertaining narrative that emerged. Ryan proved adept at splitting the narrative between various protagonists, and the diverging perspective chapters blended well into a large and compelling story, with only occasional crossovers. The reveal of key plot points in one perspective arc was well utilised in some of the other protagonist’s chapters, and I really enjoyed the tight, character-driven narrative that emerged.

As I have mentioned a few times, A Tide of Black Steel and the Age of Wrath series it is a part of are a sequel to Ryan’s The Covenant of Steel series, which the author uses to full effect to makes this novel even more enticing and fun. Set years after the conclusion of The Traitor, A Tide of Black Steel takes place in a new setting, Ascarlia, a neighbouring realm to the lands featured in The Covenant of Steel books and features several characters with interesting connections to figures from the previous trilogy, including that series’ main protagonist. Ryan has a wonderful time diving into this new setting, which has a distinctive Norse/Viking feel compared to the more traditional medieval Europe vibe of the previous novels. This allows for an entirely new focus on naval combat, a boat and island focused culture and Norse-inspired military tactics, which really helps to set A Tide of Black Steel apart. Ryan utilises all these elements to great effect in this new book, and the multiple longship-on-longship battles and clashes at the shield wall were impactful, as well as the well-researched and beautifully written depictions of maritime activity and nautical life. I deeply enjoyed this expansion of Ryan’s universe, and the focus on a whole new realm within this world really opened the story options and allowed new protagonists and threats to shine.

While A Tide of Black Steel stands on its own extremely well, the events of The Covenant of Steel books are routinely referenced, and there are some very interesting connections between it and this new series. As such, I feel that A Tide of Black Steel is a book that fans of Ryan’s previous series are going particularly enjoy, especially as they eagerly await any clues or hints about the open story threads from the end of The Covenant of Steel novels. I know I was constantly curious to see whether some of the characters with more mysterious pasts were going to be revealed as figures we’d previously seen in the other series, and the result of that was pretty good. I also liked how the use Ascarlia in this book finally provided a good follow-up to a key part of the first The Covenant of Steel novel, The Pariah, and I really enjoyed seeing Ryan expand on these events, including bringing back an antagonist from that book and making them a key supporting character here. Despite all these references, those readers interested in checking out A Tide of Black Steel without reading The Covenant of Steel novels first are still guaranteed a good time, especially as Ryan provides all the relevant background and refreshes your mind about details relevant to the plot. Still, for the full emotional attachment and background, I would recommend reading the other trilogy first, especially as they are excellent pieces of fantasy fiction.

I should also take the time to mention the excellent array of characters featured within A Tide of Black Steel, as Ryan introduces four outstanding central protagonists, as well as a great collection of supporting figures. These characters are used to full effect throughout the course of the plot, and you grow attached to several, especially when you learn their background and motivations. Each of the four perspective protagonists set an own excellent tone for their chapters, and I frankly enjoyed seeing all their separate adventures and differing mindsets. Watching all of them overcome adversity, lies and issues from their past was quite impressive, and Ryan sets up some interesting, long-running character arcs that are going to be really interesting to see conclude in the future books. The supporting cast was also quite impressive, and Ryan introduced a range of fantastic characters who were usually exclusive to a particular protagonist. I personally enjoyed seeing a couple of Ascarlian-related characters previously featured in The Pariah return here, include Margnus Gruinskard, whose deadly duel in his previous appearance directly led to much of the carnage in the previous trilogy. A couple of mysterious prisoners who find themselves tied to two of the protagonists also added a great deal of interest to the plot, and it was fascinating to see how they connected into the larger plot of the overall series, as well as their personal connection to a key character of this book. I deeply enjoyed this fantastic cast, and their complex storylines added so much to the overall plot of A Tide of Black Steel.

While I was lucky enough to receive a copy of the A Tide of Black Steel paperback, I ended up listening to the audiobook version instead, primarily because I previously had such a great time with The Covenant of Steel audiobooks. This proved to be an outstanding choice, especially as the audiobook version really helped to showcase the extended scope of Ryan’s fantasy world, while also enhancing the cool action sequences. I personally really appreciated that they brought back narrator Steven Brand for A Tide of Black Steel, especially after he did such an awesome job voicing The Covenant of Steel audiobooks. Brand really gets Ryan’s writing style, and he once again perfectly voiced all the key elements of the plot through his narration. His take on the large cast of characters was particularly impressive, and each of the compelling figures featured in the plot was perfectly portrayed, with their complex personalities on full display. I absolutely sped through A Tide of Black Steel’s nearly 20 hour long run time thanks to both the great story and the excellent narration, and this ended up being a particularly amazing audiobook that I deeply enjoyed. A highly recommended listen and one of the best ways to experience Ryan’s cool new series.

Overall, A Tide of Black Steel was an outstanding fantasy novel, and one I really should have written something about earlier. Cleverly expanding Ryan’s previously utilised fantasy world to create a compelling Norse-inspired fantasy adventure loaded with twists and hidden secrets, A Tide of Black Steel was a very worthy follow-up to The Covenant of Steel books and takes the reader on a very wild ride. Exciting, intense and featuring some impressive characters, A Tide of Black Steel was extremely good, and there is a reason it was one of my favourite books from last year. I cannot wait to see how Ryan continues the Age of Wrath series this year, and the upcoming sequel, Born of an Iron Storm, already sounds particularly awesome.

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Midnight Black by Mark Greaney

On June 20, 2025 By The Unseen LibraryIn Audiobook, Five-Star Books, Thriller4 Comments

Publisher: Sphere/Audible (Audiobook – 18 February 2025)

Series: Gray Man – Book 14

Length: 15 hours and 51 minutes

My Rating: 5 out of 5 stars

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The always outstanding Mark Greaney provides another addictive and heart-pounding addition to his iconic Gray Man series with the incredible 2025 spy thriller, Midnight Black.

Ever since I started getting fully into the thriller genre, one of the main authors I check out each year is Mark Greaney, a veteran master of thriller fiction who has produced some incredible reads. Some of his more entertaining books include his Josh Duffy series (Armored and Sentinel), as well as the fun military thriller Red Metal (cowritten with Hunter Ripley Rawlings IV). However, his best-known body of work is the long-running Gray Man series, which was adapted into a Netflix movie of the same name.

The Gray Man series is an outstanding collection of spy thriller novels that follows elite assassin and black ops operative Court Gentry, better known by the titular moniker of the Gray Man, as he faces off against an array of deadly enemies while occasionally working for the CIA. I have become a pretty major fan of the Gray Man series thanks to the author’s complex stories, gritty action sequences and damaged characters, and I have had a blast with books like The Gray Man, Mission Critical, One Minute Out (one of my favourite books and audiobooks of 2020), Relentless (one of my favourite books and audiobooks of 2021), Sierra Six (one of my favourite books and audiobooks of 2022), Burner (one of my favourite books and audiobooks of 2023) and The Chaos Agent (one of my favourite books of 2024). Due to how epic all these previous Gray Man entries have been, I couldn’t wait to get my hands on the next entry in the series, Midnight Black. Providing an intense follow-up to a fantastic cliffhanger from the last book, Midnight Black was one of my most anticipated releases of 2025, and it really did not disappoint.

In the icy wilds of Mordovia, lies the brutal woman’s penal colony IK-2 Yavas. A harsh work camp for the many political enemies of the current Russian regime, IK-2 Yavas is hell on earth for any women who have defied the state. However, despite the prison holding many prominent criminals and politicians, their most valuable prisoner is former spy Zoya Zakharova.

Once a prominent Russian foreign intelligence agent, Zoya was forced to flee her position and eventually found herself working covertly for the CIA as a deniable asset. However, after being captured by the Chinese and traded to the Russians, Zoya’s future is bleak as she is slowly worked to death. Worse, a ruthless FSB operative is using Zoya as bait for the person most important left in her life, her lover Court Gentry, the Gray Man. But, unknown to Zoya, the Gray Man is far closer than she realises.

Having spent months prowling the Eastern European countries, Gentry seeks a way to steal across the Russian border and save the woman he loves, no matter the cost. Embarking on a risky entry plan with only minimal help from his old CIA contacts, Gentry is determined to find Zoya and kill anybody who gets in his way. But with the entire Russian state security apparatus turned against him, can Gentry once again do the impossible and save Zoya, or will this be the final mission for the legendary Gray Man?

Mark Greaney continues to impress with his epic Gray Man series, as the 14^th brilliant entry in the series, Midnight Black, was absolute fire. Providing an intense and deeply addictive spy thriller narrative, Midnight Black hooked me from the very beginning and refused to let go until the final explosive confrontation. Slick, emotionally charged and very clever, Midnight Black gets an easy five-star rating from me, and I had such an amazing time listening to it.

This proved to be an outstanding book to get through, as Midnight Black featured a compelling and cinematic narrative that had me hooked the entire way through. Expertly following on from the emotional cliffhanger from the end of the previous book in the series, The Chaos Agent, Midnight Black starts several months later and sees a desperate Court Gentry doing anything he can to try to enter Russia, only to encounter setbacks he has to take care of in his usual destructive manner. This works as an excellent introduction to Midnight Black’s plot, especially as it helps you appreciate the emotional stakes of the book, and you quickly become invested in the protagonist’s quest. Greaney quickly expands the plot through several additional character perspectives, including recuring characters Zack Hightower and Zoya Zakharova, who have their own missions/problems, an intriguing new Russian rebel protagonist, and the perspective of some sinister Russian operatives, including the FSB agent pulling all the strings around Zoya’s imprisonment. This serves as a great base for the rest of the story, and the author soon starts to feature some of the more complex and action-packed sequences in Midnight Black.

Starting with a well-layered extended shootout sequence in Europe, the second half of Midnight Black hits hard and keeps the reader deeply engaged. Greaney continues to set out quite an impressive story, as Gentry enters Russia and proceeds to cause all manner of havoc, while his allies in Europe and the US throw together an audacious plan that really amps up the narrative. Greaney keeps the plot constantly moving, taking the protagonists from one dangerous situation to the next, with compelling character moments and well-featured exposition that keeps everything going forward. The author also throws in a ton of high-octane and memorable sequences, including a fun extended chase in Moscow involving a stolen train, which was so entertaining to behold. Everything leads up to the big finale in the last third of the story, where the protagonist makes his play to free Zoya in very cinematic fashion. There is a lot of intense anticipation involved in the leadup to this final part of Midnight Black, and it proves to be particularly captivating and exciting. The conflict, high stakes and constant worry you have for the characters ensures you won’t be able to put this part of the book down, and I was so keen to see how everything came together. Greaney wraps things up perfectly, and I liked the hopeful conclusion to Midnight Black, especially after some of the dark preceding books, and you come away satisfied, as well as excited to see where the series goes next.

I am always greatly impressed with how Greaney sets out his outstanding novels, and Midnight Black is a particularly strong example of this. A fast-paced book with several interesting layers to it, Midnight Black drags you in with its powerful narrative and keeps you there with the well-set-out action, complex characters, and gritty realism. Thanks to the blend of character arcs and alternating storylines, there is a lot going on in Midnight Black, and you are given a great mixture of ultra-exciting sequences of action and spy craft, intense personal moments of despair and hope, as well as a cool dive into real-world issues, such as the current war in Ukraine, that enhance the overall plot. I particularly enjoyed the gritty realism loaded in the story, especially when it comes to looking at the current politics of Russia, and there was a particular dire tone to much of the plot that was well mirrored by several protagonist’s circumstances.

One of the writing techniques I always enjoy with the Gray Man novels is the author’s excellent use of alternating character perspectives, as the reader gets to see the narrative through a variety of different viewpoints. While primary characters like Gentry, Hightower and Zakharova naturally get most of the focus, you also see events through the eyes of more minor protagonists, such as Gentry’s former CIA handler in the US, or a Russian rebel fighter launching attacks in Moscow, as well as from several of the book’s antagonists. This provides a much more expansive narrative for readers, especially as you soon understand the compelling motivations of all the significant characters, as well as their often conflict plans and schemes. I particularly enjoyed how well some of Midnight Black’s many action sequences become even more impressive when you get to see events through the eyes of all the participants in the event. Seeing all the alternate sides of conflicts really helps to make the fight sequences stand out, and it is captivating to see the various moves and countermoves of all the characters involved. I felt this worked particularly well in some of the book’s big firefights, such as one sequence out in the woods where Gentry and Hightower’s camp gets raided by a squad of hitters, and you really get drawn into the books brutal action thanks to this.

While Midnight Black can probably be read as a standalone novel, especially as Greaney does a good job recapping key events, I feel that this latest Gray Man novel is probably best enjoyed by those who have read the previous books in the series, especially the preceding entry, The Chaos Agent. This is mainly because Greaney is following up on a major cliffhanger from the previous book, and a lot of the emotional weight of the plot is based around the protagonist trying to right this wrong and save the woman he loves. Being invested in the relationship between Gentry and Zakharova, as well as appreciating the protagonist’s other character relationships, really helps to amp up the stakes of Midnight Black, and I know I was personally hooked on seeing how events played out. While having this background does enhance the experience, I do think that new readers can easily come into the series here and still have an amazing time, especially once they get caught up in the intense plot.

I also need to once again compliment the compelling characters found within Midnight Black, as Greaney really went out of his way to create some intense character moments in this latest Gray Man novel. A lot of this revolves around the protagonist, Court Gentry, who finds himself in emotional turmoil following the Russians imprisoning the woman he loves. Unsure about her fate and desperate to enter Russia to rescue her, Gentry is a ghost of his former self, recklessly engaging in deadly actions without his former skill and tradecraft. This uncharacteristic lack of planning from the main protagonist and the way he lets his emotions overwhelm him adds a compelling edge to the story, especially as it results in more carnage and close calls.

The rest of the cast are also well featured in Midnight Black, especially as Greaney brings back several old favourites in dire circumstances. For example, Court’s love interest, Zoya Zakharova, ends up having a particularly powerful arc in Midnight Black, as she is imprisoned in a Russian work camp. Slowly losing hope due to her surroundings, her imminent execution, and her worry for Court, Zoya’s scenes are often hard to read and really help to hammer home the dark stakes of the book. Greaney also brings back fun recurring character Zack Hightower, who serves as a lighter point of view protagonist compared to Court and Zoya. A veteran operator with a lot of history with the other protagonists, Zack was a great foil for Court’s moodier persona in Midnight Black, and I loved seeing them work together in this way. Other characters of note include Court’s former CIA handler, Matthew Hanley, who works to provide outside help despite his own downward career trajectory, and Major Colonel Eriks Baronov, an FSB operative trying to use Zoya as bait for the Gray Man. I really enjoyed how Hanley and Baronov provided interesting alternating tactical insights into the events of Midnight Black, which gave the novel a great global conflict feel at times. All these characters and more helped to turn Midnight Black into something special, and I really enjoyed how complex and exciting the various character-driven storylines turned out to be.

As has become my habit with the Gray Man series in recent years, I ended up listening to Midnight Black on audiobook rather than reading a physical copy. I find that the audiobook version of the Gray Man books, narrated by the always reliable Jay Snyder, are an excellent way to absorb Greaney’s fantastic stories, especially as the various action sequences and compelling showcases of spycraft are highlighted particularly well in this format. For Midnight Black, I listened to this audiobook while on a holiday with a lot of flying/driving time, which not only kept me from getting bored on the bus/plane but which ensured that I absolutely powered through its near 16-hour run time. It helped that many of the best sequences in the book, such as the epic firefight at the halfway point and the big chase through Moscow, were particularly impactful in this format, and Snyder did an excellent job voicing all the characters. I particularly appreciated all the eastern European and Russian accents that Snyder attributed to the various characters, and he also did a good job capturing key parts of the protagonist’s personalities, especially Gentry’s weariness and desperation that were a key part of this book. Due to this brilliant voice work, as well as my general love for the format, I would strongly recommend Midnight Black on audiobook, and I can guarantee it makes for great entertainment on long road trips.

Overall, Midnight Black was another outstanding and captivating new entry in the always impressive Gray Man series. Author Mark Greaney did an amazing job continuing one of the very best spy thriller series out there, and I deeply enjoyed Midnight Black’s particularly intense and personal story. Featuring some fantastic action, complex character arcs and some compelling insights into major contemporary events, Midnight Black was extremely addictive, and I cannot wait to see how Greaney continues the series in the future.

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The Devils by Joe Abercrombie

On June 9, 2025 By The Unseen LibraryIn Audiobook, Fantasy, Five-Star Books5 Comments

Publisher: Gollancz/Macmillan Audio (Audiobook – 13 May 2025)

Series: The Devils – Book One

Length: 25 hours and 7 minutes

My Rating: 5 out of 5 stars

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The master of grimdark fantasy fiction presents a bold and over-the-top new story with The Devils, an outstanding, addictive and highly entertaining read that you will not be able to turn away from.

Joe Abercrombie is an impressive and compelling author who has been wowing fantasy fiction authors with his complex reads for nearly 20 years. While he has written some other cool books, like his Shattered Sea trilogy, Abercrombie is best known for his iconic First Law series of dark fantasy novels, that followed a group of highly damaged people as they tried to survive war, magic and politics in a messed-up fantasy world. I really enjoyed the original First Law trilogy, and Abercrombie has cleverly expanded it out over the years, including with three standalone novels and his sequel Age of Madness trilogy. The Age of Madness novels were ones that I particularly enjoyed reading, and A Little Hatred (one of my favourite books of 2019), The Trouble With Peace (one of my favourite books and audiobooks of 2020) and The Wisdom of Crowds (one of my favourite books and audiobooks of 2021), were very highly rated by me, and I could not get enough of this series.

Needless to say, I am a pretty big fan of Abercrombie’s novels, and I have been eagerly awaiting a new book from him since I finished The Wisdom of Crowds. While I had hoped that we would be getting a new First Law novel, Abercrombie instead decided to present readers with something a little different with his new The Devils series. Starting off with The Devils, this series is another clever dark fantasy series, set in an alternative, magic filled version of medieval Europe. One of my most anticipated books of 2025, The Devils sounded so damn good, especially with its crazy plot and intriguing new setting.

The lands of Europe are in dire peril. Between the constant wars, dangerous monsters, ruinous famines and deadly plagues, the various kingdoms of Europe are in poor condition, barely held together by the fractured church. However, the real danger lies outside its borders, as the mysterious elves gather their power in the Holy Lands, preparing for another invasion of Europe that will surely lead to the destruction of all humanity.

In response to the growing threat of the elves, the church and its juvenile pope determine that a new ruler needs to be placed upon the Serpent Throne of Troy after its evil sorcerous empress dies. With all four of the empress’s duplicitous and power-hungry sons unfit for the crown, the church surprisingly finds that their ideal candidate is a lowly street thief from the Holy City called Alex. A ferrety sneak with no noble bearing or confidence, Alex is shocked to discover that she is really the long-lost Princess Alexia Pyrogennetos of Troy, destined to reunite the churches of Europe by claiming the throne.

Turning the reluctant and terrified Alex into a potential princess is one thing, but getting her to Troy is a far more difficult prospect, especially as her rival contenders to the throne are stalking Europe with their deadly, magically enhanced followers, determined to claim Troy for themselves. To succeed in marching Alex through the European hellscape and placing her on the Serpent Throne, the church will need far more than prayers and the blessing of saints; they are going to need devils. Luckily, such devils are close at hand.

Deep within the Holy City lies the Chapel of Holy Expediency, which binds dangerous heretics and monsters and forces them to seek redemption through holy missions for the pope. Led by the hapless Brother Diaz, the congregation of the Chapel of Holy Expediency is charged with getting Alex to Troy and placing her on the throne. But can a terrified monk, an immortal knight, an arrogant necromancer, an invisible elf, a sarcastic vampire, an uncontrollable Viking werewolf and the most experienced woman in Europe succeed in making a street-rat an empress, or will their new mission only bring even more death and destruction to the continent?

Joe Abercrombie once again shows why he is one of the very best authors of dark fantasy fiction with his captivating and deeply impressive new novel. The Devils was an ultra-entertaining read that perfectly introduced the author’s intriguing setting and populated it with highly amusing characters and dark deeds. Exciting, clever and loaded with over-the-top humour, The Devils was an absolute joy to listen to, and I loved every second I spent with it. One of the most addictive novels of 2025 so far, The Devils gets a very-well deserved five-star rating from me, and readers are guaranteed an extra fun time with this crazy novel.

I absolutely loved the cool and highly entertaining story that Abercrombie came up with for The Devils, which was essentially a fun dark fantasy iteration of The Dirty Dozen/Suicide Squad narrative with some amazing monsters. Providing a quick introduction to the key characters, the reader soon becomes highly invested in the narrative, as the memorable and very amusing protagonists begin their trek to Troy. What follows is a classic travelling adventure story with some dark and comedic twists, as the protagonists encounter all manner of foes on the way to their destination, which they are forced to dispatch with ruthless efficiency. While parts of this story start to become a tad formulaic, especially as the protagonists are intercepted multiple times by one of Princess Alexia’s cousins, with each encounter resulting in a deadly battle for survival against different occult forces, you are generally so entertained by the compelling characters, interesting interactions, and over-the-top action sequences, you don’t even really mind. Abercrombie works to break up these encounters with some fun side quests, as well as altering the circumstances by having the characters occasionally split up into unlikely pairings, exploring the fun alternate medieval Europe that works as such an effective setting for this book. This allows for some interesting changes of pace in the main quest narrative, while also allowing for some outrageous character moments as the reader gets to know the protagonists a little better.

Everything nicely leads up to the last third of The Devil, which sees the protagonists arrive at their destination against the odds. Without going into much detail, things naturally go to hell, and everybody is forced to fight for their lives. This chaotic series of events isn’t unexpected, as the reader is waiting for the other shoe to drop the entire book, but the who and the how of it makes for great reading. Some excellent twists come to life here, often revealed in a fun meta way, and, while you see a couple of them coming, the entire ball of surprises and reveals make for quite an exciting end sequence. These twists are well backed up by some of the grittiest action sequences in the entire book, and you are constantly on your feet waiting to see what happens next. The entire novel ends on a tragic, if thoughtful note, especially when you’re left to consider who the true monsters of the story are. An overall impressive narrative, that blends alternate history and classic adventure narrative threads with Abercrombie’s wild imagination to create something exceedingly entertaining and addictive.

The Devils was a very fun and well-written story as Abercrombie provides a very intense and hard-hitting tale, bound together by dark humour, over-the-top sequences, and complex characters. Abercrombie once again showcases his skill at balancing multiple distinctive perspectives to tell an integrated and ongoing narrative, with the story cleverly bouncing between the viewpoint of several impressive protagonists. The continued switches between the characters allows for a very elaborate narrative, and the reader is drawn into both the overarching plot and the more personal battles of the protagonists. I liked how Abercrombie was able to tailor the descriptive narration of each of the perspective chapters to suit the character it was following, and each chapter has a slightly different tone as a result. However, this is a very dark overall story, as the characters encounter outrageous scenarios of death and destruction, and the resulting carnage allows for some intense moments. I will say that The Devils did feel a little sillier than some of Abercrombie’s previous novels, although the author uses this extra layer of ridiculous energy to full effect to tell an extremely addictive story.

As you would expect from Abercrombie, the intense action sequences are a highlight of The Devils, with the many brutal sequences coming to life thanks to the author’s great descriptive style. There was a certain casualness to some of the fights, especially those featuring the plot’s more dangerous killers, and which was enhanced by the clever overall narration of the writing. I loved how Abercrombie set out all his scenes, with a lot of subtle humour revolving around cynical description of events, especially as the author provides some ironic results and meta commentary. This more subtle writing of events is counterbalanced by the over-the-top humour of the dialogue, especially when it comes to certain characters. A lot of the dialogue gets downright filthy at times, with some very adult discussions coming out in outrageous fashion. While this excessive crass language had the potential to distract from the story, I think that Abercrombie got the right balance, with the ridiculously rude dialogue fitting in well amongst the crazy events of the plot. While the combination of ugly events, adult humour and cooky carnage isn’t going to be everyone, I think most fantasy fans are going to have a ton of fun with it, especially as it plays into Abercrombie’s grimdark style. Throw in a clever alternative medieval Europe as the elaborate setting which will delight history buffs with the intricate differences, and The Devils was a very impressive read that perfectly plays the author’s strengths and talent for entertaining and dark fantasy fiction.

Fans of Abercrombie will know that the author specialises at making damaged and captivating characters to set his narratives around, and The Devils is no exception to this. The author introduces an amazing cast of complex and memorable characters in The Devils, and I love the very impressive storylines that emerge around them. This includes six separate perspective protagonists, two major supporting characters, and an array of interesting figures throughout Europe who play various roles in the outcome of the plot. Abercrombie does an excellent job of introducing and utilising this complex cast, with all the major characters getting their chance to shine in some impressive ways. While some of the characters in The Devils didn’t quite have the complexity of the protagonists from the First Law books, Abercrombie instead amps up the entertainment aspect of these figures, introducing several particularly hilarious, ridiculous and highly relatable monsters, each of whom added a great deal to the overall reading experience.

The first two characters I want to talk about are major perspective protagonists, Brother Diaz and the newly discovered princess, Alex. Despite neither being members of the titular devils, both have major roles in this book and are shaped by their experiences with the monstrous pawns of the church. Brother Diaz, a simple monk who is brought in to guide the devils, is initially shown to be a hapless and terrified figure, clearly out of his depth when it comes to the dangerous mission he has been entrusted with. Abercrombie has a lot of fun showcasing him as a useless social climber at the start of the novel, and he initially has more of a comedic role in the plot. However, as the story progresses, Diaz starts to gain a little confidence as he continues to survive, and you soon see flashes of the man he could be. Despite falling to temptation (repeatedly), Diaz ends up being quite a stalwart figure in the book, and I loved some of the scenes where he got to show off his intelligence (including one particularly entertaining legal battle). The way in which Abercrombie subtly added more and more depth to Diaz’s personality as the story continued was very impressive, and his growth as a character was a highlight of the book. The author also ensured that Diaz was one of the more relatable characters in The Devils, especially as he continuously makes mistakes, finds himself shaken by his fears and failings, yet continues to try to do the right thing.

Much like Diaz, the other non-devil perspective protagonist, Alex, is also shown to be an imperfect figure who finds themselves thrust into events outside of their control. Initially shown as a simple thief, Alex, or Princess Alexia Pyrogennetos, is ill prepared for the events before her, and is forced to rise to the occasion when she is declared long-lost royalty. Mostly shown as the book’s damsel in distress, Alex is generally scared and lacking confidence, especially as she knows she is not the princess everyone wants her to be. Like Diaz, Abercrombie writes Alex slowly rising to the occasion throughout course of The Devils’ plot, as she learns to fight back and become a leader. I really liked following Alex’s journey in The Devils, and while the journey to the character finding her self-confidence is a long and bloody affair featuring some good twists, it ended up being a powerful part of the book’s overarching narrative.

Outside of Alex and Diaz, a lot of time is also spent following the other perspective members of The Devils, including Balthazar, Sunny and Vigga, who are a necromancer, an elf and a werewolf respectively. These three characters are amazing, and I liked how well they played off each other and the rest of the cast with a great mixture of serious and more comedic elements. For example, Balthazar (or to introduce him properly, Balthazar Sham Ivan Draxi), is a highly arrogant figure who chafes at being captured and controlled by the church. Much of his story focuses on his many attempts to break the Papal binding compelling him to help Alex, while also dealing with the realisation that he is helpless against those he considers his lesser. Much of the entertainment around Balthazar is his complete lack of self-awareness or humility, especially within his own mind, and while there are times when it appears that he is going to become a better person, he usually returns to his old personality when he hits a wall. Sunny the elf, on the other hand, is a far more sensible character, who serves as the team’s shadow thanks to her ability to become invisible. Despite her nice and helpful personality, Sunny is shown as an alien creature, incapable of understanding the humans who generally hate and fear her. Imbued with a more subtle humour than her fellow devils, Sunny proves to be quite an interesting figure, especially when you examine her past and her dark experiences with humans. Probably one of the more likeable and selfless figures in the book, Sunny’s arc adds a lot to the overall story, especially through her unlikely romance angle, and Abercrombie clearly had fun writing the various scenes where she traipses around invisible.

One of the more memorable cast members of The Devils is Vigga, a former Viking raider who was cursed as a werewolf and then captured by the church. Crass, constantly controlled by her urges, incapable of self-restraint and particularly deadly, even when not a massive wolf, Vigga powers through the entirety of The Devils’ narrative, leaving a major impression whenever she appears. Featuring some of the more visceral and entertaining perspectives of the book, which includes a combination of hungry sequences from her wolf mind and her more entertaining insights as a human with no impulse control and an inability to focus on anything, Vigga is responsible for a large part of The Devils’ chaotic and outrageous tone, and the book would not be anywhere near as fun without her. However, as this is Abercrombie, there are quite a few darker moments in Vigga’s story, and you soon become absorbed with her attempts to pull together her fractured mind and control the monster within, especially when she gets close to her travelling companions. The dark depression that occasionally befalls her because of her uncontrolled actions adds some major drama to certain tragic parts of The Devils’ plot, and Vigga comes away as one of the more sympathetic, if scary, characters in the book.

While the above perspective characters are all particularly impressive, my favourite was the team’s resident knight, Jakob of Thorn. An old soldier cursed with immortality who has been fighting battles on behalf of the church and God for hundreds of years, Jakob is a tired and haggard figure bound by his many vows. Suffering from the degradation of his body due to age and the many injuries inflicted on him, Jakob is weariness personified as he attempts to deal with his pain, and the guilt from his long history of death and service to the church. Readers familiar with the author will know that Abercrombie specialises at writing tired old warriors who are sick of the death and destruction they cause, and Jakob of Thorn is one of his better ones (which is saying a lot). I loved all of Jakob’s scenes, especially as he doggedly continues to fight despite his pain, often providing some of the book’s best quotes and insights. Unsurprisingly, Abercrombie makes Jakob suffer a lot in this novel (what else would this sadistic author do with an immortal character?), and you learn a lot about his resolve and psyche as a result, especially as he knows he is the biggest monster of them all. I really think that Jakob’s grittier and more self-aware perspective chapters helped to balance out the more outrageous character arcs in The Devils, and he was a perfect addition to this outstanding narrative.

The final two major characters I want to highlight are Baron Rikard, an ancient vampire, and Baptiste, a rogue hired to keep the devils in check, who seems to have experience with every profession possible in Europe. Both these characters are excellent additions to the plot and manage to shine through, despite not being perspective characters. Indeed, I felt that their role in the book was enhanced by the readers not having direct insights about their motivations or actions, and instead you get to enjoy the mystery surrounding them as you see them through the eyes of the other characters. Baron Rikard, who serves as a fun, sarcastic figure who only helps when it suits him, proves to be a great inclusion in the plot, especially as his gentlemanly manners and demeaner makes him stand out amongst the other characters. While a ridiculously charming figure (especially when he starts talking about dumplings), you are initially given the impression that Rikard is another trapped monster keen to escape his binding. However, Abercrombie nicely turns this assumption on its head as the story continues, and I really enjoyed the character’s revealed motivation, especially as it shades all the character’s actions in a new light.

Baptiste, on the other hand, is a suave and entertaining figure whose impact on the book would be diminished if you got a deeper look at her thoughts, motivations or true history. I particularly enjoyed how well Baptiste served as a foil to Balthazar, and they had a great back and forth that helped to define them both. Throw in a range of other impressive supporting characters, including a barrage of outrageous or diabolical antagonists, and the cast of The Devils was something very special. I cannot emphasise enough just how much fun all these characters were, and their moving and complex arcs and interactions really helped to give some powerful meat to The Devils’ entertaining narrative. You really come away with some conflicted feelings for many of the protagonists, especially as none of your favourites have a truly happy ending, and it will be interesting to see what happens to the survivors in the future entries of the series. A special shoutout as well to the fun artwork depicting several of these characters in The Devils paperback, especially as the artist really captures how the author wrote these colourful protagonists.

While I did receive a physical copy of The Devils, I ended up listening to this novel on audiobook, which was a fantastic choice. Not only did the audiobook version allow for a fuller immersion in Abercrombie’s new fantasy universe and his crazy action sequences, but it also featured the superb voice of actor Steven Pacey. Pacey, who is one of my favourite audiobook narrators, previously lent his voice to the audiobook versions of Abercrombie First Law novels, and he frankly does a perfect job of capturing the author’s unique tone and style. Abercrombie’s complex writing, witty dialogue and excessive humour really come to the fore when read out by Pacey, and the narrator’s tone and cadence in The Devils always perfectly matched the intended mood of the scenes, no matter how dark or over-the-top they became. Pacey also does some very entertaining and highly fitting voices for the key characters of The Devils, and it is amazing how well he captures all these outrageous figures. All the defining character details, including the timid nature of Brother Diaz, the arrogance of Balthazar, the pain and weariness of Jakob, the wry amusement of Baron Rikard, the unearthly nature of Sunny and the sheer wildness of Vigga are all amazingly highlighted by Pacey’s various voices, and really come to love the characters the way that Pacey reads them out. Thanks to Pacey’s brilliant acting and evident love for the content, this was an incredible listen, and I really cannot emphasise enough just how effectively he narrated this crazy story. I flew through the books lengthy, 25-hour runtime due to this brilliant narration and epic narrative, and I honestly don’t believe that anyone but Steven Pacey could make Abercrombie’s amazing novels come to life in the same way. An exceptional audiobook and one of the best things I have so far listened to in 2025.

With his trademark blend of chaos, fantastic humour and complex characters, Joe Abercrombie presents one of the very best books and audiobooks of 2025 with The Devils. A unique and very entertaining fantasy adventure novel, The Devils pushed everything to 11 and beyond, ensuring that you couldn’t turn away. An exceptional read from start to finish, I had so much fun with The Devils and I cannot wait to see how Abercrombie will continue this series in the future.

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Warhammer 40,000: The Emperor’s Finest by Sandy Mitchell

On June 2, 2025 By The Unseen LibraryIn Audiobook, Extended Universe, Science Fiction, Throwback Thursday, Tie-in Novel, Warhammer2 Comments

Publisher: Black Library (Audiobook – 7 December 2010)

Series: Ciaphas Cain – Book Seven

Length: 10 hours and 14 minutes

My Rating: 4.75 out of 5 stars

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Dive once again into the crazy adventures of the Warhammer 40,000 universe’s most undeserving hero, with the awesome Ciaphas Cain novel, The Emperor’s Finest by Sandy Mitchell.

I was recently in the mood for something familiar and fun to enjoy during a gap in my audiobook listening schedule, and the first thing that came to mind was another entry in the highly entertaining and addictive Ciaphas Cain series by Sandy Mitchell (a pseudonym of author Alex Stewart). One of my favourite Warhammer 40,000 series, the Ciaphas Cain books chronicle the adventures of the dashing and doubtful hero of the Imperium of Man, Commissar Ciaphas Cain, a man who sensibly seeks to avoid the many, many terrifying dangers of the Warhammer 40,000 universe, but who constantly finds himself dragged into the deadliest of situations, often because of his vastly inflated legend. I have had a wonderful time making my way through the series, with books like For the Emperor, Caves of Ice, The Traitor’s Hand, Death or Glory, Duty Calls and Cain’s Last Stand, proving to be extremely compelling and highly entertaining. As such, I knew well in advance of reading The Emperor’s Finest that I was going to have a brilliant time with it, and Mitchell did not disappoint. The seventh entry in this outstanding series, The Emperor’s Finest, had an outrageous and fantastic plot behind it that throws you into the action right away.

A dangerous and terrible foe stalks several human worlds in the galaxy, and only one man is unlucky enough to face it: Commissar Ciaphas Cain. Despite being relatively early in his illustrious career, Cain has already gained a reputation for heroics and bravery, a combination that conspires to get the Commissar into far more trouble than he wants. However, one of his most dangerous adventures occurs when he is surrounded by the finest warriors humanity has to defend them.

Rescued from an exploding Necron ship, Cain finds himself in the care of Space Marines of the Reclaimers chapter and soon becomes their Imperial Guard liaison as part of a new campaign. Assigned to supress a civil war on the important agricultural world of Viridia, the Reclaimers are keen to engage the enemy, and Cain finds himself reluctantly dragged in their wake, forced to once again play the rousing hero and bring the loyalists of Viridia into line. However, as the Reclaimers begin their bloody work, it soon becomes apparent that the traitors of Viridia are far more deadly than expected, when a nefarious genestealer cult is revealed at the heart of the warring factions.

As the Space Marines engage the genestealers, the defenders of Viridia determine that they must have snuck into the system when a massive, drifting space hulk briefly appeared. Determined to eradicate the source of this unholy threat to the Imperium, the Reclaimers lead an ambitious expedition into the warp to track down the space hulk and obtain its secrets, and Cain is naturally required to follow along. With murderous genestealers and ravaging orks in front of him, and the far more terrifying threat of an ambitious husband-seeking noblewoman at his back, Cain and his trusty aide, Jurgen, are flung once again into the fray and must find a way to extricate themselves from the new dangers all around them. But if anyone can survive the oncoming terrors of the space hulk, it’s the soon to be legend of the Imperium.

Sandy Mitchell continues to delightfully show just how ridiculous and entertaining the Warhammer 40,000 universe can be with this outstanding entry in his Ciaphas Cain series. Featuring an intense plot loaded with some fantastic characters, The Emperor’s Finest takes Cain on a grand adventure filled with action, questionable heroics, and boundless fun.

As with the rest of the books in the Ciaphas Cain series, The Emperor’s Finest features a brilliant and highly entertaining story loaded with funny coincidences, complex characters and highly dangerous situations. Following on from the immediate aftermath of the Ciaphas Cain short story, Echoes of the Tomb, the initial story sees Cain once again thrust into danger, this time supporting the Reclaimers’ attempts to wipe out a genestealer-led revolution on the planet of Viridia. This first part of The Emperor’s Finest is a somewhat typical Ciaphas Cain narrative, with the reluctant Cain dragged into a dangerous situation thanks to his own inflated reputation. This ensures a ton of excellent action and over-the-top scenarios, as Cain jumps from danger to danger, with many of his decisions to avoid trouble resulting in him finding an even worse scenario. Mitchell enhances this fun by also forcing Cain to contend with supporting character, Mira DuPanya, whose entertaining exploits, foppish nature, aristocratic arrogance, and determination to stick with Cain leads to some great moments, including an unlikely romantic subplot with the protagonist.

While this was a great introduction, the plot focus of The Emperor’s Finest changes about a third of the way through into a space adventure, when the Reclaimers set out to find and cleanse the space hulk that initially corrupted Viridia, and Cain is dragged along. This allows for some excellent space adventures, especially when Cain and the Space Marines burst out into ork space, resulting in a great boarding action sequence. Mitchell really leans into some fun interpersonal clashes between the book’s three main characters here, especially as Cain and the always dependable Jurgen find themselves at their wits end with Mira, who continues to be a real highlight of the plot. All this leads to the excellent final third of The Emperor’s Finest, which sees Cain and Jurgen trapped alone aboard the space hulk, facing off against genestealers and orks. A frenetic and fast-paced extended sequence, the space hulk scenes feature some of the book’s best action, and it was fun to see Cain and Jurgen working as an effective team to achieve Cain’s goal of not dying. Mitchell plunks in some really awesome, fast-paced sequences here, and the reader is left hanging on until the end as they wait to see how Cain escapes this time. Everything wraps up with some final fun moments, with Cain once again coming out on top through happy accident, and I was thoroughly entertained with how the self-contained storylines around Mira came to an end.

Unsurprisingly, Mitchell continued to utilise the same writing style that made the rest of the Ciaphas Cain series so entertaining, with the main narrative primarily told in a journal format, written by an older Cain. Filled with self-deprecating humour and his own narrow insights into events, the novel paints a rather compelling and frank picture of events, which Mitchell ensures is loaded with action, adventure, and a certain level of ridiculousness. This main narration is cleverly interspersed with entertaining footnotes, commentary and in-universe texts provided by the account’s editor, Inquisitor Amberly Vail, which ensures that the story becomes even more cynical and humorous, abet with some excellent additional insights into the Warhammer 40,000 universe. I personally found The Emperor’s Finest to be one of the funnier Ciaphas Cian novels, and I chuckled my way through several scenes, especially those where Cain’s greatest threat proves to be an ambitious and heavily armed love interest. I really love Mitchell’s great writing style for these books, which are honestly some of the more light-hearted entries in the larger Warhammer 40,000 canon, and I felt that it helped to turn the already awesome action story of The Emperor’s Finest into a truly entertaining narrative. While the overall general adventure narrative is relatively basic, especially after some of the preceding books that had a little more depth, this was still a great read, and those in the mood for comedy, action and amusing characters in the always grim dark Warhammer 40,000 universe are going to have fun with this seventh Ciaphas Cain book.

As with the rest of the series, The Emperor’s Finest works extremely well as a standalone novel, with no prior knowledge of the rest of the Ciaphas Cain series needed to enjoy this cool narrative. Indeed, as The Emperor’s Finest is set relatively early in the character’s personal chronology, only a couple of the previous books are referenced or mentioned, although the short story, Echoes of the Tomb, set directly before the events of this novel, is discussed a few times. As such, The Emperor’s Children could potentially be used as a good entry point into the larger series, especially as you get some great comedic moments and interactions in this book. While The Emperor’s Finest does suffer from some repetition issues due to Mitchell reusing some phrases, descriptions and broad story arcs, I feel that there were enough unique elements in this book to make it stand out from the rest of the series. This includes the inclusion of Space Marines characters for the first time in a Ciaphas Cain book, as well as the inclusion of some fun new supporting figures who add a lot of humour to the plot. As such, I felt that The Emperor’s Finest was an outstanding addition to the overall series, and one that will appeal to both new readers and established fans of the series.

An always amazing highlight of the Ciaphas Cain novels are the great characters, and The Emperor’s Finest is an excellent example of this, featuring a fun cast of outrageous figures. This includes protagonist and main point-of-view character, Commissar Ciaphas Cain, who is a particularly complex figure in the Warhammer 40,000 canon. Always described by the protagonist himself as a coward and a false hero, Cain spends most of the book trying to come up with ways to avoid combat and survive the inevitable danger his reputation and own bad lack force him to participate in. Written in a very cynical and self-deprecating manner, Mitchell always tries to emulate classic figures like Flashman or Blackadder with his depictions of Cain. However, despite Cain’s own constant assurances that he is no hero, he often proves to be quite a skilled fighter and leader, routinely defeating the enemy through clever strategies or natural talents, and you soon figure out that the character is actually a good Commissar, even if he doesn’t believe it. As such, Cain is a brilliantly contrary character, and it always fun to see him in action, especially in these earlier adventures where even he isn’t sure whether he’s brave or a hero. Throw in the protagonist’s usual witty humour, sarcastic comments and overall cynical nature, which throws some entertaining shade on the entire Warhammer 40,000 universe, and Cain is a brilliant and surprisingly likeable central character that is so much fun to follow.

Aside from Cain, The Emperor’s Finest features some excellent supporting characters, including some recurring figures from the main series. This includes Cain’s faithful aide Jurgen, a seemingly gormless and thoroughly unsanitary soldier, who is also an effective and lethal sidekick and in many ways is the true hero of the series. While some elements of his nature are hidden due to this book being set early in the series’ timeline, Jurgen still has several moments to shine in The Emperor’s Finest, and I love how well he plays off Cian. Another great recurring figure is Inquisitor Amberly Vail, who serves the essential role as the overarching narrator of the book as well as the person behind the footnotes. Despite not physically appearing as a character in The Emperor’s Finest, Vail’s impact on the overarching book is undeniable, and I love hearing her commentary on Cain’s exploits while also calling out all his lies and mistakes. Mitchell also features several stoic Space Marine characters, whose surly presence adds some interesting colour to proceedings, and whose apparently inability to see through Cain is quite amusing.

While Jurgen and Vail are great in their roles as always, I think that new character Mira DuPanya honestly stole the show in The Emperor’s Finest. The spoiled daughter of Viridia’s governor, Mira is shown to be an early thorn in Cain’s side as she decides to accompany him into battle with her troops, despite being unqualified to lead anyone. The early conflict between the two quickly turns into an unconventional romance, which Cain humorously regrets the entire way through, especially when Mira’s true intentions are revealed. Mitchell honestly did a masterful job of portraying Mira in the most spoiled and foppish light, and for once Cain isn’t the most selfish character in the plot. The hilarious interactions that occur between Mira and several of the recurring cast is often comedic gold, and I felt that this character’s presence alone helped to make The Emperor’s Finest one of the funnier books in the series. An overall amazing cast of characters that I couldn’t get enough of.

I almost don’t need to say it at this point, but I of course checked out The Emperor’s Finest on audiobook, which frankly is the very best way to enjoy a Ciaphas Cain/Warhammer 40,000 novel. Once again featuring an impressive cast of entertaining narrators, The Emperor’s Finest had a brisk run time of just over 10 hours, which I honestly flew through because I was having such a fun time with this audiobook. The multiple narrators really help to capture the entertaining and crazy nature of the narrative, with Stephen Perring doing his usual exceptional job leading the narration. His voice work in the main story, as told from Cain’s perspective, is very entertaining, and I love the extremely fitting voices that once again accompany the recurring protagonists of Cain and Jurgen, with Jurgen’s sticky tones being particularly fun. Thanks to its compelling cast, Perring also had some additional interesting voices to feature in The Emperor’s Children, including a group of Space Marines, who Perring gives an appropriately intimidating and booming voice. However, Perring’s most entertaining, if ridiculous voice, belonged to Cain’s new love interest, Mira, upon whom Perring bestows a very grating and overly aristocratic voice, that really fits the spoiled princess persona the character had. I honestly chuckled my way through some of the outrageous dialogue between the two, especially with Perring’s tones making them even more ridiculous.

In addition to Perring, the voice cast of The Emperor’s Finest also features the returning Penelope Rawlins, as well as additional narrators Andrew James Spooner and Helen McAlphine. Rawlins once again does an amazing job voicing Inquisitor Vail’s notes on Cain’s account of this mission, and I loved the sarcastic yet informative tone that Rawlins has long attributed to this compelling figure. Rawlins’s inclusions work perfectly alongside the main narration of Perring, and the way that her subtle and comedic comments are inserted into the flow of the story in this format is always extremely fun. Throw in some excellent work from Spooner and McAlphine, who bring the contextual articles, interviews and exerts from in-universe texts to life in an amusing and striking fashion, and The Emperor’s Finest once again features some outstanding narration that really enhances Mitchell’s already awesome story. I have so much love for how the Ciaphas Cain novels come across on audiobook, and The Emperor’s Finest once again shows why this is the very best way to enjoy this series.

Seven books in and the always fun Ciaphas Cain series remains one of the best Warhammer 40,000 series. Sandy Mitchell did an outstanding job continuing the series with The Emperor’s Finest, which provides even more great action, fantastic comedy, and amazing character interactions. An excellent and captivating read from start to finish, The Emperor’s Finest comes highly recommended, and I can’t wait to dive even further into the series when I get a chance.

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Four Ruined Realms by Mai Corland

On April 16, 2025 By The Unseen LibraryIn Audiobook, Fantasy11 Comments

Publisher: Recorded Books/Zaffe (Audiobook – 7 January 2025)

Series: The Broken Blades – Book Two

Length: 13 hours and 31 minutes

My Rating: 4.75 out of 5 stars

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One of the hottest fantasy sequels of 2025 is the impressive Four Ruined Realms by Mai Corland, that once again follows an entertaining band of killers and self-interested liars as they get drawn into dark events that threaten their entire world.

Last year I had the pleasure of reading the outstanding debut Five Broken Blades by Mai Corland. The first book in Corland’s Broken Blades trilogy and one of my favourite debuts of 2024, Five Broken Blades was an impressive fantasy novel with some great Korean aesthetics that followed five deadly killers who are recruited to kill the king of Yusan and steal the magical crown that makes him invulnerable. However, their planned assassination and heist becomes complicated by secrets, treachery and the fact that each member of the group had hidden motivations for being there. Corland provided a pretty wonderful story for this first book, loaded with betrayals, lies and compelling character-driven perspective chapters, and I loved the great twist at the end that saw the protagonists captured and forced to engage in a new heist. As such, I have been eagerly awaiting the sequel since last year, especially as I couldn’t wait to see how Four Ruined Realms resolved the awesome cliffhanger Corland left the first book on.

The group known as the Blades are five of the best killers, liars and thieves in the kingdom of Yusan. Made up of a master spy, a beautiful poison-maiden, a murderous banished prince, a lethal thug and a mysterious thief, the Blades were hired to pull off an impossible task: kill Yusan’s God King Joon and steal his crown. Each of the killers had a reason for becoming involved with the plot, as well as their own dark secrets that drove them onwards. However, all of them underestimated Joon’s manipulations and greed, as the entire job was a ploy from the King to bring them together and evaluate their skills.

Captured and forced by bribes and threats to accept a new mission, the Blades now find themselves journeying to the neighbouring nation of Khitan, which has long resisted the armies of Yusan. Ruled over by Joon’s vengeful sister, Quilimar, Khitan remains free thanks to the power of the Golden Ring of the Dragon Lord, one of five legendary magical treasures gifted to the ruling houses of the rival realms. Determined to possess all the treasures, Joon gives the Blades one month to steal the ring and return it to him. If they succeed, they will have everything they desire, but if they fail, then they and everyone they love will be killed.

Arriving in Khitan, the Blades find dangerous enemies all around, an impossible theft before them and their once cohesive group fractured thanks to their uncovered lies. But even with their conflicting motivations and secrets out in the open, these killers can all agree on one thing: King Joon is their true enemy. Determined to fight back, the Blades embark on a mission to gain an audience with Quilimar and find a way to use Khitan’s resources to defeat Joon. However, there is a darker conspiracy at play within the borders of Khitan, and the Blades have once again underestimated the lengths their enemies will go to win. Worse, each of the band still has secrets, and soon a new set of lies will tear them apart from within.

Four Ruined Realms was another exceptional fantasy novel from Corland that effortlessly drags you in with its fun action, compelling story, doomed romances and outstanding and damaged protagonists. Perfectly telling a massive, multi-character narrative, Four Ruined Realms was a very worthy sequel to Five Broken Blades that proved very hard to put down.

Corland set forth another complex and emotionally charged narrative in Four Ruined Realms, and I loved how well she continued after the cool cliffhanger ending of the first book. Taking place right in the aftermath of the betrayals and lies of Five Broken Blades, Four Ruined Realms begins just as the Blades arrive in Khitan and are forced to work together to survive and secure the prize, despite the complete lack of trust and the anger brought about by their revealed secrets. Corland works a lot of great character development into these early chapters, as the book flits between the protagonists and showcases their respective mindsets. There is a good blend of early planning, espionage, and personal issues, as the protagonists try to work together, while also maintaining additional secrets that they know will tear the group apart. The first part of the book features some very fun sequences, especially when the male protagonists depart on an expedition for knowledge, while the girls attend a party that ends in turmoil. At the same time, there are hints of a bigger conspiracy beneath the surface of the new realm they are in, and Corland provides some interesting clues that perfectly come into play later.

As Four Ruined Realms continues, Corland enhances the book by including more chapters from the perspective of returning protagonist Tiyung. Tiyung, while a perspective character in Five Broken Blades, only had a relatively minor point-of-view role, so it was interesting to see him as more of an equal protagonist in the sequel. His storyline of being stuck in a notorious prison back in Yusan proved to be particularly compelling, especially as he gets to interact with two of the book’s best supporting characters. Tiyung’s storyline blends well with that of the main protagonists, and thanks to the simultaneous timeline, you get to see him react to the events occurring over in Khitan and find out secrets that have potential impacts on how the Blades succeed in their task.

The second half of the book primarily details the Blades’ attempts to learn more about Khitan and find a way to get an audience with its queen. Their plans to achieve this see them once again split up into dramatic groupings, and you get some interesting adventures and interactions as a result, especially as all the powerful emotions come to the surface. It also perfectly sets up the final massive sequence of Four Ruined Realms, which really delivered in both action and tragedy. While I don’t want to spoil too much, readers will come away from this novel pretty heartbroken, and there are some very intense moments going on in the last third of the book. Combined with a series of final reveals and twists, all of which are nicely foreshadowed by earlier subtle inclusions from the author, you come away from Four Ruined Realms both moved and extra excited to see how the series is going to come to an end.

As with the first book in the series, Corland sets Four Ruined Realms out in a fantastic manner, and I deeply enjoyed how the complex narrative came across. The use of six separate perspective characters was a major highlight as it allowed for a multi-layered narrative with a focus on character development and interactions. The author did an outstanding job of balancing the different perspectives, with all the protagonists getting their chance to shine in their respective chapters, and even the increased use of Tiyung didn’t throw this out of whack. Indeed, Tiyung’s chapters honestly pulled the other perspectives together into a tight and captivating overarching narrative, as the inclusion of an outsider character viewing events from afar increased the complexity of the plot.

The author makes full use of the book’s alternating viewpoints to insert a lot of great story elements into the plot, so there is a little something for everyone here. The constant intrigue and danger that the protagonists found themselves in was well balanced by the author’s excellent worldbuilding, while the cool action scenes are guaranteed to get anyone’s blood pumping. There are also multiple romance subplots that none of the protagonists are immune to. While not a full-on romantasy novel, a good chunk of the book is focused on the complicated relationships that have formed between various protagonists, which will appeal to some readers, especially as the doomed nature of many of these romantic affairs leads to some excellent drama and heightened personal tensions. While there were a few more romantic subplots than I typically enjoy in a fantasy novel, I felt that Corland got the right equilibrium here, with the focus on relationships and failed love enhanced the main fantasy intrigue elements of the plot rather than distracting from them.

Four Ruined Realms proved to be a very worthy sequel to Five Broken Blades, and I really enjoyed how effectively the author continued her elaborate storylines and continued to build up her great characters. Corland uses this book to substantially expand the overarching setting of the series, including exploring a second realm and diving into the larger politics of the world. The primary new setting, Khitan, worked extremely well as a background to the story, especially as its history and inherent intrigue played nicely into the chaotic mission of the protagonists and the plots surrounding it. While I loved how the narrative continued in this sequel, readers should be warned that Four Ruined Realms isn’t necessary the best place to dive into the Broken Blades books, primarily because it is the second entry in a complex ongoing fantasy series. While Corland does a great job of recapping the key events of the first book throughout Four Ruined Realms to make it accessible to newcomers, readers should really start at the start of the trilogy as it will give you the full emotional impact, especially when it comes to the character arcs. Still, there is plenty for everyone to enjoy here, and I feel that Four Ruined Realms was a great book and sequel for readers new or returning.

As with the first book in this trilogy, the element that really ensures Four Ruined Realms stands out was its well-crafted main characters through whose eyes we see the narrative unfold. Corland brings back all six protagonists from the first novel, made up of Royo, Sora, Euyn, Mikail, Aeri and Tiyung, and features them as equal parts of the plot. After exploring their tragic backstories in Five Broken Blades, Corland spends this second novel diving into the drama and turmoil caused by the events of the first book, including the reveal of their darkest secrets and hidden motivations. This brings out a lot of mistrust, antagonism and broken romances, which works to create quite a turbulent and entertaining plot. I really appreciated how well each of these protagonists came through as a result, and it was fascinating to see their next set of secrets and hidden concerns, especially the deeper you get into their new mission.

Of the six, Royo, Mikail and Tiyung probably had the best arcs in Four Ruined Realms. Royo continues to be the loveable, tough street thug with a past, and his more straightforward approach to life and honest need for redemption are quite refreshing amongst the rest of the schemers in the group. Mikail, the dark spy master, proves to be the book’s ultimate badass, and his entertaining persona, complex backstory, and conflicted opinions about his love interest Euyn, ensure that he is one of the better perspectives in Four Ruined Realms, especially as he continues to mislead and lie to everyone. Tiyung, as I mentioned above, gets much more of a chance to shine in this sequel, and his transformation from spoiled rich kid to starving prisoner ensures you get a better look at his character. A genuinely good person, Tiyung continues to rise above his family legacy here, and his narrative of prison life and unexpected connections was a true highlight of the book.

The rest of the Four Ruined Realms protagonists also had some excellent moments, and I really appreciated their storylines. Euyn, the fugitive prince of Yusan, has a troubled time in this sequel, primarily as he has the most paranoia and mistrust after the events of the first book. This leads to a lot of conflict, and Euyn’s character growth from the first book starts to reverse in places as he seeks fights and alienates his allies. However, Corland works this conflict into an excellent overarching narrative for Euyn, with its resolution being a key part of the plot. I also felt that Sora, the beautiful and deadly poison-maiden, had a great arc in this sequel, especially as she loses her confidence and her killing edge, becoming the group’s conscience. The final protagonist, Aeri, is my least favourite, although she ties the central cast together nicely. The secret child of the main antagonist Joon and the group’s traitor in the first book, Aeri is the most mistrusted protagonist, despite being in the same boat as the rest of the Blades, and spends much of Four Ruined Realms trying to prove herself again. While her storyline is really interesting and an essential part of the overall plot, I still didn’t connect with Aeri. I’m not sure if this is because of how she is written, or because of the narrator assigned to Aeri’s chapters, but I feel that there is a huge disconnect between Aeri and the other protagonists which makes her not quite fit in, especially with her overly manic (and horny) personality. Still, she does have some great moments in Four Ruined Realms, and it will be very interesting to see where Aeri and her doomed romance ends up. Throw in an array of excellent supporting figures, including outstanding and ruthless antagonists, and this proves to be an amazing overall cast, whose layered roles and interactions helps to turn Four Ruined Realms into quite an exceptional read.

As with the first book in the series, I chose to listen to the audiobook version of Four Ruined Realms, especially after Five Broken Blades came across so epically on the format. Unsurprisingly, the sequel was just as impressive on audiobook with Four Ruined Realms also featuring talented narrators, Greg Chun, Zion Jang, Roger Yeh, Donald Chang, Jaine Ye and Sophie Oda, each of whom voiced the chapters of a particular character. These multiple narrators worked wonders to tell Four Ruined Realms’s elaborate character-driven story, and I loved how each of them inhabited the role of their respective protagonist. All the narrators really impressed me in Four Ruined Realms and thanks to the even spread of chapters between characters, they all got a chance to shine. There was a fantastic array of voices featured in each chapter, and we get to hear several differing tones for the same characters throughout the course of the audiobook. I will admit that the narration for Aeri’s chapters still didn’t quite seem to fit the tone of the rest of the audiobook, but the other chapters more than made up for it, and I really enjoyed some of the elaborate and varied voices that emerged. Featuring a 13-and-a-half-hour runtime, this was a quicker audiobook to get through than Five Broken Blades, and it ended up being a wonderful way to appreciate Corland’s fantastic story. As such, this format comes very highly recommended for Four Ruined realms, and I am currently planning to finish this series off on audiobook.

With even more betrayals, secrets and tragedy, Four Ruined Realms was another exceptional novel from Mai Corland, who is really starting to impress me as an author. An outstanding sequel to Five Broken Blades, Four Ruined Realms perfectly continues the trilogy’s captivating narrative, and you won’t be prepared for all the cool twists, turns and major moments. A brilliant and moving fantasy novel with some dramatic character moments, Four Ruined Realms was such a good book and I’m so very glad I continued this fantastic series. I cannot wait to see how this trilogy concludes, and luckily the final book, Three Shattered Souls, is out in July.

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A Death in Berlin by Simon Scarrow

On April 15, 2025 By The Unseen LibraryIn Historical Fiction, Murder Mystery3 Comments

Publisher: Headline (Trade Paperback – 11 March 2025)

Series: Berlin Wartime/Criminal Inspector Schenke Thriller – Book Three

Length: 385 pages

My Rating: 4.5 out of 5 stars

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One of the world’s leading historical fiction authors returns with another intriguing and captivating historical murder mystery with the outstanding read, A Death in Berlin.

I have made no bones about the fact that I am a major fan of historical fiction author Simon Scarrow, who has been diving into awesome scenarios from history for over 20 years. While I probably know him best from his outstanding Eagles of the Empire Roman historical fiction series (see my review for the latest entry, Revenge of Rome), Scarrow has also written some other amazing series, including his current ongoing Berlin Wartime Thriller novels. Set in Berlin towards the start of World War II, the series follows a studious and troubled police detective as he attempts to uphold justice in a city overrun with murderous Nazis. The first two books in this series, Blackout and Dead of Night, were both very impressive, and I have been eagerly awaiting this third novel in the series, A Death in Berlin, for some time.

Berlin, May 1940. As the German army prepares for its invasion of France and Western Europe, crime still roams the street of Berlin, and it falls to CI Horst Schenke and his investigative Kripo to keep order and maintain justice, a job made markedly harder by the dark policies of their Nazi overloads. Despite his own dislike of the Nazi regime, which grows increasingly suspicious of him, Schenke is determined to do his job, especially when it comes to the criminals controlling the streets.

Assigned to find the source of forged ration coupons that are disrupting the war effort, Schenke and his team find themselves investigating a growing gang war when a prominent black-market operator is gunned down in the dead of night. Convinced that the gangster’s murder is related to the forged coupons, Schenke leads the Kripo into investigating the criminal underworld that lies beneath Berlin.

However, this is no ordinary gang crime. A dark series of events have led to the death of their victim, and the Kripo investigators soon uncover a dangerous conspiracy to profit from the war. Worse, the gangster they are chasing are protected by powerful Nazi leaders, and Schenke must continue to walk a fine line in avoiding their attention. But when his enemies uncover his deepest secret, can Schenke survive with his honour intact, or will he need to make a dark deal to get what he wants?

A Death in Berlin was another excellent novel from Scarrow, who cleverly combines exciting crime fiction elements with a compelling historical setting. Clever, action-packed, and constantly moving, A Death in Berlin was an outstanding read, and I think this might be his best Berlin Wartime Thriller novel yet.

I really liked the cool story that Scarrow came up with for A Death in Berlin, especially as this latest novel features a complex narrative revolving around Berlin gangsters and crime wars. Starting off fast and getting into the heart of the case, readers soon become invested in finding out who was behind the killing of the gang leader and what impact it is having on the larger criminal underworld of Berlin in the leadup to the invasion of France. Thanks to an excellent early shootout, the stakes of the book become even higher, as the protagonist finds himself in the middle of a gang war, which he is forced to navigate to solve the main mystery of the book. Scarrow also continues to focus on the complex life of protagonist CI Horst Schenke, who constantly finds himself coming to the attention of his Nazi superiors, despite his dislike of the party and his secret romance with Ruth, a Jewish woman hiding out in Berlin.

Following this great initial setup, Scarrow takes the plot of A Death in Berlin in some outstanding directions, especially as there is quite a compelling mystery here, with multiple potential suspects and motivations for the murder, many of which lead to other alternate crimes investing the Nazi controlled city. Scarrow cleverly reveals the involved parties at key parts of the book, and while there aren’t too many surprises, it was very interesting to see how everything tied together. The final third of the book is probably the best, as the protagonist finds himself trapped by his own secrets and is forced to make compromises to keep those important to him safe. This leads to a massive and intense final confrontation, as the protagonist risks everything with some unlikely allies in a brilliant, action-packed set piece. The final revelations revealed during this climax brought the entire story together nicely, and I really appreciated how the tight and complex mystery was resolved. This was an overall fun and exciting narrative, and one that is quite easy to power through quickly, especially once you get caught up in the mystery.

Scarrow did an outstanding job pulling together A Death in Berlin, as the novel was a compelling and exciting read with a lot of awesome elements behind it. The author successfully blends an excellent murder mystery storyline around the intriguing historical elements of his series, showcasing the potential hurdles a police detective needed to face during the Nazi regime. At the same time, there is a fantastic emotional heart to A Death of Berlin, as the protagonist continues his ill-advised romance with Ruth, while also being forced to once again confront the dark side of the government he is wilfully working for. I felt that Scarrow perfectly balanced these elements throughout A Death in Berlin, and there is a little something for everyone here, including a ton of amazing action and firefights, as the protagonist attempts to bring down a dangerous collection of emboldened criminal gangs. As such, this is a very easy book to get into and follow, and while there are some references to the previous Berlin Wartime Thriller novels, for the most part A Death in Berlin acts as an accessible standalone novel, which allows for a wider audience.

For me, one of the more intriguing elements of A Death in Berlin was the author’s excellent examination of life in Berlin during the early days of World War II. Scarrow has always done an amazing job showcasing the uncertainty, fear and underlying issues of Berlin in the early days of the war in this series, and I enjoyed how he further outlined the tension involved with the pre-invasion of France. The overarching fear that certain members of the public have with the Nazi regime is still a key part of the plot, and while the protagonist isn’t as directly targeted by the Nazis as he was in previous books, he still has to play by their twisted rules, especially when invited to a party of the Nazi elite, where he meets some very high-level members. However, it was the focus on the criminal element infesting Berlin during these years that I found to be particularly fascinating, as Scarrow explores the potential scams, nightspots and other enterprises that would have been run in early wartime. While coupon forgeries have been mentioned in previous novels, it was fascinating to see the entire novel focussed on the control of this valuable wartime currency, and it resulted in some truly compelling scenes. Despite this being a more crime-fiction novel than a book examining hidden Nazi plots or killers, the influence of the Nazi government still plays a big role in the murder investigation elements of the book, especially as the protagonist and his colleagues must worry about high-level party members protecting the criminals. These elements proved to be an outstanding part of the book, and I really appreciated how well Scarrow worked it into the main plot of the book.

As with the rest of the series, Scarrow does some excellent character work in A Death in Berlin, bringing together a complex cast of characters to work the case, each of whom are dealing with their own issues associated with Nazi-controlled Germany. The most prominent of these is the protagonist and main point-of-view character, CI Horst Schenke, a former race car driver turned police investigator. While generally shown to be a studious and steadfast lawman, Schenke’s life has become even more complicated due to his growing dislike of the Nazis and his refusal to join the party, much to the displeasure of his superiors. It is fascinating to see the seemingly strait-laced Schenke walking the line between doing the right thing and surviving the Nazis, especially as he has fallen in love with the fiery Ruth, a Jewish woman who has managed to stay hidden in Berlin after the first purges. Many of Schenke’s more radical actions in this book are driven by his complicated relationship with Ruth, and you really grow attached to both characters, especially when their secret relationship causes great risk for them.

Other great characters A Death in Berlin include Schenke’s main police backup, Sergeant Hauser and former Gestapo agent Liebwitz. These two prove to be an excellent double act behind Schenke, as not only do the three form an effective crime fighting force, but they also showcase alternate viewpoints of Germany during this period. Hauser is a former World War I soldier and family man, who is the classic everyman figure who supports the Nazi regime. Despite this, he merely wants to support his country and has some doubts about the more extreme actions of Hitler. Liebwitz is a more unusual figure, who honestly steals the show in some ways. An exceedingly logical figure who has gravitated away from the Gestapo to be a police investigator, Liebwitz finds his life still bound by his Nazi training, despite the many flaws he sees in it, and he is well used as a compelling alternative point-of-view character. However, as with the previous book, the influence of Schenke and the investigation of crimes that show the true evils of the Nazis are slowly changing Liebwitz’s way of thinking, and it will be fascinating to see where Scarrow takes his character arc in the future. Throw in a series of entertaining and over-the-top Berlin criminals and the cast of A Death in Berlin is quite entertaining, and I really enjoyed how their complicated arcs impacted the overall narrative.

Simon Scarrow continues his outstanding Berlin Wartime Thriller series in a massive way with the captivating and impressive novel, A Death in Berlin. Combining a great crime fiction narrative with a clever historical background setting, A Death of Berlin proved quite addictive, and I had an incredible time getting through it.

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Warhammer 40,000: Interceptor City by Dan Abnett

On April 5, 2025July 8, 2025 By The Unseen LibraryIn Audiobook, Extended Universe, Five-Star Books, Science Fiction, Tie-in Novel, Warhammer8 Comments

Publisher: Black Library (Audiobook – 22 February 2025)

Series: Sabbat World Crusades/Warhammer 40,000

Length: 15 hours and 35 minutes

My Rating: 5 out of 5 stars

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Take to the skies once more as legendary Warhammer 40,000 author Dan Abnett presents another ambitious and rip-roaring novel of dogfights and explosive characters in the incredible novel, Interceptor City.

Dan Abnett is an author who I have mentioned multiple times in this blog, primarily because he is one of the best and most prolific writers of Warhammer fiction. Abnett’s impressive work is a substantial pillar of the extended Warhammer 40,000 universe, especially with his entries in the Horus Heresy range, as well as his own various unique series, several of which are amongst some of my very favourite pieces of Warhammer 40,000 fiction. This includes his outstanding Eisenhorn novels (Xenos, Malleus and Hereticus), his long-running Gaunt’s Ghosts books (First and Only, Ghostmaker, Necropolis, Honour Guard, The Guns of Tanith, Straight Silver and Sabbat Martyr), as well as gripping standalone titles like Titanicus. However, one of his very best books is the exceptional Double Eagle, for which Abnett has just released a sequel.

Double Eagle was an incredible novel first released in 2004 that sought to add a new, unique vantage point to the author’s Sabbat Worlds Crusade, the massive, multi-planet war served as a background the Gaunt’s Ghosts books. Double Eagle followed members of a regiment of fighter pilots as they sought to control the skies above the Sabbat Worlds. An intense, beautifully written, character-driven novel, Double Eagle got an easy five-star rating from me thanks to its outstanding and epic dogfights and examples of fighter-on-fighter combat. Double Eagle was easily one of the best Warhammer books I have ever read, and I was very excited to find out that Abnett was finally releasing a sequel.

The Emperor protects, the Aeronautica remembers!

It has been more than 20 years since the battle to save Enothis and the Sabbat Worlds Crusade continues to rage, with millions of soldiers from the Imperium of Man fighting and dying to claim the planets from the arch-enemies grasp. For some the crusade seems like a distant event, but for those on the scarred planet of Lysander, war is a daily occurrence, especially as the air forces of Chaos constantly seek to destroy the Imperial defenders with massive bomber flights. The latest front of this campaign is the ruined hive city of Vesperus, which the enemy is using as cover to launch bombing attacks where the Imperials least expect it. In response, the fighter pilots of the Aeronautica Imperialis have been ordered to secure the destroyed spires and massive building and turn Vesperus into a city of interceptors.

Into this precarious warzone flies former famed fighter pilot Bree Jagdea. No longer the heroic ace who led her squadron to victory on Enothis, Jagdea now only pilots cargo haulers, determined to stay out the fighting. However, an encounter with an old comrade leads her back into danger when she agrees to help the war effort by driving a needed replacement fighter to the Circus 66 squadron, currently serving in the ruins of Vesperus. Planning to leave immediately after dropping off her precious cargo, Jagdea instead finds herself conscripted to join the ranks of the squadron as they face overwhelming odds against massed opposition from the forces of Chaos.

With no way out of the fight, Jagdea must once again contend against opponents in the sky if she wants survive and escape this new hellish posting. However, this is not the air combat she is familiar with, instead the fighting in Vesperus is a cramped and deadly affair as their fighter aircraft must fight amongst the devastated and towering buildings of the Hive, where even the slightest error could result in death. Forced to adapt to the new urban conditions Jagdea attempts to bring out her former skills and talent to survive the enemy all around her. But with mysterious deaths haunting the squadron and the addictive thrill of danger once again luring her in, can Jagdea once again become a hero, or will she finally face her fate in the sky?

Well damn, now that’s how you do a sequel! Dan Abnett continues to showcase why he is one of the very best authors of Warhammer fiction with the exceptional Interceptor City. A particularly intense and captivating read that brings back one of Abnett’s best protagonists, Interceptor City was everything I hoped it would be, and more, as this novel simply blew me away. One of my new favourite Warhammer 40,000 novels, Interceptor City gets a very easy five-star rating from, and I love the unique direction Abnett took this long-awaited sequel.

I have so much love for the narrative in Interceptor City, especially as Abnett decided to provide something very special for this sequel. Abnett could have produced another open-skied flying story set right after the events of Double Eagle, and this probably would have been good enough to keep most Warhammer fans happy. Instead, the author decided to raise the stakes in a big way by producing a deep and intense character-driven novel that brings back and focusses solely on a traumatised and retired version of his previous novel’s protagonist 20 years after the events of the first book, and places them into an impossible combat situation amongst suffocating spires and devastated city blocks to produce some outstanding action.

Told exclusively from the point of view of protagonist Bree Jagdea, Interceptor City went in some very interesting directions that bring the reader quickly into the fray. Effectively setting up the unique situation on Lysander and Jagdea’s current emotional state, the story soon introduces some of the key supporting characters, before bringing Jagdea to the thick of the fighting in the devastated hive city of Vesperus. Forced by circumstances to once again fly in combat, Jagdea finds herself in a new craft alongside an insane group of pilots trying to survive against impossible odds. This results in the powerful main body of the plot as the traumatised Jagdea attempts to survive in an array of lethal fights amongst the massive, destroyed buildings of the Vesperus hive.

Abnett works in some incredible aerial sequences throughout Interceptor City, and you really become absorbed in the elaborate flying duels amongst the ruined buildings. There is a great character-driven story here as Jagdea remembers her old instincts and slowly adapts to the new flying conditions she is forced to fight in. At the same time as the brilliant action sequences, Jagdea also gets to know the other eccentric members of her new squadron, and there are some amazing character moments as she tries to understand their desperation, insanity and unique methods, while also trying to improve the survival rate of the less experienced pilots. The flying scenes get more intense as the plot continues, especially as Jagdea regains her confidence, and you begin to understand more of the squadron’s madnesses. There are some truly impressive story moments here, including a harrowing survival sequences and multiple complex aerial fights, that are cleverly worked together into one coherent and compelling plot. Thanks to a great subplot, the later part of the book has a darker edge of mystery that requires to protagonist to try and understand the deeper motivations of the supporting cast. While the solution of this mystery is somewhat obvious, it proves to be very well set up, and Abnett utilises it to masterfully increase the novel’s tension and stakes. Interceptor City ends on a dark but fun note, as Abnett bucks against the expected final confrontation and allows the protagonist to end events on her own terms in a very over-the-top fashion. This proved to be an extremely addictive narrative that really dives into the heart of the protagonist and provides some powerful and action-packed moments.

I loved this amazing Warhammer 40,000 novel, and I felt that Abnett presented it in such an impressive way. Cleverly settling in as a standalone novel amongst the author’s other Sabbat World Crusade books, Interceptor City features a somewhat different style from Double Eagle, which works to make this sequel stand out on its own. Rather than the extensive, multiple viewpoints that Double Eagle featured, Interceptor City is told exclusively from the perspective of the damaged protagonist Bree Jagdea. While this does mean that you don’t get the full-picture war story that made Double Eagle cool, it allowed Abnett to really dive into his impressive protagonist’s story and showcase her personality and emotional state. This ensured that this sequel was a particularly powerful and complex read, especially as Jagdea is a shadow of her former self after burning out as a pilot and crashing at her peak. Now back into the cockpit, Jagdea is forced to come to terms with her own fears and doubt, as well as try the legacy of her past actions. Abnett did an exceptional dive into Jagdea’s mind throughout Interceptor City, and he utilised the sole viewpoint to really explore her fears, hopes and the reasons behind her retirement. This proved to be quite exceptional, and while readers are advised to read Double Eagle first to see this protagonist at her flying peak, new readers can easily dive into Interceptor City and appreciate its powerful emotional heart. Throw in an over-the-top cast of eccentric pilots and killers with some additional complex and fascinating stories that the protagonist gets to know and trust, and Interceptor City has an impressive amount of character work that I found really fascinating. Abnett layers this was a very grimdark tone, which allows the reader to full appreciate the desperate situation the protagonists are, and readers come away with an intense and impressive appreciation for the story.

While the great writing and the impressive focus on the protagonist’s mind ensures Interceptor City had an amazing story, the true highlight of this book is the outstanding depictions of aerial combat. Abnett somehow managed to exceed his various impressive aerial sequences from Double Eagle in this sequel, and the resulting scenes of fighter-on-fight combat were so damn impressive, especially as the author describes them in exceptional detail. The change of scenery from open skies to cramped urban flight conditions was extremely smart, and it ensured that Interceptor City’s flight scenes really stood out. While the protagonist isn’t facing the overwhelming numbers of enemy fighters she encountered in Double Eagle, she is now forced to deal with small groups of skilled pilots amongst the wreckage of Vesperus, flying at impossible speed where even the slightest mistake could lead to death. This results in some extremely nerve-wracking and claustrophobic sequences, as the protagonist tries to simultaneously fight and survive the dangerous environment she is flying through. These fight sequences were so damn cool, and I loved how Abnett slowly improved the protagonist’s performance with each flight to reflect her growing confidence and mastery of the new location. It is honestly impossible to stop reading Interceptor City during any of these sequences, especially the massive high-stakes ones at the end, and I frankly could not believe how Abnett made the dogfights and flying scenes even more epic in this outstanding sequel.

As is my preference with all things Warhammer, I chose to check out Interceptor City on audiobook rather than seeking out a physical copy. Warhammer audiobooks are so damn good, and I love how well the elaborate and dangerous Warhammer 40,000 setting comes across when it is read out by a skilled narrator. Abnett’s Warhammer 40,000 novels are a great example of this, as his compelling character and intense, tailored action really comes across on audiobook, especially in the hands of one of my favourite narrators Toby Longworth. Longworth, who has lent his voice to most of Abnett’s books, really understands the best way to present the author’s fantastic narratives, and I love his cool take on all his Warhammer novels. This was particularly true with Interceptor City, as Longworth did a masterful job bringing this complex tale to life, moving the main plot along at a quick pace and ensuring the action sequences were as epic as possible. The passionate way he reads out the complex dogfights is just brilliant, and I found myself getting more and more drawn into these scenes as Longworth effortlessly vocalises every turn of the fighter and every lethal explosion in a tense and powerful manner. You really got a sense of the protagonist’s desperation and the claustrophobic flying conditions she experienced thanks to this narration, and I was honestly on the edge of my seat for some of these outstanding sequences. Throw in Longworth’s great array of compelling voices, which perfectly match the character they are assigned to, unique space accents and all, and the full impact of this amazing Warhammer 40,000 novel really comes out in the audiobook format. Coming in with a run time of 15 and a half hours, Interceptor City is an epic audiobook to get drawn into, and I powered through this format in no time at all. I actually wished it was a longer audiobook, it was that much fun, and as such I cannot recommend this format enough.

Dan Abnett was once again on fire with this exceptional and impossibly impressive Warhammer 40,000 novel. A worthy sequel with its own incredible narrative, Interceptor City was a blast from start to finish and I had such a great time getting through this ambitious read. Powerful, exciting, and loaded with some of the best Warhammer action sequences you are likely to read, Interceptor City comes highly recommended, and this might be one of my new favourite books. I cannot wait to see what awesome Warhammer 40,000 novel Abnett writes next, and I hope we don’t have to wait another 20 years to see a new aerial adventure from this amazing author.

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