Ripper by Shelley Burr

Ripper Cover

Publisher: Hachette Australian (Trade Paperback – 30 August 2023)

Series: PI Lane Holland – Book Two

Length: 344 pages

My Rating: 4.5 out of 5 stars

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Impressive rising Australian crime fiction star Shelley Burr follows up her amazing debut with the complex and addictive rural murder mystery, Ripper.

In 2022 I had the very great pleasure of reading Shelley Burr’s debut novel, Wake.  An awesome book that followed two compelling protagonists as they investigated an infamous missing persons case in a small Australian town, Wake really had me hooked from the get go.  Wake ended up being one of my favourite debuts and favourite pieces of Australian fiction in 2022, and I have been eager to see how Burr would follow that up for a while.  Burr did not disappoint, as she recently released an intriguing sequel, Ripper (also released as Murder Town).

Seventeen years ago, the small town of Rainier was rocked by a series of brutal killings that saw three people murdered and the infamous killer captured in a heroic effort by the police.  Thanks to these tragic events, Rainier is now known as an infamous murder town, with people far more interested in checking out the site of the Rainier Ripper’s trial of destruction rather than the town’s quaint charm and bush location.

Now, after years of neglect and changing economic times, Rainier is starting to financially fail.  The town’s only hope might be a dark tourism company that is eager to exploit Rainier’s infamous name.  However, when the tour operator is brutally killed in the same location as one of the Ripper’s victims, it opens old wounds and forces the locals, long traumatised by the events of that massacre, to uncover long buried secrets.

Gemma Guillory knows everything about the Rainier Ripper, especially as her teashop was the location of the original Ripper’s final killing.  When the new murder occurs, Gemma is brought back to her painful past and is determined to discover whether this new crime was done by a copycat or if the real Rainier Ripper escaped justice years before.  Receiving unlikely help from incarcerated investigator Lane Holland, Gemma begins to chip away at years of secrets and lies she didn’t even know surrounded her.  But is Gemma truly ready for the truth, especially as a dangerous killer is still hiding in town, waiting to kill again?

I really enjoyed Ripper and felt that it was a fantastic follow-up to Burr’s first novel.  I deeply appreciated the complex, moving and character driven murder mystery storyline at Ripper’s centre, especially as it forced its complex protagonist to simultaneously look at events in the past and current concerns.

The book starts off very strong, with a flashback to the original killings, followed by a good recap of the events that made Rainier infamous, and some excellent set up around the current day town, including the proposal to start a dark tourism company and some of the personal problems impacting the key locals.  Naturally, things get dark quickly, as a new body is found in the same location of one of the Rainier Ripper’s victims, and the population of Rainier, especially primary protagonist Gemma Guillory, is dragged back into their complex history.  The following story is very powerful, as the protagonist begins to dive back into her towns past to try and find the killer, which also forces her to look at those closest to her in a new light.  At the same time, the returning protagonist from Wake, imprisoned investigator Lane Holland, is tasked by his prison warden to interrogate the Rainier Ripper to determine if he has any additional information about the case.

Burr moves Ripper’s intriguing plot along at a quick pace, and I liked how complex and intricate the mystery soon became.  Solving the crime involves a great mixture of current intuitions about the key characters, memories of the past, and interrogations by Holland in prison.  The mystery branches off into some interesting places, and the protagonists need to do some emotionally charged digging to find out what really happened.  The resulting solutions to the mystery are very clever, and Burr did a wonderful job laying down subtle but effective clues throughout the main body of the book.  I really enjoyed how there wasn’t just one solution, but multiple secrets and reveals that had to come to light for the full truth to be revealed, and there was an outstanding domino effect of revelations and twists.  I cannot emphasise enough just how impressive this full range of reveals was, and Burr did a great job weaving together the solutions into one moving and complex narrative.

I think Burr hit the right blend of mystery, excitement and character storylines in Ripper, and the author ensured that everything moved along at an exciting and enjoyable clip.  I really enjoyed how much of the story relied on diving into the complex lives of the key Rainier residences, and the author balanced some interesting character storylines in both the present day and in the past.  This was especially true of main character Gemma Guillory, and her return to the past, coupled with revelations around the lies of her loved ones, added some powerful emotion to the story.  If I had one complaint, it would probably be that Burr worked a little too hard to insert Lane Holland into the plot.  While I do appreciate that Burr is trying to set up an ongoing series with Lane Holland as the connecting character, the plot of Ripper might have been a bit sleeker without him.  Still, it was fun getting a sequel to Wake and I’m very keen to see what exciting mysteries Burr cooks up in the future.

Ripper by Shelley Burr was another outstanding and compelling read from a talented, rising Australian author.  This second rural Australian murder mystery from Burr was extremely compelling and featured an intense narrative, loaded with great twists and complicated characters.  I had a brilliant time getting through Ripper and it was one of the top pieces of Australian crime fiction I read last year.

Murder Town (alternate Ripper) Cover

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Going Zero by Anthony McCarten

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Publisher: Harper/Macmillan (Ebook – 11 April 2023)

Series: Standalone

Length: 298 pages

My Rating: 4.5 out of 5 stars

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Acclaimed screenwriter and author Anthony McCarten presents a compelling and intense techno-thriller that shows readers the terrifying future of surveillance technology in the intriguing read, Going Zero.

It is a time of great expansion in the world’s spy technology as every country works to increase their internal and external surveillance capability.  To keep up with their rivals, the CIA have been convinced to partner with billionaire Silicon Valley tycoon Cy Baxter to create the ultimate surveillance program.  Known as FUSION, the new system will allow the government, through Baxter’s company, to find anyone in the country, no matter how hard they hide.

But before FUSION can officially go online and Baxter’s company can be awarded its massive, multi-billion-dollar contract, Baxter needs to prove that the system can deliver everything he promises.  To that end, the ultimate test is proposed, pitting 10 random Americans against the new technology.  At an appointed hour, all 10 participants will need to “Go Zero”, going completely off the grid and leaving their lives, families, and homes behind to hide as best they can.  If they can elude the company’s technology and capture teams for 30 days, then they receive $3 million in prize money.

As the participants each choose their own unique ways of vanishing off the face of the Earth, one stands out amongst the security experts, tech geniuses and law enforcement professions that have been recruited.  Boston librarian Kaitlyn Day was chosen to be an easy target, an everyday woman who could test the most basic bounds of the program.  However, she swiftly shows that she is far more skilled and versed in counter surveillance tactics than anyone expects.  As the test continues, Kaitlyn manages to counteract every trick FUSION has up its sleeve, and soon Baxter grows desperate trying to find her.  But as the test nears its end, it becomes clear that there is far more to Kaitlyn than meets the eye, especially as she has a very personal reason for playing this elaborate game.

This was an awesome and impressive novel from McCarten, who presents the reader with a fun scenario guaranteed to grab their attention.  Going Zero is an awesome book that I really got drawn into thanks to its compelling narrative and fast-paced style.  I actually managed to read this entire book in a day, as I got quite hooked on the story and just kept going, trying to see how everything ended and I really was not disappointed with how it turned out.

Going Zero’s story itself is great, as it plays out like a giant, technological game of cat and mouse throughout the United States.  It reminded me a lot of the reality show, Hunted, on steroids, with the facilitators, the CIA and Cy Baxter’s team, having access to every single surveillance feed and scrap of digital information they need to catch the players.  The first half of the book is primarily focused on this hunt, with most of the attention on both Kaitlyn Day and Baxter’s team as they hunt for her.  The author makes great use of short, sharp chapters to move the story along at a very quick pace, which also limits the reader’s desire to stop reading, as the end of the next chapter is always in sight.  McCarten sets the entire scenario up extremely well, and you are soon dragged into the intriguing middle of this over-the-top fugitive situation.  It is incredibly fun seeing Kaitlyn’s initial exploits, as well as the overarching reach of Baxter, whose insane control room put me in mind of the game masters in The Hunger Games film.  These two intriguing primary perspectives are often interspersed with quick interludes that show the other nine participants slowly getting hunted down by Baxter’s capture teams.  Each of their methods of hiding is unique to them and seeing them getting effortlessly capture serves as a rather compelling counterpoint to Kaitlyn’s own endeavours to avoid detection.  I really got caught up in this hunt scenario, which dominates the first half of the novel, mainly because it was so damn fun, intriguing, and a little terrifying to see the FUSION system in action.  While I would have been happy enough to read a lot more of this, McCarten introduces a rather good twist about halfway through that throws everything on its head.

Now, while the inclusion of a twist wasn’t too surprising, especially as the plot had been hinting like crazy that something was suspicious about the protagonist, the full extent of it is pretty damn epic, especially as it makes you rethink everything that occurred in the first half of the book.  McCarten had done a really good job of inserting subtle hints and clues into the preceding story, and the way they were dragged together was really clever.  This major twist changes the entire story around and moves it from a mostly harmless story about advanced hide and seek to an intense and personal thriller with some major national security ramifications.  The second half of the book goes into overdrive, especially as, after the twist, you are particularly attached to the protagonist and her potential victory, while the antagonist becomes easier to root against.  There is conspiracy, espionage and deeply personal attacks against the various characters, as everyone is suddenly trying to survive the changes that the protagonist brought on.  I deeply enjoyed where the story went at this point, and the resulting exciting scenes, which also included some more twists, continue to drag you in and ensure that that stick along for the ride.  The author provides a great, if highly cynical, ending for this entire narrative, and you come away feel satisfied, especially as it leaves the reader wanting more.  An overall impressive and addictive story that I had such a great time getting through.

Perhaps one of the most distinctive features of Going Zero was McCarten’s frank and often terrifying look at the state of surveillance technology in the world today.  The hunt for the 10 participants requires FUSION team to employ a ton of intriguing methods to find their prey, with the hunters mapping out their targets’ habits, history, and personal connections to find where they will likely go and who they will try to interact with.  Some crazy technology and methods are featured throughout the book and McCarten combines some clear research with some more imaginative approaches to reveal how the hunters were able to find the contestants.  While some of the elements were obviously enhanced for narrative purposes, the story does feature quite a few more realistic methods that honestly had me thinking about how much information I have on the grid (they’d catch me in less than 10 minutes).  This intriguing focus on how humans have become used to sharing their information and leaving themselves upon to tracking and exploitation becomes a key part of the plot as certain characters start to misuse this information for their own good.  McCarten also introduces a great counterpoint to this through Kaitlyn’s perspective, as her insights into the surveillance world provide some interesting contrast, especially when she starts turning the tables on the hunters and their technology.  The loss of privacy and anonymity ended up being a pretty big theme for this novel, and I think readers will come out with their eyes opened about just how easy it may be for governments or companies to track where you are or what you are doing (or thinking) in the future.

I really liked the fun blend of characters that McCarten featured throughout Going Zero, especially as thanks to the focus on privacy loss and personal investigation, you soon learn a lot about them.  The fun, if brief, snapshots into the nine other participants in the beta test added some great colour to the story, especially as McCarten had to quickly and comprehensively showcase who they were and how they think in order to show how FUSION caught them.  Cy Baxter, the brains behind FUSION, was a great figure within the story as well, as he ticked all the boxes of an egotistical billionaire and tech genius.  While he was initially shown to be an ambitious and eccentric figure who was attempting to introduce the system for the right reasons, the moment he gets some opposition you begin to see the real Cy Baxter under the surface, and it is not pretty.  Thanks to his ego and his own belief in his intelligence, Baxter keeps going further and further down the dark path to achieve his goals, and by the end of the book he proves to quite an effective and highly unlikable antagonist (with some great similarities to a certain real-life tech billionaire twit).

However, most of the best character work is reserved for main protagonist Kaitlyn Day, who had quite a fascinating arc throughout the book.  I loved the way that McCarten initially built her up as a typical librarian and a potential amateur without any real chance of succeeding.  However, it soon becomes clear that there is far more to Kaitlyn, especially as some of her earliest moves prove to be so infuriating to Baxter and the FUSION team.  McCarten drops some excellent hints throughout her storyline about her past which provide some potential clues about what is about to happen with her character, especially when combined with the research the antagonists do on her.  I really cannot emphasise how well McCarten set up the twist around Kaitlyn, and the full details of her life and motivations only further increase how much you start rooting for her.  There is some noticeable but relatable character change that occurs after the twist is revealed, and it was interesting to see how serious she was and how she managed to manipulate the system.  These characters, and more, helped to turn Going Zero into quite the excellent read, and I loved some of the intriguing figures that emerged.

Going Zero was an exceptional and captivating read that had me hooked from the very start.  Anthony McCarten’s unique scenario led to an exciting and highly fun story that proved near impossible to put down.  I powered through Going Zero in no time at all and this was one of the more entertaining books of 2023 for me so far.  An excellent and highly enjoyable read that has potential as a film, Going Zero comes highly recommended and is definitely worth checking out.

Going Zero Cover

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Throwback Thursday – Heroes in Crisis by Tom King and Clay Mann

Heroes in Crisis Cover

Publisher: DC Comics (Paperback – 1 October 2019)

Writer: Tom King

Artists: Clay Mann, Travis Moore, Lee Weeks, Mitch Gerads, Jorge Fornes

Colourists: Tomeu Morey, Arif Prianto, Mitch Gerads

Letterer: Clayton Cowles

Length: 234 pages

My Rating: 4 out of 5 stars

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Welcome back to my Throwback Thursday series, where I republish old reviews, review books I have read before or review older books I have only just had a chance to read.  For this latest Throwback Thursday article, I look at an interesting DC Comics crossover event from a couple of years ago, the deep and compelling Heroes in Crisis.

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Now I have to admit that I have been somewhat avoiding a lot of the recent DC crossover events, mainly because I think the universe is getting a bit too complicated, what with the multiple versions of characters and timelines.  However, I recently grabbed the Heroes in Crisis collected edition (containing all nine issues of the limited series), mostly because I had heard some conflicting reports about whether it was any good, and I thought that it would be worth seeing just what sort of comic it really was.  I was also drawn to this comic as I am major fan of Tom King and Clay Mann after the work they recently did on Batman, which featured some really cool and compelling storylines.  Heroes in Crisis turned out to be a rather fun and intriguing comic, especially as King came up with another fascinating narrative.

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After years of fighting and surviving against the very worst evils in the universe, even the greatest heroes will start to crack under the unreal pressures of their chosen lives.  Realising this and determined to help their fellow superheroes, the trinity of Superman, Batman and Wonder Woman designed Sanctuary.  Sanctuary is a hidden facility containing a cutting-edge artificial intelligence programmed to provide advanced therapy, support and counselling to any hero that needs it after harsh battles and traumatic events.  However, no sanctuary lasts forever, and after losing contact with the facility, Superman, Batman and Wonder Woman arrive to find Sanctuary in shambles and several patients brutally killed.  As the world’s superheroes reel from the deaths of friends and colleagues such as Roy Harper, Red Devil, Commander Steel, Poison Ivy and Wally West, their thoughts swiftly turn to justice.  But who is responsible for the killings, and could the culprit be one of their own?

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The answer may lie with the only two survivors of the Sanctuary massacre, the greatest hero you have never heard of, Booster Gold, and the mad clown princess, Harley Quinn.  However, Booster and Harley are both convinced that they saw the other commit the crime, and are now out to stop the other survivor by any means necessary.  As the heroes attempt to uncover the killer lurking amongst them, their world will be further turned upside down when the confessions and therapy sessions recorded at Sanctuary are leaked to the media, casting a new light on them.  Can the killer be caught before they strike again, or will this case irreparably damage the world’s greatest superheroes?  Whatever happens, the DC universe will never be the same again.

This was a very unique and fascinating crossover comic which contains some notable flaws, but is something that I quite enjoyed.  King, Mann, and their artistic team produced a clever comic that really dives into the minds of the collected heroes of the DC universe.  Featuring a great story, some powerful character moments and some impressive artwork, Heroes in Crisis turned out to be a fun and heartfelt comic that I had a wonderful time reading and which has really stuck in my mind.

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Heroes in Crisis has an intense and powerful character driven narrative that presents the reader with an interesting mystery, while also attempting to dive into the minds of some of the most iconic comic book characters out there.  I very much enjoyed the excellent premise that King came up with for this comic, especially as he starts the narrative off by showing several iconic heroes brutally killed around the Sanctuary within the first several pages.  At the same time, two of DC’s most unique and complex characters, Booster Gold and Harley Quinn, are fighting to the death, with both claiming that the other is responsible for the crimes.  This proves to be an excellent start to the comic which really drew me into the book, and which quickly leads into a compelling investigation angle with Booster, Harley and the DC Big Three (Superman, Batman and Wonder Woman) all working towards the same goal while also fighting amongst themselves.  At the same time, a mysterious opponent is manipulating events from the shadows, ensuring that the protagonists are distracted by the public revelations about their mental fragility.  All of this leads up to an interesting and heartfelt conclusion where the killer is finally revealed in an emotional confrontation.

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This was a rather intense and fast-paced narrative and it was clear that King was drawing a lot of inspiration from the iconic Identity Crisis crossover comic (another controversial comic that split the fan base, although I personally consider it a masterpiece).  However, unlike Identity Crisis, I think that Heroes in Crisis fell a little flat and I can see where a lot of the criticism surrounding it came from.  While this comic has a great start and the author sets up the whole mystery and characters perfectly, I felt that the ending had some major flaws to it.  The reveal of the killer, despite some hints throughout the story, is a bit of a letdown (admittedly, due to internet spoilers, I did know who it was in advance of reading this comic, but this didn’t massively impact my overall reaction).  While I could appreciate some of the motives surrounding the killer’s choices, especially as it ties into the psyche aspects of the comic, it was a bit of a weak choice that undermined an amazing and well-established character.  In addition, many aspects of the conclusion, such as the reveal, the killer’s motivations, and the eventual solution to some established problems, were unnecessarily complicated and required some major logic leaps.  I also did not quite get why King included a certain “bros before heroes” scene, as it proved to be a very odd inclusion for such a serious story.  While I did greatly enjoy the set-up, as well the impressive inclusion of flashbacks and character centric panels throughout the entire comic, this ending was a bit of a letdown that substantially affected how much I enjoyed Heroes in Crisis.

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While the flaws in the story were a little disappointing, I think that King’s excellent character work more than makes up for it.  As he has previously done with his recent run on Batman, King attempts to really dive into the heart of the characters featured within Heroes in Crisis, highlighting their complex psyches and personalities to help to draw the reader in.  I also quite liked how this comic focuses on a very unique selection of characters, including several of my personal favourites.  While much of the story follows the Big Three, with some additional inclusions from the Barry Allen Flash, the major focus of the comic is on the fun duo of Booster Gold and Harley Quinn.

Booster Gold, unconventional time traveller and the greatest hero you have never heard of, is a character I have a lot of love for, especially as he is usually shown to be a bungling hero trying to do the right thing.  Booster ends up being an excellent character in Heroes in Crisis as he desperately tries to understand who is responsible for the deaths at Sanctuary, especially as he is a suspect himself.  While much of Booster’s appearance is comical, there is a deeper sadness to him, both before the killings and after them.  King does a masterful job showing off Booster’s inner thoughts in some of his therapy sessions while also presenting him as a damaged person potentially capable of committing the murders.  I loved seeing Booster used so prominently in the comic and I hope we see more of him in the future.  The appearance of Booster also ensures that we get to see some of his robot companion, Skeets, who has a fun relationship with Booster, often pointing out the stupidity of several of his plans, such as telling the Flash that he may be responsible for Wally West’s death and not realising it would get him punched in the face.

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Heroes in Crisis also strongly features Harley Quinn, who DC have been heavily promoting recently.  Harley is her usual fun, chaotic self throughout Heroes in Crisis, although like Booster, deep down she is hurting.  King makes sure to explore the various damages that she still bears from her abusive relationship with the Joker, while also focusing on her current, relatively healthier relationship with Poison Ivy (who has a very lethal idea about therapy).  However, when Ivy is killed, Harley snaps a little and is determined to hunt down the person she thinks is responsible.  King does a great job showing off Harley’s unpredictability, humour and inner turmoil, and I liked how he presents her as a real threat, even to the likes of Superman and Batman.  Harley has a number of great moments throughout this comic, including a dangerous standoff, some great character development and some fantastic lines.  Harley also serves as a great foil to Booster, and when they are not trying to kill each other their conversations highlight their similarities, as both consider themselves failures in one way or another.  I deeply appreciated the use of Booster and Harley as key characters, and they were an outstanding focus of this comic.

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Heroes in Crisis also features a fantastic array of supporting characters, and the creative team takes full advantage of their story to bring back some great underutilised heroes.  I loved how King spent time exploring all the various characters who were massacred at the start of the novel, especially as he examines why they were there seeking help.  While there is an obvious focus on the more prominent heroes like Wally West and Poison Ivy, I had a lot of fun seeing characters like Lagoon Boy, Commander Steel and Gnarrk the Last Cro-Magnon.  King did a lot with these very minor DC characters, using a few short sequences to build them up as sympathetic and likeable characters, ensuring that the impact of their death was a little more significant to the reader.  The inclusion of Wally West was also mostly well done and I appreciated the exploration of all the trauma and pain he has gone through in the last few years (being written out of existence for a few years is a painful experience).  Batgirl and Blue Beetle (Ted Kord) also show up as supporting characters for Harley and Booster respectfully, and I quite enjoyed the examination of the unique relationships between these friends.  All of these characters really add a lot to the story and I very glad that King took the opportunity to explore and highlight how complex some of these DC heroes can be.

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While Heroes in Crisis has many good and bad qualities, without a doubt the best thing about it is the examination of traumatised heroes.  A large part of this comic’s narrative revolves around the fact that all the superheros in the DC universe are deeply traumatised or emotionally damaged because of their heroic careers, requiring them to seek treatment at Sanctuary.  While I know that some readers really disliked this portrayal of superheroes being emotionally and psychologically damaged, I personally felt that it was a clever inclusion from King that added a lot of realism to the DC universe.  Of course these heroes are going to be traumatised!  Most of them have been fighting crime or dealing with crazy people for most of their lives, experiencing innumerable tragedies and losses along the way, including dying and coming back to life multiple times.  It is honestly rather refreshing to see this acknowledged within the comics, and I deeply appreciated that King decided to feature it so prominently in Heroes in Crisis.

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One of the reasons that this psychological plotline works so well is because Heroes in Crisis features a ton of panels and scenes highlighting the heroes as they discuss their trauma.  Not only do you get glimpses at several AI assisted therapy sessions, some of which are quite intense (Lagoon Boy’s one hurts to read at times), but there are a ton of “confession” panels, which show the various heroes sitting in a special room discussing their pain to a camera.  These confession scenes are cleverly scattered throughout the comic and are worked into the story extremely well, showing the raw psyche of some of the comic’s major characters or murder suspects and providing possible motivations for their actions.  At the same time, they work to show the reader just how damaged some of your favourite heroes can be.  While there is a focus on characters who were part of the Sanctuary massacre, nearly every DC superhero makes an appearance at some point in Heroes in Crisis, talking about their pain and their sorrow.  King ensures that each of these confessions, even the single-panel ones, are really emotionally rich and moving, and you get some amazing feelings out of all of them.  Highlights for me include a great sequence with Batman lamenting the death of his sidekicks, and another one with Commander Steel, who is pretty damn traumatised by his experiences of dying, being reborn as a zombie, having his corpse mutilated, and then coming back again.  Booster, Harley and Wally West also have some very intense, story driven confessions which both moved the story along and helped to get to the roots of their issues.  I found these scenes of trauma, healing and emotions to be particularly well written and very powerful, and they are one of the main reasons I enjoyed this comic as much as I did.

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Another major highlight of Heroes in Crisis is the exceptional artwork by a massive collection of artists who banded together to produce some iconic and powerful pieces of art.  All of the scenes within this comic are very well drawn, and there is a real sense of movement, purpose and intensity in every panel.  I loved all the cool action sequences, and the artists really did not pull any punches when it came to highlighting the tragic deaths of so many different heroes.  Some of the best artwork, however, lies around the amazing and wonderful background and landscape shots throughout the comic.  There are so many fantastic shots that superimpose the characters in front of some beautiful settings, whether they be fields, sunsets or other pieces of nature.  These shots are not only visually impressive but they really add to the dramatic feel of the entire comic, especially as they remind you of the hope that so many of the damaged characters want to feel, but cannot, either because of the events of this comic or some pre-existing trauma.  The artistic team also has a lot of fun bringing to life a host of heroes from various periods of DC’s history, including some obscure characters we have not seen for a very long time.  While some of them were brought back only to die a painful death, it was great to see them again and the artwork surrounding them turned out to be superb.  I also deeply appreciated the artists’ ability to portray emotion and sorrow on the faces of each of the characters featured within Heroes in Crisis.  You get a real sense of the darkness and pain lying behind some of the characters’ eyes, especially in some unguarded moments, and it helps to enhance the emotion of the pages.  Overall, this was some impressive and memorable artwork that did a great job enhancing King’s intriguing tale.

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Heroes in Crisis was a very interesting and memorable comic which I had a great time reading.  While it does have some flaws, I think that the creative team behind it managed to create a very touching character driven narrative that succeeded in highlighting the vulnerabilities of several iconic DC superheroes.  I had an amazing time reading this comic and it is definitely worth checking out, especially if you are interested in exploring the damaged minds of some of your favourite heroes.

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Quick Review – The Imitator by Rebecca Starford

The Imitator Cover

Publisher: Allen & Unwin (Trade Paperback – 2 February 2021)

Series: Standalone

Length: 344 pages

My Rating: 4.25 out of 5

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Deception, divided loyalties and despair are all on offer in the debut novel of Australian writer Rebecca Starford, who presents a curious and captivating read with The Imitator.

Synopsis:

‘We trade in secrets here, Evelyn. There’s no shame in having a few of your own. Our only concern is for who might discover them.’

Out of place at boarding school, scholarship girl Evelyn Varley realises that the only way for her to fit in is to be like everyone else. She hides her true self and what she really thinks behind the manners and attitudes of those around her. By the time she graduates from Oxford University in 1939, ambitious and brilliant Evelyn has perfected her performance.

War is looming. Evelyn soon finds herself recruited to MI5, and the elite counterintelligence department of Bennett White, the enigmatic spy-runner. Recognising Evelyn’s mercurial potential, White schools her in observation and subterfuge and assigns her the dangerous task of infiltrating an underground group of Nazi sympathisers working to form an alliance with Germany.

But befriending people to betray them isn’t easy, no matter how dark their intent. Evelyn is drawn deeper into a duplicity of her own making, where truth and lies intertwine, and her increasing distrust of everyone, including herself, begins to test her better judgement. When a close friend becomes dangerously ensnared in her mission, Evelyn’s loyalty is pushed to breaking point, forcing her to make an impossible decision.

A powerfully insightful and luminous portrait of courage and loyalty, and the sacrifices made in their name.

This ended up being a fantastic and enjoyable read from Rebecca Starford, who has come up with a really intriguing and unique story.  Starford is an Australian writer who is probably best known for her work on the Kill Your Darlings magazine, as well as her non-fiction book Bad Behaviour, which chronicled the author’s life at an elite country boarding school.  The Imitator, which was also released under the title, An Unlikely Spy, is an impressive and captivating historical drama that follows a young woman who becomes involved with British espionage at the start of World War II. 

The Imitator has an interesting and surprising story to it which is guaranteed to grab the reader’s attention all the way up to its final shocking twist.  Told from the perspective of protagonist, Evelyn Varley, the story is split into two distinct periods, with some of plot set shortly after the end of World War II, while the rest follows the protagonist during the early days of the war.  Most of the narrative is set during the earlier time and examines the protagonist during this period, including her recruitment into MI5 and her eventual work investigating Nazi sympathisers.  This proves to be quite a fascinating narrative thread, and I really enjoyed the great blend of historical espionage and the compelling drama surrounding the character and her personal relationships.  I was particularly intrigued by the parts of the book that explored Evelyn’s attempts to infiltrate a major group of Nazi sympathisers, especially as she is forced to alter her personality to fit into the tight-knit group of fascists.  Starford also includes several chapters set after the war which show Evelyn dealing with the aftermath and her actions during the conflict.  These post-war sequences compliment the rest of the story extremely well, and hint at tragic consequences to what she did after she is contacted by people from her past.  However, readers are in for quite a shock, as these later sequences are shown to be a major bait and switch.  Instead of the conclusion that you would generally expect in one of these stories, Starford puts in a particularly major and dramatic twist which really changes the entire tone of the narrative.  This twist was a brilliant master stroke from the author, especially as it switches around the implications for the post-war chapters and shines a whole new light on everything.  I was really impressed with this amazing narrative, especially once you realise how the author set up the clever ending, and this was truly an awesome and memorable story.

One of the things that I really liked about The Imitator was the fantastic historical setting of London during the early period of World War II.  Starford did a great job of highlighting what life during this period would have been like, from the early actions of organisations such as MI5, to the feelings of the populace, most of whom were convinced that the war would be fought far away or would not happen at all.  I was also really impressed by the author’s examination and dramatization of several intriguing real-life historical events that occurred during this period.  The character of Evelyn Varley is based upon the real life of MI5 operative Joan Miller, who infiltrated a major Nazi sympathiser movement, known as the Right Club, in London back in 1939.  Many details about the Right Club are fitted into the book and used as the basis for the Nazi group the protagonist infiltrates.  While there are several name changes, the fictional group closely matches what actually happened with the Right Club and MI5’s mission to infiltrate it.  I felt that Staford did an amazing job exploring this group and the mission of Joan Miller, and it proved to be an exceptional and clever base to this awesome story.

I also must compliment the compelling and intriguing protagonist of this novel, Evelyn, who serves as the main point-of-view character for the story.  Evelyn is a complex individual with a number of features formed during her harsh early life at a prestigious private boarding school.  Thanks to her less affluent parents, Evelyn does not really fit in with the richer students and is soon forced to adopt a much different persona, which is helped by the relationship she forms with the family of her one friend at the school.  This ability to change her persona becomes particularly important later in life when she begins her career in espionage and must show a false side to herself to people she is trying to take down.  Starford has written a fantastically complex character here in Evelyn, and I really appreciated the way in which the author examines what events or personality traits a successful undercover spy might need to have.  I also liked the way in which we get to see the character at different parts of her life as the book progresses, such as her innocent pre-war life, her experiences as a seasoned infiltrator and her reflections as a damaged survivor.  These various periods of her life and the different personalities are very dramatic and intriguing, and I found it fascinating to see how the author envisioned her changing personality.  Starford also writes in an extremely good storyline around the protagonist’s twisted loyalties, which forces her to choose between the safety of her country and the people closest to her.  These conflicting loyalties and friendships take Eveyln in some dark places and I really must applaud the clever and powerful narrative that Starford constructed around this great character.

Overall, The Imitator by Rebecca Starford is an exceptional and captivating read that comes highly recommended.  I really enjoyed this fantastic book’s clever blend of historical fiction, espionage and dramatic storylines, and I had a wonderful time getting through all of The Imitator’s compelling twists and revelations.  An outstanding read that is guaranteed to stick in the mind long after you have finished reading it.

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