Usagi Yojimbo: Volume 35: Homecoming by Stan Sakai

Usagi Yojimbo - Homecoming

Publisher: IDW Publishing (Paperback – 13 April 2021)

Writer, Artist and Letterer: Stan Sakai

Colourist: Tom Luth

Series: Usagi Yojimbo – Volume 35

Length: 192 pages

My Rating: 5 out of 5 stars

It is that time of the year again when I absolutely gush about the latest volume of the epic and outstanding Usagi Yojimbo comic series by the infinity talented Stan Sakai.  This time I look at the 35th volume in this incredible long-running series, Homecoming, which presents the reader with a rich and emotional tale of regret and loyalty as Usagi returns home.

Anyone who has spent any amount of time reading my blog will already know of my deep love for the amazing Usagi Yojimbo series.  Following the adventures of the rabbit ronin Miyamoto Usagi, this series is set in an alternate version of Feudal Japan populated by anthropomorphic animals, and features incredible stories about samurais and honour.  Homecoming, which contains issues #8-14 of the IDW run on the Usagi Yojimbo series, is the second volume printed completely in colour, and features the work of colourist Tom Luth in addition to Sakai’s writing and drawing.  This latest volume follows on shortly after the events of previous volume, Bunraku and Other Stories, and continues three intense and powerful unique stories.

The first story in this volume is the two-issue entry TatamiTatami sees Usagi return to the lands of his former master, the late Lord Mifune, now ruled over by nefarious series villain, Lord Hikiji.  Journeying through a now hostile countryside, Usagi finds himself following an armed procession who are transporting high-quality tatami mats to the castle of one of Lord Hikiji’s rivals.  Usagi finds the caravan under attack by the Neko Ninja, who are determined to destroy the tatami.  When Usagi’s long-time ally and former Neko Ninja head, Chizu, appears, it soon becomes apparent that Hikiji has dispatched the ninja to destroy the tatami in order to damage his rival’s reputation.  Determined to defy Hikiji, Usagi and Chizu travel with the caravan to help guard the tatami from attack.  However, Chizu soon comes into conflict with her rival, Kagemaru, as they fight for leadership of their clan.  Can Usagi and Chizu disrupt the plans of Hikiji and Kagemaru, or will the dark lord continue to reign supreme?

Anyone who thinks it impossible to write a compelling story with death, politics and ninja around tatami mats has clearly never had the joy of reading one of Sakai’s stories before.  Throughout the Usagi Yojimbo series, Sakai has written some thrilling and intense stories around unique elements of Japanese culture, including seaweed farming, pottery making, sake brewing, and giant kite making, just to name a few.  This latest example, Tatami, is no exception to this, as Sakai crafts together a fascinating story that not only highlights the importance and prestige of tatami mats but which also perfectly ties into the wider Usagi Yojimbo universe.  Tatami starts strong, with a fantastic and exquisitely drawn sequence that shows the crafting process behind the tatami, from harvesting the reeds, to the lengthy weaving process.  The story then introduces Usagi to the narrative, also providing some key background for the main storyline in the Homecoming volume.  The action swiftly follows with the tatami caravan under attack from cunning ninja, and Usagi is convinced to help guard the tatami with the help of Chizu.  This all leads up to an epic night fight as Usagi and his allies face off against a horde of ninja.  This fight scene is particularly well drawn and features some great examples of sword play, a beautiful scene of fire and intensity as Usagi appears to stand alone in front of a swarm of ninja, and several massive explosions as the ninjas detonate black powder bombs.  This all leads up to a rather poignant finale, as Usagi suffers from a rare and moving defeat and people he respects are called upon to sacrifice everything for their samurai sense of honour.

In addition to the main story surrounding the tatami, there is also a rather interesting side-plot surrounding Chizu and her battle with Kagemaru for control of the Neko Ninja.  This has been a long-running conflict going back all the way to 11th volume, Seasons, and it was great to see some more progress on it, especially as it ties Tatami into some of the wider Usagi Yojimbo storylines.  This subplot proves to be pretty damn cool, as Chizu works to manipulate Kagemaru and her former followers, using the catspaw of Usagi and the other tatami guards.  This ends up in a fun ninja duel, as Chizu faces off against Kagemaru and another ninja, Kimi, above the plain where Usagi is fighting.  This is a fast-paced and deadly fight which makes use of several different ninja tricks and weapons, and which proves to be an exciting and cool addition to the plot.  There are a couple of intriguing, if slightly predictable, developments within this narrative, although it does hint that we are getting closer to a conclusion of this long-running Neko Ninja plot line.

The real highlight of the Chizu subplot, and indeed the entire story, is the outstanding epilogue where Kagemaru meets with Lord Hikiji’s main advisor, the giant serpent Lord Hebi.  While Kagemaru is initially expecting praise for his actions, it becomes apparent that Hebi and Hikiji are displeased that Chizu continues to disrupt their plans when Kagemaru is offered unique sake, brewed using poisonous serpents.  There is an incredible amount of menace in this entire sequence, especially once Hebi pours out the dead serpent from the sake, and then proceeds to eat in front of Kagemaru (nothing is more intimidating that some light cannibalism).  Hebi’s simple warning: “Do not ever fail us, Kagemaru,” is an amazing way to end this scene, and the mighty ninja leader is left absolutely shaken as he leaves Hebi’s presence.  This epilogue was perfectly written and drawn, and it proves to be an outstanding way to end this story arc, while also hinting that the Chizu-Kagemaru rivalry is about to heat up.  I absolutely loved this great first story, and Tatami proves to be an exceptional start to the entire volume.

The next story in this volume is the moving and intriguing Mon, which also follows Usagi’s travels through the land of his former lord, Mifune.  However, Usagi soon encounters much fear and resentment from the people he encounters, many of whom try to avoid his attention.  He soon discovers that they are shunning him because he still wears the mon (crest) of his former lord on his clothes, reminding people of the costly war that Mifune fought and lost against Lord Hikiji.  The tense situation gets even worse for Usagi when several Hikiji soldiers notice him and attempt to take their anger and resentment out on him, which does not go well for them.  Further, when a desperate innkeeper and former Mifune soldier works out who Usagi truly was, various ambitious Hikiji soldiers gather to claim the substantial bounty of Usagi’s head.

This was another fantastic entry, and one that proves to be rather touching and dramatic.  Sakai does a wonderful job setting up the main story around the Mifune mon and why it is currently feared and hated throughout his former lands.  The impeccably loyal Usagi is forced to deal with unexpected hatred and concern from those he encounters, which once again makes him think about the past with great regret and concern, especially as he continues to battle with his own conflicted loyalties about whether he should continue to serve a dead master.  There are several fantastic references to Usagi’s role in the war’s final battle, as shown in Volume 2: Samurai, and it was interesting that there is still fallout after all these years.  It was also great to learn more about mons and the importance that they can have to the people wearing them.  This is explored to a degree within the story itself, but Sakai also includes a detailed author note at the end of Mon which describes the history behind mons in general and their current role in Japanese society, while also discussing Usagi and the Sakai family mons.  I particularly liked the story surrounding the innkeeper, who, after years of desperation, finally loses his loyalty to the Mifune cause by informing on Usagi.  The final encounter between Usagi, the Hikiji troops and the bartender is also amazingly drawn, and the dramatic cliffhanger helps turn this into a pretty impressive story.

The final story in Homecoming is the powerful tale, The Return, which finds Usagi in the one place he has been trying to avoid the most, his old home village.  After the conclusion of Mon, Usagi washes up in his village and soon finds himself in the care of the love of his life, Mariko, and her husband, Kenichi.  As the usual feelings of regret, anger and resentment quickly grow between the childhood friends once more, Usagi finds himself forced into a far more serious conflict.  A cadre of former Mifune samurai have arrived in town and captured all the villagers.  Led by the fanatical Kato, these samurai seek vengeance for their lord and plan to destroy Hikiji’s influence and power by attacking an emissary of the Shogun as he travels through the village.  Torn between loyalty to his dead lord and the survival of his village, Usagi must work with Kenichi if there is any chance to save the people they love most in the world.

The Return is an exceptional and moving story which serves as the centrepiece and main entry of the Homecoming volume.  There is a lot going on in this final story, and Sakai manages to craft together an outstanding narrative that continues the dramatic and touching arc surrounding the failed love between Usagi and Mariko and the multiple complications accompanying it, and which also places Usagi and everyone he loves in great danger.  The Return continues immediately after the events of Mon, and Usagi is quickly engulfed in both the drama surrounding Mariko and Kenichi and the overall danger of the former Mifune samurai.  This soon results in a conflicted Usagi forced to bluff his way through the encounter in order to try and save his village from the samurai’s deadly revenge plot.  Working together with Mariko and Kenichi, Usagi’s plan eventually results in a bloody, extended battle against the invading samurai.  This proves to be a pretty epic and intense narrative, and Sakai really amped up the action and the stakes of the entire story by setting Usagi up against some of his former comrades.  There are so many great elements to this story, although you have to love the extended battle sequence at the end, especially once recurring characters Katsuichi and Jotaro make their appearance.  The final parts of this entire story are pretty touching, as the various characters say their goodbyes, and Sakai leaves this entire volume on an intriguing note, as for the first time it hints at another fencing master Usagi trained after, and which makes me eager for the next volume in this series.

The most intriguing elements of the entire story are the complex antagonists that are former comrades of Usagi who are willing to commit atrocities in the name of their dead lord.  For years, the former followers of the late Lord Mifune are seen in a bit of a tragic light, with most of them, especially Usagi, portrayed as extremely honourable men, much in the vein of their deceased lord.  As a result, it is extremely jarring to see former Mifune samurai engage in such vile actions, especially as they justify as part of their oaths to their lord: “A samurai cannot live under the same sky as the killer of his lord!”  There are some clear 47 Ronin inspirations here, with former samurai gathering after many years to achieve a final vengeance, even if this story is a little darker than the classic Japanese tale.  There are also some deep and compelling discussions about honour and loyalty throughout The Return, especially as Usagi is forced to balance his loyalty to his late lord against his own personal honour, feelings about his childhood village, and his own memories about Lord Mifune’s character.  The inevitable confrontation between Usagi and his former comrades is pretty harsh, and it was interesting to see a fight between two different groups of Mifune supporters who believe that their way is the right way.  I felt that the use of colour was particularly effective in The Return, as it made the final battle sequence really pop.  It was also very memorable to see Usagi face off against samurai dressed in the same Mifune clothes and colours that Usagi has worn in every comic.  Seeing a group of similarly coloured and clothed characters facing off against Usagi makes for a very different battle sequence, and it was really interesting to see.

Easily the thing I was most looking forward to in this volume was the emotional fireworks that would occur when Usagi eventually returned to his home village.  This has previously happened in two separate occasions, in Volume 1: The Ronin and Volume 6: Circles, both of which proved to be utterly heartbreaking.  Much of this revolves around the complicated love triangle between Usagi, who is still deeply in love with Mariko, who is married to his old rival, Kenichi.  While Mariko still has great feelings for Usagi, she is bound to Kenichi by her honour, and will not leave them, especially as it will shatter her whole family.  At the same time, Kenichi, who has always resented Usagi for his talent and luck, knows that Usagi and Mariko have feelings for each other, which breaks his heart, as he has also always loved Mariko.  All this is further complicated by the fact that Mariko and Kenichi’s son, Jotaro, is really Usagi’s child, who Kenichi willingly raised as his own son.  This has resulted in much conflict and despair amongst the three in the past, and it honestly does not take long for the anger and resentment to build up once more in The Return, especially as Kenichi is angry that Usagi encouraged Jotaro to seek out his old fencing master rather than go to the school Kenichi learned from.  While there are several great sequences where Usagi and Mariko once again display their unspoken love, much of the focus of The Return revolves around the intense rivalry between Usagi and Kenichi.  The story starts with their usual resentment and anger towards each other, but the two eventually start to work on their differences, especially as they prepare to save their villages.  There are several fun flashbacks to some of their adventures as children, which showed their early rivalries, as well as the two of them achieving great things together.  This comes to the fore as the story progresses, and the two are once again able to set aside their differences for the greater good.  This was an amazing thing to see, especially as they have been mostly antagonistic to each other throughout the entire series, and I liked how Sakai worked to resolve their conflict.  There were also several touching scenes between Jotaro and both of his fathers, which really represented one of the most important things the two former rivals have in common, and I loved that Sakai included Jotaro in this story.

There were some amazing moments in The Return, and I was deeply impressed with the incredible story that Sakai used as the centrepiece of this volume.  I really liked how Sakai successfully blended together so much action and intrigue with a powerful character-driven narrative, and I loved the cool examinations of honour and loyalty as a formerly bitter rivalry started to come to an end.  This final entry really delivered on all the potential of Homecoming and Sakai has done an exceptional job here crafting this story together.  I also really appreciated the way in which the other stories within Homecoming served as prequels to The Return, with key plot elements introduced in the earlier entries in the volume.  This was some extremely clever storytelling, and it really helps Homecoming to stand out as an exceptional and fantastic volume in this epic series.

As usual, the art of this Usagi Yojimbo comic was absolutely exquisite, and Sakai has worked his typical visual magic, creating several striking and powerful sequences throughout the entire volume.  In addition to some of the impressive action sequences and scenes I have mentioned above, Sakai produces some outstanding shots of the iconic Japanese landscape, with some incredible drawings of forests, mountains, towns and plains.  Each of these is pretty breathtaking, especially now that they are in colour, as the recently introduced colour work of Tom Luth really adds some new depth to the already awesome drawings.  I absolutely love the way in which Sakai matches his simple yet beautiful drawings with the complex storylines contained within Homecoming, and readers are in for a fantastic visual treat when they check this volume out.

Even after 35 outstanding volumes of the Usagi Yojimbo series, the amazing Stan Sakai continues to show why he is one of the best comic creators in the business with the incredible Homecoming.  Featuring several touching and powerful stories, which are backed up with some exceptional character work and stunning artwork, Homecoming is another superb collection of Usagi Yojimbo tales.  Fans of this long-running series are going to have an absolute blast reading this latest volume and it is very much worth checking out.

Usagi Yojimbo: Volume 34: Bunraku and Other Stories by Stan Sakai

Usagi Yojimbo Bunraku and Other Stories Cover

Publisher: IDW Publishing (Paperback – 21 April 2020)

Writer, Artist and Letterer: Stan Sakai

Colourist: Tom Luth

Series: Usagi Yojimbo – Book 34

Length: 178 pages

My Rating: 5 out of 5 stars

It is once again that wonderful time of the year when the brand-new volume of the ongoing comic series, Usagi Yojimbo, comes out. Legendary comic creator Stan Sakai returns with the 34th volume in this series, Bunraku and Other Stories, which contains four epic and entertaining stories taking place in the unique setting of a version of feudal Japan inhabited by anthropomorphic animals.

Usagi Yojimbo #1

Those who are familiar with my blog will know that I am a massive fan of the Usagi Yojimbo series, having read all of the comics that have been released, and this is easily one of my favourite series at the moment. I have been eagerly reading these comics for years, and since starting this blog I have been enjoying reviewing entries in the series, such as the prior two volumes, Mysteries and The Hidden (Mysteries was actually the first comic I ever reviewed on this blog), as well as some of the older volumes of the comic. As a result, I was extremely keen to get a copy of the new volume, and Bunraku and Other Stories was one of the top books I wanted to check out this autumn.

This latest volume is a rather special one, as it contains the first Usagi Yojimbo issues that Sakai has written for IDW Publishing. This series has been published by Dark Horse Comics since 1997, and their style was similar to that of the publisher before them, Fantagraphics Books. This move to IDW Publishing brings with it some very intriguing stylistic changes, namely that fact that each issue is now completely in colour. This is a massive departure from the previous entries in the series, each of which were originally released in black and white, and it brings the stories to life in a whole new manner. In order to do this, the series now employs a colourist, Tom Luth, who previously worked on Groo the Wanderer with Sakai. In addition, this latest volume is also physically different from all the previous volumes, as Bunraku and Other Stories is noticeably taller, which surprised me a bit when I saw it the first time, and which is seriously going to mess up aesthetics of my bookshelf. However, having the taller volume allows for slightly bigger panels than were typically featured in the previous Usagi Yojimbo stories, which I quite enjoyed.

Usagi Yojimbo #2

However, even with some of these physical changes, this is still the same old Usagi Yojimbo. Sakai has once again produced some outstanding and deeply enjoyable stories, equipped with his trademark art style and his fantastic and loveable characters. Bunraku and Other Stories contains Issues #1-7 of the new, IDW Publishing, run on the series, and is made up of four separate stories.

The first of these stories is titled Bunraku, and it is the main story of this entire volume, made up of the first three issues. In this story, Usagi is enjoying a bunraku, a traditional Japanese puppet play, when he encounters an old acquaintance, Sasuke, the Demon Queller. Sasuke’s endless hunt for demons and monsters has led him to the bunraku theatre, where he senses that a new evil has taken hold. Despite his reluctance to get involved in another one of Sasuke’s dangerous missions, Usagi agrees to help, especially after they find a corpse that has been supernaturally drained of its life energy. Together, Usagi and Sasuke find that a dangerous and malevolent being has infected the bunraku theatre, and they must do everything in their power to end it.

Usagi Yojimbo #3

Bunraku serves as an exciting and compelling first story in this volume, and I quite enjoyed its supernatural storyline. The Usagi Yojimbo series has a rich history of featuring Japan’s various supernatural monsters and demons in its narratives, and this is easily one of the better ones they have done. The antagonists of this story are rather creepy, and they serve as extremely deadly opponents to Usagi, who finds himself dramatically outclassed at several points throughout the story. I also liked the return of Sasuke, who has shown up in several supernatural storylines since his first appearance back in volume 14. Sasuke is a rather distinctive and intriguing character in this series, as he has dedicated his life to hunting and destroying demons and monsters, many of whom are opponents far beyond normal samurai like Usagi. Despite his tremendous magical powers, Sasuke often finds himself severely drained after each fight, but his drive to complete his mission spurs him on, despite how weary or physically weakened he becomes. Usagi and Sasuke have some interesting interactions throughout this story, as Usagi has become more wary of Sasuke after their last several encounters. Sasuke insists that Usagi helps him once again, and even guilts Usagi into working with him, which makes for a very unusual team dynamic. I thought it made sense that Usagi would be reluctant to get involved, as he or someone he loves has nearly died each time Sasuke has appeared so far. There was also a rather interesting moment when their antagonist asks Sasuke if Usagi was being groomed to replace him, a question that Sasuke does not provide an answer to, and which makes me think we will be seeing a lot more of this character in the future.

One of the more intriguing aspects of the story of Bunraku is the fascinating examination and depiction of the bunraku puppet shows. I always love it when Sakai highlights cool aspects of Japanese history, culture or industry in his stories, and this entry was really amazing. The whole concept of a life-size puppet theatre was really intriguing, and Sakai did a great job examining it, showing what sort of stories they produced and how elaborate their performances could be. This unique art form also turned out to be an awesome basis for this horror adventure story, and I really liked how Sakai worked it into the plot. I also really enjoyed the artwork contained within this first story, and Sakai has come up with some rather impressive sequences and scenes that not only do a fantastic job conveying the action that is occurring but which really highlight the horror aspect of the narrative. The various supernatural opponents in this book are shown to be quite scary and threatening, and I loved the way that Usagi’s face looked absolutely terrified as he fought against them. The use of colour in this first story is also extremely cool, and I loved how it helped bring the whole story to life. I particularly liked the way that the colour really enhanced all of Sasuke’s magical abilities and made them look that much more distinctive and mystical. There is one amazing sequence in which Sasuke turns his sword into flames, which looked so damn awesome and it put me in mind of that one iconic scene from the recent Demon Slayer anime. All in all, this was an outstanding and enjoyable first story in this volume, and readers are in for a real treat right of the bat.

Usagi Yojimbo #4

The next story that is featured within this volume is the two-issue tale, The Hero. In this entry, Usagi, still journeying across the countryside, has encountered an interesting fellow traveller, a famed author who is journeying to her father’s house. The author, Lady Mura, has written several novels, including a tragic tale of heroism that she lets Usagi read. As the two travel together, Usagi learns that Mura is the wife of a high-ranking samurai who is jealous of his wife’s writing ability, as the fame she gains from that far exceeds his reputation as a warrior. While Usagi is able to protect Mura from many of the dangers on the road, including bandits, how will he react when he encounters her husband, especially as the strict rules of honour that bind all samurai forbids him from interfering?

This is a rather heavy and clever story that I think is potentially the best entry in the entire volume. Sakai has crafted together an excellently written and well-thought out narrative that cuts deep into the reader’s emotional core before the end. The character of Lady Mura is an extremely tragic figure, as even after all Usagi does to protect her, her story still ends in heartbreak, just like all her novels. Despite how her story ends, she is able to pass on some inspiration to Usagi about the true nature of a hero, which is how she sees Usagi. There are some really intriguing discussions about the code of the samurai that binds all the major characters within this story, and the problems and compromises that occur because of it are in full display throughout The Hero. I also think that Sakai came up with a perfect ending for the entire story, which felt extremely satisfying, considering what had happened throughout the course of the narrative. The artwork in this story is also really cool, as not only do you have some of the most impressive depictions of the varied and beautiful feudal Japanese landscape (which look so impressive in colour) but you also have some amazing scenes that show fragments of Lady Mura’s novels. These scenes place Usagi in the role of the hero of the classic story (Sakai has done something similar in prior stories like My Lord’s Daughter in the sixth volume, Circles) and show him taking on an undead horde and their evil master, and they are some amazing drawn sequences. The Hero is a truly great story, and I think that Sakai has done an outstanding job coming up with this tragic and heartfelt tale.

Usagi Yojimbo #5

The next story, Adachi, is one of the more interesting entries in this volume, and it was one that I was curious to check out. This story was actually written in commemoration of the 35th anniversary of the series and features a fresh take on the very first Usagi Yojimbo story, The Goblin of Adachigahara, which I previously reviewed in the first volume, The Ronin. In this new version of the story, Usagi returns to the scene of one of his greatest personal tragedies, the battle of Adachigahara Plain (or Adachi Plain in later Usagi Yojimbo stories), where his lord, Mifune, died after one of his generals betrayed him. In the course of this battle, Usagi, who served as Lord Mifune’s bodyguard, was able to perform an essential service by fleeing the battlefield with Mifune’s head, keeping it out of the hands of the treacherous general and the evil Lord Hikiji. Usagi has journeyed back to this place to pay respects to the place he buried his late lord’s head, which only he knows the location of. However, he senses that he is being watched and continues his journey, eventually seeking shelter at the hut of an old lady, who warns him of a goblin that haunts the mountain. Later that night, the goblin attacks the house, trying to kill Usagi, but Usagi is able to trick him and engage him in a fair fight. The goblin is revealed to be the general who betrayed Mifune, who was disgraced and banished by Lord Hikiji due to Usagi’s actions in denying Hikiji his lord’s head. Now determined to claim Mifune’s head and claim what is owed to him, the goblin seeks to kill Usagi, who manages to win, thanks to the help of the old lady, revealed to be the general’s wife, who has remained in exile with him.

This is a really interesting updated version of the story, which I quite enjoyed reading. The whole story is actually a combination of three prior Usagi Yojimbo stories, with some new elements thrown in. The first part of the story, which shows Usagi reliving the events of Adachi Plain, utilises parts from two stories, including Samurai (which appeared in the second volume, Samurai) and Return to Adachi Plain (which appeared in the 11th volume, Seasons). This combination provided a much richer examination of the battle, especially Usagi’s role within it, and I think the two separate sequences merged together well, while also looking even more impressive in colour. The story then continues to focus on the events that previously occurred within The Goblin of Adachigahara, although there are some interesting additions. This includes the goblin deliberately targeting Usagi, due to his role in his dishonour, and Usagi finding out the identity of his attacker before killing him. Knowing that this is the general who betrayed his beloved lord adds a whole new emotional element to the story for Usagi, and their fight is a lot more vicious and elaborate. I also liked the way that Sakai spent time enhancing the visuals surrounding the goblin. While he looked rather cool in the original story, in Adachi, Sakai has made him look even more awesome and intimidating, especially in colour. I also found it interesting that Sakai has turned this whole event into a more recent story in Usagi’s timeline, rather than being an event that occurred quite early in his adventures. The change in the chronology is intriguing, especially as there is a rather great scene in the middle where Usagi, upon visiting the grave his former lord, begs to be released from his vow of service, perhaps so that he can pledge fealty to his friend, Lord Noriyuki of the Geishu Clan. Overall, I thought that this was a clever new take on a classic Usagi Yojimbo story, and fans of this series will appreciate this anniversary special.

Usagi Yojimbo #6

The fourth and final story in this volume is The Swords of the Higashi, which serves as a light-hearted and entertaining conclusion to this volume. The Swords of the Higashi sees the always amusing Usagi Yojimbo side character, Gen, involved in a whole new batch of trouble. This time, Gen and his occasional partner Stray Dog are attempting to recover two extremely valuable stolen swords from a group of bandits. Killing the bandits, the two bounty hunters run into Usagi, who decides to accompany them back to the sword’s owners, the Higashi clan. However, the three ronin make the mistake of leaving one of the bandits alive, and they must contend with a continued flurry of attacks as they make their way back to town.

Now this was a fun and enjoyable story that I found to be extremely hilarious. There are several great elements to this story that I really enjoyed, including the fantastic use of the three main characters, Usagi, Gen and Stray Dog, and their banter as they wander the wilderness is rather entertaining. There is also the really funny extended sequence which sees the characters come under constant attack from bandits and bounty hunters as they attempt to return the blades. Each of these attacks is led by the same bandit, who finds the three companions, gets his cohorts to attack them, and then runs away in a panic when the protagonists win, only to return with a new group of bandits and repeat the cycle a short time later. This repeated turn of events is extremely funny, mainly due to the ridiculousness of the situation and because of the way that Usagi and his friends get more and more exhausted and exasperated with each new cycle. Sakai does an amazing job of making all three protagonists look scruffier and more dispirited with each new attack, and their reactions each time are deeply entertaining, from the way that Stray Dog keeps yelling at Gen for it being his fault, Gen’s growing resentment and frustration at the bandit whose life he saved, and the usual stoic Usagi getting more and more exhausted with each fight: “I’ve been through battles less tiring than today!”. Sakai wraps this whole amusing episode up with a rather clever conclusion to the story, which sees another classic Usagi Yojimbo side character get the best of everyone, and which makes all of Usagi, Gen and Stray Dog’s effort be for nought, which is just so mean considering all they went through. This was an outstanding story that had me laughing the entire way through, and I thought it was the perfect way to end this entire volume.

Usagi Yojimbo #7

The latest Usagi Yojimbo volume, Bunraku and Other Stories, is another incredible comic from Stan Sakai that I absolutely loved. Sakai has once again produced several exciting and clever stories, filled with great characters, powerful emotional moments, clever examinations of classic Japanese culture and a number of visually stunning sequences, which are so much fun to read. With the comics now in full and glorious colour, this was an outstanding new entry in the series, and is a must read for all Usagi Yojimbo fans. It gets a full five-star rating from me and comes highly recommended.