Star Wars (2020): Volume One: The Destiny Path by Charles Soule and Jesús Saiz

On May 4, 2021May 2, 2023 By The Unseen LibraryIn Comics/Manga, Extended Universe, Five-Star Books, Science Fiction, Star Wars5 Comments

Publisher: Marvel Comics (Paperback – 10 November 2020)

Series: Star Wars (2020) – Volume One

Writer: Charles Soule

Artist: Jesús Saiz

Colour Artists: Arif Prianto, Jesús Saiz, Rachelle Rosenberg and Dan Brown

Letterer: VC’s Clayton Cowles

Length: 136 pages

My Rating: 5 out of 5 stars

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The next stage of the Star Wars comic universe continues as Charles Soule, Jesús Saiz and their team of talented artists present the first volume of the Star Wars (2020) series, The Destiny Path.

Shortly after the Disney buyout of Star Wars and their subsequent creation of a whole new canon, Marvel Comics started to develop a new range of Star Wars comics. While there were several great series, limited series and standalone comics set during various periods of Star War history, the main series were set between the events of A New Hope and The Empire Strikes Back. These key comics, which included the Star Wars (2015), Darth Vader (2015) and Doctor Aphra (2016) series, did a fantastic job of filling in the gaps between these two films and presenting readers with some clever and unique adventures. All these series came to an end in late 2019, with their plots coinciding with the start of events from The Empire Strikes Back. In the wake of their cessation, Marvel announced four new Star Wars comic series that would take their place (after suffering some pandemic-related delays), set in the aftermath of The Empire Strikes Back. While I have already looked at some of these comics, including the first entry of the Darth Vader (2020) series, I think it is time that I explored the flagship series of this new run of comics, the Star Wars (2020) series.

The Star Wars (2020) series will explore what happens to the main cast of protagonists after the events of The Empire Strikes Back and is set in the year or so between that film and Return of the Jedi. This looks set to be a long-running series that will not only tell its own tale but will tie in to the events of the other current comics, probably resulting in some crossovers. This first volume, The Destiny Path, contains issues #1-6 of the Star Wars (2020) series and serves as an excellent and compelling introduction to the rest of the series.

Following the battle of Hoth, the Rebel Alliance is in disarray. With their fleet scattered around the galaxy and the might of the Empire reigning supreme, these are the darkest days the Rebellion has ever faced, especially as the Empire appears to have found a way to locate their ships and hiding places. The hope of the entire Rebel Alliance may lie in the hands of its greatest leaders and heroes, but, after the events on Bespin, even these shining beacons of rebellion have been damaged beyond recognition.

With Han Solo captured by the Empire and handed over to the bounty hunter Boba Fett, those on the Millennium Falcon are dispirited and lost. However, finding a Rebel cell under attack prompts them into action. Despite missing the man she loves, Princess Leia is determined to rescue him and revive the Rebel Alliance by any means necessary. At the same time, reluctant Rebel recruit Lando Calrissian attempts to make himself useful, despite mistrust from everyone around him. Finally, Luke Skywalker, after losing a hand and finding out the horrible truth of his parentage is in shock. Worse, his meeting with Vader appears to have damaged his connection to the Force, and neither of his masters will appear to talk to him.

As the Rebel Alliance seeks a way to survive, each of these players, with the help of Chewbacca, C-3PO and R2-D2, begin the next stage of their journey. As Luke seeks a lightsaber, Leia looks to find a way to save Han and Alliance, while Lando looks for redemption in all the wrong places. All their journeys lead the back to the scene of one of the worst moments of their past, Bespin. But how far will Luke, Leia and Lando go to achieve their goes, and will they be able to survive the dangerous enemies chasing them?

This is an outstanding and intense Star Wars comic that does a wonderful job of setting up a brand-new series of exciting adventures. Charles Soule, who has written some of the best Star War comics out there, creates an exceptional and captivating tale that highlights the tragic consequences of The Empire Strikes Back. Featuring some incredible artwork, amazing big moments, and a perfect portrayal of some of the iconic original trilogy cast, this is an outstanding and awesome comic.

For this cool first volume in the Star Wars (2020) series, the author has come up with an extremely compelling and clever multi-part narrative that I deeply enjoyed. The Destiny Path has a strongly character-driven story, following Luke, Leia and Lando as they attempt to recover from the traumatic events of The Empire Strikes Back. The narrative starts right after the heroes escape from the Cloud City at Bespin (technically before the closing scene of The Empire Strikes Back) and places the shell-shocked characters right in the middle of a firefight against an intriguing new foe. The next stage of the story contains an intriguing couple of sequences aboard the Rebel medical frigate, showing off some new angles to the film’s final scenes, while also following Lando and Chewie as they head to Tatooine to scope out Jabba’s palace. This part of the narrative is very clever and exciting, especially as it paints Lando as a bit of a wildcard, with unclear loyalties. The next section of the comic takes Luke, Leia and Lando back to Bespin, each for a different reason. There are some high octane and emotionally rich comic issues here, especially as all three of the characters are forced to face up to their recent mistakes and losses, while also taking on the Imperial garrison stationed there. All of this leads up to the final part of the book, which is primarily focused on Luke, who journeys to several distant planets following a vision to find a new lightsaber. There are some really cool sequences here as Luke continues to battle his own personal demons (and a real one, but we’ll get to that later), before eventually coming away with an unexpected prize. All these disparate storylines work really well on their own, but their real strength lies in the way in which they tie together perfectly throughout The Destiny Path. You end up getting a fantastic story as you follow one major event to the next, and I liked the unique tales contained within each section. All of this serves as an awesome and powerful start to the Star Wars (2020) series, and there are plenty of hints of awesomeness to come as the Rebels bounce back while Luke continues to grow as a Jedi. Epic Star Wars storytelling at its best!

There is no way that I can talk about The Destiny Path without geeking out about some of the cool and memorable Star Wars elements and references featured within. I deeply, deeply enjoyed seeing the intriguing and dramatic aftermath of The Empire Strikes Back that Soule envisions here, especially as he took the time to explore the various traumas and consequences of the events at Bespin. This was a fantastic heart of the entire volume which is going to appeal to all fans of the Star Wars franchise. Other cool Star Wars moments that fans will love include the mysterious events occurring around the Skywalker lightsaber. This lightsaber, which disappears at the end of The Empire Strikes Back and reappears in The Force Awakens, is a major item throughout the Star Wars canon and I liked seeing Luke trying to find it in the bowels of Cloud City, only for it to slip into another mysterious person’s grip. It will be interesting to see what happens to that in the future, and foresee it being a fascinating narrative thread throughout this entire series.

In addition to these elements from the films, Soule also fits in a lot of other cool references and call-backs to previous Star Wars comics, especially ones that he has had a hand in. The most obvious of these was the appearance of Verla, who Luke encounters while trying to find a new lightsaber. Verla is a Force-sensitive woman who first appeared in The Burning Seas volume of Soule’s Dark Lord of the Sith comic series. It was great to see that Verla survived, and Soule does a good job working her into this story, portraying her as the damaged and cynical former Jedi student who is just trying to survive. Verla’s inclusion allows Luke to learn more about Vader, both as a Jedi hunter and a Jedi named Anakin, and it was interesting to finally see him learn about the Jedi purges, Order 66, and the Inquisitors. I also noticed a lot of mentions about the High Republic in this volume. I really should not be too surprised about this, especially as Soule is one of the leading creative minds behind the High Republic range, having written the first novel in the series, Light of the Jedi. It looks like Star Wars (2020) is going to rely on several events from the High Republic books, and I am intrigued about how Soule will work them into his cool story. All of these Star Wars elements are extremely cool, and I think that they will deeply appeal to every fan of this franchise. While mega fans are obviously going to love some of the more obscure references that Soule fit into this comic, this series is also very easy to enjoy if you have a more basic knowledge of Star Wars.

I do have to quickly highlight that one of my favourite parts of this entire comic is one of the final sequences in the volume. In this sequence, Luke visits an abandoned Jedi temple which is filled with a mound of untouched treasures, including a lightsaber which he desperately needs. However, it turns out that this entire building is a trap (Luke was warned, to be fair), as he is quickly attacked by the ghost of the Grand Inquisitor. The Grand Inquisitor is an awesome character who served as the main antagonist of the first season of the Star Wars Rebels animated series. Soule has previously utilised him in his Dark Lord of the Sith comic series, especially the first two volumes, Imperial Machine and Legacy’s End, but this current comic is set after his death in Rebels. There are so many cool elements to the Grand Inquisitor’s return in this comic, including a fantastically drawn fight between him and Luke, where Luke encounters a double-bladed lightsaber for the first time, and I loved the Grand Inquisitor’s fiery, spiritual appearance. However, the best part of this whole unique inclusion was the characters final interaction with Darth Vader. Here it is revealed that Vader is the one trapping the Inquisitor’s spirit in this world, using him as a tool and a trap. When the Inquisitor begs Vader for his release, Vader refuses, as the Inquisitor still has use to him. The forlorn spirit starts to fade, but not before sadly uttering “there are worst things than death”. This is an outstanding call-back to the character’s final words in Rebels, and it was so cool to see his morbid prediction come to pass. This whole sequence really pushed The Destiny Path up a level for me, and I love how the creative team worked this into this fantastic and awesome comic.

Easily one of the best parts of this entire comic is the creative team’s portrayal of the iconic Star Wars characters who serve as the main protagonists of this amazing first volume. Soule has done an incredible job writing a character-driven narrative around these protagonists, and I love his in-depth examination of their psyches and actions following The Empire Strikes Back. The author pulls together some great storylines around these characters, and I loved seeing what amazing adventures they went on between these two films.

One of the main characters explored during this book is the original Star Wars hero, Luke Skywalker. Now, Luke is going through a lot at this point, having just had his hand chopped off and learned that his father is Darth Vader. Luke spends most of the first part of the novel absolutely traumatised by these events and ends up doubting himself while also concealing this revelation from his friends. To compound his issues, Luke finds his connection to the Force somehow damaged or fractured, as neither of his masters, Obi Wan Kenobi and Yoda, are reaching out to him. This results in a more scattered Luke, and I loved the way that Soule dove into his damaged mindset. There are some great and powerful moments throughout this comic that show off Luke’s trauma, as well some dramatic moments when he lashes out uncontrollably with the Force. After receiving some visions and engaging in a hunt for a new lightsaber, Luke starts to come to terms with the events surrounding him, and it is great to see him recover somewhat, including by learning more about his father. This slight reconciliation with his identity enables Luke to regain his control over the Force, and there are some very cool scenes where he uses his powerful and advanced abilities against the Empire. Overall, this was a pretty spectacular look at Luke, and I really appreciated the cool story that Soule spun around him. It will be interesting to see what is going to happen to Luke in the future entries of this comic, especially as he continues along his journey to become a full-fledged Jedi. It will also be cool to see more of Luke’s new yellow lightsaber, which was an intriguing decision by Soule which I think is going to really pay off.

In addition to Luke, a lot of the story focuses on Leia. Like the rest of the characters, Leia is pretty traumatised, as she discovered her love for Han only to lose him in seconds. While at times she seems in control, especially as she works to salvage the Rebels fleet, she is clearly still impacted by this loss. As a result, she desperately attempts to find a way to save him from Boba Fett, even if that means risking herself and her friends. Her recklessness leads her back to Bespin with the others as she attempts to find more about the carbonite freezing process. While Leia’s arc is possibly the least interesting (which isn’t a criticism; it’s just the other two main characters have some outstanding stories), she does have some great moments in this comic, and I especially loved the visual of her also trapped in carbonite. It was also great to see more of badass Rebel leader Leia in this comic as she steps up and takes charge to protect those around her. I imagine that the creative team have some great ideas for Leia in the future and I cannot wait to see what they are.

The other main character of this volume was the flashy and charismatic rogue, Lando Calrissian, who finds himself stuck with the other protagonists after helping them flee from Bespin. Despite his attempts to do the right thing at the end of The Empire Strikes Back, Lando is still not trusted by anyone, as they blame him for his betrayal and the loss of Han. As a result, Lando attempts to find some form of redemption with them, although he mostly comes across as a self-centred bastard. Soule works a really intriguing storyline around Lando, and I loved seeing his meeting with Jabba the Hutt as he makes some initial inquiries into Han’s location. Lando is able to talk his way out of a meeting with Jabba, although the reader is left wondering whether he plans to sell out the Rebels. This nicely leads into his storyline on Bespin as he accompanies Luke and Leia back there. It was great to see Lando returning to his city, especially as he manages to con his way through a range of different Imperial obstacles, and he was fully in his roguish element. While Lando appears to return to Cloud City for selfish reasons, such as throwing a big middle-finger to the Empire, his jaunt does awaken his inner hero a little, and you get a glimpse of the person we eventually see in Return of the Jedi. Lando is easily the most entertaining character in the entire comic and most of The Destiny Path’s humour is derived from his interactions with most of the other characters. He is a very funny character, and it was great to see so much focus on him after barely featuring in the last stage of Star Wars comics. I look forward to seeing what Soule and the creative team have for him in the future, and I think he is going to be the MVP character of the entire series.

Aside from the three main characters above, The Destiny Path also includes a great range of other characters from various points in Star Wars history. Like its precursor comic, Star Wars (2020) also follows Chewbacca, C-3PO and R2-D2, although I think these three great characters were a little overshadowed by Luke, Leia and Lando in this volume. Chewie does have a bunch of fun moments throughout the comic, mostly in his interactions with Lando, and it is entertaining to see him be forced to deal with the cocky former friend. R2-D2 does have a great sidekick time with Luke, and it was always fun to see him save the mighty Jedi’s life again and again. There is also an interesting focus on a couple of new or lesser-known characters. For example, it looks like Soule is going to spend a bit of time following Kes Dameron and Shara Bey, the parents of a certain Poe Dameron. The Destiny Path also introduces an intriguing new antagonist in the form of Commander Zahra, a fanatical Imperial officer placed in charge of eliminating the remnants of the Rebel Alliance. Zahra is tactical genius who I understand is going to have a major role in some upcoming comics. This volume proves to be an excellent introduction to this cool new character, especially as it establishes her dangerous intelligence, murderous mentality and the insane grudge she bears against Leia, all while she commands the unique Star Destroyer, Tarkin’s Will, which still bears scars from being hit by wreckage of the original Death Star. Zahra proves to be an outstanding antagonist, and I cannot wait to see what deviousness and insanity she brings to the rest of the series.

I definitely need to highlight the incredible and eye-catching artwork that was an outstanding and memorable feature of this awesome comic. The artistic team behind this comic did an amazing job from start to finish, and every page was a visual treat for the eyes. While all the art in this comic is great, there are a few things that really stood out to me, such as character design. The artists do such an incredible job capturing the main characters throughout this comic, especially in the first issue where all their post-The Empire Strikes Back pain and emotion is on full display. It was uncanny how similar these characters looked to their portrayal in the film, and it is a testament to the artists’ amazing ability. There are also several awesome combat sequences scattered throughout the comic and I loved the way in which the art brought them to life. A particularly good example of this was the opening space battle between the Empire and a small Rebel fleet. The artists come up with an incredible background for this fight, which takes place between a sun and a concentrated barrage of green turbolaser bolts, which are being used to fence the Rebels in place. This was so visually pretty, and it really enhanced the cool story and fighter combat that was taking place in front of it. I also deeply enjoyed the way in which the artists have recreated several key scenes from The Empire Strikes Back. These scenes, which include Luke losing his hand, finding out that Vader is his father and Han giving his iconic “I know” to Leia, are scattered throughout key parts of The Destiny Path. Not only are these cool visually, but they are also clever from a writing point of view, dragging the readers back to the emotional impact of these events and driving how much they are still sticking in the mind of the protagonists. I cannot overstate how awesome this art is and I had an absolute blast seeing every explosion, Force burst and clever flashback that they were able to fit in.

Well, if the above multi-page rant above didn’t give it away, then I’ll say it clearly here: this comic is incredible! Soule, Saiz and the other talented artists have done an amazing job with this first volume of the Star Wars (2020) series, and The Destiny Path is an epic and awesome read. I loved the in-depth examination of these key characters after The Empire Strikes Back and there are so many cool Star Wars elements worked into the story. This is one of my favourite Star Wars comics and it gets a full five-star rating from me. I cannot wait to see what extraordinary stories and powerful artform this fantastic creative team comes up with next and I need to order the next volume in now.

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Star Wars: Victory’s Price by Alexander Freed

On April 18, 2021May 2, 2023 By The Unseen LibraryIn Audiobook, Extended Universe, Five-Star Books, LGBT+, Science Fiction, Star Wars, Tie-in Novel17 Comments

Publisher: Random House Audio (Audiobook – 2 March 2021)

Series: Star Wars: Alphabet Squadron – Book Three

Length: 16 hours and 19 minutes

My Rating: 5 out of 5 stars

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One of the best Star Wars tie-in series comes to an epic and impressive end, as Alexander Freed presents Star Wars: Victory’s Price, the amazing third and final entry in the awesome Alphabet Squadron trilogy.

Since its inception in 2014, the current Star Wars extended universe has featured an amazing range of novels that tie into the various movies and television series. One of the best has been the Alphabet Squadron trilogy from acclaimed author Alexander Freed. Alphabet Squadron is a particularly compelling trilogy that follows a fantastic group of mismatched Rebel and Imperial pilots who continue to fight in the aftermath of Return of the Jedi. This series has so far featured two excellent entries: the great introductory novel Alphabet Squadron, and the outstanding second entry, Shadow Fall, both of which I have deeply enjoyed. As a result, I have been looking forward to seeing how the series ends and I think that Freed has left the best to last with this epic and powerful read.

The Emperor and Darth Vader may be dead, and the second Death Star destroyed, but the war is far from over. Nearly a year after the battle of Endor, conflict still reigns in the galaxy between the forces of the New Republic and the remnants of the Empire. In nearly every battlefield, the Empire’s forces are in retreat and disarray, apart from the notorious pilots of the 204th Imperial Fighter Wing, better known as Shadow Wing. Led by the dangerous Imperial TIE Fighter ace, Colonel Soran Keize, Shadow Wing continue to bring death and destruction to the Empire’s enemies, slipping away when their vile deeds are done.

However, despite their skills and strategies, Shadow Wing is in constant danger as New Republic forces, under the command of General Hera Syndulla, are pursuing them. Syndulla is determined to end the threat of Shadow Wing utilising the ragtag pilots of the unique unit known as Alphabet Squadron, each of whom has a score to settle with Shadow Wing, to lead the fight against them. However, the members of Alphabet Squadron, Wyl Lark, Chass na Chadic, Nath Tensent and Kairos, are still recovering from their last traumatic encounter with Shadow Wing on Cerberon, as well as the revelation that their former leader, Yrica Quell, was an active participant of Operation Cinder, the Emperor’s genocidal last order to destroy multiple disloyal planets.

As Hera and Alphabet Squadron attempt to find their prey, they begin to discover just how dangerous the cornered Shadow Wing has become, as their opponents begin to enact a new version of Operation Cinder. Worse, Alphabet Squadron are shocked to discover that Yrica Quell is still alive and has re-joined her old comrades in Shadow Wing. As the two forces engage in battle again, the loyalties of Alphabet Squadron will be tested like never before while Quell attempts to determine just whose side she is truly on. The conflict will finally end above the skies of Jakku, as the Imperial and New Republic fleets engage in their final battle. Can Alphabet Squadron finally put an end to the evils of Shadow Wing, or will Soran Keize’s master plan change the entire galaxy forever?

Now this is what all pieces of Star Wars fiction should be like. Victory’s Price is an exceptional and impressive novel that had me hooked from the very beginning. Not only does Freed do an amazing job of wrapping up the Alphabet Squadron trilogy but he also provides the reader with fantastic action sequences and some outstanding characters. This is easily one of the best Star Wars novels I have read in ages and it gets a full five-star rating from me.

For this final book, Freed has come up with a powerful story set within the iconic Star Wars universe. Starting right after the events of Shadow Fall, Victory’s Price sees the members of Alphabet Squadron separated and traumatised as their protracted and personal conflict with Shadow Wing begins. This leads into a series of exciting encounters and battles in space as Alphabet Squadron pursues Shadow Wing during their latest mission, while the leader of Shadow Wing hatches a plan to end the war on his terms. At the same time, each of the characters attempts to deal with issues or distress raised in the previous novels, whether it be Quell’s conflicted loyalties or Chass’s post-fight trauma. All of this leads to some epic and impressive final confrontations as the two sides meet for the very last time. This was an extremely good character-driven read, and I loved the very cool way that Freed finished off this amazing series.

While it is an amazing Star Wars novel, Freed focuses more on the war part of the book, turning this into a gritty story of survival, loyalty and conflict, which makes for a powerful piece of fiction. While obviously best enjoyed by those readers familiar with the rest of the series, Victory’s Price is a very accessible novel which new readers can follow without any trouble. Thanks to the awesome use of multiple character perspectives, Victory’s Price has an excellent flow to it, and the readers are supplied with clever twists, cool action sequences and impressive character moments as the protagonists come to terms with their place in the universe and the constant fighting. This ended up being quite an intense tale of war and life, which not only perfectly wrapped up the Alphabet Squadron series but which also had me engrossed from the very minute I started reading it.

One of the major things that I liked about this book was the way in which it added to the Star Wars expanded universe. This series has always done a cool job of exploring what happened after Return of the Jedi, and it is always interesting and somewhat more realistic to see that the war did not end as soon as the Emperor died. However Freed has painted this period as a particularly dark and deadly part of the war, and I love seeing how he envisioned what happened to members of the New Republic and Empire after Endor. Victory’s Price focuses on the very end of the civil war, showing another side of the events that lead up to the battle of Jakku and fitting its original characters into this conflict. This is a cool part of the book, and I loved seeing another version of the epic battle of Jakku, a major conflict that has been featured in several other novels and pieces of fiction. Freed also takes the time to explore and answer several other intriguing questions, such as the mystery behind the Emperor’s messengers, the creepy red-clad droids who project holograms of the Emperor’s face, which sought out various Imperial commanders after Endor and ordered the various genocides of Operation Cinder. The solution surrounding the messengers ends up being rather intriguing, and there are even some clever parallels to World War II in there. Due to the intriguing elements of Star Wars lore featured within, Victory’s Price, like the rest of the Alphabet Squadron series, will probably be enjoyed most by major fans of the franchise, but there are a lot of compelling elements that readers of all knowledge bases will appreciate. This was truly an exceptional piece of Star Wars fiction and I cannot wait to see what Freed adds to the canon next time.

I really must highlight the outstanding action scenes that Freed came up with for this book. I am a man who likes his Star War’s action, and I have to say that Victory’s Price has some of the best sequences that I have ever had the pleasure of enjoying. Due to the novel’s focus on fighter pilots, there are naturally a huge number of amazing combat scenes as the rival pilots engage in complex battles in space. Freed has saved the best for last in this final Alphabet Squadron novel, as the opposing pilots find themselves fighting in a range of unique situations. The battle scenes are extremely well crafted, filled with elaborate details and fantastic depictions of complex manoeuvres and clever tactics that are guaranteed to keep you on the edge of your seat with their intense action. They are also quite emotionally rich, as you witness your favourite characters constantly face near-death experiences in this final entry in the series. Highlights of these great battle sequences included two fantastic duels between the protagonists and the leader of Shadow Wing, which sees some fancy flying between some of the most skilled pilots in the series in some very distinctive landscapes. I also really loved the final, elaborate battle set above Jakku, which proved to be a major part of the second half of the book. Not only do you get the desperate and packed main conflict between the entire New Republic and Imperial fleets, which features destruction and death in every direction, but you also get a more private and quiet final battle between a group of Alphabet Squadron led New Republic fighters and Shadow Wing. This smaller pitched battle between the two sides fits perfectly into the midst of the wider conflict and is filled with personal turmoil and antagonism as these two rival squadrons meet for a final time. All these battles come out as being extremely epic and powerful, and I loved every second of the gritty and deadly fights they contained.

While I have a lot of love for Victory’s Price’s epic story, intense action, and clever Star Wars connections, easily the best thing about this book are the complex and well-written characters. Each of the major characters featured in Victory’s Price have been introduced in the previous Alphabet Squadron novels with some complex and powerful storylines. In Victory’s Price, all these great arcs reach a climax as the characters meet their final destiny and their stories comes to an end. I really enjoyed the satisfying conclusions that Freed came up with for his outstanding characters, although in many ways it was sad to see their stories finish. Still, I really appreciated all the great character arcs contained in this final novel, and Freed ensures they go through the emotional wringer before they go.

At the forefront of these outstanding characters are the five members of Alphabet Squadron who have served as the focal point for the entire series. The pilots in Alphabet Squadron, so named for their use of a different Rebel Alliance fighter (A-Wing, X-Wing, B-Wing, U-Wing and Y-Wing), are layered and complex individuals, each of whom has experienced their own trauma or betrayal throughout the course of the lengthy war. All five of these original characters have gone through significant development throughout the course of the previous two novels, and Freed does an exceptional job continuing their journeys in this final book.

The main protagonist of this series is Yrica Quell, a former member of Shadow Wing, who joined Alphabet Squadron in the first novel to help neutralise her former Imperial comrades. However, it was eventually revealed that Quell, despite claiming she defected from the Empire after refusing to participate in Operation Cinder, aided in the destruction of a planet. This revelation caused a massive rift in her relationship with the rest of Alphabet Squadron, and she ended up reuniting with Shadow Wing at the end of the second novel. In this final book, it is revealed that Quell has infiltrated Shadow Wing to bring them down from the inside. However, upon spending time with her Imperial comrades, she begins to experience doubts about her plan, especially as she sees that the Imperials are just as damaged by the war as she and the New Republic pilots are. Her plans are further complicated due to her relationship with the leader of Shadow Wing, Soran Keize, her former mentor and the person who initially convinced her to defect to the New Republic. Quell still has an immense amount of respect for Keize, and strongly believes in several of his plans. This re-remembered loyalty to Shadow Wing strongly conflicts with her friendships with Alphabet Squadron and the guilt she feels for her role in Operation Cinder, placing Quell in a major quandary for most of the book. This uncertainty and inner conflict is a really clever part of Quell’s story, and the reader is deeply impacted by her struggle and conflicted loyalties. This was easily one of the best and most powerful character arcs in Victory’s Price and I really appreciated the outstanding character story that Freed set around Quell.

Victory’s Price also spends a significant amount of time following Quell’s fellow Alphabet Squadron members, Wyl Lark and Chass na Chadic, both of whom have compelling arcs that highlight different aspects of warring soldiers. Wyl Lark is the young, optimistic member of the squadron who took over leadership at the end of the second novel. Lark has developed a significant amount throughout the course of this series, and it is great to see him come into his own as a leader and pilot. However, despite his apparent ease at the role, Lark is plagued by doubts and concerns about the morality of this fight, especially as it conflicts with some of the teachings of his race. He spends a great deal of this final book coming to terms with his morals, and even attempts to once again contact the members of Shadow Wing to try and find some common ground or a way to end the conflict. His actions go a long way to humanising the antagonists of the novel and his hope is a refreshing beacon of light in this darker Star Wars book. I deeply enjoyed seeing the way in which Lark attempts to change the outcome of the war his way, and it was a fascinating addition to the story.

Chass, on the other hand, is easily the most damaged character in the entire series. A music-loving veteran pilot who is more afraid of the end of the war and her inevitable slide into irrelevance and despair than her own death, Chass has always been on edge throughout the series. However, in Victory’s Price, Chass is even more traumatised, especially after learning of the betrayal of her love interest, Quell (which is an intriguing LGBT+ relationship for a Star Wars novel) and has since turned to the teachings of a cult to gain some clarity. Despite this, Chass is still driven by her anger and her rage and is constantly lashing out at everyone around her, with her death wish a constant anchor around her neck. Freed has written a complex and moving story around Chass and her suffering, and I deeply appreciate the portrayal of her as a troubled veteran. I think that Chass’s story comes to a fantastic end in this final novel, especially as she gets closure with several important people in her life. Both characters are incredibly well written and are fantastic examples of Freed’s exceptional writing ability.

Next up are the final two Alphabet Squadron pilots, Nath Tensent and Kairos. While both characters have been somewhat overshadowed throughout the series, Freed has developed some intriguing storylines around them which come full circle perfectly in this final novel. Nath Tensent, a pilot who served both the Empire and the Rebels during the war, has an enjoyable and likeable personality and is the sort of guy who quickly becomes everyone’s best friend. However, despite the easygoing façade he projects to the world, even Nath is feeling the effects of the war and the constant worry and responsibility is getting to him. This is particularly exacerbated in Victory’s Price when he becomes a decorated military hero with greater responsibilities and is forced to balance his own selfish goals with the lives of people who look up to him, as well as his very strong concerns for Wyl Lark. This results in a particularly clever and enjoyable arc, and it was great to see him finally take some responsibility in this war. I liked the way in which Freed ended Nath’s storyline, especially as it potentially opens another series in the future.

The final member of the squadron is the mysterious Kairos, an alien of unknown origin with a strong hatred for the Empire and terrifying combat skills. Despite her intriguing introduction in Alphabet Squadron, Kairos was somewhat left out of the second book after receiving an injury. However, this is more than rectified in Victory’s Price, as Kairos is featured more prominently and we finally get to see some of her backstory. Freed comes up with quite the intriguing, if tragic, story for Kairos, and it was fascinating to see her unique alien beliefs and culture, as well as a powerful story of renewal and redemption that accompanies her. Kairos becomes quite close to two characters in this book, especially after the closest people in her life died in the previous novel, and it was great to see her finally connect, even if only for a short while. Freed did a fantastic job setting up Kairos’ story in the previous two novels, and I personally loved finally getting some answers regarding this curious character’s identity.

Aside from the members of Alphabet Squadron, several other characters are also shown in great prominence throughout this book. The one I liked the most was Hera Syndulla, the New Republic general commanding Alphabet Squadron. Hera is one of the few characters in this novel who Freed did not come up with, as Hera originated in the Star Wars: Rebels animated series and serves as a bridging character to the larger franchise. Due to how much I love Star Wars: Rebels, I have really enjoyed seeing more of Hera in this series, not only because I am very curious about her post-Rebels life but because she also serves as a great mentor character to the members of Alphabet Squadron. Hera features a lot more prominently in this final novel and her perspectives are shown nearly as much as the members of Alphabet Squadron. This extra perspective really added a lot to the story as a whole and I personally really enjoyed seeing Hera take charge and attempt to hunt down Shadow Wing, while also attempting to determine the course of the entire war. I also really enjoyed the fact that this book shows Hera’s role in the battle of Jakku, which as the largest space battle in the entire civil war, you had to assume she would be a part of. Hera is naturally a bit of a badass in this battle, as you would expect, and I appreciated that Freed featured more of her in this novel.

The other major character featured within Victory’s Price is Colonel Soran Keize. Keize is a fantastically complex character who serves as the leader of Shadow Wing and Quell’s Imperial mentor. Despite nominally being the antagonist of this book, Keize is portrayed as a more of a tragic and misunderstood figure, one who is sick of war and who only has the best concerns of his men at heart. As a result, Keize is running his own game throughout Victory’s Price and works to get the best result for the members of Shadow Wing. His convictions, sense of honour and understandable motivations make him a hard character to dislike, and his role in mentoring Quell ensures that she is extremely conflicted when it comes to betraying him. Keize is also probably the best pilot in this entire series, as he is regarded as the Empire’s ace of aces, and Victory’s Price is where you get to see him soar as he engages in several great battles and duels. Thanks to this, and his curious character development, Keize is a great character to follow, and I really enjoyed the unique tale Freed told through him.

Freed also focuses on some of the other pilots on both the New Republic and Imperial sides. This results in a great combination of complex side or minor characters, each of whom have their own reasons for fighting in the war. Freed attempts to show that, despite fighting on different sides of the war, these characters really are not that different. Instead, all of them are soldiers, with several similarities, including their own trauma, PTSD and issues with the war that they are fighting in. I think it is a testament to Freed’s writing ability that he was able to get me to care about members of the Imperial navy, and it was pretty spectacular the way in which he attempted to show the humanity buried deep within them. It does mean that the action sequences more emotionally loaded and potentially devastating as you end up not wanting to see some of the pilots dying, but I really appreciated the way in which Freed took the time to explore these compelling side characters.

While I have previously enjoyed the first two Alphabet Squadron novels in their paperback format, circumstances required me to check out Victory’s Price as an audiobook instead, which was pretty damn awesome. Not only did Victory’s Price feature the usual blend of iconic sound effects and music that makes all Star Wars audiobooks such a treat to enjoy, but I found that the story flowed incredibly well in this format. With a lengthy runtime of 16 hours and 19 minutes, I absolutely blasted through this book as I became so engrossed in the awesome story and the way in which it was performed as an audiobook. I also thought that the use of the iconic Star Wars music in the Victory’s Price was particularly impressive, and not only did the music make several of the extended space battle sequences even more epic, but they also really highlighted some of the most emotional scenes in the book and made them strike my soul even more emphatically. I also really enjoyed the amazing narration from January LaVoy, who has previously provided her voice to the other Alphabet Squadron books. LaVoy is a particularly skilled narrator whose work on the Star Trek: Discovery tie-in novel, Die Standing, I really enjoyed. Not only does LaVoy present the awesome details of Victory’s Price in a quick and exciting manner, making each of the action scenes sound particularly cool, but she also provides some great voices for the various characters. Each of the main characters gets a unique voice which fits them perfectly and which really helps the listener get to grips with their personalities and inner thoughts. While all of the character’s voices were done extremely well, the best voice that LaVoy did was probably Hera Syndulla’s, which sounded extremely close to the character’s voice in the Star Wars Rebels animated series. All of this helps to make Victory’s Price’s audiobook an immensely enjoyable experience and I would highly recommend this format to anyone and everyone.

Star Wars: Victory’s Price is an exceptional and powerful novel from Alexander Freed that is one of the best books I have so far read in 2021. Featuring a dark and gritty war story set during a fascinating period of Star Wars history, Victory’s Price perfectly wraps up the impressive Alphabet Squadron trilogy while also providing some cathartic conclusions to outstanding character arcs that Freed has built up during the previous book. I absolutely loved this final novel (hence the massive review), and I think that this was probably the best entry in the entire series. A highly recommended read, especially if you have already enjoyed the rest of the trilogy, this was a truly epic Star Wars novel.

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Star Wars: Darth Vader: Volume One: Dark Heart of the Sith

On December 29, 2020May 2, 2023 By The Unseen LibraryIn Comics/Manga, Extended Universe, Five-Star Books, Science Fiction, Star Wars6 Comments

Publisher: Marvel Comics (Paperback – 24 November 2020)

Series: Darth Vader (2020) – Volume One

Writer: Greg Pak

Artist: Raffaele Ienco

Colour Artist: Neeraj Menon

Letterer: VC’s Joe Caramagna

Length: 136 pages

My Rating: 5 out of 5 stars

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One of the first entries in a new set of Star Wars comics is here and it is pretty damn awesome, as Greg Pak, Raffaele Ienco and Neeraj Menon present the first volume of the 2020 Darth Vader series, Dark Heart of the Sith.

Dark Heart of the Sith contains issues #1-5 of the Darth Vader (2020) comic book series which takes place right after The Empire Strikes Back. The Darth Vader (2020) series is part of a new range of Star Wars comics which include the Star Wars (2020), Doctor Aphra (2020) and Bounty Hunters series, all of which are set in the year between the events of The Empire Strikes Back and Return of the Jedi. These comics follow on from earlier series which were set between the events of A New Hope and The Empire Strikes Back. This latest round of comics attempts to provide details about what occurred between the events of the second and third films, as well as create some new and exciting adventures. All of the comics in this range sound fantastic, and I have been eagerly anticipating all of them, especially Darth Vader (2020) due to all the potential for action and drama that it has.

To tell this unique tale, Marvel have utilised the fantastic team of author Greg Pak, artist Raffaele Ienco and colour artist Neeraj Menon. Greg Pak is a film director and author who has written several amazing comics in his career, with a particular focus on the Hulk and Hercules series for Marvel. I am somewhat familiar with Pak’s work, enjoying his current run of Firefly comics for Boom!. I am a little less familiar with Ienco and Menon (although Menon did work as a colourist on the Target Vader limited series), but both are experienced artists who have worked on some intriguing-sounding projects in the past. This is an intriguing team, and they came together to produce an excellent and powerful Darth Vader story.

During the climatic events of The Empire Strikes Back, Darth Vader revealed that he was Anakin Skywalker to his son, Luke, and offered him a chance to rule the galaxy by his side. However, Luke refused to join him out of fear and disgust, choosing instead to plunge to an unknown fate beneath Cloud City. Now, rejected and betrayed, Vader finds himself full of rage and determined to seek revenge on anyone who kept his son from him and made him weak.

Tracing Luke’s life before the Rebellion, Vader attempts to find anyone he can take his frustrations out on. But with everyone in Luke’s past dead and beyond his wrath, Vader decides to investigate what happened to his wife, Padmé Amidala, after their final confrontation on Mustafar. Investigating a listening device left in Padmé’s apartments on Coruscant, Vader travels to a hidden Rebel base where he makes the startling discovery of a woman with a shocking resemblance to an older Padmé.

Despite the initial shock, Vader is soon able to determine that this is not his dead wife returned from the grave but the Queen’s Shadow, Sabé. Sabé was once Padmé’s most loyal friend, handmaiden, bodyguard and double, and her death has haunted Sabé for years. Determined to use Sabé to find the answers he is looking for; Vader decides to work with the former handmaiden to find out the truth of Padmé’s last moments. The information that they need apparently resides on Naboo, and Vader is forced to relive the ghosts of his past life as Anakin Skywalker to find the truth. However, more treachery awaits Vader on Naboo as a secret organisation waits to kill him. The Handmaidens of Amidala know who truly killed their mistress, and they are finally ready to take their revenge.

What is it about Darth Vader that makes it impossible for someone to create a bad comic about him? I mean, seriously, all the previous Darth Vader comics in the current canon have been absolute masterpieces, from the epic 2015 Darth Vader series (check out my reviews for Volume One: Vader, Volume Two: Shadows and Secrets and the crossover comic Vader Down), the impressive prequel series Darth Vader: Dark Lord of the Sith (check out my reviews for Volume Two: Legacy’s End and Volume Three: The Burning Seas), the first volume of the 2015 Star Wars series, Skywalker Strikes, or the fun limited series, Dark Visions. Each of these comics has been impressive in its own way, and in each of them Darth Vader shines as the ultimate badass. This first volume of the new Darth Vader series is no exception as it follows Vader through a harrowing journey of discovery that takes him back into his tumultuous past and explores the consequences of his actions at the formation of the Empire.

Dark Heart of the Sith contains an epic and emotional narrative which follows one of fiction’s greatest villains after he encounters one of the biggest setbacks in his life. Set mere moments after Vader’s final appearance in The Empire Strikes Back, the Dark Lord of the Sith embarks on a deeply personal mission that is half rampage and half voyage of discovery. After some initial setbacks, Vader eventually finds Sabé, the Queen’s double, whose appearance in the final panel of Issue #1 was a major selling point for the series. Sabé’s introduction to the plot leads Vader to revisit some of the most important locations from his life as Anakin Skywalker, before an inevitable run-in with Padmé’s former followers, who hold Vader responsible for her death and the death of Anakin Skywalker. This entire arc is extremely well written, and I absolutely loved the ambitious and clever story that Pak came up with. The author does an awesome job of combining an exciting narrative made up of several epic and impressive moments and with a deep dive into Vader’s mind, and this results in a captivating and powerful read that serves as a particularly distinctive chapter in the history of Darth Vader. I really enjoyed where Pak took Dark Heart of the Sith’s amazing story, and while certain elements lose their impact in the internet age of freely available spoilers, there are some big and impressive moments in here that all Star Wars fans need to see.

One of the things I most enjoyed about this comic was the way that the creative team brought in elements from the Star Wars prequel films and inserted them into a story set right after The Empire Strikes Back. Dark Heart of the Sith takes the reader back to several key locations from the prequel films and reintroduces several minor characters who appeared in them, including Sabé, one of the pilots from The Phantom Menace and Captain Gregar Typho, Padmé’s security guard in Attack of the Clones and Revenge of the Sith. This use of these elements from the prior movies works extremely well in the context of this comic’s story, as Vader is forced to revisit his past at a point when he is the most vulnerable in the present. This makes Dark Heart of the Sith quite an interesting comic for Star Wars fans, who will greatly enjoy the inclusion of elements from two distinctive eras of the franchise. I felt that Dark Heart of the Sith was a very accessible comic for readers with limited familiarity with Star Wars fiction, and readers only need to check out some of the films to get a good understanding of what is happening.

However, as an established fan of the franchise, I was quite overjoyed to see that this comic had an interesting connection to some interesting pieces of Star Wars extended fiction, namely two recent novels by E. K. Johnston, Star Wars: Queen’s Shadow and Star Wars: Queen’s Peril. These two novels, which serve as sequel and prequel to The Phantom Menace respectively, are set around the lives of Padmé and her handmaidens and provide added details about how they came into her service and the loyalty that they felt to her. The narrative contained within this comic serves as a sequel to an arc set up in Queen’s Shadow, where Sabé swears to find justice for the death of Padmé, with several of the unique characters who were either introduced or sufficiently fleshed out in these novels also appearing. This results in several awesome scenes, including one particularly epic sequence in which Vader is confronted by Padmé’s surviving handmaidens, who engage in an all-out brawl against him. I found all of this to be immensely cool, and I really enjoyed seeing some of the elements from these books concluded in this comic, especially as Dark Heart of the Sith serves as a definitive conclusion to these character arcs.

Unsurprisingly, the standout character of this comic is Darth Vader himself, who goes through a lot during Dark Heart of the Sith. Pak really turns this first volume into a deep exploration of Vader’s complex psyche, and there is an interesting examination of how Vader is feeling in the immediate aftermath of Luke rejecting him. Without his usual determination and dedication to the Dark Side, Vader is lost in this comic, acting out of impulse and searching for someone or something to take his rage out against. The introduction of Sabé and the return to several key locations from his past only adds to his confusion and emotional instability, and it is blatantly obvious that this is not the same Vader we have come to fear and admire. Instead, this Vader hesitates to do some of his usual acts of destruction. Certain memories from his past suddenly spring to the forefront of his mind, turning him away from his desired actions, such as sparing Sabé after revisiting his memory of killing Padmé. Vader is also continually thrown by the return of several figures from his past, each of whom had a connection to both Padmé and Anakin Skywalker, and it proved to be quite fascinating to see Vader interact with them differently, especially as none of them are aware that Vader is Anakin.

This comic also contains some key moments of history for Vader; not only does he finally visit Padmé’s tomb but he also admits to her murder, all of which have major emotional implications for him. I quite enjoyed this dive into Vader’s psyche and I really appreciated the way that the creative team tried to show just how complex and conflicted the character can be. Based on how Volume One ends, this is probably going to be a recurring theme of the Darth Vader (2020) series and it will be interesting to see the many different changes in the character’s psyche. I should mention that even though this is a focus on Vader’s mind and his innumerable regrets, the creative team do go out of their way to show just how much of a badass he is and there are several impressive sequences where he doles out death and destruction on an epic level, including killing some of the biggest and most dangerous creatures on Naboo. All of this results in a deeply impressive Darth Vader comic, and I love the creators’ take on this amazing villain.

Aside from Vader and the returning characters from the prequels, Dark Heart of the Sith also features a fun new posse for Vader in the form of three Death Troopers (the elite Stormtroopers introduced in Rogue One) and the forensics droid Zed Six Seven, who accompany Vader throughout this mission. While the Death Troopers do have a key role in this comic as Vader’s bodyguards and backup, they are mostly just background characters, without any major defining characteristics or moments. Zed Six Seven, on the other hand, does a lot of talking, commenting on every event and revelation that occurs within the course of the narrative. This extra commentary is essential, as Zed Six Seven provides nearly all the necessary exposition within the narrative, as Vader has less dialogue than a typical comic protagonist. Despite primarily being an exposition machine, Zed Six Seven does prove to be an entertaining character, and I quite enjoyed his reactions to certain revelations or the events, even if his inability to keep his robotic mouth shut does cost him in the end. Overall, I really liked all the character inclusions and development featured within Dark Heart of the Sith, and it helped to make an epic and powerful story.

I really must highlight the exceptional art featured within this volume as the two artists, Ienco and Menon, do an amazing job bringing this captivating narrative to life. I absolutely loved all the art contained within this comic and I felt that each of the scenes was drawn very well, with the various featured characters representing their film counterparts in impressive detail. I particularly enjoyed the excellent way that the artists recreated a ton of key events from the prequel movies and featured them throughout the comic. The recreated shots from the films were done with a distinctive red filter and were utilised as Vader’s flashbacks to key events from his life. These flashback scenes help to highlight just how muddled and conflicted Vader’s thoughts are, and they are utilised to great effect throughout this first volume, often shown side-to-side with current events for some amazing contrasts. I felt that this excellent artwork really helped to enhance Pak’s clever story, especially as the artwork provides the reader with some fantastic visuals of Vader’s emotional range. It is a real testament to their drawings that you constantly have an idea of how Vader is feeling even with the mask on, and a lot of this is down to the way that the artists portray his body language and reactions. I also loved several sequences that recreate Luke’s fall to the bottom of Cloud City at the end of their duel in The Empire Strikes Back. These sequences are featured multiple times throughout the comic, with Luke replaced with several other characters, including various iterations of Vader himself, reflecting just how fractured or lost Vader feels. This comic is also filled with some action-packed and explosive moments that see Vader attempt to kill everyone and everything in his path. These action sequences are an exciting treat at several key points throughout the narrative and it is always fun to see Vader kick ass and take names. Highlights included several sequences where Vader faces off against the megafauna of Naboo, including one massive leviathan (whose introduction is one of my favourite panels in the entire comic). There is also a particularly brutal fight sequence towards the end of the comic where Vader releases years of anger and frustration in one destructive flurry. All this awesome art adds so much to the comic and I cannot compliment it enough.

Dark Heart of the Sith, the first volume of the Darth Vader (2020) series, is an absolute triumph that may be one of the best pieces of Star Wars fiction this year. Featuring an outstanding combination of exciting narrative, compelling character development and eye-popping artwork, Dark Heart of the Sith was an absolute treat to read from start to finish. I loved the way in which the creative team dived into the mind of my favourite Star Wars character, and it proved to be a gripping and powerful read. This was one of the best things I read all year and it gets an easy five-star rating from me.

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Star Wars: Doctor Aphra written by Sarah Kuhn and performed by a full cast

On December 22, 2020August 9, 2023 By The Unseen LibraryIn Audiobook, Extended Universe, LGBT+, Science Fiction, Star Wars, Tie-in Novel19 Comments

Publisher: Random House Audio (Audio Drama – 21 July 2020)

Series: Star Wars

Script: Sarah Kuhn

Cast: Emily Woo Zeller, Jonathan Davis, Sean Patrick Hopkins, Sean Kenin, Nicole Lewis, Carol Monda, Euan Morton, Catherine Taber and Marc Thompson

Length: 5 hours and 35 minutes

My Rating: 4.5 out of 5 stars

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The most brilliant and conniving archaeologist in the entire Star Wars canon gets her own audio drama as author Sarah Kuhn and an exceedingly talented cast of audiobook narrators present Star Wars: Doctor Aphra, the audio drama.

Throughout the galaxy Doctor Chelli Lona Aphra is renowned as a criminal and bringer of chaos without peer, but in her own eyes she is simply an archaeologist and technology enthusiast, albeit one willing to sell her findings to the highest bidder. However, her latest venture is about to get her into the worst type of trouble, the sort that will haunt her for the rest of her incredibly short life. Attempting to steal a dangerous weapon from a restricted alien vault, Aphra finds herself surrounded and slated to die, that is until Darth Vader, Dark Lord of the Sith and overall badass suddenly appears and saves her.

Vader is engaging in a high-risk power play against the Emperor and Aphra has just become his most useful pawn, whether she likes it or not. Working as his agent, Aphra must utilise her skills as a con-woman, genius technician and criminal mastermind to help Vader achieve his goals: depose the Emperor and find his new obsession, the pilot who blew up the Death Star, Luke Skywalker. Determined to stay on Vader’s good side, Aphra, with the help of her two friendly murder droids, Triple-Zero and BT-1, helps her new master engage in all manner of shenanigans across the universe, including kidnappings, torture and elaborate heists. However, Aphra knows that all it will take is just one mistake or slip-up to earn her new employers’ deadly wrath. To avoid her inevitable appointment with Vader’s crimson lightsaber, Aphra will need to pull out every trick in her impressive arsenal if she is to survive. But can even the great Doctor Aphra outsmart Darth Vader and the entire Empire, or has the smartest woman in the galaxy finally met her match?

Well this is an exceedingly fun and entertaining entry in the Star Wars expanded universe which provides a new angle to the tale of Doctor Aphra. Doctor Aphra is an incredible and complex character who has only been recently added into the canon. Introduced in the opening issues the 2015 Darth Vader comic book series, Doctor Aphra served as a major supporting character for much of the series run, entertaining readers with her antics and ability to survive working for Darth Vader. Aphra proved to be an extremely popular character, and this resulted in the character getting her own comic book series (which ironically lasted more issues than the Darth Vader series she was introduced in). The Doctor Aphra series ended up being an amazing hit thanks to some exceptional writing and it is one of my favourite pieces of Star Wars tie-in fiction (make sure to check out my reviews for the last two volumes in the series, Unspeakable Rebel Superweapon and A Rogue’s End), and there is even a second Doctor Aphra series on its way. It seems that Aphra’s popularity has continued to grow as earlier this year this Doctor Aphra audio drama was released, written by talented author Sarah Kuhn. This proved to be an exceptionally impressive audio release that does an amazing job bringing this fantastic character into an entirely new format. This audio drama has a run time of around five and a half hours, which listeners are able to breeze through in no time at all.

The Doctor Aphra audio drama contains an intriguing and captivating story that follows the character as she engages in all manner of adventures in service to Darth Vader and her own survival. Told entirely from the perspective of Aphra as she makes a series of recordings to an unknown person, and set shortly after the events of Star Wars: A New Hope, this story follows Aphra through the entirety of her ill-fated association with Darth Vader. This employment places her in all manner of danger, as she completes a series of tasks important to Vader, including an elaborate heist; gets in the middle of a deadly conflict between Vader, one of his rivals in the Empire, and the protagonists of The Original Trilogy; and finds herself a prisoner of the Rebel Alliance before eventually attempting to manipulate the Emperor for her own ends. At the same time, Aphra is constantly balancing on a knife’s edge, as her beloved boss has made it abundantly clear that he will kill her the moment she displeases him. This forces Aphra into a number of tense and dangerous situations as she needs to convince Vader to keep her alive throughout the entire book. This struggle to stay alive adds a substantial amount of suspense to the audio drama, as the listener really wants this entertaining character to survive, and it eventually leads to an outstanding and epic conclusion. All of this proves to be an exceedingly captivating adventure, and listeners are in for an exciting and hilarious time, especially with Aphra’s entertaining and over-exaggerated narration of the events occurring.

While I did really enjoy the story contained within this audio drama, I do need to point out that it is not actually an original tale; instead it is an adaption of several canon comic book series, namely the comics that featured Aphra’s early adventures. The first part of the audio drama adapts most of the first two volumes of the 2015 Darth Vader comic series, Volume One: Vader and Volume Two: Shadows and Secrets. From there the story follows the course of the crossover limited series, Vader Down, before moving on to the events of the fourth volume of the 2015 Star Wars comic, Rebel Jail. Finally, the story returns to the Darth Vader comic, utilising parts of the fourth and final volume, End of Games. Doctor Aphra proves to be an exceptional adaptation of these comics although they only show off the events that Aphra herself witnessed or was a part of. I had an amazing time listening to this adaptation and I really enjoyed seeing several of the amazing events that originally occurred on the page being brought to life by this enjoyable performance.

People interested in listening to this audio drama do not need to have read the adapted comics first, as Kuhn provides Aphra with a great deal of narration that explains her role in the story and all the events leading up to the comics. As someone who has read the comics before listening to this audio drama, I found that there was a lot in this production for fans of the comic. I personally really enjoyed seeing these events from Aphra’s perspective (as the original comics mostly followed main characters such as Vader, Luke, Leia, and Han), and it was extremely interesting to see her thoughts on the various events occurring. The author also comes up with a lot of additional backstory that helps to enrich Aphra’s involvement in the narrative, which fans of the character will really appreciate. While I had a great time listening to this audio drama, I did notice that several events were glossed over, mainly because Aphra did not witness them occur in the comics. For example, you have no idea who is behind several of the battles or attacks that Aphra finds herself in the middle of, with Aphra herself giving limited explanations for them. While I knew full well what was going on, people who haven’t read the comics are going to be full of questions and this may make the audio drama a little confusing at times. That being said, this was still an outstanding and deeply enjoyable production, and perhaps it will encourage listeners to check out some of the adapted comics (trust me, they are awesome).

One of the best things about this audio drama was the way in which the narrative explored the complex and exceedingly likeable character of Doctor Chelli Aphra. Aphra is a clever, impulsive and chaotic rogue archaeologist who is obsessed with ancient technology, particularly unusual droids and dangerous weapons. Aphra is a wildly entertaining character who is essentially an amoral version of Indiana Jones that has no problems cheating or betraying people who she encounters, as long as she gets to hold onto the valuable antiques or can sell them for vast amounts of money (none of her loot belongs in a museum!). Aphra appears to have a relentlessly positive personality, providing the listener with a string of continual jokes and funny observations with an infectious amount of enthusiasm. However, deep down Aphra is actually a deeply damaged individual who has suffered a number of losses and betrayals that impact her current outlook on life and other people.

Despite the fact that Aphra is the very definition of an unreliable narrator (she literally deletes or edits the parts of the story she does not like to suit her agenda), I felt that this audio drama does an amazing job exploring this wily protagonist. Having Aphra’s inner monologue about the events occurring during this story proved to be not only entertaining but also very enlightening, and it showed some fascinating glimpses of her inner personality and emotional state. While much of Aphra’s story was previously explored in the comics that Doctor Aphra is based on, this adaptation does go a little further, pulling in some backstory that was introduced in the later Doctor Aphra comics and expertly working it into this narrative. Kuhn also comes up with some additional history that is unique to this production, including a number of scenes that explore her previous romantic relationship with Sana Starros. While this relationship has been mentioned and discussed in several of the comics, this is probably the most in-depth examination of it in the canon and it becomes an important part of the overall plot. I really enjoyed the way in which Doctor Aphra examined its titular protagonist and I felt that the story really captured her essence and outrageous personality.

This audio drama sports an amazing voice cast and each of them does a fantastic job in this production. However, I really must highlight the performance of Emily Woo Zeller, who portrayed the titular character. Zeller is an experienced and talented narrator who has contributed to a huge raft of audiobooks, including several I am quite interested in checking out, such as Cyber Shogun Revolution by Peter Tieryas. Due to how the audio drama is written, Zeller’s voice is the one we hear the most throughout Doctor Aphra, as she recounts all of the characters dialogue and the overall narration of this book. I really loved the way that Zeller portrayed the character of Aphra in this audio drama and I thought she got all the aspects of the character down perfectly. Zeller gives a particularly energetic performance throughout this adaption, and listeners get a real sense of the mischievous and over confident outer shell that Doctor Aphra portrays to everyone she meets. However, Zeller also captures the vulnerable nature of this complex protagonist, showing off the character’s full range of emotions when she is scared, angry or contemplating her many regrets. This rich and amazing performance from Zeller really helps to make this audio drama something special, and I am really glad that she was able to bring Doctor Aphra to life in such an exceptional way.

Doctor Aphra also makes use of several other impressive voice actors throughout this audio drama, each of whom are portraying major Star Wars characters who Aphra interacts with through the course of this adventure. This audio drama features a who’s who of Star Wars audiobook narrators, many of whose works I have previously enjoyed in a range of productions including the previous Star Wars audio drama, Dooku: Jedi Lost. These additional narrators include Jonathan Davis (who I previously enjoyed in Star Wars: Master and Apprentice and Lords of the Sith), Sean Kenin (Death Troopers), Euan Morton (Tarkin), Catherine Taber (Queen’s Peril and Queen’s Shadow), Marc Thompson (Thrawn, Thrawn: Chaos Rising, Dark Disciple and Scoundrels), Sean Patrick Hopkins, Nicole Lewis and Carol Monda. Each of these voice actors did an exceptional job of bringing their various characters to life throughout Doctor Aphra. I particularly enjoyed Marc Thompson’s Darth Vader and Euan Morton’s Emperor, as both voice actors brought some realistic menace to these iconic villains. Catherine Taber, who is best known for her portrayal of Padme Amidala in The Clone Wars animated series, does an excellent Princess Leia in this production, and I really appreciated the choice to cast her. Sean Patrick Hopkins does a really cool Luke Skywalker, and I was really struck by how close he got to a younger Mark Hamil’s voice. I also really enjoyed Sean Kenin’s Triple-Zero, and I felt he really captured the essence of this crazy character. Each of these side characters added a lot to the production as a whole and, while they were not as heavily featured as Aphra, each of them had their own entertaining moments and interactions. I particularly loved the threatening aura that Darth Vader exhibited towards Aphra, and there is also a very entertaining interaction between Aphra and Han Solo that results in some of the best jokes in the entire production. You also have to love the fact that Aphra ends up with a posse that essentially reflects the main characters from The Original Trilogy, with a protocol droid (Triple-Zero), an Astromech (BT-1) and a Wookie (Black Krrsantan). Of course, Aphra’s friends are all dangerous killers, which makes for some extremely entertaining and deadly encounters.

In addition to featuring an impressive voice cast, Doctor Aphra also features the full range of iconic Star Wars sound effects and musical scores that were made famous in the movies. Pretty much every action that occurs within the book is accompanied by a sound effect, whether it be blaster fire, the sound of engines or even a susurration from other people in a crowded room. I always love how these sound effects helped to create an atmosphere throughout the course of a Star Wars novel, and I felt that they were particularly useful for this audio drama format due to the lack of narration that a standard audiobook would have. I also have to talk up the excellent use of the incredible Star Wars musical score that features during several key scenes of the novel. Hearing this music during some of the most pivotal, dramatic or action-packed sequences makes the narrative seem that much more epic, and I absolutely loved hearing this music throughout this production. The use of the sound effects and music enhances the story in immeasurable ways, and it helps to turn this audio drama into an exceptional treat for the ears.

Star Wars: Doctor Aphra is an impressive and deeply enjoyable audio production that brings fan-favourite character Chelli Aphra into a whole new light. Cleverly adapting several amazing Star Wars comics, the Doctor Aphra audio drama features an interesting story from author Sarah Kuhn that shows the events from the perspective of the chaotic and duplicitous titular protagonist. Featuring an exceptional voice cast, Doctor Aphra proves to be an extremely entertaining and exceedingly addictive listen that I had a very hard time turning off. I personally think this was one of the best audio productions of 2020 and it comes highly recommended both to general Star Wars fans and to those who have read the adapted comics. I had an amazing time listening to this audio drama and I hope that they think about adapting the later Doctor Aphra comic book series next as there are some impressive storylines featured in there.

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Throwback Thursday: Star Wars: Vader Down

On May 1, 2020May 2, 2023 By The Unseen LibraryIn Comics/Manga, Extended Universe, Five-Star Books, Science Fiction, Star Wars, Throwback Thursday10 Comments

Publisher: Marvel Comics (Paperback – 19 April 2016)

Series: Crossover – Featuring Issues from Star Wars (2015) and Darth Vader (2015)

Writers: Jason Aaron (Star Wars: Vader Down #1, Star Wars #13-14) and Kieron Gillen (Darth Vader #13 – 15)

Artists: Mike Deodato (Star Wars: Vader Down #1, Star Wars #13-14) and Salvador Larroca (Darth Vader #13 – 15)

Colourists: Frank Martin Jr (Star Wars: Vader Down #1, Star Wars #13-14) and Edgar Delgado (Darth Vader #13 – 15)

Letterers: VC’s Joe Caramagna (Star Wars: Vader Down #1, Darth Vader #13 – 15) and Chris Eliopoulos (Star Wars #13-14)

Length: 152 pages

My Rating: 5 out of 5 stars

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Reviewed as part of my Throwback Thursday series, where I republish old reviews, review books I have read before or review older books I have only just had a chance to read.

For this latest Throwback Thursday I go back and look at the epic and deeply enjoyable Star Wars comic book crossover extravaganza, Star Wars: Vader Down.

Vader Down was a crossover, published in late 2015 and early 2016, of two of the best Star Wars comic series at the time, Star Wars (2015) and Darth Vader (2015). These two series ran side by side during this period and were set between the events of A New Hope and Empire Strikes Back and expanded the new Disney Star Wars canon. Both of these series were extremely good in their own right, with some very impressive comics during their early run (check out my reviews for some of these earlier volumes, Skywalker Strikes, Vader and Shadows and Secrets, all three of which got five-star reviews from me). These two comics ended up converging during the events of this crossover, with both series’ creative teams pooling their efforts to tell an exciting and action-packed tale. Vader Down is made up of a single introductory issue (Star Wars: Vader Down #1), two issues of Star Wars (2015) (issues #13-14) and three issues of Darth Vader (issues #13-15)

Darth Vader is a man on a mission. Ever since he discovered that the Rebel Alliance pilot who destroyed the Death Star was Luke Skywalker, the son he never knew he had, Vader has been scouring the galaxy for him, determined to claim Luke and use him to take control of the Empire. It finally appears that his patience has been rewarded, as his sources have revealed that Luke is visiting an abandoned Jedi temple on the planet of Vrogas Vas. However, Vader is unaware that he is falling into a trap set by one of his rivals, the Mon Calamari cyborg Commander Karbin. Instead of finding Luke by himself, he discovers an entire Rebel fleet orbiting a planet housing a secret Rebel facility. Despite being outnumbered, Vader is able to fight off the Rebel pilots trying to kill him, until Luke, in a desperate move, smashes his fighter into Vader’s ship, sending them both crashing down to the planet’s surface.

Now on foot, Vader sets out across the desolate planet to find his wayward son and turn him to the Dark Side of the force. However, the Rebels send a significant force to Vrogas Vas to capture or kill Vader. But even surrounded and outnumbered, Vader is more than a match for anything the Rebels can throw at him, and it seems only a matter of time before he finds his son. Luke’s only hope to survive lies in his friends, as Princess Leia, Han Solo, Chewbacca, C-3PO and R2-D2 all set out to save him. However, Luke is not the only one with friends on the way, as Vader’s reluctant agent, Doctor Aphra, also sets course to Vrogas Vas in order to save herself from being murdered by her employer for this debacle. By her side are three of the most dangerous beings in the galaxy, the murderous droids Triple-Zero and BT-1, and the vicious Wookie bounty hunter Black Krrsantan.

As the two sides engage in all-out war across the planet’s surface, neither is aware of the danger coming for both of them. Imperial forces under the command of Commander Karbin have come to Vrogas Vas in the aftermath of the conflict not only to capture Luke but to also kill Vader so that Karbin can take his place by the Emperor’s side. Can Vader and the Rebels survive the onslaught of Karbin and achieve their desires, or is this the end of all of them?

Wow, wow and wow!! This crossover is just plain incredible as the two talented creative teams of the Star Wars and Darth Vader comic book series come together to create an action-soaked masterpiece. I absolutely loved this fantastic and inventive story, which not only contains a substantial standalone adventure but which advances both series in some rather interesting ways, especially when it comes to separating the character of Dr Aphra and moving her briefly into the Star Wars comic series. The story contained within this volume is really amazing, as it sets a rampaging Darth Vader against a swath of enemies while the great characters from both series face off in a rather entertaining battle of their own. All of this is set to some incredible artwork from the two series’ respective artistic teams, which brings the phenomenal action to life in all its destructive glory. Unsurprisingly, this comic gets a full five-star rating from me, and it is easily one of the best crossover comics that I have ever read.

Vader Down features six separate comic book issues, including an introductory issue, three issues from the Darth Vader series and two issues from the Star Wars series. Each of these comics has been written and drawn by the creative team of their respective series, with the Star Wars issues written by Jason Aaron and featuring the art of Mike Deodato, Frank Martin Jr and Chris Eliopoulos, while the entries from the Darth Vader comics are written by Kieron Gillen and contain the art of Salvador Larroca, Edgar Delgado and Joe Caramagna. The introductory issue, Star Wars: Vader Down #1, was also written by Aaron and drawn by the Star Wars artistic team (although with Caramagna doing the lettering rather than Eliopoulos), and this allows both creative teams to contribute three separate issues to this crossover. The story is set out in an alternate fashion, with the narrative beginning in Star Wars: Vader Down #1 and then continuing in Darth Vader #13, than going to Star Wars #13 and so on and so forth all the way till the volume’s end at Darth Vader #15. This proved to be quite an interesting way to set out the volume, and I think that it really speaks to the coordination and discussions that must have occurred between the two separate creative teams.

Like most pieces of Star Wars tie-in fiction, Vader Down is naturally geared more towards those established fans of the franchise, especially those who have some history and knowledge of the extended universe. However, I would say that this is definitely a comic that can be enjoyed by casual fans of the Star Wars franchise, especially as the story is very easy to enjoy and appreciate. Readers do not need a massive amount of knowledge about the comic series that are crossing over in order to enjoy Vader Down. I myself had not read any of the Star Wars (2015) comics when I first enjoyed this volume, and I experienced no problems whatsoever following the plot. That being said, it might prove useful to read the first two volumes of the Darth Vader series first, as that serves to introduce several supporting characters in the volume, as well as the main antagonist.

I felt that one of the biggest strengths of this comic is the way that it utilised and portrayed several iconic Star Wars characters, and I particularly loved how Darth Vader is featured in this crossover. I am a massive fan of the character of Darth Vader, and I am really enjoying how all the current pieces of Star Wars extended fiction portray him as a destructive powerhouse, perhaps as a way to rehabilitate him after the prequel films. However, Vader Down really takes this into overdrive as Vader finds himself alone on a planet surrounded by a vast army of enemies who are hunting him. While on paper it would seem that Vader is at a disadvantage, this really does not prove to be the case, as Vader tears through everyone who stands between him and Luke, often in some particularly devastating manners. Vader comes across as a massive badass in this comic, and I loved every second of it. From the way that he nearly takes out an entire fleet of Rebel fighters right at the beginning (only being stopped by a Kamikaze attack from Luke), to the continuous and effortless destruction of every Rebel he comes across (note to self: never wear grenades anywhere near a Force user), nothing seems to stop Vader, and it is pretty darn impressive.

I also love how Vader has some of the best lines in this volume as well, from his response to a request from Aphra to run: “I am a lord of the Sith. They are the ones who should be running”, to his fun response to a Rebel leader who tells him that he is surrounded (shown in the midst of a great full double page spread, just to show how surrounded he is): “All I am surrounded by is fear. And dead men.” However, his best line occurs later in the volume when he engages Commander Karbin in a particularly cool looking lightsaber duel. Karbin, whose enhancements make him resemble General Grievous, is gloating about how much better he is than Vader as he can wield four lightsabers to Vader’s one. However Vader, after throwing a massive statue at him simply responds with: “When you wield the power of the Dark Side one lightsaber is all you need”, which I thought was a pretty badass line, which also reveals why you never see Vader bothering with something more fancy like his Inquisitors do. Needless to say, I thought this portrayal of Vader was very epic and awesome, and it definitely is one of my favourite appearances of this character.

In addition to the amazing use of Darth Vader in this comic, I thought that the creative teams did a great job including the supporting characters from the Darth Vader series, namely Dr Aphra, Triple-Zero, BT-1, and Black Krrsantan. These four characters are, in manner different ways, all rather fun and evil doppelgangers of some of the key characters from the original trilogy. Black Krrsantan is an ultra-violent Wookie bounty hunter, more concerned with killing and money than saving lives like Chewbacca. Triple-Zero is pretty much a snarkier version of C-3PO who delights in torture and mutilation and has the inbuilt tools to back it up. BT-1 is an astromech like R2-D2, except he is loaded up with all manner of firepower and he has a nasty habit of melting anyone he dislikes, and BT-1 dislikes pretty much everything and everyone. Finally, you have Dr Aphra, who is a notorious rogue and thief like Han Solo, except rather more successful. She is also a fully trained archaeologist who uses that ability to rob tombs for valuable artefacts, essentially making her a cross between Han Solo and Indiana Jones. Vader Down is the first time that the supporting characters from the Darth Vader series actually meet their more iconic counterparts, and the results are extremely entertaining.

There are quite a few great moments throughout this volume where these two groups of characters come together, and they are all pretty fun. Some of my favourites include an extended brawl between the two Wookies, Chewbacca and Black Krrsantan, as they fight to achieve their opposing goals. This turned into quite a brutal matchup and it definitely does not end in the way that most people would expect. There is another cool scene where BT-1 faces off against R2-D2, who is trying to defend Luke from the evil droids. The two get into a vicious argument of beeps (apparently) and R2-D2 pulls out his built-in taser to fight off his opponents. However, BT-1 is rather better armed, and the sudden appearance of a mass of blasters, missiles, a flamethrower and other assorted weapons from BT-1’s chassis is enough to make R2 run off rather quickly, although he gets a measure of revenge later in the volume. Triple-Zero has a fun time imitating C-3PO at one point in the comic (all it takes is a coat of gold paint) and the subsequent meeting between the two protocol droids does not go well for Threepio (let us just say he gets disarmed).

My favourite out of all these interactions between the classic Star Wars characters and the new ones established in the Darth Vader series has to be the fun meeting between Han Solo and Aphra. Aphra is probably one of my favourite new characters in the current Star Wars canon (make sure to check out my recent review for A Rogue’s End, the seventh volume of her spinoff series), and her fun sense of humour really shines through in this encounter. There is a pretty funny scene towards the front of the book, when Aphra, researching the members of the main Star Wars cast, sees Han Solo and responds with an uber sarcastic: “Han Solo. The Han Solo. Oh me, oh my. What are we going to do facing Han Solo?” When they subsequently meet, Aphra continues to be unimpressed by Solo, deflating his ego over his apparently insubstantial reputation and managing to scare him with her own name. They two share some rather good verbal barbs before the shooting starts, and I think that the writers came up with the best resolution to this fight, which can only be described as an unintentional and funny draw. Overall, I really loved seeing all these fantastic characters coming together in this volume, and it is an impressive and entertaining highlight.

While most of the character arcs in this book lean more toward either humour or pure destruction, the writers also did a rather good emotional storyline around Princess Leia. Leia arrives on Vrogas Vas to lead the hunt for Vader, and eventually ends up coming face to face with him. As this is the first time Leia has seen Vader since he stood by and watched the destruction of Alderaan, this proves to be a rather hostile meeting, and Leia is overcome with a desire for revenge and is willing to sacrifice herself and her friends to see Vader taken out. There are some great moments throughout Leia’s scenes in the book as she presents her righteous indignation towards Vader, whose response is less than repentant: “This is not a war, Princess. Wars are for lesser men than the Emperor and myself. This is a series of executions. And yours is long overdue.” All of this gets pretty intense, and Leia actually tries to commit suicide at one point in an attempt to take Vader with her. She is eventually broken out of her mission for revenge thanks to an urgent plea for help from C-3PO, who is watching the rest of their group getting attacked and captured. All of this proved to be a rather powerful and emotional storyline within this volume, and I think its inclusion helped to enhance and elevate the entirely of the comic’s plot.

I also must highlight how impressive the two separate artistic teams were, as both groups of artists come up with some fantastic sequences in Vader Down. As I mentioned above, the issues alternate throughout the volume, and as a result the artistic style of the comic changes with each new issue. There is a rather distinctive difference in the designs and illustrations of the two separate teams, and it proved interesting to jump between these styles each issue. I liked both unique art designs and colourations (with perhaps a slight preference towards the Darth Vader comics style), and I think that they all did an excellent job of portraying the epic story. It actually proved to be rather intriguing to see the separate teams have a go at drawing some of the characters who usually appeared in their counterparts’ comics, and it was also cool to see sequences that lasted more than one issue (such as the lightsaber duel between Vader and Karbin) go through some stylistic changes with each changing issue. There are a huge number of amazingly drawn scenes throughout this comic, although I think the best highlights had to include the extremely impressive starfighter battle in the first issue, with all the blaster bolts and explosions occurring out in space. Other cool scenes included a sudden spaceship crash in the final issue and a series of explosions and lightsaber work in the front of the volume’s second issue. I also liked how both teams of artists utilised the desert landscape of Vrogas Vas in their drawings; the constantly swirly dust really helped to enhance some of the battle scenes in this book and bring a sense of movement and a planet disturbed by violence and death. As a result, I think that both teams of artists did an outstanding job throughout the comics that made up Vader Down, and it certainly helped to enhance the epic experience I had reading this crossover volume.

Vader Down is an immensely cool and exhilarating Star Wars comic that serves as an impressive crossover between two excellent comic book series. This combination of the Star Wars (2015) and the Darth Vader comics proved to be deeply entertaining and it is a clear example of how awesome the Star Wars extended universe can truly be. An absolute blast from start to finish, with non-stop action, eye-catching artwork and some clever character work, Star Wars: Vader Down is a must-read comic for all Star Wars fans and I cannot recommend it highly enough.

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Star Wars: Doctor Aphra: Volume 7: A Rogue’s End

On April 30, 2020May 2, 2023 By The Unseen LibraryIn Comics/Manga, Extended Universe, Five-Star Books, LGBT+, Science Fiction, Star Wars8 Comments

Publisher: Marvel Comics (Paperback – 11 February 2020)

Series: Doctor Aphra – Volume 7

Writer: Simon Spurrier

Artists: Caspar Wijngaard (Doctor Aphra #37-40, Star Wars: Empire Ascendant), Elsa Charretier (Doctor Aphra Annual #3)

Colour Artists: Lee Loughridge (Doctor Aphra #37-40, Star Wars: Empire Ascendant), Edgard Delgado and Jim Campbell (Doctor Aphra Annual #3)

Letters: VC’s Joe Caramagna (Doctor Aphra #37-40, Doctor Aphra Annual #3), Clayton Cowles (Star Wars: Empire Ascendant)

Length: 144 pages

My Rating: 5 out of 5 stars

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So I just got through with watching the latest episode of Star Wars: The Clone Wars and it’s put me in a Star Wars mood (well, more of a Star Wars mood than usual), so I thought I would get a review together for the seventh and final volume of the excellent 2016 Doctor Aphra series, A Rogue’s End.

The Doctor Aphra series is an outstanding comic book series that I have been really getting into over the last couple of years. Spinning off from the 2015 Darth Vader comics, this series features a witty and unique protagonist in its titular space archaeologist, Doctor Aphra, who blasts around the universe bringing chaos and disorder in her wake. This has probably been one of my favourite comic book series of the last couple of years, and it is easily my top Star Wars comic at the moment. Unfortunately, this current run of Doctor Aphra has just come to an end, although a new Doctor Aphra series is just starting up with a different creative team. Writer Simon Spurrier and his artistic team produced an incredible and satisfying conclusion to their Doctor Aphra run with A Rogue’s End, the sensation final volume that follows on from the events of the excellent sixth volume, Unspeakable Rebel Superweapon, and is set just before the events of The Empire Strikes Back.

After saving the Emperor’s life from an assassination plot, archaeologist, scam artist and all-around disaster zone Doctor Chelli Aphra thought that she would finally be safe. Instead she finds herself trapped in the one place she has been running from for years, in the clutches of the most dangerous person in the galaxy, Darth Vader. Vader desperately wants Aphra dead, as she knows his darkest secret, his obsession with Rebel pilot Luke Skywalker, and it is only a matter of time before he finds an excuse to kill her.

Trapped aboard Vader’s Star Destroyer with her young companion, Vulaada, Aphra’s only chance to survive is prove her usefulness and help Vader find the location of the new Rebel base. However, Aphra is nothing if not resourceful, constantly looking for a way to game the system and extend her life. An encounter with a mysterious figure in an ancient temple seems to offer her the best chance of survival, until she finds out that it is her Jedi-obsessed father, Korin Aphra, once again causing trouble.

With the fate of everyone she loves in the balance, Aphra begins to devise another elaborate plan. With the help and hindrance of her ex-girlfriend, Captain Magna Tolvan, and the murderous droids BT-1 and Triple Zero, Aphra sets out not only to fool the entire Empire but to finally bring her affiliation with Darth Vader to an end. Can Aphra pull off the greatest con of her career, or will all her lies and deceit finally bring her the grisly end she has been running from for years?

Well that was another damn impressive and deeply enjoyable Doctor Aphra comic. Spurrier, who has been working on this series since late 2017 (when he cowrote issue #14 with Kieron Gillen, one of the original creators of the character), brings this series to an epic and satisfying conclusion with another incredible group of stories. This seventh volume of the series contains issues #37-40 of the Doctor Aphra series, as well as the Doctor Aphra Annual #3 and material from Star Wars: Empire Ascendant #1. This whole volume was deeply captivating and I loved every second that I was reading through it, especially as it combines and excellent story with some fantastic artwork.

At the centre of this book is an exciting and clever story of survival, deceit and redemption. The four issues of the Doctor Aphra series (#37-40) contain an amazing storyline that follows the series protagonist as she attempts to get out of the most dangerous situation she has ever found herself in. Spurrier tackles these final four issues with the same style that he has employed for most his run, blending together a tale of deceit, double-crossing and survival in the Star Wars universe with humour, fantastic action and a deep analysis of the troubled and complex character that is Doctor Chelli Aphra. This results in an addictive overarching narrative that is not only incredibly entertaining, but which also gets quite moving and emotional at times, especially when Aphra encounters all the important people in her life, many of whom have been damaged in one way or another by her selfish actions. I have to say that I was particularly impressed with Aphra’s master plan in this comic, especially as it not only showed off her skills for deceit and manipulation but it was motivated by a genuine desire to help those she loved, which represents some significant series-wide character development for her. I also appreciated how the whole storyline has some major connections to the events of The Empire Strikes Back, and I liked how it was tied in more to the main plot of the movies.

One of the other things that I really loved about this comic was the way that Spurrier wrapped up a ton of the storylines around some of the great supporting characters that have made this series such a treat. In particular, she manages to have some touching final meetings with her father, her ex-girlfriend, Tolvan, and her young sidekick, Vulaada, and this volume serves as a rather good conclusion to their various storylines (although I hope that they do appear in the future series). Her final meeting with Tolvan was pretty great, as the two have had a particularly chaotic and damaging love affair due to the actions of Aphra, and it was nice to see her finally prove Tolvan wrong and do the right thing for her. I also loved some of the scenes between Aphra and her father, and there is one incredible sequence where Aphra concisely recounts some of the adventures she has had throughout the series, and her father finally provides her with the advice and guidance that she has always sought from him. I really appreciated that Aphra finally gets some closure with these supporting characters, and in the three cases above she goes out of her way to protect them and bring them together to ensure that they have better lives. This is a major change in direction for Aphra, whose entire series has seen her repeatedly screw up and destroy the lives of everyone she meets, including those people close to her, something she is keenly self-aware of and deeply ashamed of. As a result, it was rather nice to see her finally step up and take responsibility for several people close to her, and to finally make what she sees as the right decision and leave them behind: “Love is letting go.” I also enjoyed the return of the two murder droids, BT-1 and Triple Zero, who have been highlights of both this series and the preceding Darth Vader series. I felt that both of them are rather well utilised in this story, and quite frankly you could not have wrapped this series up without them. It looks like both of them are going to be major features (in some form or another) of the next Doctor Aphra series, which should be fun.

Another character who Aphra gets a bit of closure within this volume is her oppressive employer, Darth Vader. Aphra and Vader have a complex and lengthy history together, dating back to the 2015 Darth Vader series where Vader forcibly recruited Aphra, and which ended with Vader believing that he had killed her, only for Aphra to trick him. Aphra has spent the subsequent run of her series constantly trying to stay off Vader’s radar, and continuously tricking him into believing that she is dead. However, after the events of Unspeakable Rebel Superweapon, she is firmly in his clutches and waiting to die. I really loved the whole interaction between Aphra and Vader in this volume, as for most of it Aphra is trying to trick or convince Vader to keep her alive, while Vader is looking for an excuse to kill her. This pretty much makes Aphra the most desperate we have ever seen her, as she is still rather traumatised from the events of Vader’s first attempt to kill her, and still gets an interesting array of nightmares about them. Despite this, Aphra is eventually able to turn the tables of Vader, thanks to her cunning, knowledge about the force, pieces she has gleaned from Vader’s past and technical ability. The way she is able to take him down is pretty impressive: “Don’t pick a fight with an archaeologist in a spooky old ruin. And don’t wage war against a tech criminal if you’re half a machine.” It makes for a great sequence, especially when she uses Vader’s own scary reputation against him. This scene also allows Aphra to have a memorable heart-to-heart with Vader, and she discusses the similarities the two of them share, mostly about how they are both living with a massive amount of regret. In the end, Aphra decides against killing Vader, saying, “I’m your biggest fan,” even though she knows that Vader will come after her in the future, even more determined to kill her. She actually has a rather poignant farewell with Vader, saying, “In a funny sort of way, you’re the best thing that ever happened to me,” which says a whole lot about Aphra’s messed up character, but is a fun and fitting reversal of how Vader ended their partnership in his series.

This volume features some tremendous illustrations from a truly talented team of artists. I really enjoyed the artwork that was featured within this story, and I think that it did a fantastic job of conveying and enhancing the complex and enjoyable storylines that the writer came up with. There are a number of well-drawn and well-portrayed sequences throughout this volume, although I particularly liked the one that made up the majority of issue #40, which featured Aphra facing off against Vader in a ruin filled with traps. There was also a rather good extended conflict between Aphra and Tolvan throughout a Rebel Alliance a spaceship that the drawings helped make particularly fun and chaotic, and which also did a good job of showing off the anger and complex emotions that filled their relationship. Overall, there was some fantastic artwork in this volume, and I think that the artists did an excellent job bringing the great characters and excellent story to life.

Most of what I mentioned above takes place in issues #37-40 of the Doctor Aphra series, but this volume also contains two extra stories, the Doctor Aphra Annual #3 and the parts taken from Star Wars: Empire Ascendant #1. Both of these inclusions were also written by Spurrier and are really tied into the narrative contained within the main plot of the volume, and I felt that these two inclusions did a lot to enhance my overall enjoyment of A Rogue’s End.

I did quite enjoy the fun story contained with the Doctor Aphra Annual #3, which focuses on some of the great supporting characters from the Doctor Aphra series. The self-contained story in this annual issue sees Aphra try to repay her debt to the monster hunters Winloss and Nokk, who previously saved her life, by providing them with information she is privy to while aboard Vader’s star destroyer. This information leads these two hunters to the Mos Eisley Cantina on Tatooine, where another former associate of Aphra, the Wookie bounty hunter Black Krrsantan, is in residence. This leads into a rather fun story which sees these characters and a rather slimy bartender go through all manner of trouble just for a measure of revenge. This was an excellent and compact story that contains a clever revenge plot, and it’s pretty damn hilarious. I liked how this annual followed the lead of the other stories in this volume by focusing on Aphra bringing together some of the side characters from the series, presenting the reader with a good conclusion to their association and storyline with Aphra. This story featured a different artistic team to the rest of the volume, resulting in a different and distinctive drawing style for the entire issue. I actually rather liked the style that this separate artistic team came up with, and I think that it fit the more humour-based storyline that that Spurrier came up with. Overall, this latest issue of the Doctor Aphra Annual made for an amazing entry in this volume, and I think that it worked extremely well with the other issues featured within it.

This volume also contained material from Star Wars: Empire Ascendant #1, which makes up a small story at the end of the book. This material focuses on the three people that Aphra saved throughout A Rogue’s End, Tolvan, her father and Vulaada. They are all on Hoth when the message that Aphra was composing in the final Doctor Aphra issue is received by the Rebel Alliance. This leads to a rather heartfelt and emotional scene in which the three of them discuss whether their lives where made better or worse by knowing Aphra, and whether she ever did anyone any good. Their musings are interrupted by one of the few other people in the Rebel Alliance who had any dealings with her, Luke Skywalker, who provides some information about a good deed she performed after the last time they saw her. I liked how Spurrier once again examine the chaotic and destructive personality of Aphra through the eyes of the people who knew her best, and it really matches the overall theme of the volume. I also liked the inclusion of Skywalker in this story, and it was a fun call back to the earlier volumes of the Star Wars (2015) series, which featured Aphra working with the main protagonists of the original trilogy. It was interesting to see Luke’s take on Aphra, and it is a bit of a crossover between the idealism of the main cast and the darker reality of the Star Wars universe that the cast of Doctor Aphra find themselves in. I had a good laugh at Tovan’s assessment of Luke as the farmboy who got bumped up to commander after one lucky shot, and I also loved their response to Luke’s glowing assessment of Aphra actually being a good person: “Should we tell him she also saved the Emperor’s life? Better not, nothing crueller than reality to a dreamer.” This short piece of material actually serves as a pretty good conclusion not only to the volume but to the Doctor Aphra series as a whole, and I think that its moving, character-driven storyline helped provide an emotional end to the entire series.

The seventh volume of the amazing Doctor Aphra series, A Rogue’s End, is another extremely entertaining and complex Star Wars story which I deeply enjoyed. Writer Simon Spurrier and his talented artistic team once again take the reader on another exciting and powerful adventure that not only serves as a great story in its own right but which also provides fans of Doctor Aphra with a meaningful and rewarding conclusion to the entire series. This volume gets a full five stars from me, and I would strongly recommend this volume, and indeed the entire series it concludes, to anyone looking for an outstanding and fresh Star Wars adventure.

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Throwback Thursday: Stars Wars: Lords of the Sith by Paul S. Kemp

On April 24, 2020May 2, 2023 By The Unseen LibraryIn Audiobook, Extended Universe, Science Fiction, Star Wars, Tie-in Novel15 Comments

Publisher: Penguin Random House Audio (Audiobook – 28 April 2015)

Series: Star Wars

Length: 10 hours and 56 minutes

My Rating: 4.5 out of 5 stars

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Reviewed as part of my Throwback Thursday series, where I republish old reviews, review books I have read before or review older books I have only just had a chance to read.

For my second Throwback Thursday article of this week (what can I say, I was in the zone for reviewing older content) I check out a fast-paced and addictive Star Wars novel that was released a couple of years ago, with Star Wars: Lords of the Sith by Paul S. Kemp.

It is the early days of the Galactic Empire. Under the reign of Emperor Palpatine, few openly oppose imperial rule, and those that do are swiftly dealt with by Palpatine’s ruthless apprentice, Darth Vader. But as the power and influence of the Emperor and Vader grow, so does their desire to rule and oppress every planet in the galaxy, and with that comes the first sparks of rebellion.

The planet Ryloth knows all about oppression and invasion. Following a brutal occupation during the Clone Wars, Ryloth now finds itself under the control of the Empire, which strips the planet of its natural resources while using the people for slave labour. In opposition to this occupation, an aggressive resistance moment has arisen, led by idealistic leader Cham Syndulla and his comrade Isval, a vengeful former slave. Thanks to their excellently placed sources, Syndulla’s resistance has been able to launch some substantial attacks against the Empire, but their actions have gained the attention of the Emperor and Vader. In a bid to assert his dominance on Ryloth, the Emperor sets out on a rare mission to the planet, accompanied by Vader. However, this is the opportunity that Syndulla has been waiting for.

Upon the Imperial’s arrival above Ryloth, the resistance fighters are able to do the impossible and blow up their Star Destroyer. Forced to abandon ship, the two Sith lords find themselves trapped on the dangerous surface of Ryloth with no means to communicate with Imperial command and no reinforcements on the horizon. In a bid to liberate the galaxy from their dark rule, Syndulla and Isval gather all their forces and resources to hunt the Emperor and Vader down. Surrounded by enemies, inhospitable terrain and terrible native fauna, the two Sith Lords appear to be at their most vulnerable. However, what Syndulla and his team fail to realise is that their prey are two of most dangerous beings in the galaxy, and together they are a force of unnatural destruction. Can the resistance fighters take on Emperor and Vader, and what happens when the two Sith lords work out that their biggest threat is each other?

Now this is a rather fantastic and captivating Star Wars novel that I have been wanting to check out for a while now due to the book’s cool concept. This is the first book that I have read by Paul S. Kemp, a fantasy author who has been writing since the early 2000s. His first novel, Twilight Falling debuted in 2003, after the author released several pieces of short fiction. Kemp then went on to write several fantasy series and standalone novels, including The Erevis Cale trilogy, The Twilight War trilogy and the Egil and Nix books, most of which fell within the Forgotten Realms shared fantasy fiction universe. Kemp has also written a few Star Wars novels, including Crosscurrent, The Old Republic: Deceived and Riptide, which were part of the old Star Wars Legends canon. Lords of the Sith is Kemp’s first novel in the new Star Wars canon, and he presents the reader with a fun and fast-paced novel that has some intriguing elements to it.

Kemp pulls together an excellent Star Wars novel that has a great story, is full of breathtaking action scenes and features compelling dives into some iconic Star Wars characters and elements of the universe. While I came for all the fun action that was bound to feature in a story surrounding the Emperor and Vader fighting against overwhelming odds, I stayed for the intriguing story that is full of betrayal and manipulations. The author does a fantastic job of utilising multiple character perspectives to tell a fuller story, which showed the perspectives of not only Vader and Syndulla’s resistance but also two Imperial officers stationed on Ryloth: one who is loyal to the Emperor and one who has been working for the resistance. This helped produce a really clever narrative, and it was interesting to see where Kemp took the story throughout Lords of the Sith.

The story is set five years after the events of Revenge of the Sith and focuses on the Emperor and Vader encountering some of the earliest forms of rebellion against the Empire. There are some strong elements from the extended Star Wars universe in this book, most notably with the inclusion of Cham Syndulla, a character who appeared in two Star Wars animated series, The Clone Wars and Star Wars Rebels, and is the father of Hera Syndulla, one of the main characters from Rebels (who is featuring in a lot of other pieces of Star Wars fiction at the moment). However, this is definitely a novel that can be enjoyed by the more casual Star Wars fan, and no real knowledge of the extended universe is needed to follow the plot. As always, though, those readers who are fans of some of the extended universe fiction are probably going to enjoy this book a little more. I myself enjoyed seeing the exploration of the early days of the Empire, an examination of Cham Syndulla’s history between the two animated shows and some exploration of the planet of Ryloth.

Without a doubt, the highlight of this book has to be the amazing action sequences featuring Darth Vader and the Emperor. Kemp went out of his way to show off just how badass these two characters can be, and he did not hold back any punches. Vader and the Emperor get into some major scrapes throughout the book, as they hunt or are hunted by members of the Ryloth resistance or some of the deadly creatures that reside on the planet’s surface. Needless to say, these two characters use all of their deadly Force abilities to take down swathes of opponents, and they come across as pretty impressive characters, especially in the eyes of some of the other point-of-view characters. I loved the reactions from characters like Syndulla or Isval, especially as it becomes more and more apparent to them that their opponents are something too much for them. I have always loved comics and books that showed off how badass Vader and the Emperor can be, and this is one of the better examples of this. Kemp started this book off strong by having Vader crash his fighter onto a ship to board it, before systematically taking down the crew one by one, while Syndulla and Isval are forced to listen from another ship (accompanied by Vader breathing heavily into a comms unit to freak everyone out). This is then followed by a plethora of other cool sequences, which includes Vader and the Emperor decimating a massive swarm of Ryloth’s apex predators and a particularly cool sequence where Vader started force choking several characters aboard a separate spaceship while he was flying upside down above them. All of this was exceedingly cool, and I loved Kemp’s amazing imagination when it comes to these two characters.

I also quite liked the intriguing examination of the unique relationship between Darth Vader and the Emperor that became an interesting central focus of the plot. While the story doesn’t show the Emperor’s point of view, you get Vader’s take on the situation, and through his eyes you see his perceptions of the Emperor, his thoughts on the partnership they have formed, and the knowledge that it will eventually end with Vader attempting to kill Palpatine to take his place. Palpatine, for his part, spends most of the story devising tests and challenges to get into Vader’s head and to ensure that his apprentice is loyal and has no thoughts of overthrowing him at the moment. I liked the compelling and clever examination of these two characters’ mindsets that Kemp pulled together, and I felt that he had a great handle on the personalities of these iconic Star Wars characters. I also rather enjoyed Kemp’s portrayal of the Emperor’s manipulative and purely evil nature, as it is revealed that everything that happens throughout the book is due to his design, and he threw away thousands of Imperial lives to achieve his goals. The revelation of this to some of key characters in this book makes for a great scene and I think that it really encapsulated just how evil the Emperor could be, which was pretty awesome.

Like with most Star Wars books that I read, I ended up checking out the audiobook format of Lords of the Sith, which was narrated by Jonathan Davis. This audiobook runs for just under 11 hours, and can be powered through quite quickly, especially once the listener hears the opening action sequence read out to them. I have to once again highlight that use of the cool music and sound effects that are included in all Star Wars audiobooks in order to enhance the story. Lords of the Sith had some great sound inclusions throughout its run time, and I felt that these definitely had a major impact on my enjoyment of this book. This audiobook features the audio talents of skilled narrator Jonathan Davis, whose work I have previously enjoyed in Star Wars books such as Master & Apprentice and Dooku: Jedi Lost. Davis does an incredible job narrating this book and he comes up with some impressive voices for the various characters featured throughout it. I particularly liked the great voices he came up for key characters like the Emperor and Darth Vader (with the help of some appropriate sound effects) and Cham Syndulla, and they sounded a lot like their appearances in the movies and animated shows. As a result, I really powered through this excellent audiobook, and I would strongly recommend this format to anyone who wants to check out Lords of the Sith.

Lords of the Sith is a fun and exceedingly entertainingly Star Wars novel that I had an outstanding time listening to. Kemp comes up with an exciting and action-packed story that not only explores some intriguing aspects of the expanded Star Wars universe, but which also contains some over-the-top action sequences that shows just how awesome a Star Wars novel can be. Lords of the Sith comes highly recommended to anyone looking for a fantastic and enjoyable read, and I hope that Kemp writes some more Star Wars novels in the future.

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Star Wars: Target Vader

On April 19, 2020August 23, 2022 By The Unseen LibraryIn Comics/Manga, Extended Universe, Science Fiction, Star Wars4 Comments

Publisher: Marvel Comics (Paperback – 11 February 2020)

Series: Standalone

Writer: Robbie Thompson.

Artists: Marc Laming (#1), Cris Bolson (#1, #5), Stefano Landini (#2-4, #6), Marco Failla (#5), Roberto Di Salvo (#5-6) and Georges Duarte (#6)

Colour Artists: Neeraj Menon (#1-4, #6) and Rachelle Rosenberg (#5-6), with Jordan Boyd (#1), Andres Mossa (#1), Federico Blee (#1, #4), Erick Arciniega (#1) and Giada Marchisio (#4).

Letterers: VC’s Clayton Cowles (#1) and Joe Caramagna (#2 – 6)

Length: 136 pages

My Rating: 4.25 out of 5 stars

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Have you ever wondered what would happen if a bunch of crazy bounty hunters went after Darth Vader? Wonder no more, as writer Robbie Thompson and a massive artistic team present Star Wars: Target Vader, a fun and action-packed adventure comic that sets a dangerous team of bounty hunters against the Dark Lord of the Sith.

There is a new criminal organisation dominating the known galaxy, calling itself The Hidden Hand. This nefarious and secretive group smuggles and sells weapons across all of Imperial Space, and while this might ordinarily be tolerated or barely noticed by the Empire, one of The Hidden Hand’s biggest clients is the Rebel Alliance, and this has attracted the worst kind of attention, in the form of Darth Vader. Vader has made it his mission to wipe out any trace of The Hidden Hand, and he has started scouring the galaxy for them, brutally destroying anyone who has had any contact or dealings with them.

Desperate to save themselves from a violent and painful death at the hands of Vader, The Hidden Hand attempt to turn the hunter into the hunted by hiring a group of bounty hunters to go after the evil Sith Lord. The man they choose to lead this suicidal mission is the notorious Beilert Valance, a former dedicated imperial soldier turned unscrupulous bounty hunter. Valance has a long and complicated history with the Empire, and he eagerly jumps at the chance to take a shot at Vader.

Valance finds himself in command of a crack team of bounty hunters, each of whom bears a grudge against Vader or the Empire and is willing to do anything to get their target. However, Vader is no ordinary quarry, and it will take far more than brute strength and firepower to take him down. Valance will need to make use of every ounce of skill and determination he has if the team is to succeed in their mission and kill the unkillable. But everyone involved on this mission has a secret. Who can really be trusted, and can a divided team truly bring down the most feared and dangerous man in the known galaxy?

This comic was written by Robbie Thompson, who is probably best known as a screenwriter for Supernatural, having written several excellent episodes between season 7 and 11 (including the 200^th episode, which was an awesome meta musical). Thompson has moved to comic book writing in recent years, having written several series for Marvel Comics including Silk, Spidey, Dr Strange, the Solo comic adaption and Han Solo – Imperial Cadet. Target Vader also features a substantial team of artists, colour artists and letterers who helped this fun story jump off the page. The Target Vader collected edition contains issues #1 – 6 of the Target Vader limited series, which is set just before the events of The Empire Strikes Back.

Target Vader is a fantastic and enjoyable comic that I had an excellent time reading. Pretty much the moment I heard that this series was going to feature a group of bounty hunters going after Darth Vader, I knew that I had to grab it and check it out (I mean frankly, who could possibly resist such a cool concept). The creative team behind this great comic did an amazing job bringing this exciting concept together and turning it into such an awesome read, with some impressive action sequences, an intriguing look at the criminal underbelly of the Star Wars universe and a great overall story.

This was an excellent standalone comic book series, which most fans of Star Wars fiction are going to enjoy. No real familiarity with the extended Star Wars universe is required to appreciate this story; all you really need to know is that Darth Vader is a badass, the Empire is evil, bounty hunters are crazy scum, and you are going to have an entertaining time watching Vader go up against some dangerous criminals. That being said, those readers who are familiar with the expanded universe are going to get a lot more out of this comic than more causal fans, especially as it presents the reader with a great look at the bounty hunters and criminals that inhabited the galaxy during the events of the original trilogy. This will also be an interesting lead-in comic to the new ongoing Star Wars comic series, Bounty Hunters, which will also feature Valance as a lead character, and which will be set after the events of Target Vader (the Bounty Hunters series is going to be set between The Empire Strikes Back and Return of the Jedi).

I have to say that I really enjoyed the cool story that Thompson came up with for Target Vader. As I have mentioned above, the entire scenario for this comic is pretty awesome, and it ended up producing a compelling tale of betrayal, revenge and redemption, as the various main characters each try to achieve their own goals. I liked the places this story went, and there are some fun double-crosses and betrayals set throughout this colourful landscape of the Star Wars universe. Aside from the central characters of Valance and Vader, the creative team filled this comic with a great array of side characters, including a primitive tracker; a crazed, four gun wielding slicer; a Tusken Raider sniper; and of course Dengar, the turban-wearing bounty hunter who was part of the group Vader hired in The Empire Strikes Back, and who has featured heavily in both expanded universes after the film. This diverse group of bounty hunters come together as an intriguing and entertaining team, and they nearly succeed in their mission with their unique skills. Vader of course comes across as a total badass in this comic, which is always fun to see, and I really enjoy comics that showcase this iconic villain. There is so much to love about this amazing story, and readers are guaranteed an exciting team exploring the cool narrative within this comic.

Target Vader also features a rather intriguing central character in Beilert Valance, the cyborg bounty hunter who leads the team against Vader. Valance is a character with an interesting past in Star Wars lore as he originally appeared many years ago in a Star Wars Legends comic, where had an excellent character arc. He has the distinction of being one of the few expanded universe characters from the Legends era who has been reintroduced into the new Disney Star Wars canon. Thompson is actually the writer who brought this character into the current canon, as he was first shown in the comic adaption of Solo: A Star Wars Story, and subsequently formally identified and strongly featured as a character in Han Solo – Imperial Cadet. In his latest appearance, Thompson does a deeper dive into his character, showing off a past full of fire, combat and death, as well as examining his motivations and his drive to keep on fighting no matter what. There are some interesting surprises involved with his actions in this limited series, I liked seeing his complex history with Vader, the Empire and other organisations featured within the comic. Valance is also shown to be a crafty and skilled individual who is actually a threat to Vader. His whole plan to assassinate Vader is rather clever, and the way that he is eventually able to outsmart everyone is pretty cool. Overall, Valance served as an excellent central character for this book, and I look forward to seeing more of him in the upcoming Bounty Hunters comic (Valance and Boba Fett should be a fun combination).

I also enjoyed the fantastic artwork that is shown throughout Target Vader. As you can see from the breakdown of contributors at the top of this review, this comic features the talents of a huge range of different artists, and there are some varied collaborations on each separate comic issue. Now I have to admit that I’m not the biggest fan of having so many artists contributing to one single series and I personally like a bit of consistency, but this great team (some of whose work I have seen before in comics such as Doctor Aphra, Vader: Dark Visions and Uncanny X-Men – Wolverine and Cyclops), did some amazing work in Target Vader, illustrating some awesome and action-packed sequences. There are some great explosive scenes featured within this volume, and these artists did an outstanding job showcasing all the intense action that occurred as part of the story. The artistic highlight of Target Vader has to be the massive and exciting fight between Vader and the bounty hunters, which was really cool to see. I also really enjoyed all the character designs featured within the volumes, and this team made sure to feature a number of the distinctive Star Wars alien races throughout the comic. All of this amazing artwork really enhances the enjoyable story, and readers are in for an intense visual treat with this comic.

Target Vader is an awesome and deeply exciting limited series which I had a really fun time reading. This fantastic comic features an excellent story, some impressive artwork and a bunch of great characters, all of which comes together for a captivating and enjoyable piece of Star Wars fiction. I look forward to seeing more Star Wars bounty hunter adventures in the future, and this is a wonderful and recommended read for those Star Wars fans looking for something fast-paced and very entertaining.

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Star Wars: Doctor Aphra: Volume 6 – Unspeakable Rebel Superweapon

On March 10, 2020May 2, 2023 By The Unseen LibraryIn Comics/Manga, Extended Universe, Five-Star Books, LGBT+, Science Fiction, Star Wars12 Comments

Publisher: Marvel Comics (Paperback – 10 December 2019)

Series: Doctor Aphra – Volume Six

Writer: Simon Spurrier

Pencilers: Wilton Santos, Caspar Wijngaard, Andrea Broccardo and Cris Bolson

Inkers: Marc Deering, Walden Wong and Scott Hanna

Colour Artists: Chris O’Halloran and Stephane Paitreau

Letterer: VC’s Joe Caramagna

Length: 112 pages

My Rating: 5 out of 5 stars

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The most devious woman in the galaxy, Doctor Aphra, is back, and she’s got both side of the Galactic Civil War gunning for her in the sixth volume of one of the best Star Wars series out there. I have been meaning to review this volume since it first came out in December. However, I just picked up the seventh and final volume of the current run of Doctor Aphra, so I thought I would quickly review this volume first before I get around to that.

Doctor Aphra is one of the few ongoing Star Wars comic book series that has been released in the last couple of years, and in my opinion it is one of the strongest Star Wars series out there. The Doctor Aphra comics are set in the period of time between the fourth and fifth Star Wars films (A New Hope and The Empire Strikes Back), and follow the adventures of Doctor Chelli Aphra, renowned archaeologist, adventurer and master criminal. Aphra is an original character who was introduced in the first volume of the 2015 Darth Vader series, Vader, where she served as Darth Vader’s secret agent. Following the conclusion of the Darth Vader series, Aphra, who proved to be a very popular character, received her own spin-off series, which followed on after the events of Darth Vader and feature Aphra as she attempts to make money while trying to ensure Vader doesn’t find out that she is still alive. This series was initially written by one of the original creators of the Doctor Aphra character, Kieron Gillen, however, the second half of the series has been written by Simon Spurrier. Spurrier is the sole writer of this sixth volume of Doctor Aphra, which also features the artistic talent of a several talented artists.

In Unspeakable Rebel Superweapon, Aphra is up to her old tricks again. Despite only recently recovering from a life-threatening injury, Aphra has taken on a dangerous job robbing an alien robot death cult shrine with the help of her new sidekick and ward, Vulaada. However, while aboard the shrine, Aphra notices an ancient Jedi weapon, a sniper rifle that utilises lightsaber technology to kill opponents from vast distances. Unable to help herself, Aphra steals the rifle, starting a chaotic chain of events across the galaxy.

Already extremely unpopular with the Empire, this theft pops Aphra to the top of their most wanted list with a hefty bounty placed on her head. Captured by the Rebel Alliance first, Aphra learns that her stolen rifle is the key to a secret rebel superweapon that they plan to use to assassinate the Emperor. Sensing an opportunity to make some money and permanently get the Empire of her back, Aphra recruits her old associate, the Wookiee Black Krrsantan, in order to steal the rifle back from the Rebels. However, this puts her into conflict with her ex-girlfriend, Captain Tolvan, who is now working for Rebel Intelligence.

As Aphra recovers the rifle and flees to the Empire, she finds herself face to face with the mysterious Imperial Minister for Propaganda and Misinformation, Pitina Voor, the woman behind the latest Imperial manhunt for Aphra. Voor has plans for her, and Aphra is right in the middle of a vast scheme involving both the Rebels and the Empire. However, no plan has ever survived contact with the good doctor, especially when Aphra has revenge on her mind.

Unspeakable Rebel Superweapon was a superb and outstanding addition to the excellent Doctor Aphra comics, and this might actually be one of the strongest volumes in the entire series. Author Simon Spurrier tells a tight and compelling story within this volume which not only dives back into the past of the series’ titular character but which also showcases new elements of both sides of the Galactic Civil War. You also see the welcome return of several of the best characters from the series, such as Black Krrsantan and Aphra’s love interest, Captain Tolvan, as well as the introduction of an intriguing new antagonist. Featuring issues #32 – 36 of the Doctor Aphra series, this volume is a riot from start to finish (hell, the last two pages are the best in the entire volume), and I really loved the captivating tale that Spurrier wove together in these issues, especially as it features the series trademark dark humour and the focus on its self-destructive and conniving main character.

At the centre of Unspeakable Rebel Superweapon lies an amazing narrative of schemes, plots and lies as Aphra is hunted and manipulated by elements of both the Empire and the Rebel Alliance. Thanks to a recent archaeological theft, Aphra is thrust into the midst of a Rebel conspiracy to kill the Emperor and must decide what to do. Of course, Aphra being Aphra, she goes with the course of action that benefits herself the most and ends up backstabbing and manipulating both the Rebels and the Empire. This leads to some great scenes, including a heist aboard a Rebel spaceship and a sequence where Aphra hacks the entire Imperial communications system in order to sing her praises as an Imperial hero in order to avoid a summary execution. However, not everything is as it seems as the various sides are all trying to manipulate Aphra to their own ends, which results in a surprising number of different twists and turns (or as one character puts it “that is the most convoluted plan I’ve ever heard”). It was fascinating to see Aphra, the ultimate manipulator, being played by so many different sides, each of whom thinks they know how she is going to react. Aphra manages to end up on top, but it was cool to see the various ways she managed to get to the bottom of the plans surrounding her and use it to her own ends. Her motivations for doing so were really compelling, and it was amazing how the creative team had been building up to them throughout the course of the book. Of course, it doesn’t all end up Aphra’s way, and the end result of her schemes sees her come full circle to the last place she wants to be. This all makes for one hell of thrilling main storyline of intrigue and deception, and I really loved where all the twists and turns went.

Just as with the rest of the entries in this series, one of the best things about the Doctor Aphra series is the titular character herself. Aphra is a complex and haunted character who seemingly lacks a moral code and will only do what is in her own best interest. The character has a rather flippant and disrespectful attitude, and most of this volume’s amazing humour is down to her clever quips and humorous observations amongst the more serious Star Wars characters. One of the things that I have really enjoyed about the Doctor Aphra series has been the examination of Aphra’s self-destructive tendencies and the way that she makes the lives of everyone she comes into contact with worse. This is continued once again in Unspeakable Rebel Superweapon, as she runs from one bad situation to the next, with her every action making her life and the lives of those around her infinity more miserable and more complicated, which makes for some very dramatic and emotional sequences. This is such an expected trait that many of the characters who Aphra has dealt with in the past or who have studied her actually expect her to make these bad or selfish decisions, and I really liked the way that this was a central plot point in the intrigue and espionage storyline. I also loved Aphra’s interactions with her love interest, Captain Tolvan, especially because, during their last meeting, Aphra purposely altered her memories to make her believe she had killed Aphra in a jealous rage. While Aphra did this with the best of intentions (it was the only way to save both Aphra and Tolvan from Vader), this has obviously had a major negative impact on their relationship, and Tolvan now actively loves and hates Aphra in equal measure and apparently has zero trust in her. This is one of the many things haunting Aphra in this volume, as she clearly knows the damage she has done to woman she loves: “I broke her heart. She’s too smart to ever help me again.” Of course, this fraught relationship is another part of the intrigue surrounding Aphra, and it was rather clever the ways in which both sides tried to manipulate Aphra through it.

In addition to the all the awesome character work happening with Aphra in the present, the readers of this volume are also treated to a look back at the characters past. In particular, you finally get to see Aphra’s mother for the first time and learn the tragic circumstances around her death. This has been hinted at for some time, all the way back to the second volume of the 2015 Darth Vader series, Shadows and Secrets. As a result, it was great to finally see the full extent of this character background, and it was fascinating to see what happened and how this has impacted on the personality of Aphra. I enjoyed the way in which the scenes from the past were mirrored in the scenes from the present, and I really liked the similarities in the way that Aphra was raised with the harsh way she is treating her new ward, Vulaada. I was also impressed by the way in which seemingly innocuous details from Aphra’s past suddenly had a big impact on her current story, and the creative team did a great job hinting about these impacts throughout the entire volume. All of this helps build up a much more complex story around the character that is Aphra, and I found this dive into her past to be extremely compelling.

I also need to say how much I loved the parts of this book that featured Darth Vader, whose villainy and hatred for Aphra shine through in the few short scenes that he has. Aphra and Vader have a complicated history together, and Vader is desperate to kill Aphra once and for all (she’s faked her death on him a few times already), as she is the only living person in the galaxy who knows about his obsession with Luke Skywalker and his plans to overthrow the Emperor. Vader has two sequences in this book, both of which revolve around his determination to kill Aphra, no matter the perceived costs. While the first is really good, mainly due to Vader answering an Imperial officer’s request to state his rank with “Lord”, nothing quite beats the second appearance on the last two pages of the volume. After apparently beating all of her opponents, Aphra is sure of her safety due to her status as an Imperial hero, right up until Vader appears, lopping off heads with his lightsaber. The moment Aphra sees him, she knows she and Vulaada are dead, and she immediately hugs Vulaada and gets her to close her eyes. I really loved this scene, especially the resigned way in which she responds to Vulaada’s frantic belief that them being heroes is going to save them with “he doesn’t care”. This was a pretty outstanding end to the entire volume, and it was amazing to see the next chapter of the turbulent relationship between Aphra and Vader.

The Doctor Aphra series has always done a great job showing off several different sides of the Star Wars universe, including giving a closer look at parts of its criminal underbelly and its archaeological sector. However, in this book, we get to see new sides of both the Empire and the Rebel Alliance. In particular, we get to see the Empire’s Coalition for Progress, a sinister organisation led by new antagonist Pitina Voor that is dedicated to expanding and maintaining the Empire through manipulation, trickery and propaganda, rather than brute force. This is rather fascinating inclusion into the canon, and it was rather interesting to see a whole new side to the way that the Empire controlled the galaxy. Voor is also a rather intriguing character, with a unique vision for how the Empire should be run and maintained, and it was kind of fun to see her gripe about the PR problems that occur when you are being ruled by Sith Lords (I had to agree, the Emperor really isn’t adequately loveable). They also have a rather nifty little museum dedicated to some of the Empire’s greatest victories and propaganda coups, which the artistic team filled with several Easter eggs. I was also rather impressed by the way that the creative team explored the darker side of the Rebel Alliance by examining the covert and morally ambiguous actions of their intelligence agency. This is something that has been explored before in some other Star Wars entries, such as in Rogue One, but this volume of Doctor Aphra takes it to a new extreme with Rebel Intelligence apparently plotting to build a miniature Death Star in order to take out the Emperor and win the war. I rather liked this darker side of the Rebels, and it was interesting to see more of a Rebel organisation that uses less moral tactics to achieve their goals.

Unspeakable Rebel Superweapon features the work of several different artists, each of whom worked on a couple of different issues within the volume, which results in an interesting combination of styles. This means that this volume of Doctor Aphra contains a range of different art styles and techniques across the various issues. I actually liked the myriad changes that occurred issue to issue, and it was fantastic to see the different styles and artistic ideas that this large team produced. This volume contains some rather impressive and beautifully drawn scenes and sequences, which fit perfectly around Spurrier’s compelling story and which work really well together. The end result is a fantastically drawn and executed comic, which is a delight to look at.

This sixth volume of the always entertaining and incredible Doctor Aphra series, Unspeakable Rebel Superweapon, is an outstanding addition to the series, and it is one that I had an amazing time reading. This volume contains a complex plot of intrigue and doublecrosses, which sets the loveably dysfunctional protagonist down another road of self-destruction and manipulation in order to survive. Filled with some excellent and memorable story moments, and an incredible conclusion to this volume’s key storyline, Unspeakable Rebel Superweapon is relentlessly entertaining and endlessly captivating, and I had an absolute ball unwrapping it. A highly recommended read; if you have not read any Doctor Aphra yet, then you are missing out!

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Throwback Thursday – Star Wars: Darth Vader (2015): Volume 2 – Shadows and Secrets

On February 20, 2020May 2, 2023 By The Unseen LibraryIn Comics/Manga, Extended Universe, Five-Star Books, Science Fiction, Star Wars, Throwback Thursday10 Comments

Publisher: Marvel Comics

Writer: Kieron Gillen

Artist: Salvador Larroca

Colourist: Edgar Delgado

Publication Date: 5 January 2016

Length: 136 pages

My Rating: 5 out of 5 stars

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Reviewed as part of my Throwback Thursday series, where I republish old reviews, review books I have read before or review older books I have only just had a chance to read.

For my latest Throwback Thursday, I take a look at the second volume of the 2015 Darth Vader series, Shadows and Secrets. This is a superb and fantastic addition to a series which I honestly consider to be one the best overall pieces of Star Wars fiction out there, as it continues to explore the complex character that is Darth Vader.

Following the events of the first volume of this series, Vader, Darth Vader now knows that the mysterious Rebel pilot who destroyed the Death Star is actually his son, Luke Skywalker, and that the Emperor has been lying to him for years. This revelation, combined with the fact that the Emperor is forcing him to compete for his favour with the scientific creations of the cybernetic genius Cylo, has crystallised Vader’s rage, and he is now determined to overthrow the Emperor and rule the Empire with his son. To that end, he has commanded his new agents, the rogue archaeologist Doctor Aphra and her two murderous droids, Triple Zero and BT-1, to gather the resources needed to pursue his agendas.

Whilst Aphra and her criminal contacts do their work for him, Vader must appear to obey the commands of his new superior officer, Grand General Tagge. His latest mission from Tagge requires him to find out who stole a massive consignment of credits that the Empire recently seized from crime lords in the Outer Rim. There is just one problem: Aphra and a small group of bounty hunters stole the credits on his behalf. Vader attempts to cover up his involvement in the crime and lead the investigation away from Aphra. However, the arrival of his new aide, the brilliant Inspector Thanoth, may prove troublesome, as Thanoth’s investigation leads him in all the right directions.

However, despite the importance of Vader’s plans within the Empire, his main concern is the search for his son. Needing to locate and corrupt Luke before the Emperor finds out who he is, he tasks Aphra with not only finding his son’s location but to also find and silence the one person who knew that Luke was actually born. As Vader does all he can to keep Thanoth from finding Aphra and incriminating himself, he finds himself walking a fine line between victory and destruction. With new rivals and both the Empire and the Rebellions seemingly against him, can even Darth Vader get what he wants?

Well this was another fantastic bit of Star Wars fiction! The first thing that I do have to admit is that Shadows and Secrets is probably my least favourite volume in the entire 2015 Darth Vader series. However, this is only because every other volume in this series is just so incredible that this one suffers a little in comparison. That being said, I absolutely loved this second volume as it contains an excellent story, some great moments, fantastic characters and some impressive artwork. Containing issues #7-12 of the Darth Vader series, Gillen and Larroca have done an incredible job with this second volume, and I still consider it to be a five-star read.

One of the best things about Shadows and Secrets is Gillen’s outstanding story, which continues some of the tantalising threads from the first volume while also introducing some great new elements. Gillen sets out a clever, well-paced story that is filled with all manner of action, adventure and intrigue, as Vader begins his duplicitous actions within the Empire, attempting to amass the resources he needs for his projects without drawing the suspicion of either his rivals in the Imperial hierarchy or his new superior. Most of the story contained within this volume is fairly self-contained, featuring a fantastic heist sequence and the subsequent fallout from this event. This fallout mostly revolves around Vader’s investigation into his own heist, which he attempts to cover up from his new aide, Inspector Thanoth. Thanoth is a genius detective of Sherlockian talents who was quickly able to get to the truth of the matter and find the culprit of the heist, despite Vader’s vest efforts. I really enjoyed this whole investigation element to the book, especially as it was fun watching Vader routinely sabotage his own investigation, often by killing any and all potential witnesses, only to have Thanoth easily breeze through these obstacles. Thanoth turned out to be an excellent new addition to this series, and I really enjoyed the intriguing partnership he formed with Vader, especially as he plays a dangerous game by continuously hinting that he knows Vader is behind the theft. This turned out to be quite an amazing and enjoyable storyline, and I really appreciated Gillen’s perfect blend of humour and serious storylines throughout the volume.

I also loved the continued focus on Vader’s obsessive hunt for Luke Skywalker, which has taken on a new edge now that he knows he is his son. While he was already searching for him in the first volume, now that he realises who he really is, Vader decides to protect his identity and the find out the whole truth behind his birth. This is shown in the first part of Issue #7, in which Vader and Aphra visit both the Lars Homestead and Ben Kenobi’s hovel on Tatooine, where he tries to gleam some knowledge from both houses about his son, before setting off a molecular bomb to erase all useful forensic evidence. Shortly after this, Vader than sets Aphra a task of finding and interrogating a former mortician from Naboo who prepared Padme Amidala’s body for her funeral, including setting up a hologram to make it appear that she was still pregnant. This tuned out to be an outstanding sequence, as the mortician, who has a huge amount of personal loyalty towards Amidala, at first refuses to provide any information about his work, before being tortured and confirming the existence of a child. While this admission is a betrayal of his beloved Queen that clearly costs the former mortician a lot, he is able to do one last act of service for her by not revealing any details about the second child, Leia. I thought that this scene was amazing, and I liked how it helped explain how Vader was aware of Luke’s existence and status as his child, but not that he also had a daughter. I also appreciated Gillen’s focus on the loyalty the inhabitants of Naboo had to Amidala, even in death, which was even able to move the cynical Aphra. Her subsequent mention to Vader of how Amidala must have really been something was a nice touch, as Vader’s subdued and hidden reaction hints at his continuing deep feelings towards his long-dead wife. I really liked this focus on the search for Luke, as not only does it makes sense in the context of the movies, but it also showcases the lengths Vader was willing to go to find and protect his son, and it leads to the best sequence in the entire volume.

I personally really enjoyed how the creative team continued to show off Vader as a dangerous and vicious powerhouse in this volume. While it does not contain the same level of carnage that he unleashed in the first volume of the 2015 Star Wars comic book series, Shadows and Secrets contains several amazing scenes depicting his destructive abilities and personality. Whether he is stuffing a crime lord into the mouth of his own exotic beast and then easily killing the distracted monster, or whether he is taking down and entire squadron of Rebel space fighters one at a time by throwing his lightsaber at them, he is shown to be pretty impressive.

Just like in the first volume, Doctor Aphra continues to shine as the series’s main supporting character, and her entire character arc within Shadows and Secrets is very intriguing. Throughout this volume, Aphra ends up undertaking several missions for Vader, such as trying to find the location of Luke Skywalker, and has become one of his main confidants. This puts her in a terrible position, as Vader is likely to kill her to protect his secrets, especially when Thanoth gets close to capturing her. Watching the various ways that this ultimate opportunist attempts to survive against the odds, including by brazenly withholding information from Vader in order to stop him killing her, is pretty impressive, and it makes for some great reading. Shadows and Secrets also contains one of the first deeper looks at Aphra’s internal character. During the sequence I mentioned above with the mortician, she gives a lengthy monologue about the death of her mother and how it has affected her. This was a heavy scene, and while she tries to play it off as not being very important, you can see that it has impacted her, turning her into a much more cynical and self-reliant person who has no room for idealism or blind belief. The significance of this scene is also quite crucial when you consider that much of what she said is later shown in the Doctor Aphra spinoff series and ends up becoming a defining part of her character. I also like how the noticeable changes that the creative team have inserted into Aphra’s personality when she deals with Vader. For most of the volume, Aphra comes across as an ultraconfident being who is able to manipulate and control bounty hunters, murderers and crime lords with ease. However, whenever Vader appears, there is a noticeable change in her bearing and personality, which isn’t too surprising as Aphra knows Vader is going to kill her one day.

I also have to point out how much fun the two murder droids Triple Zero and BT-1 continued to be in this novel. Essentially perverted versions of C-3PO and R2-D2, Triple Zero and BT-1 are remorseless killers who delight in murdering or torturing all organic life. These two add an insane element of humour to the entire series, and they have a number of great moments in Shadows and Secrets. Watching the two of them delight in all sorts of murder and mayhem is all sorts of fun, and you’ve got to love the weird and friendly relationship the two of them have formed with each other.

One of the best highlights of this second volume is the amazing artwork. The artistic team, helmed by Salvador Larroca, did another fantastic job bringing the amazing story contained within Shadows and Secrets to life on the page. There are so many vibrant and imaginative panels in this volume, and the volume’s artistic team produce some amazing pieces of art that showcase the wider Star Wars universe. One of the things that continues to impressive me about this series is the way that the artistic team are able to convey so much emotion from the faceless main protagonist. Despite only ever seeing Vader’s expressionless and iconic mask, I found that I was constantly able to glean the true emotions that Vader was surely feeling at the time when I looked at him, ranging from cold menace, surprise, frustration to deeper emotions, such as sadness when Amidala is mentioned. There are some truly amazingly drawn scenes throughout this entire volume, although there are two that I would bring particular attention to. The first is the very first scene in Issue #7, which shows Vader standing out the front of the Lars Homestead, staring at Tatooine’s twin suns as they set. I absolutely loved how this drawing matched the iconic scene from A New Hope where Luke stared off in the same position, and I really appreciated the symmetry. The other piece of art that really stood out to me was a quick sequence that appeared a little later in the volume within Issue #8. In this scene, Aphra has just confidently dealt with one of the bounty hunters in her employ and is looking off in the distance speaking to someone. As she talks, Vader slowly materialises out the shadows behind her, responding to her comments. Despite the fact that Aphra’s expression does not change at all there is a notable shift in the tone of the panel when Vader appears, and you cannot help but feel the threat and menace that he exudes. This was some impressive artwork, which helped to really increase how much I loved this comic.

The second volume of the 2015 Darth Vader series, Shadows and Secrets, is a first-rate comic book that once again shows off how impressive Star Wars comics can really be. Gillen and Larroca did an incredible job following up the first volume of this epic series and I really enjoyed the complex and fun story that this second volume contained, especially when it was backed up by great characters and exceptional artwork. This is a superb addition to the series that is really worth checking out.

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