Star Wars (2020): Volume One: The Destiny Path by Charles Soule and Jesús Saiz

Star Wars (2020) - Volume 1 Cover

Publisher: Marvel Comics (Paperback – 10 November 2020)

Series: Star Wars (2020) – Volume One

Writer: Charles Soule

Artist: Jesús Saiz

Colour Artists: Arif Prianto, Jesús Saiz, Rachelle Rosenberg and Dan Brown

Letterer: VC’s Clayton Cowles

Length: 136 pages

My Rating: 5 out of 5 stars

The next stage of the Star Wars comic universe continues as Charles Soule, Jesús Saiz and their team of talented artists present the first volume of the Star Wars (2020) series, The Destiny Path.

Star Wars (2020) #1 Cover

Shortly after the Disney buyout of Star Wars and their subsequent creation of a whole new canon, Marvel Comics started to develop a new range of Star Wars comics.  While there were several great series, limited series and standalone comics set during various periods of Star War history, the main series were set between the events of A New Hope and The Empire Strikes Back.  These key comics, which included the Star Wars (2015), Darth Vader (2015) and Doctor Aphra (2016) series, did a fantastic job of filling in the gaps between these two films and presenting readers with some clever and unique adventures.  All these series came to an end in late 2019, with their plots coinciding with the start of events from The Empire Strikes Back.  In the wake of their cessation, Marvel announced four new Star Wars comic series that would take their place (after suffering some pandemic-related delays), set in the aftermath of The Empire Strikes Back.  While I have already looked at some of these comics, including the first entry of the Darth Vader (2020) series, I think it is time that I explored the flagship series of this new run of comics, the Star Wars (2020) series.

The Star Wars (2020) series will explore what happens to the main cast of protagonists after the events of The Empire Strikes Back and is set in the year or so between that film and Return of the Jedi.  This looks set to be a long-running series that will not only tell its own tale but will tie in to the events of the other current comics, probably resulting in some crossovers.  This first volume, The Destiny Path, contains issues #1-6 of the Star Wars (2020) series and serves as an excellent and compelling introduction to the rest of the series.

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Following the battle of Hoth, the Rebel Alliance is in disarray.  With their fleet scattered around the galaxy and the might of the Empire reigning supreme, these are the darkest days the Rebellion has ever faced, especially as the Empire appears to have found a way to locate their ships and hiding places.  The hope of the entire Rebel Alliance may lie in the hands of its greatest leaders and heroes, but, after the events on Bespin, even these shining beacons of rebellion have been damaged beyond recognition.

With Han Solo captured by the Empire and handed over to the bounty hunter Boba Fett, those on the Millennium Falcon are dispirited and lost.  However, finding a Rebel cell under attack prompts them into action.  Despite missing the man she loves, Princess Leia is determined to rescue him and revive the Rebel Alliance by any means necessary.  At the same time, reluctant Rebel recruit Lando Calrissian attempts to make himself useful, despite mistrust from everyone around him.  Finally, Luke Skywalker, after losing a hand and finding out the horrible truth of his parentage is in shock.  Worse, his meeting with Vader appears to have damaged his connection to the Force, and neither of his masters will appear to talk to him.

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As the Rebel Alliance seeks a way to survive, each of these players, with the help of Chewbacca, C-3PO and R2-D2, begin the next stage of their journey.  As Luke seeks a lightsaber, Leia looks to find a way to save Han and Alliance, while Lando looks for redemption in all the wrong places.  All their journeys lead the back to the scene of one of the worst moments of their past, Bespin.  But how far will Luke, Leia and Lando go to achieve their goes, and will they be able to survive the dangerous enemies chasing them?

This is an outstanding and intense Star Wars comic that does a wonderful job of setting up a brand-new series of exciting adventures.  Charles Soule, who has written some of the best Star War comics out there, creates an exceptional and captivating tale that highlights the tragic consequences of The Empire Strikes Back.  Featuring some incredible artwork, amazing big moments, and a perfect portrayal of some of the iconic original trilogy cast, this is an outstanding and awesome comic.

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For this cool first volume in the Star Wars (2020) series, the author has come up with an extremely compelling and clever multi-part narrative that I deeply enjoyed.  The Destiny Path has a strongly character-driven story, following Luke, Leia and Lando as they attempt to recover from the traumatic events of The Empire Strikes Back.  The narrative starts right after the heroes escape from the Cloud City at Bespin (technically before the closing scene of The Empire Strikes Back) and places the shell-shocked characters right in the middle of a firefight against an intriguing new foe.  The next stage of the story contains an intriguing couple of sequences aboard the Rebel medical frigate, showing off some new angles to the film’s final scenes, while also following Lando and Chewie as they head to Tatooine to scope out Jabba’s palace.  This part of the narrative is very clever and exciting, especially as it paints Lando as a bit of a wildcard, with unclear loyalties.  The next section of the comic takes Luke, Leia and Lando back to Bespin, each for a different reason.  There are some high octane and emotionally rich comic issues here, especially as all three of the characters are forced to face up to their recent mistakes and losses, while also taking on the Imperial garrison stationed there.  All of this leads up to the final part of the book, which is primarily focused on Luke, who journeys to several distant planets following a vision to find a new lightsaber.  There are some really cool sequences here as Luke continues to battle his own personal demons (and a real one, but we’ll get to that later), before eventually coming away with an unexpected prize.  All these disparate storylines work really well on their own, but their real strength lies in the way in which they tie together perfectly throughout The Destiny Path.  You end up getting a fantastic story as you follow one major event to the next, and I liked the unique tales contained within each section.  All of this serves as an awesome and powerful start to the Star Wars (2020) series, and there are plenty of hints of awesomeness to come as the Rebels bounce back while Luke continues to grow as a Jedi.  Epic Star Wars storytelling at its best!

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There is no way that I can talk about The Destiny Path without geeking out about some of the cool and memorable Star Wars elements and references featured within.  I deeply, deeply enjoyed seeing the intriguing and dramatic aftermath of The Empire Strikes Back that Soule envisions here, especially as he took the time to explore the various traumas and consequences of the events at Bespin.  This was a fantastic heart of the entire volume which is going to appeal to all fans of the Star Wars franchise.  Other cool Star Wars moments that fans will love include the mysterious events occurring around the Skywalker lightsaber.  This lightsaber, which disappears at the end of The Empire Strikes Back and reappears in The Force Awakens, is a major item throughout the Star Wars canon and I liked seeing Luke trying to find it in the bowels of Cloud City, only for it to slip into another mysterious person’s grip.  It will be interesting to see what happens to that in the future, and foresee it being a fascinating narrative thread throughout this entire series.

In addition to these elements from the films, Soule also fits in a lot of other cool references and call-backs to previous Star Wars comics, especially ones that he has had a hand in.  The most obvious of these was the appearance of Verla, who Luke encounters while trying to find a new lightsaber.  Verla is a Force-sensitive woman who first appeared in The Burning Seas volume of Soule’s Dark Lord of the Sith comic series.  It was great to see that Verla survived, and Soule does a good job working her into this story, portraying her as the damaged and cynical former Jedi student who is just trying to survive.  Verla’s inclusion allows Luke to learn more about Vader, both as a Jedi hunter and a Jedi named Anakin, and it was interesting to finally see him learn about the Jedi purges, Order 66, and the Inquisitors.  I also noticed a lot of mentions about the High Republic in this volume.  I really should not be too surprised about this, especially as Soule is one of the leading creative minds behind the High Republic range, having written the first novel in the series, Light of the Jedi.  It looks like Star Wars (2020) is going to rely on several events from the High Republic books, and I am intrigued about how Soule will work them into his cool story.  All of these Star Wars elements are extremely cool, and I think that they will deeply appeal to every fan of this franchise.  While mega fans are obviously going to love some of the more obscure references that Soule fit into this comic, this series is also very easy to enjoy if you have a more basic knowledge of Star Wars.

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I do have to quickly highlight that one of my favourite parts of this entire comic is one of the final sequences in the volume.  In this sequence, Luke visits an abandoned Jedi temple which is filled with a mound of untouched treasures, including a lightsaber which he desperately needs.  However, it turns out that this entire building is a trap (Luke was warned, to be fair), as he is quickly attacked by the ghost of the Grand Inquisitor.  The Grand Inquisitor is an awesome character who served as the main antagonist of the first season of the Star Wars Rebels animated series.  Soule has previously utilised him in his Dark Lord of the Sith comic series, especially the first two volumes, Imperial Machine and Legacy’s End, but this current comic is set after his death in Rebels.  There are so many cool elements to the Grand Inquisitor’s return in this comic, including a fantastically drawn fight between him and Luke, where Luke encounters a double-bladed lightsaber for the first time, and I loved the Grand Inquisitor’s fiery, spiritual appearance.  However, the best part of this whole unique inclusion was the characters final interaction with Darth Vader.  Here it is revealed that Vader is the one trapping the Inquisitor’s spirit in this world, using him as a tool and a trap.  When the Inquisitor begs Vader for his release, Vader refuses, as the Inquisitor still has use to him.  The forlorn spirit starts to fade, but not before sadly uttering “there are worst things than death”.  This is an outstanding call-back to the character’s final words in Rebels, and it was so cool to see his morbid prediction come to pass.  This whole sequence really pushed The Destiny Path up a level for me, and I love how the creative team worked this into this fantastic and awesome comic.

Easily one of the best parts of this entire comic is the creative team’s portrayal of the iconic Star Wars characters who serve as the main protagonists of this amazing first volume.  Soule has done an incredible job writing a character-driven narrative around these protagonists, and I love his in-depth examination of their psyches and actions following The Empire Strikes Back.  The author pulls together some great storylines around these characters, and I loved seeing what amazing adventures they went on between these two films.

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One of the main characters explored during this book is the original Star Wars hero, Luke Skywalker.  Now, Luke is going through a lot at this point, having just had his hand chopped off and learned that his father is Darth Vader.  Luke spends most of the first part of the novel absolutely traumatised by these events and ends up doubting himself while also concealing this revelation from his friends.  To compound his issues, Luke finds his connection to the Force somehow damaged or fractured, as neither of his masters, Obi Wan Kenobi and Yoda, are reaching out to him.  This results in a more scattered Luke, and I loved the way that Soule dove into his damaged mindset.  There are some great and powerful moments throughout this comic that show off Luke’s trauma, as well some dramatic moments when he lashes out uncontrollably with the Force.  After receiving some visions and engaging in a hunt for a new lightsaber, Luke starts to come to terms with the events surrounding him, and it is great to see him recover somewhat, including by learning more about his father.  This slight reconciliation with his identity enables Luke to regain his control over the Force, and there are some very cool scenes where he uses his powerful and advanced abilities against the Empire.  Overall, this was a pretty spectacular look at Luke, and I really appreciated the cool story that Soule spun around him.  It will be interesting to see what is going to happen to Luke in the future entries of this comic, especially as he continues along his journey to become a full-fledged Jedi.  It will also be cool to see more of Luke’s new yellow lightsaber, which was an intriguing decision by Soule which I think is going to really pay off.

Star Wars (2020) #5 Cover

In addition to Luke, a lot of the story focuses on Leia.  Like the rest of the characters, Leia is pretty traumatised, as she discovered her love for Han only to lose him in seconds.  While at times she seems in control, especially as she works to salvage the Rebels fleet, she is clearly still impacted by this loss.  As a result, she desperately attempts to find a way to save him from Boba Fett, even if that means risking herself and her friends.  Her recklessness leads her back to Bespin with the others as she attempts to find more about the carbonite freezing process.  While Leia’s arc is possibly the least interesting (which isn’t a criticism; it’s just the other two main characters have some outstanding stories), she does have some great moments in this comic, and I especially loved the visual of her also trapped in carbonite.  It was also great to see more of badass Rebel leader Leia in this comic as she steps up and takes charge to protect those around her.  I imagine that the creative team have some great ideas for Leia in the future and I cannot wait to see what they are.

The other main character of this volume was the flashy and charismatic rogue, Lando Calrissian, who finds himself stuck with the other protagonists after helping them flee from Bespin.  Despite his attempts to do the right thing at the end of The Empire Strikes Back, Lando is still not trusted by anyone, as they blame him for his betrayal and the loss of Han.  As a result, Lando attempts to find some form of redemption with them, although he mostly comes across as a self-centred bastard.  Soule works a really intriguing storyline around Lando, and I loved seeing his meeting with Jabba the Hutt as he makes some initial inquiries into Han’s location.  Lando is able to talk his way out of a meeting with Jabba, although the reader is left wondering whether he plans to sell out the Rebels.  This nicely leads into his storyline on Bespin as he accompanies Luke and Leia back there.  It was great to see Lando returning to his city, especially as he manages to con his way through a range of different Imperial obstacles, and he was fully in his roguish element.  While Lando appears to return to Cloud City for selfish reasons, such as throwing a big middle-finger to the Empire, his jaunt does awaken his inner hero a little, and you get a glimpse of the person we eventually see in Return of the Jedi.  Lando is easily the most entertaining character in the entire comic and most of The Destiny Path’s humour is derived from his interactions with most of the other characters.  He is a very funny character, and it was great to see so much focus on him after barely featuring in the last stage of Star Wars comics.  I look forward to seeing what Soule and the creative team have for him in the future, and I think he is going to be the MVP character of the entire series.

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Aside from the three main characters above, The Destiny Path also includes a great range of other characters from various points in Star Wars history.  Like its precursor comic, Star Wars (2020) also follows Chewbacca, C-3PO and R2-D2, although I think these three great characters were a little overshadowed by Luke, Leia and Lando in this volume.  Chewie does have a bunch of fun moments throughout the comic, mostly in his interactions with Lando, and it is entertaining to see him be forced to deal with the cocky former friend.  R2-D2 does have a great sidekick time with Luke, and it was always fun to see him save the mighty Jedi’s life again and again.  There is also an interesting focus on a couple of new or lesser-known characters.  For example, it looks like Soule is going to spend a bit of time following Kes Dameron and Shara Bey, the parents of a certain Poe Dameron.  The Destiny Path also introduces an intriguing new antagonist in the form of Commander Zahra, a fanatical Imperial officer placed in charge of eliminating the remnants of the Rebel Alliance.  Zahra is tactical genius who I understand is going to have a major role in some upcoming comics.  This volume proves to be an excellent introduction to this cool new character, especially as it establishes her dangerous intelligence, murderous mentality and the insane grudge she bears against Leia, all while she commands the unique Star Destroyer, Tarkin’s Will, which still bears scars from being hit by wreckage of the original Death Star.  Zahra proves to be an outstanding antagonist, and I cannot wait to see what deviousness and insanity she brings to the rest of the series.

I definitely need to highlight the incredible and eye-catching artwork that was an outstanding and memorable feature of this awesome comic.  The artistic team behind this comic did an amazing job from start to finish, and every page was a visual treat for the eyes.  While all the art in this comic is great, there are a few things that really stood out to me, such as character design.  The artists do such an incredible job capturing the main characters throughout this comic, especially in the first issue where all their post-The Empire Strikes Back pain and emotion is on full display.  It was uncanny how similar these characters looked to their portrayal in the film, and it is a testament to the artists’ amazing ability.  There are also several awesome combat sequences scattered throughout the comic and I loved the way in which the art brought them to life.  A particularly good example of this was the opening space battle between the Empire and a small Rebel fleet.  The artists come up with an incredible background for this fight, which takes place between a sun and a concentrated barrage of green turbolaser bolts, which are being used to fence the Rebels in place.  This was so visually pretty, and it really enhanced the cool story and fighter combat that was taking place in front of it.  I also deeply enjoyed the way in which the artists have recreated several key scenes from The Empire Strikes Back.  These scenes, which include Luke losing his hand, finding out that Vader is his father and Han giving his iconic “I know” to Leia, are scattered throughout key parts of The Destiny Path.  Not only are these cool visually, but they are also clever from a writing point of view, dragging the readers back to the emotional impact of these events and driving how much they are still sticking in the mind of the protagonists.  I cannot overstate how awesome this art is and I had an absolute blast seeing every explosion, Force burst and clever flashback that they were able to fit in.

Star Wars (2020) #6 Cover

Well, if the above multi-page rant above didn’t give it away, then I’ll say it clearly here: this comic is incredible!  Soule, Saiz and the other talented artists have done an amazing job with this first volume of the Star Wars (2020) series, and The Destiny Path is an epic and awesome read.  I loved the in-depth examination of these key characters after The Empire Strikes Back and there are so many cool Star Wars elements worked into the story.  This is one of my favourite Star Wars comics and it gets a full five-star rating from me.  I cannot wait to see what extraordinary stories and powerful artform this fantastic creative team comes up with next and I need to order the next volume in now.

Star Wars: Doctor Aphra: Volume 7: A Rogue’s End

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Publisher: Marvel Comics (Paperback – 11 February 2020)

Series: Doctor Aphra – Volume 7

Writer: Simon Spurrier

Artists: Caspar Wijngaard (Doctor Aphra #37-40, Star Wars: Empire Ascendant), Elsa Charretier (Doctor Aphra Annual #3)

Colour Artists: Lee Loughridge (Doctor Aphra #37-40, Star Wars: Empire Ascendant), Edgard Delgado and Jim Campbell (Doctor Aphra Annual #3)

Letters: VC’s Joe Caramagna (Doctor Aphra #37-40, Doctor Aphra Annual #3), Clayton Cowles (Star Wars: Empire Ascendant)

Length: 144 pages

My Rating: 5 out of 5 stars

So I just got through with watching the latest episode of Star Wars: The Clone Wars and it’s put me in a Star Wars mood (well, more of a Star Wars mood than usual), so I thought I would get a review together for the seventh and final volume of the excellent 2016 Doctor Aphra series, A Rogue’s End.

The Doctor Aphra series is an outstanding comic book series that I have been really getting into over the last couple of years. Spinning off from the 2015 Darth Vader comics, this series features a witty and unique protagonist in its titular space archaeologist, Doctor Aphra, who blasts around the universe bringing chaos and disorder in her wake. This has probably been one of my favourite comic book series of the last couple of years, and it is easily my top Star Wars comic at the moment. Unfortunately, this current run of Doctor Aphra has just come to an end, although a new Doctor Aphra series is just starting up with a different creative team. Writer Simon Spurrier and his artistic team produced an incredible and satisfying conclusion to their Doctor Aphra run with A Rogue’s End, the sensation final volume that follows on from the events of the excellent sixth volume, Unspeakable Rebel Superweapon, and is set just before the events of The Empire Strikes Back.

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After saving the Emperor’s life from an assassination plot, archaeologist, scam artist and all-around disaster zone Doctor Chelli Aphra thought that she would finally be safe. Instead she finds herself trapped in the one place she has been running from for years, in the clutches of the most dangerous person in the galaxy, Darth Vader. Vader desperately wants Aphra dead, as she knows his darkest secret, his obsession with Rebel pilot Luke Skywalker, and it is only a matter of time before he finds an excuse to kill her.

Trapped aboard Vader’s Star Destroyer with her young companion, Vulaada, Aphra’s only chance to survive is prove her usefulness and help Vader find the location of the new Rebel base. However, Aphra is nothing if not resourceful, constantly looking for a way to game the system and extend her life. An encounter with a mysterious figure in an ancient temple seems to offer her the best chance of survival, until she finds out that it is her Jedi-obsessed father, Korin Aphra, once again causing trouble.

With the fate of everyone she loves in the balance, Aphra begins to devise another elaborate plan. With the help and hindrance of her ex-girlfriend, Captain Magna Tolvan, and the murderous droids BT-1 and Triple Zero, Aphra sets out not only to fool the entire Empire but to finally bring her affiliation with Darth Vader to an end. Can Aphra pull off the greatest con of her career, or will all her lies and deceit finally bring her the grisly end she has been running from for years?

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Well that was another damn impressive and deeply enjoyable Doctor Aphra comic. Spurrier, who has been working on this series since late 2017 (when he cowrote issue #14 with Kieron Gillen, one of the original creators of the character), brings this series to an epic and satisfying conclusion with another incredible group of stories. This seventh volume of the series contains issues #37-40 of the Doctor Aphra series, as well as the Doctor Aphra Annual #3 and material from Star Wars: Empire Ascendant #1. This whole volume was deeply captivating and I loved every second that I was reading through it, especially as it combines and excellent story with some fantastic artwork.

At the centre of this book is an exciting and clever story of survival, deceit and redemption. The four issues of the Doctor Aphra series (#37-40) contain an amazing storyline that follows the series protagonist as she attempts to get out of the most dangerous situation she has ever found herself in. Spurrier tackles these final four issues with the same style that he has employed for most his run, blending together a tale of deceit, double-crossing and survival in the Star Wars universe with humour, fantastic action and a deep analysis of the troubled and complex character that is Doctor Chelli Aphra. This results in an addictive overarching narrative that is not only incredibly entertaining, but which also gets quite moving and emotional at times, especially when Aphra encounters all the important people in her life, many of whom have been damaged in one way or another by her selfish actions. I have to say that I was particularly impressed with Aphra’s master plan in this comic, especially as it not only showed off her skills for deceit and manipulation but it was motivated by a genuine desire to help those she loved, which represents some significant series-wide character development for her. I also appreciated how the whole storyline has some major connections to the events of The Empire Strikes Back, and I liked how it was tied in more to the main plot of the movies.

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One of the other things that I really loved about this comic was the way that Spurrier wrapped up a ton of the storylines around some of the great supporting characters that have made this series such a treat. In particular, she manages to have some touching final meetings with her father, her ex-girlfriend, Tolvan, and her young sidekick, Vulaada, and this volume serves as a rather good conclusion to their various storylines (although I hope that they do appear in the future series). Her final meeting with Tolvan was pretty great, as the two have had a particularly chaotic and damaging love affair due to the actions of Aphra, and it was nice to see her finally prove Tolvan wrong and do the right thing for her. I also loved some of the scenes between Aphra and her father, and there is one incredible sequence where Aphra concisely recounts some of the adventures she has had throughout the series, and her father finally provides her with the advice and guidance that she has always sought from him. I really appreciated that Aphra finally gets some closure with these supporting characters, and in the three cases above she goes out of her way to protect them and bring them together to ensure that they have better lives. This is a major change in direction for Aphra, whose entire series has seen her repeatedly screw up and destroy the lives of everyone she meets, including those people close to her, something she is keenly self-aware of and deeply ashamed of. As a result, it was rather nice to see her finally step up and take responsibility for several people close to her, and to finally make what she sees as the right decision and leave them behind: “Love is letting go.” I also enjoyed the return of the two murder droids, BT-1 and Triple Zero, who have been highlights of both this series and the preceding Darth Vader series. I felt that both of them are rather well utilised in this story, and quite frankly you could not have wrapped this series up without them. It looks like both of them are going to be major features (in some form or another) of the next Doctor Aphra series, which should be fun.

Another character who Aphra gets a bit of closure within this volume is her oppressive employer, Darth Vader. Aphra and Vader have a complex and lengthy history together, dating back to the 2015 Darth Vader series where Vader forcibly recruited Aphra, and which ended with Vader believing that he had killed her, only for Aphra to trick him. Aphra has spent the subsequent run of her series constantly trying to stay off Vader’s radar, and continuously tricking him into believing that she is dead. However, after the events of Unspeakable Rebel Superweapon, she is firmly in his clutches and waiting to die. I really loved the whole interaction between Aphra and Vader in this volume, as for most of it Aphra is trying to trick or convince Vader to keep her alive, while Vader is looking for an excuse to kill her. This pretty much makes Aphra the most desperate we have ever seen her, as she is still rather traumatised from the events of Vader’s first attempt to kill her, and still gets an interesting array of nightmares about them. Despite this, Aphra is eventually able to turn the tables of Vader, thanks to her cunning, knowledge about the force, pieces she has gleaned from Vader’s past and technical ability. The way she is able to take him down is pretty impressive: “Don’t pick a fight with an archaeologist in a spooky old ruin. And don’t wage war against a tech criminal if you’re half a machine.” It makes for a great sequence, especially when she uses Vader’s own scary reputation against him. This scene also allows Aphra to have a memorable heart-to-heart with Vader, and she discusses the similarities the two of them share, mostly about how they are both living with a massive amount of regret. In the end, Aphra decides against killing Vader, saying, “I’m your biggest fan,” even though she knows that Vader will come after her in the future, even more determined to kill her. She actually has a rather poignant farewell with Vader, saying, “In a funny sort of way, you’re the best thing that ever happened to me,” which says a whole lot about Aphra’s messed up character, but is a fun and fitting reversal of how Vader ended their partnership in his series.

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This volume features some tremendous illustrations from a truly talented team of artists. I really enjoyed the artwork that was featured within this story, and I think that it did a fantastic job of conveying and enhancing the complex and enjoyable storylines that the writer came up with. There are a number of well-drawn and well-portrayed sequences throughout this volume, although I particularly liked the one that made up the majority of issue #40, which featured Aphra facing off against Vader in a ruin filled with traps. There was also a rather good extended conflict between Aphra and Tolvan throughout a Rebel Alliance a spaceship that the drawings helped make particularly fun and chaotic, and which also did a good job of showing off the anger and complex emotions that filled their relationship. Overall, there was some fantastic artwork in this volume, and I think that the artists did an excellent job bringing the great characters and excellent story to life.

Most of what I mentioned above takes place in issues #37-40 of the Doctor Aphra series, but this volume also contains two extra stories, the Doctor Aphra Annual #3 and the parts taken from Star Wars: Empire Ascendant #1. Both of these inclusions were also written by Spurrier and are really tied into the narrative contained within the main plot of the volume, and I felt that these two inclusions did a lot to enhance my overall enjoyment of A Rogue’s End.

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I did quite enjoy the fun story contained with the Doctor Aphra Annual #3, which focuses on some of the great supporting characters from the Doctor Aphra series. The self-contained story in this annual issue sees Aphra try to repay her debt to the monster hunters Winloss and Nokk, who previously saved her life, by providing them with information she is privy to while aboard Vader’s star destroyer. This information leads these two hunters to the Mos Eisley Cantina on Tatooine, where another former associate of Aphra, the Wookie bounty hunter Black Krrsantan, is in residence. This leads into a rather fun story which sees these characters and a rather slimy bartender go through all manner of trouble just for a measure of revenge. This was an excellent and compact story that contains a clever revenge plot, and it’s pretty damn hilarious. I liked how this annual followed the lead of the other stories in this volume by focusing on Aphra bringing together some of the side characters from the series, presenting the reader with a good conclusion to their association and storyline with Aphra. This story featured a different artistic team to the rest of the volume, resulting in a different and distinctive drawing style for the entire issue. I actually rather liked the style that this separate artistic team came up with, and I think that it fit the more humour-based storyline that that Spurrier came up with. Overall, this latest issue of the Doctor Aphra Annual made for an amazing entry in this volume, and I think that it worked extremely well with the other issues featured within it.

This volume also contained material from Star Wars: Empire Ascendant #1, which makes up a small story at the end of the book. This material focuses on the three people that Aphra saved throughout A Rogue’s End, Tolvan, her father and Vulaada. They are all on Hoth when the message that Aphra was composing in the final Doctor Aphra issue is received by the Rebel Alliance. This leads to a rather heartfelt and emotional scene in which the three of them discuss whether their lives where made better or worse by knowing Aphra, and whether she ever did anyone any good. Their musings are interrupted by one of the few other people in the Rebel Alliance who had any dealings with her, Luke Skywalker, who provides some information about a good deed she performed after the last time they saw her. I liked how Spurrier once again examine the chaotic and destructive personality of Aphra through the eyes of the people who knew her best, and it really matches the overall theme of the volume. I also liked the inclusion of Skywalker in this story, and it was a fun call back to the earlier volumes of the Star Wars (2015) series, which featured Aphra working with the main protagonists of the original trilogy. It was interesting to see Luke’s take on Aphra, and it is a bit of a crossover between the idealism of the main cast and the darker reality of the Star Wars universe that the cast of Doctor Aphra find themselves in. I had a good laugh at Tovan’s assessment of Luke as the farmboy who got bumped up to commander after one lucky shot, and I also loved their response to Luke’s glowing assessment of Aphra actually being a good person: “Should we tell him she also saved the Emperor’s life? Better not, nothing crueller than reality to a dreamer.” This short piece of material actually serves as a pretty good conclusion not only to the volume but to the Doctor Aphra series as a whole, and I think that its moving, character-driven storyline helped provide an emotional end to the entire series.

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The seventh volume of the amazing Doctor Aphra series, A Rogue’s End, is another extremely entertaining and complex Star Wars story which I deeply enjoyed. Writer Simon Spurrier and his talented artistic team once again take the reader on another exciting and powerful adventure that not only serves as a great story in its own right but which also provides fans of Doctor Aphra with a meaningful and rewarding conclusion to the entire series. This volume gets a full five stars from me, and I would strongly recommend this volume, and indeed the entire series it concludes, to anyone looking for an outstanding and fresh Star Wars adventure.

Throwback Thursday – Star Wars: Darth Vader (2015): Volume 2 – Shadows and Secrets

Darth Vader - Shadows and Secrets

Publisher: Marvel Comics

Writer: Kieron Gillen

Artist: Salvador Larroca

Colourist: Edgar Delgado

Publication Date: 5 January 2016

Length: 136 pages

My Rating: 5 out of 5 stars

Reviewed as part of my Throwback Thursday series, where I republish old reviews, review books I have read before or review older books I have only just had a chance to read.

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For my latest Throwback Thursday, I take a look at the second volume of the 2015 Darth Vader series, Shadows and Secrets. This is a superb and fantastic addition to a series which I honestly consider to be one the best overall pieces of Star Wars fiction out there, as it continues to explore the complex character that is Darth Vader.

Following the events of the first volume of this series, Vader, Darth Vader now knows that the mysterious Rebel pilot who destroyed the Death Star is actually his son, Luke Skywalker, and that the Emperor has been lying to him for years. This revelation, combined with the fact that the Emperor is forcing him to compete for his favour with the scientific creations of the cybernetic genius Cylo, has crystallised Vader’s rage, and he is now determined to overthrow the Emperor and rule the Empire with his son. To that end, he has commanded his new agents, the rogue archaeologist Doctor Aphra and her two murderous droids, Triple Zero and BT-1, to gather the resources needed to pursue his agendas.

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Whilst Aphra and her criminal contacts do their work for him, Vader must appear to obey the commands of his new superior officer, Grand General Tagge. His latest mission from Tagge requires him to find out who stole a massive consignment of credits that the Empire recently seized from crime lords in the Outer Rim. There is just one problem: Aphra and a small group of bounty hunters stole the credits on his behalf. Vader attempts to cover up his involvement in the crime and lead the investigation away from Aphra. However, the arrival of his new aide, the brilliant Inspector Thanoth, may prove troublesome, as Thanoth’s investigation leads him in all the right directions.

However, despite the importance of Vader’s plans within the Empire, his main concern is the search for his son. Needing to locate and corrupt Luke before the Emperor finds out who he is, he tasks Aphra with not only finding his son’s location but to also find and silence the one person who knew that Luke was actually born. As Vader does all he can to keep Thanoth from finding Aphra and incriminating himself, he finds himself walking a fine line between victory and destruction. With new rivals and both the Empire and the Rebellions seemingly against him, can even Darth Vader get what he wants?

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Well this was another fantastic bit of Star Wars fiction! The first thing that I do have to admit is that Shadows and Secrets is probably my least favourite volume in the entire 2015 Darth Vader series. However, this is only because every other volume in this series is just so incredible that this one suffers a little in comparison. That being said, I absolutely loved this second volume as it contains an excellent story, some great moments, fantastic characters and some impressive artwork. Containing issues #7-12 of the Darth Vader series, Gillen and Larroca have done an incredible job with this second volume, and I still consider it to be a five-star read.

One of the best things about Shadows and Secrets is Gillen’s outstanding story, which continues some of the tantalising threads from the first volume while also introducing some great new elements. Gillen sets out a clever, well-paced story that is filled with all manner of action, adventure and intrigue, as Vader begins his duplicitous actions within the Empire, attempting to amass the resources he needs for his projects without drawing the suspicion of either his rivals in the Imperial hierarchy or his new superior. Most of the story contained within this volume is fairly self-contained, featuring a fantastic heist sequence and the subsequent fallout from this event. This fallout mostly revolves around Vader’s investigation into his own heist, which he attempts to cover up from his new aide, Inspector Thanoth. Thanoth is a genius detective of Sherlockian talents who was quickly able to get to the truth of the matter and find the culprit of the heist, despite Vader’s vest efforts. I really enjoyed this whole investigation element to the book, especially as it was fun watching Vader routinely sabotage his own investigation, often by killing any and all potential witnesses, only to have Thanoth easily breeze through these obstacles. Thanoth turned out to be an excellent new addition to this series, and I really enjoyed the intriguing partnership he formed with Vader, especially as he plays a dangerous game by continuously hinting that he knows Vader is behind the theft. This turned out to be quite an amazing and enjoyable storyline, and I really appreciated Gillen’s perfect blend of humour and serious storylines throughout the volume.

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I also loved the continued focus on Vader’s obsessive hunt for Luke Skywalker, which has taken on a new edge now that he knows he is his son. While he was already searching for him in the first volume, now that he realises who he really is, Vader decides to protect his identity and the find out the whole truth behind his birth. This is shown in the first part of Issue #7, in which Vader and Aphra visit both the Lars Homestead and Ben Kenobi’s hovel on Tatooine, where he tries to gleam some knowledge from both houses about his son, before setting off a molecular bomb to erase all useful forensic evidence. Shortly after this, Vader than sets Aphra a task of finding and interrogating a former mortician from Naboo who prepared Padme Amidala’s body for her funeral, including setting up a hologram to make it appear that she was still pregnant. This tuned out to be an outstanding sequence, as the mortician, who has a huge amount of personal loyalty towards Amidala, at first refuses to provide any information about his work, before being tortured and confirming the existence of a child. While this admission is a betrayal of his beloved Queen that clearly costs the former mortician a lot, he is able to do one last act of service for her by not revealing any details about the second child, Leia. I thought that this scene was amazing, and I liked how it helped explain how Vader was aware of Luke’s existence and status as his child, but not that he also had a daughter. I also appreciated Gillen’s focus on the loyalty the inhabitants of Naboo had to Amidala, even in death, which was even able to move the cynical Aphra. Her subsequent mention to Vader of how Amidala must have really been something was a nice touch, as Vader’s subdued and hidden reaction hints at his continuing deep feelings towards his long-dead wife. I really liked this focus on the search for Luke, as not only does it makes sense in the context of the movies, but it also showcases the lengths Vader was willing to go to find and protect his son, and it leads to the best sequence in the entire volume.

I personally really enjoyed how the creative team continued to show off Vader as a dangerous and vicious powerhouse in this volume. While it does not contain the same level of carnage that he unleashed in the first volume of the 2015 Star Wars comic book series, Shadows and Secrets contains several amazing scenes depicting his destructive abilities and personality. Whether he is stuffing a crime lord into the mouth of his own exotic beast and then easily killing the distracted monster, or whether he is taking down and entire squadron of Rebel space fighters one at a time by throwing his lightsaber at them, he is shown to be pretty impressive.

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Just like in the first volume, Doctor Aphra continues to shine as the series’s main supporting character, and her entire character arc within Shadows and Secrets is very intriguing. Throughout this volume, Aphra ends up undertaking several missions for Vader, such as trying to find the location of Luke Skywalker, and has become one of his main confidants. This puts her in a terrible position, as Vader is likely to kill her to protect his secrets, especially when Thanoth gets close to capturing her. Watching the various ways that this ultimate opportunist attempts to survive against the odds, including by brazenly withholding information from Vader in order to stop him killing her, is pretty impressive, and it makes for some great reading. Shadows and Secrets also contains one of the first deeper looks at Aphra’s internal character. During the sequence I mentioned above with the mortician, she gives a lengthy monologue about the death of her mother and how it has affected her. This was a heavy scene, and while she tries to play it off as not being very important, you can see that it has impacted her, turning her into a much more cynical and self-reliant person who has no room for idealism or blind belief. The significance of this scene is also quite crucial when you consider that much of what she said is later shown in the Doctor Aphra spinoff series and ends up becoming a defining part of her character. I also like how the noticeable changes that the creative team have inserted into Aphra’s personality when she deals with Vader. For most of the volume, Aphra comes across as an ultraconfident being who is able to manipulate and control bounty hunters, murderers and crime lords with ease. However, whenever Vader appears, there is a noticeable change in her bearing and personality, which isn’t too surprising as Aphra knows Vader is going to kill her one day.

I also have to point out how much fun the two murder droids Triple Zero and BT-1 continued to be in this novel. Essentially perverted versions of C-3PO and R2-D2, Triple Zero and BT-1 are remorseless killers who delight in murdering or torturing all organic life. These two add an insane element of humour to the entire series, and they have a number of great moments in Shadows and Secrets. Watching the two of them delight in all sorts of murder and mayhem is all sorts of fun, and you’ve got to love the weird and friendly relationship the two of them have formed with each other.

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One of the best highlights of this second volume is the amazing artwork. The artistic team, helmed by Salvador Larroca, did another fantastic job bringing the amazing story contained within Shadows and Secrets to life on the page. There are so many vibrant and imaginative panels in this volume, and the volume’s artistic team produce some amazing pieces of art that showcase the wider Star Wars universe. One of the things that continues to impressive me about this series is the way that the artistic team are able to convey so much emotion from the faceless main protagonist. Despite only ever seeing Vader’s expressionless and iconic mask, I found that I was constantly able to glean the true emotions that Vader was surely feeling at the time when I looked at him, ranging from cold menace, surprise, frustration to deeper emotions, such as sadness when Amidala is mentioned. There are some truly amazingly drawn scenes throughout this entire volume, although there are two that I would bring particular attention to. The first is the very first scene in Issue #7, which shows Vader standing out the front of the Lars Homestead, staring at Tatooine’s twin suns as they set. I absolutely loved how this drawing matched the iconic scene from A New Hope where Luke stared off in the same position, and I really appreciated the symmetry. The other piece of art that really stood out to me was a quick sequence that appeared a little later in the volume within Issue #8. In this scene, Aphra has just confidently dealt with one of the bounty hunters in her employ and is looking off in the distance speaking to someone. As she talks, Vader slowly materialises out the shadows behind her, responding to her comments. Despite the fact that Aphra’s expression does not change at all there is a notable shift in the tone of the panel when Vader appears, and you cannot help but feel the threat and menace that he exudes. This was some impressive artwork, which helped to really increase how much I loved this comic.

The second volume of the 2015 Darth Vader series, Shadows and Secrets, is a first-rate comic book that once again shows off how impressive Star Wars comics can really be. Gillen and Larroca did an incredible job following up the first volume of this epic series and I really enjoyed the complex and fun story that this second volume contained, especially when it was backed up by great characters and exceptional artwork. This is a superb addition to the series that is really worth checking out.

Throwback Thursday – Star Wars (2015) Volume 1: Skywalker Strikes by Jason Aaron and John Cassaday

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Publisher: Marvel Comics

Publication Date: 6 October 2015

Length: 160 pages

My Rating: 5 out of 5 stars

Reviewed as part of my Throwback Thursday series, where I republish old reviews, review books I have read before or review older books I have only just had a chance to read.

I think it is fair to say that I have been in a real Star Wars mood lately. Maybe it is because of the imminent release of the final movie in the Skywalker Saga, Star Wars: The Rise of Skywalker, or perhaps it is because The Mandalorian is such an awesome TV show. Whatever the reason, I have been reading and reviewing quite a few Star Wars books and comics lately. For example, I am currently listening to Star Wars: Force Collector, I reviewed Tarkin last week and I recently read and reviewed Resistance Reborn and Vader: Dark Vision. As a result, I thought that this week would be a good time to do a Throwback Thursday on the first volume of the 2015 Star Wars comic book series, Skywalker Strikes, which did an outstanding job of introducing an extremely exciting ongoing comic series.

The Star Wars comic book series was started in 2015 and follows the adventures of the protagonists of the original Star Wars trilogy. Set shortly after the events of A New Hope, this series attempts to fill in the three years between the first film and The Empire Strikes Back. The Star Wars comics originally ran concurrently with the Darth Vader (2015) comic series until that series ended, and then proceeded to run alongside the Doctor Aphra comics. The Star Wars series ran for 75 issues and has only recently concluded. A sequel series with the same name is set to begin in early 2020, which will follow the events between The Empire Strikes Back and Return of the Jedi.

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Volume One of Star Wars begins shortly after the destruction of the Death Star. With the Empire in turmoil following the destruction of such a major weapon, Rebel Alliance members Luke Skywalker, Leia Organa, Han Solo, Chewbacca, C-3PO and R2-D2 use the chaos to infiltrate a key Imperial weapons factory. While they are able to destabilise the factory’s reactor core and free its slave labour force, the Rebels are unprepared for the unexpected arrival of Darth Vader.

Attempting to complete their mission while also trying to kill Vader, the Rebels find themselves hopelessly outmatched by the Dark Lord of the Sith, who is determined to capture the Rebel who blew up the Death Star. Not even Luke, with his newly discovered Jedi abilities, is able to stand up to Vader, and the Rebels barely manage to escape with their lives.

Frustrated by his failures against Vader, Luke decides to take a leave of absence from the Rebel Alliance and returns to Tatooine to contemplate his future. Travelling to the house where Obi-Wan Kenobi lived in exile for years, Luke hopes to find something that will guide him. Instead he finds himself walking into a trap, as the bounty hunter Boba Fett is lying in wait. At the same time, Leia talks Han into a scouting mission for the Rebels, but their simple mission soon attracts the wrong sort of attention. Who is the mysterious woman hunting Han, and why is claiming to be his wife?

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Skywalker Strikes, which is made up of Issues #1-6 of the Star Wars series, contains an outstanding story, fantastic artwork and some of the most insane Star Wars action sequences that you will ever see. The team of Jason Aaron and John Cassaday, have done an amazing job on this comic, and this first volume does a wonderful job starting off this long-running series. While all the issues in this volume are connected together pretty well, I would say that there is a distinctive break between Issues #1-3 and Issues #4-6. Issues #1-3 focuses solely on the protagonist’s attack on the weapon facility, while the last three issues feature some more independent adventures from some of the series’ various characters, as each of them is searching for something.

The sequence contained within Issues #1-3 is just incredible, and it is easily my favourite part of the entire series. What starts as a fun infiltration of an Imperial facility quickly devolves into utter chaos as Darth Vader enters the mix. What then follows is nearly three whole issues of action, explosions, fantastic first meetings and all manner of destruction as the Rebels desperately attempt to escape the factory. While all the characters involved in this part of the comic are really good, I have to say that Vader steals the show as the indestructible villain. This was actually one of the first pieces of fiction in the new Disney Star Wars canon that shows off how amazing Vader could truly be, and it is pretty darn awesome. Pretty much from the first instance he appears, he shows off the full extent of his powers by throwing stormtroopers in front of a sneak attack from Chewbacca, and then by starting to crush an AT-AT with the force. He then subsequently survives a full-on blast from the AT-AT’s cannons and hacks it to pieces with his lightsaber. He also cuts through a bunch of escaping slaves and shows his intense displeasure to his subordinates in a number of destructive ways, including twisting a stormtrooper’s head 180 degrees with the force (to be fair, he did catch sight of Vader without his helmet) and choking a Star Destroyer captain from an insane distance. I can also not be the only person who cracked up at Vader very quickly destroying an Imperial Officer moments after he said “Lord Vader will have my….” (spoilers, he was going to say head, and Vader really did). All of this destruction and action was essentially pure awesome, and I loved every second of it.

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In addition to all the action in this part of the book, there are also some major moments in Star Wars history that fans of the franchise are really going to enjoy. For the one thing, it actually has the first face-to-face confrontation between Luke and Darth Vader. This scene is handled extremely well. Luke, still believing that Vader is the one responsible for the death of his father, jumps at the chance to get revenge. However, as Luke runs towards Vader’s location full of confidence, he hears the disembodied voice of Obi-Wan Kenobi telling him to run. This is advice that Luke really should have taken; Vader, after berating Luke for his obvious lack of skill with the lightsaber, rather easily disarms him. While getting ready to kill Luke, Vader notices that the lightsaber he has taken off him is the very one he used to wield as Anakin Skywalker, which obviously raises some issues within him. As events at the factory spiral out of control, Luke is able to evade Vader, who starts to grow slightly more impressed by his skills. As Luke makes his escape, Vader realises that he is not only the pilot that destroyed the Death Star but also Kenobi’s last great hope. Still not fully realising the identity of the boy he just encountered, Vader rather vindictively promises to corrupt him to his purposes. All of these events are pretty incredible moments in Star Wars history, and I think that the creative team did an outstanding job introducing them in this new canon. The initial face-to-face showdown between the main protagonist and villain of the original Star Wars trilogy is a pretty significant moment, and I really loved how it was shown. The hints at the hidden history between the two are great, and the initial realisations from Vader that there is more to Luke than he realises are fantastic. I also liked how the creative team showed Luke as having no real skill with the lightsaber or the force. Considering that he only had about an hour of training with Kenobi, it really isn’t that surprising that he has no lightsaber abilities, so this is a pretty clever and realistic inclusion, especially as a good part of the following Star Wars comic series deals with some of the earliest days of his training. While these events are probably not the most significant to occur in this volume (more on that later), they are incredibly intriguing and any fan of the Star Wars franchise is going to love it.

The last three issues of Skywalker Strikes are also very entertaining, though less action-packed, since the creative team has opted instead for storytelling and showing off the state of the Empire and Rebel Alliance. While a despairing Luke sets off to find answers, Han and Leia set off to find potential locations for a new Rebel base, while Vader has a meeting with Jabba the Hut. There are some really interesting aspects to this part of the story, from the growing hopelessness in Luke as he begins to realise how far he is from becoming a Jedi, to Vader’s sudden obsession with capturing Luke, to the growing hints of romance between Han and Leia, disguised at this point as antagonism. However, I would say that it’s the newcomers to the comic series, Boba Fett and Sana Solo, that are some of the best parts of the last three issues of the volume. Fett, who has long been a fan favourite despite his complete underutilisation in the movies, shines as the badass bounty hunter as he scours Tatooine for Luke, eventually finding out all about him through some very violent means. This leads to a pretty fun showdown between Boba and Luke, as Boba ambushes him at Kenobi’s house and easily incapacitates him and R2-D2 with his cool array of weapons and tactics. It is only thanks to Luke’s first close-combat use of the force that he is able to escape, as he successfully blocks a blaster bolt while blinded (a nice homage to the training sequence from A New Hope) and moves an item with his mind. All of this was a pretty entertaining showdown, and I loved seeing Fett in action for once. We also have the mysterious Sana Solo, who has a pretty fantastic takedown of some Rodian thugs with a great piece of technology and a ruthless demeanour. She is later able to track down Han and Leia, absolutely terrifying Han before dropping one of the biggest bombshells of the book: that she is Han’s wife. While this is not explored in any great detail in this volume, it is an excellent introduction for this great character, who goes on to become a fairly major figure in the current Star Wars canon. As a result of all of this, the second half of the volume holds up pretty well to the action-packed first half, and there are plenty of major scenes, including the very big ending.

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While I did really like the second part of this volume, the best way to appreciate it fully is if you understand its connection to the Darth Vader (2015) series of comics. The Darth Vader series was launched right on the heels of the Star Wars comics and it is actually set in the aftermath of the first three issues of this volume. In the first issue of this concurrent comic, it is shown that Vader has actually started going rogue on the Emperor and is making his own deals with Jabba the Hutt, before the formal discussion he has with Jabba in Issue #4 of the Star Wars series. This actually clears up the somewhat cryptic discussion he has with Jabba later in the issue, where they talk about the bounty hunters he has hired, and also shows the point where he actually tasked Boba Fett with finding Luke. While none of this is absolutely vital when it comes to fully understanding the plot of Skywalker Strikes, it is interesting to see that some of the referenced events occurred in another series. However, the main reason why readers should try to understand the connection between this comic and the Darth Vader series is in the epic conclusion both of them share, where Vader learns the last name of the boy he has been hunting. Both Issue #6 of Star Wars and Darth Vader were actually released on the same day, so readers of both series were able to see this scene at the same time. The two scenes are shown in a slightly different light in each series. It is expanded a bit more in the Darth Vader series, as it plays into the feelings of resentment towards the Emperor that have been building in Vader through the series. However, I quite liked the simpler version in Issue #6 of Star Wars, as the slow-boiling rage and anger within Vader is pretty obvious, as he takes a whole page to fully react, cracking the glass on a Star Destroyer and simply whispering, “Skywalker”. As a result of this connection, the Star Wars and Darth Vader series complement each other extremely well, and I would strongly recommend reading both pretty close together. However, no matter which series you read, the sequence showing the moment where Vader realises that his son is still alive and a Jedi is pretty darn epic and really memorable.

It could be argued that splitting this volume into two separate storylines was an interesting choice from the book’s creative team. I imagine that six issues focused on the attack on the Imperial weapons factory would have been pretty epic (just imagine how much more destruction Vader could have wrought). However, I personally think they did the right thing by splitting the story and showcasing the aftermath of this action. This way you not only get the intense action of the first few stories but you also get to see the consequences of the mission, and all the implications this has for the wider Star Wars universe. In addition, there is also quite an intriguing set up for several key moments in the upcoming series as a whole, a whole new fight between Luke and another iconic Star Wars character in Boba Fett, and some amazing connections with a sister series. I really liked how the story of the entire volume came together, and I think it was an outstanding way to start this excellent series.

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I have to say that I was also really impressed with the awesome artwork that was featured in this first volume. The artwork was drawn by John Cassaday, and featured Laura Martin as the colourist. It is pretty amazing the way that Cassaday was able to capture the faces of the core original trilogy cast members with his artwork. Luke, Leia and Han all look really good to my eye in this volume, and the artist has also done some great renditions of other existing characters, such as Vader, Boba Fett and Jabba the Hutt. In addition, I really enjoyed all of the marvellous and exhilarating action sequences that they artistic team portrayed throughout the volume. These action scenes, especially the ones featuring Vader at the start of the book are just incredible, and I really loved seeing all the fantastic and creative violence. In addition to all the action, there are a number of scenes where the artwork helps to enhance the emotions and hidden meaning of a scene, and I will always love the way that they portrayed the closing moments of this volume. This was some first-rate Star Wars comic book art that is really worth checking out.

As you can see from the above review, I really loved this first volume of the Star Wars (2015) comic book series. The amazing creative team behind this first volume did a fantastic job with the first six issues that make up Skywalker Strikes, producing an extraordinary story which is complimented by a connection to another series and some exceptional artwork. This volume is a fantastic introduction to the flagship comic book series of the Star Wars franchise, and it comes highly recommended. No great knowledge of the expanded Star Wars canon is required to enjoy it, and indeed this may prove to be an effective gateway to the greater Star Wars universe. This gets a full five stars from me, and I am so very glad I decided to check out the Star Wars comic book series this year.

Throwback Thursday – Star Wars: Darth Vader: Volume 1 – Vader

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Publisher: Marvel COmics

Writer: Kieron Gillen

Artist: Salvador Larroca

Colourist: Edgar Delgado

Publication Date: 20 October 2015

My Rating: 5 out of 5 stars

Reviewed as part of my Throwback Thursday series, where I republish old reviews, review books I have read before or review older books I have only just had a chance to read.

For this week’s Throwback Thursday, I check out the fun and exciting first volume of the Darth Vader comic book series, Vader, which features the destructive adventures of the Star Wars trilogy’s greatest villain, Darth Vader, and presents a new story for Disney’s extended universe.

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When I previously reviewed two volumes of the Darth Vader: Dark Lord of the Sith comic book series (Legacy’s End and The Burning Seas), I mentioned how much I love the classic Star Wars movie villain Darth Vader. This current series is pretty epic and does an amazing job of telling the story of Darth Vader’s early adventures following the fall of the Jedi and the rise of the Empire. However, another Darth Vader series, helmed by writer Kieron Gillen and artist Salvador Larroca, commenced in 2015 off the heels of the Star Wars comic book series.

This first volume of this Darth Vader series is set after the events of A New Hope and deals with the fallout of the destruction of the Death Star. It is also deeply connected with the Marvel 2015 Star Wars comic series that started around the same time, especially the first volume of this series, Skywalker Strikes. Issue #1 of the Darth Vader comic, for example, starts just after the events that occurred in first three issues featured in the Skywalker Strikes, and both Star Wars #6 and Darth Vader #6, which close out each series’ respective first volume, end at the exact same moment of time.

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For nearly 20 years, Darth Vader has been the most feared being in the Empire, loyally serving under the Emperor as his most effective enforcer and most trusted subordinate. However, recent failures have damaged his relationship with his master. The destruction of the Death Star on his watch has left the Empire vulnerable, and his failure to stop the recent Rebel assault on Cymoon (as seen in Star Wars issues #1- #3) has made them look weak. The Emperor, displeased with his apprentice’s failures, has placed Grand General Tagge in command of Vader and is keeping secrets that could prove deadly to him. At the same time, Vader finds himself intrigued by the young, unnamed Rebel who is responsible for the destruction of the Death Star, especially after their encounter on Cymoon, where he discovered that his old master, Obi-Wan Kenobi, gifted the boy the lightsabre Vader once wielded as Anakin Skywalker.

Concerned with the events occurring around him, Vader decides it is time to start operating outside of the Emperor’s orders. Not only does he send the bounty hunter Bobba Fett to capture the mysterious Rebel pilot and bring him directly to Vader; he also recruits the rogue archaeologist, Doctor Aphra, as his agent. Using Aphra’s knowledge and contacts and the two murderous droids she has assembled, Vader amasses the resources needed to investigate the Emperor’s hidden agenda. However, his investigation reveals that the Emperor has commissioned research into a series of deadly individuals meant to take Vader’s place at the Emperor’s side. As he attempts to deal with this new competition, Vader finds himself rocked by another revelation: the pilot who destroyed the Death Star is named Skywalker!

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Darth Vader: Volume 1: Vader features issues #1-6 of this series, and features the writing of Kieron Gillian and the artistic talents of Salvador Larroca. Gillian and Larroca are veteran comic book talents with a variety of different titles under their belts, although both are probably best known for their work with Marvel Comics. The two of them have formed an effective creative team in the last few years, as they have worked together on a number of Star Wars comic book titles, including all 25 issues of this Darth Vader series. The two have also produced the last 30 or so issues of the amazing Star Wars series, creating several of the series best moments, and have worked together on the entertaining Doctor Aphra title, which follows the adventures of the popular character, Doctor Aphra, who is introduced in this volume of Darth Vader. I think at this point I actually have a copy of every Star Wars comic this pair have created together, and it is almost guaranteed that I will feature more of their work in the future.

I started getting into the 2015 Darth Vader series late last year after I was blown away by the Darth Vader: Dark Lord of the Sith comics. I am extremely happy that I decided to check out the 2015 Darth Vader series, because I absolutely loved this first volume of the series, Vader, and had an amazing time reading it. Not only was this one of the first comic book volumes in the new Star Wars canon that showed what an absolute badass Darth Vader is but it features a captivating story, some major Star Wars moments, incredible artwork and iconic new characters.

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This first volume of Darth Vader contains some epic sequences that really highlight how awesome and destructive the character of Vader really is. I loved the opening scene in particular, which features Vader having a covert meeting with Jabba the Hutt at Jabba’s palace on Tatooine. This meeting is in some ways very similar to the meeting Luke has with Jabba at the start of Return of the Jedi, with Vader entering alone to stand before Jabba in his audience chamber. However, some key alterations really show how different Vader’s style is compared to his son’s. Rather than attempting to negotiate like a Jedi, Vader slaughters his way in, deliberately avoids standing on Jabba’s hidden trap door, kills every minion that Jabba ambushes him with and then proceeds to force choke Jabba until he gets his way. It makes for one hell of an introduction to the series, and does an incredibly successful job of setting up Vader as a major badass. This first issue #1 also has a great ending, showing Vader nonchalantly having a conversation over a smoking pile of Tusken Raiders that he spent the day killing. This is a nice call-back to his past as Anakin Skywalker and it also shows how much more causal he now is around death and destruction, especially as he leaves simply saying, “All my present business is concluded.”

I also liked how this volume showed a completely different side to Vader’s relationship with the Emperor. The series is set in some unique circumstances, as it occurs right after the destruction of the Death Star, and the Emperor’s displeasure at Vader for allowing it to happen is vast. Vader in turn is suspicious of the Emperor’s secrets, and actively starts working behind the Emperor’s back for the first time. The sequences featuring Vader assembling his own private resources and working against the benefits of the Empire are quite fascinating, and results in some interesting missions. I also really liked the part of the book when Vader and the Emperor eventually find out each other’s secrets, especially as it results in an interesting discussion. While the Emperor is actually impressed with Vader showing initiative and working outside the system, Vader is outraged that the Emperor has been creating abominations to replace him for the last 20 years. The Emperor reveals that he has been disappointed with Vader ever since he was defeated at the end of Revenge of the Sith, and that he needs to prove himself worthy of the Emperor again.

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While all the above scenes are pretty awesome, the best part of this volume is the incredible conclusion of the volume in issue #6. Vader, already enraged after his talk with the Emperor, finds out that the young Jedi he encountered is named Skywalker. The building anger within Vader as he finds out is palpable as he flashes back to the events of Revenge of the Sith and realises that the Emperor lied to him; he did not actually kill Padmé before she gave birth to their child. The switch between Vader’s reaction in the present and the scenes from the past is done perfectly, building up the tension around Vader and making for some amazing pages. The scene then continues with Vader calling up the Emperor to confront him, in a nice continuation of the storyline I mentioned above. However, rather than revealing that he knows the Emperor lied to him all those years ago, he instead keeps it secret and indicates he understands his place with the Emperor. The final pages reveal Vader staring off into space and stating, “I have a son. He will be mine. It will all be mine”, referring to the Empire and the galaxy with the last part. There is so much in this scene to love. Not only do we actually get to see the moment where Vader finds out Luke is his son, a major moment in Star Wars history that ties together parts of the prequel series with the original trilogy, but we also get a look into Vader’s mind when he finds out the truth after all these years. This whole sequence is just incredible and has to be one of my favourite moments in this entire series. It also cleverly matches the end of the first volume of the related Star Wars comic book series and actually expands on that original comic for fans who were curious about it.

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While the focus on Darth Vader is amazing, this volume also features the introduction of several outstanding new characters in the Star Wars canon, Doctor Aphra and her droids. Dr Aphra is an awesome character, as she is essentially an anti-Indiana Jones living in the Star Wars universe. Aphra recovers valuable (and often extremely dangerous) artefacts from across the galaxy, either for her own use or to sell for a profit. However, in this first volume, Aphra is forced into Vader’s employ and must help him obtain the means to act outside the Emperor’s notice. Aphra story arc in the first volume is pretty darn compelling. While Aphra is willing to help Vader, and even thinks of it as a cool opportunity, she is under no illusions about the fact that Vader will kill her at some point in the future and is a constant mess of emotions as a result. There is a fantastic scene in this volume where Aphra makes it clear to Vader that she knows he is eventually going to kill her and begs him to show some mercy when the time comes and use his lightsabre rather than worse methods, such as chucking her out of an airlock (this actually comes into play later in quite a clever way). I also liked that the creative team really played up the Indian Jones aspects of her character at times, such as her introductory sequence, where she is forced to escape a series of booby traps, including a spherical droid, similar to the boulder sequence in Raiders of the Lost Ark. Humour like that really makes Aphra an excellent addition to this volume, and I love how the creative team are able to get some dark moments out of her relationship with Darth Vader.

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In addition to Aphra, we are introduced to her droids 0-0-0 (Triple Zero) and BT-1, who are fun parodies of C-3PO and R2-D2. Like C-3PO and R2-D2, Triple Zero and BT-1 are a protocol droid and astromech duo, but with a few key differences. Triple Zero has been programmed with a number of languages and human protocols, but he has also been programmed for torture and is equipped with a number of syringes and other torture implements. BT-1, on the other hand, is actually a lethal assassin droid disguised as an astromech in order to appear harmless, and is loaded with multiple weapons, including a massive cannon and a flamethrower. Both of them had been decommissioned by the Empire for being too dangerous (which tells you a lot), but are brought back online by Aphra and Vader. These two droids are an extremely fun duo, acting a lot like the iconic C-3PO and R2-D2, except with a complete disregard for human life and a desire for as much destruction and death as possible. The discussion the two have in this first volume about killing the various creatures they come into contact with are very funny: “Hahaha! You are on fire and also dead.” I also found it amusing that, even though they are remorseless killers, the two droids get along better than C-3PO and R2-D2 ever did, with Triple Zero actually complimenting BT-1 and appreciating everything he does, especially all the murder. These two are an extremely entertaining couple of characters, and it was fun to see them parody the classic Star Wars droids in such a clever way.

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I loved the artwork in this volume, and some of the cool details that were included in the various scenes added so much to the story. For example, the fantastic closing sequence where Vader finds out his son is still alive is superbly enhanced by the cracks that appear on all the glass around Vader as he comes to his realisations. This looks so cool and really highlights how angry he is feeling. The art also showcases all the awesome action contained within this book, especially when it comes to all the destruction Vader and his cohorts unleash to achieve their goals. There are so many explosions and so much destruction laced throughout the book, and the artists who contributed to this first volume make them look pretty darn spectacular. I also loved the close-up action when Vader gets to work with the force and his lightsabre. The artists do an impressive job showcasing all the destruction he is capable of, and the reader is constantly reminded of that amazing Darth Vader scene at the end of Rogue One. The artists also do an amazing job conveying character emotion through the subtleties of their facial expressions. You get a real idea of what the characters are feeling thanks to the artwork, whether it is Doctor Aphra’s fear whenever she has to deal with a pissed of Vader, or the constant anger Vader is feeling throughout this volume. I am particularly impressed with how they were able to compensate for the helmet Vader is always wearing in order to show off Vader’s various emotions. Subtle things like the tilt or shape of the mask and the character’s body language seemed to speak volumes at times, and I think that they captured Vader’s emotions perfectly every time. Vader featured some very clever and very impressive artwork, which not only stand on its own, but which enhances the book’s story substantially.

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The first volume of the 2015 Darth Vader series was an outstanding example of Star Wars fiction which really modernises one of the most iconic Star Wars characters of all times. Darth Vader is masterfully reborn here as a being of pure destruction, as this first volume places him in some extremely compelling situations. I loved where the story went in this first volume, and the creative team have come up with some amazing scenarios and several excellent new characters who are so unique and creative they manage to escape Vader’s sizeable shadow. Overall, this first volume did a fantastic job setting the stage for the rest of the series, and I had an incredible time reading this comic.