The Traitor by Anthony Ryan

On August 25, 2023 By The Unseen LibraryIn Audiobook, Fantasy, Five-Star Books14 Comments

Publisher: Orbit (Audiobook – 11 July 2023)

Series: Covenant of Steel – Book Three

Length: 19 hours and 15 minutes

My Rating: 5 out of 5 stars

Acclaimed fantasy author Anthony Ryan brings his epic and exceptional Covenant of Steel trilogy to an end in a massive way with the impressive third and final book, The Traitor.

Over the last three years I have had an outstanding time getting my first taste of the works of leading fantasy author Anthony Ryan. A veteran author who has been enthralling fantasy audiences for over a decade, Ryan has several highly regarded series under his belt, including his Raven’s Shadow books, the Slab City Blues series, the Seven Swords series and The Draconis Memoria trilogy. However, I have so far only had the opportunity to read his latest body of works, The Covenant of Steel trilogy, which has been more than enough to make me a major fan of this author.

The Covenant of Steel books are an outstanding series that follows an intriguing and well-developed protagonist, the notorious Alwyn Scribe. Told in a chronicle format written by Alwyn, the Covenant of Steel books follow the protagonist as he embarks upon a powerful and exciting character journey that sees him overcome his bandit past to take on several new roles, including that of a scribe, soldier and knight, all while serving the mysterious religious figure, Lady Evadine Courlain. I have had an epic time with this series over the last few years, and the first two books, The Pariah (one of my favourite books and audiobooks of 2021) and The Martyr (one of my favourite books and audiobooks of 2022) have been exceptional five-star reads that proved near impossible to put down. Loaded with action, intrigue, a fantastic new world, and some complex characters, this series is so damn good, and I have been eagerly awaiting the third and final book for a while. This third book, The Traitor, was one of my most anticipated reads for 2023, and I was so excited when I finally got the chance to listen to it.

Alwyn Scribe is a man in real trouble. Now a renowned knight, general, spymaster, and trusted advisor, the former outlaw has relentlessly championed the cause of his lady, the Risen Martyr Evadine Courlain, and ensured she is now the most beloved and influential religious figure in all of Albermaine. But what if he made a terrible mistake?

Cryptic visions from the past have warned Alwyn that, despite her claims to be a servant of the divine Seraphile, Evadine actually serves the Malecite, the source of all evil in the land, who will use her to bring about a cataclysmic future. Blinded by love, Alwyn is convinced that these visions are false, and he is determined to keep Evadine alive and ensure that her vision of a united Albermaine are brought to life, even if that means starting another destructive war.

However, the closer Evadine gets to achieving her goal, the more Alwyn begins to realise that she is no longer the same woman that he swore his life to. Her messages of peace and tolerance have been replaced by the fires of puritanical fury, and Evadine soon launches a brutal crusade to rid the country of her enemies and place herself on the throne as an Ascendant Queen. But is she truly corrupted by the Malecite or is her brutal work a necessity to keep Albermaine safe from a greater evil? As a devastating civil war is unleashed upon the kingdom, Alwyn will be forced to choose whose side he is truly on and what he is willing to sacrifice to keep the world from burning.

Well damn, Ryan really didn’t disappoint with this fantastic and powerful conclusion to the fantastic Covenant of Steel trilogy. Weaving together all the elaborate elements from his first two books and then lighting everything you love on fire, The Traitor was a complex and deeply enjoyable read that I honestly couldn’t stop listening to. Powerful, thrilling, and oh so beautifully dark, The Traitor was a perfect ending to the Covenant of Steel trilogy that got an easy five-star rating from me.

The Traitor has a heck of a powerful narrative to it that takes the protagonist and the reader to the emotional limit. After an effective and entertaining recap of the previous two books, The Traitor starts in the immediate aftermath of the previous novel, The Martyr, with Alwyn leading Evadine’s army to war against the dangerous Ascendant Arnabus and his forces, resulting in a major, religious war. This initial conflict is the focus for a good part of the early story, and it serves as a great warm-up for the rest of the plot, allowing for some much-needed character reintroductions and development, while also providing some intriguing new context for the main story. This initial fight only serves as a taste for the wars to come, as Evadine seeks to overthrow the current order and rule herself. This incoming conflict ensures that the first half of The Traitor has a range of great story elements to it, with a mixture of intrigue, political manoeuvrings, espionage, and battles, ensuring that every second of The Traitor at this point is highly entertaining. This also serves as an excellent prelim for the anticipated change in the middle of the book, where the protagonist is finally forced to confront the fact that Evadine is no longer the woman he fell in love with.

Due to the reveal at the end of The Martyr, you had to know that Evadine was going to have some sort of fall from grace in this final novel, and when it comes, boy does it come hard. The betrayals, shocks and losses at this point are exceedingly impactful, and you soon realise that Ryan intends to go full scorched earth with his storytelling, forcing the reader to deal with some major tragedies. I liked the dark turns that occurred at this point in The Traitor, especially as Ryan had been hinting at them since book one, and it was awesome to get some payoff for the previous dark predictions. This forces Alwyn to make some tough choices, and there is a major and compelling change in the protagonist’s objectives and loyalties for the second half of the book. Thanks to the great setup at the start, as well as the major events in the middle, the reader will be very strongly caught in the narrative at this point, and even though the final half of The Traitor slows down in places, you really cannot put it down. Ryan really dives into the lore of his land in this second half, which provides some very unique scenes and moments, even if some of these story elements got a little away from the author. Still, this part of the book has some pretty impactful moments, and you will not be prepared for some of the key touching events.

Everything leads up to a final confrontation, which releases three books worth of pent-up emotion and revelations in some spectacular scenes. While part of this confrontation is a bit more metaphysical than it needed to be, you honestly will be blown away with how it all comes to an end, especially as there is layer upon layer of tragedy involved, and I deeply enjoyed the compelling and satisfying resolutions that followed. This entire story was a fantastic read from start to finish, and I really loved how Ryan wrapped up so many of his ongoing storylines and arcs here. While most plot points are finalised here, a couple do remain unresolved, and it wouldn’t surprise me if we get a sequel series at some point. I personally would be very keen for that, as I had such an exceptional time seeing this elaborate trilogy and ongoing narrative come together in some excellent ways.

I have always really enjoyed how Ryan set out the previous Covenant of Steel books, and he did a fantastic job of continuing his awesome writing style in this third and final book. The author sets out The Traitor using a chronicle style told from the protagonist’s perspective, which is such an effective writing tool. This deeply personal vision of events, combined with the author’s regretful insights of the future, really helps to drag the reader into the story, and Ryan really makes the most of this story format the entire way through. Like with the rest of the trilogy, Ryan keeps up a pretty steady pace in The Traitor, and there aren’t a lot of quiet moments in the book. The author really hit the right blend of powerful character focus, fantasy world building, and storytelling loaded with intrigue and action, and there is generally something for everyone here.

I loved the darker, more tragic feel that The Traitor had, especially compared to the earlier books, and it was easy to tell that this is the final book in the series. While the detailed plot recap and cast list at the front of the book is very helpful at reminding readers of prior events, readers unfamiliar with The Pariah and The Martyr probably won’t be able to jump into this final novel too easily as there are so many details from the first two books that reader’s need to be aware of to fully appreciate the impacts of this story. As such, people new to the series should really head back to the start, and I guarantee you will have a great time doing so. I really enjoyed how this awesome book came together, and Ryan’s ability to weave together an intense read with so many layers to it is very impressive.

One of the great highlights of the Covenant of Steel series has been the exceptional and detailed fantasy realm that the book has been set in, shown through the eyes of the narrator as he explores it. The reader has been given a very detailed look at these settings throughout the last two novels, and it has served as a great background to the plot. Primarily a medieval landscape dominated by a quasi-Christian religion, this background setting initially didn’t have a lot of fantasy elements to it except for a couple of wandering beings with strange powers. But Ryan slowly built up the fantasy elements throughout the book, with cumulation of magic occurring about halfway through The Martyr, which I think was an excellent choice, as it allowed him to instead focus on character growth, other world building elements, and the general politics and wars of the realm, in excellent detail. A lot of these political and religious elements are strongly explored throughout The Traitor, especially in the first half, and Ryan had a lot of fun showcasing the land’s dark turn towards religious conflict as his character’s embark on a bitter holy war. The dark and destructive changes to this well utilised setting are very notable, disturbing and compelling, and it was fascinating to see how much everything changed throughout the course of the series.

The Traitor does get a lot more fantasy heavy in the second half of the book, as the protagonist returns to a hidden realm and fully experiences the mysterious magic and powers that reside there to counter the dark visions of Evadine. I do think that there might have been a few too many magical inclusions here, as the plot did get a tad convoluted in places. Still, Ryan definitely had some fantastic and unique ideas here, and many of these fantasy elements have been utilised in the past to great effect. One particular ability that emerges actually brings part of the story around full circle, and it allowed for some very compelling interactions with characters from the past that I quite enjoyed. The fantasy revelations that emerge during the big concluding confrontation are very over the top, which some readers might have issues with. However, I quite enjoyed it, and it lead to a particularly dark final meeting between protagonist and antagonist that had me hooked the entire time. This really was an awesome fantasy series, loaded with cool settings and unique features, and I hope that we might get to revisit them in the future, especially as the events of this book will leave Albermaine a much darker and traumatised setting.

Easily my favourite element of The Traitor, and indeed the entire Covenant of Steel trilogy, has been the complex, damaged and memorable characters that the story has focussed on. Ryan has come up with an exceptional group of protagonists and villains over the course of the trilogy, and there are some deeply elaborate character arcs ongoing throughout the last two books. Many of these continue and conclude here in The Traitor, and Ryan really went out of his way to finalise the development of his characters in some powerful ways that will really strike the reader in the feels.

The main character of The Traitor is once again Alwyn Scribe, who serves as the primary narrator of the trilogy as he recounts his historical adventures. Alwyn has been a particularly compelling character throughout the series, mainly because you get to see him grow from a common outlaw to key advisor of the Risen Martyr as she begins her campaign across the country. Ryan has done such a great job telling Alwyn’s unique tale in the previous books, and the reader should already be highly invested in his story before The Traitor even starts. Of course, this ensures that the reader is hit even harder by some of the big moments of the book, as Alwyn goes through a lot here. Not only is he still involved in a series of deadly wars and political battles, but now he finds himself being torn between love and his sense of right and wrong, as Evadine becomes more and more unstable. Watching Alwyn continue to justify Evadine’s actions, even though deep down he knows she’s in the wrong, is both frustrating and understandable, as you realise just how much he is devoted to her. This sense of frustration is only enhanced by the constant recriminations Alwyn throws towards his past self as he narrates his own story, and you can feel the regret pouring of the pages there. While I won’t give too much away here, Alwyn ends up going through quite a lot in The Traitor, and the emotional toil that inflicts is pretty terrible, especially as he has to make some bitter and ruthless choices. It was very touching and intense to see Alwyn’s story come full circle in some ways, especially as there are some intriguing callbacks to his past, and all the major impactful moments that affect Alwyn are expertly portrayed by the author. Despite everything he goes through, Alwyn still maintains much of his humour, wit, ingenuity, and disrespectful attitude that were such a great part of the Covenant of Steel trilogy. It was so much fun to once again get his unique take on events, and he ended up being a pretty perfect narrator for this fantastic series.

The other major character that I have to talk about is Evadine Courlain, the Risen Martyr and Alwyn’s love interest, who has been such a significant figure in the last two books. A religious leader who inspired people with her visions, Evadine has always been a fascinating character, especially as you are never quite sure if she is actually divinely chosen, a delusional madwoman, or something even worse. After the reveal at the end of The Martyr that Evadine might be an avatar of evil, you come into The Traitor naturally highly suspicious of her, and Ryan caters to these expectations by ensuring that she quickly starts to descend into further darkness. Despite Alwyn’s continual attempts to restrain her, and justify her actions to the reader, Evadine becomes more of a darker figure as she pursues her various wars, although initially never going quite far enough to alienate her friends. Of course, that changes about halfway through the book, and when she goes dark, she goes dark in a big way, turning into quite a fantastic and sinister antagonistic figure. I really loved how Ryan turned Evadine here, and it is such an outstanding cumulation of so many key story arcs from the first two books. Despite everything she does, there is still a powerful bond between Alwyn and Evadine that deeply impacts both of them, and it was fascinating to see these great characters walk the thin line between love and hate again and again. The complex interactions between these two characters at various different points of The Traitor are beautifully written, and you have to appreciate just how damaged and dangerous their bond got at times. Evadine honestly was the perfect counterpoint to Alwyn in The Traitor, and I cannot emphasise how impressive her entire story arc ended up being.

In addition to Alwyn and Evadine, Ryan has loaded The Traitor with an exceptional cast of supporting characters who add a great deal to the impact of the story. This supporting cast is mostly made up of figures from the first two books, as Ryan brings back many of the old favourites and seeks to wrap up many of the intriguing storylines that have been such a fantastic part of the series. Highlights include Alwyn’s returning comrades, such as the unstable but very likeable Ayin, disgraced knight Wilhum, former outlaw Tiler, outlaw queen turned legitimate Duchess Lorine, and Juhlina, also known as the Widow. These characters, and more end up having some interesting roles throughout The Traitor, and it was fascinating to see the various sides that many of them chose, especially as the plot continued. I liked some of the surprising directions Ryan took a few of these returning characters, and there are some interesting choices, romances and entertaining fates that were wonderful to see. Ryan also features several great new characters who got a good introduction and utilisation in The Traitor, even if it was only for a single book. Quite a few of these characters were cast in antagonistic roles, which I think worked really well, and it was amazing how quickly Ryan was able to turn some of these characters into quite hateable figures.

While I did really enjoy the return of so many great characters featured within The Traitor, readers should be warned that Ryan does go on a bit of a murder spree here. While I won’t give too much away here, several great characters meet an untimely end in The Traitor, and this honestly gets pretty heartbreaking. While I usually don’t love it when authors kill off most of their characters in a finale, I think it worked quite well in The Traitor, especially as each death served an important narrative purpose. It also helped that for many of these characters, Ryan worked to resolve their storylines in advance, so readers got some closure with them, even as they were taken away. As such, The Traitor turns into quite a bloody and impactful read at times, and you will not be prepared for just how grim and tragic it gets when it comes to your favourite Covenant of Steel characters. I really cannot emphasise just how good Ryan’s character work is though, and I hope we see some of the surviving figures again in the future.

I ended up grabbing a copy of the audiobook version of The Traitor, mainly because it has been the format that I have enjoyed the rest of the Covenant of Steel books in. Coming in at a bit over 19 hours, this is a decently long audiobook, but I absolutely flew through it once I got caught up in the exceptional story. This format really lent itself to Ryan’s writing style and epic storytelling, and I deeply appreciated how listening to The Traitor allowed me to absorb all the key character moments, action and world building a lot better. My enjoyment of this book was enhanced even further by the return of narrator Steven Brand, who has given his voice to most of Ryan’s audiobooks. Brand is a very talented narrator with a great voice that fits this darker fantasy novel extremely well, especially as he perfectly encapsulates the protagonist, Alwyn Scribe. Brand really brings Ryan’s chronicle style to life in Alwyn’s voice, and I really loved his take on the protagonist and all the other characters. The sheer despair, weariness and self-loathing that Brand envisions in Alwyn’s voice at times is really moving, and I deeply appreciated how expertly he dove into the role of the main character. The rest of characters in The Traitor also receive some great, fitting voices, and the entire cast really came to life, if but briefly. I honestly had such a great time listening to The Traitor on audiobook and this is easily my preferred way to enjoy this fantastic book. As such, this format comes highly recommended, and it will probably end up being one of my top audiobooks of 2023.

Honestly, after how much fun I had with the first two books in this series, as well as my lengthy write-up above, it should come as no surprise that I deeply enjoyed The Traitor. Anthony Ryan brought his epic Covenant of Steel trilogy to a near perfect end, and I cannot emphasise enough how great and impactful this exceptional novel was. Featuring some excellent dark moments, powerful character development, and an outstanding war-focused narrative, The Traitor delivered everything I wanted and more. Easily one of the best fantasy books of 2023 so far, The Traitor was a joy to read from start to finish, and I am so glad I got the experience this awesome and amazing fantasy trilogy.

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City of Last Chances by Adrian Tchaikovsky

On April 19, 2023 By The Unseen LibraryIn Audiobook, Fantasy, Five-Star Books34 Comments

Publisher: W. F. Howes (Audiobook – 15 December 2022)

Series: Standalone/Book One

Length: 20 hours and 7 minutes

My Rating: 5 out of 5 stars

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Acclaimed fantasy and science fiction author Adrian Tchaikovsky delivers one of the best fantasy books of 2023 with the intricate and captivating City of Last Chances.

Over the last year I have been really getting into the works of Adrian Tchaikovsky, one of the most inventive and imaginative authors of fantasy and science fiction writing today. Tchaikovsky is a skilled and prolific author who has been a major figure in genre since 2008. Best known for his Shadows of the Apt, Children of Time, Echoes of the Fall and The Final Architecture series, as well as a compelling collection of standalone novels and novellas (I personally have my eye on his previous novel, Guns of the Dawn), Tchaikovsky has a great habit of creating elaborate new worlds filled with intriguing characters and scenarios. I have only read a couple of his books so far, including Tchaikovsky’s first Warhammer 40,000 novel, Day of Ascension, and his outstanding 2022 novella, Ogres, but both were outstanding reads and I loved the epic stories both of them contained. Because of this, Tchaikovsky’s latest standalone novel, City of Last Chances, has been on my radar for a while. It was released last year, and I finally managed to get a copy on audiobook a short while ago and dove into it as soon as I could. However, I was unprepared for just how captivating its story would be.

There has always been a darkness hanging over the ancient city of Ilmar. Known colloquially as the City of Long Shadows, the City of Bad Decisions, and the City of Last Chances, Ilmar is home to many dangerous magical occurrences, including the mysterious Anchorwood at its centre, which serves as a gateway to other far-off worlds. However, a far more sinister enemy has arrived at Ilmar, the soldiers of the Palleseen, a powerful empire seeking to bring its ideas of perfection and order to all it conquers, whether they like it or not.

After several years of occupation, Ilmar is at a tipping point. Its citizens are fed up of the corrupt and brutal soldiers, and everyone in Ilmar, be they rebels, criminals, refugees, idealistic students or factory workers, is looking for an opportunity to strike back and make their lives better. With these forces straining to be unleashed, all it takes is one spark to set the fire of anarchy. That spark occurs when a powerful Palleseen official leads an ill-advised expedition into the Anchorwood, searching for additional power. However, he is unaware that an opportunistic thief has stolen the necessary protective amulet in advance, and the expedition is massacred by the creatures that live within the wood.

As news of this crime spreads throughout the city, chaos begins to rear its head. Everyone is searching for the valuable amulet that was stolen as it represents the greatest chance of freedom many will see, while the Palleseen soldiers are clamping down on the entire city, determined to find those responsible and make them pay. In this chaos, a mixture of Ilmar’s citizens, including a desperate priest, a violent murderer, an unlucky thief, a duplicitous lecturer and several of the most lost people in the city, will seek to survive the oncoming storm, only to fan the flames further. However, none are truly prepared for the full danger about to engulf Ilmar, or the heartbreak that follows with it.

Well damn, now that was a pretty damn epic book. Tchaikovsky has delivered an exceptionally intriguing and addictive novel in City of Last Chances that got me hooked very early on. I was honestly blown away with the captivating and unique narrative that City of Last Chances contained, and Tchaikovsky drew me in with every fantastic detail and distinctive character. This book gets a very easy five-star rating from me as I am still thinking about every detail of this book.

City of Last Chances has an amazing fantasy narrative at its centre, which Tchaikovsky backs up with his impressive and distinctive writing style that results in an extremely entertaining, powerful, and intense read. City of Last Chances follows a raft of different characters as they attempt to navigate a series of deadly events following a single theft. Tchaikovsky sets out the story in a very interesting way, and the book initially feels more like a collection of short stories than one cohesive narrative; for most of the first half of the book, each chapter acts as a semi-independent story that introduces the reader to a new character and shows their place in Ilmar. These new characters are often supporting or named figures from a previous character’s chapter, who have their own unique stories and lives. These character-driven stories are all quite enjoyable and compelling in their own way, and Tchaikovsky cleverly alters the tone so that some come off as very serious, some are quite dark, and others can be a little more comedic and thought provoking. Some of my initial favourites include the funny and philosophical first chapter around the priest Yasnic and his relationship with God (which reminded me a lot of Small Gods by Terry Pratchett), Langrice’s scene-setting chapter at the mysterious Anchorage inn, and the chapter that gave a proper and humorous introduction to the grim figure of Blackmane as he finds himself about to be executed by a very cheery hangman. Not only are these chapters very entertaining in themselves, but they effectively set up a larger narrative within City of Last Chances, while also providing great character moments and more and more glimpses into the many aspects of Ilmar.

As the book continues, the character-driven chapters begin to flow on from the preceding storylines, with the catalytic theft of the Palleseen artefact leading to bigger events down the line. Each chapter adds its own spin to these events by showing new factions, impacted characters, or horrors within the city, or by introducing a new series of spiralling events that begin to unwind the situation even further. As the story continues, a main cast begins to develop as more of the chapters focus on certain characters. This really starts to bring the overarching narrative together, and soon the best parts of each unique character and their arcs begin to mingle with the other fantastic figures. The story soon develops into a great tale of revolution with some Les Misérables vibes to it, as students, refugees, resistance fighters and factory workers begin to revolt. The substantial main cast is worked into these events extremely well, and the reader is soon wrapped up in their powerful character arcs as well as the overarching story of Ilmar as everything begins to unfold. Most of this is captured in a series of great chapters focused on the main cast, although new characters are still introduced right up into the end, with some unique, if brief, storylines skilfully worked into the larger narrative. The author really pushes everything up a notch as the book comes towards the end, and every danger, unusual occurrence and strange character is unleashed to some degree. There are some outstanding reveals, big battles, and some deeply personal moments that really help to bring the entire fantastic story together. I particularly loved how some great story elements that were hinted at earlier in the book are brought to the fore at the end, especially as this includes some outstanding twists (Hellgram’s wife was a fun one for me). However, the true joy is in the way that every major character gets a resolution to their emotional and complex character arcs, leaving the reader breathless in multiple ways. I felt that Tchaikovsky wrapped everything up perfectly, and this serves as a brilliant and captivating standalone fantasy narrative.

I cannot compliment the way that Tchaikovsky presented this outstanding story enough, as his distinctive writing style really helped to compliment the epic and complex plot. I have already mentioned his great use of different character focused chapters above, and I must once again highlight how effectively they were used to tell a cohesive and distinctive narrative with so many entertaining facets. While it did take me a little while to fully appreciate what Tchaikovsky was trying to achieve with these semi-independent chapters, once you notice how the story is coming together through character-focused sequences, you really grow to appreciate it. The continued change of character focus ensures that Tchaikovsky keeps the pace of City of Last Chances pretty brisk, and it is easy to quickly move through the story, especially once you get caught up in the tale of Ilmar and its people that the author is developing. Tchaikovsky also introduces some impactful changes in tone throughout the book, as City of Last Chances runs the gauntlet from being light-hearted to emotionally draining, as the protagonists go through hell and back while also trying to deal with their own personal problems. The author puts in some pretty intense scenes throughout this powerful story, many of which leave the characters reeling in different ways, and there are also some quite terrifying or shocking sequences as the full horror of this city is revealed in gruesome fashion. However, these darker scenes are often undercut with some fun and amusing humour that helps to diffuse the tension at some key parts of the plot and which I found to be very refreshing. This humour is often a little black and cynical in context, which ensures that the reader is left amused, and sometimes laughing, without the story getting too light and drifting away from its harsher content. I really think that Tchaikovsky found the right balance here, and I rather enjoyed how he mixed everything together. I had so much fun seeing how Tchaikovsky wove his complex tale into this book and City of Last Chances really emphasises just how talented he is as an author.

One of the key things that made City of Last Chances such a hit for me was the outstanding setting of Ilmar. Tchaikovsky has always been exceedingly good at effectively building up an inventive and complex new setting for his stories, and this is some of his best work yet. The author shows Ilmar through the eyes of so many different characters in this book, each of whom adds a new aspect to its history, character, and energy, as the story progresses. This proves to be quite an effective way to introduce the setting, and the reader soon gets an impressive picture of the entire chaotic glory of this oppressed city. I love all the aspects of this place, including the magical dimension-hopping wood and the responsibilities surrounding it, the demon powered factories, the oppressed refugee areas, the idealistic student academy and the sinister Reproach, an abandoned part of the city filled with magically cursed wretches dancing to their death. Each of these complex and compelling elements are explored to their fullest throughout City of Last Chances and I really appreciated how Tchaikovsky built them up and then effectively featured them again later in the story.

The author also explores various parts of the world outside of Ilmar, and it is interesting to see how that impacts on the main story. I particularly liked the use of the Palleseen as the overarching antagonists of the story and Tchaikovsky paints them as an obsessed group of fanatics trying to bring their ideas of perfection to an unwilling world. This plays into several of Tchaikovsky usual themes about oppression and revolution, and he sets the Palleseen up as a vindictive group, who are often hamstrung by the practices and bureaucracy they force on their enemy. The entire focus on the city of Ilmar being unleashed to face the occupiers was an excellent part of the book, and Tchaikovsky built up all the factions and chaotic nature of the city really well. As such, Ilmar is a brilliant background setting to this great story and I really appreciated how Tchaikovsky set his story into it.

While I loved so many of City of Last Chances elements, for me the most important and powerful part of the book is the characters, as Tchaikovsky introduces the reader to a massive and captivating cast of figures who travel through the story in their own fashion. Due to the way the story is set out, there are quite a lot of characters in City of Last Chances, with new cast members being added in every chapter, either to support the current point-of-view protagonist or to set them up for their own chapter later. As such, there is a real focus on quickly and effectively getting to the root of each character in their first chapter, and I think that Tchaikovsky did a great job on this score. You get to know each of these figures really quickly and you really get drawn into their unique tales and arcs, many of which are perfectly developed over the course of the book. While the cast is pretty massive, each of these characters is given plenty of time to develop and many prove to be particularly complex and relatable as a result.

While there are so many great characters, several definitely stood out to me, especially as Tchaikovsky kept going back to them. This includes Yasnic, the last priest of a diminished and petty god who now haunts his one follower. Yasnic is a fantastic and occasionally comedic character, which reminded me a little of the protagonist of Terry Pratchett’s Small Gods. While I did think that Yasnic was a bit one-note at the start of the book, he develops as the story continues, and you really appreciate just how complex and damaging his life as a priest has been, thanks to his god’s arbitrary rules, many of which have actual good reasons behind them. Watching him try to balance his faith and connection to his god against the terrible things being done to him and the city is a key part of the book, and it leads to some emotionally powerful scenes, especially when Yasnic thinks that his god is being taken away from him against his will.

Other great characters include Langrice, the shunned owner of the Anchorage, the inn that borders the Anchorwood, and Blackmane, an Allorwen refugee and former sorcerer, who serves as a criminal pawnbroker. Both characters are older and wearier figures who are trying to survive the harsh circumstances of their lives the best way they can. Both are shown to be outcasts to their own people in different ways, and this leads to a compelling relationship between the two, even if they do not actually trust each other. I also quite liked the character of Maestro Ivarn Ostravar, a lecturer at Ilmar’s Gownhall university, who acts as a great patriot to his students while actually collaborating with the Palleseen. Ivarn is a particularly arrogant figure who manages to manipulate people’s views of him, and it is really fun to see him thrown into situations outside of his control, especially when his own reputation works against him and forces him to become the figure head of resistance. His student, Lemya, is also a great part of the book due to her fervent idealism brought on by Ivarn’s teachings. Off course, her naivety comes back to bite her and the other characters repeatedly, and while her actions are often a little frustrating, it is great to see her slowly realise she is being manipulated and gain some common sense.

However, to my mind the best character in the book is Ruslav, which is frankly a shock as he initially shown as a simple thug with an obsession for women. However, Tchaikovsky keeps coming back to him as the story develops and each new situation he finds himself in makes him more complex and likeable. His first chapter shows how his entire perspective on life is changed when he falls in love with a beautiful painting, which starts a great character arc of self-discovery and confusion for him. Tchaikovsky keeps developing Ruslav’s story as the book continues and he soon faces more and more challenges, including a mortal injury, a hanging, and forced religion. The latter is the most damaging to him as he is forced to give up violence, the one thing in life he is good at, to stay alive, which results in quite the existential crisis. Watching him try to fit all the unusual events occurring to him into his insights as a street thug proves to be entertaining and very relatable, as you understand just how much of a struggle each of his new experiences are for him. His coarse humour fits into this arc very well, and watching him swear at his new, inadvertent god and all the people of different backgrounds he is forced to deal with, makes for some very fun scenes. However, not all of Ruslav’s storyline is comedic, as Tchaikovsky loads in continued tragedy for him as well, that really shakes him, and the reader, to their core. The author seems to both love and hate Ruslav, and the resulting damage and development he goes through result in some of the most emotionally rich parts of City of Last Chances. I honestly am still surprised that Ruslav turned out to be such a great character, but he and the rest of the cast really make City of Last Chances an epic book, and I am really glad I got the opportunity to dive into their unique lives.

As with many of the larger fantasy books I tend to read, I chose to seek out the City of Last Chances audiobook format, which served as an outstanding way to enjoy this fantastic and elaborate book. This new Tchaikovsky audiobook is pretty long with a run time of just over 20 hours, and it did take me a little while to get through it, although it was very much worth the time. I always find that listening to an audiobook helps me to absorb more detail for some books, and this was particularly useful for City of Last Chances as Tchaikovsky has once again loaded his unique setting and captivating story with so many intricate elements. As such, I was really able to full appreciate the full complexity of the dark city of Ilmar and its many, desperate residents.

I was also extremely impressed with the voice work of narrator David Thorpe, who ensured that the listeners could full enjoy every single aspect of City of Last Chances. Thorpe, whose narration I have not had the pleasure of before, did a spectacular job here in City of Last Chances and I honestly enjoyed every second he spent telling this story. Not only has he got a great base voice that tells the main story at a clipped and exciting pace but he also provides a ton of impressive tones for all the characters in this book. Every one of City of Last Chances’ unique characters is given a particularly fitting voice that captures their personalities and really helps to convey to the reader some of their key points, such as Yasnic’s meekness, Ostravar’s arrogance, or Lemya’s unbridled idealism. Thorpe also comes up with several great accents that he uses to differentiate some of the different races and nationalities contained within the city, and I felt that this really helped to emphasise the cultural elements contained within the story. Overall, the City of Last Chances audiobooks is pretty damn spectacular, and I loved how the entire thing came together. I had so much fun listening to Thorpe’s great take on the characters, and this is easily the best way to enjoy this epic read.

City of Last Chances is a brilliant and wonderful novel by Adrian Tchaikovsky that I cannot start raving about. I quickly became enthralled the outstanding and compelling narrative that he pulled together throughout City of Last Chances, and his fantastic delivery, intriguing setting, and impressive characters all drew me in. This is easily one of the best books I have read so far in 2023 and it comes very highly recommended by The Unseen Library. I cannot wait to see what amazing book Tchaikovsky comes up with next, as if it is any where as good as City of Last Chances, I am going to love it.

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