Star Trek: Agents of Influence by Dayton Ward

Agents of Influence Cover

Publisher: Simon & Schuster Audio (Audiobook – 9 June 2020)

Series: Star Trek: The Original Series

Length: 11 hours and 41 minutes

My Rating: 4 out of 5 stars

One of the leading figures in the Star Trek expanded universe, Dayton Ward, returns with another exciting and compelling novel about the Enterprise, Star Trek: Agents of Influence.

For years, the United Federation of Planets and the Klingon Empire have been engaged in a dangerous cold war, with each side trying to gain an advantage over the other through any means necessary.  Starfleet Intelligence has launched an ambitious secret plan to infiltrate the Klingons with surgically altered spies.  Thanks to radical surgery, advanced technology and intensive cultural and linguistic training, these undercover agents have managed to infiltrate the highest echelons of the Klingon government, obtaining some of the most sensitive intelligence about Klingon technology, military plans and political ploys.

However, Starfleet’s three most highly placed agents have somehow been discovered.  With their cover blown, the agents manage a daring escape from the Klingon home world and engage their emergency extraction procedure.  The agents successfully make their rendezvous with the USS Endeavour at the edge of Klingon space before everything goes terribly wrong.  A Klingon warship suddenly engages them in combat while mysterious energy fluctuations ensure that both ships are destroyed.

With hostilities between the Federation and the Klingons building, Starfleet dispatches Captain James T. Kirk and the crew of the USS Enterprise to the crash site in the hope of salvaging the situation.  Forced to comb through some of the most dangerous territory in the entire galaxy, Kirk hopes to find the remnants of the Endeavour and any survivors of their crash.  However, mysterious events are occurring within the border zone and the Enterprise soon encounters unnatural conditions, pirates, Klingon warships and a top-secret weapons experiment.  Kirk and his crew must navigate through all these dangers carefully if they are to avoid another destructive war.  However, it soon becomes clear that Starfleet are not the only ones with highly placed spies and Kirk must find a way to uncover an enemy agent if his crew are to survive.

Dayton Ward is a veteran science fiction author who is easily best known for his work on the Star Trek expanded universe.  Ward has written a significant number of Star Trek novels over the years, which tie-in to several of the different Star Trek television series and movies.  I have so far only read one of his books before, Star Trek: The Next Generation novel, Available Light, which I really enjoyed.  This new novel from Ward, Agents of Influence, is a brilliant standalone novel that follows the Enterprise during the period that Star Trek: The Original Series was set.

One of the things that I really like with Star Trek extended fiction is the amazing range of different stories that the authors can produce within the expanded universe.  Agents of Influence is a really good example of this, as Ward has come up with an excellent story that highlights a very interesting aspect of life in this universe: espionage between the various alien races.  This proves to be a really cool plot basis which the author utilises to his full advantage by producing an exciting and action-packed narrative.  This is a fast-paced book that sees the various characters involved in all manner of danger and intrigue as they attempt to extract the spies and thwart the efforts of their Klingon opponents.  There are several excellent action sequences designed to get the blood pumping, including a couple of fights between starships and one particularly cool pitched battle between two large opposing forces in spacesuits in the bowels of an asteroid.  There is also a really compelling storyline that sees the protagonists attempt to locate a spy aboard their ship, with a number of potential suspects adding in intrigue and drama as a result.  The author makes effective use of multiple narrators to tell his story and this ensures that the reader gets to see every side of this exciting and enjoyable narrative, including from several antagonist characters.  This helps to really pump up the intrigue and action, and I really appreciated seeing the different sides of the conflict, especially as you get to see rival plans go up against each other.  The various character perspectives also helps to build up all the major side characters present throughout the book, allowing the readers to get a good idea of who they are and what their stakes in the plot are.  All of this comes together into an exciting and compelling overall read that is very easy to enjoy.

Agents of Influence was also excellent piece of Star Trek fiction, set during the events of Star Trek: The Original Series.  Ward once again does an incredible job capturing the tone and feel of the original Star Trek television series into this book and it actually felt like I was watching an episode of the original show.  The author is really talented at bringing iconic Star Trek characters to life in his novel and each of The Original Series characters featured in this book gets their chance to shine throughout the narrative.  Like most novels that tie in to a particular media franchise, Agents of Influence is a book that will mainly appeal to dedicated Star Trek fans, who will appreciate Ward’s latest contributions to the extended universe.  There are a variety of fun references to various episodes of The Original Series, including some of the episodes that featured characters using plastic surgery to alter their appearance and disguise themselves as members of other species, such as the iconic episode The Trouble with Tribbles.  Ward also makes several references to some of the other novels in the Star Trek expanded universe, especially those featured in the Star Trek: Vanguard series of books.  This includes the USS Endeavour and its crew, who previously appeared in these novels, with some of their previous adventures and their interactions with the Enterprise explored throughout the course of the book.  However, all of these references are really well explained to the reader and even people who have less familiarity with Star Trek and some of the expanded fiction should still be able to enjoy this novel without any issues.

I ended up checking out the audiobook version of Agents of Influence, which turned out to be an extremely fun and easy way to enjoy this fantastic book.  The Agents of Influence audiobook has a run time of nearly 12 hours and is narrated by Robert Petkoff.  This is a fairly typical length for a Star Trek audiobook, and I found that I was able to power through this one’s intriguing narrative in rather short order while getting a feel for the plot and the characters.  One of the main reasons for this is the exceptional narration provided by Robert Petkoff, who is easily the most prominent narrator of Star Trek fiction.  Petkoff is an amazingly skilled narrator whose work I have really appreciated in a range of previous Star Trek audiobooks, including The Unsettling Stars, Picard: The Last Best Hope, The Captain’s Oath and The Antares Maelstrom.  Petkoff has the amazing ability to replicate the voices of the various cast members of The Original Series (as well as the cast members from The Next Generation), and this is on full display in the Agents of Influence audiobook.  Petkoff once again did an outstanding job bringing all the key Enterprise crew members to life, and at times you would be hard pressed to tell the difference between some of the voices he did and the original crew.  This, combined with the amazing species specific voices that Petkoff produces, really helps to bring the reader into the story, and I had an awesome time listening to the story unfold.

Star Trek: Agents of Influence is a compelling and clever standalone Star Trek tie-in novel that takes the reader on a bold new adventure back with the cast of The Original Series.  Dayton Ward has produced a slick and enjoyable Star Trek novel chock full of action, intrigue and references, that I had an amazing time listening to.  A highly recommend read for those fans of the Star Trek franchise which will also appeal to more casual viewers and science fiction readers.

Throwback Thursday – Redshirts by John Scalzi

Redshirts Cover

Publisher: Audible Frontiers (Audiobook – 5 June 2012)

Series: Standalone

Length: 7 hours and 41 minutes

My Rating: 4.5 out of 5 stars

Reviewed as part of my Throwback Thursday series, where I republish old reviews, review books I have read before or review older books I have only just had a chance to read.

Prepare to dive into one of the most meta and entertaining novels you will ever read with Redshirts by John Scalzi, a fun and clever Star Trek parody that explores what it must be like to be a background character in a science fiction series.

John Scalzi is a well-established and highly regarded science fiction author responsible for a number of impressive and expansive series.  Some of his best-known works include his Old Man’s War series, his Lock In novels and his The Interdependency series, the last of which I have been eying off for a couple of years now and have been meaning to check out.  Each of these series sounds really exciting and have received a lot of positive praise from readers and reviewers.  In addition, Scalzi has also written three standalone novels, each of which has a very fun concept behind it, including the focus of this review, Redshirts.  While I am extremely interested in some of Scalzi’s other works, the moment I found out that he had written a Star Trek parody novel told from the perspective of a redshirt, I grabbed myself a copy of its audiobook format and I have been looking for a chance to listen to it.  Last weekend I had a long car trip with my wife/editor Alex, and we decided that listening to Redshirts would be the perfect entertainment for the drive.

Redshirts takes place in humanity’s far future, aboard the flagship of the Universal Union, the starship Intrepid.  The Intrepid is the pinnacle of human ingenuity and exploration, containing only the most talented crew and scientists that humanity has to offer.  In all respects it seems like the perfect posting for newly commissioned Ensign Andrew Dahl, but it does not take long for Dahl to suspect that there is something seriously wrong aboard the Intrepid.  Not only does the lab that Dahl is assigned to have a magical box which solves every major problem that the ship runs into (with only seconds to spare, without fail), but the entire crew is terrified of the captain and his senior officers, actively trying to avoid them and the near constant away missions.  The crew has come to realise that the away missions are guaranteed to be lethal, with any crew member who joins likely to die while the senior officers constantly walk away without a scratch (with the exception of the unlucky Lieutenant Kerensky).  Now a great deal of energy is place into avoiding an away mission at all cost, with new transfers to the ship kept in the dark until it is too late.

As Dahl and his friends begin to realise the full extent of the terror that has engulfed the ship they attempt to find some sort of answers for what is going on.  However, the more deadly adventures that they go on the more obvious it becomes that some mysterious force is controlling their actions and causing their deaths.  With the lives of every crewmember aboard the Intrepid at stake, Dahl and his friends are left with only one crazy plan, to hunt down the beings controlling them and convince them to stop no matter the cost.  However, what happens when these expendable redshirts end up meeting their own creators?

I am going to say right of the bat that both Alex and I absolutely loved this book and we had an incredible time listening to it.  A good indication of how much we enjoyed it can be seen in the fact that we easily and eagerly powered through it during the two halves of our car trip without any breaks, laughing our asses off the entire time.  Redshirts is an extremely funny and clever novel that acts as both a parody of and a love letter to the Star Trek television show.  Scalzi has come up with a truly awesome and enjoyable novel that combines an amazing amount of humour and parody with a clever and heartfelt story.  This results in a memorable and addictive tale which you cannot help but enjoy, especially if you are a major fan of Star Trek.

For this great novel, Scalzi has come up with a very compelling and enjoyable story that acts in many ways like a unique combination of Galaxy Quest, The Cabin in the Woods and The French Mistake episode of Supernatural.  The story focuses on Ensign Dahl and his friends as they begin to work out the issues aboard the Intrepid.  This is a very fast-paced narrative and the reader is soon introduced to all the mysterious events occurring on the ship, from the terrified crew, the weird science, the exceedingly dangerous and improbable away missions and the strange characters who seem to have the answers.  All of this is shown to the reader in a very clever way, and while you are expecting many of these events occur, especially if you are familiar with Star Trek, seeing these characters react to the various odd occurrences with realistic shock and scepticism is a great source of entertainment.  Following the initial introduction, you get several chapters of the protagonists humorously traversing a chaotic ship full of self-aware redshirts desperately trying to avoid their fates.  The various attempts by the characters to understand what is going on and change their fates are amazing, if a little tragic in places, and this is a very comedic part of the book loaded with some of the best jokes at Star Trek’s expense.  The story then takes a very interesting change of direction as the protagonists undertake a desperate plan (inspired by a classic Star Trek film) to save the ship and prevent their upcoming deaths.  This third part of the book is exceedingly meta, and fans of both Star Trek and surreal, self-referential fiction will love where the story goes and various clever character interactions that occur.  These distinctive parts of the book come together extremely well and form an intricate and captivating overall narrative that fits a lot of story elements into a relatively short novel.  I had an amazing time listening to this complex story, as not only did it make me laugh, but it also made me care about the various characters who are introduced throughout the course of the book (something which the author is aware of and sadistically exploits at times, especially with that last joke at the end of the main story).

In addition to the main story, Scalzi also features three substantial codas at the end of the novel.  These codas are essentially short stories that follow side characters the protagonist meets during the course of the main narrative.  While I would normally be a little concerned about some concluding material taking up so much space from an already shortish novel, these codas are extremely well written and contribute a great deal to the book.  Titled Coda 1, 2 and 3, the codas are told in the first, second and third person narrative respectively, and contain some truly impressive and touching character-driven narratives.  These extremely clever codas really dive down into the psyches and emotions of their respective characters, showing their own complex histories and how their encounter with the protagonist had such a major impact on them.  Of the three, my favourite is probably Coda 1, which is easily the funniest, containing a very humorous series of blog posts, although Codas 2 and 3 are both emotionally rich and heart-warming.  While some readers may be tempted to skip these codas after the main story is finished, I would very strongly recommend checking each of these out as you are guaranteed to come away being extremely attached to each of these great side characters and also feeling a lot better after hearing each coda’s happy ending.

While Redshirts also has its own unique and captivating story at its heart it is an extremely funny parody of the iconic Star Trek television show.  Scalzi is clearly a fan of the series as he expertly works all manner of fun jokes and references to the show into the novel.  The Intrepid and its bridge crew are clear parodies of the Enterprise and the main characters of The Original Series, and Scalzi does an amazing job working his narrative around them, emphasising all their iconic character traits and showing just how ridiculous they and their actions are to the eyes of a normal person.  This includes the captain’s dramatic tone and way of over exaggerating events, and the poor junior officer with a Russian accent who gets the crap kicked out of him every single episode and yet is fully recovered by the next adventure without a hint of injury or PTSD.  Redshirts contains all manner of references or parodies to the over-the-top, badly written or ridiculous elements of the show, and Scalzi lovingly features and critiques them in an amazingly funny way; everything from the evolutionarily questionable alien monsters, the repetitive space battles (those poor people on decks six to twelve!) and the high death toll of the normal crew.  The highlight of the book has to be the terrified and disbelieving reactions that each member of the crew has to the events going on around them, and the fun and exaggerated attempts to survive them.  I also really loved the comedic metafiction elements of the book, which allowed Scalzi to take some humorous shots at the writers and creators of shows like Star Trek.  While this humour is obviously geared towards Star Trek fans, you really do not need to have a lot of in-depth knowledge of the series to appreciate the humour.  Anyone who has a passing knowledge of Star Trek and its tropes will find this book deeply amusing and hilarious and you are guaranteed to have a fun time getting through it.

While I absolutely loved Redshirts’ story, I did find that the dialogue was a little clunky in places.  While most of the conversation is quite fun and snappy, the overabundance of dialogue tags and the extreme overuse of the word “said” gets repetitive and distracting, especially in scenes where the conversations fly thick and fast.  In some heavy dialogue scenes, “character 1 said”, “character 2 said”, “character 3 said” repeats about 20 times in a minute, which is really distracting.  If Scalzi had used more variety in indicating which character said what, this book would have been pretty damn perfect.  But the story and the comedy were strong enough to overcome most of these issues, and I chose to focus on them instead.  However, I can easily see other readers getting a little frustrated with this, which would be a real shame as this is a very fun book.

The audiobook format of Redshirts ran for 7 hours and 41 minutes, although it is a closer to six hours if you decide to skip the codas at the end of the book.  This was an extremely easy audiobook to listen to quickly and we absolutely flew through it.  One of the main reasons that we were so interested in this book is because the audiobook is narrated by Wil Wheaton.  Now, there is obviously a lot of appeal to Wil Wheaton, or any cast member of a Star Trek television show, getting involved in a parody like this, but Wheaton did a pretty good job narrating this audiobook.  Wheaton had a great voice for this novel, and he was able to keep the audience’s attention through the entirety of the story.  While he did not really change his voice from character to character, the listener was generally able to tell when someone new was talking (ironically thanks to the author’s overuse of “said”).  Wheaton was, however, extremely adept at expressing the relevant emotions of the characters through his voice, and the fear, anger, frustration and sheer disbelief of the protagonist and the people he encounters really shines through.  I also really enjoyed his portrayal of the Intrepid’s senior crewmembers, each of whom is a parody of the main characters from Star Trek: The Original Series.  I particularly had a lot of love for the Captain’s “dramatic voice” that Wheaton did, which really captured the over-the-top tone Kirk had when he was excited or animated.  Overall, the audiobook format is a fantastic way to enjoy Redshirts and I would definitely recommend it to anyone interested in checking this novel out.

Redshirts by John Scalzi is a masterful and hilarious novel that presents the reader with a wonderful and clever parody to the classic Star Trek television series.  While there are some style issues associated with the dialogue, the story is loaded to the brim with all manner of great jokes, interesting characters, compelling plot elements and a whole lot of meta comedy.  An absolutely fantastic read that will appeal to all manner of Star Trek fans or people in need of a good laugh, Redshirts comes highly recommended and I can guarantee that Wil Wheaton’s audiobook format will serve as a great form of entertainment for a long road trip.

Harrow the Ninth by Tamsyn Muir

Publisher: Recorded Books (Audiobook – 4 August 2020)

Series: The Locked Tomb – Book Two

Length: 19 hours and 51 minutes

My Rating: 5 out of 5 stars

Sensational author Tamsyn Muir follows up her incredible 2019 debut with another epic, complex and infinitely entertaining hybrid novel, Harrow the Ninth.

Tamsyn Muir burst onto the writing scene with a real vengeance last year with her debut novel, Gideon the Ninth, the first book in The Locked Tomb series.  Gideon the Ninth was an extremely clever and compelling novel that followed a group of spacefaring necromancers who were summoned to the house of their Emperor and god, and given an opportunity to learn from him and become Lyctors, immortal beings with immense necromantic power who are considered to be living saints.  What they instead found was a haunted manor filled with secrets, weird experiments and mysterious hints at the past.  The protagonist of this first novel was the titular Gideon, a smart assed, foul mouthed lesbian swordswoman who was reluctantly serving the necromantic lady of the Ninth House, Harrowhark Nonagesimus.  I absolutely loved Gideon the Ninth and it was easily one of my favourite debuts of 2019.  As a result, I was rather intrigued when I heard about its sequel, Harrow the Ninth (which, as you can see above, featured another intense and beautiful cover by the talented Tommy Arnold) and I eagerly grabbed an audiobook copy of it when it came out.  I have to say that I am extremely glad that I decided to do so as Harrow the Ninth turned out to be a truly outstanding book and I had an incredible time reading it.

Harrow the Ninth is set shortly after the dramatic conclusion to Gideon the Ninth and switches the focus of the novel over to Harrowhark, who has succeeded in becoming a Lyctor at great personal cost.  Now alone, mentally scarred and more powerful than ever, Harrow finds herself in the personal care of the Emperor of the Nine Houses, who is determined to use his new Lyctor in a deadly war against an ancient and powerful terror, a Resurrection Beast, the insane and vengeful ghost of a murdered planet.

Travelling to the Mithraeum, the Emperor’s isolated sanctum, Harrow finds herself trapped aboard a desolate space station with her god and her fellow Lyctors.  Each of her companions on the station has their own agenda and motive for being there, and all of them are seeking to use Harrow for their own ends.  Worse, as Harrow attempts to learn the full extent of her new powers and abilities, it becomes apparent that something has gone wrong with her transition to Lyctorhood.  Her body keeps failing her, her swordcraft is shoddy, her blade makes her nauseous and her mind keeps presenting her with impossible scenarios.

As the Resurrection Beast comes ever closer to the Mithraeum, Harrow desperately attempts to understand everything that is happening to her and learn how to survive the oncoming attack.  However, she finds herself distracted with the machinations and plots of her untrustworthy rival and the attitudes of her three ancient tutors, especially as at least one of them is trying to kill her.  Can Harrow unwrap all of the dark secrets that lie hidden on the Mithraeum before it is too late, or will the entire Empire fall into ruin before them?

Well damn, now that was a truly enjoyable and incredible read.  Harrow the Ninth is a complex, clever, entertaining and exceptionally well written novel that does an awesome job following on from Muir’s impressive first novel.  I had an absolutely amazing time reading this fantastic book, which I think in many ways is somewhat stronger than Gideon the Ninth.  Not only does Harrow the Ninth have a deeply captivating story that successfully utilises elements from a range of different genres, but it also features some memorable and compelling characters, excellent universe building and a magical system that really stands out thanks to its descriptive necromantic powers.  Harrow the Ninth also serves as a marvellous follow-up to Gideon the Ninth, continuing the clever story from the first book with the same distinctive tone and writing style, while also featuring an intriguing reimagining of prior events.  All of these makes for an epic read which gets a full five-star rating from me.

At the heart of this amazing novel is an intense and multilayered narrative that presents a compelling tale of love, tragedy, treachery and self-discovery.  The story is actually split into several distinct sections, with the main storyline focusing on Harrow after her transformation to Lyctorhood as she spends time in the Mithraeum with the Emperor and the other Lyctors.  This part of the book expertly jumps back and forth through time and is an extremely entertaining part of the book, detailing Harrow’s education under the Emperor and the other Lyctors and her attempts to survive the various internal politics, plots and personal chaos.  The other major part of the story shows a curious alternate version of the events of Gideon the Ninth, shown from Harrow’s point of view, made distinctive due to the complete lack of Gideon, who appears to be erased out of existence.  This alternate version of the prior book is a really intriguing part of Harrow the Ninth’s story, and while I was initially a little confused about why it was included and where Gideon had disappeared to, it proved to be an extremely clever and compelling part of the book, especially when everything becomes fully revealed.  Due to this reimagining of already existing narrative, as well as the continued references to the events of the first book, readers interested in checking out Harrow the Ninth really do need to have read Gideon the Ninth first, as the story gets a little confusing and significantly less impactful without this established knowledge.

These separate storylines complement each other is exceedingly cleverly.  This novel does start off a tad slow, but this is mainly because Muir is re-establishing the narrative from the previous book and loading up the front end of the story with hints and foreshadowing about the multitude or revelations that come throughout the course of the plot.  A lot of big events and reveals occur towards the end of Harrow the Ninth, including a few reveals that were hinted at in the previous novel, and I felt that the author set all of these up perfectly.  This results in an extremely epic conclusion to the novel and I was really impressed by how it all turned out.  This novel contains a unique blend of genres, as Harrow the Ninth features elements from the fantasy, science fiction, psychological thriller and murder mystery genres.  All of these disparate features work together extremely well in the story and it helps to produce a distinctive and entertaining narrative, especially as Muir adds on a rather good comedic edge.  The end result is a fascinating and exceedingly captivating overarching narrative, and I had an outstanding time getting pleasantly blindsided by the inventive twists and turns.

This excellent and unique story is expertly supported by a distinctive writing style that I felt did an amazing job enhancing the narrative.  Perhaps one of the most noticeable elements is the clever narration that accompanies the story.  While Harrow is the point of view character for most of the novel, she is not actually the one narrating the story.  Instead Harrow’s actions, emotions and thoughts are identified, summarised, and relayed back to Harrow by an unidentified second person narrator.  Naturally, this proved to be an interesting and unusual way to tell this story, although it works well in the context of the overall narrative, even if it takes a little to get used to.  This narrative format plays into certain character reveals and plot points of the novel and it makes a lot of sense once you get further into the book, with the style itself actually being a hint about what is happening with Harrow.  This narration style changes at a certain point towards the end of the book in accordance with certain plot developments and the subsequent deviation is clever and reminiscent of past events.  I also really must highlight the author’s extremely descriptive form of story writing, as every event, person or location is described in overly vivid detail.  Not only did this ensure that the reader got the full breadth of certain magical action and developments but it also helped to enhance the overall gothic feel of the book and ensure that reader was able to easily imagine the various locations the protagonist found themself in.  This really helped the story to shine and I have a lot of love for how Muir was able to work story elements into this style.

In addition to the great story that Muir has come up with for this book, Harrow the Ninth also boasts an impressive array of amazing characters.  The central protagonist is the titular Harrow, who takes over from Gideon as the main character after the first book.  Harrow is a vastly different character to Gideon as she has a much more subdued personality, less self-esteem, and a more restrained, subtler sense of humour.  Due to Gideon’s somewhat biased narration in the first novel Harrow was mostly viewed as an extremely arrogant, confident, and brilliant person, and this is how Harrow attempts to act throughout most of the novel.  However, certain vulnerabilities in Harrow’s character that were previously explored in Gideon the Ninth once again come to the fore in this second novel.  Harrow was already an extremely complex individual, having been birthed by dark magic, ended up being responsible for the death of her own parents and having an interesting love interest.  However, following her alteration into Lyctorhood, Harrow is a much more damaged person due to the absorption of her cavalier.  Harrow’s already fractured psyche is made even worse throughout the course of the book, as she sees all manner of things that are not there and has some very different ideas of the past or how she perceives the world.  In addition, Harrow bears an immense amount of guilt on her shoulders as a result of various events in her past and the many deaths on her conscience.  Harrow needs to work through all these issues throughout the course of the story if she has a chance to survive, and this becomes a major and dramatic part of the story that was really intriguing to explore.  I had an amazing time seeing the story primarily through Harrow’s eyes and it was a refreshing and compelling change of pace from the first book.

Harrow the Ninth also focuses on a great collection of supporting characters who add some intrigue and drama to the story.  Perhaps the most distinctive side characters in this novel are the five beings that Harrow finds herself trapped with aboard the Mithraeum, the Emperor of the Nine Houses and his four other Lyctors.  This is an extremely fascinating collection of people and much of the story revolves around Harrow’s unique interactions with them as each of them attempts to teach her, manipulate her or kill her at various points within the book.  These characters are really entertaining and distinctive, from the seemingly kind, patient, and infinitely calm Emperor, to the three ancient Lyctors, the cool and confident Augustine, the exceedingly self-involved Mercymorn and the ultra-focused and lethal Ortus.  In addition, we see the return of the manipulative Ianthe, who became a Lyctor at the same time as Harrow and who forms a very distinctive relationship with her throughout the course of the book.  I really enjoyed the complex interactions and relationships that forms between all of these characters (including some wild relationships between various participants), with the Emperor acting as the father figure, the three existing Lyctors portrayed as older siblings who have a complicated power dynamic with each other, while Ianthe and Harrow are the younger sisters learning the ropes from the others.

I also have to highlight the inclusion of several other characters who previously appeared in Gideon the Ninth.  It was rather intriguing to see many of these characters return, especially as most of them died or appeared to die in the prior novel.  Muir does a fantastic job working them into the fabric of this novel, such as by featuring some of them in the alternate version of the events of the first book, changing their roles and impacts on the story as a result.  I particularly enjoyed the extended role of Ortus, cavalier of the Ninth House.  Ortus, not to be confused with the Lyctor mentioned above (although the names are actually a clever clue to a big reveal), died early on in the events of Gideon the Ninth.  But in this book the dour Ortus serves as a fantastic yet reluctant companion to Harrow, with surprising hidden depths and an entertaining obsession with gloomy epic poems and verse.  He is also essentially the complete opposite to Gideon, resulting in a very different dynamic between necromancer and cavalier then we saw in the prior book.  Overall, I have to say that I was exceedingly impressed with the characters featured within this amazing novel.  Each of these complex and memorable characters added a heck of a lot to the story and it was deeply fascinating to see each of their storylines unravel and come to their compelling conclusions.

One of the major elements of this series that I love so much is the weird and wonderful necromantic magical system complements the science fiction of the book.  Pretty much all of the main characters in this book are powerful necromancers, specialising in a different form or style of necromantic magic.  All of this magic is extremely cool, and it was really awesome seeing it utilised in fight sequences and other scenes throughout the book.  Most of the magical elements revolve around Harrow’s bone magic, as she creates skeleton and bone constructs, manipulates her own bones to either enhance herself or detach them to make weapons or other creations, as well as elements of biological alteration.  Muir does an outstanding job explaining the full range of different powers that Harrow has, and there are some amazing scenes where the young necromancer does some really inventive and clever things with her bones.  There is one sequence in particular that sticks in the mind, and I’ll certainly remember it when eating soup in the future. 

In addition to Harrow’s abilities, Muir also showcases the creative and impactful abilities and magical powers that some of the other characters have.  These various abilities are all biological or spiritual in nature, and it was quite fun to see what the different necromancers can do, especially when they go up against Harrow’s bone magic.  All these magic scenes feature some rather vivid imagery and descriptions from Muir as she tries to show the full biological manipulations that are occurring, which really help to make these scenes pop.  The author also does a truly fascinating deep dive into the origins and mechanics of her unique magical system.  A lot of these new magical elements are explained to protagonist in some detail from one of her teachers, so the reader is able to understand these elements really well, and a lot of the lessons and explanations of magic have major impacts on the story down the line.  This proved to be an extremely interesting and enjoyable part of the book and I have a lot of love for Muir’s creativity when it comes to her version of necromantic magic.

I also have a lot of love for the distinctive gothic settings that Muir has imagined up for this series.  Each of the central story locations are filled up with all manner of dark and macabre trappings and features, which the author does a fantastic job bringing to life with her descriptive writing.  This includes the dreary and dark Mithraeum, a vast and mostly abandoned space station where most of the story takes place, as well as an alternate version of the First House that appeared in Gideon the Ninth.  All of these locations are described in great detail and each of these fun and distinctive settings helps to present a darker vibe to story and helps makes this series more unique and memorable as a result.  Harrow the Ninth also contains some rather captivating and inventive universe building expansions as the author attempts to introduce new things into her universe.  All of these extensions to this universe are really clever, playing into the story really well and I loved learning more about this fun fictional setting which does so much to enhance the story. 

I found that the audiobook format of Harrow the Ninth proved to be an excellent way to enjoy this amazing novel.  With a run length of just under 20 hours the Harrow the Ninth audiobook does require a bit of a commitment to get through it, although I felt that it was really worth the time investment.  I do have to admit that it took me a little while to finish this audiobook, especially at the start.  However, I absolutely flew through the second half of the novel once I became extremely invested in the story, and I managed to knock out the final six hours in rather short succession.  I have to highlight the fantastic narrator for this audiobook, Moria Quirk, who does an outstanding job telling the story and bringing the various characters to life.  I felt that Quirk utilised perfect voices for each of the main characters and you get a real sense of each character’s personalities and emotions from this vocal work, from the calm, composed tones of the Emperor to the exceedingly petulant voice of the Lyctor Mercymorn.  This excellent voice work really added a lot to this audiobook. I really think that Harrow the Ninth translates well into the audiobook format, and listening to it really added to my enjoyment of this second novel, especially as I absorbed a lot more of the detail and gothic atmosphere through the narration.

Harrow the Ninth by Tamsyn Muir was an epic and exceptional piece of fiction that I deeply enjoyed, and which comes highly recommended.  Not only did Muir present an impressive follow-up to her amazing debut novel, Gideon the Ninth, but she was able to turn out a complex and beautifully written sequel that proved extremely hard to stop listening to.  Powerful, cleverly written and just generally outrageous, Harrow the Ninth is an outstanding read and you have no discovered Tamysn Muir and her fantastic pieces of literature, you are really missing out. 

Aurora Burning by Amie Kaufman by Jay Kristoff

Aurora Burning Cover

Publisher: Allen & Unwin (Trade Paperback – 5 May 2020)

Series: Aurora Cycle – Book Two

Length: 497 pages

My Rating: 4.5 out of 5 stars

The powerhouse writing team of Amie Kaufman and Jay Kristoff, two of Australia’s best authors, return with the second book in their epic young adult science fiction series, the Aurora Cycle, with Aurora Burning.

Far in the future, and the universe has never been in more trouble.  A sinister new threat has emerged in the galaxy, the ancient menace known as the Ra’haam, plant-like parasites that wish to incorporate all life in the universe into their hivemind.  In order to facilitate their goals, the Ra’haam have taken over humanity’s premier intelligence organisation, the GIA, and are using them to manipulate everyone towards war.  Luckily, a squad of the intergalactic peacekeeping organisation, the Aurora Legion, is on the case, desperate to stop the Ra’haam at any cost.  Unfortunately for us, the scrappy and mismatched Squad 312 are a bunch of hormonal teenagers with some serious personal issues.

Following the tragic events that occurred on Octavia III, which saw one of their members fall, Squad 312 needs to regroup and rethink their strategy.  Already disowned by the Aurora Legion and hunted by GIA, their task becomes infinitely harder when they are framed for a terrible crime and become the most wanted beings in the galaxy.  Worse, the squad’s Syldrathi tank Kal’s long lost sister is also on their trail, determined to achieve a fatal family reunion, and she has a small army of genocidal Syldrathi warriors backing her up.

As the Squad flees from those hunting them, they attempt to work out a plan to save everyone.  Their only hope is to get their resident psychic girl out of time, Auri, to the Trigger, a powerful weapon left behind by an ancient enemy of the Ra’haam, which Auri can use to wipe the plant parasites out and save everyone else.  However, they have no idea where it is, and their only clue is the salvaged remains of the colony ship Auri was trapped on for hundreds of years.  Attempting to recover the ship’s black box, the Squad soon find themselves in a whole new world of trouble.  Can they overcome their various problems and opponents before it is too late, or is the whole universe doomed?

I actually read this book a little while ago, and while I did do a short review of it in the Canberra Weekly I have been meaning to do a longer review for a while as I did have a great time reading this book.  Aurora Burning is another fun and fast-paced novel from Kaufman and Kristoff that serves as an amazing follow up to the epic first entry in the Aurora Cycle, 2019’s Aurora Rising.  This was an absolutely fantastic book that features an amazing young adult science fiction story based around several excellent characters.  Readers are guaranteed an awesome read with Aurora Burning, and it was an absolute treat to read.

At the centre of this book is a fast-paced, action-packed, character-driven narrative that follows the adventures of a mismatched and entertaining group of protagonists as they attempt to save the universe.  The story is deeply enjoyable and very addictive, allowing readers to power through this exciting novel in a remarkably short amount of time.  The story starts off extremely strong, and readers are quickly catapulted into all the fun and excitement as the team encounter all manner of problems and obstacles that they need to overcome in their own special and chaotic way.  The plot is also extremely accessible to those people who have not had the chance to read Aurora Rising first, especially with the exceptionally detailed character synopsis and history contained at the start of the book and the succinct plot replays from the various characters.  I loved the excellent science fiction adventure story that Kaufman and Kristoff have come up with for Aurora Burning, especially as it contains a great blend of action, adventure, drama and romance, all wrapped up with the series’ unique of sense humour.  I also really liked where the story went throughout the course of the book.  The authors drop in some big twists and reveals throughout Aurora Burning which have significant impacts on the plot and ensure some rather dramatic moments in the story.  All of this proves to be extremely compelling, especially as the plot leads up to some high stakes and memorable cliff-hangers at the end of the book, with the fate of many of the characters left to chance.  This pretty much ensures that I am going to have to get the next entry in the series when it comes out next year, and if the authors keep up the amazing writing that they did in Aurora Burning, I really do not have a problem with that.

Just like in the first book, Aurora Burning’s story is told from multiple perspectives, as all of the surviving members of Squad 312 serve as point-of-view characters throughout the course of the novel.  There are currently six members of the squad, including Aurora (Auri), the physic girl who the squad rescued in the first book, Tyler the team’s Alpha (leader), Kalis (Kal) the Tank (fighter extraordinaire), Scarlett the Face (team diplomat), Finian the squad’s Gearhead (mechanic) and Zila the Science Officer.  These protagonists are an eclectic and damaged group of characters, and I liked how each of them represented different young adult fiction character archetypes.  For example, Auri is the powerful chosen one, Tyler is the charismatic leader trying to live up to his heroic father’s legacy, Kal is the broody outsider with secrets, Scarlett is the team’s voice of reason and overconfident heartbreaker, Finian is the insecure one who overcompensates with sarcasm, while Zila is the brilliant but socially awkward one.  Each of these protagonists narrates several chapters throughout the book, which allows the authors to dive into their history and feelings, showing their opinions and thoughts on the events that occur throughout the course of the book.

I personally really enjoyed each of these central characters as individuals as each of them have their own unique personalities and idiosyncrasies which the authors highlight in each character’s various point-of-view chapters.  It was interesting to see how each of them has developed since the first books, with the squad coming together as a team and working together and supporting each other, as well as how the revelations and tragedies that occurred at the end of Aurora Rising have impacted them.  Each of these protagonists have their own specific story arc in Aurora Burning, and the story sees several of the characters get separated from the rest of the group and embarking on their own adventures.  There are some really interesting developments that occur throughout the book, with some characters having more of their backstory revealed, while others have major revelations about themselves be made public.  While the focus of the book is generally split rather fairly between the members of Squad 312, Auri and Tyler did rather stand out in the first novel as the main characters.  This continues in Aurora Burning, although Kal also gets a substantial amount of focus, not only due to his romance with Auri, but because his sister is introduced as a determined antagonist, resulting in secrets from his past coming out.  This does mean that Scarlett, Finian and Zila do get a little less focus, although substantial time is spent on exploring them and their personalities, such as Zila’s previously hidden past, or certain hinted relationships or personal revelations.  These entertaining and neurotic point-of-view characters are one of the main reasons this book was such a fantastic read and I really liked where the authors took their various relationships and story arcs.  It will be really interesting to see where they end up in the third book, and I am looking forward to finding out their final fates.

As a result of where the story goes, the authors continue to explore and expand on the fun and compelling universe that Aurora Burning is set in.  There are a number of interesting new elements to this book as a result, including some great new side characters, such as Kal’s murderous family, more alien races, a dive into the history of this universe and an examination of the Ra’haam and their ancient, long-dead enemies the Eshvaren.  I rather enjoyed learning more about this universe, and I particularly liked how the authors use Aurora’s defective uniglass Magellan (think an advanced iPad with an annoying and snarky AI personality), to explore extra details.  Not only does Magellan act as a sort of seventh protagonist for the book, but he also provides in-universe information summaries at the start of several chapters, as well as providing the readers with the detailed character bios at the start of the novel.  These information summaries are rich in historical and social details about several elements of this universe, and they really help to expand on the information provided throughout the story.  Naturally, Magellan provides entries that are a little more personalised and different that a standard history or encyclopedia record would be, and it was often quite amusing to see the humorous and light-hearted changes that are added in.  Overall, the novel features some rather big and dramatic reveals about the universe and what has been happening in it, resulting in some major story moments with significant and captivating consequences.

Aurora Burning is marketed towards the young adult fiction crowd, and in many ways it is a great book for a younger audience, featuring a group of diverse teens rebelling against authority and doing things their own way.  However, due to the mild sexual content, which includes quite a bit of innuendo, this is probably best suited to older teenagers who will no doubt enjoy the exciting narrative and dynamic characters.  Like many young adult fiction novels, Aurora Burning is also quite a good book for older readers who are interested in the story.  Indeed, this is one of the easiest young adult fiction novels for adult readers to get into, as the story is quite well written and exceedingly entertaining.  As result, this second book in the Aurora Cycle is a great read to check and I think that it will appeal to a wide and diverse audience of readers.

I have to say that I had an incredible time reading Aurora Burning and it turned out to be quite an excellent read.  Kaufman and Kristoff do an outstanding job of continuing the fun and action packed narrative that started in Aurora Rising and I loved the blend of fast-paced storytelling, universe building, humour, all told through the eyes of six distinctive and fantastic point-of-view characters.  This book comes highly recommended and I cannot wait to see how these awesome Australian authors finish off this series next year.

Demon in White by Christopher Ruocchio

Demon in White Cover 1

Publisher: Gollancz (Trade Paperback – 28 July 2020)

Series: Sun Eater Sequence – Book Three

Length: 776 pages

My Rating: 5 out of 5 stars

One of the most impressive new science fiction authors on the block, Christopher Ruocchio, returns with the third incredible novel in his epic Sun Eater series, Demon in White.

Far in the future, most of humanity is part of the Sollan Empire, which controls vast systems of space and countless people within them.  The Sollan Empire has long reigned supreme and unopposed in the galaxy, but now it faces its greatest threat, a protracted war against the vicious alien race known as the Cielcin.  While the Cielcins typically engage in random raids and attacks at the leisure of their various chieftains, now a series of coordinated strikes are crippling the borders of the Empire.  The mastermind of these attacks is a powerful new Cielcin ruler, Syriani Dorayaica, who has managed to forge together a mighty alliance with one purpose, the complete destruction of the Empire and every human within it.

As the Empire struggles to combat this threat, all eyes turn to an unlikely hero, the rogue nobleman, adventurer and former gladiator, Hadrian Marlowe.  Following his infamous exploits across the galaxy, Hadrian has been made a knight in service of the Emperor and now finds himself stationed on the Empire’s capital, Forum.  Thanks to a series of successful campaigns against the Cielcin, Hadrian’s popularity and fame has spread across the Empire and many view him as the best hope to defeat the alien menace.  In addition, rumours of his unnatural survival of a lethal wound from a Cielcin prince and his prophetic visions of the future have created a cult-like following around him, heralding him as a divine saviour of humanity.

However, fame and popularity have a price, and Hadrian must now contend with threatened and jealous lords, politicians, and members of the royal family as they plot to undermine and disgrace him.  After several attempts on his life, Hadrian leaves to pursue his true agenda, research into the mysterious celestial being known as the Quiet, who has been manipulating Hadrian’s life while showing him terrifying glimpses of the future.  Hadrian’s mission will take him to some new and dangerous places throughout the universe, until finally he comes face to face with Syriani Dorayaica, who is determined to destroy Hadrian no matter the cost.  Hadrian’s road to the future seems set, but will he truly become the man who commits the greatest act of slaughter in the galaxy, or does a darker fate lie in store for him?

Now that was one heck of an awesome and expansive piece of science fiction.  Ruocchio has been absolutely killing it over the last couple of years ever since he burst onto the scene in 2018 with his debut novel and the first book in his Sun Eater series, Empire of Silence.  I loved this incredible debut and I was especially impressed when he managed to follow it up with an amazing sequel, Howling Dark.  I have had a blast reading Ruocchio’s prior novels, and both of them have been amongst my favourite books of 2018 and 2019 respectfully.  As a result, I have been really looking forward to Demon in White, and Ruocchio certainly did not disappoint as he has produced an outstanding and intensely captivating third entry in this series.

Demon in White is the third act in an expansive and compelling space opera that chronicles the life of Hadrian Marlowe, a man destined to destroy a sun, which will make him both humanity’s greatest hero and its most reviled monster.  The story is told in chronicle form from the perspective of an older Hadrian as he writes the account of his life after the events of this book.  Just like with Howling Dark, the story within Demon in White is set many years after the events of the previous book and details the next major stage of Hadrian’s life.  Ruocchio does an amazing job of reintroducing the readers to his universe and also examining the events that occurred during the gap between the two books (some of which occurred during the 2019 novella, Demons of Arae).  Despite the year-long gap between reading the second and third novels and the substantial amount of detail and information that they contained, I was able to pick up and continue the story without too many issues, quickly remembering who the characters where and what events they had experienced with the protagonist.  I do think that reading the prior two novels in the series first is a must, as I could easily see readers unfamiliar with the Sun Eater books having hard time following the expansive plot of Demon in White at this late stage of the overall story.  Still, this book’s ambitious and exciting narrative might prove enough to keep them going, especially if they make use of the substantial index and character list contained in the rear of the novel.

I really can not speak highly enough of the intense and clever story of Demon in White, as Ruocchio produced an epic and addictive narrative that drew me in and refused to let go.  The author does a fantastic job of bringing together a ton of great elements, including the tale of a doomed protagonist, a galaxy-spanning war, a deep dive into the history of the universe and so much more, into one impressive narrative that I had an absolute blast reading.  One of the things I liked the most about the book was the fact that the first half of the novel is primarily set on the capital planet of the Sollan Empire, essentially a science fiction version of Rome, which results in the protagonist getting involved in all manner of plots and political intrigue.  Due to the protagonist’s popularity with the people, and the rumours that he is unkillable, Hadrian is targeted by politicians, lords, members of the Royal Family, military administrators and the Empires powerful religious organisation, and he has to deal with a number of tricky situations.  I really liked this more intrigue and politics laden part of the story, and it was an interesting change from some of the previous novels.  Ruocchio also dives into some more cosmic and action based inclusions as well and there are some explorations of the universe, examinations of the unknown and a several major and enjoyable battle sequences.  All of this comes together extremely well, and I found myself powering through this 700+ page book to find out how it ended.

Another fantastic part of Demon in White’s story that I really enjoyed was the continued examination of the fascinating and compelling protagonist, Hadrian.  Hadrian is a fantastic and intriguing protagonist for the series, since the reader knows far in advance his story is going to end in fire and death.  The chronicling of his life story that is contained within these novels is always quite enjoyable, especially as the older Hadrian compiling these tales adds in his own spin to the story, ensuring that the novel is filled with his regrets and revelations made in hindsight.  The protagonist also goes through some interesting character development throughout the course of the book.  Not only is he introduced to a number of key figures who will have substantial impacts on his future life but he also starts to come to grips with his eventual destiny.  The younger Hadrian is given some tantalising and terrifying glimpses into the future and he struggles to comprehend his potential fate as a result.

The Hadrian in this book is also a very different character than in the prior novels.  Rather than the idealistic dreamer who hopes to one day make peace with the alien Cielcin, Hadrian is far more mature and battle hardened, especially after the traumatic events at the end of Howling Dark.  This version of Hadrian is convinced that there is no hope of peace with his foe, and he has become more ruthless and determined as a result.  However, despite these revelations, there are still fragments of the old Hadrian scattered throughout the novel, which contrasted well with his newer persona.  The sense of wonder he got at seeing a group of alien auxiliaries was very reminiscent of the Hadrian we saw in the first book, especially as this wonder ended up getting him in trouble.  I also liked the scenes that showed Hadrian trying to come to terms with his own legend, as his deeds and adventures have given rise to a cult-like following, with many people convinced that he is some form of divine champion or immortal being.  This proved to be a fantastic aspect of Hadrian’s character throughout Demon in White, as he does not want this attention or praise, not only because it will result in conflict with the various factions in the Empire but also because he does not want to be anyone’s worshipped hero.  However, many of the events that are focus of this cults worship, such as surviving being beheaded or his visions of the future, are actually true (in a sense), and he ends up having to rely on these abilities to survive the events of this novel, which is going to result in some interesting consequences.

There are also some major and fantastic emotional moments for the protagonist scattered throughout the book, such as when a long-running side character leaves him, or when he encounters a major figure from his past again.  I also enjoyed seeing more of his relationship with his main love interest, Valka, and their unconventional romance has flourished over the centuries that this series has been set.  Valka serves as a fantastic grounding force for Hadrian, and it is quite nice seeing them together, although the reader’s joy at seeing them together is somewhat tempered by the narrator’s hints that something tragic is bound to happen between them.  All of this makes for a very intriguing protagonist, and I have enjoyed seeing him flourish and grow over the course of the first three books, moving towards his eventual destiny.  I look forward to seeing how his story continues in the next novel, especially after the major events that occurred at the end of Demon in White.

I have always been impressed with the detailed and massive science fiction universe in which Ruochhio has set his series, and each of the Sun Eater books have added some new depth and unique features to this overarching setting.  Unlike the prior book, Howling Dark, which was set out in the wilds of space and alien planets, Demon in White returns to the confines of the Sollan Empire, a repressive, technophobic and tradition bound galactic kingdom that is stylistically based on ancient Rome.  I really enjoyed this creative science fiction setting, as it is a very dark and gothic location which clashes well with the mostly good-natured protagonist and narrator.  Demon in White adds a huge amount of detail to this universe, especially as the first two thirds are primarily set on new Imperial worlds, including the capital planet Forum.  As a result, there are a ton of intriguing new details and discussions about the politics, history and administration of the Sollan Empire, as well as the introduction of many significant characters, including the Emperor who Hadrian is destined to kill.  The later part of the book also contains some terrific new detail, and we get a really intriguing view about how this dark Empire was founded, including more details about the war against the machines created by the precursor empire, the Mericannii (Americans).  I really liked some of these dives into the past, especially as Ruocchio does a fantastic job of portraying a historical timeline that has been altered or hidden by war, destruction and political or religious censorship.  As a result, the protagonists believe in a very different version of history, and wildly incorrect discussions about historical events are often quite amusing, especially their ideas about American history.  Ruocchio also provides the clearest view of the origins and nature of the cosmic entity, the Quiet, who has been an overarching influence over the prior two books.  This was a rather intriguing, and at times metaphysical, examination of this being, and some of the revelations in this book, including about the connection the Quiet has with Hadrian, the Sollan Empire and the Cieclin, are rather major, and will have significant impacts in the next few books.  All of this proves to be exceedingly fascinating and I cannot wait to see how the author will expand on this setting in his future novels.

I also really have to highlight some of the incredible action sequences that occurred throughout Demon in White.  While a substantial amount of the plot is dedicated to the political intrigue that the protagonist finds himself involved with, there are some great action sequences in this book, including a major war sequence against the Cieclin in the last quarter of the book.  Ruocchio has done an amazing job building the Cieclin up as a major threat and the various bloody battle sequences against them help to reinforce this.  I particularly enjoyed the great scenes where the protagonist faces off against his foe in tight and confined spaces, such as on a ship or in the depths of a city, and the author ensures that the reader gets to enjoy them in all their claustrophobic glory.  Ruocchio adds to the horror by introducing a new form of antagonists in the form of giant Cieclin warriors who are cyborg hybrids enhanced with Extrasolarian (rogue human scientist) technology.  These terrifying hybrids act as very dangerous opponents for Hadrian and his allies, resulting in some dramatic and high-stakes battles.  Hadrian also gets some new combat abilities in this book, which add some intriguing new elements to the fight scenes and are generally quite fun to check out.  Overall, those readers who are interested in seeing some intense science fiction action will not be disappointed with this book as Demon in White delivers some impressive and memorable fight sequences that really help to get the heart pumping.

In this latest novel, Christopher Ruocchio has delivered another extraordinary and captivating science fiction epic that does a terrific job expanding on his fantastic Sun Eater series.  Demon in White contains an incredible and exciting story that sends its complex protagonist on a series of intriguing adventures throughout this rich and unique science fiction universe.  I had an awesome time reading Demon in White and I cannot recommend it highly enough.  This outstanding book gets a full five-star rating from me and if you are not already reading the Sun Eater series you need to start now!

Demon in White Cover 2

Star Wars: Shadow Fall by Alexander Freed

Star Wars - Shadow Fall Cover

Publisher: Del Rey (Trade Paperback – 23 June 2020)

Series: Star Wars: Alphabet Squadron – Book Two

Length: 393 pages

My Rating: 4.5 out of 5 stars

Strap in and prepare yourself for some intense combat out in the black of space, as Alexander Freed returns with another exciting and compelling Star Wars novel, Star Wars: Shadow Fall.

In the wake of the death of the Emperor and the destruction of the second Death Star above Endor, the once mighty Galactic Empire is on its last legs as they face a determined and continuous assault from the forces of the New Republic.  Amongst the New Republic troops fighting to end the tyranny of the Empire are the ragtag fighter group known as Alphabet Squadron.  Formed by New Republic Intelligence and serving under legendary Rebel General Hera Syndulla, Alphabet Squadron’s mission is to hunt down and destroy the elite TIE fighter pilots of the 204th Imperial Fighter Wing, known as Shadow Wing, who have been terrorising the galaxy and are one of the greatest threats to the New Republic’s success.

Following their recent victory, which saw Shadow Wing’s base destroyed and their commanding officer killed, Alphabet Squadron are assisting with the lengthy siege of the Imperial system of Cerberon.  Led by former Imperial pilot Yrica Quell, herself a deserter from Shadow Wing, the five pilots of Alphabet Squadron are finally starting to work together as a team.  However, while they are happy to help Syndulla with her latest vital campaign, the squadron is still determined to finish off the remaining members of Shadow Wing before they cause more chaos and destruction.  Working with their New Republic Intelligence handler, Caern Adan, Quell believes she may have come up with a plan to trap her former Imperial comrades.  However, Quell has severely underestimated just how ruthless Shadow Wing has become.

Quell’s former mentor and commanding officer, Imperial fighter ace Soran Keize, has returned and taken control of Shadow Wing.  Determined to keep his people alive while inflicting as much damage as possible to the New Republic, he launches an attack against the Cerberon system that manages to bypass the trap laid for him.  Scattered, the members of Alphabet Squadron must each fight their own battles throughout Cerberon as they all attempt to survive and strike back.  However, as they face their greatest challenge to date Alphabet Squadron soon begins to realise that their most dangerous threat may not be the pilots of Shadow Wing, but the terrible secrets their own leader is keeping.

Star Wars: Shadow Fall is a fantastic and impressive Star Wars novel that examines the immediate aftermath of the original Star Wars trilogy while focusing a group of complex and damaged characters.  Shadow Fall is the fifth Star Wars novel from science fiction author Alexander Freed, and it serves as the second book in his Alphabet Squadron trilogy, which started last year with Star Wars: Alphabet SquadronAlphabet Squadron was an excellent first novel in this series, thanks to its exciting story which did an amazing job introducing the reader to each of the main characters of the titular Alphabet Squadron (so called because each member flies a different model of Rebel ship, i.e. one X-Wing, one Y-Wing and so on).  Freed’s latest novel is an outstanding sequel to Alphabet Squadron which continues the amazing character arcs and war-based narrative, while also adding in some excellent new elements.  While I really enjoyed the prior novel from Freed, I personally felt that Shadow Fall was a stronger book than Alphabet Squadron and I ended up really getting into this powerful and action-packed story.

This latest book from Freed contains an epic and enjoyable character-driven war story that follows the pilots of Alphabet Squadron as they attempt to subdue the Empire once and for all.  This proves to be a rather elaborate and multifaceted narrative as Freed utilises the key members of Alphabet Squadron as point-of-view characters.  While Shadow Fall initially has all the squadron members together, each of them goes on their own adventures throughout the book, breaking it up into several distinctive storylines.  Each of these storylines is rather intriguing and emotionally charged, especially as all the characters go through their own voyages of discovery.  These storylines are all confined to the same star system and each has its own take on the war occurring throughout Cerberon, especially as Freed also features a number of chapters from the point-of-view of the novel’s main antagonist, which allows the reader to see the plans and issues surrounding Shadow Wing.  All of this helps to create a compelling and exhilarating read, particularly as Shadow Fall contains a number of exciting and well written action sequences, including a series of amazing and impressive ship to ship combat scenes.  The characters get into some unique and deadly battles throughout the course of this book, and I really loved seeing all the intense fighting out in space.  Overall, this was a fantastic story and it ended up being quite a remarkable and addictive read.

One of the big things that I liked about Shadow Fall was the way that it continued to explore the turbulent period of Star Wars history that follows in the immediate aftermath of the death of the Emperor.  This period within the Star Wars universe has so much potential for great fiction and I feel that Freed does an outstanding job utilising it within his novels and showing off the battles that occurred.  There is a real gritty and dark feeling to this book, as both sides are involved in a lengthy and bitter conflict.  I really liked the darker and more desperate conflict that Freed portrays throughout this book, as both sides get pushed into some corners as they battle throughout the system.  This turned out to be an excellent setting and I really found it fascinating to see this vision of the post Return of the Jedi universe, especially as there was no instant victory for the Rebels as the movies suggest.  I look forward to seeing more of the war as the Alphabet Squadron series progresses and it will be interesting to see what battles and scenarios occur in the final book.

Readers interested in checking this series out do not need to have too much knowledge about the Star Wars extended universe; a general knowledge of the movie franchise should suffice.  However, like all pieces of tie-in fiction, those readers who are familiar with the more obscure bits of the fandom’s lore and history will get a lot more out of these books than casual readers.  I would also strongly suggest that people who want to read Shadow Fall should go back first and try Alphabet Squadron, as this will allow readers to get a better idea of the various characters and their histories and ensure that their actions have greater impact.  However, if you are determined to start here, I felt that Freed made Shadow Fall pretty accessible, summarising certain key events from the prior book and also providing some wider background information about the Star Wars universe during the period the novel is set.

One of the reasons that this story is so impactful and enjoyable is that Freed has anchored his narrative on the memorable and flawed characters that are Alphabet Squadron.  Thanks to the author’s use of multiple character viewpoints, the reader gets an in-depth understanding of all the key characters and their various story arcs and development.  A large amount of the book’s plot continues to focus on the leader of Alphabet Squadron and X-Wing pilot, Yrica Quell.  Quell is a former Imperial pilot and member of Shadow Wing, who defected after the end of the war, claiming that she attempted to stop her squadron from implementing Operation Cinder, a series of genocides ordered by the Emperor in the event of his death.  However, it was revealed at the end of Alphabet Squadron that she was actually a willing participant in Operation Cinder and only defected because her commanding officer, Soran Keize, ordered her to leave.  Quell is still haunted by her actions and is attempting to find redemption by working for the New Republic to hunt down her old squadron, while at the same time being blackmailed by her handler, Caern Adan, who is keeping the information about her crimes secret.  There are several great scenes throughout this book that deal with Quell’s guilt and fear of being found out as she attempts to come to terms with all she has done and tries to become the good person everyone believes she is.  However, chaotic events towards the middle of the book undo some of her progress and force her to really look deep into herself.  Quell easily has the best character arc entire book and her entire dramatic storyline is extremely well-written and emotionally rich.  It looks like Freed is taking this character in some interesting directions and it will get see what happens next.  I also enjoyed certain LGBT+ inclusions surrounding Quell (and some other characters), and it always great to see more of that added into the Star Wars universe.

Several other members of Alphabet Squadron get their own fascinating storylines and character arcs.  First up you have Wyl Lark, the team’s young A-wing fighter pilot, who is still shaken after his encounters with Shadow Wing during the first book.  Lark is a complicated character within this novel, as due to the past trauma he has started to experience some real weariness at all the fighting.  He also bears some inner conflict thanks to his past interaction with an unnamed member of Shadow Wing, who he knows only as Blink (due to the condition of their TIE fighter in the first book), which has made him believe that the Imperials are more human than most New Republic fighters believe.  This makes him act out in some odd ways, potentially endangering himself and others.  Regardless, Lark also takes on a big leadership role within this book as he finds himself in charge of a mixed force of New Republic soldiers and pilots who he must rally together to stop the machinations of Shadow Wing.  This forces him to make some tough decisions and results in some excellent character development, which is probably going to become a key part of the next entry in the series.

The book also focuses on Chass na Chadic, the pilot of the squadron’s B-Wing.  Chass is also an emotional mess throughout the book, which causes her to act out in an aggressive and reckless manner.  However, Chass’s difficulties are a result of her own addiction to combat and danger and her worries about what she is going to do after the war.  Chass also has a rather intriguing storyline that sees her forced to seek shelter with a growing cult after she is shot down.  This only adds to her emotional confusion as, while this organisation has some very valid points about the war, Chass has her own problematic history with cults which severely colours her opinions.  A fourth member of Alphabet Squadron who also gets a fair bit of attention is Y-Wing pilot Nath Tensent.  Nath gets a little less use than Quell, Lark and Chass in this book, and rather than getting his own individual storyline he ends up being more of a supporting character to the other members of Alphabet Squadron.  I liked how Nath, after getting the revenge he desired in the first book, started taking on more of a mentor role within the team and he ends up being the glue that keeps them somewhat together.  His experience, easygoing manner and ability to socialise with everyone really helps to balance out the team, and I think it was good decision from Freed to have at least one point-of-view protagonist not be an emotional wreck.  I have to admit that I really liked seeing all of these complex and damaged protagonists and their various storylines and development became a powerful part of the book’s story.

Aside from these main four members, Shadow Fall also features several other great New Republic characters.  This includes the fifth and final member of Alphabet Squadron, Kairos, the mysterious scarred alien pilot of the team’s U-Wing.  Kairos does not get a lot of use throughout this book and is barely seen or mentioned after the first 100 pages.  Despite this, there are a few minor reveals about her shrouded past, and I can only hope that we find out a lot more about her in the final book.  There is actually a lot more of a focus on the supporting character of Caern Adan, the New Republic Intelligence officer who has been leading the hunt for Shadow Wing, as well as his companion, IT-O, a former Imperial torture droid turned therapist.  I found Caern’s use within Shadow Fall to be rather compelling, especially after he was portrayed as such a despicable and self-serving character in the first novel.  Freed dives into this Caern’s background in this novel and shows how he became the harsh, calculating person you met in Alphabet Squadron, as well as exploring his history with IT-O and Kairos.  This examination into his past, as well as his present-day adventures with Quell, helps generate a bit of sympathy for him and he ends up becoming a bit of a tragic character as a result.  I was also really glad to see more of New Republic General Hera Syndulla, who fans would know as one of the main protagonists of the Star Wars Rebels animated television show.  Hera was a great character on the show and in recent years she has been featured as a key Rebel commander in the expanded fiction (with her ship, Ghost, having brief cameos in two separate live action Star Wars movies).  I am always happy to learn more about Hera’s story post-Star Wars Rebels, especially as she has a great role as the wise overall commander throughout this book, and Star Wars Rebels fans will get sad in one or two places, such as when she wistfully asks if anyone has a Jedi hidden away.  Overall, these were some great supporting characters and I enjoyed Freed’s focus on them.

In addition to all the members of the Alphabet Squadron and the various New Republic supporting characters, Shadow Fall is also a tale of Imperial pilot Soran Keize.  After spending most of the first book trying to forget his past and exploring the post Imperial galaxy, Soran returns to claim his place as leader of Shadow Wing.  Soran is another compelling character who ends up serving as an alternate point-of-view character for roughly a third of the book.  I always love it when authors show the story from the antagonist’s perspective, and this ended up working incredibly well in this novel.  Not only do we get to see Soran’s complex motivations for returning to his wing and restarting the fight with the New Republic, but through his eyes we also get a better idea of how the Imperial remnant is fighting and surviving at this point of the war.  Freed adds some real desperation to the Imperial characters as they start to deal with the fact that they are going to lose the war, and there are some interesting discussions about the Imperial pilots having to change tactics, as they no longer have access to the vast resources they were previously used to.  Despite his at times merciless tactics, Soran’s viewpoint really helps to humanise the Imperial antagonists and, in many ways, they are mirrors to the New Republic characters, as both teams are fighting for their ideals and beliefs.  That being said, none of the Imperial characters aside from Soran popped out to me, and I had a hard time really caring about them in any way or remembering who they were.  Still, it was great to get more of an Imperial viewpoint in this novel, and I look forward to seeing what happens to them in the final entry in the Alphabet Squadron series.

Star Wars: Shadow Fall by Alexander Freed is another outstanding and enjoyable Star Wars novel that serves as an exceptional sequel to last year’s Alphabet SquadronShadow Fall is an extremely captivating and addictive read, especially as Freed features an amazing action-packed story, fun Star Wars elements and some incredibly complex and compelling characters whose damaged personalities and scarred pasts really stick in the reader’s minds.  I had an awesome time reading Shadow Fall and I cannot wait to see how Freed finishes off this darker Star Wars series.

Firefly: The Ghost Machine by James Lovegrove

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Publisher: Titan Books (Hardcover – 28 April 2020)

Series: Firefly – Book three

Length: 335 pages

My Rating: 4.5 out of 5 stars

Get ready to dive into the minds of chaotic crew of Serenity as bestselling author James Lovegrove presents the third original tie-in novel to Joss Whedon’s epic science fiction television show, Firefly, The Ghost Machine.

Since the end of 2018, Titan Books have been publishing an exciting series of Firefly novels, which follow the exploits of the infamous crew both during and after the events of the original show. Since the planned third novel, Generations, was delayed towards the end of last year, all of the released Firefly novels have been written by author James Lovegrove, who is probably best known for his Pantheon series, as well as his various Sherlock Holmes novels (which feature some intriguing and unique stories around the iconic character). I have been really enjoying these recent Firefly novels, due to my love of the franchise and the excellent quality of the books involved, and I had an amazing time reading the first two entries in this series, Big Damn Hero and The Magnificent Nine. Due to how much I have enjoyed the prior books and the franchise as a whole, I was rather excited to read The Ghost Machine, and I was not disappointed. Lovegrove (with Whedon credited as a consulting editor), has produced a fantastic and compelling novel, with a really intriguing central plot premise.

Set between the events of the television show and the film, Serenity, this novel focuses on the crew of the Firefly class spaceship, Serenity, as they tour the verse looking for work, legal, illegal and all shades in between. This time, Captain Malcolm Reynolds has accepted a contract from crooked businessman Badger to pick up package on a remote planet and bring it back to him. However, Mal is less than thrilled when he discovers that the cargo is a flightcase stolen from the notorious Blue Sun Corporation, which likely contains advanced tech designed for the Alliance military.

Refusing to let such a potentially problematic cargo aboard his ship, Mal, Zoe and Jayne are forced to kill the sellers in order to leave. However, what Mal does not realise is that Jayne has snuck the package aboard Serenity without telling anyone. As Serenity leaves the planet, each member of the crew suddenly begins to live out their biggest fantasy. Mal finds himself living a peaceful family life with Inara, Jayne is back on his family’s ranch with his little brother’s damplung cured, Wash imagines that he is the owner of a vast shipping empire, and Zoe dreams that the Independence won the battle of Serenity Valley and defeated the Alliance in the Unification War.

What the crew does not realise is that the flightcase contained an experimental urban pacification device known as The Ghost Machine. This machine causes people to fall into a fugue state while imagining their greatest desires, but the tech is dangerously faulty. Soon the crew’s visions of riches, rewards and happy lives become distorted and turned into terrible nightmares that threaten to tear apart their psyches. Worse, with Wash out of commission and not steering the ship, Serenity is on a collision course with a nearby moon. The only person not affected by the machine is River Tamm, whose own mind is dangerously askew at the best of times. But with River sedated and unconscious, can she do anything to help her friends and save the ship, or will The Ghost Machine claim its next victims?

Well, that was shiny! The Ghost Machine is an excellent and enthralling Firefly tie-in novel which was a real pleasure to read. Lovegrove has pulled together one hell of a character-driven narrative which presents the reader with a perilous situation, while also diving deep into the hearts and minds of the iconic crew members. This a clever and compelling story which would have honestly made a spectacular episode of the television show, which I think is high praise in itself. The entire book is extremely slick and captivating, and once I got into it I could not stop reading it, managing to polish off the last 300 pages in a single night. Lovegrove has honestly outdone himself with this book, and I think that The Ghost Machine is my favourite of all the current Firefly books.

As I mentioned above, The Ghost Machine is the third Firefly tie-in novel that has been released, although it was initially intended to be the fourth. Each of these Firefly novels, including The Ghost Machine, are standalone novels, and you do not need to have read any of the prior tie-in books before reading this latest release, nor are there any issues involved with Generations being released out of sequence. I found that The Ghost Machine was very accessible to all readers, and even those people who are not as familiar with the events of the television show should be able to follow and enjoy what is going on within this book. That being said, this novel, like all tie-in books, is specifically designed to be enjoyed by major fans of the franchise, and Lovegrove has filled The Ghost Machine with a number of fun references and callbacks. In particular, quite a number of minor characters from the television show are referred to or appear throughout the book, either within the various dream sequences or back in the real world, and there were even a couple of mentions of characters who only appeared in Lovegrove’s prior novel. There is also a fantastic sequence that replays the opening events of the very first Firefly episode, except with a twist, and some of the plot elements of this book have some interesting connections to the Serenity film set after the events of The Ghost Machine. As a result, fans of the show are going to have a great time reading this novel, although more casual science fiction fans will probably enjoy it as well.

Just like the television show it ties into, The Ghost Machine’s story is very character driven, and focuses on the members of Serenity’s crew. In this story, Lovegrove focuses on all seven remaining characters (as this is set between Firefly and Serenity, Inara and Shepherd Book have both left the ship) equally, and each of them serves as a point-of-view character for several chapters in the book, with one or two chapters also told from the perspective of a non-crewmember like Badger. As the story revolves around each character living out their own unique fantasy, this proved to be the best way to tell the story. I was quite impressed by the way that Lovegrove was able to create distinctive and compelling storylines for each of these main characters in the few chapters each of them had, and all of their character arcs came together extremely well to make an excellent overall narrative. I also think that Lovegrove did a fantastic job portraying all the crew members, and each of them came to live in a similar manner to how they were in the show. This excellent character work added quite a lot to the narrative, and it was great to see some more of these beloved characters.

One of the most intriguing aspects of this book is the visions that each member of the crew experiences because of the titular Ghost Machine. All the characters, with the exception of River, find themselves living a dream version of their life, where their deepest desires have come to pass. It was deeply interesting to see what each member of the crew’s desires where, and it says a lot about each of their personalities and mindsets, while also showing what some of them think about their fellow crew members. For example, Mal’s vision of a happy life with Inara speaks volumes about his true feelings for her after she left Serenity, especially as in this dream he would be willing to live on an Alliance planet just to make her happy. Jayne’s vision of a peaceful life on the family ranch with his brother cured of his terminal illness seems quite at odds with his usual gruff exterior, and it was nice to see that there is more to his character than his desire for violence and money. Simon, who misses the family life and medical career he left behind, imagines a seemingly nice sequence in which he and River are back home safe, but which also includes a relationship with Kaylee. I personally really enjoyed seeing Zoe’s vision of the Independence winning the battle for Serenity Valley and the Unification War, which made for some fascinating alternate history scenes, and which shows that she still is not over how the war ended. I also had to laugh at Wash owning a company called Pteranodon Incorporated in his dreams, due to his love of dinosaurs.

While it was really intriguing to see what each of the characters deepest desires were, it was also cool to see these desires get turned into nightmarish scenarios. The second part of the novel becomes significantly darker as each of these scenarios dissolve into truly terrible situations that play into the characters fears. Lovegrove comes up with some compelling and at times horrifying alterations to each character’s desires, and it was interesting to see each of them unfold. For example, you have a Reaver ship coming down near Mal’s new family home, Wash getting his company taken away by an unlikely source, and Simon finding himself being literally hunted by his family for pursuing a relationship with a mechanic rather than a rich, socially acceptable woman. Each of these changes in scenarios made for some great reading, and I also liked how they also revealed some more details about each character’s inner psyches, such as Simon assuming that his formal family would approve of his budding romance with Kaylee, or the fact that Zoe was always cautious of the mysterious Shepherd Book, and had suspicions about what his past could of have been. Even River, who is the only person who realises that what she is seeing is a dream, is affected by what she and the others think, which limits her ability to save the ship, adding a whole new layer of suspense to the story. Actually, the whole River character arc is actually really exciting, as she ends up bouncing around each of the other character’s nightmares. It was intriguing to see the various ways that she communicated with these characters, especially as she is significantly more mentally intact in these interconnected dreams. The inclusion of all these compelling visions and nightmares really enhances the entirety of The Ghost Machine’s narrative, and it was a fantastic and clever story element.

Overall, The Ghost Machine is an outstanding and wildly entertaining Firefly tie-in novel that was an amazing treat to read. James Lovegrove has come up with an imaginative story, full of action and excitement that also gets right to the heart of several key characters from the television show. I really loved the multiple creative dream sequences that made up most of the book, and it made for an extremely fascinating story. This was an awesome and addictive novel, and it is a must-read book for all fans of the Firefly franchise.

Star Trek: The Unsettling Stars by Alan Dean Foster

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Publisher: Simon & Schuster Audio (Audiobook – 14 April 2020)

Series: Star Trek: Kelvin Timeline – Book One

Length: 8 hours and 5 minutes

My Rating: 4 out of 5 stars

My continued exploration of the fun and entertaining genre that is Star Trek fiction continues, as I check out the latest tie-in novel, Star Trek: The Unsettling Stars by Alan Dean Foster, an intriguing read which serves as a tie-in to the alternate Kelvin timeline, the spinoff timeline that occurred during the 2009 Star Trek film.

The Unsettling Stars is a rather interesting Star Trek read that is the first original novel set in the Kelvin timeline, except for official film novelisations and the Star Trek: Starfleet Academy young adult miniseries. This book was originally set for release back in 2010 under the title Refugees, but it was pulled from publication along with three other proposed novels that tied in to the most recent Star Trek movies. Another one of these books, More Beautiful Than Death by David Mack, is set for release later this year, and no doubt the other two proposed novels from 2010 will be published at some point as well. The Unsettling Stars is the third Star Trek novel released this year (behind The Last Best Hope and The High Frontier), and it is the first one in a series of Star Trek novels I identified in a recent Waiting on Wednesday article. As a result, I was rather pleased to get a copy of the audiobook format of this novel, especially as this book was written by the acclaimed author Alan Dean Foster.

Foster is a veteran science fiction and fantasy author who has been writing since the 1970s. He has written a multitude of novels over the years, including books set in his long-running Humanx Commonwealth Universe, The Damned trilogy, the Spellsinger series, The Taken trilogy, The Tipping Point trilogy and a huge range of standalone novels. Foster also has a large amount of experience writing tie-in novels to popular franchises, having written the official novelisations to several series, including the Alien movies, the Transformers movies, Terminator Salvation and The Chronicles of Riddick. Foster also has a deep connection with the Star Wars franchise, having ghost-written the official novelisation for the original Star Wars movie. He also wrote Splinter of the Mind’s Eye, which was intended to be a low-budget spinoff from Star Wars if the first movie did badly in the box office. Seeing that Star Wars was a major success, Splinter of the Mind’s Eye was released as the first official Star Wars novel, meaning that Foster started the Star Wars expanded universe (which has become a major staple for this blog). Foster has since gone on to write a second Star Wars novel, The Approaching Storm, and he recently wrote the official novelisation to Star Wars: The Force Awakens, nearly 40 years after he first got involved with the franchise.

Foster also has some rather interesting connections to the Star Trek franchise. While The Unsettling Stars is the first original novel that he has written for Star Trek, he has produced some official novelisations of several shows and movies over his career. Back in the 1970s, he wrote the official novelisations for Star Trek: The Animated Series, contained in 10 separate books. He also wrote the official novelisations for the 2009 Star Trek film, as well as for its sequel, Star Trek Into Darkness. However, his most significant contribution to the Star Trek universe has to be the fact that he wrote the story for the original Star Trek film, 1979’s Star Trek: The Motion Picture. As a result, Foster is definitely an interesting author to check out, and while I have not had the pleasure of reading any of his stuff previously, I was rather intrigued to see how this novel would turn out.

Years ago, a time travelling Romulan ship attacked and destroyed the Federation starship the U.S.S. Kelvin, killing the father of James T. Kirk. The changes which occurred following the destruction of this ship resulted in a whole new timeline, similar to the main Star Trek universe in most ways, but with a number of key differences. In this new timeline, Kirk, with the help of his young crew aboard the U.S.S. Enterprise, was eventually able to defeat this powerful Romulan ship, but not before it destroyed the Vulcan home planet. Now, after being promoted to captain of the Enterprise, Kirk and his crew embark on their first mission together.

With their ship repaired after the battle with the Romulan ship, the crew of the Enterprise take it out of spacedock in what is seen as a simple shakedown cruise. However, not long after they set out, they receive a distress signal from a ship just outside of Federation space. Arriving at the source of the signal, they find a single colony ship belonging to an alien race known as the Perenorean. Appearing to be peaceful refugees, the Perenorean request help as they have sustained damaged and are lacking the resources to travel to their original destination. But within moments of contact between the two ships, a second group of unknown alien ships arrive, determined to wipe out the Perenoreans. Despite not knowing the full history of this conflict, Kirk eventually comes to the aid of the Perenoreans, sending their attackers running, although not before they give the crew of the Enterprise a cryptic warning about the people they just saved.

Meeting with the Perenoreans, Kirk and his comrades discover that their new acquaintances are an extremely advanced group of beings whose capacity to learn and innovate seems limitless. Extremely grateful and determined to repay those who have helped them, the Perenoreans endear themselves to the Enterprise’s crew, who decide to help them relocate to a nearby planet. However, not everything is as it seems with the Perenoreans, whose desire to help and improve everything around them comes with its own unique set of issues. Can the crew of the Enterprise find a solution to the problems their new friends are causing or have they unwittingly unleased a terrible scourge on the Federation?

The Unsettling Stars proved to be a compelling and exciting Star Trek novel that I was able to get through quite quickly. Foster comes up with a rather clever and entertaining central story, set in the unique Kelvin alternate timeline, that revolves around a classic Star Trek first contact mission, with some interesting twists to it. The author crafts together a great story that spends a good amount of time with the key members of the Enterprise crew, with a particular focus on Kirk, Spock, McCoy, Uhura and Scott, as well as introducing several other new members of the crew, who each have a couple of scenes. The Unsettling Stars comes across like a typical Star Trek adventure, featuring a good blend of action, adventure, diplomacy and scientific discussion, similar to an episode of one of the shows. No real prior knowledge about the greater Star Trek universe is needed to enjoy this book, although it is geared more towards those readers who have a greater appreciation for the franchise, and who have at least watched the 2009 Star Trek film. Overall, The Unsettling Stars is a gripping and enjoyable Star Trek novel with a great story that I had a fantastic time listening to.

One of my favourite elements of this book was Foster’s inclusion of the new alien race, the Perenoreans. The Perenoreans are a group of extremely friendly aliens that the Enterprise rescue and help relocate to a new colony planet. The Perenoreans are an interesting new alien species in the Star Trek canon, characterised by their great intelligence, ability to adapt and evolve to any situation, and their desire to help anyone they come across. While it is also intriguing to see a new fictional alien species, a large amount of this book’s narrative lies around the crew discovering the true intentions and motivations of this species. While they seem friendly, you just know that they are going to turn out to be sinister or problematic in some way or another. The way that they genuflect is way over the top, and there is no way a whole race of people is that friendly. Also, there would not be much of story if they did not turn out to be problematic in some way. Foster does an excellent job of slowly hinting at their true nature, and it helps build up a good amount of tension throughout the course of the book. The eventual reveal of their secrets is rather fascinating and makes for a great payoff after all the build-up. I also really liked the conclusion to their whole arc, especially as it made use of a fun, but seemingly unimportant story element to wrap the whole thing up. These aliens are an amazing part of this book’s story, and it was one that made me enjoy The Unsettling Stars a whole lot more.

I also think that Foster did a good job of writing this book like it was set in the Kelvin timeline. The Kelvin timeline is filled with all manner of intriguing differences to the main Star Trek timeline, and the author spent a bit of time incorporating these differences into The Unsettling Stars. While at times the book did a feel a little like a tie-in to The Original Series, Foster was always quick to showcase some key elements of the Kelvin universe. Kirk is a little more arrogant and eager for glory in this book, and there are several discussions about his rapid promotion to captain, which results in a bit more scrutiny from Starfleet. McCoy is a bit more of a grump in this novel, and he has a bit more of an antagonistic relationship with Spock. There is also a bit of time spent exploring the new relationship between Spock and Uhura, and there are several mentions about Spock’s new dynamic as a member of a refugee species. I liked seeing the return of Simon Pegg’s fun version of Scotty, whose inclusion makes for several entertaining and enjoyable scenes. I also have to highlight the excellent reference to Star Trek: The Motion Picture that occurred in this book, as the crew of this version of the Enterprise come across a key item from this film well before it becomes a problem. It’s not often that a writer gets to erase the entirety of a film they scripted over 40 years previously, and I quite liked how this event turned out as part of the larger story. I had a fantastic time exploring the Kelvin timeline in this book, and I look forward seeing more of it in the future novels set in this timeline.

As I mentioned above, I ended up checking out The Unsettling Stars in its audiobook format, which was narrated by Robert Petkoff. This is a rather short audiobook, which runs for just over eight hours. While it took me a few days to get through (mainly due to lack of listening time than anything else), most readers should be able to listen to the whole book rather quickly, especially once they get engrossed in the intriguing story. Like every other Star Trek book I have so far listened to, The Unsettling Stars audiobook featured the vocal talents of Robert Petkoff, who seems to be the primary narrator for Star Trek audiobooks. Petkoff is an amazingly talented narrator who has come up with some incredibly realistic voices for key members of the various Star Trek television shows. In particular, he has come up with some fantastic voices for the members of The Original Series, which he uses throughout The Unsettling Stars to great effect, bringing the main crew of the Enterprise to life, while also coming up with great voices for some of the additional members of the crew and the various aliens that they encounter. All of this is really cool, and hearing these similar voices helps bring the reader into the Star Trek zone. If I had one criticism, though, it would be that Petkoff uses the same voices here that he uses for all the other audiobooks based around The Original Series. While I appreciate that the characters in the Kelvin timeline are supposed to be versions of the cast from The Original Series, hearing the Kelvin timeline characters speak in the same voice as their counterparts was a tad disjointing, and it made me forgot at times that this book is supposed to be set in an alternate timeline. A little bit of variation from Petkoff could have potentially helped this, although I am uncertain about what exactly he could have done to set this apart. Despite this minor criticism, I still really enjoyed listening to the audiobook version of this book, and I would recommend this format to anyone who wanted to check out The Unsettling Stars.

The Unsettling Stars is an excellent and exciting new Star Trek novel from the legendary author Alan Dean Foster. I had a great time unwrapping the cool mystery around the new race of aliens that Foster came up with for this novel, and it was fun to see a story in the Kelvin universe. This was a fantastic addition to the Star Trek canon, and I would recommend this to any fans of the franchise who want a clever new read.

Throwback Thursday: Star Wars: Vader Down

Vader Down Cover

Publisher: Marvel Comics (Paperback – 19 April 2016)

Series: Crossover – Featuring Issues from Star Wars (2015) and Darth Vader (2015)

Writers: Jason Aaron (Star Wars: Vader Down #1, Star Wars #13-14) and Kieron Gillen (Darth Vader #13 – 15)

Artists: Mike Deodato (Star Wars: Vader Down #1, Star Wars #13-14) and Salvador Larroca (Darth Vader #13 – 15)

Colourists: Frank Martin Jr (Star Wars: Vader Down #1, Star Wars #13-14) and Edgar Delgado (Darth Vader #13 – 15)

Letterers: VC’s Joe Caramagna (Star Wars: Vader Down #1, Darth Vader #13 – 15) and Chris Eliopoulos (Star Wars #13-14)

Length: 152 pages

My Rating: 5 out of 5 stars

Reviewed as part of my Throwback Thursday series, where I republish old reviews, review books I have read before or review older books I have only just had a chance to read.

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For this latest Throwback Thursday I go back and look at the epic and deeply enjoyable Star Wars comic book crossover extravaganza, Star Wars: Vader Down.

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Vader Down was a crossover, published in late 2015 and early 2016, of two of the best Star Wars comic series at the time, Star Wars (2015) and Darth Vader (2015). These two series ran side by side during this period and were set between the events of A New Hope and Empire Strikes Back and expanded the new Disney Star Wars canon. Both of these series were extremely good in their own right, with some very impressive comics during their early run (check out my reviews for some of these earlier volumes, Skywalker Strikes, Vader and Shadows and Secrets, all three of which got five-star reviews from me). These two comics ended up converging during the events of this crossover, with both series’ creative teams pooling their efforts to tell an exciting and action-packed tale. Vader Down is made up of a single introductory issue (Star Wars: Vader Down #1), two issues of Star Wars (2015) (issues #13-14) and three issues of Darth Vader (issues #13-15)

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Darth Vader is a man on a mission. Ever since he discovered that the Rebel Alliance pilot who destroyed the Death Star was Luke Skywalker, the son he never knew he had, Vader has been scouring the galaxy for him, determined to claim Luke and use him to take control of the Empire. It finally appears that his patience has been rewarded, as his sources have revealed that Luke is visiting an abandoned Jedi temple on the planet of Vrogas Vas. However, Vader is unaware that he is falling into a trap set by one of his rivals, the Mon Calamari cyborg Commander Karbin. Instead of finding Luke by himself, he discovers an entire Rebel fleet orbiting a planet housing a secret Rebel facility. Despite being outnumbered, Vader is able to fight off the Rebel pilots trying to kill him, until Luke, in a desperate move, smashes his fighter into Vader’s ship, sending them both crashing down to the planet’s surface.

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Now on foot, Vader sets out across the desolate planet to find his wayward son and turn him to the Dark Side of the force. However, the Rebels send a significant force to Vrogas Vas to capture or kill Vader. But even surrounded and outnumbered, Vader is more than a match for anything the Rebels can throw at him, and it seems only a matter of time before he finds his son. Luke’s only hope to survive lies in his friends, as Princess Leia, Han Solo, Chewbacca, C-3PO and R2-D2 all set out to save him. However, Luke is not the only one with friends on the way, as Vader’s reluctant agent, Doctor Aphra, also sets course to Vrogas Vas in order to save herself from being murdered by her employer for this debacle. By her side are three of the most dangerous beings in the galaxy, the murderous droids Triple-Zero and BT-1, and the vicious Wookie bounty hunter Black Krrsantan.

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As the two sides engage in all-out war across the planet’s surface, neither is aware of the danger coming for both of them. Imperial forces under the command of Commander Karbin have come to Vrogas Vas in the aftermath of the conflict not only to capture Luke but to also kill Vader so that Karbin can take his place by the Emperor’s side. Can Vader and the Rebels survive the onslaught of Karbin and achieve their desires, or is this the end of all of them?

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Wow, wow and wow!! This crossover is just plain incredible as the two talented creative teams of the Star Wars and Darth Vader comic book series come together to create an action-soaked masterpiece. I absolutely loved this fantastic and inventive story, which not only contains a substantial standalone adventure but which advances both series in some rather interesting ways, especially when it comes to separating the character of Dr Aphra and moving her briefly into the Star Wars comic series. The story contained within this volume is really amazing, as it sets a rampaging Darth Vader against a swath of enemies while the great characters from both series face off in a rather entertaining battle of their own. All of this is set to some incredible artwork from the two series’ respective artistic teams, which brings the phenomenal action to life in all its destructive glory. Unsurprisingly, this comic gets a full five-star rating from me, and it is easily one of the best crossover comics that I have ever read.

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Vader Down features six separate comic book issues, including an introductory issue, three issues from the Darth Vader series and two issues from the Star Wars series. Each of these comics has been written and drawn by the creative team of their respective series, with the Star Wars issues written by Jason Aaron and featuring the art of Mike Deodato, Frank Martin Jr and Chris Eliopoulos, while the entries from the Darth Vader comics are written by Kieron Gillen and contain the art of Salvador Larroca, Edgar Delgado and Joe Caramagna. The introductory issue, Star Wars: Vader Down #1, was also written by Aaron and drawn by the Star Wars artistic team (although with Caramagna doing the lettering rather than Eliopoulos), and this allows both creative teams to contribute three separate issues to this crossover. The story is set out in an alternate fashion, with the narrative beginning in Star Wars: Vader Down #1 and then continuing in Darth Vader #13, than going to Star Wars #13 and so on and so forth all the way till the volume’s end at Darth Vader #15. This proved to be quite an interesting way to set out the volume, and I think that it really speaks to the coordination and discussions that must have occurred between the two separate creative teams.

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Like most pieces of Star Wars tie-in fiction, Vader Down is naturally geared more towards those established fans of the franchise, especially those who have some history and knowledge of the extended universe. However, I would say that this is definitely a comic that can be enjoyed by casual fans of the Star Wars franchise, especially as the story is very easy to enjoy and appreciate. Readers do not need a massive amount of knowledge about the comic series that are crossing over in order to enjoy Vader Down. I myself had not read any of the Star Wars (2015) comics when I first enjoyed this volume, and I experienced no problems whatsoever following the plot. That being said, it might prove useful to read the first two volumes of the Darth Vader series first, as that serves to introduce several supporting characters in the volume, as well as the main antagonist.

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I felt that one of the biggest strengths of this comic is the way that it utilised and portrayed several iconic Star Wars characters, and I particularly loved how Darth Vader is featured in this crossover. I am a massive fan of the character of Darth Vader, and I am really enjoying how all the current pieces of Star Wars extended fiction portray him as a destructive powerhouse, perhaps as a way to rehabilitate him after the prequel films. However, Vader Down really takes this into overdrive as Vader finds himself alone on a planet surrounded by a vast army of enemies who are hunting him. While on paper it would seem that Vader is at a disadvantage, this really does not prove to be the case, as Vader tears through everyone who stands between him and Luke, often in some particularly devastating manners. Vader comes across as a massive badass in this comic, and I loved every second of it. From the way that he nearly takes out an entire fleet of Rebel fighters right at the beginning (only being stopped by a Kamikaze attack from Luke), to the continuous and effortless destruction of every Rebel he comes across (note to self: never wear grenades anywhere near a Force user), nothing seems to stop Vader, and it is pretty darn impressive.

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I also love how Vader has some of the best lines in this volume as well, from his response to a request from Aphra to run: “I am a lord of the Sith. They are the ones who should be running”, to his fun response to a Rebel leader who tells him that he is surrounded (shown in the midst of a great full double page spread, just to show how surrounded he is): “All I am surrounded by is fear. And dead men.” However, his best line occurs later in the volume when he engages Commander Karbin in a particularly cool looking lightsaber duel. Karbin, whose enhancements make him resemble General Grievous, is gloating about how much better he is than Vader as he can wield four lightsabers to Vader’s one. However Vader, after throwing a massive statue at him simply responds with: “When you wield the power of the Dark Side one lightsaber is all you need”, which I thought was a pretty badass line, which also reveals why you never see Vader bothering with something more fancy like his Inquisitors do. Needless to say, I thought this portrayal of Vader was very epic and awesome, and it definitely is one of my favourite appearances of this character.

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In addition to the amazing use of Darth Vader in this comic, I thought that the creative teams did a great job including the supporting characters from the Darth Vader series, namely Dr Aphra, Triple-Zero, BT-1, and Black Krrsantan. These four characters are, in manner different ways, all rather fun and evil doppelgangers of some of the key characters from the original trilogy. Black Krrsantan is an ultra-violent Wookie bounty hunter, more concerned with killing and money than saving lives like Chewbacca. Triple-Zero is pretty much a snarkier version of C-3PO who delights in torture and mutilation and has the inbuilt tools to back it up. BT-1 is an astromech like R2-D2, except he is loaded up with all manner of firepower and he has a nasty habit of melting anyone he dislikes, and BT-1 dislikes pretty much everything and everyone. Finally, you have Dr Aphra, who is a notorious rogue and thief like Han Solo, except rather more successful. She is also a fully trained archaeologist who uses that ability to rob tombs for valuable artefacts, essentially making her a cross between Han Solo and Indiana Jones. Vader Down is the first time that the supporting characters from the Darth Vader series actually meet their more iconic counterparts, and the results are extremely entertaining.

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There are quite a few great moments throughout this volume where these two groups of characters come together, and they are all pretty fun. Some of my favourites include an extended brawl between the two Wookies, Chewbacca and Black Krrsantan, as they fight to achieve their opposing goals. This turned into quite a brutal matchup and it definitely does not end in the way that most people would expect. There is another cool scene where BT-1 faces off against R2-D2, who is trying to defend Luke from the evil droids. The two get into a vicious argument of beeps (apparently) and R2-D2 pulls out his built-in taser to fight off his opponents. However, BT-1 is rather better armed, and the sudden appearance of a mass of blasters, missiles, a flamethrower and other assorted weapons from BT-1’s chassis is enough to make R2 run off rather quickly, although he gets a measure of revenge later in the volume. Triple-Zero has a fun time imitating C-3PO at one point in the comic (all it takes is a coat of gold paint) and the subsequent meeting between the two protocol droids does not go well for Threepio (let us just say he gets disarmed).

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My favourite out of all these interactions between the classic Star Wars characters and the new ones established in the Darth Vader series has to be the fun meeting between Han Solo and Aphra. Aphra is probably one of my favourite new characters in the current Star Wars canon (make sure to check out my recent review for A Rogue’s End, the seventh volume of her spinoff series), and her fun sense of humour really shines through in this encounter. There is a pretty funny scene towards the front of the book, when Aphra, researching the members of the main Star Wars cast, sees Han Solo and responds with an uber sarcastic: “Han Solo. The Han Solo. Oh me, oh my. What are we going to do facing Han Solo?” When they subsequently meet, Aphra continues to be unimpressed by Solo, deflating his ego over his apparently insubstantial reputation and managing to scare him with her own name. They two share some rather good verbal barbs before the shooting starts, and I think that the writers came up with the best resolution to this fight, which can only be described as an unintentional and funny draw. Overall, I really loved seeing all these fantastic characters coming together in this volume, and it is an impressive and entertaining highlight.

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While most of the character arcs in this book lean more toward either humour or pure destruction, the writers also did a rather good emotional storyline around Princess Leia. Leia arrives on Vrogas Vas to lead the hunt for Vader, and eventually ends up coming face to face with him. As this is the first time Leia has seen Vader since he stood by and watched the destruction of Alderaan, this proves to be a rather hostile meeting, and Leia is overcome with a desire for revenge and is willing to sacrifice herself and her friends to see Vader taken out. There are some great moments throughout Leia’s scenes in the book as she presents her righteous indignation towards Vader, whose response is less than repentant: “This is not a war, Princess. Wars are for lesser men than the Emperor and myself. This is a series of executions. And yours is long overdue.” All of this gets pretty intense, and Leia actually tries to commit suicide at one point in an attempt to take Vader with her. She is eventually broken out of her mission for revenge thanks to an urgent plea for help from C-3PO, who is watching the rest of their group getting attacked and captured. All of this proved to be a rather powerful and emotional storyline within this volume, and I think its inclusion helped to enhance and elevate the entirely of the comic’s plot.

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I also must highlight how impressive the two separate artistic teams were, as both groups of artists come up with some fantastic sequences in Vader Down. As I mentioned above, the issues alternate throughout the volume, and as a result the artistic style of the comic changes with each new issue. There is a rather distinctive difference in the designs and illustrations of the two separate teams, and it proved interesting to jump between these styles each issue. I liked both unique art designs and colourations (with perhaps a slight preference towards the Darth Vader comics style), and I think that they all did an excellent job of portraying the epic story. It actually proved to be rather intriguing to see the separate teams have a go at drawing some of the characters who usually appeared in their counterparts’ comics, and it was also cool to see sequences that lasted more than one issue (such as the lightsaber duel between Vader and Karbin) go through some stylistic changes with each changing issue. There are a huge number of amazingly drawn scenes throughout this comic, although I think the best highlights had to include the extremely impressive starfighter battle in the first issue, with all the blaster bolts and explosions occurring out in space. Other cool scenes included a sudden spaceship crash in the final issue and a series of explosions and lightsaber work in the front of the volume’s second issue. I also liked how both teams of artists utilised the desert landscape of Vrogas Vas in their drawings; the constantly swirly dust really helped to enhance some of the battle scenes in this book and bring a sense of movement and a planet disturbed by violence and death. As a result, I think that both teams of artists did an outstanding job throughout the comics that made up Vader Down, and it certainly helped to enhance the epic experience I had reading this crossover volume.

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Vader Down is an immensely cool and exhilarating Star Wars comic that serves as an impressive crossover between two excellent comic book series. This combination of the Star Wars (2015) and the Darth Vader comics proved to be deeply entertaining and it is a clear example of how awesome the Star Wars extended universe can truly be. An absolute blast from start to finish, with non-stop action, eye-catching artwork and some clever character work, Star Wars: Vader Down is a must-read comic for all Star Wars fans and I cannot recommend it highly enough.

Star Wars: Doctor Aphra: Volume 7: A Rogue’s End

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Publisher: Marvel Comics (Paperback – 11 February 2020)

Series: Doctor Aphra – Volume 7

Writer: Simon Spurrier

Artists: Caspar Wijngaard (Doctor Aphra #37-40, Star Wars: Empire Ascendant), Elsa Charretier (Doctor Aphra Annual #3)

Colour Artists: Lee Loughridge (Doctor Aphra #37-40, Star Wars: Empire Ascendant), Edgard Delgado and Jim Campbell (Doctor Aphra Annual #3)

Letters: VC’s Joe Caramagna (Doctor Aphra #37-40, Doctor Aphra Annual #3), Clayton Cowles (Star Wars: Empire Ascendant)

Length: 144 pages

My Rating: 5 out of 5 stars

So I just got through with watching the latest episode of Star Wars: The Clone Wars and it’s put me in a Star Wars mood (well, more of a Star Wars mood than usual), so I thought I would get a review together for the seventh and final volume of the excellent 2016 Doctor Aphra series, A Rogue’s End.

The Doctor Aphra series is an outstanding comic book series that I have been really getting into over the last couple of years. Spinning off from the 2015 Darth Vader comics, this series features a witty and unique protagonist in its titular space archaeologist, Doctor Aphra, who blasts around the universe bringing chaos and disorder in her wake. This has probably been one of my favourite comic book series of the last couple of years, and it is easily my top Star Wars comic at the moment. Unfortunately, this current run of Doctor Aphra has just come to an end, although a new Doctor Aphra series is just starting up with a different creative team. Writer Simon Spurrier and his artistic team produced an incredible and satisfying conclusion to their Doctor Aphra run with A Rogue’s End, the sensation final volume that follows on from the events of the excellent sixth volume, Unspeakable Rebel Superweapon, and is set just before the events of The Empire Strikes Back.

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After saving the Emperor’s life from an assassination plot, archaeologist, scam artist and all-around disaster zone Doctor Chelli Aphra thought that she would finally be safe. Instead she finds herself trapped in the one place she has been running from for years, in the clutches of the most dangerous person in the galaxy, Darth Vader. Vader desperately wants Aphra dead, as she knows his darkest secret, his obsession with Rebel pilot Luke Skywalker, and it is only a matter of time before he finds an excuse to kill her.

Trapped aboard Vader’s Star Destroyer with her young companion, Vulaada, Aphra’s only chance to survive is prove her usefulness and help Vader find the location of the new Rebel base. However, Aphra is nothing if not resourceful, constantly looking for a way to game the system and extend her life. An encounter with a mysterious figure in an ancient temple seems to offer her the best chance of survival, until she finds out that it is her Jedi-obsessed father, Korin Aphra, once again causing trouble.

With the fate of everyone she loves in the balance, Aphra begins to devise another elaborate plan. With the help and hindrance of her ex-girlfriend, Captain Magna Tolvan, and the murderous droids BT-1 and Triple Zero, Aphra sets out not only to fool the entire Empire but to finally bring her affiliation with Darth Vader to an end. Can Aphra pull off the greatest con of her career, or will all her lies and deceit finally bring her the grisly end she has been running from for years?

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Well that was another damn impressive and deeply enjoyable Doctor Aphra comic. Spurrier, who has been working on this series since late 2017 (when he cowrote issue #14 with Kieron Gillen, one of the original creators of the character), brings this series to an epic and satisfying conclusion with another incredible group of stories. This seventh volume of the series contains issues #37-40 of the Doctor Aphra series, as well as the Doctor Aphra Annual #3 and material from Star Wars: Empire Ascendant #1. This whole volume was deeply captivating and I loved every second that I was reading through it, especially as it combines and excellent story with some fantastic artwork.

At the centre of this book is an exciting and clever story of survival, deceit and redemption. The four issues of the Doctor Aphra series (#37-40) contain an amazing storyline that follows the series protagonist as she attempts to get out of the most dangerous situation she has ever found herself in. Spurrier tackles these final four issues with the same style that he has employed for most his run, blending together a tale of deceit, double-crossing and survival in the Star Wars universe with humour, fantastic action and a deep analysis of the troubled and complex character that is Doctor Chelli Aphra. This results in an addictive overarching narrative that is not only incredibly entertaining, but which also gets quite moving and emotional at times, especially when Aphra encounters all the important people in her life, many of whom have been damaged in one way or another by her selfish actions. I have to say that I was particularly impressed with Aphra’s master plan in this comic, especially as it not only showed off her skills for deceit and manipulation but it was motivated by a genuine desire to help those she loved, which represents some significant series-wide character development for her. I also appreciated how the whole storyline has some major connections to the events of The Empire Strikes Back, and I liked how it was tied in more to the main plot of the movies.

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One of the other things that I really loved about this comic was the way that Spurrier wrapped up a ton of the storylines around some of the great supporting characters that have made this series such a treat. In particular, she manages to have some touching final meetings with her father, her ex-girlfriend, Tolvan, and her young sidekick, Vulaada, and this volume serves as a rather good conclusion to their various storylines (although I hope that they do appear in the future series). Her final meeting with Tolvan was pretty great, as the two have had a particularly chaotic and damaging love affair due to the actions of Aphra, and it was nice to see her finally prove Tolvan wrong and do the right thing for her. I also loved some of the scenes between Aphra and her father, and there is one incredible sequence where Aphra concisely recounts some of the adventures she has had throughout the series, and her father finally provides her with the advice and guidance that she has always sought from him. I really appreciated that Aphra finally gets some closure with these supporting characters, and in the three cases above she goes out of her way to protect them and bring them together to ensure that they have better lives. This is a major change in direction for Aphra, whose entire series has seen her repeatedly screw up and destroy the lives of everyone she meets, including those people close to her, something she is keenly self-aware of and deeply ashamed of. As a result, it was rather nice to see her finally step up and take responsibility for several people close to her, and to finally make what she sees as the right decision and leave them behind: “Love is letting go.” I also enjoyed the return of the two murder droids, BT-1 and Triple Zero, who have been highlights of both this series and the preceding Darth Vader series. I felt that both of them are rather well utilised in this story, and quite frankly you could not have wrapped this series up without them. It looks like both of them are going to be major features (in some form or another) of the next Doctor Aphra series, which should be fun.

Another character who Aphra gets a bit of closure within this volume is her oppressive employer, Darth Vader. Aphra and Vader have a complex and lengthy history together, dating back to the 2015 Darth Vader series where Vader forcibly recruited Aphra, and which ended with Vader believing that he had killed her, only for Aphra to trick him. Aphra has spent the subsequent run of her series constantly trying to stay off Vader’s radar, and continuously tricking him into believing that she is dead. However, after the events of Unspeakable Rebel Superweapon, she is firmly in his clutches and waiting to die. I really loved the whole interaction between Aphra and Vader in this volume, as for most of it Aphra is trying to trick or convince Vader to keep her alive, while Vader is looking for an excuse to kill her. This pretty much makes Aphra the most desperate we have ever seen her, as she is still rather traumatised from the events of Vader’s first attempt to kill her, and still gets an interesting array of nightmares about them. Despite this, Aphra is eventually able to turn the tables of Vader, thanks to her cunning, knowledge about the force, pieces she has gleaned from Vader’s past and technical ability. The way she is able to take him down is pretty impressive: “Don’t pick a fight with an archaeologist in a spooky old ruin. And don’t wage war against a tech criminal if you’re half a machine.” It makes for a great sequence, especially when she uses Vader’s own scary reputation against him. This scene also allows Aphra to have a memorable heart-to-heart with Vader, and she discusses the similarities the two of them share, mostly about how they are both living with a massive amount of regret. In the end, Aphra decides against killing Vader, saying, “I’m your biggest fan,” even though she knows that Vader will come after her in the future, even more determined to kill her. She actually has a rather poignant farewell with Vader, saying, “In a funny sort of way, you’re the best thing that ever happened to me,” which says a whole lot about Aphra’s messed up character, but is a fun and fitting reversal of how Vader ended their partnership in his series.

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This volume features some tremendous illustrations from a truly talented team of artists. I really enjoyed the artwork that was featured within this story, and I think that it did a fantastic job of conveying and enhancing the complex and enjoyable storylines that the writer came up with. There are a number of well-drawn and well-portrayed sequences throughout this volume, although I particularly liked the one that made up the majority of issue #40, which featured Aphra facing off against Vader in a ruin filled with traps. There was also a rather good extended conflict between Aphra and Tolvan throughout a Rebel Alliance a spaceship that the drawings helped make particularly fun and chaotic, and which also did a good job of showing off the anger and complex emotions that filled their relationship. Overall, there was some fantastic artwork in this volume, and I think that the artists did an excellent job bringing the great characters and excellent story to life.

Most of what I mentioned above takes place in issues #37-40 of the Doctor Aphra series, but this volume also contains two extra stories, the Doctor Aphra Annual #3 and the parts taken from Star Wars: Empire Ascendant #1. Both of these inclusions were also written by Spurrier and are really tied into the narrative contained within the main plot of the volume, and I felt that these two inclusions did a lot to enhance my overall enjoyment of A Rogue’s End.

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I did quite enjoy the fun story contained with the Doctor Aphra Annual #3, which focuses on some of the great supporting characters from the Doctor Aphra series. The self-contained story in this annual issue sees Aphra try to repay her debt to the monster hunters Winloss and Nokk, who previously saved her life, by providing them with information she is privy to while aboard Vader’s star destroyer. This information leads these two hunters to the Mos Eisley Cantina on Tatooine, where another former associate of Aphra, the Wookie bounty hunter Black Krrsantan, is in residence. This leads into a rather fun story which sees these characters and a rather slimy bartender go through all manner of trouble just for a measure of revenge. This was an excellent and compact story that contains a clever revenge plot, and it’s pretty damn hilarious. I liked how this annual followed the lead of the other stories in this volume by focusing on Aphra bringing together some of the side characters from the series, presenting the reader with a good conclusion to their association and storyline with Aphra. This story featured a different artistic team to the rest of the volume, resulting in a different and distinctive drawing style for the entire issue. I actually rather liked the style that this separate artistic team came up with, and I think that it fit the more humour-based storyline that that Spurrier came up with. Overall, this latest issue of the Doctor Aphra Annual made for an amazing entry in this volume, and I think that it worked extremely well with the other issues featured within it.

This volume also contained material from Star Wars: Empire Ascendant #1, which makes up a small story at the end of the book. This material focuses on the three people that Aphra saved throughout A Rogue’s End, Tolvan, her father and Vulaada. They are all on Hoth when the message that Aphra was composing in the final Doctor Aphra issue is received by the Rebel Alliance. This leads to a rather heartfelt and emotional scene in which the three of them discuss whether their lives where made better or worse by knowing Aphra, and whether she ever did anyone any good. Their musings are interrupted by one of the few other people in the Rebel Alliance who had any dealings with her, Luke Skywalker, who provides some information about a good deed she performed after the last time they saw her. I liked how Spurrier once again examine the chaotic and destructive personality of Aphra through the eyes of the people who knew her best, and it really matches the overall theme of the volume. I also liked the inclusion of Skywalker in this story, and it was a fun call back to the earlier volumes of the Star Wars (2015) series, which featured Aphra working with the main protagonists of the original trilogy. It was interesting to see Luke’s take on Aphra, and it is a bit of a crossover between the idealism of the main cast and the darker reality of the Star Wars universe that the cast of Doctor Aphra find themselves in. I had a good laugh at Tovan’s assessment of Luke as the farmboy who got bumped up to commander after one lucky shot, and I also loved their response to Luke’s glowing assessment of Aphra actually being a good person: “Should we tell him she also saved the Emperor’s life? Better not, nothing crueller than reality to a dreamer.” This short piece of material actually serves as a pretty good conclusion not only to the volume but to the Doctor Aphra series as a whole, and I think that its moving, character-driven storyline helped provide an emotional end to the entire series.

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The seventh volume of the amazing Doctor Aphra series, A Rogue’s End, is another extremely entertaining and complex Star Wars story which I deeply enjoyed. Writer Simon Spurrier and his talented artistic team once again take the reader on another exciting and powerful adventure that not only serves as a great story in its own right but which also provides fans of Doctor Aphra with a meaningful and rewarding conclusion to the entire series. This volume gets a full five stars from me, and I would strongly recommend this volume, and indeed the entire series it concludes, to anyone looking for an outstanding and fresh Star Wars adventure.