Star Wars: Dooku: Jedi Lost

Dooku - Jedi Lost Cover

Publisher: Penguin Random House Audio (Audio Production – 30 April 2019)

Script: Cavan Scott

Cast: Orlagh Cassidy, Euan Morton, Pete Bradbury, Jonathan Davis, Neil Hellegers, Sean Kenin, January LaVoy, Saskia Maarleveld, Carol Monda, Robert Petkoff, Rebecca Soler and Marc Thompson.

Length: 6 hours and 21 Minutes

My Rating: 4.5 out of 5 stars

Prepare for another deep dive into the Star Wars canon with an audio drama that explores the past of one the biggest villains from the prequel movies, Count Dooku, with Dooku: Jedi Lost.

Dooku: Jedi Lost was one of the more interesting pieces of Star Wars fiction that was released last year. Based on a script written by Cavan Scott, an author who has written a multitude of comics, novels and radio drama tie-ins for several different franchises, Jedi Lost was originally released as an audio production featuring several different actors, with the script also released in novel format a few months later. I have been meaning to check out this unique story for some time, as it was one of the few pieces of Star Wars fiction that I did not read in 2019. This is actually one of the first entries I am ticking off my Books I Wish I Read in 2019 list (barring The Russian by Ben Coes, which was an honourable mention), and I am really glad I decided to check this piece of fiction out.

For many in the galaxy, Count Dooku of Serenno is one of the most dangerous and evil villains that ever lived. The leader of the ruthless Separatists during the Clone Wars, apprentice to Darth Sidious and master of several ruthless assassins, Dooku is rightfully feared and hated by many. However, he once was one of the most respected and powerful members of the Jedi Council. A former apprentice to Yoda himself, and the mentor to two exceptional Padawans, Rael Averross and Qui-Gon Jinn, Dooku dedicated decades of his life to the Jedi, before suddenly leaving and taking a different path. But how did such a revered Jedi turn to the dark side of the Force? That is a question that Dooku’s new apprentice, Asajj Ventress, is trying to understand when she is given a mission to find Dooku’s missing sister. Searching for leads through Dooku’s journals and messages, Ventress is given unprecedented access into Dooku’s past.

The son of the ruthless Count of Serenno, Dooku was abandoned as baby by his father the moment his abilities with the Force were identified, only to be rescued by Yoda. Upon learning the truth about his birth years later, Dooku struggles with balancing his duties as a Jedi with his connections to his family and home planet. Conflicted, Dooku finds comfort in his friendship with the troubled young Jedi Sifo-Dyas and the mysterious Jedi Master Lene Kostana, whose mission of locating and studying Sith artefacts fascinates Dooku and leads him to his first experiences with the dark side of the Force. As Dooku rises through the ranks of the Jedi Order, he finds himself stymied by the bureaucracy and corruption of the Republic and the hypocrisy of the Jedi Council. As the first waves of darkness fall across the galaxy, how will the younger Dooku react, and what will Ventress do when she realises what sort of person her new master is?

Dooku: Jedi Lost is an incredible and deeply captivating piece of Star Wars fiction that cleverly dives into the past of one of the franchise’s most iconic villains to present a compelling and intriguing story. I ended up listening to the full cast audio production of Jedi Lost, and I really enjoyed this fantastic and intriguing book. The plot of Jedi Lost is uniquely set across several different time periods, with the details of Dooku’s life being relayed to a younger Ventress at the start of her Sith apprenticeship through journal entries, detailed messages, oral histories and even some visions of the past. Scott did an excellent job of setting his story across multiple time periods, which allowed Jedi Lost to showcase the life of the titular character while also presenting an exciting, fast-paced and at times dramatic narrative that includes several plot threads that jump from timeline to timeline. All of this results in an excellent Star Wars story which features some fascinating inclusions to the franchise’s lore and which is enhanced by the incredible audio production.

At the centre of this book lies an intriguing and captivating exploration of one of the most significant antagonists in the Star Wars canon, Count Dooku. Jedi Lost contains quite a detailed and compelling backstory for this character, and you get to see a number of key events from his life. This includes his complicated childhood, the forbidden communication he had with his sister, the connection he maintained with his home planet, parts of his apprenticeship under Yoda, the tutelage of his own two apprentices, his time on the Jedi council, his first brushes with the dark side of the Force and finally the chaotic events that led him to leave the Jedi order and take up his position as Count of Serenno. Every part of this background proved to be extremely fascinating and it paints Dooku as a much more complex character, with understandable motivations and frustrations. He actually comes across as a much more sympathetic person thanks to this production, and readers are going to have an amazing time finding out what events and betrayals drove him away from the Jedi and towards his new master. The storytelling device of having Ventress read and analyse Dooku’s old messages and journal entries ensures that the story quickly jumps through the events of his life, and no key events really seem to be missing. I personally would have like to see some more detail about Dooku’s training under Yoda or his teaching of his apprentices, although I appreciate that this was already an expansive production and there was a limit on what could be included in the script. I also wonder what sort of story this could have turned into if this was told exclusively from Dooku’s point of view, however, this first-person narration probably wouldn’t be as feasible as a full cast audio production. Overall, those fans who check out Jedi Lost are in for quite an in-depth and fascinating look at the great character that is Count Dooku, and I am sure many will enjoy this exciting examination of his backstory.

In addition to exploring the character of Count Dooku, Jedi Lost also presents those dedicated Star Wars fans with a new canon look at the Star Wars universe before the events of The Phantom Menace. You get an intriguing look at the Republic and the Jedi Order in the years leading up to events of the Skywalker Saga, and it was fascinating to see the similarities and differences between the various eras in the Star Wars lore. In particular, I found in interesting to see that the groundwork for the Clone Wars and the fall of the Jedi order had already begun, with ineffectual leadership, corruption in the Senate and complacency in the Jedi Council all eventually leading the dark events of the future. Jedi Lost also shows the earlier days of several Jedi who were supporting characters in either the movies or the animated shows. In particular, this entry focuses on Sifo-Dyas, the Jedi who foresaw the Clone Wars and was manipulated into creating the Republic’s clone army. The story explores how Dooku and Sifo-Dyas were close friends growing up, while also showing the origin of his prescient powers, and he proved to be a rather compelling side character. Jedi Lost also saw the introduction of Jedi Master Lene Kostana to the canon. Lene Kostana was a rebellious Jedi who scoured the galaxy for Sith artefacts in the belief that the Sith were going to rise again. She proved to be an interesting mentor character for Dooku, and her recklessness and unique way of thinking had some major impacts in Dooku’s character development.

I also liked how this piece of Star Wars fiction focused on the early career of Asajj Ventress, one of the best Star Wars characters introduced outside of the movies. Much of the story is set immediately after Dooku claims Ventress as his apprentice and personal assassin, which allows the reader a compelling view of Ventress’s early brushes with the dark side of the Force and the initial corruption and manipulation she experienced under Dooku. This proved to be quite an interesting part of the novel, especially as the reader got to see Ventress’s thoughts and reactions to several revelations about Dooku’s past. Thanks to the way that the audio production is set out, Scott also included a rather cool element to Ventress’s character in the way that she is hearing the voice of her dead former Jedi Master and mentor, Ky Narec. While Ky Narec’s voice was mainly included to allow Ventress to share her thoughts in this audio production without becoming a full-fledged narrator, this ethereal character gives the reader a deeper insight into Ventress’s character. I also enjoyed the discussion about Ventress’s past with Narec, and it helped produce a much more in-depth look at this fascinating character from the expanded universe.

Like most pieces of expanded universe fiction, Jedi Lost is best enjoyed by fans of the Star Wars franchise, who are most likely to appreciate some of the new pieces of lore and interesting revelations. This production also bears some strong connections with another piece of Star Wars tie-in fiction that was released last year, Master & Apprentice by Claudia Gray. Master & Apprentice was one of the most impressive Star Wars novels released last year, and it featured a story that focussed on Dooku’s apprentices, Rael Averross and Qui-Gon Jinn. Jedi Lost heavily references some of the events that occurred or are represented in Master & Apprentice, and it was interesting to see the intersections between the two separate pieces of fiction. I particularly enjoyed seeing more of the unconventional Jedi, Rael Averross, and it was great to see some additional interactions between the proper and noble Dooku, and this rough former apprentice. Despite all of this, I believe that Jedi Lost can easily be enjoyed by more casual Star Wars fans, although some knowledge about the prequel films is probably necessary.

People familiar with this blog are going to be unsurprised to learn that I chose to listen to the audio production of Jedi Lost rather than read the book that was produced from the script. I have a well-earned appreciation for Star Wars audiobooks, which are in a league of their own when it comes to production value; however, Jedi Lost is on another level to your typical Star Wars audiobook. As I mentioned above, Jedi Lost was released as a full cast audio production, which is essentially an audio recording of a play. This was the first piece of Star Wars fiction I had experienced in this medium, and I really loved how it turned out. The cast did an amazing job with the script, and they acted out a wonderful and highly enjoyable production which I thought was just incredible. The production runs for just over 6 hours and 20 minutes, and they manage to fit a lot of plot into this shorter run-time (in comparison to normal Star Wars audiobooks), as the use of dialogue results in a lot less narration. Due to the way Jedi Lost is structured, with Ventress reading out journal entries or having Dooku’s tale told to her, there is a little more narration of events then a production like this would usually have. I think this was necessary to ensure the reader was clear on what was going on at all times, and it didn’t ruin the overall flow of Jedi Lost in any way.

Jedi Lost features a very impressive and talented group of actors who go above and beyond to make this an awesome audio production. As you can see from the cast list above, this production made use of 12 separate narrators, each of whom voice a major character (with some of the actors also voicing some minor characters as well). Many of these narrators have expansive experience with voicing Star Wars audiobooks, and I have actually had the pleasure of listening to several of these actors before, including Euan Morton (Tarkin by James Luceno), Jonathan Davies (Master & Apprentice), Sean Kenin (Death Troopers by Joe Schreiber), Robert Petkoff (multiple Star Trek novels, most recently Picard: The Last Best Hope by Una McCormack) and Marc Thompson (Dark Disciple by Christie Golden, Loki: Where Mischief Lies by Mackenzi Lee and Scoundrels and Thrawn by Timothy Zahn).

There is some truly outstanding audio work done in this production, with several actors producing near-perfect replication of several iconic characters from the Star Wars franchise. I particularly have to praise Orlagh Cassidy for her exceptional portrayal of Asajji Ventress; her take on the character sounded exactly like the Ventress that appeared in The Clone Wars animated show. I was also deeply impressed by Jonathan Davis’s Qui-Gon Jinn and Marc Thompson’s Yoda, both of which were incredible replications of the characters from the movies. Davis also did a great job once again portraying Rael Averross, a fun character who he first brought to life in Master & Apprentice, and I loved the somewhat laidback voice he provides for Rael, especially as it reminds me of an older cowboy character from a western (I personally always picture Sam Elliott when I hear it). Other standout stars in this production include Euan Morton, who came up with a great take on the titular character Count Dooku. Morton was able to produce an impressive and commanding presence for this character, and he did a great job modulating the character’s voice to represent the various jumps in age that the character experienced. The same can be said for Saskia Maarleveld’s Jenza and Sean Kenin’s Sifo-Dyas, whose characters also aged extremely well throughout the course of the production. I also really loved the voice that Carol Monda provided for new character Lene Kostana, and I felt that it fit the character described in Jedi Lost extremely well. I honestly loved all the rest of the voices that were provided throughout this production, and each of them brought some real magic to Jedi Lost.

Just like with a normal Star Wars audiobook, one of the standout features of the Jedi Lost production was the incredible use of the franchise’s iconic music and sound effects. I really cannot emphasise enough how amazing it is to have one of John Williams’s epic scores playing in the background of a scene. Not only does it really get you into the Star Wars zone, but this music markedly enhances the mood of any part of the book it is playing in. Hearing some of the more dramatic scores during a touching or tragic scene really helps the reader appreciate how impactful the sequence truly is, and nothing gets the blood pumping faster during an action sequence than Duel of the Fates or some other fast-paced piece of Star Wars music. The sound effects utilised throughout this production are not only really cool but they also have added significance for an audio production like Jedi Lost which relies on dialogue rather than narration to establish the scene. Having the various classic Star Wars sound effects reflect what is going on can be really helpful, and often the clash of lightsabers and the pew-pew of blaster bolts give life to a battle sequence. I always appreciate the way that certain sound effects can help paint a picture of what is happening in the room that the dialogue is taking place. Having the susurration of a crowd or the light hum of a starship engine in the background always makes a book seem more impressive, and it makes for a fun overall listen.

Dooku: Jedi Lost was an incredible and wonderful production which I had an extremely hard time turning off. Cavan Scott’s clever and intricate script, combined with the outstanding audio production, is a truly awesome experience which I deeply enjoyed. I loved learning more about the character of Count Dooku, and I think that Scott came up with a fantastic and intriguing background for the character. Jedi Lost is an excellent piece of Star Wars fiction, and I am extremely happy that I listened to it. Highly recommended to all Star Wars fans, and if you decide to check out Jedi Lost, you have to listen to the spectacular audio production, which is just amazing.

Star Trek: Picard: The Last Best Hope by Una McCormack

Star Trek - Picard Cover

Publisher: Simon & Schuster Audio (Audiobook – 11 February 2020)

Series: Star Trek: Picard – Book One

Length: 11 hours and 40 minutes

My Rating: 4.5 out of 5 stars

Get ready to dive back into the Star Trek universe with Picard: The Last Best Hope by Una McCormack, the latest Star Trek novel which ties into the events of the Picard television show. The Last Best Hope is an outstanding novel that serves as a bridge between Star Trek: The Next Generation show and the current Picard series.

Nearly 20 years before the events of Picard, both the United Federation of Planets and the Romulan Star Empire faced an unprecedented calamity. Scientists have just discovered that the Romulan sun is in the process of going supernova, turning into a destructive force that will devastate the Romulan home system and have significant negative follow-on effects on the remaining planets within Romulan Space. In order to ensure the evacuation of their people, the Romulans grudgingly request aid from the Federation, who assign Jean-Luc Picard to the mission.

Picard, promoted to the rank of admiral, quickly finds himself in charge of the largest and most difficult operation in Starfleet history. The evacuation mission is a vast undertaking, requiring Starfleet to relocate hundreds of millions of Romulans to distant planets in only a few short years. Lacking resources and manpower, Picard begins the evacuation process as best he can, with the invaluable help of his new first officer, Rafaella “Raffi” Muskier. Meanwhile, back in the Federation, Geordi La Forge attempts to come up with new ways to increase Starfleet ship production on Mars. The best solution is the creation of a new, synthetic workforce, and La Forge calls in an old colleague, the brilliant scientist Bruce Maddox, who reluctantly halts his lifelong work on artificial life to help build these new synthetics.

As the evacuation progresses, Picard takes solace in every small victory his team can achieve, but this mission seems doomed to fail. Debates from ambitious Federation politicians, distrust and fear from the Romulans they are trying to help, and interference from the Tal Shiar, the Romulan secret police, all hinder the mission. However, Picard is not one to give up easily and is determined to save every Romulan he can from the impending disaster. But even the great Jean-Luc Picard is unprepared for how his mission will end. Everything is about to change, and Picard and the galaxy will never be the same again.

Star Trek is one of those popular franchises that always produces a ton of extra content each year in the forms of novels and comics, so it was no surprise that material related to Picard would eventually be released. The Last Best Hope is the very first Picard tie-in novel, although I expect that additional books will come out in the future. Indeed, IDW has already released a Picard tie-in comic, Countdown, which I will probably check out at some point. This first Picard novel was written by veteran tie-in author Una McCormack, who has previously delivered several great Star Trek books, including last year’s Star Trek: Discovery tie-in, The Way to the Stars. McCormack does an amazing job with The Last Best Hope, producing a captivating and incredible read that expertly leads into the new show.

Before I dive too deep into this review, I think that it is necessary to point out that this book was released on the 11th of February, between the third and fourth episodes of Picard. That means that this book contains quite a few mentions of events and reveals that occur in the initial episodes of the show, especially as McCormack clearly had early access to the show’s scripts. While this ensures The Last Best Hope a much more complete and in-depth tie-in novel, it does mean that this book contains some spoilers for the television series. In addition, as I have been religiously watching Picard every week, my review is influenced by the events of the first six episodes and it also contains some spoilers from the show.

The Last Best Hope is a wide-ranging Star Trek canon novel, set across several years of Star Trek history (2381 to 2385) that explores one of the biggest prequel events mentioned within Picard, the explosion of the Romulan sun and the attempts by Picard to evacuate them. This leads into a powerful and clever novel which shows all the trials and tribulations associated with this exercise, as well as several other events that lead into the show. McCormack makes excellent use of a number of different character perspectives to create a full and rich narrative around this plot, which also explores some major Picard characters. While I did think that parts of the story ended rather suddenly, with no real lead-in to the disaster on Mars that changes everything, this book is a first-rate novel which I powered through in extremely short order.

One of the major appeals of this book is the fact that it serves as a prequel to the events of Picard and provides readers with additional background and context to the adventures currently happening in the show. This is done in a number of ways, from providing the reader with greater background about certain characters, showing the origins of a number of the storylines from the show and serving as a bridge between the events of Picard and The Next Generation. The Last Best Hope features an excellent introduction to several of the newer characters in the show, such as Agnes Jurati, Raffi, Elnor and the Qowat Milat nuns, and it was intriguing to see how these characters slotted into the pre-history of the show. At the same time, McCormack also examines what happened to several established characters from The Next Generation after the events of Star Trek: Nemesis, including Picard, Bruce Maddox, Geordi La Forge and even a little bit about Worf (he becomes captain of the Enterprise!). McCormack also provides an explanation about several key occurrences and storylines that are touched on within the show, such as the creation of the synthetic workers that destroyed Mars, Picard’s resignation from Starfleet and the extent of several key relationships. There are also some potential hints at where the show might go in the future, and I will be interested in seeing if those pan out at all. I was pleasantly surprised with how much background that McCormack was able to fit into The Last Best Hope, and the different revelations and expansions on the information provided in the show make this a fantastic read for those currently watching Picard.

The Last Best Hope features some very impressive character work, and I feel that McCormack did an excellent job capturing the personalities and histories of several key characters from the new show. I really appreciated her portrayal of Picard, and this book featured several key aspects of his character, such as his dark moods, his determination and his ability to inspire absolute loyalty in his subordinates. I liked how the reader gets to see how Picard deals with the seemingly impossible task assigned to him, especially as his emotions throughout the book range from hope to absolute despair, as multiple obstacles and problems seem to dog everything he does. One of the major parts of his character explored in this book is the way that Picard’s ideals and beliefs seem a little out of touch with the world he lives in. This is something that is shown throughout the Picard television show, as the old-school captain is now living in a much darker and more desperate world. I am really glad that McCormack tried to capture this in her novel, and it was really compelling to see Picard being completely oblivious about the darker realities of the galaxy. All of this is really compelling to see, and I think that it serves as a good basis for some of the ways Picard acts in the current show.

Aside from Picard, a number of other characters are featured throughout the book, many of whom have some really interesting and compelling stories. I personally found the tale of Raffi, Picard’s new first officer, to be particularly good, as the reader gets to see how she became so messed up and obsessed with proving that the Romulans where behind the destruction of Mars. You also get a better understanding of why she was so mad that Picard quit on her and the mission, especially after she sacrifices everything for him, thanks to the way he inspired her. McCormack also spends significant time exploring the character of Bruce Maddox, and it was especially intriguing to see this character between his appearances in The Next Generation and Picard. You also got to see the origins of his relationship with Agnes Jurati (indeed, based on release dates you learn about this relationship in this book before it is mentioned in the show), and it was great to see how it unfolded and how close the two of them were. Of course, this also has a more sinister and heartbreaking edge to it if you look back at this relationship after the events of the fifth episode of Picard. I also liked the Geordi La Forge storyline; it was interesting to see his struggle to increase Starfleet ship production. However, the best part of this portrayal occurs at the end of the book, and I will be curious to see how they show off his survivor’s guilt if the character ever appears in Picard.

One of the things that I really enjoyed about this book was the way McCormack slowly starts to alter the tone of the novel to represent the change between the lighter The Next Generation and the darker Picard shows. At the start of the book, the story is more in line with the tone of The Next Generation, with Picard embarking on a humanitarian mission with his idealism and belief in the greater good intact. However, as the mission progresses, things start to get darker, as the various obstacles to the Romulan relief mission become more apparent. The dark and callous manipulation of the Romulan leaders and Tal Shiar as well as the xenophobic politics of certain Federation politicians becomes more and more apparent, resulting in a darker tone. McCormack also attempts to replicate the more adult tone of the current show with a greater reliance on swearing (never have I seen so many F-bombs dropped in a Star Trek novel, oh the humanity!) and hints of mass murder, genocide and extinction-level events. All of this makes for a slightly different Star Trek tie-in novel experience, and I personally enjoyed some of the subtle changes McCormack made to the tone.

I personally really enjoyed seeing the entirety of Picard’s attempts to evacuate the Romulans from their soon to be exploding sun. This has been one of the most fascinating events mentioned in the show, with several parts shown or alluded to in Picard. McCormack really dived into this event, showing many of the various aspects of such an operation, including the science, politics and diplomacy associated with it. From the start, this whole mission is painted as a near impossibility, not just because of the scale of calamity and the number of people affected but because of the mindset and suspicion of the Romulans they are trying to save. To put it into context, this operation would be like the United States trying to evacuate a similar sized country that had North Korean levels of state led secrecy and distrust towards the organisation trying to save them. The sheer scale and difficultly of this mission are constantly raised, and yet Picard and his team seem to find a solution to many of the problems presented to them. Of course, anyone who has seen the first episode of the show knows how this is going to end, so seeing the characters getting so invested in their mission is a bit of an emotional blow. That being said, this book contains a lot more context for some of the Federation’s decisions, and in particular the character of Admiral Kirsten Clancy (Starfleet’s CNC in the second episode of Picard), comes across as a whole lot more sympathetic. Overall, I felt that this was an amazing expansion on the events mentioned in the show, and it was really cool to see how the whole operation unfolded.

Another great facet of The Last Best Hope which made it such an intriguing book was its compelling examination of the Romulan people. McCormack really dives into Romulan culture and society in this book, presenting some intriguing details about this race. In particular, she examines the Romulans’ deep-seated need for privacy and secrecy, which is a defining part of their species. McCormack does an excellent job highlighting how this desire for secrecy impacts them as a race and a culture (secret multi-room Romulan music for the win!), and how they barely trust other members of their own species, let alone members of the demonised Federation. Seeing how this obsession with lies, secrecy and the appearance of saving face with the Federation impacted the species’ chance for survival is a compelling and intriguing part of the book. McCormack also dives into other parts of Romulan culture and society, mainly the role of the Tal Shiar, the Romulan secret police, who have long been a shadowy force within Star Trek lore. Seeing the fear and apprehension that this organisation causes amongst ordinary Romulan citizens, as well as the lengths they will go to maintain secrecy and security, is pretty crazy and it certainly enhances an established Star Trek antagonist species. I also enjoyed seeing more of the Qowat Milat, the Romulan warrior nuns who Picard befriends and helps evacuate from Romulan space. The Last Best Hope contains several encounters with the Qowat Milat, and we get to learn a bit more about them, the role they play in Romulan society and how they interact with the Tal Shiar, with whom they have an adversarial relationship. All of this is deeply, deeply fascinating, especially for those readers who love learning about Star Trek lore, and I really enjoyed seeing all the Romulan inclusions featured in this book.

I ended up listening to the audiobook version of The Last Best Hope, which is narrated by Robert Petkoff. This new Star Trek audiobook runs for 11 hours and 40 minutes, which can be listened to fairly quickly, especially once you get stuck into the compelling story. I really enjoyed listening to The Last Best Hope, mostly thanks to the incredible voice work of Robert Petkoff. Petkoff seems to be the go-to narrator for all things Star Trek these days, as he has lent his superb vocal talents to a huge number of other Star Trek audiobook adaptions in recent years. I have previously enjoyed his work on such books as The Antares Maelstrom by Greg Cox, The Captain’s Oath by Christopher L. Bennett and Available Light by Dayton Ward. In each of these previous books, I have been greatly impressed by Petkoff’s ability to recreate the voices of key characters from the Star Trek television shows, including most of the characters in The Original Series and The Next Generation. He continues this amazing voice work in The Last Best Hope, providing near-perfect impressions of characters like Picard and La Forge, which really helps the reader immerse themselves into the story. While his impressions of some of the newer characters from Picard are not as accurate (keep in mind Petkoff would have recorded this book before Picard aired), he does provide clear and distinctive voices for each of the characters utilised in the books. I also love the accents he provides to the various alien races and nationalities in this book, and I especially enjoy hearing him attempt to replicate the speech patterns of certain aliens, like the Vulcans. Thanks to this incredible voice work, I absolutely loved listening to the audiobook for The Last Best Hope, and I would strongly recommend this format to anyone interested in this latest Star Trek novel.

Picard: The Last Best Hope by Una McCormack is an excellent and deeply captivating read which serves as a perfect prequel tie-in novel to the current Picard show. There is so much information and detail about the Star Trek universe prior to the events of the current television series contained within in this novel, and I loved seeing the author expand on the intriguing new universe that has been hinted at in the show. This is a must-read book for all Star Trek fans, especially those who have been loving Picard, and even non-Star Trek fans will enjoy this book’s powerful story and the fantastic plot device of the Romulan rescue mission. The Last Best Hope is probably the best Star Trek novel I have had the pleasure of reading so far, and I am extremely excited to see what other tie-in novels they release around the awesome new Picard series.

Star Wars: Force Collector by Kevin Shinick

ForceCollector-Cover

Publisher: Listening Library (Audiobook – 19 November 2019)

Series: Star Wars

Length: 8 hours and 13 minutes

My Rating: 4 out of 5 stars

We are less than a week away from the final movie in the main Star Wars saga, The Rise of Skywalker, so it is about time that I got around to reviewing the final Star Wars novel of 2019, Star Wars: Force Collector by Kevin Shinick.

This is a book that I have been looking forward to for some time. Force Collector is a curious Star Wars young adult novel with an intriguing-sounding plot behind it, and it would have ordinarily been on my reading list anyway. However, as it is one of several books being released under the title of Journey to Star Wars: The Rise of Skywalker (other examples of which include Resistance Reborn), it was one I definitely needed to check out before the movie comes out in a few short days.

This book was written by Kevin Shinick, who is probably best known for his work writing and developing television shows such as Robot Chicken, the 2017 Spider-Man animated show, Mad and Disjointed. In addition, Shinick has also written several comics for DC and Marvel, including Avenging Spider-Man, Superior Carnage and Axis: Hobgoblin. Force Collector is actually Shinick’s debut novel and he has produced a great Star Wars book with a rather interesting concept that provides a clever new viewpoint into the events of the Star Wars films.

Set shortly before the events of The Force Awakens, Force Collector revolves around Karr, a teenage boy living on a backwater planet. Karr lives a difficult life; anytime he touches an item that has witnessed an important or traumatic event, he gets a searing headache and blacks out. However, these items also impart onto him a vision of the history associated with it, allowing him to glimpse into the past. While his parents search for a rational explanation for his episodes, Karr’s grandmother knows the real reason for strange visions: he is gifted with the Force.

Attempting to learn how to control his abilities, Karr struggles with his training and hopes to find someone who can teach him in the ways of the Force. However, all the Jedi are long dead, and no-one on his planet knows what happened to them. Determined to learn more, Karr begins to collect historical items which he hopes will allow him to have some vision of the Jedi and learn where to find them. However, the few meagre artefacts he can lay his hands on are unable to provide him with the knowledge he seeks.

When Karr’s grandmother dies and his parents attempt to send him away to a school on the other side of the planet, he finally has enough. Determined to find an actual Jedi to help him, Karr, his droid RZ-7, and his school’s new troublemaker, Maize, steal a First Order ship belonging to Maize’s father and set out on an adventure. Travelling from one planet to the next, Karr and his friends attempt to trace the history of the Jedi. Finding obscure item after obscure item, Karr is eventually able to piece together the events that led to the downfall of the Jedi order and the rise of the Empire. However, the greatest secrets may lay even closer to home than he imagined.

Force Collector is a fun and intriguing novel which provides a unique and clever examination of the events of the Skywalker Saga, and which I am very glad I decided to check out. Featuring a great group of central characters (Karr, Maize and RZ-7) who grow closer as they progress in their adventure, and a rather captivating story, this was an amazing Star Wars read. I particularly liked the idea of a character who could revisit the Star Wars past through the objects he touches, as it allows Shinick to take the reader on a journey through a number of events in the Star Wars canon. Some really interesting bits of Star Wars history are examined through the course of this book, and it features some compelling visits to a number of iconic locations. That being said, this is a rather low-stakes novel, as the protagonists’ great adventure comes across at times like an unusually eventful school excursion (indeed, that is the explanation they give to the people they encounter). As a result, this might not be the best book for people looking for an exciting or action-packed novel (Thrawn: Treason or Master and Apprentice might be a better 2019 Star Wars release for those readers), however, the examination of Star Wars history makes this book an outstanding read for major fans of the franchise.

In order to tell his story, Shinick has filled his novel with all manner of references to the wider Star Wars universe. Not only does the reader get to see a number of visions from the past as part of the protagonists’ quest to find out more about the Jedi, but they also visit a number of familiar locations. These include Jakku (where Rey was living), Utapau (where Obi-Wan killed General Grievous) and even Batuu (the planet where the Galaxy’s Edge theme park area is set, and which has also served as the setting for several books such as the recent release Black Spire), just to name a few. Our protagonists encounter a number of unique individuals or items which witnessed some of the most iconic moments out of the films. For example, at Utapau he discovers the walking stick of the planet’s leader, which reveals the conversation the leader had with Obi-Wan when he landed. On another planet he runs across a pilot who witnessed Obi-Wan cutting the hand off Ponda Baba in the Mos Eisley cantina on Tatooine. There are some really cool and, in some cases, obscure items that Karr touches throughout the story, and the events they showed were really interesting.

In addition, Shinick also focuses on exploring the Star Wars universe just prior to the events of Star Wars Episode VII: The Force Awakens. Force Collector appears to occur just before the start of The Force Awakens, and there are a number of references to the shape of the universe and the plans of the First Order. Shinick also uses this to allow the protagonists to visit and have some fascinating interactions with a couple of characters who appeared in the movie, such as Unkar Plutt or Maz Kanata. The meeting with Maz Kanata in particular was intriguing, and it was cool to see all these characters just before the events of the film rained down hellfire on their locations. In the end, this book contained all manner of references from across the films, the animated television shows and even some of the other books that make up the current Star Wars canon, making this a perfect read for dedicated fans of the franchise.

One of the most intriguing things that I liked about the story was its examination of how the characters in the wider Star Wars universe during this period perceived the Jedi and the events of the Skywalker Saga. Shinick makes it clear quite early on in the book that, during the period that novel was set, most of the galaxy saw the Jedi as a myth and barely anyone knows that much about them anymore. Even the protagonists, Karr and Maize, both of whom consider themselves somewhat more knowledgeable on the subject that most people, barely have any idea of what they were capable of or why they were destroyed. The various theories and histories of the Jedi that are postulated at the start of the novel are so obviously wrong to anyone who has seen the movies that it is quite a jarring experience. I found it deeply fascinating to see how it only took a generation or so for the legend of the Jedi to be degraded, and it explains why characters like Finn and Rey in The Force Awakens barely knew anything about them. The subsequent search for the truth is also interesting, and I liked how the characters attempted to piece together the events of the film. This search was hampered by the fact that the information they received was a random selection of events that were not in any chronological order. This ensures that they get a confused picture of all the events of the Skywalker saga, which they need to try and piece together to fully understand the lessons of the past. All of this was a really cool and unique take on the events of the films, and it was fun trip down memory lane.

While I really enjoyed all the cool references to the rest of the Star Wars franchise, I struggled to see how this book will actually tie into the events of the upcoming The Rise of Skywalker film, despite that being one of the major advertised features of the book. While this book did spend a bit of time expanding on the overall universe around the current trilogy of Star Wars films, there was nothing specific about The Rise of Skywalker in it. While this did not massively impact my enjoyment of the novel, I kept waiting for the story to kick off in another direction, perhaps after some of the galaxy-altering events that were shown in The Force Awakens took place, or feature a more major character from the films. It never did, and I very much doubt that the main character in this book is going to show up in the new movie (although I could be mistaken). The main connection I could find in this novel was the confirmation that a certain character is at the heart of all the major events of the Skywalker Saga, so much so that only touching an item of theirs was enough to make Karr understand all of the events of the films completely. This is something I believe that the Star Wars creative team wishes to reinforce, as the trailers and rumours indicate big things are happening to this character in the final movie, which will help signal the fact that the Skywalker Saga is truly over. There is also a mention of Karr holding onto a couple of certain Jedi items in case they will be needed in the future, but again I doubt this is going to feature in The Rise of Skywalker. As a result, while Force Collector serves more as an interesting recap for some of the prior Star Wars events, don’t expect any major revelations about the upcoming film.

Rather than grab a physical copy of this book, I ended up listening to the Force Collector audiobook, which was narrated by Euan Morton. Running at just over eight hours in length, this is a pretty short audiobook that most people should be able to get through rather quickly. As usual, I had a lot of fun listening to this Star Wars audiobook, as it featured all of the classic Star Wars music and sound effects, which really help to make the franchise’s audiobook formats so unique. Narrator Euan Morton is an old hand at narrating Star Wars audiobooks; I recently enjoyed his narration of Tarkin, for example. He does another fantastic job with the narration in Force Collector, coming up with a number of unique and distinctive voices for the characters who only appear in this novel, while also doing great impressions of characters who previously appeared in the film. I was particularly impressed with the realistically teenage voices he was able to come up with for Karr and Maize, and I also like how he did not really recycle any of the voices he used in the previous Star Wars audiobook of his I heard. All of this results in another outstanding audiobook adaption of a Star Wars novel, and it is easily one of my favourite franchises to check out in this format.

Star Wars: Force Collector by Kevin Shinick is a fantastic book that features a captivating and unique story, which is richly layered in references to the prior movies and other pieces of Star Wars fiction. While it does not contain an obvious connection to the upcoming The Rise of Skywalker film, it is still a really interesting and exciting novel that is worth checking out, especially as it provides a compelling recap of some of the previous films in the franchise. Aimed towards a younger audience, Force Collector will be easily enjoyed by all Star Wars fans, especially those who are familiar with the expanded fiction. However, even those readers who have seen the films will be able to appreciate the story in this book. An overall great read, this book is a lot of fun and is an excellent piece of Star Wars fiction.

Throwback Thursday – Star Wars (2015) Volume 1: Skywalker Strikes by Jason Aaron and John Cassaday

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Publisher: Marvel Comics

Publication Date: 6 October 2015

Length: 160 pages

My Rating: 5 out of 5 stars

Reviewed as part of my Throwback Thursday series, where I republish old reviews, review books I have read before or review older books I have only just had a chance to read.

I think it is fair to say that I have been in a real Star Wars mood lately. Maybe it is because of the imminent release of the final movie in the Skywalker Saga, Star Wars: The Rise of Skywalker, or perhaps it is because The Mandalorian is such an awesome TV show. Whatever the reason, I have been reading and reviewing quite a few Star Wars books and comics lately. For example, I am currently listening to Star Wars: Force Collector, I reviewed Tarkin last week and I recently read and reviewed Resistance Reborn and Vader: Dark Vision. As a result, I thought that this week would be a good time to do a Throwback Thursday on the first volume of the 2015 Star Wars comic book series, Skywalker Strikes, which did an outstanding job of introducing an extremely exciting ongoing comic series.

The Star Wars comic book series was started in 2015 and follows the adventures of the protagonists of the original Star Wars trilogy. Set shortly after the events of A New Hope, this series attempts to fill in the three years between the first film and The Empire Strikes Back. The Star Wars comics originally ran concurrently with the Darth Vader (2015) comic series until that series ended, and then proceeded to run alongside the Doctor Aphra comics. The Star Wars series ran for 75 issues and has only recently concluded. A sequel series with the same name is set to begin in early 2020, which will follow the events between The Empire Strikes Back and Return of the Jedi.

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Volume One of Star Wars begins shortly after the destruction of the Death Star. With the Empire in turmoil following the destruction of such a major weapon, Rebel Alliance members Luke Skywalker, Leia Organa, Han Solo, Chewbacca, C-3PO and R2-D2 use the chaos to infiltrate a key Imperial weapons factory. While they are able to destabilise the factory’s reactor core and free its slave labour force, the Rebels are unprepared for the unexpected arrival of Darth Vader.

Attempting to complete their mission while also trying to kill Vader, the Rebels find themselves hopelessly outmatched by the Dark Lord of the Sith, who is determined to capture the Rebel who blew up the Death Star. Not even Luke, with his newly discovered Jedi abilities, is able to stand up to Vader, and the Rebels barely manage to escape with their lives.

Frustrated by his failures against Vader, Luke decides to take a leave of absence from the Rebel Alliance and returns to Tatooine to contemplate his future. Travelling to the house where Obi-Wan Kenobi lived in exile for years, Luke hopes to find something that will guide him. Instead he finds himself walking into a trap, as the bounty hunter Boba Fett is lying in wait. At the same time, Leia talks Han into a scouting mission for the Rebels, but their simple mission soon attracts the wrong sort of attention. Who is the mysterious woman hunting Han, and why is claiming to be his wife?

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Skywalker Strikes, which is made up of Issues #1-6 of the Star Wars series, contains an outstanding story, fantastic artwork and some of the most insane Star Wars action sequences that you will ever see. The team of Jason Aaron and John Cassaday, have done an amazing job on this comic, and this first volume does a wonderful job starting off this long-running series. While all the issues in this volume are connected together pretty well, I would say that there is a distinctive break between Issues #1-3 and Issues #4-6. Issues #1-3 focuses solely on the protagonist’s attack on the weapon facility, while the last three issues feature some more independent adventures from some of the series’ various characters, as each of them is searching for something.

The sequence contained within Issues #1-3 is just incredible, and it is easily my favourite part of the entire series. What starts as a fun infiltration of an Imperial facility quickly devolves into utter chaos as Darth Vader enters the mix. What then follows is nearly three whole issues of action, explosions, fantastic first meetings and all manner of destruction as the Rebels desperately attempt to escape the factory. While all the characters involved in this part of the comic are really good, I have to say that Vader steals the show as the indestructible villain. This was actually one of the first pieces of fiction in the new Disney Star Wars canon that shows off how amazing Vader could truly be, and it is pretty darn awesome. Pretty much from the first instance he appears, he shows off the full extent of his powers by throwing stormtroopers in front of a sneak attack from Chewbacca, and then by starting to crush an AT-AT with the force. He then subsequently survives a full-on blast from the AT-AT’s cannons and hacks it to pieces with his lightsaber. He also cuts through a bunch of escaping slaves and shows his intense displeasure to his subordinates in a number of destructive ways, including twisting a stormtrooper’s head 180 degrees with the force (to be fair, he did catch sight of Vader without his helmet) and choking a Star Destroyer captain from an insane distance. I can also not be the only person who cracked up at Vader very quickly destroying an Imperial Officer moments after he said “Lord Vader will have my….” (spoilers, he was going to say head, and Vader really did). All of this destruction and action was essentially pure awesome, and I loved every second of it.

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In addition to all the action in this part of the book, there are also some major moments in Star Wars history that fans of the franchise are really going to enjoy. For the one thing, it actually has the first face-to-face confrontation between Luke and Darth Vader. This scene is handled extremely well. Luke, still believing that Vader is the one responsible for the death of his father, jumps at the chance to get revenge. However, as Luke runs towards Vader’s location full of confidence, he hears the disembodied voice of Obi-Wan Kenobi telling him to run. This is advice that Luke really should have taken; Vader, after berating Luke for his obvious lack of skill with the lightsaber, rather easily disarms him. While getting ready to kill Luke, Vader notices that the lightsaber he has taken off him is the very one he used to wield as Anakin Skywalker, which obviously raises some issues within him. As events at the factory spiral out of control, Luke is able to evade Vader, who starts to grow slightly more impressed by his skills. As Luke makes his escape, Vader realises that he is not only the pilot that destroyed the Death Star but also Kenobi’s last great hope. Still not fully realising the identity of the boy he just encountered, Vader rather vindictively promises to corrupt him to his purposes. All of these events are pretty incredible moments in Star Wars history, and I think that the creative team did an outstanding job introducing them in this new canon. The initial face-to-face showdown between the main protagonist and villain of the original Star Wars trilogy is a pretty significant moment, and I really loved how it was shown. The hints at the hidden history between the two are great, and the initial realisations from Vader that there is more to Luke than he realises are fantastic. I also liked how the creative team showed Luke as having no real skill with the lightsaber or the force. Considering that he only had about an hour of training with Kenobi, it really isn’t that surprising that he has no lightsaber abilities, so this is a pretty clever and realistic inclusion, especially as a good part of the following Star Wars comic series deals with some of the earliest days of his training. While these events are probably not the most significant to occur in this volume (more on that later), they are incredibly intriguing and any fan of the Star Wars franchise is going to love it.

The last three issues of Skywalker Strikes are also very entertaining, though less action-packed, since the creative team has opted instead for storytelling and showing off the state of the Empire and Rebel Alliance. While a despairing Luke sets off to find answers, Han and Leia set off to find potential locations for a new Rebel base, while Vader has a meeting with Jabba the Hut. There are some really interesting aspects to this part of the story, from the growing hopelessness in Luke as he begins to realise how far he is from becoming a Jedi, to Vader’s sudden obsession with capturing Luke, to the growing hints of romance between Han and Leia, disguised at this point as antagonism. However, I would say that it’s the newcomers to the comic series, Boba Fett and Sana Solo, that are some of the best parts of the last three issues of the volume. Fett, who has long been a fan favourite despite his complete underutilisation in the movies, shines as the badass bounty hunter as he scours Tatooine for Luke, eventually finding out all about him through some very violent means. This leads to a pretty fun showdown between Boba and Luke, as Boba ambushes him at Kenobi’s house and easily incapacitates him and R2-D2 with his cool array of weapons and tactics. It is only thanks to Luke’s first close-combat use of the force that he is able to escape, as he successfully blocks a blaster bolt while blinded (a nice homage to the training sequence from A New Hope) and moves an item with his mind. All of this was a pretty entertaining showdown, and I loved seeing Fett in action for once. We also have the mysterious Sana Solo, who has a pretty fantastic takedown of some Rodian thugs with a great piece of technology and a ruthless demeanour. She is later able to track down Han and Leia, absolutely terrifying Han before dropping one of the biggest bombshells of the book: that she is Han’s wife. While this is not explored in any great detail in this volume, it is an excellent introduction for this great character, who goes on to become a fairly major figure in the current Star Wars canon. As a result of all of this, the second half of the volume holds up pretty well to the action-packed first half, and there are plenty of major scenes, including the very big ending.

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While I did really like the second part of this volume, the best way to appreciate it fully is if you understand its connection to the Darth Vader (2015) series of comics. The Darth Vader series was launched right on the heels of the Star Wars comics and it is actually set in the aftermath of the first three issues of this volume. In the first issue of this concurrent comic, it is shown that Vader has actually started going rogue on the Emperor and is making his own deals with Jabba the Hutt, before the formal discussion he has with Jabba in Issue #4 of the Star Wars series. This actually clears up the somewhat cryptic discussion he has with Jabba later in the issue, where they talk about the bounty hunters he has hired, and also shows the point where he actually tasked Boba Fett with finding Luke. While none of this is absolutely vital when it comes to fully understanding the plot of Skywalker Strikes, it is interesting to see that some of the referenced events occurred in another series. However, the main reason why readers should try to understand the connection between this comic and the Darth Vader series is in the epic conclusion both of them share, where Vader learns the last name of the boy he has been hunting. Both Issue #6 of Star Wars and Darth Vader were actually released on the same day, so readers of both series were able to see this scene at the same time. The two scenes are shown in a slightly different light in each series. It is expanded a bit more in the Darth Vader series, as it plays into the feelings of resentment towards the Emperor that have been building in Vader through the series. However, I quite liked the simpler version in Issue #6 of Star Wars, as the slow-boiling rage and anger within Vader is pretty obvious, as he takes a whole page to fully react, cracking the glass on a Star Destroyer and simply whispering, “Skywalker”. As a result of this connection, the Star Wars and Darth Vader series complement each other extremely well, and I would strongly recommend reading both pretty close together. However, no matter which series you read, the sequence showing the moment where Vader realises that his son is still alive and a Jedi is pretty darn epic and really memorable.

It could be argued that splitting this volume into two separate storylines was an interesting choice from the book’s creative team. I imagine that six issues focused on the attack on the Imperial weapons factory would have been pretty epic (just imagine how much more destruction Vader could have wrought). However, I personally think they did the right thing by splitting the story and showcasing the aftermath of this action. This way you not only get the intense action of the first few stories but you also get to see the consequences of the mission, and all the implications this has for the wider Star Wars universe. In addition, there is also quite an intriguing set up for several key moments in the upcoming series as a whole, a whole new fight between Luke and another iconic Star Wars character in Boba Fett, and some amazing connections with a sister series. I really liked how the story of the entire volume came together, and I think it was an outstanding way to start this excellent series.

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I have to say that I was also really impressed with the awesome artwork that was featured in this first volume. The artwork was drawn by John Cassaday, and featured Laura Martin as the colourist. It is pretty amazing the way that Cassaday was able to capture the faces of the core original trilogy cast members with his artwork. Luke, Leia and Han all look really good to my eye in this volume, and the artist has also done some great renditions of other existing characters, such as Vader, Boba Fett and Jabba the Hutt. In addition, I really enjoyed all of the marvellous and exhilarating action sequences that they artistic team portrayed throughout the volume. These action scenes, especially the ones featuring Vader at the start of the book are just incredible, and I really loved seeing all the fantastic and creative violence. In addition to all the action, there are a number of scenes where the artwork helps to enhance the emotions and hidden meaning of a scene, and I will always love the way that they portrayed the closing moments of this volume. This was some first-rate Star Wars comic book art that is really worth checking out.

As you can see from the above review, I really loved this first volume of the Star Wars (2015) comic book series. The amazing creative team behind this first volume did a fantastic job with the first six issues that make up Skywalker Strikes, producing an extraordinary story which is complimented by a connection to another series and some exceptional artwork. This volume is a fantastic introduction to the flagship comic book series of the Star Wars franchise, and it comes highly recommended. No great knowledge of the expanded Star Wars canon is required to enjoy it, and indeed this may prove to be an effective gateway to the greater Star Wars universe. This gets a full five stars from me, and I am so very glad I decided to check out the Star Wars comic book series this year.

Starsight by Brandon Sanderson

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Publisher: Gollancz (Trade Paperback – 26 November 2019)

Series: Skyward – Book 2

Length: 461 pages

My Rating: 5 out of 5 stars

From one of the best authors of fantasy and science fiction in the world today, Brandon Sanderson, comes Starsight, an outstanding and addictive young adult science fiction read which continues the wildly entertaining adventures of a young starfighter years in the future.

Starsight is the second book in the Skyward series and follows on from the 2018 release of the same name. Skyward was a fantastic young adult science fiction book that told a compelling tale of bravery, determination and camaraderie in humanity’s distant future. Skyward was an amazing read, and it was easily one of my favourite books of 2018. As a result, I have been looking forward to Starsight for a while now, and it was one of my most anticipated releases for the second part of this year.

The Skyward series is set on the planet of Detritus, a desolate world that houses a population of humans in the caverns beneath the surface. The humans on Detritus are the remnants of a once great intergalactic human civilisation that has been destroyed in a war with a superior alien civilisation. Forced into hiding within the planet for hundreds of years, humanity eventually returned to the surface utilising scavenged starfighters to escape and build a military outpost to fight back against the alien ships who continue to harass the planet.

In Skyward, the reader is introduced to Spensa Nightshade, a young woman determined to become a pilot in the Defiant Defence Force (DDF), the military organisation that fights the alien invaders. While talented, Spensa faced opposition to being accepted into the military due to an apparent act of cowardice by her father years before. Despite the odds, Spensa was accepted in the DDF and was trained to become a skilled pilot, fighting in a number of actions against the enemy, while also trying to find out what actually happened to her father. Along the way, Spensa discovered an ancient but advanced human ship that had crash-landed on Detritus. Upon repairing the ship, Spensa discovered it had an AI installed in its computers, which she called M-Bot. After stopping an extremely destructive alien attack with the help of M-Bot, Spensa was compelled to fly through Detritus’s atmosphere, where she made several startling discoveries, the first of which was that Spensa and her family are powerful cytonics, beings with mental powers who are capable of traversing vast distances through space with their ability. The second discovery she made was that the aliens attacking Detritus were not simply mindless aggressors determined to wipe out humanity; instead they are members of an interstellar conglomeration called the Superiority, who are attempting to contain humanity within the planet. The Superiority hold a great fear of humans, who they see as an extremely dangerous and violent species, and Detritus is actually a prison planet/wildlife preserve where humans can live without disrupting the rest of the galaxy. Unfortunately, the actions of the DDF in reclaiming the surface and utilising spaceships have forced the Superiority to reconsider their approach, and they are now working to kill all the humans.

Usually this is the part of the review where I would give a brief plot synopsis of the new book and then go into an analysis of what I liked about it. However, this is going to prove a little hard to do without revealing some spoilers. While I don’t typically avoid talking about plot points that occur around 50-100 pages into book (I don’t particularly consider something happening that early to be a spoiler), I am a little more wary with Starsight. This is mainly because the plot of the book features some immediate substantial changes from the story that appeared in Skyward, none of which are really hinted at in any of the official online plot synopsis or book blurbs. As I am publishing this review a week before Starsight’s official release date, I think it is best that I put up a spoiler alert below, before I start going into the book in any real detail.

For those readers who do not want to risk any spoilers, I will say now that Starsight is an incredible book that I really, really enjoyed. Sanderson tells a wildly entertaining and highly addictive story that features some memorable characters, high-stakes events, some of the best science fiction action I have ever read and a ton of inventive world building. I honestly think that this is one of the best releases of 2019, and it easily gets a full five-star rating from me (if only I could go higher). I would highly recommend this book to anyone interested in an epic science fiction read, and if you loved Skyward, you are going to love this book.

Anyway, if you are not interested in learning any more details about this book’s plot or characters (which I do explore to a substantial degree), I would suggest you stop reading now, as everything below this paragraph has a spoiler alert in effect.

 

SPOILER ALERT:

 

Starsight is set a few months after the events of Skyward, and humanity has been busy. Thanks to Spensa and Skyward Flight, as well as the advanced technology contained with M-Bot, the DDF has managed to capture several of the planet’s ancient orbiting defensive platforms, which have allowed them to push the Superiority forces out of Detritus’s obit. However, despite these successes, humanity is still trapped on Detritus, and the eventual Superiority mass retaliation will likely wipe out everyone on the planet. Their only chance at survival is to flee from Detritus and find a new planet to make their home, somewhere the Superiority cannot find them. However, the only way to do this is with some form of hyperdrive, which humanity lacks access to, and Spensa’s cytonic teleportation abilities are too restrictive for mass use.

The crash-landing of an unknown alien spacecraft on Detritus may provide the solution that will ensure humanity’s survival. The pilot of this craft is a member of a non-Superiority species who has been invited for diplomatic reasons to enlist in a new Superiority fighter squadron, and she is able to pass on the cytonic coordinates to the squadron’s base to Spensa. Disguised with M-Bot’s holographic technology, Spensa travels to the Superiority space city, Starsight, in order to infiltrate the Superiority military and find and steal a working hyperdrive.

Joining the new Superiority squadron, Spensa discovers that she and her fellow recruits are being trained to fight the delvers, titanic inter-dimensional beings that dwell in the nowhere, who are capable of devastating planets if they are drawn into our dimension by an over-use of cytonic ability. But as Spensa attempts to complete her mission, she finds herself caught amidst the politics of the various Superiority races, many of whom wish for the complete and utter destruction of her people. Can Spensa navigate the strange new world she finds herself in, or will her actions result in the destruction of all she knows?

As you can see from the above synopsis, Starsight goes in some very interesting and unpredictable directions. I personally loved all of these new story elements, and the idea of Spensa having to infiltrate a mostly unknown alien society was a really clever and intriguing central plot idea that I think worked extremely well. The subsequent narrative is a fantastic blend of different story elements, which includes some great new characters, settings and plot directions, as well as some of the best parts of Skyward. For example, not only do you get to see a whole new take on the excellent space fighter training plot point that made the first book so amazing, but you also get a science fiction spy thriller story filled with all manner of political intrigue. This was a fantastic book to get into, and Sanderson has made sure that the plot is accessible to readers who did not get a chance to check out Skyward last year. However, I would strongly recommend reading Skyward first, not only because it will give you a better idea of the characters and certain plot elements, but because it is such an awesome book in its own right.

One of my favourite things about the first book in the Skyward series was the excellent group of characters that Sanderson focused on, including Spensa, M-Bot and the members of Skyward Flight. Throughout Skyward the reader got to know and care for these characters, and it was actually a little bit distressing when bad things happened to them. Skyward continues to look at several of the characters from the first book, although readers who grew attached to Skyward Flight might be a tad disappointed as Sanderson shifts the focus away from them and introduces the reader to a whole new group of alien characters.

Spensa is still the main point-of-view character for this second book and serves as a fantastic central protagonist. In many ways, Spensa is still the same impatient and reckless pilot that was such to see in the first book. However, it soon becomes obvious that the experiences, relationships and life lessons that she has faced since joining the DDF have tempered her in many ways, especially as she has to deal with the intense responsibility of being her people’s greatest hope for survival. I really enjoyed watching Spensa as she was forced to assimilate into the alien cultures on Starsight, and it was interesting to see how she reacted when she realised not everyone there is as evil as she believed. The opinions and support she gives to her alien friends result in some emotional moments, and it was really heart-warming to see how far she has progressed since the last book.

While Spensa is a great central protagonist, to my mind the best character in the entire book is still her sentient ship, M-Bot. M-Bot is the snarky and hilarious artificial intelligence that Spensa discovered crashed on Detritus, and together they form an efficient and enjoyable team. M-Bot honestly has all the best lines in the book, and nearly every interaction with Spensa results in some excellent jokes or banter. Despite the humour, M-Bot is a pretty complicated character, especially as in this book he is attempting to work out the full limits of his consciousness and code. He is continuously attempting to prove that he is actually alive, and these attempts result in safeguards in his system attempting to shut him down. I really enjoyed the way that Sanderson continues to utilise M-Bot. Even though he is a ship, he is still a fantastic and highly enjoyable character to focus on and we even get a reason for his mushroom obsession in this book.

Spensa’s new flight of Superiority comrades features an eclectic bunch of aliens, each with their own quirks and unique personalities. These include a figment called Vapour, who is essentially a sentient smell that can take control of ships and pilot them. Vapour is the ultimate spy and requires Spensa to be constantly on her toes. There is also the dione draft, Morriumur. Dione are a race of non-violent aliens high up in the Superiority hierarchy, who have a unique breeding system that combines the parents into one new being. This is a process that can take several goes, as the family of the newly bred dione may choose to reform a young dione so that they have an ideal personality. Morriumur is a draft, spending the first few months of their life testing out their personality to see if they are an ideal member of the species. Morriumur, who has slightly more violent tendencies than most of their species, is trying to prove that they belong as a starfighter, but the combined expectations of their family and the inner thoughts that they are not worthy, are a constant hindrance to them as a pilot.

While both of the above characters are pretty cool, and Sanderson spends a good amount of time exploring them, two members of Spensa’s new flight really stood out. The first of these is Brade, a human from another prison world who has been recruited as a cytonic enforcer by one of the book’s central antagonists. Brade, after being taken from her parents as a child, has essentially been brainwashed all her life to consider humans as evil and inferior, and this has a major damaging effect on her psyche. The interactions between her and Spensa throughout the book are quite fascinating, and she proved to be one of the most complex characters in this book. My favourite new character, however, had to be Hesho, who is totally not king of the kitsen. The kitsen are a race of tiny gerbil-like aliens who have recently converted from a monarchy to a democracy in an attempt to become a Superiority race. Hesho leads a group of around 50 kitsen who pilot one heavily armed fighter in Spensa’s squadron like it’s a capital ship. Hesho and the kitsen are really hilarious characters, mainly because Hesho is attempting to convince the Superiority that he is no longer ruling his people as a king, and instead the kitsen have embraced democracy. Unfortunately, despite Hesho insisting he is no longer a monarch in every interaction he has, his people continue to worship him, which kind of undercuts this message. I also found the similarities in the personalities between the kitsen and the Spensa we first encountered in Skyward to be very amusing, as the kitsen attempt to compensate for their size with extreme confidence and boasting like Spensa used to (for example, the first ship we see the kitsen flying is called Big Enough to Kill You).

All of the above characters are great, and I really loved the way that I was once again drawn into their various personalities and histories. It was a bit of a shame not to see too much of the characters I liked so much from the first book (although we do get an idea of what various members of Skyward Flight are up to), but I think the new characters that Sanderson introduced more than made up for it.

In addition to the fantastic character work, one of the other best features of Starsight is the epic and fast-paced action sequences that punctuate much of the book. Just like in Skyward, Sanderson presents a huge number of different scenes where Spensa is fighting or training in a fighter. The sheer amount of detail that goes into these various action sequences is pretty amazing, and I was able to picture all the flying and manoeuvres perfectly. The author comes up with a number of clever new scenarios in this book, including the fancy flying and combat required to fight a delver, or having Spensa fly in the type of craft she has been fighting against for her entire military career. All of the action in this book is first-rate, and I can guarantee that you will get lost in some of the incredible action sequences.

I have always been impressed by the elaborate worlds that Sanderson can create for his stories. Whether it is the vast fantasy world that he came up with for The Stormlight Archive, the supervillain dominated alternate version of Earth that appeared in The Reckoners trilogy, or the fantastic science fiction planet of Detritus that was the main setting for Skyward, Sanderson always delivers complex and intricate settings for his story, complete with huge amounts of backstory. In Starsight, Sanderson once again produces a huge and detailed new setting for his outstanding story. The alien civilisation that is living on Starsight is very impressive, and I love all the different alien races that he has come up with for this story. Many of the aliens have some very complex and fascinating history, a great deal of which featured in the story. I really look forward to seeing how Sanderson expands this universe even further in the final book in the trilogy, and I cannot wait to see what new aliens or civilisations he comes up with.

As you can see from this rather lengthy review, there is a lot to love about this book. Sanderson does an impressive job of combining the intriguing new story direction, the amazing characters, intense action and fascinating new setting into one concise narrative, and the end result is a perfect book. While Starsight is being marketed as a young adult book, and indeed it would prove appropriate for most young readers, it is really a novel that can be enjoyed by any reader of any age. I cannot recommend this book enough, and I am eagerly awaiting the next book in this series (which seems to be 2021 at this point, so far away!).

Tiamat’s Wrath by James S. A. Corey

Tiamat's Wrath Cover

Publisher: Recorded Books (Audiobook – 26 May 2019)

Series: The Expanse – Book Eight

Length: 19 hours and 8 minutes

My Rating: 5 out of 5 stars

With 2019 coming to an end, it is about time I got around to writing a review for one of the best science fiction books of the year, Tiamat’s Wrath by James S. A. Corey, the eighth book in the extremely popular The Expanse series. James S. A. Corey is the collaborative name of co-authors Daniel Abraham and Ty Franck, but for the purposes of this review it is simpler to treat Corey as an individual.

Tiamat’s Wrath is an outstanding piece of science fiction that I had an amazing time listening to earlier in the year. Despite being extremely keen for this book, I did not get around to reading it until a month or two after it came out, but when I did get a chance to listen to Tiamat’s Wrath, I absolutely loved it and it was one of my favourite books from earlier in the year. However, I completely failed to write a review immediately after finishing it, and it kind of got lost in the pile of books I needed to review as I read more and more stuff.

The Expanse books, which started in 2011 with Leviathan Wakes, are an extremely complex and outstandingly well-written science fiction series, which have also been turned into a very popular television show of the same name. It is important to note that while all the books in The Expanse are connected by the same universe, overarching plot and central characters, the story can be broken up into three separate trilogies of novels. After the success of the first eight books, the authors are starting to wrap up the series, with the upcoming ninth book (hopefully coming out sometime in 2020), being the last in the series. Not only is Tiamat’s Wrath the penultimate book in the series; it is also the second book in the last trilogy of the series, which started with 2017’s Persepolis Rising.

Tiamat’s Wrath is set a short time after the events of Persepolis Rising, when the Laconian Empire, under the command of High Consul Winston Duarte, successfully utilised advanced alien technology to take control of the entire gate network and destroy the navies of Earth and Mars. The Laconians now rule the entire galaxy, and the crew of the Rocinante (the central protagonists of The Expanse series), are wanted criminals as they fight a guerrilla war. This was another incredible addition to The Expanse series that not only contains a vast and captivating story in its own right but which sets up a fascinating scenario for the final book in the franchise.

Goodread’s Synopsis:

Thirteen hundred gates have opened to solar systems around the galaxy. But as humanity builds its interstellar empire in the alien ruins, the mysteries and threats grow deeper.

In the dead systems where gates lead to stranger things than alien planets, Elvi Okoye begins a desperate search to discover the nature of a genocide that happened before the first human beings existed, and to find weapons to fight a war against forces at the edge of the imaginable. But the price of that knowledge may be higher than she can pay.

At the heart of the empire, Teresa Duarte prepares to take on the burden of her father’s godlike ambition. The sociopathic scientist Paolo Cortázar and the Mephistophelian prisoner James Holden are only two of the dangers in a palace thick with intrigue, but Teresa has a mind of her own and secrets even her father the emperor doesn’t guess.

And throughout the wide human empire, the scattered crew of the Rocinante fights a brave rear-guard action against Duarte’s authoritarian regime. Memory of the old order falls away, and a future under Laconia’s eternal rule — and with it, a battle that humanity can only lose – seems more and more certain. Because against the terrors that lie between worlds, courage and ambition will not be enough…

For the plot of Tiamat’s Wrath, Corey tells the story from the perspective of several separate point-of-view characters, each of whom has a number of chapters throughout the book. This was a very interesting combination of character perspectives that helped explore various aspects of the galaxy following the rise to power of the Laconians. Three of the main point-of-view characters are former Rocinante crew members Naomi Nagata, Bobbie Draper and Alex Kamal, each of whom is involved in the war against the powerful Laconian Empire. Another point-of-view character is returning character Elvi Okoye, who, despite her loyalties to her friends upon the Rocinante, finds herself employed by High Consul Duarte as one of his primary scientists exploring the alien technology, and later finds herself drawn into the Laconian inner circle. The fifth main character is new protagonist Teresa Duarte, daughter of the High Consul, who provides insight into growing up in the Laconian Empire and the political intrigue of the capital. In addition to the five characters mentioned above, the book’s prologue, epilogue and interludes are narrated by former Rocinante captain James Holden, who is being held prisoner on Laconia and who is attempting to manipulate the system from within.

I really enjoyed the author’s use of these multiple viewpoints, especially as it allowed them to tell a complex and widespread story set across several different solar systems. Each of these various viewpoints provides the reader with different information and insight into the both the Laconian Empire and the unknown alien threat that has sprung up. While Elvi and Teresa’s story arcs are pretty fascinating and I quite enjoyed the combination of politics and alien science that filled their chapters, my favourite parts of the book are the chapters told from the perspectives of Naomi, Bobbie and Alex. This is mainly because these chapters focused on their fight against the Laconian Empire, and I really enjoyed the detailed and captivating accounts of a large-scale guerrilla conflict in a massive space location. Each of these three characters shows off a different aspect of this fight, including Naomi acting as the resistance’s master strategist while living in a supply crate, Bobbie’s work as a marine and drill sergeant on the frontline and Alex’s job piloting various combat craft into battle. Thanks to these three characters, you get an amazing idea of how this war is being fought, and the various issues involved with facing a seemingly invincible opponent. I also liked how all the various character arcs came together extremely well as the book progressed, creating a first-rate narrative that proved to be extremely addictive.

I am a man who loves his science fiction action, and I have to say that I had an absolute blast with the action sequences in this book. Corey has absolutely packed this book full of various battle sequences in space, as the protagonists go up against the various Laconian forces in both smaller skirmishes and one massive full-system assault. Not only are the battles pretty spectacular in their own right, but I love how realistic the author has tried to make them, with things like gravity, the lack of sound in space and communication delays across vast distances all taken into account. All this consideration really makes the combat in Tiamat’s Wrath stand out, and it added a lot to my overall enjoyment on this novel.

While this is an excellent piece of science fiction and an amazing read, due to its position as the eighth book in the series, and the middle book in the final trilogy, Tiamat’s Wrath is probably not the best book to start exploring The Expanse with. While Corey does a pretty good job of making this book accessible to new readers, I would strongly suggest that readers at least check out the previous book in the series, Persepolis Rising, first, as it will help readers understand more of the complex science fiction and story elements. There is no doubt in my mind that existing fans of The Expanse will love this fantastic book, especially as it takes the story in some interesting directions and sets up the series for a pretty epic conclusion. That being said, some of the developments that occur during the book are going to make dedicated The Expanse readers very sad, especially if they have grown attached to certain characters.

I ended up listening to the audiobook format of Tiamat’s Wrath, narrated by Jefferson Mays. This is a pretty substantial audiobook, running for just over 19 hours (indeed it would have just made the top 20 on my Longest Audiobook list), but I ended up getting through it rather quickly as I had a hard time turning it off. I found the audiobook to be a fantastic way to enjoy this book, and I think I absorbed a lot more of the detailed science fiction plot by listening to it. Mays has a great voice for narration, and I really enjoyed his take on the various characters in the book. All in all, listening to the audiobook version of Tiamat’s Wrath was a great experience, and I will probably end up doing the same for the final The Expanse book when it come out.

Tiamat’s Wrath is an exceptionally powerful novel that is easily one of the best books I have read so far this year. The Expanse’s authors have absolutely outdone themselves with this eighth book, which tells a complex and intriguing science fiction story. Featuring a first-rate story, a great group of core characters, some impressive action and the author’s typical attention to scientific detail, Tiamat’s Wrath comes highly recommended, and I am still kicking myself for taking so long to review this.

Star Trek: The Antares Maelstrom by Greg Cox

Star Trek - The Antares Maelstrom Cover.jpg

Publisher: Simon & Schuster Audio (Audiobook – 13 August 2019)

Series: Star Trek: The Original Series

Length: 11 hours and 34 minutes

My Rating: 4 out of 5 stars

My bold new voyage down into the depths of Star Trek extended fiction continues as I review the latest exciting novel tied into Star Trek: The Original Series, The Antares Maelstrom by Greg Cox.

Get ready for a good old-fashioned “gold rush” on the outskirts of Federation space, as vast quantities of a rare and valuable mineral vital for energy production is found on the remote planet of Baldur-3. The sparsely populated planet is quickly overrun by a horde of opportunists from all over the galaxy, seeking to make their fortunes as miners and prospectors. Hailing from a variety of planets and made up of a number of different species, these determined but often under-prepared prospectors are pushing Baldur-3’s infrastructure to its limit. Despite not being part of the United Federation of Planets, Baldur-3 requests assistance from Starfleet, which dispatches Captain James T. Kirk and the crew of the U.S.S. Enterprise to help in any way they can. However, upon their arrival in the sector, Kirk discovers several major problems that require him to split his personnel.

While Kirk and the Enterprise remain above Baldur-3, Sulu and a small contingent of the ship’s crew are left behind at the local Deep Space Station S8 to help manage the prospectors in transit to the planet. While there, Sulu is forced to deal with a multitude of issues, including a malevolent saboteur, the return of an old romantic flame, and foolhardy adventurers attempting to cross the dangerous Antares Maelstrom to find a fabled shortcut to Baldur-3. At the same time, Spock and Chekov travel to a nearby planet, inhabited by a pre-spaceflight race of humanoids, where alien items have started appearing in the hands of the locals in what is clearly a severe violation of the Prime Directive. As Spock and Chekov investigate, they find themselves dragged into a sophisticated smuggling ring involving a rare tea that could prove disastrous for the planet’s future development. Each of these groups will experience mortal peril as they attempt to uphold the values of Starfleet and assist all those in need.

I have really been on a roll with Star Trek novels lately, having already read several fantastic pieces in the last few months, including The Captain’s Oath by Christopher L. Bennett, Available Light by Dayton Ward, The Way to the Stars by Una McCormack and the first volume of the Boldly Go comic book series. The Antares Maelstrom by Greg Cox is another fun and enjoyable Star Trek novel that I had a wonderful time listening to on audiobook. Cox is an experienced writer of tie-in fiction, having written novels related to a number of different media franchises, such as Buffy the Vampire Slayer, Alias, Underworld, The Librarians and titles from DC and Marvel comics. However, his most consistent body of work has been his Star Trek tie-in novels. Since 1995, Cox has written around 20 Star Trek books, set across the various television series. He has already written several books related to The Original Series, as well as three books that show the life and times of iconic franchise villain Khan.

This particular Star Trek adventure is set during the Enterprise’s five-year journey (2265 – 2270), meaning that this story occurred around the same time as the episodes of The Original Series. The Antares Maelstrom turned out to be an interesting change of pace from some of the other Star Trek books I have previously read, as it is a standalone novel that does not seek to explore character backgrounds or continue several ongoing storylines from previous novels. Instead, the episode reads a lot like an episode from The Original Series, with the crew of the Enterprise getting involved with a number of adventures in space and helping those in need.

Cox has populated his latest book with three separate storylines, each of which features various members of the Enterprise’s main crew. This includes Sulu’s stay aboard Deep Space Station S8 and Spock and Chekov’s investigation of the tea smugglers on the nearby planet. Both of these storylines branch off from Kirk’s storyline as he, Scotty, McCoy, Uhura and the Enterprise stay above Baldur-3 and provide assistance to the surface. Each of these storylines is quite interesting and has a number of great moments. While Spock and Chekov’s storyline is one extended adventure, the other two parts of the book feature a series of interconnected adventures and mysteries. This is a very interesting blend of stories, from the examination of a futuristic “gold rush” in space, to a covert investigation on an alien planet. I personally enjoyed Sulu’s storyline the most, as it featured a number of exciting moments between spaceships, a compelling investigation, several great new characters and a huge amount of action. The other two storylines are really good, and in my opinion the story benefited from having this great mixture of storylines, which did not dilute or overwhelm the overall quality of the book. Indeed, all of the storylines form a compelling overarching narrative which I found to be extremely fun and surprisingly addictive, and I was firmly glued to the story.

Like most tie-in novels, The Antares Maelstrom is intended for fans of the franchise it is based on, meaning that this is an ideal read for hardcore Trekkies. However, no great knowledge of the original series is required to enjoy this book. There are no real pre-existing storylines to follow, and anyone who has a basic knowledge of the show or who has seen the latest trilogy of movies will be able to follow along without any issues. Cox does pepper the story with a number of references to some of the past adventures of the Enterprise, and there is even a major connection to one of the more interesting episodes from the first season. The book does feature the first appearance of the titular Antares Maelstrom, which itself is a rather obscure reference to the second Star Trek movie, The Wrath of Khan, as the Antares Maelstrom is featured in one of Khan’s iconic monologues. While these many references and call-backs to previous episodes will prove to be enjoyable to fans of the franchise, most of them have no real bearing on the plot, and any that do are well explained.

I also felt that Cox did a fantastic job of capturing the original tone of the Star Trek television show in this novel. The focus on the prospectors arriving on Baldur-3 is used by the author to mirror the bold explorative and chance-taking stance that the crew of the Enterprise undertake, and there is a lot of discussion about new opportunities and venturing into the unknown. While these prospectors are initially viewed as greedy and reckless, they eventually come together as part of the book and show how, deep down, people are basically good. All this focus on unity, compassion and logic is classic Star Trek, and Kirk makes sure to accompany many of these examples with his trademark speeches, talking about the ideals of Starfleet and his crew. In addition to this, each of the major characters is strongly featured throughout the book, and the author makes sure that each of them gets a substantial amount of story time. Cox does an amazing job capturing the various personalities of the original series cast members, and it was great seeing them back in action in this new book.

As I mentioned above, I ended up listening to The Antares Maelstrom on audiobook, narrated by Robert Petkoff, which ran for 11 hours and 34 minutes. I absolutely flew through this audiobook, and I really enjoyed having this cool story narrated to me. Petkoff is still an impressive narrator, and I have previously mentioned how much I enjoyed his work narrating the voices of The Original Series cast members for The Captain’s Oath. In The Antares Maelstrom, Petkoff continues to amaze, coming up with a huge range of different voices for the various characters featured throughout the book. Just like in the previous book, his Kirk, Spock, Sulu and McCoy are darn near perfect, and I was really glad I got to hear a lot more of his Scotty, as he manages an awesome Scottish accent. I also got my first real experience of Petkoff’s Chekov in this book, and I have to say it was near perfect. The narrator expertly captures Chekov’s Russian accent, and there were a number of amazing instances where Petkoff had to imitate Chekov’s classic mispronunciations of English words. This is truly some first-class voice work and it really helps make the entire audiobook stand out. Petkoff seems to be one of the main Star Trek audiobook narrators at the moment, as several recent and upcoming books all feature his talents, and this makes me a lot more eager to check out these books in the future.

The Antares Maelstrom by Greg Cox proved to be another amazing piece of Star Trek fiction. It presents the reader with three fantastic adventures that come together to create an exciting and captivating book. While probably best read by established Star Trek fans, this book can be easily enjoyed by readers who have less Star Trek experience but who love sci-fi, intriguing mysteries, iconic characters and fast-paced action. Another great outing from Cox, The Antares Maelstrom is really worth checking out, especially in its audiobook format.