Star Trek: The Unsettling Stars by Alan Dean Foster

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Publisher: Simon & Schuster Audio (Audiobook – 14 April 2020)

Series: Star Trek: Kelvin Timeline – Book One

Length: 8 hours and 5 minutes

My Rating: 4 out of 5 stars

My continued exploration of the fun and entertaining genre that is Star Trek fiction continues, as I check out the latest tie-in novel, Star Trek: The Unsettling Stars by Alan Dean Foster, an intriguing read which serves as a tie-in to the alternate Kelvin timeline, the spinoff timeline that occurred during the 2009 Star Trek film.

The Unsettling Stars is a rather interesting Star Trek read that is the first original novel set in the Kelvin timeline, except for official film novelisations and the Star Trek: Starfleet Academy young adult miniseries. This book was originally set for release back in 2010 under the title Refugees, but it was pulled from publication along with three other proposed novels that tied in to the most recent Star Trek movies. Another one of these books, More Beautiful Than Death by David Mack, is set for release later this year, and no doubt the other two proposed novels from 2010 will be published at some point as well. The Unsettling Stars is the third Star Trek novel released this year (behind The Last Best Hope and The High Frontier), and it is the first one in a series of Star Trek novels I identified in a recent Waiting on Wednesday article. As a result, I was rather pleased to get a copy of the audiobook format of this novel, especially as this book was written by the acclaimed author Alan Dean Foster.

Foster is a veteran science fiction and fantasy author who has been writing since the 1970s. He has written a multitude of novels over the years, including books set in his long-running Humanx Commonwealth Universe, The Damned trilogy, the Spellsinger series, The Taken trilogy, The Tipping Point trilogy and a huge range of standalone novels. Foster also has a large amount of experience writing tie-in novels to popular franchises, having written the official novelisations to several series, including the Alien movies, the Transformers movies, Terminator Salvation and The Chronicles of Riddick. Foster also has a deep connection with the Star Wars franchise, having ghost-written the official novelisation for the original Star Wars movie. He also wrote Splinter of the Mind’s Eye, which was intended to be a low-budget spinoff from Star Wars if the first movie did badly in the box office. Seeing that Star Wars was a major success, Splinter of the Mind’s Eye was released as the first official Star Wars novel, meaning that Foster started the Star Wars expanded universe (which has become a major staple for this blog). Foster has since gone on to write a second Star Wars novel, The Approaching Storm, and he recently wrote the official novelisation to Star Wars: The Force Awakens, nearly 40 years after he first got involved with the franchise.

Foster also has some rather interesting connections to the Star Trek franchise. While The Unsettling Stars is the first original novel that he has written for Star Trek, he has produced some official novelisations of several shows and movies over his career. Back in the 1970s, he wrote the official novelisations for Star Trek: The Animated Series, contained in 10 separate books. He also wrote the official novelisations for the 2009 Star Trek film, as well as for its sequel, Star Trek Into Darkness. However, his most significant contribution to the Star Trek universe has to be the fact that he wrote the story for the original Star Trek film, 1979’s Star Trek: The Motion Picture. As a result, Foster is definitely an interesting author to check out, and while I have not had the pleasure of reading any of his stuff previously, I was rather intrigued to see how this novel would turn out.

Years ago, a time travelling Romulan ship attacked and destroyed the Federation starship the U.S.S. Kelvin, killing the father of James T. Kirk. The changes which occurred following the destruction of this ship resulted in a whole new timeline, similar to the main Star Trek universe in most ways, but with a number of key differences. In this new timeline, Kirk, with the help of his young crew aboard the U.S.S. Enterprise, was eventually able to defeat this powerful Romulan ship, but not before it destroyed the Vulcan home planet. Now, after being promoted to captain of the Enterprise, Kirk and his crew embark on their first mission together.

With their ship repaired after the battle with the Romulan ship, the crew of the Enterprise take it out of spacedock in what is seen as a simple shakedown cruise. However, not long after they set out, they receive a distress signal from a ship just outside of Federation space. Arriving at the source of the signal, they find a single colony ship belonging to an alien race known as the Perenorean. Appearing to be peaceful refugees, the Perenorean request help as they have sustained damaged and are lacking the resources to travel to their original destination. But within moments of contact between the two ships, a second group of unknown alien ships arrive, determined to wipe out the Perenoreans. Despite not knowing the full history of this conflict, Kirk eventually comes to the aid of the Perenoreans, sending their attackers running, although not before they give the crew of the Enterprise a cryptic warning about the people they just saved.

Meeting with the Perenoreans, Kirk and his comrades discover that their new acquaintances are an extremely advanced group of beings whose capacity to learn and innovate seems limitless. Extremely grateful and determined to repay those who have helped them, the Perenoreans endear themselves to the Enterprise’s crew, who decide to help them relocate to a nearby planet. However, not everything is as it seems with the Perenoreans, whose desire to help and improve everything around them comes with its own unique set of issues. Can the crew of the Enterprise find a solution to the problems their new friends are causing or have they unwittingly unleased a terrible scourge on the Federation?

The Unsettling Stars proved to be a compelling and exciting Star Trek novel that I was able to get through quite quickly. Foster comes up with a rather clever and entertaining central story, set in the unique Kelvin alternate timeline, that revolves around a classic Star Trek first contact mission, with some interesting twists to it. The author crafts together a great story that spends a good amount of time with the key members of the Enterprise crew, with a particular focus on Kirk, Spock, McCoy, Uhura and Scott, as well as introducing several other new members of the crew, who each have a couple of scenes. The Unsettling Stars comes across like a typical Star Trek adventure, featuring a good blend of action, adventure, diplomacy and scientific discussion, similar to an episode of one of the shows. No real prior knowledge about the greater Star Trek universe is needed to enjoy this book, although it is geared more towards those readers who have a greater appreciation for the franchise, and who have at least watched the 2009 Star Trek film. Overall, The Unsettling Stars is a gripping and enjoyable Star Trek novel with a great story that I had a fantastic time listening to.

One of my favourite elements of this book was Foster’s inclusion of the new alien race, the Perenoreans. The Perenoreans are a group of extremely friendly aliens that the Enterprise rescue and help relocate to a new colony planet. The Perenoreans are an interesting new alien species in the Star Trek canon, characterised by their great intelligence, ability to adapt and evolve to any situation, and their desire to help anyone they come across. While it is also intriguing to see a new fictional alien species, a large amount of this book’s narrative lies around the crew discovering the true intentions and motivations of this species. While they seem friendly, you just know that they are going to turn out to be sinister or problematic in some way or another. The way that they genuflect is way over the top, and there is no way a whole race of people is that friendly. Also, there would not be much of story if they did not turn out to be problematic in some way. Foster does an excellent job of slowly hinting at their true nature, and it helps build up a good amount of tension throughout the course of the book. The eventual reveal of their secrets is rather fascinating and makes for a great payoff after all the build-up. I also really liked the conclusion to their whole arc, especially as it made use of a fun, but seemingly unimportant story element to wrap the whole thing up. These aliens are an amazing part of this book’s story, and it was one that made me enjoy The Unsettling Stars a whole lot more.

I also think that Foster did a good job of writing this book like it was set in the Kelvin timeline. The Kelvin timeline is filled with all manner of intriguing differences to the main Star Trek timeline, and the author spent a bit of time incorporating these differences into The Unsettling Stars. While at times the book did a feel a little like a tie-in to The Original Series, Foster was always quick to showcase some key elements of the Kelvin universe. Kirk is a little more arrogant and eager for glory in this book, and there are several discussions about his rapid promotion to captain, which results in a bit more scrutiny from Starfleet. McCoy is a bit more of a grump in this novel, and he has a bit more of an antagonistic relationship with Spock. There is also a bit of time spent exploring the new relationship between Spock and Uhura, and there are several mentions about Spock’s new dynamic as a member of a refugee species. I liked seeing the return of Simon Pegg’s fun version of Scotty, whose inclusion makes for several entertaining and enjoyable scenes. I also have to highlight the excellent reference to Star Trek: The Motion Picture that occurred in this book, as the crew of this version of the Enterprise come across a key item from this film well before it becomes a problem. It’s not often that a writer gets to erase the entirety of a film they scripted over 40 years previously, and I quite liked how this event turned out as part of the larger story. I had a fantastic time exploring the Kelvin timeline in this book, and I look forward seeing more of it in the future novels set in this timeline.

As I mentioned above, I ended up checking out The Unsettling Stars in its audiobook format, which was narrated by Robert Petkoff. This is a rather short audiobook, which runs for just over eight hours. While it took me a few days to get through (mainly due to lack of listening time than anything else), most readers should be able to listen to the whole book rather quickly, especially once they get engrossed in the intriguing story. Like every other Star Trek book I have so far listened to, The Unsettling Stars audiobook featured the vocal talents of Robert Petkoff, who seems to be the primary narrator for Star Trek audiobooks. Petkoff is an amazingly talented narrator who has come up with some incredibly realistic voices for key members of the various Star Trek television shows. In particular, he has come up with some fantastic voices for the members of The Original Series, which he uses throughout The Unsettling Stars to great effect, bringing the main crew of the Enterprise to life, while also coming up with great voices for some of the additional members of the crew and the various aliens that they encounter. All of this is really cool, and hearing these similar voices helps bring the reader into the Star Trek zone. If I had one criticism, though, it would be that Petkoff uses the same voices here that he uses for all the other audiobooks based around The Original Series. While I appreciate that the characters in the Kelvin timeline are supposed to be versions of the cast from The Original Series, hearing the Kelvin timeline characters speak in the same voice as their counterparts was a tad disjointing, and it made me forgot at times that this book is supposed to be set in an alternate timeline. A little bit of variation from Petkoff could have potentially helped this, although I am uncertain about what exactly he could have done to set this apart. Despite this minor criticism, I still really enjoyed listening to the audiobook version of this book, and I would recommend this format to anyone who wanted to check out The Unsettling Stars.

The Unsettling Stars is an excellent and exciting new Star Trek novel from the legendary author Alan Dean Foster. I had a great time unwrapping the cool mystery around the new race of aliens that Foster came up with for this novel, and it was fun to see a story in the Kelvin universe. This was a fantastic addition to the Star Trek canon, and I would recommend this to any fans of the franchise who want a clever new read.

Throwback Thursday: Star Wars: Vader Down

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Publisher: Marvel Comics (Paperback – 19 April 2016)

Series: Crossover – Featuring Issues from Star Wars (2015) and Darth Vader (2015)

Writers: Jason Aaron (Star Wars: Vader Down #1, Star Wars #13-14) and Kieron Gillen (Darth Vader #13 – 15)

Artists: Mike Deodato (Star Wars: Vader Down #1, Star Wars #13-14) and Salvador Larroca (Darth Vader #13 – 15)

Colourists: Frank Martin Jr (Star Wars: Vader Down #1, Star Wars #13-14) and Edgar Delgado (Darth Vader #13 – 15)

Letterers: VC’s Joe Caramagna (Star Wars: Vader Down #1, Darth Vader #13 – 15) and Chris Eliopoulos (Star Wars #13-14)

Length: 152 pages

My Rating: 5 out of 5 stars

Reviewed as part of my Throwback Thursday series, where I republish old reviews, review books I have read before or review older books I have only just had a chance to read.

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For this latest Throwback Thursday I go back and look at the epic and deeply enjoyable Star Wars comic book crossover extravaganza, Star Wars: Vader Down.

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Vader Down was a crossover, published in late 2015 and early 2016, of two of the best Star Wars comic series at the time, Star Wars (2015) and Darth Vader (2015). These two series ran side by side during this period and were set between the events of A New Hope and Empire Strikes Back and expanded the new Disney Star Wars canon. Both of these series were extremely good in their own right, with some very impressive comics during their early run (check out my reviews for some of these earlier volumes, Skywalker Strikes, Vader and Shadows and Secrets, all three of which got five-star reviews from me). These two comics ended up converging during the events of this crossover, with both series’ creative teams pooling their efforts to tell an exciting and action-packed tale. Vader Down is made up of a single introductory issue (Star Wars: Vader Down #1), two issues of Star Wars (2015) (issues #13-14) and three issues of Darth Vader (issues #13-15)

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Darth Vader is a man on a mission. Ever since he discovered that the Rebel Alliance pilot who destroyed the Death Star was Luke Skywalker, the son he never knew he had, Vader has been scouring the galaxy for him, determined to claim Luke and use him to take control of the Empire. It finally appears that his patience has been rewarded, as his sources have revealed that Luke is visiting an abandoned Jedi temple on the planet of Vrogas Vas. However, Vader is unaware that he is falling into a trap set by one of his rivals, the Mon Calamari cyborg Commander Karbin. Instead of finding Luke by himself, he discovers an entire Rebel fleet orbiting a planet housing a secret Rebel facility. Despite being outnumbered, Vader is able to fight off the Rebel pilots trying to kill him, until Luke, in a desperate move, smashes his fighter into Vader’s ship, sending them both crashing down to the planet’s surface.

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Now on foot, Vader sets out across the desolate planet to find his wayward son and turn him to the Dark Side of the force. However, the Rebels send a significant force to Vrogas Vas to capture or kill Vader. But even surrounded and outnumbered, Vader is more than a match for anything the Rebels can throw at him, and it seems only a matter of time before he finds his son. Luke’s only hope to survive lies in his friends, as Princess Leia, Han Solo, Chewbacca, C-3PO and R2-D2 all set out to save him. However, Luke is not the only one with friends on the way, as Vader’s reluctant agent, Doctor Aphra, also sets course to Vrogas Vas in order to save herself from being murdered by her employer for this debacle. By her side are three of the most dangerous beings in the galaxy, the murderous droids Triple-Zero and BT-1, and the vicious Wookie bounty hunter Black Krrsantan.

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As the two sides engage in all-out war across the planet’s surface, neither is aware of the danger coming for both of them. Imperial forces under the command of Commander Karbin have come to Vrogas Vas in the aftermath of the conflict not only to capture Luke but to also kill Vader so that Karbin can take his place by the Emperor’s side. Can Vader and the Rebels survive the onslaught of Karbin and achieve their desires, or is this the end of all of them?

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Wow, wow and wow!! This crossover is just plain incredible as the two talented creative teams of the Star Wars and Darth Vader comic book series come together to create an action-soaked masterpiece. I absolutely loved this fantastic and inventive story, which not only contains a substantial standalone adventure but which advances both series in some rather interesting ways, especially when it comes to separating the character of Dr Aphra and moving her briefly into the Star Wars comic series. The story contained within this volume is really amazing, as it sets a rampaging Darth Vader against a swath of enemies while the great characters from both series face off in a rather entertaining battle of their own. All of this is set to some incredible artwork from the two series’ respective artistic teams, which brings the phenomenal action to life in all its destructive glory. Unsurprisingly, this comic gets a full five-star rating from me, and it is easily one of the best crossover comics that I have ever read.

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Vader Down features six separate comic book issues, including an introductory issue, three issues from the Darth Vader series and two issues from the Star Wars series. Each of these comics has been written and drawn by the creative team of their respective series, with the Star Wars issues written by Jason Aaron and featuring the art of Mike Deodato, Frank Martin Jr and Chris Eliopoulos, while the entries from the Darth Vader comics are written by Kieron Gillen and contain the art of Salvador Larroca, Edgar Delgado and Joe Caramagna. The introductory issue, Star Wars: Vader Down #1, was also written by Aaron and drawn by the Star Wars artistic team (although with Caramagna doing the lettering rather than Eliopoulos), and this allows both creative teams to contribute three separate issues to this crossover. The story is set out in an alternate fashion, with the narrative beginning in Star Wars: Vader Down #1 and then continuing in Darth Vader #13, than going to Star Wars #13 and so on and so forth all the way till the volume’s end at Darth Vader #15. This proved to be quite an interesting way to set out the volume, and I think that it really speaks to the coordination and discussions that must have occurred between the two separate creative teams.

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Like most pieces of Star Wars tie-in fiction, Vader Down is naturally geared more towards those established fans of the franchise, especially those who have some history and knowledge of the extended universe. However, I would say that this is definitely a comic that can be enjoyed by casual fans of the Star Wars franchise, especially as the story is very easy to enjoy and appreciate. Readers do not need a massive amount of knowledge about the comic series that are crossing over in order to enjoy Vader Down. I myself had not read any of the Star Wars (2015) comics when I first enjoyed this volume, and I experienced no problems whatsoever following the plot. That being said, it might prove useful to read the first two volumes of the Darth Vader series first, as that serves to introduce several supporting characters in the volume, as well as the main antagonist.

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I felt that one of the biggest strengths of this comic is the way that it utilised and portrayed several iconic Star Wars characters, and I particularly loved how Darth Vader is featured in this crossover. I am a massive fan of the character of Darth Vader, and I am really enjoying how all the current pieces of Star Wars extended fiction portray him as a destructive powerhouse, perhaps as a way to rehabilitate him after the prequel films. However, Vader Down really takes this into overdrive as Vader finds himself alone on a planet surrounded by a vast army of enemies who are hunting him. While on paper it would seem that Vader is at a disadvantage, this really does not prove to be the case, as Vader tears through everyone who stands between him and Luke, often in some particularly devastating manners. Vader comes across as a massive badass in this comic, and I loved every second of it. From the way that he nearly takes out an entire fleet of Rebel fighters right at the beginning (only being stopped by a Kamikaze attack from Luke), to the continuous and effortless destruction of every Rebel he comes across (note to self: never wear grenades anywhere near a Force user), nothing seems to stop Vader, and it is pretty darn impressive.

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I also love how Vader has some of the best lines in this volume as well, from his response to a request from Aphra to run: “I am a lord of the Sith. They are the ones who should be running”, to his fun response to a Rebel leader who tells him that he is surrounded (shown in the midst of a great full double page spread, just to show how surrounded he is): “All I am surrounded by is fear. And dead men.” However, his best line occurs later in the volume when he engages Commander Karbin in a particularly cool looking lightsaber duel. Karbin, whose enhancements make him resemble General Grievous, is gloating about how much better he is than Vader as he can wield four lightsabers to Vader’s one. However Vader, after throwing a massive statue at him simply responds with: “When you wield the power of the Dark Side one lightsaber is all you need”, which I thought was a pretty badass line, which also reveals why you never see Vader bothering with something more fancy like his Inquisitors do. Needless to say, I thought this portrayal of Vader was very epic and awesome, and it definitely is one of my favourite appearances of this character.

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In addition to the amazing use of Darth Vader in this comic, I thought that the creative teams did a great job including the supporting characters from the Darth Vader series, namely Dr Aphra, Triple-Zero, BT-1, and Black Krrsantan. These four characters are, in manner different ways, all rather fun and evil doppelgangers of some of the key characters from the original trilogy. Black Krrsantan is an ultra-violent Wookie bounty hunter, more concerned with killing and money than saving lives like Chewbacca. Triple-Zero is pretty much a snarkier version of C-3PO who delights in torture and mutilation and has the inbuilt tools to back it up. BT-1 is an astromech like R2-D2, except he is loaded up with all manner of firepower and he has a nasty habit of melting anyone he dislikes, and BT-1 dislikes pretty much everything and everyone. Finally, you have Dr Aphra, who is a notorious rogue and thief like Han Solo, except rather more successful. She is also a fully trained archaeologist who uses that ability to rob tombs for valuable artefacts, essentially making her a cross between Han Solo and Indiana Jones. Vader Down is the first time that the supporting characters from the Darth Vader series actually meet their more iconic counterparts, and the results are extremely entertaining.

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There are quite a few great moments throughout this volume where these two groups of characters come together, and they are all pretty fun. Some of my favourites include an extended brawl between the two Wookies, Chewbacca and Black Krrsantan, as they fight to achieve their opposing goals. This turned into quite a brutal matchup and it definitely does not end in the way that most people would expect. There is another cool scene where BT-1 faces off against R2-D2, who is trying to defend Luke from the evil droids. The two get into a vicious argument of beeps (apparently) and R2-D2 pulls out his built-in taser to fight off his opponents. However, BT-1 is rather better armed, and the sudden appearance of a mass of blasters, missiles, a flamethrower and other assorted weapons from BT-1’s chassis is enough to make R2 run off rather quickly, although he gets a measure of revenge later in the volume. Triple-Zero has a fun time imitating C-3PO at one point in the comic (all it takes is a coat of gold paint) and the subsequent meeting between the two protocol droids does not go well for Threepio (let us just say he gets disarmed).

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My favourite out of all these interactions between the classic Star Wars characters and the new ones established in the Darth Vader series has to be the fun meeting between Han Solo and Aphra. Aphra is probably one of my favourite new characters in the current Star Wars canon (make sure to check out my recent review for A Rogue’s End, the seventh volume of her spinoff series), and her fun sense of humour really shines through in this encounter. There is a pretty funny scene towards the front of the book, when Aphra, researching the members of the main Star Wars cast, sees Han Solo and responds with an uber sarcastic: “Han Solo. The Han Solo. Oh me, oh my. What are we going to do facing Han Solo?” When they subsequently meet, Aphra continues to be unimpressed by Solo, deflating his ego over his apparently insubstantial reputation and managing to scare him with her own name. They two share some rather good verbal barbs before the shooting starts, and I think that the writers came up with the best resolution to this fight, which can only be described as an unintentional and funny draw. Overall, I really loved seeing all these fantastic characters coming together in this volume, and it is an impressive and entertaining highlight.

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While most of the character arcs in this book lean more toward either humour or pure destruction, the writers also did a rather good emotional storyline around Princess Leia. Leia arrives on Vrogas Vas to lead the hunt for Vader, and eventually ends up coming face to face with him. As this is the first time Leia has seen Vader since he stood by and watched the destruction of Alderaan, this proves to be a rather hostile meeting, and Leia is overcome with a desire for revenge and is willing to sacrifice herself and her friends to see Vader taken out. There are some great moments throughout Leia’s scenes in the book as she presents her righteous indignation towards Vader, whose response is less than repentant: “This is not a war, Princess. Wars are for lesser men than the Emperor and myself. This is a series of executions. And yours is long overdue.” All of this gets pretty intense, and Leia actually tries to commit suicide at one point in an attempt to take Vader with her. She is eventually broken out of her mission for revenge thanks to an urgent plea for help from C-3PO, who is watching the rest of their group getting attacked and captured. All of this proved to be a rather powerful and emotional storyline within this volume, and I think its inclusion helped to enhance and elevate the entirely of the comic’s plot.

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I also must highlight how impressive the two separate artistic teams were, as both groups of artists come up with some fantastic sequences in Vader Down. As I mentioned above, the issues alternate throughout the volume, and as a result the artistic style of the comic changes with each new issue. There is a rather distinctive difference in the designs and illustrations of the two separate teams, and it proved interesting to jump between these styles each issue. I liked both unique art designs and colourations (with perhaps a slight preference towards the Darth Vader comics style), and I think that they all did an excellent job of portraying the epic story. It actually proved to be rather intriguing to see the separate teams have a go at drawing some of the characters who usually appeared in their counterparts’ comics, and it was also cool to see sequences that lasted more than one issue (such as the lightsaber duel between Vader and Karbin) go through some stylistic changes with each changing issue. There are a huge number of amazingly drawn scenes throughout this comic, although I think the best highlights had to include the extremely impressive starfighter battle in the first issue, with all the blaster bolts and explosions occurring out in space. Other cool scenes included a sudden spaceship crash in the final issue and a series of explosions and lightsaber work in the front of the volume’s second issue. I also liked how both teams of artists utilised the desert landscape of Vrogas Vas in their drawings; the constantly swirly dust really helped to enhance some of the battle scenes in this book and bring a sense of movement and a planet disturbed by violence and death. As a result, I think that both teams of artists did an outstanding job throughout the comics that made up Vader Down, and it certainly helped to enhance the epic experience I had reading this crossover volume.

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Vader Down is an immensely cool and exhilarating Star Wars comic that serves as an impressive crossover between two excellent comic book series. This combination of the Star Wars (2015) and the Darth Vader comics proved to be deeply entertaining and it is a clear example of how awesome the Star Wars extended universe can truly be. An absolute blast from start to finish, with non-stop action, eye-catching artwork and some clever character work, Star Wars: Vader Down is a must-read comic for all Star Wars fans and I cannot recommend it highly enough.

Throwback Thursday: Stars Wars: Lords of the Sith by Paul S. Kemp

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Publisher: Penguin Random House Audio (Audiobook – 28 April 2015)

Series: Star Wars

Length: 10 hours and 56 minutes

My Rating: 4.5 out of 5 stars

Reviewed as part of my Throwback Thursday series, where I republish old reviews, review books I have read before or review older books I have only just had a chance to read.

For my second Throwback Thursday article of this week (what can I say, I was in the zone for reviewing older content) I check out a fast-paced and addictive Star Wars novel that was released a couple of years ago, with Star Wars: Lords of the Sith by Paul S. Kemp.

It is the early days of the Galactic Empire. Under the reign of Emperor Palpatine, few openly oppose imperial rule, and those that do are swiftly dealt with by Palpatine’s ruthless apprentice, Darth Vader. But as the power and influence of the Emperor and Vader grow, so does their desire to rule and oppress every planet in the galaxy, and with that comes the first sparks of rebellion.

The planet Ryloth knows all about oppression and invasion. Following a brutal occupation during the Clone Wars, Ryloth now finds itself under the control of the Empire, which strips the planet of its natural resources while using the people for slave labour. In opposition to this occupation, an aggressive resistance moment has arisen, led by idealistic leader Cham Syndulla and his comrade Isval, a vengeful former slave. Thanks to their excellently placed sources, Syndulla’s resistance has been able to launch some substantial attacks against the Empire, but their actions have gained the attention of the Emperor and Vader. In a bid to assert his dominance on Ryloth, the Emperor sets out on a rare mission to the planet, accompanied by Vader. However, this is the opportunity that Syndulla has been waiting for.

Upon the Imperial’s arrival above Ryloth, the resistance fighters are able to do the impossible and blow up their Star Destroyer. Forced to abandon ship, the two Sith lords find themselves trapped on the dangerous surface of Ryloth with no means to communicate with Imperial command and no reinforcements on the horizon. In a bid to liberate the galaxy from their dark rule, Syndulla and Isval gather all their forces and resources to hunt the Emperor and Vader down. Surrounded by enemies, inhospitable terrain and terrible native fauna, the two Sith Lords appear to be at their most vulnerable. However, what Syndulla and his team fail to realise is that their prey are two of most dangerous beings in the galaxy, and together they are a force of unnatural destruction. Can the resistance fighters take on Emperor and Vader, and what happens when the two Sith lords work out that their biggest threat is each other?

Now this is a rather fantastic and captivating Star Wars novel that I have been wanting to check out for a while now due to the book’s cool concept. This is the first book that I have read by Paul S. Kemp, a fantasy author who has been writing since the early 2000s. His first novel, Twilight Falling debuted in 2003, after the author released several pieces of short fiction. Kemp then went on to write several fantasy series and standalone novels, including The Erevis Cale trilogy, The Twilight War trilogy and the Egil and Nix books, most of which fell within the Forgotten Realms shared fantasy fiction universe. Kemp has also written a few Star Wars novels, including Crosscurrent, The Old Republic: Deceived and Riptide, which were part of the old Star Wars Legends canon. Lords of the Sith is Kemp’s first novel in the new Star Wars canon, and he presents the reader with a fun and fast-paced novel that has some intriguing elements to it.

Kemp pulls together an excellent Star Wars novel that has a great story, is full of breathtaking action scenes and features compelling dives into some iconic Star Wars characters and elements of the universe. While I came for all the fun action that was bound to feature in a story surrounding the Emperor and Vader fighting against overwhelming odds, I stayed for the intriguing story that is full of betrayal and manipulations. The author does a fantastic job of utilising multiple character perspectives to tell a fuller story, which showed the perspectives of not only Vader and Syndulla’s resistance but also two Imperial officers stationed on Ryloth: one who is loyal to the Emperor and one who has been working for the resistance. This helped produce a really clever narrative, and it was interesting to see where Kemp took the story throughout Lords of the Sith.

The story is set five years after the events of Revenge of the Sith and focuses on the Emperor and Vader encountering some of the earliest forms of rebellion against the Empire. There are some strong elements from the extended Star Wars universe in this book, most notably with the inclusion of Cham Syndulla, a character who appeared in two Star Wars animated series, The Clone Wars and Star Wars Rebels, and is the father of Hera Syndulla, one of the main characters from Rebels (who is featuring in a lot of other pieces of Star Wars fiction at the moment). However, this is definitely a novel that can be enjoyed by the more casual Star Wars fan, and no real knowledge of the extended universe is needed to follow the plot. As always, though, those readers who are fans of some of the extended universe fiction are probably going to enjoy this book a little more. I myself enjoyed seeing the exploration of the early days of the Empire, an examination of Cham Syndulla’s history between the two animated shows and some exploration of the planet of Ryloth.

Without a doubt, the highlight of this book has to be the amazing action sequences featuring Darth Vader and the Emperor. Kemp went out of his way to show off just how badass these two characters can be, and he did not hold back any punches. Vader and the Emperor get into some major scrapes throughout the book, as they hunt or are hunted by members of the Ryloth resistance or some of the deadly creatures that reside on the planet’s surface. Needless to say, these two characters use all of their deadly Force abilities to take down swathes of opponents, and they come across as pretty impressive characters, especially in the eyes of some of the other point-of-view characters. I loved the reactions from characters like Syndulla or Isval, especially as it becomes more and more apparent to them that their opponents are something too much for them. I have always loved comics and books that showed off how badass Vader and the Emperor can be, and this is one of the better examples of this. Kemp started this book off strong by having Vader crash his fighter onto a ship to board it, before systematically taking down the crew one by one, while Syndulla and Isval are forced to listen from another ship (accompanied by Vader breathing heavily into a comms unit to freak everyone out). This is then followed by a plethora of other cool sequences, which includes Vader and the Emperor decimating a massive swarm of Ryloth’s apex predators and a particularly cool sequence where Vader started force choking several characters aboard a separate spaceship while he was flying upside down above them. All of this was exceedingly cool, and I loved Kemp’s amazing imagination when it comes to these two characters.

I also quite liked the intriguing examination of the unique relationship between Darth Vader and the Emperor that became an interesting central focus of the plot. While the story doesn’t show the Emperor’s point of view, you get Vader’s take on the situation, and through his eyes you see his perceptions of the Emperor, his thoughts on the partnership they have formed, and the knowledge that it will eventually end with Vader attempting to kill Palpatine to take his place. Palpatine, for his part, spends most of the story devising tests and challenges to get into Vader’s head and to ensure that his apprentice is loyal and has no thoughts of overthrowing him at the moment. I liked the compelling and clever examination of these two characters’ mindsets that Kemp pulled together, and I felt that he had a great handle on the personalities of these iconic Star Wars characters. I also rather enjoyed Kemp’s portrayal of the Emperor’s manipulative and purely evil nature, as it is revealed that everything that happens throughout the book is due to his design, and he threw away thousands of Imperial lives to achieve his goals. The revelation of this to some of key characters in this book makes for a great scene and I think that it really encapsulated just how evil the Emperor could be, which was pretty awesome.

Like with most Star Wars books that I read, I ended up checking out the audiobook format of Lords of the Sith, which was narrated by Jonathan Davis. This audiobook runs for just under 11 hours, and can be powered through quite quickly, especially once the listener hears the opening action sequence read out to them. I have to once again highlight that use of the cool music and sound effects that are included in all Star Wars audiobooks in order to enhance the story. Lords of the Sith had some great sound inclusions throughout its run time, and I felt that these definitely had a major impact on my enjoyment of this book. This audiobook features the audio talents of skilled narrator Jonathan Davis, whose work I have previously enjoyed in Star Wars books such as Master & Apprentice and Dooku: Jedi Lost. Davis does an incredible job narrating this book and he comes up with some impressive voices for the various characters featured throughout it. I particularly liked the great voices he came up for key characters like the Emperor and Darth Vader (with the help of some appropriate sound effects) and Cham Syndulla, and they sounded a lot like their appearances in the movies and animated shows. As a result, I really powered through this excellent audiobook, and I would strongly recommend this format to anyone who wants to check out Lords of the Sith.

Lords of the Sith is a fun and exceedingly entertainingly Star Wars novel that I had an outstanding time listening to. Kemp comes up with an exciting and action-packed story that not only explores some intriguing aspects of the expanded Star Wars universe, but which also contains some over-the-top action sequences that shows just how awesome a Star Wars novel can be. Lords of the Sith comes highly recommended to anyone looking for a fantastic and enjoyable read, and I hope that Kemp writes some more Star Wars novels in the future.

Star Wars: Target Vader

Star Wars - Target Vader

Publisher: Marvel Comics (Paperback – 11 February 2020)

Series: Standalone

Writer: Robbie Thompson.

Artists: Marc Laming (#1), Cris Bolson (#1, #5), Stefano Landini (#2-4, #6), Marco Failla (#5), Roberto Di Salvo (#5-6) and Georges Duarte (#6)

Colour Artists: Neeraj Menon (#1-4, #6) and Rachelle Rosenberg (#5-6), with Jordan Boyd (#1), Andres Mossa (#1), Federico Blee (#1, #4), Erick Arciniega (#1) and Giada Marchisio (#4).

Letterers: VC’s Clayton Cowles (#1) and Joe Caramagna (#2 – 6)

Length: 136 pages

My Rating: 4.25 out of 5 stars

Have you ever wondered what would happen if a bunch of crazy bounty hunters went after Darth Vader? Wonder no more, as writer Robbie Thompson and a massive artistic team present Star Wars: Target Vader, a fun and action-packed adventure comic that sets a dangerous team of bounty hunters against the Dark Lord of the Sith.

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There is a new criminal organisation dominating the known galaxy, calling itself The Hidden Hand. This nefarious and secretive group smuggles and sells weapons across all of Imperial Space, and while this might ordinarily be tolerated or barely noticed by the Empire, one of The Hidden Hand’s biggest clients is the Rebel Alliance, and this has attracted the worst kind of attention, in the form of Darth Vader. Vader has made it his mission to wipe out any trace of The Hidden Hand, and he has started scouring the galaxy for them, brutally destroying anyone who has had any contact or dealings with them.

Desperate to save themselves from a violent and painful death at the hands of Vader, The Hidden Hand attempt to turn the hunter into the hunted by hiring a group of bounty hunters to go after the evil Sith Lord. The man they choose to lead this suicidal mission is the notorious Beilert Valance, a former dedicated imperial soldier turned unscrupulous bounty hunter. Valance has a long and complicated history with the Empire, and he eagerly jumps at the chance to take a shot at Vader.

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Valance finds himself in command of a crack team of bounty hunters, each of whom bears a grudge against Vader or the Empire and is willing to do anything to get their target. However, Vader is no ordinary quarry, and it will take far more than brute strength and firepower to take him down. Valance will need to make use of every ounce of skill and determination he has if the team is to succeed in their mission and kill the unkillable. But everyone involved on this mission has a secret. Who can really be trusted, and can a divided team truly bring down the most feared and dangerous man in the known galaxy?

This comic was written by Robbie Thompson, who is probably best known as a screenwriter for Supernatural, having written several excellent episodes between season 7 and 11 (including the 200th episode, which was an awesome meta musical). Thompson has moved to comic book writing in recent years, having written several series for Marvel Comics including Silk, Spidey, Dr Strange, the Solo comic adaption and Han Solo – Imperial Cadet. Target Vader also features a substantial team of artists, colour artists and letterers who helped this fun story jump off the page. The Target Vader collected edition contains issues #1 – 6 of the Target Vader limited series, which is set just before the events of The Empire Strikes Back.

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Target Vader is a fantastic and enjoyable comic that I had an excellent time reading. Pretty much the moment I heard that this series was going to feature a group of bounty hunters going after Darth Vader, I knew that I had to grab it and check it out (I mean frankly, who could possibly resist such a cool concept). The creative team behind this great comic did an amazing job bringing this exciting concept together and turning it into such an awesome read, with some impressive action sequences, an intriguing look at the criminal underbelly of the Star Wars universe and a great overall story.

This was an excellent standalone comic book series, which most fans of Star Wars fiction are going to enjoy. No real familiarity with the extended Star Wars universe is required to appreciate this story; all you really need to know is that Darth Vader is a badass, the Empire is evil, bounty hunters are crazy scum, and you are going to have an entertaining time watching Vader go up against some dangerous criminals. That being said, those readers who are familiar with the expanded universe are going to get a lot more out of this comic than more causal fans, especially as it presents the reader with a great look at the bounty hunters and criminals that inhabited the galaxy during the events of the original trilogy. This will also be an interesting lead-in comic to the new ongoing Star Wars comic series, Bounty Hunters, which will also feature Valance as a lead character, and which will be set after the events of Target Vader (the Bounty Hunters series is going to be set between The Empire Strikes Back and Return of the Jedi).

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I have to say that I really enjoyed the cool story that Thompson came up with for Target Vader. As I have mentioned above, the entire scenario for this comic is pretty awesome, and it ended up producing a compelling tale of betrayal, revenge and redemption, as the various main characters each try to achieve their own goals. I liked the places this story went, and there are some fun double-crosses and betrayals set throughout this colourful landscape of the Star Wars universe. Aside from the central characters of Valance and Vader, the creative team filled this comic with a great array of side characters, including a primitive tracker; a crazed, four gun wielding slicer; a Tusken Raider sniper; and of course Dengar, the turban-wearing bounty hunter who was part of the group Vader hired in The Empire Strikes Back, and who has featured heavily in both expanded universes after the film. This diverse group of bounty hunters come together as an intriguing and entertaining team, and they nearly succeed in their mission with their unique skills. Vader of course comes across as a total badass in this comic, which is always fun to see, and I really enjoy comics that showcase this iconic villain. There is so much to love about this amazing story, and readers are guaranteed an exciting team exploring the cool narrative within this comic.

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Target Vader also features a rather intriguing central character in Beilert Valance, the cyborg bounty hunter who leads the team against Vader. Valance is a character with an interesting past in Star Wars lore as he originally appeared many years ago in a Star Wars Legends comic, where had an excellent character arc. He has the distinction of being one of the few expanded universe characters from the Legends era who has been reintroduced into the new Disney Star Wars canon. Thompson is actually the writer who brought this character into the current canon, as he was first shown in the comic adaption of Solo: A Star Wars Story, and subsequently formally identified and strongly featured as a character in Han Solo – Imperial Cadet. In his latest appearance, Thompson does a deeper dive into his character, showing off a past full of fire, combat and death, as well as examining his motivations and his drive to keep on fighting no matter what. There are some interesting surprises involved with his actions in this limited series, I liked seeing his complex history with Vader, the Empire and other organisations featured within the comic. Valance is also shown to be a crafty and skilled individual who is actually a threat to Vader. His whole plan to assassinate Vader is rather clever, and the way that he is eventually able to outsmart everyone is pretty cool. Overall, Valance served as an excellent central character for this book, and I look forward to seeing more of him in the upcoming Bounty Hunters comic (Valance and Boba Fett should be a fun combination).

I also enjoyed the fantastic artwork that is shown throughout Target Vader. As you can see from the breakdown of contributors at the top of this review, this comic features the talents of a huge range of different artists, and there are some varied collaborations on each separate comic issue. Now I have to admit that I’m not the biggest fan of having so many artists contributing to one single series and I personally like a bit of consistency, but this great team (some of whose work I have seen before in comics such as Doctor Aphra, Vader: Dark Visions and Uncanny X-Men – Wolverine and Cyclops), did some amazing work in Target Vader, illustrating some awesome and action-packed sequences. There are some great explosive scenes featured within this volume, and these artists did an outstanding job showcasing all the intense action that occurred as part of the story. The artistic highlight of Target Vader has to be the massive and exciting fight between Vader and the bounty hunters, which was really cool to see. I also really enjoyed all the character designs featured within the volumes, and this team made sure to feature a number of the distinctive Star Wars alien races throughout the comic. All of this amazing artwork really enhances the enjoyable story, and readers are in for an intense visual treat with this comic.

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Target Vader is an awesome and deeply exciting limited series which I had a really fun time reading. This fantastic comic features an excellent story, some impressive artwork and a bunch of great characters, all of which comes together for a captivating and enjoyable piece of Star Wars fiction. I look forward to seeing more Star Wars bounty hunter adventures in the future, and this is a wonderful and recommended read for those Star Wars fans looking for something fast-paced and very entertaining.

Star Wars: Dooku: Jedi Lost

Dooku - Jedi Lost Cover

Publisher: Penguin Random House Audio (Audio Production – 30 April 2019)

Script: Cavan Scott

Cast: Orlagh Cassidy, Euan Morton, Pete Bradbury, Jonathan Davis, Neil Hellegers, Sean Kenin, January LaVoy, Saskia Maarleveld, Carol Monda, Robert Petkoff, Rebecca Soler and Marc Thompson.

Length: 6 hours and 21 Minutes

My Rating: 4.5 out of 5 stars

Prepare for another deep dive into the Star Wars canon with an audio drama that explores the past of one the biggest villains from the prequel movies, Count Dooku, with Dooku: Jedi Lost.

Dooku: Jedi Lost was one of the more interesting pieces of Star Wars fiction that was released last year. Based on a script written by Cavan Scott, an author who has written a multitude of comics, novels and radio drama tie-ins for several different franchises, Jedi Lost was originally released as an audio production featuring several different actors, with the script also released in novel format a few months later. I have been meaning to check out this unique story for some time, as it was one of the few pieces of Star Wars fiction that I did not read in 2019. This is actually one of the first entries I am ticking off my Books I Wish I Read in 2019 list (barring The Russian by Ben Coes, which was an honourable mention), and I am really glad I decided to check this piece of fiction out.

For many in the galaxy, Count Dooku of Serenno is one of the most dangerous and evil villains that ever lived. The leader of the ruthless Separatists during the Clone Wars, apprentice to Darth Sidious and master of several ruthless assassins, Dooku is rightfully feared and hated by many. However, he once was one of the most respected and powerful members of the Jedi Council. A former apprentice to Yoda himself, and the mentor to two exceptional Padawans, Rael Averross and Qui-Gon Jinn, Dooku dedicated decades of his life to the Jedi, before suddenly leaving and taking a different path. But how did such a revered Jedi turn to the dark side of the Force? That is a question that Dooku’s new apprentice, Asajj Ventress, is trying to understand when she is given a mission to find Dooku’s missing sister. Searching for leads through Dooku’s journals and messages, Ventress is given unprecedented access into Dooku’s past.

The son of the ruthless Count of Serenno, Dooku was abandoned as baby by his father the moment his abilities with the Force were identified, only to be rescued by Yoda. Upon learning the truth about his birth years later, Dooku struggles with balancing his duties as a Jedi with his connections to his family and home planet. Conflicted, Dooku finds comfort in his friendship with the troubled young Jedi Sifo-Dyas and the mysterious Jedi Master Lene Kostana, whose mission of locating and studying Sith artefacts fascinates Dooku and leads him to his first experiences with the dark side of the Force. As Dooku rises through the ranks of the Jedi Order, he finds himself stymied by the bureaucracy and corruption of the Republic and the hypocrisy of the Jedi Council. As the first waves of darkness fall across the galaxy, how will the younger Dooku react, and what will Ventress do when she realises what sort of person her new master is?

Dooku: Jedi Lost is an incredible and deeply captivating piece of Star Wars fiction that cleverly dives into the past of one of the franchise’s most iconic villains to present a compelling and intriguing story. I ended up listening to the full cast audio production of Jedi Lost, and I really enjoyed this fantastic and intriguing book. The plot of Jedi Lost is uniquely set across several different time periods, with the details of Dooku’s life being relayed to a younger Ventress at the start of her Sith apprenticeship through journal entries, detailed messages, oral histories and even some visions of the past. Scott did an excellent job of setting his story across multiple time periods, which allowed Jedi Lost to showcase the life of the titular character while also presenting an exciting, fast-paced and at times dramatic narrative that includes several plot threads that jump from timeline to timeline. All of this results in an excellent Star Wars story which features some fascinating inclusions to the franchise’s lore and which is enhanced by the incredible audio production.

At the centre of this book lies an intriguing and captivating exploration of one of the most significant antagonists in the Star Wars canon, Count Dooku. Jedi Lost contains quite a detailed and compelling backstory for this character, and you get to see a number of key events from his life. This includes his complicated childhood, the forbidden communication he had with his sister, the connection he maintained with his home planet, parts of his apprenticeship under Yoda, the tutelage of his own two apprentices, his time on the Jedi council, his first brushes with the dark side of the Force and finally the chaotic events that led him to leave the Jedi order and take up his position as Count of Serenno. Every part of this background proved to be extremely fascinating and it paints Dooku as a much more complex character, with understandable motivations and frustrations. He actually comes across as a much more sympathetic person thanks to this production, and readers are going to have an amazing time finding out what events and betrayals drove him away from the Jedi and towards his new master. The storytelling device of having Ventress read and analyse Dooku’s old messages and journal entries ensures that the story quickly jumps through the events of his life, and no key events really seem to be missing. I personally would have like to see some more detail about Dooku’s training under Yoda or his teaching of his apprentices, although I appreciate that this was already an expansive production and there was a limit on what could be included in the script. I also wonder what sort of story this could have turned into if this was told exclusively from Dooku’s point of view, however, this first-person narration probably wouldn’t be as feasible as a full cast audio production. Overall, those fans who check out Jedi Lost are in for quite an in-depth and fascinating look at the great character that is Count Dooku, and I am sure many will enjoy this exciting examination of his backstory.

In addition to exploring the character of Count Dooku, Jedi Lost also presents those dedicated Star Wars fans with a new canon look at the Star Wars universe before the events of The Phantom Menace. You get an intriguing look at the Republic and the Jedi Order in the years leading up to events of the Skywalker Saga, and it was fascinating to see the similarities and differences between the various eras in the Star Wars lore. In particular, I found in interesting to see that the groundwork for the Clone Wars and the fall of the Jedi order had already begun, with ineffectual leadership, corruption in the Senate and complacency in the Jedi Council all eventually leading the dark events of the future. Jedi Lost also shows the earlier days of several Jedi who were supporting characters in either the movies or the animated shows. In particular, this entry focuses on Sifo-Dyas, the Jedi who foresaw the Clone Wars and was manipulated into creating the Republic’s clone army. The story explores how Dooku and Sifo-Dyas were close friends growing up, while also showing the origin of his prescient powers, and he proved to be a rather compelling side character. Jedi Lost also saw the introduction of Jedi Master Lene Kostana to the canon. Lene Kostana was a rebellious Jedi who scoured the galaxy for Sith artefacts in the belief that the Sith were going to rise again. She proved to be an interesting mentor character for Dooku, and her recklessness and unique way of thinking had some major impacts in Dooku’s character development.

I also liked how this piece of Star Wars fiction focused on the early career of Asajj Ventress, one of the best Star Wars characters introduced outside of the movies. Much of the story is set immediately after Dooku claims Ventress as his apprentice and personal assassin, which allows the reader a compelling view of Ventress’s early brushes with the dark side of the Force and the initial corruption and manipulation she experienced under Dooku. This proved to be quite an interesting part of the novel, especially as the reader got to see Ventress’s thoughts and reactions to several revelations about Dooku’s past. Thanks to the way that the audio production is set out, Scott also included a rather cool element to Ventress’s character in the way that she is hearing the voice of her dead former Jedi Master and mentor, Ky Narec. While Ky Narec’s voice was mainly included to allow Ventress to share her thoughts in this audio production without becoming a full-fledged narrator, this ethereal character gives the reader a deeper insight into Ventress’s character. I also enjoyed the discussion about Ventress’s past with Narec, and it helped produce a much more in-depth look at this fascinating character from the expanded universe.

Like most pieces of expanded universe fiction, Jedi Lost is best enjoyed by fans of the Star Wars franchise, who are most likely to appreciate some of the new pieces of lore and interesting revelations. This production also bears some strong connections with another piece of Star Wars tie-in fiction that was released last year, Master & Apprentice by Claudia Gray. Master & Apprentice was one of the most impressive Star Wars novels released last year, and it featured a story that focussed on Dooku’s apprentices, Rael Averross and Qui-Gon Jinn. Jedi Lost heavily references some of the events that occurred or are represented in Master & Apprentice, and it was interesting to see the intersections between the two separate pieces of fiction. I particularly enjoyed seeing more of the unconventional Jedi, Rael Averross, and it was great to see some additional interactions between the proper and noble Dooku, and this rough former apprentice. Despite all of this, I believe that Jedi Lost can easily be enjoyed by more casual Star Wars fans, although some knowledge about the prequel films is probably necessary.

People familiar with this blog are going to be unsurprised to learn that I chose to listen to the audio production of Jedi Lost rather than read the book that was produced from the script. I have a well-earned appreciation for Star Wars audiobooks, which are in a league of their own when it comes to production value; however, Jedi Lost is on another level to your typical Star Wars audiobook. As I mentioned above, Jedi Lost was released as a full cast audio production, which is essentially an audio recording of a play. This was the first piece of Star Wars fiction I had experienced in this medium, and I really loved how it turned out. The cast did an amazing job with the script, and they acted out a wonderful and highly enjoyable production which I thought was just incredible. The production runs for just over 6 hours and 20 minutes, and they manage to fit a lot of plot into this shorter run-time (in comparison to normal Star Wars audiobooks), as the use of dialogue results in a lot less narration. Due to the way Jedi Lost is structured, with Ventress reading out journal entries or having Dooku’s tale told to her, there is a little more narration of events then a production like this would usually have. I think this was necessary to ensure the reader was clear on what was going on at all times, and it didn’t ruin the overall flow of Jedi Lost in any way.

Jedi Lost features a very impressive and talented group of actors who go above and beyond to make this an awesome audio production. As you can see from the cast list above, this production made use of 12 separate narrators, each of whom voice a major character (with some of the actors also voicing some minor characters as well). Many of these narrators have expansive experience with voicing Star Wars audiobooks, and I have actually had the pleasure of listening to several of these actors before, including Euan Morton (Tarkin by James Luceno), Jonathan Davies (Master & Apprentice), Sean Kenin (Death Troopers by Joe Schreiber), Robert Petkoff (multiple Star Trek novels, most recently Picard: The Last Best Hope by Una McCormack) and Marc Thompson (Dark Disciple by Christie Golden, Loki: Where Mischief Lies by Mackenzi Lee and Scoundrels and Thrawn by Timothy Zahn).

There is some truly outstanding audio work done in this production, with several actors producing near-perfect replication of several iconic characters from the Star Wars franchise. I particularly have to praise Orlagh Cassidy for her exceptional portrayal of Asajji Ventress; her take on the character sounded exactly like the Ventress that appeared in The Clone Wars animated show. I was also deeply impressed by Jonathan Davis’s Qui-Gon Jinn and Marc Thompson’s Yoda, both of which were incredible replications of the characters from the movies. Davis also did a great job once again portraying Rael Averross, a fun character who he first brought to life in Master & Apprentice, and I loved the somewhat laidback voice he provides for Rael, especially as it reminds me of an older cowboy character from a western (I personally always picture Sam Elliott when I hear it). Other standout stars in this production include Euan Morton, who came up with a great take on the titular character Count Dooku. Morton was able to produce an impressive and commanding presence for this character, and he did a great job modulating the character’s voice to represent the various jumps in age that the character experienced. The same can be said for Saskia Maarleveld’s Jenza and Sean Kenin’s Sifo-Dyas, whose characters also aged extremely well throughout the course of the production. I also really loved the voice that Carol Monda provided for new character Lene Kostana, and I felt that it fit the character described in Jedi Lost extremely well. I honestly loved all the rest of the voices that were provided throughout this production, and each of them brought some real magic to Jedi Lost.

Just like with a normal Star Wars audiobook, one of the standout features of the Jedi Lost production was the incredible use of the franchise’s iconic music and sound effects. I really cannot emphasise enough how amazing it is to have one of John Williams’s epic scores playing in the background of a scene. Not only does it really get you into the Star Wars zone, but this music markedly enhances the mood of any part of the book it is playing in. Hearing some of the more dramatic scores during a touching or tragic scene really helps the reader appreciate how impactful the sequence truly is, and nothing gets the blood pumping faster during an action sequence than Duel of the Fates or some other fast-paced piece of Star Wars music. The sound effects utilised throughout this production are not only really cool but they also have added significance for an audio production like Jedi Lost which relies on dialogue rather than narration to establish the scene. Having the various classic Star Wars sound effects reflect what is going on can be really helpful, and often the clash of lightsabers and the pew-pew of blaster bolts give life to a battle sequence. I always appreciate the way that certain sound effects can help paint a picture of what is happening in the room that the dialogue is taking place. Having the susurration of a crowd or the light hum of a starship engine in the background always makes a book seem more impressive, and it makes for a fun overall listen.

Dooku: Jedi Lost was an incredible and wonderful production which I had an extremely hard time turning off. Cavan Scott’s clever and intricate script, combined with the outstanding audio production, is a truly awesome experience which I deeply enjoyed. I loved learning more about the character of Count Dooku, and I think that Scott came up with a fantastic and intriguing background for the character. Jedi Lost is an excellent piece of Star Wars fiction, and I am extremely happy that I listened to it. Highly recommended to all Star Wars fans, and if you decide to check out Jedi Lost, you have to listen to the spectacular audio production, which is just amazing.

Throwback Thursday – Star Wars: Darth Vader (2015): Volume 2 – Shadows and Secrets

Darth Vader - Shadows and Secrets

Publisher: Marvel Comics

Writer: Kieron Gillen

Artist: Salvador Larroca

Colourist: Edgar Delgado

Publication Date: 5 January 2016

Length: 136 pages

My Rating: 5 out of 5 stars

Reviewed as part of my Throwback Thursday series, where I republish old reviews, review books I have read before or review older books I have only just had a chance to read.

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For my latest Throwback Thursday, I take a look at the second volume of the 2015 Darth Vader series, Shadows and Secrets. This is a superb and fantastic addition to a series which I honestly consider to be one the best overall pieces of Star Wars fiction out there, as it continues to explore the complex character that is Darth Vader.

Following the events of the first volume of this series, Vader, Darth Vader now knows that the mysterious Rebel pilot who destroyed the Death Star is actually his son, Luke Skywalker, and that the Emperor has been lying to him for years. This revelation, combined with the fact that the Emperor is forcing him to compete for his favour with the scientific creations of the cybernetic genius Cylo, has crystallised Vader’s rage, and he is now determined to overthrow the Emperor and rule the Empire with his son. To that end, he has commanded his new agents, the rogue archaeologist Doctor Aphra and her two murderous droids, Triple Zero and BT-1, to gather the resources needed to pursue his agendas.

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Whilst Aphra and her criminal contacts do their work for him, Vader must appear to obey the commands of his new superior officer, Grand General Tagge. His latest mission from Tagge requires him to find out who stole a massive consignment of credits that the Empire recently seized from crime lords in the Outer Rim. There is just one problem: Aphra and a small group of bounty hunters stole the credits on his behalf. Vader attempts to cover up his involvement in the crime and lead the investigation away from Aphra. However, the arrival of his new aide, the brilliant Inspector Thanoth, may prove troublesome, as Thanoth’s investigation leads him in all the right directions.

However, despite the importance of Vader’s plans within the Empire, his main concern is the search for his son. Needing to locate and corrupt Luke before the Emperor finds out who he is, he tasks Aphra with not only finding his son’s location but to also find and silence the one person who knew that Luke was actually born. As Vader does all he can to keep Thanoth from finding Aphra and incriminating himself, he finds himself walking a fine line between victory and destruction. With new rivals and both the Empire and the Rebellions seemingly against him, can even Darth Vader get what he wants?

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Well this was another fantastic bit of Star Wars fiction! The first thing that I do have to admit is that Shadows and Secrets is probably my least favourite volume in the entire 2015 Darth Vader series. However, this is only because every other volume in this series is just so incredible that this one suffers a little in comparison. That being said, I absolutely loved this second volume as it contains an excellent story, some great moments, fantastic characters and some impressive artwork. Containing issues #7-12 of the Darth Vader series, Gillen and Larroca have done an incredible job with this second volume, and I still consider it to be a five-star read.

One of the best things about Shadows and Secrets is Gillen’s outstanding story, which continues some of the tantalising threads from the first volume while also introducing some great new elements. Gillen sets out a clever, well-paced story that is filled with all manner of action, adventure and intrigue, as Vader begins his duplicitous actions within the Empire, attempting to amass the resources he needs for his projects without drawing the suspicion of either his rivals in the Imperial hierarchy or his new superior. Most of the story contained within this volume is fairly self-contained, featuring a fantastic heist sequence and the subsequent fallout from this event. This fallout mostly revolves around Vader’s investigation into his own heist, which he attempts to cover up from his new aide, Inspector Thanoth. Thanoth is a genius detective of Sherlockian talents who was quickly able to get to the truth of the matter and find the culprit of the heist, despite Vader’s vest efforts. I really enjoyed this whole investigation element to the book, especially as it was fun watching Vader routinely sabotage his own investigation, often by killing any and all potential witnesses, only to have Thanoth easily breeze through these obstacles. Thanoth turned out to be an excellent new addition to this series, and I really enjoyed the intriguing partnership he formed with Vader, especially as he plays a dangerous game by continuously hinting that he knows Vader is behind the theft. This turned out to be quite an amazing and enjoyable storyline, and I really appreciated Gillen’s perfect blend of humour and serious storylines throughout the volume.

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I also loved the continued focus on Vader’s obsessive hunt for Luke Skywalker, which has taken on a new edge now that he knows he is his son. While he was already searching for him in the first volume, now that he realises who he really is, Vader decides to protect his identity and the find out the whole truth behind his birth. This is shown in the first part of Issue #7, in which Vader and Aphra visit both the Lars Homestead and Ben Kenobi’s hovel on Tatooine, where he tries to gleam some knowledge from both houses about his son, before setting off a molecular bomb to erase all useful forensic evidence. Shortly after this, Vader than sets Aphra a task of finding and interrogating a former mortician from Naboo who prepared Padme Amidala’s body for her funeral, including setting up a hologram to make it appear that she was still pregnant. This tuned out to be an outstanding sequence, as the mortician, who has a huge amount of personal loyalty towards Amidala, at first refuses to provide any information about his work, before being tortured and confirming the existence of a child. While this admission is a betrayal of his beloved Queen that clearly costs the former mortician a lot, he is able to do one last act of service for her by not revealing any details about the second child, Leia. I thought that this scene was amazing, and I liked how it helped explain how Vader was aware of Luke’s existence and status as his child, but not that he also had a daughter. I also appreciated Gillen’s focus on the loyalty the inhabitants of Naboo had to Amidala, even in death, which was even able to move the cynical Aphra. Her subsequent mention to Vader of how Amidala must have really been something was a nice touch, as Vader’s subdued and hidden reaction hints at his continuing deep feelings towards his long-dead wife. I really liked this focus on the search for Luke, as not only does it makes sense in the context of the movies, but it also showcases the lengths Vader was willing to go to find and protect his son, and it leads to the best sequence in the entire volume.

I personally really enjoyed how the creative team continued to show off Vader as a dangerous and vicious powerhouse in this volume. While it does not contain the same level of carnage that he unleashed in the first volume of the 2015 Star Wars comic book series, Shadows and Secrets contains several amazing scenes depicting his destructive abilities and personality. Whether he is stuffing a crime lord into the mouth of his own exotic beast and then easily killing the distracted monster, or whether he is taking down and entire squadron of Rebel space fighters one at a time by throwing his lightsaber at them, he is shown to be pretty impressive.

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Just like in the first volume, Doctor Aphra continues to shine as the series’s main supporting character, and her entire character arc within Shadows and Secrets is very intriguing. Throughout this volume, Aphra ends up undertaking several missions for Vader, such as trying to find the location of Luke Skywalker, and has become one of his main confidants. This puts her in a terrible position, as Vader is likely to kill her to protect his secrets, especially when Thanoth gets close to capturing her. Watching the various ways that this ultimate opportunist attempts to survive against the odds, including by brazenly withholding information from Vader in order to stop him killing her, is pretty impressive, and it makes for some great reading. Shadows and Secrets also contains one of the first deeper looks at Aphra’s internal character. During the sequence I mentioned above with the mortician, she gives a lengthy monologue about the death of her mother and how it has affected her. This was a heavy scene, and while she tries to play it off as not being very important, you can see that it has impacted her, turning her into a much more cynical and self-reliant person who has no room for idealism or blind belief. The significance of this scene is also quite crucial when you consider that much of what she said is later shown in the Doctor Aphra spinoff series and ends up becoming a defining part of her character. I also like how the noticeable changes that the creative team have inserted into Aphra’s personality when she deals with Vader. For most of the volume, Aphra comes across as an ultraconfident being who is able to manipulate and control bounty hunters, murderers and crime lords with ease. However, whenever Vader appears, there is a noticeable change in her bearing and personality, which isn’t too surprising as Aphra knows Vader is going to kill her one day.

I also have to point out how much fun the two murder droids Triple Zero and BT-1 continued to be in this novel. Essentially perverted versions of C-3PO and R2-D2, Triple Zero and BT-1 are remorseless killers who delight in murdering or torturing all organic life. These two add an insane element of humour to the entire series, and they have a number of great moments in Shadows and Secrets. Watching the two of them delight in all sorts of murder and mayhem is all sorts of fun, and you’ve got to love the weird and friendly relationship the two of them have formed with each other.

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One of the best highlights of this second volume is the amazing artwork. The artistic team, helmed by Salvador Larroca, did another fantastic job bringing the amazing story contained within Shadows and Secrets to life on the page. There are so many vibrant and imaginative panels in this volume, and the volume’s artistic team produce some amazing pieces of art that showcase the wider Star Wars universe. One of the things that continues to impressive me about this series is the way that the artistic team are able to convey so much emotion from the faceless main protagonist. Despite only ever seeing Vader’s expressionless and iconic mask, I found that I was constantly able to glean the true emotions that Vader was surely feeling at the time when I looked at him, ranging from cold menace, surprise, frustration to deeper emotions, such as sadness when Amidala is mentioned. There are some truly amazingly drawn scenes throughout this entire volume, although there are two that I would bring particular attention to. The first is the very first scene in Issue #7, which shows Vader standing out the front of the Lars Homestead, staring at Tatooine’s twin suns as they set. I absolutely loved how this drawing matched the iconic scene from A New Hope where Luke stared off in the same position, and I really appreciated the symmetry. The other piece of art that really stood out to me was a quick sequence that appeared a little later in the volume within Issue #8. In this scene, Aphra has just confidently dealt with one of the bounty hunters in her employ and is looking off in the distance speaking to someone. As she talks, Vader slowly materialises out the shadows behind her, responding to her comments. Despite the fact that Aphra’s expression does not change at all there is a notable shift in the tone of the panel when Vader appears, and you cannot help but feel the threat and menace that he exudes. This was some impressive artwork, which helped to really increase how much I loved this comic.

The second volume of the 2015 Darth Vader series, Shadows and Secrets, is a first-rate comic book that once again shows off how impressive Star Wars comics can really be. Gillen and Larroca did an incredible job following up the first volume of this epic series and I really enjoyed the complex and fun story that this second volume contained, especially when it was backed up by great characters and exceptional artwork. This is a superb addition to the series that is really worth checking out.

Throwback Thursday: Star Wars: Dark Disciple by Christie Golden

Star Wars Dark Disciple Cover

Publisher: Penguin Random House Audio (Audiobook – 7 July 2015)

Series: Star Wars

Length: 11 hours and 11 minutes

My Rating: 4.5 out of 5 stars

Reviewed as part of my Throwback Thursday series, where I republish old reviews, review books I have read before or review older books I have only just had a chance to read.

For this week’s Throwback Thursday, I go back and check out an amazing piece of Star Wars fiction with Star Wars: Dark Disciple by tie-in fiction extraordinaire Christie Golden. Dark Disciple is a compelling and intense Star Wars novel that features two fan-favourite characters from the extended universe in a fantastic adventure that is deeply connected with The Clone Wars animated series.

A Jedi shall not know anger. Nor hatred. Nor love!

For years, the galaxy has been locked in one of the most destructive struggles it has ever known, the Clone Wars. Led by the ruthless Sith Lord Count Dooku, the Separatists have engaged in a gruelling and bloody conflict with the Republic that has led to the death of countless innocents. While the guardians of the Republic, the Jedi, have tried in vain to capture Dooku and end the war, their methods appear inadequate to stop him. After a particularly brutal massacre, the Jedi Council do the unthinkable and sanction the assassination of Count Dooku, believing that only his death will bring peace to the galaxy.

To that end, the Council turns to maverick Jedi Master Quinlan Vos. Unpredictable, brash and experienced in undercover work, Vos is the perfect candidate for this dangerous mission. However, this is not a one-man job. In order to track down Dooku, infiltrate his defences and defeat him in battle, Vos is going to need a partner. At the suggestion of Master Yoda, Vos seeks out the one person who knows the Count better than anyone else, Dooku’s former apprentice and assassin, Asajj Ventress.

After losing everything she held dear at the hands of Dooku, Ventress is desperate to leave her past as a Sith behind. But her hatred for Dooku is all-consuming, and she jumps at the chance to finally kill him. However, Ventress believes that Dooku can only be defeated by someone empowered by their emotions and able to access the dark side of the Force. Tutoring Vos in the methods of her race, the Nightsisters, Ventress is able to make Vos stronger and more powerful as he sits on the knife’s edge between the light and the dark side. But this balance is fragile at best, and all it will take is a single push for Vos to fully embrace the darkness. Between the machinations of Dooku, terrible secrets from the past and his growing feelings for Ventress, can Vos remain true to his vows and complete his mission, or have the Jedi have unleashed a great new evil upon the galaxy?

Dark Disciple is an intriguing addition to the Star Wars canon which not only has some major connections to the popular Star Wars: The Clone Wars animated series but also contains a cool and at times dramatic story about love, darkness within and redemption. Dark Disciple was actually based on a script for eight unproduced episodes of The Clone Wars that were never made due to the Disney buyout of Star Wars and the subsequent cancellation of the animated show. These episodes were written by The Clone Wars screenwriter Katie Lucas (who provides a foreword for this book) and subsequently adapted into this book by acclaimed science fiction and fantasy author Christie Golden. Golden has authored many tie-in novels for various franchises, and I have previously enjoyed her World of Warcraft novels, including War Crimes (probably my favourite piece of Warcraft fiction) and Before the Storm. While Golden had written a few pieces of Star Wars fiction before this book, Dark Disciple ended up being her first novel in the current canon. In the end, this turned out to be an excellent read and I was really impressed in the way that Golden ended up turning this cool script into a deep and compelling novel.

Seeing as it is based off an unused script for the show, this book obviously has some strong connections to The Clone Wars television show. This book is set a little while after the events of the already aired episodes of The Clone Wars and continues their range of storylines a little further. Not only does Dark Disciple contain several characters whose main appearance was in the animated show, but it also refers to events from several episodes, including episodes that Katie Lucas wrote herself. As a result, Dark Disciple is probably best enjoyed by those readers who are familiar with the show, who will have a greater appreciation of the book’s various story elements. That being said, anyone who has seen the Star Wars prequel movies will be able to easily follow what is going on, and will no doubt enjoy the complex story it contains.

Fair warning to fans of The Clone Wars series, though: you are going to experience some sense of crushing disappointment after reading this. The book itself is pretty damn awesome, but it’s supremely disappointing that the story contained within this novel never featured as the amazing extended arc for the animated series it clearly would have been. While I really loved this novelisation, I cannot help but imagine how emotional and explosive it would have been acted out and animated as part of the show. As I review this book, it is actually less than a month until the release of the seventh and final series of The Clone Wars. While I am deeply excited for this final season, after reading this book I am a little sad as I know that the storyline contained within Dark Disciple is unlikely to be featured in it.

That being said, I really enjoyed the fact that this book focuses on two amazing characters from the animated series, Asajj Ventress and Quinlan Vos. Ventress and Vos are fan-favourite characters who have had significant appearances within the expanded Star Wars universe. Ventress is best known for her role within The Clone Wars universe (first appearing in the original 2003 Clone Wars show), where she first served as a major antagonist, before developing into more of an anti-hero. Ventress ended up being the focus of several major arcs within The Clone Wars series, some of which were written by Katie Lucas. Her success in the animated series saw her utilised in several books and comics set in the same period, although most of these are no longer canon. Vos also has an interesting origin as he was first seen as a background character in The Phantom Menace. Thanks to his cool look and some fan interest, the character was given a fleshed-out origin story as a Jedi and subsequently utilised in several works of expanded fiction. This included books and comics and an appearance in one episode of The Clone Wars. While Ventress and Vos had several interactions in the old Star Wars Legends canon, Dark Disciples is actually the first time that they meet in the current canon. Their whole relationship is a major part of the story, and I liked how it formed and developed throughout the course of the book.

I really enjoyed how Ventress was utilised in this book. Ventress is one of the best original characters in The Clone Wars, and I have always loved the gradual journey to redemption that occurred within her story arc. As a result, a book where she is one of the main characters is deeply intriguing to me and I was excited to see how she continued to evolve after her last appearance in the animated series. There are some major developments for Ventress in this book, and if you ever enjoyed this character in the animated series and wanted to know her ultimate fate than you need to read this book. Personally, I think that this was an amazing continuation to the character arcs that had been featured within the shows, and as I mentioned above, I am disappointed that it was never included as part of The Clone Wars. In adapting the script into this novel, Golden makes sure to really cover the background of this character, so those readers who are unfamiliar with the shows will be able to understand her complex and tragic backstory. I also think that Golden did an amazing job of capturing the complex character that was Ventress in this book, getting past her prickly outer layer to see the more complicated emotional person within. This was a near perfect examination of one of the best Star Wars characters who never appeared in a movie, and after reading this book it will be a shame not to see more of her in any of the planned animated shows.

Perhaps the most compelling part of this book is the complex and gripping central tale about Quinlan Vos’s fall to the dark side of the Force. This was an intrinsic part of the book’s overall plot, as Vos and Ventress both believed that having the easy power obtained by dark side users was the only way to defeat Dooku. This turn to the dark side is spurred on by lies, revelations and intense emotions, and it necessitates some deep dives into Vos and Ventress’s respective psyches, resulting in some dramatic and personal moments from both of these great characters. Watching Vos’s slow decline as he slips further and further away from the light side is painful at times, especially when you just know he is eventually going to turn. Even then, despite realizing it was coming, the point when he fully breaks bad for the first time (yellow eyes included) is pretty powerful, as he lashes out at the only person he has, and will ever, truly love. In many ways, Vos’s fall reflects Anakin’s later turn in Revenge of the Sith, in that he believes learning about the dark side is for the greater good, the Jedi Council pushes him to do something he has moral issues with and his emotional connections to a women push him over the edge. There are also some amazing scenes in the later part of the book where the reader is unsure whether Vos is actually evil or is just pretending to have fallen to fool his foes, which leads to a lot of uncertainty and hostility from the other Jedi and Ventress as they try to work out his plan. Overall, this was an outstanding centre for this book, and the complex web of deceit, deeper examination of how one falls to the dark side and all the drama surrounding this part of novel, was really cool to read.

One of the other parts of the story that I found to be interesting was the depiction of some of the other Jedi in this book. Throughout this story the Jedi, particularly the members of their ruling council, are shown to be walking a bit of a darker path thanks to the impacts of the Clone Wars. While not attempting to learn more about the dark side of the Force, members of the Council are beginning to propose action that they usually wouldn’t consider, such as the assassination of Dooku, or the execution of Vos and Ventress. This is a really intriguing take on their characterisation which plays in well with the future events of Revenge of the Sith, where their boldness in attempting to take over the Republic to protect it or Mace Windu’s attempt to kill Chancellor Palpatine backfires on them. Windu in particular comes across as a bit of an arse in this book, and the rest of the council (with the exception of Yoda and Kenobi) seem like meek followers going along with him. I thought that this aspect of the books was pretty interesting, and it liked seeing some hints of this once wise and noble Jedi Council beginning to act more rashly and dramatically.

Like most of the Star Wars books that I look at for my Throwback Thursday articles, I ended up listening to the audiobook version of Dark Disciple, which was narrated by Marc Thompson and ran for just over 11 hours. I have mentioned several times before about how I find Star Wars audiobooks to be a step above most other audiobook productions I listen to, and Dark Disciple was yet another awesome example of just how cool they can be. This audiobook in particular does an excellent job of utilising the huge range of iconic Star Wars sound effects to create an exciting or appropriate atmosphere for much of the story, and there is nothing cooler than hearing lightsaber or blaster sound effects during a battle sequence. In addition, this format also features some of the incredible and memorable music from the films. John Williams’s epic score from the prequels was on full display in this book, with some of his most awesome pieces being used throughout several scenes to great effect. Nothing amps up an action scene quite as much as having the pulse pumping Duel of the Fates playing in the background, while hearing the mournful composition known as Anakin’s Betrayal playing during the scenes where Vos is turning to the dark side of the Force is a real emotional gut punch that brings back memories of Vader and the Emperor killing all the Jedi. This was actually one of the best utilisations of Star Wars music in an audiobook that I have so far experienced, and I really loved how much it increased my enjoyment of this fantastic audiobook.

In addition to the cool sound effects and dramatic music, the audiobook also benefited from the talented voice work of Marc Thompson. Thompson is a veteran narrator of Star Wars audiobooks, having worked on a huge number of their tie-in books since 2007. I have previously listened to two Star Wars books narrated by Thompson, Thrawn and Scoundrels, and with both of these I was really impressed with the realistic and clever voices that he came up with for some of iconic Star Wars characters. Dark Disciple is another exceptional example of Thompson’s skill, as he was able to reproduce the voices of several of the book’s major characters. Not only does he do an amazing job replicating Ventress’s voice, but he also produced excellent examples of Yoda, Count Dooku and Obi-Wan Kenobi’s voices from The Clone Wars show. This is some first-rate voice work which, when combined with all the extra sound effect and musical inclusions, made Dark Disciples an absolute treat to listen to, and I cannot recommend this format highly enough.

Star Wars: Dark Disciple by Christie Goldie is an outstanding and highly enjoyable piece of Star Wars fiction that I had an amazing time listening to. Featuring a first-rate story that revolves around two amazing characters and their complicated relationship to the force (and each other), Dark Disciple is one of the better Star Wars novels that I have had the pleasure of reading. A perfect tie-in to the amazing The Clone Wars animated series, this book is a must read for all fans of that series, especially before the seventh and final season is released. Dark Disciple comes highly recommend and is a force to be reckoned with.