The Unseen Library

The most lethal assassins in the Warhammer 40,000 universe go face to face with a gigantic foe in the impressive and deeply thrilling Assassinorum: Kingmaker by amazing author Robert Rath.

I know I’ve said this before, but 2022 is turning out to be a fantastic year for Warhammer fiction. Thanks to my recent obsession with this franchise, I have been deeply enjoying all the new tie-in novels associated with this table-top game, as a bevy of talented authors seek to expand on the already massive lore. I have already had a lot of fun with books like Steel Tread, The Bookkeeper’s Skull, Day of Ascension, Kreig, Ghazghkull Thraka: Prophet of the Waagh!, Reign and The Vincula Insurgency, but I may have just finished one of the most purely entertaining and awesome new entries, Assassinorum: Kingmaker. Written by Robert Rath, who previously wrote the intriguing Necron focused book, The Infinite and The Divine, Assassinorum: Kingmaker had a very appealing story that instantly grabbed my attention and which ended up being an outstanding read.

In the 41^st millennium, a new generation of war has engulfed the Imperium of Man, as the forces of Chaos press mankind from all sides and the recently resurrected Roboute Guilliman leads his forces on a new crusade. Enemies attack the Imperium from all corners, often hidden in the shadows, and all the Emperor’s agents must work to find and eliminate them. The most deadly, effective and feared of these agents are the members of the Officio Assassinorum, elite modified assassins who kill all of the Emperor’s enemies without mercy or fear, and who many believe are merely myth.

When the mechanical warriors of the Knight World of Dominion fail in their duty, the Imperial overlords task Vindicare assassin, Absolom Raithe, to travel to the planet and kill Dominion’s High Monarch, Lucien Yavarius-Khau, and managed the succession of a suitable replacement. However, this will be no easy kill as the High Monarch has long ago bonded himself to his massive war machine, remaining permanently within its heavily armoured cockpit. To kill this near-invulnerable king, Raithe is forced to recruit a kill-team with variable talents, featuring the Callidus assassin Sycorax and the Vanus assassin Avaaris Koln.

Infiltrating the planet using returning Knight, Sir Linoleus Rakkan, who has been co-opted into their plans, the assassins arrive to find a world in turmoil. The planet’s two rival ruling houses are in constant battle with each other, and in the ensuing chaos, anti-Imperial sentiment is high, and the already invincible High Monarch is under heavy guard. Seeking to infiltrate the court of Dominion, the kill team begin to manoeuvre themselves into position, while manipulating the feuding knights around them. However, the assassins soon begin to realise that not everything is as it seems, and a dark secret lies at the heart of this noble planet. Can Raithe’s team achieve their goals, or are they destined to die at the hands of a dangerous foe with malicious plans for the entire Imperium?

Damn! Damn! Damn! What an over-the-top and extremely cool Warhammer 40,000 novel that I deeply, deeply loved. Robert Rath really went out of his way to make Kingmaker as awesome as possible, and the result is an extremely thrilling, electrifying and epic read, loaded with so many cool elements. This was honestly one of the best Warhammer novels I have had the pleasure of reading and I have very little choice but to give it a full-five star read.

I really, really loved the cool story in this book, which essentially boiled down to ultra-elite assassins attempting to kill the king of a planet of mecha, which is such an awesome idea. Despite this being a heavy concept to achieve, Rath managed to achieve it in spades, providing readers a fantastic and clever narrative that instantly grabs your attention. This book starts off extremely well, introducing the world of Dominion, the unique mission, and the four central characters of the three assassins, and their Knight patsy, and generally setting up all the key elements of Kingmaker to ensure some outstanding moments later. From there, the story turns into a bit of an espionage thriller, as the three assassins begin their infiltration of the court, impersonating the knight Rakkan, and coming to grips with the unique world they have arrived at. Rath provides an excellent balance of story elements in this first half of the novel, and the reader gets a fantastic mixture of character development, massive universe building, political intrigue, spy elements and some early mecha-action, all of which is a ton of fun and ensures that the reader is firmly addicted with this novel.

While I deeply enjoyed the excellent story elements contained with this first half of Kingmaker, it’s the second half that made me a major fan of this book, as Rath amps up the action, excitement and thrills in a massive way. Following a major, action-packed moment around the halfway mark that sees all the characters in their element, the protagonists soon have a new objective. This leads to several great sequences of entertaining mayhem and death as the protagonists attempt to manipulate local politics to their advantage. However, the fun doesn’t last much longer, as the book enters its final phase and big conclusion. While it initially appears that everything is going to plan, you just know it will end badly as there is still a lot of book left to go. However, you do not appreciate just how bad things have gotten for the protagonists until they are suddenly hit from every direction and hell reigns down all around them.

The story essentially devolves into all-out war for its last quarter, as the protagonists find themselves facing enemies all around, and all four main characters are forced go in some amazing directions at this point as they attempt to stymie the damage before them, with varying degrees of success. Rath really pulls out all the stops here, and the reader is dragged into non-stop action on every front, from a mass of deadly mecha fights, close combat against abominations in the bowels of an ancient castle, and an intense gun fight against overwhelming numbers. At the same time, there are a ton of big revelations occurring here as a lot of the storylines Rath has been patiently setting up throughout the rest of Kingmaker finally come to fruition. I honestly did not notice some of the clues that Rath set out in the earlier stages of the novel, but once you realise what he has done, it really becomes apparent how much detail and planning the author put into the story. Everything comes together extremely well at the very end, and Rath wraps up most of the storylines perfectly, leaving the reader very, very satisfied, with all their action needs firmly quenched. However, he also leaves a couple of storylines opened, which could potentially lead to some form of sequel in the future, which I would be very excited for. An, epic story with so much going for it!

Rath has a great and exciting writing style which I deeply enjoyed and which I found to really enhance the cool story. The author was able to successfully blend multiple key elements together into a very cohesive narrative which delivered the right combination of action, intrigue, character moments, world building, a little humour and more. This was a very fast-paced and exciting story, especially during some of the key moments at the centre and towards the end, and there was honestly not a single slow moment that made me even considering turning this book off. With the use of multiple character perspectives, particularly of the four main characters, the reader is gifted a massive overarching view of the key events occurring throughout the novel, and they are always right in the centre of the story. I particularly need to highlight the very impressive action sequences, as Rath had a real talent when it came to displaying violence and death, whether it be by the hands of the assassins, or via the multiple Knights featured throughout the book. There is a wonderful interchange between perspectives during some of the more impressive action sequences, with the reader is shown multiple angles of key events, which really helped to enhance how epic they were. I was really drawn to one sequence where you see a group of characters “talking” before it flashes over to another character quickly and efficiently killing everyone nearby. Elements like this really drew me into Kingmaker’s story and were a lot of fun to see in action.

Kingmaker proves to be a very impressive addition to the Warhammer 40,000 canon, especially as Rath ensures that the reader leaves with a healthy amount of knowledge about the universe, and several major factions within it. Ostensibly a standalone read (although there is room to expand out into an extended series), this is a book that will appeal to a wide range of Warhammer fans, especially as it focuses on two particularly unique and brilliant Imperial sub-factions, the dual use of which clash together perfectly to create an awesome narrative. As such, a little bit of pre-knowledge about the Warhammer 40,000 universe, its recent history and the various major groups are useful to help you enjoy this story fully. However, Rath did a great job of explaining a lot of these key universe elements throughout his story, and general science fiction fans should be able to pick up on the context easily enough. As such, Kingmaker has a pretty broad appeal, and I loved seeing the great ways he expanded and explored some crazy groups.

The first faction that Rath deeply explored in Kingmaker is the Officio Assassinorum, the Imperium’s elite, hidden network of ruthless trained killers, who most people believe are a myth. Trained, conditioned and modified to become the deadliest killers in the galaxy, the Officio Assassinorum are a pretty badass part of the Warhammer 40,000 universe, and there are only a few novels currently about them. However, Rath really goes to town exploring them, and as they come together as a Kill Team to take facilitate the plot’s main mission. Kingmaker features three different types of Imperial assassins from Officio Assassinorum temples, each of whom has their own unique skills, methods and technology. As such, you are given a great insight into three additional sub-factions, with the Vindicare, Callidus and Vanus temples all featured here. Rath really does a great job showcasing these different assassins throughout Kingmaker, and you come away with some major insights into how these assassins operate, what their skills are, and how they work or don’t work together. There is also a deep and intriguing examination of the inner minds of these assassins, and you get a good idea of their opinions on the events unfolding, as well as their general thoughts on being deadly killers in service to the Emperor. I really enjoyed the unique and compelling team-up of assassins featured in Kingmaker, and their technologically focussed attacks and elaborate methods worked well in contrast to the other major faction in this book, the Imperial Knights.

Imperial Knights are another great human sub-faction from the Warhammer 40,000 game, and one that I really didn’t know too much about before this novel. However, that changed really quickly as, despite Kingmaker being labelled as an Assassinorum novel, Rath spent just as much time, if not more, examining members of a Knight World. Knight Worlds in the Warhammer 40,000 universe are unique planets that have evolved into a feudal system equivalent to Earth’s medieval period, with peasants and other servants serving the noble houses who field Knights for war. I always love seeing the cool range of different societies, cultures and technology levels throughout the Warhammer universe, and the Knight Worlds are especially fun, as they have gone out of their way to stay as a feudal society, rather than become standard Imperial worlds. The contrast between the spoiled nobility and the poorer peasants in this futuristic context is just great, and I loved seeing so many Medieval elements being altered to fit into a degree of advanced technology, while still retaining a lot of traditional elements (e.g. footmen with laser rifles). However, rather than riding to battle on a horse, these knights are mounted in the Imperial Knight war machines, massive mecha that, while not as large as the god-sized Titans, are still impressive walking weapons. Rath has a lot of fun showcasing these Knights throughout Kingmaker, and you end up getting a good look at the unique machines, which are bounded to their pilot, and which contain the spirts of all their previous riders. The impressive Knight-on-Knight battles throughout the book are extremely good, no matter their context, and I particularly enjoyed the focused look at the war machines’ apparent sentience, as the riders are bombarded with the thoughts and voices of the previous riders.

Dominion also proves to be a great and complex setting for Kingmaker, and I loved all the unique politics and elaborate back stabbings it created. Featuring two rival houses, Stryder and Rau, as they battle for supremacy, Rath explores its rather elaborate and distinctive rulership and court as the assassin characters search for a weak spot. Dominion’s status as a somewhat independent planet in the Imperium was also pretty intriguing, and it was fascinating to see members of the planet arguing over whether they should serve themselves or help the Emperor. An overall deeply impressive examination of the Imperial Knights and their worlds, I deeply enjoyed how well Rath was able to work this faction into his complex narrative and it really highlighted his attention to detail and his love for the lore.

I also need to highlight the great characters featured within Kingmaker as Rath has created an excellent collection of enticing figures whose unique personal stories deeply enhanced the overall tale. This was a fantastic group of deep and complex characters, and their statuses within this universe ensured that they all had some unique experiences. Most of Kingmaker’s narrative is spread amongst the three members of the Assassinorum who represent a different Assassinorum Temple, and as such have very different viewpoints on the universe and the best way to operate as killers. This provides some compelling initial conflict amongst them as they try to work together, something none of them are really good at. However, they soon start to come together as a team as the novel continues, and they ended up playing off each other’s strengths and personalities to create an excellent, core group of protagonists.

The Assassinorum characters in Kingmaker are headlined by Absolom Raithe, the Vindicare assassin who has been appointed team leader. An infamous sniper, tactician, and resolute loner, Raithe struggles the most with working as a team, and his initial attempts at leadership aren’t that successful. The author adds in some additional issues for Raithe as the story continues, especially as he is forced to deal with an injury and taking on roles that are outside his comfort zone, producing some dangerous risks for the team. However, Raithe ends up growing a lot as a leader as the book continues, while his multiple sniper scenes contain some of the best action in the entire novels.

Apart from Raithe, there is also a lot of focus on Sycorax, a Callidus assassin who specialises in infiltration and whose enhanced abilities allow her to morph her shape. Due to her role impersonating Rakkan for most of the novel, Sycorax is one of the most significant characters in the book, and she ends up with some thrilling and intrigue laden sequences. Watching her take on multiple personalities throughout the novel is really cool, and it was captivating to watch her more elaborate methods strongly clash with Raithe’s more direct attempts throughout the book. Sycorax also provides the reader with some of the best and most intense insights into being an Imperial Knight pilot, as she is required to bond with Rakkan’s Knight Jester for much of the book. Seeing an outsider character interact with Jester’s mind, which contains the spirits of its previous riders, was extremely fascinating, and you get a good sense of the difficulties and insanities involved with piloting such a machine. In addition, the experiences and memories she obtained from the link impacted on Sycorax’s psyche and ensure that she gets some fantastic interactions with Rakkan, while also gaining a better understanding of the people and machines she is trying to manipulate.

The final assassin character in Kingmaker is Koln, a Vanus assassin with a skill in technology, data manipulation and analysis. Even though Koln tended to get the least focus of the assassin characters, I really grew to like this tech-focused assassin, especially after her awesome introduction at the start of the book. Koln proved to be an excellent third member of the Assassinorum team, balancing out the impulsive Raith and manipulative Sycorax well. Her ability to kill just by manipulating some data, providing an elaborate forgery, or by hacking into a device was really fun, and I really appreciated the examination of the lesser utilised Vanus assassins. Koln had some interesting story moments in Kingmaker, particularly towards the end of the novel, and it sounds like the author has some intriguing plans for her in the future.

I also need to highlight the character of Sir Linoleus Rakkan, a noble of Dominion who is co-opted into the plans to kill the high monarch and becomes a member of the assassin team. At the start of the book, he is introduced as an ambitious pilot attempting to raise his fortunes. However, after nearly being killed, he becomes a mercenary Freeblade, fighting against the forces of Chaos, before being kidnapped by the assassins. Initially a depressed prisoner who relies heavily on drink to mask his emotional pain and the issues surrounding his disabled legs, the assassins manage to convince him to help Sycorax impersonate him on Dominion and use his return to gain access to the court. Due to being a son of both the rival Stryder and Rau houses, Rakkan provides some great insights into both houses and the royal court, as well providing instruction on how to pilot a Knight. It was a lot of fun to see Rakkan’s reactions to many of the early events of the book, especially as he is forced to watch himself being impersonated, providing information to help them pull off the charade. While Rath could have left Rakkan as a useful, one-note character, he instead spent a good portion of the novel evolving Rakkan and ensuring that he ended up being a key part of the plot. Not only does he mature greatly after witnessing some of the key moments of the mission and Sycorax’s impersonation of him, but Rath also dives into his past and the connection he has to his father, a Dominion hero whose glorious death Rakkan continually witnesses due to his connection to Jester, which his father died in. This obsession with his family and the past eventually leads him to some big revelations in the present, and he ends up having some major and exciting moments in the last half of the novel. Rakkan ended up being one of the most complex and entertaining characters in Kingmaker, and I really appreciate the excellent way in which the author developed him.

Aside from these four main characters, Kingmaker is loaded with an excellent group of supporting characters, most of whom are members of the Dominion nobility. As I mentioned above, I had an amazing time seeing the diverse and contentious Knights of Dominion, especially as most of them are engaged in a brutal blood feud between the two ruling families. Several of these noble characters have some intriguing storylines throughout Kingmaker, with an interesting focus on the members of the Court, the king’s inner circle who are hiding some major and disturbing secrets. Of the rest of the noble characters, the best is probably Rakkan’s mother, the leader of the Stryder family, Baroness Hawthorn Astair-Rakkan, a domineering and ambitious woman who spends most of the novel trying to manipulate Rakkan for her own gain. Baroness Hawthorn had some excellent moments throughout the novel, and I especially loved her collection of hounds, each of whom are humorously named after famous Imperial commanders, just to show off her arrogance and disrespect to the Imperial Guards. Hawthorn’s story arc really changes towards the end of the book, and it will be interesting to see if we get some extra appearances from her in the future. The other major supporting character of Kingmaker is Gwynne, Rakkan’s loyal Sacristan (Jester’s mechanic, a low-level Tech Priest with some additional cultural restrictions). Gwynne serves as another ally to the main characters, and her knowledge of the Knights and their inner workings proves invaluable, as does her inquiring mind. The author weaves some subtle, but important, storylines around Gwynne in Kingmaker, and she ends up serving a key and impressive role. Overall, this was an excellent collection of characters, and I deeply enjoyed how well Rath used them throughout Kingmaker’s narrative.

Like many of the newer Warhammer novels I have been lucky enough to enjoy, I chose to check out Kingmaker on audiobook, which I found to be an awesome way to enjoy this book. Coming in with a run time of just over 11 hours, this was a decently long Warhammer novel, but I honestly flew through it in just a few days, especially once I got fully addicted to its impressive story. The audiobook format really helped me dive into the highly detailed setting and narrative, and I deeply appreciated how much more epic it made the action sequences. Having the intense and over-the-top fighting between the various mechanical Knights was an outstanding experience, and you got the full impact of every powerful strike. I also really enjoyed the excellent narration of veteran audiobook voice actor Gareth Armstrong, who has done a ton of other narration for the Warhammer franchise. Armstrong’s work in Kingmaker was very good, and I loved the great array of voices he features for the various characters, capturing the ethereal and strange nature of the assassin characters and the more robust, proud and arrogant nobles of Dominion. There was a great contrast between these two groups, and I loved how Armstrong succeeded in making every single character stand out on their own. An overall exceptional way to enjoy this wonderful Warhammer book, the Kingmaker audiobook is without a doubt the best way to enjoy this novel, and I deeply enjoyed every single second I spent listening to it.

I think it is fair to say that I deeply enjoyed Assassinorum: Kingmaker. Robert Rath crafted together a brilliant and exceptionally entertaining Warhammer 40,000 novel that was loaded with action, fun and great characters. Featuring lethal assassins facing down massive Imperial Knights, Kingmaker has a little bit of everything, including political intrigue, impressive use of Warhammer elements, and some fantastic war sequences towards the end. Easily one of the most impressive and captivating Warhammer novels of 2022, Kingmaker is a must-read for all fans of the franchise, and you are guaranteed to have an incredible time with this epic book.

Warhammer 40,000: The Vincula Insurgency by Dan Abnett

On June 27, 2022March 1, 2023 By The Unseen LibraryIn Audiobook, Extended Universe, Science Fiction, Tie-in Novel, Warhammer20 Comments

The Vincula Insurgency Cover

Publisher: Black Library (Audiobook – 21 May 2022)

Series: Ghost Dossier – Book One

Length: 6 hours and seven minutes

My Rating: 4.5 out of 5 stars

One of the leading authors of Warhammer fiction, Dan Abnett, returns to his iconic Gaunt’s Ghosts franchise in a big way with the compelling military thriller, The Vincula Insurgency.

Few people have excelled at tie-in fiction in the same way that acclaimed author Dan Abnett has over the years. Not only has he written multiple awesome comics and several original novels but he has contributed tie-in books to several different fandoms, including Doctor Who and Tomb Raider. However, his most significant work has easily been within the Warhammer extended universe. Abnett has produced a ton of impressive and compelling Warhammer novels over his career in both the Warhammer 40,000 and Warhammer Fantasy sub-series. Some of his more notable works include some cool-sounding Warhammer comics, the Tales of Malus Darkblade novels (I’ve got a copy on my shelf waiting to be read), and some major Warhammer 40,000 novels, including multiple entries in the massive The Horus Heresy series, as well as his Eisenhorn, Ravenor and Bequin novels, which together paint one of the most complete pictures of the Imperial Inquisition). However, I would say that his most notable series is probably the Gaunt’s Ghosts series of novels.

Set in the Warhammer 40,000 universe, the Gaunt’s Ghosts novels are part of the larger Sabbat Worlds crusades arc of fiction (which have come out of this series) following a unique regiment of soldiers, the Tanith First and Only. The Tanith First and Only, also known as Gaunt’s Ghosts in respect to their commander, Colonel-Commissar Ibram Gaunt, are a highly skilled unit who specialise in stealth and scouting missions. Their planet, Tanith, was destroyed shortly after their formation, hence the designation First and Only. The Gaunt’s Ghosts series follows their battles through the Sabbat Worlds as a major part of the crusades. This series began back in 1999 with the awesome novel, First and Only, and the latest novel, Anarch, (book 15) came out in 2019. Generally considered one of the most iconic and compelling series in the Warhammer 40,000 universe, I have been meaning to properly read this series for ages, although so far I have only had the chance to check out First and Only. However, Abnett recently revisited this series with the intriguing The Vincula Insurgency. The first entry in Ghost Dossier series, which presents never-before-seen stories of the Ghosts, The Vincula Insurgency acts as a prequel to the main series and tells an impressive and fun new tale of the early regiment.

Before the battles that would make them famous throughout the Sabbat Worlds Crusades, the Tanith First and Only, under the command of Colonel-Commissar Ibram Gaunt, are still coming together as a unit. After fighting a gruelling campaign on the planet of Voltemand, politics has forced the Tanith to remain and take over security for a backwater agricultural province and its capital, Vincula City. Determined to get off-world and back to the frontlines, Gaunt and his regiment grudgingly prepare for the arrival of a new provincial governor and his administrators. However, life is about to get very interesting for the Tanith forces.

A highly skilled and deadly insurgency movement has emerged within Vincular City, determined to cripple the Imperial forces within and disrupt their ability to assist the rest of the crusade. After a series of brutal bombings, Gaunt and his troops attempt to keep the peace within the province. However, their actions are countered at an impressive rate by the local insurgency elements, who are receiving outside help and training from a dangerous opponent who knows all the Tanith’s tricks. Can Gaunt and his unit pull together to defeat this deadly foe? And what happens when they discover that their mysterious opponent is linked to the Ghost’s long-dead planet?

This was another extremely awesome Warhammer novel from Abnett who has produced an intense and clever prequel to his existing Gaunt’s Ghosts novels. The Vincula Insurgency is a relatively short novel, with a somewhat compressed story. However, despite this length, Abnett manages to achieve quite a lot. Not only does it set up plot points for the main series, but it also features a brilliant and very entertaining self-contained narrative that is guaranteed to keep the reader entertained. Shown from the perspective of several of your favourite Ghosts, the author tells an excellent story that sees the protagonists under attack from a well organised insurgency group. This results in a very fast-paced narrative that perfectly brings together the science fiction Warhammer 40,000 elements with a military thriller storyline as the Ghosts attempt to overcome the enemy attacking them from all sides. The action flies thick and fast here, and features some impressively written battle sequences that really drag you into the heart of the fighting. In addition, the author keeps the tension levels high throughout most of the story, and the feeling that some bad things are about to happen is never far from the reader’s mind. The multiple character driven storylines come together extremely well within The Vincula Insurgency to create a comprehensive and powerful narrative, and I really appreciated some of the unique story elements that Abnett came up with. This cool novel ends on an interesting note, and I will be quite intrigued to see what additional new Gaunt’s Ghosts’ stories Abnett has planned.

This was a very interesting addition to the Warhammer canon as Abnett dives back into the earlier days of his established series. The Vincula Insurgency serves as an excellent prequel to the Gaunt’s Ghosts series, and it was great to see more of the early history surrounding this awesome unit. Abnett makes sure to load up the book with a ton of references and hints of the events that are to come in the series, which established fans will really appreciate. However, even those readers who are unfamiliar with the Gaunt’s Ghosts series can have fun here, as Abnett tells a very inclusive narrative that anyone can enjoy, with plenty of exposition about who the Tanith are and what is happening in the Sabbat Worlds Crusades. Indeed, The Vincula Insurgency serves as a very good introduction to the series’ characters and storylines, and many readers could use this as a jumping point into the main Gaunt’s Ghosts novels. Abnett also takes this opportunity to do an interesting bit of lore expansion with the Tanith troops. Due to certain plot points, the characters dive into the Tanith culture and history, which proves to be very fascinating, especially when it may connect to a new enemy. This also serves as a very good introduction to the wider Warhammer 40,000 canon, especially as it showcases the common trooper’s role in this chaotic universe. I often say that stories about the common Imperial soldiers result in some of the best Warhammer 40,000 novels (Steel Tread and Krieg for example), and this was extremely true in The Vincula Insurgency. Abnett really nails the feel of an armed insurgency in the Warhammer 40,000 setting, and the parallels between the battles in this book and in some real-world conflicts are pretty uncanny (think Iraq or Afghanistan with laser rifles). An overall excellent addition to both the Warhammer and Gaunt’s Ghost canon that is really worth checking out.

I had a lot of fun with the characters in The Vincula Insurgency, especially as Abnett features slightly younger versions of all your favourite original Gaunt’s Ghosts protagonists. This is a slightly different version of the Ghosts that you have seen before, as they are still coming together as a regiment and aren’t yet a fully cohesive team. Abnett does a brilliant job featuring multiple key Gaunt’s Ghosts characters in this book, with many getting their own distinctive storylines. I liked his portrayal of unit leader Colonel-Commissar Ibram Gaunt, who is still relatively new in his command of the regiment. While he is still incredibly confident, skilled and an absolute badass, it was interesting to see a few differences here, such as his inability to remember the names of the members of his unit. Other key characters include Colonel Colm Corbec, the regiment’s second in command who is sent on an alternate mission for most of the book where he learns all the joys of interacting with the upper echelons of the Imperial Guard. Major Elim Rawne, the rebellious member of the unit has a great outing in this book, not only showcasing his established resentment for Gaunt, but also featuring him in an intriguing romance with an Administratum official that deeply impacts him. Brin Milo, the youngest member of the Tanith, also has a major arc in this book, with the novel focusing on both his uncanny insights, and his rise to become Gaunt’s official aid. Other characters who get some good showings in this book include Ceglan Varl, Bragg, Tolin Dorden, Oan Mkoll, and more, with all of them getting their moment to shine in this book. I had a brilliant time seeing earlier versions of these great characters, and Abnett clearly had fun revisiting them and showcasing their older attitudes.

I ended up grabbing The Vincula Insurgency audiobook, which proved to be an excellent adaptation of this book. With a runtime of just over six hours, listeners can really speed through The Vincula Insurgency audiobook, and the story just flows along, especially with the impressive narration from Toby Longworth. Longworth, who is one of the more prolific Warhammer narrators, having voiced all the previous Gaunt’s Ghosts novels, is a very talented voice actor who brilliantly brings this compelling story and its great characters to life. Not only does he address every bit of action and exposition for a powerful and impressive tone, but each of the characters are given their own distinctive and fitting voice throughout the book. I particularly liked how he gave all the Tanith characters similar accents to denote that they all come from the same planet, and it was a very nice touch, especially as it contrasts well with the various non-Tanith characters, some of whom have other, often strongly European, accents. This incredible voice work really helped to drag me into this captivating story, and I found myself getting a lot more invested in the characters and the plot as a result. Easily the best way to enjoy The Vincula Insurgency, this audiobook comes highly recommended.

The always impressive Dan Abnett returns with another awesome addition to his fantastic Gaunt’s Ghosts series with The Vincula Insurgency. Featuring an outstanding and exciting prequel narrative, The Vincula Insurgency takes an earlier version of the Tanith First and Only on an intense and action-packed adventure in captured enemy territory. Tense, fast-paced, and loaded with compelling characters, The Vincula Insurgency is an excellent and highly enjoyable Warhammer 40,000 novel that will appeal to wide range of readers.

Star Wars: Brotherhood by Mike Chen

On June 22, 2022August 15, 2022 By The Unseen LibraryIn Audiobook, Extended Universe, Science Fiction, Star Wars, Tie-in Novel6 Comments

Publisher: Penguin Random House Audio (Audiobook – 10 May 2022)

Series: Star Wars

Length: 12 hours and 46 minutes

My Rating: 4.25 out of 5 stars

2022 is a great time to be a Star Wars fan as we are currently being bombarded with a string of awesome shows, cool comics, and fantastic novels (a movie also would be nice, but apparently there are issues there). Fans like me are currently having a great time with the Obi-Wan Kenobi live-action show that has been all manners of fun, especially as it brings Ewan McGregor and Hayden Christensen back to their iconic roles as Obi-Wan Kenobi and Anakin Skywalker. However, this is not the only recent Star Wars release that focuses on this iconic duo, as author Mike Chen presents Star Wars: Brotherhood. This is Chen’s first Star Wars novel and follows these two great characters as they embark on a dangerous political adventure right after the events of the film, Attack of the Clones.

It is dark days for the galaxy as the destructive Clone Wars between the Republic and the Separatists have just begun. As the galaxy splits down the middle and more and more systems join the war on opposing sides, the Jedi begin to take a new role as soldiers, the fragile peace they have long guarded slowly disappearing.

When an explosion devastates the neutral planet of Cato Neimoidia, home of the Trade Federation, the Republic is blamed by Count Dooku and the Separatists. Desperate to keep Cato Neimoidia from joining the Separatists, the Jedi dispatch Obi-Wan Kenobi to the planet to investigate the explosion and attempt to maintain the peace. However, Obi-Wan has his work cut out from him as he encounters a hostile planet, blinded by mourning and a long history of prejudice from the Republic. Worse, not everyone wants him to solve the crime, as Count Dooku’s sinister agent, Asajj Ventress, is also on Cato Neimoidia, attempting to turn the populace against the Republic.

At the same time, Anakin Skywalker has been promoted to the rank of Jedi Knight and works to balance his new responsibilities with his secret marriage. Despite orders not to intervene on Cato Neimoidia, when Obi-Wan finds himself in himself trouble, Anakin races to help him, dragging along a promising Jedi youngling. However, with their relationship forever changed by Anakin’s promotion, can the two Jedi brothers still work together as they attempt to grow beyond master and apprentice?

This was a fantastic new addition to the Star Wars canon that fans of the franchise are really going to enjoy. Containing an interesting character-driven story, Brotherhood was a great first outing from Chen, who successfully explored some of the best characters and settings of the Star Wars universe.

Brotherhood has a rather interesting multi-perspective narrative that I felt was pretty good. This cool Star Wars novel is set right at the start of the Clone Wars and seeks to not only highlight some early aspects of the conflict but also dive into the minds of the iconic protagonists, Obi-Wan Kenobi and Anakin Skywalker. The book has a strong start to it, with a devastating bombing going off on a neutral planet that forces Kenobi to investigate by himself. Arriving on a planet thick with emotion, undue influences and conspiracies, Kenobi finds himself in all manner of danger, while his former apprentice, Anakin, is forced into a far less interesting mission. Chen does a good job introducing the key elements of this book, and you soon get invested in the protagonists’s storylines, as well as the deeper emotions raging within them and other supporting characters about the bombing and wider events in the galaxy.

While I liked the start of the book, the centre of Brotherhood honestly dragged for me. Now part of this is because I had to have a break from audiobooks for a few weeks, but even when I started listening to Brotherhood again, I had a hard time making much progress. The slow investigation and Anakin’s slightly lumbering narrative, combined with the occasionally unnecessary plot around Mil Alibeth, just didn’t hold my attention as much as I had hoped, and it ended up being a bit of slog to get through it. Luckily, the pace really picks up towards the end as the various storylines start to coalesce into a more compelling and exciting read. I managed to get through the final third of the novel a heck of a lot quicker, and I was substantially invested in the characters, including a few supporting figures, and the narrative as a result. Everything comes together pretty well in the end and Chen delivers a mostly satisfying conclusion that hints at the wider threat to come. An overall entertaining, if slightly staggered narrative, I did have a lot of fun getting through it.

I mostly enjoyed how Brotherhood was written, as Chen did an outstanding job of blending compelling plot elements with deep character development and some fantastic universe-building. The main story itself features a mixture of investigation, conspiracy and personal conflicts, as Obi-Wan visits a hostile planet impacted by all manner of anger and mistrust. The author makes excellent use of multiple character perspectives to tell a complete and wide-ranging narrative. While a good portion of the plot focuses on the main two characters, Chen routinely throws in the perspective of several great supporting figures, including some antagonists, and it was fantastic to get some alternate views on the events occurring. As I mentioned above, I found the pacing was a bit off in the middle of the novel, and there were certain parts of the story that I had a harder time getting through. For the most part, though, the book flowed pretty well, and the switch between various characters helped facilitate that. While this is primarily a character-focused book, I did think that Chen did spend way too much time having his characters over-analyse everything in their heads, as the constant contemplation of their emotions or actions slowed the story down in places. However, I did think that the author was particularly good at capturing action, with some brilliant and intense scenes featured throughout the book. The ones that really shined to me where the sequences that showcased the Jedi character’s abilities in battle, as Chen made them come to life in a vibrant and powerful way. Overall, I thought that this was a mostly well written story, I loved how Chen’s distinctive style helped to enhance the narrative in places.

Brotherhood proves to be a particularly interesting piece of Star Wars fiction as Chen sought to not only expand on the main characters but also explore the wider universe during the early Clone Wars period. Written mostly as a standalone novel, Brotherhood has a lot of interesting canon elements that established fans of the franchise will deeply enjoy. The book is closely connected with both the events of the second prequel film, Attack of the Clones, and the following Clone Wars animated series. It was also apparently written somewhat in sync with another 2022 Star Wars novel, Queen’s Hope by E. K. Johnston, which I haven’t had a chance to read. However, despite this, most readers familiar with the films should easily be able to jump in and read Brotherhood without any issues as Chen does a great job of explaining all the key characters, concepts and other elements. There is also a ton of stuff for established fans of the franchise to enjoy as Chen spends a bit of time adding in some interesting elements and some great fan service.

One of the more interesting things featured within this novel is the examination of the early days of the Clone Wars. This hasn’t been greatly explored in the current canon too much, so it was cool to see the start of the war, with some of the earlier battles, conflicts and issues surrounding this galactic civil war. Chen spends a bit of time showcasing how the Clone Army was incorporated into the existing Republic structure, as well as the militarisation of the Jedi as they became commanders and generals. There is also an interesting examination of the rise of extremism during the Clone Wars, as various factions start to cause trouble outside the actions of the main armies. As a result, Brotherhood serves as an excellent bridging novel between Attack of the Clones and some of the preceding material, and I loved how Chen spent time setting up a few things for the Clones Wars animated series, although the sudden and unexplained appearance of a female clone was a bit odd. I also had a lot of fun seeing some of Palpatine’s machinations here as he subtly manipulates events to get the Jedi even more involved in the war and more integrated with the clones. There are also some key moments of the corruption of Anakin that occur here, and it was fascinating to see the moment that Anakin revealed his massacre of the Sand People to his future master.

While I deeply appreciated all the above, the most fascinating bit of Star Wars universe-building in Brotherhood had to revolve around the planet of Cato Neimoidia, the capital of the Trade Federation as Chen really went out of his way to explore this planet and its people, the Neimoidians. For years the Neimoidians have mostly been seen as the exploitive and evil villains from The Phantom Menace and were never really explored in that much detail. Chen spends a massive part of the book providing a deeper look at them and it soon becomes quite a compelling part of the novel. In particular, the Neimoidians and their Trade Federation are shown to be mostly neutral, trying to stay out of the war and disavowing the actions of Nute Gunray and his faction who are supporting the Separatists. When Obi-Wan arrives at Cato Neimoidia, he is introduced to their rich culture, unique society and a distinctive mindset that relies heavily on calculation and risk-assessment. However, Obi-Wan soon discovers that there is far more to being a Neimoidian than he ever realised, as the Neimoidians have a long history of being ignored, ridiculed and prejudiced against by the Republic. This long history of abuse, combined with the bombings on their planet, proves to be a deeply captivating and powerful part of the story. All these great Star Wars elements add a lot to the narrative of Brotherhood, and I had an outstanding time seeing all the clever new ways that Chen worked to expand and explore this iconic universe.

While the story and Star Wars universe are key parts of this book, Chen spends most of his time working on the characters. Brotherhood features a great cast of point-of-view protagonists who all have their own deep and unique journey through the book. However, the focus is on the pairing of Obi-Wan Kenobi and Anakin Skywalker, whose relationship lies at the core of the book. Both characters are featured very heavily throughout Brotherhood, and you are soon deeply invested in their individual narratives as well as their joint story. Chen paces out their appearances together very well, and you get to see them act as both a team and independently, although one of the main themes of the book is the examination of how well they work together as a team and how close they are. The author spends a lot of time exploring the unique relationship this master and apprentice duo have especially now that Anakin has become a full Jedi and they are now equals. This proves to be a fascinating element to focus on and I loved how powerful the character work around the pair and their relationship was.

On an individual level, Chen spares most of the focus to look at Anakin, who is going through a lot at this point in his life. Not only is he dealing with the sudden abilities of having to be a Jedi, but he is now secretly married to Padme, is trying to get used to his new robotic hand, and also bearing some anger and guilt at his actions of Tatooine. This presents many complications for Anakin, and he is constantly battling his emotions, desires and the feelings of disconnection that he feels to the rest of the Jedi. Chen does a great job of exploring the complex emotions and history surrounding Anakin, and you get a real sense of the inner conflict he feels all the time, especially when it is reflected in other characters. He does end up coming to grips with many of these issues as the book progresses, although some of them remain, leading to darker events in the future. The author’s focus on Obi-Wan is a little less intense, although there are still some very interesting elements there. Most of Obi-Wan’s concerns reflect his current mission as he finds himself dealing with a culture he doesn’t understand and whose emotions he has trouble responding to. At the same time, Obi-Wan is deeply concerned for Anakin, and his constant worries and examinations of their strained relationship deeply impact him. I found it fascinating to see Obi-Wan’s observations during this period, especially as he witnesses and chooses to ignore some warning signs around Anakin. Chen does a good job of trying to establish the more confident and wiser version of Obi-Wan that we see in The Clone Wars and Revenge of the Sith, and I it was very fun to see him negotiating and investigation on Cato Neimoidia.

Aside from these central characters, Brotherhood contains some other great characters whose storylines prove quite fascinating. The most prominent of these is Jedi youngling Mil Alibeth, whose unique connection to the Force makes her very sensitive to the pain people are feeling, so much so that she spends much of her earliest appearances trying to cut herself off from the Force. Mil finds an unlikely mentor in Anakin in this novel, and I appreciated the impromptu master-apprentice relationship they formed, especially as it benefits them both. Two Neimoidian characters, royal guards Ruug Quamom and Ketar Kor, also serve a significant role in the story, although in two different ways. The younger Ketar, whose family suffered greatly due to Republic prejudice, is extremely hostile to Obi-Wan and becomes a secondary antagonist, driven by his rage, anger and the manipulations of others. Ruug, on the other hand, is a veteran soldier and commando whose more cynical world view, a result of her long life of violence and black ops missions, allows her to see past her emotions and investigate the bombing properly. This results in Ruug becoming an ally to Obi-Wan as she tries to find the truth to save her people from more pain. Ketar and Ruug serve as interesting counterpoints to the Neimoidian emotional spectrum, and their separate impacts on the story are extremely fascinating. You really grow to like Ruug through the book, especially as she sticks to her principles, while Ketar, despite being an easily manipulated idiot, is one of the more understandable Star Wars antagonists you will encounter in, and his dive towards extremism is both powerful and understandable.

I also loved seeing fan favourite The Clone Wars’ character Asajj Ventress in this book, who serves as Brotherhood’s primary antagonist. The events of this book represent Ventress’s first canon interactions with Obi-Wan and Anakin, and it was fascinating to see them attempt to work out who or what Ventress is. Ventress ends up being very slippery and manipulative throughout Brotherhood, and she swiftly outmanoeuvres Obi-Wan by playing to the Neimoidian prejudices and emotions. I loved seeing this early Ventress appearance, and her conversations with Obi-Wan are really fun, especially as Ventress’s sarcasm, venom and contempt shine through in every sentence, only to be met by Obi-Wan’s politeness. This ended up being a great first major outing for Ventress, and I really enjoyed seeing how her rivalry with the Jedi began. The interactions, development and introductions of these great characters serve to really strengthen Brotherhood as a whole and I had a great time seeing Chen’s interpretations about all this amazing figures.

Naturally, I decided to check out the audiobook version of Brotherhood, which turned out to be an excellent decision. The Brotherhood audiobook was a fun experience that once again makes great use the classic and iconic Star Wars sound effects and music to enhance the story. At 12 hours and 46 minutes, this is a pretty standard length for a Star Wars audiobook, although it took me a little while to get through it. I had a lot of fun again with the sound effects which do a great job providing the ambient noise of the story that helps to bring the listener into the story. In addition, the always awesome Star Wars score is utilised to amazing effect during key parts of the book, and it is really impressive how much John Williams’s epic music can increase the impact of a scene.

In addition to the music and sound effects, the Brotherhood audiobook is greatly enhanced by its excellent narrator, Jonathan Davis. Davis is one of the best Star Wars narrators out there and his outstanding voice has been well utilised over the years. I have personally enjoyed Davis works in several fantastic audiobooks such as in Lords of the Sith, Kenobi, Maul: Lockdown, Master & Apprentice, Dooku: Jedi Lost, Doctor Aphra and Tempest Runner, and he is always great value for money. This was once again true for Brotherhood, as Davis does an outstanding job presenting the complex story to the listener while also bringing the various characters to life. Davis does a particularly good Obi-Wan Kenobi voice, which really helped here considering the character’s prominence in the plot. The rest of his voices are also very good, with multiple major and iconic characters come across in distinctive ways that fit how they have been portrayed in other media, particularly Yoda. In addition, the various new characters introduced in Brotherhood are also gifted fantastic and appropriate voices that allow the listener to distinguish who is talking. This excellent voice work, alongside the music and sound effects, really helps listeners to enjoy the compelling story and this is easily the best format to enjoy Brotherhood in.

This was another awesome addition to the rapidly expanding canon of the Star Wars universe. Mike Chen’s Brotherhood had an impressive and compelling narrative that not only explores some intriguing areas of Star Wars lore, but which also perfectly features two of its most iconic protagonists. A fantastic read that will appeal to anyone currently enjoying the Star Wars universe, Brotherhood is really worth checking out and I look forward to seeing what other awesome novels are added to this brilliant, expanded universe later this year.

Throwback Thursday: World War Z by Max Brooks

On June 17, 2022August 9, 2023 By The Unseen LibraryIn Audiobook, Five-Star Books, Horror, Science Fiction, Throwback Thursday12 Comments

Publisher: Random House Audio (Audiobook – 14 May 2013, originally published 12 September 2006)

Series: Standalone

Length: 12 hours and 9 minutes

My Rating: 5 out of 5 stars

Welcome back to my Throwback Thursday series, where I republish old reviews, review books I have read before or review older books I have only just had a chance to read. For my latest Throwback Thursday review I take a look at the zombie horror classic, World War Z by Max Brooks, a truly epic and outstanding read.

One of the biggest novels that I have been meaning to read for ages was the highly regarded zombie novel, World War Z, also known as World War Z: An Oral History of the Zombie War. Written by Max Brooks as a follow-up to his first book, the non-fictional The Zombie Survival Guide, World War Z is a unique novel that fully examines a zombie apocalypse from multiple perspectives. I had heard some great things about this novel, and I even enjoyed the movie adaptation when it came out (more on that later). Unfortunately, I never got a chance to read it and I kind of figured for a while that it might stay in my to-read pile for a while. However, it moved much higher up my list of books to check out after I read Brooks’s 2020 novel, Devolution, which was one of my favourite novels of 2020 (as well as one of my favourite all-time horror novels). I had also heard a lot of praise for World War Z‘s awesome audiobook edition, so when my wife and I needed some entertainment during a recent cross-country road trip, this was our first choice.

Plot Synopsis:

The Zombie War came unthinkably close to eradicating humanity. Max Brooks, driven by the urgency of preserving the acid-etched first-hand experiences of the survivors from those apocalyptic years, traveled across the United States of America and throughout the world, from decimated cities that once teemed with upwards of thirty million souls to the most remote and inhospitable areas of the planet. He recorded the testimony of men, women, and sometimes children who came face-to-face with the living, or at least the undead, hell of that dreadful time. World War Z is the result. Never before have we had access to a document that so powerfully conveys the depth of fear and horror, and also the ineradicable spirit of resistance, that gripped human society through the plague years.

Ranging from the now infamous village of New Dachang in the United Federation of China, where the epidemiological trail began with the twelve-year-old Patient Zero, to the unnamed northern forests where untold numbers sought a terrible and temporary refuge in the cold, to the United States of Southern Africa, where the Redeker Plan provided hope for humanity at an unspeakable price, to the west-of-the-Rockies redoubt where the North American tide finally started to turn, this invaluable chronicle reflects the full scope and duration of the Zombie War.

Most of all, the book captures with haunting immediacy the human dimension of this epochal event. Facing the often raw and vivid nature of these personal accounts requires a degree of courage on the part of the reader, but the effort is invaluable because, as Mr. Brooks says in his introduction, “By excluding the human factor, aren’t we risking the kind of personal detachment from history that may, heaven forbid, lead us one day to repeat it? And in the end, isn’t the human factor the only true difference between us and the enemy we now refer to as ‘the living dead’?”

Note: Some of the numerical and factual material contained in this edition was previously published under the auspices of the United Nations Postwar Commission.

Holy hell, that was an exceptional book! I loved the powerful and expansive narrative contained within World War Z as Brooks attempts to fully encapsulate the entire experience of a zombie apocalypse in impressive detail. Literally all the good things I heard about this book were true, and I loved his unique and very captivating way of capturing the horrors of this sort of experience, both from the zombies and other humans. An exceptional and impressively inventive read, World War Z gets an easy five-star read from me.

I cannot get over how awesome and distinctive World War Z was as a concept. Rather than a traditional novel, Brook’s masterpiece is written as an epistolary novel, written as in-universe oral history anthology of a zombie apocalypse. The book, which was compiled by this universe’s version of Max Brooks, contained multiple testimonials and interviews, as Brooks seeks out and talks to multiple people who experienced the apocalypse and pulls together their various unique stories. This book contains around 40 individual stories set out across five chapters which look at the various stages of the zombie war, from its origins all the way up to the postwar ‘new normal’.

At this point I need to make a quick note about the version of World War Z that we checked out. There are a couple of different World War Z audiobooks out there, but for our trip we listened to the World War Z: The Complete Edition, which combines two separate audiobook adaptations of the novel, and contains all the stories from the original book. I did look over a paperback edition of World War Z before I started this review, and it looks like our audiobook version covered the full stories well, although I did notice that some of the stories were shortened or missing minor parts. In addition, the audiobook version did not feature any of the paperback’s footnotes, which contained technical details and notes from the author. However, I don’t think I lost out on too much of the plot from some of these missing gaps.

I really fell in love with the various individual stories contained with World War Z as Brooks went out of his way to produce the most unique and moving tales that he could. These are mostly standalone tales, although there are a few interesting crossovers as the book continues, with some character’s mentioning events or supporting figures from other stories in their interviews. However, as you follow the stories within these five chapters (made up of Warnings, Blame, The Great Panic, Turning the Tide, and Good-Byes), you get a full sense of the entire war, and it quickly comes apparent how cleverly Brooks was crafting everything here. I personally deeply enjoyed both the individual shorter tales and the much larger connected story of World War Z, and I was deeply impressed with the excellent writing style behind it. Brooks is a true master of writing deeply personal, character-driven tales of survival, and you swiftly become attached to the various protagonists as they tell their unique stories. The action within is gruesome, fast-paced and deeply terrifying, and there are multiple over-the-top descriptions of zombie and human violence that will stick with you forever. This was easily one of the best zombie novels I have read in terms of storytelling and action, and everything about this tale is so damn compelling.

As I mentioned, there are roughly 40 separate stories contained within this anthology, each of which contains its own unique protagonist, supporting characters, settings and unique circumstances. Naturally, with so many stories you have a bit of a range in terms of storytelling, with some being substantially better than others. However, I felt that Brooks did a very good job of writing each of these stories extremely well, and there were none that particularly dragged the novel down. There is a real mixture of narratives here, with particularly gruesome horror stories mixed in with more human-focused narrative, political plotlines, military thrillers, stories that balance on the edge of science fiction, and everything in between. The spread of these stories works pretty well, with Brooks providing an entertaining mixture of storylines throughout the book so readers aren’t constantly bombarded by tales of horror or tragedy. Instead, there are often fascinating, humorous and humanising stories thrown in amongst the horror. This works to make the entire novel flow at a fantastic pace.

While pretty much all these stories are fun and tell some outstanding tales of the zombie apocalypse, there are a few that stood out to me as being a cut above the rest. I had some early fun with the Stanley MacDonald storyline, which showed an amoral illegal surgeon in Brazil unwittingly transfer a zombie heart into a patient, which led to one of the earliest outbreaks in South America. The Jesika Hendricks plot showed a brilliant, if very dark, take on ordinary citizens trying to flee the zombies only to experience the other dangers of surviving the winter in a desperate community. There are several amazing and cynical storylines, such as the Breckinridge Scott and Grover Carison testimonies that showcase the capitalist opportunism that surrounded the initial outbreaks. I also really liked the South African focused storyline around Paul Redeker, which showed a former Apartheid strategist using his stark and brutal plans to save the country from the undead hordes. I loved the particularly inventive and clever testimony surrounding the character of Arthur Sinclair Junior, which focuses on how America was reorganised after the initial stages of the war, with the country setting its sights towards industry, construction and warfare, which really highlights the author’s impressive insights into the world.

Two other fantastic World War Z storylines set in Japan focus on two unique individuals, one an “otaku” (a computer-obsessed outsider who tried to live entirely online), and a blind “hibakusha” (a person affected by the atomic bombs used in WWII). Both characters were outsiders in Japan before the zombie war, but the zombie invasion changed their entire lives and led to them becoming renowned warriors and survivors against all the odds. These two storylines are extremely compelling, and I loved the way that the author utilised unique subsections of Japanese society and tried to imagine how those sorts of people would survive the zombies. There was also a really intense storyline, told by Admiral Xu Zhicai, that details a Chinese submarine’s attempt to escape the zombies with their families, which turns into a brilliant, powerful and occasionally disturbing tale of survival, loyalty and family. I also must mention the Terry Knox testimony that details the actions aboard the International Space Station and the Darnell Hackworth story that looks at the US army’s canine units that helped scout and herd zombies (yay for mini dachshunds, the real heroes of this book). However, out all the testimonies featured within World War Z, my favourite had to be the ones focussing on soldier Todd Wainio. Todd battled the zombies at multiple stages of the war, and his multiple entries paint a pretty grim picture but are easily some of the best depictions of the horror of the zombies and the challenges faced by the armed forces. His first testimony about the army’s initial inability to combat the zombies is very chilling, and it was fascinating to hear about the changes to his training and equipment as the military adapted to fight this new and strange enemy. I am honestly just scratching the surface of these testimonials here, as pretty much all of them were great in their own way. However, the ones I mentioned here were my personal favourites, and I had a blast listening to them and seeing how they fit into the wider narrative.

For me, one of the main highlights of World War Z was Brooks’s incredible inventiveness and insights when it came to envisioning a potential world-wide zombie apocalypse. Thanks to his amazing range of stories, Brooks showcases a vast global catastrophe that impacts everyone no matter where they are. I loved his depiction of how the apocalypse emerged, and rather than a continuous attack that pretty much destroys everything in a single day, Brooks imagines a gradual catastrophe that is initially ignored and mishandled before it spreads uncontrollably. This is covered in the early chapters of the book with some substantial skill, and you really get to see how and why everything falls apart, with appropriate zombie violence included. While there is an understandable focus on America, I found it fascinating to see how Brooks imagined different countries would deal with this crisis, with different culturally informed strategies, and there are even some compelling references to real-life figures (the Nelson Mandela facsimile reacts in a very different way than you’d expect). The author really dives into all the details of a zombie attack and examines all the pros and cons of various strategies humans could utilise, from fleeing, staying in defensible positions, or fighting back. There are some brilliant testimonies that cover all of them, and Brooks’s dark depictions of unprepared or overconfident humans failing to understand the threats in front of them and paying the price for it are shocking, bleak and captivating. Brooks also comes up with some truly unique and clever problems or impacts of the zombies, many of which are referenced or experienced by multiple characters, including floating zombies, marine zombies, feral children who survived without their parents, looters, civil wars, and even crazed humans pretending to be zombies.

These intriguing insights from Brooks’s imagination are further expanded on in the later chapters of the novel, where the author explores how the world order changed because of the zombie war. Again Brooks dives into multiple countries here, and it was fascinating to witness which countries the author imagines will be destroyed by the zombies and which would thrive. I really enjoyed his examinations of the way that America needed to reorganise itself and its subsequent battleplans, which were perfectly covered by several of the best characters. Seeing countries likes Russia, China, Japan and more change in drastic ways a result of this apocalypse was really cool and compelling, especially as the author covers it in such a reasonable and logical manner. Countries like Cuba and the West Indies thriving due to their isolation was pretty fascinating, and they stood as an interesting contrast to more prominent countries that were disadvantaged or never stood a chance thanks to their socioeconomic issues or unsuitable landscapes. I loved some of the unique issues that some countries experienced, such as the infested Paris catacombs or the mystery around North Korea, and they leave some intriguing afterthoughts as a result. Brooks also cleverly examines other unique impacts that the zombies are having on the world, such as extinctions (goodbye whales), changes in global relations, and long-term problems, and I was deeply fascinated and enthralled by all this impressive thinking. All of this compelling insight and imagination really enhances the stories being told by various characters, especially as they all impact humanity’s potential survival, and I really lost myself in the author’s powerful and impressive vision of a zombie apocalypse.

While World War Z is primarily about survival and the wider impacts of a zombie apocalypse, Brooks also takes the time to cover a few interesting themes. In particular, he uses this novel about zombies to examine humanity. While there is a certain overlying theme about the indomitable human spirit and our ability to triumph no matter the odds, there are some very noticeable depictions of the worst parts of human nature. I found his initial depictions of most people ignoring or ridiculing the slow rising zombie threat to be pretty realistic (keep in mind that this was written 14 years before COVID). There are also some major critiques about corruption and government incompetence in the face of disaster that I also found to be very intriguing and insightful. Many of the early chapters that talked about military attempts to fight back had some interesting parallels to the wars in the Middle East, and I really appreciated the author’s clever critiques of these conflicts through the medium of a zombie war. I felt that Todd’s testimony about the first major battle of the zombie war was a great example of this, as he regales the reader with how politically motivated leadership and incompetence led to a massacre. All of this added a thought-provoking and entertaining edge to many of the storylines in the novel, especially the earlier testimonies, and I felt that Brooks did an amazing job bringing some of his own insights and critiques into his writing.

As I mentioned a few times above, I listened to the extended audiobook adaptation of this novel, which I personally felt was the absolute best way to enjoy this epic read. Running at just over 12 hours in length, we absolutely powered through the World War Z audiobook during our road trip, and it served as an excellent entertainment for a long drive. I often find that having a story read out to you really helps you to absorb everything about the story, and this was particularly true with World War Z. Not only did the narration allow you to focus on all the details of the testimonials, but the horror elements and action felt a lot more intense, especially when you were dragged into some of the more gruesome scenes. I also feel that the audiobook version of World War Z had a better flow than the paperback novel. The testimonials with the audiobook are a lot more separated out, treated as a new chapter each time the narrator changes. This is very different from the paperback version, which throws multiple testimonials in a quick fire manner, with everything crammed together into the five chapters. As such, I really felt the audiobook helped to highlight the uniqueness of each testimonial and you really got to focus on each story a lot more.

However, easily the best thing about the World War Z audiobook was the truly impressive voice cast that were featured within. Brooks, a voice actor himself, recruited a crack team of international actors to fill out his cast, including several A-listers, who give some outstanding and amazing performances. All these actors really dive into their various roles here, conveying the emotion, fear and insights of their protagonists, and their great voice work definitely enhanced the already cool stories of their characters. I deeply enjoyed all their voice work throughout the audiobook, and I know that I enjoyed several testimonies even more because of the talented actors voicing them. This cast is led by Brooks himself, who voices the interviewer, asking all the questions and meeting all the various figures the novel is set around. Brooks does a really good job here, and his calm, collected interviewing style and additional narration helps to set the scene for the entire novel and moves the other character’s stories along at a great pace.

Aside from Brooks, there are a good 40 or so voice actors featured in the World War Z audiobook, and I was pretty impressed with all their performances. Some standout early performances include a brief appearance from Nathan Fillion as Canadian soldier Stanley MacDonald; Paul Sorvino, who gives a very fun performances as the sketchy doctor Fernado Oliveira; and Martin Scorsese, who gives an unrepentant portrayal of corrupt businessman Breckinridge Scott. Other great performances include Kal Penn as Sardar Khan, an Indian soldier who serves an excellent witness to an act of heroism; the late, great David Ogden Stiers, who brings Ukrainian solider Bohdan Taras Kondratiuk to life perfectly as he watches a great act of evil from his government; Common as dog trainer Darnell Hackworth; and Rob Reiner as “The Whacko” a radical politician/former Vice President who shares his strong opinions in a very fun outing. I really need to highlight some intriguing voice performances from Simon Pegg, who does a pretty good Texan accent in the role of Grover Carlson; and Alfred Molina, whose Australian accent was pretty accurate (a rare talent).

The performances of Masi Oka and Frank Kamai really brought to life the two Japanese characters I mentioned above, as does Ric Young for Chinese Admiral Xu Zhicai’s elaborate testimony. I also really need to highlight the brilliant work of Alan Alda in this book as he voices pivotal administrator Arthur Sinclair Junior. Alda, whose voice I have loved since M*A*S*H, perfectly inhabits the role of this intriguing figure, and I loved hearing his narration of how America’s economy was changed. However, out of all the voice actors in World War Z, my favourite was the always impressive and remarkable Mark Hamill, who voiced standout character Todd Wainio. Hamill was one of the main reasons why Todd was such a great character, and I loved his outstanding performance as a former ground soldier recounting all the horror of the front line of the zombie war. There is so much weariness, trauma and cynicism in Hamill’s voice as he narrates Todd’s testimony, and you really feel the character’s resentment and anger. The way that Hamill describes all the gruesome gore and zombie violence was just so great, and his impressive range and tone helped to really enhance the insanity and horror of the moment. These voice actors, and the rest of the impressive cast, are extremely epic here, and they turned this production into something extremely impressive.

A quick final note about the World War Z film. Until I read this book, I really did not appreciate how wildly off-book the film adaptation was. None of the true magic from the original story appears in the film at all, as they turned it into a generic action flick rather than a clever analysis of how a zombie apocalypse would change the world. While I did enjoy the World War Z movie on its own, it is a terrible adaptation, with only small elements from the book appearing in the film. While I can appreciate that this is not the easiest book to turn into a film, they didn’t even try. I really do hope that someone does a proper adaptation of World War Z at some point, as it frankly deserves a lot better than what it got (perhaps a television series with each episode recreating one of the testimonies).

As you can clearly tell from the massive essay above, I deeply enjoyed World War Z by Max Brooks. This was easily one of the best zombie novels I have ever read, and it definitely deserves its epic and highly regarded status. Brooks’s distinctive and brilliant story was just plain amazing and I loved the outstanding combination of smaller testimonies coming together into one connected and thought-provoking tale. The author cleverly examines every single aspect of a potential zombie apocalypse, and you find yourself not only loving the insane horror elements, but the fascinating political and social impacts that come with such an invasion. Best enjoyed in the full audiobook format which features so many impressive voice actors, World War Z comes extremely highly recommended and I cannot hype it up enough!

Throwback Thursday: Warhammer 40,000: Space Wolf by William King

On June 11, 2022March 10, 2023 By The Unseen LibraryIn Extended Universe, Science Fiction, Throwback Thursday, Tie-in Novel, Warhammer3 Comments

Space Wolf Original Cover

Publisher: Black Library (Paperback – 1999)

Series: Ragnar series – Book One

Length: 266 pages

My Rating: 4.5 out of 5 stars

Welcome back to my Throwback Thursday series, where I republish old reviews, review books I have read before or review older books I have only just had a chance to read. For this latest Throwback Thursday I dive into the world of the Space Wolves chapter of Space Marines with the classic Warhammer 40,000 novel, Space Wolf by William King.

The Warhammer 40,000 expanded universe is truly blessed with the sheer range of unique stories that it contains. From pulse-pounding crime novels (Kal Jerico: Sinner’s Bounty), deeply fascinating novels about aliens (Ruin, Reign and Ghazghkull Thraka: Prophet of the Waaagh!), haunting horror tales (The Bookkeeper’s Skull), and even brutal war stories by common soldiers (Steel Tread and First and Only). However, at the end of the day, most of the more intriguing stories focus on the iconic and awesome Space Marines. These genetically enhanced and over-armoured warriors are often the true MVPs of the Warhammer canon, with some great series based on them (for example, the 50+ book Horus Heresy series). There are a ton of great Warhammer 40,000 series around the Space Marines that I am exceedingly keen to get into, and I was recently lucky enough to find a copy of the first book of one of them which I immediately dived into.

That book was Space Wolf by William King, who I best know from his epic work in the Warhammer Fantasy franchise with his Gotrek and Felix series (check out my reviews for Trollslayer, Skavenslayer, Daemonslayer, Dragonslayer and Beastslayer). Space Wolf is the first book in King’s six-part Ragnar series (also known as the Space Wolf and Wolfclaw series). Focused on the character of Ragnar, a legendary member of the Space Wolves chapter, this series sounded really cool, especially as I have been really enjoying King’s writing lately. I ended up having a great time with this novel which contains an awesome and very fun story.

In the far future, humanity is constantly at war with aliens, daemons, traitors, and heretics, all of whom wish to tear the massive and fragile Imperium of Man to shreds. Humanities best and often last line of defence are the mighty Space Marines, the Emperor’s angels who fight the very worst xenos and spawns of the Chaos Gods. Out of all the Space Marine chapters, one of the most respected, feared and honoured chapters are the Space Wolves. Born from the genetic material of their legendary founder, Leman Russ, and bearing the touch of the wolf, the Space Wolves have stood tall time and time again. But how does a mere man become a bestial and lethal Space Wolf?

On the planet of Fenris, Ragnar Thunderfist is a young warrior, content to work on his father’s ship and contend with the many dangers of his fierce and low-tech home world. During a raid upon his village by a rival tribe, Ragnar is killed in a mightily duel after felling many enemies. However, this is not the end of Ragnar’s journey; instead he finds himself waking up healed, resurrected by one of the mysterious Wolf Priests who watch over the planet. Taken from the ruins of his village with other worthy aspirants, Ragnar learns that he has been chosen to become a member of the next generation of Space Wolves.

However, earning the right to join the Space Wolves is no easy task, and Ragnar soon embarks on a gruelling and lethal training regime that will test him to his very limit. Working to hone himself into a living weapon, Ragnar will face trials, monsters and deadly rivalries as he attempts to prove himself. But even if he is found worthy, the greatest trial involves the final transformation into a Space Marine. The Canis Helix, which is implanted into all Space Wolves, bears a dangerous curse, which may turn even the strongest of wills into wild beasts. Can Ragnar overcome the bestial rage that comes with this awesome gift, or will he lose his mind before he can serve the Emperor? And what happens with the legions of Chaos arrive upon Fenris?

Space Wolf Cover 2

This was another exceptionally exciting and compelling read from William King, who perfectly starts another epic Warhammer series. Space Wolf had a very different tone and structure to some of King’s other books that I have enjoyed, and I found myself getting really invested in this intriguing story of survival, self-discovery, and destiny. Starting with an intriguing glance at the present, Space Wolf jumps back into the protagonist’s past, showing Ragnar’s formative years and the events that led to him being chosen by the Space Wolves. Primarily told from the perspective of Ragnar, with a few sections told by an antagonistic alternate narrator, Space Wolf quickly turns into a fascinating examination of the intense training faced by potential Space Wolves recruits. Most of the story follows the various stages of this intense military training and eventual genetic modification, and it was absolutely fascinating to see the changes the protagonist goes through. While there is a lot of focus on expanding the lore and the character changes associated with it, King tells a concise and powerful story that really dives into the mind and personality of its protagonists. This extended and brutal training sequence and initiations eventually leads up to the protagonist’s first mission as a Space Marine, which sees him and his team, many of whom you have also come to know, face off against an insidious foe on their own home world. This last part of the book provides a ton of action, some intriguing horror aspects, and the introduction of a compelling antagonist who will likely show up in future entries in the series. This final section really brings the entire narrative together extremely well, showcasing what the protagonist has been working towards, while also resolving some great character arcs. I had a really fun time with this entire novel, and it has definitely made me keen to check out the rest of the series when I get a chance.

One of the most intriguing parts of Space Wolf was the way that it fits into the wider Warhammer 40,000 universe. Specifically, this novel serves as a particularly good introduction to the legendary Space Wolves Space Marines chapter, who are one of the more popular factions in the extended universe. King chooses to look at them from a rather unique direction, showing them purely from the perspective of the protagonist Ragnar, an inhabitant of a Norse-esque society with no concepts of space travel, advanced technology, or the wider universe outside of their lands, and whose understanding of the Emperor, the Chaos Gods, the Space Marines and more comes purely from myths and legends. As such, for much of the novel Ragnar and his fellow initiates have no idea who the Space Wolves are, or what they have been chosen for. The snippets they continue to get slowly inform them of the wider picture, and it was fascinating to see their blind faith that they were working towards something greater. Their eventual initiation comes as a great shock to them, and seeing these previously simple warriors become elite Space Marines with knowledge of the wider universe results in some awesome and intriguing scenes. I found it really fun to see the similarities and differences between the characters when they were normal and when they were Space Wolves, and it was fantastic to witness how their harsh roots results in Space Marines with some major Viking vibes to them (it’s one of the things that make them such a cool chapter).

However, King also ensures that the reader is given some intense insight into the dark side of the Space Wolves. While their training is often harsh and lethal, and their treatment of the tribes of their home planet is very manipulative, there is something far more worrying lying beneath the surface. The genetic manipulation that goes into creating them awakens a beast within them, with many losing their sanity or even their humanity entirely, reverting into beastlike creatures known as the Wulfen. King does an awesome job highlighting the various ways in which the characters are changed, body and mind, throughout the course of Space Wolf, and there are some powerful scenes where they are forced to battle to control their new inner nature. This really ends up being a particularly fascinating and well-balanced examination of the Space Wolves chapter, and I honestly could not think of a better introduction to this faction. This cool lore, as well as the Norse-inspired aspects and Nordic-like wild settings, serve to beautifully enhance the entire narrative, and King’s choice to show all events from an uninitiated character’s perspective was just brilliant. The use of Ragnar as a narrator also ensures that readers unfamiliar with the Warhammer franchise can also easily enjoy this novel, as they can learn about the wider universe at the same time as the protagonist. Established fans, on the other hand, will get a lot of joy out of seeing the Space Wolves in this much detail, and they will no doubt have fun viewing the myths and unique interpretations that the various Fenris tribes place on the Space Marines and other elements of Warhammer lore. As such, this is a novel that will really appeal to a lot of different readers, and anyone with interesting in fantasy, science fiction, or even historical fiction, will probably have a great time reading Space Wolf.

Finally, I must highlight how good Ragnar was as a point-of-view protagonist. Not only do we get the great insights into Space Wolves initiatives that I mentioned above, but there are multiple intriguing personality and mental aspects to his character that come across extremely well in the narrative. Ragnar starts the book as a young warrior whose life is changed in a single day as his tribe is destroyed by a rival clan, his family is killed, and he himself is killed and then resurrected by the Space Wolves. Worse, he is resurrected alongside the man who killed him, Strybjorn Grimskull, and is forced to train and work with him, despite their hatred for each other. This results in a great deal of inner struggle for Ragnar as he is constantly torn between his honour and new responsibilities to the Space Wolves and his desire for revenge against Strybjorn. Watching these two constantly circle each other through the training parts of the novel is awesome, and their issues get even more intense once they undergo the genetic change and become Space Wolves with bestial urges. These intense inner issues and rivalries proved to be an excellent central plotline for much of the novel, and I felt that they dramatically enhanced the entire narrative very well, adding in some much need drama, comradery, and character development. I cannot wait to see more of Ragnar and his fellow Space Wolves in the future, especially after how his first mission turned out.

Overall, Space Wolf was just as impressive and awesome as I hoped it would be. William King did an exceptional job writing a fantastic introductory Space Wolves tale, and he continues to remain one of my absolute favourite Warhammer authors, especially with the excellent range he showed here. Readers will love this outstanding dive into the Space Wolves and the wider Warhammer 40,000 universe that this novel contains, and Space Wolf is a highly recommended novel to anyone looking for an action-packed and exciting read.

Space Wolf Cover

Warhammer 40,000 – Ghazghkull Thraka: Prophet of the Waaagh! by Nate Crowley

On May 20, 2022March 1, 2023 By The Unseen LibraryIn Audiobook, Extended Universe, Five-Star Books, Science Fiction, Tie-in Novel, Warhammer19 Comments

Publisher: Black Library (Audiobook – 15 March 2022)

Series: Warhammer 40,000

Length: 7 hours and 30 minutes

My Rating: 5 out of 5 stars

Prepare to read one of the most amusing and downright entertaining recent additions to the Warhammer 40,000 canon with the hilarious and brilliant Ghazghkull Thraka: Prophet of the Waaagh! by outstanding author Nate Crowley.

I have been having an immense amount of fun really diving into the massive wealth of tie-in fiction surrounding the Warhammer 40,000 tabletop game this year. Books like Steel Tread by Andy Clarke, Krieg by Steve Lyons, The Bookkeeper’s Skull by Justin D. Hill and Day of Ascension by Adrian Tchaikovsky, have really highlighted just how diverse and intense this extended universe can be. However, the latest tie-in novel I checked out may prove to be one of my absolute favourites, as I got to learn all about one of the most iconic ork characters in this universe with Ghazghkull Thraka: Prophet of the Waaagh!

Orks are the most notorious and dangerous creatures that roam the galaxy of the 41^st millennium. Billions upon billions of the powerful, war-loving creatures can be found throughout every sector of space, fighting anyone and anything they can find, especially each other. However, out of all these monsters, none are more feared, respected or hated than the warlord Ghazghkull Mag Uruk Thraka, chosen of the ork gods Gork and Mork and proclaimed prophet of the Waaagh!

Throughout his legendary life, Ghazghkull has done what no other ork has been able to achieve. Bringing together innumerable warbands into one massive horde of green, Ghazghkull has warred with every faction in the cosmos, while his infamous invasions of the Imperial planet of Armageddon are the stuff of bloody legend. Everyone knows of his epic and rivalry with his indomitable foe, Commissar Yarrick, which turned Armageddon into a perpetual warzone, but does anyone know the true story of Ghazghkull and the events that made him?

Rogue Lord Inquisitor Tytonida Falx has long attempted to discover what lurks in the minds of the xenos her order faces. When an opportunity to find out more about Ghazghkull presents itself, she eagerly jumps at the opportunity, bringing a unique prisoner aboard her heretical ship, Ghazghkull’s banner bearer, the grot Makari. Interrogating him, Inquisitor Falx and her team soon discover that Makari might just be the only being in the universe who knows the full truth about who, or what, Ghazghkull is, and what he plans to do next. But, as she listens to Makari’s tale, the Inquisitor soon discovers that the shadow of Ghazghkull’s rage and desire for violence far eclipses anything that the Imperium has ever believed.

Wow, now that was a really fun and captivating read. I knew going into Ghazghkull Thraka: Prophet of the Waaagh! that I was going to have a great time, especially after enjoying author Nate Crowley’s The Twice-Dead King novels, Ruin and Reign, but I was blown away by how awesome Ghazghkull Thraka was. Featuring a clever and wildly entertaining story, perfectly told through various unique eyes, as well as some deeply enjoyable characters, I quickly became absorbed in the impressive story and powered through it in a couple of days. Not only was this my favourite book from Crowley but it also probably overtakes Kal Jerico: Sinner’s Bounty as the most amusing Warhammer novel I have ever read.

I had an absolute blast with the incredible story that Crowley whipped up for Ghazghkull Thraka, as it ended up being an inventive and entertaining way to showcase an iconic Warhammer figure. Due to his prominence within the game and the extended fiction, Ghazghkull is probably one of the most utilised non-human characters in the canon, with many different novels, game books and comics already diving into his life. As such, Crowley needed to come up with a completely new way to examine this great character that didn’t tread on any prior works. I think his solution to this problem was exceedingly clever, as he chose to tell the story through the eyes of the most unlikely narrator and chronicler, the grot Makari, whose unique insights and worldview turned this already known backstory into something truly special.

The story starts off in the current timeline of the Warhammer 40,000 universe and shows Inquisitor Falx obtaining Makari and interrogating him about Ghazghkull. This causes the book to dive back into the early days of Ghazghkull as Makari chronicle his master’s existence as he saw it. As such, you get a very specific examination of Ghazghkull’s life, with a focus on his early trials, some of his pivotal moments, and more specifically his interactions with Makari. At the same time, the story keeps jumping back to the present, with the Inquisitor and her followers interrupting to ask specific questions and discussing whether there is any truth in what he says. The book keeps jumping between these different perspectives, and you end up with two distinctive storylines as Makari’s presence brings some big woes for the Inquisitor in the present day. The chronicle storyline goes at a brisk pace, especially as Makari’s interrogators get him to skip or shorten specific sections, but there is a clever and impressive logic into what parts of Ghazghkull’s life are featured or ignored. Not only are the past and present storylines exceedingly intriguing and entertaining in their own rights, but they also come together perfectly as well, with Makari’s insights into Ghazghkull and himself impacting the actions of Falx. While the ending was slightly too metaphysical, it served as a brilliant and powerful conclusion to this great story, and I loved seeing the entire tale come full circle in some hilarious ways.

I deeply appreciated the way that Crowley put Ghazghkull Thraka’s story together, as its distinctive and clever style really helped to enhance the chronicle contained within. The plot device of an interrogation of an alien prisoner works extremely well to set up the main narrative, and the constant interruptions, debates and revelations that occur whenever it snaps back to the present adds to the sense of mystery and mysticism surrounding the titular figure. While Crowley takes the story in some interesting and complex directions at times, the entire novel is paced beautifully, and there is never a single boring or slow moment within the entire thing. I particularly liked the near constant humour that was injected into the story, a fantastic side-effect of basing the book around the funny ork species, and I laughed out loud several times as I powered through this impressively amusing read. Like many Warhammer novels, Ghazghkull Thraka can be enjoyed as a standalone read, and the author makes sure that it features a great self-contained narrative that anyone can enjoy, even those unfamiliar with the universe and the canon. Indeed, this would be a decent introduction to the Warhammer 40,000 canon and associated extended universe, especially as it perfectly presents one of the key factions of the universe. Most of the unique universe elements and wider history are explained sufficiently for new readers to follow along without any issues, although some could potentially get confused by the deliberate exclusion of events previously covered in other books. Still, Ghazghkull Thraka should turn out to be an easy and entertaining read for any science fiction fan, and I thought that this Warhammer 40,000 novel was very well written and extremely clever.

One of the things I love the most about Nate Crowley’s Warhammer novels is his brilliant ability to dive into the unique alien races of the universe and then perfectly showcase their culture and mindsets. This was the case again in Ghazghkull Thraka, where Crowley expertly dives into the heads of the various ork and grot characters. No matter whose perspective is shown, every scene of this book features some excellent and often highly amusing depiction of greenskin culture, as Makari attempts to explain the ork perspective as well as his place in the society as a grot. As such, you get some incredibly detailed and compelling insights into this crude and warlike race, including their brutal hierarchy, need for violence, insane technology, and very unique worldview, which generally results in most of the book’s fantastic humour. However, rather than the dumb, brutal and one-note figures that most authors depict, Crowley really goes out his way to show that there is a lot more to orks than you realise. Not only do you get some excellent insights into their various clans and organisations but the various ork characters are shown to be complex beings with unique needs and the ability to formulate some very cunning plans. There is a particularly intriguing look at the ork religion that follows the gods Gork and Mork, and this novel ends up with a spiritual edge, especially as Crowley shows the orks being extremely successful because they choose to strongly believe in themselves. As such, you see quite a unique and compelling side to the ork race in this book, and I loved how incredibly Crowley portrayed them.

Naturally, a big part of this examination of ork culture comes from the in-depth look at the life of Ghazghkull himself. As I mentioned before, Ghazghkull is one of the best-known characters in the entire Warhammer 40,000 canon, so most veteran readers would already be quite familiar with him and his actions. However, Crowley does an excellent job of examining a completely new side to this character, and mostly ignores his wars at Armageddon and his intense rivalry with Commissar Yarrick, both of which have been done to death in other books. While certain parts of his history are revisited in this novel, Crowley completely changes their implications and causes, instead focusing on Ghazghkull’s unique orkish mindset and his role as the prophet of his gods. This new take on Ghazghkull proves to be quite unique and very captivating, as he is shown to be an overburdened being, constantly pressured by his own visions and the influence of the gods to succeed and be a uniting force for his people. While he still retains the casual violence of his race, you really see Ghazghkull as a deep thinker, and it is fascinating to see his inner ork face off against his grand ambitions and desires. Crowley also adds some compelling supernatural elements to his character, as Ghazghkull, as seen by Makari, bears a direct connection to the gods which he can use to alter his fellows and himself. While this isn’t too overpowered or strange, it adds a great extra layer of menace to the character, especially for the humans, and I loved seeing the Inquisitors trying to wrap their heads around the strange occurrences. I had a lot of fun seeing this other side of Ghazghkull, and this novel ended up being a great analysis of who they are and what they represent to their race.

I also really enjoyed the inclusion of Makari as one of the central characters, and his use as the main witness to Ghazghkull’s life worked incredibly well. While Makari has always been associated with the character of Ghazghkull, accompanying him in his battles and waving his banner as a source of luck, Crowley really changes him in this novel and paints him as an essential part of Ghazghkull’s success and relationship with the gods. Shown to be there the moment that Ghazghkull became the prophet, Makari follows Ghazghkull through some of his big moments and it is hilarious to see his snide view on the subject, especially as, like most grots, he a massive coward who doesn’t want to be there. A lot of this novel’s humour is derived from Makari’s observations and responses, and I loved some of the jokes set up around it. Crowley does an awful lot with this character, and I particularly liked how the story explained certain aspects of his previous portrayals, such as the apparent multiple versions and his surprising luck. These are worked into the story extremely well, but it’s the relationship with Ghazghkull that becomes the most fascinating. Just like with Ghazghkull, there is a major spiritual edge to Makari, who appears to be just as chosen and important to the plan as his master. Makari’s mystical and religious bond enables him to have a far bigger insight into Ghazghkull’s actions than anybody else, and this really enhanced the analysis of the titular character. However, it is in Makari’s attempts to serve and help his master achieve his destiny that we see the best Makari scenes, especially when faced with Ghazghkull’s apparent depression, the manipulation of his other followers, and his own stubbornness. While Ghazghkull does have the inherent ork reluctance to rely on a grot, and indeed he is extremely likely to kill Makari if he starts giving advice, the moments where Makari get through to him are powerful, and I really appreciated the character work surrounding them. There are some rocky moments between them, especially when Ghazghkull becomes dismissive of his lucky grot, and Makari’s subsequent reactions is very funny and incredibly over the top, which was so very cool. Overall, this ended up being an excellent and surprisingly compelling portrayal of Makari, and I am exceedingly glad that Crowley featured him in this novel the way he did.

Aside from the greenskin characters, a large amount of plot revolves around the team interrogating Makari. Crowley really went out his way to create a particularly unique group of Imperial agents who bear surprising insights into the mind of the xenos. This team is led by Inquistor Falx, a rogue Inquisitor who bears a dangerous obsession with the alien creatures. Falx is desperate to learn everything she can about the aliens attacking the Imperium to help defeat them and finds herself stymied by the Imperium’s controlling and non-progressive government and religion. As such, she takes some major risks in this book to understand Makari and Ghazghkull and has some unique and dangerous methods for achieving her goals that borders on the insane/heretical. I quite liked Falx, despite her obsessive qualities, and she proved to be a great central figure for half the novels plot, especially as her frustrations, concerns and thoughts about the evils of the Imperium, are extremely understandable.

Falx also employs a unique team of interrogators to help her with Makari, including Brother Hendriksen, a Space Wolves rune priest assigned to Deathwatch who has also fallen out of favour with the Imperium thanks to his work with Falx. Hendriksen serves as a beastly and powerful presence on Falx’s team, and he often provides a great counterpoint to the inquisitor in both technique and common sense, often despairing at her more dangerous choices. Crowley’s diverse cast gets even larger with the truly unique character of Cassia, a female ogryn psyker who has grown as smart as a human. This was a fantastic and extremely distinctive addition to the cast, and her surprisingly calm demeanour, which contrasts beautifully with her immense ogryn strength, works perfectly against Hendriksen’s impatience and anger. The final member of the team is probably the most enjoyable, with the ork character, Biter (Bites-Faces-Of-The-Face-Biter-Before-It-Can-Bite). Biter is a member of a Blood Axes mercenary band who have dealings with Falx and who sell Makari to her, remaining behind to interpret Makari’s testimony to the humans. Due to being a member of the Blood Axes, a group who idolise human military culture, Biter is a very distinctive figure, wearing an approximation of a military uniform and appreciating complex tactics and strategy. However, Biter is even more intelligent and cunning than most Blood Axes, and his near human tendencies really stand out, as it is pretty unexpected from an orc. His fantastic reactions, comedic impressions of human behaviour, and determination to antagonise the Inquisitor really make him stand out, and he was an absolute joy to behold. These four interrogators play off each other perfectly during the present-day scenes, and their arguments, discussions and interpretations of Makari’s story give it added depth, humour and impact, especially once they start realising just how valuable their prisoner is. This entire cast was put together extremely well, and I had an incredible time with this unique and enjoyable collection of characters.

Like most Warhammer novels I check out, I chose to grab the audiobook version of Ghazghkull Thraka, which turned out to be such a wonderful and incredible listening experience. Not only did the story absolutely fly by in this format, allowing me to get through its seven and a half hour runtime extremely quickly, but I found that the narrative and descriptions of ork life really popped when read out. However, the best part about the Ghazghkull Thraka audiobook is the outstanding use of narrators. This audiobook has three separate narrators, Kelly Hotten, Paul Putner and Jon Rand, each of whom have some experience narrating other Warhammer audio productions. Not only are each of these narrators quite talented but the way they were featured in this audiobook is extremely clever, with the voice actor changing depending on who is witnessing or telling the events of the book. For example, Kelly Hotten serves as the narrator for the various scenes and interludes where Inquisitor Falx is witnessing Makari’s interrogation, and Hotten does a brilliant job capturing the various players of these scenes, including the Inquisitor, her unique companions, and their orkish interpreter. Paul Putner narrates the various scenes shown directly from Makari’s perspective, and he has a lot of fun in this role, not only capturing the cowardly and sneaky mannerisms of the grot protagonist, but also providing some amusing and deep voices for the ork characters. Finally, Jon Rand has a memorable sequence voicing Brother Hendriksen when he psychically jumps into Makari’s mind and views some of the events occurring, and he gives the character a notable accent and internal growl that fit him extremely well. The jumps between the voice actors were done perfectly and I really loved how it changed up depending on the perspective. All three voice actors did an amazing job with their narration, and their work, plus some fun sound effects here and there, helped to turn this into such an impressive production. Easily the best way to enjoy Ghazghkull Thraka, you will have an incredible time listening to this audiobook.

Nate Crowley continues to shine with another entry in the Warhammer 40,000 universe, with the unbelievably entertaining Ghazghkull Thraka: Prophet of the Waaagh! Featuring a unique and deeply amusing story that re-examines on of the canon’s most iconic alien characters, Ghazghkull Thraka has a tight and cleverly written story, loaded with action, great characters and whole mess of outstanding humour. Not only that, but this is without a doubt one of the best portrayals of the Warhammer 40,000 orks I have seen as Crowley obviously had a ton of fun bringing them to life. Easily one of the best (and definitely the funniest) Warhammer 40,000 novels I have been lucky enough to enjoy, Ghazghkull Thraka comes extremely highly recommended, especially in its audiobook format, and is a must read for all fans of this wonderful fandom.

Death Troopers by Joe Schreiber

Top Ten Tuesday – My Favourite Star Wars Novels (2022)

On May 3, 2022 By The Unseen LibraryIn List, Star Wars4 Comments

Top Ten Tuesday is a weekly meme that currently resides at The Artsy Reader Girl and features bloggers sharing lists on various book topics. The official topic for this week’s Top Ten Tuesday was to provide one-word reviews the last 10 books I have read. While this was a rather interesting topic, I have done something a little different and instead decided to focus on something more Star Wars orientated.

As many of you may be aware, this week contains the annual celebration of all things Star Wars with May the Fourth, better known as Star Wars day. I am a pretty massive fan of the Star Wars franchise (just check out my extended Star Wars category on the side of this page), and in recent years have really fallen in love with the various aspects of its extended universe, including the films, television shows, animated series, comics and of course the tie-in novels. Each year multiple cool and complex novels are released with impressive connections to the extended Star Wars universe covering various periods of the canon and beyond. I have had an absolute brilliant time reading some of the very best of these tie-in novels over the years and there are some excellent and powerful adventures featured in these awesome books. Due to how much I enjoy these books, I have decided to celebrate May the Fourth this year by once again highlighting my top ten favourite Star Wars novels. This is a continuation of several lists I have done in recent years, including two I did last year about Star Wars novels and Star Wars comics.

To pull this list together I looked at all the Star Wars novels I have read (or listened to in its audiobook format) over the years and tried to determine what my absolute favourites were. I slightly cheated in places by featuring whole trilogies, particularly those with really well-connected storylines, as a single entry, although I don’t feel too guilty about that. This allowed me to pull together quite a comprehensive list, as well as my typical generous Honourable Mentions section. I am pretty happy with how this list came together, especially as there are some interesting changes from my previous entries, and I think that this list fully highlights my absolute favourite Star Wars tie-in novels. So let us see what makes the cut.

Honourable Mentions:

A fun and terrifying Star Wars horror novel that features zombies chasing after Han and Chewie. An entertaining read best enjoyed in its audiobook format, which has some very disturbing sound effects.

Doctor Aphra by Sarah Kuhn

A captivating and well-produced full cast audio production that looks at the unique and always amusing character of Doctor Chelli Aphra, the rogue space archaeologist and conwoman. An audio reproduction of storylines from the Darth Vader (2015) comic (see my reviews for Volume 1: Vader, Volume 2: Shadows and Secrets, and the Vader Down limited series), Doctor Aphra perfectly captures the titular character in all her conniving glory and it is an extremely amusing listen.

Maul: Lockdown by Joe Schreiber

A brutal and action-packed prison story featuring a young Darth Maul involved in broadcast death fights. What is there not to love?

The High Republic: Light of the Jedi by Charles Soule

A brilliant and powerful introduction to the new High Republic sub-series, set hundreds of years before the Skywalker Saga. This was an excellent novel and a must read for anyone interested in checking out the current focus of the Star Wars extended universe.

Top Ten List:

Thrawn trilogy by Timothy Zahn

Let’s start this list off with the epic trilogy of books that follow one of the best characters in the Star Wars extended canon, the Thrawn trilogy. Made up of Thrawn, Alliances and Treason, these amazing books follow the Imperial career of Grand Admiral Thrawn in the current Disney canon. Written by the legendary Timothy Zahn, who reinvents his greatest fictional creation for a new age, this series featured a brilliant central character, impressive storylines, and some intense and well-written space battle sequences. It is so much fun to see the ultimate tactician go against the very worst the galaxy has to throw at him, and this ended up being a particularly awesome trilogy.

Thrawn Ascendancy trilogy by Timothy Zahn

Zahn followed up this initial Thrawn trilogy in a big way with the epic Thrawn Ascendancy prequel trilogy. Featuring three great books, Chaos Rising, Greater Good and Lesser Evil, the Thrawn Ascendancy novels showcase a younger Thrawn as he battles to save his home system from a relentless and multi-pronged alien invasion. Containing all the best elements of the Thrawn trilogy, as well as some intensive and detailed universe building that bears noticeable connections to the author’s previous work in the Legends extended universe, this is another exceptional trilogy that is well worth reading.

Alphabet Squadron trilogy by Alexander Freed

Alexander Freed recently wrote one of the strongest and most emotionally charged Star Wars trilogies with his exceptional Alphabet Squadron books. Made up of Alphabet Squadron, Shadow Fall and Victory’s Price, this incredible trilogy followed five unique New Republic fighter pilots in the aftermath of Return of the Jedi, as they attempt to finish off the Imperial remnant. This trilogy perfectly follows its five damaged and despairing central characters, as well as several morally grey Imperial characters, as they all seek redemption and deliverance in their own unique way. Featuring some blistering and epic fighter combat sequences, as well as some of the best Star Wars character development you are ever likely to see, the Alphabet Squadron novels are extremely good, with Victory’s Price (one of my favourite books and audiobooks of 2021) serving as an intense and unbeatable finale.

Dark Disciple by Christie Golden

Prepare to dive into the Dark Side of the Force with the excellent Dark Disciple from tie-in fiction extraordinaire Christie Golden. Serving as a follow-up to The Clone Wars animated series (it is based on several unproduced episodes), this novel follows two fan-favourite characters from the extended universe, Quinlan Vos and Asajj Ventress, as they attempt to assassinate Count Dooku. Containing an intense character-driven narrative that sees both protagonists at their very worst, Dark Disciple provides some intriguing closure to fans of The Clone Wars, as well as an exceptional story.

Kenobi by John Jackson Miller

An intriguing and unique Star Wars Legends novel that is probably going to get some more attention in the next few weeks, Kenobi is a new addition to this list, but one that is very well deserved. Written by the insanely talented John Jackson Miller, Kenobi follows the titular character in the immediate aftermath of Revenge of the Sith, as he attempts to settled down on Tatooine. However, trouble is always around the corner for this former Jedi, and Kenobi soon finds himself involved in a brewing war between the Tuscan Raiders and local farmers. Containing a great, outside look as this iconic character during his darkest days, Kenobi is an impressive read that may serve as an influence for the upcoming Obi-Wan Kenobi show.

The High Republic: The Rising Storm by Cavan Scott

While Light of the Jedi serves as a great introduction to the High Republic books, I think that the current best entry in this fantastic sub-series is the intense and captivating The Rising Storm by Cavan Scott. Continuing many great storylines from the first book, The Rising Storm sees the villainous Nihil raid the high-profile Republic Fair in a brazen public attack. Containing scenes of utter chaos, as well as some outstanding character development, The Rising Storm serves as a perfect middle novel for the first High Republic phase and was a deeply captivating and powerful read.

Lords of the Sith by Paul S. Kemp

An indisputable fact about the Star Wars universe is that some of the very best stories are all about the franchise’s amazing villains, and Lords of the Sith is an impressive example of this. Following the characters of Darth Vader and Emperor Palpatine, Lords of the Sith pits these legendary Dark Side users against rebels, monsters and traitors, all of whom are set on killing them. Featuring an addictive story and some entertaining depictions of the Sith Lord’s destructive powers, skills and malevolence, Lords of the Sith is a brilliant read that will try to tempt you to the Dark Side.

Scoundrels by Timothy Zahn

While Zahn is best known for his epics around Thrawn, he has also written some thrilling standalone novels, such as the excellent Star Wars Legends novel Scoundrels. Essentially a Star Wars heist novel, Scoundrels sees Han, Chewie, Lando and several of their villainous compatriots attempt to pull off the ultimate theft, while also facing gangsters, Imperial agents and multiple betrayals from within. An outstanding novel that showcases just how good a crime fiction novel in the Star Wars universe can be, this is an exceptional read I cannot praise enough.

Master & Apprentice by Claudia Gray

I am a major fan of this awesome novel from a few years ago by Claudia Gray. Master & Apprentice tells a powerful story of the early relationship between Qui-Gon Jinn and Obi-Wan Kenobi as they investigate strange occurrences around an upcoming coronation. Providing a deep dive into both these key characters, this was a moving and intense novel that is really worth checking out.

Darth Plagueis by James Luceno

The final entry on this list is the intriguing and comprehensive Star Wars Legends novel, Darth Plagueis. Written by the talented James Luceno, Darth Plagueis tells the entire story of the mysterious Darth Plagueis the Wise, including his complex relationship with his ambitious apprentice, Darth Sidious. A clever novel that connects to multiple parts of the now defunct Legends canon, Darth Plagueis is a must read for all hardcore fans who love detailed Star Wars lore, and a potential source of great inspiration for anyone attempting to bring Plagueis to life in the future.

This latest version of the list looking at my favourite Star Wars tie-in novels contains some fantastic reads and really covers the full spectrum of what a Star Wars story can achieve or contain. All the entries above are very epic reads and come highly recommended to anyone who wants to get into the Star Wars genre. This will probably be a list I come back to this time next year and it will be interesting to see how much it changes in the meantime. There are some outstanding Star Wars books coming out in the next few months (Brotherhood and Shadow of the Sith, for example), as well as some other great Star Wars books from this year I am yet to check out, all of which I could easily see being added to this list next year. There are also a ton of older Star Wars novels I need to read as I have heard some epic stuff about some of them (Battlefront: Twilight Company, A New Dawn, Outbound Flight, Razor’s Edge and Honor Among Thieves are all high on my to-read list). I could honestly see this list expanding out to a top 20 list in the future, which is a whole lot of Star Wars books. Let me know which Star Wars tie-in novel is your favourite in the comments below and as always, May the Fourth be with you!

Throwback Thursday: Star Wars: Kenobi by John Jackson Miller

On April 21, 2022May 2, 2023 By The Unseen LibraryIn Audiobook, Extended Universe, Science Fiction, Star Wars, Throwback Thursday, Tie-in Novel8 Comments

Publisher: Random House Audio (Audiobook – 27 August 2013)

Series: Star Wars Legends

Length: 13 hours and 36 minutes

My Rating: 4.5 out of 5 stars

Welcome back to my Throwback Thursday series, where I republish old reviews, review books I have read before or review older books I have only just had a chance to read. For this week’s Throwback Thursday I take another look awesome book from the Star Wars Legends range, Kenobi by John Jackson Miller.

As I mentioned last week, I have been going out of my way to read some of the older Star Wars Legends tie-in novels, especially after all the fun I had recently reading and reviewing Darth Plagueis. Despite no longer being considered canon since the Disney buyout, the Star Wars Legends range contains some cracking reads, including the awesome horror read Death Troopers, the brutal prison novel Maul: Lockdown, and the fun heist novel Scoundrels. I have been meaning to check out some other great Legends novel for a while, but the one that I have been particularly excited to read is the 2013 novel, Kenobi.

Kenobi, which was one of the last novels released as part of the Legends line, is an intriguing read that follows Obi-Wan Kenobi in the aftermath of Revenge of the Sith and follows his early adventures on Tatooine. Not only does this book have an intriguing plot, but the upcoming release of the new Obi-Wan Kenobi television series has got me more curious about this novel and I really wanted to see what differences occur between it and the show. I was also drawn to fact that Kenobi was written by the supremely talented tie-in author John Jackson Miller. Miller is a great author, who has written not only some intriguing Star Wars books but also some fantastic Star Trek novels, including Die Standing, which was particularly awesome. As such, I was pretty sure I was in for an outstanding time reading Kenobi, and I definitely wasn’t disappointed.

These are dark days for the galaxy. The Republic and the Jedi have fallen, and the Empire, along with its Sith masters, has risen in its place. All hope looks lost, except for an orphaned baby boy, now living on Tatooine, and watched over by a solitary protector, former Jedi Master Obi-Wan Kenobi. After failing to save his fallen apprentice, Obi-Wan has retreated to the wilds of Tatooine, determined to hone his abilities, protect his charge, and wait for the day that hope is ready to return to the galaxy. Sticking to the outskirts of the planet, Obi-Wan has taken on a new persona of Ben, a mysterious bearded and robed stranger, living alone in the desert and hiding from his past. However, despite all his attempts to blend in, Ben is still a Jedi, and trouble follows him wherever he goes.

A deadly conflict is brewing in the deserts of Tatooine as enterprising moisture farmers clash with desperate Tusken Raiders. The settlers are terrified of a new and ruthless Tusken war chief who has leading raids against their farmsteads, resulting in series of brutal retaliatory attacks. When the fight seeks to engulf some of Ben’s new friends, he is again dragged into a war he never asked for. Discovering a grave injustice as innocents are killed for a matter of greed, Ben will once again call upon the powers of the Force to ensure justice is done. But can he achieve his goals without revealing to the entire planet that he is a Jedi, or will his greatest secret be uncovered along with the galaxy’s last hope?

Wow, this was a pretty impressive and captivating Star Wars novel from Miller that does a wonderful job showing a unique period in an iconic character’s life. Featuring a brilliant and surprising story, set in the iconic backdrop of Tatooine, Kenobi is an excellent read that I had an amazing time getting through.

I must admit that I was a little surprised with how this story turned out. With a name like Kenobi, you would assume that the narrative would be primarily told by Obi-Wan as he tried to settle in and survive on Tatooine. However, Obi-Wan isn’t even a point-of-view character in this book, instead the story revolves more around some of the local people of Tatooine as they encounter Obi-Wan (or Ben, as he is known to them). While on paper this might sound weird, it actually works really well and Miller tells a taught, powerful and compelling narrative that perfectly utilises its titular character as a mysterious and somewhat unknown figure. Focusing on a growing battle between Tatooine settlers and the Tusken Raiders, the story shows the impact of the arriving Ben on these long-standing communities. Miller does a great job of introducing several excellent and impressive new characters who become connected to this early version of Ben Kenobi. Their story soon devolves into a fast-paced, character-driven adventure as Ben finds himself caught between the opposing sides. The growing war between them takes some interesting turns, including monsters, gangsters and hidden Jedi, and introduces a fantastic villain with some clever motivations. Miller does a great job of working the desolate setting of Tatooine and the excellent characters into this story, and you soon become attached to both as they enhance the overall the story. Everything comes together into a captivating and moving conclusion that is exciting, emotional, and a little dark in places, bringing everything together in a satisfying way. This intriguing story proves to be exceeding addictive and I really love the distinctive tale that Miller came up with.

This proved to be a particularly good entry in the Star Wars Legends canon, and Miller does an outstanding job of tying this story into the wider universe. Set right after the final scene of Revenge of the Sith, you get some intriguing views of the new galaxy under the Empire, as well as Kenobi’s early attempts to settle into obscurity on Tatooine (including the answer to the question: why did he keep the last name Kenobi? The answer may surprise you). Thanks to Miller’s excellent writing and the close relationship to the third prequel film, Kenobi is an easy novel to get into for anyone who has seen the films, and most readers will really appreciate the cool story it contains. There are multiple references to all three prequel films and A New Hope in this book, and I know a lot of people will appreciate seeing how several of these events impacted the wider Tatooine community in surprisingly ways. Miller also makes sure to provide a ton of compelling references to some more obscure Star Wars Legends elements, including multiple characters and events from certain comics, such as Outlander arc of Star Wars: Republic and the Star Wars Legacy series. Some references are pretty ingrained in certain part of the Tusken Raider character’s backstories and motivations, although readers can probably get away without knowing too much about them as Miller does summarise the most relevant details. As such, there is a lot here for the hard-core Star Wars and Legends fans to enjoy with this book, and most readers will enjoy seeing how it ties into the former canon.

I have to say that I was quite impressed with how Miller utilises the barren and desolate planet of Tatooine as a setting in Kenobi. This book serves as a particularly good guide to Tatooine in the Legends canon, and you are soon immersed in the various cultures and landscapes of this deadly planet. Not only are there multiple breathtaking and powerful depictions of the unforgiving desert landscape that the characters are forced to survive on but there are some fantastic looks at some of the creatures, monsters and threats that exist in the desert, most of which are encountered by the protagonists at some point. The readers are also treated to an intensive look at some of the main groups of people living on Tatooine, particularly the moisture farmers and the Tusken Raiders. I loved the depictions of these two different groups, with Miller amping up the resemblance to old West settlers and Native Americans in their cultures, disbursement, and conflict (the phrase “dancing with Tuskens” was used at one point). I learnt a surprising amount about moisture farming in this novel, which was pretty fun, and it was really interesting to see some of the outcasts and settlers who take up the hard lifestyle. However, the best depictions involve the Tuskens, who are featured pretty heavily thanks to the use of supporting character A’Yark. You get some fascinating looks at the tough and often unexplained Tuskens throughout Kenobi and end up coming away with some compelling looks at their culture and lifestyles, as well as some mentions about their most distinctive members in the Legends canon. I really appreciated the way that Miller portrayed them as a desperate people, thanks to several distinctive events from the films and the comics, and this becomes a major part of their motivations for fighting the settlers and coming into contact with Obi-Wan. You really get a deep look at this entire setting and its people throughout the course of the story and I am extremely glad Miller featured them so heavily

Unsurprisingly, considering the title of this novel, the reader gets quite an intriguing look at the character of Obi-Wan Kenobi. This version of Obi-Wan is recently arrived on Tatooine, only just removed from delivering baby Luke to his aunt and uncle, and now trying to find his place in the new, darker universe. I really enjoyed how Obi-Wan was portrayed in this novel, especially as Miller made the interesting choice not to use him as a point-of-view character. Instead, you see him purely through the eyes of the rest of the cast as the mysterious and weird hermit, Ben. This actually works really well on many levels, providing at times a distant view of the protagonist that is reminiscent of Ben’s initial introductions in A New Hope. I really enjoyed the other character’s impressions of Ben, especially as the character is trying to hide his Jedi abilities, and the fun reactions to his apparently odd actions are quite entertaining at times.

Despite Kenobi not being a point-of-view character, you do get some quite detailed impressions of his current state of mind, and it soon becomes apparent that Obi-Wan is emotionally raw after the events of Revenge of the Sith. The other characters are quick to notice his apparent sadness, especially through certain noticeable reactions to particular topics, such as his past or the state of the galaxy. While these other characters may not understand their significance, the reader certainly does, and Miller does a good job of showcasing his deep pain. This troubled emotional state is also highlighted by several interludes that feature Obi-Wan’s attempted conversations with Qui-Gon Jinn in the Force, which summarise some of the recent events from Ben’s perspective while also examining his state of mind. As the novel continues, certain events and revelations start to push Kenobi’s buttons, especially the actions of the book’s antagonist. This eventually leads up to a big emotional outburst from Ben as he talks to one of the other characters about his failings in his past. Watching him beat himself up for Anakin turning to the Dark Side, as well as the fall of the Jedi and the death of all his friends, is pretty heartbreaking, and it makes for the best scene in the entire novel. I found it fascinating to see all these emotions unfurl as the plot continue, and the use of other character’s as the primary witnesses and interpreters of this, did a surprisingly good job of exploring the character’s mental state and showcasing just how alone and damaged he truly was.

While Obi-Wan does get a substantial amount of focus throughout Kenobi, the story is primarily told through the eyes of three separate point-of-view characters who Obi-Wan interacts with in different ways. All three characters are pretty fascinating in their own right, and Miller sets up some brilliant and clever storylines around them. My favourite of these is probably rancher and businessman Orrin Gault, who has an impressive and captivating character arc in Kenobi. Initially portrayed as a compassionate, generous and ambitious moisture farmer who has set up the settler militia to oppose the Tusken Raids, Orrin appears to be a decent and noble figure. However, Orrin has a dark side brought on by hidden motivations and dealings, and it soon becomes clear that many of the issues impacting the other characters are the result of his machinations. Miller slowly reveals the full extent of Orrin’s misdeeds throughout the course of Kenobi, and he eventually turns into quite a conniving and distinctive antagonist. The author provides some outstanding and powerful moments for Orrin throughout the book, and there are some interesting similarities between his fall and that of Anakin Skywalker. I deeply enjoyed the full extent of his powerful arc in Kenobi, especially as Miller comes up with a particularly dark end to his story, and his inclusion really added to overall impact and strength of this book’s narrative.

The other major human character is Kallie Calwell, a store owner who runs the local watering hole and supply shop with her children and who has a close relationship with Orrin Gault. Kallie ends up becoming one of the leading figures of the book after she and her daughter are the first settlers in the area to encounter the mysterious Ben and are instantly enthralled by his mysterious persona. Kallie serves as a good narrator for a large portion of the novel and ends up being the central point of view figure for most of the interactions with Ben due to her romantic interest in him. While I must admit I wasn’t the biggest fan of Kallie’s character (she was a bit too one-note and her constant family issues got tiring), she did have some intriguing scenes, especially when she interacted with Ben. She ended up getting the most out of him emotionally, and her connection got him to open up at times to discuss his issues.

The other major point of view character was the deeply fascinating figure of A’Yark, the leader of the Tusken Raiders who have been raiding the local settlements. Given the title of Plug Eye by the locals due to only having one mysterious red eye, A’Yark stands as a hard and uncompromising figure, determined to save their dying tribe without losing their traditions and sense of honour. Thanks to A’Yark’s powerfully written scenes, you get a real sense of what it is to be a Tusken Raider, and they serve as captivating figure in comparison to the other characters in the book. A’Yark has great story arc in this novel, and the intriguing growth, as well as their ability to adapt to certain situations, made them particularly fun to watch. They also have some interesting connections to Obi-Wan and the Jedi Order, thanks to their former brother-in-law, and this results in some compelling scenes as A’Yark knows what Kenobi is and what he can do. All these characters, and more, add some fascinating elements to the Kenobi novel, and I really appreciated the powerful and complex story that Miller wove around them.

I doubt anyone would be surprised that I checked out Kenobi’s audiobook format, as I have a great love of the Star Wars audiobook format. Naturally this worked out very well for me as the Kenobi audiobook was pretty damn awesome. With a run time of just over 13 and a half hours, this was a relatively easy audiobook to get through and I managed to power through it over the course of several days. Like most of the Star Wars audiobooks, Kenobi featured a great selection of iconic Star Wars sound effects and music with which the producers use to produce an atmosphere and help listeners visuals all the cool things going on. Both were really good throughout Kenobi, with the sound effects in particularly being put to great use. I did think that the use of John William’s epic score was a little more subtle here than in other books, but it still ended up enhancing some key scenes throughout the novel and giving them some extra emotional power.

I was also very impressed by the narration of the Kenobi audiobook, especially as the producers made excellent use of one of my favourite audiobook narrators, Jonathan Davis. Davis is a brilliant narrator who has lent his epic voice out to multiple Star Wars productions over the years, including Master & Apprentice, Lords of the Sith and the Dooku: Jedi Lost audio drama. He does another exceptional job with Kenobi, perfectly portraying all the characters of this novel with real aplomb. He does a pretty good job with Obi-Wan, making himself sound as much like Ewan McGregor as possible, and I loved how intense he became during some of his more dramatic scenes. Davis also provides distinctive voices for all the new characters in the novel, which I felt did a great job portraying their relevant personalities. I particularly loved the scratchy and coarse voices of the various Tusken Raider characters, such as A’Yark, and you got a real sense of their rage and despair they have at their current situation. This epic voice work really added to the quality of the Kenobi audiobook, and when combined with the usual awesome Star Wars sound effects and music, ensured that this was an absolute treat to listen to.

Overall, Kenobi by John Jackson Miller is a brilliant and powerful Star Wars novel that did an outstanding job of examining this complex and pivotal figure. Perfectly examining the early days of Obi-Wan Kenobi’s life on Tatooine, this impressive Star Wars Legends novel contains an intriguing, character driven novel that provides an interesting perspective on this hidden Jedi master which I deeply enjoyed. Making full use of some great new characters and the desolate desert setting, this was a compelling and addictive narrative that is really hard to put down. Highly recommended, especially in its audiobook format, Kenobi is a great entry in the Star Wars Legends range and I look forward to seeing if any elements from it are used in the upcoming Obi-Wan Kenobi television show.