Small Gods by Terry Pratchett

On March 22, 2025 By The Unseen LibraryIn Audiobook, Comedy/Satire, Fantasy, Five-Star Books, Throwback Thursday4 Comments

Publisher: Gollancz/Penguin Audio (Audiobook – 1993)

Series: Discworld – Book 13

Length: 9 hours and 55 minutes (Planer version)/11 hours and 38 minutes (Serkis version)

My Rating: 5 out of 5 stars

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Thanks to an excellent road trip, I managed to revisit several awesome entries from the iconic Discworld series by the legendary Terry Pratchett, and it is time to highlight one of the very best books that Pratchett wrote, Small Gods.

I have never made any secret of the fact that I love all things Terry Pratchett, as the Discworld books were the formative series of my youth. A massively popular collection of loosely connected novels set on a flat world carried through space on the back of four elephants atop a giant turtle, the Discworld books present a range of unique fantasy adventures backed with exceptional comedy and satire. This series is so much fun, and I honestly love every single Discworld book, having read them all multiple times, usually while laughing myself silly. Indeed, I am such a big fan of this series that I named my blog after a location in the universe. Despite my overwhelming love for all things Discworld, I haven’t reviewed too many of the books on this blog, with Moving Pictures and The Last Continent previously being the only exception. However, thanks to some great road trips giving me opportunities for revisiting some classics, I have recently published reviews for Guards! Guards! and an additional review for Moving Pictures. I also recently re-listened to the impressive and thoughtful 13^th entry in the series, Small Gods. An outstanding standalone novel that seeks to blend religious commentary with Pratchett’s strong humour and complex satire, Small Gods is one of the more thoughtful and moving Discworld books and is a must read for all fans of the franchise.

Floating through space on the back of a giant turtle, the Discworld is a place of magic, wonders, strange creatures and, unfortunately for the mortals just trying to live their lives, gods. Instead of the wise and beatific beings we hope them to be, the gods of the Disc are a capricious and vain lot, empowered by the belief of their human worshippers. But what happens when a mighty god loses his believers?

The militant nation of Omnia is an empire dedicated to the fervent worship of the Great God Om, an all-powerful being who knows all, sees all and is the only true god in the world. The problem is none of that is true. Instead, Om is a self-obsessed god among many, who barely pays attention to the people fighting in his name. More importantly, he is currently residing in the body of a tortoise, stripped of nearly all his divine power, and the only person who can hear him is a simple novice, Brutha, who isn’t fully convinced that the talking tortoise smiting him with tiny thunderbolts is his god.

Determined to get back on top and find out why he lost his power, Om recruits Brutha as his unlikely prophet. However, Brutha has his own problems as the sinister head of Omnia’s Quisition, Vorbis, has taken an interest in him. Forced to accompany Vorbis on a diplomatic mission, Brutha soon begins to understand that the world is a far bigger place than he realised, and that there is something very wrong at the heart of his nation.

As the tides of history take Brutha and Om into strange new places, the two find themselves encountering unexpected dangers, including dangerous ideas, sinister eagles, rebels determined to prove that the world isn’t round, deranged philosophers and the small gods that lurk in the dark places. To survive, Brutha will need to have faith in his god, but more importantly, Om will need to have faith in Brutha, especially when his own religion is turned against them.

After yet another re-read, Small Gods remains one of my favourite Discworld novels, and this is one of the very best examples of Terry Pratchett’s unique style and imagination. A hilarious, yet thought-provoking read that cleverly dissects religion, divinity and people’s beliefs, Small Gods quickly grabs your full attention and refuses to let go until it’s powerful, terminal end.

I have so much love for the outstanding narrative that Pratchett pulled together for Small Gods, which tells one of the more unique standalone tales in the Discworld series. I must admit, even after many reads, I am still very impressed that Pratchett decided to examine the nature of religion and belief through the lens of a hilarious odd-couple story that evolves into a road trip narrative. Starting off on a very entertaining note with the unsuspecting new prophet of Om, Brutha, encountering his god in the form of a small, battered tortoise, Pratchett does a good job of introducing the nation of Omnia and its place in the wider setting. This proves to be an effective start to the book, and a lot of the early themes and wider issues surrounding the nation of Omnia are well set-up. You also get a great examination of the book’s three main characters, and their compelling early interactions in Omnia sets up a lot of the book’s character-driven narratives. After this excellent introduction, Small Gods’ plot then moves to the bordering nation of Ephebe, which proves to be an intriguing centre of the novel, not only because it has some of the more entertaining sequences, but also because it begins to expand on some of the ideas from the front of Small Gods and you are given a good understanding of both Om’s situation and Brutha’s growth as a character.

The plot of Small Gods takes a powerful turn around halfway through, when Brutha helps further Vorbis’s schemes, only to then attempt to flee and do the right thing. However, thanks to the influence of a rival god and unexpected technology, Brutha and Om are inadvertently stranded in the desert with a helpless Vorbis. The following extensive scenes in the desert are probably the best parts of Small Gods, especially as Brutha begins to think for himself, and the philosophical clashes he has with Om set him up as the protagonist both the reader and the Omnians need. Pratchett really dives into what it is to be human and divine in this section of the book, and I deeply appreciate the rich character development featured within these sections of the plot. These desert scenes become even more impactful when Pratchett throws in a major obstacle for Brutha that threatens to push him over the edge into despair. You really feel for Brutha as he has his crisis of faith, only to maintain his humanity in the last confrontation with Vorbis. The subsequent scene on the metal turtle was very tense, and while I know some people dislike the end of Vorbis, I thought it was a very clever sequence, especially as Pratchett set up the hunting eagle perfectly. Pratchett continues to wrap up the rest of the narrative in a very satisfying way, and while the war sequence might have been a little unnecessary, it allowed some great character arcs to come together and showed how much Om had grown as a god. The final scene with Brutha once again showing his humanity no matter what, ended the book on satisfying and heart-felt note, I appreciated the hopeful tone Pratchett concluded his brilliant story on. An overall impactful and moving narrative that brought together a lot of complex plotlines and character moments and ensured you were hooked the entire way through.

I have always believed that Small Gods was one of Pratchett’s better written books, as he effortlessly blended a complex fantasy narrative that examined religion with his typically brilliant humour and some outstanding characters. Featuring one of his most complex and thought-provoking plots, Pratchett achieves so much with his intriguing inclusions, all without slowing down the speed of the book and keeping the tension and emotional charge of the book on high. Introducing a cool new setting, Small Gods works well as a standalone entry in the larger series that cleverly expands on some previously introduced features, such as the selfish and somewhat stupid gods of the Disc, as well as cool locations like Ephebe (which was previously featured in Pyramids). Due to its lack of major connections to the other entries in the Discworld series, Small Gods is a rather excellent introduction to Pratchett’s style and ability to dive into heavy topics with comedic content. Like all of Pratchett’s books, Small Gods is hilarious, and I love the many different levels of humour contained with the book, that range from obvious jokes at over-the-top situations, subtle witticisms often contain within well-placed footnotes, to clever word or name gags. Some of this humour is so subtle that it often goes over the reader’s head the first time, and you honestly need multiple readings to full appreciate every single joke or gag that Pratchett thought up (I still discover new jokes I previously missed every time I read a Pratchett novel).

However, the thing that ensures Small Gods stands out amongst the other brilliant Discworld novels is the author’s clever and insightful breakdown of religion and godhood on the Disc, which is both fascinating and entertaining. A lot of the book’s powerful messaging, complex themes and some of the best humour, comes out of the exploration of the divine and how it relates to both this crazy fantasy setting and the real world. While Pratchett does provide a lot of jokes about religion throughout the ages, he does it in a very intelligent and delicate way that makes the reader think. Rather than simply dunking on religions and focussing on the negatives, Pratchett instead subtly satirises the institutions, manipulative leaders and unthinking traditions that can often complicate or weaponise religion. A large amount of the plot revolves around Vorbis and the Omnian church violently trying the repress the idea that the world is flat and on the back of a giant turtle. While this is primarily a fun parody of the Catholic church’s suppression of Galileo’s claims about the Earth orbiting the sun (and which is now both funnier and sadder, thanks to flat earthers), it also examines how some people utilise religion as an excuse for violent action and manipulate faith for their own ends, which is a powerful recurring them throughout the book.

At the same time, Pratchett also focuses on a compelling central character with true faith who explores the meaning of religion and how it impacts his people. Seeing a likable character like Brutha recognise the problems in his nation allows readers to reflect and see the flaws in the organised religions Pratchett is parodying, while also appreciating the messages that these religions should strive for. The various complex discussions, personal revelations and jokes within Small Gods allow for a very insightful read that reportedly resonates with both atheists and pro-religious figures (Pratchett apparently received a lot of fan mail from both groups who thought Small Gods was written for them). I personally think that Pratchett’s thoughts and messages were extremely perceptive and layered with a great understand of humanity, and indeed many his compelling criticism or organised religion and how it is weaponised are more relevant now than when Small Gods was written, especially as it could also apply to other traditional institutions that are being abused.

Pratchett perfectly rounds out this incredible writing by featuring some of his very best characters, including several very complex figures who mature and evolve throughout the course of the book’s plot. This includes the main protagonist, Brutha, a simple novice who finds himself the only person left who can hear Om due to his genuine belief in the god rather than in the institutions that surround the religious practices. While initially portrayed as a somewhat dull and unthinking novice, you soon begin to realise that there is much greater complexity within Brutha, as well as the fact that he is a genuinely nice person held back by his simple ideas of life and faith. Thanks to his interactions with Om, who provides greater clarity to his religious beliefs, as well as his experiences outside his insular nation, Brutha begins to evolve quickly as a person, gaining a greater appreciation for the wider world, as well as beginning the understand that the world isn’t quite as black and white as he believed. It was fascinating to see Brutha develop as the book continues, especially as he begins to doubt his faith and rebel against the church and the god that had been his entire life. His interactions with Om were quite entertaining, as the two eventually become a fun duo of equals, although Brutha does get the upper hand over his god in quite an entertaining and refreshing manner. Brutha was also well defined by his relationship with the book’s antagonist, Vorbis, and their discussions about truth prove to be quite defining for Brutha as an inspiration for his rebellion. However, unlike the rest of the cast, Brutha resists becoming the monster that Vorbis wants him to be, and his subsequent demonstrations of faith, reason and humanity, really set him up as one of Pratchett’s best and most likeable central protagonists.

Brutha is well matched by his god, Om, who honestly is one of the best deities featured in the Discworld series. Formerly an all-powerful and arrogant god who didn’t care about his believers, Om finds himself suddenly trapped as a helpless tortoise who must desperately cling to Brutha to survive. Om proves to be quite a fascinating and entertaining figure in Small Gods, especially as Pratchett perfectly portrays him as formerly powerful being who must now rely on the mercy of others. His initial arrogance is very entertaining, and his subsequent wheedling manipulation of Brutha was a great follow-up that worked to keep him in the story. However, it was his eventual co-evolution with Brutha that turned Om into a particularly compelling protagonist. Despite his resistance, his bond to Brutha shapes him and forces him to see the world through human eyes, and the subsequent discourse on philosophy, life and how religion should be as they wander the dessert impacts Om just as much as Brutha. This eventually causes them to reach an interesting and heartfelt religious partnership, and it was fascinating to see the previously selfish Om risk it all to save Brutha, especially when he is confronted by other gods who act the same way he used to. I loved seeing this powerful and positive development in a divine figure, and Om really ended up being a compelling secondary protagonist with some of the best jokes.

While Brutha and Om are the heart and soul of Small Gods, this book would not be as impactful without its brilliant villain, Vorbis. A cruel and unflinching figure, Vorbis is probably Pratchett’s most ruthless antagonist, who utilises the mechanisms of the church to achieve his goals. However, rather than being a purely evil figure, Vorbis is shown to be simply someone who understands human nature and uses this knowledge to achieve his self-determined goals, which in some ways is worse than an obvious villain. Pratchett does an outstanding job showcasing Vorbis’s dark, insular nature, and you come to really appreciate just how sinister he is, especially as his actions inspire other people to do evil things to try and match him. He becomes even more immoral when compared to the very innocent Brutha, the only person that Vorbis occasionally sees as a real threat to his plans due to his legitimate belief, and their various interactions and discussion about the true nature of the world are quite powerful. Pratchett features Vorbis perfectly throughout the book, and his final appearances, where he finally understands his own nature, are very satisfying to behold.

The rest of the cast of Small Gods are also quite impactful in their own way. The blind philosopher, Didactylos, proves to be a fantastic voice of reason in the story, especially compared to the rest of the insane philosophers of Ephebe, and his very simple philosophy and viewpoint on life and truth give the characters, and the readers, much to think about amongst the discussions on religion. Didactylos’s nephew, Urn, came across perfectly as a machine-obsessed proto engineer, whose storylines go in some interesting philosophical directions, especially when he realises what his inventions will be used for. I had a very fun chuckle at the inclusion of Cut-Me-Own-Hand-Off Dhblah, a fun Omnian equivalent to the always entertaining Ankh-Morpork native, Cut-Me-Own-Throat Dibbler, while the Sweeper, Lu Tze, gets a great introduction as a secret history monk who occasionally changes events for the better. Finally, the zealous Sergeant Simony, who leads the internal Omnian revolution against Vorbis, proves to be a very impressive figure who, despite being a fervent misotheist (someone who hates one specific god), has a belief in freedom and the turtle that matches Brutha’s faith in Om. Simony serves as a very good example of just how far Vorbis can drive someone trying to do the wrong thing to achieve their goals, and I felt that he matched the fervour and faith of the other major characters in some fascinating ways. This cast of characters was overall superb, and I really appreciated how well they complimented each other’s story arcs, as well as the intelligent themes Pratchett was trying to get across.

As with all the Discworld novels, I have enjoyed Small Gods as both a physical novel and an audiobook, and frankly this epic story comes across extremely well in all formats. However, I have a very special place in my heart for the Discworld audiobooks, and the outstanding stories, elaborate characters and impressive and clever humour always comes across extremely well in this format. I have had the great pleasure of listening to Small Gods multiple times over the years, and I want to highlight the two different unabridged version of Small Gods.

The first audiobook version of Small Gods is the original production narrated by Nigel Planer. Small Gods was a particularly impressive example of Planer’s voice work, as he had to come up with unique voices for a range of unusual characters. The Planer version of Small Gods is the one that I grew up with, and it is engrained in my mind as a result, especially as the narrator effortlessly moves through Pratchett’s many complex ideas and plots and brings them out in a fantastic and humours manner. Planer provides all the voices in his version of Small Gods, and he perfectly encapsulated all the key figures of the book with his exceptional narrations. You really get the full range of these character’s personalities and emotions through Planer’s voice work, and I loved his clever takes on Pratchett’s distinctive cast. As such, the Planer version of Small Gods is probably the gold standard for all Discworld fans, and it will always have a very special place in my heart.

There is also a recently released version of Small Gods that is narrated by three brilliant British talents, and which was the version I most recently enjoyed. This new Small Gods audiobook features a runtime of around 12 hours, which is a little longer than the roughly 10-hour long Planer version and provides an interesting new take on the novel. I really enjoyed the voice cast for this new audiobook, as not only do we once again get Peter Serafinowicz and Bill Nighy in their recurring roles, but it also features the primary narration of actor Andy Serkis.

Serkis, who has also narrated a recent version of The Lord of the Rings books that is worth checking out, does an exceptional job in Small Gods, ensuring a very fun experience for all listeners. While there are some tonal shifts in this audiobook that fans of the Planer version may find a little surprising or jarring, for the most part I think Serkis matches and even occasionally exceeds Nigel Planer’s performance, and I very much enjoyed his take on the book. His basic narration of Small Gods matches Pratchett’s style and humour extremely well, and I love how effectively he moves the story along, perfectly capturing the complex tone and energy of the plot. However, it is Serkis’s entertaining voices that were the highlight of this version of Small Gods, as the characters are each given unique tones that fit their personalities in some fantastic ways. His voice for Brutha, the central character, was extremely good, and I loved how well Serkis captured Brutha’s transformative journey and complex personality. Utilising a fitting rural voice for the protagonist, Serkis successfully showcases Brutha’s changing mentality and deep moral roots with his narration, and you can honestly imagine this intriguing figure every time the narrator voices him.

In comparison to Brutha, the voices for Vorbis and the Great God Om were a lot more elaborate by necessity, and I really appreciated the fantastic tones that Serkis choice for these entertaining figures. My favourite was probably the voice used for Vorbis, as the narrator gifted this antagonist a deep, rich and lingering voice that honestly put me in mind of Tony Jay or Alan Rickman with some added oily sinisterness. This impactful voice perfectly fit Vorbis’ menacing personality, and whenever the listener hears the voice, you know bad stuff is about to go down for the rest of the cast. As for Om, Serkis provides him with an unrefined and laddish voice with a Liverpool accent. This interesting voice choice matched Om’s uncaring and selfish personality extremely well, and I liked how well Serkis’s chosen tone for this divine figure played into the overarching theme that gods on the Discworld aren’t as sophisticated as everyone assumes they are. Most of the rest of the voices in Small Gods work extremely well, with Sergeant Simony and Cut-Me-Own-Hand-Off Dhblah having memorable voices as a result. However, I felt that the strong American accents that Serkis assigned to Didactylos and Urn really didn’t work, and failed to match the tone of the rest of the audiobook. While Serkis was probably trying to distinguish these two from the other Ephebian philosophers, their voices honestly grated on me, and I really wish he’d have tried something else. Still, the rest of Serkis’ voice work was amazing, and I cannot emphasise how incredible most of his narration of Small Gods turned out to be.

Serkis’s main narration was perfectly enhanced with the inclusion of Peter Serafinowicz and Bill Nighy in their recurring roles from the new Discworld audiobooks. Serafinowicz provides the voice of Death whenever he appears in this audiobook, which is a lot of fun as Serafinowicz has an extremely entertaining Death voice that captures the anthropomorphic personification in all his skeletal glory. His multiple appearances in Small Gods, leading key character towards the desert of judgement, were very awesome, and I loved hearing Serafinowicz converse with the other characters as Death. The audiobook production team does an excellent job sliding the Death voice into Serkis’s main narration seamlessly, and I love it when Serafinowicz’s voice suddenly appears during dangerous scenes, heralding that someone is about to die, and ensuring there is some great tension as you watch the other characters slowly realise something is very wrong. Nighy, on the other hand, narrates the various footnotes that Pratchett included in his text, providing an extra layer of humour. While there are relatively few footnotes in Small Gods, it is a key role that Nighy perfectly fulfils, and his calm, consistent tones, echoing Peter Jones’s similar role in The Hitchhiker’s Guide to the Galaxy radio and TV editions really highlighted the subtle comedy of these footnotes. These three exceptional actors come together perfectly and provide an outstanding overall performance that I could not get enough of. This was a truly exceptional audiobook that I think is on par with the previous Planer version, and I would strongly recommend both audiobooks as an amazing way to enjoy Small Gods, especially if you need to listen to something while travelling.

Well, as I am currently just getting to the end of page seven of my review for Small Gods by Terry Pratchett, I think it is a safe assumption to say that I love this amazing book. Easily one of my favourite Discworld novels, Small Gods perfectly blends a brilliant story and amazing characters with Pratchett’s amazing wit and his uncanny insights into compelling real-world issues. An incredible and addictive read from start to finish, Small Gods comes extremely highly recommended and can easily be enjoyed by anyone wanting a clever, funny and heartfelt read, especially on its two audiobook formats.

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Crucible of Chaos by Sebastien de Castell

On June 5, 2024 By The Unseen LibraryIn Audiobook, Fantasy, Five-Star Books, Murder Mystery14 Comments

Publisher: Jo Fletcher Books (Audiobook – 7 December 2023)

Series: Court of Shadows – Book 0.5

Length: 12 hours and 32 minutes

My Rating: 5 out of 5 stars

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In the mood for a witty, intense and highly unusual murder mystery? Make sure to grab Crucible of Chaos, an outstanding and impressive novel from Sebastien de Castell, which serves as a prelude to his Court of Shadows series.

Earlier this year I was very lucky to receive the first book in Sebastien de Castell’s Court of Shadows series, Play of Shadows. Set in the author’s Greatcoats universe, Play of Shadows was a truly epic and outstanding read that saw an unlucky actor with unusual gifts attempt to unravel a dark conspiracy inflicting his city. I deeply enjoyed Play of Shadows, which was one of the best books I have read so far in 2024, and I was intrigued to check out more from de Castell, an author who had previously impressed me with his hilarious standalone novel, The Malevolent Seven. While de Castell has several great series to his name, the book that caught my eye the most was the late 2023 release, Crucible of Chaos, which apparently served as a prelude to the other Court of Shadows novels. Curious to see how this prequel would turn out, I grabbed the audiobook version of Crucible of Chaos and started listening to it, and boy was I glad that I did.

Travelling duellist and scholar Estevar Borros is a Greatcoat, one of the king’s legendary sword-fighting magistrates. However, even amongst the unusual ranks of the Greatcoats, Estevar is peculiar, not just for his girth, but because of skills in deductive reasoning and his obsession with investigating the supernatural. Known as the King’s Crucible, Estevar has travelled the lands of Tristia, seeking out unusual occurrences and trying to determine whether their cause is natural or supernatural. However, even this renowned investigator of supernatural is unprepared for the chaos awaiting him in Tristia’s most holy site.

Summoned by his old acquaintance Abbot Venia, Estevar travels to Isola Sombra, an isolated island abbey considered the religious heart of Tristia. According to Venia’s letter, the monks of the abbey are starting to fracture into factions following the recent murder of the gods, each with their own ideas of who the nation should worship in the future. A frightened Venia needs Estevar, in his position as a magistrate and an authority on the supernatural, to arbitrate the debate and to help keep the fighting monks in line.

Despite his better judgement, Estevar, already suffering from a wound after a failed duel, agrees to travel to Isola Sombra, but what he finds there will chill him to his very soul. Arriving amid a brutal storm, Estevar finds that the monks have fallen into madness, and now three factions are at war on the island, desperate to claim it for their own. Worse, the abbot has been murdered, and evidence of dark magic lingers throughout the abbey.

Determined find a reasonable explanation for the insanity infesting Isola Sombra, Estevar begins his investigation, hoping to find the source of the chaos rippling across the island. Alone except for a mysterious girl and his trusty mule, a wounded Estevar needs to face off against three very dangerous groups of monks, each of whom have deadly intentions for the interfering Greatcoat. Worse, there are far more dangerous things awaiting the inhabitants of Isola Sombra, even if Estevar doesn’t believe in them. Can the justice-loving Estevar stop the insanity of Isola Sombra with his deduction, sword and courtroom etiquette before it’s too late, or has the King’s Crucible finally found a mystery to insane for even him?

Wow, what an amazing and compelling novel. Crucible of Chaos was another outstanding book from de Castell, and one that really grabbed my attention from the very beginning. Containing an elaborate story, great writing, amazing characters, and so much more, Crucible of Chaos was a joy to read from start to finish, and one that I have little choice but to give a full five-star rating.

De Castell came up with an impressive novel that sets a classic detective story into The Three Musketeer inspired Greatcoats universe. Readers are quickly introduced to two of the main characters, Estevar Borros and his trusty steed, as the dejected pair arrive at Isola Sombra to investigate a religious feud enveloping the island and its abbey. While that is an interesting premise for a story, de Castell raises the stakes by introducing murder, mysterious mysticism, fearful locals, unnatural storms, and three warring factions of monks, which Estevar needs to unravel to get his beloved justice. What follows is a complex and highly entertaining murder investigation as Estevar, with the help of a mysterious girl, begins to interrogate key members of the remaining monks to find out what they know and how their fighting and the resulting murder came about. This proves to be quite addictive, and I found myself getting really drawn into this excellent mystery and the unique fantasy elements surrounding it.

The story takes a very interesting turn around halfway through as Estevar gets some dramatic proof that the events on Isola Sombra are more supernatural than he thought they would be. This leads the protagonist into some dark places as he tries to fully understand everything that is happening, and who is ultimately responsible for the crimes committed. De Castell cleverly lays out some intriguing revelations, as well as some tragic secrets that are cleverly hinted at by false memory and lies, and I had so much fun following all the breadcrumbs. Everything leads up to several great confrontations, as Estevar first deals with some political intrigue that ties Crucible of Chaos into the rest of the series, before once again facing the strange powers haunting the island. There are some inspiring moments here, especially as strange bedfellows fight together against the darkness, before the protagonist initiates a unique trial to reveal the whole truth. The solution to the mystery is very clever, and I was really impressed with how de Castell pulled the whole thing together. The conclusion really goes over-the-top as justice meets religion in some dark ways, and you will come away very impressed and satisfied with the dark, yet hopeful, story that emerged.

I love the tone that de Castell set out for Crucible of Chaos, mainly because there are so many elements that he managed to fit into his story. The blend of mystery, character development, and unique fantasy inclusions from his pre-existing universe is extremely awesome, and I loved how the author managed to create such an elaborate and focused story. The investigation element of Crucible of Chaos was the book’s true heart, and I have a lot of respect for the complex series of crimes that emerged, especially as de Castell managed to incorporate religious conspiracies, political intrigues and supernatural occurrences into the mystery’s solution. There are so many moments of desperation, despair, and dark hope contained within this book, and the reader is constantly left feeling either intrigued by the mystery or shocked by the revelations that emerged. It helped that de Castell’s characters are all so vibrant and entertaining, and there is a captivating humour that runs through the book that proves hard not to enjoy. This whole novel comes together with a great pace that never lets up, and I honestly could not stop listening to Crucible of Chaos at times, especially when all seemed dire, or the protagonist was on the hunt for justice.

As I mentioned above, I came to Crucible of Chaos after reading Play of Shadow, so I was interested in seeing how it would fit into both the Court of Shadows series and the Greatcoats universe. While there are obvious connections to both, for the most part Crucible of Chaos is more of a standalone novel than anything else, as the plot is primarily focused on the intense mystery the protagonist finds himself trapped in. While there are a lot of strong references to previous Greatcoats novels, de Castell does an outstanding job of rehashing these events in a thorough and sensible manner, allowing the readers to get all the necessary context that they need. Readers also do not need to get this book first to enjoy the next book in the series, Play of Shadows, which was reassuring in hindsight, and I kind of like how independent the two books are from each other. The only real connection lies in a couple of revelations towards the end of Crucible of Chaos that hint at dark deeds on the horizon and a shadowy hand manipulating events from afar. As such, Crucible of Chaos is a very accessible book for new readers and serves as a great introduction to the various series associated with it.

I will say that Crucible of Chaos did provide some interesting insights into the nation of Tristia, which serves as the primary setting for the Greatcoats series. There are substantial examinations of the nation’s history, the backstory from the prior books, and other worldbuilding that de Castell has previously come up with, and I found this to be quite fascinating. The often fractured and duellist obsessed nation of Tristia is an amazing background for this story, and I enjoyed the multiple discussions about the role of the Greatcoats as magistrates and keepers of the king’s peace, especially as the protagonist is quite passionate about the ideals of justice they represent. However, a lot of Crucible of Chaos’ focus lies around the religion of the world, as the gods of Tristia become a major aspect of the plot. Indeed, key events of the original Greatcoats series become vitally important here as the protagonist needs to consider the impact that the previous murder of the gods has had on the current religious institutions. I really liked the constant contrasts between the philosophies of human justice and religious practice that becomes recurring theme in Crucible of Chaos, and I rather enjoyed seeing both unique elements of this landscape.

While I loved the story and the dive into the Greatcoats universe, the absolute best part of Crucible of Chaos were the exceptional characters that de Castell set his narrative around. Each of them was complex and endearing in their own fun way, and I really enjoyed the powerful storylines that the author wrote around them. The most prominent of these is protagonist and point-of-view character Estevar Borros. A member of the king’s Greatcoats, Estevar was a very distinctive protagonist, mainly because he didn’t fit the typical fantasy protagonist mould that most readers would be familiar with. A rather girthy and older duellist, Estevar is nonetheless a formidable warrior, often able to overcome younger or more in shape opponents through skill and trickery. However, for this adventure, Estevar recently lost a duel due to his own arrogance and is forced to investigate the events on Isola Sombra while wounded and exhausted, and with his tools and authority missing. I deeply appreciated the multiple handicaps that de Castell placed on his protagonist, especially as it enhanced the intensity of the plot, and it was compelling to see Estevar deal not only with his wounds but his own dark temperament, while trying to solve the case. Despite his disadvantages, Estevar proves to be a capable investigator, and his deductive ability, which results in him being shown as a supernatural obsessed cross between Sherlock Holmes and Porthos. I deeply enjoyed how determined and curious Estevar was throughout the plot, and he was a fun character to follow as he keeps up a genial and pleasant demeaner for most of the book, with some fun cracks of humour. However, we do see some great flashes of emotion from Estevar at key moments, especially when he realises just how deranged the crime he is investigating is. I was a huge fan of Estevar from the opening pages, and he is a protagonist I would love to see again in the future.

Aside from Estevar, de Castell features several other exceptional characters that you have a fantastic time following. This includes the mysterious young female lead, Caeda, who serves as Estevar’s impromptu assistant during the investigation, determined to help find the truth on the island. Shown initially as an energetic and enthusiastic figure, Caeda plays well off Estevar, and I liked the entertaining partnership they formed, even if Caeda is keeping secrets, which eventually leads to some tragic revelations. However, the character you are most likely to fall in love with is Estevar’s mule, Imperious. Much more than a stubborn mule, Imperious is the bravest, most rambunctious and expressive character in the entire novel, and de Castell has a lot of fun throwing him into the story in entertaining ways. A dangerous and near unstoppable figure, Imperious stole every scene he was in, and you honestly end up caring for this heroic mule more than any other character in the book. Throw in a cadre of mad monks, including an obsessive inquisitor, a wannabe general, and a lecherous sorcerer lord, and the cast of Crucible of Chaos proves to be really fun and intriguing to follow.

While I was tempted to grab a physical copy of Crucible of Chaos, I ended up getting the audiobook version instead, which proved to be an epic format to enjoy the book in. Coming in with a runtime of 12 and a half hours, this was a moderately long audiobook, but it was one I managed to power through in less than a week due to how caught up I got in the story. I found that the audiobook format really helped me to enjoy the complex narrative that de Castell came up with, and having it read out helped me to appreciate the depictions of the dark abbey and the elaborate mystery that much more. It helped that Crucible of Chaos was narrated by one of my favourite audiobook narrators, Joe Jameson, whose work I enjoyed so much in the Legacy of the Mercenary Kings audiobooks (The Kingdom of Liars, The Two-Faced Queen and The Voyage of the Forgotten). Jameson has a great voice for fantasy fiction, and I loved how he brings the elaborate story of Crucible of Chaos to life with his recitation. The narrator had some great voices for the various characters, and while a few are similar to those he used in other audiobooks his other works, they all expertly fit the character they were assigned to perfectly. I particularly enjoyed the distinctive and overly accented voice that Jameson gave to the main character, Estevar Borros, which perfectly fit his foreign origins, as well as his personality and physical attributes. This booming, cheerful, yet penetrating voice, really captured the protagonist, and I could always envision this amazing character whenever Jameson spoke. This, and other great voices, really helped to turn the Crucible of Chaos audiobook into something really special, and I cannot recommend this format enough to someone interested in this book.

Overall, Crucible of Chaos proved to be a remarkable and highly impressive novel from Sebastien de Castell that I had such an outstanding time reading. Combining a unique story with great characters and compelling elements from the Greatcoats universe, Crucible of Chaos was a truly epic novel that I could not get enough off. I look forward to seeing what other intriguing adventures occur in the rest of the Court of Shadows books, and this is swiftly becoming one of my favourite ongoing fantasy series.

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House of Open Wounds by Adrian Tchaikovsky

On December 20, 2023 By The Unseen LibraryIn Fantasy, Five-Star Books18 Comments

Publisher: Head of Zeus (Ebook – 7 December 2023)

Series: The Tyrant Philosophers – Book Two

Length: 636 pages

My Rating: 5 out 5 stars

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The always deeply impressive Adrian Tchaikovsky returns with an exceptional and remarkable piece of fantasy fiction, House of Open Wounds, which presents the reader with a particularly unique and ruthlessly entertaining story, chock full of brilliant characters.

Few fantasy authors have the range and style of Adrian Tchaikovsky, whose distinctive contributions to the science fiction and fantasy fields are quite remarkable. While Tchaikovsky has written several highly regarded series, I have only just scratched the surface of his works, having read a few of his recent reads. This includes his first foray into the Warhammer 40,000 universe, with the captivating standalone read, Day of Ascension, as well as the brilliant and elaborate novella, Ogres. However, my favourite book from Tchaikovsky so far would have to be the outstanding City of Last Chances.

The first book in The Tyrant Philosophers series, City of Last Chances was an outstanding read that I had the pleasure of enjoying earlier this year. Set around a conquered city with several unique magical inclusions, City of Last Chances introduced the reader to a cool new world and told a range of character driven stories about resistance, religion and sacrifice. City of Last Chances got a very easy five-star rating from me, and it honestly was one of the best books and audiobooks I enjoyed in the first half of 2023. I had such a brilliant time with City of Last Chances that when Tchaikovsky announced he was releasing a sequel in the second half of 2023, I was ecstatic. This sequel, House of Open Wounds, continued some of the complex storylines Tchaikovsky started in City of Last Chances, and it was one of my most anticipated books for the second half of the year.

There are few nations more feared or relentless than the ever-expanding Palleseen. A rising empire of zealots who are determined to bring Perfection and Correctness to an imperfect world, the Palleseen have advanced out of their homeland in an unstoppable wave, wiping out all religion and superstition as they go. As cities and kingdoms fall before their military might, their armies leave behind mounds of dead and wounded soldiers who require tending in field hospital tents just behind the frontline.

Into this chaos is thrust the god smuggler Yasnic. A former priest, miracle healer and occasional rebel, whose previous experiences with the Palleseen saw him hanged, attacked and banished from his city, Yasnic has experienced many upheavals throughout his life. Saved from another execution by the army bureaucracy, Yasnic and his box of orphan gods arrive at the frontlines, where he has been assigned to work in an unorthodox medical unit.

Made up of a mixture of former priests, gods, magicians, alchemists, artificers, necromancers and led by a gigantic brute known as the Butcher, the experimental medical unit treats the soldiers no one else can save and recycles the rest into the war effort. Entrusted to save the Palleseen soldiers, but doomed if anyone ever discovers the full extent of their abilities, the surgeons and orderlies of this unit ply their bloody trade as best they can while living as part of an unusual family, but the arrival of Yasnic could change everything.

As Yasnic works to fit into the unit and save lives, his unusual connections to the weakened and hidden gods of the world slowly begin to cause chaos throughout the army. Not only is he aware of the divine forces that secretly hang around the hospital, but his own illegal and crotchety God is determined to bring miracles to the Palleseen, whether that want them or not. As an outbreak of impossible healing and sudden pacifism spreads through the regiment, can Yasnic keep himself and his gods alive, or will the full force of the Palleseen zealots come crashing down upon him?

This was another epic and truly remarkable novel from Tchaikovsky that had me hooked the entire way through. Featuring a dark, bloody and fun story, House of Open Wounds was a particularly distinctive read that told its own captivating story while continuing some of the best elements from City of Last Chances. Funny, thoughtful and moving in equal measures, House of Open Wounds was an incredible and addictive novel that gets another very easy five-star rating.

I was very impressed with the exceptional and moving narrative that Tchaikovsky pulled together for House of Open Wounds, and I was hooked the second I got into it. After the events of City of Last Chances, the reader is thrust into a new part of Tchaikovsky’s fantasy world as you find yourself imbedded in a Palleseen battalion following the members of an unusual but effective military hospital. Like City of Last Chances, House of Open Wounds is strongly character driven, as you follow the personal stories surrounding each of these unusual outsider characters and learn about their complex pasts while watching their lives play out in the present. Much of the plot revolves around returning protagonist Yasnic and his God, who are drafted into the unit, and you get to see his experiences of the other characters, the wars, and the internal Palleseen bureaucracy. Most of the first half of House of Open Wounds is dedicated to exploring the new cast of characters and introducing their unique stories, as they find themselves closely following a bloody and dangerous war. This part of the book is primarily focused on the healing and medical work of the protagonists, as well as diving into their reasons for being there and the unique skills they bring to the surgical table. Apart from that, there isn’t an amazing amount of major plot progression here, except when Yasnic starts to mix things up around the battalion. While this pace is a little slow, this first half of the book was really fun and enjoyable, as you find yourself getting really lost in the characters’ lives, unique struggles, desires, and experiences. It also helps that many of these character details, as well as the mundane events of the hospital, eventually lead to bigger things later in the main plot, and Tchaikovsky does an outstanding amount of set up here.

The plot picks up a lot more in the second half, when the main battalion moves to a different warzone and find themselves involved in a substantial fight that really pushes the medical unit to its limits. The new battles, as well as the intriguing location they find themselves in, move several of the character arcs in some big directions, and you find out more and more about each of the main characters as a result. The constant chaos that surrounds Yasnic also starts to take its toll on the main story, as his strangeness and the double-edged miracles he occasionally brings cause him to make enemies and upset the delicate balance of the Palleseen army. At the same time, the Palleseen war machine starts to alienate the members of the medical unit, who find their talents being stolen to create weapons. Everything leads up to the big finale, where the protagonists attempt to free themselves with an elaborate and ambitious plan. This plan makes great use of all their individual skills and histories, and so many little details and elements from the story are used to bring a fun and creative conclusion to the book. Each of the fascinating character arcs conclude nicely and I loved how Tchaikovsky masterfully brought everything together in a satisfying and entertaining way.

Tchaikovsky utilises his typical excellent and distinctive writing style to convey this elaborate and entertaining narrative to the reader, and I had such a wonderful time seeing it unfold. As with the previous novel in the series, Tchaikovsky relies very heavily on perspective changes to tell a multilayered, character-driven story. Like the previous book, many of the major characters are initially showcased in their own chapter at the beginning, which often leads to additional cast introductions. As the book progresses, the chapters feature perspective changes so you can see more interactions and a wider view of the entire story. I loved the immediate deep background on several of these characters, and while you still often must wait a while to get their full story, you learn enough to like them in the opening parts of the novel. Tchaikovsky makes full use of these characters to tell a fantastic story, and I loved how well he showcases some unique events through their eyes. As with the previous book, House of Open Wounds has a range of tones as Tchaikovsky works hard to produce the right balance of humour, excitement, and moving and powerful character moments. The multiple detailed and confronting scenes of the bloody battlefield hospitals are well balanced out by the fantastic and subtle humour, which often comes from the outrageous situations that occur throughout the book, as well as the various character’s unique outlooks on life. This made for a particularly compelling book as you found yourself moving from comedic scene to a more dramatic or tragic moment with frequent regularity, as you find yourself stuck onboard a well-thought-out emotional roller coaster.

House of Open Wounds proves to be an intriguing and clever follow-up to City of Last Chances, especially as the author deepens the lore surrounding this fantasy world and brings back two fantastic protagonists. Readers of City of Last Chances will have an absolute blast with this book, as you get some interesting follow up to Yasnic’s compelling storyline while also seeing a different side to the antagonistic nation from the first book. This is a somewhat loose follow-up, and you really don’t need to have read City of Last Chances to enjoy House of Open Wounds. In many ways this is a good standalone novel, especially as most of the focus is on a whole new group of protagonists, and even Yasnic is given a new name for much of the book. Tchaikovsky does ensure that some of the key details and plot points from the first book are carried over when needed, although he does leave a bit of context out in places so as not to overwhelm new readers. As such, House of Open Wounds is a very accessible read, although established fans of Tchaikovsky are going to particularly enjoy this, especially if they loved City of Last Chances.

One thing you can always rely on Tchaikovsky to do is to pull together an elaborate and deeply compelling world to set his stories around. This is extremely true in this series as Tchaikovsky has come up with a war-torn landscape filled with magic, gods, demons and a new rising empire. The author did some interesting set up for this world in the previous novel, although the plot there was primarily contained inside a single city. In House of Open Wounds, the reader gets to see a bigger chunk of this world, even though much of the plot takes place either on the battlefield or in the camp behind the lines. Despite this, you get a better idea of the politics, wars and conquests that have taken place in recent history, and you particularly learn more about the Palleseen. The Palleseen are a group of ideological zealots dedicated to bringing their version of perfection to the world, which primarily involves breaking everything down into logic and reason, and doing away with superstitions and beliefs. As such, their goal is to rid the world of gods, deities and other superstitions, usually by conquering the lands and bringing them under the control of their relentless bureaucracy. Most of this book is dedicated to exploring the nature of their war machine, and you really get to see just how corrupt and ambitious some of their members are as a result.

I loved the focus on the military hospital and the war camp for most of the book, especially as seeing the various members of Palleseen camp allows the reader to fully understand the many problems, compromises and cruelties the Palleseen experience on their road to perfection. Tchaikovsky throws in some great critiques of militarisation and empire building throughout the book as you see these perfect Palleseen become racked with pride, ambition and greed to prove themselves and advance up the ranks. Their determination to win means they turn a blind eye to gods and superstitions when it suits them, and that results in the experimental medical unit that serves as the centre of the book. However, while they appear to only want the assembled gods, alchemists, and other strange magics for healing, really they are working to corrupt them into terrible weapons to further their war capability. There are several great storylines that see the Palleseen turning benevolent tools and creatures into highly inventive tools of war, and it serves as a major plot point and motivation for several characters, including a few Palleseen who have enough of their colleague’s lust for power. Combine that with the returning minor gods, who end up having their own impact on several characters, and the reader comes away with a very cynical look at the Palleseen, and empires in general, which both ridicules them and shows just how malevolent and insidious they can be.

The real key that pulls together House of Open Wounds is the huge array of memorable and complex characters that are introduced throughout the course of the plot. Tchaikovsky does a remarkable job of introducing and swiftly building up some truly amazing characters in this novel, and their compelling and often traumatic personal stories become so highly ingrained in the plot as a result. There are so many great protagonists and supporting figures in this novel, and I was personally impressed with how all of them were original characters that were not built up in the prior novel.

The main exception to this rule is Yasnic and his god, both of whom were introduced in City of Last Chances and who are masterfully inserted into this sequel. Yasnic was honestly one of Tchaikovsky’s best characters in City of Last Chances and I was so glad to see more of him here, especially as the author somehow manages to work in even more development after all the defining character moments that shaped him in the prior novel. Since we last saw him, Yasnic has moved on from being the last priest of a forgotten god and has instead become a more generalised religious figure, offering shelter and assistance to fallen and orphaned gods who no longer have any power or believers by carrying them around in a box on his back. After everything he has gone through, including his own crisis of faith, Yasnic now has a different view of the world, although he is still being haunted by his demanding and petty god. Yasnic has some wonderful moments in this book as he tries to fit into his new role while also hanging onto the trappings of his old life. Desperate to save everyone he can, Yasnic finds his views and pacifism really badly damaged by the constant war and the relentless and orderly Palleseen, and he is forced to make some haunting compromises. You really get some very interesting insights into Yasnic’s mind in this book, especially as you see how the aftermath of him abandoning his position as a priest impacted him. You cannot help but feel for the extremely likeable Yasnic at times, as he is thrust into tragic and heartbreaking positions against his will, and his quiet determination and general positivity pluck at your heartstrings. Throw in some great new friends, an unusual but surprisingly wholesome love interest and a series of unfortunate misunderstandings that frustrate even this gentle soul, and Yasnic once again stands out as a particularly awesome and likeable protagonist.

The other side of Yasnic’s character resides in the body of his tiny, stumpy, and petty deity, God, a former major healing god who has lost all his worshippers apart from Yasnic, but still maintains his powerful healing abilities. However, God refuses to heal anyone unless they swear a vow of pacifism, and if they cause harm to someone in any way, it will result in their wounds automatically returning, generally resulting in a sudden death. Thanks to his stubbornness, pride, and his whiny focus on Yasnic’s soul, God was one of the most entertaining characters in City of Last Chances, and I am really glad that Tchaikovsky brought him back for House of Open Wounds. While he is still a judgemental, mischievous and ugly angel on Yasnic’s shoulder in this sequel, you get to learn more about God and why he refuses to help save people. There are some surprisingly emotional scenes where God expresses why he is so bitter and you really get a much better understanding of his angry mind, especially when Yasnic makes the same mistakes, adding to God’s sadness. I also loved how well God played off Yasnic as he proves to be a surprising and entertaining counterpoint to the humble and nice former priest. While most of their dialogue is quite contentious, with God trying to control his increasingly independent former priest, you can see deep down that God cares about Yasnic, and they form quite an interesting and fun duo. Tchaikovsky took God’s character arc in some interesting directions towards the end of House of Open Wounds, and I have a feeling he is going to be a real nuisance to people in the next book.

House of Open Wounds also features quite a fun range of supporting characters, each of whom has their own compelling story to tell. This primarily includes the crazy and unusual group of associated healers and hospital workers that work in the experimental hospital unit, as well as the competitive and dangerous Palleseen officers controlling their destinies. I won’t go into too much detail here, as I could honestly go one for a paragraph about each, but I was really impressed with how well Tchaikovsky set each of them up and explored their histories and stories as the booked continued. There are some brilliant and very well fleshed out character arcs everywhere in House of Open Wounds, and I loved just how compelling a story Tchaikovsky was able to make as a result.

Adrian Tchaikovsky once again shows why he is one of the absolute best authors of complex and intelligent fantasy fiction with this outstanding and epic read. House of Open Wounds is a deeply clever, compelling and moving read that hooks the reader with its unique scenarios, fantastic humour, and memorable characters. I loved every single second I spent reading this novel and I really appreciated the amazing way Tchaikovsky chose to continue the great story started in City of Last Chances. I cannot wait to see what over elaborate fantasy stories Tchaikovsky creates in this universe in the future, and this epic novel is one of the best pieces of fantasy fiction I enjoyed in 2023.

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The Traitor by Anthony Ryan

On August 25, 2023 By The Unseen LibraryIn Audiobook, Fantasy, Five-Star Books14 Comments

Publisher: Orbit (Audiobook – 11 July 2023)

Series: Covenant of Steel – Book Three

Length: 19 hours and 15 minutes

My Rating: 5 out of 5 stars

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Acclaimed fantasy author Anthony Ryan brings his epic and exceptional Covenant of Steel trilogy to an end in a massive way with the impressive third and final book, The Traitor.

Over the last three years I have had an outstanding time getting my first taste of the works of leading fantasy author Anthony Ryan. A veteran author who has been enthralling fantasy audiences for over a decade, Ryan has several highly regarded series under his belt, including his Raven’s Shadow books, the Slab City Blues series, the Seven Swords series and The Draconis Memoria trilogy. However, I have so far only had the opportunity to read his latest body of works, The Covenant of Steel trilogy, which has been more than enough to make me a major fan of this author.

The Covenant of Steel books are an outstanding series that follows an intriguing and well-developed protagonist, the notorious Alwyn Scribe. Told in a chronicle format written by Alwyn, the Covenant of Steel books follow the protagonist as he embarks upon a powerful and exciting character journey that sees him overcome his bandit past to take on several new roles, including that of a scribe, soldier and knight, all while serving the mysterious religious figure, Lady Evadine Courlain. I have had an epic time with this series over the last few years, and the first two books, The Pariah (one of my favourite books and audiobooks of 2021) and The Martyr (one of my favourite books and audiobooks of 2022) have been exceptional five-star reads that proved near impossible to put down. Loaded with action, intrigue, a fantastic new world, and some complex characters, this series is so damn good, and I have been eagerly awaiting the third and final book for a while. This third book, The Traitor, was one of my most anticipated reads for 2023, and I was so excited when I finally got the chance to listen to it.

Alwyn Scribe is a man in real trouble. Now a renowned knight, general, spymaster, and trusted advisor, the former outlaw has relentlessly championed the cause of his lady, the Risen Martyr Evadine Courlain, and ensured she is now the most beloved and influential religious figure in all of Albermaine. But what if he made a terrible mistake?

Cryptic visions from the past have warned Alwyn that, despite her claims to be a servant of the divine Seraphile, Evadine actually serves the Malecite, the source of all evil in the land, who will use her to bring about a cataclysmic future. Blinded by love, Alwyn is convinced that these visions are false, and he is determined to keep Evadine alive and ensure that her vision of a united Albermaine are brought to life, even if that means starting another destructive war.

However, the closer Evadine gets to achieving her goal, the more Alwyn begins to realise that she is no longer the same woman that he swore his life to. Her messages of peace and tolerance have been replaced by the fires of puritanical fury, and Evadine soon launches a brutal crusade to rid the country of her enemies and place herself on the throne as an Ascendant Queen. But is she truly corrupted by the Malecite or is her brutal work a necessity to keep Albermaine safe from a greater evil? As a devastating civil war is unleashed upon the kingdom, Alwyn will be forced to choose whose side he is truly on and what he is willing to sacrifice to keep the world from burning.

Well damn, Ryan really didn’t disappoint with this fantastic and powerful conclusion to the fantastic Covenant of Steel trilogy. Weaving together all the elaborate elements from his first two books and then lighting everything you love on fire, The Traitor was a complex and deeply enjoyable read that I honestly couldn’t stop listening to. Powerful, thrilling, and oh so beautifully dark, The Traitor was a perfect ending to the Covenant of Steel trilogy that got an easy five-star rating from me.

The Traitor has a heck of a powerful narrative to it that takes the protagonist and the reader to the emotional limit. After an effective and entertaining recap of the previous two books, The Traitor starts in the immediate aftermath of the previous novel, The Martyr, with Alwyn leading Evadine’s army to war against the dangerous Ascendant Arnabus and his forces, resulting in a major, religious war. This initial conflict is the focus for a good part of the early story, and it serves as a great warm-up for the rest of the plot, allowing for some much-needed character reintroductions and development, while also providing some intriguing new context for the main story. This initial fight only serves as a taste for the wars to come, as Evadine seeks to overthrow the current order and rule herself. This incoming conflict ensures that the first half of The Traitor has a range of great story elements to it, with a mixture of intrigue, political manoeuvrings, espionage, and battles, ensuring that every second of The Traitor at this point is highly entertaining. This also serves as an excellent prelim for the anticipated change in the middle of the book, where the protagonist is finally forced to confront the fact that Evadine is no longer the woman he fell in love with.

Due to the reveal at the end of The Martyr, you had to know that Evadine was going to have some sort of fall from grace in this final novel, and when it comes, boy does it come hard. The betrayals, shocks and losses at this point are exceedingly impactful, and you soon realise that Ryan intends to go full scorched earth with his storytelling, forcing the reader to deal with some major tragedies. I liked the dark turns that occurred at this point in The Traitor, especially as Ryan had been hinting at them since book one, and it was awesome to get some payoff for the previous dark predictions. This forces Alwyn to make some tough choices, and there is a major and compelling change in the protagonist’s objectives and loyalties for the second half of the book. Thanks to the great setup at the start, as well as the major events in the middle, the reader will be very strongly caught in the narrative at this point, and even though the final half of The Traitor slows down in places, you really cannot put it down. Ryan really dives into the lore of his land in this second half, which provides some very unique scenes and moments, even if some of these story elements got a little away from the author. Still, this part of the book has some pretty impactful moments, and you will not be prepared for some of the key touching events.

Everything leads up to a final confrontation, which releases three books worth of pent-up emotion and revelations in some spectacular scenes. While part of this confrontation is a bit more metaphysical than it needed to be, you honestly will be blown away with how it all comes to an end, especially as there is layer upon layer of tragedy involved, and I deeply enjoyed the compelling and satisfying resolutions that followed. This entire story was a fantastic read from start to finish, and I really loved how Ryan wrapped up so many of his ongoing storylines and arcs here. While most plot points are finalised here, a couple do remain unresolved, and it wouldn’t surprise me if we get a sequel series at some point. I personally would be very keen for that, as I had such an exceptional time seeing this elaborate trilogy and ongoing narrative come together in some excellent ways.

I have always really enjoyed how Ryan set out the previous Covenant of Steel books, and he did a fantastic job of continuing his awesome writing style in this third and final book. The author sets out The Traitor using a chronicle style told from the protagonist’s perspective, which is such an effective writing tool. This deeply personal vision of events, combined with the author’s regretful insights of the future, really helps to drag the reader into the story, and Ryan really makes the most of this story format the entire way through. Like with the rest of the trilogy, Ryan keeps up a pretty steady pace in The Traitor, and there aren’t a lot of quiet moments in the book. The author really hit the right blend of powerful character focus, fantasy world building, and storytelling loaded with intrigue and action, and there is generally something for everyone here.

I loved the darker, more tragic feel that The Traitor had, especially compared to the earlier books, and it was easy to tell that this is the final book in the series. While the detailed plot recap and cast list at the front of the book is very helpful at reminding readers of prior events, readers unfamiliar with The Pariah and The Martyr probably won’t be able to jump into this final novel too easily as there are so many details from the first two books that reader’s need to be aware of to fully appreciate the impacts of this story. As such, people new to the series should really head back to the start, and I guarantee you will have a great time doing so. I really enjoyed how this awesome book came together, and Ryan’s ability to weave together an intense read with so many layers to it is very impressive.

One of the great highlights of the Covenant of Steel series has been the exceptional and detailed fantasy realm that the book has been set in, shown through the eyes of the narrator as he explores it. The reader has been given a very detailed look at these settings throughout the last two novels, and it has served as a great background to the plot. Primarily a medieval landscape dominated by a quasi-Christian religion, this background setting initially didn’t have a lot of fantasy elements to it except for a couple of wandering beings with strange powers. But Ryan slowly built up the fantasy elements throughout the book, with cumulation of magic occurring about halfway through The Martyr, which I think was an excellent choice, as it allowed him to instead focus on character growth, other world building elements, and the general politics and wars of the realm, in excellent detail. A lot of these political and religious elements are strongly explored throughout The Traitor, especially in the first half, and Ryan had a lot of fun showcasing the land’s dark turn towards religious conflict as his character’s embark on a bitter holy war. The dark and destructive changes to this well utilised setting are very notable, disturbing and compelling, and it was fascinating to see how much everything changed throughout the course of the series.

The Traitor does get a lot more fantasy heavy in the second half of the book, as the protagonist returns to a hidden realm and fully experiences the mysterious magic and powers that reside there to counter the dark visions of Evadine. I do think that there might have been a few too many magical inclusions here, as the plot did get a tad convoluted in places. Still, Ryan definitely had some fantastic and unique ideas here, and many of these fantasy elements have been utilised in the past to great effect. One particular ability that emerges actually brings part of the story around full circle, and it allowed for some very compelling interactions with characters from the past that I quite enjoyed. The fantasy revelations that emerge during the big concluding confrontation are very over the top, which some readers might have issues with. However, I quite enjoyed it, and it lead to a particularly dark final meeting between protagonist and antagonist that had me hooked the entire time. This really was an awesome fantasy series, loaded with cool settings and unique features, and I hope that we might get to revisit them in the future, especially as the events of this book will leave Albermaine a much darker and traumatised setting.

Easily my favourite element of The Traitor, and indeed the entire Covenant of Steel trilogy, has been the complex, damaged and memorable characters that the story has focussed on. Ryan has come up with an exceptional group of protagonists and villains over the course of the trilogy, and there are some deeply elaborate character arcs ongoing throughout the last two books. Many of these continue and conclude here in The Traitor, and Ryan really went out of his way to finalise the development of his characters in some powerful ways that will really strike the reader in the feels.

The main character of The Traitor is once again Alwyn Scribe, who serves as the primary narrator of the trilogy as he recounts his historical adventures. Alwyn has been a particularly compelling character throughout the series, mainly because you get to see him grow from a common outlaw to key advisor of the Risen Martyr as she begins her campaign across the country. Ryan has done such a great job telling Alwyn’s unique tale in the previous books, and the reader should already be highly invested in his story before The Traitor even starts. Of course, this ensures that the reader is hit even harder by some of the big moments of the book, as Alwyn goes through a lot here. Not only is he still involved in a series of deadly wars and political battles, but now he finds himself being torn between love and his sense of right and wrong, as Evadine becomes more and more unstable. Watching Alwyn continue to justify Evadine’s actions, even though deep down he knows she’s in the wrong, is both frustrating and understandable, as you realise just how much he is devoted to her. This sense of frustration is only enhanced by the constant recriminations Alwyn throws towards his past self as he narrates his own story, and you can feel the regret pouring of the pages there. While I won’t give too much away here, Alwyn ends up going through quite a lot in The Traitor, and the emotional toil that inflicts is pretty terrible, especially as he has to make some bitter and ruthless choices. It was very touching and intense to see Alwyn’s story come full circle in some ways, especially as there are some intriguing callbacks to his past, and all the major impactful moments that affect Alwyn are expertly portrayed by the author. Despite everything he goes through, Alwyn still maintains much of his humour, wit, ingenuity, and disrespectful attitude that were such a great part of the Covenant of Steel trilogy. It was so much fun to once again get his unique take on events, and he ended up being a pretty perfect narrator for this fantastic series.

The other major character that I have to talk about is Evadine Courlain, the Risen Martyr and Alwyn’s love interest, who has been such a significant figure in the last two books. A religious leader who inspired people with her visions, Evadine has always been a fascinating character, especially as you are never quite sure if she is actually divinely chosen, a delusional madwoman, or something even worse. After the reveal at the end of The Martyr that Evadine might be an avatar of evil, you come into The Traitor naturally highly suspicious of her, and Ryan caters to these expectations by ensuring that she quickly starts to descend into further darkness. Despite Alwyn’s continual attempts to restrain her, and justify her actions to the reader, Evadine becomes more of a darker figure as she pursues her various wars, although initially never going quite far enough to alienate her friends. Of course, that changes about halfway through the book, and when she goes dark, she goes dark in a big way, turning into quite a fantastic and sinister antagonistic figure. I really loved how Ryan turned Evadine here, and it is such an outstanding cumulation of so many key story arcs from the first two books. Despite everything she does, there is still a powerful bond between Alwyn and Evadine that deeply impacts both of them, and it was fascinating to see these great characters walk the thin line between love and hate again and again. The complex interactions between these two characters at various different points of The Traitor are beautifully written, and you have to appreciate just how damaged and dangerous their bond got at times. Evadine honestly was the perfect counterpoint to Alwyn in The Traitor, and I cannot emphasise how impressive her entire story arc ended up being.

In addition to Alwyn and Evadine, Ryan has loaded The Traitor with an exceptional cast of supporting characters who add a great deal to the impact of the story. This supporting cast is mostly made up of figures from the first two books, as Ryan brings back many of the old favourites and seeks to wrap up many of the intriguing storylines that have been such a fantastic part of the series. Highlights include Alwyn’s returning comrades, such as the unstable but very likeable Ayin, disgraced knight Wilhum, former outlaw Tiler, outlaw queen turned legitimate Duchess Lorine, and Juhlina, also known as the Widow. These characters, and more end up having some interesting roles throughout The Traitor, and it was fascinating to see the various sides that many of them chose, especially as the plot continued. I liked some of the surprising directions Ryan took a few of these returning characters, and there are some interesting choices, romances and entertaining fates that were wonderful to see. Ryan also features several great new characters who got a good introduction and utilisation in The Traitor, even if it was only for a single book. Quite a few of these characters were cast in antagonistic roles, which I think worked really well, and it was amazing how quickly Ryan was able to turn some of these characters into quite hateable figures.

While I did really enjoy the return of so many great characters featured within The Traitor, readers should be warned that Ryan does go on a bit of a murder spree here. While I won’t give too much away here, several great characters meet an untimely end in The Traitor, and this honestly gets pretty heartbreaking. While I usually don’t love it when authors kill off most of their characters in a finale, I think it worked quite well in The Traitor, especially as each death served an important narrative purpose. It also helped that for many of these characters, Ryan worked to resolve their storylines in advance, so readers got some closure with them, even as they were taken away. As such, The Traitor turns into quite a bloody and impactful read at times, and you will not be prepared for just how grim and tragic it gets when it comes to your favourite Covenant of Steel characters. I really cannot emphasise just how good Ryan’s character work is though, and I hope we see some of the surviving figures again in the future.

I ended up grabbing a copy of the audiobook version of The Traitor, mainly because it has been the format that I have enjoyed the rest of the Covenant of Steel books in. Coming in at a bit over 19 hours, this is a decently long audiobook, but I absolutely flew through it once I got caught up in the exceptional story. This format really lent itself to Ryan’s writing style and epic storytelling, and I deeply appreciated how listening to The Traitor allowed me to absorb all the key character moments, action and world building a lot better. My enjoyment of this book was enhanced even further by the return of narrator Steven Brand, who has given his voice to most of Ryan’s audiobooks. Brand is a very talented narrator with a great voice that fits this darker fantasy novel extremely well, especially as he perfectly encapsulates the protagonist, Alwyn Scribe. Brand really brings Ryan’s chronicle style to life in Alwyn’s voice, and I really loved his take on the protagonist and all the other characters. The sheer despair, weariness and self-loathing that Brand envisions in Alwyn’s voice at times is really moving, and I deeply appreciated how expertly he dove into the role of the main character. The rest of characters in The Traitor also receive some great, fitting voices, and the entire cast really came to life, if but briefly. I honestly had such a great time listening to The Traitor on audiobook and this is easily my preferred way to enjoy this fantastic book. As such, this format comes highly recommended, and it will probably end up being one of my top audiobooks of 2023.

Honestly, after how much fun I had with the first two books in this series, as well as my lengthy write-up above, it should come as no surprise that I deeply enjoyed The Traitor. Anthony Ryan brought his epic Covenant of Steel trilogy to a near perfect end, and I cannot emphasise enough how great and impactful this exceptional novel was. Featuring some excellent dark moments, powerful character development, and an outstanding war-focused narrative, The Traitor delivered everything I wanted and more. Easily one of the best fantasy books of 2023 so far, The Traitor was a joy to read from start to finish, and I am so glad I got the experience this awesome and amazing fantasy trilogy.

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Throwback Thursday – Warhammer 40,000: Honour Guard by Dan Abnett

On April 21, 2023 By The Unseen LibraryIn Audiobook, Extended Universe, Science Fiction, Throwback Thursday, Tie-in Novel, Warhammer12 Comments

Warhammer 40,000 - Honour Guard Cover

Publisher: Black Library (Audiobook – July 2001)

Series: Gaunt’s Ghosts – Book Four

Length: 10 hours and 12 minutes

My Rating: 4.5 out of 5 stars

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Welcome back to my Throwback Thursday series, where I republish old reviews, review books I have read before or review older books I have only just had a chance to read. For this week’s Throwback Thursday I’m still in a Warhammer 40,000 mood, so I decided to dive even further into Dan Abnett’s classic Gaunt’s Ghosts series with the fourth book, Honour Guard.

Readers of this blog will no doubt have noticed a fair increase in the number of Warhammer 40,000 novels I’ve highlighted this year, as this entire grim expanded universe has quite an addictive quality to it. Foremost amongst these books have been the compelling works of veteran author Dan Abnett, who has written so many impressive and key parts of the Warhammer canon over the years. I deeply enjoyed his Eisenhorn trilogy (Xenos, Malleus and Hereticus), all three of which were given pride of place in my recent post listing my favourite Warhammer 40,000 novels. However, his best-known works are his Gaunt’s Ghosts series of books, which catalogue the adventures of the Tanith First and Only regiment of Imperial Guard, better known as Gaunt’s Ghosts. I have had a wonderful time with the first three novels, First and Only, Ghostmaker and Necropolis, as well as the prequel novel The Vincula Insurgency, which showcased the bloody lives of the common soldier in this war-torn universe. I have really gotten attached to this series and when I wanted a quick read, there was nothing I would rather turn to then the next Gaunt’s Ghosts book, Honour Guard.

Throughout the extended, system-spanning Sabbat World crusades, the men of the Tanith First and Only have fought against the dark forces of Chaos in every way imaginable. Led by their heroic commander, Colonel-Commissar Ibram Gaunt, the Tanith soldiers, known colloquially as Gaunt’s Ghosts, have had many victories, but few failures. So, when fighting on the holy Shrine World of Hagia, the Ghosts are devastated when they trigger a disastrous enemy trap that destroys a holy city and creates a psyker beacon that will draw a massive Chaos fleet down on their position.

Troubled by his failures to protect one of the most important planets in the Sabbat Worlds and made a scapegoat by his commander, Gaunt is left a broken man. His one chance to save his career and his regiment is to lead the Tanith and an armoured company as an honour guard to a sacred shrine to recover the holy relics of Saint Sabbat. If he can recover the relics and evacuate them from the planet before the Chaos fleet arrives, he may be able to keep the Ghosts under his command.

Beginning the arduous pilgrimage, Gaunt and his men soon discover that the road to the shrine isn’t as clear as their intelligence indicated. A vast enemy army lies in wait for them, and the Ghosts will have to fight every step of the way to secure their objective and make their escape. However, there are far more mysterious forces at work behind the scenes as Gaunt and some of his men soon find themselves being driven on by religious visions of Saint Sabbat herself. Is the holy saint talking to them, or is something more sinister manipulating them?

Honour Guard was another epic science fiction military adventure that I powered through in no time at all. Skilfully continuing the intriguing Gaunt’s Ghost story, Abnett has produced a thoughtful and intense read that throws the protagonists into a captivating action-packed scenario that really showcases the gritty nature of the Warhammer 40,000 universe.

Honour Guard has a somewhat typical Gaunt’s Ghosts story to it, and if you’ve read the series before then you know that means great characters, intense fights with big set-piece battles, and a compelling look at the common soldier in the Warhammer 40,000 universe. This fourth book follows on from the events of Necropolis, and Abnett quickly and ably shows the changes to the regiment that the previous adventures have wrought, especially with all the new Verghastite recruits. Abnett starts things off with an epic series of battles as the Ghosts attempt to take a Chaos controlled city. This opening sprawl of fights is not only intense but it expertly introduces the new setting, sets up several key story points, and lets the reader know who the main characters of Honour Guard are going to be. From there, the characters, especially the main protagonist, Gaunt, face a major setback as the city is destroyed, their allies are killed, and a massive Chaos fleet has been summoned to destroy the holy planet they are on. There are some great moments in this early bit of the book, especially as Abnett really dives into the impacts of the failure on Gaunt. It also sets up the intriguing story element that Gaunt is likely to lose his command and the Ghosts will be broken up as a result.

With that set up, Abnett then drives into the meat of the story, with Gaunt leading the Ghosts and an armoured regiment as an honour guard to retrieve the sacred relics of one of the Imperium’s most important saints before the enemy fleet arrives. Framed as an easy mission to give Gaunt an honourable send off, the mission naturally goes to hell when the Ghosts discover a vast enemy army between them and their goal. This results in several major battles on the road, and Abnett has a lot of fun combining infantry fighting with tank warfare to make the conflicts even more impressive. Each battle is extremely fun in its own regard, and fans of action and military combat really won’t be disappointed by Honour Guard as a result. At the same time, there is a real focus on the characters, as several of the protagonists are going through different personal struggles, especially Gaunt. Abnett also introduces an intriguing and moving side storyline that sees several long-running Gaunt’s Ghosts characters, who were wounded and left behind, attempt to make their own way to the conflict, guided by religious visions. Everything leads up to a final battle sequence at the objective as the honour guard are trapped with a massive enemy force coming towards them. Abnett naturally spends pages detailing all the bloody fighting, which serves as a great backdrop to the main story elements. While I did think that the big finale of the book was too sudden and coincidental, it did fit into the general theme of faith and miracles that were covered in a lot of the plot. Overall, this was another great, action-heavy narrative that I was able to sit back and enjoy.

As with all Abnett’s work, Honour Guard is extremely well written, and readers who have enjoyed any of the author’s previous books will be aware of what they are in for with this fantastic novel. The author features a great blend of action, universe building and character development throughout his novel, and readers are ensured of constant excitement or intense, character-driven moments. The entire story is told from multiple character perspectives, as the entire cast is well represented. Not only does this allow the reader to get interesting updates from all the intriguing characters, many of whom have been built up in previous books, but it also ensures that you get a wide view of events featured throughout the novel, including several different perspectives of each battle. I do think that the book was lacking a good antagonist perspective (or honestly a real antagonist character), and if Abnett would have included that, the entire story would have felt a bit more complete. Still, the sheer number of perspectives and supporting characters ensures that the reader sees every angle of the action. That is really great, as the battle scenes are some of the best parts of the book. Abnett never holds back when it comes to the carnage, and every massive fight, armoured vehicle engagement and or infantry push is covered in high detail. The author really tries to highlight the brutality and trauma of war, as well as the hell each of the soldier characters goes through, and you ended up riveted to the plot as a result, especially as no side character is safe. I am glad that Abnett keeps up his outstanding writing throughout the Gaunt’s Ghosts series and I ended up getting really caught up in Honour Guard as a result.

This proved to be another interesting addition to both the Gaunt’s Ghosts series and the wider Warhammer 40,000 universe, and fans of both are going to have a pretty great time with this new novel. As with most of the books in the series, Honour Guard can be read as a standalone novel, although starting with the earlier books does give the reader more insight into the characters. Abnett really tries to make each of his novels as accessible as possible, and readers new to the series or Warhammer fiction in general can easily dive in here and have a fun time with all the military action. However, Abnett also has a lot of fun expanding out the canon in Honour Guard, especially as you get to see more regiments of the Imperial Guard in action against the forces of Chaos. One of the most intriguing lore aspects of Honour Guard is the examination of key elements of the Sabbat Worlds, which have been the overarching focus of this series. In particular, there is a focus on the legendary figure of Saint Sabbat, who is a personal hero of many of the characters. This sends the story down an interesting spiral of faith and devotion in the Imperial Cult, as many have their religious beliefs tested due to the earlier events of the story. As such, there are some great examinations of the Imperial religion, and it is fascinating to see the potential spiritual ramifications of several events throughout the novel. I also quite enjoyed the main setting of the planet of Hagia, which is only really featured in this novel. Abnett sets the entire world up very quickly and you soon find yourself caught up in the fight for this religious planet which is completely dedicated to worship of the Emperor and his saints. Abnett works several religious elements of the planet into the story extremely well, and it proves to be quite fascinating backdrop for this awesome novel.

One of the best things about Abnett’s writing is his ability to construct multiple complex and intriguing characters who all go through some great development. This is particularly true in the Gaunt’s Ghosts books, as he has constructed a pretty massive cast of characters throughout the first three books in the series who all come into play in Honour Guard. I really enjoyed all the amazing characters in this fourth novel, especially as there is a very interesting change of dynamics due to the Verghastite recruits joining at the end of the previous novel, Necropolis. Not only does that mean that some of the best new characters from the previous book are once again featured here, but it builds some fantastic rivalries between the soldiers as the new Ghosts attempt to gain acceptance from the men of Tanith. Honour Guard ended up being a fantastic litmus test for Abnett’s expanded cast, especially as it introduces some compelling cultural and gender divides to the regiment, while also ensuring that all the fantastic characters the author utilised in Necropolis don’t go to waste.

Many of these great characters really stood out to me in Honour Guard, but of course most of the focus was once again on the central protagonist of Colonel-Commissar Ibram Gaunt. This was a pretty significant novel for Gaunt, as readers get to see him at his very lowest point after he suffers a devastating defeat. This pushes him into a depressive spiral, which is very surprising after how controlled and confident he has been in the previous novels. Abnett really does a great job of showcasing Gaunt’s lost confidence and internal anger, and watching him overcome it becomes an intense part of the book. The author really dives down deep into Gaunt’s motivations throughout Honour Guard, and you come away feeling a lot closer to the character as a result. It isn’t always easy for an author to show their main protagonist dealing with defeat and loss, but Abnett did a wonderful job of it in Honour Guard, and I think it makes Gaunt a much stronger figure as a result.

Aside from Gaunt, a lot of the other characters are really well utilised throughout Honour Guard, with some great side storylines and adventures. Colonel Corbec’s adventure with long-running Gaunt’s Ghosts characters Dorden, Brin Milo and Bragg, had some excellent moments to it, especially as many of them are still dealing with the loss of loved ones or their planet. Abnett also makes great use of several notable characters introduced in Necropolis like Gol Kolea, Captain Ban Daur and Ana Curth in Honour Guard. It was great to see the author spending time developing storylines around them which will continue to build throughout the series, and I enjoyed seeing them attempting to integrate into the Tanith regiment. Even new characters like Viktor Hark, the regiments new Commissar, the slippery and entertaining killer Cuu, and troubled Trooper Vamberfeld, all added some awesome elements to the overall story. I liked how Hark proved to be a compelling reflection of Gaunt, while Vamberfeld showcased the traumas war can have on a soldier’s mind, while also placing him right in the middle of key events. However, some of the best character work in Honour Guard occurred around the always entertaining Major Rawne. Rawne, who has sworn multiple times to kill Gaunt, bears witness to his commander’s fall from grace after his defeat. However, rather than revelling in it, Rawne ends up having a big confrontation with Gaunt towards the end of the book to snap some sense in him. Watching this cynical character be the voice of reason to Gaunt was just brilliant, and the resulting exchange added some fantastic layers to Rawne that I deeply enjoyed. While I really would have loved some more named antagonists, the characters overall in Honour Guard were pretty exceptional, and I really loved how Abnett worked their unique personal narratives into the wider plot.

I doubt anyone is going to be too surprised that I checked out Honour Guard on audiobook, as that has been my preferred format for all Abnett’s books. This is mainly because the action, characters, and grim setting are always translated across so effortlessly on the audiobook, and you can really appreciate all the cool detail that Abnett includes as a result. Coming in a just over 10 hours, the Honour Guard audiobook has a pretty typical length for a Warhammer book, and I was able to quickly power through it. As usual, I need to highlight the amazing narration of Toby Longworth, who has lent his voice to all of Abnett’s previous books. Longworth has an outstanding voice that really captures the tone of the story and ensures that the reader can envision every single battle taking place. His real talent is his ability to dive into every single character Abnett comes up with and give them a fitting voice that captures their personality and emotions. There is some impressive continuation from the previous Gaunt’s Ghosts audiobooks as Longworth brings back all the voices he previously featured there, which I deeply appreciated. He also employs an intriguing range of accents, which help to emphasise the different planets of origin for the various characters and regiments featured in the book. This attention to detail and impressive voice work helps to make Honour Guard, and indeed all the Gaunt’s Ghosts audiobooks really stand out, and I had a wonderful time listening to the book in this format. Easily the best way to enjoy this fantastic novel.

Honestly, there was no question about me enjoying Honour Guard, considering how much fun I have been having with the previous Gaunt’s Ghosts books. This fourth entry has a great story and some brilliant writing by Abnett, and readers are in for an exceptional experience of bullets, blood and explosions in some the best military fiction in the Warhammer 40,000 universe. This was an outstanding read, and I can give no higher compliment than to say that the moment I finished off Honour Guard, I started listening to the next novel in the series, The Guns of Tanith. I honestly cannot get enough of this incredible Warhammer 40,000 series and it will be very interesting to see what unique storylines Abnett cooks up next.

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City of Last Chances by Adrian Tchaikovsky

On April 19, 2023 By The Unseen LibraryIn Audiobook, Fantasy, Five-Star Books27 Comments

Publisher: W. F. Howes (Audiobook – 15 December 2022)

Series: Standalone/Book One

Length: 20 hours and 7 minutes

My Rating: 5 out of 5 stars

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Acclaimed fantasy and science fiction author Adrian Tchaikovsky delivers one of the best fantasy books of 2023 with the intricate and captivating City of Last Chances.

Over the last year I have been really getting into the works of Adrian Tchaikovsky, one of the most inventive and imaginative authors of fantasy and science fiction writing today. Tchaikovsky is a skilled and prolific author who has been a major figure in genre since 2008. Best known for his Shadows of the Apt, Children of Time, Echoes of the Fall and The Final Architecture series, as well as a compelling collection of standalone novels and novellas (I personally have my eye on his previous novel, Guns of the Dawn), Tchaikovsky has a great habit of creating elaborate new worlds filled with intriguing characters and scenarios. I have only read a couple of his books so far, including Tchaikovsky’s first Warhammer 40,000 novel, Day of Ascension, and his outstanding 2022 novella, Ogres, but both were outstanding reads and I loved the epic stories both of them contained. Because of this, Tchaikovsky’s latest standalone novel, City of Last Chances, has been on my radar for a while. It was released last year, and I finally managed to get a copy on audiobook a short while ago and dove into it as soon as I could. However, I was unprepared for just how captivating its story would be.

There has always been a darkness hanging over the ancient city of Ilmar. Known colloquially as the City of Long Shadows, the City of Bad Decisions, and the City of Last Chances, Ilmar is home to many dangerous magical occurrences, including the mysterious Anchorwood at its centre, which serves as a gateway to other far-off worlds. However, a far more sinister enemy has arrived at Ilmar, the soldiers of the Palleseen, a powerful empire seeking to bring its ideas of perfection and order to all it conquers, whether they like it or not.

After several years of occupation, Ilmar is at a tipping point. Its citizens are fed up of the corrupt and brutal soldiers, and everyone in Ilmar, be they rebels, criminals, refugees, idealistic students or factory workers, is looking for an opportunity to strike back and make their lives better. With these forces straining to be unleashed, all it takes is one spark to set the fire of anarchy. That spark occurs when a powerful Palleseen official leads an ill-advised expedition into the Anchorwood, searching for additional power. However, he is unaware that an opportunistic thief has stolen the necessary protective amulet in advance, and the expedition is massacred by the creatures that live within the wood.

As news of this crime spreads throughout the city, chaos begins to rear its head. Everyone is searching for the valuable amulet that was stolen as it represents the greatest chance of freedom many will see, while the Palleseen soldiers are clamping down on the entire city, determined to find those responsible and make them pay. In this chaos, a mixture of Ilmar’s citizens, including a desperate priest, a violent murderer, an unlucky thief, a duplicitous lecturer and several of the most lost people in the city, will seek to survive the oncoming storm, only to fan the flames further. However, none are truly prepared for the full danger about to engulf Ilmar, or the heartbreak that follows with it.

Well damn, now that was a pretty damn epic book. Tchaikovsky has delivered an exceptionally intriguing and addictive novel in City of Last Chances that got me hooked very early on. I was honestly blown away with the captivating and unique narrative that City of Last Chances contained, and Tchaikovsky drew me in with every fantastic detail and distinctive character. This book gets a very easy five-star rating from me as I am still thinking about every detail of this book.

City of Last Chances has an amazing fantasy narrative at its centre, which Tchaikovsky backs up with his impressive and distinctive writing style that results in an extremely entertaining, powerful, and intense read. City of Last Chances follows a raft of different characters as they attempt to navigate a series of deadly events following a single theft. Tchaikovsky sets out the story in a very interesting way, and the book initially feels more like a collection of short stories than one cohesive narrative; for most of the first half of the book, each chapter acts as a semi-independent story that introduces the reader to a new character and shows their place in Ilmar. These new characters are often supporting or named figures from a previous character’s chapter, who have their own unique stories and lives. These character-driven stories are all quite enjoyable and compelling in their own way, and Tchaikovsky cleverly alters the tone so that some come off as very serious, some are quite dark, and others can be a little more comedic and thought provoking. Some of my initial favourites include the funny and philosophical first chapter around the priest Yasnic and his relationship with God (which reminded me a lot of Small Gods by Terry Pratchett), Langrice’s scene-setting chapter at the mysterious Anchorage inn, and the chapter that gave a proper and humorous introduction to the grim figure of Blackmane as he finds himself about to be executed by a very cheery hangman. Not only are these chapters very entertaining in themselves, but they effectively set up a larger narrative within City of Last Chances, while also providing great character moments and more and more glimpses into the many aspects of Ilmar.

As the book continues, the character-driven chapters begin to flow on from the preceding storylines, with the catalytic theft of the Palleseen artefact leading to bigger events down the line. Each chapter adds its own spin to these events by showing new factions, impacted characters, or horrors within the city, or by introducing a new series of spiralling events that begin to unwind the situation even further. As the story continues, a main cast begins to develop as more of the chapters focus on certain characters. This really starts to bring the overarching narrative together, and soon the best parts of each unique character and their arcs begin to mingle with the other fantastic figures. The story soon develops into a great tale of revolution with some Les Misérables vibes to it, as students, refugees, resistance fighters and factory workers begin to revolt. The substantial main cast is worked into these events extremely well, and the reader is soon wrapped up in their powerful character arcs as well as the overarching story of Ilmar as everything begins to unfold. Most of this is captured in a series of great chapters focused on the main cast, although new characters are still introduced right up into the end, with some unique, if brief, storylines skilfully worked into the larger narrative. The author really pushes everything up a notch as the book comes towards the end, and every danger, unusual occurrence and strange character is unleashed to some degree. There are some outstanding reveals, big battles, and some deeply personal moments that really help to bring the entire fantastic story together. I particularly loved how some great story elements that were hinted at earlier in the book are brought to the fore at the end, especially as this includes some outstanding twists (Hellgram’s wife was a fun one for me). However, the true joy is in the way that every major character gets a resolution to their emotional and complex character arcs, leaving the reader breathless in multiple ways. I felt that Tchaikovsky wrapped everything up perfectly, and this serves as a brilliant and captivating standalone fantasy narrative.

I cannot compliment the way that Tchaikovsky presented this outstanding story enough, as his distinctive writing style really helped to compliment the epic and complex plot. I have already mentioned his great use of different character focused chapters above, and I must once again highlight how effectively they were used to tell a cohesive and distinctive narrative with so many entertaining facets. While it did take me a little while to fully appreciate what Tchaikovsky was trying to achieve with these semi-independent chapters, once you notice how the story is coming together through character-focused sequences, you really grow to appreciate it. The continued change of character focus ensures that Tchaikovsky keeps the pace of City of Last Chances pretty brisk, and it is easy to quickly move through the story, especially once you get caught up in the tale of Ilmar and its people that the author is developing. Tchaikovsky also introduces some impactful changes in tone throughout the book, as City of Last Chances runs the gauntlet from being light-hearted to emotionally draining, as the protagonists go through hell and back while also trying to deal with their own personal problems. The author puts in some pretty intense scenes throughout this powerful story, many of which leave the characters reeling in different ways, and there are also some quite terrifying or shocking sequences as the full horror of this city is revealed in gruesome fashion. However, these darker scenes are often undercut with some fun and amusing humour that helps to diffuse the tension at some key parts of the plot and which I found to be very refreshing. This humour is often a little black and cynical in context, which ensures that the reader is left amused, and sometimes laughing, without the story getting too light and drifting away from its harsher content. I really think that Tchaikovsky found the right balance here, and I rather enjoyed how he mixed everything together. I had so much fun seeing how Tchaikovsky wove his complex tale into this book and City of Last Chances really emphasises just how talented he is as an author.

One of the key things that made City of Last Chances such a hit for me was the outstanding setting of Ilmar. Tchaikovsky has always been exceedingly good at effectively building up an inventive and complex new setting for his stories, and this is some of his best work yet. The author shows Ilmar through the eyes of so many different characters in this book, each of whom adds a new aspect to its history, character, and energy, as the story progresses. This proves to be quite an effective way to introduce the setting, and the reader soon gets an impressive picture of the entire chaotic glory of this oppressed city. I love all the aspects of this place, including the magical dimension-hopping wood and the responsibilities surrounding it, the demon powered factories, the oppressed refugee areas, the idealistic student academy and the sinister Reproach, an abandoned part of the city filled with magically cursed wretches dancing to their death. Each of these complex and compelling elements are explored to their fullest throughout City of Last Chances and I really appreciated how Tchaikovsky built them up and then effectively featured them again later in the story.

The author also explores various parts of the world outside of Ilmar, and it is interesting to see how that impacts on the main story. I particularly liked the use of the Palleseen as the overarching antagonists of the story and Tchaikovsky paints them as an obsessed group of fanatics trying to bring their ideas of perfection to an unwilling world. This plays into several of Tchaikovsky usual themes about oppression and revolution, and he sets the Palleseen up as a vindictive group, who are often hamstrung by the practices and bureaucracy they force on their enemy. The entire focus on the city of Ilmar being unleashed to face the occupiers was an excellent part of the book, and Tchaikovsky built up all the factions and chaotic nature of the city really well. As such, Ilmar is a brilliant background setting to this great story and I really appreciated how Tchaikovsky set his story into it.

While I loved so many of City of Last Chances elements, for me the most important and powerful part of the book is the characters, as Tchaikovsky introduces the reader to a massive and captivating cast of figures who travel through the story in their own fashion. Due to the way the story is set out, there are quite a lot of characters in City of Last Chances, with new cast members being added in every chapter, either to support the current point-of-view protagonist or to set them up for their own chapter later. As such, there is a real focus on quickly and effectively getting to the root of each character in their first chapter, and I think that Tchaikovsky did a great job on this score. You get to know each of these figures really quickly and you really get drawn into their unique tales and arcs, many of which are perfectly developed over the course of the book. While the cast is pretty massive, each of these characters is given plenty of time to develop and many prove to be particularly complex and relatable as a result.

While there are so many great characters, several definitely stood out to me, especially as Tchaikovsky kept going back to them. This includes Yasnic, the last priest of a diminished and petty god who now haunts his one follower. Yasnic is a fantastic and occasionally comedic character, which reminded me a little of the protagonist of Terry Pratchett’s Small Gods. While I did think that Yasnic was a bit one-note at the start of the book, he develops as the story continues, and you really appreciate just how complex and damaging his life as a priest has been, thanks to his god’s arbitrary rules, many of which have actual good reasons behind them. Watching him try to balance his faith and connection to his god against the terrible things being done to him and the city is a key part of the book, and it leads to some emotionally powerful scenes, especially when Yasnic thinks that his god is being taken away from him against his will.

Other great characters include Langrice, the shunned owner of the Anchorage, the inn that borders the Anchorwood, and Blackmane, an Allorwen refugee and former sorcerer, who serves as a criminal pawnbroker. Both characters are older and wearier figures who are trying to survive the harsh circumstances of their lives the best way they can. Both are shown to be outcasts to their own people in different ways, and this leads to a compelling relationship between the two, even if they do not actually trust each other. I also quite liked the character of Maestro Ivarn Ostravar, a lecturer at Ilmar’s Gownhall university, who acts as a great patriot to his students while actually collaborating with the Palleseen. Ivarn is a particularly arrogant figure who manages to manipulate people’s views of him, and it is really fun to see him thrown into situations outside of his control, especially when his own reputation works against him and forces him to become the figure head of resistance. His student, Lemya, is also a great part of the book due to her fervent idealism brought on by Ivarn’s teachings. Off course, her naivety comes back to bite her and the other characters repeatedly, and while her actions are often a little frustrating, it is great to see her slowly realise she is being manipulated and gain some common sense.

However, to my mind the best character in the book is Ruslav, which is frankly a shock as he initially shown as a simple thug with an obsession for women. However, Tchaikovsky keeps coming back to him as the story develops and each new situation he finds himself in makes him more complex and likeable. His first chapter shows how his entire perspective on life is changed when he falls in love with a beautiful painting, which starts a great character arc of self-discovery and confusion for him. Tchaikovsky keeps developing Ruslav’s story as the book continues and he soon faces more and more challenges, including a mortal injury, a hanging, and forced religion. The latter is the most damaging to him as he is forced to give up violence, the one thing in life he is good at, to stay alive, which results in quite the existential crisis. Watching him try to fit all the unusual events occurring to him into his insights as a street thug proves to be entertaining and very relatable, as you understand just how much of a struggle each of his new experiences are for him. His coarse humour fits into this arc very well, and watching him swear at his new, inadvertent god and all the people of different backgrounds he is forced to deal with, makes for some very fun scenes. However, not all of Ruslav’s storyline is comedic, as Tchaikovsky loads in continued tragedy for him as well, that really shakes him, and the reader, to their core. The author seems to both love and hate Ruslav, and the resulting damage and development he goes through result in some of the most emotionally rich parts of City of Last Chances. I honestly am still surprised that Ruslav turned out to be such a great character, but he and the rest of the cast really make City of Last Chances an epic book, and I am really glad I got the opportunity to dive into their unique lives.

As with many of the larger fantasy books I tend to read, I chose to seek out the City of Last Chances audiobook format, which served as an outstanding way to enjoy this fantastic and elaborate book. This new Tchaikovsky audiobook is pretty long with a run time of just over 20 hours, and it did take me a little while to get through it, although it was very much worth the time. I always find that listening to an audiobook helps me to absorb more detail for some books, and this was particularly useful for City of Last Chances as Tchaikovsky has once again loaded his unique setting and captivating story with so many intricate elements. As such, I was really able to full appreciate the full complexity of the dark city of Ilmar and its many, desperate residents.

I was also extremely impressed with the voice work of narrator David Thorpe, who ensured that the listeners could full enjoy every single aspect of City of Last Chances. Thorpe, whose narration I have not had the pleasure of before, did a spectacular job here in City of Last Chances and I honestly enjoyed every second he spent telling this story. Not only has he got a great base voice that tells the main story at a clipped and exciting pace but he also provides a ton of impressive tones for all the characters in this book. Every one of City of Last Chances’ unique characters is given a particularly fitting voice that captures their personalities and really helps to convey to the reader some of their key points, such as Yasnic’s meekness, Ostravar’s arrogance, or Lemya’s unbridled idealism. Thorpe also comes up with several great accents that he uses to differentiate some of the different races and nationalities contained within the city, and I felt that this really helped to emphasise the cultural elements contained within the story. Overall, the City of Last Chances audiobooks is pretty damn spectacular, and I loved how the entire thing came together. I had so much fun listening to Thorpe’s great take on the characters, and this is easily the best way to enjoy this epic read.

City of Last Chances is a brilliant and wonderful novel by Adrian Tchaikovsky that I cannot start raving about. I quickly became enthralled the outstanding and compelling narrative that he pulled together throughout City of Last Chances, and his fantastic delivery, intriguing setting, and impressive characters all drew me in. This is easily one of the best books I have read so far in 2023 and it comes very highly recommended by The Unseen Library. I cannot wait to see what amazing book Tchaikovsky comes up with next, as if it is any where as good as City of Last Chances, I am going to love it.

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The Martyr by Anthony Ryan

On October 17, 2022May 30, 2023 By The Unseen LibraryIn Audiobook, Fantasy, Five-Star Books25 Comments

Publisher: Orbit/Hachette Audio (Audiobook – 28 June 2022)

Series: The Covenant of Steel – Book Two

Length: 19 hours and 42 minutes

My Rating: 5 out of 5 stars

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The always impressive Anthony Ryan continues his outstanding Covenant of Steel series with The Martyr, which was hands down one of the best fantasy novels of 2022.

Anthony Ryan is an extremely talented author who has been one of the leading authors of fantasy fiction for the last decade, producing several intriguing and major series. Best known for his Raven’s Shadow trilogy (which was followed on by the Raven’s Blade duology), Slab City Blues, The Draconis Memoria and Seven Swords series, Ryan has a substantial catalogue of fantasy works to his name, most of which sound pretty damn epic. However, I have so far only read the books from his latest series, The Covenant of Steel series, which has proven to be exceptional. The first book in The Covenant of Steel was last year’s deeply compelling release, The Pariah, an excellent novel that set up a deeply intriguing and highly addictive character-driven tale of adventure, conspiracy and war.

The Pariah told the adventure of Alwyn Scribe, a young outlaw who was raised by brutal bandit chief. However, his time as a member of a notorious band of villains came to a bloody end when his entire gang is brutally killed by the crown and his mentor is executed. Imprisoned in a mine, Alwyn finds a new mentor in an imprisoned religious figure, who teaches him to be a talented scribe, and he is eventually able to escape. Chance and self-preservation lead him to join the Covenant Company of Lady Evadine Courlain, a pious woman whose religious visions, sermons and sheer faith allow her to bring together a band of dedicated soldiers. Swiftly growing loyal to her, Alwyn becomes one of her key followers, and saves her from certain death several times as they fight across the Kingdom of Albermaine. I deeply enjoyed the elaborate and extremely addictive narrative contained within The Pariah, and this ended up being one of my absolute favourite books and audiobooks of 2021 (as well as being one of my favourite new-to-me authors of the year as well). As such, I was extremely happy to receive a copy of The Martyr a little while ago, although I held out reading it until I could get a copy of the audiobook version as well.

The Martyr takes places shortly after the bloody conclusion to The Pariah and sees Alwyn Scribe now firmly in the service of Lady Evadine Courlain, whose apparent resurrection has led to her being proclaimed a living martyr of the Covenant church. However, this and the fanatical devotion of the faithful of Albermaine have placed her in the crosshairs of both the Crown and the Covenant, both of whom see her as a dangerous pretender to their power. Unable to kill her without starting a religious rebellion, the king decides to use Evadine for his own purposes.

Sent south to the Duchy of Alundia to put down a rebellion and stop a series of religious attacks upon the Covenant faithful, Alwyn, Evadine and the Covenant Company take up residence in a small, dilapidated castle, which soon draws the attention of the Alundian nobility. Besieged by a massive army, Alwyn and his companions must survive the onslaught if they are to pass on Evadine’s message for the future. However, not everything is as it seems. Dark forces are in play and Alwyn soon finds himself in the middle of treacheries, both new and old, as he desperately stands beside his mistress. Forced to dive into the secret past of the land, Alwyn soon discovers that many of the things that Evadine preaches are true, including the legend of the Scourge that destroyed the world and threatens to re-emerge. But is Alwyn fully prepared for all the heartache, betrayal and bloodshed his quest is about to unleash?

Anthony Ryan is on fire once again with his second book in The Covenant of Steel series. The Martyr is an epic and deeply addictive read that perfectly follows on from Ryan’s previous book and in some ways surpasses it with its impressive storytelling and amazing characters. Thanks to its incredible story and cool expansion of Ryan’s fantasy universe, I had an outstanding time getting through The Martyr, and it receives an easy five-star rating from me.

I had such an outstanding time with the epic story that Ryan pulled together for The Martyr, especially as it cleverly expands on the narrative from the first book, while also taking the characters in some awesome new directions. The book has a very strong start to it, which follows on from a useful, and slightly humorous, summary of the events of The Pariah. From there, we quickly see the fallout from the last book, with the protagonist Alwyn and his comrades forced to engage in the politics of the realm to ensure that living martyr Evadine is allowed to continue her work. The narrative is still told from Alwyn’s perspective as he recounts the events in chronicle form, so I was quickly hooked, and I liked the immediate dive into fantastic political intrigue and compelling universe building. However, the story only gets even more awesome from there, as the protagonist and his company are deployed to a war setting, which turns out to be particularly epic as they are soon caught up in some outstanding siege scenarios.

Now, I frankly had no idea how Ryan was going to improve on the outstanding story from The Pariah, but having a siege storyline was a pretty good way to go about it. I love sieges, and Ryan featured an incredible example here, as a large amount part of the book revolves around two amazing battles between attackers and castle defenders. The first of these sees the protagonists trapped inside a dilapidated fortress facing off against a larger army, which proved to be a lot of fun. The author really captures the chaos and drama of an impromptu siege with this earlier one, and the carnage comes quick and fast as the characters are forced to bring the attackers to battle before repelling them, using their wits and limited resources. The action here is pretty intense and shown in excellent detail, as Ryan does not hold back on the brutality and the complexities of a siege. I had such a great time with this first siege, and words cannot describe how ecstatic I was that he followed it up with a second siege, with the protagonists now acting as besiegers, in a more traditional siege, with artillery, sapping and even a deadly storm of the breach with the point-of-view character in the front. These two sieges were pretty damn exceptional and have some of the best and most bloody action scenes in the entire book. I particularly liked how well the author contrasted the differing experiences that the protagonist experienced as both a defender and an attacker, and it was fascinating and very fun to see him on both sides of the wall, especially as he learns from his experiences to become a better invader. However, it is not all about the action, as you have some compelling political considerations going on here, as well as some great character development and the protagonist gets closer to some of the other characters during the heat of combat.

Following the sieges, the story goes in some interesting and unique directions, as Ryan continues the epic of Alwyn Scribe by expanding the universe around him. This includes a visit to a dangerous foreign land, where he learns some harsh and surprising truths about the universe he lives in and his place within it. This results in some trippy but deeply fascinating scenes, especially as there are some interesting reveals and some great hints for the future. Ryan also once again dives into the political intrigue, as the protagonists are involved in some great fights for the future of the realm. Watching the protagonists fight both on and off the battlefield is pretty cool, and the sheer threats growing around them in the last quarter of the book bode well for the future of the series. There are some interesting reveals towards the end of The Martyr, and Ryan also works to tie up a few loose ends from the previous book, which I was very happy to have closure on. Everything ends on a very intriguing note, as Ryan leaves behind a great little cliff-hanger reveal that will be very thought-provoking in the lead-up to the next book. I had such a great time with this story, and it really drew me in with its fantastic moments and complex, overarching storylines.

I am a pretty big fan of how The Martyr’s story came together, and Ryan has a great writing style that really enhanced the whole experience. I absolutely loved the chronicle style that he uses to detail the plot. Told completely from the protagonist’s perspective as he writes down all he experiences, you get a unique view of the events occurring, especially as the protagonist writes in funny or insightful comments that show his opinions of the events in hindsight. At the same time, they allow the protagonist to air his many regrets, and you get a certain sense of foreboding for some of the events that are to come, either in this book or in the rest of the series. I was pretty consistently entertained by this style of writing, and I think that it also added in some extra humour to a somewhat darker fantasy story, especially as the protagonist is quite a funny and unconventional figure. The Martyr’s story has an amazing blend of different elements, and while I lavished my love above on the great action, especially during the siege sequences, most of the book is about the development of the protagonist and his attempts to keep Evadine alive. This results in a brilliant combination of politics, intrigue, great interactions between figures, and some awesome character development, which works to produce quite an addictive read. Watching Alwyn trying to come to grips with the many dangers threating his friends, while also unpicking the multitude of mysteries and secrets surrounding him is just great, and Ryan keeps adding in new secrets and supporting storylines to keep the reader interested. While there is a lot going on within The Martyr, the pace is pretty fast and consistently exciting, and at no point was I not immensely entertained, either by the powerful action or fascinating world building. Due to the amount of lore and history featured in the first book, I would strongly suggest that interested readers get through The Pariah before trying out The Martyr, and fans of the first book will really enjoy where this second book goes and how Ryan effectively tells the story.

I was very impressed with all the cool ways that Ryan expanded the series’ setting in The Martyr, as he adds in some great additional history, expands on some of the mysterious religious and mystical aspects of the first, while also showing off some fascinating new lands. This additional context around parts of the nation of Albermaine proves to be pretty damn intriguing, and you learn a lot more about it, while also seeing a lot more about its internal politics and rule, especially as the characters are forced to deal with the royalty and the church. The inclusion of the Duchy of Alundia, where much of the plot takes place, was also pretty excellent, especially as Ryan portrays it as a more rugged and dangerous locale, whose unique take on the Covenant religion leads to a veritable holy war when Evadine and her company arrive. However, the most captivating new part of the book has to involve the protagonist’s journey to the Caerith Wastes. Alwyn has been haunted by members of the mysterious Caerith race since the start of The Pariah, and their strange ways and powerful magics have been both a boon and a curse to him. As such, a journey to their homeland was always inevitable, and Ryan ensures that there are many surprises, mysteries and some interesting reveals for the protagonist when he finally arrives. Ryan did a really good job introducing this new race of people in the story, and there are some great scenes where Alwyn attempts to learn more of them, while using his own personal history to stay alive with them. The subsequent reveals about some of their powers and how it has been impacting Alwyn are pretty amazing. One reveal, which illuminates the origins of Alwyn’s historical chronicle that the entire series is based on, was particularly compelling, and it sheds a whole new light on everything you have been reading. Overall, Ryan did a fantastic job expanding his fantasy realm in The Martyr, and I look forward to seeing what cool inclusions he features in the next book.

Easily one of the best things about The Martyr was the outstanding and complex characters that were such a key part of the book. Ryan expands on many of the great characters from the first book and takes their unique narratives in some amazing new directions. The compelling and dramatic interactions that occur between these figures results in some powerful moments and I deeply enjoyed seeing the outstanding ways their tales and lives evolved in this second book.

The character who naturally gets the most focus is central protagonist and sole point-of-view character, Alwyn Scribe. A former bandit who, thanks to a series of influential leaders and friends, became first a talented scribe and then a soldier, Alwyn is a man with a past and a fast mind who now finds himself in the centre of his nation’s crisis. Dedicated to the Lady Evadine, Alwyn spends much of this book advancing her cause, while also evolving further as a character. While he still primarily considers himself to be a scribe, Alwyn ends up taking on more and more different roles as he finds himself thrust into Evadine’s adventures, including being a knight, a military commander, a politician and a spymaster. As such, you see him go through some major leaps and developments as he tries to reconcile what he is with what he needs to be to keep those around him alive. This proves to be quite fascinating, and I loved the various unique situations he finds himself in, especially as he begins to realise some of the mystical mysteries the world contains and his place in them. Alwyn continues to be an excellent main character for this series, and I loved his depictions of how the events of the book unfold, especially as his later insights from when he chronicles his adventures add both weight and humour to the current story. His unique background as a criminal and a scribe continues to serve him well in The Martyr, and he has some very inventive ways of solving problems that often rely on his criminal or academic past. I also deeply enjoyed seeing him take on a role as a teacher and mentor to several younger characters in this book, and it was a nice to see Alwyn come full circle after all the mentorship he received in the first book. I had a great time seeing how he grew into the new roles in this book, and it will be fascinating to see what different positions he takes on in the future, especially as he becomes more and more devoted to Evadine, not matter how crazy their adventures become.

That leads nicely to the other major character I wanted to highlight, Lady Evadine Courlain. Evadine is a fascinating figure in this series, a pious and devote noblewoman who has been receiving prophetic visions all her life. Believing these visions to be from the Seraphile (the divine focus of the Covenant religion), Evadine created her own military company in the hopes of averting the Second Scourge (an apocalyptic calamity). After miraculously recovering from a fatal wound, Evadine has now been declared a Risen Martyr, and believes herself to have been raised up by the Seraphile, despite it actually being caused by a magical bargain struck by Alwyn. Now a major religious figure, Evadine has become a threat to both the church and the crown and must deal with their attempts to destroy her while she attempts to achieve her mysterious goals. I deeply enjoy Evadine as a character, particularly as there is such an inherent mystery behind her, as you have no idea whether she is actually divinely blessed or just crazy. Ryan portrays her as both at times, and while it is easy to assume the latter, she keeps coming up with knowledge and insights that should be impossible to achieve. Watching her continue to evolve as a religious figure in The Martyr is both fascinating, and a little concerning, as you really have no idea where her story is going to go, or what insanity or divine revelation may come from her next. Evadine serves as a quite a good foil to the more cynical character of Alwyn, and they become quite an intriguing team in The Martyr, with Alwyn providing the means to many of her successes, while strongly disbelieving her divine status. There is also a certain growing instability in Evadine that underlies much of the book and adds to the general tension between her an Alwyn. This, as well as a few intriguing reveals, makes Evadine one of the most compelling and unique figures in the series and it is clear that Ryan has some very, very interesting plans for her future.

Aside from Alwyn and Evadine, The Martyr is loaded with a ton of great supporting characters who add a substantial amount to the overall narrative. Many of these characters carry over from the first book, and there are some intriguing and dramatic developments that occur in The Martyr that prove to be quite shocking and fun in places. Great examples of this include the disgraced knight Wilhum Dornmahl, who is a major figure in the Covenant Company’s ranks, Ayin a murderous young girl Alwyn takes under his wing and teaches, and the mysterious Sack Witch, who haunts the character, despite barely appearing in the book. In addition, Ryan introduces many new great characters in the second book, or else finally introduces and expands on characters mentioned in The Pariah. Two minor characters from the first book who really stood out to me in the sequel were Princess Leannor, the king’s sister, who serves as a canny and complex political adversary to Alwyn; and Ehkbert Bauldry, a legendary knight who Alwyn bears a grudge against, but who also proves to be an interesting ally. Both have some intriguing interactions with Alwyn, especially as they know he has some substantial dirt on them that makes him quite a threat. I also must highlight outstanding new characters like Juhlina, better known as a The Widow, a deadly Covenant Company soldier with a tragic backstory and unstoppable rage, and Lilat, another new mentee for Alywn. These characters were all extremely fun and compelling, and I loved how Ryan fit them into the story and made them shine.

As I mentioned above, I did receive a psychical copy of The Martyr a little while ago, however, I held off reading it until the audiobook version came out. While I did regret not diving into the story as soon as I got it, I think it was more than worth it as the audiobook format of The Martyr was pretty damn exceptional. Coming in with a run time of just under 20 hours, The Martyr has a decent length to it, although I found myself getting through it in just a week, mainly because I was just so addicted to Ryan’s outstanding story. The audiobook format really helped with my enjoyment of this book, and I really found myself getting drawn into the elaborate narrative through the narration. I definitely absorb more narrative detail when I listen to a book, and this was particularly noticeable with The Martyr audiobook, as I found all the cool story elements, details about the setting, intriguing characters and epic action popped more into my head through this format. I also really need to highlight the exceptional voice work of actor Steven Brand (who I best know as the villain from The Scorpion King) who has lent his voice to the audiobook versions of all of Ryan’s works. Brand is an extremely talented audiobook narrator who deftly captures the many characters contained with The Martyr and gives them distinctive and compelling voices that really fit the character and showcase their emotions. I particularly liked the way in which he portrays protagonist and narrator Alwyn Scribe, and you really get a sense of the character’s emotional state, as well as the sense of weariness the chronicle format conveys through Brand’s voice. This ended up being a pretty awesome audiobook and it was definitely my preferred way to enjoy The Martyr. As such, this format is highly recommended, and when I get around to reading the rest of Ryan’s books, I will be grabbing their audiobook versions.

After all the gushing above, I think it is fair to say that I deeply enjoyed Anthony Ryan’s latest book. The Martyr was an exceptional and deeply addictive read that I felt perfectly continued the amazing groundwork he established in The Pariah. This second entry in The Covenant of Steel series was something special, and I had such an epic time seeing what unique and captivating adventures and battles the great protagonists found themselves in. The Martyr was such an outstanding fantasy read, and I can’t wait to see how Ryan continues this awesome series in the future. A truly incredible read!

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Act of Oblivion by Robert Harris

On September 29, 2022May 1, 2024 By The Unseen LibraryIn Historical Fiction2 Comments

Act of Oblivion Cover

Publisher: Hutchinson Heinemann (Trade Paperback – 20 September 2022)

Series: Standalone

Length: 464 pages

My Rating: 4.5 out of 5 stars

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That master of historical fiction, Robert Harris, returns with another deeply compelling read, this time diving into one of the most fascinating manhunts in history with Act of Oblivion.

1660, England. It is the dawn a new age in English history. Following the death of Oliver Cromwell, the country has allowed King Charles II to come to power. In exchange, the King has agreed to clemency for the former Parliamentarians, allowing peace to return to England for the first time in decades. However, the King’s clemency is not absolute, and under the terms of the Act of Oblivion, all the men involved in the execution of his father, King Charles I, including the 59 men who signed his death warrant, are to be hunted down and brutally executed.

General Edward Whalley and his son-in-law, Colonel William Goffe, are two such men. Former Parliamentarian leaders, their signatures lie prominent on the king’s death warrant. Knowing that their deaths are close behind, Whalley and Goffe are forced to abandon their families and flee to the colonies. Arriving in New England, Whalley and Goffe attempt to become part of the local community, but the shadow of their treason is far-reaching, and both old soldiers will have to live with the consequences of their action.

In London, Richard Nayler has been appointed as secretary of the regicide committee of the Privy Council. Tasked with tracking down, capturing and executing all the men wanted in relation to the King’s death, Nayler attacks his task with zeal and passion, determined to bring justice to those who wronged the kingdom. However, Nayler saves the vast amount his hatred and determination for Whalley and Goffe, two men he bears a particular grudge against. Soon, a large bounty is placed on the two fugitive’s heads, and Nayler himself arrives in America, determined to see the men captured. Forced to flee across the continent, Whalley and Goffe find themselves as outcasts and fugitives wherever they go. The chase is on in the new world, and no-one is prepared for how far this mission of vengeance will go.

Robert Harris does it again, producing a brilliant and riveting historical epic that reconstructs fantastic historical events in impressive detail. I have long been a fan of Harris’s writing, having deeply enjoyed An Officer and a Spy and V2, and his latest book, Act of Oblivion, is one his better works. I had an outstanding time getting through this complex novel, especially as it spent substantial time diving into a unique historical occurrence I was unfamiliar with.

I had an exceptional time with Act of Oblivion, especially as Harris presents an elaborate and massive story set across multiple years. Leaning heavily into historical sources, Harris dives deep into the flight of Goffe and Whalley and perfectly portrays their journey to America and the hardships they encountered. This proves to be quite an intense and frustrating tale, as these two protagonists suffer a great deal through the course of the book. Forced to abandon their families, Goffe and Whalley are initially seen as heroes by the people of Boston and Cambridge, but the two fugitives are gradually forced to flee from these towns due to the machinations of the English and their former enemies. Forced to flee to smaller and smaller settlements, the protagonists are chucked into some uncomfortable positions in their flight, which includes years of depredation and isolation throughout the country. The full tale of their time in America (or at least what is known), is pretty damn remarkable, and I felt that Harris did a wonderful job bringing it to life and showing what these two might of experienced and the lengths they went through to survive. However, it does occasionally get slow in places, mainly because the historical fugitives were often unable to move for fear of being captured.

Harris covers these slower periods well by mixing in a second major storyline that runs parallel to the depictions of Whalley and Goffe. This second storyline is primarily set in England and Europe and showcases the events occurring while the fugitives are in hiding. Mainly shown from the perspective of the fictional character hunting them, Richard Nayler, as well as several scenes that show the fugitives’ family, this second storyline adds some real colour and danger to the events, especially as you get to witness the hunt from the other end. The blend of fictional and historically accurate storylines works extremely well, and Harris creates a deeply fascinating and compelling overall narrative that really draws you in. Seeing the simultaneous actions of both hunter and fugitives is a lot of fun, and I loved Nayler’s reactions to the constant escapes of Whalley and Goffe. Harris also spends time showing the hunt for the other regicides, which Nayler embarks on with greater success. Not only does this add in some additional fun action and historical context, but it also ups the stakes of the main storyline, as you are forced to witness the gruesome fate that awaits Whalley and Goffe if caught. All this adds up to quite a remarkable tale, and I was deeply impressed with how exciting and captivating Harris was able to make these historical events appear.

One thing that is extremely clear about Act of Oblivion is the sheer amount of historical research that Harris put into crafting this book. There is so much exceptional and compelling detail put into Act of Oblivion, as Harris goes out of his way to make this book as historically accurate as possible. Naturally a substantial amount of this research goes into showing the known events of the two fugitives, as Harris meticulously recounts where they went and the various places they were forced to hide. While the author does add in a few literary embellishments, this appears to be a very accurate and intriguing depiction of the fugitives’ flight in America, and I had such an amazing time seeing what they went through. Harris makes sure to try and tells as much of their tale as possible, and the book goes all the way up until 1679, when the records end. At the same time, Harris spends a large amount of time exploring the history of the rest of the world. The novel is chock full of intriguing depictions of various key parts of British and American history at the time, which I found to be extremely fascinating, especially as you get to see how England changed after the return of the

King. Harris also makes sure to examine how major historical events around the world might have impacted the lives of the two fugitives, and I felt that he worked all these fascinating events into the main story extremely well. All the historical aspects of the book are showcased to the reader in a fantastic and very readable way, and even non-history fans will be able to dive into this story extremely easily. This is mostly because the historical events themselves are pretty damn remarkable (honestly historical reality stranger than fiction in some places), but I really appreciated how well Harris was able to explore them and showcase them to the reader.

Another historical aspect of this book I deeply enjoyed was the author’s extremely detailed and moving depictions of the American countryside and its settlements in the 17^th century. Quite a lot of the book is spent out in the American wilds, as the two protagonists are constantly fleeing from their pursuers and avoiding people, and Harris makes sure to patiently and lovingly depict the various locations they find themselves in. You really get a sense of the beauty and danger of the land during this period, and I loved seeing the various English characters react to the wide open spaces after spending time in cities like London. Harris also takes the time to describe several of the historical settlements that the characters journeyed to and through, and you get a real sense of how built up or settled they were. I found it fascinating to see all the descriptions about the various settlements, especially as many are quite significant cities in modern times, and it was really cool to see how they originated. The descriptions of towns like Boston and Cambridge were pretty intriguing, especially as I didn’t realise just how built-up they were during this period (sentiments that some of the character’s shared), and I loved also seeing the Dutch settlement of New Amsterdam, especially as Harris also explored the events that saw it renamed as something far more iconic. Throw in the deeply fascinating depictions of the people inhabiting these settlements, including the distinctive religious differences (so many puritans) and political sentiments. Religion in particular becomes quite a key part of this book, and watching the various Puritan figures discuss their beliefs and their thoughts on the actions of the main characters, is particularly intriguing, as you get to see how these religious fugitives shaped early America. Overall, this is a very impressive and clearly heavily researched look at 17^th century America, which all historical fiction fans will deeply appreciate.

I also really enjoyed the central figures of Act of Oblivion and I found their storylines to be very compelling. As I mentioned above, I really didn’t know that much about Edward Whalley and William Goffe before reading this book, but that swiftly changed. Harris did a remarkable job showcasing the lives of these two historical figures and you really get to know everything about them. While I am sure that Harris made a few character changes to fit the narrative, I felt that the overall presentation of them was pretty realistic. Harris really highlights their personalities, religious convictions, and deep pride in the actions they took under Cromwell throughout the book as they spend time remembering their pasts. All the key moments are their lives are captured in some way throughout the book, either in the plot or in their memories, and you soon see what events led them to become fugitives. While the depictions of some their actions during the war and Cromwell’s control of England does make them a tad unsympathetic, I grew attached to them, especially as you see them suffer in isolation over a period of years. Harris did a remarkable job showcasing how he believed these people would have felt spending years and years trapped in attics and basements, and you can just feel the mental and physical impacts it had on them. This was frankly a brilliant portrayal, and I had an excellent time getting to know these unique historical figures.

Aside from Whalley and Goffe, the other major character I need to mention is Richard Nayler, the man charged with hunting the fugitives down. Nayler is a purely fictional character, although Harris indicates upfront that someone likely had this job in the 17^th century. I quite enjoyed the portrayal of Nayler in this book, especially as he serves as a grim and determined counterpart to the protagonists. A Royalist who witnessed the execution of King Charles I, Nayler goes about his duties with a resolute duty, determined to make all the regicides pay. However, his main obsession lies with Whalley and Goffe, who holds responsible for the death of his wife and child. Despite this tragic past, it is a times hard to feel sorry for the super serious Nayler, especially as he has little compassion for others, even the innocent. However, he is quite a captivating figure, especially as his growing obsession with finding the fugitives becomes more and more apparent. While his fellow returned Royalists initially share his determination, it soon becomes evident that he is true fanatic, while the others are purely in it for political reasons. Harris really shows the downside of obsession through this character, especially as Nayler sacrifices a lot to try and find the fugitives. I felt he had an impressive storyline throughout Act of Oblivion, and this great fictional character played off the real historical figures extremely well.

Robert Harris’ latest novel, Act of Oblivion, once again highlights the author’s outstanding skill as he recounts a particularly fascinating occurrence from history. I loved the amazing story contained in Act of Oblivion, especially as the author did such a great job incorporating historical events into an intense and captivating plot. Deeply intriguing and very entertaining, Act of Oblivion is a highly recommended read, and I can’t wait to see what elaborate historical tale Harris comes up with next.

Act of Oblivion Cover 2

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Warhammer 40,000 – Ghazghkull Thraka: Prophet of the Waaagh! by Nate Crowley

On May 20, 2022March 1, 2023 By The Unseen LibraryIn Audiobook, Extended Universe, Five-Star Books, Science Fiction, Tie-in Novel, Warhammer19 Comments

Publisher: Black Library (Audiobook – 15 March 2022)

Series: Warhammer 40,000

Length: 7 hours and 30 minutes

My Rating: 5 out of 5 stars

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Prepare to read one of the most amusing and downright entertaining recent additions to the Warhammer 40,000 canon with the hilarious and brilliant Ghazghkull Thraka: Prophet of the Waaagh! by outstanding author Nate Crowley.

I have been having an immense amount of fun really diving into the massive wealth of tie-in fiction surrounding the Warhammer 40,000 tabletop game this year. Books like Steel Tread by Andy Clarke, Krieg by Steve Lyons, The Bookkeeper’s Skull by Justin D. Hill and Day of Ascension by Adrian Tchaikovsky, have really highlighted just how diverse and intense this extended universe can be. However, the latest tie-in novel I checked out may prove to be one of my absolute favourites, as I got to learn all about one of the most iconic ork characters in this universe with Ghazghkull Thraka: Prophet of the Waaagh!

Orks are the most notorious and dangerous creatures that roam the galaxy of the 41^st millennium. Billions upon billions of the powerful, war-loving creatures can be found throughout every sector of space, fighting anyone and anything they can find, especially each other. However, out of all these monsters, none are more feared, respected or hated than the warlord Ghazghkull Mag Uruk Thraka, chosen of the ork gods Gork and Mork and proclaimed prophet of the Waaagh!

Throughout his legendary life, Ghazghkull has done what no other ork has been able to achieve. Bringing together innumerable warbands into one massive horde of green, Ghazghkull has warred with every faction in the cosmos, while his infamous invasions of the Imperial planet of Armageddon are the stuff of bloody legend. Everyone knows of his epic and rivalry with his indomitable foe, Commissar Yarrick, which turned Armageddon into a perpetual warzone, but does anyone know the true story of Ghazghkull and the events that made him?

Rogue Lord Inquisitor Tytonida Falx has long attempted to discover what lurks in the minds of the xenos her order faces. When an opportunity to find out more about Ghazghkull presents itself, she eagerly jumps at the opportunity, bringing a unique prisoner aboard her heretical ship, Ghazghkull’s banner bearer, the grot Makari. Interrogating him, Inquisitor Falx and her team soon discover that Makari might just be the only being in the universe who knows the full truth about who, or what, Ghazghkull is, and what he plans to do next. But, as she listens to Makari’s tale, the Inquisitor soon discovers that the shadow of Ghazghkull’s rage and desire for violence far eclipses anything that the Imperium has ever believed.

Wow, now that was a really fun and captivating read. I knew going into Ghazghkull Thraka: Prophet of the Waaagh! that I was going to have a great time, especially after enjoying author Nate Crowley’s The Twice-Dead King novels, Ruin and Reign, but I was blown away by how awesome Ghazghkull Thraka was. Featuring a clever and wildly entertaining story, perfectly told through various unique eyes, as well as some deeply enjoyable characters, I quickly became absorbed in the impressive story and powered through it in a couple of days. Not only was this my favourite book from Crowley but it also probably overtakes Kal Jerico: Sinner’s Bounty as the most amusing Warhammer novel I have ever read.

I had an absolute blast with the incredible story that Crowley whipped up for Ghazghkull Thraka, as it ended up being an inventive and entertaining way to showcase an iconic Warhammer figure. Due to his prominence within the game and the extended fiction, Ghazghkull is probably one of the most utilised non-human characters in the canon, with many different novels, game books and comics already diving into his life. As such, Crowley needed to come up with a completely new way to examine this great character that didn’t tread on any prior works. I think his solution to this problem was exceedingly clever, as he chose to tell the story through the eyes of the most unlikely narrator and chronicler, the grot Makari, whose unique insights and worldview turned this already known backstory into something truly special.

The story starts off in the current timeline of the Warhammer 40,000 universe and shows Inquisitor Falx obtaining Makari and interrogating him about Ghazghkull. This causes the book to dive back into the early days of Ghazghkull as Makari chronicle his master’s existence as he saw it. As such, you get a very specific examination of Ghazghkull’s life, with a focus on his early trials, some of his pivotal moments, and more specifically his interactions with Makari. At the same time, the story keeps jumping back to the present, with the Inquisitor and her followers interrupting to ask specific questions and discussing whether there is any truth in what he says. The book keeps jumping between these different perspectives, and you end up with two distinctive storylines as Makari’s presence brings some big woes for the Inquisitor in the present day. The chronicle storyline goes at a brisk pace, especially as Makari’s interrogators get him to skip or shorten specific sections, but there is a clever and impressive logic into what parts of Ghazghkull’s life are featured or ignored. Not only are the past and present storylines exceedingly intriguing and entertaining in their own rights, but they also come together perfectly as well, with Makari’s insights into Ghazghkull and himself impacting the actions of Falx. While the ending was slightly too metaphysical, it served as a brilliant and powerful conclusion to this great story, and I loved seeing the entire tale come full circle in some hilarious ways.

I deeply appreciated the way that Crowley put Ghazghkull Thraka’s story together, as its distinctive and clever style really helped to enhance the chronicle contained within. The plot device of an interrogation of an alien prisoner works extremely well to set up the main narrative, and the constant interruptions, debates and revelations that occur whenever it snaps back to the present adds to the sense of mystery and mysticism surrounding the titular figure. While Crowley takes the story in some interesting and complex directions at times, the entire novel is paced beautifully, and there is never a single boring or slow moment within the entire thing. I particularly liked the near constant humour that was injected into the story, a fantastic side-effect of basing the book around the funny ork species, and I laughed out loud several times as I powered through this impressively amusing read. Like many Warhammer novels, Ghazghkull Thraka can be enjoyed as a standalone read, and the author makes sure that it features a great self-contained narrative that anyone can enjoy, even those unfamiliar with the universe and the canon. Indeed, this would be a decent introduction to the Warhammer 40,000 canon and associated extended universe, especially as it perfectly presents one of the key factions of the universe. Most of the unique universe elements and wider history are explained sufficiently for new readers to follow along without any issues, although some could potentially get confused by the deliberate exclusion of events previously covered in other books. Still, Ghazghkull Thraka should turn out to be an easy and entertaining read for any science fiction fan, and I thought that this Warhammer 40,000 novel was very well written and extremely clever.

One of the things I love the most about Nate Crowley’s Warhammer novels is his brilliant ability to dive into the unique alien races of the universe and then perfectly showcase their culture and mindsets. This was the case again in Ghazghkull Thraka, where Crowley expertly dives into the heads of the various ork and grot characters. No matter whose perspective is shown, every scene of this book features some excellent and often highly amusing depiction of greenskin culture, as Makari attempts to explain the ork perspective as well as his place in the society as a grot. As such, you get some incredibly detailed and compelling insights into this crude and warlike race, including their brutal hierarchy, need for violence, insane technology, and very unique worldview, which generally results in most of the book’s fantastic humour. However, rather than the dumb, brutal and one-note figures that most authors depict, Crowley really goes out his way to show that there is a lot more to orks than you realise. Not only do you get some excellent insights into their various clans and organisations but the various ork characters are shown to be complex beings with unique needs and the ability to formulate some very cunning plans. There is a particularly intriguing look at the ork religion that follows the gods Gork and Mork, and this novel ends up with a spiritual edge, especially as Crowley shows the orks being extremely successful because they choose to strongly believe in themselves. As such, you see quite a unique and compelling side to the ork race in this book, and I loved how incredibly Crowley portrayed them.

Naturally, a big part of this examination of ork culture comes from the in-depth look at the life of Ghazghkull himself. As I mentioned before, Ghazghkull is one of the best-known characters in the entire Warhammer 40,000 canon, so most veteran readers would already be quite familiar with him and his actions. However, Crowley does an excellent job of examining a completely new side to this character, and mostly ignores his wars at Armageddon and his intense rivalry with Commissar Yarrick, both of which have been done to death in other books. While certain parts of his history are revisited in this novel, Crowley completely changes their implications and causes, instead focusing on Ghazghkull’s unique orkish mindset and his role as the prophet of his gods. This new take on Ghazghkull proves to be quite unique and very captivating, as he is shown to be an overburdened being, constantly pressured by his own visions and the influence of the gods to succeed and be a uniting force for his people. While he still retains the casual violence of his race, you really see Ghazghkull as a deep thinker, and it is fascinating to see his inner ork face off against his grand ambitions and desires. Crowley also adds some compelling supernatural elements to his character, as Ghazghkull, as seen by Makari, bears a direct connection to the gods which he can use to alter his fellows and himself. While this isn’t too overpowered or strange, it adds a great extra layer of menace to the character, especially for the humans, and I loved seeing the Inquisitors trying to wrap their heads around the strange occurrences. I had a lot of fun seeing this other side of Ghazghkull, and this novel ended up being a great analysis of who they are and what they represent to their race.

I also really enjoyed the inclusion of Makari as one of the central characters, and his use as the main witness to Ghazghkull’s life worked incredibly well. While Makari has always been associated with the character of Ghazghkull, accompanying him in his battles and waving his banner as a source of luck, Crowley really changes him in this novel and paints him as an essential part of Ghazghkull’s success and relationship with the gods. Shown to be there the moment that Ghazghkull became the prophet, Makari follows Ghazghkull through some of his big moments and it is hilarious to see his snide view on the subject, especially as, like most grots, he a massive coward who doesn’t want to be there. A lot of this novel’s humour is derived from Makari’s observations and responses, and I loved some of the jokes set up around it. Crowley does an awful lot with this character, and I particularly liked how the story explained certain aspects of his previous portrayals, such as the apparent multiple versions and his surprising luck. These are worked into the story extremely well, but it’s the relationship with Ghazghkull that becomes the most fascinating. Just like with Ghazghkull, there is a major spiritual edge to Makari, who appears to be just as chosen and important to the plan as his master. Makari’s mystical and religious bond enables him to have a far bigger insight into Ghazghkull’s actions than anybody else, and this really enhanced the analysis of the titular character. However, it is in Makari’s attempts to serve and help his master achieve his destiny that we see the best Makari scenes, especially when faced with Ghazghkull’s apparent depression, the manipulation of his other followers, and his own stubbornness. While Ghazghkull does have the inherent ork reluctance to rely on a grot, and indeed he is extremely likely to kill Makari if he starts giving advice, the moments where Makari get through to him are powerful, and I really appreciated the character work surrounding them. There are some rocky moments between them, especially when Ghazghkull becomes dismissive of his lucky grot, and Makari’s subsequent reactions is very funny and incredibly over the top, which was so very cool. Overall, this ended up being an excellent and surprisingly compelling portrayal of Makari, and I am exceedingly glad that Crowley featured him in this novel the way he did.

Aside from the greenskin characters, a large amount of plot revolves around the team interrogating Makari. Crowley really went out his way to create a particularly unique group of Imperial agents who bear surprising insights into the mind of the xenos. This team is led by Inquistor Falx, a rogue Inquisitor who bears a dangerous obsession with the alien creatures. Falx is desperate to learn everything she can about the aliens attacking the Imperium to help defeat them and finds herself stymied by the Imperium’s controlling and non-progressive government and religion. As such, she takes some major risks in this book to understand Makari and Ghazghkull and has some unique and dangerous methods for achieving her goals that borders on the insane/heretical. I quite liked Falx, despite her obsessive qualities, and she proved to be a great central figure for half the novels plot, especially as her frustrations, concerns and thoughts about the evils of the Imperium, are extremely understandable.

Falx also employs a unique team of interrogators to help her with Makari, including Brother Hendriksen, a Space Wolves rune priest assigned to Deathwatch who has also fallen out of favour with the Imperium thanks to his work with Falx. Hendriksen serves as a beastly and powerful presence on Falx’s team, and he often provides a great counterpoint to the inquisitor in both technique and common sense, often despairing at her more dangerous choices. Crowley’s diverse cast gets even larger with the truly unique character of Cassia, a female ogryn psyker who has grown as smart as a human. This was a fantastic and extremely distinctive addition to the cast, and her surprisingly calm demeanour, which contrasts beautifully with her immense ogryn strength, works perfectly against Hendriksen’s impatience and anger. The final member of the team is probably the most enjoyable, with the ork character, Biter (Bites-Faces-Of-The-Face-Biter-Before-It-Can-Bite). Biter is a member of a Blood Axes mercenary band who have dealings with Falx and who sell Makari to her, remaining behind to interpret Makari’s testimony to the humans. Due to being a member of the Blood Axes, a group who idolise human military culture, Biter is a very distinctive figure, wearing an approximation of a military uniform and appreciating complex tactics and strategy. However, Biter is even more intelligent and cunning than most Blood Axes, and his near human tendencies really stand out, as it is pretty unexpected from an orc. His fantastic reactions, comedic impressions of human behaviour, and determination to antagonise the Inquisitor really make him stand out, and he was an absolute joy to behold. These four interrogators play off each other perfectly during the present-day scenes, and their arguments, discussions and interpretations of Makari’s story give it added depth, humour and impact, especially once they start realising just how valuable their prisoner is. This entire cast was put together extremely well, and I had an incredible time with this unique and enjoyable collection of characters.

Like most Warhammer novels I check out, I chose to grab the audiobook version of Ghazghkull Thraka, which turned out to be such a wonderful and incredible listening experience. Not only did the story absolutely fly by in this format, allowing me to get through its seven and a half hour runtime extremely quickly, but I found that the narrative and descriptions of ork life really popped when read out. However, the best part about the Ghazghkull Thraka audiobook is the outstanding use of narrators. This audiobook has three separate narrators, Kelly Hotten, Paul Putner and Jon Rand, each of whom have some experience narrating other Warhammer audio productions. Not only are each of these narrators quite talented but the way they were featured in this audiobook is extremely clever, with the voice actor changing depending on who is witnessing or telling the events of the book. For example, Kelly Hotten serves as the narrator for the various scenes and interludes where Inquisitor Falx is witnessing Makari’s interrogation, and Hotten does a brilliant job capturing the various players of these scenes, including the Inquisitor, her unique companions, and their orkish interpreter. Paul Putner narrates the various scenes shown directly from Makari’s perspective, and he has a lot of fun in this role, not only capturing the cowardly and sneaky mannerisms of the grot protagonist, but also providing some amusing and deep voices for the ork characters. Finally, Jon Rand has a memorable sequence voicing Brother Hendriksen when he psychically jumps into Makari’s mind and views some of the events occurring, and he gives the character a notable accent and internal growl that fit him extremely well. The jumps between the voice actors were done perfectly and I really loved how it changed up depending on the perspective. All three voice actors did an amazing job with their narration, and their work, plus some fun sound effects here and there, helped to turn this into such an impressive production. Easily the best way to enjoy Ghazghkull Thraka, you will have an incredible time listening to this audiobook.

Nate Crowley continues to shine with another entry in the Warhammer 40,000 universe, with the unbelievably entertaining Ghazghkull Thraka: Prophet of the Waaagh! Featuring a unique and deeply amusing story that re-examines on of the canon’s most iconic alien characters, Ghazghkull Thraka has a tight and cleverly written story, loaded with action, great characters and whole mess of outstanding humour. Not only that, but this is without a doubt one of the best portrayals of the Warhammer 40,000 orks I have seen as Crowley obviously had a ton of fun bringing them to life. Easily one of the best (and definitely the funniest) Warhammer 40,000 novels I have been lucky enough to enjoy, Ghazghkull Thraka comes extremely highly recommended, especially in its audiobook format, and is a must read for all fans of this wonderful fandom.

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Warhammer 40,000: Day of Ascension by Adrian Tchaikovsky

On February 24, 2022March 22, 2023 By The Unseen LibraryIn Audiobook, Extended Universe, Science Fiction, Tie-in Novel, Warhammer29 Comments

Day of Ascension Cover

Publisher: Black Library (Audiobook – 29 January 2022)

Series: Warhammer 40,000

Length: 5 hours and 38 minutes

My Rating: 4.5 out of 5 stars

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Legendary science fiction and fantasy author Adrian Tchaikovsky has arrived in the Warhammer 40,000 universe with the awesome and clever novel, Day of Ascension, a deadly and wildly entertaining read that sets two brilliant factions against each other.

2022 has so far proven to be an amazing year for Warhammer fiction, with several impressive novels already released, including Steel Tread by Andy Clark and The Twice-Dead King: Reign by Nate Crowley. However, the Warhammer 40,000 novel I have been most excited for is Day of Ascension, an awesome and unique read written by acclaimed author Adrian Tchaikovsky. Tchaikovsky has been wowing science fiction and fantasy audiences for years, producing several impressive novels across various genres. Not only has he written some fantastic standalone novels but he also produced highly regarded series, such as the Shadows of the Apt and Children of Time books. I have really liked the sound of his cool novels, but I had not had a chance to read any of them yet. Once I saw that Tchaikovsky was contributing to the extended Warhammer 40,000 universe, I knew that this would be the year I finally read something from him. Day of Ascension is Tchaikovsky first full novel in the Warhammer universe (he previously wrote the short story Raised in Darkness), and I was deeply impressed by the brilliant and captivating story he came up with.

On the forge world of Morod, the life and soul of every human belongs to the Adeptus Mechanicus, the Imperial machine cult who provide the armies of mankind with their weaponry and war machines. However, while the tech-priests of the Adeptus Mechanicus live in comfort and prosperity, constantly delving into the secrets of the machine, the common people of Morod have been worn down by millennia of servitude, exploitation and conscription, doomed to either die young in the mines and foundries or be turned into mindless mechanical soldiers. In their grief and anger, the civilians of Morod have turned to a new faith that offers salvation from the harsh rule of the Mechanicus, although that devotion comes with a dark price.

In the hierarchy of Morod’s Adeptus Mechanicus, Genetor Gammat Triskellian is considered a joke due to his focus on improving the flesh rather than replacing it with machinery. Constantly overlooked by his superiors and given the most menial of tasks, Triskellian looks to find a way to advance his research and end the corruption he sees holding the order back. When he uncovers a particularly interesting genetic strain in the populace of Morod, he thinks it could be the answer to all his prayers, one that could enhance his science and revolutionise the advancements of his order.

Digging further, he finds evidence of an unusual and twisted religious congregation operating throughout the planet, preaching rebellion and the destruction of the tech-priests, while awaiting the return of long-gone angels who will turn the planet into a paradise. Seeking to use this congregation to his own advantage, Triskellian captures young, idealistic infiltrator Davien to find out more about her mutated family. But as his plans begin to come into effect, Triskellian is about to discover that not everyone is meant to rule, and that the forces he seeks to control are far more dangerous and hungrier than he could possibly know.

What an epic and impressive read! Tchaikovsky has dived into this franchise with great relish, producing an exceptional and powerful piece of Warhammer 40,000 fiction that is not only exciting and action packed, but also extremely thought provoking as the author examines some of this universe’s most complex and intriguing factions.

I had a lot of fun with the incredible story contained within Day of Ascension, as Tchaikovsky takes the reader on an intense and dark journey. The main premise of this book is a fun one: what if an ambitious Imperial tech-priest attempts to utilise the deadly power of a Genestealer Cult for his own machinations? The answer: absolute chaos as an entire world implodes in the fires of revolution, destruction and religious zeal. This was a great story that Tchaikovsky sets up brilliantly in the early stages, quickly introducing the corrupt world of Morod, the choking hierarchy of the Adeptus Mechanicus, and the malignant underlying Genestealer Cult attempting to manipulate events from the shadows. After this great introduction, the remaining story happens at a very fast pace, especially as this overall novel is fairly short (193 pages, or just over five and a half hours on audiobook). The political and scientific intrigue of point-of-view character Triskellian runs straight into the revolutionary aspirations of the Genestealer Cult’s Davien with the expected destructive results. I loved the brilliant clash of styles that occur between these two groups, and all the betrayal, manipulation and alien influences melds perfectly with the non-stop action and revolution. This quickly leads up to a destructive and powerful conclusion that I deeply enjoyed and will leave you reeling in multiple ways. There were some absolutely amazing twists towards the end, and I loved the resultant terrifying consequences to the wider universe which were really cool and deliciously ironic. Tchaikovsky ends everything on a captivating and dark note which will leave readers extremely satisfied after getting engrossed in the impressive story. This is an epic narrative that drags you right into the very heart of the worst parts of the Warhammer 40,000 universe.

I really must commend Tchaikovsky’s first dive into the Warhammer 40,000 universe as the author has a noticeable appreciation for this franchise and canon. I loved how he expertly focused the story on two particularly sinister factions within this universe, while also making excellent use of an Imperial Forge World as the main setting of this book. The two main factions of this novel are the tech-priest of the Adeptus Mechanicus and an undercover Genestealer Cult, the dangerous human/alien hybrids who act as infiltrators and forerunners of the Tyranids. Tchaikovsky ensures that the reader gets an exceptional and detailed look at both factions, and you are soon immersed in their lore, politics, and motivations, which is just so fascinating. There are so many cool things about this, from the unique interactions of the cybernetic tech-priests and the mechanical soldiers to the slow infiltration and incorporation of the Genestealers who spark revolution throughout the planet. However, the best thing about this is the way in which Tchaikovsky’s expertly showcases one of the most inescapable facts of the Warhammer 40,000 universe: there are no actual good guys here; just self-serving fanatics with their own terrible agendas formed from a universe constantly at war. This is so brilliantly highlighted in the fact that halfway through the book you find yourself on the side of the alien infiltrators, who are taking advantage of the terrible conditions on Morod to spark a revolution. However, no matter how beneficial and beatific they may appear, preaching about angels and the better days ahead, there is still an amazing sinister edge to them, especially if you know what horrors they are actually referring to. I loved how brilliantly these two unique and corrupt Warhammer factions are played off each other, and it proves to be an excellent background to this awesome novel.

Like most Warhammer tie-in novels, Day of Ascension is probably best enjoyed by those fans of the franchise, especially as Tchaikovsky looks at some obscure and unique parts of the canon. While maybe a little too-lore heavy to serve as the best introduction to the Warhammer 40,000 universe, I felt that this is an easy enough book for new fans to get into, especially if they are established science fiction fans. Tchaikovsky ensures that the various story elements feature the right amount of detail and I the various factions are introduced extremely well especially to new readers. I do feel that readers who don’t quite understand what the Genestealers and their Tyranid masters are might not get the true horror of this book and its conclusion, and I personally enjoyed the novel more because I knew what the true nature of the Genestealer’s plans were. However, new readers probably will get the full benefit of this as it is made pretty clear from the context. As such, I would probably recommend this to both established Warhammer fans and general science fiction readers, especially if they have enjoyed Tchaikovsky’s writings in the past, and I know a lot of people with have a great deal of fun with this.

I deeply enjoyed the cool and over-the-top characters featured throughout Day of Ascension, especially the main two characters, Triskellian and Davien, who act as the point-of-view characters for the novel. Both are fantastic figures who are fully enveloped in the massive machines of their organisations, whether they like it or not, and who spend much of the book trying to battle what they see as their oppressors. As such they form a brilliant tandem of opposing views, which perfectly shapes the morally grey nature of the narrative and makes it very unclear which one of these inherently terrible people you should be rooting for. I particularly liked the character of Triskellian as the author envisions him as a thoroughly underappreciated middle management figure who is ignored and ridiculed by his superiors who fail to understand his work. This constant mistreatment causes Triskellian to snap in this novel and he starts doing some darker deeds to gain what he believes is rightfully his. I loved seeing this brilliantly portrayed figure, who will be clearly understood by anyone whose worked under an idiot boss, slowly slip off the deep end and attempt to use an evil alien cult to fulfil his objectives. This character has some amazing moments, and it was so much fun seeing him try to manipulate events around him, only to be surprised that nothing goes to plan. I also found his focus on genetics and biology to be quite fascinating, especially for a tech-priest, and his obsession with alterations on the flesh ended up having some intriguing parallels with the objectives of the Genestealer cult.

Davien, on the other hand, is an oppressed member of Morod’s population who acts as an infiltrator and spy for the Genestealer Cult she is a part of. Frustrated by the slow pace of the promised revolution and the eventual appearance of their “saviours”, Davien has some outstanding scenes throughout Day of Ascension as she tries to save her loved ones from the machinations of the tech-priests. Her rise in status and closeness to the powers that guide her family occur at the exact same time that she starts to have doubts about her organisations purpose, and the subsequent internal battle is extremely powerful and captivating, especially if you know just how right she is to be worried about the future. Davien goes through a lot of growth, and it is fascinating to see what happens during her character arc, especially when it comes to her interactions with Triskellian and the influences of the beings guiding the cult. Day of Ascension also has several great supporting characters who get their moments to shine throughout the book. While most of them are a bit over-the-top in their appearance and personality, they prove to be very entertaining and I loved the outrageous and mechanically deformed highly ranked tech-priests who so badly enrage the protagonists. There is a particularly good twist surrounding one of the minor support characters that I thought was extremely brilliant, especially as there is some subtle set up for it earlier on, and it results in an outstanding ending for the entire book. An overall excellent cast of characters make this shorter Warhammer novel really shine.

Just like most of the Warhammer novels I have had the pleasure of reading, I chose to check out Day of Ascension in its audiobook format, which was an impressive and enjoyable experience. As I mentioned above, this audiobook has a very short runtime and you can quickly power through it, especially once you get stuck into the intriguing and clever story. I deeply enjoyed how this format enhanced this great narrative, and it was a lot of fun to hear all the chaos and destruction being read to you. I must commend the narrator of Day of Ascension, actor Harry Myers, who did an exceptional job here. I loved Myers’ great voice, which at times strongly reminded me of Stephen Fry, which is a definite plus. Myers really dives into the various characters here, and I loved the brilliant edges he gives to them, especially the main character Triskellian. You can really sense Triskellian’s frustration, ambition and internal outrage as the events of the novel proceeds, and this helps you to get into the mind of this entertaining figure. An extremely cool way to enjoy Day of Ascension, I would strongly recommend this format to anyone interesting in checking out this great Warhammer 40,000 novel.

With this clever and exciting novel, Adrian Tchaikovsky has a brilliant debut in the Warhammer 40,000 universe. Day of Ascension is an epic and intriguing novel that takes a fascinating look at two exceptional factions from the Warhammer canon and brings them together in a dark and entertaining battle of wills and manipulation. Containing a tight, addictive story, some great characters, and a deep examination on some of the best parts of the Warhammer 40,000 universe, Day of Ascension is an outstanding read. I really hope that Tchaikovsky writes more Warhammer fiction in the future as he absolutely killed it here.

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