Quick Review: Black Canary: Breaking Silence by Alexandra Monir

Black Canary - Breaking Silence Cover

Publisher: Listening Library (Audiobook – 29 December 2020)

Series: DC Icons – Book Five

Length: 8 hours and 29 minutes

My Rating: 4 out of 5 stars

Prepare for a bold new story featuring the iconic DC Comics character Black Canary in Black Canary: Breaking Silence by Alexandra Monir, the fifth compelling book in the DC Icons range.  The DC Icons books are a fantastic collection of unconnected young adult tie-in novels that show unique and entertaining new non-canon teenage origin stories of some of your favourite DC Comics characters, including Wonder Woman and Batman.  I have previously read a couple of the books in this fun series, such as Catwoman: Soulstealer by Sarah J. Maas and Superman: Dawnbreaker by Matt de la Pena, both of which were great reads that did an amazing job bringing their characters to life.  I actually thought that this series finished after four books, so I was very surprised when Breaking Silence came out late last year.  However, the moment I saw it was out, I made sure to grab a copy and had an interesting time reading it a little while ago.

Synopsis:

THE HANDMAID’S TALE meets the DC universe in this breathtaking, thrilling origin story of Black Canary. Her voice is her weapon, and in a near future world where women have no rights, she won’t hesitate to use everything she has to fight back.

Dinah Lance was seven years old when she overheard the impossible: the sound of a girl singing. It was something she was never meant to hear—not in her lifetime, and not in Gotham City, taken over by the Court of Owls. The sinister organization rules Gotham as a patriarchal dictatorship, all the while spreading their influence like a virus across the globe.

Now seventeen, Dinah can’t forget that haunting sound, and she’s beginning to discover that her own voice is just as powerful. But singing is forbidden—a one-way stop to a certain death sentence. Can she balance her father’s desire to keep her safe, a blossoming romance with mysterious new student Oliver Queen, and her own desire to help other women and girls rise up and finally be heard? And will her voice be powerful enough to destroy the Court of Owls once and for all? 


Breaking Silence
turned out to be an excellent tie-in novel that did a fantastic job capturing the character of Black Canary and placing her in a unique situation.  This was the first novel that I have read from author Alexandra Monir, an Iranian-American author who has written several intriguing young adult novels, including her Timeless and The Final Six series.  I ended up getting through this novel very quickly and I had an amazing time listening to its clever and enjoyable tale.

This book’s story starts off quick and fast, establishing the new setting of a futuristic, dystopian Gotham city, where the villains have won and the population, particularly the women, are oppressed and terrified.  Into this setting is inserted a teenage Dinah Lance, who has lived her entire life in the Court of Owls dark and tyrannical shadow.  Desperate to rebel, especially after seeing friends and family victimised by the Court, Dinah finds her inner strength, as well as some mysterious vocal powers, which allow her to fight back in her own way.  This results in an intense and exciting central part of the novel, as Dinah tries to hide her rebellious streak from the Court’s followers, while slowly coming to terms with who she is.  At the same time, she enters into a risky relationship with the glamorous new student at her high school, Oliver Queen, whose family are heavily connected to the Court of Owls.  This all leads up to a thrilling conclusion when Dinah and her friends need to find a way to stop the Court’s most despicable plans and find a way to stop them for good.

I quite enjoyed the cool story contained within Breaking Silence and it was very easy to get addicted to.  I loved the excellent blend of established DC lore with a patriarchal dystopian dictatorship, and it resulted in an excellent tale of resistance and rebellion against a cruel authority.  Monir does a lot within this one novel, not only introducing a unique and compelling new period of DC lore but also setting up a great heroic origin tale that showcases the protagonist’s defining adventure.  The pace of Breaking Silence is very fast, and readers end up moving through the narrative extremely quickly.  The author has set up an intriguing blend of action, suspense, and teen drama, which results in a compelling and moving narrative.  There are several great twists scattered throughout the book, as well as clever references to the main DC comics, although anyone familiar with the DC canon in any way will know that Oliver Queen is no threat to Dinah, despite the constant hints to the contrary.  I did find the ending a little sudden and underwhelming, which slightly tanked my overall opinion of the book, but this was still a great and enjoyable novel that will appeal to a wide base of readers, including both the young adult market and older established fans.

I have to say that I was rather impressed with how Monir took the background of the Black Canary character and adapted it to a completely new setting.  While some substantial character elements are changed to fit the dystopian setting, the author still utilises or alludes to many key details from the comics to great effect.  As a result, you get a fantastic version of the martial arts using, canary cry wielding, strong-willed hero, who is damaged and withdrawn after years of oppression due to her gender.  I loved how Monir managed to rework several other iconic DC characters to fit around the younger Black Canary, and you get to see several different versions of characters essential to the Dinah Lance Black Canary mythos, including Oracle, the original Black Canary, and Lady Shiva.  I also liked the clever rework of the Black Canary/Green Arrow relationship into a typical teen romance storyline which fit the young adult nature of this book perfectly.  Monir makes sure to highlight the importance of music to the character, something that is particularly emphasised in some of the more recent Black Canary comics where she is a bit of a punk rocker, and which is re-worked here to help the character sing some anti-Court propaganda songs.  Fans of Black Canary and DC Comics are going to have fun seeing all the clever references and unique alterations to the hero and her associates, and I really liked Monir’s version of the character.

Easily one of the most intriguing and distinguishing features of Breaking Silence is the extra dark and sinister version of Gotham City that the story is set in.  This is a futuristic Gotham City where Batman is long dead and the ruthless Court of Owls, have taken control and have instituted a fascist, patriarchal regime.  There are some many amazing and horrifying elements to this setting, and it was clear that Monir was trying to combine a The Handmaid’s Tale inspired society with the iconic and dark comic setting of Gotham.  I think that this unique combination worked extremely well, as this dystopian Gotham is a pretty sinister place, with a disturbing and horrifying anti-female agenda.  Monir masterfully crafts together several great scenes and sequences that highlight how women are oppressed, including one shudder-inducing scene where a school doctor gets his kicks “examining” the female students to see if one of them is the Black Canary.  I felt it was interesting that one of the tyrannies that much of the plot revolved around was a forced biological ban of women singing, to limit their ability to raise their voices in protest.  Monir covers this oppression extremely well, and cleverly examines the psychological and emotional impact that the removal of singing could have on already oppressed women.

I very much liked the author’s use of the Court of Owls as the main antagonists.  The Court of Owls are a fantastic group of villains who are a relatively recent addition to the Batman canon (introduced in the Batman comics in 2011, frankly one of the few good things to come out of the New 52).  The Court are a secret society made up of the wealthy elite of Gotham who secretly control the city from shadows and fight to keep the wealthy in power and the poor oppressed.  Monir transitions this group perfectly into a patriarchal organisation who take power after Batman’s death, killing all the other heroes with their ruthless powered enforcers, the Talons.  There are some great parallels between the Court of Owls and right-wing groups like the Nazi Party, and I think that the author did a great job reutilising them for her story.  The Talons also prove to be a particularly dangerous group of opponents for the protagonist and her allies, and it was a lot of fun to see Black Canary attempt to take them down with her fighting skills alone.

Black Canary: Breaking Silence is an excellent fifth novel in the DC Icons range, producing an amazing story that did the Black Canary proud.  Alexandra Monir’s tie-in novel presents a unique and powerful tale that places a teenage version of the character into a dangerous and oppressive version of Gotham City.  With a very intriguing setting and fantastic narrative loaded with revolution and inner-strength, Breaking Silence is a fantastic read with some real heart to it.  A strongly recommended read, especially in its great audiobook format which is narrated by Kathleen McInerney (who did a great job inhabiting the central role of Black Canary), Breaking Silence is your new young adult superhero obsession.

The Two-Faced Queen by Nick Martell

The Two-Faced Queen Cover

Publisher: Gollancz (Audiobook – 25 March 2021)

Series: The Legacy of the Mercenary Kings – Book Two

Length: 20 hours and 6 minutes

My Rating: 5 out of 5 stars

Following his epic 2020 debut, one of the fastest rising stars in fantasy fiction, Nick Martell, returns with the second entry in his The Legacy of the Mercenary Kings series, The Two-Faced Queen.

Last year I was lucky enough to listen to a copy of Martell’s incredible first novel, The Kingdom of LiarsThe Kingdom of Liars was a gripping and impressive fantasy read set in Hollow, a crumbling city surrounded by an army of rebels, which followed the misadventures of the infamous Michael Kingman.  Michael is the scion of the legendary Kingman family, a noble clan of heroes and leaders who have guided Hollow for generations, serving as both supporters to the royal family and a check on their power.  However, the legacy of the Kingman family has been severely tarnished in recent years as Michael’s father was executed for the murder of the heir to the throne.  With their family disenfranchised, Michael grew up as an outcast in his own city, acting out against authority.  This changed when a chance encounter allowed him to investigate who was responsible for his family’s downfall and the death of the prince of Hollow.  While he was eventually able to discover the true murderer, his investigation also resulted in the King’s suicide, which subsequently saw him tried for regicide and sentenced to death.  The end of the book saw him manage to escape his execution, while also setting up several of the storylines for future entries in the series.  I deeply enjoyed the cool story of this first entry in The Legacy of the Mercenary Kings, and The Kingdom of Liars ended up being one of my favourite novels, audiobooks and debuts of 2020.  As a result, The Two-Faced Queen was one of my most anticipated reads of 2021.

Michael Kingman is a dead man walking.  Still accused of killing the King of Hollow, Michael is now under the protection of the Orbus mercenary company, serving as an apprentice under the mysterious mercenary Dark.  However, even with Orbus’s protection, everyone in Hollow still wants to either kill him or use him for their own dark ends.  The deadliest of these is the one person Michael is sworn to protect above all others, the heir to the throne, Princess Serena.  After spending years away, a vengeful Serena has returned to claim her throne and end Michael’s life.  Wielding great power, a lethal attitude and holding the keys to Michael’s heart, nothing will stand in the way of her wrath.

To restore his family’s position, save his home and convince Serena of his innocence, Michael needs to unravel the various conspiracies that have encircled Hollow and uncover the true motivations of the various power players in the city.  However, to succeed, Michael is forced to go up against a magnitude of foes, from the Corrupt Prince, the unhinged Rebel Emperor besieging the city, enraged royal guards, conspiring nobles, a scheming immortal, an insane serial killer, dangerous assassins and his former foster father, the man responsible for all his family’s ills.

But the more Michael attempts to understand Hollow’s hidden past and the dangerous plots surrounding his city, the more it becomes apparent that his is a mere pawn in a very dangerous game.  Immortals, monsters and mercenaries are all present in Hollow, and each of them has their own nefarious designs for Michael and his family.  Can he save everyone he loves before it is too late or has the Kingman family finally breathed its last?  Michael’s rise to become a Mercenary King continues, but who will truly wield power when the dust settles?

Now that was one hell of a sequel!  Martell absolutely crushed this second entry in this outstanding and exceptional fantasy series, producing a five-star novel that is extremely compelling, intense and so damn exciting.  I was absolutely enthralled with this book the moment I started listening to it and I loved every second.  The Two-Faced Queen is easily one of the best books I have read in 2021 and I think that any other fantasy novel coming out this year is going to be extremely hard-pressed to outdo it.

Martell has come up with a pretty incredible and intense narrative for The Two-Faced Queen, one that proves to be extremely addictive and insanely good.  Starting shortly after the events of The Kingdom of Liars, this novel starts fast and hard, with Michael following up on a number of storylines and revelations from the previous novel.  There is already so much going on right from the start of the novel, as the protagonist finds himself surrounded by enemies and conspiracies, both old and new.  While several secrets were revealed at the end of the first novel, there is still so much that Michael needs to understand.  However, as he attempts to learn these additional secrets, he must also try to avoid the deadly attentions of his beloved princess, end the rebellion plaguing the city, restore his family, defy a dangerous immortal, and make up with his betrayed friends.  While this is already a substantial amount of story, Martell keeps adding to it, as Michael also soon encounters a deadly assassin with a contract on him, and a deranged and unnatural serial killer.

While this may seem like too many story elements for one novel, it actually works extremely well, and the reader quickly becomes engrossed in Michael’s various adventures throughout the city.  I loved the inclusion of the serial killer storyline, as not only does it add some fantastic mystery elements, but it also proves to be a gateway to some intriguing world building, revealing more of the dark, immortal forces manipulating events from the shadows.  This storyline also results in several epic action scenes that place the protagonist and his friends in mortal danger from some unusual foes.  I had an outstanding time getting through this complex and well-constructed narrative, especially as every single scene has an intriguing revelation, intense character development or subtle clue to the future of the series.  Several key mysteries and secrets from the first novel are answered, partially or wholly, in this novel, although many more are introduced.  This really helps to keep the reader’s attention focused on The Two-Faced Queen’s plot, and I am not exaggerating when I talk about how addictive the secret-ridden narrative proves to be.  Readers are hammered with large amounts of lore and history in places, so I would recommend reading the first novel in the series, The Kingdom of Liars, before reading this book, although binge-reading this series is hardly a chore.  Overall, The Two-Faced Queen’s narrative is epic story writing at its best, and readers will love this terrific tale.

I absolutely must highlight the awesome and well-developed characters featured within The Two-Faced Queen.  The most prominent is series protagonist Michael Kingman.  Michael is an intriguing and distinctive figure through whose eyes most of the plot unfolds.  I have to admit that Michael was not my most favourite character in the first book, mostly because of his impetuous nature and selfish behaviour at times.  However, it was revealed that the reason for some of his annoying behaviour was due to some magic affecting his memories and personality.  As a result, Michael’s behaviour is substantially changed in The Two-Faced Queen and he comes across as a more considerate figure in this book.  He still has quite a few flashes of recklessness and stubbornness, but many of the rougher edges from the first novel are worn away here.  Still, a lot of people call Michael out for his crap in this book, including his friends and family, and it was great to see him finally heed their words.  There was also some additional exploration of how Michael deals with the legacy of being a Kingman; he is forced to live up to some big expectations.  There is a rather good scene where Michael is exploring the crypt of his ancestors with some of his friends, describing why some of them are famous and others are considered failures because they never achieved anything remarkable but just lived a normal life.  Seeing this, Michael’s friends, both of whom have been some of his greatest critics, start to understand just how much pressure he is under.  I really appreciated the way in which Martell continues to develop his protagonist, and it will be very fascinating to see how Michael’s story continues in the future novels.

Aside from Michael, there is an impressive collection of interesting supporting characters, each of whom have some fascinating storylines, as well as secrets or details from their past which helps to move the story along.  They also have their own motivations and plans to shape Hollow and the rest of the world to their advantage, which results in additional plots and conspiracies that the protagonists have to overcome.  The most prominent supporting character is probably Serena, the titular Two-Faced Queen.  Serena is Michael’s childhood friend and the royal he was sworn to, meaning that he was always destined to be her protector, advisor, and conscience.  However, after the death of her brother and Michael’s family were declared traitors, their relationship effectively ended.  Now returned, Serena is determined to destroy Michael for the apparent murder of her father, even if it leads to her own ruin.  The novel starts up with Michael visiting Serena only to find that she has hand-dug a grave for him, showing her resolve for killing him.  This forces Michael to attempt to change her mind, which is no easy prospect, and results in great calamity.  Naturally, these two characters share thorny romantic feelings for each other, which complicates Michael’s plans to stay alive, as Serena is a major blind spot in his defences.  Their entire joint character arc in this novel is extremely good, and I really appreciated the author’s take on their complex relationship.

Another key character is Dark, Michael’s mercenary master, who, aside from having his own mysterious past and motivations, is the son of Michael’s nemesis, Angelo Shade.  Due to Michael and Dark working together closely, the protagonist learns several of Dark’s secrets, especially those related to his troubled childhood and his encounters with the Heartbreaker serial killer.  While you don’t learn everything about Dark’s past in this novel (Martell is the master of dolling out just enough character detail to keep you interested, while also keeping plenty back for future novels), you do find out quite a lot, and what is revealed is extremely memorable.  Dark has a real dark side to him, no pun intended, and while Michael initially believes that Dark is his ally, he is soon faced with the possibility that he might have placed all his trust in a monster.  This results in a very interesting mentor/student relationship between the two, filled with much conflict and mistrust.  I really enjoyed learning more about Dark in The Two-Faced Queen, and it will be fascinating to see how the rest of his story unfolds in the future.

Other intriguing characters in this novel include Michael’s best friend Trey, who is attempting to forge his own path and take down both the nobles and the rebels, even if this leads him into conflict with Michael.  Trey has a fantastic arc as dangerous antihero in this book, taking control of the city’s criminal element in order to protect its citizens.  While a lot of his hostility towards Michael has ended, Trey and the protagonist still have a strained relationship, although Trey does go out of his way to help his friend.  Despite their friendship, it is clear that there is a major schism between the two planned in the future, which no doubt will result in all manner of pain and regret.  The ruthless immortal Charles Domet is still a firm favourite of mine, and it was fun to see his attempts to manipulate Michael, especially as Michael is now well aware of his true nature.  There are some interesting hints to Domet’s past in this novel, and he is clearly working up to something big.  The ambitious social climber Naomi also returns, although now she is suffering from a bad drug addiction which makes her even more entertaining, especially as she decides to torment Michael through embarrassment.  I also quite liked the expanded use of the chronicler, Symon.  Symon, who is determined to record and analyse every secret of Michael and his family, has taken to stalking them by living at the Kingman family home, and it is always entertaining to see his take on the events occurring before him.  He ends up actually narrating several interludes in The Two-Faced Queen, which are laid out as parts of his in-novel chronicles as part of a very clever and amusing supplement to the main story.  Symon really endeared himself to me in this novel, especially after his insulting descriptions of Michael in his proposed history book, and I deeply appreciated his increased presence.

I honestly could go on and on about the various characters featured within this novel; indeed, I have only just scratched the surface of the support cast in the paragraphs above.  However, it is more than clear that Martell does an excellent job in introducing and developing complex characters, and I loved the detailed and intriguing depictions of them throughout the novel.  Nearly every character featured within The Two-Faced Queen gets at least one big moment, and there are plenty of revelations and compelling backstories that are really cool to uncover.  I will say that you should probably not get too attached to the characters; however, I am very much looking forward to seeing what happens to each of the survivors, especially as Martell has set up some deeply captivating and powerful character arcs around them.

In addition to the fantastic story and amazing character work, Martell has also invested a lot of time in expanding his enthralling fantasy world.  The first entry in The Legacy of the Mercenary Kings did a great job setting up the key elements of Hollow, such as the noble families, the people of the city and the various problems they faced.  This unique setting of a besieged city filled with scheming nobles and set on a world where pieces of a shattered moon fall to the ground was so cool, and The Two-Faced Queen continues to expand on these previous elements, while also adding to the history and geography of the city and its surrounding nations.  Not only do you learn of several outside nations and locations but you also get to see how the key characters of this novel, or their ancestors, have impacted them, as well as the various dangers these realms represent.  However, some of the most substantial world-building revolves around some of the unusual creatures residing in this world, including a range of dangerous and destructive immortal creatures.  In the previous novel we only encountered one immortal (that we knew of), whose plots and schemes were a major part of the book’s plot.  This second novel, in contrast, is loaded with many more immortals, each of whom has their own unique abilities and plans for the world.  Martell introduces the lore around these immortals extremely well, and their various traits and schemes are worked into the plot extremely well.  It sounds like we are going to encounter a whole raft of intriguing and monstrous immortals in the future of this series, and I am very much looking forward to seeing what happens there.  The next book also looks like it will be set in a whole new location, and I will be extremely intrigued to see how that impacts the narrative.

One particular bit of world-building that I really enjoyed was the excellent expansions of Martell’s unique magical system.  The main magic of Hollow is known as Fabrication, which allows its users certain control over certain elements or phenomena at the cost of their own memories.  This is a really cool magical system, and Martell uses it to great effect throughout his novels, ensuring that there is all manner of destruction and manipulation throughout the narrative.  The Two-Faced Queen features multiple new Fabrication types, as Martell introduces unique Fabrications throughout the story, including several that even the protagonists have never heard of.  Examples include a particularly dangerous telekinetic Fabrication, which forces everyone to their knees (perfect for its user), while I was also very impressed with the disturbing blood Fabrication that one of the supporting characters pulled out.  In addition, Martell also introduces some different forms of magic from some of the other countries in his fantasy world.  While you only get to see one or two of these new magical abilities, they are still fun to see and they stand as an intriguing counterpoint to the already established magical abilities.  It looks like Martell is setting up some sort of mystery around the origins of all these different powers and it should prove pretty interesting to see how that turns out.

Martell also does an incredible job fitting the downsides of this magical Fabrication into the plot, as several characters experience memory loss, which affects their plans, reactions and relationships.  This is most obvious in Michael; as narrator, he loses several days of his life, resulting in him being unaware of plans he puts into motion or certain secrets that he learnt in these missing days.  Because the reader does not see these missing pieces of time either, this adds an extra amount of mystery and uncertainty into the narrative, as you try to work out both what is being deliberately hidden from Michael and what he has simply forgotten.  These bigger lapses in memory are a fantastic part of The Two-Faced Queen’s narrative, and it helps to make the flow of this book unique and compelling.  However, you also have to appreciate some of the smaller examples of memory loss throughout the book, some of which are quite heartbreaking in nature as the characters forget elements of their friends and families without realising it.  There is one extremely poignant scene in which Michael confesses to forgetting something very important to him, with the reader only then realises that a certain normal-sounding character description was evidence of memory loss all along.  Some of these subtle details are really impressive, and I deeply enjoyed seeing the hurtful side effects of this magical system.

To enjoy this awesome book, I ended up grabbing its audiobook format, mainly because I had such a great time listening to the first novel.  There were actually two audiobook versions of The Two-Faced Queen, and I ended up grabbing the Joe Jameson narrated version.  Jameson is a fantastic audiobook narrator who has previously lent his voice to amazing fantasy novels like King of Assassins by RJ Barker.  I loved his narration for The Kingdom of Liars last year and I was really keen to continue to listen to him in this sequel.  Jameson has a great voice for this complex fantasy read, and you swiftly become enthralled by the way he narrates the events occurring, as well as the fantastic voices he comes up with for his characters.  All the characters are given a unique voice in a variety of different accents, and each of them really helps to capture the character’s emotions and personality perfectly, whether it is the constant confusion and hurt in Michael, the raging anger of Serena, the cold menace of Dark or the calculating and manipulative voice of Charles Domet.  All this voice work is perfect and spot on and I really appreciated the effort that Martell put into this book.  Despite its runtime of 20 hours, I got through this audiobook in no time at all and I honestly wished it was a lot longer by the end.  This was another outstanding audiobook, and this format comes highly recommended to anyone interested in this fantastic novel.

With this epic and captivating second novel, Nick Martell has cemented his position as one of the best new fantasy authors out there.  The Two-Faced Queen was absolutely incredible, and I loved the complex and addictive story, set in a unique fantasy world.  There are just so many cool elements to this awesome novel and it really does not take long for the reader to become hooked on every single mystery, secret and hidden past that Martell features within this great read.  I cannot wait to see what happens next in this series, but it is already perfectly clear that The Legacy of the Mercenary King books are going to be one of the defining fantasy series of the next few years.

The Two-Faced Queen Cover 2

Star Wars (2020): Volume One: The Destiny Path by Charles Soule and Jesús Saiz

Star Wars (2020) - Volume 1 Cover

Publisher: Marvel Comics (Paperback – 10 November 2020)

Series: Star Wars (2020) – Volume One

Writer: Charles Soule

Artist: Jesús Saiz

Colour Artists: Arif Prianto, Jesús Saiz, Rachelle Rosenberg and Dan Brown

Letterer: VC’s Clayton Cowles

Length: 136 pages

My Rating: 5 out of 5 stars

The next stage of the Star Wars comic universe continues as Charles Soule, Jesús Saiz and their team of talented artists present the first volume of the Star Wars (2020) series, The Destiny Path.

Star Wars (2020) #1 Cover

Shortly after the Disney buyout of Star Wars and their subsequent creation of a whole new canon, Marvel Comics started to develop a new range of Star Wars comics.  While there were several great series, limited series and standalone comics set during various periods of Star War history, the main series were set between the events of A New Hope and The Empire Strikes Back.  These key comics, which included the Star Wars (2015), Darth Vader (2015) and Doctor Aphra (2016) series, did a fantastic job of filling in the gaps between these two films and presenting readers with some clever and unique adventures.  All these series came to an end in late 2019, with their plots coinciding with the start of events from The Empire Strikes Back.  In the wake of their cessation, Marvel announced four new Star Wars comic series that would take their place (after suffering some pandemic-related delays), set in the aftermath of The Empire Strikes Back.  While I have already looked at some of these comics, including the first entry of the Darth Vader (2020) series, I think it is time that I explored the flagship series of this new run of comics, the Star Wars (2020) series.

The Star Wars (2020) series will explore what happens to the main cast of protagonists after the events of The Empire Strikes Back and is set in the year or so between that film and Return of the Jedi.  This looks set to be a long-running series that will not only tell its own tale but will tie in to the events of the other current comics, probably resulting in some crossovers.  This first volume, The Destiny Path, contains issues #1-6 of the Star Wars (2020) series and serves as an excellent and compelling introduction to the rest of the series.

Star Wars (2020) #2 Cover

Following the battle of Hoth, the Rebel Alliance is in disarray.  With their fleet scattered around the galaxy and the might of the Empire reigning supreme, these are the darkest days the Rebellion has ever faced, especially as the Empire appears to have found a way to locate their ships and hiding places.  The hope of the entire Rebel Alliance may lie in the hands of its greatest leaders and heroes, but, after the events on Bespin, even these shining beacons of rebellion have been damaged beyond recognition.

With Han Solo captured by the Empire and handed over to the bounty hunter Boba Fett, those on the Millennium Falcon are dispirited and lost.  However, finding a Rebel cell under attack prompts them into action.  Despite missing the man she loves, Princess Leia is determined to rescue him and revive the Rebel Alliance by any means necessary.  At the same time, reluctant Rebel recruit Lando Calrissian attempts to make himself useful, despite mistrust from everyone around him.  Finally, Luke Skywalker, after losing a hand and finding out the horrible truth of his parentage is in shock.  Worse, his meeting with Vader appears to have damaged his connection to the Force, and neither of his masters will appear to talk to him.

Star Wars (2020) #2 Cover2

As the Rebel Alliance seeks a way to survive, each of these players, with the help of Chewbacca, C-3PO and R2-D2, begin the next stage of their journey.  As Luke seeks a lightsaber, Leia looks to find a way to save Han and Alliance, while Lando looks for redemption in all the wrong places.  All their journeys lead the back to the scene of one of the worst moments of their past, Bespin.  But how far will Luke, Leia and Lando go to achieve their goes, and will they be able to survive the dangerous enemies chasing them?

This is an outstanding and intense Star Wars comic that does a wonderful job of setting up a brand-new series of exciting adventures.  Charles Soule, who has written some of the best Star War comics out there, creates an exceptional and captivating tale that highlights the tragic consequences of The Empire Strikes Back.  Featuring some incredible artwork, amazing big moments, and a perfect portrayal of some of the iconic original trilogy cast, this is an outstanding and awesome comic.

Star Wars (2020) #3 Cover

For this cool first volume in the Star Wars (2020) series, the author has come up with an extremely compelling and clever multi-part narrative that I deeply enjoyed.  The Destiny Path has a strongly character-driven story, following Luke, Leia and Lando as they attempt to recover from the traumatic events of The Empire Strikes Back.  The narrative starts right after the heroes escape from the Cloud City at Bespin (technically before the closing scene of The Empire Strikes Back) and places the shell-shocked characters right in the middle of a firefight against an intriguing new foe.  The next stage of the story contains an intriguing couple of sequences aboard the Rebel medical frigate, showing off some new angles to the film’s final scenes, while also following Lando and Chewie as they head to Tatooine to scope out Jabba’s palace.  This part of the narrative is very clever and exciting, especially as it paints Lando as a bit of a wildcard, with unclear loyalties.  The next section of the comic takes Luke, Leia and Lando back to Bespin, each for a different reason.  There are some high octane and emotionally rich comic issues here, especially as all three of the characters are forced to face up to their recent mistakes and losses, while also taking on the Imperial garrison stationed there.  All of this leads up to the final part of the book, which is primarily focused on Luke, who journeys to several distant planets following a vision to find a new lightsaber.  There are some really cool sequences here as Luke continues to battle his own personal demons (and a real one, but we’ll get to that later), before eventually coming away with an unexpected prize.  All these disparate storylines work really well on their own, but their real strength lies in the way in which they tie together perfectly throughout The Destiny Path.  You end up getting a fantastic story as you follow one major event to the next, and I liked the unique tales contained within each section.  All of this serves as an awesome and powerful start to the Star Wars (2020) series, and there are plenty of hints of awesomeness to come as the Rebels bounce back while Luke continues to grow as a Jedi.  Epic Star Wars storytelling at its best!

Star Wars (2020) #3 Cover2

There is no way that I can talk about The Destiny Path without geeking out about some of the cool and memorable Star Wars elements and references featured within.  I deeply, deeply enjoyed seeing the intriguing and dramatic aftermath of The Empire Strikes Back that Soule envisions here, especially as he took the time to explore the various traumas and consequences of the events at Bespin.  This was a fantastic heart of the entire volume which is going to appeal to all fans of the Star Wars franchise.  Other cool Star Wars moments that fans will love include the mysterious events occurring around the Skywalker lightsaber.  This lightsaber, which disappears at the end of The Empire Strikes Back and reappears in The Force Awakens, is a major item throughout the Star Wars canon and I liked seeing Luke trying to find it in the bowels of Cloud City, only for it to slip into another mysterious person’s grip.  It will be interesting to see what happens to that in the future, and foresee it being a fascinating narrative thread throughout this entire series.

In addition to these elements from the films, Soule also fits in a lot of other cool references and call-backs to previous Star Wars comics, especially ones that he has had a hand in.  The most obvious of these was the appearance of Verla, who Luke encounters while trying to find a new lightsaber.  Verla is a Force-sensitive woman who first appeared in The Burning Seas volume of Soule’s Dark Lord of the Sith comic series.  It was great to see that Verla survived, and Soule does a good job working her into this story, portraying her as the damaged and cynical former Jedi student who is just trying to survive.  Verla’s inclusion allows Luke to learn more about Vader, both as a Jedi hunter and a Jedi named Anakin, and it was interesting to finally see him learn about the Jedi purges, Order 66, and the Inquisitors.  I also noticed a lot of mentions about the High Republic in this volume.  I really should not be too surprised about this, especially as Soule is one of the leading creative minds behind the High Republic range, having written the first novel in the series, Light of the Jedi.  It looks like Star Wars (2020) is going to rely on several events from the High Republic books, and I am intrigued about how Soule will work them into his cool story.  All of these Star Wars elements are extremely cool, and I think that they will deeply appeal to every fan of this franchise.  While mega fans are obviously going to love some of the more obscure references that Soule fit into this comic, this series is also very easy to enjoy if you have a more basic knowledge of Star Wars.

Star Wars (2020) #4 Cover

I do have to quickly highlight that one of my favourite parts of this entire comic is one of the final sequences in the volume.  In this sequence, Luke visits an abandoned Jedi temple which is filled with a mound of untouched treasures, including a lightsaber which he desperately needs.  However, it turns out that this entire building is a trap (Luke was warned, to be fair), as he is quickly attacked by the ghost of the Grand Inquisitor.  The Grand Inquisitor is an awesome character who served as the main antagonist of the first season of the Star Wars Rebels animated series.  Soule has previously utilised him in his Dark Lord of the Sith comic series, especially the first two volumes, Imperial Machine and Legacy’s End, but this current comic is set after his death in Rebels.  There are so many cool elements to the Grand Inquisitor’s return in this comic, including a fantastically drawn fight between him and Luke, where Luke encounters a double-bladed lightsaber for the first time, and I loved the Grand Inquisitor’s fiery, spiritual appearance.  However, the best part of this whole unique inclusion was the characters final interaction with Darth Vader.  Here it is revealed that Vader is the one trapping the Inquisitor’s spirit in this world, using him as a tool and a trap.  When the Inquisitor begs Vader for his release, Vader refuses, as the Inquisitor still has use to him.  The forlorn spirit starts to fade, but not before sadly uttering “there are worst things than death”.  This is an outstanding call-back to the character’s final words in Rebels, and it was so cool to see his morbid prediction come to pass.  This whole sequence really pushed The Destiny Path up a level for me, and I love how the creative team worked this into this fantastic and awesome comic.

Easily one of the best parts of this entire comic is the creative team’s portrayal of the iconic Star Wars characters who serve as the main protagonists of this amazing first volume.  Soule has done an incredible job writing a character-driven narrative around these protagonists, and I love his in-depth examination of their psyches and actions following The Empire Strikes Back.  The author pulls together some great storylines around these characters, and I loved seeing what amazing adventures they went on between these two films.

Star Wars (2020) #4 Cover2

One of the main characters explored during this book is the original Star Wars hero, Luke Skywalker.  Now, Luke is going through a lot at this point, having just had his hand chopped off and learned that his father is Darth Vader.  Luke spends most of the first part of the novel absolutely traumatised by these events and ends up doubting himself while also concealing this revelation from his friends.  To compound his issues, Luke finds his connection to the Force somehow damaged or fractured, as neither of his masters, Obi Wan Kenobi and Yoda, are reaching out to him.  This results in a more scattered Luke, and I loved the way that Soule dove into his damaged mindset.  There are some great and powerful moments throughout this comic that show off Luke’s trauma, as well some dramatic moments when he lashes out uncontrollably with the Force.  After receiving some visions and engaging in a hunt for a new lightsaber, Luke starts to come to terms with the events surrounding him, and it is great to see him recover somewhat, including by learning more about his father.  This slight reconciliation with his identity enables Luke to regain his control over the Force, and there are some very cool scenes where he uses his powerful and advanced abilities against the Empire.  Overall, this was a pretty spectacular look at Luke, and I really appreciated the cool story that Soule spun around him.  It will be interesting to see what is going to happen to Luke in the future entries of this comic, especially as he continues along his journey to become a full-fledged Jedi.  It will also be cool to see more of Luke’s new yellow lightsaber, which was an intriguing decision by Soule which I think is going to really pay off.

Star Wars (2020) #5 Cover

In addition to Luke, a lot of the story focuses on Leia.  Like the rest of the characters, Leia is pretty traumatised, as she discovered her love for Han only to lose him in seconds.  While at times she seems in control, especially as she works to salvage the Rebels fleet, she is clearly still impacted by this loss.  As a result, she desperately attempts to find a way to save him from Boba Fett, even if that means risking herself and her friends.  Her recklessness leads her back to Bespin with the others as she attempts to find more about the carbonite freezing process.  While Leia’s arc is possibly the least interesting (which isn’t a criticism; it’s just the other two main characters have some outstanding stories), she does have some great moments in this comic, and I especially loved the visual of her also trapped in carbonite.  It was also great to see more of badass Rebel leader Leia in this comic as she steps up and takes charge to protect those around her.  I imagine that the creative team have some great ideas for Leia in the future and I cannot wait to see what they are.

The other main character of this volume was the flashy and charismatic rogue, Lando Calrissian, who finds himself stuck with the other protagonists after helping them flee from Bespin.  Despite his attempts to do the right thing at the end of The Empire Strikes Back, Lando is still not trusted by anyone, as they blame him for his betrayal and the loss of Han.  As a result, Lando attempts to find some form of redemption with them, although he mostly comes across as a self-centred bastard.  Soule works a really intriguing storyline around Lando, and I loved seeing his meeting with Jabba the Hutt as he makes some initial inquiries into Han’s location.  Lando is able to talk his way out of a meeting with Jabba, although the reader is left wondering whether he plans to sell out the Rebels.  This nicely leads into his storyline on Bespin as he accompanies Luke and Leia back there.  It was great to see Lando returning to his city, especially as he manages to con his way through a range of different Imperial obstacles, and he was fully in his roguish element.  While Lando appears to return to Cloud City for selfish reasons, such as throwing a big middle-finger to the Empire, his jaunt does awaken his inner hero a little, and you get a glimpse of the person we eventually see in Return of the Jedi.  Lando is easily the most entertaining character in the entire comic and most of The Destiny Path’s humour is derived from his interactions with most of the other characters.  He is a very funny character, and it was great to see so much focus on him after barely featuring in the last stage of Star Wars comics.  I look forward to seeing what Soule and the creative team have for him in the future, and I think he is going to be the MVP character of the entire series.

Star Wars (2020) #5 Cover2

Aside from the three main characters above, The Destiny Path also includes a great range of other characters from various points in Star Wars history.  Like its precursor comic, Star Wars (2020) also follows Chewbacca, C-3PO and R2-D2, although I think these three great characters were a little overshadowed by Luke, Leia and Lando in this volume.  Chewie does have a bunch of fun moments throughout the comic, mostly in his interactions with Lando, and it is entertaining to see him be forced to deal with the cocky former friend.  R2-D2 does have a great sidekick time with Luke, and it was always fun to see him save the mighty Jedi’s life again and again.  There is also an interesting focus on a couple of new or lesser-known characters.  For example, it looks like Soule is going to spend a bit of time following Kes Dameron and Shara Bey, the parents of a certain Poe Dameron.  The Destiny Path also introduces an intriguing new antagonist in the form of Commander Zahra, a fanatical Imperial officer placed in charge of eliminating the remnants of the Rebel Alliance.  Zahra is tactical genius who I understand is going to have a major role in some upcoming comics.  This volume proves to be an excellent introduction to this cool new character, especially as it establishes her dangerous intelligence, murderous mentality and the insane grudge she bears against Leia, all while she commands the unique Star Destroyer, Tarkin’s Will, which still bears scars from being hit by wreckage of the original Death Star.  Zahra proves to be an outstanding antagonist, and I cannot wait to see what deviousness and insanity she brings to the rest of the series.

I definitely need to highlight the incredible and eye-catching artwork that was an outstanding and memorable feature of this awesome comic.  The artistic team behind this comic did an amazing job from start to finish, and every page was a visual treat for the eyes.  While all the art in this comic is great, there are a few things that really stood out to me, such as character design.  The artists do such an incredible job capturing the main characters throughout this comic, especially in the first issue where all their post-The Empire Strikes Back pain and emotion is on full display.  It was uncanny how similar these characters looked to their portrayal in the film, and it is a testament to the artists’ amazing ability.  There are also several awesome combat sequences scattered throughout the comic and I loved the way in which the art brought them to life.  A particularly good example of this was the opening space battle between the Empire and a small Rebel fleet.  The artists come up with an incredible background for this fight, which takes place between a sun and a concentrated barrage of green turbolaser bolts, which are being used to fence the Rebels in place.  This was so visually pretty, and it really enhanced the cool story and fighter combat that was taking place in front of it.  I also deeply enjoyed the way in which the artists have recreated several key scenes from The Empire Strikes Back.  These scenes, which include Luke losing his hand, finding out that Vader is his father and Han giving his iconic “I know” to Leia, are scattered throughout key parts of The Destiny Path.  Not only are these cool visually, but they are also clever from a writing point of view, dragging the readers back to the emotional impact of these events and driving how much they are still sticking in the mind of the protagonists.  I cannot overstate how awesome this art is and I had an absolute blast seeing every explosion, Force burst and clever flashback that they were able to fit in.

Star Wars (2020) #6 Cover

Well, if the above multi-page rant above didn’t give it away, then I’ll say it clearly here: this comic is incredible!  Soule, Saiz and the other talented artists have done an amazing job with this first volume of the Star Wars (2020) series, and The Destiny Path is an epic and awesome read.  I loved the in-depth examination of these key characters after The Empire Strikes Back and there are so many cool Star Wars elements worked into the story.  This is one of my favourite Star Wars comics and it gets a full five-star rating from me.  I cannot wait to see what extraordinary stories and powerful artform this fantastic creative team comes up with next and I need to order the next volume in now.

Call of the Bone Ships by RJ Barker

Call of the Bone Ships Cover

Publisher: Orbit (Trade Paperback – 24 November 2020)

Series: The Tide Child – Book Two

Length: 491 pages

My Rating: 5 out of 5 stars

One of the biggest rising stars in fantasy fiction, the always impressive RJ Barker, returns with the second novel in The Tide Child trilogy, Call of the Bone Ships, an epic read that was one of the best fantasy releases of 2020.

Welcome back to the boneship known as Tide Child, a black ship of the damned crewed by those condemned to death for various crimes in the Hundred Isles and tasked with fighting in a war against their nation’s rivals, the Gaunt Islanders.  Following their first grand adventure, which saw Tide Child save the last of the vast sea dragons from whose bones the powerful ships are made, much has changed in the world.  The Shipwife of Tide Child, Lucky Meas Gilbryn, seeks to undermine her mother, the ruler of the Hundred Isles, by working with black ships of both nations to create a new settlement outside of their tyrannical controls.  However, their previous decision to save the last dragon has had unexpected consequences, and soon the ocean is alive with the news that more dragons have returned.  With their return comes the battle to kill the creatures and harvest their bones to create more ships, as the nation with the most ships will rule the waves.  However, the crew of Tide Child find themselves drawn into a different conflict when they chance upon a damaged ship with a hold full of dead or dying prisoners.

Attempting to find out more about the mysterious cargo, Meas and Tide Childs’ Deckkeeper, Joron Twiner, try to follow it to its original destination, only to discover that their new island sanctuary has been destroyed and its people carried off for a nefarious purpose.  As they start to fight back against their former comrades in the Hundred Isles, Tide Child finds itself in the midst of a dark conspiracy which will push the entire world into chaos and conflict.  A new war is coming to the oceans, and no-one is safe from its deadly consequences.

Well damn, how does Barker keep on doing it?  Over the last few years, RJ Barker has been one of the most consistent and outstanding fantasy fiction writers out there, producing several incredible and deeply enjoyable novels.  I was a major fan of his debut, The Wounded Kingdom trilogy, as all three novels, Age of Assassins, Blood of Assassins and King of Assassins were amazing reads, with each one being better than the last.  However, Barker’s writing was on a whole other level in 2019 when he published the first entry in The Tide Child trilogy, The Bone Ships, an epic read that detailed the trials and tribulations of a condemned crew aboard a ship made from dragon bones.  I absolutely loved The Bone Ships and it was one of my favourite books and audiobooks of 2019.  Needless to say, I was extremely eager to receive my copy of Call of the Bone Ships, and it was one of my most anticipated reads for the second half of 2020.  Unfortunately, circumstances forced me to hold off reading this novel until the end of the year, which I deeply regret as this was another awesome novel from Barker that got an easy five-star rating from me.

For Call of the Bone Ships, Barker has come up with another exciting and amazing narrative which follows a unique group of protagonists on a deadly adventure through a dark fantasy world.  Told primarily from the point of view of Tide Child’s Deckkeeper (first mate), Jordon Twiner, this is a massive character-driven story filled with action, intrigue, and betrayal.  While the first novel in this series focused on a wild adventure as a ship followed their new captain on a quest to find a sea dragon, this second novel focuses more on the politics of the Hundred Isles, as the Tide Child and their allies attacking as undercover rebels to undermine the cruel ruling hierarchy and determine what their plans are.  After an intriguing introduction, Call of the Bone Ships swiftly devolves into a war novel, as Meas and her crew begin to fight back against the oppressive Hundred Islanders who oppose them.  At the same time, Joron is forced to deal with a number of personal issues aboard the ship as he finds himself thrust into the midst of danger and betrayal as everything in his life goes to hell around him.  The plot of Call of the Bone Ships goes into some dark but captivating directions, and the Tide Child crew are hit with some major curveballs and tragic events.  All of this leads up to an impressive conclusion which is highlighted by a major and dramatic cliff-hanger that is going to require any reader of this book to desperately wait for the final entry in this series to be released.  While this book was a tad slow to start, especially if you were unfamiliar or somewhat forgetful of the events of The Bone Ships, it eventually resulted in a truly epic and outstanding story that proves impossible to put down once you get wrapped in its intense and captivating narrative.  The plot of Call of the Bone Ships has a fantastic flow on from the previous entry in the series and served as an excellent sequel, making great use of several of the story elements introduced in The Bone Ships and more than living up to the hype Barker established with the first The Tide Child novel.

One of the things that I have been most impressed with for this series is the author’s ability to create a gripping and consistently well-written maritime story.  Narratives that are primarily set aboard boats are notoriously hard to write, but Barker has risen to the challenge, writing a novel rich in naval and maritime detail, with a major fantasy fiction edge to it.  Call of the Bone Ships contains an intense amount of intriguing detail about the coming and goings aboard the ship out at sea and Barker does an amazing job highlighting the various day-to-day actions a crew are expected to undertake, as well as all the unique features that makes a ship in this fantasy universe different from real-world ships.  This impressive attention to detail translates extremely well into several naval battles and combat sequences, and it was cool to see the Tide Child engage in battle with other ships in some outstanding and beautifully written sequences.  In addition, Barker ensures that every major character in this novel had a real nautical feel to them.  Everything about these characters, from the way they spoke to how they act or think aboard the ship made you think of old sea-salts who had spent a lifetime on the waves, which helps to bring an interesting ring of realism to the story.  I also really love the intense and encapsulating atmospheres that Barker creates with his excellent writing ability, and you get a real sense of the moods of the entire ship throughout the novel, whether it be despair at something bad that has befallen the ship, or the sense of repetitive boredom that arrives from the ship doing the same action day after day with no break in routine.  All of this helps to produce a truly exceptional narrative, and I cannot emphasise how impressive the author’s various nautical inclusions are.

While the series is nominally about the dangerous events that the Tide Child finds itself involved with, in many ways its plot is driven by the growth and development of the main protagonist and point-of-view character Joron Twiner.  At the start of this series, Joron was a depressed and embittered young man who was unjustly forced aboard the black ship and made its Shipwife due to his lack of courage and determination.  But after meeting Meas and beginning to serve under her, Joron has become a competent officer who has the respect of most of his crew and who is now dedicated to Meas and her mission.  Call of the Bone Ships turns out to be a major novel for Joron as he participates in several adventures and battles, showing his skill as a commander, warrior and leader throughout the novel.  However, participation in these adventures has severe consequences as Joron gets beaten down and broken apart multiple times from injuries, betrayal and personal tragedy.  Watching Joron suffer is quite a hard part of this novel as the reader becomes extremely attached to him due to his likeable personality and sheer determination.  However, it is worth it to see Joron rise again as a stronger and much more developed person, and this ended up being a fantastic part of his personal story arc.  A lot of this book is also dedicated to Joron’s mysterious ability as the caller, someone who is prophesied by the Gullaime (the enslaved avian wind mystics who provide power to the ships) as a great saviour.  Joron, who first experienced these powers while calling a sea dragon to his aid, continues to develop certain abilities which prove to be rather effective and spectacular throughout the novel and opens up a lot of opportunities for the character.  The end of Call of the Bone Ships leaves Joron in an extremely intriguing position, and I am deeply curious about how his story will end in the final novel.

In addition to his complex protagonist, Barker also includes a literal raft of impressive and captivating characters, most of whom serve as members of Tide Child’s crew.  These great characters each have distinctive personalities and add a great deal to the narrative.  The main side character is easily Lucky Meas, the Shipwife of Tide Child who has turned her ship from a bastion of reprobates to a group of heroes with a noble purpose (mostly).  Meas is a truly inspirational character who has served as a close mentor to Joron and who continues to lead her crew with wisdom, experience, and humility.  Meas was a little less utilised in this novel than in the first book, with Joron taking more of a lead now that he has some command experience.  She was still a fantastic and distinctive character within this latest novel, and I really enjoyed where her personal story arc went, even though we still do not have that much information about her backstory.  Another great character was Tide Child’s ultra-powerful Gullaime, who continues to work along the crew, especially Joron, who has a special connection to the creature.  The Gullaime also has a rather intriguing arc in this novel, and it is clear that he will play a rather substantial role in the ending of the overall series.  The mysterious bird creature also develops a lot more as a character in this novel, especially after encountering different members of his species, although he continues to provide his entertaining tirades of broken speech to the crew.  The rest of the crew prove to be extremely compelling, and I liked the fact that Barker spent time expanding out the roles and personalities of a huge number of side characters, including giving several of them brief point-of-view chapters.  However, in some of these cases it did seem that the author only gave these characters more of a role so that he could then brutally kill them off, much to the heartbreak of the reader.  A number of these characters do get some rather substantial and enjoyable story arcs, and it will be interesting to see where the remaining members of the crew end up in the final book.

I have a lot of love for the dark and elaborate fantasy worlds that Barker creates in his novels, and the one featured in The Tide Child series is particularly amazing.  I deeply enjoyed this harsh and cruel world of small islands, deadly seas and warring nations, especially with the cool gender-bent world (for example, captains are known as Shipwives, while boats are referred to as him).  I really enjoyed returning to this amazing and creative world, especially as it proves to be an incredibly rich setting for the novel’s awesome and addictive narrative.  Barker does some excellent world-building in this second entry in the series, and you get some cool features, such as different groups of Gullaimes who lack wind powers but serve as jailers for their powered brethren, some new powers for the characters and some intriguing new locations.  All of this helped to create a more elaborate and impressive narrative and it is always cool to see more of this grim and deadly fantasy universe, especially as Barker’s awesome writing bring so many of the more impressive elements, such as the giant dragons, to life in such epic fashion.

The final thing I wanted to praise about Call of the Bone Ships were all the little details featured within the paperback version of the novel, that I would have previously missed in the first The Tide Child novel due to me checking out The Bone Ships in audiobook format.  I definitely have to highlight the impressive and intricate cover above, which was drawn by talented artist Edward Bettison.  The covers for this series are extremely cool, and I cannot wait to see what amazing design the artist comes up for the final entry in the series.  I also really liked the awesome artwork that was featured within the novel.  Not only is there a fantastic and detailed map at the very front of the book but there is also some sweet artwork at the start of each chapter, which depicts locations, creatures and characters from within the book.  Barker has also featured a short index at the end of the novel which contains some of the crew titles that were created for the series, detailing what each crew member is supposed to do.  All of these details are great and eye-catching inclusions to the novel, and I felt that it made Call of the Bone Ships just a little bit more special.

Call of the Bone Ships by RJ Barker was another epic and outstanding novel that shows why Barker is one of the most impressive new fantasy talents in recent years.  This incredible sequel to 2019’s The Bone Ships contains an exceptional and addictive story at sea, featuring rich and complex characters and all set within a creative and vibrantly dark fantasy world.  The combination of these awesome elements helps to create a captivating and powerful read which turned out to be one of the best books of the year.  I cannot recommend this novel enough.  If you have not found out about RJ Barker yet, you are really missing out!

The Kingdom of Liars by Nick Martell

The Kingdom of Liars Cover

Publisher: Gollancz (Audiobook – 7 May 2020)

Series: The Legacy of the Mercenary Kings – Book One

Length: 15 hours and 37 minutes

My Rating: 5 out of 5 stars

Impressive new fantasy author Nick Martell presents The Kingdom of Liars, an outstanding fantasy novel that is easily one of the top debuts of 2020.

Welcome to The Hollows, the slowly disintegrating capital of once-great kingdom where magic costs memory to used.  Once a shining beacon of culture and nobility, the city is now a shadow of its former self, surrounded by firearm-wielding rebels while petty nobles fight for scraps within and a corrupt prince plots for power.  While the people suffer under the rule of a grieving king, their only hope of survival may lie in the hands of the son of the kingdom’s most despised traitor.

Michael Kingman was only a child when he was branded a traitor for the crimes of his father.  Once the King’s loyal right-hand man, Michael’s father, David Kingman, was convicted and executed for the murder of the King’s nine-year-old son, and his family was cast out into poverty and infamy.  Now, 10 years later, Michael makes a living running petty cons on minor nobility while desperately trying to escape the legacy of his family.  However, after a devastating rebel attack rocks the city and kills someone close to him, Michael is determined to change his destiny.

Accepting employment with an eccentric and powerful noble, Michael is given a chance to re-enter noble society and find evidence that proves that his father was framed for the prince’s murder.  Participating in the Endless Waltz, the social highlight of year, Michael needs to gain influence and supporters in the court in order to gain an invitation into the king’s palace, where he believes the evidence he needs to vindicate his father can be found.  However, nearly everyone in the Endless Waltz has their own agenda and no-one wants to see a traitor’s son succeed.  Can Michael prove his father’s innocence and restore his family’s place in the kingdom, or is he doomed to share his fate and be executed as a traitor?

So, this is a book I have been meaning to read for quite some time.  Despite it coming out in May this year, I only managed to get around to listening to it a couple of weeks ago and I instantly realised I made a mistake in not reading this one sooner as The Kingdom of Liars was an epic and deeply impressive novel that I had an outstanding time listening to.  This was the debut novel from new author Nick Martell, which serves as the first entry in his planned The Legacy of the Mercenary Kings series (which is a cool series name btw).  This amazing novel from Martell contains a deeply captivating and complex story that proved incredibly irresistible to me, especially when you throw in the great characters and inventive new fantasy world that the author came up.  The end result is an exceptional and powerful read that gets a full five-star rating from me.

At the heart of this awesome book is a first-rate story that sees the protagonist, Michael Kingman, attempt to navigate his treacherous city in order to find the truth behind the death of his father.  Martell starts his narrative off with an impressive opening sequence that sees Michael being found guilty of the murder of the king, a charge he does not refute.  The story then backtracks a few weeks and the full story of Michael Kingman and his adventures is revealed to the audience through the first-person narration of Michael in a way that is reminiscent of a historical chronicle and shows how the protagonist goes from street hustling to regicide in a short period of time.  This proved to be an extremely epic tale loaded with conspiracy, political intrigue, lies, deceit and dark magic, as Michael primarily battles through a series of intense social occasions while also attempting to outwit or survive the machinations of jealous royals, betrayed friends, dangerous mercenaries, fickle nobles and scheming rebels.  At the same time, he also has to work out the motivations for the various people he encounters, most of whom have deep secrets or interesting connections to Michael and his family, as well as diving down into the history of The Hollows and the Kingman family.

There is quite a lot going on in this book, and the readers get to witness a series of different storylines and character arcs, all of which are loaded up with surprise twists and intriguing revelations.  All these storylines prove to be quite entertaining and very cleverly written and I had a great time seeing how each of them unwound.  These separate story arcs come together extremely well, and it results in a deeply compelling overall narrative which proved very hard to stop reading.  I loved all the narrative surprises that Martell came up with throughout The Kingdom of Liars and he added in some great twists which did an outstanding job keeping my attention.  While I was able to guess some of the reveals that Martell was telegraphing, several others caught me completely by surprise, which is something I deeply appreciate in a novel.  I was particularly impressed by the eventual reveal of the main antagonist and I thought that the choice of character was a real masterstroke from Martell.  I was immensely annoyed with myself for not picking up on it sooner, especially as I missed an obvious clue.  I cannot emphasise how I much loved this clever narrative, and I look forward to seeing how Martell continues this captivating tale in the future.

Because he serves as the central protagonist and only point-of-view character, most of The Kingdom of Liars is spent examining the character of Michael Kingman.  Michael is a complex and damaged protagonist who finds himself burdened with the legacy of his great family and the deeds of his traitor father.  At the start of the novel, Michael is a rather self-destructive being, who attempts to find redemption from random and pointless acts of heroism and by skimming some cash off the nobles he despises.  However, after a series of personal losses, Michael begins the path to redeeming himself and his family by attempting to prove his father’s innocence and he starts to reconnect with figures from his past, including several he had forgotten.  I quite enjoyed the character of Michael and it proved to be quite fascinating to see his constant internal battle to determine his identity and his place within the world.  Do not get me wrong, at times Michael proved to be a frustrating protagonist to follow due to his stubbornness and anger, but I think this examination of his damaged emotions helped to make him a stronger character who the reader could emphasise with more.  Thanks to the various events and revelations that become apparent to Michael as the story progresses, the protagonists develops substantially throughout The Kingdom of Liars and by the end he is a vastly different character who is placed in an interesting position for the next novel.  I look forward to seeing how Michael’s story continues throughout the rest of The Legacy of the Mercenary Kings series and I am sure it is going to be suitably dramatic and enjoyable.

In addition to the central protagonist, Martell includes an impressive supporting cast of characters who guide, befriend, manipulate, or try to kill Michael throughout the course of the narrative (sometimes they try to do all four at once).  I really enjoyed the various supporting characters that the author included in The Kingdom of Liars, especially as he ensures that each of them has a substantial and compelling backstory that is somehow interwoven with Michael’s past.  It proves to be extremely fascinating to see how each of these characters play into the larger picture of the narrative, especially as everyone has an alternate motive when it comes to dealing with Michael.  While each of the characters is suitably complex, there are a couple I need to particularly highlight.  This includes the other Kingman children, Gwen and Lyon, both of whom have been impacted by their father’s execution in a similar way to Michael, but who both deal with it in alternate ways, either by running from their family’s name or by subtly investigating it through their own means.  These two prove to be a dramatic counterpoint to Michael’s inner struggle about being a Kingman and it was fascinating to see the various, high-tension discussions they have with the protagonist on the subject.

There is also the excellent character of Trey, Michael’s best-friend, who, thanks to a tragic event early in the novel, ends up becoming more of an antagonist due to major feelings of betrayal that emerge between the two.  Trey ends up become a fantastic part of the book’s plot, as Michael is forced to constantly worry about his former friend attempting to kill him, while also attempting to do what is best for Trey’s well-being.  The various sequences with Trey are amongst the most emotional and powerful in the novel, and they add a real dramatic kick to the overall story.  The end of The Kingdom of Liars hints at a dark future for Trey in the rest of the series and I cannot wait to see what he has in store for him.  I also had quite a liking for the mysterious mercenary, Dark, a dangerous and shadowy being who Michael becomes inadvertently entangled with.  Dark is a fun and ultra-powered figure throughout the novel, and he had some great interactions with the protagonist.  However, out of all these characters my favourite is easily Charles Domet, the rich and powerful drunkard with innumerable secrets.  Domet serves as an excellent mentor character for Michael, while also being one of the most entertaining members of the cast.  I loved every scene that Domet appeared in, especially as he had a particularly intriguing backstory.  Each of these characters, and more, added substantially to The Kingdom of Liars, and it will be fascinating to see how each of them evolves in the future.

On top of the outstanding and clever story and the complex characters, Martell also invests in a captivating and highly inventive new fantasy realm, primarily set around the city of The Hollows.  This is a dark and dangerous world, with the major feature being a fractured moon hanging in the sky with occasional pieces falling to world below and causing substantial damage, while also offering cryptic remarks to those people who hold the shards.  The Hollows itself serves as an excellent setting for the novel, thanks to its dangerous politics, oppressed people, besieging rebels and withering monarchy.  Watching the scion of a once powerful house that was renowned as a force for good attempt to navigate the avenues of power throughout The Hollows proves to be extremely compelling and I really enjoyed it.  There are also some intriguing examinations of the city’s history, and each revelation about the past added a new layer to elaborate story that Martell came up with for The Kingdom of Liars.  The author has also come up with an intriguing magical system which allows people to wield substantial power at the cost of their own memories, ensuring that each magic user must work hard to maintain control.  I found this memory factor of this magical system to be very clever and it added a lot of great elements to the overall story, especially as several characters, including the protagonist, experience memory losses throughout the novel, which hinders them, and by extension the reader, from seeing the full picture.  There is also a rather intriguing comparison between magic and firearms throughout the story, as the nobles wield arcane power, while the rebels have guns.  This results in some thrilling sequences and it should be fun to see more elaborate fight scenes in the future.  Overall, this was a deeply enjoyable and compelling new setting and Martell really showed off his creativity in this first novel.  It seems likely that Martell is planning to massively expand this world in the future The Legacy of the Mercenary Kings novels and I am confident there will be some fantastic new inclusions in the future (like who actually fractured the moon).

As I mentioned above, I ended up buying The Kingdom of Liars’ audiobook format rather than grabbing a physical copy of the book.  I am extremely happy that I chose to do this as the audiobook was particularly good and it proved to be a fantastic way to enjoy this awesome novel.  I had an amazing time seeing the cool fantasy world that Martell came up be bought to life in this format and I found myself really getting into the story details as I listened to it.  The Kingdom of Liars audiobook has a relatively substantial run time of 15 hours and 37 minutes, although I found myself powering through it extremely quickly due to how much I enjoyed the story.  The audiobook features the narration of Joe Jameson, who I recently talked about in my review of King of Assassins by R. J. Barker.  Jameson’s narration in The Kingdom of Liars is pretty amazing and he does an incredible job inhabiting the various characters featured within the novel.  I think his voice and narration style really fit the way that this novel was written, and I felt that the point-of-view protagonist really came to life in his hands.  All of this results in a captivating and deeply enjoyable audiobook and this is the format I would recommend to anyone who wishes to check out The Kingdom of Liars.

The Kingdom of Liars is an incredible, compelling, and deeply exciting novel that I had an absolutely wonderful time listening to this year.  Debuting author Nick Martell really outdid himself with this first novel in his The Legacy of the Mercenary Kings series and this superb book comes highly recommended.  I loved everything about this book, including the two different but equally awesome covers that it was released with (see above and below), and I know I am going to have an amazing time following this series in the future.  The next The Legacy of the Mercenary Kings novel, The Two-Faced Queen, is set for release in March next year, and it looks set to be one of the top books of 2021.

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Star Wars: Shadow Fall by Alexander Freed

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Publisher: Del Rey (Trade Paperback – 23 June 2020)

Series: Star Wars: Alphabet Squadron – Book Two

Length: 393 pages

My Rating: 4.5 out of 5 stars

Strap in and prepare yourself for some intense combat out in the black of space, as Alexander Freed returns with another exciting and compelling Star Wars novel, Star Wars: Shadow Fall.

In the wake of the death of the Emperor and the destruction of the second Death Star above Endor, the once mighty Galactic Empire is on its last legs as they face a determined and continuous assault from the forces of the New Republic.  Amongst the New Republic troops fighting to end the tyranny of the Empire are the ragtag fighter group known as Alphabet Squadron.  Formed by New Republic Intelligence and serving under legendary Rebel General Hera Syndulla, Alphabet Squadron’s mission is to hunt down and destroy the elite TIE fighter pilots of the 204th Imperial Fighter Wing, known as Shadow Wing, who have been terrorising the galaxy and are one of the greatest threats to the New Republic’s success.

Following their recent victory, which saw Shadow Wing’s base destroyed and their commanding officer killed, Alphabet Squadron are assisting with the lengthy siege of the Imperial system of Cerberon.  Led by former Imperial pilot Yrica Quell, herself a deserter from Shadow Wing, the five pilots of Alphabet Squadron are finally starting to work together as a team.  However, while they are happy to help Syndulla with her latest vital campaign, the squadron is still determined to finish off the remaining members of Shadow Wing before they cause more chaos and destruction.  Working with their New Republic Intelligence handler, Caern Adan, Quell believes she may have come up with a plan to trap her former Imperial comrades.  However, Quell has severely underestimated just how ruthless Shadow Wing has become.

Quell’s former mentor and commanding officer, Imperial fighter ace Soran Keize, has returned and taken control of Shadow Wing.  Determined to keep his people alive while inflicting as much damage as possible to the New Republic, he launches an attack against the Cerberon system that manages to bypass the trap laid for him.  Scattered, the members of Alphabet Squadron must each fight their own battles throughout Cerberon as they all attempt to survive and strike back.  However, as they face their greatest challenge to date Alphabet Squadron soon begins to realise that their most dangerous threat may not be the pilots of Shadow Wing, but the terrible secrets their own leader is keeping.

Star Wars: Shadow Fall is a fantastic and impressive Star Wars novel that examines the immediate aftermath of the original Star Wars trilogy while focusing a group of complex and damaged characters.  Shadow Fall is the fifth Star Wars novel from science fiction author Alexander Freed, and it serves as the second book in his Alphabet Squadron trilogy, which started last year with Star Wars: Alphabet SquadronAlphabet Squadron was an excellent first novel in this series, thanks to its exciting story which did an amazing job introducing the reader to each of the main characters of the titular Alphabet Squadron (so called because each member flies a different model of Rebel ship, i.e. one X-Wing, one Y-Wing and so on).  Freed’s latest novel is an outstanding sequel to Alphabet Squadron which continues the amazing character arcs and war-based narrative, while also adding in some excellent new elements.  While I really enjoyed the prior novel from Freed, I personally felt that Shadow Fall was a stronger book than Alphabet Squadron and I ended up really getting into this powerful and action-packed story.

This latest book from Freed contains an epic and enjoyable character-driven war story that follows the pilots of Alphabet Squadron as they attempt to subdue the Empire once and for all.  This proves to be a rather elaborate and multifaceted narrative as Freed utilises the key members of Alphabet Squadron as point-of-view characters.  While Shadow Fall initially has all the squadron members together, each of them goes on their own adventures throughout the book, breaking it up into several distinctive storylines.  Each of these storylines is rather intriguing and emotionally charged, especially as all the characters go through their own voyages of discovery.  These storylines are all confined to the same star system and each has its own take on the war occurring throughout Cerberon, especially as Freed also features a number of chapters from the point-of-view of the novel’s main antagonist, which allows the reader to see the plans and issues surrounding Shadow Wing.  All of this helps to create a compelling and exhilarating read, particularly as Shadow Fall contains a number of exciting and well written action sequences, including a series of amazing and impressive ship to ship combat scenes.  The characters get into some unique and deadly battles throughout the course of this book, and I really loved seeing all the intense fighting out in space.  Overall, this was a fantastic story and it ended up being quite a remarkable and addictive read.

One of the big things that I liked about Shadow Fall was the way that it continued to explore the turbulent period of Star Wars history that follows in the immediate aftermath of the death of the Emperor.  This period within the Star Wars universe has so much potential for great fiction and I feel that Freed does an outstanding job utilising it within his novels and showing off the battles that occurred.  There is a real gritty and dark feeling to this book, as both sides are involved in a lengthy and bitter conflict.  I really liked the darker and more desperate conflict that Freed portrays throughout this book, as both sides get pushed into some corners as they battle throughout the system.  This turned out to be an excellent setting and I really found it fascinating to see this vision of the post Return of the Jedi universe, especially as there was no instant victory for the Rebels as the movies suggest.  I look forward to seeing more of the war as the Alphabet Squadron series progresses and it will be interesting to see what battles and scenarios occur in the final book.

Readers interested in checking this series out do not need to have too much knowledge about the Star Wars extended universe; a general knowledge of the movie franchise should suffice.  However, like all pieces of tie-in fiction, those readers who are familiar with the more obscure bits of the fandom’s lore and history will get a lot more out of these books than casual readers.  I would also strongly suggest that people who want to read Shadow Fall should go back first and try Alphabet Squadron, as this will allow readers to get a better idea of the various characters and their histories and ensure that their actions have greater impact.  However, if you are determined to start here, I felt that Freed made Shadow Fall pretty accessible, summarising certain key events from the prior book and also providing some wider background information about the Star Wars universe during the period the novel is set.

One of the reasons that this story is so impactful and enjoyable is that Freed has anchored his narrative on the memorable and flawed characters that are Alphabet Squadron.  Thanks to the author’s use of multiple character viewpoints, the reader gets an in-depth understanding of all the key characters and their various story arcs and development.  A large amount of the book’s plot continues to focus on the leader of Alphabet Squadron and X-Wing pilot, Yrica Quell.  Quell is a former Imperial pilot and member of Shadow Wing, who defected after the end of the war, claiming that she attempted to stop her squadron from implementing Operation Cinder, a series of genocides ordered by the Emperor in the event of his death.  However, it was revealed at the end of Alphabet Squadron that she was actually a willing participant in Operation Cinder and only defected because her commanding officer, Soran Keize, ordered her to leave.  Quell is still haunted by her actions and is attempting to find redemption by working for the New Republic to hunt down her old squadron, while at the same time being blackmailed by her handler, Caern Adan, who is keeping the information about her crimes secret.  There are several great scenes throughout this book that deal with Quell’s guilt and fear of being found out as she attempts to come to terms with all she has done and tries to become the good person everyone believes she is.  However, chaotic events towards the middle of the book undo some of her progress and force her to really look deep into herself.  Quell easily has the best character arc entire book and her entire dramatic storyline is extremely well-written and emotionally rich.  It looks like Freed is taking this character in some interesting directions and it will get see what happens next.  I also enjoyed certain LGBT+ inclusions surrounding Quell (and some other characters), and it always great to see more of that added into the Star Wars universe.

Several other members of Alphabet Squadron get their own fascinating storylines and character arcs.  First up you have Wyl Lark, the team’s young A-wing fighter pilot, who is still shaken after his encounters with Shadow Wing during the first book.  Lark is a complicated character within this novel, as due to the past trauma he has started to experience some real weariness at all the fighting.  He also bears some inner conflict thanks to his past interaction with an unnamed member of Shadow Wing, who he knows only as Blink (due to the condition of their TIE fighter in the first book), which has made him believe that the Imperials are more human than most New Republic fighters believe.  This makes him act out in some odd ways, potentially endangering himself and others.  Regardless, Lark also takes on a big leadership role within this book as he finds himself in charge of a mixed force of New Republic soldiers and pilots who he must rally together to stop the machinations of Shadow Wing.  This forces him to make some tough decisions and results in some excellent character development, which is probably going to become a key part of the next entry in the series.

The book also focuses on Chass na Chadic, the pilot of the squadron’s B-Wing.  Chass is also an emotional mess throughout the book, which causes her to act out in an aggressive and reckless manner.  However, Chass’s difficulties are a result of her own addiction to combat and danger and her worries about what she is going to do after the war.  Chass also has a rather intriguing storyline that sees her forced to seek shelter with a growing cult after she is shot down.  This only adds to her emotional confusion as, while this organisation has some very valid points about the war, Chass has her own problematic history with cults which severely colours her opinions.  A fourth member of Alphabet Squadron who also gets a fair bit of attention is Y-Wing pilot Nath Tensent.  Nath gets a little less use than Quell, Lark and Chass in this book, and rather than getting his own individual storyline he ends up being more of a supporting character to the other members of Alphabet Squadron.  I liked how Nath, after getting the revenge he desired in the first book, started taking on more of a mentor role within the team and he ends up being the glue that keeps them somewhat together.  His experience, easygoing manner and ability to socialise with everyone really helps to balance out the team, and I think it was good decision from Freed to have at least one point-of-view protagonist not be an emotional wreck.  I have to admit that I really liked seeing all of these complex and damaged protagonists and their various storylines and development became a powerful part of the book’s story.

Aside from these main four members, Shadow Fall also features several other great New Republic characters.  This includes the fifth and final member of Alphabet Squadron, Kairos, the mysterious scarred alien pilot of the team’s U-Wing.  Kairos does not get a lot of use throughout this book and is barely seen or mentioned after the first 100 pages.  Despite this, there are a few minor reveals about her shrouded past, and I can only hope that we find out a lot more about her in the final book.  There is actually a lot more of a focus on the supporting character of Caern Adan, the New Republic Intelligence officer who has been leading the hunt for Shadow Wing, as well as his companion, IT-O, a former Imperial torture droid turned therapist.  I found Caern’s use within Shadow Fall to be rather compelling, especially after he was portrayed as such a despicable and self-serving character in the first novel.  Freed dives into this Caern’s background in this novel and shows how he became the harsh, calculating person you met in Alphabet Squadron, as well as exploring his history with IT-O and Kairos.  This examination into his past, as well as his present-day adventures with Quell, helps generate a bit of sympathy for him and he ends up becoming a bit of a tragic character as a result.  I was also really glad to see more of New Republic General Hera Syndulla, who fans would know as one of the main protagonists of the Star Wars Rebels animated television show.  Hera was a great character on the show and in recent years she has been featured as a key Rebel commander in the expanded fiction (with her ship, Ghost, having brief cameos in two separate live action Star Wars movies).  I am always happy to learn more about Hera’s story post-Star Wars Rebels, especially as she has a great role as the wise overall commander throughout this book, and Star Wars Rebels fans will get sad in one or two places, such as when she wistfully asks if anyone has a Jedi hidden away.  Overall, these were some great supporting characters and I enjoyed Freed’s focus on them.

In addition to all the members of the Alphabet Squadron and the various New Republic supporting characters, Shadow Fall is also a tale of Imperial pilot Soran Keize.  After spending most of the first book trying to forget his past and exploring the post Imperial galaxy, Soran returns to claim his place as leader of Shadow Wing.  Soran is another compelling character who ends up serving as an alternate point-of-view character for roughly a third of the book.  I always love it when authors show the story from the antagonist’s perspective, and this ended up working incredibly well in this novel.  Not only do we get to see Soran’s complex motivations for returning to his wing and restarting the fight with the New Republic, but through his eyes we also get a better idea of how the Imperial remnant is fighting and surviving at this point of the war.  Freed adds some real desperation to the Imperial characters as they start to deal with the fact that they are going to lose the war, and there are some interesting discussions about the Imperial pilots having to change tactics, as they no longer have access to the vast resources they were previously used to.  Despite his at times merciless tactics, Soran’s viewpoint really helps to humanise the Imperial antagonists and, in many ways, they are mirrors to the New Republic characters, as both teams are fighting for their ideals and beliefs.  That being said, none of the Imperial characters aside from Soran popped out to me, and I had a hard time really caring about them in any way or remembering who they were.  Still, it was great to get more of an Imperial viewpoint in this novel, and I look forward to seeing what happens to them in the final entry in the Alphabet Squadron series.

Star Wars: Shadow Fall by Alexander Freed is another outstanding and enjoyable Star Wars novel that serves as an exceptional sequel to last year’s Alphabet SquadronShadow Fall is an extremely captivating and addictive read, especially as Freed features an amazing action-packed story, fun Star Wars elements and some incredibly complex and compelling characters whose damaged personalities and scarred pasts really stick in the reader’s minds.  I had an awesome time reading Shadow Fall and I cannot wait to see how Freed finishes off this darker Star Wars series.

Throwback Thursday: Star Wars: Vader Down

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Publisher: Marvel Comics (Paperback – 19 April 2016)

Series: Crossover – Featuring Issues from Star Wars (2015) and Darth Vader (2015)

Writers: Jason Aaron (Star Wars: Vader Down #1, Star Wars #13-14) and Kieron Gillen (Darth Vader #13 – 15)

Artists: Mike Deodato (Star Wars: Vader Down #1, Star Wars #13-14) and Salvador Larroca (Darth Vader #13 – 15)

Colourists: Frank Martin Jr (Star Wars: Vader Down #1, Star Wars #13-14) and Edgar Delgado (Darth Vader #13 – 15)

Letterers: VC’s Joe Caramagna (Star Wars: Vader Down #1, Darth Vader #13 – 15) and Chris Eliopoulos (Star Wars #13-14)

Length: 152 pages

My Rating: 5 out of 5 stars

Reviewed as part of my Throwback Thursday series, where I republish old reviews, review books I have read before or review older books I have only just had a chance to read.

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For this latest Throwback Thursday I go back and look at the epic and deeply enjoyable Star Wars comic book crossover extravaganza, Star Wars: Vader Down.

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Vader Down was a crossover, published in late 2015 and early 2016, of two of the best Star Wars comic series at the time, Star Wars (2015) and Darth Vader (2015). These two series ran side by side during this period and were set between the events of A New Hope and Empire Strikes Back and expanded the new Disney Star Wars canon. Both of these series were extremely good in their own right, with some very impressive comics during their early run (check out my reviews for some of these earlier volumes, Skywalker Strikes, Vader and Shadows and Secrets, all three of which got five-star reviews from me). These two comics ended up converging during the events of this crossover, with both series’ creative teams pooling their efforts to tell an exciting and action-packed tale. Vader Down is made up of a single introductory issue (Star Wars: Vader Down #1), two issues of Star Wars (2015) (issues #13-14) and three issues of Darth Vader (issues #13-15)

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Darth Vader is a man on a mission. Ever since he discovered that the Rebel Alliance pilot who destroyed the Death Star was Luke Skywalker, the son he never knew he had, Vader has been scouring the galaxy for him, determined to claim Luke and use him to take control of the Empire. It finally appears that his patience has been rewarded, as his sources have revealed that Luke is visiting an abandoned Jedi temple on the planet of Vrogas Vas. However, Vader is unaware that he is falling into a trap set by one of his rivals, the Mon Calamari cyborg Commander Karbin. Instead of finding Luke by himself, he discovers an entire Rebel fleet orbiting a planet housing a secret Rebel facility. Despite being outnumbered, Vader is able to fight off the Rebel pilots trying to kill him, until Luke, in a desperate move, smashes his fighter into Vader’s ship, sending them both crashing down to the planet’s surface.

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Now on foot, Vader sets out across the desolate planet to find his wayward son and turn him to the Dark Side of the force. However, the Rebels send a significant force to Vrogas Vas to capture or kill Vader. But even surrounded and outnumbered, Vader is more than a match for anything the Rebels can throw at him, and it seems only a matter of time before he finds his son. Luke’s only hope to survive lies in his friends, as Princess Leia, Han Solo, Chewbacca, C-3PO and R2-D2 all set out to save him. However, Luke is not the only one with friends on the way, as Vader’s reluctant agent, Doctor Aphra, also sets course to Vrogas Vas in order to save herself from being murdered by her employer for this debacle. By her side are three of the most dangerous beings in the galaxy, the murderous droids Triple-Zero and BT-1, and the vicious Wookie bounty hunter Black Krrsantan.

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As the two sides engage in all-out war across the planet’s surface, neither is aware of the danger coming for both of them. Imperial forces under the command of Commander Karbin have come to Vrogas Vas in the aftermath of the conflict not only to capture Luke but to also kill Vader so that Karbin can take his place by the Emperor’s side. Can Vader and the Rebels survive the onslaught of Karbin and achieve their desires, or is this the end of all of them?

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Wow, wow and wow!! This crossover is just plain incredible as the two talented creative teams of the Star Wars and Darth Vader comic book series come together to create an action-soaked masterpiece. I absolutely loved this fantastic and inventive story, which not only contains a substantial standalone adventure but which advances both series in some rather interesting ways, especially when it comes to separating the character of Dr Aphra and moving her briefly into the Star Wars comic series. The story contained within this volume is really amazing, as it sets a rampaging Darth Vader against a swath of enemies while the great characters from both series face off in a rather entertaining battle of their own. All of this is set to some incredible artwork from the two series’ respective artistic teams, which brings the phenomenal action to life in all its destructive glory. Unsurprisingly, this comic gets a full five-star rating from me, and it is easily one of the best crossover comics that I have ever read.

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Vader Down features six separate comic book issues, including an introductory issue, three issues from the Darth Vader series and two issues from the Star Wars series. Each of these comics has been written and drawn by the creative team of their respective series, with the Star Wars issues written by Jason Aaron and featuring the art of Mike Deodato, Frank Martin Jr and Chris Eliopoulos, while the entries from the Darth Vader comics are written by Kieron Gillen and contain the art of Salvador Larroca, Edgar Delgado and Joe Caramagna. The introductory issue, Star Wars: Vader Down #1, was also written by Aaron and drawn by the Star Wars artistic team (although with Caramagna doing the lettering rather than Eliopoulos), and this allows both creative teams to contribute three separate issues to this crossover. The story is set out in an alternate fashion, with the narrative beginning in Star Wars: Vader Down #1 and then continuing in Darth Vader #13, than going to Star Wars #13 and so on and so forth all the way till the volume’s end at Darth Vader #15. This proved to be quite an interesting way to set out the volume, and I think that it really speaks to the coordination and discussions that must have occurred between the two separate creative teams.

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Like most pieces of Star Wars tie-in fiction, Vader Down is naturally geared more towards those established fans of the franchise, especially those who have some history and knowledge of the extended universe. However, I would say that this is definitely a comic that can be enjoyed by casual fans of the Star Wars franchise, especially as the story is very easy to enjoy and appreciate. Readers do not need a massive amount of knowledge about the comic series that are crossing over in order to enjoy Vader Down. I myself had not read any of the Star Wars (2015) comics when I first enjoyed this volume, and I experienced no problems whatsoever following the plot. That being said, it might prove useful to read the first two volumes of the Darth Vader series first, as that serves to introduce several supporting characters in the volume, as well as the main antagonist.

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I felt that one of the biggest strengths of this comic is the way that it utilised and portrayed several iconic Star Wars characters, and I particularly loved how Darth Vader is featured in this crossover. I am a massive fan of the character of Darth Vader, and I am really enjoying how all the current pieces of Star Wars extended fiction portray him as a destructive powerhouse, perhaps as a way to rehabilitate him after the prequel films. However, Vader Down really takes this into overdrive as Vader finds himself alone on a planet surrounded by a vast army of enemies who are hunting him. While on paper it would seem that Vader is at a disadvantage, this really does not prove to be the case, as Vader tears through everyone who stands between him and Luke, often in some particularly devastating manners. Vader comes across as a massive badass in this comic, and I loved every second of it. From the way that he nearly takes out an entire fleet of Rebel fighters right at the beginning (only being stopped by a Kamikaze attack from Luke), to the continuous and effortless destruction of every Rebel he comes across (note to self: never wear grenades anywhere near a Force user), nothing seems to stop Vader, and it is pretty darn impressive.

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I also love how Vader has some of the best lines in this volume as well, from his response to a request from Aphra to run: “I am a lord of the Sith. They are the ones who should be running”, to his fun response to a Rebel leader who tells him that he is surrounded (shown in the midst of a great full double page spread, just to show how surrounded he is): “All I am surrounded by is fear. And dead men.” However, his best line occurs later in the volume when he engages Commander Karbin in a particularly cool looking lightsaber duel. Karbin, whose enhancements make him resemble General Grievous, is gloating about how much better he is than Vader as he can wield four lightsabers to Vader’s one. However Vader, after throwing a massive statue at him simply responds with: “When you wield the power of the Dark Side one lightsaber is all you need”, which I thought was a pretty badass line, which also reveals why you never see Vader bothering with something more fancy like his Inquisitors do. Needless to say, I thought this portrayal of Vader was very epic and awesome, and it definitely is one of my favourite appearances of this character.

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In addition to the amazing use of Darth Vader in this comic, I thought that the creative teams did a great job including the supporting characters from the Darth Vader series, namely Dr Aphra, Triple-Zero, BT-1, and Black Krrsantan. These four characters are, in manner different ways, all rather fun and evil doppelgangers of some of the key characters from the original trilogy. Black Krrsantan is an ultra-violent Wookie bounty hunter, more concerned with killing and money than saving lives like Chewbacca. Triple-Zero is pretty much a snarkier version of C-3PO who delights in torture and mutilation and has the inbuilt tools to back it up. BT-1 is an astromech like R2-D2, except he is loaded up with all manner of firepower and he has a nasty habit of melting anyone he dislikes, and BT-1 dislikes pretty much everything and everyone. Finally, you have Dr Aphra, who is a notorious rogue and thief like Han Solo, except rather more successful. She is also a fully trained archaeologist who uses that ability to rob tombs for valuable artefacts, essentially making her a cross between Han Solo and Indiana Jones. Vader Down is the first time that the supporting characters from the Darth Vader series actually meet their more iconic counterparts, and the results are extremely entertaining.

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There are quite a few great moments throughout this volume where these two groups of characters come together, and they are all pretty fun. Some of my favourites include an extended brawl between the two Wookies, Chewbacca and Black Krrsantan, as they fight to achieve their opposing goals. This turned into quite a brutal matchup and it definitely does not end in the way that most people would expect. There is another cool scene where BT-1 faces off against R2-D2, who is trying to defend Luke from the evil droids. The two get into a vicious argument of beeps (apparently) and R2-D2 pulls out his built-in taser to fight off his opponents. However, BT-1 is rather better armed, and the sudden appearance of a mass of blasters, missiles, a flamethrower and other assorted weapons from BT-1’s chassis is enough to make R2 run off rather quickly, although he gets a measure of revenge later in the volume. Triple-Zero has a fun time imitating C-3PO at one point in the comic (all it takes is a coat of gold paint) and the subsequent meeting between the two protocol droids does not go well for Threepio (let us just say he gets disarmed).

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My favourite out of all these interactions between the classic Star Wars characters and the new ones established in the Darth Vader series has to be the fun meeting between Han Solo and Aphra. Aphra is probably one of my favourite new characters in the current Star Wars canon (make sure to check out my recent review for A Rogue’s End, the seventh volume of her spinoff series), and her fun sense of humour really shines through in this encounter. There is a pretty funny scene towards the front of the book, when Aphra, researching the members of the main Star Wars cast, sees Han Solo and responds with an uber sarcastic: “Han Solo. The Han Solo. Oh me, oh my. What are we going to do facing Han Solo?” When they subsequently meet, Aphra continues to be unimpressed by Solo, deflating his ego over his apparently insubstantial reputation and managing to scare him with her own name. They two share some rather good verbal barbs before the shooting starts, and I think that the writers came up with the best resolution to this fight, which can only be described as an unintentional and funny draw. Overall, I really loved seeing all these fantastic characters coming together in this volume, and it is an impressive and entertaining highlight.

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While most of the character arcs in this book lean more toward either humour or pure destruction, the writers also did a rather good emotional storyline around Princess Leia. Leia arrives on Vrogas Vas to lead the hunt for Vader, and eventually ends up coming face to face with him. As this is the first time Leia has seen Vader since he stood by and watched the destruction of Alderaan, this proves to be a rather hostile meeting, and Leia is overcome with a desire for revenge and is willing to sacrifice herself and her friends to see Vader taken out. There are some great moments throughout Leia’s scenes in the book as she presents her righteous indignation towards Vader, whose response is less than repentant: “This is not a war, Princess. Wars are for lesser men than the Emperor and myself. This is a series of executions. And yours is long overdue.” All of this gets pretty intense, and Leia actually tries to commit suicide at one point in an attempt to take Vader with her. She is eventually broken out of her mission for revenge thanks to an urgent plea for help from C-3PO, who is watching the rest of their group getting attacked and captured. All of this proved to be a rather powerful and emotional storyline within this volume, and I think its inclusion helped to enhance and elevate the entirely of the comic’s plot.

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I also must highlight how impressive the two separate artistic teams were, as both groups of artists come up with some fantastic sequences in Vader Down. As I mentioned above, the issues alternate throughout the volume, and as a result the artistic style of the comic changes with each new issue. There is a rather distinctive difference in the designs and illustrations of the two separate teams, and it proved interesting to jump between these styles each issue. I liked both unique art designs and colourations (with perhaps a slight preference towards the Darth Vader comics style), and I think that they all did an excellent job of portraying the epic story. It actually proved to be rather intriguing to see the separate teams have a go at drawing some of the characters who usually appeared in their counterparts’ comics, and it was also cool to see sequences that lasted more than one issue (such as the lightsaber duel between Vader and Karbin) go through some stylistic changes with each changing issue. There are a huge number of amazingly drawn scenes throughout this comic, although I think the best highlights had to include the extremely impressive starfighter battle in the first issue, with all the blaster bolts and explosions occurring out in space. Other cool scenes included a sudden spaceship crash in the final issue and a series of explosions and lightsaber work in the front of the volume’s second issue. I also liked how both teams of artists utilised the desert landscape of Vrogas Vas in their drawings; the constantly swirly dust really helped to enhance some of the battle scenes in this book and bring a sense of movement and a planet disturbed by violence and death. As a result, I think that both teams of artists did an outstanding job throughout the comics that made up Vader Down, and it certainly helped to enhance the epic experience I had reading this crossover volume.

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Vader Down is an immensely cool and exhilarating Star Wars comic that serves as an impressive crossover between two excellent comic book series. This combination of the Star Wars (2015) and the Darth Vader comics proved to be deeply entertaining and it is a clear example of how awesome the Star Wars extended universe can truly be. An absolute blast from start to finish, with non-stop action, eye-catching artwork and some clever character work, Star Wars: Vader Down is a must-read comic for all Star Wars fans and I cannot recommend it highly enough.

Star Wars: Target Vader

Star Wars - Target Vader

Publisher: Marvel Comics (Paperback – 11 February 2020)

Series: Standalone

Writer: Robbie Thompson.

Artists: Marc Laming (#1), Cris Bolson (#1, #5), Stefano Landini (#2-4, #6), Marco Failla (#5), Roberto Di Salvo (#5-6) and Georges Duarte (#6)

Colour Artists: Neeraj Menon (#1-4, #6) and Rachelle Rosenberg (#5-6), with Jordan Boyd (#1), Andres Mossa (#1), Federico Blee (#1, #4), Erick Arciniega (#1) and Giada Marchisio (#4).

Letterers: VC’s Clayton Cowles (#1) and Joe Caramagna (#2 – 6)

Length: 136 pages

My Rating: 4.25 out of 5 stars

Have you ever wondered what would happen if a bunch of crazy bounty hunters went after Darth Vader? Wonder no more, as writer Robbie Thompson and a massive artistic team present Star Wars: Target Vader, a fun and action-packed adventure comic that sets a dangerous team of bounty hunters against the Dark Lord of the Sith.

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There is a new criminal organisation dominating the known galaxy, calling itself The Hidden Hand. This nefarious and secretive group smuggles and sells weapons across all of Imperial Space, and while this might ordinarily be tolerated or barely noticed by the Empire, one of The Hidden Hand’s biggest clients is the Rebel Alliance, and this has attracted the worst kind of attention, in the form of Darth Vader. Vader has made it his mission to wipe out any trace of The Hidden Hand, and he has started scouring the galaxy for them, brutally destroying anyone who has had any contact or dealings with them.

Desperate to save themselves from a violent and painful death at the hands of Vader, The Hidden Hand attempt to turn the hunter into the hunted by hiring a group of bounty hunters to go after the evil Sith Lord. The man they choose to lead this suicidal mission is the notorious Beilert Valance, a former dedicated imperial soldier turned unscrupulous bounty hunter. Valance has a long and complicated history with the Empire, and he eagerly jumps at the chance to take a shot at Vader.

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Valance finds himself in command of a crack team of bounty hunters, each of whom bears a grudge against Vader or the Empire and is willing to do anything to get their target. However, Vader is no ordinary quarry, and it will take far more than brute strength and firepower to take him down. Valance will need to make use of every ounce of skill and determination he has if the team is to succeed in their mission and kill the unkillable. But everyone involved on this mission has a secret. Who can really be trusted, and can a divided team truly bring down the most feared and dangerous man in the known galaxy?

This comic was written by Robbie Thompson, who is probably best known as a screenwriter for Supernatural, having written several excellent episodes between season 7 and 11 (including the 200th episode, which was an awesome meta musical). Thompson has moved to comic book writing in recent years, having written several series for Marvel Comics including Silk, Spidey, Dr Strange, the Solo comic adaption and Han Solo – Imperial Cadet. Target Vader also features a substantial team of artists, colour artists and letterers who helped this fun story jump off the page. The Target Vader collected edition contains issues #1 – 6 of the Target Vader limited series, which is set just before the events of The Empire Strikes Back.

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Target Vader is a fantastic and enjoyable comic that I had an excellent time reading. Pretty much the moment I heard that this series was going to feature a group of bounty hunters going after Darth Vader, I knew that I had to grab it and check it out (I mean frankly, who could possibly resist such a cool concept). The creative team behind this great comic did an amazing job bringing this exciting concept together and turning it into such an awesome read, with some impressive action sequences, an intriguing look at the criminal underbelly of the Star Wars universe and a great overall story.

This was an excellent standalone comic book series, which most fans of Star Wars fiction are going to enjoy. No real familiarity with the extended Star Wars universe is required to appreciate this story; all you really need to know is that Darth Vader is a badass, the Empire is evil, bounty hunters are crazy scum, and you are going to have an entertaining time watching Vader go up against some dangerous criminals. That being said, those readers who are familiar with the expanded universe are going to get a lot more out of this comic than more causal fans, especially as it presents the reader with a great look at the bounty hunters and criminals that inhabited the galaxy during the events of the original trilogy. This will also be an interesting lead-in comic to the new ongoing Star Wars comic series, Bounty Hunters, which will also feature Valance as a lead character, and which will be set after the events of Target Vader (the Bounty Hunters series is going to be set between The Empire Strikes Back and Return of the Jedi).

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I have to say that I really enjoyed the cool story that Thompson came up with for Target Vader. As I have mentioned above, the entire scenario for this comic is pretty awesome, and it ended up producing a compelling tale of betrayal, revenge and redemption, as the various main characters each try to achieve their own goals. I liked the places this story went, and there are some fun double-crosses and betrayals set throughout this colourful landscape of the Star Wars universe. Aside from the central characters of Valance and Vader, the creative team filled this comic with a great array of side characters, including a primitive tracker; a crazed, four gun wielding slicer; a Tusken Raider sniper; and of course Dengar, the turban-wearing bounty hunter who was part of the group Vader hired in The Empire Strikes Back, and who has featured heavily in both expanded universes after the film. This diverse group of bounty hunters come together as an intriguing and entertaining team, and they nearly succeed in their mission with their unique skills. Vader of course comes across as a total badass in this comic, which is always fun to see, and I really enjoy comics that showcase this iconic villain. There is so much to love about this amazing story, and readers are guaranteed an exciting team exploring the cool narrative within this comic.

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Target Vader also features a rather intriguing central character in Beilert Valance, the cyborg bounty hunter who leads the team against Vader. Valance is a character with an interesting past in Star Wars lore as he originally appeared many years ago in a Star Wars Legends comic, where had an excellent character arc. He has the distinction of being one of the few expanded universe characters from the Legends era who has been reintroduced into the new Disney Star Wars canon. Thompson is actually the writer who brought this character into the current canon, as he was first shown in the comic adaption of Solo: A Star Wars Story, and subsequently formally identified and strongly featured as a character in Han Solo – Imperial Cadet. In his latest appearance, Thompson does a deeper dive into his character, showing off a past full of fire, combat and death, as well as examining his motivations and his drive to keep on fighting no matter what. There are some interesting surprises involved with his actions in this limited series, I liked seeing his complex history with Vader, the Empire and other organisations featured within the comic. Valance is also shown to be a crafty and skilled individual who is actually a threat to Vader. His whole plan to assassinate Vader is rather clever, and the way that he is eventually able to outsmart everyone is pretty cool. Overall, Valance served as an excellent central character for this book, and I look forward to seeing more of him in the upcoming Bounty Hunters comic (Valance and Boba Fett should be a fun combination).

I also enjoyed the fantastic artwork that is shown throughout Target Vader. As you can see from the breakdown of contributors at the top of this review, this comic features the talents of a huge range of different artists, and there are some varied collaborations on each separate comic issue. Now I have to admit that I’m not the biggest fan of having so many artists contributing to one single series and I personally like a bit of consistency, but this great team (some of whose work I have seen before in comics such as Doctor Aphra, Vader: Dark Visions and Uncanny X-Men – Wolverine and Cyclops), did some amazing work in Target Vader, illustrating some awesome and action-packed sequences. There are some great explosive scenes featured within this volume, and these artists did an outstanding job showcasing all the intense action that occurred as part of the story. The artistic highlight of Target Vader has to be the massive and exciting fight between Vader and the bounty hunters, which was really cool to see. I also really enjoyed all the character designs featured within the volumes, and this team made sure to feature a number of the distinctive Star Wars alien races throughout the comic. All of this amazing artwork really enhances the enjoyable story, and readers are in for an intense visual treat with this comic.

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Target Vader is an awesome and deeply exciting limited series which I had a really fun time reading. This fantastic comic features an excellent story, some impressive artwork and a bunch of great characters, all of which comes together for a captivating and enjoyable piece of Star Wars fiction. I look forward to seeing more Star Wars bounty hunter adventures in the future, and this is a wonderful and recommended read for those Star Wars fans looking for something fast-paced and very entertaining.

Star Wars: Doctor Aphra: Volume 6 – Unspeakable Rebel Superweapon

Doctor Aphra Unspeakable Rebel Superweapon

Publisher: Marvel Comics (Paperback – 10 December 2019)

Series: Doctor Aphra – Volume Six

Writer: Simon Spurrier

Pencilers: Wilton Santos, Caspar Wijngaard, Andrea Broccardo and Cris Bolson

Inkers: Marc Deering, Walden Wong and Scott Hanna

Colour Artists: Chris O’Halloran and Stephane Paitreau

Letterer: VC’s Joe Caramagna

Length: 112 pages

My Rating: 5 out of 5 stars

The most devious woman in the galaxy, Doctor Aphra, is back, and she’s got both side of the Galactic Civil War gunning for her in the sixth volume of one of the best Star Wars series out there. I have been meaning to review this volume since it first came out in December. However, I just picked up the seventh and final volume of the current run of Doctor Aphra, so I thought I would quickly review this volume first before I get around to that.

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Doctor Aphra is one of the few ongoing Star Wars comic book series that has been released in the last couple of years, and in my opinion it is one of the strongest Star Wars series out there. The Doctor Aphra comics are set in the period of time between the fourth and fifth Star Wars films (A New Hope and The Empire Strikes Back), and follow the adventures of Doctor Chelli Aphra, renowned archaeologist, adventurer and master criminal. Aphra is an original character who was introduced in the first volume of the 2015 Darth Vader series, Vader, where she served as Darth Vader’s secret agent. Following the conclusion of the Darth Vader series, Aphra, who proved to be a very popular character, received her own spin-off series, which followed on after the events of Darth Vader and feature Aphra as she attempts to make money while trying to ensure Vader doesn’t find out that she is still alive. This series was initially written by one of the original creators of the Doctor Aphra character, Kieron Gillen, however, the second half of the series has been written by Simon Spurrier. Spurrier is the sole writer of this sixth volume of Doctor Aphra, which also features the artistic talent of a several talented artists.

In Unspeakable Rebel Superweapon, Aphra is up to her old tricks again. Despite only recently recovering from a life-threatening injury, Aphra has taken on a dangerous job robbing an alien robot death cult shrine with the help of her new sidekick and ward, Vulaada. However, while aboard the shrine, Aphra notices an ancient Jedi weapon, a sniper rifle that utilises lightsaber technology to kill opponents from vast distances. Unable to help herself, Aphra steals the rifle, starting a chaotic chain of events across the galaxy.

Already extremely unpopular with the Empire, this theft pops Aphra to the top of their most wanted list with a hefty bounty placed on her head. Captured by the Rebel Alliance first, Aphra learns that her stolen rifle is the key to a secret rebel superweapon that they plan to use to assassinate the Emperor. Sensing an opportunity to make some money and permanently get the Empire of her back, Aphra recruits her old associate, the Wookiee Black Krrsantan, in order to steal the rifle back from the Rebels. However, this puts her into conflict with her ex-girlfriend, Captain Tolvan, who is now working for Rebel Intelligence.

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As Aphra recovers the rifle and flees to the Empire, she finds herself face to face with the mysterious Imperial Minister for Propaganda and Misinformation, Pitina Voor, the woman behind the latest Imperial manhunt for Aphra. Voor has plans for her, and Aphra is right in the middle of a vast scheme involving both the Rebels and the Empire. However, no plan has ever survived contact with the good doctor, especially when Aphra has revenge on her mind.

Unspeakable Rebel Superweapon was a superb and outstanding addition to the excellent Doctor Aphra comics, and this might actually be one of the strongest volumes in the entire series. Author Simon Spurrier tells a tight and compelling story within this volume which not only dives back into the past of the series’ titular character but which also showcases new elements of both sides of the Galactic Civil War. You also see the welcome return of several of the best characters from the series, such as Black Krrsantan and Aphra’s love interest, Captain Tolvan, as well as the introduction of an intriguing new antagonist. Featuring issues #32 – 36 of the Doctor Aphra series, this volume is a riot from start to finish (hell, the last two pages are the best in the entire volume), and I really loved the captivating tale that Spurrier wove together in these issues, especially as it features the series trademark dark humour and the focus on its self-destructive and conniving main character.

At the centre of Unspeakable Rebel Superweapon lies an amazing narrative of schemes, plots and lies as Aphra is hunted and manipulated by elements of both the Empire and the Rebel Alliance. Thanks to a recent archaeological theft, Aphra is thrust into the midst of a Rebel conspiracy to kill the Emperor and must decide what to do. Of course, Aphra being Aphra, she goes with the course of action that benefits herself the most and ends up backstabbing and manipulating both the Rebels and the Empire. This leads to some great scenes, including a heist aboard a Rebel spaceship and a sequence where Aphra hacks the entire Imperial communications system in order to sing her praises as an Imperial hero in order to avoid a summary execution. However, not everything is as it seems as the various sides are all trying to manipulate Aphra to their own ends, which results in a surprising number of different twists and turns (or as one character puts it “that is the most convoluted plan I’ve ever heard”). It was fascinating to see Aphra, the ultimate manipulator, being played by so many different sides, each of whom thinks they know how she is going to react. Aphra manages to end up on top, but it was cool to see the various ways she managed to get to the bottom of the plans surrounding her and use it to her own ends. Her motivations for doing so were really compelling, and it was amazing how the creative team had been building up to them throughout the course of the book. Of course, it doesn’t all end up Aphra’s way, and the end result of her schemes sees her come full circle to the last place she wants to be. This all makes for one hell of thrilling main storyline of intrigue and deception, and I really loved where all the twists and turns went.

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Just as with the rest of the entries in this series, one of the best things about the Doctor Aphra series is the titular character herself. Aphra is a complex and haunted character who seemingly lacks a moral code and will only do what is in her own best interest. The character has a rather flippant and disrespectful attitude, and most of this volume’s amazing humour is down to her clever quips and humorous observations amongst the more serious Star Wars characters. One of the things that I have really enjoyed about the Doctor Aphra series has been the examination of Aphra’s self-destructive tendencies and the way that she makes the lives of everyone she comes into contact with worse. This is continued once again in Unspeakable Rebel Superweapon, as she runs from one bad situation to the next, with her every action making her life and the lives of those around her infinity more miserable and more complicated, which makes for some very dramatic and emotional sequences. This is such an expected trait that many of the characters who Aphra has dealt with in the past or who have studied her actually expect her to make these bad or selfish decisions, and I really liked the way that this was a central plot point in the intrigue and espionage storyline. I also loved Aphra’s interactions with her love interest, Captain Tolvan, especially because, during their last meeting, Aphra purposely altered her memories to make her believe she had killed Aphra in a jealous rage. While Aphra did this with the best of intentions (it was the only way to save both Aphra and Tolvan from Vader), this has obviously had a major negative impact on their relationship, and Tolvan now actively loves and hates Aphra in equal measure and apparently has zero trust in her. This is one of the many things haunting Aphra in this volume, as she clearly knows the damage she has done to woman she loves: “I broke her heart. She’s too smart to ever help me again.” Of course, this fraught relationship is another part of the intrigue surrounding Aphra, and it was rather clever the ways in which both sides tried to manipulate Aphra through it.

In addition to the all the awesome character work happening with Aphra in the present, the readers of this volume are also treated to a look back at the characters past. In particular, you finally get to see Aphra’s mother for the first time and learn the tragic circumstances around her death. This has been hinted at for some time, all the way back to the second volume of the 2015 Darth Vader series, Shadows and Secrets. As a result, it was great to finally see the full extent of this character background, and it was fascinating to see what happened and how this has impacted on the personality of Aphra. I enjoyed the way in which the scenes from the past were mirrored in the scenes from the present, and I really liked the similarities in the way that Aphra was raised with the harsh way she is treating her new ward, Vulaada. I was also impressed by the way in which seemingly innocuous details from Aphra’s past suddenly had a big impact on her current story, and the creative team did a great job hinting about these impacts throughout the entire volume. All of this helps build up a much more complex story around the character that is Aphra, and I found this dive into her past to be extremely compelling.

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I also need to say how much I loved the parts of this book that featured Darth Vader, whose villainy and hatred for Aphra shine through in the few short scenes that he has. Aphra and Vader have a complicated history together, and Vader is desperate to kill Aphra once and for all (she’s faked her death on him a few times already), as she is the only living person in the galaxy who knows about his obsession with Luke Skywalker and his plans to overthrow the Emperor. Vader has two sequences in this book, both of which revolve around his determination to kill Aphra, no matter the perceived costs. While the first is really good, mainly due to Vader answering an Imperial officer’s request to state his rank with “Lord”, nothing quite beats the second appearance on the last two pages of the volume. After apparently beating all of her opponents, Aphra is sure of her safety due to her status as an Imperial hero, right up until Vader appears, lopping off heads with his lightsaber. The moment Aphra sees him, she knows she and Vulaada are dead, and she immediately hugs Vulaada and gets her to close her eyes. I really loved this scene, especially the resigned way in which she responds to Vulaada’s frantic belief that them being heroes is going to save them with “he doesn’t care”. This was a pretty outstanding end to the entire volume, and it was amazing to see the next chapter of the turbulent relationship between Aphra and Vader.

The Doctor Aphra series has always done a great job showing off several different sides of the Star Wars universe, including giving a closer look at parts of its criminal underbelly and its archaeological sector. However, in this book, we get to see new sides of both the Empire and the Rebel Alliance. In particular, we get to see the Empire’s Coalition for Progress, a sinister organisation led by new antagonist Pitina Voor that is dedicated to expanding and maintaining the Empire through manipulation, trickery and propaganda, rather than brute force. This is rather fascinating inclusion into the canon, and it was rather interesting to see a whole new side to the way that the Empire controlled the galaxy. Voor is also a rather intriguing character, with a unique vision for how the Empire should be run and maintained, and it was kind of fun to see her gripe about the PR problems that occur when you are being ruled by Sith Lords (I had to agree, the Emperor really isn’t adequately loveable). They also have a rather nifty little museum dedicated to some of the Empire’s greatest victories and propaganda coups, which the artistic team filled with several Easter eggs. I was also rather impressed by the way that the creative team explored the darker side of the Rebel Alliance by examining the covert and morally ambiguous actions of their intelligence agency. This is something that has been explored before in some other Star Wars entries, such as in Rogue One, but this volume of Doctor Aphra takes it to a new extreme with Rebel Intelligence apparently plotting to build a miniature Death Star in order to take out the Emperor and win the war. I rather liked this darker side of the Rebels, and it was interesting to see more of a Rebel organisation that uses less moral tactics to achieve their goals.

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Unspeakable Rebel Superweapon features the work of several different artists, each of whom worked on a couple of different issues within the volume, which results in an interesting combination of styles. This means that this volume of Doctor Aphra contains a range of different art styles and techniques across the various issues. I actually liked the myriad changes that occurred issue to issue, and it was fantastic to see the different styles and artistic ideas that this large team produced. This volume contains some rather impressive and beautifully drawn scenes and sequences, which fit perfectly around Spurrier’s compelling story and which work really well together. The end result is a fantastically drawn and executed comic, which is a delight to look at.

This sixth volume of the always entertaining and incredible Doctor Aphra series, Unspeakable Rebel Superweapon, is an outstanding addition to the series, and it is one that I had an amazing time reading. This volume contains a complex plot of intrigue and doublecrosses, which sets the loveably dysfunctional protagonist down another road of self-destruction and manipulation in order to survive. Filled with some excellent and memorable story moments, and an incredible conclusion to this volume’s key storyline, Unspeakable Rebel Superweapon is relentlessly entertaining and endlessly captivating, and I had an absolute ball unwrapping it. A highly recommended read; if you have not read any Doctor Aphra yet, then you are missing out!

Throwback Thursday – Star Wars (2015) Volume 1: Skywalker Strikes by Jason Aaron and John Cassaday

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Publisher: Marvel Comics

Publication Date: 6 October 2015

Length: 160 pages

My Rating: 5 out of 5 stars

Reviewed as part of my Throwback Thursday series, where I republish old reviews, review books I have read before or review older books I have only just had a chance to read.

I think it is fair to say that I have been in a real Star Wars mood lately. Maybe it is because of the imminent release of the final movie in the Skywalker Saga, Star Wars: The Rise of Skywalker, or perhaps it is because The Mandalorian is such an awesome TV show. Whatever the reason, I have been reading and reviewing quite a few Star Wars books and comics lately. For example, I am currently listening to Star Wars: Force Collector, I reviewed Tarkin last week and I recently read and reviewed Resistance Reborn and Vader: Dark Vision. As a result, I thought that this week would be a good time to do a Throwback Thursday on the first volume of the 2015 Star Wars comic book series, Skywalker Strikes, which did an outstanding job of introducing an extremely exciting ongoing comic series.

The Star Wars comic book series was started in 2015 and follows the adventures of the protagonists of the original Star Wars trilogy. Set shortly after the events of A New Hope, this series attempts to fill in the three years between the first film and The Empire Strikes Back. The Star Wars comics originally ran concurrently with the Darth Vader (2015) comic series until that series ended, and then proceeded to run alongside the Doctor Aphra comics. The Star Wars series ran for 75 issues and has only recently concluded. A sequel series with the same name is set to begin in early 2020, which will follow the events between The Empire Strikes Back and Return of the Jedi.

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Volume One of Star Wars begins shortly after the destruction of the Death Star. With the Empire in turmoil following the destruction of such a major weapon, Rebel Alliance members Luke Skywalker, Leia Organa, Han Solo, Chewbacca, C-3PO and R2-D2 use the chaos to infiltrate a key Imperial weapons factory. While they are able to destabilise the factory’s reactor core and free its slave labour force, the Rebels are unprepared for the unexpected arrival of Darth Vader.

Attempting to complete their mission while also trying to kill Vader, the Rebels find themselves hopelessly outmatched by the Dark Lord of the Sith, who is determined to capture the Rebel who blew up the Death Star. Not even Luke, with his newly discovered Jedi abilities, is able to stand up to Vader, and the Rebels barely manage to escape with their lives.

Frustrated by his failures against Vader, Luke decides to take a leave of absence from the Rebel Alliance and returns to Tatooine to contemplate his future. Travelling to the house where Obi-Wan Kenobi lived in exile for years, Luke hopes to find something that will guide him. Instead he finds himself walking into a trap, as the bounty hunter Boba Fett is lying in wait. At the same time, Leia talks Han into a scouting mission for the Rebels, but their simple mission soon attracts the wrong sort of attention. Who is the mysterious woman hunting Han, and why is claiming to be his wife?

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Skywalker Strikes, which is made up of Issues #1-6 of the Star Wars series, contains an outstanding story, fantastic artwork and some of the most insane Star Wars action sequences that you will ever see. The team of Jason Aaron and John Cassaday, have done an amazing job on this comic, and this first volume does a wonderful job starting off this long-running series. While all the issues in this volume are connected together pretty well, I would say that there is a distinctive break between Issues #1-3 and Issues #4-6. Issues #1-3 focuses solely on the protagonist’s attack on the weapon facility, while the last three issues feature some more independent adventures from some of the series’ various characters, as each of them is searching for something.

The sequence contained within Issues #1-3 is just incredible, and it is easily my favourite part of the entire series. What starts as a fun infiltration of an Imperial facility quickly devolves into utter chaos as Darth Vader enters the mix. What then follows is nearly three whole issues of action, explosions, fantastic first meetings and all manner of destruction as the Rebels desperately attempt to escape the factory. While all the characters involved in this part of the comic are really good, I have to say that Vader steals the show as the indestructible villain. This was actually one of the first pieces of fiction in the new Disney Star Wars canon that shows off how amazing Vader could truly be, and it is pretty darn awesome. Pretty much from the first instance he appears, he shows off the full extent of his powers by throwing stormtroopers in front of a sneak attack from Chewbacca, and then by starting to crush an AT-AT with the force. He then subsequently survives a full-on blast from the AT-AT’s cannons and hacks it to pieces with his lightsaber. He also cuts through a bunch of escaping slaves and shows his intense displeasure to his subordinates in a number of destructive ways, including twisting a stormtrooper’s head 180 degrees with the force (to be fair, he did catch sight of Vader without his helmet) and choking a Star Destroyer captain from an insane distance. I can also not be the only person who cracked up at Vader very quickly destroying an Imperial Officer moments after he said “Lord Vader will have my….” (spoilers, he was going to say head, and Vader really did). All of this destruction and action was essentially pure awesome, and I loved every second of it.

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In addition to all the action in this part of the book, there are also some major moments in Star Wars history that fans of the franchise are really going to enjoy. For the one thing, it actually has the first face-to-face confrontation between Luke and Darth Vader. This scene is handled extremely well. Luke, still believing that Vader is the one responsible for the death of his father, jumps at the chance to get revenge. However, as Luke runs towards Vader’s location full of confidence, he hears the disembodied voice of Obi-Wan Kenobi telling him to run. This is advice that Luke really should have taken; Vader, after berating Luke for his obvious lack of skill with the lightsaber, rather easily disarms him. While getting ready to kill Luke, Vader notices that the lightsaber he has taken off him is the very one he used to wield as Anakin Skywalker, which obviously raises some issues within him. As events at the factory spiral out of control, Luke is able to evade Vader, who starts to grow slightly more impressed by his skills. As Luke makes his escape, Vader realises that he is not only the pilot that destroyed the Death Star but also Kenobi’s last great hope. Still not fully realising the identity of the boy he just encountered, Vader rather vindictively promises to corrupt him to his purposes. All of these events are pretty incredible moments in Star Wars history, and I think that the creative team did an outstanding job introducing them in this new canon. The initial face-to-face showdown between the main protagonist and villain of the original Star Wars trilogy is a pretty significant moment, and I really loved how it was shown. The hints at the hidden history between the two are great, and the initial realisations from Vader that there is more to Luke than he realises are fantastic. I also liked how the creative team showed Luke as having no real skill with the lightsaber or the force. Considering that he only had about an hour of training with Kenobi, it really isn’t that surprising that he has no lightsaber abilities, so this is a pretty clever and realistic inclusion, especially as a good part of the following Star Wars comic series deals with some of the earliest days of his training. While these events are probably not the most significant to occur in this volume (more on that later), they are incredibly intriguing and any fan of the Star Wars franchise is going to love it.

The last three issues of Skywalker Strikes are also very entertaining, though less action-packed, since the creative team has opted instead for storytelling and showing off the state of the Empire and Rebel Alliance. While a despairing Luke sets off to find answers, Han and Leia set off to find potential locations for a new Rebel base, while Vader has a meeting with Jabba the Hut. There are some really interesting aspects to this part of the story, from the growing hopelessness in Luke as he begins to realise how far he is from becoming a Jedi, to Vader’s sudden obsession with capturing Luke, to the growing hints of romance between Han and Leia, disguised at this point as antagonism. However, I would say that it’s the newcomers to the comic series, Boba Fett and Sana Solo, that are some of the best parts of the last three issues of the volume. Fett, who has long been a fan favourite despite his complete underutilisation in the movies, shines as the badass bounty hunter as he scours Tatooine for Luke, eventually finding out all about him through some very violent means. This leads to a pretty fun showdown between Boba and Luke, as Boba ambushes him at Kenobi’s house and easily incapacitates him and R2-D2 with his cool array of weapons and tactics. It is only thanks to Luke’s first close-combat use of the force that he is able to escape, as he successfully blocks a blaster bolt while blinded (a nice homage to the training sequence from A New Hope) and moves an item with his mind. All of this was a pretty entertaining showdown, and I loved seeing Fett in action for once. We also have the mysterious Sana Solo, who has a pretty fantastic takedown of some Rodian thugs with a great piece of technology and a ruthless demeanour. She is later able to track down Han and Leia, absolutely terrifying Han before dropping one of the biggest bombshells of the book: that she is Han’s wife. While this is not explored in any great detail in this volume, it is an excellent introduction for this great character, who goes on to become a fairly major figure in the current Star Wars canon. As a result of all of this, the second half of the volume holds up pretty well to the action-packed first half, and there are plenty of major scenes, including the very big ending.

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While I did really like the second part of this volume, the best way to appreciate it fully is if you understand its connection to the Darth Vader (2015) series of comics. The Darth Vader series was launched right on the heels of the Star Wars comics and it is actually set in the aftermath of the first three issues of this volume. In the first issue of this concurrent comic, it is shown that Vader has actually started going rogue on the Emperor and is making his own deals with Jabba the Hutt, before the formal discussion he has with Jabba in Issue #4 of the Star Wars series. This actually clears up the somewhat cryptic discussion he has with Jabba later in the issue, where they talk about the bounty hunters he has hired, and also shows the point where he actually tasked Boba Fett with finding Luke. While none of this is absolutely vital when it comes to fully understanding the plot of Skywalker Strikes, it is interesting to see that some of the referenced events occurred in another series. However, the main reason why readers should try to understand the connection between this comic and the Darth Vader series is in the epic conclusion both of them share, where Vader learns the last name of the boy he has been hunting. Both Issue #6 of Star Wars and Darth Vader were actually released on the same day, so readers of both series were able to see this scene at the same time. The two scenes are shown in a slightly different light in each series. It is expanded a bit more in the Darth Vader series, as it plays into the feelings of resentment towards the Emperor that have been building in Vader through the series. However, I quite liked the simpler version in Issue #6 of Star Wars, as the slow-boiling rage and anger within Vader is pretty obvious, as he takes a whole page to fully react, cracking the glass on a Star Destroyer and simply whispering, “Skywalker”. As a result of this connection, the Star Wars and Darth Vader series complement each other extremely well, and I would strongly recommend reading both pretty close together. However, no matter which series you read, the sequence showing the moment where Vader realises that his son is still alive and a Jedi is pretty darn epic and really memorable.

It could be argued that splitting this volume into two separate storylines was an interesting choice from the book’s creative team. I imagine that six issues focused on the attack on the Imperial weapons factory would have been pretty epic (just imagine how much more destruction Vader could have wrought). However, I personally think they did the right thing by splitting the story and showcasing the aftermath of this action. This way you not only get the intense action of the first few stories but you also get to see the consequences of the mission, and all the implications this has for the wider Star Wars universe. In addition, there is also quite an intriguing set up for several key moments in the upcoming series as a whole, a whole new fight between Luke and another iconic Star Wars character in Boba Fett, and some amazing connections with a sister series. I really liked how the story of the entire volume came together, and I think it was an outstanding way to start this excellent series.

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I have to say that I was also really impressed with the awesome artwork that was featured in this first volume. The artwork was drawn by John Cassaday, and featured Laura Martin as the colourist. It is pretty amazing the way that Cassaday was able to capture the faces of the core original trilogy cast members with his artwork. Luke, Leia and Han all look really good to my eye in this volume, and the artist has also done some great renditions of other existing characters, such as Vader, Boba Fett and Jabba the Hutt. In addition, I really enjoyed all of the marvellous and exhilarating action sequences that they artistic team portrayed throughout the volume. These action scenes, especially the ones featuring Vader at the start of the book are just incredible, and I really loved seeing all the fantastic and creative violence. In addition to all the action, there are a number of scenes where the artwork helps to enhance the emotions and hidden meaning of a scene, and I will always love the way that they portrayed the closing moments of this volume. This was some first-rate Star Wars comic book art that is really worth checking out.

As you can see from the above review, I really loved this first volume of the Star Wars (2015) comic book series. The amazing creative team behind this first volume did a fantastic job with the first six issues that make up Skywalker Strikes, producing an extraordinary story which is complimented by a connection to another series and some exceptional artwork. This volume is a fantastic introduction to the flagship comic book series of the Star Wars franchise, and it comes highly recommended. No great knowledge of the expanded Star Wars canon is required to enjoy it, and indeed this may prove to be an effective gateway to the greater Star Wars universe. This gets a full five stars from me, and I am so very glad I decided to check out the Star Wars comic book series this year.