Star Wars: Reign of the Empire: The Mask of Fear by Alexander Freed

Publisher: Penguin Random House Audio (Audiobook – 25 February 2025)

Series: Reign of the Empire – Book One

Length: 16 hours and 51 minutes

My Rating: 4.5 out of 5 stars

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One of the top authors of Star Wars extended fiction, Alexander Freed, presents a compelling and complex inclusion to the franchise with The Mask of Fear, a powerful Star Wars novel that is a must-read before the upcoming second season of Andor.

There are some impressive authors writing Star Wars fiction at the moment, but one of my favourites is Alexander Freed, primarily because of his Alphabet Squadron trilogy.  An awesome series that followed a group of New Republic pilots in the immediate aftermath of Return of the Jedi, the Alphabet Squadron novels (Alphabet Squadron, Shadow Fall and Victory’s Price), are amongst some of my favourite Star Wars books, and I loved Freed’s dark take on the universe following the happy ending of the original trilogy.  As such, I was very intrigued when I heard that Freed was working on a new Star Wars trilogy set during one of my favourite periods of the franchise’s history, with the cool Reign of the Empire trilogy.

The Reign of the Empire trilogy is an ambitious series that seeks to chronicle the rise of the Empire and provides some cool new history in the current Disney canon.  Set immediately after Revenge of the Sith, the Reign of the Empire follow several key supporting characters from the films, as well as some new figures, as they attempt to navigate the galaxy following the formation of the Empire.  The first book in this series, The Mask of Fear, proved to be extremely fascinating, and I loved the compelling direction that Freed took the story.


Plot Synopsis:

Before the Rebellion, the Empire reigns, in book one of a trilogy told through the eyes of Mon Mothma, Bail Organa, and Saw Gerrera – for fans of Andor.

“In order to ensure the security and continuing stability, the Republic will be reorganized into the first Galactic Empire! For a safe and secure society!”

With one speech, and thunderous applause, Chancellor Palpatine brought the era of the Republic crashing down. In its place rose the Galactic Empire. Across the galaxy, people rejoiced and celebrated the end to war—and the promises of tomorrow. But that tomorrow was a lie. Instead the galaxy became twisted by the cruelty and fear of the Emperor’s rule.

During that terrifying first year of tyranny, Mon Mothma, Saw Gerrera, and Bail Organa face the encroaching darkness. One day, they will be three architects of the Rebel Alliance. But first, each must find purpose and direction in a changing galaxy, while harboring their own secrets, fears, and hopes for a future that may never come, unless they act.


The Mask of Fear
was another impressive and unique Star Wars novel from Freed, who sought to bring together a complex narrative of early rebellion and fear, as various people witness the rise of a tyrannical government.  Clever, intense and cleverly addressing some real-world parallels, The Mask of Fear was extremely good, and it served as a brilliant start to an excellent new Star Wars trilogy.

Freed produced a particularly intricate and complex narrative for The Mask of Fear that really sets the scene for the trilogy in a fantastic character-driven read.  I must warn potential readers that this is a very slow-burn narrative, with a focus on politics, character development, and Star Wars lore, and as such the book doesn’t have a ton of action in it at the start.  Instead, Freed follows the experiences of several different characters as they face the early days of the Empire’s rise and the end of the Clone Wars, with the narrative broken down across several character perspectives, including Mon Mothma, Bail Organa, a former Separatist operative who is forced to team up with Saw Guerra, and a couple of Imperial spies who find out the hard way that their Empire isn’t everything it’s cracked up to be.  This interesting combination of characters allows The Mask of Fear to go in a few compelling directions, including a political narrative around Mon Mothma, an adventure-laden investigation by Bail Organa, who tries to prove that the Jedi was set-up by the Emperor, a dark journey of revenge by the former Separatist, while the two spies find their stories interacting with the other characters as they try to investigate them.

As I mentioned above, the first half of The Mask of Fear is a little dry and slow-paced, but it nicely explores the universe after Revenge of the Sith and provides some dark context to how the Republic was changed into the Empire.  Mon Mothma’s story lies at the heart of the book, as she tries to bring about a legislative end to the Emperor’s reign, and this compelling political tale meshes well with the more action focused or espionage laden chapters of the other protagonists.  Things start to get a lot more interesting and intense once some of the characters start to interact with each other, including with a few action sequences, and Freed ensures that narrative gets realistically dark as you begin to understand the full evil of the Empire.

Everything leads up to the climatic final third of The Mask of Fear, where most of the major storylines of the book start to come together.  Thanks to the complicated story elements Freed set up in the earlier stages of the book, the reader finds themselves quite hooked at this point, especially as the characters find themselves in real peril.  I really enjoyed how Freed wrapped up a couple of the story arcs in The Mask of Fear, especially in one scene were a previously moral character finds the dark side of conflict.  Freed rewards the reader by providing a big moment of hope towards the end of the book, although this is swiftly taken away just to highlight what sort of Star Wars series this is going to be.  I really enjoyed this final section of the book, as the dark result of all the character’s plans galvanises them and leads them into a new direction.  I felt that this story came together extremely well, and while it was initially a little hard to get invested in it, Freed’s excellent establishment of the characters, narrative and overarching setting, ensured that it became a really gripping narrative.

The Mask of Fear was a very well-written novel from Freed, who expertly sets up a cool new Star Wars novel trilogy with some intriguing disparate elements to it.  The blend of politics, intrigue and action made for quite a compelling read, and I felt the author’s excellent use of multiple character perspectives led to a very rich and complex read that hit a lot of great boxes for me.  In addition, Freed does an amazing job placing this into the larger Star Wars canon, especially as he spends a lot of time exploring the very early days of Imperial rule, which is such a fascinating period in the franchise’s history.  The author perfectly blends compelling Star Wars lore about the fallout of the Clone Wars and the start of the Empire with his own story, and the resulting narrative is very fascinating.  While not every reader is going to love the complex political inclusions, I personally really enjoyed them, and this book helped to fill in some interesting gaps in how the Republic from the prequel films becomes the Empire.  As such, The Mask of Fear is a novel geared more towards hardcore Star Wars fans, although anyone who’s seen the original and prequel trilogies, or who wants to get a little more universe history before the second season of Andor comes out will probably have an amazing time with this book.

Speaking of politics, it’s hard not to notice some interesting real-life parallels that The Mask of Fear has with political realities of the world right now.  Freed would have written this book in 2024, and he paints a grim picture of the Empire’s new political and social reality within this book, which includes gross corruption, manipulation of the media, disinformation and other despicable practices, which will probably be quite familiar to readers now.  For example, the portrayal of a legislative body transferring most of its power to a popular-supported executive who then makes radical right-wing changes is jarringly close to how 2025 is turning out in some ways.  I found that these real-world parallels made the story that much more fascinating, and the reader ends up really feeling for the emotional turmoils of the protagonists.  One particular part of Freed’s portrayal of the Empire that I personally appreciated was the decision not to feature any of the franchise’s main villains, but instead focused on the people joining the administration purely for their own goals or benefit, who start revelling in the power they now have, or the lower level supporters who finally believe that they have a worthy leader.  In some ways this makes the Empire seem even eviler, as much like certain real-world governments, it’s obvious that the Empire was corrupt from top to bottom since the beginning.  As such, The Mask of Fear proved to be a masterful examination of how such fascist governments come into being and stay in power, and it was interesting, if a little scary, to see how the ultimate evil empire from fiction is being mirrored in the world today.

While the amazing story elements and intriguing examination of politics is a highlight of this book, for me, the best part of The Mask of Fear was the brilliant and damaged characters that Freed featured, especially his five major protagonists.  Each of these protagonists, which includes a compelling mixture of established characters and new figures written for this novel, has fascinating plot arcs behind them, as each of them tries to find their place in the new book.

Of these, I personally enjoyed the compelling storylines around future Rebel leaders Mon Mothma and Bail Organa the most.  Mon Mothma, who has been so well used in recent shows like Star Wars Rebels and Andor, had a compelling showing here in The Mask of Fear, and it was fascinating to see what happened to her in the immediate aftermath of the Empire’s takeover.  Portrayed as an ambitious politician already under attack by the new administration, Mon’s storyline around her attempts to curtail the Emperor’s power through political means and to keep power in the Senate is interesting, and I really enjoyed seeing the version of Mon who still believed in the institution she was apart of.  Freed weaves together an excellent combination of storylines around Mon, including her political troubles, personal issues, trauma from past arrests and her own growing disillusion with her political colleagues.  Mon’s storyline in The Mask of Fear starts her on the path to becoming the future Rebel leader, as she is forced to take deadly action in protection of her ideals, while also learning just how ruthless the new Emperor and his administration is.

The storyline surrounding Bail Organa on the other hand was a little more action and adventure focused, as he began his own journey towards rebellion.  Portrayed as the only person in the Empire who actually knows that the Emperor is a Sith Lord, Bail spends much of the book desperately trying to fight back by clearing the Jedi’s name.  You can really feel the despair in Bail as he tries to solve the situation in a manner he believes is right, only to hit roadblocks and disinterest from even his potential allies who disregard the Jedi who Bail knows are innocent.  This allows for some very intense scenes, especially as Bail crosses some major boundaries to chase his goals, and you really sympathised with everything Bail is going through.  Bail’s storyline was really well written, and I really enjoyed Freed’s realistic portrayal of what this character would be going through.  His storylines ended up melding nicely with the rest of the cast, especially Mon Mothma’s, and I loved how Freed showed them as having some noticeable political and personal friction.

The rest of the main point-of-view cast of The Mask of Fear includes three original characters, who provide intriguing alternate views about the Empire.  This included Soujen, a cybernetically enhanced Separatist infiltrator who awakens from hibernation to find that the government that made him was defeated, and he has to decide who or what he is going to fight for now.  A complex figure who believed in the Separatist cause, Soujen provides a compelling alternate view of events from the Clone Wars and the formation of the Empire.  Freed works an interesting and intense storyline around Soujen, as he is forced to confront the impact of his actions and the realisation that he might not have achieved anything with his fighting.  I loved how dark some of Soujen’s scenes got, as well as the realistic emotional outbursts as the character refuses to give up the war.  Soujen’s storyline is one of the most impactful in the entire story, as his more destructive approach forces the other characters to act against him.  There were some very complex interactions that occurred as Soujen tried to achieve his objectives, including a certain amount of tragedy which hits the reader hard.  The other key perspective characters are two imperial intelligence operatives, made up of an elderly spy who doesn’t fit in with the new regime and her young apprentice from the slums of Coruscant.  They both go on compelling journeys throughout the book, with the veteran tailing Bail, while the younger journeys into the morass of the extremist groups supporting the Emperor.  I really enjoyed seeing both coming to realise the problems with the Empire they’re solving in their own different ways, and both their perspective character arcs supported the other storylines extremely well.

This main cast is supported by an interesting array of figures, including supporting characters from the main shows, who have a big impact on the story.  The most prominent of these is Saw Gerrera, who, despite having a big role in the plot, doesn’t serve as a major perspective character.  Freed does an excellent job portraying Saw in this book, and it proves fascinating to see the character’s journey to become an extremist fighter begin in this book, as he initiates the first militant rebellion against the Empire.  This mostly rounds out the main cast, and as I mentioned above there is a distinct lack of major antagonists in this book, with neither the Emperor or Darth Vader appearing.  However, there is an array of self-serving middle management administrators and agents, pro-Imperial vigilantes and politicians supporting the new Empire, who prove to be quite dangerous and corrupt in their own way, especially as they oppose and attempt to remove the protagonist when they oppose the Emperor.  An overall excellent collection captivating character arcs in this book which really enhanced The Mask of Fear’s narrative in some impressive ways.

As with most Star Wars novels that I check out, I chose to enjoy The Mask of Fear on audiobook, which proved to be an outstanding way to enjoy this captivating read.  Star Wars audiobooks always do such a great job of capturing the atmosphere and excitement of the franchise’s extended universe, and I love how awesome they can make a story.  The Mask of Fear was a great example of this, and the complex narrative of politics, betrayal and damaged characters, really came to life when read out by the talented January LaVoy.  LaVoy, who specialises in reading female-led fiction, including extended universe books such as Star Trek: Die Standing and Freed’s Alphabet Squadron books, did an outstanding job narrating this awesome novel, and I loved how well she captured the key characters.  Her voice work for Mon Mothma was particularly good, and I liked the fun voices that accompanied some of the other intriguing female characters.  LaVoy also ensured that the story moved at a swift pace, and readers found themselves really drawn in, even with the book’s politically heavy content.  It helped that The Mask of Fear featured the typical array of iconic sound effects and music from the Star Wars films, which are put to great use throughout the production.  The sound effects in particular were cool, giving extra life to some scenes, especially those involving firefights, vehicles and crowds, while the music was used to add some outstanding gravity or excitement to key moments.  The combination of the amazing narration and the cool Star Wars sound inclusions helped to make The Mask of Fear something truly wonderful to listen to, and this is easily the best way to enjoy this fantastic novel.

Alexander Freed kicks off his Reign of the Empire trilogy in a big way with this captivating novel.  An outstanding addition to the Star Wars canon that dives into one of the franchise’s most intriguing periods, The Mask of Fear was an intriguing, character-driven novel that examines the fallout of war, political upheaval and the rise of evil.  Highly recommended, especially on audiobook, The Mask of Fear is a must-read for all Star Wars fans.

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It Ends in Fire by Andrew Shvarts

It Ends in Fire Cover 2

Publisher: Jimmy Patterson Books (Hardcover – 9 November 2021)

Series: Standalone/Book One

Length: 369 pages

My Rating: 4.5 out of 5 stars

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After wowing the world with his debut trilogy, impressive young adult fantasy author Andrew Shvarts return with a fantastic and entertaining read that cleverly parodies the classic magical school fantasy setting with It Ends in Fire.

Shvarts is a great author whose work I have been rather enjoying over the last couple of years.  Shvarts debuted back in 2017 with his Royal Bastards trilogy, which followed a group of illegitimate children as they found themselves caught up in the conspiracies and plots of their dangerous parents.  Made up of Royal Bastards, City of Bastards (which has an extremely explosive ending), and War of the Bastards (one of my favourite books of 2019), this was an awesome trilogy, and it has made me very keen to read more of Shvarts’s books.  As a result, when I heard that Shvarts had a new novel coming out, one set in one of my favourite settings, a magical school, I knew I had to grab it.  I have been waiting for It Ends in Fire for a while, and I was quite excited when I received a copy the other day.

Prepare to visit the Republic, a land of magic, deceit and corrupted power, where the Wizards rule and the non-magical people, the Humbles, are brutally oppressed.  At the heart of the Republic is Blackwater Academy, the most prestigious school of magic in the land, where the elite Wizards are trained and forged into scheming, power-hungry sadists.  Blackwell Academy has survived for centuries and remains a great power in the Republic, but nobody is prepared for the arrival of its latest student.

As a child, Alka Chelrazi watched as her parents were brutally murdered by a powerful Wizard, and she has since sworn vengeance.  Taken in by a rebel group, Alka has grown into their most lethal weapon thanks to her own magical abilities and has spent her life training to do the impossible: infiltrate Blackwell.  Taking the identity of a dead Wizard unknown to anyone, Alka is tasked with entering the school, learning all its secrets, and burning it to the ground from the inside.

Determined to carry out her duty to the very end, Alka attempts to find her bearings and learn everything she can.  However, Blackwell is unlike any other school in the Republic, its lessons are lethal, the rivalries are fierce, and some students will do anything to succeed, even kill their classmates.  To complete her mission, Alka will need to use every skill and trick at her disposal to recruit allies, take out her rivals and help a motley crew of outcasts to win the Academy’s Great Game.  However, with dangerous politics, power-hungry rivals, suspicious professors, and an evil headmaster all arrayed against it, can Alka succeed in bringing down the Academy, or will the fires of her revolution be snuffed out before it can begin?

This was an awesome and compelling new book from Shvarts, who has produced another deeply entertaining and intense read.  It Ends in Fire has a powerful and captivating narrative that not only contains a great story about revenge and finding oneself, but which also parodies certain magical school stories.  I had a great time reading this novel, and I became quite addicted to it as it went along.

It Ends in Fire has a brilliant and exciting narrative that moves at a fast pace and ensures that the reader is never bored.  Shvarts starts the story off with a bang, introducing the protagonists and point-of-view narrator, Alka, and showing her initial steps in infiltrating the academy.  The start quickly showcases some of the lead characters, the stakes of her mission, and the new and somewhat familiar setting of Blackwell Academy, as well as the surrounding Republic.  At the same time, Shvarts includes a series of framing chapters that are set in the protagonist’s past, showcasing her motivations, her many personal tragedies and the training she undertook for her infiltration.  From there the story quickly progresses into a compelling arc around the character’s darker magical school experience, while also building up her personal history.  There are some fun magical lessons, budding rivalries and caste systems woven into the narrative, and it was intriguing to see this ultimate outsider attempt to get into the flow of this elite school.  The crux of the narrative revolves around three magical contents that the various school houses compete in for glory and reputation (as well access to the Republic Senate, which interests Alka).  These competitions are pretty awesome, and serve as the major story highlights, much in the same way as the Quidditch matches and the Triwizard Tournament in the Harry Potter novels.  I particularly enjoyed the first and third one, and it was pretty fun to see the protagonist engage in some heavy cheating to pull it off.

This all leads up to a big and brutal finale, where the protagonist finally gets to unleash her true personality on her foes, and which potentially sets up some interesting directions for any resultant series in the future.  There is a great blend of character development, world building, magical adventure, intrigue and personal betrayal throughout this story, and I ended up getting really stuck into this brilliant narrative.  I pretty much read the last 200 pages in a single day, especially as it contained two of the competitions and a fantastic duel, and I really loved how everything came together.  It Ends in Fire turned out to be fairly self-contained and feels a lot like a standalone read.  That being said, it has some potential to be a larger series, and I would be interested to see where it goes, especially as there are some outstanding storylines to explore.  Like Shvarts’s previous novels, It Ends in Fire is aimed towards a young adult audience with its teenage protagonist and supporting characters.  Due to some more mature elements, this novel is probably best suited towards an older teenage audience, who will no doubt appreciate the author’s realistic take on teenage education.  This novel will also hold a lot of appeal to adult fantasy fans, especially those who grew up on Harry Potter, as this novel acts in many ways like a clever and fun parody of these classic novels.  An overall excellent story with some fun twists and major memorable moments.

I must say that I was also incredibly impressed with the new fantasy setting that Shvarts came up with for It Ends in Fire.  This new fantasy world is a brilliant and complex collection of nations brought together by an oppressive magical regime ruled by powerful Wizards who control the non-magical people, the Humbles.  The author does a great job setting up this cool new world, and I loved the examination of a magical regime and the unique cultural and social circumstances that would evolve in such a regime.  I particularly enjoyed the fun examination of the Republic’s politics, especially when it came to the impacts of the protagonist’s actions within Blackwater Academy.  It was also very compelling to see the clever hierarchies that see even some Wizards oppressed or disenfranchised, ensuring that the situation is even more complex than the protagonist, who was raised by rebellious Humbles who hate all Wizards, initially believed.  This proves fertile ground for the main narrative that follows Alka attempting to take the system down from the inside, and it was a solid background to the narrative.  I also really appreciated the cool new magical system that Shvarts came up with for his new novel.  In It Ends in Fire, Wizards cast spells by entering a time-dilated field known as the Null, where they carve glyphs into the air with Loci (magical wands) to unleash elemental spells.  This is an awesome magical system, which allows for some amazing and complex duals and battles.  The slow-motion aspect of the Null ensures that there is some clever strategy involved, as well as some intense explanation from the protagonist, and I deeply enjoyed some of the fun an epic clashes that occurred.

In addition to the cool magic and fun overarching setting, I also must highlight Blackwater Academy, which serves as a dark mirror to other magical schools that have been featured in fantasy novels and media.  In many ways, Blackwater Academy is a twisted version of Hogwarts; an elite magic school, with houses, elaborate classes and competitions.  Shvarts does an amazing job of working altered versions of these classic magic school elements into his own setting, and pretty much every scene has something reminiscent of these established school settings.  However, all these elements are twisted and converted into something far darker and more adult.  The teachers are crueller, the rich rival kills with impunity, the lessons are more deadly, and the headmaster is essentially Dumbledore (a highly respected wizard who turned down political leadership to be a teacher), except evil and self-serving.  I really liked how Shvarts included these elements in his novels, and it was a lot of fun to not only spot the similarities but also see how the author had twisted them into something different (for example, the protagonist is chucked into the universe’s version of Hufflepuff, and then turns them into a strong team).  This resulted in a fantastic and compelling setting that is both familiar and rather distinct at the same time.

While there are a lot of similarities to Hogwarts and other classic magical schools, Blackwater Academy also has some truly unique features, which also enhance how awesome it is as a primary setting.  The near murderous rivalries between the houses added some excellent conflict to the narrative, and I found the Humble village located next to the school to be a great inclusion, especially as all the inhabitants are absolutely terrified of their Wizard clientele.  I also really loved the unique challenges that the students had to compete in throughout the year into order to win the Great Game.  While the inclusion of a three-event competition is somewhat familiar, the challenges themselves are special, and Shvarts obviously had a lot of fun coming up with something new for the young Wizards to compete in.  This entire clever setting and compelling magical system help to transform It Ends in Fire into an incredible read, and I hope that Shvarts will explore it more in the future.

I also need to quickly highlight the great characters within this novel.  It Ends in Fire features a fantastic and entertaining cast whose unique stories add a lot of depth and drama to this brilliant tale.  The most prominent of these is protagonist and narrator Alka, a rebel and wizard who infiltrates the Blackwater Academy with dreams of destroying it and everyone in it.  Alka is a complex and intriguing figure who must overcome a lot of emotional turmoil in this novel while also encountering conflicts, revelations and disturbing truths about the nature of evil.  Shvarts did an awesome job setting Alka up throughout this novel, and I appreciated the way in which elements of her past life are blended into the primary story.  Alka’s unique history and experience with Wizard culture ensures that she is the perfect narrator, ensuring that the reader learns about many parts of the world’s unique aspects through her constant questioning and research.  I also appreciated the complex romantic relationships that form between her and two other characters, especially as both are sweet and moving in their own ways, while also naturalising Alka’s bisexuality.  The rest of the characters in It Ends in Fire are also set up pretty well, and I liked the cool blend of arrogant rich wizards, bitter Humbles and lower-tiered Wizards who struggle in life nearly as much as the Humbles.  Shvarts utilised a wonderfully eclectic group of supporting characters throughout this novel, and I enjoyed some of the friendships and rivalries that formed, as well as the similarities that some characters have to notable Harry Potter characters.  The author introduces some interesting storylines and character development arcs around them, and you end up getting attached to their survival alongside Alka.  It will be interesting to see if Shvarts will continue to explore them in the future, and I hope he does, as I would love to see what happens to them next.

With his latest novel, It Ends in Fire, Andrew Shvarts continues to dominate the young adult fantasy genre with a complex and powerful read.  It Ends in Fire has a brilliant and entertaining narrative that takes a rebellious soul into the heart of enemy territory, an evil and twisted magical school.  I loved how Shvarts cleverly subverted a classic fantasy setting with his fantastic narrative and world building, and the resulting story is loaded with magical action, amazing character develop, and multiple fun, high-concept sequences.  It Ends in Fire is a highly recommended young adult fantasy novel and you will have a wonderful and amazing time reading it.

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