Star Wars: Queen’s Peril by E. K. Johnston

Queen's Peril Cover

Publisher: Random House Audio (Audiobook – 2 June 2020)

Series: Star Wars

Length: 6 hours and 10 minutes

My Rating: 3.75 out of 5 stars

Prepare to dive back into a galaxy far, far away, as bestselling young adult author E. K. Johnston presents the very first Star Wars novel of 2020, Star Wars: Queen’s Peril.

Padmé Naberrie has always wanted to serve the people of her home planet of Naboo, and she knows that the best way to do that is to become Queen. Entering the competitive election, the 14-year-old politician is elected as ruler of Naboo. Casting aside her real identity for the protection of herself and her family, Padmé takes on a new name, Amidala, and moves into the royal palace, determined to bring change to Naboo. However, even a ruler as brilliant and diplomatic as Padmé is unable to do everything by herself, and she finds out that she is going to need help.

In order to keep her safe and to assist her with her needs, Padmé is introduced to a group of talented young women who will serve as her handmaidens. Acting as her assistants, confidantes, bodyguards and decoys, each of her handmaidens brings something different to the group, and it is up to Padmé to turn them into an effective team. Together, Padmé and her new friends seem capable of dealing with any challenge that may impact them.

However, there is a dark plot at work within the Republic, and its mastermind has Naboo in their sights. Soon Naboo is invaded by the armies of the Trade Federation, who seek to capture Queen Amidala and force her to sign away the planet. Forced to flee in disguise, Padmé sets out to reclaim her home and will do anything to free her planet. While Jedi, soldiers and a young chosen one may rally to their cause, the fate of Naboo ultimately rests on the shoulders of a young queen and her loyal handmaidens.

Queen’s Peril is an intriguing and enjoyable new addition to the Star Wars canon from bestselling author E. K. Johnston. I have been rather enjoying some of Johnston’s recent Star Wars releases, and I had a fun time reading her 2016 novel, Ahsoka, as well as last year’s fantastic release, Queen’s Shadow. Queen’s Peril is the first of several Star Wars books being released in 2020 (although some have been delayed), and I have been looking forward to seeing how this book turns out. This new novel acts as a prequel to Queen’s Shadow and is set both before and during the events of the first Star Wars prequel film, The Phantom Menace. This ended up being a fun and interesting read that explores some unique parts of Star Wars lore.

This latest Star Wars novel contains an intriguing tale that starts from the moment that Padmé is elected queen and takes on the Amidala persona. The first two thirds of this book follow the early days of Amidala’s reign, introducing Padmé and her handmaidens and showing how they became such a tight-knit team. There are a number of great moments during this first part of the story, and it was interesting to see the origin of a number of elements of the Amidala character that are shown in The Phantom Menace, such as her voice, the establishment of the decoy system, and a huge range of other compelling features. There are also several scenes that are dedicated to exploring why the Trade Federation decided to target Naboo and what the origins of their conflict were. I really enjoyed the first two thirds of this book, and I feel that the final third kind of let it down a little. The last part of the book focuses on the invasion of Naboo and follows the events of The Phantom Menace. While it was cool to see some different perspectives on the events of the film, this part of the book felt rather rushed, as the narrative jumped between a number of sequences from the movie in rather quick succession. Despite the problems with the ending, this was still a rather compelling story, and I did enjoy Johnston’s additions to the Star Wars universe.

While on the surface this book appears to be purely about Padmé, Queen’s Peril is actually about a number of different characters who made Padmé’s role as Queen Amidala possible. Padmé is naturally one of the main characters of the book, but all five of her handmaidens are just as important to the story. Johnston previously introduced each of these handmaidens in Queen’s Shadow, and briefly explored their unique skills and what they brought to the group. She does this again in Queen’s Peril, although this is done in greater detail, as this book shows each character’s history and how each of them became a handmaiden. Each of the handmaidens is given a distinctive personality, and all five get a number of scenes told from their point-of-view. I really enjoyed learning more about these characters, and it was great to see them come together as a group and work towards ensuring that Padmé was protected and an effective queen. While each of the characters are explored in some detailed, the biggest focus is on Sabé, Padmé’s first handmaiden and her main decoy (played by Keira Knightly in the film). The author spends time showing the unique relationship between Sabé and Padmé, and it was captivating to see the trust between them grow. Because she was so heavily focused on in the movie, Padmé does not get a lot of scenes in the last third of the book, so quite a bit this part of the story is told from the perspective of all the handmaidens. It was rather interesting to see how each of these characters went during the course of the film, and it was particularly cool to see some scenes with Sabé as she pretended to be the Queen.

In addition to Padmé and her handmaidens, Queen’s Peril also featured point-of-view chapters or scenes from pretty much all the key characters from The Phantom Menace film. The use of all these extra characters was an interesting choice from Johnston, and I liked how it expanded the story and showed some fresh perspectives and backstory for several major Star Wars protagonists. Most of these appearances are rather brief, with characters like Anakin, Obi-Wan Kenobi and Qui-Gon Jinn only getting a few minor scenes. However, other characters do get some extended sequences, especially Captain Panaka, the head of Amidala’s palace guards. Several chapters are told from Panaka’s perspective, and he becomes quite a key character within the book, mainly because he is the person who finds and recruits all of the handmaidens. Panaka is a major driving force of the plot, and it was interesting to see his role expanded from the films, especially as you get more insight into why he is so dedicated to the Queen. I also really liked how the book features several sequences told from the perspective of Senator Palpatine/Darth Sidious. These scenes were fun, as they showed a lot of Palpatine’s earliest manipulations, including how he was able to organise the invasion of Naboo. Overall, I rather appreciated how the author utilised all the characters within Queen’s Peril, and watching their development and interactions proved to be quite compelling.

Like the author’s other Star Wars novels, Queen’s Peril is intended for a young adult audience, and Johnston does a fantastic job tailoring it towards younger readers. This book has a lot of great young adult moments to it, especially as it focuses on a group of teen girls working together to outsmart a variety of adults and then eventually save their entire planet from an invasion. Queen’s Peril has some fantastic portrayals of these teen protagonists, and there are a number of sequences which show them stepping up or dealing with complicated issues that younger female readers will appreciate. While it is intended for younger readers, Queen’s Peril, like most young adult Star Wars novels, is also very accessible to all readers who are major fans of the franchise, and it is easy for older readers to get into and enjoy the plot of the book and its intriguing new additions to the Star Wars lore.

I did have a minor complaint about the release order of the books in Johnston’s series about Padmé. While I enjoyed both Queen’s Peril and Queen’s Shadow, I really do think that it was an odd decision to release Queen’s Shadow first, and then release a prequel novel a year later. It would have been better to release Queen’s Peril first to introduce the various handmaidens and help build up the emotional connection between them and Padmé, making their use and inclusion in Queen’s Shadow a bit more impactful. It might also have made a bit more sense to have Queen’s Peril only focus on events before The Phantom Menace, have another book focus exclusively on what was happening with the handmaidens and Padmé during the course of the film (which would have ensured that Queen’s Peril did not feel as rushed as it did towards the end), and then release Queen’s Shadow. While I am sure that there is some reason why the order for these books was a bit off, probably at the publisher level, I think they could have planned this out a little better.

I ended up grabbing the audiobook version of Queen’s Peril, and I had a great time listening to this book. Queen’s Peril has a short run time of just over six hours, so it is rather easy to get through this book quickly. Like all Star Wars audiobooks, this version of Queen’s Peril was a real auditory treat, due to the excellent use of the iconic Star Wars sound effects and scores from the movies, which are used to enhance each of the scenes. While it was great to once again hear all the fantastic music and intriguing background noises, Queen’s Peril’s greatest strength as an audiobook comes from its fantastic narrator, Catherine Taber. Taber is the actress who voiced Padmé in The Clones Wars animated television show, and, short of getting Natalie Portman in, is the perfect person to narrate a novel about the character. Taber also narrated the previous Johnston book about Padmé, Queen’s Shadow (indeed all of Johnston’s Star Wars books have featured the character’s voice actor as a narrator for their audiobook), and it was great to see her return. She naturally does a perfect voice for the character of Padmé, as well as for the handmaidens, who had similar speaking patterns due to their role as decoys. There are some great vocal scenes between these characters, especially when they are trying to perfect the Amidala voice, and they go through several variations throughout the book. In addition, because Queen’s Peril features nearly every major character from The Phantom Menace, Taber also had to voice several different people who were brought to life by some amazing actors in the original film. I felt that Taber did a fantastic job as imitating some of these voices, and it proved to be a real showcase for her skills as a voice actor. Overall, I had an amazing time listening to this audiobook, and I would strongly recommend this format to anyone interested in checking out Queen’s Peril.

Star Wars: Queen’s Peril is an intriguing and exciting new young adult Star Wars release from E. K. Johnson that acts as a sequel to her previous awesome novel, Queen’s Shadow. Johnston comes up with another compelling story that explores the early life of Padmé/Queen Amidala and her loyal handmaidens. While it does have some flaws, it is a very good book, and it should prove to be a fun read for established fans of the franchise and younger readers who are interested in breaking into the expanded universe. I had an amazing time listening to this book and I look forward to seeing what sort of Star Wars story Johnston produces next.

Throwback Thursday: Stars Wars: Lords of the Sith by Paul S. Kemp

Lords of the Sith Cover

Publisher: Penguin Random House Audio (Audiobook – 28 April 2015)

Series: Star Wars

Length: 10 hours and 56 minutes

My Rating: 4.5 out of 5 stars

Reviewed as part of my Throwback Thursday series, where I republish old reviews, review books I have read before or review older books I have only just had a chance to read.

For my second Throwback Thursday article of this week (what can I say, I was in the zone for reviewing older content) I check out a fast-paced and addictive Star Wars novel that was released a couple of years ago, with Star Wars: Lords of the Sith by Paul S. Kemp.

It is the early days of the Galactic Empire. Under the reign of Emperor Palpatine, few openly oppose imperial rule, and those that do are swiftly dealt with by Palpatine’s ruthless apprentice, Darth Vader. But as the power and influence of the Emperor and Vader grow, so does their desire to rule and oppress every planet in the galaxy, and with that comes the first sparks of rebellion.

The planet Ryloth knows all about oppression and invasion. Following a brutal occupation during the Clone Wars, Ryloth now finds itself under the control of the Empire, which strips the planet of its natural resources while using the people for slave labour. In opposition to this occupation, an aggressive resistance moment has arisen, led by idealistic leader Cham Syndulla and his comrade Isval, a vengeful former slave. Thanks to their excellently placed sources, Syndulla’s resistance has been able to launch some substantial attacks against the Empire, but their actions have gained the attention of the Emperor and Vader. In a bid to assert his dominance on Ryloth, the Emperor sets out on a rare mission to the planet, accompanied by Vader. However, this is the opportunity that Syndulla has been waiting for.

Upon the Imperial’s arrival above Ryloth, the resistance fighters are able to do the impossible and blow up their Star Destroyer. Forced to abandon ship, the two Sith lords find themselves trapped on the dangerous surface of Ryloth with no means to communicate with Imperial command and no reinforcements on the horizon. In a bid to liberate the galaxy from their dark rule, Syndulla and Isval gather all their forces and resources to hunt the Emperor and Vader down. Surrounded by enemies, inhospitable terrain and terrible native fauna, the two Sith Lords appear to be at their most vulnerable. However, what Syndulla and his team fail to realise is that their prey are two of most dangerous beings in the galaxy, and together they are a force of unnatural destruction. Can the resistance fighters take on Emperor and Vader, and what happens when the two Sith lords work out that their biggest threat is each other?

Now this is a rather fantastic and captivating Star Wars novel that I have been wanting to check out for a while now due to the book’s cool concept. This is the first book that I have read by Paul S. Kemp, a fantasy author who has been writing since the early 2000s. His first novel, Twilight Falling debuted in 2003, after the author released several pieces of short fiction. Kemp then went on to write several fantasy series and standalone novels, including The Erevis Cale trilogy, The Twilight War trilogy and the Egil and Nix books, most of which fell within the Forgotten Realms shared fantasy fiction universe. Kemp has also written a few Star Wars novels, including Crosscurrent, The Old Republic: Deceived and Riptide, which were part of the old Star Wars Legends canon. Lords of the Sith is Kemp’s first novel in the new Star Wars canon, and he presents the reader with a fun and fast-paced novel that has some intriguing elements to it.

Kemp pulls together an excellent Star Wars novel that has a great story, is full of breathtaking action scenes and features compelling dives into some iconic Star Wars characters and elements of the universe. While I came for all the fun action that was bound to feature in a story surrounding the Emperor and Vader fighting against overwhelming odds, I stayed for the intriguing story that is full of betrayal and manipulations. The author does a fantastic job of utilising multiple character perspectives to tell a fuller story, which showed the perspectives of not only Vader and Syndulla’s resistance but also two Imperial officers stationed on Ryloth: one who is loyal to the Emperor and one who has been working for the resistance. This helped produce a really clever narrative, and it was interesting to see where Kemp took the story throughout Lords of the Sith.

The story is set five years after the events of Revenge of the Sith and focuses on the Emperor and Vader encountering some of the earliest forms of rebellion against the Empire. There are some strong elements from the extended Star Wars universe in this book, most notably with the inclusion of Cham Syndulla, a character who appeared in two Star Wars animated series, The Clone Wars and Star Wars Rebels, and is the father of Hera Syndulla, one of the main characters from Rebels (who is featuring in a lot of other pieces of Star Wars fiction at the moment). However, this is definitely a novel that can be enjoyed by the more casual Star Wars fan, and no real knowledge of the extended universe is needed to follow the plot. As always, though, those readers who are fans of some of the extended universe fiction are probably going to enjoy this book a little more. I myself enjoyed seeing the exploration of the early days of the Empire, an examination of Cham Syndulla’s history between the two animated shows and some exploration of the planet of Ryloth.

Without a doubt, the highlight of this book has to be the amazing action sequences featuring Darth Vader and the Emperor. Kemp went out of his way to show off just how badass these two characters can be, and he did not hold back any punches. Vader and the Emperor get into some major scrapes throughout the book, as they hunt or are hunted by members of the Ryloth resistance or some of the deadly creatures that reside on the planet’s surface. Needless to say, these two characters use all of their deadly Force abilities to take down swathes of opponents, and they come across as pretty impressive characters, especially in the eyes of some of the other point-of-view characters. I loved the reactions from characters like Syndulla or Isval, especially as it becomes more and more apparent to them that their opponents are something too much for them. I have always loved comics and books that showed off how badass Vader and the Emperor can be, and this is one of the better examples of this. Kemp started this book off strong by having Vader crash his fighter onto a ship to board it, before systematically taking down the crew one by one, while Syndulla and Isval are forced to listen from another ship (accompanied by Vader breathing heavily into a comms unit to freak everyone out). This is then followed by a plethora of other cool sequences, which includes Vader and the Emperor decimating a massive swarm of Ryloth’s apex predators and a particularly cool sequence where Vader started force choking several characters aboard a separate spaceship while he was flying upside down above them. All of this was exceedingly cool, and I loved Kemp’s amazing imagination when it comes to these two characters.

I also quite liked the intriguing examination of the unique relationship between Darth Vader and the Emperor that became an interesting central focus of the plot. While the story doesn’t show the Emperor’s point of view, you get Vader’s take on the situation, and through his eyes you see his perceptions of the Emperor, his thoughts on the partnership they have formed, and the knowledge that it will eventually end with Vader attempting to kill Palpatine to take his place. Palpatine, for his part, spends most of the story devising tests and challenges to get into Vader’s head and to ensure that his apprentice is loyal and has no thoughts of overthrowing him at the moment. I liked the compelling and clever examination of these two characters’ mindsets that Kemp pulled together, and I felt that he had a great handle on the personalities of these iconic Star Wars characters. I also rather enjoyed Kemp’s portrayal of the Emperor’s manipulative and purely evil nature, as it is revealed that everything that happens throughout the book is due to his design, and he threw away thousands of Imperial lives to achieve his goals. The revelation of this to some of key characters in this book makes for a great scene and I think that it really encapsulated just how evil the Emperor could be, which was pretty awesome.

Like with most Star Wars books that I read, I ended up checking out the audiobook format of Lords of the Sith, which was narrated by Jonathan Davis. This audiobook runs for just under 11 hours, and can be powered through quite quickly, especially once the listener hears the opening action sequence read out to them. I have to once again highlight that use of the cool music and sound effects that are included in all Star Wars audiobooks in order to enhance the story. Lords of the Sith had some great sound inclusions throughout its run time, and I felt that these definitely had a major impact on my enjoyment of this book. This audiobook features the audio talents of skilled narrator Jonathan Davis, whose work I have previously enjoyed in Star Wars books such as Master & Apprentice and Dooku: Jedi Lost. Davis does an incredible job narrating this book and he comes up with some impressive voices for the various characters featured throughout it. I particularly liked the great voices he came up for key characters like the Emperor and Darth Vader (with the help of some appropriate sound effects) and Cham Syndulla, and they sounded a lot like their appearances in the movies and animated shows. As a result, I really powered through this excellent audiobook, and I would strongly recommend this format to anyone who wants to check out Lords of the Sith.

Lords of the Sith is a fun and exceedingly entertainingly Star Wars novel that I had an outstanding time listening to. Kemp comes up with an exciting and action-packed story that not only explores some intriguing aspects of the expanded Star Wars universe, but which also contains some over-the-top action sequences that shows just how awesome a Star Wars novel can be. Lords of the Sith comes highly recommended to anyone looking for a fantastic and enjoyable read, and I hope that Kemp writes some more Star Wars novels in the future.

Throwback Thursday – Star Wars: Scoundrels by Timothy Zahn

Star Wars Scoundrels Cover

Publisher: Random House Audio (Audiobook – 1 January 2013)

Series: Star Wars Legends

Length: 13 hours and 57 minutes

My Rating: 4.5 out of 5 stars

Reviewed as part of my Throwback Thursday series, where I republish old reviews, review books I have read before or review older books I have only just had a chance to read.

If you like the sound of a widely entertaining read that combines a clever heist-themed storyline with iconic Star Wars elements, then you need to check out Star Wars: Scoundrels by Timothy Zahn.

Scoundrels is set shortly after the events of A New Hope and follows Han and Chewie after they have temporarily left their friends in the Rebel Alliance to return to their old jobs as smugglers. The two are desperate to make some money in order to repay Han’s debt to Jabba the Hutt and have travelled to the planet of Wukkar to meet a contact. Instead of their contact, Han and Chewie are approached by a local businessman who wishes to recruit the pair to help him break into a local crime lord’s supposedly impenetrable vault to recover a vast fortune in stolen credits.

Lured in by the promise of a rich reward, Han sets about recruiting a team of highly skilled thieves, con artists and specialists, including their old friend Lando Calrissian, to help them pull off the heist. However, as they start to put together a master plan to enter the vault, they make a startling discovery: their target is a high-ranking member of the notorious Black Sun crime syndicate, who is currently hosting one of the organisation’s most powerful leaders. More importantly, in addition to the stolen credits, the vault now contains a collection of Black Sun’s blackmail files, which are a vital and closely guarded part of their operation.

Still determined to pull off the job, Han and his team need to work out a way to break into the unbreakable vault without painting a massive target on their backs. However, they are not the only group interested in the blackmail files, as an ambitious Imperial Intelligence agent is determined to capture them. Caught between two of the most powerful organisations in the entire galaxy, these scoundrels will need every trick up their sleeve to survive and raid the vaults. But when the stakes are this high, can any of them really be trusted?

Scoundrels is a fast-paced and well-written novel that does an outstanding job setting a compelling and entertaining heist story inside the Star Wars universe. This book was written by legendary Star Wars author Timothy Zahn, who I have mentioned several times before on my blog, especially for his recent Thrawn trilogy (Thrawn, Alliances and Treason). Scoundrels is a standalone novel that was released in 2013 and was the last Star Wars novel Zahn wrote before the Disney buyout of Lucasfilm. As a result, Scoundrels technically never happened in the current canon of the franchise and is instead part of the Star Wars Legends range.

At the heart of this novel is a complex and amazing heist storyline that sees the protagonists attempt to steal a vast fortune from a high-security vault. Scoundrels, or Solo’s Eleven, as I started to think of it, features a pretty classic heist set-up, with an impossible job offered and accepted, Solo building up a team of skilled criminals to help him pull off the job, recon, various complications, and then the attempt to break into the vault. I did find in some ways this part of the story was a bit typical and derivative of other examples of the heist genre, although I think a lot of the reason why I was having these thoughts is because I saw Rick and Morty’s excellent take-down of heist movies, One Crew over the Crewcoo’s Morty, immediately before I started reading this book (literally all I could think whenever a new crew member was recruited was “You son of a bitch, I’m in”).

However, this was still an incredibly entertaining novel and Zahn did create a storyline that was unique in a number of ways. In particular, Zahn makes excellent use of the technology (a combination of pre-introduced technology and stuff that Zahn made up himself) and the political turmoil in the Star Wars Legends universe to create a truly captivating piece of crime fiction. The story is loaded with all manner of twists, turns and doublecrosses, and I really enjoyed a number of the big reveals that were featured throughout the book (the character reveal at the very end of the book was pretty cool, for example). The entire plan for breaking into the vault and stealing its contents was also extremely clever and memorable, containing an excellent combination of subtly, manipulation, improvisation and number of massive explosive distractions. Also, the way they actually got out of the heavily armed compound was very cool, and definitely one of the best heist moves I’ve ever seen. All of this results in a first-rate heist thriller storyline which I deeply enjoyed and which has actually put me in the mood for more heist-centric books.

Another great part of Scoundrels is the fantastic group of characters that the story focuses on. Not only does the book showcase the classic partnership of Han and Chewie but we also get to see more of the suavest man in the galaxy, Lando Calrissian. Han is a great leader for the team, able to come up with a cool plan and improvise when they are faced with chaos, while Lando shines as the charismatic front man of the operation, able to charm or swindle everyone he comes in contact with. Quite a bit of time is spent exploring the turbulent relationship between Han and Lando at this point of their friendship, as several prior operations (some of which were featured in other novels and comics in the Star Wars Legends range) have fallen through, resulting in some bad blood between them. While both claim that they have forgiven the other for the sake of this operation, they both have a lot of doubts and are worried that the other is going to screw them over. This adds a whole bunch of extra drama to the story and ends in a rather entertaining and typical manner.

In addition to Han, Chewie and Lando, the rest of the heist crew is made up of some strong and distinctive characters who are a lot of fun. All of these characters bring a lot of team, and at no point did any of them feel unnecessary to the plot. Zahn also goes out of his way to establish each of these characters separate backstories and motivations, which adds a large amount of substance to their inclusion. As these different motivations mean that there is also a constant potential for betrayal and sabotage, which is another layer to the heist aspect of the book. There is also a great look at the Black Sun underboss and his main security chief as they attempt to understand the threat coming their way, while also trying to stay on the right side of the powerful Black Sun overlord, who is staying at the manor and playing mind games with them. There is a growing sense of desperation and irrationality from the two of them as the various manipulations push them closer to the edge, so much so that a deal with Darth Vader actually seems like a tempting offer. I also loved the inclusion of the Imperial Intelligence agent who attempts to utilise the planned heist for his own ends. His ambitious attempts to undermine Black Sun are interesting, and he brings a whole new edge to the overall story. All of these amazing characters add so many different things to the books plot and it was a lot of fun to see how their various character arcs progressed.

As I mentioned above, Scoundrels falls within the now non-canon Star Wars Legends expanded universe. While I have not read a lot of fiction from the Star Wars Legends range recently (with the exception of Death Troopers by Joe Schreiber), I have always been impressed with the wide range of different stories and plot lines that make it up, many of which are being utilised or referenced to in the current canon (the inclusion of Zahn’s character of Grand Admiral Thrawn in the Star Wars Rebels animated show is a prime example of this). However, there are some significant differences between the two canons, and some of these can be seen in Scoundrels.

One of the most noticeable differences between these two canons is the dominance of the Black Sun crime syndicate. While they only have a few minor appearances in the current canon (and they potentially would not have been included at all if they did not show up in a couple of episodes of The Clone Wars animated show, which remained canon after the buy-out), there were a major part of the original canon as one of the premier criminal organisations the protagonists would go up against. A lot of this comes out of the 1996 novel, Shadows of the Empire (which I actually read a long, long time ago), which showed the Black Sun leader, Prince Xizor, having nearly as much power and influence as the Emperor, and as a result, was a major rival for Darth Vader. Much of the book’s plot that involves the members of Black Sun or the Imperial Intelligence agent revolves around this rivalry, as the agent is hoping to damage Black Sun to gain favour with Vader. The protagonists, knowing this, also attempt to use this conflict to their advantage, and it becomes a major part of the book. The examination of the various criminal organisations available during this period is also pretty darn fascinating, and it serves as a wonderful, larger setting behind the main story.

In addition to this focus on the criminal underbelly that was featured in the old canon, Zahn made sure to fill his book with all manner of references to other books and comics in the Star Wars Legends canon, especially those that featured Han, Chewie and Lando. No specific knowledge of these events is needed to understand these references, as Zahn makes sure to explain the necessary parts, which mostly revolve around Han having terrible luck when it comes to prior jobs. Other examples of the history and unique storylines that existed in the old Star Wars canon are also pretty fascinating, but you do not need to be an expert on any of this to enjoy Scoundrels. Indeed, anyone who has seen the original trilogy will be fully able to appreciate the cool story contained within, although, as always, those Star Wars fans with a bit more background knowledge of the franchise will get a bit more enjoyment out of this book.

Like a great many of the Star Wars books I enjoy, I ended up listening to the audiobook format of Scoundrels. Narrated by Marc Thompson, it runs for just under 14 hours, which makes it slightly longer than most Star Wars audiobooks. Scoundrels contains all the fun features of a typical Star Wars audiobook format, with the narration permeated with all manner of iconic Star Wars music and sound effects. I love hearing the amazing Star Wars music as I have the story read to me, and in many places having the music played really enhances the emotion or the significance of a scene. Scoundrels also contains an impressive abundance of various sound effects which are utilised in nearly every scene. Having blaster fire sizzling past your ears in a fire fight or listening to the gentle susurration of the crowd in a big party sequence is just amazing, and it helps bring the story to life as you listen. I was also very impressed with the way that they showed how helmets and comm links could distort a character’s voice, and the use of sound effects for Chewbacca’s communications was a smart choice.

I also have to say how impressed I was with Marc Thompson’s narration of this book. Thompson is one of the premier narrators of the Star Wars audiobook, having lent his vocal talents to a number of novels in both the Star Wars Legends and Disney canons, including for the recently released Resistance Reborn. I have previously listened to Thompson’s narration for the first book in Zahn’s recent Thrawn trilogy, and I loved the work he did on that, especially when it came to the voice he produced for the trilogy’s titular character. He also does an extraordinary job with this format of Scoundrels, producing a huge number of unique and memorable voices for the various characters featured within it. His portrayals of Han and Lando were very accurate, especially Han’s voice, and that really helped me enjoy this novel so much more. Scoundrels was a first-rate audiobook, and I would strongly recommend this format to anyone who wishes to enjoy this book.

Star Wars: Scoundrels was an outstanding read, and I cannot praise the clever combination of a heist storyline with Star Wars elements enough. Zahn really is one of the best authors of Star Wars fiction out there, and I was never in any doubt that I would love this novel. He has a new book coming out in a few months, and I am very much looking forward to it. In the meantime, I will have to check out a few more of his earlier books, and I might also look up some other novels in the Star Wars Legends range.

Star Wars: Master & Apprentice by Claudia Gray – Audiobook Review

Master & Apprentice Cover

Publisher: Random House Audio (16 April 2019)

Series: Star Wars

Length: 11 hours and 42 minutes

My Rating: 4.75 out of 5 stars

2019 is shaping up to be an amazing year for fans of the new Star Wars extended universe, a group of which I consider myself to be a proud member, with so many awesome Star Wars books and comics being released.  After reviewing the first Star Wars book for 2019, Queen’s Shadow, a few weeks ago, I have been really looking forward to getting to grips with the franchises second 2019 novel, Master & Apprentice by Claudia Gray.

Master & Apprentice is a canon Star Wars novel set around eight years before the events of Star Wars Episode I: The Phantom Menace.  It focuses on two of the main characters from this prequel movie, Jedi Knight Qui-Gon Jinn and his Padawan, Obi-Wan Kenobi.

Qui-Gon Jinn is an experienced and powerful Jedi Knight, having been trained in the Force by the legendary Count Dooku, who himself was trained by Master Yoda, and is ready to face any threat or danger that lies in front of him.  However, his greatest challenge may prove to be his own Padawan, Obi-Wan Kenobi.  The two Jedi are polar opposites to each other: while Obi-Wan is by-the-book and rigid in his respect of rules and protocol, Qui-Gon routinely shows very little regard for the rules and laws that bind the Jedi and constantly finds himself at odds with the Jedi Council.  Despite years of working together, the two Jedi struggle to understand each other.  Qui-Gon sees every mistake of Obi-Wan’s as his own, while Obi-Wan is unable to understand the reasoning behind Qui-Gon’s actions, nor his obsession with the ancient Jedi prophecies that many see as dangerous and unreliable.  Their tenuous and strained relationship is further tested when Qui-Gon is unexpectantly offered a place on the Jedi Council, a move that would likely end their partnership.  With feelings of betrayal and failure hanging over both of them, they are suddenly assigned a critical mission that is likely to be their last as master and apprentice.

Fellow Jedi Rael Averross, another former apprentice of Dooku, has requested Qui-Gon’s help with a difficult political dispute on the planet of Pijal.  Averross has been serving as regent for the planet’s young queen, who is days away from ascending to the throne and signing an important treaty.  A series of attacks which has rocked the planet is apparently the work of The Opposition, a band of political performance artists turned terrorists.  Once the two Jedi arrive on the planet, they quickly find that the situation is far more complicated than initially believed.  With corruption and secrets around every corner, Qui-Gon and Obi-Wan attempt to get to the bottom of everything, even utilising a pair of jewel smugglers to help with their inquiries.  However, their investigations are hampered by their opposing points of view, which only worsen when Qui-Gon places great stock in a dark vision of the future he has foreseen.  Can they overcome their differences to unravel the plot, or will they fail their mission?

Claudia Gray, also known as Amy Vincent, is a prolific and experienced author, best known for her first body of work, the Evernight series, which started in 2008.  Since then she has written a number of other series, including the Spellcaster, Firebird and Constellation series, as well as the standalone novel Fateful.  Gray also has a huge amount of experience writing Star Wars fiction, having previously written three Star Wars tie-in novels in the new extended universe, including Lost Stars, Bloodline and Leia, Princess of Alderaan.  As a result, the story of Qui-Gon Jinn and Obi-Wan Kenobi is in safe hands as Gray produces an outstanding, compelling and character-driven novel that delves deep into the Star Wars lore to create an amazing story.

Master & Apprentice presents a clever and exciting story that sees the protagonist attempt to uncover the mysterious events unfolding on Pijal, while also dealing with their many personal and emotional issues.  The story is told from the perspective of a range of characters in the book, and each of them adds their own thoughts and experiences to the story.  The overall story arc on Pijal becomes quite complex, with many different and intriguing sides to the conflict, and the people behind the events are not who you think.  I had an amazing time enjoying this book.

In this fantastic piece of fiction Gray goes into some intriguing parts of the Star Wars universe and lore.  This is actually the furthest back the new extended universe books go, so it offers the reader a great opportunity to see some of aspects of the pre-movie Star Wars universe.  While there are some hints at the events to come, as well as references to some major characters in the upcoming movies, the book contains a significant amount of new content and antagonists.  It is actually quite refreshing to read a Star Wars book that is not tied into the Skywalker family or featuring the Empire or the First Order as an antagonist.  I quite enjoyed the look at the pre-The Phantom Menace universe, including the new planet of Pijal, and the inclusion of the immoral Czerka Corporation, who previously appeared in the pre-Disney Star Wars universe.  While those fans of the Star Wars franchise who like to consume more than the movies will absolutely love this book, Master & Apprentice should prove to be fairly easy to read for those people who have at least seen The Phantom Menace, as it is a pretty intriguing science fiction adventure.

Those readers who are interested in a deeper dive into the Jedi of the Republic era are in for a real treat in this book, as Gray delves into aspects of their history and lifestyle.  Throughout Master & Apprentice there are a number of scenes set in the Jedi Temple, as well as a number of discussions about how and why the Jedi do what they do.  Perhaps one of the key things highlighted in this book is how the traditional Jedi master and apprentice program worked.  Several different apprenticeships are shown, and the reader gets a good idea of what is entailed in this relationship, what training the Padawans go through and how the process turns them into the eventual guardians of peace in the galaxy.

One of the most unique and fascinating aspects of Star Wars and Jedi lore that Gray examines are the fabled Jedi prophecies.  The prophecies were created long ago by an ancient group of Jedi sages, and are reputed to reveal events from the future.  The prophecies become a key part of the story, as not only do they drive a wedge between Qui-Gon and Obi-Wan but they are also shown to have a major influence over Dooku when Qui-Gon was his Padawan.  The prophecies have been mentioned in the movies before, with the most famous prophecy about the coming of a chosen one who will bring balance to the Force, referring to Anakin Skywalker/Darth Vader.  While the chosen one prophecy is referenced in Master & Apprentice, several other prophecies are mentioned, including one that comes true in this book.  I was really quite intrigued by the author’s examination of the prophecies; while they have been mentioned in the movies, I did not know too much about them.  Dedicated fans will no doubt have fun trying to tie some of these prophecies into the movies and other associated pieces of Star Wars media.  For example, there is one that clearly refers to Princess Leia that is repeated a couple of times.  I personally was very curious about one prophecy that was mentioned towards the end of the book, which was referenced as being obsessed over by Count Dooku.  It was a particularly portentous-sounding prophecy, and I wonder if it will have anything to do with recent revelations in the trailer for the next Star Wars movie, The Rise of Skywalker.

The story contained within Master & Apprentice is a strong, character-driven affair which features a compelling central cast, each of whom gets an in-depth analysis from Gray.  Not only is there some compelling examinations of the main two characters, Qui-Gon and Obi-Wan, but Gray also introduces several intriguing and entertaining new characters who really add a lot to the story.

There is a great examination of the younger Qui-Gon Jinn and Obi-Wan Kenobi in this book, as Gray examines not only the relationship between the two characters but also aspects of their past and their personalities.  When the two characters are introduced in the first prequel film, The Phantom Menace, very little is known about them, save that Obi-Wan is nearing the end of his apprenticeship and the two of them disagree on certain matters, such as the future of Anakin Skywalker.  Master & Apprentice offers a whole new, deeper examination of these characters and explores how these two Jedi came together and appeared so close, despite some differences in their personalities and styles.  I thought that this deep dive into the relationship between these key movie characters was utterly fascinating, and it made me reconsider aspects from the movie.  The strained relationship between the two characters becomes a major factor of the book, and Gray creates an emotional storyline around it as Qui-Gon and Obi-Wan work to overcome their issues while facing external threats.  This was an excellent part of the book which readers will quite enjoy.

In addition to looking at their relationship and how the two characters become close, Gray also looks at other aspects of their past.  This is particularly true for Qui-Gon, as Gray spends time highlighting Qui-Gon’s apprenticeship to Dooku and his friendship with Rael through a series of flashbacks.  These flashback scenes are quite interesting as they show several key events that were responsible for turning Qui-Gon into the character he was in the movie and go a long way to explain why he was such a hesitant master for most of Master & Apprentice.  There was also an intriguing and extended look at how and why Qui-Gon became so obsessed with the Jedi prophecies.  Qui-Gon’s research and fascination with the prophecies becomes a major part of the book, which really appealed to me, and which also explains a lot about the Qui-Gon’s actions in The Phantom Menace.  For example, it explains why Qui-Gon was so sure that he had found the Chosen One in Anakin Skywalker, and why he was determined to train him, even if it meant defying the will of the council.  These storylines also explain certain aspects of Obi-Wan’s personality that occur within the movies.  For example, the bond and respect that are formed between Obi-Wan and his master explain why he was so willing to take on Anakin as an apprentice after Qui-Gon’s death in The Phantom Menace.  It also adds another layer to Anakin’s betrayal in Revenge of the Sith, as Anakin has not only betrayed Obi-Wan and the Jedi but also Qui-Gon’s memory and his belief in Anakin as the chosen one.  This might explain why Obi-Wan, upon defeating Anakin, so passionately shouted “YOU WERE THE CHOSEN ONE.”  There were also some cute aspects to Obi-Wan’s life that are explained, such as why he had such an aversion to flying and how he was able to ride the lizard mount in Revenge of the Sith.  I quite liked how both characters developed over the course of the book, and I felt that Gray did an amazing job bringing these characters to life and providing an excellent story about their past.

While Gray’s portrayal of the main two characters is really good, I also have to say how much I loved some of the side characters that the author introduced in this book.  My favourite has to be Rael Averross, the unconventional Jedi who has a connection to Qui-Gon’s past.  Rael Averross is pretty much the opposite of all the Jedi readers would mostly be familiar with.  He’s a hard drinking, womanising (which he claims is technically not against the rules of being a Jedi), death stick using scoundrel, who hates nearly every aspect of being a Jedi Knight.  He was an extremely entertaining character whose actions and scruffy appearance are part of a persona the character has created to disguise the guilt, fear and resentment from his past.  I also liked how he was the only character able to identify and point out what the actual result of someone fulfilling the prophecy and finding the chosen one, something that every other Jedi apparently missed.  Rael was such an interesting counterpoint to the other Jedi characters in Master & Apprentice, and his influence on a young Qui-Gon was quite intriguing.  It will be interesting to see if Rael shows up again (I believed he is used in a recent Star Wars audiobook, Dooku: Jedi Lost) as he has the potential to be a key character in the new Disney expanded universe.

Other characters utilised within this book are the two jewel smugglers co-opted by the Jedi to be their guides on Pijal, Pax and Rahara.  While both these characters are a lot of fun, the standout one has to be Pax.  Pax is a gaudy and socially inept character whose inability to interact with other people is due to the fact he was raised by a ship full of protocol droids.  Pax is full of sass, sarcasm and insults, and is easily the most entertaining character in this entire book.  Rahara is also a great character.  A former slave of the Czerka Corporation, Rahara is the more normal of the two characters.  However, her former enslavement still haunts her and drives much of her more noble actions in this book.  Individually, both these characters are pretty cool, but together they form a great team who play off each other well.  Their emotional attachment to each other is another great part of the book and seeing the lengths that the usually pragmatic Pax will go to for Rahara is very heart-warming.

There were also a few flashback scenes featuring Qui-Gon’s mentor and future Star Wars antagonist Count Dooku.  All of these scenes were shown from the point of view of Qui-Gon as Dooku’s apprentice, and they paint a picture of a rigid and severe Jedi who was already showing signs of being tempted to the Dark Side of the Force.  This was a very intriguing portrayal, although I believe that the audiobook Dooku: Jedi Lost, which was released around the same time as Master & Apprentice, contains a lot more of Dooku’s backstory and motivations, and I am definitely going to check this other audiobook out at some point.

As usual, I was deeply, deeply impressed with the audiobook version of this Star Wars book.  The company behind these audiobooks really go the extra mile to make them special, and these tie-in novels are quickly becoming my favourite series to listen to rather than read.  The Master & Apprentice audiobook runs for 11 hours and 42 minutes, and I found that I was able to get through this book quite quickly.  I always find I absorb a lot more of the story with the audiobook format, and with this book I was really able to enjoy the character strife, as well as the new world building that Gray included.  Props need to be given to the amazing sound effects that seem to permeate nearly every single scene in this book.  Firstly, I absolutely love how the incredible and iconic music from the Star Wars movies is used during some of the book’s major scenes.  The music, especially some of the big orchestral moments that defined key parts of the original Star Wars movies, is quite incredible and it does an amazing job of forcefully dragging the reader into the story.  The additional sound effects used throughout the book easily replicate the actions going on around the characters, often using established and recognisable sound from the movies.  I also loved how some of the sound effects could be so effective at creating an appropriate background for the scene by adding in engine noises or the susurration of a loud crowd.

The audiobook format of Master & Apprentice is narrated by Jonathan Davis, who has previously provided his voice to several other Star Wars audiobooks.  I was deeply impressed with Davis’ incredible voice acting range in this book, as the voices he comes up with for the characters are outstanding.  For example, he produces incredible voices for the book’s two main characters, Qui-Gon and Ob-Wan as he damn near succeeds in replicating the two actors voices from The Phantom Menace.  On top of that, his Yoda voice is spot-on, and sounded just like Frank Oz in the movies.  I also liked the voices that the narrator came up with for some of his new characters.  His voice for Rael, for example, does an amazing job capturing the character’s personality, including his more carefree attitude, and the simmering anger that exists for most of his interactions with Qui-Gon.  I also quite like the voice and tone he uses for Pax, and the character’s inbuilt arrogance and emotional shallowness really shine through.

Master & Apprentice is so far my favourite Star Wars book of 2019, and I absolutely fell in love with its excellent story and powerful character work.  Gray takes her readers deep into the Star Wars lore, allowing fans of the franchise to further examine two of the best characters from The Phantom Menace movie.  The combination of Jonathan Davis’ exceptional narration and the production company’s perfect use of classic Star Wars music and sound effects resulted in an absolutely fantastic audiobook that comes highly recommended.  This is one hell of a book, and I cannot wait to see how the rest of the year’s Star Wars books turn out.

The Wedding Guest by Jonathan Kellerman

The Wedding Guest Cover.jpg

Publisher: Random House Audio (Audiobook Format – 5 February 2019)

Series: Alex Delaware – Book 34

Length: 12 hours 20 minutes

My Rating: 4.5 out of 5 stars

 

Bestselling author Jonathan Kellerman returns with the 34th book in his long-running Alex Delaware crime series, The Wedding Guest, a clever and captivating murder mystery.

It is the couple’s big day, an elaborate wedding ending with a ‘Saints and Sinners’ themed reception in a former Los Angles strip club.  The only thing that could upstage the happy couple is the discovery of a well-dressed murder victim hidden in one of the club’s bathrooms.  None of the guests claim to know who the victim is, and she appears to have crashed the wedding without anyone noticing.

Psychologist Alex Delaware is called onto the case by his friend Detective Milo Sturgis.  With no obvious suspects at the wedding, Alex and Milo not only have to find out who the murderer is but also the identity of the victim.  As they slowly build up a picture of the events that led up to the murder, the investigators soon discover that this not the first time that the murderer has struck, and his is still at large in the city.

Kellerman is an extremely prolific and skilled crime fiction author, who has been writing books for over 30 years.  His first book, When the Bough Breaks, was released in 1985 and was the first book in his main body of work, the Alex Delaware series.  In addition to huge number of books in his main series, Kellerman has also written three shorter series: the Petra Connor series, the Jacob Lev series and the Clay Edison series.  The latter two series he wrote with his son, Jesse Kellerman.  In addition, he has also written several standalone novels, including two with his wife, Faye Kellerman, and several nonfiction books reflecting his career as an actual clinical psychologist.

As mentioned above, this is the 34th book in the Alex Delaware series, and I was a bit uncertain how easy it would be to come into this series this far in, having not previously read any of Kellerman’s books before.  Luckily, I found that The Wedding Guest was extremely accessible to new readers to the series as there were only minimal throwaway references to the previous books or cases that the main characters were involved in.  The author instead dives straight into the mystery and builds up his story from scratch.  The focus is on the main case, with only a brief look at the protagonist’s personal life, and as a result there is very little need to dive back into the series’ previous investigations.  I ended up really enjoying The Wedding Guest and thought it was an excellent piece of crime fiction.

The standout part of this book has to be the central investigation into the murder of the unexpected guest at the wedding.  The overall case is compelling, and I found myself getting pretty hooked on the story and trying to work out who the killer is, especially as the case expands further out.  Kellerman has a very interesting murder mystery writing style.  Rather than creating a fast-paced mystery that has the investigators barrelling from one massive clue to the next, Kellerman keeps the investigation within The Wedding Guest at a much slower and more realistic pace.  The investigators are forced to wait for test results and for technicians and coroners to get back to the office, and most of their investigation involves meeting and questioning people of interest.  The whole process is a lot more methodical that other crime fiction books I have read; it has a much more realistic investigative timeline.  The author has a very detailed orientating writing style, recording a large amount of details about the suspects, their possessions and the locations they are found in, so much so that you expect any of these details to become relevant at a later point in the text.  I loved how realistic the investigation came across, from the timelines and issues that real-life detectives would experience, to the impact of chance or coincidence on solving a case and the use of modern-day technology, such as social media or internet searches, to obtain information on suspects.  The case as a whole was deeply captivating, and my curiosity about who had committed the crime kept me deeply enthralled within The Wedding Guest.

This book is very character based, as the story focuses deeply on the lives of a huge range of secondary characters, most of whom are suspects, witnesses or victims of the crimes being convicted.  Through his protagonists, Kellerman dives into the lives of these characters, finding out surprising details and issues that may or may not have some impact on the case.  As a result, the reader is quite exposed to these secondary characters, in some way more so than some of the protagonists investigating the case.  Many of the characters who are suspects are fairly duplicitous or unlikeable in some way or another, making it rather easy for the readers to dislike them and see them as reasonable suspects for the murder.  In contrast to these interesting but deceitful characters are the main protagonists, Alex and Milo.  I loved the fun friendship between these two characters.  Who would have thought that a psychologist and a homosexual police detective would make for such an entertaining and enjoyable tandem?

In addition to the fantastic mystery and intriguing characters, this book contains a number of other great story elements for the reader to enjoy.  This includes the fantastic and detailed descriptions of the city of Los Angles.  Kellerman, a near life-long resident of the city of Los Angles, does an outstanding job of portraying the various components of city, and there is obvious affection for its many nuances and its inhabitants’ ways of life.  I also liked the psychological inclusions with The Wedding Guest.  The main character, Alex Delaware, is a child psychologist who assists with the police investigations and provides analyses of the suspects and the murderer.  While the psychological elements within The Wedding Guest are somewhat less prominent than in some of the other books in the series, such as the first book, When the Bough Breaks, it is still deeply fascinating, and it was intriguing to see things such as the character’s analysis of what kind of person the killer would be.

While did receive a physical copy of this book, I ended up choosing to listen to the audiobook format of The Wedding Guest, narrated by John Rubinstein.  This was an excellent way to the listen to this book, and at 12 hours and 20 minutes, it did not take me long to get through it.  Rubinstein does an incredible job of narrating this awesome story, and I felt that his fantastic voice really added a lot to this book.  The Wedding Guest is told from the point of view of the main character, Alex Delaware, and Rubinstein does a good base narration for everything the character sees and says.  I also really liked the other voices that Rubinstein does throughout this book, and he is able to impart some real personality into most of the other characters.  I especially loved the narration that he does for Milo, as he gives this character an exceptional cop voice that was really fun to listen to.  Overall, I felt that the audiobook version of this book was a great way to enjoy The Wedding Guest and I would strongly recommend this format.

The Wedding Guest was an excellent piece of crime fiction, containing a deeply compelling mystery that really drags the reader in and holds their attention for the entire book.  I quite enjoyed Kellerman’s use of characters and felt that it enhanced the mystery elements to create a wonderful overall story.  Easily accessible for those who have not read any of the previous books in the Alex Delaware series, The Wedding Guest is well worth checking out in both its paperback and audiobook formats.

Throwback Thursday – Star Wars: Death Troopers by Joe Schreiber

Death Troopers Cover.jpg

Publisher: Random House Audio (Audiobook Edition 13 October 2009)

Series: Star Wars Legends

Length: 6 hours 42 minutes

My Rating: 4.25 out of 5 stars

 

Reviewed as part of my Throwback Thursday series, where I republish old reviews, review books I have read before or review older books I have only just had a chance to read.

In this week’s Throwback Thursday, I look at an entertaining blend of horror and Star Wars with Death Troopers, a book from the Star Wars Legends collection which I listened to in its audiobook format.

Death Troopers is set a short time before the events of Star Wars: Episode IV – A New Hope.  The Imperial prison barge Purge is the temporary home of the galaxy’s worst criminals, rebels and murderers.  Carrying over 500 prisoners, as well as guards, stormtroopers and other personnel, the ship is a floating hive of scum and villainy, where the guards are just as bad as the inmates.  En route to a permanent prison facility, the engines fail, stranding the Purge in an uninhabited area of space.  Rescue appears to be weeks away, unless the crew can fix the engines.  The discovery of an apparently deserted Star Destroyer offers hope to the Purge’s crew, but the ghost ship contains a dark secret.

A boarding party sent to scavenge parts for the Purge inadvertently brings back something lethal: a virus that spreads incredibly fast and soon infects everyone aboard the ship.  Within hours, only a few survivors are left alive: the ship’s compassionate doctor, the sadistic captain of the guards, two young teenage brothers and a certain pair of smugglers.  However, these survivors soon discover that the sudden and bloody death of everyone on the ship is the least of their problems.  Shortly after dying the bodies of the Purge’s crew and passengers violently reanimate.  These creatures are driven, unstoppable and have a hunger for the flesh of the living.  As the survivors attempt to flee the Purge, they soon find that the Star Destroyer above is not as abandoned as they had believed.  The dead have risen, and their greatest desire is to infect the entire Star Wars universe.

Zombies!  In a Star Wars book!  How can I possibly resist that?  No seriously, tell me how it is even possible not to check out a book with that sort of premise.

Death Troopers is a 2009 release from horror, thriller and tie-in novel author Joe Schreiber, who wrote several fun-sounding books between 2006 and 2015.  These novels include two additional Star Wars novels, all of which fall in the Star Wars Legends line of novels.  Indeed, his third Star Wars novel, 2014’s Maul: Lockdown, was actually the last novel released in the Star Wars Legends series of books.  His other Star Wars novel, 2011’s Red Harvest, is a prequel to Death Trooper, and is set in the Old Republic, thousands of years before the events of Death Troopers.

The Star Wars Legends series of books is the current incarnation of the old Star Wars expanded universe, which, in addition to the six Star Wars movies that George Lucas produced, included all the books, comics, video games and television series that were endorsed by Lucasfilm.  All of these entries were considered canon, so at one point there were actually proper zombies in the Star Wars canon.  While the original expanded universe did have a dedicated fan base, it did not survive the Disney buyout of Lucasfilm intact.  In order to allow for the new movies, Disney declared that, with the exception of the films and The Clone Wars television show, everything created before 25 April 2014 would no longer be considered canon.  However, rather than disavow all of these previous Star Wars media items, Disney rebranded this original expanded universe as the Star Wars Legends collection and kept it as a deep pool of ideas and characters for any future writers of the franchise.

It’s no secret that I am a bit of a Star Wars fan, having reviewed several tie-in books and comics in the last year.  While my current interest mostly lies within Disney’s expanded universe, I did grow up with a number of books and games in what is now the Star Wars Legends range.  Star Wars books and comics are going to form a significant part of my upcoming Throwback Thursday entries, but I had not intended to dive back into the Star Wars Legends range until I had gotten through all the books in the Disney expanded universe, as I wanted to stick with what is currently canon.  However, I happened to come across the cover and plot synopsis for Death Troopers the other day, and the moment I saw it I knew that I had to read it.  I immediately grabbed an audiobook copy, narrated by Sean Kenin, and started listening to it.

While I loved the plot synopsis, I was worried that Death Troopers was going to be a Star Wars novel first that featured some light zombie elements and minimal gore.  However, what I was not expecting was an extremely terrifying and well-written zombie novel that makes full use of its Star Wars setting to create a dark, gruesome and somewhat scary story.  I was very impressed with Schrieber’s ability to craft an amazing zombie novel.  His creations are pretty darn terrifying, especially as the author paints some detailed and horrifying descriptions to go along with his story.  The introduction of the zombies is done perfectly, in my opinion, as Schreiber goes for a slow burn approach.  Following the introduction of the virus, the book’s survivors slowly explore the ship, searching for a way to escape.  The author slowly builds up the tension by having things move around out of the characters’ sight, the bodies slowly disappear, bloody handprints appear in places and the characters hear all sorts of noises.  The characters of course have no idea what is happening, and blame their imagination or paranoia, but the reader knows full well what is happening.  Even when the first zombie is actually seen, panic and realisation still does not immediately set in for the rest of the characters, much to the reader’s frustration.  It is not until well after halfway through Death Troopers that the zombies are revealed in all their horror, and from there the pace of the book picks up, as the characters must find a way to quickly get away from the creatures hunting them.  This slow introduction of the zombies was a fantastic part of the book and represents some outstanding horror writing from Schreiber.

Despite this being a Star Wars novel, Schreiber does not dial back on the blood, gore or horror, and there are quite a few dark scenes throughout the book.  I was on the edge of my seat for quite a lot of it and felt that this was a great piece of horror fiction.  There are quite a few dark scenes, such as cannibalism, jaunts in rooms full of body parts and some fairly gross surgical scenes, all of which Schreiber describes in shocking detail.  I did find the story to be a bit predictable in places, and it was pretty easy to predict which of the characters would live or die.  There were also quite a few unanswered questions (what the hell was the lung room for?), although they may be answered in the prequel book Schreiber wrote a couple of years later.  I also thought that the way Schreiber ended the plot line about the zombies attempting to escape the Star Destroyer and infect the rest of the universe was a bit of an anti-climax, but overall this was a pretty fun story that I quite enjoyed.

I felt that Schreiber was quite clever in his use of the Star Wars elements throughout Death Troopers.  It is quite obvious that Schreiber is a fan of the franchise and he has a wonderful understanding of the history, technology and characters that have appeared in other Star Wars works.  As a result, he is able to craft an excellent Star Wars setting for this story that presents the reader a good idea of how this book appears in relation to the rest of the franchise.  However, what I really liked was how Schreiber did not overuse the Star Wars elements, and the reader’s focus was never taken away from the zombie part of the book.  I also felt that several of the Star Wars elements really helped to enhance the horror aspects of the book.  Having the familiar turn into something different can often be quite scary for people, and to see the often-ridiculed Imperial Stormtrooper turned into a ravenous, mutilated zombie was quite something.  The inclusion of fan favourite characters Han Solo and Chewbacca was also a nice touch.  Not only do you have some familiar characters for the readers to enjoy but you also raise the stakes of the story when both of these beloved characters come close to being eaten by zombies.

Another benefit of combining Star Wars and zombie fiction is that for once characters are completely justified in not knowing what a zombie is.  There are quite a few other major zombie movies or television shows set in fictional worlds that are supposed to mirror ours, and yet the protagonists have no idea what zombies are, despite how much they are used in fiction.  This always frustrates me, and while it was a minor thing, I was very happy to read a book where the character’s lack of understanding about zombies is completely understandable.  Overall, I really liked how the author presented the Star Wars elements within the book, and I was impressed by the way he used it to make the zombie elements even scarier.

If you are tempted to check this book out, I would highly recommend that you listen to the book in its audiobook format.  At just over six and a half hours, this did not take me a long time to get through, but I was absolutely amazed at how much the audiobook format enhanced the story.  This is mainly down to the fantastic sound effects that were scattered throughout the story.  The producers of this book did a superb job inserting a range of zombie sound effects throughout the background of the book’s narration.  This includes sounds such as screams, disturbing eating sounds, moans and other assorted sounds of horror, with the continued screams being particularly off-putting.  None of these sounds overwhelm or totally distract from the narration, but I found hearing them when the narrator describes a horror scene really enhanced the tension and dread I experienced.  I also thought that the disconnected, whispered and screamed echoes of the chapter names was a very nice touch and it really added to the overall atmosphere of the book. In addition to these horror based sound effects, there are quite a few classic Star Wars sound effects for the reader to enjoy and get nostalgic about, including some of the classic music from the movies.

Sean Kenin’s narration was also extremely well done, as the narrator was able to create a series of fun and distinctive voices.  I thought that Kenin’s Han Solo was very convincing, and it sounded a lot like the movie version of the character.  I also found that having this horror story narrated to me helped bring me into the centre of the action and really experience the horror and dread that was present there.  The narration of the descriptions can be a bit disturbing at times, and I would recommend not eating during one or two scenes; trust me on that.  As a result, I would highly recommend that people wanting to check out Death Troopers should definitely use the audiobook version of it, as in my opinion it does an amazing job enhancing this already fun story.

I am happy to say that I was not disappointed by this entertaining combination of zombie literature and the iconic Star Wars universe.  This was a pretty dark story, which also includes some familiar elements from a franchise that I truly love.  Because of this I had an outstanding time reading Death Troopers and felt that it was a great example of both a zombie novel and a piece of Star Wars fiction.  In my mind the book itself is four stars out of five, but I had so much fun with its audiobook format that I am raising it up to four and a quarter stars.  An overall fantastic and unique read, Death Troopers is really worth checking out for fans of either zombies or Star Wars and is perfect for those who love both.  I am very curious to check out Schreiber’s other Star Wars books in the future, as both of them sound like a lot of fun.

Throwback Thursday: Veronica Mars: The Thousand-Dollar Tan Line by Rob Thomas and Jennifer Graham

The Thousand-Dollar Tan Line Cover.jpg

Publishers: Vintage Books

                        Random House Audio

Publication Date – 25 March 2014

 

Reviewed as part of my Throwback Thursday series, where I republish old reviews, review books I have read before or review older books I have only just had a chance to read.

For this week’s Throwback Thursday, I will be looking at the thrilling and enjoyable first tie-in novel to the Veronica Mars franchise, The Thousand-Dollar Tan Line.

Veronica Mars was a highly regarded (at least for the first two seasons) teen crime television series that aired for three seasons between 2004 and 2007.  The show, staring Kristen Bell in her breakout role as the titular character, was an incredibly fun and compelling mixture of teen drama and serious investigation.  Veronica Mars is a teenage private investigator who finds herself investigating the murder of her best friend, following a cover up by the town’s rich and powerful inhabitants.  The first two seasons featured epic season-long mysteries, while the third season contained two half-season mysteries.  Each episode also featured a mystery-of-the-week storyline that would often play some part in that season’s overarching storyline.  In addition to the intriguing and complex mystery based storylines, fans of the show could also enjoy the heartfelt drama and romance between the show’s main characters, as well as the interesting social dichotomy of the show’s main location, Neptune, California.  Unfortunately, the show was cancelled after its third season, and fans were given an unsatisfactory and incomplete series finale.

However, due to support of the Veronica Mars hardcore fans, referred to as “Marshmallows”, as well as an incredibly successful Kickstarter campaign, the show was revived with a 2014 Veronica Mars feature film.  This new movie was set nine years after the show’s third season and showed Veronica’s return to Neptune.  The creators attempted to capitalise on the success of the Veronica Mars film by creating some additional material in the Veronica Mars universe.  This included the meta web series Play it Again, Dick as well as two novels set in the aftermath of the movie.  The Thousand-Dollar Tan Line was the first of these novels released, coming out the same month as the Veronica Mars movie, while the second book, Mr. Kiss and Tell was published a year later in 2015.  Both books were written by series creator Rob Thomas and short story author Jennifer Graham, and Thomas has stated that they are both considered to be cannon.

I only ended up watching the Veronica Mars show a few years ago, but found myself really getting into the excellent storylines and memorable characters.  I managed to avoid any spoilers so I was able to enjoy the incredible mysteries of the first two seasons, both of which were very clever, with complicated and hard to predict solutions.  After enjoying both the shows and the movies, I also decided to check out the associated books and obtained an audiobook copy of The Thousand-Dollar Tan Line, which I have listened to several times.  With the recent announcement of a Veronica Mars revival series airing in 2019 to be set five years after the events of the film, I decided this would be the perfect opportunity to re-listen to and review The Thousand-Dollar Tan Line as part of my Throwback Thursday series.  I am particularly interested to see if Thomas will continue to consider this book as canon when the new series of the show is released, as there are significant narrative developments that may prove hard to explain to those who haven’t read this book.

Neptune, California is usually the home of sun, sand, the ultra-rich, their low-income employees and a corrupt sheriff’s department.  But something else has descended on Neptune: spring breakers.  With busloads of college students descending on Neptune, the town has been turned into one long and boozy event.  It’s all fun and games until one girl disappears from a party and her case is picked up by the conservative media as a call to action against Neptune and spring break.

After nine years away, Veronica Mars has returned to Neptune, the town where she experienced so many traumatic events.  After saving her former/current boyfriend Logan from a murder investigation, Veronica has given up her career as a lawyer and has returned to her old addiction, private investigating.  With her father still recovering from a suspicious car crash, Veronica has taken over Mars Investigations and is desperately trying to keep the business afloat with small, petty cases.

With the media storm around the missing girl intensifying, Veronica is called in to find her before Neptune’s spring break economy is ruined.  Diving into the parties and sordid holiday fun, Veronica soon finds that the house that the girl disappeared from is owned by a dangerous pair of brothers with serious criminal connections.  Though Veronica is convinced that the owners of the house are behind the disappearance, the case becomes even more complicated when a second girl disappears from the same house.  Worse, the second girl has a shocking connection to Veronica’s past that will rock her to the core.

While it would have been easy for the authors just to create a lazy tie-in novel, Thomas and Graham actually created a complex and multi-layered mystery narrative that serves to keep the readers excited and guessing the entire time they are enjoying it.  There is quite a lot going on within this mystery storyline, as for most of it, the protagonist is uncertain about what crime she is actually investigating.  There are a lot of false leads, suspects, hidden clues and several pulse-pounding scenes in which Veronica finds her life threatened as she attempts to uncover a major break in the case.  The final conclusion of the investigation is pretty clever and has a few sneaky twists that are hard to see coming.  The authors also amp up the drama during certain parts of the book as Veronica is forced to confront some heavy subjects from her past, as well as the anger and despair of the people she is investigating.  There is also further antagonism between Veronica and the towns’ corrupt sheriff, who Veronica is actively investigating for corruption, as well as a dramatic fight with her father, Keith, who is dismayed by his daughter’s decision to remain in Neptune as a private investigator, a decision which caused her much grief in the past.

One of the more interesting things about the original show was the social makeup of the fictional setting of the town of Neptune.  In the show, Neptune is home to both a rich upper class, known as the “09ers” in reference to Neptune’s fictional postcode, and the people who work for them or are employed in the town’s businesses and local economy.  As a result, several of the episodes of the original series focused on this discrepancy between these two distinct social classes, which was often represented by the rich students receiving unfair advantages at Neptune High.  This was continued in the 2014 Veronica Mars movie, which showed that the sheriff’s department had become especially corrupt and were more focused on protecting the rich and powerful than arresting real criminals, as seen when they framed a side character, Weevil, with a planted gun.  The Thousand-Dollar Tan Line continues to explore how corrupt the city has become under the new sheriff, and how incompetent the police have become.  This is shown early on in the book when Veronica is hired by the Neptune Chamber of Commerce to find the missing girls, as the town’s business leaders lack confidence in the sheriff’s investigative skills.  When Veronica queries why they still support him, they make it clear that his policy of doing what the richer citizens want makes him a desirable tool.  There are also some dark reveals about the serious crimes he turns a blind eye to in order to avoid confrontation and stay in power.

While there is less focus on the town’s social divide, the authors did add a new element to the plot of this Veronica Mars book: spring breakers.  The plot of this book shows the town completely overrun with drunk, drugged-up and sexually excited college students keen to enjoy the beaches and parties of Neptune.  Thomas and Graham pull no punches when it comes to these descriptions, attempting to fully encapsulate the chaotic and at times dangerous activities that the students get up to, often highlighting how their behaviour at times degenerates to the level of a drunken mob.  This spring break background serves as an entertaining and intriguing background for the murder mystery storyline.  There is a good amount of humour watching Veronica acting the part of a drunken sorority girl as she attempts to blend in with the crowd, as this is in complete opposition to her usual prickly demeanour.  This spring break storyline will also be an interesting read for those planning to check out the upcoming revived season of Veronica Mars, which is apparently going to focus on a spring break serial killer which initiates a conflict between the upper and lower classes of the town.

As this is a tie-in book to a television and movie franchise, The Thousand-Dollar Tan Line appeals to fans of Veronica Mars the most.  Readers will be relieved to see that Veronica still maintains her trademark sarcasm and the jaded personality she developed at a young age when she learned how much other people sucked.  This book is set only a few months after the Veronica Mars film, and shows the aftermaths of the events that occurred during it.  Long-time Veronica Mars characters Wallace Fennel, Keith Mars and Cindy “Mac” Mackenzie all appear in the book in significant roles, while minor movie antagonist, Dan Lamb, returns in a similar role for this book.  In addition, other popular characters like Logan Echolls, Dick Casablancas, Eli “Weevil” Navarro and Cliff McCormack have smaller roles within the book.  While it is good to see them again, their minor appearances have mainly been added in for fan service.  One of the most memorable things about this book for fans of the show are the significant developments that happen in Veronica’s personal life, as a character from her past returns with some massive changes.  While these developments serve an important part of the book’s plot and offer some excellent and well-appreciated emotional moments, I will be very surprised if they carry through into the new season of the television show.  Overall, The Thousand-Dollar Tan Line serves as a fantastic addition to the Veronica Mars franchise and contains a huge number of elements that will prove extremely appealing to fans of the original show.

The Thousand-Dollar Tan Line is definitely one of those novels that is best enjoyed in its audiobook format.  This is because the Rob Thomas and the producers of the audiobook were able to get Kristen Bell to come in and narrate this version of the book.  As Kristen Bell does a bit of in-show narration, it makes sense for her to continue it here, with Veronica serving as the only point-of-view character.  Having her narrate the actions of the book and everything she sees makes it feel a lot like the television show and gives it a natural and authentic feel.  It was also pretty amusing to hear Bell do the voices of her co-stars from the shows and movies throughout the book.  I think she does a pretty good job of her narration of the other character’s voices, as there are distinctive approximations of all the relevant characters, in addition to new voices for the exclusive book characters.  Overall, if fans of this franchise are keen to experience a new Veronica Mars adventure, this is their best option.  Written by the show’s creator and voiced by its lead actresses, the audiobook version of The Thousand-Dollar Tan Line is essentially just another episode of the show, and is the best way for fans of the Veronica Mars show to enjoy.  At 8 hours 43 minutes, it is a quick audiobook to get through.

The Thousand-Dollar Tan Line is an excellent piece of the amazing Veronica Mars franchise which presents the reader with a continuation of this fun universe and allows fans of the show to see what happens next to their favourite characters.  Featuring a clever and intricate central mystery that twists and turns in multiple unexpected ways, this book is a fantastic read as told by its iconic protagonist.  Best enjoyed in its audiobook format with the voice of Veronica Mars herself, Kristen Bell, narrating the story, this is a recommended read for all fans of the fans of the show, and may prove to be an intriguing introduction for newcomers to the franchise.

My Rating:

Four and a half stars

Throwback Thursday: Star Wars: Ahsoka by E. K. Johnston

Ahsoka Cover.jpg

Publishers: Disney Lucasfilm Press

                        Penguin Random House Audio

Release Date – 11 October 2016

 

Reviewed as part of my Throwback Thursday series, where I republish old reviews, review books I have read before or review older books I have only just had a chance to read.

The apprentice lives.  One of the best Star Wars characters that originated outside of the live-action movies returns in this action-packed, character-driven novel, which follows Ahsoka Tano’s adventures after the destruction of the Jedi Order.

Those people familiar with my previous reviews may have noticed that I am a bit of a Star Wars fan, having reviewed several pieces from the current Disney Star Wars extended universe in the last few months.  Therefore, it should not come as a surprise to anyone that I have watched and enjoyed the Star Wars: The Clone Wars and Star Wars Rebels animated television shows.  Both of these shows are very well done, can be appreciated by a varied audience and contain a large amount of the classic Star Wars heart and respect for the franchise’s lore and history that was missing in some of the more recent movies.  While many memorable characters were introduced in these shows, perhaps the most significant to the lore is the titular character of this book, Ahsoka Tano, Anakin Skywalker’s apprentice.

For those of you failing to remember Anakin having an apprentice in the live-action movies, you are not going crazy; Ahsoka has yet to appear in any live action movie.  She was instead introduced in The Clone Wars animated movie and served as one of the main characters of The Clone Wars television series, all of which take place in the years between Attack of the Clones and Revenge of the Sith.  Despite being one of the most popular characters on the show, Ahsoka would leave the Jedi Order at the end of the fifth season of The Clone Wars and only appear in the sixth season as part of a short vision sequence.  As a result, fans of the both the show and the character were frustrated and confused about what Ahsoka’s fate was and whether she had survived the events of the third prequel movie.  Fans didn’t get their answer until a couple of years later, at the end of the first season of Star Wars Rebels, where it was revealed that Ahsoka had survived the Jedi purge, becoming a member of the early Rebel Alliance.  Ahsoka, now wielding a pair of white lightsabers, became a key character in the second season of Star Wars Rebels, in which she was still an incredibly cool and powerful warrior.  She was utilised to perfection in this new show and had what is easily the best scene in the entire run of Star Wars Rebels: her long-awaited confrontation with Darth Vader.  The sheer emotion and intensity as Ahsoka finally came face-to-face with her old master and discovered that he was responsible for the fall of the Jedi was just amazing and is one of my favourite moments from all of television.

Following her appearance in Star Wars Rebels, Disney commissioned a young adult Ahsoka book, which was announced on 31 March 2016, one day after the Star Wars Rebels season 2 finale.  This book was released in late 2016 and was written by young adult author and Star Wars fan E. K. Johnston.  Ahsoka was Johnston’s first foray into Star Wars fiction, although she is currently working on Queen’s Shadow, a young adult novel focused on a post The Phantom Menace Padme Amidala, set to be released next year.  I have no doubt that a review for Queen’s Shadow will appear on this website in due time.  Now, with the recent announcement of a seventh season of The Clone Wars and the reveal that Ahsoka will be appearing in this new season, I decided to check out this book to see if it did the character any justice.  I chose to enjoy this as an audiobook, rather than read a physical copy.

During the Clone War, Ahsoka Tano was a fierce warrior and a commander of the Republic’s clone troopers.  However, after the devastation of Emperor Palpatine’s Order 66, which saw the clones turn on the Jedi, everything changed.  Fighting on Mandalore, far away from her master, Anakin Skywalker, Ahsoka is unaware of his fall to the dark side of the Force, and only just manages to escape the purge of the Jedi Order.

Now, one year after the fall of the Republic and the rise of the new Galactic Empire, the former Padawan is in hiding on the outskirts of the galaxy, trying to avoid any Imperial attention.  Living under an assumed name and with her trusty dual lightsabres gone, Ahsoka scrapes a living as a mechanic, intentionally distancing herself from the Force in order to hide her Jedi abilities.

Ahsoka journeys to a remote farming settlement on the Outer Rim moon of Raada.  Settling into her new life and making connections with its inhabitants, Ahsoka believes that she has finally found her sanctuary.  But her hopes of a peaceful life in her new home are quickly dashed when the Empire arrives, imposing their totalitarian rule on the people of Raada.  The agricultural potential of the moon is vital to the future of the Empire, and the workers are being forced to farm a new and mysterious plant.  Determined to help her new friends and wanting to make a difference, Ahsoka uses her wartime experience to help form a resistance in order to undermine Imperial control.

But when she is forced to reveal her full powers in order to save her friends, she once again finds herself on the run.  However, this time her actions have not gone unnoticed.  Her old ally, Senator Bail Organa wants her to join his fledgling rebellion, while the sinister Inquisitor, the Sixth Brother, arrives on Raada with plans to capture her, using Ahsoka’s friends as bait.

Because I am a fan of the titular character, I did go into Ahsoka with some rather high expectations.  Luckily I quite enjoyed Ahsoka, powering through this book quickly while appreciating how Ahsoka’s new adventure fit into the existing Star Wars chronology.  This story is very good, with an excellent blend of character development, Star Wars lore and some scintillating action and adventure.  The book contains a well-paced narrative that not only features Ahsoka’s personal story, but also examines the viewpoint of several side characters, in order to move the plot along, while also showing the impacts of Ahsoka’s actions from a different viewpoint.

This book is mainly focused on the adventures of Ahsoka, and fans of the animated show will appreciate seeing how she not only managed to survived the purge of the Jedi, but how she became the hardened rebel agent we encountered in Star Wars Rebels.  I feel that anyone who reads this book will appreciate the considerable amount of character development and insight that occurs with the titular character.  At the start of the book, Ahsoka is afraid, hiding who and what she is from the world while also denying herself access to the Force.  She is filled with regrets, concerns for her missing Jedi family and guilt not just about surviving but also about leaving the Jedi Order before its fall.  Throughout the book, her adventures, the new friendships she develops, the people she helps and the role she plays on Raada all help her to find a new purpose, as well as re-establishing her connection with the Force.

There are a number of great scenes featuring or concerning Ahsoka in this book.  These include her battle with the Sixth Brother, the forging of her new white lightsabres and the epic scene where she unleashes her Force abilities for the first time in a year.  It was also intriguing to see her advising the farmers in guerrilla tactics and helping them sabotage the Imperial occupation.  Fans of Ahsoka will appreciate the similarities this has to one of the character’s most significant arcs from The Clone Wars that featured her training a guerrilla army to combat a Separatist invasion, including a young Saw Gerrera (Forest Whitaker’s character in Rogue One).  I also enjoyed Johnston’s focus on the connection between Ahsoka and the female character Kaedan Larte.  It was great seeing this character help get Ahsoka out of her shell, and the subtle romantic feelings between the two of them was an interesting character direction for Ahsoka.  Overall, I thought Ahsoka contained an incredible take on its titular character, as Johnston not only provides the reader with a much clearer picture of Ahsoka’s fate following The Clone Wars, but also provides a powerful look at her thoughts and feelings following the destruction of the Jedi.

In addition to exploring the fates of one of their favourite characters, fans of the franchise are also treated to another intriguing look at events in the Star Wars universe not covered in the movies or television shows.  Ahsoka is set one year after the events of Revenge of the Sith, and shows the early days of Imperial control in the galaxy.  There is a palpable and well-utilised feeling of dread throughout the book as the various point-of-view characters encounter the steady increases in Imperial control as their military expands its influence.  It is fascinating to see the early Imperial military machine in action, especially when it comes to controlling and pacifying smaller planets and moons.  One of the most interesting aspects of this is the type of troops being utilised.  By this point in the Star Wars’ chronology, the Empire has started to phase out their clone troopers, replacing them with the human stormtroopers that appear in the original trilogy.  During her encounters with them, Ahsoka notes that these stormtroopers are still quite green and are nowhere near the clones’ level of competency when it comes to battle, controlling territory or dealing with Jedi.  This changeover in troop type for the Empire has not really been covered in too much detail before and is quite fascinating to see.

The exploration of the Empire’s methods of hunting down the remaining Jedi is also intriguing, as one of Vader’s Inquisitors serves as the book’s main antagonist.  The Sixth Brother is shown not only hunting fully trained Jedi like Ahsoka but also tracking down Force-sensitive children for his masters.  The extent of the Inquisitor’s power and influence is explored in some detail here, and I enjoyed seeing Ahsoka’s impression of these Inquisitors’ skills and actions, especially as the Inquisitors were also trained by Darth Vader.  Readers will also note the obligatory hints at the creation of the Death Star throughout the plot of the book, which is an important part of the overall Star Wars chronology.

These early days of the Imperial military is not the only thing covered in the book, as Johnston also explores the opening actions that would lead to the formation of the Rebel Alliance.  Johnston uses minor Star Wars character Bail Organa to great effect here, showing the work he beings immediately after his heroics in Revenge of the Sith to oppose the Emperor.  Ahsoka also features several cameos from other characters in the Star Wars cannon, and readers can look forward to seeing fan favourite characters Darth Maul, Obi-Wan Kenobi, R2D2, a young Princess Leia and the Grand Inquisitor.  This is a compelling and insightful addition to the Star Wars extended universe, and readers will be amazed by this new viewpoint into one of the franchise’s most volatile periods.

As I mentioned above, I chose to listen to the audiobook version of Ahsoka rather than track down a physical copy to read.  This was mainly because the creators of the Ahsoka audiobook managed to score Ashley Eckstein as the narrator.  Eckstein is the actor who voices Ahsoka in both The Clone Wars and Star Wars Rebels, and I loved the idea of having the definitive voice of the character narrate this crucial Ahsoka story to me.  As Ahsoka is the most prominent point-of-view character, this works out incredibly well, and the reader can enjoy hearing Ahsoka tell the story of what is around her.  Eckstein also provides excellent voice work for all the other speaking characters that feature in the book, as each of these characters were given a distinctive voice that does not feel out of place.

While I really enjoyed hearing Eckstein narrate the story, another benefit of listening to Ahsoka on audiobook is the use of the iconic Star Wars music, as well as the book’s cool use of sound effects.  The creators of the Ahsoka audiobook have inserted John Williams’s iconic score from the movies into a variety of the book’s scenes.  While this is slightly distracting in one or two places where the music did not quite fit properly, it works incredibly well for most of the book.  Several of the story’s big scenes, such as the pivotal battle sequence where Ahsoka reveals her Jedi powers for the first time since she went into hiding, are underscored by this music.  With this grand and powerful music playing in the background, these scenes are given a real epic quality that you just do not get from reading a psychical copy of the book.  It also serves to make Ahsoka feel a lot more connected to the movies, as the listeners are provided with a score that is instantly recognisable as belonging to this franchise.  In addition to the spectacular musical inclusions, the audiobook also features a range of relevant sound effects that really add to the book’s atmosphere and authenticity.  These sound effects range from droid noises and the sounds of ships starting up, to background music when the characters hang out in the cantina.  None of these sound effects distracts from the story and for some of the battle scenes, the lightsabers and blasters sounds really add to the reader’s excitement and involvement in the action.  Another thing I found fun while listening to Ahsoka on audiobook was the producer’s use of some sort of voice modulator for when Eckstein narrates the voices of stormtroopers or other characters wearing helmets.  This is a nice touch and really speaks to the producer’s attention to detail.  I am unsure how effective this would have been if Darth Vader had appeared in the book, but I’m sure I would found the end result amusing one way or another.

Clocking in at just over seven hours long, this is an easy book to get through and the inclusion of the classic Star Wars music, fun sounds effects and the definitive voice of the titular character make it an excellent way to experience this fantastic story.

Ahsoka has been written with a young adult audience in mind, and is definitely an enjoyable book for younger readers who are curious about the Star Wars universe, are fans of the animated shows, or are just looking for an exciting adventure in space.  That being said, the book does not pull any punches, and features an extended torture scene and quite a few deaths, including one particularly gruesome kill by the Sixth Brother.  While some of this can be a tad heavy, I personally feel that anyone mature enough to be familiar with the Star Wars franchise is probably going to be mature enough to not be affected by this violence.  Despite being intended for a young adult audience, Ahsoka, like many of the Star Wars young adult range, is definitely a series that can be appreciated by an older audience, especially those familiar with the franchise and the titular character.

Overall, I was very happy that I checked out Ahsoka, as it not only provided greater insight into the history of one of my favourite Star War’s characters but also painted a detailed and intriguing picture about the early days of the Empire.  Featuring a surprisingly deep and emotional story, this is a fantastic addition to the Star Wars extended universe that will appeal to fans of the amazing animated show, while also offering character based adventure to the more casual reader.  Definitely best to check out in the audiobook format, readers will love how this morphs this impressive Star Wars story into a memorable experience that becomes very difficult to turn off.

My Rating:

Four stars

If you enjoy Star Wars fiction, check out some of my previous reviews:

https://unseenlibrary.com/2018/08/12/star-wars-thrawn-alliances-by-timothy-zahn/

https://unseenlibrary.com/2018/05/30/star-wars-last-shot-by-daniel-jose-older/

Throwback Thursday: The Inheritance Cycle by Christopher Paolini

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Publishers: Paolini LLC, Knopf Books, Random House AudioBooks

Publication dates:

Eragon – 2002

Eldest – 2005

Brisingr – 2008

Inheritance – 2011

 

Reviewed as part of my Throwback Thursday series, where I republish old reviews, review books I have read before or review older books I have only just had a chance to read.

For my first edition of Unseen Library’s Throwback Thursday series, I have decided to review an important series from my youth, the Inheritance Cycle.  Loved by many, strongly criticised by others, the Inheritance Cycle is a highly inventive young adult fantasy series with an epic narrative of good versus evil

Released between 2002 and 2011, the Inheritance Cycle is the first series from author Christopher Paolini and contains four books.  Since its initial release, the first book in the series, Eragon, has been adapted into a movie starring Jeremy Irons, John Malkovich, Robert Carlyle, Djimon Hounsou and Rachel Weisz.  Despite its strong cast, the movie was a poor adaption of the source material and flopped both critically and financially.  As is often the case, however, the books are stronger than the film.

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I received a copy of Eragon as a birthday gift a short time after its initial release in 2002 and powered through it in short order, as I was instantly hooked by the ambitious plot, massive amounts of lore, and the inventive fantasy elements.  Following Eragon I made sure to grab every other book in the Inheritance Cycle as soon as they came out and I considered it one of my favourite series.  Having re-listened to the entire Inheritance Cycle a few times on audiobook I still massively enjoy the series, although I have noticed a few flaws with the franchise.

The books are all set in the world of Alagaësia, a land filled with classic fantasy elements such as dragons, elves, dwarfs and magic, in addition to a few unique creatures and powers.  Many years before the start of the series, an order known as the Dragon Riders were formed to keep peace and harmony in Alagaësia.  The elven and human Riders were bound to their sentient dragons and formed a lifelong partnership with them, gaining powerful magical abilities as a result.  Following years of peace, the Dragon Riders were wiped out by a crazed former member of the order, Galbatorix, and his followers.  After destroying the Riders and driving the dragons to near extinction, Galbatorix conquered the human kingdoms of Alagaësia and forced the elves and dwarfs into hiding.

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The first book in the series, Eragon, starts with the titular character, the young human Eragon, receiving one of the last surviving dragon eggs, which hatches forth the dragon Saphira.  Following an attack by Galbatorix’s servants, Eragon, Saphira and their mentor, Brom, are forced to flee their village of Carvahall and travel throughout Alagaësia before finally joining up with the rebel organisation, the Varden.  Along the way, Eragon and Saphira lose Brom, encounter the mysterious Murtagh, and rescue the elf Arya from Galbatorix’s captivity.

The following books in the series follow Eragon and Saphira as they lead the fight against Galbatorix while also learning about their powers and the history of the riders.  They encounter new mentors, find out terrible secrets about Eragon’s past, and eventually confront Galbatorix in a final battle.  At the same time, Eragon’s cousin Roran becomes a fugitive from the crown and must lead the entire village of Carvahall in an epic journey to the Varden.  There is also a focus on young political rebel Nasuada, who becomes leader of the Varden in the second book, and examines the trials and tribulations of leading a war against an all-powerful magic tyrant.

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The last two times that I enjoyed the books in the Inheritance Cycle, I chose to listen to them by audiobook, which are narrated by the outstanding Gerard Doyle.  Eragon is the shortest audiobook at 16 hours 27 minutes, while Inheritance, the finale, clocks in at 31 hours 28 minutes.  I am a huge fan of listening to books with large amounts of internal lore, history and background as it means I am less likely to miss an interesting fact or accidently skip over something with tired eyes.  As Paolini has created a massive amount of background lore and detail to accompany his story, I would heartily recommend listening to the Inheritance Cycle, as I felt that I absorbed so much more from the series as a result.  Doyle is an excellent narrator for this series, and at no point did I find his voice work either distracting or annoying.  His character voices are done very well, and he was able to produce excellent voices for both the male and female characters, as well as the various fantasy species.  I particularly enjoyed the Scottish accent that Doyle attributed to the character of Murtagh, as I felt it fit the character perfectly and made him very distinctive throughout the series.  Other features of the audiobook editions of this series that might appeal to potential listeners are the exclusive interviews with the author that were included at the end of two of the books.

Without a doubt, the best feature of this entire series is the sheer amount of imagination and lore that Paolini has invested in his book’s settings and history.  Each of the books in the Inheritance Cycle contains an incredible amount of background information, elaborate settings and a huge range of fantasy creatures, each with their own skills and history.  Paolini’s immense creativity is particularly evident in the series’ complex rules of magic that are a major feature of all the books.  The detailed explanation provided in Eragon is massively expanded upon in the later books in the series, and represents a significant part of the narrative.  It is also incredible to consider that Paolini created a completely new language for this magic.  With huge amounts of effort expended in creating complex lore, magic and history for all the races and peoples of Alagaësia, it is worth reading this entire series just to see all of these wonderful inclusions.

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There are some amazing story elements contained within the Inheritance Cycle books.  Paolini has created an epic fantasy adventure that draws the reader in and makes them care about the battle for Alagaësia.  This series has everything from impressive duels to large-scale battles that range from small groups of soldiers fighting to massive pitched battles and sieges.  There is also a significant amount of magic, politics, intrigue, romance, family and everything else that makes up a great fantasy story.  The main character, Eragon, is a classic hero coming into his great power storyline that fantasy fans will appreciate and enjoy.  However, I personally thought that the storylines that focused on Eragon’s cousin Roran were the best parts of the entire series, and business really picked up when he was made a point of view character in Eldest.  Roran is a much more grounded and likable character than Eragon, especially as he has to rely on his skill, cunning and luck to survive in a world where massive monsters and powerful magicians run rampart.

The first book, Eragon, is the only edition in the Inheritance Cycle that is told completely from the viewpoint of its titular character.  This book is a superb introduction to the series and spends significant time laying down the groundwork for the next three books.  Some great characters are introduced within this first novel, and there are a range of terrific battle scenes, the establishment of some fantastic relationships and some deep emotional moments.

The second book, Eldest, is another amazing part of this series.  Eragon spends a significant part of the book physically crippled following the final battle in Eragon, and Paolini’s descriptions of his despair and hopelessness are particularly vivid.  I am a real sucker for fantasy teaching sequences, so the scenes where Eragon learns magic, history and other subjects in the elven kingdom were really enjoyable for me.  However, the standout parts of this book focus on Eragon’s cousin Roran and the inhabitants of Carvahall.  Eragon’s actions in the first book results in Carvahall being targeted by Galbatorix and his forces, and Roran and the villages must first defend their home and then attempt to flee to the Varden.  Their exodus has some great scenes, including an extended voyage at sea, and is it fascinating to see how Eragon’s adventures impact the people he left behind.  Special mention should also be made of the scenes told from the viewpoint of Nasuada as she takes control of the Varden and leads its invasion of Galbatorix’s kingdom.  The final battle sequence of the book is another huge highlight, as the reader gets to see Eragon unleash his new powers in a massive battle scene.  The combination of the book’s three storylines into one conclusion is particularly enjoyable and epic, and there are some amazing battles and several important character revelations for the protagonist.

The third book, Brisingr, represents another fun addition to the series.  Eragon sets out on a journey of discovery during his arc.  Of particular note is the extremely intriguing look at dwarf politics and emotional reveals about Eragon’s heritage and family.  Roran’s arc is action-packed and exciting as it focuses on his role as a new member of Varden as he works his way up to becoming a high-ranking commander in the army.  The devastating conclusion to this book provides an emotional punch to the reader as one of the most likable characters meets their end.

Inheritance, the final book in the Inheritance Cycle, draws this story to its epic conclusion.  Readers who have enjoyed the first three entries in this series will have no choice but to see how this adventure ends.  Once again Roran’s arc shines through as the most enjoyable part of the entire book.  Not only does this arc focus on his own fantastic siege storyline, but it is through Roran’s eyes that we watch the massive battle for Galbatorix’s capital.  While Eragon and most of the other supporting characters are fighting Galbatorix, Roran is the only point of view character observing the fierce street-to-street combat happening in the city below.  Roran’s epic battles in this sequence more than make up for certain deficits with the main fight between the remaining Dragon Riders above.  That being said, Eragon, Arya and Angela’s earlier confrontation with a group of fanatical priests in tunnels below an ancient temple has a certain sinister edge to it that will appeal to some readers.  Offering a satisfying conclusion with a number of intriguing storylines left open for future books, this is a superb final chapter for the entire Inheritance Cycle.

While this series has a lot of great features and positive points in its favour, there are a few negative issues that need to be addressed.  When it was released, one of the main criticisms the Inheritance Cycle received was about its similarities to other works, and it’s honestly not hard to see some striking resemblances to the original Star Wars movies.  The Dragon Riders are extremely similar to Jedi, down to the unbreakable, colour-coded swords.  Obi-Wan Kenobi’s monologue from A New Hope about the destruction of the Jedi can pretty much be substituted for Brom’s description of the fall of the Riders.  The main character, Eragon, is essentially Luke Skywalker.  When we first encounter him he is living with a gruff uncle and suddenly receives a MacGuffin (in this case a dragon egg rather than a droid) that dramatically changes his life.  The arrival of the MacGuffin results in the death of his guardian and he flees the only home he knows with a mentor character.  The mentor character, Brom, the former Rider, has way too many similarities with Obi-Wan as he gives the protagonist his early, uncompleted training, provides him with his first weapon, and then dies about two-thirds through the first volume.  In the course of the first book Eragon also meets up with a rogue-like character, rescues a trapped female who he first sees from a distance (through magical scrying rather than a hologram) who later turns out to be a princess, and then flees to a rebel stronghold for an epic confrontation.  In later books Eragon meets a Yoda-like character in Oromis and finds he is related to the Darth Vader equivalent, Murtagh (after Murtagh obtains a red sword).  He eventually faces the Emperor-like villain, Galbatorix, at the very end of the series, and is forced to have a final duel with Murtagh in front of him.  Upon Galbatorix’s death and the utter destruction of his ultimate base, the heroes liberate the whole world from the control of the evil empire and Eragon sets out to teach a new generation of Riders.

These are only some of the more obvious similarities to Star Wars, and they are pretty glaring; however, this has never ruined the series for me.  Other criticisms about similarities to fantasy works such as Lord of the Rings, due to the inclusions of dwarfs and elves are a bit harder to credit, as these are hardly unique fantasy races anymore and Paolini does a fantastic job creating distinctive histories and traits for these races.

One thing that I really disliked about the series, however, is the terrible romantic arc between Eragon and the elf Arya.  Eragon pretty much falls in love with her the second he sees her, but Arya is strongly opposed to his romantic advances for various reasons.  Eragon’s unrelenting pursuit of her, especially in the second book, is very uncomfortable, and his depression and self-pitying attitude following her rejections are some of the worst parts of the series.  While their relationship in the third and fourth books becomes more natural and builds up as a result of mutual respect, I’m personally glad that Paolini doesn’t pull the trigger on their relationship at the end of the series.

I was also not a big fan of the extreme amount of self-doubt that Paolini injected into his protagonist, possibly to counterbalance the overpowered nature of Eragon.  Eragon spends way too long feeling sorry for himself, and the scenes where he deals with these feelings of inadequacy and doubt are some of the hardest to get through.  These character flaws, along with the Arya romance subplot, make it hard for the reader to like Eragon at times, and are part of the reason that I feel Roran is the better hero in the series.

While they did have some amazing parts, the third and fourth books in the series did seem to drag at times.  While I enjoyed Brisingr, when you view the whole series, I feel that Paolini could have probably gotten away with turning the series into a trilogy and simply incorporating some of the key story points into Inheritance instead.  The final conclusion of Inheritance is also a bit clichéd, especially when, out of nowhere, Eragon is able to use magic to make Galbatorix understand all the pain his actions have caused.  It’s a pretty weak way to end this epic confrontation, but luckily the reader isn’t too disappointed, especially with the epic Roran storyline down in the city ramping up the action in this part of the book.

Despite the above criticisms, I still rate all of the books in the Inheritance Cycle four stars out of five.  While this rating may be slightly bolstered by nostalgia, I do believe that this is an excellent series that will appeal to many fantasy fans, especially those younger readers who are only just starting to read the genre.  With an absolutely incredible amount of fantasy details, world history and established lore, I am still amazed by Paolini’s sheer imagination every time I go back to this series.  There are some electrifying storylines within all four of these books, as well as enough action, be it physical, mental or magical, to make any action junkie’s pulse run wild.  Readers looking for the next epic fantasy series to enjoy will find an incredible adventure awaits within the Inheritance Cycle.

My Rating (Series and Each Book):

Four stars