Star Wars: Sanctuary by Lamar Giles

Publisher: Random House Audio (Audiobook – 6 August 2025)

Series: Star Wars – The Bad Batch

Length: 11 hours and 46 minutes

My Rating: 4.75 out of 5 stars

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New Star Wars author Lamar Giles presents an epic and highly entertaining novel that follows everyone’s favourite group of rogue clones, with the Bad Batch focused novel, Sanctuary.

2025 has been an awesome year for Star Wars fiction.  Between the intense political novel, The Mask of Fear by Alexander Freed, and the upcoming Darth Vader-focused novel, Master of Evil by Adam Christopher, there are some interesting and heavy books coming out to further the lore of this iconic franchise.  However, there have also been some highly entertaining entries in this canon, including the fantastic novel Sanctuary.  Written by young adult fiction author Lamar Giles, Sanctuary is the author’s very first Star Wars novel, having previously written a short story in an anthology book.  A tie-in to The Bad Batch animated series, Sanctuary was an intriguing adult Star Wars novel that wasn’t originally on my reading radar.  However, in the mood for an audiobook from a familiar franchise, I decided to check it out, and boy was I glad that I did.

After turning on the Empire and deciding to live their own lives, the members of Experimental Clone Force 99, better known as the Bad Batch, are on the run, taking odd jobs and helping the innocents of the galaxy.  Made up of the grizzled Hunter, brilliant Tech, loveable powerhouse Wrecker and child prodigy Omega, the Bad Batch members have become an unlikely family.  However, after a series of dangerous missions, the members of the squad are tired, especially with their former comrades Echo and Crosshair on their own separate journeys. 

Needing a safe place to rest, the Bad Batch have found sanctuary on the planet of Pabu.  An idyllic settlement hidden from the eyes of the Empire, Pabu appears to be the perfect place for the clones to finally settle down and escape the constant battles.  However, before they can enjoy the peace of their new home, they’ll first have to help rebuild it.  With the settlement desperate for resources after a massive tidal wave, the members of the Bad Batch team up with pirate and self-proclaimed liberator of treasures, Phee Genoa, who promises an easy payday.

Hired to recover a valuable relic from an auction house, the crew’s ploy to steal it is quickly discovered, forcing them to revert to their usual fugitive ways.  However, their escape plan becomes complicated when Phee insists that they take on a second job, ferrying a mysterious couple to safe harbour.  Going against his better judgement, Hunter agrees to take on the passengers, but soon discovers that their new cargo has many secrets.  Forced to contend with an obsessive ISB agent and murderous tycoon with dangerous connections, the Bad Batch will risk it all for their new home.  But have they finally found an enemy too dangerous to defeat?

Sanctuary was an excellent and very entertaining Star Wars novel that proved a lot of fun to read.  Perfectly bringing the characters from The Bad Batch to life for an exciting new adventure, Sanctuary was an outstanding read that featured a compelling and action-packed story of love and life in the Star Wars universe.

Giles pulled together a captivating and very fitting narrative for Sanctuary, the serves as a great addition to The Bad Batch show, while also telling its own unique story.  Set towards the end of second season of the series, right after the events of the 13th episode, Pabu, Sanctuary is a fast-paced, character-driven story that takes the protagonists into the gritty underbelly of the Star Wars universe.  Starting with a very entertaining heist sequence, which goes about as well as any of the team’s plans, the titular Bad Batch and their pirate associate Phee Goena, escape with the loot, planning to sell it to a wealthy buyer.  At the same time, they take on two passengers, pregnant woman Keshiri Sohi and her masked partner Kuuto, who require smuggling across the galaxy.  Giles does a great job setting up all these initial story elements, and he quickly adds in some compelling complications that add some exciting drama to the narrative.  This includes a righteous ISB agent, Supervisor Sendril Crane, who is hunting their passengers, as well as the squad’s potential buyer, Cellia Moten, who would prefer to kill Phee Goena rather than pay her.

After an excellent shootout sequence halfway through the book where the protagonists are forced to simultaneously resist both Crane and Moten, the book slightly slows down as Giles works in some excellent story elements for both the protagonists and antagonists.  This includes growing drama between the Bad Batch and their passengers over their various secrets and lies, which also ties in nicely to internal conflicts amongst the team.  At the same time, Crane finds himself in the sinister orbit of the highly connected Cellia Moten, with the two trying to manipulate the other for their secrets and influence.  After a series of personal scenes for the protagonists that finally get them on the same page, Giles moves the story towards the end game, with the antagonists finding out where they are hiding.  This results in a series of awesome action sequences, with all the protagonists forced to fight to escape.  All the book’s characters, including its two villains, have their moment to shine here, and there are some powerful examinations of the relationship between new characters Crane and Sohi.  After some suitably climatic moments, the book ends on a high note that fans will really enjoy.  Giles also adds in an excellent cameo at the end that serves as a cathartic conclusion to another character’s story, and which I thought was a fitting and fun way to end the book.

I really enjoyed Giles’s writing style for Sanctuary, especially as he managed to achieve a lot in this novel.  Not only do we get a fantastic Bad Batch focused narrative loaded with action, adventure and other exciting Star Wars elements, but Giles also managed to include some powerful, personal moments, as various character dramas from both the show and this specific novel are played out.  The result was a slick and fast-paced novel that quickly draws the reader in with its easy humour and fun focus on The Bad Batch’s entertaining characters.  Thanks to some excellently timed shifts in character perspective, all the key members of Sanctuary’s cast have their moment to shine.  I particularly loved parts of the book that showcased the antagonist’s journey, which served as outstandingly entertaining contrast to some of the more character-driven chapters around the protagonists.  The combination of intrigue and Imperial politics in these scenes, as well as the mind games between to delightfully devious villains, was a true highlight of the book, and it allowed Giles to up the stakes of the plot, especially when it starts diving into some deeper Star Wars elements with some excellent references.

As a fan of The Bad Batch animated series I personally really enjoyed Sanctuary as Giles perfectly captured the tone and humour of the show.  Working as a great tie-in, Sanctuary fills in some interesting gaps between two of the show’s episodes, and the author does an excellent job of examining some of the issues the characters are facing during this period.  While naturally geared towards those familiar with The Bad Batch, Giles ensures that Sanctuary isn’t too show-lore dependent, and most general Star Wars fans will be able to read this book and have a great time.  Indeed, those unfamiliar with the animated series get a good glimpse at the humour and character dynamics in this novel, and it could serve as a good entry point to show.  Even if they don’t, the author also adds in a bunch of references that anyone familiar with Star Wars will be able to appreciate.  I felt that Giles did an excellent job exploring the period the novel is set in, the early days of the Empire a couple of years after the events of Revenge of the Sith, which is one of the more fascinating times in the franchise’s lore, and it was interesting to see how some of the new characters fit into this time.  As such, Sanctuary is going to appeal to a wide range of readers, and it’s a great read for fans of the Star Wars extended universe.

I have already mentioned a few times the excellent character work in Sanctuary as Giles features a great cast for this book.  Naturally for a Bad Batch book, the titular cast get much of the focus in Sanctuary, with excellent portrayals of Hunter, Tech, Wrecker and Omega.  Giles expertly captures their personalities from the show and reproduces them in Sanctuary.  As such, you are given some very interesting insights into the minds of each of these characters at this point in the series, with a particular focus on each clone’s glance towards the future and what they want out of life.  While there are some interesting alternating characters here amongst the cast, including Omega trying to become more independent, Tech’s unlikely romance with Phee, and Wrecker’s simple desire to blow things up, much of the character development for the main cast revolves around Hunter.  Giles spends a large amount of time diving into Hunter’s issues with losing control and no longer being a soldier, as well as some of the resentment he has from Crosshair’s abandonment of the squad.  This results in several fractious family moments, especially as Hunter’s caution tends to put him at odds with the rest of the team’s desires, and his distrust of Phee and their new passengers causes some noticeable friction.  These character dramas are a compelling part of the book’s overall plot, although Giles also does a good job of showcasing the more happy-family version of the Bad Batch, which fans of the show will appreciate, considering we all know what’s coming in a few episodes time.  That being said, I’m not sure I can forgive Giles for his line about Tech’s grapnel gun never failing him.

Aside from the titular Bad Batch, Giles features several additional outstanding characters, including returning show favourite Phee Genoa.  A free-spirited pirate and treasure hunter, Phee was a breath of fresh air amongst the stuffier clone soldier protagonists, and it was entertaining to see the unique interactions she had with the other characters.  Her antagonism of the rigid Hunter was particularly fun, especially as it brought up some much-needed drama, however, it was her relationship with Tech that was a true highlight of the book.  Giles did a good expanding on the feelings hinted at in the show, and they proved to be a very distinctive couple as a result.  I felt this gave some of the upcoming events of the animated series a little bit more of a tragic air, as you try to imagine what could be, and you end up liking them in a very bittersweet way.  The main cast of protagonists were well rounded out by new figures Keshiri Sohi and the masked Kuuto.  Mysterious passengers with secret pasts who cause all manner of trouble for the main cast, Sohi and Kuuto spend much of the book seemingly untrustworthy with their own agendas.  However, thanks to some excellent reveals, as well as a couple of good flashbacks, you grow to understand the complexity around their actions, and they proved to be a compelling addition to the cast as a result.

While I really enjoyed the protagonists, I felt they somewhat got overshadowed by the book’s impressive antagonists.  This includes ISB Supervisor Sendril Crane, a diligent and intense figure on the heels of Sohi and Kuuto.  Crane has a brilliant introduction in this book, which shows off his intelligence and ruthlessness, and he only gets better from there as you come to understand his background as a spy and his obsession with Sohi.  While Crane proves to be a ruthless adversary, he is well matched by Sanctuary’s other main antagonist, Cellia Morten.  An ultra-rich, politically connected tycoon with a penchant for murder, Morten is shown to be an outstandingly deranged figure early on, and she swifty amps up her evilness as the book continues.  Giles does an exceptional job sculpting Morten into the very worst rich villain he could, especially once her motivations for killing are revealed, and it was very fun for to eventual face reality on the real power structure in the galaxy.  While both serve as great antagonists to the main cast, the real beauty of these villainous characters occurs when they interact with each other, which results in a series of manipulative conversations which are thoroughly entertaining.  I particularly enjoyed how Morten continuously got the better of the normally unflappable Crane, especially in their first meeting when she gets out being arrested by asking if he had been sent by her good friend Sheev, with her use of namedropping and connections only getting better from there.  These two antagonists played off each other perfectly, and their battle of wits and cruelty, was even more entertaining than their hunt for the protagonists.  All these great characters added so much to my enjoyment of Sanctuary, and I loved the amazing arcs and interactions that emerged.

Naturally, I ended up listening to Sanctuary on audiobook, rather than seeking out a physical copy, as the audiobook format is the absolute best way to enjoy a Star Wars novel.  I love how incredible a Star Wars novel can sound when read out, and this was particularly true with Sanctuary, as all the awesome action and great characters were so much more impactful and fun in this format.  A lot of this is due to the narration of Marc Thompson, who does an exceptional job voicing all the characters and bringing the entire book to life.  Thompson, who is one of my favourite audiobook narrators, has long been one of the top narrators of Star Wars fiction thanks to his brilliant vocal talents and ability to impersonate various characters from the shows (see my previous reviews of Thrawn and Scoundrels by Timothy Zahn and Dark Disciple by Christie Golden).  His skill was on full display in Sanctuary, especially as he perfectly voiced Hunter, Tech and Wrecker throughout this novel, as well as several other characters from the show.  I was honestly so impressed by how he managed to accurately he was able to voice the three main clones from the show, with each of their distinctive but similar voices, coming across so damn close to their voice actor in the show, Dee Bradley Baker.  At the same time, he also does a good take on Wanda Sykes’s character Phee Genoa, and even does a passible voice for Omega, which includes the New Zealand accent of actress Michelle Ang. 

Thompson’s outstanding narration is further enhanced by the fantastic inclusion of Star Wars sound effects and music, which is an outstanding part of all Star Wars audiobooks.  The entire story really comes to life when you can hear crowd sounds and blaster fire amongst the dialogue, while the iconic Star Wars music makes several scenes just a little more epic, especially when they help remind you of moments from the films.  These extra audio inclusions pair perfectly with Thompson’s narration, and it honestly felt like you were listening to an episode of The Bad Batch with this audiobook.  I really enjoyed this full listening experience, and I ended up powering through Sanctuary’s near 12-hour long runtime in no time at all.  This was such a great listen, and this was honestly one of the better audiobooks I had the pleasure of listening to in 2025.

With a brilliant story, fun characters and a ton of action, Lamar Giles’ Star Wars novel, Sanctuary, was an outstanding hit.  An excellent tie-in novel that follows the entertaining characters from The Bad Batch animated series, Sanctuary was an impressive and exciting novel that had me hooked very early on.  A deeply compelling and addictive read, Sanctuary comes very highly recommended, especially on audiobook, and all Star Wars fans are going to have a great time with this awesome read.

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Recursion by Blake Crouch Review

Recursion Cover

Publisher: Random House Audio (Audiobook – 11 June 2019)

Series: Standalone

Length: 10 hours and 47 minutes

My Rating: 5 out of 5 stars

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Get ready for one of the most impressive and compelling science fiction books of the last few years with Blake Crouch’s outstanding 2019 release, Recursion.

Crouch is one of the more intriguing and highly regarded science fiction and thriller authors out there now, having produced a fantastic catalogue of intense and addictive novels over his career.  Best known for his Wayward Pines trilogy (adapted into a television series of the same name), Crouch’s books for the last few years have been a collection of fantastic standalone science fiction thrillers, such as the bestselling Dark Matter.  These novels often combine intense thriller storylines with high-concept science fiction elements to produce some epic and captivating reads.  So far, I have only read one of Crouch’s books, his 2019 release, Recursion, which was an exceptional and amazing read.  Unfortunately, I didn’t review it back then, even though it was one of my top books and audiobooks of 2019.  As I have just started reading Crouch’s latest book, Upgrade, I thought this would be a good opportunity to quickly give Recursion the love it deserves, as this honestly was one of the better books of 2019.

Synopsis:

Memory makes reality.

That’s what New York City cop Barry Sutton is learning as he investigates the devastating phenomenon the media has dubbed False Memory Syndrome—a mysterious affliction that drives its victims mad with memories of a life they never lived.

That’s what neuroscientist Helena Smith believes. It’s why she’s dedicated her life to creating a technology that will let us preserve our most precious memories. If she succeeds, anyone will be able to re-experience a first kiss, the birth of a child, the final moment with a dying parent.

As Barry searches for the truth, he comes face-to-face with an opponent more terrifying than any disease—a force that attacks not just our minds but the very fabric of the past. And as its effects begin to unmake the world as we know it, only he and Helena, working together, will stand a chance at defeating it.

But how can they make a stand when reality itself is shifting and crumbling all around them?


Recursion
was a powerful and deeply complex novel that perfectly brought together an impressive and thrilling narrative about choices, survival, and fixing mistakes, with some outstanding and clever science fiction concepts.  Based around the concept of memory, Recursion eventually devolves into a deeply compelling time travel narrative as its amazing two protagonists are dragged into a terrifying struggle to save the world.

The narrative of Recursion is split between grizzled cop Barry Sutton and brilliant scientist Helena Smith, both of whom have tragic pasts and memories that they would kill to get a do-over for.  Their storylines are initially kept separate, as Barry attempts to investigate a mysterious illness that is causing people to suddenly awaken with a second set of memories about a life that didn’t happen, driving them insane.  At the same time, Helena works with a mysterious corporate benefactor to develop a machine that will allow people to relive their most important memories, but her boss soon takes control of the project and morphs it into something very different with impossible knowledge.

It is soon revealed that Helena’s boss is using her memory machine to travel back to the time that the important memories were created in order to alter the timeline for his and his friend’s advantage.  The false memory syndrome is a side effect of this process, as people eventually start to remember all the changes that have been made due to the time travelling villains.  Both Barry and Helena are dragged into this conspiracy, as Barry is bribed to stop investigating by reliving and altering the memory of his daughter’s death, while Helena fights to stop it before it’s too late.  Eventually teaming up once the world starts going crazy with multiple memories, Barry and Helena are too late, with the various nations launching nukes against America to stop them ruling the world through time travel.  Helena is barely able to escape by diving back in time to a point in her personal years before the events of the book.

From there the novel turns into an intense time travel thriller as Helena works through her past and attempts to perfect her machine and stop time travel from ever existing.  Continuously recruiting a younger Barry, Helena is unable to find a solution before the world regains its lost memories and is forced to travel back again and again to avoid the inevitable arrests and nuclear strikes and ends up living multiple lifetimes.  This leads to a desperate series of attempts to save the world, which results in a fantastic and clever conclusion that fits the unique science fiction elements and characters of this book extremely well.

Recursion’s entire narrative comes together extremely well and serves as a powerful standalone read.  I loved how the story developed throughout the course of the book, and I found the second half of the novel, with the multiple examples of time travel to be some of the best parts of Recursion, especially as the stakes are raised higher than ever before.  This is a very well-written and fast-paced thriller, and Crouch brings in some fascinating concepts that work extremely well in the context of the clever narrative he pulled together.  The blend of intense action, compelling characters and complex science fiction elements is pretty damn perfect, and readers really get drawn into this narrative as a result.  I was personally addicted to Recursion very early in the game, and I had an outstanding time seeing how everything came together.

Crouch explores a lot of unique and compelling scientific elements which become an excellent part of the overall book.  The author presents a very complex and intriguing series of concepts around human memory, time travel, and everything in between, and makes some very interesting and well-researched points about them.  While most of these concepts are high-level science, Crouch takes the time to explain them carefully, and I found myself following along with the ideas fairly well.  While I did think the leap from memory experiments to time travel were a little over-the-top, it did become an incredible part of the narrative, and I really loved how well time travel was used in the story.  I love a good time travel story, and Recursion was one of the better ones that I have read, especially as it covers it in a unique way, while also highlighting the many dangers of unchecked changes to the time stream.  I loved how well the author was able to weave a compelling and powerful story around these concepts, and you will come away from this book really thinking about all the implications of this potential technology, as well as the importance of memory to the human psyche.

I also deeply enjoyed the outstanding pair of protagonists, Barry Sutton and Helena Smith, whom the story is set around.  Not only does Crouch do a wonderful job splitting the narrative between them, often in some very clever ways, but he also builds both characters up extremely well, showcasing their deep inner pain.  Both have experienced a lot of tragedy in their lives, and thanks to the technology being explored here, they are given the chance to relive it and change it.  Watching them go through these deep emotional moments, as well as witnessing the various mistakes they make as they try to fix the world, is pretty damn heartbreaking, and you really grow to appreciate their struggles, especially if you can relate to their tragic memories.  As such, you grow attached to them rather quickly, and I liked how Crouch made sure to build in a compelling, if unique, relationship between them.  While both grow close during their first meeting, their romantic relationship takes on a whole new edge once time travel is brought into it and it turns into powerful romantic bond that literally last lifetimes.  I really grew close to both Barry and Helena while reading Recursion, and they are an outstanding pair of protagonists to follow.

I must admit that I was a little wary about listening to the Recursion audiobook, as a colleague of mine who read the novel before me indicated that it might prove a little challenging to keep track of the various time periods without a physical copy to flip through.  However, I really did not have any trouble keeping track of what was going on in the story while listening to the audiobook, and indeed I found that the format helped me understand the concepts more.  I also enjoyed the combined narration of Jon Lindstrom and Abby Craden, with Lindstrom reading the chapters told from Barry’s perspective and Craden doing the same for Helena’s chapters.  This split in narration worked really well, and I liked how it changed each time the character perspective did.  With a run time of just under 11 hours, this was a fairly easy audiobook to get through, and I powered through it very quickly.  An overall excellent way to enjoy this fantastic book.

Recursion by Blake Crouch is an epic and exceptional read that really showcases the author’s impressive writing skill and ability to come up with some truly unique concepts.  This science fiction masterpiece is so damn awesome, and there is a very good reason that it was one of my favourite books of 2019.  A five-star read and highly recommended in every way possible, I loved Recursion, and I can’t wait to finish off and review Upgrade next.

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Throwback Thursday: World War Z by Max Brooks

World War Z Cover

Publisher: Random House Audio (Audiobook – 14 May 2013, originally published 12 September 2006)

Series: Standalone

Length: 12 hours and 9 minutes

My Rating: 5 out of 5 stars

Amazon

Welcome back to my Throwback Thursday series, where I republish old reviews, review books I have read before or review older books I have only just had a chance to read.  For my latest Throwback Thursday review I take a look at the zombie horror classic, World War Z by Max Brooks, a truly epic and outstanding read.

One of the biggest novels that I have been meaning to read for ages was the highly regarded zombie novel, World War Z, also known as World War Z: An Oral History of the Zombie War.  Written by Max Brooks as a follow-up to his first book, the non-fictional The Zombie Survival Guide, World War Z is a unique novel that fully examines a zombie apocalypse from multiple perspectives.  I had heard some great things about this novel, and I even enjoyed the movie adaptation when it came out (more on that later).  Unfortunately, I never got a chance to read it and I kind of figured for a while that it might stay in my to-read pile for a while.  However, it moved much higher up my list of books to check out after I read Brooks’s 2020 novel, Devolution, which was one of my favourite novels of 2020 (as well as one of my favourite all-time horror novels).  I had also heard a lot of praise for World War Z‘s awesome audiobook edition, so when my wife and I needed some entertainment during a recent cross-country road trip, this was our first choice.

Plot Synopsis:

The Zombie War came unthinkably close to eradicating humanity. Max Brooks, driven by the urgency of preserving the acid-etched first-hand experiences of the survivors from those apocalyptic years, traveled across the United States of America and throughout the world, from decimated cities that once teemed with upwards of thirty million souls to the most remote and inhospitable areas of the planet. He recorded the testimony of men, women, and sometimes children who came face-to-face with the living, or at least the undead, hell of that dreadful time. World War Z is the result. Never before have we had access to a document that so powerfully conveys the depth of fear and horror, and also the ineradicable spirit of resistance, that gripped human society through the plague years.

Ranging from the now infamous village of New Dachang in the United Federation of China, where the epidemiological trail began with the twelve-year-old Patient Zero, to the unnamed northern forests where untold numbers sought a terrible and temporary refuge in the cold, to the United States of Southern Africa, where the Redeker Plan provided hope for humanity at an unspeakable price, to the west-of-the-Rockies redoubt where the North American tide finally started to turn, this invaluable chronicle reflects the full scope and duration of the Zombie War.

Most of all, the book captures with haunting immediacy the human dimension of this epochal event. Facing the often raw and vivid nature of these personal accounts requires a degree of courage on the part of the reader, but the effort is invaluable because, as Mr. Brooks says in his introduction, “By excluding the human factor, aren’t we risking the kind of personal detachment from history that may, heaven forbid, lead us one day to repeat it? And in the end, isn’t the human factor the only true difference between us and the enemy we now refer to as ‘the living dead’?”

Note: Some of the numerical and factual material contained in this edition was previously published under the auspices of the United Nations Postwar Commission.

Holy hell, that was an exceptional book!  I loved the powerful and expansive narrative contained within World War Z as Brooks attempts to fully encapsulate the entire experience of a zombie apocalypse in impressive detail.  Literally all the good things I heard about this book were true, and I loved his unique and very captivating way of capturing the horrors of this sort of experience, both from the zombies and other humans.  An exceptional and impressively inventive read, World War Z gets an easy five-star read from me.

I cannot get over how awesome and distinctive World War Z was as a concept.  Rather than a traditional novel, Brook’s masterpiece is written as an epistolary novel, written as in-universe oral history anthology of a zombie apocalypse.  The book, which was compiled by this universe’s version of Max Brooks, contained multiple testimonials and interviews, as Brooks seeks out and talks to multiple people who experienced the apocalypse and pulls together their various unique stories.  This book contains around 40 individual stories set out across five chapters which look at the various stages of the zombie war, from its origins all the way up to the postwar ‘new normal’.

At this point I need to make a quick note about the version of World War Z that we checked out.  There are a couple of different World War Z audiobooks out there, but for our trip we listened to the World War Z: The Complete Edition, which combines two separate audiobook adaptations of the novel, and contains all the stories from the original book.  I did look over a paperback edition of World War Z before I started this review, and it looks like our audiobook version covered the full stories well, although I did notice that some of the stories were shortened or missing minor parts.  In addition, the audiobook version did not feature any of the paperback’s footnotes, which contained technical details and notes from the author.  However, I don’t think I lost out on too much of the plot from some of these missing gaps.

I really fell in love with the various individual stories contained with World War Z as Brooks went out of his way to produce the most unique and moving tales that he could.  These are mostly standalone tales, although there are a few interesting crossovers as the book continues, with some character’s mentioning events or supporting figures from other stories in their interviews.  However, as you follow the stories within these five chapters (made up of Warnings, Blame, The Great Panic, Turning the Tide, and Good-Byes), you get a full sense of the entire war, and it quickly comes apparent how cleverly Brooks was crafting everything here.  I personally deeply enjoyed both the individual shorter tales and the much larger connected story of World War Z, and I was deeply impressed with the excellent writing style behind it.  Brooks is a true master of writing deeply personal, character-driven tales of survival, and you swiftly become attached to the various protagonists as they tell their unique stories.  The action within is gruesome, fast-paced and deeply terrifying, and there are multiple over-the-top descriptions of zombie and human violence that will stick with you forever.  This was easily one of the best zombie novels I have read in terms of storytelling and action, and everything about this tale is so damn compelling.

As I mentioned, there are roughly 40 separate stories contained within this anthology, each of which contains its own unique protagonist, supporting characters, settings and unique circumstances.  Naturally, with so many stories you have a bit of a range in terms of storytelling, with some being substantially better than others.  However, I felt that Brooks did a very good job of writing each of these stories extremely well, and there were none that particularly dragged the novel down.  There is a real mixture of narratives here, with particularly gruesome horror stories mixed in with more human-focused narrative, political plotlines, military thrillers, stories that balance on the edge of science fiction, and everything in between.  The spread of these stories works pretty well, with Brooks providing an entertaining mixture of storylines throughout the book so readers aren’t constantly bombarded by tales of horror or tragedy.  Instead, there are often fascinating, humorous and humanising stories thrown in amongst the horror.  This works to make the entire novel flow at a fantastic pace.

While pretty much all these stories are fun and tell some outstanding tales of the zombie apocalypse, there are a few that stood out to me as being a cut above the rest.  I had some early fun with the Stanley MacDonald storyline, which showed an amoral illegal surgeon in Brazil unwittingly transfer a zombie heart into a patient, which led to one of the earliest outbreaks in South America.  The Jesika Hendricks plot showed a brilliant, if very dark, take on ordinary citizens trying to flee the zombies only to experience the other dangers of surviving the winter in a desperate community.  There are several amazing and cynical storylines, such as the Breckinridge Scott and Grover Carison testimonies that showcase the capitalist opportunism that surrounded the initial outbreaks.  I also really liked the South African focused storyline around Paul Redeker, which showed a former Apartheid strategist using his stark and brutal plans to save the country from the undead hordes.  I loved the particularly inventive and clever testimony surrounding the character of Arthur Sinclair Junior, which focuses on how America was reorganised after the initial stages of the war, with the country setting its sights towards industry, construction and warfare, which really highlights the author’s impressive insights into the world.

Two other fantastic World War Z storylines set in Japan focus on two unique individuals, one an “otaku” (a computer-obsessed outsider who tried to live entirely online), and a blind “hibakusha” (a person affected by the atomic bombs used in WWII).  Both characters were outsiders in Japan before the zombie war, but the zombie invasion changed their entire lives and led to them becoming renowned warriors and survivors against all the odds.  These two storylines are extremely compelling, and I loved the way that the author utilised unique subsections of Japanese society and tried to imagine how those sorts of people would survive the zombies.  There was also a really intense storyline, told by Admiral Xu Zhicai, that details a Chinese submarine’s attempt to escape the zombies with their families, which turns into a brilliant, powerful and occasionally disturbing tale of survival, loyalty and family.  I also must mention the Terry Knox testimony that details the actions aboard the International Space Station and the Darnell Hackworth story that looks at the US army’s canine units that helped scout and herd zombies (yay for mini dachshunds, the real heroes of this book).  However, out all the testimonies featured within World War Z, my favourite had to be the ones focussing on soldier Todd Wainio.  Todd battled the zombies at multiple stages of the war, and his multiple entries paint a pretty grim picture but are easily some of the best depictions of the horror of the zombies and the challenges faced by the armed forces.  His first testimony about the army’s initial inability to combat the zombies is very chilling, and it was fascinating to hear about the changes to his training and equipment as the military adapted to fight this new and strange enemy.  I am honestly just scratching the surface of these testimonials here, as pretty much all of them were great in their own way.  However, the ones I mentioned here were my personal favourites, and I had a blast listening to them and seeing how they fit into the wider narrative.

For me, one of the main highlights of World War Z was Brooks’s incredible inventiveness and insights when it came to envisioning a potential world-wide zombie apocalypse.  Thanks to his amazing range of stories, Brooks showcases a vast global catastrophe that impacts everyone no matter where they are.  I loved his depiction of how the apocalypse emerged, and rather than a continuous attack that pretty much destroys everything in a single day, Brooks imagines a gradual catastrophe that is initially ignored and mishandled before it spreads uncontrollably.  This is covered in the early chapters of the book with some substantial skill, and you really get to see how and why everything falls apart, with appropriate zombie violence included.  While there is an understandable focus on America, I found it fascinating to see how Brooks imagined different countries would deal with this crisis, with different culturally informed strategies, and there are even some compelling references to real-life figures (the Nelson Mandela facsimile reacts in a very different way than you’d expect).  The author really dives into all the details of a zombie attack and examines all the pros and cons of various strategies humans could utilise, from fleeing, staying in defensible positions, or fighting back.  There are some brilliant testimonies that cover all of them, and Brooks’s dark depictions of unprepared or overconfident humans failing to understand the threats in front of them and paying the price for it are shocking, bleak and captivating.  Brooks also comes up with some truly unique and clever problems or impacts of the zombies, many of which are referenced or experienced by multiple characters, including floating zombies, marine zombies, feral children who survived without their parents, looters, civil wars, and even crazed humans pretending to be zombies.

These intriguing insights from Brooks’s imagination are further expanded on in the later chapters of the novel, where the author explores how the world order changed because of the zombie war.  Again Brooks dives into multiple countries here, and it was fascinating to witness which countries the author imagines will be destroyed by the zombies and which would thrive.  I really enjoyed his examinations of the way that America needed to reorganise itself and its subsequent battleplans, which were perfectly covered by several of the best characters.  Seeing countries likes Russia, China, Japan and more change in drastic ways a result of this apocalypse was really cool and compelling, especially as the author covers it in such a reasonable and logical manner.  Countries like Cuba and the West Indies thriving due to their isolation was pretty fascinating, and they stood as an interesting contrast to more prominent countries that were disadvantaged or never stood a chance thanks to their socioeconomic issues or unsuitable landscapes.  I loved some of the unique issues that some countries experienced, such as the infested Paris catacombs or the mystery around North Korea, and they leave some intriguing afterthoughts as a result.  Brooks also cleverly examines other unique impacts that the zombies are having on the world, such as extinctions (goodbye whales), changes in global relations, and long-term problems, and I was deeply fascinated and enthralled by all this impressive thinking.  All of this compelling insight and imagination really enhances the stories being told by various characters, especially as they all impact humanity’s potential survival, and I really lost myself in the author’s powerful and impressive vision of a zombie apocalypse.

While World War Z is primarily about survival and the wider impacts of a zombie apocalypse, Brooks also takes the time to cover a few interesting themes.  In particular, he uses this novel about zombies to examine humanity.  While there is a certain overlying theme about the indomitable human spirit and our ability to triumph no matter the odds, there are some very noticeable depictions of the worst parts of human nature.  I found his initial depictions of most people ignoring or ridiculing the slow rising zombie threat to be pretty realistic (keep in mind that this was written 14 years before COVID).  There are also some major critiques about corruption and government incompetence in the face of disaster that I also found to be very intriguing and insightful.  Many of the early chapters that talked about military attempts to fight back had some interesting parallels to the wars in the Middle East, and I really appreciated the author’s clever critiques of these conflicts through the medium of a zombie war.  I felt that Todd’s testimony about the first major battle of the zombie war was a great example of this, as he regales the reader with how politically motivated leadership and incompetence led to a massacre.  All of this added a thought-provoking and entertaining edge to many of the storylines in the novel, especially the earlier testimonies, and I felt that Brooks did an amazing job bringing some of his own insights and critiques into his writing.

As I mentioned a few times above, I listened to the extended audiobook adaptation of this novel, which I personally felt was the absolute best way to enjoy this epic read.  Running at just over 12 hours in length, we absolutely powered through the World War Z audiobook during our road trip, and it served as an excellent entertainment for a long drive.  I often find that having a story read out to you really helps you to absorb everything about the story, and this was particularly true with World War Z.  Not only did the narration allow you to focus on all the details of the testimonials, but the horror elements and action felt a lot more intense, especially when you were dragged into some of the more gruesome scenes.  I also feel that the audiobook version of World War Z had a better flow than the paperback novel.  The testimonials with the audiobook are a lot more separated out, treated as a new chapter each time the narrator changes.  This is very different from the paperback version, which throws multiple testimonials in a quick fire manner, with everything crammed together into the five chapters.  As such, I really felt the audiobook helped to highlight the uniqueness of each testimonial and you really got to focus on each story a lot more.

However, easily the best thing about the World War Z audiobook was the truly impressive voice cast that were featured within.  Brooks, a voice actor himself, recruited a crack team of international actors to fill out his cast, including several A-listers, who give some outstanding and amazing performances.  All these actors really dive into their various roles here, conveying the emotion, fear and insights of their protagonists, and their great voice work definitely enhanced the already cool stories of their characters.  I deeply enjoyed all their voice work throughout the audiobook, and I know that I enjoyed several testimonies even more because of the talented actors voicing them.  This cast is led by Brooks himself, who voices the interviewer, asking all the questions and meeting all the various figures the novel is set around.  Brooks does a really good job here, and his calm, collected interviewing style and additional narration helps to set the scene for the entire novel and moves the other character’s stories along at a great pace.

Aside from Brooks, there are a good 40 or so voice actors featured in the World War Z audiobook, and I was pretty impressed with all their performances.  Some standout early performances include a brief appearance from Nathan Fillion as Canadian soldier Stanley MacDonald; Paul Sorvino, who gives a very fun performances as the sketchy doctor Fernado Oliveira; and Martin Scorsese, who gives an unrepentant portrayal of corrupt businessman Breckinridge Scott.  Other great performances include Kal Penn as Sardar Khan, an Indian soldier who serves an excellent witness to an act of heroism; the late, great David Ogden Stiers, who brings Ukrainian solider Bohdan Taras Kondratiuk to life perfectly as he watches a great act of evil from his government; Common as dog trainer Darnell Hackworth; and Rob Reiner as “The Whacko” a radical politician/former Vice President who shares his strong opinions in a very fun outing.  I really need to highlight some intriguing voice performances from Simon Pegg, who does a pretty good Texan accent in the role of Grover Carlson; and Alfred Molina, whose Australian accent was pretty accurate (a rare talent).

The performances of Masi Oka and Frank Kamai really brought to life the two Japanese characters I mentioned above, as does Ric Young for Chinese Admiral Xu Zhicai’s elaborate testimony.  I also really need to highlight the brilliant work of Alan Alda in this book as he voices pivotal administrator Arthur Sinclair Junior.  Alda, whose voice I have loved since M*A*S*H, perfectly inhabits the role of this intriguing figure, and I loved hearing his narration of how America’s economy was changed.  However, out of all the voice actors in World War Z, my favourite was the always impressive and remarkable Mark Hamill, who voiced standout character Todd Wainio.  Hamill was one of the main reasons why Todd was such a great character, and I loved his outstanding performance as a former ground soldier recounting all the horror of the front line of the zombie war.  There is so much weariness, trauma and cynicism in Hamill’s voice as he narrates Todd’s testimony, and you really feel the character’s resentment and anger.  The way that Hamill describes all the gruesome gore and zombie violence was just so great, and his impressive range and tone helped to really enhance the insanity and horror of the moment.  These voice actors, and the rest of the impressive cast, are extremely epic here, and they turned this production into something extremely impressive.

A quick final note about the World War Z film.  Until I read this book, I really did not appreciate how wildly off-book the film adaptation was.  None of the true magic from the original story appears in the film at all, as they turned it into a generic action flick rather than a clever analysis of how a zombie apocalypse would change the world.  While I did enjoy the World War Z movie on its own, it is a terrible adaptation, with only small elements from the book appearing in the film.  While I can appreciate that this is not the easiest book to turn into a film, they didn’t even try.  I really do hope that someone does a proper adaptation of World War Z at some point, as it frankly deserves a lot better than what it got (perhaps a television series with each episode recreating one of the testimonies).

As you can clearly tell from the massive essay above, I deeply enjoyed World War Z by Max Brooks.  This was easily one of the best zombie novels I have ever read, and it definitely deserves its epic and highly regarded status.  Brooks’s distinctive and brilliant story was just plain amazing and I loved the outstanding combination of smaller testimonies coming together into one connected and thought-provoking tale.  The author cleverly examines every single aspect of a potential zombie apocalypse, and you find yourself not only loving the insane horror elements, but the fascinating political and social impacts that come with such an invasion.  Best enjoyed in the full audiobook format which features so many impressive voice actors, World War Z comes extremely highly recommended and I cannot hype it up enough!

World War Z Cover 2

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Throwback Thursday: Star Wars: Kenobi by John Jackson Miller

Star Wars - Kenobi Cover

Publisher: Random House Audio (Audiobook – 27 August 2013)

Series: Star Wars Legends

Length: 13 hours and 36 minutes

My Rating: 4.5 out of 5 stars

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Welcome back to my Throwback Thursday series, where I republish old reviews, review books I have read before or review older books I have only just had a chance to read.  For this week’s Throwback Thursday I take another look awesome book from the Star Wars Legends range, Kenobi by John Jackson Miller.

As I mentioned last week, I have been going out of my way to read some of the older Star Wars Legends tie-in novels, especially after all the fun I had recently reading and reviewing Darth Plagueis.  Despite no longer being considered canon since the Disney buyout, the Star Wars Legends range contains some cracking reads, including the awesome horror read Death Troopers, the brutal prison novel Maul: Lockdown, and the fun heist novel Scoundrels.  I have been meaning to check out some other great Legends novel for a while, but the one that I have been particularly excited to read is the 2013 novel, Kenobi.

Kenobi, which was one of the last novels released as part of the Legends line, is an intriguing read that follows Obi-Wan Kenobi in the aftermath of Revenge of the Sith and follows his early adventures on Tatooine.  Not only does this book have an intriguing plot, but the upcoming release of the new Obi-Wan Kenobi television series has got me more curious about this novel and I really wanted to see what differences occur between it and the show.  I was also drawn to fact that Kenobi was written by the supremely talented tie-in author John Jackson Miller.  Miller is a great author, who has written not only some intriguing Star Wars books but also some fantastic Star Trek novels, including Die Standing, which was particularly awesome.  As such, I was pretty sure I was in for an outstanding time reading Kenobi, and I definitely wasn’t disappointed.

Star Wars - Kenobi Cover 2

These are dark days for the galaxy.  The Republic and the Jedi have fallen, and the Empire, along with its Sith masters, has risen in its place.  All hope looks lost, except for an orphaned baby boy, now living on Tatooine, and watched over by a solitary protector, former Jedi Master Obi-Wan Kenobi.  After failing to save his fallen apprentice, Obi-Wan has retreated to the wilds of Tatooine, determined to hone his abilities, protect his charge, and wait for the day that hope is ready to return to the galaxy.  Sticking to the outskirts of the planet, Obi-Wan has taken on a new persona of Ben, a mysterious bearded and robed stranger, living alone in the desert and hiding from his past.  However, despite all his attempts to blend in, Ben is still a Jedi, and trouble follows him wherever he goes.

A deadly conflict is brewing in the deserts of Tatooine as enterprising moisture farmers clash with desperate Tusken Raiders.  The settlers are terrified of a new and ruthless Tusken war chief who has leading raids against their farmsteads, resulting in series of brutal retaliatory attacks.  When the fight seeks to engulf some of Ben’s new friends, he is again dragged into a war he never asked for.  Discovering a grave injustice as innocents are killed for a matter of greed, Ben will once again call upon the powers of the Force to ensure justice is done.  But can he achieve his goals without revealing to the entire planet that he is a Jedi, or will his greatest secret be uncovered along with the galaxy’s last hope?

Wow, this was a pretty impressive and captivating Star Wars novel from Miller that does a wonderful job showing a unique period in an iconic character’s life.  Featuring a brilliant and surprising story, set in the iconic backdrop of Tatooine, Kenobi is an excellent read that I had an amazing time getting through.

I must admit that I was a little surprised with how this story turned out.  With a name like Kenobi, you would assume that the narrative would be primarily told by Obi-Wan as he tried to settle in and survive on Tatooine.  However, Obi-Wan isn’t even a point-of-view character in this book, instead the story revolves more around some of the local people of Tatooine as they encounter Obi-Wan (or Ben, as he is known to them).  While on paper this might sound weird, it actually works really well and Miller tells a taught, powerful and compelling narrative that perfectly utilises its titular character as a mysterious and somewhat unknown figure.  Focusing on a growing battle between Tatooine settlers and the Tusken Raiders, the story shows the impact of the arriving Ben on these long-standing communities.  Miller does a great job of introducing several excellent and impressive new characters who become connected to this early version of Ben Kenobi.  Their story soon devolves into a fast-paced, character-driven adventure as Ben finds himself caught between the opposing sides.  The growing war between them takes some interesting turns, including monsters, gangsters and hidden Jedi, and introduces a fantastic villain with some clever motivations.  Miller does a great job of working the desolate setting of Tatooine and the excellent characters into this story, and you soon become attached to both as they enhance the overall the story.  Everything comes together into a captivating and moving conclusion that is exciting, emotional, and a little dark in places, bringing everything together in a satisfying way.  This intriguing story proves to be exceeding addictive and I really love the distinctive tale that Miller came up with.

This proved to be a particularly good entry in the Star Wars Legends canon, and Miller does an outstanding job of tying this story into the wider universe.  Set right after the final scene of Revenge of the Sith, you get some intriguing views of the new galaxy under the Empire, as well as Kenobi’s early attempts to settle into obscurity on Tatooine (including the answer to the question: why did he keep the last name Kenobi? The answer may surprise you).  Thanks to Miller’s excellent writing and the close relationship to the third prequel film, Kenobi is an easy novel to get into for anyone who has seen the films, and most readers will really appreciate the cool story it contains.  There are multiple references to all three prequel films and A New Hope in this book, and I know a lot of people will appreciate seeing how several of these events impacted the wider Tatooine community in surprisingly ways.  Miller also makes sure to provide a ton of compelling references to some more obscure Star Wars Legends elements, including multiple characters and events from certain comics, such as Outlander arc of Star Wars: Republic and the Star Wars Legacy series.  Some references are pretty ingrained in certain part of the Tusken Raider character’s backstories and motivations, although readers can probably get away without knowing too much about them as Miller does summarise the most relevant details.  As such, there is a lot here for the hard-core Star Wars and Legends fans to enjoy with this book, and most readers will enjoy seeing how it ties into the former canon.

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I have to say that I was quite impressed with how Miller utilises the barren and desolate planet of Tatooine as a setting in Kenobi.  This book serves as a particularly good guide to Tatooine in the Legends canon, and you are soon immersed in the various cultures and landscapes of this deadly planet.  Not only are there multiple breathtaking and powerful depictions of the unforgiving desert landscape that the characters are forced to survive on but there are some fantastic looks at some of the creatures, monsters and threats that exist in the desert, most of which are encountered by the protagonists at some point.  The readers are also treated to an intensive look at some of the main groups of people living on Tatooine, particularly the moisture farmers and the Tusken Raiders.  I loved the depictions of these two different groups, with Miller amping up the resemblance to old West settlers and Native Americans in their cultures, disbursement, and conflict (the phrase “dancing with Tuskens” was used at one point).  I learnt a surprising amount about moisture farming in this novel, which was pretty fun, and it was really interesting to see some of the outcasts and settlers who take up the hard lifestyle.  However, the best depictions involve the Tuskens, who are featured pretty heavily thanks to the use of supporting character A’Yark.  You get some fascinating looks at the tough and often unexplained Tuskens throughout Kenobi and end up coming away with some compelling looks at their culture and lifestyles, as well as some mentions about their most distinctive members in the Legends canon.  I really appreciated the way that Miller portrayed them as a desperate people, thanks to several distinctive events from the films and the comics, and this becomes a major part of their motivations for fighting the settlers and coming into contact with Obi-Wan.  You really get a deep look at this entire setting and its people throughout the course of the story and I am extremely glad Miller featured them so heavily

Unsurprisingly, considering the title of this novel, the reader gets quite an intriguing look at the character of Obi-Wan Kenobi.  This version of Obi-Wan is recently arrived on Tatooine, only just removed from delivering baby Luke to his aunt and uncle, and now trying to find his place in the new, darker universe.  I really enjoyed how Obi-Wan was portrayed in this novel, especially as Miller made the interesting choice not to use him as a point-of-view character.  Instead, you see him purely through the eyes of the rest of the cast as the mysterious and weird hermit, Ben.  This actually works really well on many levels, providing at times a distant view of the protagonist that is reminiscent of Ben’s initial introductions in A New Hope.  I really enjoyed the other character’s impressions of Ben, especially as the character is trying to hide his Jedi abilities, and the fun reactions to his apparently odd actions are quite entertaining at times.

Despite Kenobi not being a point-of-view character, you do get some quite detailed impressions of his current state of mind, and it soon becomes apparent that Obi-Wan is emotionally raw after the events of Revenge of the Sith.  The other characters are quick to notice his apparent sadness, especially through certain noticeable reactions to particular topics, such as his past or the state of the galaxy.  While these other characters may not understand their significance, the reader certainly does, and Miller does a good job of showcasing his deep pain.  This troubled emotional state is also highlighted by several interludes that feature Obi-Wan’s attempted conversations with Qui-Gon Jinn in the Force, which summarise some of the recent events from Ben’s perspective while also examining his state of mind.  As the novel continues, certain events and revelations start to push Kenobi’s buttons, especially the actions of the book’s antagonist.  This eventually leads up to a big emotional outburst from Ben as he talks to one of the other characters about his failings in his past.  Watching him beat himself up for Anakin turning to the Dark Side, as well as the fall of the Jedi and the death of all his friends, is pretty heartbreaking, and it makes for the best scene in the entire novel.  I found it fascinating to see all these emotions unfurl as the plot continue, and the use of other character’s as the primary witnesses and interpreters of this, did a surprisingly good job of exploring the character’s mental state and showcasing just how alone and damaged he truly was.

While Obi-Wan does get a substantial amount of focus throughout Kenobi, the story is primarily told through the eyes of three separate point-of-view characters who Obi-Wan interacts with in different ways.  All three characters are pretty fascinating in their own right, and Miller sets up some brilliant and clever storylines around them.  My favourite of these is probably rancher and businessman Orrin Gault, who has an impressive and captivating character arc in Kenobi.  Initially portrayed as a compassionate, generous and ambitious moisture farmer who has set up the settler militia to oppose the Tusken Raids, Orrin appears to be a decent and noble figure.  However, Orrin has a dark side brought on by hidden motivations and dealings, and it soon becomes clear that many of the issues impacting the other characters are the result of his machinations.  Miller slowly reveals the full extent of Orrin’s misdeeds throughout the course of Kenobi, and he eventually turns into quite a conniving and distinctive antagonist.  The author provides some outstanding and powerful moments for Orrin throughout the book, and there are some interesting similarities between his fall and that of Anakin Skywalker.  I deeply enjoyed the full extent of his powerful arc in Kenobi, especially as Miller comes up with a particularly dark end to his story, and his inclusion really added to overall impact and strength of this book’s narrative.

The other major human character is Kallie Calwell, a store owner who runs the local watering hole and supply shop with her children and who has a close relationship with Orrin Gault.  Kallie ends up becoming one of the leading figures of the book after she and her daughter are the first settlers in the area to encounter the mysterious Ben and are instantly enthralled by his mysterious persona.  Kallie serves as a good narrator for a large portion of the novel and ends up being the central point of view figure for most of the interactions with Ben due to her romantic interest in him.  While I must admit I wasn’t the biggest fan of Kallie’s character (she was a bit too one-note and her constant family issues got tiring), she did have some intriguing scenes, especially when she interacted with Ben.  She ended up getting the most out of him emotionally, and her connection got him to open up at times to discuss his issues.

The other major point of view character was the deeply fascinating figure of A’Yark, the leader of the Tusken Raiders who have been raiding the local settlements.  Given the title of Plug Eye by the locals due to only having one mysterious red eye, A’Yark stands as a hard and uncompromising figure, determined to save their dying tribe without losing their traditions and sense of honour.  Thanks to A’Yark’s powerfully written scenes, you get a real sense of what it is to be a Tusken Raider, and they serve as captivating figure in comparison to the other characters in the book.  A’Yark has great story arc in this novel, and the intriguing growth, as well as their ability to adapt to certain situations, made them particularly fun to watch.  They also have some interesting connections to Obi-Wan and the Jedi Order, thanks to their former brother-in-law, and this results in some compelling scenes as A’Yark knows what Kenobi is and what he can do.  All these characters, and more, add some fascinating elements to the Kenobi novel, and I really appreciated the powerful and complex story that Miller wove around them.

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I doubt anyone would be surprised that I checked out Kenobi’s audiobook format, as I have a great love of the Star Wars audiobook format.  Naturally this worked out very well for me as the Kenobi audiobook was pretty damn awesome.  With a run time of just over 13 and a half hours, this was a relatively easy audiobook to get through and I managed to power through it over the course of several days.  Like most of the Star Wars audiobooks, Kenobi featured a great selection of iconic Star Wars sound effects and music with which the producers use to produce an atmosphere and help listeners visuals all the cool things going on.  Both were really good throughout Kenobi, with the sound effects in particularly being put to great use.  I did think that the use of John William’s epic score was a little more subtle here than in other books, but it still ended up enhancing some key scenes throughout the novel and giving them some extra emotional power.

I was also very impressed by the narration of the Kenobi audiobook, especially as the producers made excellent use of one of my favourite audiobook narrators, Jonathan Davis.  Davis is a brilliant narrator who has lent his epic voice out to multiple Star Wars productions over the years, including Master & Apprentice, Lords of the Sith and the Dooku: Jedi Lost audio drama.  He does another exceptional job with Kenobi, perfectly portraying all the characters of this novel with real aplomb.  He does a pretty good job with Obi-Wan, making himself sound as much like Ewan McGregor as possible, and I loved how intense he became during some of his more dramatic scenes.  Davis also provides distinctive voices for all the new characters in the novel, which I felt did a great job portraying their relevant personalities.  I particularly loved the scratchy and coarse voices of the various Tusken Raider characters, such as A’Yark, and you got a real sense of their rage and despair they have at their current situation.  This epic voice work really added to the quality of the Kenobi audiobook, and when combined with the usual awesome Star Wars sound effects and music, ensured that this was an absolute treat to listen to.

Overall, Kenobi by John Jackson Miller is a brilliant and powerful Star Wars novel that did an outstanding job of examining this complex and pivotal figure.  Perfectly examining the early days of Obi-Wan Kenobi’s life on Tatooine, this impressive Star Wars Legends novel contains an intriguing, character driven novel that provides an interesting perspective on this hidden Jedi master which I deeply enjoyed.  Making full use of some great new characters and the desolate desert setting, this was a compelling and addictive narrative that is really hard to put down.  Highly recommended, especially in its audiobook format, Kenobi is a great entry in the Star Wars Legends range and I look forward to seeing if any elements from it are used in the upcoming Obi-Wan Kenobi television show.

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Throwback Thursday: Star Wars: Darth Plagueis by James Luceno

Star Wars - Darth Plagueis Cover

Publisher: Random House Audio (Audiobook – 10 January 2012)

Series: Star Wars Legends

Length: 14 hours and 45 minutes

My Rating: 4.75 out of 5 stars

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Welcome back to my Throwback Thursday series, where I republish old reviews, review books I have read before or review older books I have only just had a chance to read.  In my latest Throwback Thursday I look at one of the more interesting novels from the Star Wars Legends universe, Darth Plagueis by James Luceno.

With Star Wars day on the horizon, I have decided to go back and check out some of the key books in the now defunct Star Wars Legends universe.  While no longer canon, there are still some amazing books in the Legends range, including some that will no doubt serve as an inspiration for some future shows or movies.  I have already enjoyed several Legends books, such as Maul: Lockdown, Scoundrels and Death Troopers, but there are still more epic reads that I really want to check out.  Probably the one I was most interested in reading was the epic Darth Plagueis by James Luceno.  Luceno, who also wrote the fantastic novel Tarkin in the current Disney canon, is a very talented author, and I was very excited in checking out his take on the elusive and mysterious Darth Plagueis.

“Did you ever hear the tragedy of Darth Plagueis the Wise?”

Throughout the long and bloody history of the Republic, many Sith lords have risen to threaten the peace and order maintained by their hated rivals, the Jedi.  While some have put complex and deadly plans into effect, few have reached the pinnacle of power, influence or mastery of the Dark Side of the Force as the mysterious Darth Plagueis, whose malign guidance shaped the galaxy in terrible ways and introduced a great darkness.

Upon killing his master and obtaining all the power he ever desired, Darth Plagueis set out to continue his order’s greatest goal: destroying the Jedi and claiming the Republic as his own.  Using his position as a powerful member of the Banking Clan, Darth Plagueis worked to manipulate the Republic into chaos and slowly lead the Jedi to a war they had no hope of winning.  However, even a Sith as powerful as Darth Plagueis is unable to do everything on his own, and he soon seeks out a powerful Force user to take on as his apprentice, a talented politician from Naboo known only as Palpatine.

Renaming Palpatine Darth Sidious, Plagueis begins manipulating events to ensure that his apprentice becomes a major power in the Senate, planning to elevate him to the role of Supreme Chancellor while also destroying those opponents who threaten their plans.  However, despite the importance of their plan, Plagueis’s main desire is not the defeat of the Jedi but of a far older enemy, death itself.  Diving into the mysteries of the Force, Plagueis will explore avenues of power not seen for millennia as he attempts to become the immortal master of the galaxy.  But his obsession with endless life could yet be his greatest undoing.

Wow, Luceno did not disappoint with this fantastic Star Wars novel.  Darth Plagueis is an impressive and captivating read that perfectly tells the story of a particularly elusive figure.  Bringing in some heavy Star Wars elements from the extended lore, Luceno has crafted a brilliant character-driven story that I had an extraordinary time listening to.

Luceno has come up with an interesting story for the Darth Plagueis novel that achieves several goals at once.  Not only does it tell the complete story of this legendary Sith Lord but it provides some interesting context for other pieces of Star Wars fiction, while also containing a powerful story of intrigue, betrayal and darkness.  Set over a period of roughly 35 years and told from the perspectives of Darth Plagueis and Darth Sidious (with a few scenes seen from other characters, like Darth Maul), this brilliant novel does an excellent job of exploring the primary characters while also showing their malicious actions across various theatres of the Star Wars universe.  While the novel starts off a little slow, you soon become engrossed in the story as you encounter multiple layers of manipulation and politics as Plagueis attempts to control the galaxy and make his major plans.  The story is broken into three distinct periods, the first showing some of Plagueis’s early movements as a Sith Master and his initial meeting and recruitment of Sidious.  The second part of the book, set 20 years before the events of The Phantom Menace, showcases Sidious as he becomes established as a Senator as Plagueis contends with some dangerous opponents and plots as he sets up the earliest stages of his master plan.  The final third of the novel is set in the lead-up/during the events of The Phantom Menace, where you see many of the storylines come together, as well as the final chapters of the relationship between Plagueis and Sidious.

I had a really great time with this compelling story, and it is one that I feel will appeal to a lot of Star Wars fans.  While I was a little surprised at the suddenness of some of the time skips, I felt that all three major parts of the novel were really good, and I loved how well they flowed together to create one coherent and fantastic read.  The three separate time periods allow for a massive story, while also featuring some of the key moments of the main character’s lives.  Featuring a ton of intriguing and heavy bits of Star Wars lore, parts of the story do drag a little in places, especially as there is a little less action than your typical Star Wars novel.  However, I found all the politics, machinations and expansions of the Star Wars lore to be extremely fascinating, and there is a brilliant story hidden in there.  The story is also not completely bereft of action, and there are some pretty cool fight sequences scattered throughout the book, including some that show off Plagueis’s full, terrifying abilities.  This story had an excellent tone and pace to it, and I feel that everything came together extremely well and I was pretty enraptured by every damn moment of it.

Star Wars - Darth Plagueis Cover 2

This was a really good Star Wars novel, and it is one that will appeal to a wide range of fans, especially those who enjoyed the Legends range.  While Darth Plagueis is technically no longer canon, Luceno really went out of his way to connect it to the wider Star Wars canon, which is something I really appreciated about this book.  In many ways, Darth Plagueis serves as the ultimate companion to the prequel films as Luceno attempted to fill in some plot holes and unexplained bits of the movies, by exploring the entirety of the Sith’s rise to power.  Bringing in a ton of obscure lore, you get an unparalleled view of how Plagueis and Sidious manipulated events in the Legends canon to lead to the events of the films, and this really helps to fill in some gaps.  Luceno also includes multiple moments from The Phantom Menace film throughout the story, and it was pretty fascinating to see why parts of the antagonist’s plot came together like they did, as well as some excellent alternate views of certain key scenes.  I also deeply enjoyed how Darth Plagueis tied into a ton of other pieces of Star Wars Legends fiction, including books, comics and games.  Multiple prior novels are mentioned or connected to this novel in some way, and I felt that Luceno did a really good job of inserting elements from the already massive extended universe into his book and connecting the stories together and giving all of them more context and interest.  All these connections helped to create a novel that is particularly compelling and intriguing to dedicated Star Wars fans, who will love seeing the events of this book unfold.  While those fans who have only seen the movies will probably be able to enjoy this book easily enough (with only some minor confusion to some of the more obscure parts of the lore), this is a novel best enjoyed by readers who have checked out some other Star Wars Legends books and will appreciate how it fits into that wider version of the canon.

I did like a lot of the universe-building that Luceno did in this novel, as the author explored some fascinating parts of the Legends universe.  Not only does the reader get to experience a lot of obscure elements of Star Wars lore, including aliens, technology, locations and other cool things, but this also serves as one of the most impressive looks at the Sith and the Dark Side of the Force.  Due to the deep examinations of the Sith and its history by Plagueis, as well as other elements contained in the training of Palpatine, the reader is flooded with knowledge about these Dark Side users and their ways, which proves to be quite intriguing.  I had a brilliant time learning more about these deep elements of lore, especially as the characters talk about practicalities as well as history.  The difference between various forms of the Dark Side are very cool, as you see some comparisons between Plagueis’s more scientific based usage of the Force and the Dark Side sorcery preferred by Sidious.  I also found the characters’ own description and assessment of the Sith and the Force to be surprisingly deep, as the characters see themselves as more of a necessary force there to save the galaxy and the Republic from the Jedi.  Darth Plagueis also contains some fantastic detail about the history of the planet Naboo, which I also found really fascinating.  Darth Plagueis goes out of its way to explore the history of the planet and the reasons why it became a political and economic factor in the Republic in the lead-up to The Phantom Menace, and I loved seeing the political strife and manipulation that led to this initial war, as well as the rise of characters like Palpatine and Amidala.  These brilliant pieces of lore are so much fun to learn about, and I had an incredible time finding out more about the Sith in this canon.

Of course, one of the best bits of the lore that Luceno examines in this novel is the role that Darth Plagueis had in the Star Wars universe.  First mentioned in that iconic monologue in Revenge of the Sith, Plagueis remained a mostly shadowy and unknown figure until the release of this book, which serves as the ultimate guide to the character and his history.  Luceno, who at this point had been planning a Darth Plagueis story for years, does a brilliant job of telling the full story of this great character, and you get an outstanding focus on his entire life, especially his time as a Sith Master.  Plagueis, a Muun also known as Hego Damask, is portrayed as a thoughtful, powerful and manipulative being with a surprising nobility and dignity to him.  Fitted with an intriguing backstory and motivations, you see him grow into an extremely powerful Sith Lord throughout the course of the book, and it was fascinating to see all his plans and machinations.   The most significant part of the character’s motivations is his hunt for immortality through the force.  As such, you get a fantastic look at his obsessive experiments and research, as he tries to uncover this ultimate secret.  I felt that Luceno did an incredible job of working this mysterious character into the wider Star Wars canon.  There are some great moments throughout this book that show this shadowy figure manipulating key events from the shadows to bring about the events of the prequel films.  I particularly loved how Luceno fit Plagueis into some scenes from The Phantom Menace, and it is very fun to imagine him watching these moments from just outside camera shot.  This really was an incredible examination and exploration of this character, and I had so much fun finally finding out who Darth Plagueis was and how he was connected to the wider story.  Despite this story no longer being canon, this novel is really the only guide to Darth Plagueis, and it wouldn’t surprise me if it is used as the primary source material for anyone wanting to introduce him in a future film or television series.

While this book does tell the story of Darth Plagueis, in many ways it is just as much about Palpatine as it provides readers with an outstanding look at his early history.  Essentially set during the time he was Darth Plagueis’s apprentice, you get some amazing insights into who Palpatine is and how he turned to the Dark Side of the Force.  Portrayed as manipulative and insidious since birth, you get to see Palpatine at his most evil and dangerous as he learns about the Force and the Sith.  I loved how you get to see various stages of Palpatine’s early life, from his teenage years where he first learns about his powers, to his middle age where he becomes a young ambitious senator and apprentice, to his time as an experienced manipulator and Force user just before coming Supreme Chancellor.  I had a brilliant time seeing Palpatine grow as both a Sith and a politician throughout this book, and you get some fantastic views of his early interactions with key players in the Star Wars canon.  I also deeply enjoyed seeing his intriguing dynamic with Darth Plagueis.  In pretty much all his other appearances, Star Wars fans only ever see the confident and controlling Palpatine who has no-one above him.  However, in Darth Plagueis, you see a somewhat more subservient Palpatine who is forced to bow to the will of one more powerful.  Watching working under another is an interesting change of pace, although some reveals towards the end of the book (and in some other novels, such as Maul: Lockdown), show that he is never as loyal as Plagueis believes.  This truly was an outstanding depiction of Palpatine and it was so awesome to see more about our favourite soon-to-be emperor.

Aside from Plagueis and Palpatine, the Darth Plagueis novel is loaded with a ton of interesting supporting characters, many of whom had roles in the films, animated series or other pieces of Legends fiction.  These intriguing characters help to create the novel’s rich tapestry of politics, intrigue and betrayals, and all of them served some fantastic roles in the book.  I particularly enjoyed seeing the inclusion of other Sith characters like Count Dooku and Darth Maul, especially as this novel serves as a bit of an origin story for both, as you see Palpatine obtaining and training Maul as well as Plagueis and Palpatine manipulating Dooku to leave the Jedi.  I also enjoyed the intriguing look at Plagueis’s own master, Darth Tenebrous, whose brief role showed a whole other aspect to the Sith as he had his own distinctive style.  I did think that the crowd of supporting figures with their own story elements slowed the pace of the novel down a little in the middle of the book, but I ended up having a brilliant time enjoying the story set around the awesome main characters.

Unsurprisingly, I chose to listen to Darth Plagueis on audiobook rather than seeking out a physical copy of this excellent novel.  I naturally had a very fun time listening to this version of the book, which not only featured a brilliant narrator but also made excellent use of the typical Star Wars audiobook production elements.  Darth Plagueis is loaded with cool sound effects and awesome Star Wars music, all of which add to the ambiance of the story in various ways.  I particularly liked the use of John Williams’s iconic scores throughout this audiobook, which did a great job of enhancing several scenes and increasing their emotional impact.  This was particularly true for some of the darker moments in the book, as some of the music associated with the Sith, the Dark Side and death/destruction, are blasted at full volume during some key moments, such as Palpatine discovering his destructive abilities for the first time, or during a couple of massacres.  This awesome music was so cool to hear during these scenes, and you really got an increased sense of the powerful emotions and dark deeds that were going on.

I also deeply enjoyed the epic narration, as this fantastic audiobook features the vocal talents of actor Daniel Davis (whom audiences of taste will recognise as Niles from The Nanny).  Davis gives a powerful and commanding performance here, bringing some major gravitas to the role and the characters.  His voice work for the titular character, Darth Plagueis, is really good, and you get a fantastic sense of the character’s power and wisdom as the novel continues.  Davis also does a brilliant job of voicing multiple characters and species from the Star Wars films, sounding quite close to their original actors.  I loved the voice work for Palpatine, capturing much of the villain’s iconic voice, while also giving it a youthful tilt for the earlier parts of the book.  Other characters, such as Count Dooku and Darth Maul, are also expertly portrayed here, and I particularly liked Davis’s take on Christopher Lee’s amazing voice.  This outstanding voice work, combined with the sound effects and music, helped to turn this into an exceptional listen that I deeply enjoyed.  With a run time just under 15 hours, this is a descent sized Star Wars audiobook, but listeners can power through it in no time at all.  This format comes highly recommended and you will have an outstanding time listening to the Darth Plagueis audiobook.

Overall, Darth Plagueis is an impressive and addictive Star Wars Legends novel that I had an incredible time reading.  James Luceno really excels at telling complex narratives that examine character origins, and Darth Plagueis did a wonderful and comprehensive job of expanding on a mostly unknown figure.  I loved learning everything about this awesome Star Wars figure, and Luceno wove an outstanding tale of intrigue and power around him and his apprentice.  An absolute must read for all fans of the Star Wars extended universe, I cannot wait until they finally introduce this complex figure into the current canon.

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Star Wars: The High Republic: Tempest Runner written by Cavan Scott and performed by a full cast

Star Wars - Tempest Runner Cover

Publisher: Random House Audio (Audio Drama – 31 August 2021)

Series: Star Wars – The High Republic

Script: Cavan Scott

Cast: Jessica Almasy, Dan Bittner, Orlagh Cassidy, Sullivan Jones, January LaVoy, Kathleen McInerney, Tara Sands, Vikas Adam, Jonathan Davis, Neil Hellegers, Saskia Maarleveld, Soneela Nankani, Marc Thompson and Shannon Tyo

Length: 6 hours and 5 minutes

My Rating: 4.5 out of 5 stars

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The epic High Republic era of Star Wars fiction continues in Tempest Runner, the brilliant and captivating full-cast audio drama written by impressive author Cavan Scott.

Ever since its beginnings in early 2021, I have been having a lot of fun with the cool new focus of the Star Wars extended universe known as The High Republic.  Set hundreds of years before the Skywalker Saga, The High Republic has featured several impressive novels, comics and other media releases that tell a grim story of destruction and strife in the golden age of the Republic and the Jedi.  One of more interesting pieces of this fiction from late 2021 was this fantastic full-cast audio drama, Tempest Runner, which focused on one of this era’s best villains, the Nihil Tempest Runner, Lourna Dee.  This awesome audio drama was authored by the exceedingly talented Cavan Scott, who not only wrote my favourite High Republic book so far, The Rising Storm, but also a great previous Star Wars audio drama, Dooku: Jedi Lost.

Synopsis:

The Nihil storm has raged through the galaxy, leaving chaos and grief in its wake. Few of its raiders are as vicious as the Tempest Runner Lourna Dee. She stays one step ahead of the Jedi Order at the helm of a vessel named after one of the deadliest monsters in the galaxy: the Lourna Dee. But no one can outrun the defenders of the High Republic forever.

After the defeat of her crew, Lourna falls into the hands of the Jedi – but not before she hides her identity, becoming just another Nihil convict. Her captors fail to understand the beast they have cornered. Just like every fool she’s ever buried, their first mistake was keeping her alive.

Lourna is determined to make underestimating her their last.

Locked onto a Republic correctional ship, she’s dragged across the galaxy to repair the very damage she and her fellow Tempest Runners inflicted on it. But as Lourna plans her glorious escape, she makes alliances that grow dangerously close to friendships. Outside the Nihil – separated from her infamous ship, her terrifying arsenal, and her feared name – Lourna must carve her own path. But will it lead to redemption? Or will she emerge as a deadlier threat than ever before?

Tempest Runner ended up being an entertaining and captivating piece of Star Wars fiction.  Featuring another excellent story from Scott that not only dives into the past of great character Lourna Dee but continues the story set up in several of the past High Republic novels.  Perfectly told using a full cast of narrators, this was an outstanding audio drama that I had a wonderful time listening to.

It was clear that Scott was on quite a roll last year when it came to fantastic storytelling.  Tempest Runner is set after the events of The Rising Storm and continues several interesting storylines from this novel, as well as other pieces of High Republic fiction such as Light of the Jedi and Out of the Shadows.  Starting off with Lourna’s capture by the Jedi, the story shows her successfully hide her identity and get imprisoned aboard a Republic prison ship doing hard labour as punishment.  Trapped with some of the worst criminals in the galaxy, as well as former Nihil members who utilise her identity for her own good, Lourna is forced to survive while also coming to terms with who she is, what drives her and what she wants from the future, especially when she connects with one of the prison guards.  However, an enemy from her past has found out where she is and is determined to kill her no matter what.  This leads to several intense and brutal confrontations as Lourna is forced to once again bring out her inner monster to save herself and defeat her opponents, while also setting her path for future endeavours in the High Republic universe.

Tempest Runner’s narrative ended up being pretty intense, and I loved the cool and intriguing plot, especially as there are several fun twists and reveals, including that great one towards the end.  While this is a mostly self-contained piece of Star Wars fiction, there are multiple intriguing connections to other High Republic novels and comics.  I particularly loved how several of the best villains from the main two novels were used here, and it also sets up Lourna’s storyline for the next book in the series.  Scott employs an interesting and roundabout way of telling Tempest Runner’s story, utilising a series of flashbacks and interludes to continue the main plot which occasionally helps compensate for the lack of descriptive words that is characteristic of the audio drama format.  I really need to highlight the book’s great opening section in which the capture of the protagonist is recounted in compelling detail to the novel’s main antagonist, with the storyteller and his audience providing questions and commentary during the dramatisation of the events being discussed to provide context.  The storyline has a great blend of elements, and I loved the fantastic prison story, the intrigue of the Nihil, the fantastic revenge plot surrounding the antagonist, as well as the massive amount of character development that occurs around the main character.

Scott really went out of his way to explore the character of Lourna Dee in Tempest Runner.  Despite being one of the most distinctive and entertaining villains in the High Republic canon, very little was known about Lourna Dee before now, except that she is an unassailable badass who is even capable of hanging with a Jedi in a fight.  Tempest Runner, however, dives deep into the heart of this cool character, and I liked the complex and intriguing development and history around her.  Most of the story is dedicated to the modern Lourna, who, after being captured, attempts to turn over a new leaf in the prison system to survive.  This provides some interesting insights into her mind and motivations, especially as she is not as mindless a killer as some of the previous books would lead you to believe.  Instead, she is quite a complex and tragic figure, something that is made clear when you see the various flashbacks to her past that Scott comes up with.  These flashbacks tell a captivating tale of betrayal and heartbreak, showcasing what led an innocent girl to a life of hardship and crime.  This backstory is extremely fascinating, with some powerful moments of love, loss, and revenge.  In addition, the story also dives into how she became a member of the Nihil and rose in its ranks.  This interesting background weaved into the main plot extremely well, and I think that Scott showcased the character’s past perfectly, ensuring that it explains her current mentality and motivations.  I am deeply happy that we finally got to see this character’s backstory, and it really did not disappoint.

While most of Tempest Runner’s focus was on Lourna Dee, a couple of other characters really stood out to me.  This included Tasia, the former Nihil member who blackmails Lourna to help her survive in prison.  Tasia is a fun secondary antagonist, and it was very entertaining to see her try and make a power play on Lourna once she was no longer in control.  I also loved seeing more of Pan Eyta, a former Nihil Tempest Runner who was betrayed by Lourna in The Rising Storm.  Pan, who is dying thanks Lourna, goes on a big revenge mission here and ends up being the major antagonist of this novel.  I personally thought this was an amazing conclusion to his compelling character arc established in the previous novels and it was great to see him and Lourna have several aggressive and deeply personal confrontations throughout Tempest Runner.  I also enjoyed seeing a young version of High Republic arch-antagonist Marchion Ro, before he took control of the Nihil, as well as a glimpse of his often-discussed father Asgar Ro.  Several other supporting characters in this novel were also pretty fun, and I had a great time seeing some of their storylines unfold.

While I had to highlight Tempest Runner’s cool narrative and great characters, you can’t talk about this amazing piece of Star Wars fiction without mentioning the awesome audio drama format.  I have a lot of love for Star Wars audiobooks and audio dramas (such as Doctor Aphra), and this was a particularly good one.  The team behind this epic audio drama did an amazing job of combining Scott’s great story with a team of brilliant voice actors, as well as the typical Star Wars sound effects and music.  With a run time of just over six hours, this is a very easy audio drama to quickly power through, and I think I managed it in just over a day myself.  While some people unfamiliar with the format might have some issues regarding the full reliance on descriptive dialogue and sound effects rather than expositional text to describe action, I thought that Tempest Runner was adapted extremely well and I had an absolute blast getting through it.

I must highlight the exceptional cast of voice actors that were featured in this awesome audio drama, as the team behind it pulled together a great group of narrators, including several actors well known for their work bringing Star Wars audiobooks to life.  The most prominent actor in this group is probably Jessica Almasy, who voiced main character Lourna Dee.  Almasy brings a great deal of complexity to the role and I loved the semi-French accent she utilised throughout Tempest Runner, which was reminiscent of how Twi’lek characters speak in shows like Star Wars: Rebels.  I thought that Almasy did a brilliant job of highlighting Lourna’s true feelings and personality in this audio drama, and it was great to see her transform the character in several intense, emotional scenes.  This was some brilliant voice work and it was an amazing highlight of this exceptional production.

I also deeply appreciated the great work that the other actors contributed to Tempest Runner and its characters.  While there were a few new narrators here whose work I enjoyed, the ones that impressed me the most were established narrators from other Star Wars audiobooks.  This includes January LaVoy, who voiced the character of Tasia, providing her with some much-needed depth and spite.  LaVoy, who I loved in works such as Star Wars: Victory’s Price (one of my favourite books and audiobooks of 2021) and Star Trek: Discovery: Die Standing, was just great here and I really appreciated the characterisation her voice added to Tasia.  Marc Thompson, who has previously narrated all the main High Republic novels, as well as the Thrawn Ascendancy books (Chaos Rising, Greater Good and Lesser Evil), was another standout narrator, especially as he voiced three characters, including antagonists Pan Eyta and Marchion Ro.  Having this cool continuation from Light of the Jedi and The Rising Storm for these great villains helped me enjoy their appearances in Tempest Runner a lot more, especially as Thompson has come up with some extremely sinister and fitting voices for them.  I also had a lot of fun with Jonathan Davis (who previously narrated Master & Apprentice, Lords of the Sith and Maul: Lockdown), who voiced two characters here.  I particularly enjoyed his work on the mysterious Asgar Ro, and the calm and wise tone he utilises for him (which is reminiscent of another major Star Wars character), works perfectly to give him some great depth.  An overall exceptional collection of narrators, I had an amazing time listening to this audio drama.

With a great cast, a brilliant story and a great focus on an incredible central character, Tempest Runner was an outstanding addition to the High Republic range of Star Wars fiction.  The always impressive Cavan Scott came up with an awesome narrative for Tempest Runner and I loved learning more about fun character Lourna Dee.  A must-listen for all fans of The High Republic, you really won’t regret checking out Tempest Runner.

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Throwback Thursday – Star Wars: Maul: Lockdown by Joe Schreiber

Star Wars - Maul - Lockdown Cover

Publisher: Random House Audio (Audiobook – 28 January 2014)

Series: Star Wars

Length: 12 hours and 20 minutes

My Rating: 4.5 out of 5 stars

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This is part of my Throwback Thursday series, where I republish old reviews, review books I have read before or review older books I have only just had a chance to read.

2021 has so far been a fantastic year for Star Wars novels with excellent releases such as the two Star Wars: The High Republic novels, Light of the Jedi and Into the Dark, and the final entry in the Alphabet Squadron trilogy, Victory’s Price.  I have been really enjoying these new Star Wars novels but I recently got a hankering for something a little different and decided to go back and check out some of the older Star Wars tie-in novels.  While there were several intriguing options (I was strongly eyeing off A New Dawn by John Jackson Miller, Darth Plagueis by James Luceno and Razor’s Edge by Martha Wells), I eventually settled for the one of the last entries in the Star Wars: Legends range of books, Maul: Lockdown by Joe Schreiber, an intensely exciting and dark novel with an amazing story to it.

Welcome to the space station Cog Hive Seven, the most dangerous prison in the entire galaxy.  Here inmates are forced to fight to the death in matches broadcast to millions of gamblers across the Republic determined to make a profit off the blood of the galaxy’s worst killers and criminals.  No one escapes from Cog Hive Seven, and every one of its deadly and evil inhabitants know that they will eventually die there.  However, not even these deranged inmates are prepared for the new evil that has been thrown into their midst, the lethal dark-side assassin, Darth Maul.

Sent by Darth Sidious to contact a secretive weapons merchant, Iram Radique, Maul has disguised himself as a notorious mercenary and killer.  Determined to complete the mission his master has given him, Maul begins to upend the prison to find the elusive Radique, quickly establishing himself as a destructive force of chaos.  However, his notoriety also sees him forced into progressively more dangerous matches against some of the deadliest creatures in the galaxy.

Bereft of his lightsaber, forbidden from using the force and with bombs injected into both his hearts, Maul must rely on his brutal combat abilities and own inner strength to succeed.  But the closer he gets to finding Radique, the more he realises that not everything is as it seems aboard Cog Hive Seven and that his target will do everything is his power to avoid meeting with Maul.  Worse, dangerous factions have taken notice of the prison and its deranged warden and soon Maul must contend with a death cult, the followers of Jabba the Hutt and a horrifying monster living within the walls of the prison.  Can even Darth Maul overcome the odds in front of him, or will the creatures of Cog Hive Seven swallow him whole?

I think readers of this blog will not be too surprised to hear that the moment I found out that there was a book that followed Darth Maul participating in death matches aboard a space prison, I knew I would have to read it, and boy am I glad I did.  Maul: Lockdown is an impressive and fantastic novel that I found to be instantly captivating and which I powered through in a short amount of time.  Author Joe Schreiber, whose previous novel, Death Troopers, featured an outstanding story about key Star Wars characters encountering a zombie horde (it is as awesome as it sounds) came up with a pretty epic narrative for this Star Wars novel, and I really enjoyed this cool, Darth Maul-centric book.

I have to say that I was really surprised about how complex and impressive Maul: Lockdown’s narrative turned out to be.  Based on the plot description, I would have expected a simple, action-orientated story, but instead Schreiber crafted together a dark and powerful Star Wars tale with some compelling mystery elements.  This book reads a lot like a prison thriller, with Maul thrust into the middle of a dangerous jail which he must navigate to find his target.  While there is a natural focus on the fights between Maul and the other dangerous inmates, which results in some exceptional action sequences, the author also works in some great mystery and crime fiction elements that combine perfectly with the Star Wars backdrop.  The author utilises a bunch of multiple perspectives to show the chaotic nature of the prison, and there are several great storylines based around supporting characters which twist their way around Maul’s central story of surviving and attempting to find the secretive arms dealer.

As the story progresses, more and more dangerous elements and antagonists are thrown into the narrative, including monsters, deranged cultists and even Jabba the Hutt, intensifying the obstacles facing Maul and raising the thrilling stakes of the narrative.  I really enjoyed the main storyline of the hunt for Radique, and there were plenty of false leads and twists around who he was and where he was hiding.  I did think the eventual reveal of the character (spoiler ahead!!!) was a tad weak, mainly as it ended up being a character we hadn’t seen before (spoiler end), but it was still an interesting and exciting centre to the narrative.  Schreiber also weaves some excellent horror elements into the story, especially surrounding one unique creature in the prison.  The author makes this creature particularly horrifying to behold, both because of its appearance and its unsettling abilities, and there are some real terrifying sequences surrounding it.  All these great elements come together perfectly into one fantastic and captivating tale that proves to be extremely addictive and very clever.

This is an exciting Star Wars novel that fans of the franchise are really going to enjoy.  Maul: Lockdown was one of the later entries in the previous Star Wars extended universe which is now known as the Star Wars: Legends range.  Despite no longer being considered canon, the Star Wars: Legends books still have some great stories, such as the impressive heist novel Scoundrels, and this was a pretty cool entry.  Set a year before The Phantom Menace, this book is loaded with a ton of references to other pieces of Star Wars media, including several previous Star Wars: Legends novels and comics, Schreiber’s previous book Death Troopers (featuring a clever cameo), and even an old Star Wars video game, Bounty Hunter.  There are lots of interesting pieces of Star Wars lore in here, and the author features a couple of major figures from the prequel films, as well as a few obscure characters from some of the older Star Wars novels, including a corrupted Padawan of Count Dooku I had not heard of before (she is not in the new canon).  I really enjoyed the author’s inclusion of a battle of intrigue between Darth Sidious and his master Darth Plagueis, and the story in Maul: Lockdown has some great connections to certain events in the Darth Plagueis novel.  While Schreiber has included a lot of high-level lore, I felt that this was quite an accessible Star Wars novel and anyone who saw Darth Maul emerge in The Phantom Menace will definitely enjoy this darker and captivating piece of Star Wars fiction.

One of the most intriguing things about this novel is the way in which the author attempts to dive into the mindset of fan-favourite character Darth Maul.  Ever since he whipped out his dual-bladed lightsaber in The Phantom Menace, Maul has been a much beloved figure in the Star Wars franchise, but you do not often get to see much of his inner thoughts.  While I would probably be happy reading a simple hack-and-slash adventure featuring Maul, I really appreciated the way in which Schreiber takes the time to examine Maul’s inner psyche, and you get an intriguing glimpse into his thoughts about his mission, his purpose in life and his loyalty to his master.  I found it quite fascinating to see the way in which Schreiber portrays Maul’s complex feelings about Sidious, as he is both simultaneous absolutely loyal to him while also being deeply suspicious about his intentions.  Maul spends most of the book believing that everything he is experiencing is a test or deception levelled at him by his Master and he also hints at his suspicions that he will eventually be betrayed.  While this examination of Maul’s more complex thoughts and feelings is quite interesting, it is also perfectly counterbalanced by a huge number of scenes that examine just how much of a badass Maul is.  Schreiber has loaded this book up with awesome and brutal fight sequences pitting Maul up against a range of deadly opponents, which are made even more awesome by the fact that Maul is unable to use either his lightsaber or force abilities.  Instead, Maul shows off his impressive unarmed fighting skills and his natural cunning, as he overwhelms his opponents in some brutal and clever ways.  The author also fits in some compelling hints and depictions of Maul’s training and early life, which I found to be very interesting, particularly as some of these events slightly differ from the current canon.  All of this makes for an exceptionally cool Darth Maul novel, and I loved seeing this great character in all his deadly glory.

I ended up checking out Maul: Lockdown on audiobook, which is easily the best way to enjoy a Star Wars book.  The Maul: Lockdown audiobook has a reasonable run time of 12 hours and 20 minutes, which dedicated listeners can get through in a couple of sittings.  I absolutely powered through this audiobook myself, especially once I got caught up in the cool story, and I had a great time experiencing all the features of this format.  Like most Star Wars audiobooks, Maul: Lockdown makes excellent use of the iconic sound effects and musical scores from the Star Wars films and television series to enhance its story.  The sound effects are particularly impactful in Maul: Lockdown, and I liked the way they made the many fight sequences pop with the sounds of violence and weapons blasting.  They also made one horrifying creature even more terrible to listen to thanks to the slithering and sucking sounds that played when it appeared.  This audiobook also made great use of John Williams’ amazing scores.  I always love hearing the inspirational and moving Star Wars music during these audiobooks, and while it was more restrained in this audiobook than some others I have enjoyed, it still helped to make several emotional or exciting scenes just a little more epic.

In addition to the cool sound effects and awesome music, Maul: Lockdown’s audiobook also made great use of exceptional narrator Jonathan Davies.  Davies is a veteran narrator who has lent his voice to several Star Wars novels in the past, such as Doctor Aphra, Dooku: Jedi Lost, Master and Apprentice and Lords of the Sith.  He does a fantastic job bringing the various characters in Maul: Lockdown to life, and I really enjoyed the unique tones that each character received.  I really liked the voices that he used for established Star Wars characters, which were close, if not spot on, to how they appeared in the films or television series.  This includes the menacing tones he came up with for Maul, which contained all the character’s barely supressed anger and hatred, and he did a rather good Darth Sidious which was reminiscent of Tim Curry’s take on him in The Clone Wars animated series.  Davis also did a perfect Jabba the Hutt (not exactly sure that is a compliment, but please take it as such), and I loved hearing him do Jabba’s iconic laugh.  Overall, his narration was pretty damn awesome and, when combined with the fantastic sound effects and great musical inclusions, helped to really enhance Maul: Lockdown’s narrative and continued the trend of outstanding Star Wars audiobooks.

Star Wars: Maul: Lockdown by Joe Schreiber is an outstanding and awesome novel that sees one of the best characters in the Star Wars canon fighting for his life in a dangerous setting.  Featuring a powerful and addictive narrative, loaded with intrigue, betrayal, and a whole lot of violence, this is a rich, clever, and dark Star Wars novel that comes highly recommended.  I had an incredible time reading this cool and captivating book and I really need to check out some of the other amazing sounding novels in the Star Wars: Legends range.

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Serpentine by Jonathan Kellerman

Serpentine Cover

Publisher: Random House Audio (Audiobook – 2 February 2021)

Series: Alex Delaware – Book 36

Length: 12 hours and 10 minutes

My Rating: 4.5 out of 5 stars

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One of the leading stars of the murder mystery genre, Jonathan Kellerman, returns with the latest entry in his long-running Alex Delaware series, Serpentine.

For years LAPD detective Lieutenant Milo Sturgis has tended to do things his own way in the department.  Thanks to his impressive solve rate and his unique and successful partnership with his best friend, psychologist Alex Delaware, Milo has been able to crack some of the toughest murder cases that the department has come up across while managing to avoid the lows of office politics.  However, not even Milo is able to withstand pressure from the very top of the LAPD, so when an extremely wealthy businesswoman wants help from the department’s best, Milo is forced to work an impossible case.

The businesswoman, young entrepreneur Eleanor Barker, wants closure over the death of her mother, a mysterious woman who was found dead decades ago in a torched Cadillac with a bullet in her head.  Despite their reservations over the way the case was assigned to them, Milo is determined to do the best job possible, and with Alex’s help he begins his investigation.  However, with no evidence, no case file, no witnesses and no real idea about their victim’s past or origins, their chances of success seem slim.

Forced to look for answers in some unusual places, Milo and Alex are slowly able to pull together a picture of the events surrounding the death of Eleanor’s mother.  However, the more they dig, the more unusual coincidences begin to arise as what they discover deviates massively from the established facts.  It soon becomes apparent that there is far more to this case than was initially believed and that someone out there is determined to stop any investigation into this brutal murder.  Can Milo and Alex solve their most difficult case yet, or will a cunning killer continue to remain free?

Well, that was a pretty cool murder mystery!  Serpentine is the 36th entry in Jonathan Kellerman’s amazing Alex Delaware series, which has been running since 1985.  I am a relative newcomer to Kellerman’s work, having only stumbled onto series when I read his 34th book, The Wedding Guest, back in 2019.  I had an excellent time reading The Wedding Guest and the loved the authors distinctive writing style and ability to weave together a great mystery.  I enjoyed it so much I ended up checking out Kellerman’s next book, the 2020 release The Museum of Desire, which contained an impressive murder case and ended up being another amazing read.  As a result, I have been very keen to check out Kellerman’s latest book for a while now and I have to say that I was very pleased with how awesome Serpentine turned out to be.

I ended up absolutely powering through this latest Alex Delaware novel, especially once I got hooked on its exceptional and impressive murder mystery narrative.  Kellerman came up with an amazing narrative for this novel that proved to be particularly captivating right off the bat as his two established protagonists become embroiled in a seemingly impossible-to-solve case.  Forced to dig around in the past, the protagonists slowly determine the events surrounding the old murder via odd bits of evidence and a range of interesting witnesses.  While the investigative process is quite fun to see, Kellerman has also thrown a ton of fantastic twists into the story, ensuring that the reader has no idea how the mystery is going to unfold.  I love some of the unique directions that the author took this compelling case and I was impressed with some of the clever reveals that he chucked in, especially as they were set up beautifully and added some fantastic surprises to the plot.  While I did think that the book concluded rather rapidly and some storylines could have been wrapped up a little better, this was still an exceptional narrative which I deeply enjoyed.

Easily my favourite thing about the Alex Delaware novels is the great way that the author portrays the ongoing investigation.  Kellerman always ensures that his investigations extremely realistic and as a result his protagonists always engage in a methodical examination of the sources, slowly gaining the information they need and building up connections and discovering any inconsistencies.  A lot of their evidence is obtained through discussions with potential witnesses, colleagues and experts, and there may be multiple conversations with various persons of interest to find out different nuggets of information.  This then results in the main characters throwing out theories about what potentially happened and basing their future investigative directions on the most promising clues.  This manner of investigation proves to be very different to other crime fiction novels I have read, and I really enjoy this more realistic portrayal of how police could solve a difficult case, especially as the author works in time delays for evidence analysis, unreliable witnesses and colleagues, and lack of resources.  I particularly enjoyed the investigation featured within Serpentine as it forces the protagonists to solve a murder that occurred over 30 years previously.  As a result, the characters lack any sort of evidence, useful witnesses, or previous investigations to help them find the killer, and they are forced to utilise more creative methods to find information or track down anyone who has the slightest idea of who the victim was or what happened to them.  This extremely cold case was a fantastic part of Serpentine’s plot and it proved to be deeply fascinating to see how he envisioned detectives solving this sort of investigation.  I loved this realistic and methodical portrayal of a murder investigation and it really made Serpentine stand out as a fantastic crime fiction novel.

I also must highlight the outstanding two lead characters who form the heart of Serpentine, and indeed the entire series, titular protagonist Alex Delaware and LAPD detective Milo Sturgis.  Alex and Milo are a fantastic pair of crime-fighting protagonists who have taken on some extremely tricky murders during their partnership.  Both characters bring a lot to the novel.  Alex is the more serious of the two.  As a clinical child psychologist with a head for mysteries, Alex can provide some intriguing insights into the minds of the victims, witnesses, and potential suspects, which provide new insight into their cases.  Milo on the other hand is the food-loving, cynical veteran cop who works the hard grind of a LAPD detective.  While I enjoy both characters, Milo is easily my favourite due to his constant wise cracks, the author’s tasteful portrayal of the character as a homosexual LAPD lieutenant, and his somewhat maverick cop persona.  Alex is also quite fun, especially as his psychological insights have a basis in the author’s own training as a psychologist, and I liked his constant clever quips about the situations they encounter.  The real joy of these two characters, however, is the way they work together.  These two make an amazing team, especially as they have become close best friends who are able to work together perfectly in sync.  I loved the way these two were able to work together to solve crimes, and their innate teamwork and friendship is a fantastic centre of the book’s story.  I also enjoyed the way the two characters play off each other throughout the story, as their personalities and unique sense of humour really gel together well and produce a lot of fun jokes and moments.  Overall, I had an amazing time following Alex and Milo through another excellent book, and I cannot wait to see what crazy case they encounter next time.

To check out Serpentine I grabbed a copy of its audiobook format, which was narrated by John Rubinstein.  This audiobook, which has a run time of just over 12 hours, ended up being an amazing way to enjoy this fantastic book and I powered through it in no time at all, especially once I got caught up in the outstanding mystery.  Rubinstein, whose has previously lent his voice to a great collection of crime fiction novels, including previous Alex Delaware audiobooks, did an outstanding job narrating this novel, and I felt that he moved the story along at a fast and enjoyable pace which really captured the audience’s attention.  I also rather enjoyed the various voices that he utilised throughout Serpentine, as each character was given their own unique voice, which I felt fit their respective personality perfectly.  I really loved the voice that Rubinstein uses for Milo in particular, as it just screams veteran cop, and it really helped enhance how much I enjoyed this already awesome character.  As a result, I would strongly recommended Serpentine’s audiobook to anyone interested in checking out this book and listeners are in for a good time with this format.

Serpentine by Jonathan Kellerman is another impressive and clever addition to the great Alex Delaware series.  This latest book features a complex and captivating murder mystery investigation which forces Kellerman’s fantastic and lovable protagonists to dive back into the past and solve an intriguing cold case.  Full of several outstanding twists around Kellerman’s latest compelling case, Serpentine has an incredible story and readers are going to have an amazing time unwinding this great mystery.  I deeply enjoyed this fantastic novel, and this might be the best Alex Delaware novel I have read so far.  Highly recommended.

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Star Wars: Victory’s Price by Alexander Freed

Star Wars - Victory's Price Cover

Publisher: Random House Audio (Audiobook – 2 March 2021)

Series: Star Wars: Alphabet Squadron – Book Three

Length: 16 hours and 19 minutes

My Rating: 5 out of 5 stars

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One of the best Star Wars tie-in series comes to an epic and impressive end, as Alexander Freed presents Star Wars: Victory’s Price, the amazing third and final entry in the awesome Alphabet Squadron trilogy.

Since its inception in 2014, the current Star Wars extended universe has featured an amazing range of novels that tie into the various movies and television series.  One of the best has been the Alphabet Squadron trilogy from acclaimed author Alexander Freed.  Alphabet Squadron is a particularly compelling trilogy that follows a fantastic group of mismatched Rebel and Imperial pilots who continue to fight in the aftermath of Return of the Jedi.  This series has so far featured two excellent entries: the great introductory novel Alphabet Squadron, and the outstanding second entry, Shadow Fall, both of which I have deeply enjoyed.  As a result, I have been looking forward to seeing how the series ends and I think that Freed has left the best to last with this epic and powerful read.

The Emperor and Darth Vader may be dead, and the second Death Star destroyed, but the war is far from over.  Nearly a year after the battle of Endor, conflict still reigns in the galaxy between the forces of the New Republic and the remnants of the Empire.  In nearly every battlefield, the Empire’s forces are in retreat and disarray, apart from the notorious pilots of the 204th Imperial Fighter Wing, better known as Shadow Wing.  Led by the dangerous Imperial TIE Fighter ace, Colonel Soran Keize, Shadow Wing continue to bring death and destruction to the Empire’s enemies, slipping away when their vile deeds are done.

However, despite their skills and strategies, Shadow Wing is in constant danger as New Republic forces, under the command of General Hera Syndulla, are pursuing them.  Syndulla is determined to end the threat of Shadow Wing utilising the ragtag pilots of the unique unit known as Alphabet Squadron, each of whom has a score to settle with Shadow Wing, to lead the fight against them.  However, the members of Alphabet Squadron, Wyl Lark, Chass na Chadic, Nath Tensent and Kairos, are still recovering from their last traumatic encounter with Shadow Wing on Cerberon, as well as the revelation that their former leader, Yrica Quell, was an active participant of Operation Cinder, the Emperor’s genocidal last order to destroy multiple disloyal planets.

As Hera and Alphabet Squadron attempt to find their prey, they begin to discover just how dangerous the cornered Shadow Wing has become, as their opponents begin to enact a new version of Operation Cinder.  Worse, Alphabet Squadron are shocked to discover that Yrica Quell is still alive and has re-joined her old comrades in Shadow Wing.  As the two forces engage in battle again, the loyalties of Alphabet Squadron will be tested like never before while Quell attempts to determine just whose side she is truly on.  The conflict will finally end above the skies of Jakku, as the Imperial and New Republic fleets engage in their final battle.  Can Alphabet Squadron finally put an end to the evils of Shadow Wing, or will Soran Keize’s master plan change the entire galaxy forever?

Now this is what all pieces of Star Wars fiction should be like.  Victory’s Price is an exceptional and impressive novel that had me hooked from the very beginning.  Not only does Freed do an amazing job of wrapping up the Alphabet Squadron trilogy but he also provides the reader with fantastic action sequences and some outstanding characters.  This is easily one of the best Star Wars novels I have read in ages and it gets a full five-star rating from me.

For this final book, Freed has come up with a powerful story set within the iconic Star Wars universe.  Starting right after the events of Shadow Fall, Victory’s Price sees the members of Alphabet Squadron separated and traumatised as their protracted and personal conflict with Shadow Wing begins.  This leads into a series of exciting encounters and battles in space as Alphabet Squadron pursues Shadow Wing during their latest mission, while the leader of Shadow Wing hatches a plan to end the war on his terms.  At the same time, each of the characters attempts to deal with issues or distress raised in the previous novels, whether it be Quell’s conflicted loyalties or Chass’s post-fight trauma.  All of this leads to some epic and impressive final confrontations as the two sides meet for the very last time.  This was an extremely good character-driven read, and I loved the very cool way that Freed finished off this amazing series.

While it is an amazing Star Wars novel, Freed focuses more on the war part of the book, turning this into a gritty story of survival, loyalty and conflict, which makes for a powerful piece of fiction.  While obviously best enjoyed by those readers familiar with the rest of the series, Victory’s Price is a very accessible novel which new readers can follow without any trouble.  Thanks to the awesome use of multiple character perspectives, Victory’s Price has an excellent flow to it, and the readers are supplied with clever twists, cool action sequences and impressive character moments as the protagonists come to terms with their place in the universe and the constant fighting.  This ended up being quite an intense tale of war and life, which not only perfectly wrapped up the Alphabet Squadron series but which also had me engrossed from the very minute I started reading it.

One of the major things that I liked about this book was the way in which it added to the Star Wars expanded universe.  This series has always done a cool job of exploring what happened after Return of the Jedi, and it is always interesting and somewhat more realistic to see that the war did not end as soon as the Emperor died.  However Freed has painted this period as a particularly dark and deadly part of the war, and I love seeing how he envisioned what happened to members of the New Republic and Empire after Endor.  Victory’s Price focuses on the very end of the civil war, showing another side of the events that lead up to the battle of Jakku and fitting its original characters into this conflict.  This is a cool part of the book, and I loved seeing another version of the epic battle of Jakku, a major conflict that has been featured in several other novels and pieces of fiction.  Freed also takes the time to explore and answer several other intriguing questions, such as the mystery behind the Emperor’s messengers, the creepy red-clad droids who project holograms of the Emperor’s face, which sought out various Imperial commanders after Endor and ordered the various genocides of Operation Cinder.  The solution surrounding the messengers ends up being rather intriguing, and there are even some clever parallels to World War II in there.  Due to the intriguing elements of Star Wars lore featured within, Victory’s Price, like the rest of the Alphabet Squadron series, will probably be enjoyed most by major fans of the franchise, but there are a lot of compelling elements that readers of all knowledge bases will appreciate.  This was truly an exceptional piece of Star Wars fiction and I cannot wait to see what Freed adds to the canon next time.

I really must highlight the outstanding action scenes that Freed came up with for this book.  I am a man who likes his Star War’s action, and I have to say that Victory’s Price has some of the best sequences that I have ever had the pleasure of enjoying.  Due to the novel’s focus on fighter pilots, there are naturally a huge number of amazing combat scenes as the rival pilots engage in complex battles in space.  Freed has saved the best for last in this final Alphabet Squadron novel, as the opposing pilots find themselves fighting in a range of unique situations.  The battle scenes are extremely well crafted, filled with elaborate details and fantastic depictions of complex manoeuvres and clever tactics that are guaranteed to keep you on the edge of your seat with their intense action.  They are also quite emotionally rich, as you witness your favourite characters constantly face near-death experiences in this final entry in the series.  Highlights of these great battle sequences included two fantastic duels between the protagonists and the leader of Shadow Wing, which sees some fancy flying between some of the most skilled pilots in the series in some very distinctive landscapes.  I also really loved the final, elaborate battle set above Jakku, which proved to be a major part of the second half of the book.  Not only do you get the desperate and packed main conflict between the entire New Republic and Imperial fleets, which features destruction and death in every direction, but you also get a more private and quiet final battle between a group of Alphabet Squadron led New Republic fighters and Shadow Wing.  This smaller pitched battle between the two sides fits perfectly into the midst of the wider conflict and is filled with personal turmoil and antagonism as these two rival squadrons meet for a final time.  All these battles come out as being extremely epic and powerful, and I loved every second of the gritty and deadly fights they contained.

While I have a lot of love for Victory’s Price’s epic story, intense action, and clever Star Wars connections, easily the best thing about this book are the complex and well-written characters.  Each of the major characters featured in Victory’s Price have been introduced in the previous Alphabet Squadron novels with some complex and powerful storylines.  In Victory’s Price, all these great arcs reach a climax as the characters meet their final destiny and their stories comes to an end.  I really enjoyed the satisfying conclusions that Freed came up with for his outstanding characters, although in many ways it was sad to see their stories finish.  Still, I really appreciated all the great character arcs contained in this final novel, and Freed ensures they go through the emotional wringer before they go.

At the forefront of these outstanding characters are the five members of Alphabet Squadron who have served as the focal point for the entire series.  The pilots in Alphabet Squadron, so named for their use of a different Rebel Alliance fighter (A-Wing, X-Wing, B-Wing, U-Wing and Y-Wing), are layered and complex individuals, each of whom has experienced their own trauma or betrayal throughout the course of the lengthy war.  All five of these original characters have gone through significant development throughout the course of the previous two novels, and Freed does an exceptional job continuing their journeys in this final book.

The main protagonist of this series is Yrica Quell, a former member of Shadow Wing, who joined Alphabet Squadron in the first novel to help neutralise her former Imperial comrades.  However, it was eventually revealed that Quell, despite claiming she defected from the Empire after refusing to participate in Operation Cinder, aided in the destruction of a planet.  This revelation caused a massive rift in her relationship with the rest of Alphabet Squadron, and she ended up reuniting with Shadow Wing at the end of the second novel.  In this final book, it is revealed that Quell has infiltrated Shadow Wing to bring them down from the inside.  However, upon spending time with her Imperial comrades, she begins to experience doubts about her plan, especially as she sees that the Imperials are just as damaged by the war as she and the New Republic pilots are.  Her plans are further complicated due to her relationship with the leader of Shadow Wing, Soran Keize, her former mentor and the person who initially convinced her to defect to the New Republic.  Quell still has an immense amount of respect for Keize, and strongly believes in several of his plans.  This re-remembered loyalty to Shadow Wing strongly conflicts with her friendships with Alphabet Squadron and the guilt she feels for her role in Operation Cinder, placing Quell in a major quandary for most of the book.  This uncertainty and inner conflict is a really clever part of Quell’s story, and the reader is deeply impacted by her struggle and conflicted loyalties.  This was easily one of the best and most powerful character arcs in Victory’s Price and I really appreciated the outstanding character story that Freed set around Quell.

Victory’s Price also spends a significant amount of time following Quell’s fellow Alphabet Squadron members, Wyl Lark and Chass na Chadic, both of whom have compelling arcs that highlight different aspects of warring soldiers.  Wyl Lark is the young, optimistic member of the squadron who took over leadership at the end of the second novel.  Lark has developed a significant amount throughout the course of this series, and it is great to see him come into his own as a leader and pilot.  However, despite his apparent ease at the role, Lark is plagued by doubts and concerns about the morality of this fight, especially as it conflicts with some of the teachings of his race.  He spends a great deal of this final book coming to terms with his morals, and even attempts to once again contact the members of Shadow Wing to try and find some common ground or a way to end the conflict.  His actions go a long way to humanising the antagonists of the novel and his hope is a refreshing beacon of light in this darker Star Wars book.  I deeply enjoyed seeing the way in which Lark attempts to change the outcome of the war his way, and it was a fascinating addition to the story.

Chass, on the other hand, is easily the most damaged character in the entire series.  A music-loving veteran pilot who is more afraid of the end of the war and her inevitable slide into irrelevance and despair than her own death, Chass has always been on edge throughout the series.  However, in Victory’s Price, Chass is even more traumatised, especially after learning of the betrayal of her love interest, Quell (which is an intriguing LGBT+ relationship for a Star Wars novel) and has since turned to the teachings of a cult to gain some clarity.  Despite this, Chass is still driven by her anger and her rage and is constantly lashing out at everyone around her, with her death wish a constant anchor around her neck.  Freed has written a complex and moving story around Chass and her suffering, and I deeply appreciate the portrayal of her as a troubled veteran.  I think that Chass’s story comes to a fantastic end in this final novel, especially as she gets closure with several important people in her life.  Both characters are incredibly well written and are fantastic examples of Freed’s exceptional writing ability.

Next up are the final two Alphabet Squadron pilots, Nath Tensent and Kairos.  While both characters have been somewhat overshadowed throughout the series, Freed has developed some intriguing storylines around them which come full circle perfectly in this final novel.  Nath Tensent, a pilot who served both the Empire and the Rebels during the war, has an enjoyable and likeable personality and is the sort of guy who quickly becomes everyone’s best friend.  However, despite the easygoing façade he projects to the world, even Nath is feeling the effects of the war and the constant worry and responsibility is getting to him.  This is particularly exacerbated in Victory’s Price when he becomes a decorated military hero with greater responsibilities and is forced to balance his own selfish goals with the lives of people who look up to him, as well as his very strong concerns for Wyl Lark.  This results in a particularly clever and enjoyable arc, and it was great to see him finally take some responsibility in this war.  I liked the way in which Freed ended Nath’s storyline, especially as it potentially opens another series in the future.

The final member of the squadron is the mysterious Kairos, an alien of unknown origin with a strong hatred for the Empire and terrifying combat skills.  Despite her intriguing introduction in Alphabet Squadron, Kairos was somewhat left out of the second book after receiving an injury.  However, this is more than rectified in Victory’s Price, as Kairos is featured more prominently and we finally get to see some of her backstory.  Freed comes up with quite the intriguing, if tragic, story for Kairos, and it was fascinating to see her unique alien beliefs and culture, as well as a powerful story of renewal and redemption that accompanies her.  Kairos becomes quite close to two characters in this book, especially after the closest people in her life died in the previous novel, and it was great to see her finally connect, even if only for a short while.  Freed did a fantastic job setting up Kairos’ story in the previous two novels, and I personally loved finally getting some answers regarding this curious character’s identity.

Aside from the members of Alphabet Squadron, several other characters are also shown in great prominence throughout this book.  The one I liked the most was Hera Syndulla, the New Republic general commanding Alphabet Squadron.  Hera is one of the few characters in this novel who Freed did not come up with, as Hera originated in the Star Wars: Rebels animated series and serves as a bridging character to the larger franchise.  Due to how much I love Star Wars: Rebels, I have really enjoyed seeing more of Hera in this series, not only because I am very curious about her post-Rebels life but because she also serves as a great mentor character to the members of Alphabet Squadron.  Hera features a lot more prominently in this final novel and her perspectives are shown nearly as much as the members of Alphabet Squadron.  This extra perspective really added a lot to the story as a whole and I personally really enjoyed seeing Hera take charge and attempt to hunt down Shadow Wing, while also attempting to determine the course of the entire war.  I also really enjoyed the fact that this book shows Hera’s role in the battle of Jakku, which as the largest space battle in the entire civil war, you had to assume she would be a part of.  Hera is naturally a bit of a badass in this battle, as you would expect, and I appreciated that Freed featured more of her in this novel.

The other major character featured within Victory’s Price is Colonel Soran Keize.  Keize is a fantastically complex character who serves as the leader of Shadow Wing and Quell’s Imperial mentor.  Despite nominally being the antagonist of this book, Keize is portrayed as a more of a tragic and misunderstood figure, one who is sick of war and who only has the best concerns of his men at heart.  As a result, Keize is running his own game throughout Victory’s Price and works to get the best result for the members of Shadow Wing.  His convictions, sense of honour and understandable motivations make him a hard character to dislike, and his role in mentoring Quell ensures that she is extremely conflicted when it comes to betraying him.  Keize is also probably the best pilot in this entire series, as he is regarded as the Empire’s ace of aces, and Victory’s Price is where you get to see him soar as he engages in several great battles and duels.  Thanks to this, and his curious character development, Keize is a great character to follow, and I really enjoyed the unique tale Freed told through him.

Freed also focuses on some of the other pilots on both the New Republic and Imperial sides.  This results in a great combination of complex side or minor characters, each of whom have their own reasons for fighting in the war.  Freed attempts to show that, despite fighting on different sides of the war, these characters really are not that different.  Instead, all of them are soldiers, with several similarities, including their own trauma, PTSD and issues with the war that they are fighting in.  I think it is a testament to Freed’s writing ability that he was able to get me to care about members of the Imperial navy, and it was pretty spectacular the way in which he attempted to show the humanity buried deep within them.  It does mean that the action sequences more emotionally loaded and potentially devastating as you end up not wanting to see some of the pilots dying, but I really appreciated the way in which Freed took the time to explore these compelling side characters.

While I have previously enjoyed the first two Alphabet Squadron novels in their paperback format, circumstances required me to check out Victory’s Price as an audiobook instead, which was pretty damn awesome.  Not only did Victory’s Price feature the usual blend of iconic sound effects and music that makes all Star Wars audiobooks such a treat to enjoy, but I found that the story flowed incredibly well in this format.  With a lengthy runtime of 16 hours and 19 minutes, I absolutely blasted through this book as I became so engrossed in the awesome story and the way in which it was performed as an audiobook.  I also thought that the use of the iconic Star Wars music in the Victory’s Price was particularly impressive, and not only did the music make several of the extended space battle sequences even more epic, but they also really highlighted some of the most emotional scenes in the book and made them strike my soul even more emphatically.  I also really enjoyed the amazing narration from January LaVoy, who has previously provided her voice to the other Alphabet Squadron books.  LaVoy is a particularly skilled narrator whose work on the Star Trek: Discovery tie-in novel, Die Standing, I really enjoyed.  Not only does LaVoy present the awesome details of Victory’s Price in a quick and exciting manner, making each of the action scenes sound particularly cool, but she also provides some great voices for the various characters.  Each of the main characters gets a unique voice which fits them perfectly and which really helps the listener get to grips with their personalities and inner thoughts.  While all of the character’s voices were done extremely well, the best voice that LaVoy did was probably Hera Syndulla’s, which sounded extremely close to the character’s voice in the Star Wars Rebels animated series.  All of this helps to make Victory’s Price’s audiobook an immensely enjoyable experience and I would highly recommend this format to anyone and everyone.

Star Wars: Victory’s Price is an exceptional and powerful novel from Alexander Freed that is one of the best books I have so far read in 2021.  Featuring a dark and gritty war story set during a fascinating period of Star Wars history, Victory’s Price perfectly wraps up the impressive Alphabet Squadron trilogy while also providing some cathartic conclusions to outstanding character arcs that Freed has built up during the previous book.  I absolutely loved this final novel (hence the massive review), and I think that this was probably the best entry in the entire series.  A highly recommended read, especially if you have already enjoyed the rest of the trilogy, this was a truly epic Star Wars novel.

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Star Wars: The High Republic: Light of the Jedi by Charles Soule

Star Wars - Light of the Jedi Cover

Publisher: Random House Audio (Audiobook – 5 January 2021)

Series: Star Wars – The High Republic

Length: 13 hours and 35 minutes

My Rating: 4.5 out 5 stars

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Boldly venture into a bright new era of the Star Wars universe as acclaimed science fiction author Charles Soule introduces the first entry in the High Republic multimedia publishing project, Light of the Jedi.

We are all the Republic!

Two hundred years before the events of The Phantom Menace and the Skywalker Saga, the Republic was at its absolute height in influence, technology and culture, in a period of time known as the High Republic.  With the glorious Jedi Order leading the charge, nothing seems capable of slowing down the inevitable expansion of the Republic, especially with the creation of the Starlight Beacon, a vast space station designed to bring Republic influence to the darkest corners of the Outer Rim.

However, all it takes is one event to threaten everything.  In the depths of hyperspace, tragedy strikes when the transport ship Legacy Run, taking settlers to the Outer Rim, encounters something while travelling at light speed and is torn apart.  Shortly after, in the agricultural system of Hetzal, chunks of the ship emerge from hyperspace at incredible speeds and begin to rain down across the systems, planets and moons in an extinction-level event.  Disaster is only partially averted by the arrival of the Jedi, who work tirelessly and valiantly in an effort to save as many lives as possible.

As more pieces of debris begin to strike other systems within the Republic and the Chancellor initiates a hyperspace blockade, the Jedi are tasked with determining the origin of the crashed ship before more tragedies can occur.  As the Jedi, led by Master Avar Kriss, begin to investigate, they quickly determine that a mysterious new party has taken a twisted interest in the disaster, the Nihil.   The Nihil are a group of ruthless and chaotic raiders with dark secrets and a sinister origin, who appear out of nowhere and take what they want.  Armed with unique technology and abilities, the Nihil are about to engage in a deadly campaign against the Republic and the Jedi which the galaxy may never recover from.

I think it is fair to say that the High Republic is off to a smashing start with this exciting and captivating novel.  The High Republic is an intriguing new publishing campaign that aims to present a bold new era of Star Wars tie-in fiction.  Set around 200 years before the events of the earliest Star Wars film, the High Republic will consist of a series of connected novels, including adult, young adult and young reader books, as well as several comics, manga and audiobooks, all set in the same period of Star Wars history, with a whole new range of different characters and storylines.  The High Republic project has been in the works for some time, with several of the best Star Wars tie-in fiction authors banding together to come up with the overarching story and universe.  These various storylines are likely going to lead into some form of movie of television series in the future, especially after the success of shows like The Mandalorian, representing a whole new creative frontier for these amazing authors.

The subject of this review is Light of the Jedi, the first book in the High Republic range, which introduces readers to this fascinating time period in the Star Wars universe.  This essential introductory novel was written by the extremely talented Charles Soule, who is one of the main creative voices of this project.  Soule is a fantastic author who, in addition to writing several cool science fiction novels, is probably best known for his work in the comic book world, having authored a number of major series, such as Thunderbolts vol. 2, She-Hulk vol. 3, Death of Wolverine, and Daredevil vol. 5, just to name a few.  I personally know Soule best from his various Star Wars comics, including the very cool Poe Dameron series, The Rise of Kylo Ren miniseries and his current run on the main Star Wars series (I really need to review the first volume of that).  My favourite of Soule’s Star Wars comics is the exceptional Darth Vader: Dark Lord of the Sith series, which followed Darth Vader in the immediate aftermath of his turn to the dark side.  This was a deeply impressive series (check out my reviews for Volume 2: Legacy’s End and Volume 3: The Burning Seas, the latter of which was one of my favourite releases of 2018), with some captivating and clever storylines, and it easily one of my favourite Star Wars comics of all time.  As a result, I have been eagerly awaiting this impressive author’s first Star Wars novel, and Light of the Jedi did not disappoint as Soule created a fantastic and epic tale that I really enjoyed.

At the heart of this great novel is an exciting and compelling narrative that takes the reader on a wild adventure into the depths of Star Wars space and beyond.  Soule presents a brilliant multifaceted tale in Light of the Jedi, told from the perspective of a huge number of different characters, each of whom add some fantastic perspectives to the wider narrative.  This novel has an amazing start, with the first third of Light of the Jedi showing the cataclysmic event that rocks the galaxy and the subsequent attempts to avert it in great detail.  This entire first part of the book is pretty fantastic, filled with destruction, heroics and amazing character introductions, all of which is overlayed to a countdown clock that hints at a bigger and more destructive event to come.  I really enjoyed this fast-paced and intense start to the book, especially as Soule adds in some fantastically written action-packed scenes, loaded with some dramatic and tragic moments, setting up the novel’s subsequent story perfectly.  The rest of the book splits into several separate but related storylines that show the aftermath of the opening chaos, introduces and highlights the overall antagonists of the book, and expands on the introduced characters.  All of the storylines featured in this part of the book are extremely interesting and compelling, presenting several unique adventures with some excellent twists, while also examining cool aspects of the Star Wars universe.  The huge range of storylines and character arcs complement each other really well, producing a balanced and captivating tale that comes together extremely well in the end.  All of this leads up to an epic conclusion that not only serves as a great ending to the various storylines featured in Light of the Jedi but which also sets up some intriguing storylines for the future High Republic novels.

Perhaps the most interesting part of this book is the huge extensions that Soule, and the associated High Republic creative brain trust, made to the Star Wars universe.  The High Republic period, as portrayed in this novel, is a gleaming beacon of civilisation and democracy, where unity and positivity run rampant, especially with their near-religious catchphrase of “We are all the Republic”.  Light of the Jedi serves as the perfect introduction to this period, and Soule does an amazing job exploring all the key aspects of it, including the technology, the set-up, the significant figures and the major differences between this period and future eras of the Republic that readers are more familiar with.  I liked the overall setting of this version of the Star Wars universe, especially as it has a very distinctive frontier feel to it, with people moving out from the settled core of the Republic and encountering some of the hidden and malicious dangers in the less settled regions.  There is also something shiny and exquisite about a lot of inclusions in this book, and I particularly liked all the depictions of the spaceships and technology featured.  This historical Republic is definitely at a high-point of culture and technology, and as such this book is loaded with a ton of elegant and beautiful battleships, which sound so much more impressive than rougher technology featured even in the prequel films.

I also appreciated the way in which the author portrays people having a general sense of naivety throughout the Republic, as they all believe that everything is peaceful and nice.  This will no doubt change in future entries in the series, and it will be interesting to see if this peaceful version of the Republic starts to go downhill a bit as a result of the events featured within this series.  For me though, one of the highlights of Light of the Jedi had to be the titular Jedi.  The Jedi featured in the High Republic series are at the height of their power and majesty, and they prove to be a very impressive bunch in their white and gold robes.  There is a really fascinating collection of unique Jedi throughout the novel, and it looks like Soule attempted to feature Jedi of nearly every Star Wars species he could think of.  The thing that really stood out to me were all the cool Jedi powers that they had, as the Jedi characters in this novel were doing a ton of amazing force techniques that none of the characters featured in the films seemed possible of doing.  All of this was really cool to see, and I think that Soule and Light of the Jedi did an amazing job of introducing this impressive setting.

Another very intriguing inclusion is the Nihil.  The Nihil, who are set to be the main antagonists of the entire High Republic range, are a group of ultra-violent raiders who live by a simple code of taking what they want, when they want, and are massively opposed the ideas of law and order imposed by the Republic and the Jedi.  Soule does an amazing job introducing these antagonists in Light of the Jedi, with their first scene showing them coming out of nowhere and brutally pillaging a fleet of ships.  There was something particularly savage and intense with this first sequence, and I was getting serious Mad Max or Firefly Reaver vibes in the way that they attacked, using harpoons and vicious boarding tactics.  The author continues to expand on these antagonists throughout the course of the book, and the reader is given a solid idea of their structure, tactics, history and general mindset, as a number of chapters are told from their perspective.  The Nihil have some very interesting and unique characteristics to them, and there is a certain Viking theme to them, especially with their storm motif.  I loved the portrayal of them throughout the book, and this group of mask-wearing, savage aliens really left an impression on me, especially with their gas-based weapons, under-handed battle tactics (there is one particularly awesome sequence around that) and unique hyperspace technology.  I was slightly worried that the Nihil were going to simply be portrayed as a group of common raiders throughout the course of this series, and it appeared at times within Light of the Jedi that this is what was going to happen.  However, this was a bit of clever misdirection from Soule, who produced a very compelling and well-written story arc around these antagonists that really sets them up as a major deadly force in the Star Wars universe.  A lot of this menace is due to the many cool hints and reveals about the Nihil’s hidden secrets throughout the course of the story, especially surrounding Nihil’s mysterious leader, the Eye, and I look forward to unravelling them in future entries in this series.

Soule introduces a large range of compelling characters in Light of the Jedi, including a range of intriguing new Jedi.  Due to the author going for a mass perspective story, this novel really does not have a main character; instead Soule splits the tale across many characters, each of whom have their own unique storylines and arcs.  I have to admit that before reading this novel I was slightly concerned that the High Republic series would have a bit of a hard time gaining traction with characters, as the only figure from the films to actually be alive at this point is Yoda (and apparently Yarael Poof, who I mostly recognise from a fun Robot Chicken sketch).  However, I quite enjoyed a lot of the characters featured within this book and I appreciated the way that Soule was able to build them up into compelling and unique individuals within the series of shorter story arcs that they had.

Some of the key characters include Jedi Master Avar Kriss and Jedi Knight Elzar Mann (the two humans on the cover), powerful Jedi with unique abilities who are being set up as two of the main characters of the entire franchise.  Kriss and Mann, who are lifelong friends, form an intriguing team, especially with their underlying romantic tensions that they cannot act on (Soule makes a fun joke about Jedi and their lightsabers earlier in the novel that works perfectly there).  Another fantastic pair are Twi’lek Jedi Loden Greatstorm (awesome name) and his Padawan, Bell Zettifar, a more action orientated pairing who get into some scrapes throughout the novel.  Loden and Bell have an excellent arc throughout the novel and I enjoyed their great master-and-apprentice relationship, which mainly consists of Loden throwing Bell off high locations for training purposes.  Both characters, especially Loden, end the novel in an interesting position, and it will be very cool to see how these two characters develop and change in future entries in the series.  Other highlights for me include the Trandoshan Jedi Sskeer, mainly because of his cool look and species, and the Wookiee Padawan Burryaga Agaburry, who the reader swiftly warms up to, even if he doesn’t say anything comprehensible throughout the book.

In addition to the Jedi mentioned above, I really have to highlight some of the chaotic and intense Nihil characters, who make for some great antagonists.  The main one of these is the mysterious Marchion Ro, a leader and mystic of the Nihil with a hidden past and a sinister agenda who is being set up as the major villain of this franchise.  Ro, is a unique new antagonist, with hints of other Star Wars villains in his inspiration (particularly Kylo Ren), who has a fun arc within Light of the Jedi, completely changing and manipulating his followers for his own betterment.  I also quite liked the Tempest Runner Kassav Milliko, the drugged up, vicious and opportunistic Nihil warlord who clashes with Ro throughout the book and who serves as a major catalyst for story advancement throughout the book.  All of these characters and more prove to be quite compelling to follow, and I look forward to seeing what happens to them in future entries in this overarching publishing project.

Like I do for many Star Wars novels, I ended up grabbing Light of the Jedi in its audiobook format.  This proved to be a fantastic decision on my behalf, as the Light of the Jedi audiobook is really awesome, featuring the usual outstanding blend of great narration, epic music and clever sound effects to create an intense and enjoyable listening experience.  It had a reasonable runtime of 13 hours and 35 minutes, which listeners should be able to get through rather quickly; I personally was able to power through it rather quickly once I really got into the fantastic story.  The audiobook’s creative team did an exceptional job enhancing the story with the iconic Star Wars sound effects, and I loved the amazing ambiance that every single scene had, whether it was the sounds of destruction that occurred during a fight scene, or the simple sounds of people whispering that gave realistic life to group scenes.  The Star Wars music was also on point again, and I cannot emphasise how much emotion and excitement the awesome musical scores added to each scene in the novel.  For example, they expertly utilised John Williams’ tune of Anakin’s Betrayal during one particularly sudden and tragic scene, giving it an added layer of depth and despair that really struck me.  Many other different and iconic Star Wars musical scores were featured at various points throughout the novel, and I quite enjoyed the inclusion of several numbers that were a little less familiar to me, and which gave this audiobook a more unique flair.  Listeners will also really appreciate the cool heavy metal music that ran in the background of some of the Nihil scenes.  Identified as “wreck punk” by some of the characters (apparently created by instruments made from the metal of wrecked star ships), this heavy metal music adds an additional Mad Max edge to the Nihil in battle, and I loved how the audiobook’s creators went the extra mile to make these villains even more edgy.

In addition to the excellent musical inclusions and awesome sound effects, the Light of the Jedi audiobook also featured the superb vocal talents of veteran narrator Marc Thompson.  Thompson, who I recently mentioned in my review of Thrawn Ascendancy: Chaos Rising, did another fantastic job with Light of the Jedi, telling the story at a swift and enjoyable pace, while also giving voice to all the fun characters featured within the story.  Each of the characters gets their own unique voice, ensuring the reader can identify who is speaking at all times.  I felt that these voices fit each character perfectly, and Thompson has fun giving some of these character distinctive accents.  Thompson is also able to convey an amazing amount of emotion with his tone, adding fear, suspense and anguish into both his main narration speech, as well as the voices of the various characters.  This great outpouring of emotion in his dramatic voice helps to enhance several scenes, drawing listeners in with its realism and intensity.  I should note that listening to the audiobook did give me a clue at a fun little twist that Soule added to the story, as you can identify who a hidden speaker is at one point via his voice, something someone reading a physical copy of the book would not get.  This did not ruin the book for me in any way shape or form; indeed I kind of liked having this hint and it added a little more intrigue to the overall story.  Overall, this was some exceptional voice work from Thompson, which makes this audiobook an outstanding way to check out Light of the Jedi.

Star Wars: Light of the Jedi by Charles Soule is a fantastic and exciting new novel that serves as an intriguing and powerful introduction into the new High Republic range of novels and comics.  Featuring an epic and action-packed narrative, some awesome new characters, and an impressive amount of universe-building, this is an incredible book that was really fun to read.  Thanks to the introductory nature of the story, it is very accessible to fans with various levels of franchise knowledge, and may even prove to be a good entry point into the wonderful world of Star Wars novels.  I am a little uncertain at this point how this new Star Wars franchise is going to proceed in the future and how some of the storylines will continue, but I am really looking forward to finding out.  The future of Star Wars tie-in fiction leading into the High Republic looks bright, especially if we get more outstanding novels like Light of the Jedi, and this should be an interesting new chapter in Star Wars history.

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