Unsouled by Will Wight

Publisher: TOR/Audible Studios (Audiobook – 13 June 2016)

Series: Cradle – Book One

Length: 8 hours and 52 minutes

My Rating: 4.5 out of 5 stars

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Enter a world of magic, adventure and personal growth with the compelling first entry in Will Wight’s epic Cradle series, Unsouled.

After finishing off several longer fantasy series in recent years, I’ve been looking for another extensive series to fill the void, and the one that kept getting suggested to me was the Cradle series.  Written by Will Wight, the Cradle books are part of a now complete progressive fantasy series which sees a young man born without power in a world of magic attempt to advance and overcome his deficiencies, while also fighting back against rivals far more powerful than him.  Described to me as a slow-burn series that gets better with every book, the Cradle series has long intrigued me, especially some of the storylines later in the series (a multi-book tournament arc was something that I found particularly appealing).  After circling this series for a while, I finally read the first Cradle book, Unsouled, an intriguing novel that managed to draw me in.

Plot Synopsis:

Advancing from zero to hero starts at zero.

Lindon is born Unsouled, the one person in his family unable to use the magical Paths of the sacred arts. He uses every trick and technique he can borrow or steal to improve his life, but it seems he will never be able to join the ranks of the truly powerful.

Until the heavens descend and show him the future.

When Lindon becomes the only one who sees the approaching doom, he must leave his homeland to save it… and to see how far he can go by walking his own Path.

Unsouled proved to be an excellent and captivating novel that perfectly sets up the Cradle series with some very interesting storylines.  Serving as a great introduction to the protagonist and the main setting, Unsouled was an awesome and addictive book, that provides an early hook to the larger series while maintaining its own compelling story.

I felt that Unsouled had an amazing narrative behind it that, while a little slow at the start, quickly drags you in.  Wight provides a compelling introduction to the protagonist, Wei Shi Lindon, who grows up in the Sacred Valley in the world of Cradle, a highly magical world where everyone has some form of power.  Unlike the rest of his clan, Lindon lacks the ability to control the magical madra of the world, and is branded an Unsouled, forbidden to be trained or to advance in a world where moving up the tiers of power is the only thing that matters.  Determined to prove himself, Lindon embarks on several risky ploys to gain some ability to utilise his madra, while also trying to learn a fighting style that works for him against more powerful opponents (which at the start of the book includes all the small children in Sacred Valley).  After a short but entertaining tournament, the story veers into a whole new direction when Lindon encounters a cosmic being who changes the entire course of his narrative.  This proves to be an excellent first half to Unsouled, and I really appreciated how well Wight set up the protagonist’s motivations, as well as details of the larger setting, and used them to create a compelling and changeable story.

The second half of Unsouled sees Lindon set out to find a potential new mentor.  To get there, he manages to trick his way into a powerful monastery, which results in a couple of the funniest sequences in the book, while also making Lindon a deadly enemy.  After gaining some new tricks and learning how to harness them to defeat stronger opponents, Lindon sets off to find and help the embattled Yerin, a skilled young woman who can take him away from Sacred Valley.  This results in a couple of big encounters, where Lindon must learn to work with his new companion, while also setting aside his life in the valley.  After some excellent and intense action-packed sequences, Wight wraps up Unsouled with an impressive final confrontation which are resolved utilising elements cleverly scattered in the earlier part of the book.  The story ends on an interesting note, with hints for how the series will progress in the future, which should leave readers curious enough to come back for more.

I really enjoyed how well this came together, as Unsouled’s was quite entertaining as a standalone read.  Not only did Unsouled have an amazing story, but Wight did an excellent job introducing the setting and some of the magical elements that are key to enjoying the story.  The initial setting for this book, the Sacred Valley, was a perfect starter zone location for this first book, and I quite enjoyed how Wight depicted it as being both too large and too small for the protagonist’s journey.  The resulting action and exploration of the character’s initial abilities, as well as the larger potential of power out in the world, all keep the reader quite interested in the story, and it works as the perfect set up to following the protagonists journey from weak nobody to powerful individual.  As such, Unsouled also worked quite well as the first book in the Cradle series, and I really appreciated how well some key elements were featured and explored here.  Combine this with some fun early humour, a good focus on character work and some slick sequences with real stakes behind them, and Unsouled proved to be a well-written novel that proves hard to get away from.

One of the highlights of Unsouled that helped set it up as the first book in the series was the excellent focus on its complex characters.  For this first book most of the focus is on series protagonist Wei Shi Lindon, whose stunted ability to manipulate madra sees him declared an Unsouled, an undesirable with no power who is restricted from training or participating in aspects of their society.  After spending years as the lowest rung in his clan’s hierarchy, Lindon spends the events of this book trying to gain power and advance.  The author does an excellent job portraying Lindon’s desperation to fit in and be accepted in the early half of Unsouled and it works well as a basis for his motivation to grow stronger that defines this entire series.  I quite enjoyed how Wight set up Lindon as a weak but clever protagonist who relies more on cunning and tricks to win rather than the inherent brute strength like everyone else in the world.  I think Wight hit the right balance when it comes to Lindon’s abilities, as while he has some early successes, he is generally still outclassed by his opponents, and his tricks only get him so far.  This increases the tension of plot, and it was nice not to have an overpowered/overly tricky protagonist right at the start of the series.  Due to this, Lindon worked well as the initial protagonist and main point-of-view character for this novel, and he proved to be a very relatable figure who the audience can get behind.

Aside from Lindon, Unsouled had a good supporting cast of characters, although it seems unlikely that too many of them will appear in future books to any great degree.  I did enjoy the introduction of Yerin, a young but very skilled outsider to the valley, who Lindon eventually allies with.  A brash and rough figure, Yerin is an entertaining change from many of the more reserved characters in this first novel, and she ends up being an excellent and entertaining addition to the cast in the second half of the book.  Wight does a good job setting up an odd-couple partnership between Lindon and Yerin, and I felt that the two characters played off each other in a fun way.  Throw in a good main antagonist for this novel in a powerful practitioner with an unfortunate baby face, as well as a powerful celestial being who takes an interest in Lindon, and the cast of Unsouled is an excellent highlight of this first book that works to support its amazing story.

To experience the full impact of Unsouled’s plot, I decided to check out the audiobook version of the novel, a decision I ended up very happy with.  I often find that listening to a novel’s audiobook format really helps me to absorb a complex setting or story, and this was the case with Unsouled.  Having the story read out really highlights the great characters, intense story and elaborate setting, and I found myself powering through the near nine hour run time.  It helped that Unsouled had an impressive narrator in Travis Baldree, whose inclusion was a factor in me checking out this series on audiobook as I have previously enjoyed his narration in Matt Dinniman’s Operation Bounce House and The Eye of the Bedlam Bride. Baldree has a great voice for fantasy fiction, and I really enjoyed hearing him describe all the unique elements of Wight’s fantasy world.  I felt he did an amazing job providing all the unique voices of the key cast of this series, especially the protagonist Lindon, and he really captured some of the emotions and traits of these characters, such as Lindon’s initial despair at his lot in life and the growing hope that emerges in the second half of the book.  This excellent narration really brought Unsouled alive, and I now fully intend to enjoy the entire Cradle series on the audiobook format.

While I did initially enjoy Unsouled on audiobook, I do have to mention the cool new paperback version I recently received from Pan Macmillan Australia.  A re-release of the original novel, this new version of Unsouled has a ton of interesting features, including some original art, an informative map, and most entertaining of all, bloopers, with Wight providing some very amusing alternate endings for some of the book’s key scenes (I laughed myself silly at some of these).  Having a physical copy of the book also helped to highlight how well Wight set out key parts of his book in the written format, such as written texts and the way in which a certain cosmic computer provides data to its user.  As such, while I had a great time with the audiobook version of Unsouled, I think many readers could also enjoy the physical copy instead.

Overall, I found Unsouled to be a deeply compelling novel that easy drags you in with its cool story and fantasy focus.  Featuring an excellent introduction to Will Wight’s progressive fantasy narrative, setting and magic system, Unsouled sets up a lot of cool story elements and character arcs, while also keeping the reader extremely engaged.  I got really drawn into Unsouled’s amazing story, and I enjoyed it so much that the moment I finished I immediately started listening to the sequel, Soulsmith.  I cannot wait to continue the Cradle series and I’m excited to see what happens next.

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He Who Fights With Monsters: Outworlder by Travis Deverell (Shirtaloon)

Publisher: Michael Joseph (Trade Paperback – 7 July 2026, originally published 23 February 2021)

Series: He Who Fights With Monsters – Volume One

Length: 755 pages

My Rating: 4.5 out of 5 stars

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Looking for something to scratch your LitRPG itch?  Then dive into the acclaimed world of He Who Fights With Monsters, the first entry in an impressive series from Australian author Travis Deverell.

Fantasy fiction has a lot of interesting subgenres to it, with one of the more distinctive being the popular LitRPG genre, which throws ordinary humans into RPG settings.  This often results in some awesome narratives, where self-aware characters attempt to survive in fantasy worlds where the game system and its components are part of the setting.  While I so far haven’t read a ton of LitRPG books, it is a subgenre that I’m getting a lot more into recently, especially as there are a ton of awesome and often bonkers LitRPG books out there.  It’s thanks to this interest in the wider LitRPG genre that I made sure to pick up a copy of the first volume of Travis Deverell’s He Who Fights With Monsters, a long-running series that is considered a major recent addition to LitRPG fiction.

Travis Deverell is an Australian author who rose to prominence through writing on the Royal Road web novel site.  Also known as Shirtaloon, Deverell’s work on Royal Road formed into the He Who Fights With Monsters series, which has previously been released through independent publishing.  I was lucky enough to receive a review copy of the new trade paperback first volume of He Who Fights With Monsters released by Penguin Random House Australia (through their Michael Joseph imprint), I was quite intrigued by its fun sounding plot.  As such, I eagerly dived into this first book (titled in this release as Outworlder), and swiftly got drawn into this cool new series.

Plot Synopsis:

It’s not an easy career jump, going from retail assistant manager to interdimensional adventurer. Jason doesn’t have much of a choice, though, when he wakes up naked confused in a world of mystery and magic.

It wasn’t prophecy that brought him here. He wasn’t chosen. It was the wrong place, the wrong time and the very, very wrong guy. The wizard who summoned him by accident does not react well.

In short order, Jason will have to fight monsters, face cultists, escape cannibals and find some pants, preferably not in that order.

The good news? He has powers. The bad news? They’re kind of evil.

With no idea where he is or what he’s doing, he’s going to need friends, and fast, because in this world, power isn’t just about magic and monsters.

Jason will have to deal with politicians, noble houses and crime lords to survive. He’ll need to master his powers, evil or not, hopefully without becoming the worst monster of all.

Now that was a particularly epic and ultra-fun read.  I must admit that I didn’t quite know what to expect from He Who Fights With Monsters, but I honestly loved every second I spent with it.  There was something about this great first volume that quickly drew me in, and I soon got stuck powering through the novel’s wildly entertaining and compelling story.  A remarkably addictive read that serves as an outstanding introduction to the He Who Fights With Monsters series, I am so very glad I got a copy of this book.

The plot behind this first volume of He Who Fights With Monsters was extremely fun and awesome, and I was really impressed with how effectively Deverell dragged me into the action.  Starting off with a classic LitRPG set-up, with protagonist Jason Asano awaking in a strange fantasy land with no idea how he got there.  Equipped with a gaming interface and character abilities, Jason is soon forced to fight off monsters and cannibalistic cultists in a series of escalating misadventures while trying to figure out what is going on.  I quite liked this start to the story, although I felt it didn’t get going until Jason met up with several fellow adventures who, after some mutual saving and unlikely victories, agree to help Jason and teach him about this new world.

From this initial starting point, Deverell soon creates a rich and complex larger narrative and surrounding setting, and the reader gets an excellent crash-course in the magical system, how the world is set up, an explanation for how Jason is there.  With no other option, Jason accompanies his new friends on a journey to a nearby major city, and starts the process to become an adventurer, which includes taking on quests, fighting monsters and finding his own unique magical style.  The author keeps building in more world-building elements in this first half of the book, and you start to get a better idea of Jason’s personality, as well as hints about future threats.  The plot gets particularly interesting once Jason arrives at this volume’s central location of Greenstone, a major city where Jason endeavours to become a professional adventurer and soon gets in embroiled with a whole new range of supporting characters.

While I did quite enjoy the first half of He Who Fights With Monsters, I think the second half was stronger as Deverell didn’t need to explain the key concepts of his world as much and instead was able to unleash Jason and his full personality onto the unsuspecting city.  Jason soon finds himself experiencing multiple challenges and threats as he joins the Adventurer’s Society and becomes a player in local politics.  At the same time, Deverell sets up several intriguing secondary storylines around the other supporting characters, which blend well with the main adventure.  There is some excellent progression in the protagonist’s abilities and insights in this second half of the book, and I found it quite amusing to try and deal with the various threats and influences of the city.  Several of the ongoing storylines set in Greenstone come together in impressive fashion towards the end of the novel, especially as there is an extended series of fights with a dangerous new threat.  The author throws in some last-minute tragedy, as well as some moments that hammer home the underlying issues of corruption and stupidity that Jason was fighting through most of the book.  I felt that this volume ended on an interesting and compelling note, and there are several open storylines left to explore in the next volume of the story.

I rather enjoyed the writing in He Who Fights With Monsters, although it was admittedly rough in places.  It was a little obvious that Deverell was writing for an online audience, which resulted in some interesting style choices, most of which you get used to as the book continues.  For example, I initially questioned the author’s choice of writing this story in the third person, as I felt that a first-person perspective would have been a better choice.  However, the author made this third-person perspective work, as it allowed him to set up several storylines outside of the Jason’s perspective, while also showcasing the supporting character’s view the protagonist.  This book also had a great flow to it, with lots of action, compelling worldbuilding, and some very entertaining sequences.

All this resulted in an excellent blend of excitement, intrigue and humour, which was honestly addictive enough to keep me coming back and power through the over 700 pages within this volume.  This very compelling writing allowed me to overlook a lot of the book’s initial roughness, although I cannot forgive the weird error that resulted in various sentences of the book having noticeably different spacing.  I’m not sure if this was an issue with the Penguin release of He Who Fights With Monsters, or it’s just been carried over from the online edition, but it kept taking me out of the story, especially as the first few times I thought it was a deliberate choice to attempt to show a character talking quickly.  Whatever it was, I hope it’s not in future volumes, as it looks quite amateurish next to the rest of the fantastic formatting and artwork.

On top of the exciting story, I felt that a major highlight of He Who Fights With Monsters was the compelling worldbuilding.  The author clearly put a lot of thought into this compelling new fantasy world, which serves as a mirror to ours, filled with monsters, adventurers and magic.  Many of these elements were quite clever in concept and utilisation, as Deverell did an outstanding job introducing all these ideas to the reader.  He Who Fights With Monsters’ magical system, which involves adventurers absorbing various essences and slowly unlocking abilities associated with them, was particularly clever and helped to standout.  This cool system allowed for the author to introduce to some interesting power combinations, especially for the protagonist, and you quickly get the hang of its peculiarities and enjoy all the possibilities around it.

I also was very impressed with how the author worked the LitRPG aspect of the book into the narrative, introducing a credible reason why the protagonist had a game interface into his head, and ensuring that his ability to accept quests, loot corpses and more, seemed quite natural in the context of the story.  This great use of the LitRPG concept, as well as making the setting a real world with real people rather than a video game, ensured that there were some real stakes to the story, and helped to turn it into a particularly captivating adventure.

Another very interesting part of the He Who Fights With Monsters are the characters, especially the protagonist Jason Asano, who I had heard in advance was a bit of a divisive figure for readers.  I initially didn’t see any issues with Jason, who at first seemed to be a typical fish-out-of-water fantasy protagonist whose lack of knowledge about what is going on allowed readers to learn about the world and magic system at the same pace.  Even after the initial parts of the book, Jason seemed liked an entertaining main character, with a quirky sense of humour and insights into the fantasy world born from gamer experience.

However, once you get to the part of the story set in Greenstone, I began to understand why some readers didn’t like him, as Deverell starts to showcase his ability to read people and manipulate them.  Despite being framed as a good guy, there is a certain arrogance behind how he interacts with a lot of characters, including being quite dismissive of well-established aspects of the new world he finds himself in.  Jason also came across as kind of conceited when it came to dealing with the inherent inequalities of the fantasy world.  While in a lot of cases this was justified, especially when dealing with incompetent or corrupt adventurers and nobles, it honestly came across as a little preachy at times.  Still, this slightly annoying character trait wasn’t enough to reduce my enjoyment of He Who Fights With Monsters, and I quite enjoyed seeing Jason develop as an adventurer.  While there is a certain amount of plot armour in how quickly he advances, I felt that Deverell hit the right mark in Jason’s development in this first book and ensured that it filled the bounds of a typical progressive fantasy book.  I especially liked the character build that Deverall gifted Jason, turning him into a shadowy affliction specialist with various evil-themed powers.  Watching Jason attempt to balance his pleasant nature with the scary abilities he needs to work with was a key part of the character’s arc in this first volume, and I think it was a compelling and memorable bit of character development.  I’m very curious to see Jason evolves as the series continues, and must highlight how fun it is to have an Australian character in a big fantasy series.

I do quickly want to mention the larger cast of this first He Who Fights With Monsters book, as Deverell introduces a large group of supporting characters throughout the novel.  While most of these characters are very overshadowed by Jason and his antics, there are still some entertaining or complex figures here, whose own personal storylines work into the large plot of the novel.  I quite enjoyed seeing some of their relevant storylines, and it also ensured the reader got several outsider perspectives of Jason and his actions, which helped to highlight just how weird the protagonist seems to the inhabitants of this new fantasy world.  Many of these characters were quite likeable, and I rather got attached to Jason’s initial party in this world, Rufus, Farrah and Gary (the three of whom get a short story at the end of this volume).  While there is no major named antagonist in this first book, Deverell introduces some fun secondary villains who serve as a good initial opponent for Jason alongside the multitude of monsters he faces, especially as he is forced to deal with politics, intrigue and criminal networks.  All these characters, and more, added a lot to the larger story, and the resulting interactions produced some great moments.

With a highly entertaining blend of action, complex world building and a certain chaotic energy, the first volume of Travis Deverell’s He Who Fights With Monsters proved to be an exceptional hit that I couldn’t stop thinking about.  Featuring an outstanding LitRPG adventure set around a compelling protagonist, He Who Fights With Monsters was really something special, and I really couldn’t stop reading it at times.  I’m definitely planning to keep reading this series now that I’ve powered through the first volume, and I cannot wait to see what crazy antics and moments happen in the rest of the series.

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