Star Wars: The Princess and the Scoundrel by Beth Revis

On November 3, 2022 By The Unseen LibraryIn Extended Universe, Science Fiction, Star Wars, Tie-in NovelLeave a comment

Publisher: Del Rey (Trade Paperback – 16 August 2022)

Series: Star Wars

Length: 348 pages

My Rating: 4 out of 5 stars

Outstanding author Beth Revis presents an intriguing and enjoyable new entry in the extended Star Wars canon, with the fantastic tie-in novel, The Princess and the Scoundrel.

2022 has been a rather interesting year for Star Wars fiction. While the focus has primarily been on the High Republic sub-series, several great authors have produced some awesome reads set around the various film trilogies (such as Star Wars: Brotherhood by Mike Chen). However, one of the most exciting recent Star Wars tie-in novels is a character-driven read that focuses on the relationship between Han Solo and Princess Leia, The Princess and the Scoundrel, which was written by exciting author Beth Revis. Revis, who already has some experience with the Star Wars canon, having written the 2017 novel, Rebel Rising, came up with an awesome story in The Princess and the Scoundrel that I had a wonderful time reading. Not only does The Princess and the Scoundrel explore an interesting period of the complex and inspiring Star Wars canon, but it also contained a fantastic romantic heart that will appeal to a wider range of readers.

Goodreads Synopsis:

The Death Star is destroyed. Darth Vader is dead. The Empire is desolated. But on the forest moon of Endor, amongst the chaos of a changing galaxy, time stands still for a princess and her scoundrel.

After being frozen in carbonite, then risking everything for the Rebellion, Han is eager to stop living his life for other people. He and Leia have earned their future together, a thousand times over. And when he proposes to Leia, it’s the first time in a long time he’s had a good feeling about this. For Leia, a lifetime of fighting doesn’t truly seem over. There is work still to do, penance to pay for the dark secret she now knows runs through her veins. Her brother, Luke, is offering her that chance—one that comes with family and the promise of the Force. But when Han asks her to marry him, Leia finds her answer immediately on her lips . . . Yes.

But happily ever after doesn’t come easily. As soon as Han and Leia depart their idyllic ceremony on Endor for their honeymoon, they find themselves on the grandest and most glamorous stage of all: the Halcyon, a luxury vessel on a very public journey to the most wondrous worlds in the galaxy. Their marriage, and the peace and prosperity it represents, is a lightning rod for everyone in the galaxy—including Imperial remnants still clinging to power.

Facing their most desperate hour, the soldiers of the Empire have dispersed across the galaxy, retrenching on isolated worlds vulnerable to their influence. As the Halcyon travels from world to world, one thing becomes abundantly clear: The war is not over. But as danger draws closer, Han and Leia find that they fight their best battles not alone but as husband and wife.

I had a fantastic time getting through The Princess and the Scoundrel as Beth Revis wrote a pretty awesome and captivating Star Wars novel that covered a lot of bases. Split between the alternating perspectives of Han and Leia, The Princess and the Scoundrel takes off right after Return of the Jedi. While the victorious Rebellion plans their next moves, Han and Leia decide to make the most of their sudden freedom to get married after their traumatic year apart. While both are still reeling from the events of the original trilogy, they come together in a fun wedding scene, before leaving on a glamorous trip that will be part honeymoon part propaganda show. While initially trying to enjoy their honeymoon, both quickly fall into their old patterns, with Han chafing at the formality, while Leia continues to try and do her work as an ambassador and planner. Arriving at an isolated ice planet, Han and Leia soon discover a destructive Imperial plot and must come together as a couple to thwart it. This ended up being a really distinctive read, as Revis worked a more romantic plotline into the always entertaining Star Wars canon. I loved seeing this fantastic tale of Han and Leia’s first adventure as husband and wife, and Revis ensured readers got an excellent blend of action, intrigue, and character development, as you witnessed these two amazing protagonists try to come together as a married couple. There is a little something for everyone in this great read, and I found myself getting caught up in the action and the impressive focus on two of my favourite fictional characters. An overall brilliant book that is really easy to enjoy and appreciate.

The Princess and the Scoundrel proved to be a very interesting addition to the current Star Wars canon. While the romance between Han and Leia was strongly explored in the previous Legends canon, the current Disney canon has not featured it as much, and as such you see some fascinating events from their lives here for the first time. Revis paints quite a fun picture of the sudden wedding these two have, which features entertaining interruptions from several key characters, some tricky manoeuvrings from Lando to get Han into a nice outfit, and, of course, a ton of Ewoks, while the honeymoon is as chaotic as you would expect from these two. As such, this is a pretty key book for all fans of these two iconic characters, and I think that Revis hit an excellent tone when it came to some of these key events. The author also fits in a lot of fantastic references and moments that a lot of Star Wars fans will appreciate, most of which are covered in a very fun way. For example, the characters finally address that infamous kiss between Luke and Leia at the start of The Empire Strikes Back, with Han and Luke having a rather awkward conversation about it, before agreeing never to bring it up again. Revis also makes quite good use of an interesting Han Solo villain from one of the previous canon books, and it was great to see some continuation from the previous intriguing storyline. That, and several other amusing references, help to make this quite a key book for Star Wars fans, and I had a wonderful, nerdy time getting through it.

Aside from the direct references to the book, I was personally intrigued to see more about the period of Star Wars history that occurred in the immediate aftermath of the Death Star’s destruction in Return of the Jedi. Despite the death of the Emperor, the war between the Empire and the Rebellion (now renamed as the New Republic), is still ongoing, and indeed some of the toughest fighting is still to come. Several authors have covered this frenetic period in the current canon with some recent books, such as the Alphabet Squadron trilogy by Alexander Freed (made up of Alphabet Squadron, Shadow Fall and Victory’s Price). However, I particularly enjoyed how The Princess and the Scoundrel covered this period, as it shows events literally hours after the end of the film. Quite a bit is shown of the Rebellion’s initial strategies following the battle of Endor, as well as the Empire’s reactions to the death of the Emperor and the sudden shift in power. While some of the wider campaigns aren’t shown, you get an interesting idea of what the military and political situation was at the time, which I deeply enjoyed. Revis also spends time examining how members of the general public reacted to the news, and there is an interesting variation of responses. Not only did some people straight out disbelieve that the events even occurred, with many assuming it was fake propaganda from the Rebellion, others who were associated with the Empire, or who had members of their family aboard the Death Star, acted quite hostile to the change in the established status quo. These diverse reactions not only reflected some current real-world societal issues, but also provided a compelling insight into just how much influence the Empire had, even on the way to its downfall. Throw in some hints and previews of the upcoming Operation Cinder, and this proved to be a very interesting addition the Star Wars canon that many established fans will really enjoy.

One of the strongest elements of The Princess and the Scoundrel is its impressive focus on the two main characters, Han Solo and Princess Leia. While this book does contain a lot of action, intrigue and fantastic Star Wars elements, at its heart it is a romance novel between two well-established and complex characters, both of whom have experienced a lot of trauma and anguish in recent years. Revis does a remarkable job of diving into both characters throughout the course of The Princess and the Scoundrel, and you really get a sense of their feelings, concerns and traumas following their victory. However, there is also a great focus on their relationship, and you can really see the strong bond they have, even if they are still coming to terms with their feelings and their wildly different personalities. I felt that Revis painted a realistic view of their relationship, which contains some difficulties early on, especially with their independent streaks. However, the author also shows that the two characters are much stronger together, and they can work through any issues that come their way. I think that this much better than just showing them having a fairy tale relationship, and I really appreciated the authors compelling take on one of the most iconic relationships in fiction.

Aside from their relationship, Revis also did a great job of diving into the complex emotional issues facing both central characters. For example, Revis makes sure to explore the trauma surrounding Han after being trapped in carbonite for over a year. Not only did he miss out on a lot of key events in his friends’ lives, but at this point of the book he has only been awake again for a few days, and some of his decisions are based on his concerns and fears about being trapped again. Leia is also going through a lot after the discovery that Luke is her brother and, more importantly, that Darth Vader was her father. As such, Leia spends much of the book attempting to reconcile the fact that her real father was a genocidal maniac who tortured her and is partially responsible for destroying her home planet. This proves to be quite a deep and intriguing part of her character arc, especially since, unlike her newly discovered brother, she is unable to forgive Vader for everything he did. There is also an interesting look at Leia’s early attempts to connect with the Force, after Luke reveals her Jedi potential. Watching her attempts at using the Force is very fascinating, especially as she battles with her feelings about Vader while doing so and is reluctant to even try to use the abilities that he could do. All these unique character examinations, and more, really help to showcase just how complex and traumatised Han and Leia were at this period, and how much their relationship helped them get past it.

Star Wars: The Princess and the Scoundrel by Beth Revis is an amazing read that provides Star Wars fans with something a little different to the typical tie-in novel. Featuring a continuation of one of film’s most iconic romances, The Princess and the Scoundrels is at times touching and romantic, while also exploring the grim realities of the war-torn galaxy, all topped off with some classic Star Wars action and humour. With an outstanding focus and understanding of its two main characters, The Princess and the Scoundrel was a fantastic novel that is well worth checking out.

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Star Wars (2020): Volume One: The Destiny Path by Charles Soule and Jesús Saiz

On May 4, 2021May 2, 2023 By The Unseen LibraryIn Comics/Manga, Extended Universe, Five-Star Books, Science Fiction, Star Wars5 Comments

Publisher: Marvel Comics (Paperback – 10 November 2020)

Series: Star Wars (2020) – Volume One

Writer: Charles Soule

Artist: Jesús Saiz

Colour Artists: Arif Prianto, Jesús Saiz, Rachelle Rosenberg and Dan Brown

Letterer: VC’s Clayton Cowles

Length: 136 pages

My Rating: 5 out of 5 stars

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The next stage of the Star Wars comic universe continues as Charles Soule, Jesús Saiz and their team of talented artists present the first volume of the Star Wars (2020) series, The Destiny Path.

Shortly after the Disney buyout of Star Wars and their subsequent creation of a whole new canon, Marvel Comics started to develop a new range of Star Wars comics. While there were several great series, limited series and standalone comics set during various periods of Star War history, the main series were set between the events of A New Hope and The Empire Strikes Back. These key comics, which included the Star Wars (2015), Darth Vader (2015) and Doctor Aphra (2016) series, did a fantastic job of filling in the gaps between these two films and presenting readers with some clever and unique adventures. All these series came to an end in late 2019, with their plots coinciding with the start of events from The Empire Strikes Back. In the wake of their cessation, Marvel announced four new Star Wars comic series that would take their place (after suffering some pandemic-related delays), set in the aftermath of The Empire Strikes Back. While I have already looked at some of these comics, including the first entry of the Darth Vader (2020) series, I think it is time that I explored the flagship series of this new run of comics, the Star Wars (2020) series.

The Star Wars (2020) series will explore what happens to the main cast of protagonists after the events of The Empire Strikes Back and is set in the year or so between that film and Return of the Jedi. This looks set to be a long-running series that will not only tell its own tale but will tie in to the events of the other current comics, probably resulting in some crossovers. This first volume, The Destiny Path, contains issues #1-6 of the Star Wars (2020) series and serves as an excellent and compelling introduction to the rest of the series.

Following the battle of Hoth, the Rebel Alliance is in disarray. With their fleet scattered around the galaxy and the might of the Empire reigning supreme, these are the darkest days the Rebellion has ever faced, especially as the Empire appears to have found a way to locate their ships and hiding places. The hope of the entire Rebel Alliance may lie in the hands of its greatest leaders and heroes, but, after the events on Bespin, even these shining beacons of rebellion have been damaged beyond recognition.

With Han Solo captured by the Empire and handed over to the bounty hunter Boba Fett, those on the Millennium Falcon are dispirited and lost. However, finding a Rebel cell under attack prompts them into action. Despite missing the man she loves, Princess Leia is determined to rescue him and revive the Rebel Alliance by any means necessary. At the same time, reluctant Rebel recruit Lando Calrissian attempts to make himself useful, despite mistrust from everyone around him. Finally, Luke Skywalker, after losing a hand and finding out the horrible truth of his parentage is in shock. Worse, his meeting with Vader appears to have damaged his connection to the Force, and neither of his masters will appear to talk to him.

As the Rebel Alliance seeks a way to survive, each of these players, with the help of Chewbacca, C-3PO and R2-D2, begin the next stage of their journey. As Luke seeks a lightsaber, Leia looks to find a way to save Han and Alliance, while Lando looks for redemption in all the wrong places. All their journeys lead the back to the scene of one of the worst moments of their past, Bespin. But how far will Luke, Leia and Lando go to achieve their goes, and will they be able to survive the dangerous enemies chasing them?

This is an outstanding and intense Star Wars comic that does a wonderful job of setting up a brand-new series of exciting adventures. Charles Soule, who has written some of the best Star War comics out there, creates an exceptional and captivating tale that highlights the tragic consequences of The Empire Strikes Back. Featuring some incredible artwork, amazing big moments, and a perfect portrayal of some of the iconic original trilogy cast, this is an outstanding and awesome comic.

For this cool first volume in the Star Wars (2020) series, the author has come up with an extremely compelling and clever multi-part narrative that I deeply enjoyed. The Destiny Path has a strongly character-driven story, following Luke, Leia and Lando as they attempt to recover from the traumatic events of The Empire Strikes Back. The narrative starts right after the heroes escape from the Cloud City at Bespin (technically before the closing scene of The Empire Strikes Back) and places the shell-shocked characters right in the middle of a firefight against an intriguing new foe. The next stage of the story contains an intriguing couple of sequences aboard the Rebel medical frigate, showing off some new angles to the film’s final scenes, while also following Lando and Chewie as they head to Tatooine to scope out Jabba’s palace. This part of the narrative is very clever and exciting, especially as it paints Lando as a bit of a wildcard, with unclear loyalties. The next section of the comic takes Luke, Leia and Lando back to Bespin, each for a different reason. There are some high octane and emotionally rich comic issues here, especially as all three of the characters are forced to face up to their recent mistakes and losses, while also taking on the Imperial garrison stationed there. All of this leads up to the final part of the book, which is primarily focused on Luke, who journeys to several distant planets following a vision to find a new lightsaber. There are some really cool sequences here as Luke continues to battle his own personal demons (and a real one, but we’ll get to that later), before eventually coming away with an unexpected prize. All these disparate storylines work really well on their own, but their real strength lies in the way in which they tie together perfectly throughout The Destiny Path. You end up getting a fantastic story as you follow one major event to the next, and I liked the unique tales contained within each section. All of this serves as an awesome and powerful start to the Star Wars (2020) series, and there are plenty of hints of awesomeness to come as the Rebels bounce back while Luke continues to grow as a Jedi. Epic Star Wars storytelling at its best!

There is no way that I can talk about The Destiny Path without geeking out about some of the cool and memorable Star Wars elements and references featured within. I deeply, deeply enjoyed seeing the intriguing and dramatic aftermath of The Empire Strikes Back that Soule envisions here, especially as he took the time to explore the various traumas and consequences of the events at Bespin. This was a fantastic heart of the entire volume which is going to appeal to all fans of the Star Wars franchise. Other cool Star Wars moments that fans will love include the mysterious events occurring around the Skywalker lightsaber. This lightsaber, which disappears at the end of The Empire Strikes Back and reappears in The Force Awakens, is a major item throughout the Star Wars canon and I liked seeing Luke trying to find it in the bowels of Cloud City, only for it to slip into another mysterious person’s grip. It will be interesting to see what happens to that in the future, and foresee it being a fascinating narrative thread throughout this entire series.

In addition to these elements from the films, Soule also fits in a lot of other cool references and call-backs to previous Star Wars comics, especially ones that he has had a hand in. The most obvious of these was the appearance of Verla, who Luke encounters while trying to find a new lightsaber. Verla is a Force-sensitive woman who first appeared in The Burning Seas volume of Soule’s Dark Lord of the Sith comic series. It was great to see that Verla survived, and Soule does a good job working her into this story, portraying her as the damaged and cynical former Jedi student who is just trying to survive. Verla’s inclusion allows Luke to learn more about Vader, both as a Jedi hunter and a Jedi named Anakin, and it was interesting to finally see him learn about the Jedi purges, Order 66, and the Inquisitors. I also noticed a lot of mentions about the High Republic in this volume. I really should not be too surprised about this, especially as Soule is one of the leading creative minds behind the High Republic range, having written the first novel in the series, Light of the Jedi. It looks like Star Wars (2020) is going to rely on several events from the High Republic books, and I am intrigued about how Soule will work them into his cool story. All of these Star Wars elements are extremely cool, and I think that they will deeply appeal to every fan of this franchise. While mega fans are obviously going to love some of the more obscure references that Soule fit into this comic, this series is also very easy to enjoy if you have a more basic knowledge of Star Wars.

I do have to quickly highlight that one of my favourite parts of this entire comic is one of the final sequences in the volume. In this sequence, Luke visits an abandoned Jedi temple which is filled with a mound of untouched treasures, including a lightsaber which he desperately needs. However, it turns out that this entire building is a trap (Luke was warned, to be fair), as he is quickly attacked by the ghost of the Grand Inquisitor. The Grand Inquisitor is an awesome character who served as the main antagonist of the first season of the Star Wars Rebels animated series. Soule has previously utilised him in his Dark Lord of the Sith comic series, especially the first two volumes, Imperial Machine and Legacy’s End, but this current comic is set after his death in Rebels. There are so many cool elements to the Grand Inquisitor’s return in this comic, including a fantastically drawn fight between him and Luke, where Luke encounters a double-bladed lightsaber for the first time, and I loved the Grand Inquisitor’s fiery, spiritual appearance. However, the best part of this whole unique inclusion was the characters final interaction with Darth Vader. Here it is revealed that Vader is the one trapping the Inquisitor’s spirit in this world, using him as a tool and a trap. When the Inquisitor begs Vader for his release, Vader refuses, as the Inquisitor still has use to him. The forlorn spirit starts to fade, but not before sadly uttering “there are worst things than death”. This is an outstanding call-back to the character’s final words in Rebels, and it was so cool to see his morbid prediction come to pass. This whole sequence really pushed The Destiny Path up a level for me, and I love how the creative team worked this into this fantastic and awesome comic.

Easily one of the best parts of this entire comic is the creative team’s portrayal of the iconic Star Wars characters who serve as the main protagonists of this amazing first volume. Soule has done an incredible job writing a character-driven narrative around these protagonists, and I love his in-depth examination of their psyches and actions following The Empire Strikes Back. The author pulls together some great storylines around these characters, and I loved seeing what amazing adventures they went on between these two films.

One of the main characters explored during this book is the original Star Wars hero, Luke Skywalker. Now, Luke is going through a lot at this point, having just had his hand chopped off and learned that his father is Darth Vader. Luke spends most of the first part of the novel absolutely traumatised by these events and ends up doubting himself while also concealing this revelation from his friends. To compound his issues, Luke finds his connection to the Force somehow damaged or fractured, as neither of his masters, Obi Wan Kenobi and Yoda, are reaching out to him. This results in a more scattered Luke, and I loved the way that Soule dove into his damaged mindset. There are some great and powerful moments throughout this comic that show off Luke’s trauma, as well some dramatic moments when he lashes out uncontrollably with the Force. After receiving some visions and engaging in a hunt for a new lightsaber, Luke starts to come to terms with the events surrounding him, and it is great to see him recover somewhat, including by learning more about his father. This slight reconciliation with his identity enables Luke to regain his control over the Force, and there are some very cool scenes where he uses his powerful and advanced abilities against the Empire. Overall, this was a pretty spectacular look at Luke, and I really appreciated the cool story that Soule spun around him. It will be interesting to see what is going to happen to Luke in the future entries of this comic, especially as he continues along his journey to become a full-fledged Jedi. It will also be cool to see more of Luke’s new yellow lightsaber, which was an intriguing decision by Soule which I think is going to really pay off.

In addition to Luke, a lot of the story focuses on Leia. Like the rest of the characters, Leia is pretty traumatised, as she discovered her love for Han only to lose him in seconds. While at times she seems in control, especially as she works to salvage the Rebels fleet, she is clearly still impacted by this loss. As a result, she desperately attempts to find a way to save him from Boba Fett, even if that means risking herself and her friends. Her recklessness leads her back to Bespin with the others as she attempts to find more about the carbonite freezing process. While Leia’s arc is possibly the least interesting (which isn’t a criticism; it’s just the other two main characters have some outstanding stories), she does have some great moments in this comic, and I especially loved the visual of her also trapped in carbonite. It was also great to see more of badass Rebel leader Leia in this comic as she steps up and takes charge to protect those around her. I imagine that the creative team have some great ideas for Leia in the future and I cannot wait to see what they are.

The other main character of this volume was the flashy and charismatic rogue, Lando Calrissian, who finds himself stuck with the other protagonists after helping them flee from Bespin. Despite his attempts to do the right thing at the end of The Empire Strikes Back, Lando is still not trusted by anyone, as they blame him for his betrayal and the loss of Han. As a result, Lando attempts to find some form of redemption with them, although he mostly comes across as a self-centred bastard. Soule works a really intriguing storyline around Lando, and I loved seeing his meeting with Jabba the Hutt as he makes some initial inquiries into Han’s location. Lando is able to talk his way out of a meeting with Jabba, although the reader is left wondering whether he plans to sell out the Rebels. This nicely leads into his storyline on Bespin as he accompanies Luke and Leia back there. It was great to see Lando returning to his city, especially as he manages to con his way through a range of different Imperial obstacles, and he was fully in his roguish element. While Lando appears to return to Cloud City for selfish reasons, such as throwing a big middle-finger to the Empire, his jaunt does awaken his inner hero a little, and you get a glimpse of the person we eventually see in Return of the Jedi. Lando is easily the most entertaining character in the entire comic and most of The Destiny Path’s humour is derived from his interactions with most of the other characters. He is a very funny character, and it was great to see so much focus on him after barely featuring in the last stage of Star Wars comics. I look forward to seeing what Soule and the creative team have for him in the future, and I think he is going to be the MVP character of the entire series.

Aside from the three main characters above, The Destiny Path also includes a great range of other characters from various points in Star Wars history. Like its precursor comic, Star Wars (2020) also follows Chewbacca, C-3PO and R2-D2, although I think these three great characters were a little overshadowed by Luke, Leia and Lando in this volume. Chewie does have a bunch of fun moments throughout the comic, mostly in his interactions with Lando, and it is entertaining to see him be forced to deal with the cocky former friend. R2-D2 does have a great sidekick time with Luke, and it was always fun to see him save the mighty Jedi’s life again and again. There is also an interesting focus on a couple of new or lesser-known characters. For example, it looks like Soule is going to spend a bit of time following Kes Dameron and Shara Bey, the parents of a certain Poe Dameron. The Destiny Path also introduces an intriguing new antagonist in the form of Commander Zahra, a fanatical Imperial officer placed in charge of eliminating the remnants of the Rebel Alliance. Zahra is tactical genius who I understand is going to have a major role in some upcoming comics. This volume proves to be an excellent introduction to this cool new character, especially as it establishes her dangerous intelligence, murderous mentality and the insane grudge she bears against Leia, all while she commands the unique Star Destroyer, Tarkin’s Will, which still bears scars from being hit by wreckage of the original Death Star. Zahra proves to be an outstanding antagonist, and I cannot wait to see what deviousness and insanity she brings to the rest of the series.

I definitely need to highlight the incredible and eye-catching artwork that was an outstanding and memorable feature of this awesome comic. The artistic team behind this comic did an amazing job from start to finish, and every page was a visual treat for the eyes. While all the art in this comic is great, there are a few things that really stood out to me, such as character design. The artists do such an incredible job capturing the main characters throughout this comic, especially in the first issue where all their post-The Empire Strikes Back pain and emotion is on full display. It was uncanny how similar these characters looked to their portrayal in the film, and it is a testament to the artists’ amazing ability. There are also several awesome combat sequences scattered throughout the comic and I loved the way in which the art brought them to life. A particularly good example of this was the opening space battle between the Empire and a small Rebel fleet. The artists come up with an incredible background for this fight, which takes place between a sun and a concentrated barrage of green turbolaser bolts, which are being used to fence the Rebels in place. This was so visually pretty, and it really enhanced the cool story and fighter combat that was taking place in front of it. I also deeply enjoyed the way in which the artists have recreated several key scenes from The Empire Strikes Back. These scenes, which include Luke losing his hand, finding out that Vader is his father and Han giving his iconic “I know” to Leia, are scattered throughout key parts of The Destiny Path. Not only are these cool visually, but they are also clever from a writing point of view, dragging the readers back to the emotional impact of these events and driving how much they are still sticking in the mind of the protagonists. I cannot overstate how awesome this art is and I had an absolute blast seeing every explosion, Force burst and clever flashback that they were able to fit in.

Well, if the above multi-page rant above didn’t give it away, then I’ll say it clearly here: this comic is incredible! Soule, Saiz and the other talented artists have done an amazing job with this first volume of the Star Wars (2020) series, and The Destiny Path is an epic and awesome read. I loved the in-depth examination of these key characters after The Empire Strikes Back and there are so many cool Star Wars elements worked into the story. This is one of my favourite Star Wars comics and it gets a full five-star rating from me. I cannot wait to see what extraordinary stories and powerful artform this fantastic creative team comes up with next and I need to order the next volume in now.

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Star Wars: Doctor Aphra written by Sarah Kuhn and performed by a full cast

On December 22, 2020August 19, 2022 By The Unseen LibraryIn Audiobook, Extended Universe, LGBT+, Science Fiction, Star Wars, Tie-in Novel16 Comments

Publisher: Random House Audio (Audio Drama – 21 July 2020)

Series: Star Wars

Script: Sarah Kuhn

Cast: Emily Woo Zeller, Jonathan Davis, Sean Patrick Hopkins, Sean Kenin, Nicole Lewis, Carol Monda, Euan Morton, Catherine Taber and Marc Thompson

Length: 5 hours and 35 minutes

My Rating: 4.5 out of 5 stars

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The most brilliant and conniving archaeologist in the entire Star Wars canon gets her own audio drama as author Sarah Kuhn and an exceedingly talented cast of audiobook narrators present Star Wars: Doctor Aphra, the audio drama.

Throughout the galaxy Doctor Chelli Lona Aphra is renowned as a criminal and bringer of chaos without peer, but in her own eyes she is simply an archaeologist and technology enthusiast, albeit one willing to sell her findings to the highest bidder. However, her latest venture is about to get her into the worst type of trouble, the sort that will haunt her for the rest of her incredibly short life. Attempting to steal a dangerous weapon from a restricted alien vault, Aphra finds herself surrounded and slated to die, that is until Darth Vader, Dark Lord of the Sith and overall badass suddenly appears and saves her.

Vader is engaging in a high-risk power play against the Emperor and Aphra has just become his most useful pawn, whether she likes it or not. Working as his agent, Aphra must utilise her skills as a con-woman, genius technician and criminal mastermind to help Vader achieve his goals: depose the Emperor and find his new obsession, the pilot who blew up the Death Star, Luke Skywalker. Determined to stay on Vader’s good side, Aphra, with the help of her two friendly murder droids, Triple-Zero and BT-1, helps her new master engage in all manner of shenanigans across the universe, including kidnappings, torture and elaborate heists. However, Aphra knows that all it will take is just one mistake or slip-up to earn her new employers’ deadly wrath. To avoid her inevitable appointment with Vader’s crimson lightsaber, Aphra will need to pull out every trick in her impressive arsenal if she is to survive. But can even the great Doctor Aphra outsmart Darth Vader and the entire Empire, or has the smartest woman in the galaxy finally met her match?

Well this is an exceedingly fun and entertaining entry in the Star Wars expanded universe which provides a new angle to the tale of Doctor Aphra. Doctor Aphra is an incredible and complex character who has only been recently added into the canon. Introduced in the opening issues the 2015 Darth Vader comic book series, Doctor Aphra served as a major supporting character for much of the series run, entertaining readers with her antics and ability to survive working for Darth Vader. Aphra proved to be an extremely popular character, and this resulted in the character getting her own comic book series (which ironically lasted more issues than the Darth Vader series she was introduced in). The Doctor Aphra series ended up being an amazing hit thanks to some exceptional writing and it is one of my favourite pieces of Star Wars tie-in fiction (make sure to check out my reviews for the last two volumes in the series, Unspeakable Rebel Superweapon and A Rogue’s End), and there is even a second Doctor Aphra series on its way. It seems that Aphra’s popularity has continued to grow as earlier this year this Doctor Aphra audio drama was released, written by talented author Sarah Kuhn. This proved to be an exceptionally impressive audio release that does an amazing job bringing this fantastic character into an entirely new format. This audio drama has a run time of around five and a half hours, which listeners are able to breeze through in no time at all.

The Doctor Aphra audio drama contains an intriguing and captivating story that follows the character as she engages in all manner of adventures in service to Darth Vader and her own survival. Told entirely from the perspective of Aphra as she makes a series of recordings to an unknown person, and set shortly after the events of Star Wars: A New Hope, this story follows Aphra through the entirety of her ill-fated association with Darth Vader. This employment places her in all manner of danger, as she completes a series of tasks important to Vader, including an elaborate heist; gets in the middle of a deadly conflict between Vader, one of his rivals in the Empire, and the protagonists of The Original Trilogy; and finds herself a prisoner of the Rebel Alliance before eventually attempting to manipulate the Emperor for her own ends. At the same time, Aphra is constantly balancing on a knife’s edge, as her beloved boss has made it abundantly clear that he will kill her the moment she displeases him. This forces Aphra into a number of tense and dangerous situations as she needs to convince Vader to keep her alive throughout the entire book. This struggle to stay alive adds a substantial amount of suspense to the audio drama, as the listener really wants this entertaining character to survive, and it eventually leads to an outstanding and epic conclusion. All of this proves to be an exceedingly captivating adventure, and listeners are in for an exciting and hilarious time, especially with Aphra’s entertaining and over-exaggerated narration of the events occurring.

While I did really enjoy the story contained within this audio drama, I do need to point out that it is not actually an original tale; instead it is an adaption of several canon comic book series, namely the comics that featured Aphra’s early adventures. The first part of the audio drama adapts most of the first two volumes of the 2015 Darth Vader comic series, Volume One: Vader and Volume Two: Shadows and Secrets. From there the story follows the course of the crossover limited series, Vader Down, before moving on to the events of the fourth volume of the 2015 Star Wars comic, Rebel Jail. Finally, the story returns to the Darth Vader comic, utilising parts of the fourth and final volume, End of Games. Doctor Aphra proves to be an exceptional adaptation of these comics although they only show off the events that Aphra herself witnessed or was a part of. I had an amazing time listening to this adaptation and I really enjoyed seeing several of the amazing events that originally occurred on the page being brought to life by this enjoyable performance.

People interested in listening to this audio drama do not need to have read the adapted comics first, as Kuhn provides Aphra with a great deal of narration that explains her role in the story and all the events leading up to the comics. As someone who has read the comics before listening to this audio drama, I found that there was a lot in this production for fans of the comic. I personally really enjoyed seeing these events from Aphra’s perspective (as the original comics mostly followed main characters such as Vader, Luke, Leia, and Han), and it was extremely interesting to see her thoughts on the various events occurring. The author also comes up with a lot of additional backstory that helps to enrich Aphra’s involvement in the narrative, which fans of the character will really appreciate. While I had a great time listening to this audio drama, I did notice that several events were glossed over, mainly because Aphra did not witness them occur in the comics. For example, you have no idea who is behind several of the battles or attacks that Aphra finds herself in the middle of, with Aphra herself giving limited explanations for them. While I knew full well what was going on, people who haven’t read the comics are going to be full of questions and this may make the audio drama a little confusing at times. That being said, this was still an outstanding and deeply enjoyable production, and perhaps it will encourage listeners to check out some of the adapted comics (trust me, they are awesome).

One of the best things about this audio drama was the way in which the narrative explored the complex and exceedingly likeable character of Doctor Chelli Aphra. Aphra is a clever, impulsive and chaotic rogue archaeologist who is obsessed with ancient technology, particularly unusual droids and dangerous weapons. Aphra is a wildly entertaining character who is essentially an amoral version of Indiana Jones that has no problems cheating or betraying people who she encounters, as long as she gets to hold onto the valuable antiques or can sell them for vast amounts of money (none of her loot belongs in a museum!). Aphra appears to have a relentlessly positive personality, providing the listener with a string of continual jokes and funny observations with an infectious amount of enthusiasm. However, deep down Aphra is actually a deeply damaged individual who has suffered a number of losses and betrayals that impact her current outlook on life and other people.

Despite the fact that Aphra is the very definition of an unreliable narrator (she literally deletes or edits the parts of the story she does not like to suit her agenda), I felt that this audio drama does an amazing job exploring this wily protagonist. Having Aphra’s inner monologue about the events occurring during this story proved to be not only entertaining but also very enlightening, and it showed some fascinating glimpses of her inner personality and emotional state. While much of Aphra’s story was previously explored in the comics that Doctor Aphra is based on, this adaptation does go a little further, pulling in some backstory that was introduced in the later Doctor Aphra comics and expertly working it into this narrative. Kuhn also comes up with some additional history that is unique to this production, including a number of scenes that explore her previous romantic relationship with Sana Starros. While this relationship has been mentioned and discussed in several of the comics, this is probably the most in-depth examination of it in the canon and it becomes an important part of the overall plot. I really enjoyed the way in which Doctor Aphra examined its titular protagonist and I felt that the story really captured her essence and outrageous personality.

This audio drama sports an amazing voice cast and each of them does a fantastic job in this production. However, I really must highlight the performance of Emily Woo Zeller, who portrayed the titular character. Zeller is an experienced and talented narrator who has contributed to a huge raft of audiobooks, including several I am quite interested in checking out, such as Cyber Shogun Revolution by Peter Tieryas. Due to how the audio drama is written, Zeller’s voice is the one we hear the most throughout Doctor Aphra, as she recounts all of the characters dialogue and the overall narration of this book. I really loved the way that Zeller portrayed the character of Aphra in this audio drama and I thought she got all the aspects of the character down perfectly. Zeller gives a particularly energetic performance throughout this adaption, and listeners get a real sense of the mischievous and over confident outer shell that Doctor Aphra portrays to everyone she meets. However, Zeller also captures the vulnerable nature of this complex protagonist, showing off the character’s full range of emotions when she is scared, angry or contemplating her many regrets. This rich and amazing performance from Zeller really helps to make this audio drama something special, and I am really glad that she was able to bring Doctor Aphra to life in such an exceptional way.

Doctor Aphra also makes use of several other impressive voice actors throughout this audio drama, each of whom are portraying major Star Wars characters who Aphra interacts with through the course of this adventure. This audio drama features a who’s who of Star Wars audiobook narrators, many of whose works I have previously enjoyed in a range of productions including the previous Star Wars audio drama, Dooku: Jedi Lost. These additional narrators include Jonathan Davis (who I previously enjoyed in Star Wars: Master and Apprentice and Lords of the Sith), Sean Kenin (Death Troopers), Euan Morton (Tarkin), Catherine Taber (Queen’s Peril and Queen’s Shadow), Marc Thompson (Thrawn, Thrawn: Chaos Rising, Dark Disciple and Scoundrels), Sean Patrick Hopkins, Nicole Lewis and Carol Monda. Each of these voice actors did an exceptional job of bringing their various characters to life throughout Doctor Aphra. I particularly enjoyed Marc Thompson’s Darth Vader and Euan Morton’s Emperor, as both voice actors brought some realistic menace to these iconic villains. Catherine Taber, who is best known for her portrayal of Padme Amidala in The Clone Wars animated series, does an excellent Princess Leia in this production, and I really appreciated the choice to cast her. Sean Patrick Hopkins does a really cool Luke Skywalker, and I was really struck by how close he got to a younger Mark Hamil’s voice. I also really enjoyed Sean Kenin’s Triple-Zero, and I felt he really captured the essence of this crazy character. Each of these side characters added a lot to the production as a whole and, while they were not as heavily featured as Aphra, each of them had their own entertaining moments and interactions. I particularly loved the threatening aura that Darth Vader exhibited towards Aphra, and there is also a very entertaining interaction between Aphra and Han Solo that results in some of the best jokes in the entire production. You also have to love the fact that Aphra ends up with a posse that essentially reflects the main characters from The Original Trilogy, with a protocol droid (Triple-Zero), an Astromech (BT-1) and a Wookie (Black Krrsantan). Of course, Aphra’s friends are all dangerous killers, which makes for some extremely entertaining and deadly encounters.

In addition to featuring an impressive voice cast, Doctor Aphra also features the full range of iconic Star Wars sound effects and musical scores that were made famous in the movies. Pretty much every action that occurs within the book is accompanied by a sound effect, whether it be blaster fire, the sound of engines or even a susurration from other people in a crowded room. I always love how these sound effects helped to create an atmosphere throughout the course of a Star Wars novel, and I felt that they were particularly useful for this audio drama format due to the lack of narration that a standard audiobook would have. I also have to talk up the excellent use of the incredible Star Wars musical score that features during several key scenes of the novel. Hearing this music during some of the most pivotal, dramatic or action-packed sequences makes the narrative seem that much more epic, and I absolutely loved hearing this music throughout this production. The use of the sound effects and music enhances the story in immeasurable ways, and it helps to turn this audio drama into an exceptional treat for the ears.

Star Wars: Doctor Aphra is an impressive and deeply enjoyable audio production that brings fan-favourite character Chelli Aphra into a whole new light. Cleverly adapting several amazing Star Wars comics, the Doctor Aphra audio drama features an interesting story from author Sarah Kuhn that shows the events from the perspective of the chaotic and duplicitous titular protagonist. Featuring an exceptional voice cast, Doctor Aphra proves to be an extremely entertaining and exceedingly addictive listen that I had a very hard time turning off. I personally think this was one of the best audio productions of 2020 and it comes highly recommended both to general Star Wars fans and to those who have read the adapted comics. I had an amazing time listening to this audio drama and I hope that they think about adapting the later Doctor Aphra comic book series next as there are some impressive storylines featured in there.

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Throwback Thursday: Star Wars: Vader Down

On May 1, 2020May 2, 2023 By The Unseen LibraryIn Comics/Manga, Extended Universe, Five-Star Books, Science Fiction, Star Wars, Throwback Thursday10 Comments

Publisher: Marvel Comics (Paperback – 19 April 2016)

Series: Crossover – Featuring Issues from Star Wars (2015) and Darth Vader (2015)

Writers: Jason Aaron (Star Wars: Vader Down #1, Star Wars #13-14) and Kieron Gillen (Darth Vader #13 – 15)

Artists: Mike Deodato (Star Wars: Vader Down #1, Star Wars #13-14) and Salvador Larroca (Darth Vader #13 – 15)

Colourists: Frank Martin Jr (Star Wars: Vader Down #1, Star Wars #13-14) and Edgar Delgado (Darth Vader #13 – 15)

Letterers: VC’s Joe Caramagna (Star Wars: Vader Down #1, Darth Vader #13 – 15) and Chris Eliopoulos (Star Wars #13-14)

Length: 152 pages

My Rating: 5 out of 5 stars

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Reviewed as part of my Throwback Thursday series, where I republish old reviews, review books I have read before or review older books I have only just had a chance to read.

For this latest Throwback Thursday I go back and look at the epic and deeply enjoyable Star Wars comic book crossover extravaganza, Star Wars: Vader Down.

Vader Down was a crossover, published in late 2015 and early 2016, of two of the best Star Wars comic series at the time, Star Wars (2015) and Darth Vader (2015). These two series ran side by side during this period and were set between the events of A New Hope and Empire Strikes Back and expanded the new Disney Star Wars canon. Both of these series were extremely good in their own right, with some very impressive comics during their early run (check out my reviews for some of these earlier volumes, Skywalker Strikes, Vader and Shadows and Secrets, all three of which got five-star reviews from me). These two comics ended up converging during the events of this crossover, with both series’ creative teams pooling their efforts to tell an exciting and action-packed tale. Vader Down is made up of a single introductory issue (Star Wars: Vader Down #1), two issues of Star Wars (2015) (issues #13-14) and three issues of Darth Vader (issues #13-15)

Darth Vader is a man on a mission. Ever since he discovered that the Rebel Alliance pilot who destroyed the Death Star was Luke Skywalker, the son he never knew he had, Vader has been scouring the galaxy for him, determined to claim Luke and use him to take control of the Empire. It finally appears that his patience has been rewarded, as his sources have revealed that Luke is visiting an abandoned Jedi temple on the planet of Vrogas Vas. However, Vader is unaware that he is falling into a trap set by one of his rivals, the Mon Calamari cyborg Commander Karbin. Instead of finding Luke by himself, he discovers an entire Rebel fleet orbiting a planet housing a secret Rebel facility. Despite being outnumbered, Vader is able to fight off the Rebel pilots trying to kill him, until Luke, in a desperate move, smashes his fighter into Vader’s ship, sending them both crashing down to the planet’s surface.

Now on foot, Vader sets out across the desolate planet to find his wayward son and turn him to the Dark Side of the force. However, the Rebels send a significant force to Vrogas Vas to capture or kill Vader. But even surrounded and outnumbered, Vader is more than a match for anything the Rebels can throw at him, and it seems only a matter of time before he finds his son. Luke’s only hope to survive lies in his friends, as Princess Leia, Han Solo, Chewbacca, C-3PO and R2-D2 all set out to save him. However, Luke is not the only one with friends on the way, as Vader’s reluctant agent, Doctor Aphra, also sets course to Vrogas Vas in order to save herself from being murdered by her employer for this debacle. By her side are three of the most dangerous beings in the galaxy, the murderous droids Triple-Zero and BT-1, and the vicious Wookie bounty hunter Black Krrsantan.

As the two sides engage in all-out war across the planet’s surface, neither is aware of the danger coming for both of them. Imperial forces under the command of Commander Karbin have come to Vrogas Vas in the aftermath of the conflict not only to capture Luke but to also kill Vader so that Karbin can take his place by the Emperor’s side. Can Vader and the Rebels survive the onslaught of Karbin and achieve their desires, or is this the end of all of them?

Wow, wow and wow!! This crossover is just plain incredible as the two talented creative teams of the Star Wars and Darth Vader comic book series come together to create an action-soaked masterpiece. I absolutely loved this fantastic and inventive story, which not only contains a substantial standalone adventure but which advances both series in some rather interesting ways, especially when it comes to separating the character of Dr Aphra and moving her briefly into the Star Wars comic series. The story contained within this volume is really amazing, as it sets a rampaging Darth Vader against a swath of enemies while the great characters from both series face off in a rather entertaining battle of their own. All of this is set to some incredible artwork from the two series’ respective artistic teams, which brings the phenomenal action to life in all its destructive glory. Unsurprisingly, this comic gets a full five-star rating from me, and it is easily one of the best crossover comics that I have ever read.

Vader Down features six separate comic book issues, including an introductory issue, three issues from the Darth Vader series and two issues from the Star Wars series. Each of these comics has been written and drawn by the creative team of their respective series, with the Star Wars issues written by Jason Aaron and featuring the art of Mike Deodato, Frank Martin Jr and Chris Eliopoulos, while the entries from the Darth Vader comics are written by Kieron Gillen and contain the art of Salvador Larroca, Edgar Delgado and Joe Caramagna. The introductory issue, Star Wars: Vader Down #1, was also written by Aaron and drawn by the Star Wars artistic team (although with Caramagna doing the lettering rather than Eliopoulos), and this allows both creative teams to contribute three separate issues to this crossover. The story is set out in an alternate fashion, with the narrative beginning in Star Wars: Vader Down #1 and then continuing in Darth Vader #13, than going to Star Wars #13 and so on and so forth all the way till the volume’s end at Darth Vader #15. This proved to be quite an interesting way to set out the volume, and I think that it really speaks to the coordination and discussions that must have occurred between the two separate creative teams.

Like most pieces of Star Wars tie-in fiction, Vader Down is naturally geared more towards those established fans of the franchise, especially those who have some history and knowledge of the extended universe. However, I would say that this is definitely a comic that can be enjoyed by casual fans of the Star Wars franchise, especially as the story is very easy to enjoy and appreciate. Readers do not need a massive amount of knowledge about the comic series that are crossing over in order to enjoy Vader Down. I myself had not read any of the Star Wars (2015) comics when I first enjoyed this volume, and I experienced no problems whatsoever following the plot. That being said, it might prove useful to read the first two volumes of the Darth Vader series first, as that serves to introduce several supporting characters in the volume, as well as the main antagonist.

I felt that one of the biggest strengths of this comic is the way that it utilised and portrayed several iconic Star Wars characters, and I particularly loved how Darth Vader is featured in this crossover. I am a massive fan of the character of Darth Vader, and I am really enjoying how all the current pieces of Star Wars extended fiction portray him as a destructive powerhouse, perhaps as a way to rehabilitate him after the prequel films. However, Vader Down really takes this into overdrive as Vader finds himself alone on a planet surrounded by a vast army of enemies who are hunting him. While on paper it would seem that Vader is at a disadvantage, this really does not prove to be the case, as Vader tears through everyone who stands between him and Luke, often in some particularly devastating manners. Vader comes across as a massive badass in this comic, and I loved every second of it. From the way that he nearly takes out an entire fleet of Rebel fighters right at the beginning (only being stopped by a Kamikaze attack from Luke), to the continuous and effortless destruction of every Rebel he comes across (note to self: never wear grenades anywhere near a Force user), nothing seems to stop Vader, and it is pretty darn impressive.

I also love how Vader has some of the best lines in this volume as well, from his response to a request from Aphra to run: “I am a lord of the Sith. They are the ones who should be running”, to his fun response to a Rebel leader who tells him that he is surrounded (shown in the midst of a great full double page spread, just to show how surrounded he is): “All I am surrounded by is fear. And dead men.” However, his best line occurs later in the volume when he engages Commander Karbin in a particularly cool looking lightsaber duel. Karbin, whose enhancements make him resemble General Grievous, is gloating about how much better he is than Vader as he can wield four lightsabers to Vader’s one. However Vader, after throwing a massive statue at him simply responds with: “When you wield the power of the Dark Side one lightsaber is all you need”, which I thought was a pretty badass line, which also reveals why you never see Vader bothering with something more fancy like his Inquisitors do. Needless to say, I thought this portrayal of Vader was very epic and awesome, and it definitely is one of my favourite appearances of this character.

In addition to the amazing use of Darth Vader in this comic, I thought that the creative teams did a great job including the supporting characters from the Darth Vader series, namely Dr Aphra, Triple-Zero, BT-1, and Black Krrsantan. These four characters are, in manner different ways, all rather fun and evil doppelgangers of some of the key characters from the original trilogy. Black Krrsantan is an ultra-violent Wookie bounty hunter, more concerned with killing and money than saving lives like Chewbacca. Triple-Zero is pretty much a snarkier version of C-3PO who delights in torture and mutilation and has the inbuilt tools to back it up. BT-1 is an astromech like R2-D2, except he is loaded up with all manner of firepower and he has a nasty habit of melting anyone he dislikes, and BT-1 dislikes pretty much everything and everyone. Finally, you have Dr Aphra, who is a notorious rogue and thief like Han Solo, except rather more successful. She is also a fully trained archaeologist who uses that ability to rob tombs for valuable artefacts, essentially making her a cross between Han Solo and Indiana Jones. Vader Down is the first time that the supporting characters from the Darth Vader series actually meet their more iconic counterparts, and the results are extremely entertaining.

There are quite a few great moments throughout this volume where these two groups of characters come together, and they are all pretty fun. Some of my favourites include an extended brawl between the two Wookies, Chewbacca and Black Krrsantan, as they fight to achieve their opposing goals. This turned into quite a brutal matchup and it definitely does not end in the way that most people would expect. There is another cool scene where BT-1 faces off against R2-D2, who is trying to defend Luke from the evil droids. The two get into a vicious argument of beeps (apparently) and R2-D2 pulls out his built-in taser to fight off his opponents. However, BT-1 is rather better armed, and the sudden appearance of a mass of blasters, missiles, a flamethrower and other assorted weapons from BT-1’s chassis is enough to make R2 run off rather quickly, although he gets a measure of revenge later in the volume. Triple-Zero has a fun time imitating C-3PO at one point in the comic (all it takes is a coat of gold paint) and the subsequent meeting between the two protocol droids does not go well for Threepio (let us just say he gets disarmed).

My favourite out of all these interactions between the classic Star Wars characters and the new ones established in the Darth Vader series has to be the fun meeting between Han Solo and Aphra. Aphra is probably one of my favourite new characters in the current Star Wars canon (make sure to check out my recent review for A Rogue’s End, the seventh volume of her spinoff series), and her fun sense of humour really shines through in this encounter. There is a pretty funny scene towards the front of the book, when Aphra, researching the members of the main Star Wars cast, sees Han Solo and responds with an uber sarcastic: “Han Solo. The Han Solo. Oh me, oh my. What are we going to do facing Han Solo?” When they subsequently meet, Aphra continues to be unimpressed by Solo, deflating his ego over his apparently insubstantial reputation and managing to scare him with her own name. They two share some rather good verbal barbs before the shooting starts, and I think that the writers came up with the best resolution to this fight, which can only be described as an unintentional and funny draw. Overall, I really loved seeing all these fantastic characters coming together in this volume, and it is an impressive and entertaining highlight.

While most of the character arcs in this book lean more toward either humour or pure destruction, the writers also did a rather good emotional storyline around Princess Leia. Leia arrives on Vrogas Vas to lead the hunt for Vader, and eventually ends up coming face to face with him. As this is the first time Leia has seen Vader since he stood by and watched the destruction of Alderaan, this proves to be a rather hostile meeting, and Leia is overcome with a desire for revenge and is willing to sacrifice herself and her friends to see Vader taken out. There are some great moments throughout Leia’s scenes in the book as she presents her righteous indignation towards Vader, whose response is less than repentant: “This is not a war, Princess. Wars are for lesser men than the Emperor and myself. This is a series of executions. And yours is long overdue.” All of this gets pretty intense, and Leia actually tries to commit suicide at one point in an attempt to take Vader with her. She is eventually broken out of her mission for revenge thanks to an urgent plea for help from C-3PO, who is watching the rest of their group getting attacked and captured. All of this proved to be a rather powerful and emotional storyline within this volume, and I think its inclusion helped to enhance and elevate the entirely of the comic’s plot.

I also must highlight how impressive the two separate artistic teams were, as both groups of artists come up with some fantastic sequences in Vader Down. As I mentioned above, the issues alternate throughout the volume, and as a result the artistic style of the comic changes with each new issue. There is a rather distinctive difference in the designs and illustrations of the two separate teams, and it proved interesting to jump between these styles each issue. I liked both unique art designs and colourations (with perhaps a slight preference towards the Darth Vader comics style), and I think that they all did an excellent job of portraying the epic story. It actually proved to be rather intriguing to see the separate teams have a go at drawing some of the characters who usually appeared in their counterparts’ comics, and it was also cool to see sequences that lasted more than one issue (such as the lightsaber duel between Vader and Karbin) go through some stylistic changes with each changing issue. There are a huge number of amazingly drawn scenes throughout this comic, although I think the best highlights had to include the extremely impressive starfighter battle in the first issue, with all the blaster bolts and explosions occurring out in space. Other cool scenes included a sudden spaceship crash in the final issue and a series of explosions and lightsaber work in the front of the volume’s second issue. I also liked how both teams of artists utilised the desert landscape of Vrogas Vas in their drawings; the constantly swirly dust really helped to enhance some of the battle scenes in this book and bring a sense of movement and a planet disturbed by violence and death. As a result, I think that both teams of artists did an outstanding job throughout the comics that made up Vader Down, and it certainly helped to enhance the epic experience I had reading this crossover volume.

Vader Down is an immensely cool and exhilarating Star Wars comic that serves as an impressive crossover between two excellent comic book series. This combination of the Star Wars (2015) and the Darth Vader comics proved to be deeply entertaining and it is a clear example of how awesome the Star Wars extended universe can truly be. An absolute blast from start to finish, with non-stop action, eye-catching artwork and some clever character work, Star Wars: Vader Down is a must-read comic for all Star Wars fans and I cannot recommend it highly enough.

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Throwback Thursday – Star Wars (2015) Volume 1: Skywalker Strikes by Jason Aaron and John Cassaday

On November 29, 2019May 2, 2023 By The Unseen LibraryIn Comics/Manga, Extended Universe, Five-Star Books, Science Fiction, Star Wars, Throwback Thursday10 Comments

Publisher: Marvel Comics

Publication Date: 6 October 2015

Length: 160 pages

My Rating: 5 out of 5 stars

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Reviewed as part of my Throwback Thursday series, where I republish old reviews, review books I have read before or review older books I have only just had a chance to read.

I think it is fair to say that I have been in a real Star Wars mood lately. Maybe it is because of the imminent release of the final movie in the Skywalker Saga, Star Wars: The Rise of Skywalker, or perhaps it is because The Mandalorian is such an awesome TV show. Whatever the reason, I have been reading and reviewing quite a few Star Wars books and comics lately. For example, I am currently listening to Star Wars: Force Collector, I reviewed Tarkin last week and I recently read and reviewed Resistance Reborn and Vader: Dark Vision. As a result, I thought that this week would be a good time to do a Throwback Thursday on the first volume of the 2015 Star Wars comic book series, Skywalker Strikes, which did an outstanding job of introducing an extremely exciting ongoing comic series.

The Star Wars comic book series was started in 2015 and follows the adventures of the protagonists of the original Star Wars trilogy. Set shortly after the events of A New Hope, this series attempts to fill in the three years between the first film and The Empire Strikes Back. The Star Wars comics originally ran concurrently with the Darth Vader (2015) comic series until that series ended, and then proceeded to run alongside the Doctor Aphra comics. The Star Wars series ran for 75 issues and has only recently concluded. A sequel series with the same name is set to begin in early 2020, which will follow the events between The Empire Strikes Back and Return of the Jedi.

Volume One of Star Wars begins shortly after the destruction of the Death Star. With the Empire in turmoil following the destruction of such a major weapon, Rebel Alliance members Luke Skywalker, Leia Organa, Han Solo, Chewbacca, C-3PO and R2-D2 use the chaos to infiltrate a key Imperial weapons factory. While they are able to destabilise the factory’s reactor core and free its slave labour force, the Rebels are unprepared for the unexpected arrival of Darth Vader.

Attempting to complete their mission while also trying to kill Vader, the Rebels find themselves hopelessly outmatched by the Dark Lord of the Sith, who is determined to capture the Rebel who blew up the Death Star. Not even Luke, with his newly discovered Jedi abilities, is able to stand up to Vader, and the Rebels barely manage to escape with their lives.

Frustrated by his failures against Vader, Luke decides to take a leave of absence from the Rebel Alliance and returns to Tatooine to contemplate his future. Travelling to the house where Obi-Wan Kenobi lived in exile for years, Luke hopes to find something that will guide him. Instead he finds himself walking into a trap, as the bounty hunter Boba Fett is lying in wait. At the same time, Leia talks Han into a scouting mission for the Rebels, but their simple mission soon attracts the wrong sort of attention. Who is the mysterious woman hunting Han, and why is claiming to be his wife?

Skywalker Strikes, which is made up of Issues #1-6 of the Star Wars series, contains an outstanding story, fantastic artwork and some of the most insane Star Wars action sequences that you will ever see. The team of Jason Aaron and John Cassaday, have done an amazing job on this comic, and this first volume does a wonderful job starting off this long-running series. While all the issues in this volume are connected together pretty well, I would say that there is a distinctive break between Issues #1-3 and Issues #4-6. Issues #1-3 focuses solely on the protagonist’s attack on the weapon facility, while the last three issues feature some more independent adventures from some of the series’ various characters, as each of them is searching for something.

The sequence contained within Issues #1-3 is just incredible, and it is easily my favourite part of the entire series. What starts as a fun infiltration of an Imperial facility quickly devolves into utter chaos as Darth Vader enters the mix. What then follows is nearly three whole issues of action, explosions, fantastic first meetings and all manner of destruction as the Rebels desperately attempt to escape the factory. While all the characters involved in this part of the comic are really good, I have to say that Vader steals the show as the indestructible villain. This was actually one of the first pieces of fiction in the new Disney Star Wars canon that shows off how amazing Vader could truly be, and it is pretty darn awesome. Pretty much from the first instance he appears, he shows off the full extent of his powers by throwing stormtroopers in front of a sneak attack from Chewbacca, and then by starting to crush an AT-AT with the force. He then subsequently survives a full-on blast from the AT-AT’s cannons and hacks it to pieces with his lightsaber. He also cuts through a bunch of escaping slaves and shows his intense displeasure to his subordinates in a number of destructive ways, including twisting a stormtrooper’s head 180 degrees with the force (to be fair, he did catch sight of Vader without his helmet) and choking a Star Destroyer captain from an insane distance. I can also not be the only person who cracked up at Vader very quickly destroying an Imperial Officer moments after he said “Lord Vader will have my….” (spoilers, he was going to say head, and Vader really did). All of this destruction and action was essentially pure awesome, and I loved every second of it.

In addition to all the action in this part of the book, there are also some major moments in Star Wars history that fans of the franchise are really going to enjoy. For the one thing, it actually has the first face-to-face confrontation between Luke and Darth Vader. This scene is handled extremely well. Luke, still believing that Vader is the one responsible for the death of his father, jumps at the chance to get revenge. However, as Luke runs towards Vader’s location full of confidence, he hears the disembodied voice of Obi-Wan Kenobi telling him to run. This is advice that Luke really should have taken; Vader, after berating Luke for his obvious lack of skill with the lightsaber, rather easily disarms him. While getting ready to kill Luke, Vader notices that the lightsaber he has taken off him is the very one he used to wield as Anakin Skywalker, which obviously raises some issues within him. As events at the factory spiral out of control, Luke is able to evade Vader, who starts to grow slightly more impressed by his skills. As Luke makes his escape, Vader realises that he is not only the pilot that destroyed the Death Star but also Kenobi’s last great hope. Still not fully realising the identity of the boy he just encountered, Vader rather vindictively promises to corrupt him to his purposes. All of these events are pretty incredible moments in Star Wars history, and I think that the creative team did an outstanding job introducing them in this new canon. The initial face-to-face showdown between the main protagonist and villain of the original Star Wars trilogy is a pretty significant moment, and I really loved how it was shown. The hints at the hidden history between the two are great, and the initial realisations from Vader that there is more to Luke than he realises are fantastic. I also liked how the creative team showed Luke as having no real skill with the lightsaber or the force. Considering that he only had about an hour of training with Kenobi, it really isn’t that surprising that he has no lightsaber abilities, so this is a pretty clever and realistic inclusion, especially as a good part of the following Star Wars comic series deals with some of the earliest days of his training. While these events are probably not the most significant to occur in this volume (more on that later), they are incredibly intriguing and any fan of the Star Wars franchise is going to love it.

The last three issues of Skywalker Strikes are also very entertaining, though less action-packed, since the creative team has opted instead for storytelling and showing off the state of the Empire and Rebel Alliance. While a despairing Luke sets off to find answers, Han and Leia set off to find potential locations for a new Rebel base, while Vader has a meeting with Jabba the Hut. There are some really interesting aspects to this part of the story, from the growing hopelessness in Luke as he begins to realise how far he is from becoming a Jedi, to Vader’s sudden obsession with capturing Luke, to the growing hints of romance between Han and Leia, disguised at this point as antagonism. However, I would say that it’s the newcomers to the comic series, Boba Fett and Sana Solo, that are some of the best parts of the last three issues of the volume. Fett, who has long been a fan favourite despite his complete underutilisation in the movies, shines as the badass bounty hunter as he scours Tatooine for Luke, eventually finding out all about him through some very violent means. This leads to a pretty fun showdown between Boba and Luke, as Boba ambushes him at Kenobi’s house and easily incapacitates him and R2-D2 with his cool array of weapons and tactics. It is only thanks to Luke’s first close-combat use of the force that he is able to escape, as he successfully blocks a blaster bolt while blinded (a nice homage to the training sequence from A New Hope) and moves an item with his mind. All of this was a pretty entertaining showdown, and I loved seeing Fett in action for once. We also have the mysterious Sana Solo, who has a pretty fantastic takedown of some Rodian thugs with a great piece of technology and a ruthless demeanour. She is later able to track down Han and Leia, absolutely terrifying Han before dropping one of the biggest bombshells of the book: that she is Han’s wife. While this is not explored in any great detail in this volume, it is an excellent introduction for this great character, who goes on to become a fairly major figure in the current Star Wars canon. As a result of all of this, the second half of the volume holds up pretty well to the action-packed first half, and there are plenty of major scenes, including the very big ending.

While I did really like the second part of this volume, the best way to appreciate it fully is if you understand its connection to the Darth Vader (2015) series of comics. The Darth Vader series was launched right on the heels of the Star Wars comics and it is actually set in the aftermath of the first three issues of this volume. In the first issue of this concurrent comic, it is shown that Vader has actually started going rogue on the Emperor and is making his own deals with Jabba the Hutt, before the formal discussion he has with Jabba in Issue #4 of the Star Wars series. This actually clears up the somewhat cryptic discussion he has with Jabba later in the issue, where they talk about the bounty hunters he has hired, and also shows the point where he actually tasked Boba Fett with finding Luke. While none of this is absolutely vital when it comes to fully understanding the plot of Skywalker Strikes, it is interesting to see that some of the referenced events occurred in another series. However, the main reason why readers should try to understand the connection between this comic and the Darth Vader series is in the epic conclusion both of them share, where Vader learns the last name of the boy he has been hunting. Both Issue #6 of Star Wars and Darth Vader were actually released on the same day, so readers of both series were able to see this scene at the same time. The two scenes are shown in a slightly different light in each series. It is expanded a bit more in the Darth Vader series, as it plays into the feelings of resentment towards the Emperor that have been building in Vader through the series. However, I quite liked the simpler version in Issue #6 of Star Wars, as the slow-boiling rage and anger within Vader is pretty obvious, as he takes a whole page to fully react, cracking the glass on a Star Destroyer and simply whispering, “Skywalker”. As a result of this connection, the Star Wars and Darth Vader series complement each other extremely well, and I would strongly recommend reading both pretty close together. However, no matter which series you read, the sequence showing the moment where Vader realises that his son is still alive and a Jedi is pretty darn epic and really memorable.

It could be argued that splitting this volume into two separate storylines was an interesting choice from the book’s creative team. I imagine that six issues focused on the attack on the Imperial weapons factory would have been pretty epic (just imagine how much more destruction Vader could have wrought). However, I personally think they did the right thing by splitting the story and showcasing the aftermath of this action. This way you not only get the intense action of the first few stories but you also get to see the consequences of the mission, and all the implications this has for the wider Star Wars universe. In addition, there is also quite an intriguing set up for several key moments in the upcoming series as a whole, a whole new fight between Luke and another iconic Star Wars character in Boba Fett, and some amazing connections with a sister series. I really liked how the story of the entire volume came together, and I think it was an outstanding way to start this excellent series.

I have to say that I was also really impressed with the awesome artwork that was featured in this first volume. The artwork was drawn by John Cassaday, and featured Laura Martin as the colourist. It is pretty amazing the way that Cassaday was able to capture the faces of the core original trilogy cast members with his artwork. Luke, Leia and Han all look really good to my eye in this volume, and the artist has also done some great renditions of other existing characters, such as Vader, Boba Fett and Jabba the Hutt. In addition, I really enjoyed all of the marvellous and exhilarating action sequences that they artistic team portrayed throughout the volume. These action scenes, especially the ones featuring Vader at the start of the book are just incredible, and I really loved seeing all the fantastic and creative violence. In addition to all the action, there are a number of scenes where the artwork helps to enhance the emotions and hidden meaning of a scene, and I will always love the way that they portrayed the closing moments of this volume. This was some first-rate Star Wars comic book art that is really worth checking out.

As you can see from the above review, I really loved this first volume of the Star Wars (2015) comic book series. The amazing creative team behind this first volume did a fantastic job with the first six issues that make up Skywalker Strikes, producing an extraordinary story which is complimented by a connection to another series and some exceptional artwork. This volume is a fantastic introduction to the flagship comic book series of the Star Wars franchise, and it comes highly recommended. No great knowledge of the expanded Star Wars canon is required to enjoy it, and indeed this may prove to be an effective gateway to the greater Star Wars universe. This gets a full five stars from me, and I am so very glad I decided to check out the Star Wars comic book series this year.

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