In the Shadow of Lightning by Brian McClellan

On October 31, 2022 By The Unseen LibraryIn Audiobook, Fantasy, Five-Star Books2 Comments

Publisher: Macmillan Audio (Audiobook – 21 June 2022)

Series: The Glass Immortals – Book One

Length: 24 hours and 53 minutes

My Rating: 5 out of 5 stars

One of the most inventive and compelling authors of fantasy fiction, Brian McClellan, kicks off an awesome new series with In the Shadow of Lightning, the first book in The Glass Immortals series.

Few authors over the last 10 years have had more of an explosive impact on the world of fantasy fiction then Brian McClellan. Debuting in 2013, McClellan quickly set the world ablaze with The Powder Mage trilogy, which saw chaos and destruction unravel in a new fantasy world where gunpowder-powered mages face off against an enraged god. I had a brilliant time with the first book in the series, Promise of Blood, and McClellan followed this initial trilogy off with the sequel, Gods of Blood and Powder trilogy, set in the same universe. While I still need to finish the Powder Mage novels off, I was very excited to hear that McClellan was starting a new series with In the Shadow of Lightning, the first book in the author’s The Glass Immortals series. This is an impressive and outstanding read that introduces readers to a distinctive new fantasy world, this time with a fascinating focus on glass magic.

Demir Grappo was once one of the most respected politicians, tacticians and glassdancers in the Ossan Empire. A rising star in the assembly, a proven governor, and the only son of a prominent family, Demir’s promising career is suddenly shattered in the immediate aftermath of his greatest military victory when his army sacked and destroyed the entire city of Holikan, apparently on his orders. Mentally broken by the massacre done in his name, Demir abandons his army and vanishes into the provinces, giving up his life of privilege for one of anonymity.

Now, nine years after the sacking of Holikan, Demir is a very different man, having spent the intervening time as a grifter with no true home. However, everything changes when news reaches him that his mother was murdered, brutally beaten to death in public in an apparent political attack. Determined to find her killers, Demir returns to the city of Ossa to reclaim his seat as the head of his family. But not everyone is happy that he has returned, and Demir soon finds himself in the midst of several deadly conspiracies, while Ossa goes to war against its neighbour, all in the name of avenging his murdered mother.

To get to the centre of these conspiracies, Demir must find allies, including old friends and new acquaintances if he is to gain the power and influence he needs find answers, especially those hidden by the powerful guild families who rule Ossa. However, as he searches, and soon finds a much more troubling secret: godglass, the source of magic within the world, is running out, and when it goes, chaos will reign. The key to securing the future may lie in a device that could re-power inert pieces of godglass, and only one girl appears to have the skill to create such a device. But as Demir fights to secure this new vital ally, he finds himself fighting against a mysterious new enemy, one that seems determined to destroy anyone who gets in their way.

McClellan impresses again with another incredible fantasy novel that had me instantly enthralled. Presenting the reader with a multifaceted narrative that combines great characters with intriguing fantasy elements, In the Shadow of Lightning proved to be an outstanding start to McClellan’s new series and I had an exceptional time reading it. Epic in scope, ambition and potential, In the Shadow of Lightning gets a full five-star rating from me and I am still reeling from just how good this was.

In the Shadow of Lightning is a particularly addictive novel, especially as McClellan presents the reader with an outstanding and complex narrative that pulls them in on so many levels. Starting off with a compelling prelude that perfectly introduces central protagonist Demir Grappo and shows his dramatic and bloody fall from grace and sanity, the novel then undergoes a time skip which takes the reader into the current storyline, right as events are kicking off. The initial focus is on Demir, who, after finding out his mother has been murdered, returns to Ossa to take over the family business and discover her murderers. However, he soon finds that his mother was involved in complex dealings that might have led to her death, and that her assassination has been blamed on a neighbouring city Ossa is going to war with. The story then splits as McClellan introduces three additional point-of-view characters, each other whom has their own distinctive story arc, closely related to Demir and the politics of Ossa.

These new characters include Thessa Foleer, a siliceer (godglass worker) from Ossa’s neighbour Grent, the breacher Idrian Sepulki and Kizzie Vorcien, an enforcer for a powerful guild-family who Demir hires to investigate his mother’s death. Each of these new characters have their own individual storylines that tie into the plot points introduced in Demir’s initial chapters. While these character arcs go in their own direction, their storylines are loosely connected together and form a great overarching narrative as they are dragged into war, imprisonment, political battles, conspiracies and criminal investigations. I loved the cool blend of character-driven storylines, and everything comes together extremely well to show that something very rotten is going on within Ossa. This is a very fast-paced story, and McClellan keeps multiple compelling plotlines running simultaneously to keep the reader’s attention, with some great reveals and amazing fight scenes scattered throughout the book. Most of these reveals are set up and foreshadowed extremely well, with a couple of exceptions, and I didn’t see some of the twists coming, which was pretty fun. Everything comes to a head towards the end of the novel, as all four characters find themselves in their own extremely dangerous and concerning situation. Not only is there a massive battle for the future of Ossa but there are some shocking revelations about who is involved in the conspiracy and why. The author leaves everything on an amazing note that not only leaves readers satisfied with the conclusion of some of the storylines but which also leaves a lot of questions unanswered and the reader wanting more. An excellent and impressive story that dragged me in extremely quickly.

I was very impressed with how In the Shadow of Lightning’s story came together, as McClellan presented an epic and addictive offering that I snapped up extremely quickly. I especially loved the use of four separate narrators to tell this story, and McClellan did an outstanding job of separating out their narratives. Each narrator has their own unique story to tell, and what is really good is that they also explore a different aspect of the author’s new fantasy world, which often breaks across the associated genres. For example, Thessa’s story focuses on the magical science behind godglass, and examines the political and social elements associated with this branch of magic. Idrian’s tale comes across as a war tale as he is forced to participated in the deadly conflict between Ossa and Grent, where his particularly magical expertise makes him a living weapon. Kizzie’s chapters come across as an investigation arc, as she attempts to uncover who killed Demir’s mother, and is forced to dive into the intrigues and shifting allegiances amongst the Ossan families, uncovering a deep conspiracy. Demir serves as a bit of a joining figure; while he also has his own unique adventures, especially around Ossan politics, a lot of his arc involves interactions with the other three point of view characters. Not only does this ensure that we get another viewpoint on the other character’s actions, as he gets involved in the godglass, espionage and the war elements that they are solely focussed on, but he helps to bring the other protagonist’s disparate storylines together into one solid and compelling narrative.

All four character-driven storylines are pretty exceptional in their own right, and this was one of those rare multi-perspective novels where you honestly can’t choose which character arc is the most intriguing or enjoyable. I was particularly impressed with how McClellan brought these storylines together into one outstanding novel, and it makes for quite the epic read, especially as the author ensures you get the right blend of intrigue, action, magic and mystery throughout. Despite its longer length, In the Shadow of Lightning has a pretty fast pace to it, and the readers are constantly treated to fantastic scenes that really keep your interest, either by being directly exciting, or featuring excellent examples of character development or world building. I also really have to highlight the outstanding and amazing action sequences featured throughout this book. McClellan has an impressive way of making these fight scenes really come to life in your mind, and it so easy to see all the epic events unfold. These action scenes are particularly impactful when combined with the new magical features that the author has come up with, and I had so much fun seeing them unfold. This really was an exceptional and highly entertaining read, and I loved how this entire amazing story was presented to the reader.

One of the things that most impressed me about In the Shadow of Lightning was the way in which McClellan envisioned and introduced the reader to an entirely new fantasy realm, equipped with its own distinctive magical system, all of which was substantially different from the elements featured in his previous Powder Mage novels. While there are some similarities, namely that the Glass Immortals series also features magic, firearms, and a similar level of technology, there are quite a few differences which really make this new series stand out. Most of the book is set in the Ossan Empire and its capital city of Ossa, which proves to be an excellent background location for the complex story. Ossa, as well as some of the other nations mentioned reminded me of an Italian city-state, and I felt that it was an interesting change of pace to the French/English influences of Powder Mage universe. The city is ruled by rival merchant guild families who are constantly battling for dominance, while the influence of the cities extends out to various provinces in the extended empire. There is an intricate society set up around Ossa, and I loved the compelling interplay of industries, politics and intrigue that resulted. McClellan examines various aspects of Ossan society, including sports, leisure, the military, and the various social levels, all of which were pretty intriguing to discover, and which painted Ossa and its people in a compelling light. I particularly enjoyed their innate love for intrigue, contracts and business above everything else, and the fact that their national sport involves two magically enhanced people beating each other with cudgels tells you a lot about them. Throw in some compelling snapshots of other relevant nations, as well as some sneaky hints at other mysterious beings, and the reader is given a really impressive and detailed introduction to this new world in this first book in the series, which McClellan did an outstanding job setting up.

However, the most distinctive part of this new universe is the cool magical system that forms the basis for much of the plot. Just like with the Powder Mage novels, there are actually several different variations of magic and magic users in this series, which are connected to various forms of glass. The first of these is the magical godglass, empowered glass items that give its users various abilities, such as strength, intelligence and enhanced senses, or which can be used to control a person. Godglass is the most common form of magic in this series, which anyone can use, and indeed the entirety of human society in this world is based around the use of these items. Pretty much every action a character does in this book is helped out in some way with godglass, resulting in some excellent sequences, especially during fights, and McClellan spends a lot of time exploring how it fits into his new world. This includes multiple scenes set inside glassworks, where the godglass is forged, and you get an idea of how it is made and the significance it holds to the people of this world, including the fact that many of the characters have piercings that allow them to attach godglass to them. Godglass actually becomes a key part of the book’s plot, once it is revealed that the supplies of magical cindersand that is used to create it is running low, resulting in an undercover war to control the remnants or finding a means of regenerating it.

The other magical elements of this new series involve the inbuilt talents of several characters, who have various degrees of sorcery in them. The most prominent of these are the glassdancers, sorcerers who can control glass (except godglass) to an astonishing degree, and use it as a weapon. There are multiple glassdancer characters featured throughout In the Shadow of Lightning (including the central protagonist), and you get to see multiple fights involving them, which are pretty badass. You would never consider just how dangerous someone controlling glass could be until reading this book, and the brutal and quick ways in which they kill their opponents are pretty damn impressive. The other major form of magical user are glazalier, who have more of a passive ability that allows them to resist the negative impacts of godglass (too much magic starts to eat away at someone) while still being able to use them. These glazaliers are deployed as breachers, heavily armoured soldiers equipped with a ton of godglass that make them unstoppable tanks in battle, capable of killing units of men by themselves. Acting as both a hammer and shield to their comrades, they are a lot more brutal than the subtly lethal glassdancers, and I loved the compelling contrast between the two major magical soldiers featured in this book. McClellan does an outstanding job introducing, explaining and showcasing all these different magical elements in this first book, and I deeply enjoyed seeing the many cool ways these magical abilities and the godglass could be used, especially in the book’s many awesome action sequences. I look forward to seeing how McClellan expands on them in the future, and I am still so impressed by how much magic the author could work into glass.

Another area where McClellan really excels as a writer is with the complex and multi-layered characters he is able to create. This was really evident in his new novel, where several great point of view protagonists and fascinating supporting characters are perfectly introduced to the reader and become exciting focal points for the brilliant plot.

The most prominent of these is central protagonist, Demir Grappo, a brilliant strategist and politician, whose entire life is shattered in the opening prologue. Forced back into public life after the death of his mother, Demir takes control of his family and attempts to rebuild his legacy while also finding answers. Utilising the swindling, bluff and manipulation skills he built in the decade he was away, Demir proves to be a tough political adversary and quite an interesting figure to follow. I loved his impressive and unique storyline, and watching him regain his political skills and self-confidence was really enjoyable, especially as he acts as a deadly glass sorcerer, businessman, politician, leader and even a general. There are great sequences that highlight his skills, and I loved how he was able to manipulate everyone in many different ways, from being an agreeable political ally, to acting like a smarmy lord who is able to bluff his way around by sheer force of personality. While he does come across as arrogant at times, which is partially due to the fear and respect everyone gives him due to his sorcerous abilities, McClellan ensures that the protagonist is aware of it, and works to fix his character flaws as he goes. However, the biggest character aspect of Demir involves the trauma he carries after his actions apparently led to the massacre of an entire city. Still haunted by the scenes from that night, Demir is forced to revisit them throughout the course of the book, especially when he meets a survivor while trying to find out who was actually responsible. His roiling emotions around these events are his one weak spot, and the author slips in some powerful and understandable scenes where he loses control. McClellan did a great job setting up Demir in this first book, and I have no doubt his story is going to get even more complex and painful.

McClellan ensures that all his intriguing characters have their own distinctive and compelling motivations, as well as a dark history that is explored throughout the course of In the Shadow of Lightning. This includes Thessa Foleer, whose heartbreaking narrative and past worked perfectly in concert with Demir’s, which was appropriate as their storylines were the most closely linked. Thessa’s story is one of constant loss, especially as everyone who seems to get close to her dies or suffers in some way, and the character goes through some major grief and trauma as a result. The author does a good job balancing the focus on her past and her feelings of loss, with the scenes depicting her work as a siliceer, and I liked how you get some of the best insights about this book’s primary fantasy elements throughout her chapters. McClellan sets up Thessa as quite a major character in this novel, and it will interesting to see how her story progresses in the future.

The other two point-of-view characters are Idrian Sepulki and Kizzie Vorcien, who add a lot more excitement and fun to the story. Idrian’s scenes are some of the most action-packed, and it is very cool to see him in battle, especially as he tends to plough through entire units of men like a human tank. However, Idrian is one of the most caring and likeable figures in the entire novel. Primarily concerned for the lives of his comrades, Idrian goes into the battle to protect them, and the close friendships he builds with his men help define him. However, Idrian is also battling some inner demons, and it is clear that McClellan has some tragedy planned for him in the future. This is a little heartbreaking, as you really cannot help but enjoy Idrian’s straightforward nature and natural integrity, and anything bad that happens to him is going to strike the reader twice as hard as a result. Kizzie, on the other hand, is a scrappy enforcer, forced to survive the intense politics of the city’s guild families. The bastard daughter of the Vorcien family head, Kizzie desperately seeks legitimisation and acceptance from her father, if only to protect her from vicious brother. Dragged into Demir’s hunt for his mother’s killers, Kizzie dives into the world of political intrigue and family espionage, only to find herself conflicted by the answers she seeks. Forced to choose between friends and family, as well as between her desires and what his right, Kizzie has some great moments in this book, and her inner conflicts add a great amount of drama to the plot.

These central protagonists are well rounded out by an impressive and enjoyable series of supporting characters, each of whom add to the plot in their own unique way. McClellan does a great job introducing all the key supporting characters featured in the plot, and there are some amazing and distinctive characters featured here, from long-time friends of the characters, to bitter enemies with their own agendas. My favourite supporting character would probably be Baby Montego, Demir’s adopted brother who returns to help Demir with his exploits and find out who killed their mother. A massive brute of a man and a former cudgeling world champion, Baby is considered to be the deadliest man on the planet, even though he doesn’t have any magical abilities and can’t use godglass. He more than lives up to this reputation throughout the book, and he has some of the most exciting and action-packed sequences in the entire novel as he casually deals out violence. At the same time, he is also a cunning thinker, and his dry humour and complete self-confidence really make him standout. It was fantastic to see amazing characters like Baby interact with the point-of-view characters, and you get some impressive moments as a result. Honestly, every character featured in this book was amazing in their own way, and I cannot emphasise enough how well McClellan wrote them.

As I tend to do with most massive fantasy novels, I chose to check out In the Shadow of Lightning in its audiobook format, which proved to be pretty damn awesome. Coming in with a runtime of just under 25 hours, this is a lengthy audiobook to listen to (it comes in at number 15 on my latest longest audiobooks I have listened to list), and it took me a decent amount of time to get through it. However, I felt that was time well spent, as I was relentlessly entertained every single second I spent listening to In the Shadow of Lightning, and there were times I wished it was even longer. This epic novel really came to life in the audiobook format, and I loved how impressive and cool some of the big action sequences and confrontations felt when being listened to. While I did initially struggle to keep track of the side characters in this format (having the ability to easily go back and figure out who people were would have been helpful), I was soon able to figure out who everyone was, while also absorbing a heck of a lot more detail about the new universe and its unique elements.

I was also deeply impressed with the outstanding narration In the Shadow of Lightning featured, thanks to the work of Damian Lynch. Lynch is a veteran audiobook narrator with several epic fantasy series under his belt and he swiftly made me a big fan with his great voice work here. He really dove into the various characters featured in the book, and you got a great sense of their personalities, emotions and actions as he narrated them. I had fun with several of the voices he provided in this book, and I thought that protagonists like Demir, Idrian and Baby Montego, were really good, especially as you get notes of weariness in the old veteran Idrian, and the barely contained violence that resonates off Baby every time he talks. I particularly liked the cool European accents that Lynch gave to the various characters, which helped to reinforce the Italian city-state nature of the main location, and people from other nations or cities had subtly different accents, which I thought was a very nice touch. All this, and more, makes for an outstanding audiobook and this is easily the best way to enjoy In the Shadow of Lightning. I had a wonderful time with this exceptional audiobook and I will definitely be grabbing the next book in this format when it comes out.

As you can no doubt see from this lengthy review, I deeply enjoyed In the Shadow of Lightning, which was such an epic book. Brian McClellan did a remarkable job with this new novel, and he really proved his ability to set up another distinctive and exceptional fantasy series. Loaded with so many amazing story elements, a cool new fantasy world with unique magical elements, and some impressive and complex characters, In the Shadow of Lightning was so very addictive, and I really could not stop listening to it. A highly recommended read, especially in its audiobook format, In the Shadow of Lightning was one of the best books of 2022 and is a must read for all fantasy fans, especially those who have enjoyed McClellan’s work in the past, and I am exceedingly excited to see how The Glass Immortals series progresses from here.

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The Martyr by Anthony Ryan

On October 17, 2022 By The Unseen LibraryIn Audiobook, Fantasy, Five-Star Books5 Comments

Publisher: Orbit/Hachette Audio (Audiobook – 28 June 2022)

Series: The Covenant of Steel – Book Two

Length: 19 hours and 42 minutes

My Rating: 5 out of 5 stars

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The always impressive Anthony Ryan continues his outstanding Covenant of Steel series with The Martyr, which was hands down one of the best fantasy novels of 2022.

Anthony Ryan is an extremely talented author who has been one of the leading authors of fantasy fiction for the last decade, producing several intriguing and major series. Best known for his Raven’s Shadow trilogy (which was followed on by the Raven’s Blade duology), Slab City Blues, The Draconis Memoria and Seven Swords series, Ryan has a substantial catalogue of fantasy works to his name, most of which sound pretty damn epic. However, I have so far only read the books from his latest series, The Covenant of Steel series, which has proven to be exceptional. The first book in The Covenant of Steel was last year’s deeply compelling release, The Pariah, an excellent novel that set up a deeply intriguing and highly addictive character-driven tale of adventure, conspiracy and war.

The Pariah told the adventure of Alwyn Scribe, a young outlaw who was raised by brutal bandit chief. However, his time as a member of a notorious band of villains came to a bloody end when his entire gang is brutally killed by the crown and his mentor is executed. Imprisoned in a mine, Alwyn finds a new mentor in an imprisoned religious figure, who teaches him to be a talented scribe, and he is eventually able to escape. Chance and self-preservation lead him to join the Covenant Company of Lady Evadine Courlain, a pious woman whose religious visions, sermons and sheer faith allow her to bring together a band of dedicated soldiers. Swiftly growing loyal to her, Alwyn becomes one of her key followers, and saves her from certain death several times as they fight across the Kingdom of Albermaine. I deeply enjoyed the elaborate and extremely addictive narrative contained within The Pariah, and this ended up being one of my absolute favourite books and audiobooks of 2021 (as well as being one of my favourite new-to-me authors of the year as well). As such, I was extremely happy to receive a copy of The Martyr a little while ago, although I held out reading it until I could get a copy of the audiobook version as well.

The Martyr takes places shortly after the bloody conclusion to The Pariah and sees Alwyn Scribe now firmly in the service of Lady Evadine Courlain, whose apparent resurrection has led to her being proclaimed a living martyr of the Covenant church. However, this and the fanatical devotion of the faithful of Albermaine have placed her in the crosshairs of both the Crown and the Covenant, both of whom see her as a dangerous pretender to their power. Unable to kill her without starting a religious rebellion, the king decides to use Evadine for his own purposes.

Sent south to the Duchy of Alundia to put down a rebellion and stop a series of religious attacks upon the Covenant faithful, Alwyn, Evadine and the Covenant Company take up residence in a small, dilapidated castle, which soon draws the attention of the Alundian nobility. Besieged by a massive army, Alwyn and his companions must survive the onslaught if they are to pass on Evadine’s message for the future. However, not everything is as it seems. Dark forces are in play and Alwyn soon finds himself in the middle of treacheries, both new and old, as he desperately stands beside his mistress. Forced to dive into the secret past of the land, Alwyn soon discovers that many of the things that Evadine preaches are true, including the legend of the Scourge that destroyed the world and threatens to re-emerge. But is Alwyn fully prepared for all the heartache, betrayal and bloodshed his quest is about to unleash?

Anthony Ryan is on fire once again with his second book in The Covenant of Steel series. The Martyr is an epic and deeply addictive read that perfectly follows on from Ryan’s previous book and in some ways surpasses it with its impressive storytelling and amazing characters. Thanks to its incredible story and cool expansion of Ryan’s fantasy universe, I had an outstanding time getting through The Martyr, and it receives an easy five-star rating from me.

I had such an outstanding time with the epic story that Ryan pulled together for The Martyr, especially as it cleverly expands on the narrative from the first book, while also taking the characters in some awesome new directions. The book has a very strong start to it, which follows on from a useful, and slightly humorous, summary of the events of The Pariah. From there, we quickly see the fallout from the last book, with the protagonist Alwyn and his comrades forced to engage in the politics of the realm to ensure that living martyr Evadine is allowed to continue her work. The narrative is still told from Alwyn’s perspective as he recounts the events in chronicle form, so I was quickly hooked, and I liked the immediate dive into fantastic political intrigue and compelling universe building. However, the story only gets even more awesome from there, as the protagonist and his company are deployed to a war setting, which turns out to be particularly epic as they are soon caught up in some outstanding siege scenarios.

Now, I frankly had no idea how Ryan was going to improve on the outstanding story from The Pariah, but having a siege storyline was a pretty good way to go about it. I love sieges, and Ryan featured an incredible example here, as a large amount part of the book revolves around two amazing battles between attackers and castle defenders. The first of these sees the protagonists trapped inside a dilapidated fortress facing off against a larger army, which proved to be a lot of fun. The author really captures the chaos and drama of an impromptu siege with this earlier one, and the carnage comes quick and fast as the characters are forced to bring the attackers to battle before repelling them, using their wits and limited resources. The action here is pretty intense and shown in excellent detail, as Ryan does not hold back on the brutality and the complexities of a siege. I had such a great time with this first siege, and words cannot describe how ecstatic I was that he followed it up with a second siege, with the protagonists now acting as besiegers, in a more traditional siege, with artillery, sapping and even a deadly storm of the breach with the point-of-view character in the front. These two sieges were pretty damn exceptional and have some of the best and most bloody action scenes in the entire book. I particularly liked how well the author contrasted the differing experiences that the protagonist experienced as both a defender and an attacker, and it was fascinating and very fun to see him on both sides of the wall, especially as he learns from his experiences to become a better invader. However, it is not all about the action, as you have some compelling political considerations going on here, as well as some great character development and the protagonist gets closer to some of the other characters during the heat of combat.

Following the sieges, the story goes in some interesting and unique directions, as Ryan continues the epic of Alwyn Scribe by expanding the universe around him. This includes a visit to a dangerous foreign land, where he learns some harsh and surprising truths about the universe he lives in and his place within it. This results in some trippy but deeply fascinating scenes, especially as there are some interesting reveals and some great hints for the future. Ryan also once again dives into the political intrigue, as the protagonists are involved in some great fights for the future of the realm. Watching the protagonists fight both on and off the battlefield is pretty cool, and the sheer threats growing around them in the last quarter of the book bode well for the future of the series. There are some interesting reveals towards the end of The Martyr, and Ryan also works to tie up a few loose ends from the previous book, which I was very happy to have closure on. Everything ends on a very intriguing note, as Ryan leaves behind a great little cliff-hanger reveal that will be very thought-provoking in the lead-up to the next book. I had such a great time with this story, and it really drew me in with its fantastic moments and complex, overarching storylines.

I am a pretty big fan of how The Martyr’s story came together, and Ryan has a great writing style that really enhanced the whole experience. I absolutely loved the chronicle style that he uses to detail the plot. Told completely from the protagonist’s perspective as he writes down all he experiences, you get a unique view of the events occurring, especially as the protagonist writes in funny or insightful comments that show his opinions of the events in hindsight. At the same time, they allow the protagonist to air his many regrets, and you get a certain sense of foreboding for some of the events that are to come, either in this book or in the rest of the series. I was pretty consistently entertained by this style of writing, and I think that it also added in some extra humour to a somewhat darker fantasy story, especially as the protagonist is quite a funny and unconventional figure. The Martyr’s story has an amazing blend of different elements, and while I lavished my love above on the great action, especially during the siege sequences, most of the book is about the development of the protagonist and his attempts to keep Evadine alive. This results in a brilliant combination of politics, intrigue, great interactions between figures, and some awesome character development, which works to produce quite an addictive read. Watching Alwyn trying to come to grips with the many dangers threating his friends, while also unpicking the multitude of mysteries and secrets surrounding him is just great, and Ryan keeps adding in new secrets and supporting storylines to keep the reader interested. While there is a lot going on within The Martyr, the pace is pretty fast and consistently exciting, and at no point was I not immensely entertained, either by the powerful action or fascinating world building. Due to the amount of lore and history featured in the first book, I would strongly suggest that interested readers get through The Pariah before trying out The Martyr, and fans of the first book will really enjoy where this second book goes and how Ryan effectively tells the story.

I was very impressed with all the cool ways that Ryan expanded the series’ setting in The Martyr, as he adds in some great additional history, expands on some of the mysterious religious and mystical aspects of the first, while also showing off some fascinating new lands. This additional context around parts of the nation of Albermaine proves to be pretty damn intriguing, and you learn a lot more about it, while also seeing a lot more about its internal politics and rule, especially as the characters are forced to deal with the royalty and the church. The inclusion of the Duchy of Alundia, where much of the plot takes place, was also pretty excellent, especially as Ryan portrays it as a more rugged and dangerous locale, whose unique take on the Covenant religion leads to a veritable holy war when Evadine and her company arrive. However, the most captivating new part of the book has to involve the protagonist’s journey to the Caerith Wastes. Alwyn has been haunted by members of the mysterious Caerith race since the start of The Pariah, and their strange ways and powerful magics have been both a boon and a curse to him. As such, a journey to their homeland was always inevitable, and Ryan ensures that there are many surprises, mysteries and some interesting reveals for the protagonist when he finally arrives. Ryan did a really good job introducing this new race of people in the story, and there are some great scenes where Alwyn attempts to learn more of them, while using his own personal history to stay alive with them. The subsequent reveals about some of their powers and how it has been impacting Alwyn are pretty amazing. One reveal, which illuminates the origins of Alwyn’s historical chronicle that the entire series is based on, was particularly compelling, and it sheds a whole new light on everything you have been reading. Overall, Ryan did a fantastic job expanding his fantasy realm in The Martyr, and I look forward to seeing what cool inclusions he features in the next book.

Easily one of the best things about The Martyr was the outstanding and complex characters that were such a key part of the book. Ryan expands on many of the great characters from the first book and takes their unique narratives in some amazing new directions. The compelling and dramatic interactions that occur between these figures results in some powerful moments and I deeply enjoyed seeing the outstanding ways their tales and lives evolved in this second book.

The character who naturally gets the most focus is central protagonist and sole point-of-view character, Alwyn Scribe. A former bandit who, thanks to a series of influential leaders and friends, became first a talented scribe and then a soldier, Alwyn is a man with a past and a fast mind who now finds himself in the centre of his nation’s crisis. Dedicated to the Lady Evadine, Alwyn spends much of this book advancing her cause, while also evolving further as a character. While he still primarily considers himself to be a scribe, Alwyn ends up taking on more and more different roles as he finds himself thrust into Evadine’s adventures, including being a knight, a military commander, a politician and a spymaster. As such, you see him go through some major leaps and developments as he tries to reconcile what he is with what he needs to be to keep those around him alive. This proves to be quite fascinating, and I loved the various unique situations he finds himself in, especially as he begins to realise some of the mystical mysteries the world contains and his place in them. Alwyn continues to be an excellent main character for this series, and I loved his depictions of how the events of the book unfold, especially as his later insights from when he chronicles his adventures add both weight and humour to the current story. His unique background as a criminal and a scribe continues to serve him well in The Martyr, and he has some very inventive ways of solving problems that often rely on his criminal or academic past. I also deeply enjoyed seeing him take on a role as a teacher and mentor to several younger characters in this book, and it was a nice to see Alwyn come full circle after all the mentorship he received in the first book. I had a great time seeing how he grew into the new roles in this book, and it will be fascinating to see what different positions he takes on in the future, especially as he becomes more and more devoted to Evadine, not matter how crazy their adventures become.

That leads nicely to the other major character I wanted to highlight, Lady Evadine Courlain. Evadine is a fascinating figure in this series, a pious and devote noblewoman who has been receiving prophetic visions all her life. Believing these visions to be from the Seraphile (the divine focus of the Covenant religion), Evadine created her own military company in the hopes of averting the Second Scourge (an apocalyptic calamity). After miraculously recovering from a fatal wound, Evadine has now been declared a Risen Martyr, and believes herself to have been raised up by the Seraphile, despite it actually being caused by a magical bargain struck by Alwyn. Now a major religious figure, Evadine has become a threat to both the church and the crown and must deal with their attempts to destroy her while she attempts to achieve her mysterious goals. I deeply enjoy Evadine as a character, particularly as there is such an inherent mystery behind her, as you have no idea whether she is actually divinely blessed or just crazy. Ryan portrays her as both at times, and while it is easy to assume the latter, she keeps coming up with knowledge and insights that should be impossible to achieve. Watching her continue to evolve as a religious figure in The Martyr is both fascinating, and a little concerning, as you really have no idea where her story is going to go, or what insanity or divine revelation may come from her next. Evadine serves as a quite a good foil to the more cynical character of Alwyn, and they become quite an intriguing team in The Martyr, with Alwyn providing the means to many of her successes, while strongly disbelieving her divine status. There is also a certain growing instability in Evadine that underlies much of the book and adds to the general tension between her an Alwyn. This, as well as a few intriguing reveals, makes Evadine one of the most compelling and unique figures in the series and it is clear that Ryan has some very, very interesting plans for her future.

Aside from Alwyn and Evadine, The Martyr is loaded with a ton of great supporting characters who add a substantial amount to the overall narrative. Many of these characters carry over from the first book, and there are some intriguing and dramatic developments that occur in The Martyr that prove to be quite shocking and fun in places. Great examples of this include the disgraced knight Wilhum Dornmahl, who is a major figure in the Covenant Company’s ranks, Ayin a murderous young girl Alwyn takes under his wing and teaches, and the mysterious Sack Witch, who haunts the character, despite barely appearing in the book. In addition, Ryan introduces many new great characters in the second book, or else finally introduces and expands on characters mentioned in The Pariah. Two minor characters from the first book who really stood out to me in the sequel were Princess Leannor, the king’s sister, who serves as a canny and complex political adversary to Alwyn; and Ehkbert Bauldry, a legendary knight who Alwyn bears a grudge against, but who also proves to be an interesting ally. Both have some intriguing interactions with Alwyn, especially as they know he has some substantial dirt on them that makes him quite a threat. I also must highlight outstanding new characters like Juhlina, better known as a The Widow, a deadly Covenant Company soldier with a tragic backstory and unstoppable rage, and Lilat, another new mentee for Alywn. These characters were all extremely fun and compelling, and I loved how Ryan fit them into the story and made them shine.

As I mentioned above, I did receive a psychical copy of The Martyr a little while ago, however, I held off reading it until the audiobook version came out. While I did regret not diving into the story as soon as I got it, I think it was more than worth it as the audiobook format of The Martyr was pretty damn exceptional. Coming in with a run time of just under 20 hours, The Martyr has a decent length to it, although I found myself getting through it in just a week, mainly because I was just so addicted to Ryan’s outstanding story. The audiobook format really helped with my enjoyment of this book, and I really found myself getting drawn into the elaborate narrative through the narration. I definitely absorb more narrative detail when I listen to a book, and this was particularly noticeable with The Martyr audiobook, as I found all the cool story elements, details about the setting, intriguing characters and epic action popped more into my head through this format. I also really need to highlight the exceptional voice work of actor Steven Brand (who I best know as the villain from The Scorpion King) who has lent his voice to the audiobook versions of all of Ryan’s works. Brand is an extremely talented audiobook narrator who deftly captures the many characters contained with The Martyr and gives them distinctive and compelling voices that really fit the character and showcase their emotions. I particularly liked the way in which he portrays protagonist and narrator Alwyn Scribe, and you really get a sense of the character’s emotional state, as well as the sense of weariness the chronicle format conveys through Brand’s voice. This ended up being a pretty awesome audiobook and it was definitely my preferred way to enjoy The Martyr. As such, this format is highly recommended, and when I get around to reading the rest of Ryan’s books, I will be grabbing their audiobook versions.

After all the gushing above, I think it is fair to say that I deeply enjoyed Anthony Ryan’s latest book. The Martyr was an exceptional and deeply addictive read that I felt perfectly continued the amazing groundwork he established in The Pariah. This second entry in The Covenant of Steel series was something special, and I had such an epic time seeing what unique and captivating adventures and battles the great protagonists found themselves in. The Martyr was such an outstanding fantasy read, and I can’t wait to see how Ryan continues this awesome series in the future. A truly incredible read!

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Warhammer 40,000: Outgunned by Denny Flowers

On September 18, 2022March 1, 2023 By The Unseen LibraryIn Audiobook, Extended Universe, Science Fiction, Tie-in Novel, Warhammer5 Comments

Publisher: Black Library (Audiobook – 20 August 2022)

Series: Warhammer 40,000

Length: 10 hours

My Rating: 4.75 out of 5 stars

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One of the fastest rising stars of Warhammer fiction, Denny Flowers, returns with his second novel in the Warhammer 40,000 canon, Outgunned, a deeply compelling and epic novel with a twisty and powerful story.

Last year I was lucky enough to read an interesting and memorable Warhammer 40,000 novel, Fire Made Flesh. The debut novel of Denny Flowers, who had previously written some interesting Warhammer 40,000 short stories, Fire Made Flesh was part of the Necromunda subseries and told a fantastic story about warring factions in a spooky underworld town. I had a lot of fun reading Fire Made Flesh, and it ended up being one of the better debuts I read in 2021. As such, I have been eager to see how Flowers was going to follow up this debut, and I was deeply excited when I saw that he had a new novel coming out, the intriguing Outgunned.

In the far future, the soldiers of the Imperium of Man fight monsters and aliens on many battlefields and there is always a need for fresh bodies to fill the gaps in the ranks. That is where Kile Simlex comes in. A talented propagandist, Simlex excels at creating moving cinematic picts to inspire the people and increase recruitment to the Astra Militarum. However, Simlex desires greater realism and seeks to travel to a battlefield to gain real footage for his greatest pict yet.

Travelling to the fetid swamp planet of Bacchus, Propagandist Simlex plans to chronicle the adventures of the Aeronautica Imperialis, the brave flying aces who traverse the skies, fighting in deadly aerial combat against the rampaging ork hordes. In particular, he hopes to make a pict about legendary fighter ace, Lucille von Shard, considered to be the greatest pilot in the Imperium, to turn her into a renowned hero. However, not everything is as it seems on Bacchus, and Simlex’s attempts to get footage may cost him everything.

Soon after arriving, Simlex begins to realise that the war on Bacchus is not going to plan. The undermanned Aeronautica forces are being overwhelmed by the supposedly crude orks who have created an elaborate fleet of fighters and are slowly destroying Imperial forces from a hidden base. At the same time, a mysterious sickness is destroying the planet itself, while its governor is determined to downplay the war no matter the cost.

However, his biggest threat may come from his chosen subject, as Lucille von Shard is an arrogant and disobedient pilot who has only avoided execution due to her peerless flying abilities. Determined to make the situation work, Simlex attempts to chronicle the reluctant Shard’s skills, while also investigating the strange occurrences on Bacchus. But is even the legendary Lucille von Shard capable of defeating the mysterious enemy waiting for them within the clouds? The Green Storm hungers for combat, and the entire Imperium may shake as it approaches.

This was a superb and deeply impressive Warhammer 40,000 read that really highlights Flower’s growing skill as a science fiction writer. Containing a unique and highly addictive narrative, Outgunned was an outstanding read that blended an exceptional story with some impressive glances at the wider Warhammer 40,000 universe. I had an amazing time getting through this book and it was one of the more exciting and compelling Warhammer novels of 2022 so far.

I must admit that while I deeply enjoyed Outgunned’s brilliant narrative, it honestly wasn’t what I was expecting when I first started reading it. Rather than a completely combat/military focused story about battles in the sky, Outgunned is a powerful and intense story that spends just as much time examining the darker aspects of the Imperium of Man as it does facing off against the ork threat. This becomes clear very early on, especially as the opening introduction from Simlex hints at the deceit, cover-up and lies that are to come. However, I was still unprepared for the full extent of the fantastic narrative that Flowers came up with, as he blends a lot of complex themes and components with some exceptional character work and clever universe expansions to create something truly special.

Outgunned’s narrative starts off hard and fast, quickly introducing Simlex and his propagandist ways, as well as his intentions on Bacchus, before throwing him briefly into the fray and introducing his fellow protagonist, Shard. From there, Simlex attempts to film the flying aces in action, but he soon begins to realise that the supposedly stupid orks have developed a giant fleet of sophisticated airships and are slowly winning the battle against the Aeronautica Imperialis. As he attempts to learn more about this, he finds himself drawn into a major conspiracy as Bacchus’s governor is determined to minimalize the impacts of the ork invasion and is actively working against it. This forces Simlex to engage in multiple efforts, including diving into the past of his desired subject, the prickly and secretive Shard and flying on several missions against the orks, only to discover just how organised and deadly they are. At the same time, he also attempts to understand what is truly going on with Bacchus and its people, as he finds many strange elements to them, including a spreading disease and a corrupt leader. These well set up storylines are not only quite compelling and intriguing in their own right but they come together to tell a complex and impressive story that I was deeply addicted to. I loved the mysteries and intrigues featured within this story, and they blended extremely well with the more combat orientated aspects of the plot and the unique character interactions that Flowers included. Everything comes together extremely well at the end, and I loved some of the brilliant revelations and secrets that come out as the story concludes. The entire narrative leads up to an excellent final fiery confrontation with the orks, which ties in nicely to many of the story elements featured throughout the book. This is an overall excellent and powerful narrative that will really draw you in, especially with its unique look at the Warhammer 40,000 universe.

I deeply enjoyed the way that Flowers set out Outgunned’s narrative as there are so many great elements to it. Told in a chronicle format from Propagandist Simlex’s perspective as he recalls the events in a more realistic and negative light. This works to tell quite an intriguing tale, especially as you get some hints of the events of the future, and the negative tint that Simlex gives to the book’s narrative was a fantastic overall tone. Despite this interesting narration choice, this novel has a brilliant, fast pace to it and the reader is never left in a dull spot, as there is always some cool action, fascinating intrigue or powerful dive into a character occurring throughout. I loved the balance of story elements, and I must highlight the fantastic moments where Simlex works on his propaganda picts and dives through his recordings of the events around him. I also had a lot of fun with the outstanding ariel combat scenes that are featured through the plot. While they aren’t as heavily featured as you would expect from a book about the Aeronautica Imperialis, there are still some great sequences that were very fun to see. Flowers really captures the magic and brutality of combat in in the air, and I loved some of the crazy scenes that resulted, especially against the ork stronghold. There is also a particularly good fight sequence in the middle of a swamp that was pretty awesome, especially as it showed one character’s particular ingenuity and fighting spirit.

Outgunned served as an impressive standalone entry in the Warhammer 40,000 universe, and I deeply enjoyed how self-contained the narrative turned out to be. Flowers also did a great job explaining most of the relevant Warhammer 40,000 elements featured within Outgunned, and I felt that this book can be easily enjoyed by most science fiction fans, although established Warhammer fans will probably get the most out of it. I loved some of the very unique Warhammer 40,000 aspects that Flowers featured in Outgunned, as the author came up with some fantastic new elements that added so much more to the story. I personally thought that Flowers did a really good job examining the Imperium through his character’s eyes, and you really get to see a fun new edge to it. Not only do you get to see the Aeronautica Imperialis in action, which will appeal to many Imperial Guard fans, but you also get a cool viewpoint of the Imperium’s propaganda department. Watching the protagonist dive into the techniques and motivations of the Imperial propagandists is quite fascinating, and it gives another great edge to the already dark and gothic Imperium that make you understand that deep down, they really aren’t the good guys they try to make out. Throw in a fun blast of Imperial politics, as a corrupt planetary governor can manipulate the Astra Militarum for their own selfish ends, as well as some dark viewpoints of the brainwashing of young soldiers that occurred to certain characters, and you have a great, cynical view of the Imperium that I deeply enjoyed.

I was also quite impressed with the intriguing and cool viewpoint of the orks contained in Outgunned. 2022 has been a pretty good year for fascinating ork novels, such as Ghazghkull Thraka: Prophet of the Waagh! and Catachan Devil, and Outgunned offered another great look, even though you rarely get to see the creatures in person. Instead, Flowers offers an interesting look at them through the human characters’ eyes as they try to work out just how these supposedly crude creatures are winning the war for the skies over the planet. Watching the characters slowly realise just how ingenious and clever the orks really are is pretty fun, especially as the propagandist main character has spent most of his career showing them as stupid beasts. As such, the book shows many fantastic examples of the complex ork culture through the eyes of characters who really don’t understand it, which I think worked to make it appear a lot more interesting and mysterious. Established fans of the ork faction (and what Warhammer fiction reader doesn’t love the orks?), will have a blast watching the characters, especially the sheltered Simlex, try and understand their motivations and tactics, and I felt that it was a great way of showcasing the orks without having a major ork character present. I deeply enjoyed all the awesome Warhammer 40,000 elements contained with Outgunned, and it really proved to be an amazing entry into the wider canon.

I also must quickly mention the outstanding setting of the planet Bacchus, where the entire narrative took place. A swamp world with little agricultural value, Bacchus proves to be an unlikely battleground for the forces of the Imperium; however, with an influential governor and a corrupt ruling class enjoying the wine that it produces, it soon becomes a major warzone. While I quite enjoyed this further example of how corrupt the Imperium is, its main benefit as a setting is the way that Flowers makes Bacchus appear as unpleasant and deadly as possible, and it provides a very distinctive and memorable background for many of the book’s fantastic scenes. The sickly swamp setting comes across in vivid detail, and you can feel the terrible sucking feel of it, as well as the many dangers in contains. If that wasn’t bad enough, Flowers also inserts in a mysterious rotting disease that is making Bacchus even more deadly and hostile. This disease is worked into the larger story beautifully, and it helps to give Bacchus even more of a rotting, decaying feel that makes you wonder why anyone is still fighting the orks for it. I deeply appreciated this unique and fantastic Warhammer 40,000 setting, and Flower’s masterful portrayal of it deeply enhanced Outgunned’s excellent story.

I also must talk about the outstanding characters contained within Outgunned as Flowers worked to create some impressive and complex central protagonists. While there are some great supporting figures throughout Outgunned, I am going to limit myself to the main two characters who most of the story revolves around. The first of these is Propagandist Kile Simlex, a renowned pict maker and artist who has dedicated his life to making inspirational films that inspire mankind and get them to fight the Imperium’s enemies. Not only is this a very cool position in the Warhammer 40,000 canon, but Flowers writes Simlex in a very compelling way. I loved how the character’s narration allows you to see the cynical hindsight of Simlex after he survived the events of the book and recounts his adventures, and it was fascinating to see the character slowly lose his faith in the Imperium and the system he has always served when confronted with the events of this book. The constant danger, political selfishness, betrayal, misinformation and disdain of the soldiers he is trying to help really get to him as the novel progresses, and you really see him start to doubt himself. Flowers writes some beautiful scenes around this, and the realisations that he has about the Imperium and his role in its continuing exploitation are great, even if they come back to bite him.

I also deeply enjoyed how Flowers paired Simlex with three servo-skulls who are linked to him mentally. These skulls (literal skulls that have been turned into drones) are specifically altered to act as Simlex’s cameras, and he uses them to record the combat footage and gather information as he attempts to unravel the conspiracies of Bacchus. The powerful link he has to these skulls ensures that his mind is often split between different perspectives, and he often views the world through these robotic eyes. This unique method of viewing the world becomes a key part of Simlex’s character, and it was fascinating to see how connected he was to his floating skulls, who almost become characters in their own right. Simlex proved to be an impressive centre for this entire narrative, and his dark and compelling view of the world really helped to shape this awesome book.

The other major character is Flight Commander Lucille von Shard, the greatest fighter ace in the Imperium, who Simlex is hoping to base his pict on. Shard is the scion of a legendary Imperial family whose members are serving the Imperium in distinguished roles. However, rather than being a dutiful solider, Shard is a brash, arrogant and rude figure who knows she’s the best, even when drunk, and is happy to tell everyone she knows. Always depicted with a sneer on her face, Shard appears not to care about her position, and only truly loves flying, drinking and fighting. Initially disrespectful of Simlex and everything he represents, the two eventually begin working as an antagonistic team against the orks, and Simlex soon sees Shard in a new light, especially once he discovers that much of her persona is an act. Flowers does a truly fascinating dive into Shard throughout Outgunned, and she is easily the most interesting and complex characters in the entire novel. There is so much hidden pain, unreasonable expectations and personality issues surrounding this character, and the hints about what drives her and the realities of her family and her past are just brilliant. Shard honestly had a perfect character arc and Flowers did something special with this protagonist. I honestly don’t think that Outgunned would have been as good as it was without Shard, and I had such an outstanding time getting to know her and seeing the complex backstory the author wove around her.

Like most of the Warhammer novels I enjoy, I chose to check out Outgunned in its audiobook format, which was pretty damn epic. I loved how well the Outgunned audiobook turned out, and the format really enhanced the impressive, action-packed narrative. The audiobook moves the already great story along at a brisk and fun pace, while also highlighting the excellent characters. With a run time of 10 hours, this is a pretty quick audiobook to get through, and I managed to power through it in a few days. I was particularly impressed with the voice work of narrator Phillip Sacramento, who does a wonderful job reading out this compelling book. Sacramento has a brilliant voice for the dark gothic narrative of Outgunned, and I felt that this Irish accent gave the overall narration a little more gravitas. I deeply enjoyed the great voices he attributed to the various characters of Outgunned, and every cast member was given a fitting voice that really worked for them. I felt that Sacramento really captured each of these characters extremely well, and you get a real feel of their rough emotions as they attempt to navigate the terrible situations of the book. I particularly liked the voice that was used for Lucille von Shard, as the sheer arrogance of the character practically drips into your ear, only to occasionally be replaced by a different emotion as her barriers break. This outstanding narration added so much to my enjoyment of Outgunned, and this ended up being an exceptional way to enjoy this brilliant book. As such, this format comes very highly recommended, and it is easily the best format to enjoy Outgunned.

With his second novel, Outgunned, Denny Flowers really showed the world what he is capable of as a Warhammer 40,000 author. With its outstanding and captivating narrative, Outgunned rose above the author’s previous novel and was one of the better Warhammer 40,000 novels of 2022 so far. The author wove some brilliant layers into this impressive read, and I loved the incredible characters, memorable setting and fascinating Warhammer elements that enhanced the clever story. A must-read for all Warhammer 40,000 fans, Outgunned was an absolute pleasure to read and I can’t wait to find out what Flowers has planned next.

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The Coward by Stephen Aryan

On August 29, 2022 By The Unseen LibraryIn Audiobook, Fantasy1 Comment

The Coward Cover

Publisher: Angry Robot (Audiobook – 28 April 2021)

Series: Quest for Heroes – Book One

Length: 14 hours and 50 minutes

My Rating: 4.5 out of 5 stars

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Prepare for a legendary quest with a complex and damaged hero as bestselling author Stephen Aryan presents the first book in his new fantasy duology, The Coward.

Aryan is an awesome fantasy author who has been writing some great books over the last few years. Aryan debuted back in 2015 with Battlemage, the first book in The Age of Darkness trilogy, which focused on a brutal magical war. After finishing this initial trilogy, Aryan released a sequel trilogy, the Age of Dread trilogy, which was set 10 years after the events of the first trilogy, which focused on the consequences of the first trilogy, especially the fear and prejudice its magical war brought on every mage in this fantasy world. I ended up reading the second book in this trilogy, Magefall, and quite enjoyed its interesting story. Unfortunately, I never got a chance to finish the trilogy off or go back and check out some of the earlier books, which I kind of regret. But I did get the chance last year to read the first book in his new series, The Coward, the first instalment of the Quest for Heroes duology.

Everyone in the Five Kingdoms knows the legend of Kell Kressia, the most renowned hero in all the lands. At the young age of 17, Kell volunteered to join a band of legendary warriors and heroes on their greatest quest ever: travelling to the far north and killing the Ice Lich to save the world. Twelve men ventured to the north, and only Kell returned, having slain the Ice Lich, leaving the land’s greatest heroes behind in death. Kell’s fame as a hero spread throughout the land thanks to song and story. However, not everything you hear in stories is true.

Ten years later, Kell is living the simple life on his family’s farm, content with the peace and quiet and avoiding people where possible. However, fate has a funny way of catching up with heroes, and when word reaches the kingdoms of further trouble in the north, Kell is called for once again. A terrible evil is said to have taken root in the fortress of the Ice Lich, and their power threatens the entire world.

Taking up his famous sword and ready to revisit the dangers up north, Kell sets out. However, Kell is carrying a dark and desperate secret: he is no true hero; instead he is just a lucky man broken by his experiences and with no intention of returning to hell. However, caught up in his own legend, and with a new band of heroes forming around him, Kell has no choice but to once again venture forth, even if it means his death. Everyone is convinced that Kell will once again save the world, but can the hero win when he doesn’t even believe in himself?

This was a fantastic and clever fantasy novel from Aryan that I had an excellent time reading. Aryan came up with an outstanding story for The Coward, based on a complex protagonist forced to relive his worst experiences. I deeply enjoyed this cool novel and I managed to power through its entertaining and compelling narrative in no time at all.

The Coward has an awesome and captivating plot that quickly draws the reader in and ensures that they are held captive by the compelling quest. I was honestly a fan of this book the moment I read the first line: “Kell Kressia, slayer of the Ice Lich and saviour of the Five Kingdoms, tripped on a rake and fell into a pile of horse shit.” This perfectly set the scene for the entire novel, and showcased Aryan’s fun and compelling take on classic fantasy quest heroes. The story initially develops primarily around Kell and showcases his severe emotional damage, as well as the fact that the legendary events of the past are mostly false, no matter what the bards and histories say. Quickly dragged back into the fray by an ambitious king, Kell is tasked with travelling back to the scene of his last adventure and killing whatever evil he discovers there. Naturally Kell, having learnt his lesson the first time, graciously accepts the request, and then tries to run away the first chance he gets. However, thanks to a starstruck young man following in his footsteps, Kell is trapped into the mission and decides the best way to survive is to recruit a new bunch of heroes, and soon pulls together a small, eclectic group of rogues and warriors to take up the quest.

Most of these events take place in the first half of the book, and you really get to grips with the central characters while also fully understanding Kell and his pain. Interspersed with flashbacks to the true story of the original quest, Aryan does a wonderful job of painting the risks of the upcoming journey to the reader, and you know that some brutal events are in store for the protagonists in the future. At the same time, there is an excellent subplot that shows political intrigue throughout the Five Kingdoms, as a nefarious church attempts to take control of the lands, while the kings use Kell and his quest as pawns in a great political game. This results in some dangerous moments for the protagonists on their way to their destination, and I liked the compelling and thrilling change of pace the dive into court politics presented.

Everything leads up to the big trek up North that dominates the second half of the book. What follows is a bleak and captivating series of events that ensures that Kell and his companions hit every single monster and deadly creature that the author could think off, including wraiths, cunning ice sharks and an aggressive herd of lethal arctic beasts. These scenes are all written extremely well, and Aryan does an excellent job of showcasing the deadly stakes of the mission, and there is even a memorable, and frankly surprising, tragedy just before the final major sequence. This sequence, which sees the heroes re-enter the Ice Lich’s fortress, is paced extremely well, and leads to a brutal and intense final confrontation with their enemy. While I did think that Aryan was a little too mysterious when it came to who or what this antagonist was, they certainly left their mark on the story, and it was fascinating to see their impacts. Aryan fits in a couple of concluding chapters to set up the characters for the next book, while also containing some interesting surprises that will come into play in the future. The reader comes away from The Coward extremely satisfied, and I felt that this was a very well-crafted narrative that not only stands on its own, but which leaves the reader curious to find out what happens next.

I deeply enjoyed the way that Aryan set this entire narrative up, and I felt that all the distinctive narrative threads fell into place extremely well. Running at a swift and enjoyable pace, The Coward’s fantastic and elaborate story quickly drags you in, especially with its focus on a damaged protagonist and his new quest. The author was extremely good at balancing deep and damaging character insights with a fast-paced action narrative, and you really had to feel for the protagonist as he revisited his trauma, while also selfishly encouraging him to keep going with the quest. There is an excellent layer of dark humour over the entire story, and I liked how the action and adventure of the main storyline was well balanced by the alternate scenes of political intrigue that also set up the main villain of the second book. I also deeply appreciated the captivating and clever dive into the dark side of an epic fantasy quest, and the traumatic memories of the events really shape the protagonist and the narrative in some excellent ways, while also proving to be an interesting and fun alternate perspective of classic fantasy novels. Aryan features several fun allusions and homages to other iconic fantasy works in this book, and I appreciated his distinctive take on how a classic fantasy story adventure would really go.

I also quite enjoyed the fantastic and impressive new fantasy landscape that Aryan introduced in The Coward. This first book is set in the Five Kingdoms, a collection of lands who are currently experiencing hardship, especially with a poor harvest and the increasing cold. Despite the efforts of the authoritarian Church of the Shepherd to quash them, rumours abound that the Five Kingdoms are facing a threat from the north again, just like they did years before. Aryan does a great job setting up the Five Kingdoms, and you swiftly get an idea of the many problems and conflicts befalling them, especially as their church is slowly increasing its influence and power, attempting to undermine its kings. This proves rich ground for the early part of the narrative, and it was amazing to get introduced to this land. I particularly loved the exploration of the myth of the protagonist throughout the lands, and the impact it had on the people, both in terms of morale and celebration, as well as politically. Having multiple characters recite a famous in-universe retelling of the original quest was particularly fun, especially as the inconsistencies and blatant lies attached to them soon become extremely apparent. The best setting in the entire book, however, was easily the North, were much of the second half of the book takes place. Although it is similar to other famous fantasy winter landscapes, Aryan works to make his fairly distinctive, especially with the unique creatures and threats that lurk within. The author really makes the landscape seem as brutal, barren and isolated as possible, and it is very intense to see the characters travel through it, particularly when Kell encounters remnants of the original quest, and is forced to relive his previous horrors again. I had a lot of fun exploring Aryan’s intriguing world in this book and I look forward to seeing how it is expanded out in the sequel.

While I deeply enjoyed the narrative and had a great time exploring the new fantasy realm, easily the best thing about this book is the character work. Aryan has done a real masterclass with some of the characters in The Coward, and you swiftly get attached to the main band of heroes, especially the protagonist Kell Kressia, all of whom are damaged or hiding something. Watching them endure through terrible hardship and come together as a group is just wonderful, and I loved how attached I ended up feeling them as the novel progressed.

Most of the focus of the plot is directed to Kell Kressia, the titular coward. Kell is a fantastic and memorable figure who draws you in with his unique story of woe. The lone survivor of a legendary quest he undertook as a naïve teenager, Kell suffered a lot during the previous journey, and despite the renown and love lauded upon him, Kell ended up with nothing to show for his quest and has lived a simple life ever since. In the current story, Kell has grown up significantly and is now content to be alone. However, when he is sent on another quest, he attempts to flee, only to be dragged in against his will. I really appreciated the development that Aryan put into Kell, especially as I figured that the twist would be that he’s a fraud. However, despite the title, you realise that Kell isn’t really a coward; instead he is a deeply traumatised man who is now wise enough not to repeat the mistakes of his youth. Rather than seeking battle, he tries to avoid it, but when he is forced to complete the quest, he reveals himself to be quite competent and able to lead his companions, even if he doesn’t want to. I had an amazing time with Kell in this book, and you really sympathise with him once you find out the whole truth behind him. I loved seeing how much he matured since the original quest, and the canny and realistic new hero is a very understandable figure as a result. Aryan builds in a bit of closure for Kell in The Coward, especially as he comes to terms with the dark events from his past and finally starts to move on, but he does have to suffer some more tragedy along the way. I also liked seeing him manipulate and utilise his status as a legendary hero throughout the book, even if he doesn’t believe it, and it was fun to see people who knew in the past underestimate him, not realising how much he’s grown up. Kell is an excellent and impressive protagonist, and I can’t wait to see what Aryan puts him through next.

Another major character I need to highlight is Gerren, a young and idealistic teenager. Following Kell’s example from the stories, Gerren finds Kell on his quest and stubbornly follows along, attempting to become a hero in his own right, despite Kell’s many attempts to get rid of him. Realising that Kell doesn’t want to be there and means to run away, Gerren becomes quite angry and uses Kell’s own legend to trap him in the quest. However, the further he travels with Kell and the heroes, the more he realises that Kell was right, and he soon regrets his decision. I loved how Aryan used Gerren in The Coward, as the character essentially ends up being a younger version of Kell, making all the mistakes that his hero did, and becoming a dark mirror to him. Watching Gerren mimic Kell’s life is pretty moving for all involved, and I loved seeing Kell’s reaction, especially as he tries to save Gerren from all the pain he suffered, which results in some amazing scenes. Aside from being an emotional anchor on Kell, Gerren also goes through quite a lot of development in his storyline, as he grows from naïve kid to serious adventurer. Watching his resentment to Kell grow and then fade when he realises what Kell was trying to protect him from is amazing, and you really wish that he would turn back at some point, not just for his sake but for Kell’s. You also grow really attached to Gerren as the book goes on, and he served as an intriguing companion to the protagonist and really helped amp up the dramatic heft of Kell’s trauma.

Aside from Kell and Gerren, I really must highlight the rest of the fantastic band of heroes that travel with him, as Aryan brings together an eclectic and complex group, each of whom are there for very different reasons. This includes the mysterious but entertaining bard Vahli, the hilarious pairing of Bronwyn and Malormir, two outrageous heroes with many a tale behind their deeds, and the monstrous but heroic non-human character of Willow. Willow is probably the most intriguing out of these, as her entire species is something of a mystery, with a strange connection to the events of the plot. Willow grows to be quite a significant figure as the book continues, and I am looking forward to seeing how the author expands on her in the future. All these characters and more (the villainous Revenant Mother Britak was a fantastic secondary antagonist), were very impressive, and their unique and powerful adventure, as well as the many deep secrets in their past, help to turn The Coward into an exceptional character driven novel.

Like many great epic fantasy books, I would strongly recommend The Coward’s audiobook format. Narrated by actor Matt Wycliffe, The Coward flows along at an excellent pace as an audiobook, and you really get caught up in the adventure and epic fight scenes out on the snow. Wycliffe does some amazing and fitting voices for the various characters, and you really get caught up in their personalities and emotional depths through this narration. With a run time of just under 15 hours, this is a slightly lengthy audiobook to get through, but I found myself powering through a very short amount of time thanks to the compelling story and characters. A wonderful way to enjoy this amazing and clever novel.

Overall, The Coward by Stephen Aryan was one of the more captivating and intriguing fantasy novels of 2021 and it is one that is well worth checking out. I loved elaborate narrative and impressive character work in this outstanding read, and readers will find themselves getting dragged into its compelling adventure tale. I had an exceptional time with The Coward last year, and I really regret not reviewing it sooner. I will hopefully read the next book in this duology, The Warrior, in the coming weeks, and I have no doubt it will be just as awesome as The Coward.

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The Lawless Land by Boyd and Beth Morrison

On August 4, 2022August 14, 2022 By The Unseen LibraryIn Five-Star Books, Historical Fiction, Thriller4 Comments

Publisher: Head of Zeus (Trade Paperback – 31 May 2022)

Series: Standalone/Book One

Length: 474 pages

My Rating: 5 out of 5 stars

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Get ready for one of the most thrilling historical adventures of 2022 with the wildly entertaining and deeply captivating medieval fiction novel, The Lawless Land, by the outstanding team of Boyd and Beth Morrison.

Despite my recent focus on other genres, historical fiction in all its forms remains one of my favourite book categories to check out, especially with awesome new novels coming out all the time. One of the best examples of this is The Lawless Land, which I was lucky enough to receive a copy of a little while ago. The Lawless Land was a fascinating read that takes some great protagonists on a bold adventure through medieval Europe. This book was written by Boyd and Beth Morrison, a brother and sister team who have deeply impressed me. This was a rather interesting combination of writers, as Boyd Morrison is an acclaimed thriller and historical fiction author, and Beth Morrison is the Senior Curator of Manuscripts at the J. Paul Getty Museum and has a PHD in history. These overachieving siblings really cooked up something special here with their first book, and I loved the outstanding story it contained.

In 1351, Europe is in utter chaos as the Hundred Years’ War rages in France and the Pestilence ravages the countryside, depopulating towns and devastating cities. These are dark days indeed, and only the desperate and the foolish can be found traversing the roads. Unfortunately, this includes skilled knight Gerard Fox, whose lands and titles have been taken from him as punishment for a crime against the church, and who is now forced to wander the world by himself, desperate to reclaim his family’s honour.

Journeying towards the castle of Lord Tonbridge, the one man who may be able to prove his innocence, Gerard witnesses a band of armed men waylaying a noblewoman. Impulsively jumping into action, Gerard saves the women, slaughtering her attackers and forever changing his life. The young woman, Lady Isabel, is Lord Tonbridge’s betrothed, who has fled from her future husband, taking with her a sacred relic she is sworn to protect. Forced to abandon his own quest, Gerard agrees to escort Isabel to safety, however, he is unaware of the chaos that is about to be unleashed upon him.

Tonbridge had promised Isabel’s relic to an ambitious Cardinal in Paris, one who is determined to rise to the station of Pope. Desperate to reclaim the relic and use it to cement his position, the Cardinal and his pawn, Tonbridge, unleash their substantial forces to hunt down Gerard and Isabel. Fleeing their pursuers, Gerard and Isabel traverse the breadth of England and France to find safe harbour for the relic. Forced to contend with dangerous foes around every corner, Gerard, Isabel, and their faithful companions will face the worse that medieval Europe has to offer and more. But worse lies in wait for Gerard, as he bears a dark connection with his pursuers that will ensure they will never stop hunting him.

Wow, now this was a really cool historical fiction novel. The exceptional writing team behind The Lawless Land have produced an outstanding novel that is extremely exciting, action-packed, and character driven, while also being heavy on the historical detail and accuracy. This results in an exceptional and epic historical thriller read that I had an absolute blast getting through and which gets a well-deserved five-star rating from me.

The Lawless Land was such a cool read, and I quickly fell in love with its brilliant and exceptional story. Essentially an adventure thriller set in medieval times, the authors start The Lawless Land off very quickly, showing the protagonist in battle as he saves the damsel in distress, only to end up in even more trouble. Effectively introducing the key characters early on, you get a real sense of the novels impressive style right at the start, especially with its gritty feel and intense action sequences. The story soon evolves into a high stakes chase across Europe, as Gerard, Isabel and their companions try to outrace and outwit their opponents to save Isabel’s relic and get revenge for Gerard. The authors make excellent use of multiple character perspectives here to showcase the chase from both sides, and you get a good look at the various schemes and ploys of the antagonists, as well as the full depths of their villainy. These amazing and action-packed scenes are expertly interspersed with some flashback chapters that examine the full history and tragedy of the protagonists, especially Gerard, and work to fully establish the enmity between him and the antagonists. This entire first half of the book is very well written, and the authors’ excellent style will appeal to wide range of readers, not just historical fiction fans, as anyone who enjoys a great adventure or gripping thriller read, can get really engrossed in this excellent story.

This perfectly sets up the second half of this epic novel, which sees the character involved in all manner of carnage and battle as they attempt to win. I honestly powered through the last 250 pages or so in a day; I was having that much fun reading it. This second part has everything, including jousting tournaments, prison breaks, desperate chases, elaborate skirmishes, political intrigue, skullduggery and more action than you can shake a stick at. There is even a full-on judicial duel (think The Last Duel), which was one of the most impressive and gritty fights in the entire book. There are some intriguing twists, clever reveals, major tragedies, and some outstanding action throughout this entire second half, and it was so much fun to see it all unfold. I really must highlight the impressive action of The Lawless Land, as all the fights felt particularly realist and very epic, and you can honestly feel every powerful swing and strike of steel on steel. The authors bring all the established story elements of The Lawless Land together extremely well in the end, and readers will come away satisfied, especially with the fun conclusion and the great ending for the characters. While this is ostensibly a standalone read, and the authors do wrap up everything really well, there is potential for a sequel at the end, and I for one would not be opposed to seeing more from these characters in the future.

One of the most compelling parts of The Lawless Land was the brilliant dive into the history of medieval Europe. The writing team clearly did their research when it came to this novel, which is hardly surprising considering the scholarly expertise of one of its authors. As such, this novel is loaded with impressive and captivating historical detail which isn’t overshadowed by some of the more over-the-top action. You get a great sense of the how bleak and brutal the continent was at this point in history, with some chilling depictions of plague and pestilence, as well as some intriguing looks at The Hundred Years’ War, including a full flashback chapter to the Battle of Crécy. The authors spend time exploring a ton of fascinating stuff from this period, including knightly conduct, the power and influence of the church, day to day life for people in cities and the countryside, and so much more. I particularly loved the scenes set around a tournament in France, where the protagonist engages in a series of jousts. The sheer amount of detail and realism around these scenes are so very cool, and you can really picture how everything would have looked and felt. There is also a great examination of medieval manuscripts (again, because of one of the author’s academic focuses), which become a key part of The Lawless Land’s plot, and it was really interesting to examine the significance and process behind them. All this impressive work around the setting and other historical elements of The Lawless Land really enhanced the overall quality of the book, and I loved how seamlessly it was worked into the epic narrative.

I also must highlight the fantastic characters featured within The Lawless Land, which includes an awesome balance of likeable protagonist and maniacal villains who hunt them. The story is perfectly split between the two groups, and you get some fun and intense competing views of events throughout the story as a result. The protagonists are headlined by the awesome character of Gerard Fox, a wandering knight, banished from his family’s lands by the church following a confrontation with one of the antagonists years ago. Dragged into this conspiracy by accident, Gerard becomes Isabel’s companion and protector, and tries to escort the relic to safety. A man of action and honour, Gerard is haunted by his past and his many failures, which include watching his brother die in battle, and being tricked into losing everything. He is also obsessed with discovering the true fate of his mother, and her mysterious disappearance and certain revelations draw him into this conspiracy even further. A lot of the novel revolves around Gerard’s past, and it was fascinating to see him come to terms with it and try to balance this current quest with his own desires. Gerard ends up being a pretty awesome protagonist to follow, especially with his martial prowess, unique weaponry, penchant for mischief and trickery (like a certain French fox), and his unbending desire to do the right thing.

Gerard is accompanied by some interesting companions, and the most prominent of these is Lady Isabel. A noblewoman who was forced into marriage, Isabel seeks to protect her family’s most sacred relic from her betrothed and goes to great length to escape him. Although she is initially seen as a bit of a damsel in distress, you soon begin to realise that there is a lot more to Isabel than what first appears, as she is an incredibly capable woman with some keen insights and strategies that prove invaluable to her companions. The authors work some excellent storylines around Isabel in this novel, and you really come to appreciate and enjoy her pluck, courage and intelligence. There is also a very clever twist about this character revealed in the second half of the book, which was set up extremely well by the authors, including in some flashbacks that both hint at and hide the truth from the reader. I also should mention the fun supporting characters of Henri and Youssef, two friendly rogues who have substantial history and friendship with Gerard. Henri and Youssef are excellent additions to the protagonists, and their fun personalities balance well with Gerard and Isabel’s to create a very likeable group of heroes that you become quite attached to, even if that leads to eventual heartbreak for the reader.

I also need to talk about The Lawless Land’s outstanding trio of villains who dog the protagonists’ steps throughout the entire narrative. This includes the evil Lord Tonbridge, Isabel’s betrothed who she runs away from. While Tonbridge is mainly hunting them for Isabel’s relic, it also becomes clear that Tonbridge is even more obsessed with righting the perceived slight to his honour and is eager for vengeance. However, Tonbridge is also partially subservient to villainous French cardinal Molyneux, who has promised him power and a kingship if he succeeds. Molyneux is particularly despicable, as an ambitious and immoral member of the church who is attempting to become Pope. Using his influence and the protection of the church for his advantage, Molyneux gains large amount of money and land through unscrupulous means and has some dark history with Gerard’s family, which deeply impacts both his and Gerald’s motivations to confound each other. The final villain is Molyneux’s vassal and bastard son Basquin, who serves as the protagonist’s main pursuer. A skilled swordsman and tactician, Basquin is a worthy, if not superior, foe to Gerard, whom he bears a powerful grudge against. There is some fascinating history behind Basquin that became quite an awesome part of the plot, and it was great to see the intense and captivating confrontations between the two. The authors take Basquin in some intriguing directions in this book, especially when his own desires clash with that of his abusive father, forcing him to go rogue and enact his own ambitious plan. All these villains were extremely well written, and it proved highly entertaining to see them go up against Gerard, Isabel and the rest throughout The Lawless Land. I had such a great time with the characters in this book, and their intense relationships, rivalries and schemes added so much to the power of the novel.

Overall, The Lawless Land was an exceptional and impressive historical fiction read from the great new team of Boyd and Beth Morrison. These two talented writers came up with something very special with The Lawless Land, and I loved the outstanding and highly addictive narrative contained in this book. Featuring a ton of epic action, some amazing characters, and some superb historical detail, The Lawless Land was an incredible read that comes very highly recommended by me.

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Kagen the Damned by Jonathan Maberry

On July 31, 2022March 5, 2023 By The Unseen LibraryIn Audiobook, Fantasy, Five-Star Books, Thriller15 Comments

Publisher: Macmillan Audio (Audiobook – 10 May 2022)

Series: Kagen the Damned – Book One

Length: 20 hours and 53 minutes

My Rating: 5 out of 5 stars

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One of my favourite unusual thriller writers, the legendary Jonathan Maberry, enters the world of fantasy in a big way with Kagen the Damned, a dark fantasy masterpiece with a brutal heart to it.

I have made no secret of the fact that I am a huge Jonathan Maberry fan. I got into Maberry’s writings when I chanced upon a copy of his 10^th Joe Ledger novel, Deep Silence, a few years ago, which introduced me to both Maberry’s unique writing and his iconic protagonist, the titular Joe Ledger, a badass action hero who saves the world from crazy and dark science creations. I deeply enjoyed Deep Silence (it was one of my favourite books of 2018) and quickly moved onto his other Joe Ledger books, diving back to the start of the series with Patient Zero, and then working my way through the rest of the awesome entries, such as The Dragon Factory, Code Zero, Predator One and Dogs of War. I also kept up with his latest releases, including the two entries in the follow-up Rogue Team International series, Rage (one of my favourite books and audiobooks of 2019) and Relentless (one of my favourite books and audiobooks of 2021), and his standalone novel Ink (one of my favourite books and audiobooks of 2020). I have been very eager to see what awesome novel Maberry releases in 2022, and, luckily for me, that materialised in the form of Kagen the Damned.

Kagen the Damned is an interesting and unique read from Maberry, as it is his debut foray into the fantasy genre. While many of his other books have had fantasy elements to them (albeit with a horror edge), this is his first pure fantasy fiction novel, as well as the start of his Kagen the Damned series. Naturally I was rather curious about how Maberry would transition to a new genre, and while I was a tad disappointed that the Rogue Team International series isn’t getting a new entry any time soon, Kagen the Damned ended up pretty high on my most anticipated reads for 2022 list. After a few weeks of other books getting in the way, I finally got the chance to listen to Kagen the Damned, and it turned out to be quite an impressive novel.

Kagen Vale was once one of the most trusted and revered fighters in the entire Silver Empire. A scion of the legendary Vale family, who have served the Silver Empire for generations, Kagen was a beloved member of the royal court and so highly regarded that he was entrusted as the guardian of the Seedlings, the Empresses’ children. That was until the fateful night when, out drinking and whoring, he was drugged and left for dead. Awakening in a daze, Kagen found himself in the midst of hell as the capital of Silver Empire, Argentium, was besieged by a foe long thought dead, the dread nation of Hakkia, whose dark magic has once again emerged to blot out the world.

Arriving to the palace too late to save anyone, including the Seedlings, Kagen falls into despair at failing his sacred duty and can only watch in horror as the Gods of the Garden, the deities of the Silver Empire, turn their back on him and damning him for all time. Now with everything and everyone he has ever known lost forever, Kagen the Damned wanders the ruined countryside a broken drunk, dreaming of revenge on the one man responsible for all his ills, the mysterious and feared Witch-king of Hakkia.

However, not everything is as lost as it seems, as shadowy figures across the world being to formulate their plans to repel the Witch-king’s evil. As two young women embark on a deadly quest to awaken a sleeping, ancient god from beneath the waves, a covenant of resistance attempts to find their own magic to oppose the Witch-king with. Determining that Kagen may bear the best chance of recovering the tools needed to succeed, they manipulate events to set him on his path to revenge. However, what price will a doomed man truly pay to get the revenge he so desperately seeks, and will Kagen be ready for the terrible secrets he uncovers along the way? Only the gods and the damned know for sure!

Well, it is now more apparent than ever that there is no Jonathan Maberry book I will not enjoy to the extreme. Kagen the Damned is an incredible and very memorable novel from Maberry, who puts the ‘dark’ in dark fantasy, with this barbaric and action-packed journey into hell. Making use of his trademark style, flair for horror and exceptional character work, Maberry pulls together a deeply addictive and extremely exciting story that I fell in love with very, very quickly. This was another easy five star read for me, and I loved every single second I spent reading it.

Maberry once again blew me away with an outstanding and high-action narrative, and I quickly got very attached to Kagen the Damned. This book has an extremely memorable start to it, showing the bloody fall of Argentium from the perspective of Kagen, who awakens from a drunken haze to find a vast army in his supposedly impenetrable city, destroying and killing everything they see. This was a very compelling and brutal start the novel, and its one that I quite enjoyed, especially as you see just how dangerous the enemies are and the chaos they have unleashed. Maberry does a great job of setting up multiple key storylines, settings and characters in this early section, and while the focus is primarily on Kagen, you get some interesting insights into other figures that will impact the rest of the book. The entire first part of the book is very distinctive and really showcases how dark this novel is going to get, especially when it comes to the character of Kagen and the fate of the royal children. This whole first section ends on a brilliant note, with Kagen left broken and damned, while the once great Silver Empire, which you only saw glimpses of, is destroyed and replaced with a new world order.

Following this epic start, the narrative slows down a little, as Maberry works to set up some alternate storylines and characters, while as taking the time to do some compelling and extended word building. Set in the direct aftermath of the opening sequence, the story primarily splits into three different streams at this point, with the main one following a despondent Kagen as he traverses the former Silver Empire, lost in grief and drink. At the same time, two separate storylines tell some great connected narratives, with one following two young women as they journey off into the unknown, while the rest focuses on the Hakkian takeover back in Argentium. This focus on the Hakkians and their plans, as told by the Witch-king’s advisors, as well as a resistance group, is very awesome, and it was fascinating to see some impressive political intrigue going on behind the scenes as the antagonists work to consolidate power through various methods. While the rest of the narrative continues in a straight line, the story around Kagen slowly adapts as he meets some new friends and begins his mission of revenge as planned, with some detours.

This leads up to the excellent final part of the book, which I powered through extremely quickly to see how everything ended. All three major storylines are reaching there climax here, and they start to blend a lot more closely, especially the ones focusing on Kagen and the Hakkians. Everything leads up to a highly anticipated confrontation that sees Kagen finally face his enemies, and it is just as epic as I was hoping. There is a ton of action, tragedy, twists and revelations here, as many of the plot elements and storylines come full circle. I loved the various reveals that happen here, and most have been set up really well throughout the extended course of the narrative. I really should have seen the identity of the Witch-king coming, but it was the right choice by Maberry, which leaves some big questions open for the future. Everyone will come away from Kagen the Damned extremely satisfied, as Maberry leaves everyone on a brilliant note, that ensures that readers will definitely come back for more. This is an outstanding and deeply addictive narrative that is guaranteed to grab your attention early one and refuse to let go.

I really enjoyed how well Kagen the Damned was written, as Maberry brought his unique style to bear to help create an outstanding story. In many ways, this novel proved to be essentially one of Maberry’s thrillers set in a fantasy universe. Indeed, there were a lot of similarities in the style, the structure of the chapter, the pacing and even the use of familiar horror elements that I have previously seen and loved in the Joe Ledger books and I think this cool style worked well to tell an intense fantasy narrative. As such, Kagen the Damned is a swift and well-structured book that pushes the story along at a swift pace, while also taking the time to build up the universe and the multitude of characters. Maberry utilises a great range of story elements throughout this novel, and the readers are treated with a fantastic blend of action, intrigue, dark, over-the-top moments, horror, despair and humour, as the characters experience all manner of devastating trials and oppositions.

I also have a lot of love for the way that the author sets up the story and showcases the elaborate events that are occurring. Maberry makes excellent use of a huge number of shorter, focused chapters told from a variety of viewpoints. These briefer chapters really increase the pace and intensity of the book, and I deeply appreciated how the narrative quickly jumped across the various characters. The interplay between the three central storylines, which are primarily anchored around Kagen, is extremely good, and I loved seeing the characters react to some of the same events or actions of their fellow cast members. These storylines are also joined by a series of interludes that show the various impacts that the Hakkian invasion has on the wider world, especially those attuned to magic. These interludes are usually very fascinating, and they are often used to introduce some minor supporting characters in a fun and unique way. I loved the complexity that these interludes usually have, and the often self-contained stories are well structured and always feature a distinctive or chilling conclusion. Maberry uses these interludes cleverly, often inserting them between major or extremely powerful chapters to help relieve tension, or to remind the reader of the wider stakes or events occurring around the main story. I definitely enjoyed this larger look at the world that Maberry provided through them, and it was an outstanding part of Kagen the Damned’s story.

One of the major highlights of the writing in Kagen the Damned is the intricately described and fast-paced action, which is a major hallmark of Maberry’s writing style. Maberry has always excelled at writing brutal fight scenes in a way that paints a vivid mental picture for the reader, and this was once again the case for Kagen the Damned. The many, many action and fight sequences are brought to life in exquisite and bloody detail, and the reader is easily able to imagine every strike and slice as they happen. This makes the action sequences really pop, and they were a particularly awesome highlight of this great book. This focus on action and combat was really effective in this fantasy novel, and it was very cool to see Maberry bring his knowledge of combat and the accompanying writing skill to bear on large scale battles between armed and armoured fighters, while magic and gods blow stuff away around them. There are some really great fight scenes loaded throughout this book, and I loved every skirmish, battle and duel that was featured within it.

While I did really love the action and brutal combat sequences within Kagen the Damned, I probably should add a warning about how dark and gruesome it can get in places. Maberry’s writing style has always relied on over-the-top violence, cruelty and brutality to a degree, and this was once again the case in Kagen the Damned, which not only featured a ton of killing but also gruesome scenes of torture, corpse desecration and depictions of sexual violence. While I think that these ultra-violent moments do work to showcase just how dark and savage the new world order is, they are often a bit hard to witness. I will note that Maberry did take the time to discuss the emotional and social impacts of the various acts of sexual violence in the book, rather than just including them for gratuitous effect. There are also some great scenes where the protagonist calls out and belittles several characters willing to commit such acts, before delivering his own violent justice, and I think that the author did his best to show have damaging it can be in his own way. However, readers should probably be aware that these scenes exist, as people might find them to be a bit shocking.

I was also a major fan of the cool new fantasy universe that Maberry cooked up with Kagen the Damned, mainly because it is such a distinctive creation of the author. Set on a giant continent made up of various nations, this is an impressive and compelling world, filled with a unique history, gods, people and settings. The author does a great job of swiftly introducing this world and some of the key parts of its history in the early parts of the book, mainly so that readers can be a little more shocked at the early events and full appreciate the destruction and change that the Hakkian nation brings with it. Maberry is clearly emulating some classic fantasy novels and settings throughout Kagen the Damned, and I loved seeing this bold new world that he has created. There are some unique and cool elements featured within, and I liked how there are certain shades of grey shown when it comes to the morality and righteousness of the various factions. Maberry also takes the time to highlight the changes that are coming to the world, thanks to the return of the Hakkian Witch-king, and the slow and steady resurgence of magic and the death of a certain pantheon of gods, are highlighted really well, both in the main story and the interlude chapters.

Perhaps one of the most distinctive features of this new world is the horror elements that Maberry worked into the plot. I really should not have been surprised at the strong Lovecraftian elements that featured, as the author has used them strongly in some of his previous books. However, it is even more explicit here in Kagen the Damned, with several notable Elder Gods playing key roles in the plot and even appearing in some epic scenes. While I am not personally a fan of Lovecraft, I did quite like how Maberry utilised these elements throughout this book, and they gave parts of the book a darker and more eldritch quality that I quite enjoyed. This, and certain discussions about other worlds and alternate realities, potentially links this series to some of Maberry’s existing works, and it wouldn’t surprise me if there were some form of crossover in the future, although it would have to be handled well. I had a great time exploring this new fantasy world in Kagen the Damned, and I look forward to seeing what other surprises and dark gods appear in future entries of this series.

I also must highlight the incredible character work featured with Kagen the Damned, as Maberry went all out to create an excellent and unique cast of characters, whom the excellent narrative revolves around. There are some amazing characters featured within this novel, and the author works hard to feature all of them in some impressive roles. I had a lot of fun with the huge cast of Kagen the Damned, and there are deep and emotional figures featured here.

The most prominent and intriguing character is the titular Kagen, who takes on the moniker of Kagen the Damned. Maberry really does a number on his central protagonist early on, as Kagen awakens from a drunken haze to find that everything he cared about and held dear had been lost while he slept. Despite his best efforts to redeem himself in the battle that follows, he still fails miserably, and manages to escape the conquered capital in a fractured haze. Broken, dazed and emotionally destroyed, Kagen becomes even more despondent when he sees his gods in the sky turn their back on him due to his failure to maintain his sacred oaths, which convinces him that he is damned. Naturally, these events leave him severely emotionally damaged, and he spends most of the book trying to come to terms with his failure while also trying to find some way to get revenge on the Witch-king for all he has done. A large amount of the book is dedicated to Kagen falling into despair, and Maberry presents a realistic depiction of a man who has lost everything and who is barely able to survive, relying heavily on drink and violence to get through his days. While Kagen is eventually able to throw off much of this despair, it is still lurking within him, and he is often shown living in regret at his failure, even though no one else blames him as much as he does. Kagen working through these complex feelings of failure results in much of the novels emotional strength, and Kagen serves as a moving and powerful heart for the entire novel.

While I did deeply enjoy this intriguing central character and his rough and emotional journey through this book, it is hard not to notice some similarities between Kagen and another one of Maberry’s protagonists from another series. Kagen is in many ways a fantasy version of Joe Ledger, with similarities including a propensity for violence, extreme skill with knives (technically short-swords in Kagen’s case), and even a similar sense of humour during some of the lighter moments of the books. There is also the same high level of mental damage brought on by extreme trauma, with both characters often seeking revenge against the people who wronged them and those they loved. Despite these similarities, I still really appreciated Kagen as a protagonist, and I felt that some of his additional elements, such as his complex familiar bonds and strong sense of failure, did set him apart in some key ways. No matter what, Kagen is a pretty awesome character to follow, and I loved seeing him continue to go through all his dark moments to keep going.

Aside from Kagen, there are several other amazing characters featured in this novel, all of whom have some outstanding storylines around them. Two of the most prominent are Ryssa and Miri, who were in Argentium when the Hakkians invade. Both junior members of the Silver Empire’s clergy, the two women initially appear to be primarily concerned with surviving the invasion. However, it soon becomes apparent that Miri, whose knowledge of the gods and creatures of this world are far greater than they should be, has a different agenda. Taking Ryssa with her on a big journey to a remote island nation, Miri soon engages in a plot to save the world her way. Ryssa and Miri make up a fun combination that Maberry weaves some interesting storylines around. While these characters aren’t explored as deeply as Kagen, you still get a great sense of who they are, particularly Ryssa, who is the primary point-of-view character between them. Their entire storyline is covered in mystery and uncertainty as Ryssa is left in the dark about what is coming her way. I liked the religious world-building that went into this character storyline, and there are some excellent moments in it loaded with tragedy and despair. Even with their storyline being mostly separated from the rest of the characters, and it was a little predictable that Maberry would turn them into a lesbian couple, they had a compelling relationship and I felt that they added a lot to the narrative.

I also had a great deal of fun with the primary Hakkian characters featured in Kagen the Damned. While they are ostensibly the antagonists of the book, Maberry takes the time to really establish the main four characters and presents them as a lot more complex and even sympathetic in places. The main Hakkian character is their leader, the Witch-king, a character shrouded in mystery for most of the book. A previously unknown figure, the Witch-king uses his magic to defeat the entire Silver Empire in a night and then spends the rest of the book trying to set himself up as the legitimate ruler of the land while also advancing the position of his brutal god. I loved the way that Maberry kept the details about the Witch-king’s past and identity hidden for most of the narrative, although there is some great foreshadowing of his identity scattered throughout the novel. The Witch-king cuts a fantastic and menacing figure for most of the book, and it was intriguing to see him present himself as a fair and loving ruler, while simultaneously exuding an aura of menace and dark magic. It was pretty hilarious to see him terrify his key advisors for much of the book, and I loved all the hints about his true objectives. An overall excellent central antagonist, I look forward to getting more details about him and his history in the rest of the series, especially after the revelations at the end of this book.

The other three key Hakkian characters are the Witch-king’s advisors, the chamberlain Lord Nespar, necromancer Lady Kestral, and newcomer Jakob. Nespar and Kestral are fantastic characters who spend most of the book administrating the Witch-king’s will, running his empire, hunting for Kagen, and setting up the upcoming coronation of the Witch-king to become emperor. While they are initially shown to be quite dangerous and evil, mainly due to their role in destroying the Silver Empire and Kestral’s disturbing magic, you eventually see that there is a lot more to them. In particular, you see that they are actually extremely terrified of the Witch-king and are desperately obeying his will in order to survive. You actually end up feeling a bit sympathetic for the pair of them, even after you see Kestral tear a corpse apart for a ritual, and I enjoyed the intrigue and politics they got involved with to rule the new empire. The other character is Jakob, a Silver Empire historian who is drafted into the Witch-king service as his minister for propaganda. Rechristened as Jakob Ravensmere, he becomes fully compliant in the Hakkian takeover and proves to be a very competent advisor and political mind while also working to rewrite history to increase the legitimacy of the Witch-king. It was extremely fascinating to see Jakob discussing the control given by those who control history and propaganda, and I really enjoyed his role in the new empire. It was also fun to see his rather quick slide towards the dark side as he fully embraces the Hakkian lifestyle and even starts to develop a taste for a power. I always love seeing Maberry’s narrative unfold from the antagonist’s point of view, and this worked out extremely well again in Kagen the Damned.

The final characters I need to highlight are some of the excellent supporting cast surrounding Kagen. Kagen has two excellent companions who work with him throughout the book, Tuke and Filia. Tuke is a giant professional thief who recruits Kagen for a job that will help an anti-Hakkian resistance movement. Tuke serves as the comic relief for much of the book, and I loved the outstanding chemistry he had with Kagen. The two play off each other extremely well, and their excellent camaraderie and humour were pretty fun to see. Not only does Tuke have some of the best lines (and the funniest curses) in the book, but he also serves as an emotional sounding board to Kagen, helping him get better after all the tragedy he experienced. Filia is a strong-willed warrior and former associate of Kagen who finds herself dragged into the chaos around the war and Kagen’s wild adventures. Filia’s no-nonsense attitude and sarcasm are a great counterpart to the other characters in Kagen the Damned, and I especially liked it when it combined with the humour of Kagen and Tuke. These characters, and more, really enhanced the overall quality of this impressive narrative, and I loved seeing their powerful storylines unfold in some excellent and enjoyable ways.

There was no way that I was going to check out the new Jonathan Maberry novel in any format other than audiobook. I have had some outstanding experiences with Maberry’s audiobooks over the years, and all of them have been deeply impressive and extremely enjoyable. This again proved to be the case with Kagen the Damned, as I had an outstanding time having this dark epic read out to me, especially as it really helped me to absorb all the details of the characters and the impressive new universe. With a runtime of just under 21 hours, this is a pretty lengthy audiobook to get through, but it is well worth the time investment, especially as it delivers the story in such an awesome way.

Easily the best thing about this audiobook is the outstanding narration from the very, very awesome Ray Porter. Porter, who is one of my favourite audiobook narrators, who has previously narrated Maberry’s books, as well as contributing his voice to other works like The Apollo Murders and The Sandman audio adaptation. As such, the moment I heard that Porter was also going to narrate Kagen the Damned, I knew that I had to get this audiobook. Porter has an amazing ability to move the story along, and his voice is perfect for all the intense action, world-building and intrigue Maberry features in his novels. I love the way that Porter dives into the various characters featured in the books, with every single person getting their own distinctive voice, while Porter also effortlessly emotes all their emotion to the listener. This includes a very sinister voice that Porter saves for when the villains are talking or some incredibly dark moments are happening, and having him use variations of this voice to highlight just how brutal a moment is being, is always a great experience. It also works well when the characters start speaking in the languages associated with the Elder Gods, and the resultant ceremonies and spells are quite spooky to hear in Porter’s voice.

Porter also did a particularly good job at inhabiting the voice of Maberry’s central protagonist, Kagen, and you get a real sense of who he is and the intense pain he is feeling throughout the book. While the voice Porter uses from Kagen is a little like that of Joe Ledger from Maberry’s other audiobooks (a side effect of Porter ensuring that the main protagonist’s voice matches the tone he uses for basic narration), Porter does add a little more of a growl to it here, which helped to a degree. This was another incredible performance from Porter, and I am so very glad that they got him back to narrate Maberry’s new series. I cannot emphasise how outstanding the Kagen the Damned audiobook turned out to be (although I did feature it in my recent best audiobooks from the first half of 2022 list before I’d even finished it), and this is the absolute best way to enjoy Kagen the Damned.

Well, after rabbiting on for nearly seven pages, I think it is exceedingly obvious that I loved Kagen the Damned. Jonathan Maberry’s latest novel was extremely compelling and deeply exciting, and I was really impressive with the author’s jump to the fantasy genre. Featuring a clever, complex, and action-packed narrative loaded with destruction, thrilling revenge and some great, damaged characters, Kagen the Damned was an outstanding read and its one that I absolutely flew through. Kagen the Damned is easily one of the top books of 2022 and this is a favourite new series for me. I am extremely excited to see where the Kagen the Damned series will go in the future, and the next book, Son of the Poison Rose, is out in a few months’ time, and I cannot wait to get my hands on it.

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Against All Gods by Miles Cameron

On June 23, 2022August 15, 2022 By The Unseen LibraryIn Fantasy, Five-Star Books3 Comments

Publisher: Gollancz (E-book – 23 June 2022)

Series: The Age of Bronze – Book One

Length: 465 pages

My Rating: 5 out of 5 stars

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The always impressive and inventive Miles Cameron returns with another awesome novel, Against All Gods, a compelling epic with a truly divine story.

There are few authors with more of a diverse catalogue of books than the talented Miles Cameron. The pseudonym of historical fiction author Christian Cameron (who has also released novels with his father, Kenneth Cameron, under the joint pseudonym Gordon Kent), Cameron has been on a real roll with his fantasy and science fiction novels lately. Not only did he have great success with his incredible Master and Mages series, which included Cold Iron and Dark Forge (one of my favourite novels and audiobooks of 2019), but he also successful released his first foray into science fiction last year with Artifact Space (one of my favourite books of 2021). As such, I have been keenly anticipating Cameron’s latest read and I was extremely excited to receive an early copy of his latest fantasy novel, Against All Gods. Against All Gods is the awesome first entry in his new The Age of Bronze series, which follows a group of desperate mortals as they attempt to overthrow an entire deadly pantheon of gods.

In a damaged world filled with death, despair and injustice, the gods rule with an iron fist. Secure in their power and glory after destroying or banishing the previous pantheon, the current gods make games of the lives of mortals, controlling them for their own gain and punishing them on a whim. However, the gods are not as secure as they would hope, and all it will take is one spark to ignite a deadly rebellion against them.

When the daughter of powerful magos and aristocrat, Gamash of Weshwesh, is killed by a malicious god, it sets off a chain of events that will change everything. Determined to get revenge, Gamash finds himself a willing tool of an older god who exists to stir up chaos and challenge her new masters. Following the signs laid out before him, Gamash receives weapons that can hurt the corrupt divine beings and embarks on a quest to challenge the gods once and for all.

As Gamash’s quest continues, he is soon joined by an eclectic mixture of mortals, all of whom have their own issues with the current deities and who have been manipulated to fight against them. Faced with dangers at every turn and soon caught up amid multiple divine conspiracies, these reluctant rebels soon begin to understand the full extent of the danger they find themselves in. Determined not to be mere pawns in a cosmic game of immortal gods, the rebels will decide to do the impossible: go up against all the gods and win!

Wow, Cameron continues to impress me with his unique and incredible story writing. Against All Gods is a distinctive and powerful read that takes multiple fantastic characters on an epic adventure through a great new fantasy landscape. I loved the powerful narrative that Against All Gods contained, and it really did not take me long to become incredible addicted to its twisty and compelling tale. Complex, utterly enthralling and very fun, Against All Gods was an excellent read and I honestly have no choice but to give it a full five-star rating.

Against All Gods has an outstanding story that I had a wonderfully entertaining time reading. Essentially a Bronze Age inspired fantasy that sees multiple mortal characters caught up in the multiple machinations of the gods, this is a particularly fun and over-the-top narrative that you cannot help but fall in love with. Against All Gods’ narrative has an excellent flow to it that individually introduces the substantial main cast and showcases their various pasts and issues they have with the ruling pantheon. These initially separate storylines come together towards the centre of the book, once all the protagonists are thrust together by their unseen benefactor, and it swiftly evolves into a powerful plot, with the same events beautifully showcased from multiple different narrators. At the same time, much of the story follows the machinations of the gods as they plot and backstab against each other, while also attempting to counter the actions of the mortal characters. These scenes set in Heaven are often the most entertaining parts of the book, especially as Cameron produces a ton of twists and facilitates the multiple scheming deities, each of whom has their own plans. These multiple storylines combine for a massive and awesome conclusion, as the protagonists come face-to-face against the gods in their opening salvo. There are some truly epic scenes in this final part of the novel, and Cameron ends the book with some fun surprises and reveals that indicate how awesome the rest of The Age of Bronze series is going to be.

I really liked the style of Against All Gods, which is a slight departure from some of Cameron’s previous novels. Despite the Bronze Age setting, the characters, attitudes and personalities are a bit more modern than some of Cameron’s existing fantasy books, and I think this really fit Against All Gods’ over-the-top narrative extremely well. This is easily one of Cameron’s more elaborate narratives, and I loved how he started utilising a large range of character perspectives, rather than focusing on a single central protagonist. Again, this works extremely well for this novel’s plot, and it helps to introduce the various outrageous characters and highlight the completely insane pantheon of gods who are fighting behind the scenes of the main story. Cameron’s proven ability to craft a complex and highly detailed story is once again on display here, and every scene comes across in a powerful and expansive way, painting a powerful picture. This works particularly well during the many impressive action sequences, and the reader is really drawn into the intense battles and fights that occur. The narrative itself has an excellent blend of world building, character development and classic adventure, all of which is bound together by a healthy and entertaining dose of intrigue and deceit. I was very quickly drawn into the unique story that Cameron was telling here, and I found it very hard to put this book down in places, as I really wanted to see what happened next.

You can’t discuss Against All Gods without mentioning the impressive and highly complex new world that Cameron has come up with. Cameron has clearly combined two of his literary loves here, producing an intense and dangerous Bronze Age fantasy world clearly inspired by ancient Greece, especially its mythology. As such, you get some glorious scenes of bronze covered soldiers facing off against each other, elaborate Mediterranean inspired cities, and a ton of awesome depictions of ancient seafaring ships. However, there are some noticeable differences as this version of the world is ruled over by a corrupt and dangerous pantheon of new gods. Centuries ago, this pantheon arrived in this world, mostly destroying the previous pantheon, and completely taking over the lands. Their rule has become an insanely despotic one, where only they and their minions profit, while the people are now forced to worship them and ignore their old gods while powering the petty choices of their new masters. The subsequent world is a dark and brutal place which serves as an excellent background to the powerful and exciting narrative Cameron has come up with for Against All Gods. The idea of a Bronze Age society totally dominated by an evil pantheon of invading gods is exceedingly inventive, and Cameron really makes it work, showcasing all the ways that the gods screw over humanity and control them. There are so many fun details here, with the new hierarchy, the multiple magical eyes that turn the lands into a divine surveillance state, and even the enforced reliance on bronze, as the gods have removed all iron from the world. Throw in several awesome cultures, some unique creatures (the Dry Ones are pretty awesome), and even a marauding army of murderous savages, and you have a brilliant backdrop to this story that I found to be extremely cool. I look forward to seeing how this setting evolves in the future and I am sure that Cameron has some more bonkers ideas for it.

One of the other great things about Against All Gods was the impressive and compelling collection of characters that Cameron focuses the story on. There is a great group of point-of-view figures throughout this novel, and the author generally breaks these up into mortal and divine characters. Most of the novel focuses on a small band of mortals who are framed as the protagonists of the series, each of whom has their own grudges and reasons to dislike the gods. I felt that Cameron did an awesome job of presenting all these main characters at the start of Against All Gods, and their extended introductory chapters really allow the reader to get to know them and understand their unique stories and histories. These characters include Gamash, a powerful magos seeking revenge against the gods after they kill his daughter, and who serves as a tragic figurehead for most of the plot. He is joined by other impressive characters, like Era, a singer and dancer, whose extreme confidence, impressive sarcasm and tough exterior are at great odds with her warm interior. Era, who is also an excellently represented lesbian character, serves as a great foil to the rest of the cast. She really plays off Zos, a Godborn warrior, whose martial prowess and cynical worldview brings him into conflict with the gods, especially after he incurs their wrath. The major protagonists are well rounded out by Pollon, a former highborn scribe and intellectual, whose cushy life is crushed in a matter of days, which convinces him to go up against the gods.

These four protagonists are backed up by an intriguing and eclectic mixture of supporting characters, each of whom bring something special and fun to the mix. This includes the crew of the Hakran ship, Untroubled Swan, led by Aanat, another substantial point-of-view figure. The Hakran are a curious group of characters, serving as one big polygamist family, which makes for some very interesting dynamics in the book. They are also major pacifists who are manipulated into helping the heroes and who constantly find their wishes and way of life threatened by the actions of their new comrades. I also had a lot of fun with Daos, a mysterious child adopted by Era, who bears an odd gift that allows him to see the world in different ways, and who helps to guide the protagonists to some interesting directions. These characters and more (there is a fantastic stuffed bear and donkey combination that works surprisingly well) are a lot of fun to watch, and the constant interactions and intriguing developments help to enhance the plot. While the plot was a bit bogged down in places with too many characters at once, this was an overall good collection of supporting figures who had some fun storylines between them.

I also really must highlight the fantastic god characters in Against All Gods. Cameron has gone out of his way to create a truly vicious, conceited and manipulative troop of deities, each of whom is in it for their own benefit or power. This pantheon is led by the bull-headed thunder god, Enkul-Anu (essentially Zeus), a powerful and stubborn being who conquered the previous gods and installed his kin as the new rulers of this world. Forced to control a group of idiotic, rebellious or half-insane gods, as well as the always troublesome mortals, Enkul-Anu is an angry and exasperated figure in this novel, constantly at his wits ends with the stupidity and self-serving nature of the other gods. Even though he’s the brutal main villain, you can’t help but feel a little for Enkul-Anu at times as he must deal with all the issues his followers have created. He is well matched by an excellent group of other gods, including a fantastically depraved and eternally underestimated god of drunkenness and orgies, Druku; his beauty-obsessed consort, Sypa; his ambitious son and herald, Nisroch; and two troublesome sisters, the Huntress and the Blue Goddess, who constantly seek to destroy him. All these excellent characters, plus several insane greater gods and their ultra-keen offspring, serve as a brilliant pantheon of villains, and I had so much fun with their manipulative and selfish actions. The intriguing interactions between these characters are extremely entertaining, and you won’t believe who comes out on top at times. I can’t wait to see how these gods continue their battles in the future, especially after the results of this book’s crazy conclusion.

With Against All Gods, the first book in his brilliant new fantasy series, Miles Cameron continues to shine as one of the most inventive authors out there. Featuring an extremely compelling narrative that pits likeable mortal characters against selfish, all-powerful gods in a Bronze Age setting, Against All Gods is a layered and deeply entertaining book that comes highly recommended. This was a truly awesome read and I look forward to seeing how Cameron continues The Age of Bronze series in the future. The next book in this series, currently titled Storming Heaven, is set for release in a year’s time, and I personally can’t wait to get my hands on it.

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Throwback Thursday – Warhammer: Broken Honour by Robert Earl

On June 2, 2022August 17, 2022 By The Unseen LibraryIn Extended Universe, Fantasy, Throwback Thursday, Tie-in Novel, Warhammer4 Comments

Warhammer - Broken Honour Cover

Publisher: Black Library (Paperback – 22 February 2011)

Series: Warhammer Fantasy

Length: 411 pages

My Rating: 4 out of 5 stars

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Welcome back to my Throwback Thursday series, where I republish old reviews, review books I have read before or review older books I have only just had a chance to read. For my latest Throwback Thursday, I look at a cool standalone entry in the Warhammer Fantasy canon with the 2011 novel, Broken Honour by Robert Earl.

Damn it has been fun getting back into Warhammer fiction over the last couple of years, especially as there have been so many amazing and epic recent additions to the franchise. I have really been having fun with the huge variety of stories associated with these iconic tabletop games, and while I have been mostly focused on the science-fiction based Warhammer 40,000 novels, I have also been dabbling with the Warhammer Fantasy subgenre. Set in a chaotic and war-ridden world filled with all manner of creatures from classic fantasy, the Warhammer Fantasy novels contain fun and dark adventures, such as the Gotrek and Felix novels (check out my reviews for Trollslayer, Skavenslayer, Daemonslayer, Dragonslayer and Beastslayer). I was lucky to recently find several cool Warhammer books in a second-hand shop, and I immediately dived into a particularly fun fantasy novel, Broken Honour, written by a new-to-me author, Robert Earl, who had written various other interesting Warhammer novels. Set before the 2015 destruction of this setting and the start of the Age of Sigma, Broken Honour was a fantastic and entertaining read with a great story to it.

Chaos has once again invaded the realms of man, this time in the Imperial state of Hochland. The ravenous beastman hordes are emerging from their deep forest lairs to begin their annual raids of the human settlements to destroy, despoil and feast on the people within. As the armies of Hochland gather to repel them, they find themselves outmatched and outsmarted at every turn. A powerful and dangerously intelligent beastman lord has risen to command the herd, and his unusual tactics may spell the end for every human living in Hochland.

As the Hochland baron and his advisors attempt to withstand the new threat advancing towards them, they desperately seek out any fighting men they can find. Sensing opportunity, mercenary Captain Eriksson, a veteran fighter for sale currently only missing a regiment to command, arrives at the capital. Keen to take advantage of the current chaos, Eriksson buys the freedom of a large group of prisoners to form a new free company. Promised freedom and pardons for their crimes if they fight, the prisoners form a reluctant and ill-trained regiment, the Gentleman’s Free Company of Hergig, who hope to avoid the brunt of the battle in the back.

However, Eriksson and his troops soon find themselves in the very thick of the fighting, as those above them seek to use his unit to in the very worst ways. Forced to contend with ravenous monsters, political intrigue, and a villainous lord with everything to lose, Eriksson and the Gentleman’s Free Company of Hergig will need to come together and hone their skills if they are to survive. Can this band of rogues, thieves and criminals regain their lost honour and find redemption on the battlefield, or will they find only death and destruction as humanities most bestial enemies come to claim them?

Broken Honour was an awesome addition to the Warhammer Fantasy canon that I had an amazing time getting through. Earl produced an exceedingly exciting and action-packed read that is essentially The Dirty Dozen in the Warhammer Fantasy universe (it is also comparable to the Last Chancers series from Warhammer 40,000). Obviously, with a plot like that, I knew that I was going to have a lot of fun with this book, and Earl really did not disappoint. While the narrative is a tad by the numbers, it is a pretty cool military fantasy narrative that is worked well into the Warhammer Fantasy setting. The entire story flows really well, with the antagonists introduced up front and the protagonist, Eriksson, and his unwilling soldiers brought in quickly after that. From there you follow the paroled Free Company as they are dragged from one conflict to the next and forced to contend with overwhelming odds. As such, the book is loaded with a ton of outstanding action and brutal fight sequences that are guaranteed to keep you entertained. Earl makes excellent use of multiple character perspectives to tell a deep and wide-ranging narrative, and you soon get dragged into several different character arcs, including several surrounding the antagonists. Not only do you get to see into the heart of the beastman camp, but there are several brilliant sequences told from the perspective of a villainous Hochland noble who is trying to kill the protagonists. This all ends up being a pretty exciting and fantastic story, and I found myself getting really caught up in the novel, powering through it very quickly. Everything comes together really well into a great self-contained adventure, although a couple of character arcs didn’t get the conclusions that they deserved, and some storylines are never revisited, despite Earl leaving the story open for a sequel. Despite that, Broken Honour was an excellent, easy novel to check out, and you are guaranteed to have a great time reading it.

I really liked how well Broken Honour slotted into the established Warhammer Fantasy setting, and this was a great addition to the overall canon. Earl focuses his narrative around two particularly intriguing factions from the game here, the villainous beastmen and the human armies of the Empire, specifically from the state of Hochland. I loved the insight into both, especially the beastmen, and the author really brings them to life in exquisite detail. You can really feel the monstrous power, the Chaos infused evil and the beast-like mentalities contained within these creatures, and they prove to be excellent and brutal antagonists for the entire novel. At the same time, there are some awesome insights into the soldiers of the Empire, and I loved the various depictions of their battle tactics and the various regiments. While Earl does dive into these various Warhammer factions throughout Broken Honour, readers don’t need to know too much about them to enjoy the series, as the author does an amazing job introducing them and explaining what they are, and any fan of fantasy or dark fantasy would have a great time with this book. Indeed, Broken Honour would serve as an excellent introduction to the Warhammer Fantasy canon for those readers unfamiliar with its details, as the story encapsulates the constant struggles and battles that occur within it, as well as the fun and larger-than-life characters it focuses on. As such, this is a really good and entertaining Warhammer novel that will really appeal to both established fans and potential newcomers.

I really must highlight some of the great characters featured within Broken Honour, as Earl has come up with a wonderful and compelling group of figures to set the story around. Most of the plot naturally revolves around the members of the Gentleman’s Free Company of Hergig, who are formed to face the threat within it. Made up of over 120 former criminals, you don’t get to know all the members, but most of the ones who are featured are extremely fun and very memorable. The leader, Captain Eriksson, proves to be a canny veteran who can manipulate events and his superiors in his favour to field a force in the war and get a lot of money. Despite his mercenary attitude, Eriksson proves to have a conscious and builds up a fair bit of loyalty to his men, and this character growth really helps endear him to the reader. Most of the other named Free Company members are a rather interesting and cool. The drummer boy, Dolf, for example, proves to be an excellent human MacGuffin in the narrative as political plots revolve around his survival. Other members of the Free Company that stood out to me include the tired veteran Sergeant Alter, the possibly mad former warrior priest Gunter, and the wily quartermaster Porter, whose moneymaking schemes and remarkable survival ability rounds out the character dynamics extremely well.

While I had fun with these protagonists, the best characters within Broken Honour are easily the baddies, with several great antagonist figures really coming together perfectly throughout the book. The most prominent of these is Beastlord Gulkroth, who leads the beastman armies in the book. Empowered by dark magics which have enhanced him even further than the rest of his kind, Gulkroth proves to be an intimidating and compelling figure in the novel, especially as his grasp of strategy, tactics and patience are highly unusual amongst his race. Gulkroth spends the bulk of the novel balancing this newfound intelligence against his bestial nature, and it proves extremely interesting to see both sides of his personality come into conflict, especially as it impacts how his army attacks. While Gulkroth is a fascinating figure, the best antagonist is Viksberg, a cowardly noble who was the sole human survivor of the first battle in the book thanks to his spinelessness behaviour. Despite this, he manipulates the situation to make him appear as a hero and gets promoted as a result, killing anyone who knows the truth of his actions. This eventually forces him to contend with Eriksson’s regiment, as one of them is a witness to his crimes, and he tries to get all of them killed on multiple occasions. Viksberg’s continued attempts to kill the protagonists through indirect means really adds to the intrigue and enjoyment of the entire novel, and it was exceedingly entertaining to watch his various plots unfold. Earl really goes out of his way to make Viksberg as despicable as possible, and you end up really disliking the entitled bugger, especially as he gets better characters killed. You end up rooting against Viksberg in the hope that he’ll get his just deserts, only to be disappointed when he manages to survive to fight another day, which is both frustrating and extremely fun. These brilliant antagonists, and all the other characters, add so much to the overall plot of Broken Honour, and I really appreciated the work that Earl put into his various characters.

Overall, Broken Honour by Robert Earl was an awesome and deeply entertaining Warhammer novel that I had a delightful time with. The straightforward story is very exciting and contains some impressive character arcs that unfold to produce a riveting tale, while also providing all the action and bloodshed I could ever want in the iconic Warhammer Fantasy setting. While I am a little disappointed that Earl didn’t write any additional novels featuring the characters in Broken Honour, I still had an awesome time with this book and it’s a great read for both Warhammer fans and those general fantasy readers. Highly recommended!

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Throwback Thursday: Star Wars: Darth Plagueis by James Luceno

On April 15, 2022August 20, 2022 By The Unseen LibraryIn Audiobook, Extended Universe, Science Fiction, Star Wars, Throwback Thursday, Tie-in Novel3 Comments

Publisher: Random House Audio (Audiobook – 10 January 2012)

Series: Star Wars Legends

Length: 14 hours and 45 minutes

My Rating: 4.75 out of 5 stars

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Welcome back to my Throwback Thursday series, where I republish old reviews, review books I have read before or review older books I have only just had a chance to read. In my latest Throwback Thursday I look at one of the more interesting novels from the Star Wars Legends universe, Darth Plagueis by James Luceno.

With Star Wars day on the horizon, I have decided to go back and check out some of the key books in the now defunct Star Wars Legends universe. While no longer canon, there are still some amazing books in the Legends range, including some that will no doubt serve as an inspiration for some future shows or movies. I have already enjoyed several Legends books, such as Maul: Lockdown, Scoundrels and Death Troopers, but there are still more epic reads that I really want to check out. Probably the one I was most interested in reading was the epic Darth Plagueis by James Luceno. Luceno, who also wrote the fantastic novel Tarkin in the current Disney canon, is a very talented author, and I was very excited in checking out his take on the elusive and mysterious Darth Plagueis.

“Did you ever hear the tragedy of Darth Plagueis the Wise?”

Throughout the long and bloody history of the Republic, many Sith lords have risen to threaten the peace and order maintained by their hated rivals, the Jedi. While some have put complex and deadly plans into effect, few have reached the pinnacle of power, influence or mastery of the Dark Side of the Force as the mysterious Darth Plagueis, whose malign guidance shaped the galaxy in terrible ways and introduced a great darkness.

Upon killing his master and obtaining all the power he ever desired, Darth Plagueis set out to continue his order’s greatest goal: destroying the Jedi and claiming the Republic as his own. Using his position as a powerful member of the Banking Clan, Darth Plagueis worked to manipulate the Republic into chaos and slowly lead the Jedi to a war they had no hope of winning. However, even a Sith as powerful as Darth Plagueis is unable to do everything on his own, and he soon seeks out a powerful Force user to take on as his apprentice, a talented politician from Naboo known only as Palpatine.

Renaming Palpatine Darth Sidious, Plagueis begins manipulating events to ensure that his apprentice becomes a major power in the Senate, planning to elevate him to the role of Supreme Chancellor while also destroying those opponents who threaten their plans. However, despite the importance of their plan, Plagueis’s main desire is not the defeat of the Jedi but of a far older enemy, death itself. Diving into the mysteries of the Force, Plagueis will explore avenues of power not seen for millennia as he attempts to become the immortal master of the galaxy. But his obsession with endless life could yet be his greatest undoing.

Wow, Luceno did not disappoint with this fantastic Star Wars novel. Darth Plagueis is an impressive and captivating read that perfectly tells the story of a particularly elusive figure. Bringing in some heavy Star Wars elements from the extended lore, Luceno has crafted a brilliant character-driven story that I had an extraordinary time listening to.

Luceno has come up with an interesting story for the Darth Plagueis novel that achieves several goals at once. Not only does it tell the complete story of this legendary Sith Lord but it provides some interesting context for other pieces of Star Wars fiction, while also containing a powerful story of intrigue, betrayal and darkness. Set over a period of roughly 35 years and told from the perspectives of Darth Plagueis and Darth Sidious (with a few scenes seen from other characters, like Darth Maul), this brilliant novel does an excellent job of exploring the primary characters while also showing their malicious actions across various theatres of the Star Wars universe. While the novel starts off a little slow, you soon become engrossed in the story as you encounter multiple layers of manipulation and politics as Plagueis attempts to control the galaxy and make his major plans. The story is broken into three distinct periods, the first showing some of Plagueis’s early movements as a Sith Master and his initial meeting and recruitment of Sidious. The second part of the book, set 20 years before the events of The Phantom Menace, showcases Sidious as he becomes established as a Senator as Plagueis contends with some dangerous opponents and plots as he sets up the earliest stages of his master plan. The final third of the novel is set in the lead-up/during the events of The Phantom Menace, where you see many of the storylines come together, as well as the final chapters of the relationship between Plagueis and Sidious.

I had a really great time with this compelling story, and it is one that I feel will appeal to a lot of Star Wars fans. While I was a little surprised at the suddenness of some of the time skips, I felt that all three major parts of the novel were really good, and I loved how well they flowed together to create one coherent and fantastic read. The three separate time periods allow for a massive story, while also featuring some of the key moments of the main character’s lives. Featuring a ton of intriguing and heavy bits of Star Wars lore, parts of the story do drag a little in places, especially as there is a little less action than your typical Star Wars novel. However, I found all the politics, machinations and expansions of the Star Wars lore to be extremely fascinating, and there is a brilliant story hidden in there. The story is also not completely bereft of action, and there are some pretty cool fight sequences scattered throughout the book, including some that show off Plagueis’s full, terrifying abilities. This story had an excellent tone and pace to it, and I feel that everything came together extremely well and I was pretty enraptured by every damn moment of it.

This was a really good Star Wars novel, and it is one that will appeal to a wide range of fans, especially those who enjoyed the Legends range. While Darth Plagueis is technically no longer canon, Luceno really went out of his way to connect it to the wider Star Wars canon, which is something I really appreciated about this book. In many ways, Darth Plagueis serves as the ultimate companion to the prequel films as Luceno attempted to fill in some plot holes and unexplained bits of the movies, by exploring the entirety of the Sith’s rise to power. Bringing in a ton of obscure lore, you get an unparalleled view of how Plagueis and Sidious manipulated events in the Legends canon to lead to the events of the films, and this really helps to fill in some gaps. Luceno also includes multiple moments from The Phantom Menace film throughout the story, and it was pretty fascinating to see why parts of the antagonist’s plot came together like they did, as well as some excellent alternate views of certain key scenes. I also deeply enjoyed how Darth Plagueis tied into a ton of other pieces of Star Wars Legends fiction, including books, comics and games. Multiple prior novels are mentioned or connected to this novel in some way, and I felt that Luceno did a really good job of inserting elements from the already massive extended universe into his book and connecting the stories together and giving all of them more context and interest. All these connections helped to create a novel that is particularly compelling and intriguing to dedicated Star Wars fans, who will love seeing the events of this book unfold. While those fans who have only seen the movies will probably be able to enjoy this book easily enough (with only some minor confusion to some of the more obscure parts of the lore), this is a novel best enjoyed by readers who have checked out some other Star Wars Legends books and will appreciate how it fits into that wider version of the canon.

I did like a lot of the universe-building that Luceno did in this novel, as the author explored some fascinating parts of the Legends universe. Not only does the reader get to experience a lot of obscure elements of Star Wars lore, including aliens, technology, locations and other cool things, but this also serves as one of the most impressive looks at the Sith and the Dark Side of the Force. Due to the deep examinations of the Sith and its history by Plagueis, as well as other elements contained in the training of Palpatine, the reader is flooded with knowledge about these Dark Side users and their ways, which proves to be quite intriguing. I had a brilliant time learning more about these deep elements of lore, especially as the characters talk about practicalities as well as history. The difference between various forms of the Dark Side are very cool, as you see some comparisons between Plagueis’s more scientific based usage of the Force and the Dark Side sorcery preferred by Sidious. I also found the characters’ own description and assessment of the Sith and the Force to be surprisingly deep, as the characters see themselves as more of a necessary force there to save the galaxy and the Republic from the Jedi. Darth Plagueis also contains some fantastic detail about the history of the planet Naboo, which I also found really fascinating. Darth Plagueis goes out of its way to explore the history of the planet and the reasons why it became a political and economic factor in the Republic in the lead-up to The Phantom Menace, and I loved seeing the political strife and manipulation that led to this initial war, as well as the rise of characters like Palpatine and Amidala. These brilliant pieces of lore are so much fun to learn about, and I had an incredible time finding out more about the Sith in this canon.

Of course, one of the best bits of the lore that Luceno examines in this novel is the role that Darth Plagueis had in the Star Wars universe. First mentioned in that iconic monologue in Revenge of the Sith, Plagueis remained a mostly shadowy and unknown figure until the release of this book, which serves as the ultimate guide to the character and his history. Luceno, who at this point had been planning a Darth Plagueis story for years, does a brilliant job of telling the full story of this great character, and you get an outstanding focus on his entire life, especially his time as a Sith Master. Plagueis, a Muun also known as Hego Damask, is portrayed as a thoughtful, powerful and manipulative being with a surprising nobility and dignity to him. Fitted with an intriguing backstory and motivations, you see him grow into an extremely powerful Sith Lord throughout the course of the book, and it was fascinating to see all his plans and machinations. The most significant part of the character’s motivations is his hunt for immortality through the force. As such, you get a fantastic look at his obsessive experiments and research, as he tries to uncover this ultimate secret. I felt that Luceno did an incredible job of working this mysterious character into the wider Star Wars canon. There are some great moments throughout this book that show this shadowy figure manipulating key events from the shadows to bring about the events of the prequel films. I particularly loved how Luceno fit Plagueis into some scenes from The Phantom Menace, and it is very fun to imagine him watching these moments from just outside camera shot. This really was an incredible examination and exploration of this character, and I had so much fun finally finding out who Darth Plagueis was and how he was connected to the wider story. Despite this story no longer being canon, this novel is really the only guide to Darth Plagueis, and it wouldn’t surprise me if it is used as the primary source material for anyone wanting to introduce him in a future film or television series.

While this book does tell the story of Darth Plagueis, in many ways it is just as much about Palpatine as it provides readers with an outstanding look at his early history. Essentially set during the time he was Darth Plagueis’s apprentice, you get some amazing insights into who Palpatine is and how he turned to the Dark Side of the Force. Portrayed as manipulative and insidious since birth, you get to see Palpatine at his most evil and dangerous as he learns about the Force and the Sith. I loved how you get to see various stages of Palpatine’s early life, from his teenage years where he first learns about his powers, to his middle age where he becomes a young ambitious senator and apprentice, to his time as an experienced manipulator and Force user just before coming Supreme Chancellor. I had a brilliant time seeing Palpatine grow as both a Sith and a politician throughout this book, and you get some fantastic views of his early interactions with key players in the Star Wars canon. I also deeply enjoyed seeing his intriguing dynamic with Darth Plagueis. In pretty much all his other appearances, Star Wars fans only ever see the confident and controlling Palpatine who has no-one above him. However, in Darth Plagueis, you see a somewhat more subservient Palpatine who is forced to bow to the will of one more powerful. Watching working under another is an interesting change of pace, although some reveals towards the end of the book (and in some other novels, such as Maul: Lockdown), show that he is never as loyal as Plagueis believes. This truly was an outstanding depiction of Palpatine and it was so awesome to see more about our favourite soon-to-be emperor.

Aside from Plagueis and Palpatine, the Darth Plagueis novel is loaded with a ton of interesting supporting characters, many of whom had roles in the films, animated series or other pieces of Legends fiction. These intriguing characters help to create the novel’s rich tapestry of politics, intrigue and betrayals, and all of them served some fantastic roles in the book. I particularly enjoyed seeing the inclusion of other Sith characters like Count Dooku and Darth Maul, especially as this novel serves as a bit of an origin story for both, as you see Palpatine obtaining and training Maul as well as Plagueis and Palpatine manipulating Dooku to leave the Jedi. I also enjoyed the intriguing look at Plagueis’s own master, Darth Tenebrous, whose brief role showed a whole other aspect to the Sith as he had his own distinctive style. I did think that the crowd of supporting figures with their own story elements slowed the pace of the novel down a little in the middle of the book, but I ended up having a brilliant time enjoying the story set around the awesome main characters.

Unsurprisingly, I chose to listen to Darth Plagueis on audiobook rather than seeking out a physical copy of this excellent novel. I naturally had a very fun time listening to this version of the book, which not only featured a brilliant narrator but also made excellent use of the typical Star Wars audiobook production elements. Darth Plagueis is loaded with cool sound effects and awesome Star Wars music, all of which add to the ambiance of the story in various ways. I particularly liked the use of John Williams’s iconic scores throughout this audiobook, which did a great job of enhancing several scenes and increasing their emotional impact. This was particularly true for some of the darker moments in the book, as some of the music associated with the Sith, the Dark Side and death/destruction, are blasted at full volume during some key moments, such as Palpatine discovering his destructive abilities for the first time, or during a couple of massacres. This awesome music was so cool to hear during these scenes, and you really got an increased sense of the powerful emotions and dark deeds that were going on.

I also deeply enjoyed the epic narration, as this fantastic audiobook features the vocal talents of actor Daniel Davis (whom audiences of taste will recognise as Niles from The Nanny). Davis gives a powerful and commanding performance here, bringing some major gravitas to the role and the characters. His voice work for the titular character, Darth Plagueis, is really good, and you get a fantastic sense of the character’s power and wisdom as the novel continues. Davis also does a brilliant job of voicing multiple characters and species from the Star Wars films, sounding quite close to their original actors. I loved the voice work for Palpatine, capturing much of the villain’s iconic voice, while also giving it a youthful tilt for the earlier parts of the book. Other characters, such as Count Dooku and Darth Maul, are also expertly portrayed here, and I particularly liked Davis’s take on Christopher Lee’s amazing voice. This outstanding voice work, combined with the sound effects and music, helped to turn this into an exceptional listen that I deeply enjoyed. With a run time just under 15 hours, this is a descent sized Star Wars audiobook, but listeners can power through it in no time at all. This format comes highly recommended and you will have an outstanding time listening to the Darth Plagueis audiobook.

Overall, Darth Plagueis is an impressive and addictive Star Wars Legends novel that I had an incredible time reading. James Luceno really excels at telling complex narratives that examine character origins, and Darth Plagueis did a wonderful and comprehensive job of expanding on a mostly unknown figure. I loved learning everything about this awesome Star Wars figure, and Luceno wove an outstanding tale of intrigue and power around him and his apprentice. An absolute must read for all fans of the Star Wars extended universe, I cannot wait until they finally introduce this complex figure into the current canon.

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Black Drop by Leonora Nattrass

On April 13, 2022August 20, 2022 By The Unseen LibraryIn Historical Fiction, Murder Mystery1 Comment

Black Drop Cover

Publisher: Viper (Trade Paperback – 15 February 2022)

Series: Laurence Jago – Book One

Length: 343 pages

My Rating: 4.25 out of 5 stars

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Intriguing and talented new author Leonora Nattrass presents a compelling historical thriller debut with Black Drop, a fantastic novel that drags readers into the conspiracies and issues of late 18^th century London.

In July of 1794, as the terror of the French Revolution reaches its height and the war on the continent goes poorly for the British army, uncertainty and fear of violent change infect the people of London. For Laurence Jago, clerk to the Foreign Office, his position is even more uncertain that those around him. A young man with hidden French heritage, Jago fears the day that his connections to his mother’s nation will be discovered, especially after spending years serving as a spy for sinister French agent Aglantine.

Now believing himself to be free from Aglantine’s employment, Jago is thrust into an untenable situation when vital confidential information about the British army is leaked from his office to the press. Suspected by his peers of leaking the information and under investigation, Jago fears that all his secrets and former dealings are about to come out. His problems are only further compounded when he discovers the body of a fellow clerk in his rooms, supposedly dead by suicide.

When the blame for the leak is shifted onto the dead man, Jago is freed of the suspicion against him. However, Jago knows that the dead clerk was incapable of stealing the letter and believes that he was murdered. Determined to find out the truth behind the death, Jago finds himself investigating the highest level of the British civil service and their political masters. Out of his depth and thwarted at every turn, Jago will risk everything to root out the culprit before they strike to disrupt England again. However, can he succeed without revealing his own dark secrets, or will Jago hang as a traitor instead of the murderer?

Black Drop is an excellent and clever novel that I had a great time reading as Nattrass perfectly combines a compelling spy thriller/murder mystery storyline with intriguing and detailed historical fiction elements. This resulted in one of the more unique and fantastic debuts of 2022 and I really enjoyed Black Drop’s impressive story.

This awesome debut novel has an excellent story that expertly combines intriguing spy thriller and murder mystery elements with a character driven historical narrative to create a compelling and impressive read. Set throughout key events of 1794 and told as a chronicle from the perspective of central character, Laurence Jago, Black Drop presents the reader with an intriguing tale of murder, political machinations and the threat of revolution at the heart of the period’s government. Nattrass sets the scene perfectly at the start, introducing the key characters while also highlighting the feelings of unrest and dissent as the fear and inspiration from the French revolution hits London. From there, the story starts to unfold in some interesting directions as the protagonist finds himself involved in political and espionage adventures while also investigating the murder of a fellow clerk, which appears to be connected. At the same time, the slow-paced story utilises some intriguing aspects from the protagonist’s life as he struggles with dark secrets from his past that have potential implications on the current events.

Following this introduction and the initial parts of the narrative, the middle of Black Drop starts to bring in certain key historical events and figures, which results in some fantastic moments and character interactions, especially once an antagonistic figure becomes more prominent. While the middle of this novel did drag in places, I felt that Nattrass was providing the reader with the right blend of intrigue, mystery, historical detail and character growth to produce a great overall story. You really get to grips with the protagonist and the key aspects of the setting during this part of the book, especially when Jago hits a major personal downturn earlier than expected, and interesting reveals enhance the reader’s attachment to the mystery. The story really starts to pick up once it gets to Nattrass’s recreation of the infamous trial surrounding supposed radical and revolutionary Thomas Hardy. The ridiculous, and mostly accurate depiction of the trial (with certain elements from other trials thrown in for greater effect), proves to be a great high point for the novel, especially as other key parts of the plot are slotted in perfectly around it. I did feel that the novel started to come undone around the conclusion a little, especially when it came to the big reveal. While there were a couple of good twists around certain characters, the solution to the main mystery and the intrigue seemed a little weak to me, and I was a little disappointed with how it turned out, especially as you barely get to see anything about the final confrontation. Still, this did not affect the overall quality of the story too much, especially as the author throws in an excellent wrap-up for the protagonist’s storyline in this novel which has a lot of potential for a sequel. While much of the story can be a little sluggish and lacking a lot of action, I had a great time getting through Black Drop, and I loved how the excellent interplay of elements came together so well.

One of the most distinctive parts of Black Drop is the sheer amount of fascinating historical detail that was fit into the story. Nattrass has clearly done her research on the period and the reader is presented with a fantastic and powerful view of London in the late 18^th century. Not only are there some brilliant and vibrant depictions of historical London but the reader gets some fascinating views into the inner workings of the government at the time. Substantial parts of the book are dedicated to examining the civil service and the political hierarchy of the day, with multiple influential figures featured as supporting characters. This proves to be a deeply fascinating part of the book, and I loved how Nattrass was able to weave these intriguing details into the thriller plot, becoming a key part of Black Drop’s story. I also deeply appreciated the way in which Nattrass explores the social and political issues of the day, especially where it relates to the concerns in London about an uprising similar to what happened in France. As such, you get a full spectrum of personalities from across London, as royalists and loyalists clash with potential radicals who are targeted by the worried government. This all cumulates in the fantastic court case of Thomas Hardy, a shoemaker accused of radical actions and attempted rebellion. This historical trial is expertly recreated by Nattrass to include all of its most interesting parts, including several extremely ridiculous elements from history (a blowgun murder conspiracy). Nattrass also cleverly combines in some elements from related trials that occurred around the same time as the Hardy case for some amusing dramatic effect, and this extended sequence ended up being one of my favourite parts of the novel. The overall hint of discontent by many members of London’s society, as well as the innate fear of the established institutions, is portrayed beautifully, and you get a great sense of the public issues during this period. All these impressive historical elements are handled extremely well by Nattrass, and while it did get a tad tedious in places, it was an excellent part of the book that I deeply enjoyed.

To back up her unique historical tale, Nattrass has furnished Black Drop with a compelling array of characters with some complex and compelling character arcs. This book actually contains a great combination of original characters and historical figures, with many major figures in 18^th century British politics and the civil service featured in substantial roles throughout the book. Not only does this brilliantly enhance the already substantial historical details of Black Drop, but it also results in some fascinating interactions and depictions as the fictional characters, including the point-of-view character, observe them. Due to the complexity of the story, Black Drop makes use of a pretty large cast of characters, and while a few of them blend together, most come across as pretty distinctive with some interesting and fun character traits.

The best character of Black Drop is the protagonist Laurence Jago, who also serves as the book’s sole point-of-view character. Jago turns out to be a particularly complex and damaged individual whose emotional attachment to the case and the state of London society provides some intriguing drama and insight into the events of the book. Already made quite distinctive by his unique green-glass spectacles, Jago proves to be an impressive and captivating figure, especially as he has some major issues. Secretly half-French, Jago lives a conflicted and fear-filled life, especially with the intense anti-French attitudes sprinkling the city. This, combined with his foolish youthful dalliance of being a spy for France, ensures that he has a powerful sense of guilt, and is constantly worried about being discovered, especially once other accusations are made against him. The discovery of a dead friend, combined with his guilt, the pressures of work, and the constant fear of discovery really strain his mind, and while he doggedly tries to find out the truth behind the murder, he starts to crack and nearly blows his cover. Watching him trying to hide his own secrets while uncovering the lies and machinations of those around him becomes pretty intense, especially as you grow quite attached to this damaged soul. His mental state further deteriorates once he becomes addicted to Black Drop (an opium concoction), which dulls his worried and troubled mind, while also leaving him lethargic and susceptible to danger. This proves to be a serious handicap to his abilities, and it is fascinating to see him try to balance all his issues with the hunt for the truth. All these issues and concerns result in a very conflicted and emotionally drained character, who Nattrass portrays perfectly, and it was very powerful to see Jago’s entire story unfold.

Aside from Jago there is a rich cast of supporting characters, each of whom add to the story in their own distinct way. I particularly want to focus on two who ended up being the best supporting figures in different ways. The first of these is William Philpott, a fiction British reporter character, who arrives in England from and extended stay in America and sets up his paper and family residence next to Jago’s lodgings. An eccentric, rambunctious and slightly uncouth fellow, Philpott stands in stark contrast to the various stuffy characters that make up the majority of the cast, which ensures that the reader is quickly drawn to him. Not only does he serve as a lighter character in the novel and a firm confidant for the protagonist, but you also get an interesting viewpoint into his changing feelings about the events occurring throughout London. Philpott starts the novel as a strong, patriotic figure who fully intends to support the government in his paper when it comes to the court cases against the supposed radicals. However, upon viewing some of the injustices they are committing, such as their harassment of and unfair case against Thomas Hardy, Philpott becomes more sympathetic, supporting the dissenting voices and writing fair accounts of the proceedings. This interesting middle ground perspective on the historical events of the book proves to be extremely interesting, and I loved how Philpott’s unique storyline unfolded, especially as it results in him throwing some valuable lifelines to the troubled Jago.

The other character of note is real-life historical figure and future British Prime Minister George Canning, who serves a much more antagonistic role in this novel. Canning, who at this point in the time period was a young MP with connections to the sitting PM, William Pitt, gets embroiled in the case quite early in the novel, thanks to his connection to the dead man and the suspicions surrounding Jago. Portrayed in Black Drop as an uncaring and malicious man, Canning is a menacing antagonist for much of the novel, constantly butting heads with Jago and complicating his investigation. I loved the use of this intriguing historical character, especially as Nattrass turns him into a very unlikable figure, who you cannot help but hate. Not only does Nattrass do a great job of examining some of the historical elements surrounding him at this period of time but she also layers in some fantastic references to future events in his life, such as the infamous duel that he would eventually take part in. However, his real benefit is the impact he has on the story and the deep rivalry he forms with the protagonist. Watching these two battle it out in different arenas is very amusing, especially as Jago is constantly outmatched by this influential politician, and I do hope that we see more of Canning in future books in this series. These great characters, and more, all add a great deal to this intriguing novel, and I really appreciated how fantastic and compelling they turned out to be.

Overall, Black Drop by Leonora Nattrass is an impressive and captivating piece of historical crime fiction that I am really glad I decided to check out. Making excellent use of some fascinating historical elements, Nattrass did an amazing job of producing a clever and enjoyable spy thriller/murder mystery storyline in 18^th century London, which came together very well. Filled with great historical events and compelling characters, Black Drop was an absolute treat to read, and I look forward to seeing how Nattrass’s next book will turn out, especially as the sequel, Blue Water, is apparently set for release in October this year.

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