Tag: Podium Audio

Artifact by Jeremy Robinson

On By The Unseen LibraryIn Audiobook, Five-Star Books, Science Fiction, Thriller3 Comments

Publisher: Podium Audio (Audiobook – 26 August 2025)

Series: Standalone

Length: 9 hours and 56 minutes

My Rating: 5 out of 5 stars

Amazon

One of my very favourite authors of outrageous fiction, Jeremy Robinson, returns with another intense and horrifying science fiction thriller, Artifact, a captivating and powerful novel I couldn’t get enough of.

Jeremy Robinson is an outstanding author who has a fantastic career writing clever, fun, and occasionally terrifying thrillers, often featuring intriguing science fiction elements.  Best known for his Antarktos Saga, Chess Team and Nemesis Saga series, Robinson has written a staggering amount of fiction over the years, including additional cool series and standalone reads.  I personally got into Robinson’s work a few years ago when I read a few books from his massive, interconnected Infinite Timeline series, including Tribe, The Dark and Mind Bullet (the latter two of which were amongst my favourite books and audiobooks of 2021), all of which were incredibly fun and addictive.  I have also started getting into Robinson’s standalone novels, such as last year’s fantastic novel Point Nemo (one of my favourite audiobooks of 2024), which contain some amazing stories.  As such, I was very excited when I got a copy of Robinson’s awesome new novel, Artifact, on audiobook, which sounded extremely amazing.  I honestly started listening to Artifact the same day I found out about it, and boy was I glad that I did.

Plot Synopsis:

In an isolated Alaskan town, the local sheriff uncovers a secret lab where generative A.I. and bioprinting have unleashed grotesque, living anomalies—and now, something monstrous is loose.

Sheriff Colton Graves prefers the quiet life in Raven’s Rest, Alaska, a remote town accessible only by tunnel and home to a hardy mix of locals and secrets buried in the ice. But when a camel wanders down Main Street—its head grotesquely sprouting a dozen eyes—Colton knows his quiet days are over. The bizarre incident leads him to NovaGen, a nearby research facility constructed inside a Cold War bunker, buried in the mountains above town. There, a trail of blood and eerie silence hints at something far more sinister than an escaped animal experiment.

With his deputies—the sharp-witted Tali and rookie Ethan—Colton recruits a few trusted locals, including the unshakable Marit, Tali’s sister, the intimidating ‘Grizz’ Norval, and Edgar ‘Old Red’ Rydell, an aging man plagued by demons from when he worked at the bunker during its covert cold war days.

Together, they investigate the abandoned lab. What begins as a search for missing scientists soon reveals chilling evidence: pools of blood without bodies, cryptic warnings left behind, a bloody six-fingered handprint, and the revelation of a new technology: a generative A.I. capable of printing living organisms. As they descend deeper into the lab, it becomes clear that the answers they seek may come at a terrifying cost—and that what was made in the dark may not be content to stay there.

Jeremy Robinson once again greatly impresses with his new thriller Artifact.  A complex and deeply clever read loaded with weird science, fantastic humour and incredible action, Artifact was an exceptional read that had me hooked very early on and kept my attention all the way to the end.  A particularly intense novel with so many amazing elements to it, Artifact gets a full five-star rating from me, especially on audiobook, and I ended up powering through it so damn quickly.

I deeply enjoyed the compelling and fast-paced narrative that Robinson featured in Artifact, which amps up the intrigue and excitement quickly and keeps it going all the way to the very end.  Starting with an enticing inciting event of a multi-eyed camel arriving in the middle of a snowed-over Alaskan town, the initial narrative of Artifact is quick and effective, with the protagonists quickly realising that something dark has occurred at the nearby and mysterious NovaGen facility.  Pulling together a band of scrappy locals, the group begin their decent into the facility, only to encounter mysterious creatures and tragic death.

Robinson soon takes the novel into twisted science fiction territory as you are shown the variety of experiments taking place in the facility.  In particular, the staff of NovaGen are bio-printing monsters and other creatures, which has inevitably gone wrong.  Forced to put an end to the experiments and save the town from potential destruction, Colton and his team continue to descend the various levels of the facility, all while being hunted by the worst monsters humans can imagine.  The author does an excellent job of building and maintaining tension throughout Artifact’s story, and you are expertly drawn into the personal struggles of the characters as they try to understand and withstand the horrors of the facility.  There are some outstanding twists and sudden deaths as the story draws towards its conclusion, and I enjoyed the mixture of shocking moments and well-crafted reveals many chapters in the making, which results in an outstanding novel where you never quite know what is happening next.  Robinson ends the book on a mostly hopeful note, along with an amusing cliffhanger, and this proved to be an impressive standalone narrative that is guaranteed to entertain.

I felt that the author pulled Artifact together in a very entertaining manner that allowed for the maximum thrills, tension and character development.  Perfectly utilising the first-person perspective that Robinson is so fond of, Artifact is a great standalone read that requires no prior knowledge of the author’s other works to enjoy (although there are a few fun references established fans will chuckle at).  The author does an excellent job of effectively setting out the key elements of Artifact throughout its run, including with the advanced science elements of the book.  These science elements are both compelling and quite interesting, and you can tell that Robinson did a bit of research into the subject.  This research allowed the author to envision some dark and horrifying creations of potentially realistic science, and I loved how the creatures the protagonist encounter was a combination of weaponised efficiency and dark human imagination.

These fantastic science fiction creations, and the dark conspiracy that birthed them, work well with the author’s Michael Crichton inspired scenario, to create a lot of excellent tension and uncertainty that keeps readers constantly on the edge of their seat.  I loved the constant uncertainty of what traumatising event was about to come out of nowhere next, and there are some great twists and reveals scattered throughout this captivating novel.  Throw in a series of particularly thrilling action sequences as the protagonists face off against printed monstrosities and the other disturbing denizens of NovaGen, and there is a lot to love about how Artifact was written, especially as it perfectly enhances Robinson’s fantastic and captivating narrative.

My favourite elements of Artifact were the complex and compelling characters whom Robinson set his narrative around.  Robinson has always excelled at creating entertaining characters, and I think he did a wonderful job pulling together a layered cast of Alaskan outcasts and rogues to fill the pages of Artifact.

The most prominent of these characters is main protagonist Sheriff Colton Graves, from whose perspective we see the events of this book unfold.  Colton is a widowed lawman who enjoys the simple life at Raven’s Rest, but who quickly rises to the challenge when strangeness invades his town.  Effectively established as a compelling and solid centre to the book’s plot, Colton is an easy character to like thanks to his fun humour, clever insights and leadership skills.  However, Robinson makes Colton even more interesting as the book continues by revealing some fascinating character details that are expertly weaved into the story.  This includes a new romance for Colton that helps him to move forward from his dead wife and serves as his inspiration to continue pushing through the horrors of the NovaGen lab.  In addition to this, the story reveals that Colton has autism and hypersensitivity, and these conditions have strong impacts on the plot and the way the perspective protagonist interacts with the world.  Robinson does an exceptional job really diving into these fascinating aspects of his protagonist, and it was clear that the author was trying to showcase the conditions as accurately as possible based on his own personal experiences.  I think that Robinson really succeeded in showcasing these character elements, and while certain aspects are no doubt enhanced to fit in with the science fiction aspects of the book, it was mostly realistic.  I really enjoyed how Robinson made Colton a particularly likeable and relatable protagonist, and he helps to make Artifact a very distinctive read.

In addition to Colton, Robinson loads up Artifact with a great collection of memorable supporting characters who are perfectly utilised in the narrative and add some entertaining spice on top of the protagonist.  Highlights for me include the troubled and mysterious Old Red, a survivalist with dark connections to facility, who serves as the groups guide and secret badass.  I also had a lot of fun with Grizz, a tough, bear-killing lady with the scars to prove it.  Colton’s deputy, Tali, was the perfect backup for the protagonist, while her sister, Marit, proved to be an excellent love interest to Colton, which resulted in some complicated and emotional sequences.  The rest of the cast, including some unique figures found in the bunker, are also quite entertaining, be they friend, bio-engineered organism, or evil antagonist, and I loved some of the amazing interactions that emerged.  I will warn readers not to get too attached to any characters, as most figures don’t last as long as you’d want, but Robinson makes full use of every character he features, even if they only have a brief life in the book.

As with all the previous Robinson novels I’ve enjoyed, I chose to check out Artifact on audiobook, which was a ton of fun.  I have always found that Robinson’s novels come across particularly well on audiobook, and Artifact was no exception as I powered through its near 10-hour long runtime very quickly.  Part of the reason why I had such a great time with this audiobook is the return of one of my favourite audiobook narrators R. C. Bray.  Bray, who has lent his voice to most of Robinson’s audiobooks, is a truly exceptional narrator, and I just love any story read out in his gravelly and distinctive voice.  This was particularly true for Artifact, where the intense action and the horrifying descriptions of the laboratory’s contents were so much more impactful thanks to Bray’s calm and powerful take on events.  Bray also expertly showcases each of the key characters of the novel, and I felt he developed fitting and personal voices for each of the members of the cast.  While I love Bray’s voice for Old Red and the slacker Jimmy, his best work was saved for main protagonist and point-of-view character Colton.  Bray has long perfected voicing Robinson’s various first-perspective protagonists, and he always manages to cover their complex personalities, dialogue and interactions extremely well.  His take on Colton was very moving in Artifact, and I felt that Bray really enhanced Robinson’s depictions of this character’s quirks and unique viewpoints on life.  Due to this impressive narration, and Robinson’s general cinematic writing style, the Artifact audiobook is exceptional, and it’s easily the best way to enjoy this novel.

With all the chaotic action, crazy science fiction elements, and great character I’ve come to expect from Jeremy Robinson, Artifact was an outstanding novel I had a blast getting through.  Featuring a thrilling plot, laden with shocks and monsters, Artifact grabs the reader’s attention early and refuses to let go.  This book comes very highly recommended from me, especially on audiobook, and anyone keen for a horror-filled and deeply intense thriller is going to have an outstanding time with Artifact.

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Point Nemo by Jeremy Robinson

On By The Unseen LibraryIn Audiobook, Five-Star Books, Science Fiction, Thriller5 Comments

Point Nemo Cover

Publisher: Podium Audio (Audiobook – 5 April 2024)

Series: Standalone/Book One

Length: 9 hours and 31 minutes

My Rating: 5 out of 5 stars

Amazon

The always entertaining and intense Jeremy Robinson returns with a compelling and dark science fiction adventure that takes the reader on one hell of a mushroom trip with Point Nemo.

Jeremy Robinson is an intriguing author who has been contributing some exiting and wild books to various genres for nearly 20 years.  Best known for his over-the-top science fiction and horror thrillers, Robinson has written a ton of fantastic books over the years, including his Chess Team, Nemesis Saga and Antarktos Saga series, as well as an awesome collection of standalone novels.  I am mostly familiar with the books in Robinson’s more recent Infinite Timeline connected universe, which feature a huge collection of compelling standalone novels that gradually came together as the series continued.  I had a wonderful time with several entries from this universe, including Tribe, The Dark and Mind Bullet, the latter two of which were amongst my favourite books and audiobooks of 2021.  I have been meaning to read a lot more of Robinson’s books, and I finally got the chance when I grabbed a copy of his latest audiobook, Point Nemo.  Originally a screenplay by Robinson, the author morphed Point Nemo into a complex novel that I really got stuck into.

Alien life has been discovered, and it’s far closer to Earth than we ever realised.  Mission Specialist Julie Rohr, an astrobiologist, has been sent to the International Space Station to study a strange, migratory space dust called xylem that has unusual properties that could benefit all of humanity.  However, despite appearing benign, the xylem is both alive and extremely insidious, causing the International Space Station to fail and crash towards Earth, dragging Julie with it.  The destination of the crash landing is Point Nemo.

Lying in the heart of the South Pacific, Point Nemo is the most remote and desolate place on the entire planet.  Thanks to its strong and isolating currents, Point Nemo is essentially a dead zone, devoid of life or any form of land, which makes it the perfect place for the world governments to crash their satellites.  However, that is no longer the case, as a mysterious island has begun growing in the middle of Point Nemo without anyone knowing.  Worse, the island appears to be made up of xylem, and it has begun moving towards inhabited waters.

Determined to investigate this mysterious occurrence and rescue Julie and her research, the US government sends in a small team to find her.  Among the team is Julie’s estranged father, renowned mycologist Dr Finn Maddern, who journeys from his isolation in the Amazon rainforest to save his daughter.  However, that might prove to be harder than expected as the xylem-forged island is swiftly evolving, becoming ever more dangerous and giving birth to an array of strange and terrifying creatures.  As the team begins to suffer tragic loses, it quickly becomes apparent that the island has hostile intentions for all of humanity, and if it escapes Point Nemo, it could destroy all life on the planet.  Can Julie and her father find the secrets of the alien island before its too late, or will they end up food for the malicious life forms coming for all of humanity?

Jeremy Robinson produces another high intensity, clever, and exciting read that had me hooked the entire way through.  Point Nemo was a very impressive science fiction thriller that make excellent use of the author’s intriguing story concept to create an intriguing and haunting story.

Point Nemo had an outstanding and epic narrative behind it that is heavy on the action, intriguing science fiction elements, and just a bit of body horror, which allows for an intense and fast-paced read.  Starting off with a few explosive space station crashes, and never slowing down from there, Point Nemo grabbed my attention very early on, and I liked the unique scenarios that Robinson kept introducing to the plot.  There is a fast but comprehensive introduction to the various key players to the story, including primary protagonist and point of view character, Dr Finn Maddern, a literal jungle-man scientist who joins to the team to save his daughter.  The protagonists are soon dropped onto the mysterious island, where they quickly begin to understand the unique makeup of the island, and the unusual biological processes going on.  I felt the first half of this book was very strong, and while it loses a little of its storytelling punch due to the need to introduce the scenario, it was still extremely gripping.

The second half of Point Nemo is where things really pick up, as Robinson begins to unleash the full horror of the island the protagonists find themselves trapped on.  There are some gruesome deaths, insane action sequences, and some very dark moments, as the protagonists begin to understand the full horror of the quickly evolving alien island, and desperately try to find a way to either escape or stop the island from destroying the world.  This leads up to a very desperate and compelling conclusion, as the protagonists risk everything to save the day, only to encounter tragedy and more and more deadly alien creatures.  The various action sequences littering the second half of the Point Nemo were exceptional and I really liked the sheer tension that Robinson was able inject into the book at times, especially in the final, extended struggle.  I cannot emphasise how captivating and exciting this second half of Point Nemo was, and I powered through it so damn quickly.  Robinson ends everything on an interesting note that potentially hints at a sequel to come, and I look forward to seeing how he might expand on this fantastic narrative in the future.

Robinson has a very fun and distinctive style for his novels which he reuses again for Point Nemo.  Told pretty much exclusively from the first-person perspective of his excellent and compelling protagonists Finn Maddern, the reader is quickly thrust into the action while also being treated to some very relatable insights from his protagonist.  As is typical with a Robinson book, Point Nemo moves very fast and is very explosive at time, with the protagonists quickly falling in line with the adventure into the unusual scenario.  This book did feel a little overly cinematic at times, probably because that this novel was originally a screenplay, but Robinson has done an outstanding job of fleshing out his original concept into a complete and complex book.  Readers unfamiliar with Robinson’s style might not fully appreciate the more casual dialogue and character traits that he utilises, but I think it works extremely well, especially as there is a lot of fun humour and realistic reactions spread out here.

All the protagonists are very relatable and human in their portrayal, and I found myself getting attached to those that survived.  Even those who die due to their own mistakes are quite easy to understand (to a degree, one character’s death was very frustrating), as they have very human traits of stubbornness and pride.  Protagonist Finn Maddern was easily the standout of the book, and while his brilliance and humour are typical Robinson protagonist traits, you have to love his jungle scientist background, especially as it sets him up very nicely as a protagonist for this book without turning him into an impossible action hero.  Finn’s central perspective for the vast majority of the story is very easy to follow, and Robinson builds him up as quite a complex figure with a powerful past thanks to his first-person narration.  The author does switch up the perspective of Point Nemo at times, especially towards the end, and this proves to be quite an effective writing move at times, as it really shows how serious and game-changing events are getting.  Point Nemo ended up being a very good standalone book from Robinson, which can be easily enjoyed by any reader looking for a highly thrilling read, although established fans of the author will no doubt appreciate the fun joke references to some of his other works.

I think one of the strongest elements of Point Nemo was the unique science fiction elements that Robinson came up with as the basis for his story.  A mysterious alien spore that crashes satellites, enhances biology, creates a massive, connected living island in the ocean and evolves various crazy alien creatures is an outstanding concept that the author uses to full effect in their narrative.  The author does an excellent job of breaking down the science behind these elements and presenting it to the reader in a compelling way.  There are also some fun dives into mycology, especially as Earth fungi and mushrooms bear some interesting similarities to the alien spores and play a big role in the overall story.  The unique island and its fantastic creatures prove to be an amazing part of the book, and I loved how crazy and over-the-top Robinson made them.  The various dangers and creatures encountered by the protagonists are legitimately scary at times, and Robinson allows them to make his story particularly gruesome at times.  This includes some dark body horror moments that will stick in my mind, and which allows for a particularly shocking narrative that will keep readers very engrossed.  I honestly cannot talk up Robison’s science fiction elements enough, especially as this very inventive story basis allowed for a particularly exciting and captivating narrative.

There are several series and authors out there whose works I would always recommend that potential readers should check out on audiobook.  Jeremy Robinson is one of these, as all the novels of his that I have enjoyed have been in their audiobook format, which were really damn awesome.  This is once again true for Point Nemo, which proved to be an incredible listen.  Coming in with a run time of nine and a half hours, the Point Nemo audiobook was a lot of fun, especially as it enhanced Robinson’s exciting adventure, while also showcasing the intense action in all its gory glory.  It also helped that Point Nemo was narrated by the legendary R. C. Bray, who is one of my favourite audiobook narrators.  Robinson and Bray have a great partnership going, with Bray narrating most of the author’s recent books.  Bray has an incredible voice that works extremely well for thrillers and high excitement tales, and any audiobook read by him becomes instantly better.  His tones work wonders in the first-person chapters of Point Nemo, and I loved the deep and likeable tones he assigns to the various characters.  His narration for the main character, Finn Maddern, was particularly good, and Bray really captured the multiple elements of this complex character.  I love how Bray was able to simultaneously bring out Finn’s humour, passion and intensity with his voice work, and you really get drawn into his personal journey as a result.  Due to this voice work, as well as how the story was enhanced by being read out, I would strongly recommend the audiobook format as the best way to enjoy Point Nemo.

Jeremy Robinson continues to show why he is one of the best and most insanely inventive authors of the science fiction thriller.  Point Nemo is an exciting, addictive, and slightly insane read that had me hooked all the way through, especially as Robinson brought out some amazing and impressive science fiction elements to really enhance his action-packed story.  I had such a great time with Point Nemo, especially with its audiobook format with narrator R. C. Bray, who helped to turn this into a five-star read.  I cannot recommend Point Nemo enough, and I look forward to more books from Robison in the future, especially if the audiobooks are as epic as this one was.

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Dragon Mage by M. L. Spencer

On By The Unseen LibraryIn Audiobook, Fantasy, Five-Star Books4 Comments

Dragon Mage Cover

Publisher: Stoneguard Publications/Podium Audio (Audiobook – 19 December 2020)
Series: Rivenworld – Book One

Length: 27 hours and 18 minutes

My Rating: 5 out of 5 hours

Amazon

Prepare for an epic fantasy adventure with a great classic feel to it, as awesome author M. L. Spencer presents the massive and captivating fantasy novel, Dragon Mage.

Back in 2020, the fantasy book world was abuzz with talk about the compelling and impressive fantasy fiction epic, Dragon Mage by M. L. Spencer, who was already known for her Rhenwars Saga and Chaos Cycle books.  While I have not had the opportunity to read any of her previous works, Dragon Mage definitely caught my eye, especially with the very cool cover with the awesome art.  While I never got the chance to read this book when it was first released, I did grab an audiobook copy of it and have been looking for an opportunity to listen to it for some time.  When I found myself in the mood for some great high fantasy a few weeks ago, I decided it was finally time to listen to Dragon Mage, especially as a future Rivenworld book is apparently on the horizon, and boy did I have an outstanding time with it.

Aram Raythe is a simple lad from a small fishing village in the middle of nowhere.  A strange boy with a love of knots and an inability to understand people, Aram thinks that he will go through life alone and hopes for a quiet existence as a sailor.  However, Aram has a secret that he has never told anyone: he can see the colourful strands that make up the world, and he can manipulate them to do magic.

When a bard arrives at the village, seeking an apprentice, Aram uses his powers to help the only person who was ever nice to him, fellow teen Markus Galliar, get chosen; however, he is unprepared for the chaos that this action will unleash upon his life.  While the bard, who recognises his potential, attempts to take him to safety, Aram accidently unleashes his power to cause a rift in the world.  Soon the village is visited by an Exilari sorcerer, who captures Aram and Markus, seeking to drain Aram’s essence and use it to power his own magical abilities. 

Aram’s destiny lies not in the torturous extraction cellars of the Exilari but with an order of dragon riders from another world.  When fate drags him to them, Aram will find acceptance and friendship for the first time in his life, as well as the opportunity to fight against the Exilari, their dark allies in this new world, and the ancient monsters who control them.  But to do that, Aram will need to learn to tap into the massive power lying deep within him and figure out how to use it to become a true Champion, the most powerful beings in two worlds.  Can Aram become both a Champion and a dragon rider, and what role will Markus play in his turbulent life?

I am really regretting not reading this book when it first came out.  While it was a lengthy read, Dragon Mage proved to be an excellent and captivating high fantasy adventure, and it was exactly what I was in the mood for.  Featuring an elaborate and massive narrative, complete with unique fantasy elements and some exceptional characters, Dragon Mage was an outstanding book that gets a full five-star rating from me.

Spencer produced an extremely epic and complex narrative for Dragon Mage that I had a particularly awesome time getting through.  Now, I do have to admit that Dragon Mage has a pretty lengthy story and it takes a considerable amount of time and effort to get through it.  In addition, the narrative does get a bit slow in places, especially at the beginning, and there were a few points where I struggled to make progress.  However, if you set aside the time for it and make an effort to keep going, I guarantee that it is more than worth it, as it unfolds into an epic, multidimensional coming-of-age story that has a real classic fantasy vibe to it.  The impressive, self-contained tale within will keep you entertained and stick with you well after you have finished reading it.

The story itself starts off with an extended introduction to the main characters of Aram and Markus, which showcases their personalities, histories and views of the world, while also featuring their first meeting and the start of their friendship.  I struggled a little to get through this opening part of Dragon Mage, mainly because I did not initially connect with Aram and his distinctive personality.  However, once you get several chapters in, the excitement starts to increase, as you see the full potential of the protagonist, as well as the introduction of a brilliant antagonist, Sergan Parsigal, who really moves the narrative along.  He quickly captures the two protagonists, which leads to several brilliant scenes, including an awesome and exciting escape from monsters from outside of reality.  From there, the story evolves into more of a magical school narrative, which I naturally loved (see my recent list about favourite books with magical schools in them), although it doesn’t last too long, as Spencer throws in a pretty dark twist and a heartbreaking time skip.

Following this time skip, the story evolves again, with Markus and Aram separated for a while after Markus rescues Aram.  The two characters soon develop in different story arcs, with Aram spending time in a completely new world, which sees him finally starts to explore his full potential.  After some more chapters in a whole different magical school setting, the main characters converge again, with some great drama.  Without going into too much detail, the rest of Dragon Mage keeps building on the plot from the first half of the book, and the characters are thrown into a ton of deadly situations as they continue to grow and discover their destiny.  Spencer layers the rest of Dragon Mage with a great combination of adventure, war, character development, training, romance, friendship, conflict and tragedy, which comes together into an extremely powerful narrative.  There are some truly epic scenes throughout this second half of the book, and you really grow attached to all the major characters in the book, which Spencer will make you pay for in some dark sequences.  Some of the major appeal is watching the slow but steady growth of the protagonist as he evolves from being unconfident and isolated to a powerful hero, helped along by the friendships he forms with those close to him.  Everything ends with a massive pulse-pounding confrontation that will keep you on your toes and ensure you cannot put down this book as you wait to see how everything turns out.  Readers will come away from Dragon Mage extremely satisfied, and the author leaves open some intriguing storylines for the future, that I hope the author will continue. 

One of the things that I particularly appreciated about Dragon Mage was the elaborate and compelling fantasy elements that Spencer introduced.  Dragon Mage actually features two separate realities, which were previously joined before being separated into The World Above and The World Below during a historical cataclysm.  These worlds can still be journeyed through by breaches caused by magic users and much of the plot revolves around the characters trying to stop an evil plot to recombine the words in a new cataclysm.  The book starts off in The World Above, a typical medieval setting which is ruled over by a despotic empire controlled by an order of magicians known as the Exilari, who gain their power through draining the essence of anyone with magical potential.  The second half of the book is set in The World Below, which features a range of magical creatures, including dragons, magical horses, and other creatures.  The World Below is in the grip of deadly war between an evil demigod (one of several who rule both worlds) and an order of dragon riders, who serve as its primary protectors.  Spencer does a great job introducing both worlds throughout the course of Dragon Mage and while they might not be as heavily explored as if there was only one world, you get a good sense of how they different and the histories that surround them.  Both are very distinct in their own way and I had a lot of fun seeing both, especially as they provide a compelling contrast to each other as two halves of the same coin.  I really like the switch between worlds that occurred halfway through the book and having the focus change to the more magical World Below made for quite an enjoyable and exciting read. 

I was also a fan of the unique magical elements contained within Dragon Mage, which, as the name suggests, is big on magic and dragons.  The magic itself is quite interesting, if a little ethereal in its description, and there are a few different versions of it.  The primary form of magic is shown through Aram’s eyes and is tied into the strands of energy that make up the world.  These strands, which only a few people can see, can be manipulated and tied into knots by the magic user for various magical effects.  This is a very unique system, and it ties in well with Aram’s peculiarities, especially as he spends much of the early part of the book obsessed with knots without anyone understanding why.  This results in some awesome displays of magic, and I found Aram’s perception of the magic and how it works to be extremely fascinating.  Other forms of magic include Markus’ magical immunity, natural passive magic from other characters and items, as well as the magic of the Exilari, which they gain be stealing the essence from magic users like Aram.  The destructive Exilari make for exceptional villains in this book, especially as they bask in their stolen power in a very creepy way, and I deeply appreciated that Spencer spent the time to explore their organisation, especially as the protagonists spend time in their training facility.

Then of course, there are the dragons, which inhabit The World Below.  I always enjoy a good dragon focused story, and this one was pretty fun as Spencer goes for a sentient dragon that bonds with a rider.  While this has been done before, I think that Spencer altered it enough, especially as quite a lot of the book is dedicated to them and their place in the world.  The author spends a substantial time exploring the bond between human and dragon, and you get to see the entire process, from the initial training of the human recruits, the hatching of the dragons, their bonding, and then their eventual use in combat.  There are a huge number of dragon characters in this book, and you get to see inside many of their minds and their bonds, especially as Aram can communicate with all of them.  The bond itself is a deep and personal connection, and I loved the scenes that examine how lethally strong it is, with human or dragon rarely surviving the death of their partner.  Having the emotional connection to a dragon becomes a key aspect of several of the key characters and it was really moving to see characters who have lost a lot in their life find new companionship with a soul bonded dragon.  The subsequent scenes of dragon combat are extremely awesome, and I appreciated that Spencer introduced some equalisers to make sure that they didn’t come across as too overpowered.  I had a wonderful time with all the fantasy elements in this great book and Spencer made great use of all her unique or fun elements to enhance and tell a brilliant story.

On top of the elaborate narrative and compelling fantasy elements, I was also very impressed by the amazing characters that Spencer featured in Dragon Mage.  The story revolves around an outstanding cast of complex and damaged characters, each of whom brings their own light and pull to the book.  Spencer sets all of these characters up extremely well, and while it might take you a while to appreciate a couple of them, once you do, you become extremely invested in their story and want to find out what is going to happen to them next.

The most prominent character in Dragon Mage is the extremely unique character of Aram Raythe, and this book is primarily his story from childhood to adulthood.  Aram is a particularly fascinating choice for central protagonist; while he is shown to be a chosen one with great power, he also portrayed as socially inept and with many strange behaviours.  I believe that Spencer wrote Aram as an autistic character (or the fantasy equivalent), especially as he is usually described as a Savant.  I personally really enjoyed this, as you don’t see a lot of autistic characters in fiction, and it was a great twist on the classic chosen one story.  Aram has a very different viewpoint of the world, and once you understand him you find that he is one of the sweetest and nicest fantasy protagonists you are likely to find, and you really start to care.  Unfortunately, Spencer decides to punish you for caring for this character, as the author puts Aram through all manner of hell and torture which really ups the emotional impact of the story.  Not only does Aram already have a distinct lack of confidence and social issues, but he is also repeatedly tortured and is deeply traumatised for much of the book.  There is also a hidden history to his parentage and a ton of secrets that his mentors are keeping from him that will cause him further grief and impact his confidence.  Watching him overcome all of this is very moving, and it is nice to seem him find some friends and slowly build up his confidence.  Of course, there is still a lot of trauma coming for him, and you will continue to suffer as you watch him grow.  Personally, I deeply appreciated Aram’s powerful character arc and it was one of the most enjoyable and compelling things about Dragon Mage.  His entire character history and personality really set him apart from other fantasy protagonists and I appreciated the work that Spencer put into developing him and making him so appealing to the reader, especially as it pays off once he finally finds his confidence and starts to truly become a Champion.

While much of the narrative focuses on Aram, Dragon Mage is also the story of Markus Galliar, who befriends Aram early in the story and shares in many of his adventures as they become close.  Markus becomes fascinated by Aram and his unique view of the world, especially when Aram tries to help him escape his abusive father.  This friendship soon takes on new heights once Markus discovers Aram’s abilities and he starts to become his protector, a job helped by his own immunity to magic.  Constantly forced together, they form a strong bond which survives being captured by the Exilari and several other misadventures.  Despite being separated several times throughout the book, the two keep getting drawn back together and Spencer writes a great continuous narrative about their strong connection.  The two share a very heartwarming friendship throughout Dragon Mage, and I really appreciate the interesting dynamic they form which sees Markus act as both protector and social guide, even when Aram develops his immense power.  While this did have the potential to be a bit one-note, and indeed Spencer did feature way too many scenes of Markus worrying about Aram or waiting over his sick bed, I felt that the author featured a great balance with their relationship, which really pays off once Aram matures and becomes a better friend.  The author also ensures that Markus develops outside of his friendship with Aram, and he soon becomes his own man, forced to deal with the horrors of his past to survive.  Markus ends up being an extremely compelling and well-rounded protagonist and the author used him perfectly in combination with his unique central character.

Aside from Aram and Markus, I also really need to highlight two other excellent major characters in Esmir Revin and Sergan Parsigal.  Esmir is a former dragon rider and Warden to the last Champion, who died due to his failure.  Locked in his own despair and regret, as well as the distain of everyone around him, Esmir is given new life when he encounters Aram and Markus and begins training them to be Champion and Warden.  I really enjoyed Esmir as a character, especially as Spencer really captured his grief, regret, and self-loathing over his past mistakes.  Watching him become a gruff, but kind teacher, represented a great redemption arc in the book and I felt that he was a particularly complex and enjoyable supporting figure that the author did a great job with.

I was also really drawn to the character of Sergan Parsigal, who is one of the major villains of Dragon Mage.  The Exilari sorcerer who discovers and initially captures Aram and Markus, Sergan is an ambitious and powerful magic user who seeks to turn his discovery to his advantage.  Highly arrogant and malicious, Sergan cuts a distinctive and sinister figure throughout the story, even when he appears to be on the protagonist’s side, especially as he spends most of the book gobbling up magical essence to power his own spells.  I loved how Spencer portrayed him as both an adversary and a mentor to Aram and Markus at different points of the book and he ends up forming quite a complex relationship with the protagonists.  While at times Sergan is shown to be potentially thoughtful and caring, especially during an early conversation with Aram, he keeps reverting to his own selfish form, and he ended up being one of the best and most complex antagonists in this entire story.  I had a wonderful time with these brilliant characters and I’m barely scratching the surface, as Spencer featured a range of great supporting figures and villains throughout the novel, all of whom deeply enhanced this amazing narrative.

To check out this impressive fantasy read, I chose to grab Dragon Mage on audiobook, which is my go-to for massive pieces of fantasy fiction like this.  With a runtime of over 27 hours (currently the 13th longest audiobook I have ever listened to), the Dragon Mage audiobook represents a substantial time investment for audiobook fans, although I personally think it was worth it.  I tend the find that the audiobook format really enhances my appreciation of the elaborate words that authors create, but it also really brings me into the narrative.  This was definitely the case with Dragon Mage, as this format did an outstanding job enhancing the story and I loved hearing all the intense detail about Spencer’s new, unique world and its fantasy elements.  It also helped that they got an excellent narrator for Dragon Mage in the form of Ben Farrow, who did a remarkable job here.  Farrow is a deeply impressive narrator who perfectly brought this story to life and moved it along at a crisp pace.  Not only was he able to recount the massive amount of detail and lore that Spencer fit into the story, but Farrow also came up with a huge selection of fitting voices for all the characters in Dragon Mage.  Using a range of different tones and accents, Farrow dove into the cast, and I loved how he was able to capture each character’s essence with his voices.  For example, he perfectly showcases Aram’s hope and childlike wonder at the world, while also capturing his fear, uncertainty, and lack of confidence, especially after all the hell he goes through in the early chapters of the book.  Other characters are expertly portrayed as well, and I loved how Farrow showcased Markus’ determination, Esmir’s weariness, and even Sergan’s intense arrogance and distain for everyone else.  This outstanding voice work helped to turn the Dragon Mage audiobook into something very special, and I had an exceptional time listening to it.  I would strongly recommend the audiobook version for anyone interested in checking out Dragon Mage and you are in for an excellent and captivating time if you do.

Overall, Dragon Mage was an amazing fantasy novel that really showcased M. L. Spencer’s skill as an author of epic fantasy.  Featuring a captivating narrative that follows great characters around an elaborate new fantasy world, Dragon Mage is exciting, moving and awesome in all the right ways.  I had an exceptional time reading this outstanding read and I look forward to seeing how Spencer will follow it up in the future.  Recommended reading for anybody looking from some classic fantasy fun.

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The Law by Jim Butcher

On By The Unseen LibraryIn Audiobook, Fantasy, Five-Star Books, Short Stories9 Comments

The Law Cover

Publisher: Podium Audio (Audiobook – 5 July 2022)

Series: The Dresden Files – Book 17.5

Length: 3 hours and 22 minutes

My Rating: 5 out of 5 stars

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Prepare to dive back into the wild world of Jim Butcher’s iconic Dresden Files series with the latest impressive novella, The Law.

Readers of this blog might have noticed that I usually don’t go out of my way to read too many novellas or short stories and instead usually focus on full-length novels and comics.  This isn’t so much a deliberate choice as I just prefer whole books I can really sink my teeth into.  However, I had to make an exception for the latest Dresden Files novella that Jim Butcher just dropped, as I have been deeply enjoying this epic series.

The Dresden Files are a long running series of urban fantasy novels that follow protagonist Harry Dresden, a wizard who protects the people of Chicago from the magic beings and creatures they don’t even know exist.  People may remember that I first got into the Dresden Files back in 2020 when I checked out the 17th entry in the series, Battle Ground.  While I did enter this series late in the game, I still had an outstanding time with Battle Ground and it ended up being one of my top books and audiobooks of 2020.  In fact, I enjoyed it so much that I went back and started reading the series from the beginning.  So far, I have been able to read the first four Dresden Files novels, Storm Front, Fool Moon, Grave Peril and Summer Knight, all of which have been pretty impressive and captivating reads.  This dive into the older novels, plus my lingering enjoyment of Battle Ground, ensured that I was ready and eager for any new Dresden Files content that came my way, and Butcher just delivered with his latest novella, The Law.

Set a month after the events of Battle Ground, The Law sees Harry Dresden and the city of Chicago still recovering from the invasion of the Titan Ethniu and her forces, which resulted in significant destruction.  However, Dresden is primarily mourning the tragic death of his love, Karrin Murphy, and even his new responsibilities as lord of a castle and protector of Chicago isn’t enough to keep his mind off his loss.  Determined to snap Dresden out of his funk, his friends decide to get him back to basics and introduce him to someone in need of a good investigator.

Enter Maya, a former prostitute turned tutor whose grassroots education company helps to supplement the education of Chicago’s working-class children.  Working hard, Maya has managed to turn her tutoring business into a viable, if low-profit, franchise that prioritises helping as many children as possible.  However, Maya’s past life is about to come back to haunt her in the form of her former pimp, Tripp Gregory, who initiates a bogus lawsuit against Maya’s company for a ridiculous sum.  Unable to afford a lawyer and desperate for help, Maya has no choice but to turn to Chicago’s resident miracle worker, Harry Dresden.

Deciding to the take on the case and hoping to quietly warn Tripp away from Maya, Dresden soon discovers that sometimes the most dangerous opponent is a greedy idiot concerned only for themselves.  Worse, Tripp and the case have unexpected connections to the magical world, with dangerous players taking an interest in its outcome.  Forced to deal with old and new foes of considerable power, Dresden will need all his wit and will if he is to save Maya’s business and ensure that justice is found.

Well, that has gone a long way to convincing me to check out more novellas in the future.  The Law was an epic read that took Butcher’s always outstanding Dresden File’s protagonist on a short, but extremely sweet, adventure.  Bringing Butcher’s usual flair and style, while also expanding on events from the last book, The Law was a great read that gets a full five-star rating from me.

Butcher pretty much teaches a master class on how to do a short, concise and captivating story here in The Law as, despite its length, this novella had an impressive and fun narrative that I found to be utterly addictive.  Not only does it serve as a great follow up to Battle Ground but it showcases some amazing character work while presenting the protagonist with an intriguing new adventure.  The story is so much fun, and I loved how it started as seemingly non-magical job and then morphed into something more dangerous and problematic as Dresden finds that it has connections with the magical world that forces him to deal with some of Chicago’s key players, including some old enemies.  Bringing a small but enjoyable amount of legal thriller aspect to the series’ usual urban fantasy crime fiction style, The Law goes in some fantastic directions, as Dresden attempts to placate all the players while also serving his client.  There is a great bit of action, a ton of humour, some intriguing revelations, and even some pretty dark moments, which combine extremely well to create quite the impressive narrative.  I loved how Butcher wrapped the entire novella up, especially with that one conference scene near the end, and the reader comes away very satisfied and entertained with the entire affair.  I cannot emphasise how great this story was, and I was so damn enthralled by it that I nearly finished it in an entire sitting.

One of the things that I particularly liked about The Law is the way that it serves as a bridging novella between Battle Ground and any future entries in the series.  Butcher spends a lot of time in this story looking at the aftermath of the previous novel, especially as Battle Ground featured that epic battle that saw Chicago nearly levelled.  As such, Butcher packs The Law with a ton of callbacks to the events of the last book, and there is a huge focus on how the various characters are dealing with the aftermath, especially Dresden.  There is also a very fascinating look at the rebuilding that is occurring during this time, as well as the current state of the citizenry, many of whom are traumatised or damaged because of a battle most of them couldn’t even fully comprehend.  I really appreciated seeing the various figures featured in The Law remembering or trying to understand the events of Battle Ground, whether they are a magical person who lost someone, a normal person who went through hell, or even one of Dresden’s Knights of the Bean, who now bear a dark connection with the protagonist.  Some of the details that came out as a result are deeply fascinating, and there are even a few hints about where some potential future storylines might go, such as increased Government awareness of magic (you see evidence of them covering up the events of Battle Ground here), or the increased fear that might lead to humans attacking magic kind in the future.  All of these are featured heavily in The Law, and I liked how it was well utilised for the current story, while also showing fans of the series how different the landscape of Chicago will be in the future.  I would say that this focus on the aftermath of Battle Ground did make The Law a little less accessible to those readers who haven’t read the latest Dresden Files novel, however, I think that if you are interested in reading this, then you should definitely read Battle Ground first.

I also must talk about the great character work featured in The Law.  Despite its shorter length, Butcher manages to fit a decent number of characters in The Law, and there are some impressive character arcs and development that occurs as a result.  Naturally, most of this is focused on series protagonist and central point-of-view character, Harry Dresden, who puts on his usual brave face for most of this novella, bringing his usual insights and wicked humour to the new case.  However, it soon becomes very apparent that Dresden is still heavily traumatised by the events of Battle Ground, where he lost so much because of the war.  Despite his best efforts to hide it, Dresden is a wreck for much of the story, and it was quite confronting and moving to see him experience blackouts and emotional strains due to the tragedies he has experienced.  I think that Butcher covered his protagonist’s trauma and grief in a pretty realistic way, and I liked how he tried to use an old-fashioned investigatory case as a coping method for Dresden.  It was great to see Dresden going back to his roots as a private investigator after the chaotic and world-altering events of the last few books, and it was interesting to see how much the character’s powers, methods, insights and choices have changed as a result of everything he’s seen.  The Law ended up being quite an intense and fantastic look in the recovering Dresden and readers will like seeing his emotional damage, his recovery, and even some of his darker moments that are contained within this excellent novella.

Aside from Dresden, The Law features an excellent array of supporting characters, who bring a lot to the narrative.  Butcher made sure to include a combination of new faces and existing characters to fill out the cast, and I had a blast with how they were utilised throughout.  Several of the funniest and most interesting recurring figures from the series had substantial roles here, including Bob, Gentleman John Marcone, and even Mab, and each of their appearances and interactions with Dresden were entertaining and fitting with their previous appearances.  I enjoyed many of the great new characters that Butcher introduced here.  Some of them, including a devilish lawyer with a shrouded identity, may come back in the future, and it will be interesting to see how they are utilised.  I also enjoyed main antagonist, Tripp Gregory, mainly because he was so different that Dresden’s usual antagonists.  Rather than being a magical creature or a major threat, Tripp is a normal and rather idiotic criminal, who has a surprising power: he’s too stupid to believe in magic and too self-centred to avoid all the trouble Dresden is bringing his way.  Dresden’s reactions to having to deal with such a selfish and unusual opponent makes Tripp’s inclusion totally worth it, and I had fun seeing his arc unfold.  These characters, and more, were awesome inclusions to The Law, and their unique inputs added a lot the quality and entertainment value of the entire novella.

Finally, a quick note on the audiobook format, which was how I enjoyed The Law.  The Law audiobook has a very short run time of just over three hours and is a relatively easy audiobook to get through.  I always find myself really getting into Butcher’s excellent stories in this audio format, and this continued here with The Law, and it really helped me enjoy all the novella’s fun and entertaining details.  Probably the biggest thing about The Law audiobook was the choice of narrator.  I was deeply, deeply shocked when I discovered that long-time Dresden Files voice actor, the legendary James Marsters, wasn’t narrating The Law, and instead Butcher himself took over and voiced the entire thing.  Surprisingly, this ended up working out rather well and Butcher turned out to be a pretty competent and enjoyable audiobook narrator.  Don’t get me wrong, he’s no James Marsters (a point Butcher makes up-front, after promising Marsters would come back for future novels), but he does a really good job considering his lack of experience.  All the characters are given good, distinctive voices that fit their personalities and showcase their emotions and reactions perfectly.  His voice for Dresden was particularly good, and Butcher captured his creation’s cocky nature and damaged inner self perfectly.  While some of the accents he did were a little iffy, this was an overall fantastic performance from Butcher, and it was fun to see him contribute to his work in this way.  The Law audiobook ended up being an excellent and impressive way to enjoy this fantastic story, and it is easy the format I would most strongly recommend.

Jim Butcher continues to expand his epic Dresden Files series in some fantastic ways with the new novella, The Law.  Containing a compact, but highly impressive story loaded with some of Butcher’s best characters, The Law proved to be extremely entertaining and a lot of fun to get through.  Serving as a perfect follow-up to the major events of the last novel, The Law was an excellent and powerful entry in this long-running series that is a must read for all Dresden Files fans.

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Mind Bullet by Jeremy Robinson

On By The Unseen LibraryIn Audiobook, Extended Universe, Five-Star Books, Science Fiction, Thriller14 Comments

Mind Bullet 2

Publisher: Podium Audio (Audiobook – 23 November 2021)

Series: Standalone/Infinite Timeline

Length: 11 hours and 42 minutes

My Rating: 5 out of 5 stars

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The deliciously twisted mind of bestselling science fiction thriller author Jeremy Robinson returns with another epic and over-the-top adventure, Mind Bullet, a fantastic and captivating read.

Robinson is an outstanding author whose work I first checked out earlier this year.  Known for his Nemesis Saga and Chess Team series, Robinson is currently working on a collection of partially connected standalone novels, all of which are set within the same extended universe and which are leading up to some massive crossover novels.  I was lucky enough to read one of Robinson’s other 2021 releases earlier this year, The Dark, which was a captivating and deeply entertaining read with a bonkers story to it.  I had a wonderful time with The Dark, which got a full five-star rating from me, and it made me an instant fan of this cool writer.  As such, I was extremely intrigued when I saw that he had another novel coming out this year.  This book, Mind Bullet, was another unique and fascinating read from Robinson with a killer plot to it that I just had to pick up and check out.

In the world of high-level international assassination, Jonas is something of a legend.  Raised by two honourable killers, Jonas had set out on his own, taking on the most dangerous and difficult of jobs and succeeding in some extremely flashy ways.  Despite the ostentatious techniques used in some of his kills, Jonas has managed to stay out of the limelight and out of sight from conventional law enforcement due to fact that none of his targets ever shows any signs of violence.  That is because Jonas has a secret: he has telekinesis and can blow a small hole into people’s brains merely by concentrating on them, an unexplained ability he calls Mind Bullet.

However, despite all his success and the accompanying wealth, Jonas is unhappy and depressed.  Alone except for his sarcastic and possibly psychotic AI, Bubbles, Jonas is still grieving the loss of his dead parents, convinced that someone killed them and got away with it.  As his depression and loneliness results in Jonas taking more and more dangerous jobs, Bubbles decides to intervene for his own good.  Playing matchmaker, Bubbles determines that Madee, a local Thai food delivery woman and part-time thief, would be perfect for him.  After an awkward first meeting where Madee attempts to rob him, the two loners start to hit it off.  However, true love is about to get interrupted by the worst kind of gate crasher, the assassin group known as the Shrieking Ninja.

Angered by one of Madee’s burglaries, the Shrieking Ninjas attempt to break into Jonas’s house and kill them both.  Barely escaping from the Shrieking Ninjas’ mysterious and powerful master, Jonas goes on the run with Madee, hoping to find a way to get them off their trail for good.  However, the disastrous and very public encounter at his house has raised unwelcome attention and Jonas is shocked to find that a $10 million bounty has been placed on his head.  A mysterious organisation is determined to capture Jonas by any means necessary, and every elite assassin and hitman in America is willing to collect.  Pursued by a legion of outrageous killers, Jonas, Madee and Bubbles find themselves thrust into the midst of a dark and deadly conspiracy that lies in the heart of Jonas’s past and the secrets behind his lethal abilities.  Can this unusual group survive the onslaught headed their way, or will they be buried by a legion of lethal killers with their own unique abilities?

Wow, just wow, this novel was the absolute definition of fun.  Robinson did another amazing job with Mind Bullet, producing an intense and exciting novel that is wildly addictive and incredibly entertaining.  Featuring a brilliant, fast-paced story, Mind Bullet had me hooked from the very second I started listening to it, and I ended up powering through it in a few short days.  An outstanding and compelling read, this novel also got a five-star rating from me.

Mind Bullet has an awesome and deeply entertaining narrative that is extremely easy to read and even easier to get addicted to.  Robinson starts off strong with an audacious assassination involving an airborne car, an unethical AI, psychic powers and a parachute, which serves as the perfect introduction to Jonas and his assistant, Bubbles.  From there the story quickly evolves, with Jonas meeting the mysterious Madee while being forced to defend her from the outrageous Shrieking Ninjas (that name says it all).  Following that encounter, Jonas and Madee are forced to contend with continued attacks from even more unusual and deadly assassins, each of whom steal the scene they’re in, either by their unique methods or dangerous powers not unlike Jonas’s.  The protagonists are thrust into deadly situation after deadly situation, picking up new friends as progressively more dangerous foes attack with devastating effect.  This amazing and compelling narrative contains the right blend of forward action and intriguing backstory, as the attacks awaken memories from Jonas’s past, which he also seeks to explore.  After a series of interesting reveals after the halfway point of the book, the protagonists are thrust into their most dangerous situation yet when they encounter the book’s big bads, in an epic and twisty confrontation that brings everything together and ensures everything is out on the table.  All this leads up to an explosive conclusion that wraps up the story and the character arcs exceedingly well, while also leaving the door open for appearances in future Robinson books.

This entire story was extremely intense and addictive from the very beginning, and I had an outstanding time getting through it, and loved every single development, explosive encounter, and fantastically weird new character.  Despite its myriad elements, the entire narrative came together extremely well, and the readers are left feeling extremely satisfied, especially as this is a mostly self-contained story.  I felt that Robinson’s use of single first-person perspective to tell the whole story worked extremely well, especially as the point-of-view character was particularly entertaining and enjoyable.  Like most of Robinson’s stories, Mind Bullet’s narrative contained a great combination of humour, action, character growth and sheer insanity, which helps to produce a deeply entertaining and compelling plot that grabs the reader’s attention and holds on tight.  While substantially less dark in tone and character development than Robinson’s prior book, The Dark, Mind Bullet has serious moments which contrast extremely well with the inherent silliness to produce an overall epic read.  I honestly loved every second of this story, and there are some brilliant scenes featured throughout it, from massive and elaborate fight scenes, brutal psychic brawls both in reality and the mental plain, as well as several simpler scenes that deal with the characters and show their growth as people.

It is interesting to note that this book is part of Robinson’s wider Infinite Timeline, a collection of mostly unconnected novels set in the same overarching universe.  Robinson is currently making a play to combine the plots and characters of these standalone novels, and several upcoming novels will feature multiple characters from across the canon.  As such, Mind Bullet contains multiple references to Robinson’s prior works, mainly Tribe and The Dark, which are part of the same loosely connected storyline (the books of which are are going to have their first crossover in 2022’s Khaos).  There is also a surprising appearance from some of the protagonists of Robinson’s other books, which hints at the bigger crossover later in the series in Singularity (this universe’s version of Avengers: Endgame).  While readers can easily enjoy Mind Bullet without any knowledge of Robinson’s prior books, a couple of scenes and references might be a bit weird without context, especially as a few characters are briefly parachuted (or teleported) in.  Still, readers should be able to follow what is going on without too much difficulty, especially as Robinson does provide some explanation or interesting reaction from the protagonist, and hopefully these appearances will encourage them to check out some of the author’s other books.  I personally really enjoyed these inclusions, and it was fun to see how Robinson is getting more and more blatant with the connections between the various novels.  I am really looking forward to seeing how this entire series comes together, and I really need to go back and read some of Robinson’s other books before this happens.

One of the things that Robinson truly excels at as an author is his ability to produce some complex and relatable characters.  This is particularly true in Mind Bullet, which features a fantastic cast of compelling and relatable protagonists and antagonists with intriguing plot threads that the reader will quickly get invested in.

The most prominent character of this novel is the point-of-view protagonist, Jonas, the dangerous assassin with a heart of gold.  In many ways, Jonas was a pretty typical protagonist for Robinson, a confident and fun-loving figure who cracks a ton of jokes and has their own unique style and a liking for obscure pop culture.  I had a lot of fun following the adventure through Jonas’s eyes, especially as his hilarious view of all the outrageous stuff occurring around him and his constant quips kept me in stiches for most of the novel.  Despite this entertaining outer facade, once you dig deeper Jonas proves to be a lot more complex and emotionally damaged.  The character is chronically depressed and bored, especially after the mysterious car crash that killed his parents, and at the start of the book he has a substantial subconscious death wish.  The character evolves for the better as the novel progresses, especially as he starts to make some connections with the various side-characters.  These friendships and deeper relationships really change him for the better, although they also uncover a range of secrets from the past.  I loved the dive into the character’s psychic abilities, especially as he goes through a trial-by-fire against a range of powerful foes, each of whom is deadlier than the last.  It was also cool and intriguing to explore his hidden, traumatic past, which the author does extremely well through several clever flashback sequences.  The eventual reveal of who or what Jonas really is was done very well, and it will be interesting to see how the author expands on that in some of the future books.

My other favourite character in Mind Bullet was probably the sassy and potentially crazy artificial intelligence, Bubbles.  Bubbles, whose origins and capabilities are also unknown, is Jonas’s assistant and best friend, whose personality is growing based on her interactions with Jonas.  Thanks to the unique experiences she has gained living alongside a quipping assassin, Bubbles has developed quite a sarcastic and entertaining personality, and nearly every interaction with Bubbles results in an inappropriate joke or shocking comment which is pretty hilarious.  Like Jonas, Bubbles also develops a bit throughout the novel, and it was fascinating to see the author’s viewpoint about nature vs nurture when it comes to this character’s personality and emotions.  Despite being an AI, Bubbles is quite a caring being, even if she has developed some homicidal tendencies (especially towards ducks), and I appreciated the unique bond she forms first with Jonas, and then with some of the characters in the book.  Bubble’s meddling in Jonas’s life to keep him alive is particularly sweet, even if she tries to cover it with analytics, and it ended up being one of the major character threads of this book.  An outstanding and brilliant AI character who you will fall in love with!

Aside from Jonas and Bubbles, there are some other amazing characters throughout Mind Bullet.  Madee is another sassy and strong-willed female character (most of Robinson’s characters are sassy and sarcastic), whose break-in to Jonas’s house triggers all the events of the book.  Madee is another fun character, and I really loved the entertaining romance that bloomed between her and Jonas, despite their awkward, computer assisted meeting.  Robinson plays it pretty smart with Madee, and I loved some of the great twists surrounding her, even if by the final reveal it is apparent there is more going on with her.  Jonas also bands together with a group of other complex and entertaining characters, most of whom get pulled into his orbit as the world explodes around him.  While I did think the inclusion of several attractive female characters helping Jonas did appear a little harem-like, each of them proves to be a valuable member of the team, and I liked some of the fun character arcs surrounding them.  I also really need to highlight the fun collection of killers that come after the protagonists throughout Mind Bullet, especially as Robinson went out of his way to produce some wild and truly ridiculous figures here, including incompetent Neo Nazis, stereotypical gun-toting Texans, and foul-mouthed murderous nuns.  There are also a group of dangerous psychic killers, each of whom has their own unique history with Jonas, and whose compelling range of powers results in some dramatic action sequences when they try to fight the protagonists.  I had an outstanding time getting to know all these brilliant characters, and the sheer range of captivating figures really helps to make Mind Bullet stand out.

When Mind Bullet came out I absolutely had to grab this book in audiobook format.  This is because Mind Bullet was narrated by the incredibly talented R. C. Bray, who is one of my all-time favourite audiobook narrators (check out his narration of Michael Mammay’s Planetside, Spaceside and Colonyside).  Bray, who has narrated most of Robinson’s works, did another incredible job here, lending his fantastic and powerful voice to this wild and entertaining book.  Bray really gets Robinson’s fantastic protagonists and writing style, and he was soon moving this brilliant novel along and an ultra-fast pace, ensuring that listeners power through its 11 hour and 42 minute runtime in a very short order.  Bray really dives into the characters of the book, and I loved how he brought Jonas to life, ensuring that the reader gets the full sense of his humour, unique worldview and deeper inner struggles.  The rest of the character are also portrayed perfectly as well, especially Bubbles, and I loved the cool and amusing voices that he provides to each of them.  Bray obviously has a lot of fun here with this book, and the fantastic voices he uses for some of the more unique moments and characters are extremely entertaining and memorable.  I especially loved the ultra-serious and dramatic voice that he used for the formal name-drooping introduction of each major character’s names or codenames (which appear in the printed version in massive bold print).  I really appreciated this fun and entertaining take on the audiobook narration, and you will fall in love with Bray’s brilliant voice and entertaining style if you check out the audiobook version of this novel.

Overall, Mind Bullet is another epic and incredible read from the exceptional Jeremy Robinson.  Robinson’s latest book is crazy in all the right ways, and readers will deeply enjoy the wild and unpredictable ride that the characters go on.  Featuring an amazing group of characters, some fantastic humour, and some massive memorable scenes, Mind Bullet is an outstanding novel that I had an awesome time getting through.  Highly recommended to anyone looking for something fun, especially in its audiobook format, you need to check this book out!

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The Dark by Jeremy Robinson

On By The Unseen LibraryIn Audiobook, Extended Universe, Five-Star Books, Horror, Science Fiction25 Comments

The Dark Cover

Publisher: Podium Audio (Audiobook – 13 July 2021)

Series: Infinite Timeline

Length: 10 hours and 25 minutes

My Rating: 5 out of 5 stars

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Prepare for a literal journey into darkness with one of the most unique and insanely entertaining horror novels of 2021, The Dark by Jeremy Robinson.

Jeremy Robinson is a bestselling author of science fiction and horror who has been producing some amazing novels of the last few years.  Since his debut in the early 2000s, Robinson has written a massive number of novels, including several fantastic sounding series, such as his Nemesis Saga, as well as a big collection of compelling standalone novels.  I have been meaning to read some of Robinson’s books for a while, especially as one of his series, the Chess Team novels, are part of a somewhat shared universe with Jonathan Maberry’s Joe Ledger novels.  After seeing several mentions of Chess Team in Maberry’s novels, I got curious and had to have a look at Robinson’s catalogue of work.  I really love the sound of some of Robinson’s books, especially his Chess Team novels, which follow a special forces team at work against mythical threats, and the Nemesis Saga, which presents a new look at the Kaiju genre.  Before diving into these series, I thought it might be good to get an idea of Robinson’s writing style, and so I decided to read his latest standalone novel, The Dark.  I am extremely glad that I decided to check this out, as The Dark ended up being an incredible horror read that I deeply enjoyed.

Miah Gray is a messed up former army soldier, struggling with PTSD and other symptoms after his time in Afghanistan.  Now living with his mother, sister and stepfather in an upscale New Hampshire neighbourhood, Miah spends most of his time being the neighbourhood’s resident weirdo, avoiding his troubles with prescribed cannabis and holding out hopes that his crush, Jen, will notice him.  Managing to convince Jen to get high and watch a meteor shower on his roof one night, Miah thinks that his life is finally turning around.  However, nothing in his wildest dreams could prepare him for what is to come next.

Awakening the next morning, Miah and Jen are shocked to discover that the sun has been blotted out and the entire neighbourhood has been plunged into darkness.  With no communications, limited power, and no working artificial lights, Miah and his family attempt to adjust to the crazy events occurring around them.  All available evidence suggests that an obscure religious doomsday prophecy about three days and three nights of darkness is coming true, with the lore indicating that the only way to survive is to barricade yourself in your home and cover the windows.  Despite the blacked-out sun, Miah is dubious about this being a religious event, until a bright light from the heavens brands his forehead with an old Norse rune and an unholy army of demons invades.

Dark shapes are twisting their way through the neighbourhood, luring people outside and brutally dragging them away to an unknown fate, while even more terrifying figures lurk in the shadow.  Attempting to ride out the storm at home, Miah is forced into action when his parents are taken.  Leading a small group of survivors through the horrors outside, Miah attempts to save who he can while also trying to find a way to rescue those who were taken.  But as Miah and his friends flee through the surrounding demons and devils, a far more dangerous threat is waiting to assail them.  The rune on Miah’s head is starting to change him into something angry and inhuman.  Now forced to resist his own mind, Miah will need to dig deep than ever before if he wants to survive what is coming, even as it drags him straight to the gates of Hell.

Wow, now that was awesome.  When I started this novel, I strongly suspected I was going to love it, especially as it had a fantastic sounding plot, but I was unprepared for how much fun The Dark turned out to be.  Robinson has created an exceptional and dark horror novel that keeps you on the edge of your toes from the very start all the way to the finish.  I had an outstanding time listening to this book and there was no way I could give anything less than a five-star rating.

Robinson has come up with a pretty awesome story for The Dark, and I loved this unique horror tale.  The Dark has a great start to it, and the author manages to do a lot in a very short amount of time, thoroughly introducing the main character, Miah, while also setting up several of the other major supporting characters.  The novel’s big change from normal times to darkness occurs early in the novel, as soon as all groundwork has been established, so the protagonist can run right into the craziness.  It does not take long for events to go sideways, with danger and despair all around as everything goes to hell, literally.  The centre of the novel is extremely entertaining, as the protagonist meets a range of different people hunkering down through the apocalypse and slowly builds up a fun group of survivors.  At the same time, some of the characters, including Miah, are forced to face an inner evil that has been brought on by these dark events.  This internal battle for control and the elements that introduce it are very cleverly established, and it adds a fantastic new edge to the plot, especially as at times it seems like the only point-of-view protagonist is about to irrevocably snap.  All this leads up to an epic conclusion as the protagonist journeys to a very evil place and comes face to face with some startling revelations and immense horrors, as well as some interesting story threads for the future.

I felt that this was an exceptional story, and I deeply enjoyed the outstanding combination of action, horror and comedy that was expertly bundled throughout the novel.  It is rare to find a story that can alternately thrill, traumatise, and entertain in short succession, but The Dark does that in spades.  It was gloriously entertaining and there was honestly not a single moment in this book that failed to keep my attention.  The action sequences are crisp and fantastic, and you get a real sense of the intense violence happening all around the protagonist.  I also really loved the horror feel that this novel had, especially as Robinson is a master of building up tension and suspense.  Readers should be aware that there are a quite a few extremely gory scenes throughout the book, and Robinson does not hold back on the gruesome descriptions.  I liked how the author switched the tone of the novel around two-thirds of the way through, with the horror focus moving away from fear of the unknown to a more extreme and science fiction based narrative.  I did think that the sudden appearance of certain groups in the big finale were a bit coincidental and could have been telegraphed slightly better, but this really did not cut down on my enjoyment of the story, and I was still blown away with the cool action sequences that were featured in this part of the book.  This was a really good standalone horror story, and I was deeply impressed with the exceptional narrative that Robinson featured in this book.

One of the things that I really appreciated about The Dark were the cool monsters and horror elements that Robinson came up with.  The entire concept of the novel revolves around dangerous creatures who come out during an eclipse of the sun that covers the entire setting in darkness, while also wreaking havoc on human technology.  Not only are these monsters pretty freaky and deadly, but Robinson builds up an intriguing mythology around them.  Because the protagonists have no idea what they are facing, the entire phenomenon is attributed to a religious event, especially as there is a coincidental Christian prophecy about three days and three nights of darkness which will purge those who leave their house.  Once the monsters appear, the characters initially identify them as demons, due to their unique look, ability to replicate voices and their dark and disturbing laughter.  I found these attempts by the protagonists to understand what is happening to them to be really fascinating, and it involves some fun looks at mythology and ancient lore.  The character’s understanding of these creatures evolves and changes over time, as there are some new freaky bits of context, and I thought it was pretty cool the way that Robinson was able to adapt these horror elements.  I also must highlight the terrifying setting of Hell, where the protagonists eventually end up.  There are some pretty dark and excessively gruesome aspects to this location, and it was a very fitting location for the big finale.  Overall, I really liked the cool creatures and mythology that Robinson brings to The Dark and it was so much fun to see these monsters tear through a typical suburban neighbourhood.

Easily one of the best things about The Dark were the complex and impressive characters that the narrative was set around.  The most prominent of these was central protagonist and point-of-view character, Miah, a former soldier who returned from the war even more messed up then before.  Initially a bit of a weirdo loner, Miah soon evolves into a more heroic figure, especially as he takes the lead during the demonic invasion, saving several people he comes across and leading the survivors to either safety or battle.  Miah is a very deep protagonist, and I really enjoyed the impressive and powerful examination of his inner trauma and the mental burdens he carries after his time in the army.  Robinson really tries to make Miah as complex as possible, and he even works some of his own personal experiences with trauma into his protagonist’s psyche.  It was great to see him evolve throughout the course of the book, especially once he has the fate of several other people on his hands, and these events help him grow and overcome his previous experiences.  Miah is also an extremely entertaining protagonist to follow, especially as he has a great sense of humour, is constantly high and initially does not take anything seriously, even when all the lights go out.  This combination results in Miah doing some unusual things, including wearing one of his sister’s skirts for the first third of the novel (it’s weird, but it works).  Most of the book’s humour comes from his flippant narration of the weird events occurring around him, and even once stuff gets really serious, he still has plenty of fun jokes or odd observations about what he encounters.  I loved his outrageous outlook on the world, and I ended up really appreciating Robinson’s fantastic choice of protagonist.

Aside from Miah, Robinson also comes up with some other fantastic characters who go through these apocalyptic events with him.  All these characters are set up extremely well when they are introduced, and Robinson does a great job quickly examining their personalities and expanding on them throughout the course of the book.  There are several fun characters featured throughout The Dark, although my favourite two are probably Bree and Emma, two younger girls who end up part of Miah’s group.  Despite their youth, these two characters are extremely capable and quickly adapt to the weird new world that they live in.  This is in part due to them being branded like Miah, which slowly changes their personalities, turning them into something different.  Both characters react to their branding in different ways, with the eight-year-old Bree more swiftly losing her humanity.  It was pretty fun to see this young kid become more and more bloodthirsty as the novel progresses, and there are some great moments where Miah tries to control her.  It looks likes Robinson has some plans for both Miah and Bree in the future (Demon Dog and Laser Chicken for the win), and I look forward to them turning up again.

While I was checking out some of Robinson’s novels, one of the things that stood out to me was that all his novels have been converted to my favourite format, the audiobook, and that a good proportion of these were narrated by R. C. Bray.  Bray is a very talented and entertaining narrator, whose work I have previously enjoyed in some of Michael Mammay’s science fiction novels, Planetside and Colonyside (the latter being one of the better audiobooks I have listened to so far this year).  After seeing Bray’s name attached to The Dark, there was no way that I was not going to grab it on audiobook, which proved to be a very, very smart decision.

The Dark audiobook has a runtime of just under ten and a half hours, although I found myself absolutely powering through it, especially once I got into the story.  I felt that the audiobook format worked extremely well with The Dark’s first-person perspective, and the audiobook was able to progress at a really quick pace.  Bray really shined as a narrator in The Dark, and I loved the way that he presented the horrifying and intense events occurring around the characters.  Bray does an excellent job voicing the various characters in The Dark, and I particularly liked the way that he dove into voicing central protagonist Miah.  While I was initially a little dubious that Bray, who I have only previously heard voicing tough military characters, would manage with a more immature character like Miah, it ended up working really well.  Bray expertly gets inside the head of the main character voicing, and he quickly portrays Miah in all his doped-up, entertaining glory.  I think that Bray had a lot of fun voicing Miah (despite certain comments that the character makes about fancy audiobook narrators), and he did a great job presenting both the goofy side of the character and his more serious nature.  This ability to dive into Miah’s personality really enhanced the character and the overall story and I really enjoyed all the emotion that Bray threw into him.  I also liked some of the other voices that he did for The Dark, with all the characters ending up with some distinctive and fitting voices, even the younger ones.  This excellent voice work really helps to turn The Dark into an outstanding audiobook production, and I would strongly recommend this format to anyone interested in checking out The Dark.  Also, it has bloopers at the end, which were pretty damn fun.

While The Dark is a standalone novel that can be read with no prior knowledge of Robinson’s other works, it does have interesting connections that I need to mention.  There is a big reveal at the end of the book which ties The Dark together with a previous standalone novel that was a released a couple of years ago.  While I have not read this previous novel, it was a fun connection, and, after deeply enjoying The Dark, it got me in the mood to check out some of Robinson’s other books.  I also looked at Robinson’s website after finishing The Dark and there was a very interesting post about this that has made me appreciate this novel a little more.  Apparently The Dark is an entry in a wider joint universe, known as the Infinite Timeline, which already features several novels that Robinson has released in recent years.  The Dark is part of a sub-series within this universe, and it is linked together with the above-mentioned previous novel and an upcoming novel, Mind Bullet.  This sub-series will continue to become even more linked, eventually leading to another novel, Khaos, before it, and two other sub-series, made up of 11 novels in total, will have a big crossover in the 2023 novel, Singularity.  While this does not impact who can check out The Dark, I think it is pretty awesome that Robinson is attempting to create this massive joint universe, and it has really got me intrigued.  I am now extremely tempted to try and check out the rest of the entries in this joint universe before Singularity is released, and it should be a very interesting couple of years if I do.

Overall, The Dark by Jeremy Robinson was an epic and relentlessly exciting horror novel that I had an incredible time reading.  Thanks to its captivating story, complex characters and unique horror elements, The Dark was an outstanding book and it ended up being one of the most entertaining and compelling audiobooks I have enjoyed all year.  A definite must-read for anyone in the mood for a fun and intense horror novel, The Dark comes highly recommended and gets a full five stars from me.  I think I will end up trying some more of Robinson’s novels in the future, especially in their audiobook format, and I cannot wait to see what other crazy adventures and outrageous events he features in his books.

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The Salvage Crew by Yudhanjaya Wijeratne

On By The Unseen LibraryIn Audiobook, Science Fiction6 Comments

The Salvage Crew Cover

Publisher: Podium Audio (Audiobook – 27 October 2020)

Series: Standalone/Book One

Length: 8 hours and 21 minutes

My Rating: 4.5 out of 5 stars

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Come for the Fillion, stay for the story!  In this review, I check out the wildly entertaining audiobook version of The Salvage Crew, written by Yudhanjaya Wijeratne and narrated by actor and science fiction icon Nathan Fillion.

In the far future, a small salvage crew is about to embark on the mission of a lifetime.  It was supposed to be a simple job: travel to an alien planet and salvage an ancient UN starship.  However, from the very start everything goes wrong.  The three-man team, led by a young and still relatively human computer intelligence, is far from the most effect group, made up of outcasts with some serious personality issues.  However, their incompatibility is the least of their problems, especially once they make planetfall.

The crew quickly discover that their job is going to be far harder than expected.  The planet they have arrived on, Urmahon Beta, is full of all number of problems, such as harsh conditions, a lack of useful resources and unregistered megafauna that could crush them all with ease.  Forced to forge through this unexplored and hostile world to their goal, it soon becomes clear that they are not alone.  A rival crew of dangerous and heavily armed mercenaries made planetfall before them and has the potential to wipe out the crew with little effort.  However, something is very wrong with them, and not everything is what it seems.  The salvage team is about to discover that Urmahon Beta contains a massive secret that has the potential to change all of humanity, if it does not kill them all first.

The Salvage Crew is an interesting and captivating new science fiction novel from author Yudhanjaya Wijeratne, who debuted back in 2017 with the intriguing-sounding science fiction novel, Numbercaste.  I have to admit that I was not familiar with Wijeratne’s writing before The Salvage Crew, and the main reason that I decided to check out this book was because the audiobook was narrated by Nathan Fillion, who I am a major fan of.  However, I am extremely happy that I decided to check this novel out as it turned out to be an excellent read that featured a clever and compelling science story, with some fantastic characters and unique science fiction elements.  This, combined with Fillion’s exceptional narration, produced an impressive novel which I really enjoyed listening to.

Wijeratne has come up with an outstanding story that follows a small team as they try and overcome a series of unexpected dangers and challenges upon an isolated planet.  The author presents a cool and enjoyable narrative for The Salvage Crew, and I liked how it started out with the crew attempting to pull together a base on the planet and gather the resources needed to survive and then complete their task.  Naturally, things quickly go downhill for the characters, as they encounter all manner of challenges and surprises that hit hard and fast throughout the book.  There are a lot of cool and exciting moments throughout the plot, including a fun new version of the Charge of the Light Brigade, and the protagonists experience a lot of heavy and traumatising experiences throughout the book, some of which are quite horrific in nature.  Wijeratne lays all these events out in a compelling and logical manner and the story flows along at a great pace.  Some of this was apparently assisted with a random generator that helped Wijeratne to work out when certain events occurred in the book, which apparently worked out quite well, as I personally wouldn’t have changed the order of anything.  The end of the novel somewhat veers away from the science fiction exploration/adventure elements that defined the start of the book, and it gets quite a bit metaphysical, which could potentially lose some readers.  I myself had a good time following these intriguing plot changes, though, and I liked where the story ended up in the end.  Overall, I really enjoyed the compelling story that Wijeratne featured in this book, especially as at times it could either be wildly funny, extremely exciting or somewhat disturbing.  This blend of cool story elements resulted in an impressive read which is definitely worth checking out.

On top of this impressive science fiction narrative, I also have to point of the great characters that the story is set around, primarily the character of the Overseer.  The Overseer, also known as Amber Rose or OC by his crew, is a former human whose brain was uploaded into a computer and who now exists as an artificial intelligence.  Most of the story is told from OC’s perspective, and he is the primary first-person narrator of the book.  Despite now being a machine, OC is a very human character, with a fun and extremely likeable personality that ensures that The Salvage Crew is a very entertaining read.  Much of The Salvage Crew’s humour and comedy comes from OC’s narration, as he provides the reader will all manner of fun observations and witty jokes, including one particularly charming Jeeves and Wooster impersonation.  OC is also an amateur poet, regaling the reader and the other characters with a series of short poems that help to capture the events or the feelings that flow through OC.  These poems, which are ironically AI-generated (Wijeratne used a computer program to come up with them), add a quirky and artistic side to this character, and they end up having a surprising impact on the overall story.  As well as being a humorous narrator, OC serves as the emotional heart of the book.  Despite the fact that his transformation to an AI was supposed to make him more efficient and less concerned with the fates of his assets, OC is a very caring being, who is extremely protective of his human crew and is determined to bring them all back safe.  Watching him attempt to stay in control and save everyone is very heart-warming and it is extremely hard not to deeply appreciate him as a character as a result.  The events of The Salvage Crew also ensure that OC faces some deep and searching questions about whether he is a machine or a man, and these intriguing self-examinations ended up becoming a major part of the books plot.  I really enjoyed this complex and impressive character, and I had an amazing time seeing how his story arc unfolded.

The Salvage Crew also focuses on three other substantial characters, namely the human crew that OC drops down onto Urmahon Beta with.  These characters, Simon Joosten, Anna Agarwal and Milo Kalik are interesting people in their own right, each with their own unique and damaged personalities that makes them outsiders.  These characters are primarily shown through the eyes of OC, which adds a bit of a slant to their characterisations, although Wijeratne does also include a couple of interludes told from these characters perspectives which expands on their personalities.  These characters add a lot to the story, helping OC to achieve his goal, while also providing some compelling drama to the narrative as their issues and different personalities come to a head.  All three of these characters go through a substantial amount of trauma throughout the book, and they do not deal with it well, breaking down mentally and physically, while also clashing with OC and each other.  Watching these characters struggle to remain alive and sane becomes quite intense at times, and you really cannot help but feel sorry for each of them and hope that they survive the events of this book.  I felt that these side characters provided an interesting counterpoint to the AI character OC, especially as they helped to highlight how much humanity OC has actually lost, despite outward appearances.  The inclusion of these three compelling characters was a great touch by Wijeratne, and it helped to produce an emotionally rich overall narrative.

I also quite enjoyed the excellent science fiction elements that Wijeratne came up with for this cool book.  There are a lot of amazing science fiction inclusions throughout The Salvage Crew, and Wijeratne makes sure to utilise a lot of realistic and practical technologies.  You really get a sense of what a futuristic team of salvagers would experience and what tools they would bring to the table, and I had an amazing time seeing this depiction.  The alien world that Wijeratne utilises as the main setting for this book is also rather cool, and it serves as an excellent challenging location for the characters.  Apparently, Wijeratne used computer models/generators to come up with this planet and some elements of the book, such as what weather the characters experienced, was randomly chosen.  The author also comes up with a much wider universe in which the book is set, presenting the reader with a somewhat grim future, riven with war, over-expansion and planets negatively impacted by greedy, profit-orientated corporations.  This proves to be a bit of a grim view of the future, although it fit the overall tone of the novel extremely well.  Wijeratne shares these additional universe elements slowly throughout the course of the book and it proves to be an interesting counterpoint to the events occurring on Urmahon Beta.  The Salvage Crew also features some deep and fascinating examinations of Artificial Intelligence, as well as some other scientific elements/theories, which, without going into too many details, are quite essential for the plot of the book.  I really enjoyed these cool science fiction elements, and it is clear that Wijeratne put a lot of thought into creating his universe.

As I mentioned above several times, I ended up listening to the audiobook version of The Salvage Crew, which was narrated by the amazing and incredible Nathan Fillion.  Now, I never had any doubt that I was going to enjoy Fillion’s narration of this book and I was not disappointed in any way, shape or form.  Fillion drags listeners in from the very beginning with a very amusing introduction about how he has sanitised his voice for the listener’s protection, and the audience is pretty much in the palm of his hands from there on out.  Thanks to his excellent and compelling narration, the novel moves along on at a quick and exciting pace, allowing the listener to get through the entire story in quick succession and ensuring that there is not a significant lull in the production.  Fillion’s voice is perfect for this great story, and I really liked how he dived into the main character, the former human and current AI, Amber Rose/OC.  Thanks to his quirky personality and fun sense of humour, OC honestly felt like he was specifically written to be played by Fillion, who does an amazing job bringing him to life throughout the audiobook.  I really loved how Fillion portrayed this great central character, and the reader becomes a lot more attached to OC because of this excellent narration.  Fillion also does a good job portraying the other major characters in the novel, although he mostly uses the same voice for everyone, which occasionally made it hard to work out who was speaking.  Despite that, listeners can follow the story perfectly, and it proves to be extremely hard to get lost listening to the story.  The Salvage Crew has a run time of nearly eight and a half hours, and thanks to how awesome this format is, listeners can generally breeze through it in relatively short order.  This is an audiobook you could easily get through in one extended session, and it would be a perfect book to listen to on a long car ride.  I really loved this audiobook, and I would highly recommend this format to anyone interested in checking out The Salvage Crew.  I cannot talk up Nathan Fillion’s narration enough, and to be frankly honest, it ultimately knocked my overall rating of The Salvage Crew up a few points.

The Salvage Crew by Yudhanjaya Wijeratne is an impressive and captivating science fiction novel that takes the reader on a wild ride to the darkest frontier of human exploration.  Featuring an intense adventure on an alien planet that goes horribly wrong, The Salvage Crew makes excellent use of amazing characters, clever science fiction inclusions and a compelling plot to produce an awesome novel that is hard to put down, especially when narrated by the incredible Nathan Fillion.  As a result, The Salvage Crew comes highly recommended, especially in its audiobook format, and I am extremely keen to see what Wijeratne writes next.

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