Nero by Conn Iggulden

Nero Cover

Publisher: Michael Joseph (Trade Paperback – 28 May 2024)

Series: Nero – Book One

Length: 396 pages

My Rating: 4.5 out of 5 stars

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One of the absolute best authors of historical fiction in the world today, Conn Iggulden, returns with an exciting new series as he examines the life of Rome’s most infamous Emperor, Nero.

Conn Iggulden is a historical fiction author that I have a lot of respect for, especially as consistently presents intense and compelling reads that focus on some of the most interesting people and conflicts of the historical world.  Starting off over 20 years ago with his iconic Emperor series, which covered the complete life of Julius Caesar, Iggulden has moved through various historical periods and locations with his works.  This includes his impressive Conqueror series, which followed the life and legacy of Genghis Khan, his outstanding War of the Roses books, the fantastic standalone novel The Falcon of Sparta, and his clever Athenian series, made up of The Gates of Athens and Protector.  All these series have been really impressive, effectively balancing historical detail with exciting storytelling, and Iggulden is a favourite author of mine as a result.  Due this I have been really excited for his latest novel, Nero, which provides an intriguing look at the events that led to the ascension of the titular Emperor.

Rome, AD 37.  The greatest city in the world is in turmoil.  The decrepit and vengeful Emperor Tiberius has returned to Rome after a lengthy absence, and his first act is to order the strangulation of the man he left in charge.  As a flurry of sanctioned killings and destruction begins to reign down upon Rome, a young boy is born who is destined to burn everything around him.

Born Lucius Domitius Ahenobarbus, the boy is the son of a former champion charioteer of noble lineage, and Agrippina, the great-granddaughter of the Emperor Augustus.  With family ties reaching all the way back to original emperors, Lucius is already considered an eventual claimant to the Roman throne.  However, there are many within Rome who want power and influence for themselves and care little for the hopes and ambitions of a noblewoman and her young son.

With dark clouds on Rome’s horizon, Agrippina soon discovers that the greatest threat comes from closer to home than she realises in the form of her brother, Caligula.  Banished and robbed of everything, including her young son, Agrippina finds herself at the mercy of those around her.  However, Agrippina does not intend to be powerless forever, and when fate intervenes, she finds herself with the opportunity to influence the very heart of Roman politics.  Can Agrippina ensure the rise of her young son, the boy who will eventually be known as Nero, and will Rome ever be the same again?

This was an intriguing and gripping novel from Iggulden, who continues to show why he is one of the most consistent and entertaining authors of historical fiction.  Nero is a fascinating and thrilling read that cleverly examines the early life of the future emperor from those around him and proves very hard to put down.

Nero contains a typical Iggulden narrative, in which he focuses on a historical figure and follows them from birth to their eventual rise to power.  In Nero’s case, this book is clearly the first part of a larger series as it is dedicated to examining the childhood of the future emperor and the many events that lead to him to the throne.  As such, the focus of this novel is more on his parents, and the various other dangerous Roman figures who were around at this time.  Starting in the latter days of Tiberius’s reign, the author parallels Nero’s birth with the start of Tiberius’s purges in Rome, while also showcasing his troubled parents, including his mother Agrippina, who is essentially the main character here.  This proves to be an interesting start to the book, especially as you get a good look at many of the key figures the story is going to focus on, while also showcasing just how crazy stories recounting the history of Rome can get.

The author quickly moves the story along to the reign of Caligula, which drags the protagonists closer into the limelight due to Agrippina being the new emperor’s sister.  Naturally, it doesn’t take long for affairs to devolve into chaos, and there are some major changes that really impact the lives of the principal cast.  The second half of the book features a decent time skip which brings certain figures back into prominence and allows Agrippina to focus on her ambitions.  Iggulden does a great job showcasing Agrippina’s change of heart and new desire for power, and I liked the intrigue, political machinations and manipulations that were at the heart of this second half of Nero.  Everything leads up to an interesting conclusion, as Iggulden adds in some exciting military action, which contrasts nicely to the political and personal struggles of the first half of the plot.  The book ends on a solid note that ensures readers will come back to the series in the future, especially as the story of Nero is only just beginning.  This proved to be a very intriguing story, and I enjoyed how Iggulden showcased the many infamous historical events and wove a great, character-driven story around them.

Nero had a great tone that was a combination of character driven plot, over-the-top Roman antics and intriguing history, which I really enjoyed.  Loaded with a fast-paced and brutal story, you quickly get absorbed into the many political intrigues and dysfunctional relationships that lie at the heart of the plot, and Iggulden did an outstanding job flipping the perspective around a range of compelling historical figures and showcasing their unique views on intriguing events and the future emperor.  The story is constantly sharp and compelling, I liked how intense events got, especially as Iggulden ensured that certain dark moments of history are shown in all their glory.  I deeply enjoyed the author’s depictions of Roman history, and his take on events really stood out compared to some other series I have read set in the same period.  The chaotic nature of the antagonists, the mood of the city, and the general insanity of the times were all very impressive, and they formed a great background to the outrageous plot.  Iggulden has such a knack for displaying Roman history (as evidenced by his first epic series) and he really makes the ancient city, and iconic figures stand out for all readers.  While he does appear to take a few liberties with the historical record for storytelling purposes (honestly, what historical fictions author doesn’t ?), many of the most iconic moments of the time were captured perfectly, and he constantly ensured that the mood of the city was examined in detail.  I deeply enjoyed this fantastic and captivating historical tale, and Nero proved to be a highly addictive book to check out.

I want to also highlight some of the amazing characters featured in Nero, especially as most of them proved to be awesome takes on major historical figures.  As I mentioned before, the character of Nero himself doesn’t get a lot of time as a perspective figure in this first novel, mainly because he is quite young for most of the plot, although he does get a few intriguing moments in the second half of the book.  Instead, most of the book was dedicated to showing the formative events of his youth, as well as how he ended up in the position to eventually become emperor.  I felt that this was a smart decision on Iggulden’s behalf, and I really enjoyed seeing this in-depth examination of Nero’s history, especially as most Roman historical fiction series tend to include him as an overexaggerated villain rather than a product of the crazy times he grew up in.  I look forward to seeing how he evolves in future books, and it will be interesting to see how Iggulden utilises him as a major perspective character.

With Nero growing into the role, the character who probably gets the most focus is Agrippina the Younger, Nero’s mother and future empress.  Due to the way the plot plays out, Iggulden spends a lot of time exploring this controversial figure, and I rather enjoyed seeing the in-depth examination of the events that preceded her marriage to Claudius.  You get a very complex picture of Agrippina here, including the many tragedies surrounding her family, the violent marriage that resulted in Nero, and the terrible treatment by her brother Caligula.  Iggulden does an excellent job showcasing how these events impacted Agrippina’s personality, and you can see how and why she becomes more ruthless and determined to be the one in control.  While she does a lot of despicable things, Iggulden almost makes her a sympathetic character, although certain dark events stop you from ever truly loving her.  I deeply enjoyed the author’s portrayal of Agrippina in Nero, and she proved to be a compelling and intriguing force.

Other characters of note include Nero’s father, Gnaeus Domitius Ahenobarbus, a violent drunken former famous charioteer who Iggulden showcases in a manner similar to a modern-day angry failed sports star trying to relive their glory days.  Constantly enraged that the world has left him behind and caught up in events beyond his control, Gnaeus cuts a dark and brooding figure that proves very hard to love.  Despite this, Gnaeus was a very intriguing addition to the plot, and his fraught interactions with Agrippina left a mark that resulted in some intriguing plot points.  I must also mention the great depictions of the three emperors who preceded Nero, Tiberius, Caligula and Claudius.  All three of these emperors are notorious, and Iggulden went out of his way to show their many eccentricities and issues, as well as the impacts that they had on the Roman empire.  I always love seeing authors depict the unique events these figures were responsible for, and Iggulden did not disappoint.  As such, they all end up being major and memorable figures in Nero, which proved to be quite important, as their actions and reigns will no doubt be referenced and compared to Nero in the rest of the series.  Throw in a great collection of other fantastic historical figures, and Nero had a great cast that really brought some amazing monsters from history to life.

Conn Iggulden continues to showcase why he is one of the top authors of historical fiction.  Nero was an outstanding book that masterfully showcases the early life of the infamous emperor with a wildly entertaining story.  Exciting, dramatic and very over-the-top, Nero was an incredible read that I deeply enjoyed.  I look forward to seeing how Iggulden brings this series together in the future, and I am already very excited for the inevitable sequel.

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Devil’s Kitchen by Candice Fox

Devil's Kitchen Cover

Publisher: Bantam Australia (Trade Paperback – 26 March 2024)

Series: Standalone/Book One

Length: 480 pages

My Rating: 4.75 out of 5 stars

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One of Australia’s very best thriller authors continues her hellacious 2024 with the outstanding and epic read, Devil’s Kitchen.

Candice Fox is a very impressive author who has been doing an amazing job representing Australian authors on the international stage with her epic thrillers.  Starting off with some intriguing outback thrillers, including her Archer and Bennett series and Crimson Lake books (the latter of which have been adapted into the Australian television series Troppo), it didn’t take long for Fox to gain worldwide appeal, especially once she started collaborating with James Patterson.  Fox with Patterson has written several amazing reads, including the Detective Harriet Blue series, The Inn, 2 Sisters Detective Agency, and Fox’s other 2024 read, The Murder Inn.  Fox has also been writing some amazing standalone thrillers in recent years, including Gathering Dark, The Chase and Fire with Fire.  I have had an amazing time with these outstanding books, and they usually end up being some of the top books by an Australian author each year.  However, Fox’s latest novel, Devil’s Kitchen, might be her best thriller yet.

Everyone knows firefighters are heroes, and in the FDNY, no team is more daring or brave than the members of Engine 99.  For years this tightknit band of firefighters has stood against the worst blazes New York has to offer, working together to save lives and keep the city safe.  However, beneath this heroic façade, the four members of Engine 99 harbour a dark secret: they are ruthless and successful thieves.

Utilising their knowledge of fire to create opportunities and destroy evidence, the Engine 99 crew have pulled off several impressive heists and stolen millions of dollars.  With their loyalty, skills and ability to work within the system, the team seems unbeatable.  However, that changes when the family of one member of the team, Ben, goes missing.  Convinced that someone else on the Engine 99 crew had something to do with their disappearance, Ben attempts to make a deal with the law to save them.  However, Ben is unprepared for the carnage his actions will bring down.

Andrea ‘Andy’ Nearland is a professional undercover operative with a dangerous past.  She has spent years learning to get close to people to learn their darkest secrets and will do anything to bring her targets to justice.  Joining the team after obtaining intensive firefighting training, Andy begins the arduous task of gaining the rest of the team’s trust with Ben’s reluctant help.  However, getting through the web of secrecy surrounding the rest of Engine 99 and finding out what happened to Ben’s family will be difficult, especially as the team plots their most ambitious heist yet.  With tensions running higher than ever and her obsessive employer trying to drag her out, can Andy find out all of Engine 99’s dark secrets before it’s too late, or will her tangled web of lies and emotional connections bring her down?

This was a particularly epic book from Fox that I couldn’t put down.  Featuring an ambitious and powerful narrative that pushes the boundaries of relationships, loyalty and doing the right thing, Devil’s Kitchen had me hooked the entire way through, and this was truly an outstanding read.

I really cannot emphasise enough what a great story Devil’s Kitchen had, and this ended up being a dark and compelling thriller.  Featuring a gripping prelude that ensures you get drawn into the story, Devil’s Kitchen is quickly split between the perspectives of main characters Andy and Ben, as Andy begins her infiltration of the Engine 99 crew after Ben contacts the authorities about his crew’s criminal actions.  Joining as a new member with a romantic connection to Ben, Andy attempts to gain their trust, while the crew begins planning a new heist with destructive potential.  What follows is an intriguing game of cat and mouse as Andy uses her skills at infiltration to try and find out all their secrets, even the ones that Ben doesn’t want her to know, all while the rest of the crew battle their suspicions about her motivations.

The plot goes in some intriguing directions as Devil’s Kitchen continues, as all the team’s dark secrets and Andy’s troubled past come to light.  Andy proves to be a very smooth operator as she gets closer to finding out the truth, while Ben is a complex and haunted figure, desperate to save those he cares about, while also hoping to keep his worst secrets to himself.  I loved the many layers of deception, personal struggle and compelling personalities contained within the story, as the protagonists attempt to discover what happened to Ben’s missing family and how it ties into his heist work.  At the same time, Andy and Ben get closer, and Andy is forced to deal with her overprotective employer and former lover, whose jealousy and concern about the situation causes more trouble for her.  The last third of the story is particularly epic, as the truth in all its forms gets out, and everyone is thrown into some desperate directions.  Fox pulls together some excellent twists and turns here, and all the big reveals were suitably shocking and intense.  This was probably one of Fox’s best conclusions, and all the elaborate story threads come together perfectly, ensuring that the reader comes away satisfied with the various solutions to the book’s big mysteries.  At the same time, there are some dark and shocking moments, and I honestly did not expect how tragic Fox would make her conclusion.

I have a lot of love for how Fox brought her story together, and this proved to be a very well-written book.  The intense back and forth between the two perspective protagonists presents the reader with a dramatic and complex read, especially as both have hidden motivations and desires.  In many ways this is almost a psychological thriller, especially as Fox does an outstanding job diving into why Andy desires connections in every identity she takes on, while Ben is caught between his intense loyalty to the crew and his desires to save his loved ones.  This balance of thriller storyline and character arcs really works, and I ended up invested in both Andy and Ben’s unique storylines, even if that threatened to lead to tragedy.  Fox keeps up a fantastic and fast pace for this novel, and I honestly couldn’t put Devil’s Kitchen down at times, I was so engrossed in seeing the next dark turn or compelling character moment.

I have mentioned Andy and Ben a few times, and they really were the tortured heart and soul of the team.  Fox portrayed Ben as an outstandingly complex figure, and you really get invested in his motivations for both staying quiet and trying to end his crew’s heist careers.  Ben is forced to experience some major moral dilemmas in Devil’s Kitchen, and despite his criminal focus, you can’t help but feel bad for him.  While I enjoyed Ben’s chapters and story arc, I found Andy to be the more compelling character and I loved the idea of a master infiltrator who can go undercover and get close to people.  Fox does an excellent job of expanding out her motivations and insights while ensuring that the reader will be interested in finding out more about her past.  These gradually reveal some intriguing details into why she is so good at taking up new identities and her dangerous habit of getting too close to her targets becomes a recurring theme.  I found Andy’s clever perspective to be some of the best parts of Devil’s Kitchen, and her various techniques for getting closer to her targets were extremely clever.  I think there is a lot of potential in an extended series focused on Andy (or whatever her name will be in the future), especially as there are some open doors when it comes to her past.

Aside from Andy and Ben, I have to highlight the three antagonists of the story, the other members of Engine 99.  Made up of a damaged veteran firefighter, an unhinged fixer, and a young trainee with a gambling problem, they, along with Ben, have become a tightknit group, loyal only to each other and dedicated to earning a sufficient retirement.  Due to the story requiring Andy to get closer to them and learn their secrets, you get drawn into their tangled relationships and connections, especially as the secret to what happen to Ben’s family, as well as their latest plot, lies in uncovering that.  I really enjoyed getting to know these three additional figures, especially as you get drawn into their dark motivations and outlooks on life.  They prove to be suitably complex and intriguing antagonists for the story, and it was fascinating to see how Andy and Ben navigate their interactions with them.

Overall, I felt that Devil’s Kitchen was a pretty amazing novel from Candice Fox, and it was one of her most impressive thrillers so far.  Featuring a particularly intense, character-driven storyline focused on lies, deception and misdirection, Devil’s Kitchen had me hooked from the very beginning and I could not rest until I uncovered every single clever twist and outrageous reveal.  An exceptional read from one of Australia’s best authors, I cannot wait to see more from Fox, especially as she has yet another book coming out later this year.

Devil's Kitchen 2

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Quick Review – The Winter Palace by Paul Morgan

The Winter Palace Cover

Publisher: Penguin Books (Trade Paperback – 26 March 2024)

Series: Standalone

Length: 329 pages

My page: 4.25 out of 5 stars

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Compelling Australian author Paul Morgan presents an intense and intriguing historical drama that examines the tragic lives of a Polish husband and wife who find themselves torn apart by war and circumstance in The Winter Palace.

Plot Synopsis:

If he had died, I would know it in my heart.

In 1939, Anton, a captain in the Polish army, says goodbye to his wife, Elisabeth. He is leaving to defend their homeland against the invasion by Nazi Germany and Russia. They make a vow that – whatever happens, however much time passes – they’ll meet again at the Winter Palace, their stately home in the Polish countryside.

The winds of war draw them far apart. Anton is captured and sent to Siberia as a POW. He eventually joins a lost army that battles through snowstorms and scorching deserts in Central Asia to find freedom. Anton survives, driven by his determination to join Elisabeth again. She, meanwhile, is forced to be the ‘mistress’ of a Nazi officer before escaping to join the Polish resistance.

As the war ends, Anton and Elisabeth are at the opposite ends of the world. Anton is in Australia. Elisabeth is in Poland, awaiting his return for months and then years. Will they ever meet again at the Winter Palace?

From 1930s Europe to present-day Australia, this is a sweeping story of love that cannot be broken by time, distance, war or even death.

Morgan came up with a powerful and captivating tale in The Winter Palace which really hits hard.  Following Anton, a Polish military captain, and his wife Elisabeth, The Winter Palace features a well-planned-out split protagonist storyline that shows their respective dark journeys during the destructive chaos of World War II.

Both character-focused storylines are interesting and dark in their own ways, especially as the two protagonists go through hell and back as part of their respective war stories.  Anton’s plot follows the fate of the Polish soldiers who were captured during the joint Nazi and Soviet Invasion.  In Anton’s case, he experiences being a Soviet POW, a reluctant Soviet soldier fighting the Nazis, and then a member of the Allies when the Soviets send their freed Polish soldiers to Palestine.  Elisabeth’s story is more Poland focused, as she is forced to become a Nazi ‘mistress’ before escaping and finding purpose, first as a nurse, and then as a member of the Polish resistance.  Both storylines go in some very compelling directions, as the protagonists experience major traumas, tragedies and struggles, all while the two characters are convinced that they will never see their spouse again.

I honestly have a hard time saying which of these two storylines was my favourite, as both hit you in different ways.  Anton’s was possibly the more interesting to me as a fan of military history, and I found his constant struggle to survive the direct imprisonments he experienced to be both moving and intense.  There are some very direct tragedies in Anton’s experiences, including a particularly dark moment in the first half of the book, and I really found the story of the captured Polish soldiers to be extremely fascinating.  However, the other half the book that focuses on Elisabeth is just as dark, if not even more traumatic, especially as the protagonist experiences evil she can’t fight back against, at least not at first.  Watching her overcome her constant oppression and pull together a satisfying life that allows her to help people on many fronts was particularly inspiring, and I really enjoyed how her arc came together.

While these storylines are separate for the entirety of the plot, I felt that Morgan did a good job playing them off each other. The corresponding tragedies, the near misses in finding out each other’s fates, and the decisions they make as a result are all moving and captivating, and you are constantly enthralled to see if or how they will get back together.  I think that the ending Morgan left the book on was particularly moving, and it fit the overarching themes of the tragedy of war and not knowing about those left behind.  I also appreciated how Morgan didn’t overuse the trope of Australian descendants finding out the wartime secrets of their parents or grandparents.  Instead, readers were given a simple but highly effective connection to the present that ended the story on a thoughtful and peaceful note that was a great conclusion to such an intense story.

I really must emphasise how impressed and intrigued I was by some of the historical elements captured in The Winter Palace.  Morgan does an amazing job of showcasing various alterative experiences suffered by the Polish, from the initial invasion all the way up to the end of the war.  This includes a great rundown of how many citizens, especially women, were abused in Poland as the troops rolled in, which ensured a dark aura around the potential homecoming many characters were hoping for.  However, I found the historical details of the Polish soldiers and civilians captured in the opening days of the invasion to be the most interesting.  Watching the various hardships and journeys that these individuals had to go through during the war, including being POWs, having to fight alongside their former captors against the Nazis when they found themselves on the same side as the Soviets, and the transfer of their army to the Middle East to serve with the Allies on the Western front was extremely fascinating and it was an part of history you don’t see often in fiction.  These historical details from Morgan where some of my favourite parts of the book, and I deeply appreciated the compelling story he told around them.

Overall, The Winter Palace by Paul Morgan was an outstanding and compelling historical drama that really grabbed my attention.  Powerful, unflinching and focusing on a complex and dark period of our history, this was an emotionally charged and excellent read that is really worth checking out.

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The Gathering by C. J. Tudor

The Gathering Cover

Publisher: Michael Joseph (ebook – 16 April 2024)

Series: Standalone/Book One

Length: 412 pages

My Rating: 5 out of 5 stars

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Acclaimed author C. J. Tudor continues her excellent run of clever and dark thrillers with the intense, inventive, and gripping horror murder mystery, The Gathering.

C. J. Tudor is a talented and highly inventive author who has been producing some intriguing reads over the last couple of years. Starting with her 2018 debut, The Chalk Man, Tudor has consistently produced some compelling books with clever horror or psychological thriller elements. Her other books include The Hiding Place (also titled The Taking of Annie Thorne), The Other People, The Burning Girls and The Drift.  While Tudor’s intriguing novels have often stood out to me, generally because their unique plots, I unfortunately haven’t had the opportunity to read any of her prior works, which is something I really regret.  However, this has recently changed as I was lucky enough to receive a copy of Tudor’s latest book, The Gathering, an intriguing murder mystery thriller with some distinctive element behind it.

Welcome to the small town of Deadhart, Alaska, home to a small population of living humans and a colony of vampyrs.  Maligned and hunted beings throughout the world, vampyrs in America now have legal protection from unsanctioned killings, as long as they don’t harm any humans.  While members of the Colony attempt to stay away from humans, old hatreds, prejudices and grudges rear their ugly head when a young teenager is found murdered with his throat ripped out and his body drained of blood.

Detective Barbara Atkins, a specialist in vampyr killings and physiology, is sent to Deadhart to determine if a vampyr committed the murder and authorise a cull if the Colony is unwilling to hand over the perpetrator.  Arriving in the small town, Barbara finds the local inhabitants afraid and angry, looking for vengeance for the death of the boy and determined to wipe out the vampyrs for good, especially as this case bears a striking similarity to a previous killing blamed on the Colony 25 years ago.

Beginning her investigation, Barbara soon discovers that there is far more to the case then initially appears.  Much of the evidence has been staged, and no one is willing to tell her the truth about what has really going on in town.  When more deaths occurring throughout Deadhart and the town in uproar, Barbara deputises former Deadhart sheriff Jenson Tucker, whose investigation into the previous killings nearly left him for dead.

As Barbara and Jenson attempt to discover the culprit, it soon becomes clear that someone is attempting to stir up a conflict between the people of Deadhart and their vampyr neighbours.  With both settlements on the warpath, Barbara and Jenson need to dive into Deadhart’s dark history to truly understand the crime before them.  But is the killer a bloodthirsty vampyr, a psychotic human with a taste for chaos, or something far worse?

Tudor absolutely blew me away with this exceptional and highly clever read.  The Gathering was a brilliant book that expertly combined an inventive and well-established concept with a complex murder mystery.  Loaded with intriguing and damaged characters and a dark story of death, revenge and oppression, The Gathering was an extremely awesome book that I could not turn away from.

Thanks to its vampyr focused murder mystery, I knew I was going to really enjoy the plot behind The Gathering well in advance of reading it, and boy was I proven right.  Tudor does a wonderful job quickly and effectively setting the scene, and you are soon introduced to the town of Deadhart, the concept of vampyrs and the particulars of the murder.  What follows is a complex case as protagonist Barbara Atkins is forced to investigate as an outsider, as most of the town is filled with anti-vampyr sentiment.  Further complications are added when Atkins finds a range of dark secrets hidden throughout Deadhart, both in the present and in the past, which have bearing on the modern case.  At the same time, the various residents of Deadhart and the Colony react in different ways to the murder, using it to restart old grudges or bring long-festering hurts to the surface.

The Gathering’s narrative progresses at a fast and compelling pace, and you are soon treated to revelation after revelation, as well as several additional killings.  I loved the combination of a modern-day investigation and dives back into various periods of Deadhart’s history that emerged, especially as clues in the past have huge bearings on the modern story.  Tudor cleverly builds up several simultaneous mysteries and ongoing storylines, and soon the protagonist is not only trying to discover who the killer is but prevent a war between Deadhart and the Colony.  Everything leads up nicely to a pretty epic conclusion, which was well foreshadowed, with some pretty awesome revelations coming to the fore.  I loved how well several compelling character arcs came full circle during this confrontation, and the main antagonist of the plot proved to be quite sinister and well established.  Several other tertiary mysteries are also solved near the end, and Tudor ensures that many storylines are tied off in a satisfying and clever way.  There are some awesome twists at the end, including one surrounding one of the book’s most compelling characters, and this last twist in particular is likely to lead to additional books in the series.  I honestly was the hooked the entire way through this amazing story, and I really appreciate how Tudor brought it together.

I’m a huge sucker for classic for thrillers with distinctive twists to them, and The Gathering was a great example of this.  Tudor managed to pull together a complex murder mystery that not only features an isolated Alaskan town with a dark history and multiple complex and haunted characters, but also contains an elaborate vampiric society and history.  All these elements are used extremely well throughout The Gathering, and I was extremely impressed with how Tudor was able to tie everything so effectively together.  Tudor makes sure to tell multiple character-focused storylines at the same time, which allows for a more multifaceted plot that goes in some very interesting direction.  The split focus on several captivating and distinctive figures works wonders to enhance this, and Tudor uses this to showcase the rising tension in the town, and the various perspectives surrounding it.  There are some great plot lines here, and the way that they interacted and came together was very impressive.  I was particularly impressed by the chapters that kept coming back to an unnamed figure being held prisoner by a mysterious captor.  This storyline was weaved throughout the novel, and I was constantly left guessing about who the figures were and how it would work into the main story.  The reveal surrounding it was not what I was expecting, but I loved how well it set up a major twist at the end.  Other character-focused storylines also proved to be just as compelling, and the way everything came together was very impressive.  I honestly knocked out this book in just over a day, it was that damn good, and I cannot emphasise how cleverly Tudor brought everything together.

One aspect of this book that I really must highlight is just how great a setting Deadhart proved to be as it enhances the plot of The Gathering in so many excellent ways.  The well-written depictions of the frigid Alaskan wilderness and secluding storms allows Tudor to bring together a classic thriller background of an isolated, snowed-in town, where the protagonist is unable to get backup and is forced to rely on unlikely help from the local outsider.  While this always makes for a great story background, Tudor enhances it by building up a dark history around Deadhart and the Colony, that plays so well into the modern storyline.  This unique history of the town was expertly explored by Tudor, and it worked to produce a much more complicated mystery, one dotted with historical grudges and family feuds.  I particularly loved how effectively Tudor explored the growing terror infesting Deadhart as the killings continue, as both the humans and the isolated vampyrs begin to fear what is to come.  This undercurrent of fear and the resulting rage it leads to is almost palpable at times, and you can fully understand how and why the various characters act the way they do.

Another element of The Gathering that really impressed me was how well Tudor set up an alternate world where vampyrs exist.  The whole concept of the vampyrs as biological offshoots with several classic vampiric traits, including blood drinking and an aversion to sunlight, is quickly and effectively established by Tudor, who does a wonderful job of immediately bringing readers into this world.  As the book continues, the reader gets a more in-depth look at the vampyrs, their biology, their psychology, and their history, especially when it comes to their interactions with humans.  This examination of the interaction with humans is particularly key, as Tudor explores the prejudices that emerged, as humans learned to hate the entire species.  Featuring some fantastic parallels between other social rights issues, the relationship between the two species is explored in detail, and then applied to isolated Deadhart.  Watching the prejudices of the town come to light again was a great part of the book, especially as it is well contrasted by looks at the vampyr community.  As the story continues, you soon realise that there are monsters on both sides of the biological line, and figuring out who is crossing this line is a major part of the plot.  Defining vampyrs in both a scientific and social way proved to be very interesting, and I liked the attempts at humanising the figures and making them less of a horror monster.  That being said, there are some dark and scary scenes in The Gathering, especially when the vampyrs get angry.  Overall, the use of vampyrs is in The Gathering was very cleverly, and Tudor really highlighted her writing ability by setting this up so effectively.

The final element of the book I want to highlight is the amazing group of complex and damaged characters featured throughout The Gathering.  Tudor clearly has an aptitude for bringing together a compelling cast, as the reader is treated to a range of different figures, each of whom have their own compelling histories and dark pasts mottled by the troubled relationships between humans and vampyrs.  The most prominent of these is the visiting detective, Barbara Atkins, who is forced to battle mystery, local hatred, and her own unique feelings about vampyrs as she determines whether a cull is required.  Showcased as the calm and reasonable inclusion to the investigation, Barbara finds herself severely tested by the town’s prejudices and mistrust, while trying to find the truth no matter what.  Much of Barbara’s actions are guided by rationality, although there is an intriguing look back into her past, as her own experiences with small towns with vampyr colonies plays a big role in her motivations.  As such, she is an excellent central protagonist, and I loved how well she played the outsider figure coming into town.

In addition to Barbara, The Gathering also features a complex group of locals, each of whom have their own connection to Deadhart’s dark history and the hostile relationship between the town and the Colony.  Standouts include former sheriff Jenson Tucker, whose previous investigation of a vampyr death left him as the town pariah.  Tucker goes through a powerful redemption arc in The Gathering, and he proved to be an able secondary protagonist as he comes to terms with his many secrets.  Other great characters include an ancient vampyr, trapped in the form of a child, whose connection to the dark side of Deadhart becomes a driving force for their revenge.  There is also a mysterious local preacher determined to bring violence to the vampyrs, and who proves to be an intriguing counterpoint to the main protagonist Barbara.  Finally, the various members of an original Deadhart family with a long simmering hatred for all thing vampyr, adds a great amount of drama to the plot, not only because of their connections to the previous killing in town but because their well-established fear of vampyrs leads to much of The Gathering’s conflict.  These characters, and more, are very well written, and their dark attitudes, fearful actions and unique viewpoints add a great deal to this already impressive and emotionally charged novel.

C. J. Tudor deeply impressed me as The Gathering turned out to be one hell of a read. Expertly utilising her inventive and clever alternate world in conjunction with a captivating mystery, Tudor wrote a particularly epic tale in The Gathering, and I had such a lot of fun getting through it. An intense and powerful read, The Gathering is one of the best books I have read so far in 2024 and I cannot recommend it enough.

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Lone Wolf by Gregg Hurwitz

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Publisher: Michael Joseph (Trade Paperback – 20 February 2024)

Series: Orphan X – Book 9

Length: 420 pages

My Rating: 4.5 out of 5 stars

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Leading thriller author Gregg Hurwitz continues his high-octane Orphan X series in a big way with the epic and compelling novel, Lone Wolf.

The Orphan X books by Gregg Hurwitz is an epic series that follows a former elite government assassin, Evan Smoak, known to the intelligence community as Orphan X.  Upon leaving the program, Smoak decided to make up for his prior misdeeds by becoming an elite vigilante, The Nowhere Man, who helps those with nowhere else to turn.  This series started back in 2016 with Orphan X, although I personally started reading it with the fourth book, Out of the DarkOut of the Dark had a great plot behind it that really drew me in, as Evan went to war with a corrupt US President.  This resulted in an amazing and highly entertaining read that made me a fan of Hurwitz’s writing and ensured I would grab the next book in the series, Into the FireInto the Fire was a particularly epic read, and the Orphan X books quickly entered my yearly must-read books list as a result.  I have since had an outstanding time reading the following releases, with Prodigal Son, Dark Horse and The Last Orphan being awesome in their own way.  As such, when 2024 came around, I had very little choice but to read the latest Orphan X book, Lone Wolf, which took the protagonist in another interesting direction with a deadly adventure.

Evan Smoak, better known as either as Orphan X or the Nowhere Man, is suffering a personal crisis.  Having reached out to his long-lost father, Evan is in a dangerous emotional spiral, and is no longer the calm and confident secret agent he once was.  Looking for an easy mission to get back into his stride, Evan finds himself with an unusual job, helping a young girl find her lost dog.  Initially reluctant, Evan agrees to help, but this unlikely job will lead the infamous vigilant into all manner of trouble.

An elite female hitwoman is in Los Angeles, taking out a range of seemingly unconnected people.  Known only as the Wolf, she excels in targeted strikes and apparent accidental deaths, leaving no trace behind.  However, her final kill leaves behind two witnesses when Evan arrives on the scene looking for the lost dog.  Forced to intervene to save the daughter of the Wolf’s last victim, Evan finds himself a target of an assassin just as deadly as himself.

With the girl he just saved still in danger from a vengeful Wolf, Evan decides to save her and stop this killer terrorising his city.  But first, he needs to work out who hired her and what secrets lie behind their deaths.  His investigation leads him to two rival tech billionaires, both of whom had a motive for hiring the assassin and organising the killings.  To save the day, Evan needs to find out which of them is responsible and destroy them and the psychotic killer they hired.  But is the emotionally compromised Nowhere Man up to the task?

Lone Wolf was another outstanding addition to the Orphan X series that really showcased Hurwitz’s distinctive writing style.  Blending an intense, action-packed story, with some outstanding character development, this was an amazing book that I deeply enjoyed reading.

Hurwitz comes up with a pretty excellent story for Lone Wolf that dragged me in very quickly.  Starting off with some intense and personal character work around Evan Smoak that follows through from the last few books, Hurwitz does a good job setting the scene for much of the story off the bat, especially when it comes to the protagonist’s distracted headspace and his reliance on his unconventional family.  The author also spends this time introducing one of the book’s main villains, the Wolf, who serves as an effective mirror for Orphan X.  This initial setup works very well, as you quickly get drawn into the plot by the Wolf callous nature, while also getting invested in the protagonist’s emotional well-being.  These story aspects quickly collide, as Evan, who finds himself helping his recently discovered niece, accidently intrudes upon one of the Wolf’s kills.  The resulting extended action sequence is glorious, as Evan is forced to contend with the assassin and an army of cops, while trying to keep the daughter of the Wolf’s last victim alive.  This entire action scene is a major highlight of the first half of the book, and Hurwitz wrote a brilliant continuous and frenetic chase sequence that pushes Evan to the limit.

Following this chase sequence, the pace of the book slows down a little, although Evan still finds himself in trouble as he enters a game of cat-and-mouse with the Wolf over the fate of the bystander he just saved.  Forced to determine who hired the Wolf, Evan begins a compelling investigation angle where he probes two rival billionaires with twisted and unique morals.  At the same time, Evan also finds himself in several intriguing personal situations, including trouble with his half-brother, mentoring his adopted daughter, and even a rather entertaining side-story about a battle for control of his building’s HOA.  These work to keep the unique feel of the Orphan X series intact, and I loved how emotionally rich the book got at times.

The final third of Lone Wolf is mostly awesome, starting off with a great sequence that sees Evan interrogate a gang of thugs who have details he needs about the Wolf.  The very entertaining and over-the-top way he goes about getting said information is so damn good, and it was another major highlight off the book.  Unfortunately, the rest of the novel seems a little rushed, and frankly Hurwitz could have benefited from including another 100 pages or so to really wrap everything up perfectly.  While it is still a fun and exciting read, the reveal about who is truly behind everything isn’t too surprising, despite some attempts at misdirection.  In addition, the final confrontation against the main antagonists is somewhat weak, and could have been a little more epic, especially as one character went down way too easily.  Still, the deep character development aspects of the story end up being extremely strong, and I liked the intriguing final twist that is going to cause additional drama in the next book.  As such, I felt this was a really good story and I got so wrapped up in it.

I really enjoyed how Lone Wolf came together, especially as Hurwitz brought his usual blend of intensity and compelling human moments to this latest book.  There is a great balance here between character development and thriller action, which I deeply appreciated.  Indeed, I felt this was one of the better-balanced novels that Hurwitz has written recently.  While the action sequences are always the highlight of this book, I have really appreciated how Hurwitz seeks to offset them with more typical moments, and the focus on character relationships and ordinary occurrences, such as a funny HOA election, adds a certain level of fun to the book.  I really do think this was a great entry in the Orphan X series, and like most of the books in this series, Lone Wolf can mostly be read as a standalone, as Hurwitz is good at revisiting the key plot points from the previous books.  However, those readers going in with a greater understanding of some of the characters, especially the protagonist and his complex relationships, will get a bit more out of this book, and it was fantastic to see the further development.

As I have alluded to a few times above, a lot of Lone Wolf’s strength lies in the excellent character work that Hurwitz layers into the story.  Much of this is done to attempt to humanise the usually deadly protagonists featured within, especially as many of them are trying to adjust to a more civilian focused life after years being government assassins.  The most prominent of these is Evan Smoak, the infamous Orphan X who his trying to redeem himself as the Nowhere Man.  While Evan is usually a calm figure, minus his OECD, in this book he finds himself completely outside of his headspace as a bad encounter with his biological father at the start throws him completely out of whack.  This was a very interesting situation, and it was really moving to see this implacable figure so out of sorts and relying on his family, both adopted and newly discovered, to find himself.  Watching Evan grapple with the many personal battles surrounding him is an amazing part of the book, and you really get drawn into his emotional concerns.  At the same time, Evan continues to struggle with the more mundane elements of a normal existence, and the various awkward encounters he has with certain family members and the residence of his building, show you just how lost and damaged he truly is.  All this results in a great portrait of a complex figure, and Evan Smoak is honestly one of the best and most unique thriller protagonists out there.

While Evan is the focus of the book, he would be nothing without the unique array of side characters that have been drawn to him over the years and who supporting him in various ways.  The most prominent of these is Joey Morales, Evan’s surrogate daughter and former trainee spy who serves as his tech support.  Flippant, immature and only slightly more normal than her mentor, Joey serves as the major humanising force in Evan’s life and is a key ally, despite being a teenager.  Joey is always a fun highlight, especially as she can push the protagonist’s buttons while bringing out his protective side.  However, I liked how Hurwitz showed in Lone Wolf that despite her advanced knowledge of the world of espionage, she is still a teenager girl, and the scenes where Evan talks her through a social crisis, is surprisingly heartwarming and really captures their close relationship.  The other major character is Tommy Stojack, Evan’s armourer and one of the few constant figures in his life.  While cantankerous and unusual, Tommy serves as Evan’s rock for much of the series, and it was great to see him in this role again.  While Tommy isn’t too controversial in Lone Wolf, there were some interesting developments with him that are going to be cool to follow in the next book.

Of course, no thriller would be complete without its villains, and Hurwitz did a great job of this with both the Wolf and the nefarious billionaire who may be behind her.  Both are threatening in their own way, although I think I preferred the Wolf, as her deadly skills, ruthlessness, and enjoyment of the kill, made her an interesting opponent for Evan.  The billionaire figure was also great, and his various monologues about the state of society and how his control of personal information allows him to control people in so many ways, was nearly as menacing as the killing.  Throw in some intriguing new family elements for the protagonist, as well as the eccentric residence of his apartment complex (minus his long-term love interest who has been seemingly cut from the books), and this was an excellent group of characters whose interactions deeply enhanced the narrative.

Gregg Hurwitz continues to impress with his latest addition to the very cool Orphan X series with Lone Wolf.  An emotionally charged thriller with powerful character work, Lone Wolf is an outstanding read that comes highly recommended.  I cannot wait to see how Hurwitz follows up Lone Wolf in the future and I remain a massive fan of this amazing series.

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Quick Review – I Will Find You by Harlan Coben

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Publisher: Century (Trade Paperback – 16 March 2023)

Series: Standalone

Length: 407 pages

My Rating: 4.5 out of 5 stars

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Last year I was lucky enough to read and review the new Harlan Coben novel, I Will Find You.  This was the first book I had read from Coben, a man renowned for his twisty and tricky thriller books, and it proved to be a pretty cool read.  While I really enjoyed I Will Find You, I never actually got around to reviewing it, which was a pretty major regret I had about my writing last year.  However, as I just received a copy of Coben’s new book, Think Twice, I figured this would be a good time to finally review this amazing book.

Plot Synopsis:

David and Cheryl Burroughs are living the dream – married, a beautiful house in the suburbs, a three year old son named Matthew – when tragedy strikes one night in the worst possible way.

David awakes to find himself covered in blood, but not his own – his son’s. And while he knows he did not murder his son, the overwhelming evidence against him puts him behind bars indefinitely.

Five years into his imprisonment, Cheryl’s sister arrives – and drops a bombshell.

She’s come with a photograph that a friend took on vacation at a theme park. The boy in the background seems familiar – and even though David realizes it can’t be, he knows it is. It’s Matthew, and he’s still alive.

David plans a harrowing escape from prison, determined to do what seems impossible – save his son, clear his own name, and discover the real story of what happened that devastating night.

The first thing I need to point out about I Will Find You is that Coben came up with a pretty awesome standalone concept that really draws your attention from the get-go.  An innocent man trapped in prison for a crime he didn’t commit is always a great start to the story, but combine that with proof that his murdered child is still alive and with someone else, and you have yourself a real winning plot that I really fell in love with.  Coben easily has the writing chops to back this story idea up, and the resulting book turns into an impressive read.

I really enjoyed so many great elements of I Will Find You, especially as Coben throws in his trademark twists, elaborate action-set pieces, and fantastically complex character motivations.  The book starts with an awesome, if slightly coincidental, prison break (thank God for family connections) and develops into a good fugitive storyline with an investigative bent to it.  The resulting chase between the protagonist and his pursuers, both official and unofficial keeps the pulse racing, and I loved the combination of two fast-talking cops leading the main pursuit, and a shadowy, influential family invested in his capture/death.  The investigation angle works out very well, and the combination of Matthew’s straightforward methods, and the subtler results from Rachel, the sister-in-law, allow for some intriguing progress towards the plots conclusion.

The various resulting twists that lead up to the end of the book are well handled, and I loved how compelling Coben was able to make the plot of I Will Find You.  I particularly loved the elaborate, sinister, and slightly oddball motivations behind the actual crime, as well the lengths the antagonist was willing to go to secure what they wanted.  The unique relationships that also emerge make for some fun reading, and the compelling and over-the-top main story is well balanced with the inherent tragedy of the protagonists and the sorrow they feel for their loss.  The entire book comes to quite a fantastic conclusion which, while it could have used a little more explaining, proved to be very satisfying.

While I did enjoy the story that Coben came up with for I Will Find You, and he presented it extremely well, I did myself disliking certain elements of the plot, namely that the author relied way too much on coincidence and story elements that come out of nowhere.  A good example of this is the machinations of a certain mob-boss, which helped lead to the protagonist’s situation.  While the eventual confrontation between David and this mobster is really well written, I honestly think their involvement in the whole affair could have been set up better, as their actions, while interesting to the plot, was a bit of a sudden inclusion.  This, and other confidences and unanswered questions, conspired to throw me off the groove of the story at key points of the book, so I didn’t have as much fun as I possibly could of.  Still, this is a mostly minor issue for me, and I had an overall exceptional time with this book.

I Will Find You was a pretty novel book, and it proved to be a fantastic introduction to Harlan Coben for me.  The elaborate and intense story writing really grabbed me, and I loved the author’s ability to pull together a great character-driven twist.  As such, I Will Find You is well worth checking out, especially to those who are already fans of the author.

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The Murder Inn by James Patterson and Candice Fox

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Publisher: Century (Trade Paperback – 13 February 2024)

Series: The Inn – Book Two

Length: 307 pages

My Rating: 4.5 out of 5 stars

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The superstar writing team of James Patterson and Candice Fox produce another wildly entertaining and captivating read with the impressive and over-the-top thriller, The Murder Inn.

As one of the world’s best-known authors, James Patterson needs very little introduction, especially with a huge range of exciting thrillers and gripping murder mysteries to his name.  Patterson has been particularly prolific in recent years, as he has been writing collaboratively with talented authors to create a range of unique reads.  I have had a wonderful time reading some of the more recent Patterson collaborative books, including Blow Back with Brendan DuBoise, The Perfect Assassin with Brian Sitts, Lost with James O. Born, Death of the Black Widow with J. D. Barker (one of my favourite books of 2022) and the short story collection 3 Days to Live (featuring three additional authors).

One of my favourite authors that Patterson regularly collaborates with is Australian writer Candice Fox.  Fox is one of Australia’s best thriller authors with some great books to her name, including the excellent Crimson Lake series, and impressive standalone thrillers like Fire With Fire, Gathering Dark and The Chase.  Patterson and Fox have written several books together in the past, including the highly addictive read, 2 Sisters Detective Agency, which saw two mismatched women forced to investigate a brutal crime after finding out they’re sisters.  I really enjoyed the intriguing story this fantastic writing team cooked up and I have been keen to read more from this pairing for a while.  I finally got my chance this week as I just got my hands on an early copy of the upcoming thriller by Patterson and Fox, The Murder Inn.  The sequel to their previous novel, The Inn, The Murder Inn was a particularly fun and enjoyable book that I powered through in no time at all.

Former Boston police officer Bill Robinson has found his life getting increasingly complicated ever since he set up his little coast-side guesthouse.  Known as The Inn by the Sea, the picturesque dwelling in Gloucester, Massachusetts, has become something of a safe house for several unusual long-term boarders, including his former FBI agent girlfriend, the town’s sheriff, disturbed veteran Nick Jones, an elderly former gangster, and other mysterious or outrageous residents.  However, trouble always seems to find the occupants of the Inn, especially when secrets from their complex pasts resurface.

Bill Robinson once again finds himself on the receiving end of this trouble after attending a funeral for former police colleague Mark Bulger.  While Robison has fond memories of his dead friend, Bulger was a particularly crooked cop, whose secret stash of stolen evidence could put many dangerous people away, including notorious drug lord Norman Driver.  When Driver’s thugs come looking for it, the Bulger widow, Shauna, finds herself caught in the crossfire, but she quickly proves that she isn’t the frail old lady everyone thinks she is.

As Shauna embarks on a one-woman crusade against Norman Driver, Robinson tries to help, but his actions only put him and the Inn in the crosshairs of the crime lord.  At the same time, he also finds himself trying to uncover the secrets surrounding his best friend, Nick Jones.  Nick has been receiving threatening messages regarding his former squad in Afghanistan, whose dark deeds might soon come to light.  Caught between criminals, dangerous vigilantes, and a dark killer stalking Nick, the Inn soon finds itself under siege, and not everyone will survive the night.

This was an extremely awesome and compelling read from Patterson and Fox that had me hooked the entire way through.  Featuring a great story, loaded with action, intrigue and fun characters, The Murder Inn was an outstanding novel and one that proves near impossible to put down.

The wonderful team of Patterson and Fox came up with an excellent narrative for The Murder Inn that really draws you in quickly.  Initially starting with background on side-character Nick Jones, The Murder Inn soon introduces several intriguing storylines as protagonist Bill Robinson finds himself drawn into the various troubles of his residents and friends.  What starts as a funeral for a friend soon sees Robinson drawn into a war against a crime lord, as his friend’s widow, the wildly entertaining Shauna Bulger, finds a stash of evidence and then goes to war in the name of justice.  At the same time, Robinson finds himself drawn into Jones’s military past, as the consequences of a deadly massacre come to light.  Throw in a mysterious guest, personal dramas surrounding the various characters, and other dark secrets emerging, and this proves to be a full and compelling story.  This explosive mixture of storylines comes together extremely well as the book continues, and I loved how each of the major characters are expertly explored, especially Shauna and Nick, which allows you to get really drawn into their personal histories and demons.  Thanks to a series of betrayals and dark secrets, you are never quite sure who is going to survive this dangerous story, and the constant threat and brushes with death upped the ante in a huge way.  I loved some of the great twists and turns that emerged, and Patterson and Fox ensured that parts of the story got wonderfully over-the-top in all the right ways, especially when it comes to key character deaths.  This was such a fun and exciting story to read, and I managed to blow through it so damn quickly.

Unsurprisingly, The Murder Inn utilised Patterson’s typical writing style, which I think worked extremely well for this impressive and enjoyable story.  The use of a huge number of short, sharp chapters really draws the reader in and sets an incredibly fast pace for the story.  Due to how quick these chapters are, and the exciting and constantly evolving story that accompanies it, you honestly have a hard time putting this book down; especially as it is so tempting to read a couple more pages just to see what is going to happen next.  This frenetic pace really increases the impact of the story in places, and I loved how well the authors continued to transition between multiple point-of-view characters.  The intriguing range of perspectives increased the complexity of the plot, especially as you get to see events through the eyes of all the affected characters, including the villains, and I loved the amazing storylines that emerged as a result.  Thanks to this, it proves very hard to stop reading The Murder Inn once you start, and the authors reward you with a ton of great action and some joyfully over-the-top moments.  Despite being a sequel, The Murder Inn is essentially a standalone novel, and no knowledge of the previous book is needed to enjoy it.  This was such a great story, and the team of Patterson and Fox made sure to display in the best way possible.

Patterson and Fox came up with some great characters for The Murder Inn, and there are some amazingly likeable protagonists showcased throughout the plot.  A lot of this focus revolves around protagonist Bill Robinson, the proprietor of The Inn by the Sea and a former cop who is trying to find redemption after a questionable police career.  Bill is a great straight man for much of the chaos going on in this book, and his dedication to helping his friends no matter what, made him a very likeable figure.  I liked how Robinson’s chapters were the only ones told from the first-person perspective, especially as it gave those chapters some additional importance, and the change of pacing surrounding that was quite fun.  It also allowed the reader to get a better look at the nice romance arc surrounding the protagonist, and it was great to see him finally get some happiness, if only temporarily.  Robinson’s friend, Nick Jones, also gets a lot of focus in The Murder Inn, as one of the primary storylines revolves around him.  Jones, an army veteran, is deeply traumatised by his time in Afghanistan, especially after a dark mission made him question everything.  Already damaged by his time in the war and the paranoia that followed, Nick finds himself coming to terms with his past in a big way here, and his battle for redemption is a powerful part of the book.

Probably my favourite character in The Murder Inn was new character Shauna Bulger.  The widow of a dirty cop, Shauna finds herself in a dark situation when criminals break into her house, searching for her husband’s secrets.  Rather than lying down for them, Shauna fights back and this awakens something primal in her that sees her wage war on the local criminals.  Shauna proves to be a hilariously badass vigilante, and it was interesting to see how she finally processed years of trauma into such a violent and over-the-top response.  Her counterpart, the crime lord Norman Driver, proves to be an outstanding villain for the story, and I loved how despite being a dangerous man with a dark history, even he was overwhelmed by the unusual inhabitants of the Inn and the other deadly people coming for him.  Throw in the other great residence of the Inn, many of whom have interesting history and stories that will no doubt get explored in future books in the series, and you have an amazing cast you can’t help but fall in love with.

Overall, The Murder Inn was an exciting, awesome and captivating read that was everything I hoped it would be and more.  James Patterson and Candice Fox once again from to be an effective writing team, and I loved the impressively insane and compelling story they came up with here that I absolutely absorbed.  A wonderfully entertaining novel that any thriller fan will have an amazing time with, The Murder Inn is really worth reading.

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The Ghost Orchid by Jonathan Kellerman

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Publisher: Century (Trade Paperback – 13 February 2024)

Series: Alex Delaware – Book 39

Length: 293 pages

My Rating: 4.5 out of 5

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Legendary crime fiction author Jonathan Kellerman returns with another outstanding read in his long-running Alex Delaware series with The Ghost Orchid, which presents the reader with another gripping murder mystery.

Over the last few years, I have developed an awesome and highly enjoyable habit of starting the new year off by reading the new Jonathan Kellerman book as soon as I can.  An excellent and well-established crime fiction author, Kellerman has been producing amazing reads for decades, with his best-known works being the Alex Delaware novels, following that follow a plucky psychologist and his cop best friend as they solve the most unusual or mysterious murders in Los Angeles.  While I got into Kellerman’s work late, I have had an outstanding time with some of his more recent books, including The Wedding Guest, The Museum of Desire, Serpentine, City of the Dead and Unnatural History.  All of these novels have been amazing and filled with great mysteries, and I am always very excited to check out a new Kellerman book.  That is why I made sure to grab a copy of the new Alex Delaware novel, The Ghost Orchid, as soon as I could, and boy did it prove to be another outstanding read.

Love, revenge and deceit are all in the air when two bodies are found beside the pool in an upscale Bel Air mansion.  The two victims have been mercilessly shot down in what appears to be a targeted hit.  But who was the intended victim?  Was it the rich playboy heir who lived in the mansion or was it his wealthier neighbour with whom he had been having an illicit affair?

Noting the apparent anger behind the case, LAPD homicide detective lieutenant Milo Sturgis calls in his old friend and colleague psychologist Alex Delaware to help unwind the twisted threads of both victims’ lives.  Only recently recovered from a dangerous encounter on their last investigation, Alex is keen to get back into the saddle, even for what appears to be a simple case of revenge from a spurned husband.  However, it soon becomes clear that this murder is anything but simple.

As Alex and Milo dig deeper into the case, they discover that both dead lovers had troubled pasts and dark secrets that they were running from.  To discover who was behind the deadly murders, the two friends will need to uncover everything about their victims’ lives, including any dark connections that could identify the killer or their motives.  But neither Alex nor Milo are prepared for just how convoluted the lives of these two Los Angeles elites truly were or just how far they went to escape their pasts.

This was another brilliant read from Jonathan Kellerman that I instantly fell in love with.  The 39th entry in the Alex Delaware series, The Ghost Orchid featured Kellerman’s trademark investigative style and iconic character as they dive into another excellent mystery.

The Ghost Orchid’s story proved to be extremely interesting and addictive as it once again followed the protagonists as they embark on another fascinating investigation.  Mostly shown through the eyes of main character Alex Delaware, Kellerman paints a fantastic picture at the start of The Ghost Orchid, as he sets up the crime scene and then introduces the reader to the two murder victims.  From there, the plot advances at a steady pace, as the protagonists begin to dive into the lives of their victims and learn about their past, their secrets, and their deeper motivations.  Much of this investigation involves methodical interviews of the victim’s various friends, acquaintances, and relatives, and the running down of any leads that come their way.

Kellerman effectively moves this story along, and you are soon given some great clues regarding the case, as well as some potential additional crimes.  I loved how well the author kept up a level of suspense and uncertainty regarding which victim is the most likely intended target, and the expert blending of their backstories worked extremely well.  At the same time, Kellerman also adds in some more personal elements for the main character, including examining the fallout of the last book and his own work as a psychologist.  The entire mystery comes together extremely well at the end of the novel, and I loved the compelling story that resulted, especially as one character’s past holds the secrets for the solution of the case.  I did think that Kellerman wrapped everything up a little suddenly and with less involvement from the protagonists than you would expect, although there is a certain amount of realism in the final confrontation.  However, this proved to be an overall extremely epic story that you can’t help but get drawn into.

I really love how Kellerman structures his outstanding mysteries in the Alex Delaware series, and The Ghost Orchid is a great example of this.  Kellerman’s methodical and more realistic style of investigation always stands out to me, and I deeply appreciate how the protagonist’s attempts to solve the crime usually requires talking to multiple intriguing suspects or people with any sort of connection to the case.  While some of the dialogue between these witnesses and the protagonists occasionally feels a little off, for the most part Kellerman succeeds in building a powerful and massive picture of events that fills the reader’s mind’s eye and really draws them into the mystery.  The entire mystery in The Ghost Orchid was extremely well structured, and the slow move towards answers really drew me in and made for some great reading.  Like most of the books in the Alex Delaware series, The Ghost Orchid can be easily read as a standalone novel.  While parts of the main character arc do discuss events from the prior book and there are some callbacks to earlier novels in the series, you honestly don’t need any pre-knowledge of these books to completely appreciate The Ghost Orchid.  Due to how insular the main mystery is, as well as how well Kellerman effectively covers any relevant prior events, anyone can dive into the series here without any issue, and The Ghost Orchid proves to be an excellent addition to the Alex Delaware books.

Like all the Alex Delaware novels, the heart of The Ghost Orchid lies in the fantastic and heartfelt partnership and friendship of main characters Alex Delaware and Milo Sturgis.  Due to their long association together, the two have become best friends whose insights into the way the other thinks result in them being quite an effective investigative team.  These two have a great patter as they investigate their cases, and it always so much fun to see them bounce ideas, suggestions and insights off each other.  This friendship is always a great part of the series, and it was interesting to see it changed to a degree in The Ghost Orchid.  Due to the closing events of the previous novel, Unnatural History, Alex was badly injured while investigating a case and has been out of action for a while.  This led to quite a bit of guilt from Milo, who blamed himself for Alex getting hurt.  This changed the dynamic between the two for much of the book, especially as Milo was reluctant to bring Alex into another investigation.  It was moving and a little heartbreaking to see this guilt induced damage in their relationship, especially as Milo was a lot more protective as a result.  As such, this was a great addition to the series, and I enjoyed seeing Kellerman try to stretch the bounds of this well-established partnership in some new ways.

Aside from Alex and Milo, the two character who impact the plot of The Ghost Orchid the most are the murder victims, Giovanni Aggiunta and Meagin Lea March.  While dead for the entirety of the plot, their lives and legacies cast a shadow over the whole book, and the protagonists, as well as the reader, need to dive into the past to find out who the killer is.  Kellerman does an excellent job of featuring these two dead characters in The Ghost Orchid, and the slow-burn examination of their lives becomes a key part of the story, as the protagonists talk to family, contacts and more, while also doing copious research.  As such, you really get to know both dead characters as the book continues, which proves to be quite intriguing and powerful.  Both victims are revealed to have complicated pasts, and the disentanglement of these secrets and the examination of all their interactions, relationships and motivations raises the tension of the plot while simultaneously increasing the reader’s attachment to solving the case.  Kellerman ensures that there is a balanced focus on both victim’s pasts for much of the narrative to disguise who the intended target was for.  This really enhances the mystery of the story, and you are constantly wondering what new secret or hidden truth will be uncovered to finally allow the reader to pinpoint why they were killed.  As such, these dead characters prove just as important to The Ghost Orchid as the protagonist, and I was once again impressed at Kellerman’s ability to make me care about character we never actually see alive.

Even after decades of writing, Jonathan Kellerman continues to produce fascinating and complex mysteries that readers can get so easily lost in.  The Ghost Orchid was an outstanding novel, that saw Kellerman’s fantastic protagonists dive into another elaborate mystery.  Powerful, loaded with great characters, and making full use of Kellerman’s distinctive style, The Ghost Orchid was an excellent novel from start to finish, and I cannot recommend this latest Alex Delaware novel enough.

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Argylle by Elly Conway

Argylle Cover

Publisher: Bantam (Trade Paperback – 3 January 2024)

Series: Argylle – Book One

Length: 368 pages

My Rating: 4.25 out of 5 stars

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One of the year’s most intriguing thrillers, Argylle by Elly Conway, proves to be a fantastic and highly entertaining book that I had a wonderful time exploring at the start of 2024.

Vasily Federov, a powerful Russian billionaire, is making a bid to become the new president of Russia.  If he succeeds, his ambition, drive, and absolute lack of humanity, could lead to chaos, especially as he seeks to bring together the dangerous right-wing factions of Europe to form a destructive new empire.  Determined to secure victory and the absolute loyalty of the Russian people, Federov promises the impossible: finding and restoring a beloved national treasure infamously looted and lost during World War II, the Amber Room.

Recognising what a dangerous threat Federov poses to the world, CIA Chief Operating Officer Frances Coffey is determined to stop him winning the election.  To that end, she pulls together an elite team of agents with the goal of locating the hidden Amber Room first and keeping it from Federov’s grasp.  However, Coffey believes that her team needs a unique edge, a new member with a different set of skills and outlook on life then her current operatives.  To that end, she recruits a complete unknown, Aubrey Argylle.

The son of two international drug dealers, Argylle has been lost since the death of his parents, hiding out in the jungles of Thailand.  Argylle attracts Coffey’s attention when he risks his own life to help a team of American agents in need.  Drafted to the CIA, Argylle works to prove himself to his new team as they work to stop Federov.  As Argylle starts to adapt to the life as a secret agent, his team makes headway in discovering the location of the Amber Room, which leads them on a desperate chase across Europe.  However, the closer they get to recovering their target, the more apparent it is that someone on their team is a traitor, and they now have Argylle in their sights.

Before I go into too much detail about what I thought about Argylle, I should probably address the interesting possibilities regarding the authorship of this book.  The identity of Argylle’s author has the potential to be one of the biggest literary reveals of the year, and the internet is already buzzing with the possibilities surrounding it.  That is because Elly Conway is a pseudonym of a new author, the identity of whom is being kept secret until the upcoming film of the same name is released.  While authors writing under pseudonyms is nothing new, certain facts about this particular case, including the large amount of money spent obtaining the film rights from a first-time writer, the insane secrecy surrounding the author’s identity, and the massive cast of famous actors in the adaptation indicate that someone special might be behind the pen.  There are several theories currently circulating, including it being written by AI, by the film’s creative team, or it being a massive marketing campaign to raise interest in the film.  However, the theory that seems to be getting the most attention is that it was authored by one of the world’s most influential singers, and there are a lot of apparent hints and easter eggs surrounding that theory.

The Argylle novel only came to my attention a few weeks ago; mainly because I had seen the cool film trailer, which features some of my favourite actors, and I figured it might be worth grabbing this related book.  It was only when I subsequently dug into the underlying material surrounding the book, including the theories about the author, that I became really curious.  I am not going to lie, that very much caught my attention, and it was a major reason why I got a copy of Argylle.  If it turns out to have been merely a marketing stunt, at least it was an effective one!  I would actually love it if someone surprising wrote this book, and I look forward to seeing how this comes into play with the upcoming film, which really looks quite hilarious.  However, I’m not going to let my curiosity about who might have written it impact my review for this book, and I have tried to make a balanced analysis of this intriguing debut thriller.

With that in mind, I am going to come right out that bat and say I quite liked Argylle, and it proved to be a fun and exciting read, with a fantastic plot and a compelling main character.  Featuring a fast-paced story, enjoyable writing, and a ton of entertaining action, Argylle was an awesome book that I managed to knock it off in only a few days.

From what I understand, the upcoming film will be set around the planned fourth book in this series and will feature the fictional adventures of Elly Conway when she releases it.  Argylle is the first book in this in-universe series, so it serves as an introductory novel, featuring the origins of the titular protagonist as well as some of his supporting cast members.  Conway initiates a strong start to Argylle, as you are given compelling visions of the disturbing main villain, as well as a great introduction to protagonist Aubrey Argylle, who risks everything to save several lives in an intense and sudden sequence, before he is recruited into a secretive team of CIA agents.  The initial training montages with the new team serve as a good introduction to the spy lifestyle for the protagonist, although it does reveal an early weakness of the book that never really went away, in that there are way too many characters.  With fourteen members in this main team, many of whom get cycled around each mission, the reader has a hard time remembering each of them, and with the exception of a couple who are pushed to the front early on, you never really connect to them.  The author’s initially rough writing style also takes a bit to get used to, with certain phrases, pieces of dialogue and more feeling a little unnatural.  Despite that, I was still really enjoying the story, and these initial introductory scenes slide nicely into the main part of the book.

This central plot of Argylle involves the protagonist’s team zipping around Europe, following hidden historical clues to uncover the location of the Amber Room before their Russian opponents.  The search for historical treasures is always an awesome thriller storyline, and I think that the author did a good job of diving into the history of the Amber Room, exploring why it is so significant, and then bringing together a fun and clever hunt for the prize that combines the official historical record with some intriguing conspiracies.  This results in a fun story, as the team are required to pull off a series of intricate heists, with the Russians close on their tail.  There are some glorious set pieces here, and I loved the fun locations and over-the-top scenarios the protagonists found themselves in.  Conway also works in a great spy thriller plot about a double agent in the team, as information about their missions keeps getting leaked to the Russians, with disastrous results.  The character arcs surrounding several of the characters develop quite nicely, and it was great to see Argylle get closer to some of the other cast, while also coming out of his shell.

Everything leads up to a pretty big and violent conclusion, as the protagonists battle it out against the Russians for the prize.  Most of this was very cool, although the issue I raised before about the large team did come to fruition at the end.  In particular, the deaths of some character really were not that impactful, because you had barely gotten to know them, while the potential identity of the traitor was a lot more obvious, as it had to be one of the characters who was prominently featured.  Still, the ending was epic and memorable, and I particularly enjoyed how the traitor storyline came full circle in an excellent and moving way.  Readers come away from Argylle very satisfied, and there are some fun hints about the planned sequels that I would be quite interested to explore.

While I have noted a few writing issues that I had with Argylle, for the most part I liked how this novel came together.  The author maintains a great pace throughout the book while also keeping the readers attached to the story.  The jump between several different characters, including the villain, gives the novel some excellent layers, and it is always great to see the antagonist’s schemes in action.  I also enjoyed the unique locations the author set the story in, including the jungles of Thailand, an isolated Greek island, and deep in the European wilderness.  All these settings, including a few intriguing historical sites, are described in exceptional detail, and you can really imagine the characters walking through these wildernesses and getting up to their shenanigans.  Throw in some excellent and high-octane action sequences, as well as some fun humour based around the unconventional protagonist, and I had a great time getting through Argylle.

Another excellent element that I enjoyed about Argylle was the fantastic central character, Aubrey Argylle.  I was actually a little surprised by how he was portrayed here as, in the movie trailer, he is played by Henry Cavill in a particularly suave James Bond-esque way.  However, the author flips the script around in this book, showing Argylle to be a much more rugged individual with a complex past.  The child of two murdered drug smugglers, Argylle had a unique childhood and spends much of the book trying to reconcile his past with his current actions with the CIA.  While the author potentially over-endowed him with natural spy abilities, it was not too noticeable, and indeed I quite enjoyed seeing the character’s early uncertainties as he grows into the agent he needs to be.

The book also features several great supporting characters.  While much of the protagonist’s support team is not effectively utilised, I quite enjoyed his main friends, Woody Wyatt and Keira Carter, who get a lot of attention throughout the book, and you quickly enjoy the fun trio that forms.  I especially liked the character of Wyatt, the cocky muscle of the team who initially serves as Argylle’s main rival.  The scene when the two characters meet and Argylle gets the drop on him is one of the funniest in the book, and I really enjoyed the entertaining dynamic that formed between them.  On top of them, Frances Coffey, serves as a complicated spymaster character for most of the plot, torn between the needs of the mission and her growing attachment to her agents.  The shadowy figure of Glenn Dabrowski has one of the most intriguing storylines in the entire book, and I loved seeing his alternate view of events.  Finally, the villain, Vasily Federov, adds a great deal of deadly menace to the plot, and I really enjoyed the fun way he was portrayed.  While I still had some issues regarding the extensive cast, I think for the most part his book had an excellent group of characters, which helped added to the emotional impact and enjoy ability of Argylle.

Overall, I really enjoyed Argylle and I thought that it was a great debut novel.  While the author has some room for improvement when it comes to their writing, I felt that this was a really good first outing, especially when it came to the fantastic story, intense action and entertaining characters.  No matter who actually wrote Argylle, I personally think it was a solid, fun and highly enjoyable thriller, and I would love to get a sequel at some point.  As such, I am even more excited for the upcoming Argylle film, and I look forward to seeing what twists it contains regarding the potential author.  If some of the suspicions regarding the author are correct, I might re-upload this review again under their real name, but until then, let us leave this one credited to Elly Conway, whose first book is pretty damn wonderful.

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