The Man Who Died Twice by Richard Osman

The Man Who Died Twice Cover

Publisher: Viking/Penguin Audio (Audiobook – 14 September 2021)

Series: The Thursday Murder Club – Book Two

Length: 12 hours and 30 minutes

My Rating: 5 out of 5 stars

Following on from his epic crime fiction debut last year, writer and television personality Richard Osman presents the second book in his Thursday Murder Club series, The Man Who Died Twice.

Richard Osman is an awesome comedic talent and personality who I have enjoyed for many years on Pointless, Would I Lie to You and other fun British panel shows.  Known for his clever wit and immense height, Osman has a great sense of humour, and I was pretty excited last year when I saw that he had written a crime fiction novel, The Thursday Murder Club, which followed a group of true crime loving retirees who investigated a nearby murder.  While I knew I was likely to have a great time reading The Thursday Murder Club, I was truly blown away and it ended up being one of the best books, audiobooks and debuts I enjoyed in 2020.  Due to this, and the fact that my review for The Thursday Murder Club received a lot of attention this year, I have been really looking forward to reading the sequel for some time and I was very excited when details about The Man Who Died Twice were finally revealed.  This awesome sequel was one of my most anticipated releases for 2021 and it did not disappoint, presenting another clever and impressive character driven mystery.

Welcome back to Coopers Chase, the sprawling aged-care community near the town of Fairhaven, England, where peace and serenity is guaranteed for all its residents, aside from the thrill-seeking members of the Thursday Murder Club, a small group of friends who spend their Thursdays investigating cold cases and gruesome murders.  Made up of the intrepid Elizabeth, Joyce, Ibrahim and Ron, the Thursday Murder club has already had great success solving the murder of the previous owner of Coopers Chase, and they are now looking for their next batch of excitement.

Their wish appears to be granted when former spy Elizabeth receives a letter from a man she thought was dead, her former colleague and ex-husband, Douglas Middlemiss.  Douglas has recently run afoul of a dangerous English mobster and an international criminal cartel after stealing a bag of valuable diamonds and securing them in a secret hiding place.  Reluctantly put into witness protection by MI5, Douglas is keeping a low profile in Coopers Chase while he plans his escape and new life in retirement.  But when an assassin breaks into his flat and tries to kill him, Douglas turns to Elizabeth for help. 

Rallying the Thursday Murder Club to her side, Elizabeth attempts to figure out which of Douglas’s enemies is trying to take him out and who knew he was hiding at Coopers Chase.  But when tragedy strikes and an unknown enemy appears to have made off with the diamonds, everything seems lost.  But this opponent is unprepared for just how relentless the Thursday Murder Club can be, as Elizabeth and her friends put an ambitious plan in place.  However, this time the Thursday Murder Club aren’t just going after a killer; now they are facing down hardened criminals and assassins with a substantially less compunction about killing senior citizens.  Will the Thursday Murder Club once again solve the unsolvable, or will this be their final case?

Wow, this was amazing novel from Osman that I had an outstanding time getting through.  Featuring another epic and captivating mystery set around a fun group of characters, and featuring Osman’s amazing subtle humour, The Man Who Died Twice was an excellent read that I powered through in a few short days, and which gets another five-star rating from me.

The Man Who Died Twice has an impressive and deeply compelling character driven narrative that follows its various protagonists as they attempt to unravel the compelling case of the twice murdered man and the stolen diamonds.  This second entry in the Thursday Murder Club series can easily be enjoyed as a standalone read, although fans of the first book will no doubt have an amazing time seeing how the various characters continue to progress throughout this second book.  Osman beautifully utilises multiple character perspectives to tell several fantastic stories throughout the book, with the protagonists also involved in several personal battles, as well as attempting to bring down a local crime lord and a vicious young thug.  All of these storylines are chock full of mystery, humour, emotion and personal tragedy, as the protagonists work through the issues and challenges in their own unique ways.  The author balances all the storylines perfectly throughout the novel, eventually producing a clever and very entertaining conclusion.  I loved how the entire narrative came together, and there are some very amusing and compelling moments featured throughout.  Thanks to Osman’s ability to provide a great wrap-up to a story, the readers are left feeling incredibly satisfied and happy, especially after every single twist and bit of character development is revealed.  Combine that with Osman’s subtle sense of humour, mostly relating to the more outrageous situations these unlikely heroes casually wander in and out of, as well as some amusing jokes about being out of touch, and the barrage of references to British pop culture, and you have a very entertaining and addictive story that proves near impossible to put down.

I really enjoyed the central mystery of The Man Who Died Twice as the Thursday Murder Club and their associates are drawn into the case of Elizabeth’s ex-husband, a MI5 agent who has stolen a bunch of diamonds from a crime lord and is now avoiding assassins in the Coopers Chase retirement community.  While the initial hunt is for the location of the hidden diamonds, it soon morphs into another murder when a mysterious killer gets too close to the prize.  This is a very interesting and well-crafted mystery, and I loved how Osman moved away from more traditional murder and into the world of espionage and international crime.  To help solve this crime, the Club are forced to work with MI5 agents and soon find themselves investigating an influential criminal middleman with ties to the Mafia, who are hunting for the diamonds.  However, the nature of the crime also suggests an inside job, and the Club are forced to investigate friends and supposed allies to figure out who is responsible.  I had a great time with this mystery, and I loved the clever misdirection and various suspects that Osman featured throughout the plot.  I was able to pick up one of the twists pretty early in, but the full scope of the conspiracy was a lot more complex than I realised, with some additional unexpected reveals that I didn’t see coming.  I deeply enjoyed the elaborate and entertaining final plan utilised by the protagonists to entrap their opponents, especially when it ends in such a comical and amusing manner.  An overall compelling and fantastic mystery, I cannot wait to see what intriguing case appears in the next book.

You can’t talk about a Thursday Murder Club novel without mentioning the outstanding and loveable characters the story is formed around.  The Man Who Died Twice follows an intriguing and eclectic mix of characters as they find themselves caught up in the events of the latest mystery.  Osman spent a great deal of time in the previous novel introducing these fantastic characters and ensuring that the reader would fall in love with them.  This enjoyment for the characters continues in The Man Who Died Twice, as each character continues to evolve, with some excellent new details revealed about them.  Osman really does a good job of utilising each of these character perspectives in the novel, and I really appreciated the way in which the tone subtly changes for each of the characters.

The main characters of this book are the two female members of the Thursday Murder Club, Elizabeth and Joyce, who have some excellent moments in this latest novel.  The first of these is Elizabeth, the former spy and investigator who is now retired and has formed the Club to keep her mind busy.  Elizabeth gets a lot of attention in this novel as the story focuses on her prior relationship with Douglas, which also examines her career in espionage.  Elizabeth is a great protagonist to follow, mainly because she is bold schemer even now as an old woman.  I always have a fun time seeing her manipulating and outsmarting everyone she comes across, especially now that most of the other characters know her game but still can’t help falling into her webs.  While there is a lot of focus on her abilities and unerring talent for danger and deception, you also get a good look at her somewhat tragic personal life.  Not only is she impacted by the return of Douglas, which raises a lot of memories from her past, but she is also still trying to hold onto her current husband, Stephen, who is suffering from dementia.  I really appreciated the complex storylines around Elizabeth, and I appreciated the way in which Osman did an intriguing dive into her past.

Joyce on the other hand is a pleasant and friendly former nurse who was the last member of the gang to join the Club.  Joyce seems like your typical, well-intentioned older lady, and I am sure that many readers will see a lot of parallels between her and their own parents or grandmothers.  However, Joyce is a brilliant thinker who uses her brain and her friendly personality to make everyone like her and then help her out.  Joyce forms a fantastic partnership with Elizabeth, and the two make an effective double team, with Joyce’s more subtle tactics and insights combining well with Elizabeth’s more direct approach.  It is a lot of fun to see Joyce investigating these brutal crimes, especially as she picks up on just as much, if not more, than the experienced spy Elizabeth.  I also really appreciate the way in which Joyce’s chapters are written, with her point-of-view shown in a series of diary entries.  This different storytelling technique helps Joyce stand out as a protagonist, especially as it highlights her entertaining personality, including the revelations and observations she has about modern technology and younger people (I had so many chuckles at her forays on Instagram).

The male members of the Thursday Murder Club are Ibrahim and Ron,  who are a little underutilised compared to Elizabeth and Joyce in this novel, but they both get their intriguing storylines which were really well-written and compelling.  This is particularly true for Ibrahim, the group’s shy intellectual, who is forced to deal with a brutal physical attack from a young criminal at the start of the book, a scene which really hit me hard due to how much I got to know this harmless character during the first book.  This attack leaves Ibrahim scarred mentally as well as physically, and he spends the rest of the novel feeling quite afraid and unwilling to leave Coopers Chase.  Osman does some deep and emotional character work on Ibrahim here, and readers end up getting quite invested in his recovery as well as his intense mental journey.  This attack on Ibrahim is also the primary catalyst for Ron’s storyline, which probably gets the least amount of attention out of all the main characters.  Ron, the former union leader, who always puts on a classic tough-guy persona, is deeply impacted by the attack on his best friend and spends the early part of the book constantly by his side.  However, once it becomes clear that Ibrahim is alright, he then leads the charge against his friend’s attacker, and uses Elizabeth’s contacts to bring the thug to justice.  I felt that Osman hit the right notes with Ron in this book, and I appreciated seeing both his emotional side and his vengeful side, and I loved how they both came from the same place of love.

The final characters I want to mention are the associated members of the Thursday Murder Club, younger characters who have been drawn into the orbit of the compelling senior citizens.  These include police officers Donna and Chris, both of whom had an entertaining introduction to the Club in the previous novel and are now firm friends with them.  Donna and Chris spend most of the book attempting to bring down a Fairhaven crime lord while also dealing with their personal issues.  Chris, who was a bit of a sad-sack character in the first novel, has been revitalised by his blooming relationship with Donna’s mother.  While happy and now health conscious, this results in a lot of soul-searching by Chris, who is unsure how to pursue the romance, especially once his girlfriend is threatened by the criminal they are hunting.  Donna, on the other hand, continues her unlucky hunt for love and purpose in this novel, going from one bad date to another while also being suitably horrified by her boss sleeping with her mother.  While Donna does not get as much focus in this novel as she did in The Thursday Murder Club, she still had some great character moments, and I deeply appreciated that touching scene she had with Ibrahim.  I also need to mention Bogdan, who, after being a major suspect in the first novel, has moved on to a supporting role in this book due to his firm friendship with Elizabeth and her husband.  Simply put, Bogdan is the coolest person in Fairhaven and a true friend, helping Elizabeth with her projects by doing all manner of unusual requests, from looking after Stephen to buying a large amount of cocaine.  He has some really good scenes in this book, and Osman sets him up as quite the bright, mysterious action man with a heart of gold.  Throw in some other well-established and explored side characters in addition to the above and you have an exciting and compelling cast with a great story around them.

One of the key things about this series that I really appreciate is the way in which Osman attempts to champion the aging process and show how capable and interesting older members of the community can be.  The Man Who Died Twice is another great example of this, as it contains multiple amazing examples of older protagonists doing impossible things and manipulating people half their age in some elaborate and entertaining ways.  It was a lot of fun once again seeing these older characters taking charge, and Osman has a very unique and entertaining take on the aging process and the mindset of older people.  However, not everything is about the positives of aging, as the author once again presents some sad and dark elements that added some powerful drama to the narrative.  Throughout the course of the story, there are plenty of discussions about illness, living with regrets, and the growing realisation that death is just around the corner.  There was a particular focus on the vulnerability of the elderly, especially with Ibrahim’s storyline, as it shakes both the victim and all his friends.  There is also a compelling look at Stephen’s battle with dementia, which includes Elizabeth’s attempt to keep him in their apartment despite what may be medically best for him, resulting in some touching and emotional scenes, especially once the double meaning of the novel’s title becomes clear.  I really appreciated the author’s unique and compelling take on the aging process, and it was great to see more of the novel’s fun senior protagonists.

While I was lucky enough to receive a physical copy of The Man Who Died Twice, I decided in the end to listen to the audiobook format of this novel, which was a fantastic choice.  The Man Who Died Twice has a runtime of 12 and a half hours, although the last 40 minutes or so is an interesting interview.  I found myself getting through this audiobook extremely quickly, not just because of the amazing story but because the audiobook has a great pace to it and some excellent narration by actress Lesley Manville.  Manville, who also narrated The Thursday Murder Club, does another wonderful job in this second novel, and it was great to hear her impressive take on this fantastic story.  Manville has come up with some amazing voices for the various characters, with each person getting their own distinctive and fitting voice, with some great continuation from the first book.  Each of the character’s voices work extremely well, and I really appreciated the way in which Manville can ascribe age, emotion, and personality with her vocal work.  I had an outstanding time listening to Manville tell this cool story, and it was made even better by a fun discussion between Osman and Manville at the end of the book.  This nice and unique talk between author and narrator was an outstanding and fitting way to finish of this audiobook, especially as it offers some cool insights into the book you have just been enjoying.  I particularly enjoyed finally getting an explanation about why Osman doesn’t narrate his own novel, and I actually agree with his reasoning for it.  Overall, this was another exceptional audiobook adaptation, and I would strongly recommend this format to anyone and everyone keen to check out The Man Who Died Twice.

With his second entry in the spectacular Thursday Murder Club series, Richard Osman continues to showcase he is just as talented at writing crime fiction as he is at comedy.  The Man Who Died Twice is an outstanding and wildly entertaining read that combines an impressive story with a clever mystery, some complex and likeable characters, and a brilliant sense of humour.  This was a spectacular read and I had an incredible time getting through this fantastic sequel, especially in its amazing audiobook format.  The Man Who Died Twice was one of the best books of 2021 and I cannot wait to see where Osman takes this series next.

The Final Girl Support Group by Grady Hendrix

The Final Girl Support Group Cover

Publisher: Penguin Random House Audio (Audiobook – 13 July 2021)

Series: Standalone

Length: 13 hours and 55 minutes

My rating: 4.25 out of 5 stars

Bestselling author Grady Hendrix presents one of the most unique and intriguing novels of 2021, The Final Girl Support Group, a compelling thriller that brilliantly explores the slasher movie genre.

Hendrix is an interesting author and screenwriter whose name I have been hearing a lot in the last couple of years.  The author debuted in 2012 and has gone on to write several fun horror-based novels, including Horrorstör, We Sold Our Souls and The Southern Book Club’s Guide to Slaying Vampires.  Each of Hendrix’s previous novels had some fun concepts, and while I have not had the opportunity to check them out myself, I did read some very positive reviews for the previous two novels.  Hendrix’s latest book is The Final Girl Support Group, which caught my eye a few months ago.  What I found was a cool and clever novel that proved to be a compelling and addictive read.

We all know who the final girls are.  They are the only survivors of the vicious horror killers and slasher fiends in the movies, who manage to kill their monsters, avenge their friends, and walk off into a bloody sunset.  However, what happens to these final girls after they survive the worst days of their lives?  How do the final girls move on?

For Lynnette Tarkington, the horror of her defining moment never truly left her.  Twenty-two years since surviving terrible experiences, she is still barely able to leave her apartment, with paranoia and fear forcing her to see unimaginable danger around every corner.  Her only solace is the long-running support group she shares with five other final girls who have gone through their own traumatising events.  Together these women have slowly begun to put their lives back together one way or another, until the fateful day that one of their number fails to show up to group.

It soon becomes clear that their missing member has been murdered, a victim of one of the monsters they all fear.  As the remaining final girls go to ground, Lynnette finds herself under attack by someone who knows all about her and her escape plans.  Forced to improvise outside of her comfort zone, Lynnette discovers proof that other final girls are also being targeted.  When evidence suggests that Lynnette is responsible for some horrendous actions, she goes on the run to find out who is framing her.  Desperate, terrified, and still bearing the scars from all those years ago, Lynnette’s situation looks grim, but her latest monster is about to discover that you never count a final girl out.

As you can probably guess from the awesome plot of this book, The Final Girl Support Group is a very interesting novel that has some excellent elements to it.  Hendrix has come up with a clever narrative for this book, especially as it contains a very fun and compelling take on the classic slasher films.

The Final Girl Support Group has an excellent and deeply entertaining narrative which tells a very unique tale of a plot to kill the survivors of classic horror killers.  Hendrix does a really good job setting up each of the characters and the different world they lived in.  From there the story moves fast, as the protagonist experiences a variety of attacks on herself and her friends from all manner of directions.  The middle of the novel slows down a little and is extremely heavy, really examining the psychology of the protagonist and her friends, while also containing some excellent reveals and dark moments.  This all leads up to a very exciting conclusion, which was extremely intense and reminiscent of the films Hendrix is emulating and honouring.

Despite its roots, this novel was written more like a character-driven psychological thriller rather than a pure horror read, which I think worked extremely well.  The entire novel is loaded up with some cool twists, and the eventual reveal about who is behind the plot is pretty awesome and has some clever set-up behind it.  I loved the author’s inclusion of certain in-universe fictional articles and other inclusions, such as horror movie reviews, listicles and police transcripts, which helped to enrich the universe while also providing some interesting context to the various characters.  While I did have some issues with the middle section of the novel, mostly because of my feelings towards the main character, I felt that the entire narrative came together extremely well, and the outstanding conclusion really enhanced the entire overarching story.  An overall compelling and addictive read.

Easily the best part of this entire novel was the author’s examination of the horror/slasher genre as part of the plot.  Hendrix is obviously a massive fan of the horror genre, which is not too surprising considering he has actually written a couple of horror screenplays, such as the weird and disturbing sounding Satanic Panic, which I’m kind of keen to check out.  This love of horror is very clearly shown throughout The Final Girl Support Group, as this book acts as a major homage to some of the most famous slasher films of the last century.  The five other members of the support group are all strongly inspired by the final girls from Friday the 13th, A Nightmare on Elm Street, Halloween, The Texas Chainsaw Massacre and Scream.  Each of these characters has a very similar backstory to the characters from these movies, and Hendrix takes the time to describe the events that made them famous, which are near matches to the films, with similar characters, events and sequels.  Even Lynnette’s story, which is shown in the most detail, bears a very strong resemblance to the controversial 1980’s slasher film, Silent Night, Deadly Night and its sequel (a somewhat more obscure film that I had never heard of).

As a result, this novel is chock full of references to these various films, as well as some other horror/slasher entries (there was one that sounded a lot like Leprechaun).  I must admit that I am not the biggest fan of the horror genre, and my knowledge of slasher films is limited, however, even I was able to pick up and appreciate most of the references, which was really cool.  Hendrix does a wonderful job of deconstructing the various films, and it was extremely compelling and fascinating to see the author explore the aftermath of the event, the psychology of the killers, and the concept of crazy film fans.  I deeply appreciated the way that Hendrix structure this unique world where all these slasher movies occurred, and it was very interesting to see stuff like the final girls getting the film rights to their experiences, or the acceptance that a killer will come back in one form or another for a sequel.  The author also explores the negative sides of the slasher genre, such as the fact that they can be rather sexist and exploitative, and that author manages to cleverly tie some of the violence of the novels into the alt-right and men’s rights movements.  I did think that the underlying message that all men are evil was plastered on a little too thickly (having every single male character be an ass was a bit much), but I suppose that was a pretty significant theme of these slasher films.  This examination of the horror and slasher genre was pretty damn amazing, and fans of these movies are going to absolutely love seeing all the subtle references and compelling homages.

While I loved the story and all the amazing slasher film references in The Final Girl Support Group, I did feel that the novel was rather let down by the characters.  I was not the biggest fan of protagonist and point-of-view character, Lynnette, and I am in two minds about how much I liked her.  I did appreciate the author’s depiction of her as extremely paranoid and traumatised, which felt very realistic and deep.  I also enjoyed her survivalist mindset, which reminded me of Jamie Lee Curtis’s character in the 2018 Halloween film.  However, what annoyed me was at how incompetent the character was.  While I understood that the author was building towards the character having a breakthrough and becoming more dependable, I honestly think he really overdid the hopelessness.  Despite all her training and disaster planning, she manages to mess up every single action, interaction, or plan that she engages in, and is constantly outsmarted by the most obvious ploys or traps.  It was so frustrating to see her screw up again and again, and I found myself nearly yelling at the book every time she made a mistake.  Honestly, if Hendrix had dialled back these traits just a little, I probably would have enjoyed this novel a little more.  That being said, I did really appreciate the changes to the characters that did occur, and it was great to see her get some wins eventually.  I also enjoyed some of the twists that Hendrix set up around the character, which proved to be extremely compelling and place new light on her story.

Other members of the support group include Dani (whose story is like Halloween), Marilyn (Texas Chainsaw Massacre), Julia (Scream), Heather (Nightmare on Elm Street) and Adrienne (Friday the 13th).  Hendrix spends a bit of time exploring these characters, and it was cool to see the exploration of all these classic final girls and the aftermath of their horrors.  I really enjoyed seeing how each of them moved on with their lives after their experiences, with the characters running the gauntlet from inspirational to depressing.  It proved to be extremely captivating to learn more about these characters, and I grew to like several of them, although Heather was pretty annoying (her issues relate to her more psychological experiences, and the character does redeem herself by the end of the book).  I did find myself getting frustrated with each of these characters at times, as they also make some classic horror movie heroine mistakes, such as not performing a double tap (rule one in a horror situation), and being so quick to disbelieve Lynnette, even after all their experiences.  There were also some noticeable issues when it came to portraying the character’s ages.  Despite each of these characters having their traumatic event occur in the 1980’s when there were teenagers, none of them act like middle-aged women, which seemed really odd to me.  However, in the end I was able to overlook some of these flaws, and I ended up enjoying each of the characters’ stories and development.

While I was tempted to grab a copy of The Final Girl Support Group as an ebook for a quick read, I ended up getting the audiobook version, which has a runtime of just under 14 hours and which took me about a week to get through.  One of the more interesting things about this audiobook format is the narrator, Adrienne King, who horror/slasher fans will recognise as the final girl of the original Friday the 13th and who also had a subsequent appearance in Friday the 13th Part 2.  I felt that this was a pretty brilliant choice, not only because King portrayed a final girl but because her own real-life experiences with stalkers mirrors what happens to the characters in this novel.  However, while I did think it was a very fitting choice, I have to admit that I was not amazingly impressed with King’s narration.  She did a good job keeping the novel going at a quick pace and providing some emotion and feeling to the story, but I didn’t like the way she voiced the characters.  There is some variation between some of the final girls, but I honestly found that King’s voice work highlighted some of the character’s annoying tendencies and it never fully drew me in.  Still, this audiobook format is a fine way to enjoy this novel, and it is worth checking out.  I am also sure that Friday the 13th fans will enjoying hearing King’s take on the novel, especially when she describes the various homages to her own film, including the similarities in the deaths between one of the characters and King’s final girl in Friday the 13th Part 2.

The Final Girl Support Group was a fantastic read and is one of the more memorable and inventive novels of 2021.  Grady Hendrix does an outstanding examination of the final girl phenomenon in this novel and manages to craft quite an impressive and enjoyable thriller narrative around it.  While I wasn’t the biggest fan of every aspect of The Final Girl Support Group, it is still a great novel to check out, and horror fans will love the excellent examination of the genre.  I am very glad I decided to check this novel out and I will have to keep an eye out for whatever unusual book Hendrix writes next.